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data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">"unities" redirects here. For the concept in common law, see <a href="/wiki/Four_unities" title="Four unities">four unities</a>.</div> <p>The <b>classical unities</b>, <b>Aristotelian unities</b>, or <b>three unities</b> represent a prescriptive theory of dramatic <a href="/wiki/Tragedy" title="Tragedy">tragedy</a> that was introduced in Italy in the 16th century and was influential for three centuries. The three unities are: </p> <ol><li><i>unity of action</i>: a tragedy should have one principal action.</li> <li><i>unity of time</i>: the action in a tragedy should occur over a period of no more than 24 hours.</li> <li><i>unity of place</i>: a tragedy should exist in a single physical location.</li></ol> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History">History</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Classical_unities&action=edit&section=1" title="Edit section: History"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Italy">Italy</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Classical_unities&action=edit&section=2" title="Edit section: Italy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1514, author and critic <a href="/wiki/Gian_Giorgio_Trissino" title="Gian Giorgio Trissino">Gian Giorgio Trissino</a> (1478 – 1550) introduced the concept of the unities in his blank-verse tragedy, <a href="/wiki/Sophonisba" title="Sophonisba"><i>Sofonisba</i></a>. Trissino claimed he was following Aristotle. However, Trissino had no access to Aristotle's most significant work on the tragic form, <a href="/wiki/Poetics_(Aristotle)" title="Poetics (Aristotle)"><i>Poetics</i></a>. Trissino expanded with his own ideas on what he was able to glean from Aristotle's book, <a href="/wiki/Rhetoric_(Aristotle)" title="Rhetoric (Aristotle)"><i>Rhetoric</i></a>. In <i>Rhetoric</i> Aristotle considers the dramatic elements of action and time, while focusing on audience reception. Poor translations at the time resulted in some misreadings by Trissino.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p><p>Trissino's play <i>Sofonisba</i> followed classical Greek style by adhering to the unities, by omitting the usual act division, and even introducing a chorus. The many Italian playwrights that came after Trissino in the 16th Century, also wrote in accordance to the unities. However, according to <i>The Cambridge Guide to Theatre</i>, the imitation of classical forms and modes had a deadening effect on Italian drama, which became "rhetorical and inert". None of the 16th century tragedies that were influenced by the rediscovery of ancient literature have survived except as historic examples. One of the best is <a href="/wiki/Pietro_Aretino" title="Pietro Aretino">Pietro Aretino</a>'s <i>Orazia</i> (1546), which nevertheless is found to be stiff, distant and lacking in feeling.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>In 1570 the unities were codified and given new definition by <a href="/wiki/Lodovico_Castelvetro" title="Lodovico Castelvetro">Lodovico Castelvetro</a> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1505</span> – 1571) in his influential translation and interpretation of Aristotle's <i>Poetics</i>, <i>Poetica d'Aristotele vulgarizzata e sposta</i> ("The Poetics of Aristotle translated in the Vulgar Language and commented on"). Though Castelvetro's translations are considered crude and inaccurate, and though he at times altered Aristotle's meanings to make his own points, his translations were influential and inspired the vast number of scholarly debates and discussions that followed all through Europe.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="France">France</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Classical_unities&action=edit&section=3" title="Edit section: France"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>One hundred and twenty years after <i>Sofonisba</i> introduced the theory to Italy, it then introduced the concept once again, this time in France with a translation by <a href="/wiki/Jean_Mairet" title="Jean Mairet">Jean Mairet</a>. Voltaire said that the <i>Sophonisba</i> of Mairet had "a merit which was then entirely new in France, — that of being in accordance with the rules of the theatre. The three unities of action, time, and place are there strictly observed, and the author was