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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Pompeii</h1><div class="u-tcGrayDark">3,927 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Pompeii</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Pompeii">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Pompeii/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Pompeii/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Pompeii/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Pompeii">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30574471 coauthored" data-work_id="30574471" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30574471/The_Economy_of_Pompeii">The Economy of Pompeii</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This volume presents fourteen papers by Roman archaeologists and historians discussing approaches to the economic history of Pompeii, and the role of the Pompeian evidence in debates about the Roman economy. Four themes are discussed.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30574471" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This volume presents fourteen papers by Roman archaeologists and historians discussing approaches to the economic history of Pompeii, and the role of the Pompeian evidence in debates about the Roman economy.  Four themes are discussed. The first of these is the position of Pompeii and its agricultural environment, discussing the productivity and specialization of agriculture in the Vesuvian region, and the degree to which we can explain Pompeii’s size and wealth on the basis of the city’s economic hinterland. A second issue discussed is what Pompeians got out of their economy: how well-off were people in Pompeii?  This involves discussing the consumption of everyday consumer goods, analyzing archaeobotanical remains to highlight the quality of Pompeian diets, and discussing what bone remains reveal about the health of the inhabitants of Pompeii. A third theme is economic life in the city: how are we to understand the evidence for crafts and manufacturing? How are we to assess Pompeii’s commercial topography? Who were the people who actually invested in constructing shops and workshops? In which economic contexts were Pompeian paintings produced? Finally, the volume discusses money and business: how integrated was Pompeii into the wider world of commerce and exchange, and what can the many coins found at Pompeii tell us about this? What do the wax tablets found near Pompeii tell us about trade in the Bay of Naples in the first century AD? Together, the chapters of this volume highlight how Pompeii became a very rich community, and how it profited from its position in the centre of the Roman world.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30574471" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2b528040806139766843eaa3256d17ac" rel="nofollow" data-download="{"attachment_id":51015911,"asset_id":30574471,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51015911/download_file?st=MTc0MDE2MDg3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="173673" href="https://leidenuniv.academia.edu/MikoFlohr">Miko Flohr</a><script data-card-contents-for-user="173673" type="text/json">{"id":173673,"first_name":"Miko","last_name":"Flohr","domain_name":"leidenuniv","page_name":"MikoFlohr","display_name":"Miko Flohr","profile_url":"https://leidenuniv.academia.edu/MikoFlohr?f_ri=50577","photo":"https://0.academia-photos.com/173673/43422/30905790/s65_miko.flohr.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-30574471">+1</span><div class="hidden js-additional-users-30574471"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://oxford.academia.edu/AndrewWilson">Andrew Wilson</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-30574471'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-30574471').html(); 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Four themes are discussed. The first of these is the position of Pompeii and its agricultural environment, discussing the productivity and specialization of agriculture in the Vesuvian region, and the degree to which we can explain Pompeii’s size and wealth on the basis of the city’s economic hinterland. A second issue discussed is what Pompeians got out of their economy: how well-off were people in Pompeii? This involves discussing the consumption of everyday consumer goods, analyzing archaeobotanical remains to highlight the quality of Pompeian diets, and discussing what bone remains reveal about the health of the inhabitants of Pompeii. A third theme is economic life in the city: how are we to understand the evidence for crafts and manufacturing? How are we to assess Pompeii’s commercial topography? Who were the people who actually invested in constructing shops and workshops? In which economic contexts were Pompeian paintings produced? Finally, the volume discusses money and business: how integrated was Pompeii into the wider world of commerce and exchange, and what can the many coins found at Pompeii tell us about this? What do the wax tablets found near Pompeii tell us about trade in the Bay of Naples in the first century AD? Together, the chapters of this volume highlight how Pompeii became a very rich community, and how it profited from its position in the centre of the Roman world.","downloadable_attachments":[{"id":51015911,"asset_id":30574471,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":173673,"first_name":"Miko","last_name":"Flohr","domain_name":"leidenuniv","page_name":"MikoFlohr","display_name":"Miko Flohr","profile_url":"https://leidenuniv.academia.edu/MikoFlohr?f_ri=50577","photo":"https://0.academia-photos.com/173673/43422/30905790/s65_miko.flohr.jpg"},{"id":326123,"first_name":"Andrew","last_name":"Wilson","domain_name":"oxford","page_name":"AndrewWilson","display_name":"Andrew Wilson","profile_url":"https://oxford.academia.edu/AndrewWilson?f_ri=50577","photo":"https://0.academia-photos.com/326123/91667/100141/s65_andrew.wilson.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=50577","nofollow":true},{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=50577","nofollow":true},{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History?f_ri=50577","nofollow":true},{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=50577","nofollow":true},{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=50577"},{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577"},{"id":8324,"name":"Ancient economies (Archaeology)","url":"https://www.academia.edu/Documents/in/Ancient_economies_Archaeology_?f_ri=50577"},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577"},{"id":23640,"name":"Roman Economy","url":"https://www.academia.edu/Documents/in/Roman_Economy?f_ri=50577"},{"id":39166,"name":"Ancient economy","url":"https://www.academia.edu/Documents/in/Ancient_economy?f_ri=50577"},{"id":50059,"name":"Roman social and economic history","url":"https://www.academia.edu/Documents/in/Roman_social_and_economic_history?f_ri=50577"},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":50662,"name":"Roman Italy","url":"https://www.academia.edu/Documents/in/Roman_Italy?f_ri=50577"},{"id":73323,"name":"Roman Urbanism","url":"https://www.academia.edu/Documents/in/Roman_Urbanism?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":82257,"name":"Roman trade, commerce and the economy","url":"https://www.academia.edu/Documents/in/Roman_trade_commerce_and_the_economy?f_ri=50577"},{"id":88760,"name":"Classics: Ancient History and Archaeology","url":"https://www.academia.edu/Documents/in/Classics_Ancient_History_and_Archaeology?f_ri=50577"},{"id":116665,"name":"Roman Economy and Society - Pompeii","url":"https://www.academia.edu/Documents/in/Roman_Economy_and_Society_-_Pompeii?f_ri=50577"},{"id":119015,"name":"Roman Economic History","url":"https://www.academia.edu/Documents/in/Roman_Economic_History?f_ri=50577"},{"id":181430,"name":"Roman urban crafts","url":"https://www.academia.edu/Documents/in/Roman_urban_crafts?f_ri=50577"},{"id":308712,"name":"Roman Cities","url":"https://www.academia.edu/Documents/in/Roman_Cities?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38096665" data-work_id="38096665" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38096665/_Quisquis_amat_valeat_Homo_and_Bisexuality_in_Pompeiis_Graffiti_pdf">"Quisquis amat valeat": Homo- and Bisexuality in Pompeii's Graffiti.pdf</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This dissertation investigates homo- and bisexuality in the Roman world, by focusing primarily on Pompeii’s graffiti. Scratched on walls, street facades, public buildings, within the domus and often inserted in paintings or frescoes,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38096665" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This dissertation investigates homo- and bisexuality in the Roman world, by focusing primarily on Pompeii’s graffiti. Scratched on walls, street facades, public buildings, within the domus and often inserted in paintings or frescoes, Pompeian graffiti differ in topic, structure and kind: they vary from insults to dedications, from political notices to salutations, from jokes to love poems. The quantity of homoerotic graffiti is, in particular, worthy of note, since they offer an important contribution to the study of homo- and bisexual attitudes in the Roman world. If today sexuality is divided into distinct categories and homo- and bisexuality are seen as “unnatural” and “against nature” in some countries, Pompeii’s homoerotic graffiti help us overturn this view: not only do they show that homo- and bisexual behaviours were widespread among the Romans but also that our modern conception of sexuality can be applied only in part to the Roman world, since it was not present in the same form. The graffiti from Pompeii demonstrate that sexuality is a transient concept, which varies according to time, society and culture, and they also invite us to think afresh about our modern way of considering of homo- and bisexual attitudes.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38096665" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e4517b9de1991e1f19ec8faeeeabf880" rel="nofollow" data-download="{"attachment_id":58124853,"asset_id":38096665,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58124853/download_file?st=MTc0MDE2MDg3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="68769500" href="https://unimi.academia.edu/FedericoPrina">Federico Prina</a><script data-card-contents-for-user="68769500" type="text/json">{"id":68769500,"first_name":"Federico","last_name":"Prina","domain_name":"unimi","page_name":"FedericoPrina","display_name":"Federico Prina","profile_url":"https://unimi.academia.edu/FedericoPrina?f_ri=50577","photo":"https://0.academia-photos.com/68769500/20261431/22313775/s65_federico.prina.jpg"}</script></span></span></li><li class="js-paper-rank-work_38096665 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38096665"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38096665, container: ".js-paper-rank-work_38096665", }); 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Scratched on walls, street facades, public buildings, within the domus and often inserted in paintings or frescoes, Pompeian graffiti differ in topic, structure and kind: they vary from insults to dedications, from political notices to salutations, from jokes to love poems. The quantity of homoerotic graffiti is, in particular, worthy of note, since they offer an important contribution to the study of homo- and bisexual attitudes in the Roman world. If today sexuality is divided into distinct categories and homo- and bisexuality are seen as “unnatural” and “against nature” in some countries, Pompeii’s homoerotic graffiti help us overturn this view: not only do they show that homo- and bisexual behaviours were widespread among the Romans but also that our modern conception of sexuality can be applied only in part to the Roman world, since it was not present in the same form. The graffiti from Pompeii demonstrate that sexuality is a transient concept, which varies according to time, society and culture, and they also invite us to think afresh about our modern way of considering of homo- and bisexual attitudes.","downloadable_attachments":[{"id":58124853,"asset_id":38096665,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":68769500,"first_name":"Federico","last_name":"Prina","domain_name":"unimi","page_name":"FedericoPrina","display_name":"Federico Prina","profile_url":"https://unimi.academia.edu/FedericoPrina?f_ri=50577","photo":"https://0.academia-photos.com/68769500/20261431/22313775/s65_federico.prina.