regarded as the father of the French stage." The new rules caught on very quickly in France. Corneille became an ardent supporter of them, and in his plays from <i><a href="/wiki/Le_Cid" title="Le Cid">Le Cid</a></i> (1636) to <i><a href="/wiki/Sur%C3%A9na" title="Suréna">Suréna</a></i> (1674) he attempted to keep within the limits of time and place. In 1655 he published his <i>Trois Discours</i>, which includes his arguments for the unities. Corneille's principles drew the support of <a href="/wiki/Jean_Racine" title="Jean Racine">Racine</a> and Voltaire, and for French playwrights they became hard rules, and a heresy to disobey them. Voltaire said: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>All nations begin to regard as barbarous those times when even the greatest geniuses, such as Lope de Vega and Shakespeare, were ignorant of this system, and they even confess the obligation they are under to us for having rescued them from this barbarism. . . . The fact that Corneille, <a href="/wiki/Jean_Racine" title="Jean Racine">Racine</a>, <a href="/wiki/Moli%C3%A8re" title="Molière">Molière</a>, <a href="/wiki/Joseph_Addison" title="Joseph Addison">Addison</a>, <a href="/wiki/William_Congreve" title="William Congreve">Congreve</a>, and <a href="/wiki/Paolo_Alessandro_Maffei" title="Paolo Alessandro Maffei">Maffei</a> have all observed the laws of the stage, that ought to be enough to restrain any one who should entertain the idea of violating them.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>However, in France opposition soon began to grow in the form of a Romantic movement, that wanted freedom from the strictures of the classical unities. It turned into a fierce literary conflict. The opposition included Victor Hugo, <a href="/wiki/Alexandre_Dumas" title="Alexandre Dumas">Alexandre Dumas</a>, and others. Victor Hugo, in the preface to his play, <i>Cromwell</i>, criticizes the unities, saying in part, </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>Distinguished contemporaries, foreigners and Frenchmen, have already attacked, both in theory and in practice, that fundamental law of the pseudo-Aristotelian code. Indeed, the combat was not likely to be a long one. At the first blow it cracked, so worm-eaten was that timber of the old scholastic hovel!<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Hugo ridicules the unities of place and time, but not the unity of action, which he considers "true and well founded". The conflict came to a climax with the production of Victor Hugo's play <i><a href="/wiki/Hernani_(drama)" title="Hernani (drama)">Hernani</a></i> at the Theatre Francais, on 21 February 1830. It was reported that the two sides, the "Classicists" and "Romanticists", both full of passion, met as on a field of battle. There was a lot of clamor in the theatre at each performance, even some fist fights. The newer Romantic movement carried the day, and French playwrights no longer had to confine their plays to one location, and have all of the action packed into one day.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="England">England</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Classical_unities&action=edit&section=4" title="Edit section: England"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The Classical Unities seem to have had less impact in England. It had adherents in <a href="/wiki/Ben_Jonson" title="Ben Jonson">Ben Jonson</a> and <a href="/wiki/John_Dryden" title="John Dryden">John Dryden</a>. Examples of plays that followed the theory include: Thomas Otway's <i><a href="/wiki/Venice_Preserv%27d" title="Venice Preserv'd">Venice Preserv'd</a></i> (1682), <a href="/wiki/Joseph_Addison" title="Joseph Addison">Joseph Addison's</a> <i><a href="/wiki/Cato,_a_Tragedy" title="Cato, a Tragedy">Cato</a>,</i> and <a href="/wiki/Samuel_Johnson" title="Samuel Johnson">Samuel Johnson's</a> <i><a href="/wiki/Irene_(play)" title="Irene (play)">Irene</a></i> (1749). Shakespeare's <i><a href="/wiki/The_Tempest" title="The Tempest">The Tempest</a></i> (1610) takes place almost entirely on an island, during the course of four hours, and with one major action — that of Prospero reclaiming his role as the Duke of Milan. It is suggested that Prospero's way of regularly checking the time of day during the play might be satirizing the concept of the unities. In <i><a href="/wiki/An_Apology_for_Poetry" title="An Apology for Poetry">An Apology for