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=50577","nofollow":true},{"id":21346,"name":"Graffiti","url":"https://www.academia.edu/Documents/in/Graffiti?f_ri=50577","nofollow":true},{"id":37397,"name":"Bisexuality","url":"https://www.academia.edu/Documents/in/Bisexuality?f_ri=50577","nofollow":true},{"id":41733,"name":"Homosexuality","url":"https://www.academia.edu/Documents/in/Homosexuality?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":61210,"name":"Ancient Sexuality","url":"https://www.academia.edu/Documents/in/Ancient_Sexuality?f_ri=50577"},{"id":69792,"name":"Ancient Rome","url":"https://www.academia.edu/Documents/in/Ancient_Rome?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":118997,"name":"Greco-Roman World","url":"https://www.academia.edu/Documents/in/Greco-Roman_World?f_ri=50577"},{"id":903139,"name":"Ancient Greek Pederasty","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Pederasty?f_ri=50577"},{"id":910733,"name":"Eva Cantarella","url":"https://www.academia.edu/Documents/in/Eva_Cantarella?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_76451796" data-work_id="76451796" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/76451796/A_Wealth_of_Disparity_The_Non_Elite_Apartments_of_Pompeii_and_Herculaneum">A Wealth of Disparity: The Non-Elite Apartments of Pompeii and Herculaneum</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Presented at the The Fourteenth Annual Northern Illinois University History Graduate Student Association Conference “Belonging: Insiders and Outsiders in History” Session: Plebians, Peasants, and Workers. April 1, 2022</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/76451796" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="57145e90d0671ddae2ad8587e56813de" rel="nofollow" data-download="{"attachment_id":84155733,"asset_id":76451796,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/84155733/download_file?st=MTc0MDE2MDg3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28871061" href="https://rutgers.academia.edu/JessicaMingoia">Jessica Mingoia</a><script data-card-contents-for-user="28871061" type="text/json">{"id":28871061,"first_name":"Jessica","last_name":"Mingoia","domain_name":"rutgers","page_name":"JessicaMingoia","display_name":"Jessica Mingoia","profile_url":"https://rutgers.academia.edu/JessicaMingoia?f_ri=50577","photo":"https://0.academia-photos.com/28871061/11396713/115315223/s65_jessica.mingoia.jpg"}</script></span></span></li><li class="js-paper-rank-work_76451796 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="76451796"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 76451796, container: ".js-paper-rank-work_76451796", }); 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Deze stad aan de Baai van Napels, die in 79 n. Chr. getroffen werd door de uitbarsting van de Vesuvius, zorgde sinds 1748 voor een achttiende-eeuwse 'Oudheidmanie'.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_25775795" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Pompeii is van groot belang voor de moderne interesse in de Oudheid. Deze stad aan de Baai van Napels, die in 79 n. Chr. getroffen werd door de uitbarsting van de Vesuvius, zorgde sinds 1748 voor een achttiende-eeuwse 'Oudheidmanie'. Vanaf dat moment werd het een trend onder de West-Europese elite om tijdens de Grand Toureen cultuurreis die gegoede jongemannen maaktenzeker ook Pompeii aan te doen om daar de plaats en de daar gevonden objecten te bekijken met het doel een idee te krijgen van het leven in de antieke stad. Goethe verzuchtte op 13 maart 1787, toen hij tijdens zijn Grand Tour Pompeii had aangedaan: 'Es ist viel Unheil in der Welt geschehen, aber wenig, das den Nachkommen so viel Freude gemacht hätte'. 1 Sinds Goethe is er veel veranderd in de wereld, maar niet onze interesse in Pompeii: miljoenen bezoeken jaarlijks de site, de stroom boeken is eindeloos, de ene tentoonstelling volgt op de andere, en nog in 2014 hadden we de zoveelste film over Pompeii in de bioscopen.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25775795" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6f1cc6ee5a2fc87c42bb5cc22ca2209a" rel="nofollow" data-download="{"attachment_id":46379871,"asset_id":25775795,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46379871/download_file?st=MTc0MDE2MDg3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4328496" href="https://leidenuniv.academia.edu/KimBeerden">Kim Beerden</a><script data-card-contents-for-user="4328496" type="text/json">{"id":4328496,"first_name":"Kim","last_name":"Beerden","domain_name":"leidenuniv","page_name":"KimBeerden","display_name":"Kim Beerden","profile_url":"https://leidenuniv.academia.edu/KimBeerden?f_ri=50577","photo":"https://0.academia-photos.com/4328496/1736454/93566163/s65_kim.beerden.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-25775795">+1</span><div class="hidden js-additional-users-25775795"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://leidenuniv.academia.edu/LiesbethClaes">Liesbeth Claes</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-25775795'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-25775795').html(); 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Arte","url":"https://www.academia.edu/Documents/in/Fotografia_Y_Arte-1?f_ri=50577"},{"id":534000,"name":"Pompéi","url":"https://www.academia.edu/Documents/in/Pomp%C3%A9i?f_ri=50577"},{"id":618601,"name":"Fotografi","url":"https://www.academia.edu/Documents/in/Fotografi?f_ri=50577"},{"id":1918618,"name":"Arquitectura y fotografía","url":"https://www.academia.edu/Documents/in/Arquitectura_y_fotograf%C3%ADa?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40829769" data-work_id="40829769" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40829769/Un_distique_%C3%A9rotique_grav%C3%A9_sur_des_murs_%C3%A0_Pully_pr%C3%A8s_de_Lausanne_et_%C3%A0_Stabies_pr%C3%A8s_de_Pomp%C3%A9i">Un distique érotique gravé sur des murs à Pully près de Lausanne et à Stabies près de Pompéi</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40829769" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e7d5f115d80cc414227d27b598e135c8" rel="nofollow" data-download="{"attachment_id":61113659,"asset_id":40829769,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40829769"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="7257" rel="nofollow" href="https://www.academia.edu/Documents/in/Greek_Epigraphy">Greek Epigraphy</a>, <script data-card-contents-for-ri="7257" type="text/json">{"id":7257,"name":"Greek Epigraphy","url":"https://www.academia.edu/Documents/in/Greek_Epigraphy?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="21740" rel="nofollow" href="https://www.academia.edu/Documents/in/Greek_and_Latin_Epigram">Greek and Latin Epigram</a>, <script data-card-contents-for-ri="21740" type="text/json">{"id":21740,"name":"Greek and Latin Epigram","url":"https://www.academia.edu/Documents/in/Greek_and_Latin_Epigram?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="45882" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_Greek_Epigraphy">Ancient Greek Epigraphy</a>, <script data-card-contents-for-ri="45882" type="text/json">{"id":45882,"name":"Ancient Greek Epigraphy","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Epigraphy?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="50577" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii">Pompeii</a><script data-card-contents-for-ri="50577" type="text/json">{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40829769]'), work: {"id":40829769,"title":"Un distique érotique 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u-mb0x js-work-card work_7649428" data-work_id="7649428" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7649428/BBC_TV_How_Art_Made_The_World_Episode_Three_The_Art_of_Persuasion">BBC TV. How Art Made The World. Episode Three: The Art of Persuasion</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The visual devices used by Tony Blair and George Bush to get themselves elected and maintain power, come not from modern times, but a world that is thousands of years old. How Art Made the World ventures back to the creation of Stonehenge... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7649428" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The visual devices used by Tony Blair and George Bush to get themselves elected and maintain power, come not from modern times, but a world that is thousands of years old. How Art Made the World ventures back to the creation of Stonehenge and the reign of Alexander the Great to reveal how imagery became an indispensable weapon in every leader's political armoury. <br /> <br />This episode explores how art can be used as a persuasion device by those in power and when did we learn to use images, to create a powerful icon or symbol, this way? <br /> <br />The use of art as a tool for those in power, started at different times, in different cultures. Near Stonehenge the grave of the Amesbury Archer was discovered in 2002, the grave was different to those previously found near the site, as this one was not Roman, but much earlier, dating to when the first sarsen stones were erected. What made him interesting were his gold hair tresses, possibly the oldest dated gold objects in Britain, and the fact that he was a foreigner, from the region that is now Germany / Switzerland. The archer had completed an epic journey for the time, and the treasures in his grave show a man of status. Art for personal adornment, like these hair clasps, elevated him above his peers. <br /> <br />As time progressed, art became a political tool, kings competed for more dazzling adornments. As kingdoms got bigger the kings had to overcome communication issues. Darius the Great of Persia, ruled over 20 nations from Persepolis. As very few people could read, Darius had stone reliefs created that combined styles from all over the empire, the carvings showed each nation bring tributes to their king. This showed respect, and the carvings communicated that Darius admired and respected his people. Darius created a symbol for himself, that of the archer, symbolic to Persians of leadership and wisdom, central to the concept of kingship. Darius embossed this symbol on gold coins, which became the currency to trade within the empire. <br /> <br />Darius’ conqueror, Alexander the Great, took this concept further. From an early age, Alexander’s image was being made for him. In his fathers tomb, an Ivory head recognisable as Alexander’s was found, showing that his image had been made for him in advance of him becoming king. In Pompeii, a copy of an original Macedonian painting, shows Alexander the Great, fearless, fixated on his enemy and leading from the front. He is in the midst of battle with king Darius, shown fearful and panicking. Where Darius had used a symbol to communicate his power, Alexander used his face. On defeating the Persians, Alexander melted down all their coins replacing them with coins bearing his head. Tests have shown that people are more influenced by the image of the head and this technique has endured 2500 years and still used today. <br /> <br />This artistic power can be used for sinister purposes, to persuade us to see things a certain way or even deceive us. The earliest known use of this dates back to the Romans. In 40BC Rome was in crisis, the city state was split between royalists and republicans. You could tell people’s political allegiance by how they dressed. Octavian (Augustus) understood the power of art and used it to his advantage. He needed to persuade his opponents ,and used artists to create a less threatening image, one that won over the republicans. Although the image showed him as a powerful general, it didn’t show any military arms, and his gestures were more about humility than power. His armour breast plates show him accepting surrender of the Parthian Empire, with the gods looking on approvingly. The statue offered reassurance, but it was all a lie. While he portrayed himself as a peace maker, he was getting rid of the opposition; while he was preaching humility, he lived like corrupt royalty and while pretending to hand power to the people he reinstated himself as a king. <br /> <br />The leaders of past used paint and marble, today we use digital manipulation. But as humans we still remain vulnerable to the persuasive power of art.