Poetry</a></i> (1595), <a href="/wiki/Philip_Sidney" title="Philip Sidney">Philip Sidney</a> advocates for the unities, and complains that English plays are ignoring them. In Shakespeare's <i><a href="/wiki/The_Winter%27s_Tale" title="The Winter's Tale">The Winter's Tale</a></i> the chorus notes that the story makes a jump of 16 years: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><div class="poem"> <p>Impute it not a crime<br /> To me or my swift passage, that I slide<br /> O'er sixteen years and leave the growth untried<br /> Of that wide gap<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p> </div></blockquote> <p><a href="/wiki/John_Dryden" title="John Dryden">John Dryden</a> discusses the unity of time in this passage criticizing <a href="/wiki/Shakespearean_histories" class="mw-redirect" title="Shakespearean histories">Shakespeare's history plays</a>: </p> <blockquote><p>... they are rather so many Chronicles of Kings, or the business many times of thirty or forty years, crampt into a representation of two hours and a half, which is not to imitate or paint Nature, but rather to draw her in miniature, to take her in little; to look upon her through the wrong end of a Perspective, and receive her Images not onely much less, but infinitely more imperfect then the life: this instead of making a Play delightful, renders it ridiculous.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Samuel Johnson in the preface to his edition of Shakespeare in 1773 rejects the previous dogma of the classical unities and argues that drama should be faithful to life: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>The unities of time and place are not essential to a just drama, and that though they may sometimes conduce to pleasure, they are always to be sacrificed to the nobler beauties of variety and instruction; and that a play written with nice observation of the critical rules is to be contemplated as an elaborate curiosity, as the product of superfluous and ostentatious art, by which is shown rather what is possible than what is necessary.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>After Johnson's critique interest seemed to turn away from the theory.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>John Pitcher, in the <a href="/wiki/Arden_Shakespeare" title="Arden Shakespeare">Arden Shakespeare</a> Third Series edition of <i><a href="/wiki/The_Winter%27s_Tale" title="The Winter's Tale">The Winter's Tale</a></i> (2010), suggests that Shakespeare was familiar with the unities due to an English translation of <i>Poetics</i> that became popular around 1608.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Excerpts_of_Aristotle's_Poetics"><span id="Excerpts_of_Aristotle.27s_Poetics"></span>Excerpts of Aristotle's <i>Poetics</i></h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Classical_unities&action=edit&section=5" title="Edit section: Excerpts of Aristotle's Poetics"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Aristotle's <i>Poetics</i> may not have been available to Trissino when he formulated the unities, and the term "Aristotelian unities" is considered a misnomer, but in spite of this, Aristotle's name became attached to the theory from the beginning. As translations became available, theorists have looked to the <i>Poetics</i> retrospectively for support of the concept.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> In these passages from the <i>Poetics</i>, Aristotle considers action: </p> <blockquote><p>Tragedy, then is a process of imitating an action which has serious implications, is complete, and possesses magnitude.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> ... A poetic imitation, then, ought to be unified in the same way as a single imitation in any other mimetic field, by having a single object: since the plot is an imitation of an action, the latter ought to be both unified and complete, and the component events ought to be so firmly compacted that if any one of them is shifted to another place, or removed, the whole is loosened up and dislocated; for an element whose addition or subtraction makes no perceptible extra difference is not really a part of the whole.