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7649428" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0e8de298e75ad8e3984ed10828d7608b" rel="nofollow" data-download="{"attachment_id":36900093,"asset_id":7649428,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36900093/download_file?st=MTc0MDE2MDg3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6711338" href="https://cambridge.academia.edu/DavidBarrowclough">David Barrowclough</a><script data-card-contents-for-user="6711338" type="text/json">{"id":6711338,"first_name":"David","last_name":"Barrowclough","domain_name":"cambridge","page_name":"DavidBarrowclough","display_name":"David Barrowclough","profile_url":"https://cambridge.academia.edu/DavidBarrowclough?f_ri=50577","photo":"https://0.academia-photos.com/6711338/2637252/48103184/s65_david.barrowclough.jpg"}</script></span></span></li><li class="js-paper-rank-work_7649428 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7649428"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7649428, container: ".js-paper-rank-work_7649428", }); 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$(".js-view-count[data-work-id=7649428]").text(description); $(".js-view-count-work_7649428").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7649428").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7649428"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">74</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" rel="nofollow" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="130" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_History">Ancient History</a>, <script data-card-contents-for-ri="130" type="text/json">{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="133" rel="nofollow" href="https://www.academia.edu/Documents/in/Military_History">Military History</a>, <script data-card-contents-for-ri="133" type="text/json">{"id":133,"name":"Military History","url":"https://www.academia.edu/Documents/in/Military_History?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="136" rel="nofollow" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a><script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7649428]'), work: {"id":7649428,"title":"BBC TV. How Art Made The World. Episode Three: The Art of Persuasion","created_at":"2014-07-13T07:40:11.573-07:00","url":"https://www.academia.edu/7649428/BBC_TV_How_Art_Made_The_World_Episode_Three_The_Art_of_Persuasion?f_ri=50577","dom_id":"work_7649428","summary":"The visual devices used by Tony Blair and George Bush to get themselves elected and maintain power, come not from modern times, but a world that is thousands of years old. How Art Made the World ventures back to the creation of Stonehenge and the reign of Alexander the Great to reveal how imagery became an indispensable weapon in every leader's political armoury.\r\n\r\nThis episode explores how art can be used as a persuasion device by those in power and when did we learn to use images, to create a powerful icon or symbol, this way?\r\n\r\nThe use of art as a tool for those in power, started at different times, in different cultures. Near Stonehenge the grave of the Amesbury Archer was discovered in 2002, the grave was different to those previously found near the site, as this one was not Roman, but much earlier, dating to when the first sarsen stones were erected. What made him interesting were his gold hair tresses, possibly the oldest dated gold objects in Britain, and the fact that he was a foreigner, from the region that is now Germany / Switzerland. The archer had completed an epic journey for the time, and the treasures in his grave show a man of status. Art for personal adornment, like these hair clasps, elevated him above his peers.\r\n\r\nAs time progressed, art became a political tool, kings competed for more dazzling adornments. As kingdoms got bigger the kings had to overcome communication issues. Darius the Great of Persia, ruled over 20 nations from Persepolis. As very few people could read, Darius had stone reliefs created that combined styles from all over the empire, the carvings showed each nation bring tributes to their king. This showed respect, and the carvings communicated that Darius admired and respected his people. Darius created a symbol for himself, that of the archer, symbolic to Persians of leadership and wisdom, central to the concept of kingship. Darius embossed this symbol on gold coins, which became the currency to trade within the empire.\r\n\r\nDarius’ conqueror, Alexander the Great, took this concept further. From an early age, Alexander’s image was being made for him. In his fathers tomb, an Ivory head recognisable as Alexander’s was found, showing that his image had been made for him in advance of him becoming king. In Pompeii, a copy of an original Macedonian painting, shows Alexander the Great, fearless, fixated on his enemy and leading from the front. He is in the midst of battle with king Darius, shown fearful and panicking. Where Darius had used a symbol to communicate his power, Alexander used his face. On defeating the Persians, Alexander melted down all their coins replacing them with coins bearing his head. Tests have shown that people are more influenced by the image of the head and this technique has endured 2500 years and still used today.\r\n\r\nThis artistic power can be used for sinister purposes, to persuade us to see things a certain way or even deceive us. The earliest known use of this dates back to the Romans. In 40BC Rome was in crisis, the city state was split between royalists and republicans. You could tell people’s political allegiance by how they dressed. Octavian (Augustus) understood the power of art and used it to his advantage. He needed to persuade his opponents ,and used artists to create a less threatening image, one that won over the republicans. Although the image showed him as a powerful general, it didn’t show any military arms, and his gestures were more about humility than power. His armour breast plates show him accepting surrender of the Parthian Empire, with the gods looking on approvingly. The statue offered reassurance, but it was all a lie. While he portrayed himself as a peace maker, he was getting rid of the opposition; while he was preaching humility, he lived like corrupt royalty and while pretending to hand power to the people he reinstated himself as a king.\r\n\r\nThe leaders of past used paint and marble, today we use digital manipulation. But as humans we still remain vulnerable to the persuasive power of art.","downloadable_attachments":[{"id":36900093,"asset_id":7649428,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6711338,"first_name":"David","last_name":"Barrowclough","domain_name":"cambridge","page_name":"DavidBarrowclough","display_name":"David Barrowclough","profile_url":"https://cambridge.academia.edu/DavidBarrowclough?f_ri=50577","photo":"https://0.academia-photos.com/6711338/2637252/48103184/s65_david.barrowclough.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=50577","nofollow":true},{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=50577","nofollow":true},{"id":133,"name":"Military History","url":"https://www.academia.edu/Documents/in/Military_History?f_ri=50577","nofollow":true},{"id":136,"name":"Cultural 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Great","url":"https://www.academia.edu/Documents/in/Darius_the_Great?f_ri=50577"},{"id":1843839,"name":"Equestrian Statue Marcus Aurelius","url":"https://www.academia.edu/Documents/in/Equestrian_Statue_Marcus_Aurelius?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_77224256" data-work_id="77224256" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/77224256/From_Document_to_History">From Document to History</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/77224256" 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class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1285050" href="https://berkeley.academia.edu/CarlosNorena">Carlos Noreña</a><script data-card-contents-for-user="1285050" type="text/json">{"id":1285050,"first_name":"Carlos","last_name":"Noreña","domain_name":"berkeley","page_name":"CarlosNorena","display_name":"Carlos Noreña","profile_url":"https://berkeley.academia.edu/CarlosNorena?f_ri=50577","photo":"https://0.academia-photos.com/1285050/605095/34126667/s65_carlos.nore_a.jpg"}</script></span></span></li><li class="js-paper-rank-work_77224256 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="77224256"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 77224256, container: 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città archeologica di Pompei, con la convinzione di fondo che essa rappresenti un giacimento di conoscenza "architettonica e urbana" pressoché inesauribile ma soprattutto inesaurito, in particolare se ci riferiamo alla idea che Pompei possa costituire un referente per il progetto della città moderna: da qui nasce il titolo Pompei. Città moderna. In sintesi, non un libro che vuole aggiungere tasselli di conoscenza storica ma che ambisce ad aiutare magari i più giovani, visitando Pompei, a provare, come descritto nel passo di Ernesto Nathan Rogers in esergo al testo, innanzitutto una commozione di natura architettonica.