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Aristotle considers length or time in a distinction between the <a href="/wiki/Epic_poetry" title="Epic poetry">epic</a> and <a href="/wiki/Tragedy" title="Tragedy">tragedy</a>: </p> <blockquote><p>Well then, epic poetry followed in the wake of tragedy up to the point of being a (1) good-sized (2) imitation (3) in verse (4) of people who are to be taken seriously; but in its having its verse unmixed with any other and being narrative in character, there they differ. Further, so far as its length is concerned tragedy tries as hard as it can to exist during a single daylight period, or to vary but little, while the epic is not limited in its time and so differs in that respect.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Classical_unities&action=edit&section=6" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/History_of_theatre" title="History of theatre">History of theatre</a></li> <li><a href="/wiki/Theatre_technique" title="Theatre technique">Theatre technique</a></li> <li><a href="/wiki/Natyaguru" class="mw-redirect" title="Natyaguru">Natyaguru</a> <a href="/wiki/Nurul_Momen" title="Nurul Momen">Nurul Momen</a></li> <li><a href="/wiki/Nemesis_(Momen_play)" title="Nemesis (Momen play)">Nemesis (Momen play)</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Classical_unities&action=edit&section=7" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">Ascoli, Albert Russell, <i>Renaissance Drama 36/37: Italy in the Drama of Europe.</i> Northwestern University Press, 2010. p. 46-56 <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780810124158" title="Special:BookSources/9780810124158">9780810124158</a></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">Simpson, Edwin. <i>The Dramatic Unities.</i> Trubner & Co. (1878)</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text">Banham, Martin and Brandon, James, eds. <i>The Cambridge Guide to Theatre</i>. Cambridge University Press, 1995. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780521434379" title="Special:BookSources/9780521434379">9780521434379</a>. p. 544</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text">Clarke, Barrett H. <i>European Theories of Drama</i>. Crown Publishers. (1969) P. 48</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text">Urban, Richard L. "All or Nothing at All: Another Look at the Unity of Time in Aristotle". <i>The Classical Journal</i>. Vol. 61, No. 6. (March 1966) pp. 262-264</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text">Simpson, Edwin. <i>The Dramatic Unities</i>. Trubner & Co. (1878)</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text">Beck, Theodore Toulon. "A Note on the Preface de Cromwell". <i>Italica</i>. Vol. 39, No. 3 (Sep., 1962), pp. 197-204</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Hugo, Victor. <i>Oliver Cromwell</i>. Forgotten Books (September 11, 2017) pp. i-vi. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1528244343" title="Special:BookSources/978-1528244343">978-1528244343</a></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Simpson, Edwin. <i>The Dramatic Unities</i>. Trubner & Co. (1878) p. 55-60</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">Shakespeare, William. <i>The Winter's Tale.</i> First Folio. Act IV, scene i, line 3-6.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text">Dryden, <i>An Essay of Dramatick Poesie</i> (1668), para. 56.</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text">Greene, Donald (1989), <i>Samuel Johnson: Updated Edition,</i> Boston: Twayne Publishers, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/08057-6962-5" title="Special:BookSources/08057-6962-5">08057-6962-5</a></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">Shakespeare, William. Vaughan, Virginia Mason. Vaughn, Alden T. editors. <i>The Tempest.</i> The Arden Shakespeare, Third Series. 1999. p. 14-18 <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781903436-08-0" title="Special:BookSources/9781903436-08-0">9781903436-08-0</a></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">Friedland , Louis Sigmund. <i>The Dramatic Unities in England</i>. The Journal of English and Germanic Philology, Vol. 10, No. 1 (Jan., 1911), pp. 56-89</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Shakespeare, William. Pitcher, John. editor. <i><a href="/wiki/The_Winter%27s_Tale" title="The Winter's Tale">The Winter's Tale</a></i> Third Series (2010). The Arden Shakespeare. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781903436356" title="Special:BookSources/9781903436356">9781903436356</a></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">Ascoli, Albert Russell, <i>Renaissance Drama 36/37: Italy in the Drama of Europe.</i> Northwestern University Press, 2010. p. 46-56 <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780810124158" title="Special:BookSources/9780810124158">9780810124158</a></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">Aristotle. Else, Gerald F. <i>Aristotle Poetics</i>. University of Michigan Press (1967). p. 25. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0472061662" title="Special:BookSources/978-0472061662">978-0472061662</a></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">Aristotle. Else, Gerald F. <i>Aristotle Poetics</i>. University of Michigan Press (1967). p. 32. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0472061662" title="Special:BookSources/978-0472061662">978-0472061662</a></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text">Aristotle. Else, Gerald F. <i>Aristotle Poetics</i>. University of Michigan Press (1967). p. 24. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0472061662" title="Special:BookSources/978-0472061662">978-0472061662</a></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Classical_unities&action=edit&section=8" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAristotle1907" class="citation book cs1"><a href="/wiki/Aristotle" title="Aristotle">Aristotle</a> (1907). <a rel="nofollow" class="external text" href="https://www.gutenberg.org/ebooks/1974"><i>The Poetics of Aristotle</i></a> <span class="cs1-format">(Project Gutenberg e-text # 1974)</span>. Samuel Henry Butcher (trans.) (4th ed.). London: Macmillan. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/3113766">3113766</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Poetics+of+Aristotle&rft.place=London&rft.edition=4th&rft.pub=Macmillan&rft.date=1907&rft_id=info%3Aoclcnum%2F3113766&rft.au=Aristotle&rft_id=https%3A%2F%2Fwww.gutenberg.org%2Febooks%2F1974&rfr_id=info%3Asid%2Fen.wikipedia.org%3AClassical+unities" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDryden,_John1668" class="citation book cs1"><a href="/wiki/John_Dryden" title="John Dryden">Dryden, John</a> (1668). Jack Lynch (ed.). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20050731015658/http://andromeda.rutgers.edu/~jlynch/Texts/drampoet.html"><i>An Essay of Dramatick Poesie</i></a>. London: Henry Harringman. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/4969880">4969880</a>. Archived from <a rel="nofollow" class="external text" href="http://andromeda.rutgers.edu/~jlynch/Texts/drampoet.html">the original</a> <span class="cs1-format">(Online reprint)</span> on 2005-07-31<span class="reference-accessdate">. Retrieved <span class="nowrap">2005-05-15</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=An+Essay+of+Dramatick+Poesie&rft.place=London&rft.pub=Henry+Harringman&rft.date=1668&rft_id=info%3Aoclcnum%2F4969880&rft.au=Dryden%2C+John&rft_id=http%3A%2F%2Fandromeda.rutgers.edu%2F~jlynch%2FTexts%2Fdrampoet.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AClassical+unities" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJohnson,_Samuel2005" class="citation book cs1"><a href="/wiki/Samuel_Johnson" title="Samuel Johnson">Johnson, Samuel</a> (2005) [1765]. <a rel="nofollow" class="external text" href="https://tspace.library.utoronto.ca/html/1807/4350/displayprose274e.html"><i>Mr. Johnson's Preface To his Edition of Shakespear's Plays</i></a> <span class="cs1-format">(Online reprint)</span>. Ian Lancashire (Ed.) (online edition published by RPO Editors, Department of English, and University of Toronto Press as <i>Samuel Johnson (1709-1784): Preface to his Edition of Shakespeare's Plays (1765)</i>. ed.). London: J. and R. Tonson and others. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/10834559">10834559</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mr.+Johnson%27s+Preface+To+his+Edition+of+Shakespear%27s+Plays&rft.place=London&rft.edition=online+edition+published+by+RPO+Editors%2C+Department+of+English%2C+and+University+of+Toronto+Press+as+%27%27Samuel+Johnson+%281709-1784%29%3A+Preface+to+his+Edition+of+Shakespeare%27s+Plays+%281765%29%27%27.&rft.pub=J.+and+R.+Tonson+and+others&rft.date=2005&rft_id=info%3Aoclcnum%2F10834559&rft.au=Johnson%2C+Samuel&rft_id=https%3A%2F%2Ftspace.library.utoronto.ca%2Fhtml%2F1807%2F4350%2Fdisplayprose274e.