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45012434" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d593322b860832801a75c8e218834565" rel="nofollow" data-download="{"attachment_id":65558721,"asset_id":45012434,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65558721/download_file?st=MTc0MDE2MDg3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="46470101" href="https://unina.academia.edu/ClaudiaSans%C3%B2">Claudia Sansò</a><script data-card-contents-for-user="46470101" type="text/json">{"id":46470101,"first_name":"Claudia","last_name":"Sansò","domain_name":"unina","page_name":"ClaudiaSansò","display_name":"Claudia Sansò","profile_url":"https://unina.academia.edu/ClaudiaSans%C3%B2?f_ri=50577","photo":"https://0.academia-photos.com/46470101/13043393/165636938/s65_claudia.sans_.jpg"}</script></span></span></li><li class="js-paper-rank-work_45012434 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45012434"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45012434, container: ".js-paper-rank-work_45012434", }); 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Città moderna. In sintesi, non un libro che vuole aggiungere tasselli di conoscenza storica ma che ambisce ad aiutare magari i più giovani, visitando Pompei, a provare, come descritto nel passo di Ernesto Nathan Rogers in esergo al testo, innanzitutto una commozione di natura architettonica.","downloadable_attachments":[{"id":65558721,"asset_id":45012434,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":46470101,"first_name":"Claudia","last_name":"Sansò","domain_name":"unina","page_name":"ClaudiaSansò","display_name":"Claudia Sansò","profile_url":"https://unina.academia.edu/ClaudiaSans%C3%B2?f_ri=50577","photo":"https://0.academia-photos.com/46470101/13043393/165636938/s65_claudia.sans_.jpg"}],"research_interests":[{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":139437,"name":"Disegno","url":"https://www.academia.edu/Documents/in/Disegno?f_ri=50577","nofollow":true},{"id":298884,"name":"Disegno Dell'Architettura","url":"https://www.academia.edu/Documents/in/Disegno_DellArchitettura?f_ri=50577","nofollow":true},{"id":1194210,"name":"Urban Rapresentation","url":"https://www.academia.edu/Documents/in/Urban_Rapresentation?f_ri=50577","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36915872" data-work_id="36915872" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36915872/Roman_Paintings_pdf">Roman Paintings.pdf</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Catalogue of Roman paintings and mosaics in the Museum of Art, Rhode Island School of Design, Providence, RI</div></div><ul class="InlineList u-ph0x u-fs13"><li 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href="https://www.academia.edu/5615110/Arqueologia_e_Poder_O_Caso_de_Pompeia">Arqueologia e Poder - O Caso de Pompeia.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A presente comunicação visa uma discussão teórica sobre as relações de poderes nos estudos clássicos na primeira metade do século XX, tomando como estudo de caso as escavações em Pompeia. O objetivo central da discussão proposta é,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_5615110" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A presente comunicação visa uma discussão teórica sobre as relações de poderes nos estudos clássicos na primeira metade do século XX, tomando como estudo de caso as escavações em Pompeia. O objetivo central da discussão proposta é, partindo de uma perspectiva pós-colonial, pensar como os discursos  arqueológicos sobre Pompeia foram importantes no processo de construção do nacionalismo italiano, em especial durante o período fascista. Buscando uma perspectiva crítica, as autoras visam discutir identidade, gênero e poder nos discursos  arqueológicos e, consequentemente, os usos da cultura material romana na contemporaneidade.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5615110" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="99a59cdbaf7b37c0eace54b103e42a4d" rel="nofollow" data-download="{"attachment_id":32688507,"asset_id":5615110,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32688507/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="798763" href="https://ufpr.academia.edu/P%C3%A9rolaDePaulaSanfelice">Pérola De Paula Sanfelice</a><script data-card-contents-for-user="798763" type="text/json">{"id":798763,"first_name":"Pérola","last_name":"De Paula Sanfelice","domain_name":"ufpr","page_name":"PérolaDePaulaSanfelice","display_name":"Pérola De Paula Sanfelice","profile_url":"https://ufpr.academia.edu/P%C3%A9rolaDePaulaSanfelice?f_ri=50577","photo":"https://0.academia-photos.com/798763/272987/14318244/s65_p_rola.de_paula_sanfelice.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-5615110">+1</span><div class="hidden js-additional-users-5615110"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://ufpr.academia.edu/RenataGarraffoni">Renata S Garraffoni</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-5615110'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-5615110').html(); 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O objetivo central da discussão proposta é, partindo de uma perspectiva pós-colonial, pensar como os discursos arqueológicos sobre Pompeia foram importantes no processo de construção do nacionalismo italiano, em especial durante o período fascista. Buscando uma perspectiva crítica, as autoras visam discutir identidade, gênero e poder nos discursos arqueológicos e, consequentemente, os usos da cultura material romana na contemporaneidade. ","downloadable_attachments":[{"id":32688507,"asset_id":5615110,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":798763,"first_name":"Pérola","last_name":"De Paula Sanfelice","domain_name":"ufpr","page_name":"PérolaDePaulaSanfelice","display_name":"Pérola De Paula Sanfelice","profile_url":"https://ufpr.academia.edu/P%C3%A9rolaDePaulaSanfelice?f_ri=50577","photo":"https://0.academia-photos.com/798763/272987/14318244/s65_p_rola.de_paula_sanfelice.jpg"},{"id":23599520,"first_name":"Renata","last_name":"Garraffoni","domain_name":"ufpr","page_name":"RenataGarraffoni","display_name":"Renata S Garraffoni","profile_url":"https://ufpr.academia.edu/RenataGarraffoni?f_ri=50577","photo":"https://0.academia-photos.com/23599520/6395093/7235534/s65_renata.garraffoni.jpg"}],"research_interests":[{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=50577","nofollow":true},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=50577","nofollow":true},{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=50577","nofollow":true},{"id":5583,"name":"Audience and Reception Studies","url":"https://www.academia.edu/Documents/in/Audience_and_Reception_Studies?f_ri=50577","nofollow":true},{"id":5781,"name":"Fascism","url":"https://www.academia.edu/Documents/in/Fascism?f_ri=50577"},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577"},{"id":22599,"name":"Classical Reception Studies","url":"https://www.academia.edu/Documents/in/Classical_Reception_Studies?f_ri=50577"},{"id":38945,"name":"Arqueología","url":"https://www.academia.edu/Documents/in/Arqueolog%C3%ADa?f_ri=50577"},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":71380,"name":"Arqueologia","url":"https://www.academia.edu/Documents/in/Arqueologia?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=50577"},{"id":409258,"name":"Amedeo Maiuri","url":"https://www.academia.edu/Documents/in/Amedeo_Maiuri?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"},{"id":1238045,"name":"Usos Do Passado","url":"https://www.academia.edu/Documents/in/Usos_Do_Passado?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3450496" data-work_id="3450496" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3450496/Review_of_A_Day_in_Pompeii_Exhibition_Museum_Victoria_with_Emmeline_Healey_Melbourne_Australia_2009_">Review of: ‘A Day in Pompeii (Exhibition), Museum Victoria’ (with Emmeline Healey), Melbourne, Australia (2009).</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">On the 24 August 79 CE Mount Vesuvius erupted. The city of Pompeii was completely buried under pumice and ash. The exhibition A Day in Pompeii, presented by Museum Victoria, gives visitors the opportunity to understand what daily life in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3450496" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">On the 24 August 79 CE Mount Vesuvius erupted. The city of Pompeii was completely buried under pumice and ash. The exhibition A Day in Pompeii, presented by Museum Victoria, gives visitors the opportunity to understand what daily life in ancient Pompeii was really like, and to understand the process by which the city came to be destroyed, buried and eventually rediscovered. In contrast to the grim nature of Pompeii's history, the exhibition brings to life the town before the eruption through displays of a wide selection of artefacts that encapsulate various aspects of Pompeian society.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3450496" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5ebe82e7534ffa491b20d3c8e578946e" rel="nofollow" data-download="{"attachment_id":31212150,"asset_id":3450496,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31212150/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1815229" href="https://monash.academia.edu/JamesGill">James Gill</a><script data-card-contents-for-user="1815229" type="text/json">{"id":1815229,"first_name":"James","last_name":"Gill","domain_name":"monash","page_name":"JamesGill","display_name":"James Gill","profile_url":"https://monash.academia.edu/JamesGill?f_ri=50577","photo":"https://0.academia-photos.com/1815229/619553/35076038/s65_james.gill.jpg"}</script></span></span></li><li class="js-paper-rank-work_3450496 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3450496"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3450496, container: ".js-paper-rank-work_3450496", }); 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$(".js-view-count[data-work-id=3450496]").text(description); $(".js-view-count-work_3450496").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3450496").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3450496"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">32</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" rel="nofollow" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="393" rel="nofollow" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="829" rel="nofollow" href="https://www.academia.edu/Documents/in/Roman_History">Roman History</a>, <script data-card-contents-for-ri="829" type="text/json">{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="915" rel="nofollow" href="https://www.academia.edu/Documents/in/Art_History">Art History</a><script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3450496]'), work: {"id":3450496,"title":"Review of: ‘A Day in Pompeii (Exhibition), Museum Victoria’ (with Emmeline Healey), Melbourne, Australia (2009).","created_at":"2013-05-02T15:45:56.997-07:00","url":"https://www.academia.edu/3450496/Review_of_A_Day_in_Pompeii_Exhibition_Museum_Victoria_with_Emmeline_Healey_Melbourne_Australia_2009_?f_ri=50577","dom_id":"work_3450496","summary":"On the 24 August 79 CE Mount Vesuvius erupted. The city of Pompeii was completely buried under pumice and ash. The exhibition A Day in Pompeii, presented by Museum Victoria, gives visitors the opportunity to understand what daily life in ancient Pompeii was really like, and to understand the process by which the city came to be destroyed, buried and eventually rediscovered. In contrast to the grim nature of Pompeii's history, the exhibition brings to life the town before the eruption through displays of a wide selection of artefacts that encapsulate various aspects of Pompeian society.","downloadable_attachments":[{"id":31212150,"asset_id":3450496,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1815229,"first_name":"James","last_name":"Gill","domain_name":"monash","page_name":"JamesGill","display_name":"James Gill","profile_url":"https://monash.academia.edu/JamesGill?f_ri=50577","photo":"https://0.academia-photos.com/1815229/619553/35076038/s65_james.gill.