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AClassical+unities" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Classical_unities&action=edit&section=9" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li class="mw-empty-elt"></li> <li><style data-mw-deduplicate="TemplateStyles:r1041539562">.mw-parser-output .citation{word-wrap:break-word}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}</style><span class="citation gutenberg"> <i><a rel="nofollow" class="external text" href="https://gutenberg.org/ebooks/1974">The Poetics of Aristotle</a></i>, translated by Samuel Henry Butcher at <a href="/wiki/Project_Gutenberg" title="Project Gutenberg">Project Gutenberg</a></span></li> <li class="mw-empty-elt"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1041539562"><span class="citation gutenberg">Samuel Johnson. <i><a rel="nofollow" class="external text" href="https://gutenberg.org/ebooks/5429">Preface to Shakespeare</a></i> at <a href="/wiki/Project_Gutenberg" title="Project Gutenberg">Project Gutenberg</a></span></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": 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style="font-size:114%;margin:0 4em"><a href="/wiki/Aristotelianism" title="Aristotelianism">Aristotelianism</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Overview</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Aristotle" title="Aristotle">Aristotle</a></li> <li><a href="/wiki/Term_logic" title="Term logic">Logic</a></li> <li><a href="/wiki/Lyceum_(classical)" title="Lyceum (classical)">Lyceum</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Ideas and interests</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Active_intellect" title="Active intellect">Active intellect</a></li> <li><i><a href="/wiki/Antiperistasis" title="Antiperistasis">Antiperistasis</a></i></li> <li><i><a href="/wiki/Arete" title="Arete">Arete</a></i></li> 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class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0;font-style:italic;"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Organon" title="Organon">Organon</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Categories_(Aristotle)" title="Categories (Aristotle)">Categories</a></li> <li><a href="/wiki/On_Interpretation" title="On Interpretation">On Interpretation</a></li> <li><a href="/wiki/Prior_Analytics" title="Prior Analytics">Prior Analytics</a></li> <li><a href="/wiki/Posterior_Analytics" title="Posterior Analytics">Posterior Analytics</a></li> <li><a href="/wiki/Topics_(Aristotle)" title="Topics (Aristotle)">Topics</a></li> <li><a href="/wiki/Sophistical_Refutations" title="Sophistical Refutations">Sophistical Refutations</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Aristotelian_physics" title="Aristotelian physics">Physics</a></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Physics_(Aristotle)" title="Physics (Aristotle)">Physics</a></li> <li><a href="/wiki/On_the_Heavens" title="On the Heavens">On the Heavens</a></li> <li><a href="/wiki/On_Generation_and_Corruption" title="On Generation and Corruption">On Generation and Corruption</a></li> <li><a href="/wiki/Meteorology_(Aristotle)" title="Meteorology (Aristotle)">Meteorology</a></li> <li><a href="/wiki/On_the_Soul" title="On the Soul">On the Soul</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Aristotle%27s_biology" title="Aristotle's biology">On Animals</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/History_of_Animals" title="History of Animals">History</a></li> <li><a href="/wiki/Parts_of_Animals" title="Parts of Animals">Parts</a></li> <li><a href="/wiki/Movement_of_Animals" title="Movement of Animals">Movement</a></li> <li><a href="/wiki/Progression_of_Animals" title="Progression of Animals">Progression</a></li> <li><a href="/wiki/Generation_of_Animals" title="Generation of Animals">Generation</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Metaphysics</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Metaphysics_(Aristotle)" title="Metaphysics (Aristotle)">Metaphysics</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Aristotelian_ethics" title="Aristotelian ethics">Ethics</a> and politics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Nicomachean_Ethics" title="Nicomachean Ethics">Nicomachean Ethics</a></li> <li><a href="/wiki/Eudemian_Ethics" title="Eudemian Ethics">Eudemian Ethics</a></li> <li><a href="/wiki/Politics_(Aristotle)" title="Politics (Aristotle)">Politics</a></li> <li><a href="/wiki/Constitution_of_the_Athenians_(Aristotle)" title="Constitution of the Athenians (Aristotle)">Constitution of the Athenians</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Rhetoric and poetics</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Rhetoric_(Aristotle)" title="Rhetoric (Aristotle)">Rhetoric</a></li> <li><a href="/wiki/Poetics_(Aristotle)" title="Poetics (Aristotle)">Poetics</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Parva_Naturalia" title="Parva Naturalia">Parva Naturalia</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Sense_and_Sensibilia_(Aristotle)" title="Sense and Sensibilia (Aristotle)">Sense and Sensibilia</a></li> <li><a href="/wiki/On_Memory" title="On Memory">On Memory</a></li> <li><a href="/wiki/On_Sleep" title="On Sleep">On Sleep</a></li> <li><a href="/wiki/On_Dreams" title="On Dreams">On Dreams</a></li> <li><a href="/wiki/On_Divination_in_Sleep" title="On Divination in Sleep">On Divination in Sleep</a></li> <li><a href="/wiki/On_Length_and_Shortness_of_Life" title="On Length and Shortness of Life">On Length and Shortness of Life</a></li> <li><a href="/wiki/On_Youth,_Old_Age,_Life_and_Death,_and_Respiration" title="On Youth, Old Age, Life and Death, and Respiration">On Youth, Old Age, Life and Death, and Respiration</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Lost</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Protrepticus_(Aristotle)" title="Protrepticus (Aristotle)">Protrepticus</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Pseudo-Aristotle" title="Pseudo-Aristotle">Pseudepigrapha</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/On_Breath" title="On Breath">On Breath</a></li> <li><a href="/wiki/On_Colors" title="On Colors">On Colors</a></li> <li><a href="/wiki/On_Plants" title="On Plants">On Plants</a></li> <li><a href="/wiki/On_Indivisible_Lines" title="On Indivisible Lines">On Indivisible Lines</a></li> <li><a href="/wiki/On_Melissus,_Xenophanes,_and_Gorgias" title="On Melissus, Xenophanes, and Gorgias">On Melissus, Xenophanes, and Gorgias</a></li> <li><a href="/wiki/On_the_Universe" title="On the Universe">On the Universe</a></li> <li><a href="/wiki/On_Things_Heard" title="On Things Heard">On Things Heard</a></li> <li><a href="/wiki/Physiognomonics" title="Physiognomonics">Physiognomonics</a></li> <li><a href="/wiki/On_Marvellous_Things_Heard" title="On Marvellous Things Heard">On Marvellous Things Heard</a></li> <li><a href="/wiki/Mechanics_(Aristotle)" title="Mechanics (Aristotle)">Mechanics</a></li> <li><a href="/wiki/Problems_(Aristotle)" title="Problems (Aristotle)">Problems</a></li> <li><a href="/wiki/The_Situations_and_Names_of_Winds" title="The Situations and Names of Winds">The Situations and Names of Winds</a></li> <li><a href="/wiki/On_Virtues_and_Vices" title="On Virtues and Vices">On Virtues and Vices</a></li> <li><a href="/wiki/Economics_(Aristotle)" title="Economics (Aristotle)">Economics</a></li> <li><a href="/wiki/Rhetoric_to_Alexander" title="Rhetoric to Alexander">Rhetoric to Alexander</a></li> <li><a href="/wiki/Magna_Moralia" title="Magna Moralia">Magna Moralia</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Followers</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="Peripatetic_school" scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Peripatetic_school" title="Peripatetic school">Peripatetic school</a></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Aristoxenus" title="Aristoxenus">Aristoxenus</a></li> <li><a href="/wiki/Clearchus_of_Soli" title="Clearchus of Soli">Clearchus of Soli</a></li> <li><a href="/wiki/Dicaearchus" title="Dicaearchus">Dicaearchus</a></li> <li><a href="/wiki/Eudemus_of_Rhodes" title="Eudemus of Rhodes">Eudemus of Rhodes</a></li> <li><a href="/wiki/Theophrastus" title="Theophrastus">Theophrastus</a></li> <li><a href="/wiki/Strato_of_Lampsacus" title="Strato of Lampsacus">Strato of Lampsacus</a></li> <li><a href="/wiki/Lyco_of_Troas" title="Lyco of Troas">Lyco of Troas</a></li> <li><a href="/wiki/Aristo_of_Ceos" title="Aristo of Ceos">Aristo of Ceos</a></li> <li><a href="/wiki/Critolaus" title="Critolaus">Critolaus</a></li> <li><a href="/wiki/Diodorus_of_Tyre" title="Diodorus of Tyre">Diodorus of Tyre</a></li> <li><a href="/wiki/Erymneus" title="Erymneus">Erymneus</a></li> <li><a href="/wiki/Andronicus_of_Rhodes" title="Andronicus of Rhodes">Andronicus of Rhodes</a></li></ul> </div></td></tr></tbody></table><div> </div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="Islamic_Golden_Age" scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Islamic_Golden_Age" title="Islamic