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=50577","nofollow":true},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=50577","nofollow":true},{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577","nofollow":true},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=50577","nofollow":true},{"id":1370,"name":"Volcanology","url":"https://www.academia.edu/Documents/in/Volcanology?f_ri=50577"},{"id":1610,"name":"Museum learning","url":"https://www.academia.edu/Documents/in/Museum_learning?f_ri=50577"},{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=50577"},{"id":1658,"name":"Digital Museum","url":"https://www.academia.edu/Documents/in/Digital_Museum?f_ri=50577"},{"id":1659,"name":"Online Museum","url":"https://www.academia.edu/Documents/in/Online_Museum?f_ri=50577"},{"id":2538,"name":"Museum","url":"https://www.academia.edu/Documents/in/Museum?f_ri=50577"},{"id":3343,"name":"Digital Archaeology","url":"https://www.academia.edu/Documents/in/Digital_Archaeology?f_ri=50577"},{"id":6093,"name":"Museum Education","url":"https://www.academia.edu/Documents/in/Museum_Education?f_ri=50577"},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577"},{"id":8516,"name":"Funerary Archaeology","url":"https://www.academia.edu/Documents/in/Funerary_Archaeology?f_ri=50577"},{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=50577"},{"id":16927,"name":"Museum Interpretation","url":"https://www.academia.edu/Documents/in/Museum_Interpretation?f_ri=50577"},{"id":23555,"name":"Roman Empire","url":"https://www.academia.edu/Documents/in/Roman_Empire?f_ri=50577"},{"id":24016,"name":"Museology","url":"https://www.academia.edu/Documents/in/Museology?f_ri=50577"},{"id":28394,"name":"Exhibition, Museum, Expositions and Worlds Fairs","url":"https://www.academia.edu/Documents/in/Exhibition_Museum_Expositions_and_Worlds_Fairs?f_ri=50577"},{"id":32780,"name":"Mediterranean archaeology","url":"https://www.academia.edu/Documents/in/Mediterranean_archaeology?f_ri=50577"},{"id":48878,"name":"Exhibition Design","url":"https://www.academia.edu/Documents/in/Exhibition_Design?f_ri=50577"},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":78350,"name":"Museum and Heritage Studies","url":"https://www.academia.edu/Documents/in/Museum_and_Heritage_Studies?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":94837,"name":"Digital Media and Learning","url":"https://www.academia.edu/Documents/in/Digital_Media_and_Learning-1?f_ri=50577"},{"id":112593,"name":"Museum environment","url":"https://www.academia.edu/Documents/in/Museum_environment?f_ri=50577"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=50577"},{"id":238266,"name":"Pompeii, Roman Domestic Space","url":"https://www.academia.edu/Documents/in/Pompeii_Roman_Domestic_Space?f_ri=50577"},{"id":526031,"name":"Museum Education and Communication","url":"https://www.academia.edu/Documents/in/Museum_Education_and_Communication?f_ri=50577"},{"id":570874,"name":"Museum design","url":"https://www.academia.edu/Documents/in/Museum_design?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"},{"id":1008611,"name":"Museum Exhibits","url":"https://www.academia.edu/Documents/in/Museum_Exhibits?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37727891" data-work_id="37727891" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37727891/Impronte_Pompeiane">Impronte Pompeiane</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">De Carolis Ernesto , Patricelli Giovanni Anno di Edizione: 2018 Edizione: L'ERMA di BRETSCHNEIDER Collane: Pompei - Guide Tematiche., 7 ISBN: 978-88-913-1703-2 Rilegatura: Brossura Pagine: 136, 50 ill. B/N, 40 ill. Col. Formato: 21 x... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37727891" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">De Carolis Ernesto , Patricelli Giovanni<br /><br />Anno di Edizione: 2018<br />Edizione: L'ERMA di BRETSCHNEIDER<br />Collane: <br />Pompei - Guide Tematiche., 7<br />ISBN: 978-88-913-1703-2<br />Rilegatura: Brossura<br />Pagine: 136, 50 ill. B/N, 40 ill. Col.<br />Formato: 21 x 24 cm<br />La notorieta' di Pompei, fin dai primi rinvenimenti nel 1748, fu talmente ampia da diventare una meta imperdibile del Grand Tour. Il suo primato, fra i numerosi siti archeologici di epoca romana, deriva indubbiamente dalla tragica eruzione del Vesuvio del 79 d.C. narrata nelle due lettere che scrisse Plinio il Giovane allo storico Tacito descrivendo, con una attenta osservazione dell' incalzante susseguirsi delle fasi eruttive, il viaggio da Miseno a Stabia di suo zio, Plinio il Vecchio, e la sua morte all' alba del 25 agosto dopo aver trascorso la notte nella Villa del suo amico Pomponiano.<br />Da sempre Pompei, ma anche Ercolano e gli altri siti vesuviani, hanno colpito l' immaginario collettivo per la loro improvvisa scomparsa insieme all' annientamento di ogni forma di vita a causa di un incontrollabile e catastrofico evento naturale. Luoghi dove risuonava spensierata la vita si trasformarono cos in luoghi dove regnava incontrastata la morte.<br />I continui rinvenimenti di corpi, a partire dal primo tornato alla luce il 19 aprile del 1748, segnarono la storia della riscoperta di Pompei suscitando un generale interesse dove prendeva il sopravvento l' aspetto emotivo rispetto all' importanza del dato scientifico.<br />Un momento fondamentale fu la geniale intuizione di Giuseppe Fiorelli, al di la' delle polemiche iniziali che suscito' sulla paternita' del metodo, di versare del gesso allo stato liquido nelle cavit rinvenute nello strato di cenere. E cos fra il 3 ed il 7 febbraio del 1863 risorsero le vittime dell' eruzione mostrando i lineamenti dei volti e la forma dei corpi oltre ai vestiti che indossavano in quel fatale giorno.<br />Le impronte cosi' ottenute entrarono immediatamente nell' immaginario di quanti si recavano a Pompei e furono riprodotte dai piu' celebri fotografi della seconda meta' dell' Ottocento ed inseriti negli Album che venivano acquistati dai visitatori come ricordo del loro viaggio in Italia.<br />Le sensazioni a volte morbose che suscitavano le impronte, come nel romanzo Nerinda di Norman Douglas, accompagnarono la progressiva riscoperta della citta' e non ci fu rinvenimento che non venisse ricordato nelle relazioni di scavo e nella stampa contemporanea accompagnato da una emozionale ricostruzione degli ultimi attimi di vita e da tentativi di identificazione delle vittime.<br /><br />Con la presente pubblicazione ci siamo posti l' obiettivo di ricostruire nella prima parte il susseguirsi delle fasi eruttive sulla base delle due lettere di Plinio il Giovane insieme ai piu' recenti dati vulcanologici ed archeologici, facendo riferimento alla data canonica del 24 e 25 agosto, mentre nella seconda parte abbiamo esposto cronologicamente i principali rinvenimenti di impronte a partire dal 1863 fino al 2002.<br />L' apparato iconografico del testo e' costituito in gran parte dalla documentazione fotografica contemporanea ai rinvenimenti delle impronte ed eseguita, per quanto riguarda la seconda met dell' Ottocento, dagli ateliers di Giorgio Sommer, Robert Rive, Achille Mauri, Giacomo Brogi, Michele Amodio e dei fratelli Achille e Pasquale Esposito.<br />Il nostro contribuito, ponendoci l' obiettivo di rendere il testo agile e facilmente fruibile al lettore, si inserisce nell' ambito degli studi sui piu' diversi aspetti del patrimonio informativo che ha restituito quanto e' stato riportato alla luce fino ad oggi delle citta' vesuviane e che ancora potrebbero fornire se venissero riprese le campagne di scavo.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37727891" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9bf1e31c7f82e6abe9d5113c10218fc0" rel="nofollow" data-download="{"attachment_id":57721552,"asset_id":37727891,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57721552/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4316814" href="https://independent.academia.edu/LERMAdiBRETSCHNEIDER">L'ERMA di BRETSCHNEIDER, Publisher</a><script data-card-contents-for-user="4316814" type="text/json">{"id":4316814,"first_name":"L'ERMA di BRETSCHNEIDER,","last_name":"Publisher","domain_name":"independent","page_name":"LERMAdiBRETSCHNEIDER","display_name":"L'ERMA di BRETSCHNEIDER, Publisher","profile_url":"https://independent.academia.edu/LERMAdiBRETSCHNEIDER?f_ri=50577","photo":"https://0.academia-photos.com/4316814/1728347/15923094/s65_l_erma_di_bretschneider.publishers.jpg"}</script></span></span></li><li class="js-paper-rank-work_37727891 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37727891"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37727891, container: ".js-paper-rank-work_37727891", }); 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B/N, 40 ill. Col.\nFormato: 21 x 24 cm\nLa notorieta' di Pompei, fin dai primi rinvenimenti nel 1748, fu talmente ampia da diventare una meta imperdibile del Grand Tour. Il suo primato, fra i numerosi siti archeologici di epoca romana, deriva indubbiamente dalla tragica eruzione del Vesuvio del 79 d.C. narrata nelle due lettere che scrisse Plinio il Giovane allo storico Tacito descrivendo, con una attenta osservazione dell' incalzante susseguirsi delle fasi eruttive, il viaggio da Miseno a Stabia di suo zio, Plinio il Vecchio, e la sua morte all' alba del 25 agosto dopo aver trascorso la notte nella Villa del suo amico Pomponiano.\nDa sempre Pompei, ma anche Ercolano e gli altri siti vesuviani, hanno colpito l' immaginario collettivo per la loro improvvisa scomparsa insieme all' annientamento di ogni forma di vita a causa di un incontrollabile e catastrofico evento naturale. Luoghi dove risuonava spensierata la vita si trasformarono cos in luoghi dove regnava incontrastata la morte.\nI continui rinvenimenti di corpi, a partire dal primo tornato alla luce il 19 aprile del 1748, segnarono la storia della riscoperta di Pompei suscitando un generale interesse dove prendeva il sopravvento l' aspetto emotivo rispetto all' importanza del dato scientifico.\nUn momento fondamentale fu la geniale intuizione di Giuseppe Fiorelli, al di la' delle polemiche iniziali che suscito' sulla paternita' del metodo, di versare del gesso allo stato liquido nelle cavit rinvenute nello strato di cenere. E cos fra il 3 ed il 7 febbraio del 1863 risorsero le vittime dell' eruzione mostrando i lineamenti dei volti e la forma dei corpi oltre ai vestiti che indossavano in quel fatale giorno.\nLe impronte cosi' ottenute entrarono immediatamente nell' immaginario di quanti si recavano a Pompei e furono riprodotte dai piu' celebri fotografi della seconda meta' dell' Ottocento ed inseriti negli Album che venivano acquistati dai visitatori come ricordo del loro viaggio in Italia.\nLe sensazioni a volte morbose che suscitavano le impronte, come nel romanzo Nerinda di Norman Douglas, accompagnarono la progressiva riscoperta della citta' e non ci fu rinvenimento che non venisse ricordato nelle relazioni di scavo e nella stampa contemporanea accompagnato da una emozionale ricostruzione degli ultimi attimi di vita e da tentativi di identificazione delle vittime.\n\nCon la presente pubblicazione ci siamo posti l' obiettivo di ricostruire nella prima parte il susseguirsi delle fasi eruttive sulla base delle due lettere di Plinio il Giovane insieme ai piu' recenti dati vulcanologici ed archeologici, facendo riferimento alla data canonica del 24 e 25 agosto, mentre nella seconda parte abbiamo esposto cronologicamente i principali rinvenimenti di impronte a partire dal 1863 fino al 2002.\nL' apparato iconografico del testo e' costituito in gran parte dalla documentazione fotografica contemporanea ai rinvenimenti delle impronte ed eseguita, per quanto riguarda la seconda met dell' Ottocento, dagli ateliers di Giorgio Sommer, Robert Rive, Achille Mauri, Giacomo Brogi, Michele Amodio e dei fratelli Achille e Pasquale Esposito.\nIl nostro contribuito, ponendoci l' obiettivo di rendere il testo agile e facilmente fruibile al lettore, si inserisce nell' ambito degli studi sui piu' diversi aspetti del patrimonio informativo che ha restituito quanto e' stato riportato alla luce fino ad oggi delle citta' vesuviane e che ancora potrebbero fornire se venissero riprese le campagne di scavo.","downloadable_attachments":[{"id":57721552,"asset_id":37727891,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4316814,"first_name":"L'ERMA di BRETSCHNEIDER,","last_name":"Publisher","domain_name":"independent","page_name":"LERMAdiBRETSCHNEIDER","display_name":"L'ERMA di BRETSCHNEIDER, Publisher","profile_url":"https://independent.academia.edu/LERMAdiBRETSCHNEIDER?f_ri=50577","photo":"https://0.academia-photos.com/4316814/1728347/15923094/s65_l_erma_di_bretschneider.publishers.jpg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=50577","nofollow":true},{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577","nofollow":true},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":78128,"name":"Vesuvius","url":"https://www.academia.edu/Documents/in/Vesuvius?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":199072,"name":"Vulcanology","url":"https://www.academia.edu/Documents/in/Vulcanology?f_ri=50577"},{"id":238266,"name":"Pompeii, Roman Domestic Space","url":"https://www.academia.edu/Documents/in/Pompeii_Roman_Domestic_Space?f_ri=50577"},{"id":312514,"name":"Pompeya","url":"https://www.academia.edu/Documents/in/Pompeya?f_ri=50577"},{"id":846115,"name":"Pompeii (Archaeology), Ville Vesuviane, Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_Ville_Vesuviane_Pompeii_and_Herculaneum?f_ri=50577"},{"id":1433270,"name":"Classical Studies","url":"https://www.academia.edu/Documents/in/Classical_Studies?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_16034473" data-work_id="16034473" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/16034473/The_Pompeii_Quadriporticus_Project_2013_New_Technologies_and_New_Implications">The Pompeii Quadriporticus Project 2013: New Technologies and New Implications</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a 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Humanities","url":"https://www.academia.edu/Documents/in/Digital_Humanities?f_ri=50577","nofollow":true},{"id":5346,"name":"Archaeological Method \u0026 Theory","url":"https://www.academia.edu/Documents/in/Archaeological_Method_and_Theory?f_ri=50577","nofollow":true},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577"},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":99285,"name":"Roman Architecture","url":"https://www.academia.edu/Documents/in/Roman_Architecture?f_ri=50577"},{"id":111685,"name":"Pompeii Topography Architecture","url":"https://www.academia.edu/Documents/in/Pompeii_Topography_Architecture?f_ri=50577"},{"id":338667,"name":"Pompeii (History of excavations)","url":"https://www.academia.edu/Documents/in/Pompeii_History_of_excavations_?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37941839" data-work_id="37941839" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37941839/RAPOSO_GUTI%C3%89RREZ_N_2018_La_delimitaci%C3%B3n_de_los_espacios_p%C3%BAblicos_en_Pompeya_BAR_International_Series_2914_Archeopress_ISBN_978_14_0731_676_5">RAPOSO GUTIÉRREZ, N. (2018) La delimitación de los espacios públicos en Pompeya, BAR International Series 2914, Archeopress ISBN 978-14-0731-676-5</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Esta obra se centra en el estudio de la delimitación de los espacios públicos dentro de las murallas de Pompeya. Esta ciudad nos brinda la posibilidad de realizar un estudio de esta índole, ya que es considerada una cápsula del tiempo y... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37941839" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Esta obra se centra en el estudio de la delimitación de los espacios públicos dentro de las murallas de Pompeya. Esta ciudad nos brinda la posibilidad de realizar un estudio de esta índole, ya que es considerada una cápsula del tiempo y podemos ver en ella el ejemplo más claro de cómo se organizaba urbanísticamente una urbe romana en el siglo I d.C. Para analizar la delimitación de todos estos espacios se ha llevado a cabo un estudio de los bloques irregulares de piedra (termini) que los delimitan. Estos termini estaban fuertemente protegidos por la legislación, por un derecho consuetudinario y por preceptos religiosos. Por ello, a todo aquel que osara mover o sobrepasar dichos termini con la construcción de edificios se le impondría una sanción por parte de la ciudad e incluso en algunos casos por parte del emperador.<br /><br />This book focuses on the delimitation of public spaces within the city wall of ancient Pompeii. Because the original pattern and architectural structures of this city are so well preserved, it provides valuable insight into the urbanism of a Roman city of the 1st century AD. The delimitation of public spaces in the city has here been examined through a study of the boundary stones known as termini. These stones were strongly controlled by municipal legislation, but they were also protected by customary law and religious precepts. Those who damaged or moved the termini, or built their house or any other structure in such a way as to violate the delimiting line marked by the termini, had to pay a penalty, which was imposed by the municipal council or, in some cases, by the emperor.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37941839" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="195bfa0244d78a8da93d07a2be465d4f" rel="nofollow" data-download="{"attachment_id":58029867,"asset_id":37941839,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58029867/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="863474" href="https://uhu.academia.edu/NoemiRaposoGutierrez">Noemí Raposo Gutiérrez</a><script data-card-contents-for-user="863474" type="text/json">{"id":863474,"first_name":"Noemí","last_name":"Raposo Gutiérrez","domain_name":"uhu","page_name":"NoemiRaposoGutierrez","display_name":"Noemí Raposo Gutiérrez","profile_url":"https://uhu.academia.edu/NoemiRaposoGutierrez?f_ri=50577","photo":"https://0.academia-photos.com/863474/11484953/35195110/s65_noem_.raposo_guti_rrez.jpg"}</script></span></span></li><li class="js-paper-rank-work_37941839 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37941839"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37941839, container: ".js-paper-rank-work_37941839", }); 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(2018) La delimitación de los espacios públicos en Pompeya, BAR International Series 2914, Archeopress ISBN 978-14-0731-676-5","created_at":"2018-12-09T04:39:19.941-08:00","url":"https://www.academia.edu/37941839/RAPOSO_GUTI%C3%89RREZ_N_2018_La_delimitaci%C3%B3n_de_los_espacios_p%C3%BAblicos_en_Pompeya_BAR_International_Series_2914_Archeopress_ISBN_978_14_0731_676_5?f_ri=50577","dom_id":"work_37941839","summary":"Esta obra se centra en el estudio de la delimitación de los espacios públicos dentro de las murallas de Pompeya. Esta ciudad nos brinda la posibilidad de realizar un estudio de esta índole, ya que es considerada una cápsula del tiempo y podemos ver en ella el ejemplo más claro de cómo se organizaba urbanísticamente una urbe romana en el siglo I d.C. Para analizar la delimitación de todos estos espacios se ha llevado a cabo un estudio de los bloques irregulares de piedra (termini) que los delimitan. Estos termini estaban fuertemente protegidos por la legislación, por un derecho consuetudinario y por preceptos religiosos. Por ello, a todo aquel que osara mover o sobrepasar dichos termini con la construcción de edificios se le impondría una sanción por parte de la ciudad e incluso en algunos casos por parte del emperador.\n\nThis book focuses on the delimitation of public spaces within the city wall of ancient Pompeii. Because the original pattern and architectural structures of this city are so well preserved, it provides valuable insight into the urbanism of a Roman city of the 1st century AD. The delimitation of public spaces in the city has here been examined through a study of the boundary stones known as termini. These stones were strongly controlled by municipal legislation, but they were also protected by customary law and religious precepts. Those who damaged or moved the termini, or built their house or any other structure in such a way as to violate the delimiting line marked by the termini, had to pay a penalty, which was imposed by the municipal council or, in some cases, by the emperor.","downloadable_attachments":[{"id":58029867,"asset_id":37941839,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":863474,"first_name":"Noemí","last_name":"Raposo Gutiérrez","domain_name":"uhu","page_name":"NoemiRaposoGutierrez","display_name":"Noemí Raposo Gutiérrez","profile_url":"https://uhu.academia.edu/NoemiRaposoGutierrez?f_ri=50577","photo":"https://0.academia-photos.com/863474/11484953/35195110/s65_noem_.raposo_guti_rrez.jpg"}],"research_interests":[{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577","nofollow":true},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=50577","nofollow":true},{"id":4134,"name":"Roman Law","url":"https://www.academia.edu/Documents/in/Roman_Law?f_ri=50577","nofollow":true},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":9437,"name":"Urbanism","url":"https://www.academia.edu/Documents/in/Urbanism?f_ri=50577"},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":79548,"name":"Arquitetura e Urbanismo","url":"https://www.academia.edu/Documents/in/Arquitetura_e_Urbanismo?f_ri=50577"},{"id":96230,"name":"Urbanismo","url":"https://www.academia.edu/Documents/in/Urbanismo?f_ri=50577"},{"id":111685,"name":"Pompeii Topography Architecture","url":"https://www.academia.edu/Documents/in/Pompeii_Topography_Architecture?f_ri=50577"},{"id":312514,"name":"Pompeya","url":"https://www.academia.edu/Documents/in/Pompeya?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_16036220" data-work_id="16036220" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/16036220/The_Traffic_Systems_of_Pompeii_Forthcoming_2017_Oxford_University_Press_">The Traffic Systems of Pompeii (Forthcoming 2017, Oxford University Press)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Traffic System of Pompeii is the first sustained examination of the evidence for a regulated circulation of wheeled traffic at Pompeii. The physical architecture of the street and the street network's development from the archaic age... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_16036220" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Traffic System of Pompeii is the first sustained examination of the evidence for a regulated circulation of wheeled traffic at Pompeii. The physical architecture of the street and the street network's development from the archaic age to the eruption of Mt. Vesuvius in 79 CE provide the setting to this system and are given particular attention. Thus, the evolving form of the urban grid, the shape of the street, treatment of its surface, and the individual elements of construction -curbstones, stepping-stones, and guard stones -are described in detail both to enrich the image of life in the Pompeian street and to better understand the evidence for traffic that was inscribed there. Ruts are the most evocative evidence of ancient traffic and their formation through the combination of ancient vehicle design and the styles of street paving require careful scrutiny. Above all, it is the evidence discovered by the author on the vertical faces of street features that permits the determination of the direction that ancient carts were traveling and undergirds the argument for a system regulating their movements. Through the distillation of over five hundred observations in multiple categories of evidence, all wholly new to archaeology and unique to this research, the basic rules of the road are revealed.