Golden Age">Islamic Golden Age</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Al-Kindi" title="Al-Kindi">Al-Kindi</a></li> <li><a href="/wiki/Al-Farabi" title="Al-Farabi">Al-Farabi</a></li> <li><a href="/wiki/Avicenna" title="Avicenna">Avicenna</a> <ul><li><a href="/wiki/Avicennism" title="Avicennism">Avicennism</a></li></ul></li> <li><a href="/wiki/Averroes" title="Averroes">Averroes</a> <ul><li><a href="/wiki/Averroism" title="Averroism">Averroism</a></li></ul></li></ul> </div></td></tr></tbody></table><div> </div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="Jewish" scope="row" class="navbox-group" style="width:1%">Jewish</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Maimonides" title="Maimonides">Maimonides</a></li></ul> </div></td></tr></tbody></table><div> </div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="Scholasticism" scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Scholasticism" title="Scholasticism">Scholasticism</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Peter_Lombard" title="Peter Lombard">Peter Lombard</a></li> <li><a href="/wiki/Albertus_Magnus" title="Albertus Magnus">Albertus Magnus</a></li> <li><a href="/wiki/Thomas_Aquinas" title="Thomas Aquinas">Thomas Aquinas</a> <ul><li><a href="/wiki/Thomism" title="Thomism">Thomism</a></li></ul></li> <li><a href="/wiki/Duns_Scotus" title="Duns Scotus">Duns Scotus</a> <ul><li><a href="/wiki/Scotism" title="Scotism">Scotism</a></li></ul></li> <li><a href="/wiki/Peter_of_Spain" title="Peter of Spain">Peter of Spain</a></li> <li><a href="/wiki/Jacopo_Zabarella" title="Jacopo Zabarella">Jacopo Zabarella</a></li> <li><a href="/wiki/Pietro_Pomponazzi" title="Pietro Pomponazzi">Pietro Pomponazzi</a></li> <li><a href="/wiki/Cesare_Cremonini_(philosopher)" title="Cesare Cremonini (philosopher)">Cesar Cremonini</a></li></ul> </div></td></tr></tbody></table><div> </div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="Modern" scope="row" class="navbox-group" style="width:1%">Modern</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/John_Henry_Newman" title="John Henry Newman">Newman</a></li> <li><a href="/wiki/Friedrich_Adolf_Trendelenburg" title="Friedrich Adolf Trendelenburg">Trendelenburg</a></li> <li><a href="/wiki/Franz_Brentano" title="Franz Brentano">Brentano</a></li> <li><a href="/wiki/Mortimer_J._Adler" title="Mortimer J. Adler">Adler</a></li> <li><a href="/wiki/Philippa_Foot" title="Philippa Foot">Foot</a></li> <li><a href="/wiki/Alasdair_MacIntyre" title="Alasdair MacIntyre">MacIntyre</a></li> <li><a href="/wiki/Wolfgang_Smith" title="Wolfgang Smith">Smith</a></li> <li><a href="/wiki/Rosalind_Hursthouse" title="Rosalind Hursthouse">Hursthouse</a></li> <li><a href="/wiki/Martha_Nussbaum" title="Martha Nussbaum">Nussbaum</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related topics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Transmission_of_the_Greek_Classics" title="Transmission of the Greek Classics">Transmission of the Greek Classics</a></li> <li><a href="/wiki/Plato" title="Plato">Plato</a> <ul><li><a href="/wiki/Platonism" title="Platonism">Platonism</a></li></ul></li> <li><a href="/wiki/Neoplatonism" title="Neoplatonism">Neoplatonism</a></li> <li><a href="/wiki/Commentaries_on_Aristotle" title="Commentaries on Aristotle">Commentaries on Aristotle</a></li> <li><a href="/wiki/Metabasis_paradox" title="Metabasis paradox">Metabasis paradox</a></li> <li><a href="/wiki/Aristotle%27s_views_on_women" title="Aristotle's views on women">Views on women</a></li> <li><a href="/wiki/Aristotle%27s_wheel_paradox" title="Aristotle's wheel paradox">Wheel paradox</a></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <a href="/wiki/Category:Aristotle" title="Category:Aristotle">Category</a></li> <li><span class="nowrap"><span class="noviewer" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cd/Socrates.png/10px-Socrates.png" decoding="async" width="10" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cd/Socrates.png/15px-Socrates.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cd/Socrates.png/21px-Socrates.png 2x" data-file-width="326" data-file-height="500" /></span></span> </span><a href="/wiki/Portal:Philosophy" title="Portal:Philosophy">Philosophy portal</a></li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; 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