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/16036220" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="264577a63febd77cc13af082d070ba2e" rel="nofollow" data-download="{"attachment_id":38855180,"asset_id":16036220,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38855180/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="236550" href="https://umass.academia.edu/EricPoehler">Eric Poehler</a><script data-card-contents-for-user="236550" type="text/json">{"id":236550,"first_name":"Eric","last_name":"Poehler","domain_name":"umass","page_name":"EricPoehler","display_name":"Eric Poehler","profile_url":"https://umass.academia.edu/EricPoehler?f_ri=50577","photo":"https://0.academia-photos.com/236550/235484/15965067/s65_eric.poehler.jpg"}</script></span></span></li><li class="js-paper-rank-work_16036220 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="16036220"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 16036220, container: ".js-paper-rank-work_16036220", }); 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The physical architecture of the street and the street network's development from the archaic age to the eruption of Mt. Vesuvius in 79 CE provide the setting to this system and are given particular attention. Thus, the evolving form of the urban grid, the shape of the street, treatment of its surface, and the individual elements of construction -curbstones, stepping-stones, and guard stones -are described in detail both to enrich the image of life in the Pompeian street and to better understand the evidence for traffic that was inscribed there. Ruts are the most evocative evidence of ancient traffic and their formation through the combination of ancient vehicle design and the styles of street paving require careful scrutiny. Above all, it is the evidence discovered by the author on the vertical faces of street features that permits the determination of the direction that ancient carts were traveling and undergirds the argument for a system regulating their movements. Through the distillation of over five hundred observations in multiple categories of evidence, all wholly new to archaeology and unique to this research, the basic rules of the road are revealed.","downloadable_attachments":[{"id":38855180,"asset_id":16036220,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":236550,"first_name":"Eric","last_name":"Poehler","domain_name":"umass","page_name":"EricPoehler","display_name":"Eric Poehler","profile_url":"https://umass.academia.edu/EricPoehler?f_ri=50577","photo":"https://0.academia-photos.com/236550/235484/15965067/s65_eric.poehler.jpg"}],"research_interests":[{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=50577","nofollow":true},{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=50577","nofollow":true},{"id":393,"name":"Classical 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and Roman Roads","url":"https://www.academia.edu/Documents/in/Ancient_and_Roman_Roads?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42812973" data-work_id="42812973" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42812973/In_Stone_and_Story_Early_Christianity_in_the_Roman_World">In Stone and Story: Early Christianity in the Roman World</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This book features artifacts from Pompeii and Herculaneum in order to illustrate the contours of life in the Roman world and to shed light on the origins of the early Jesus-movement in the first century.</div></div><ul class="InlineList u-ph0x u-fs13"><li 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(eds.) (2015) Estudios Arqueológicos del Área Vesubiana I. Oxford.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">ONLY INDEX These archaeological studies offer to provide an alternative tour through Vesuvian cities. One way to see Pompeii, for example, is via its hydraulic systems, from the higher parts to waterlogged landfills at the mouth of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_11639100" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ONLY INDEX <br />These archaeological studies offer to provide an alternative tour through Vesuvian cities. One way to see Pompeii, for example, is via its hydraulic systems, from the higher parts to waterlogged landfills at the mouth of Sarno. They invite you to walk the streets amidst the traces of regulation issued in municipal law and the free initiative of those who built and maintained the sidewalks. The graffiti and paintings allow us to take a tour specially designed to understand the tastes and devotions of the inhabitants of the Vesuvian cities. Thus, disparate themes researched separately may be presented here as a coherent work that initiates the visitor into Vesuvian studies. Each author gives us a particular tour of the specifics of the cities and villages of the Vesuvian area, its story, furniture, findings and the research process that has been developed over many years.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11639100" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="69d7da811e314cb2dee9715071fb653d" rel="nofollow" data-download="{"attachment_id":55775786,"asset_id":11639100,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55775786/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="263264" href="https://ucm.academia.edu/SergioEspa%C3%B1aChamorro">Sergio España-Chamorro</a><script data-card-contents-for-user="263264" type="text/json">{"id":263264,"first_name":"Sergio","last_name":"España-Chamorro","domain_name":"ucm","page_name":"SergioEspañaChamorro","display_name":"Sergio España-Chamorro","profile_url":"https://ucm.academia.edu/SergioEspa%C3%B1aChamorro?f_ri=50577","photo":"https://0.academia-photos.com/263264/55304/124801018/s65_sergio.espa_a-chamorro.jpeg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-11639100">+2</span><div class="hidden js-additional-users-11639100"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://ajif-ucm.academia.edu/MacarenaCalder%C3%B3nS%C3%A1nchez">Macarena Calderón Sánchez</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://knir.academia.edu/Rub%C3%A9nMontoya">Rubén Montoya</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-11639100'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-11639100').html(); 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ESPAÑA-CHAMORRO, S. \u0026 MONTOYA, R. (eds.) (2015) Estudios Arqueológicos del Área Vesubiana I. Oxford.","created_at":"2015-03-24T11:26:48.872-07:00","url":"https://www.academia.edu/11639100/CALDER%C3%93N_M_ESPA%C3%91A_CHAMORRO_S_and_MONTOYA_R_eds_2015_Estudios_Arqueol%C3%B3gicos_del_%C3%81rea_Vesubiana_I_Oxford?f_ri=50577","dom_id":"work_11639100","summary":"ONLY INDEX\r\nThese archaeological studies offer to provide an alternative tour through Vesuvian cities. One way to see Pompeii, for example, is via its hydraulic systems, from the higher parts to waterlogged landfills at the mouth of Sarno. They invite you to walk the streets amidst the traces of regulation issued in municipal law and the free initiative of those who built and maintained the sidewalks. The graffiti and paintings allow us to take a tour specially designed to understand the tastes and devotions of the inhabitants of the Vesuvian cities. 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The environmental gaze between science of parts and aesthetics of the fragment (2021)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">editor luigi coiro art director enrica d'aguanno graphic design franco grieco on the cover Luigi Bazzani Via dell'Abbondanza and façade of Insula IX 1 (Casa di Epidio Rufo) 1896, watercolour on paper London, Victoria & Albert Museum on... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_61069960" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">editor luigi coiro art director enrica d'aguanno graphic design franco grieco on the cover Luigi Bazzani Via dell'Abbondanza and façade of Insula IX 1 (Casa di Epidio Rufo) 1896, watercolour on paper London, Victoria & Albert Museum on page 2 Naples, Museo Archeologico Nazionale Cork model of Pompeii historical photograph Richard C. Bauer collection on page 6 Georg Hilker Pompeii, Casa del gruppo dei Vasi di Vetro (wall painting) 1839, gouache on paper Copenhagen, Danish National Art Library on pages 14-15 Pompeii, fountain and edifices close to Porta Ercolano on pages 66-67 Pompeii, Casa dei Vettii wall painting, detail on pages 114-115 Francesco Piranesi, Louis-Jean Desprez The Temple of Isis at Pompeii, 1788 etching, hand-colored with watercolor Cleveland Museum of Art arte'm is a registered trademark of prismi quality management system ISO 9001: 2015 <a href="http://www.arte-m.net" rel="nofollow">www.arte-m.net</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/61069960" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f741a6343b7e90e6d330bfc240013d1c" rel="nofollow" data-download="{"attachment_id":80095055,"asset_id":61069960,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/80095055/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12735691" href="https://univp.academia.edu/MassimilianoSavorra">Massimiliano Savorra</a><script data-card-contents-for-user="12735691" type="text/json">{"id":12735691,"first_name":"Massimiliano","last_name":"Savorra","domain_name":"univp","page_name":"MassimilianoSavorra","display_name":"Massimiliano Savorra","profile_url":"https://univp.academia.edu/MassimilianoSavorra?f_ri=50577","photo":"https://0.academia-photos.com/12735691/3621761/21310937/s65_massimiliano.savorra.jpg"}</script></span></span></li><li class="js-paper-rank-work_61069960 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="61069960"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 61069960, container: ".js-paper-rank-work_61069960", }); 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The environmental gaze between science of parts and aesthetics of the fragment (2021)","created_at":"2021-11-05T13:19:52.366-07:00","url":"https://www.academia.edu/61069960/Pompeii_and_Henri_Labrouste_s_private_drawings_The_environmental_gaze_between_science_of_parts_and_aesthetics_of_the_fragment_2021_?f_ri=50577","dom_id":"work_61069960","summary":"editor luigi coiro art director enrica d'aguanno graphic design franco grieco on the cover Luigi Bazzani Via dell'Abbondanza and façade of Insula IX 1 (Casa di Epidio Rufo) 1896, watercolour on paper London, Victoria \u0026 Albert Museum on page 2 Naples, Museo Archeologico Nazionale Cork model of Pompeii historical photograph Richard C. 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Relations amongst the depositional mechanisms of the pyroclastic products, the framework of the buildings and …</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A quantitative and qualitative evaluation of the damage caused by the products of explosive eruptions to buildings provides an excellent contribution to the understanding of the various eruptive processes during such dramatic events. To... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_865012" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A quantitative and qualitative evaluation of the damage caused by the products of explosive eruptions to buildings provides an excellent contribution to the understanding of the various eruptive processes during such dramatic events. To this end, the impact of the products of the two main phases (pumice fallout and pyroclastic density currents) of the Vesuvius AD 79 explosive eruption onto the Pompeii buildings has been evaluated. Based on different sources of data, such as photographs and documents referring to the archaeological excavations of Pompeii, the stratigraphy of the pyroclastic deposits, and in situ inspection of the damage suffered by the buildings, the present study has enabled the reconstruction of the events that occurred inside the city when the eruption was in progress. In particular, we present new data related to the C.J. Polibius’ house, a large building located inside Pompeii. From a comparison of all of the above data sets, it has been possible to reconstruct, in considerable detail, the stratigraphy of the pyroclastic deposits accumulated in the city, to understand the direction of collapse of the destroyed walls, and to evaluate the stratigraphic level at which the walls collapsed. Finally, the distribution and style of the damage allow us to discuss how the emplacement mechanisms of the pyroclastic currents are influenced by their interaction with the<br />urban centre. All the data suggest that both structure and shape of the town buildings affected the transport and deposition of the erupted products. For instance, sloping roofs ‘drained’ a huge amount of fall pumice into the ‘impluvia’ (a rectangular basin in the centre of the hall with the function to collect the rain water coming from a hole in the centre of the roof), thus producing anomalous deposit thicknesses. On the other hand, flat and low-sloping roofs collapsed under the weight of the pyroclastic material produced during the first phase of the eruption (pumice fall). In addition, it is evident that the walls that happened to be parallel to the direction of the pyroclastic density currents produced during the second eruptive phase were minimally damaged in comparison to those walls oriented perpendicular to the flow direction. We suggest that the lower depositional parts of the pyroclastic currents were partially blocked (locally reflected) and slowed down because of recurring encounters with the closely spaced walls within buildings. Locally, the percentage of demolished walls decreases down-current, which has been interpreted as a loss in kinetic energy within the depositional system of the flow. However, it seems that the upper transport system by-passed these obstacles, then supplied new pyroclasts to the depositional system that restored its physical characteristics and restored enough kinetic energy to demolish the next walls and buildings further along its path.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/865012" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5663e7921d1fb335268ca876ec6080e8" rel="nofollow" data-download="{"attachment_id":5232301,"asset_id":865012,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/5232301/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="694744" href="https://unina.academia.edu/ClaudioScarpati">Claudio Scarpati</a><script data-card-contents-for-user="694744" type="text/json">{"id":694744,"first_name":"Claudio","last_name":"Scarpati","domain_name":"unina","page_name":"ClaudioScarpati","display_name":"Claudio Scarpati","profile_url":"https://unina.academia.edu/ClaudioScarpati?f_ri=50577","photo":"https://0.academia-photos.com/694744/236587/279026/s65_claudio.scarpati.jpg"}</script></span></span></li><li class="js-paper-rank-work_865012 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="865012"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 865012, container: ".js-paper-rank-work_865012", }); 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$(".js-view-count[data-work-id=865012]").text(description); $(".js-view-count-work_865012").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_865012").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="865012"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="50577" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii">Pompeii</a>, <script data-card-contents-for-ri="50577" type="text/json">{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="78128" rel="nofollow" href="https://www.academia.edu/Documents/in/Vesuvius">Vesuvius</a>, <script data-card-contents-for-ri="78128" type="text/json">{"id":78128,"name":"Vesuvius","url":"https://www.academia.edu/Documents/in/Vesuvius?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="981016" rel="nofollow" href="https://www.academia.edu/Documents/in/AD_79_Eruption">AD 79 Eruption</a>, <script data-card-contents-for-ri="981016" type="text/json">{"id":981016,"name":"AD 79 Eruption","url":"https://www.academia.edu/Documents/in/AD_79_Eruption?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="981017" rel="nofollow" href="https://www.academia.edu/Documents/in/Polibius">Polibius</a><script data-card-contents-for-ri="981017" type="text/json">{"id":981017,"name":"Polibius","url":"https://www.academia.edu/Documents/in/Polibius?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=865012]'), work: {"id":865012,"title":"Impact of the AD 79 explosive eruption on Pompeii, I. Relations amongst the depositional mechanisms of the pyroclastic products, the framework of the buildings and …","created_at":"2011-08-28T23:14:40.707-07:00","url":"https://www.academia.edu/865012/Impact_of_the_AD_79_explosive_eruption_on_Pompeii_I_Relations_amongst_the_depositional_mechanisms_of_the_pyroclastic_products_the_framework_of_the_buildings_and_?f_ri=50577","dom_id":"work_865012","summary":"A quantitative and qualitative evaluation of the damage caused by the products of explosive eruptions to buildings provides an excellent contribution to the understanding of the various eruptive processes during such dramatic events. To this end, the impact of the products of the two main phases (pumice fallout and pyroclastic density currents) of the Vesuvius AD 79 explosive eruption onto the Pompeii buildings has been evaluated. Based on different sources of data, such as photographs and documents referring to the archaeological excavations of Pompeii, the stratigraphy of the pyroclastic deposits, and in situ inspection of the damage suffered by the buildings, the present study has enabled the reconstruction of the events that occurred inside the city when the eruption was in progress. In particular, we present new data related to the C.J. Polibius’ house, a large building located inside Pompeii. From a comparison of all of the above data sets, it has been possible to reconstruct, in considerable detail, the stratigraphy of the pyroclastic deposits accumulated in the city, to understand the direction of collapse of the destroyed walls, and to evaluate the stratigraphic level at which the walls collapsed. Finally, the distribution and style of the damage allow us to discuss how the emplacement mechanisms of the pyroclastic currents are influenced by their interaction with the\nurban centre. All the data suggest that both structure and shape of the town buildings affected the transport and deposition of the erupted products. For instance, sloping roofs ‘drained’ a huge amount of fall pumice into the ‘impluvia’ (a rectangular basin in the centre of the hall with the function to collect the rain water coming from a hole in the centre of the roof), thus producing anomalous deposit thicknesses. On the other hand, flat and low-sloping roofs collapsed under the weight of the pyroclastic material produced during the first phase of the eruption (pumice fall). In addition, it is evident that the walls that happened to be parallel to the direction of the pyroclastic density currents produced during the second eruptive phase were minimally damaged in comparison to those walls oriented perpendicular to the flow direction. We suggest that the lower depositional parts of the pyroclastic currents were partially blocked (locally reflected) and slowed down because of recurring encounters with the closely spaced walls within buildings. Locally, the percentage of demolished walls decreases down-current, which has been interpreted as a loss in kinetic energy within the depositional system of the flow. However, it seems that the upper transport system by-passed these obstacles, then supplied new pyroclasts to the depositional system that restored its physical characteristics and restored enough kinetic energy to demolish the next walls and buildings further along its path.","downloadable_attachments":[{"id":5232301,"asset_id":865012,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":694744,"first_name":"Claudio","last_name":"Scarpati","domain_name":"unina","page_name":"ClaudioScarpati","display_name":"Claudio Scarpati","profile_url":"https://unina.academia.edu/ClaudioScarpati?f_ri=50577","photo":"https://0.academia-photos.com/694744/236587/279026/s65_claudio.scarpati.jpg"}],"research_interests":[{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":78128,"name":"Vesuvius","url":"https://www.academia.edu/Documents/in/Vesuvius?f_ri=50577","nofollow":true},{"id":981016,"name":"AD 79 Eruption","url":"https://www.academia.edu/Documents/in/AD_79_Eruption?f_ri=50577","nofollow":true},{"id":981017,"name":"Polibius","url":"https://www.academia.edu/Documents/in/Polibius?f_ri=50577","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12262207" data-work_id="12262207" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12262207/Les_thermes_de_Pomp%C3%A9i">Les thermes de Pompéi</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Résumé de l'implantation des thermes au sein de la ville de Pompéi. La problématique tourne autour des édifices thermaux à l'époque Samnite puis l'impact sur ces structures après la déduction coloniale de 89-80 avant notre ère.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12262207" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="352bf99965d655072ad49d3159729945" rel="nofollow" data-download="{"attachment_id":37558405,"asset_id":12262207,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37558405/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="27907225" href="https://independent.academia.edu/carolinetoussaint">caroline toussaint</a><script data-card-contents-for-user="27907225" type="text/json">{"id":27907225,"first_name":"caroline","last_name":"toussaint","domain_name":"independent","page_name":"carolinetoussaint","display_name":"caroline toussaint","profile_url":"https://independent.academia.edu/carolinetoussaint?f_ri=50577","photo":"https://0.academia-photos.com/27907225/8996731/11838227/s65_caroline.toussaint.jpg"}</script></span></span></li><li class="js-paper-rank-work_12262207 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12262207"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12262207, container: ".js-paper-rank-work_12262207", }); });</script></li><li class="js-percentile-work_12262207 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12262207; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_12262207"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_12262207 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="12262207"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12262207; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=12262207]").text(description); $(".js-view-count-work_12262207").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12262207").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12262207"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="50577" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii">Pompeii</a><script data-card-contents-for-ri="50577" type="text/json">{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12262207]'), work: {"id":12262207,"title":"Les thermes de Pompéi","created_at":"2015-05-06T06:15:03.944-07:00","url":"https://www.academia.edu/12262207/Les_thermes_de_Pomp%C3%A9i?f_ri=50577","dom_id":"work_12262207","summary":"Résumé de l'implantation des thermes au sein de la ville de Pompéi. La problématique tourne autour des édifices thermaux à l'époque Samnite puis l'impact sur ces structures après la déduction coloniale de 89-80 avant notre ère. ","downloadable_attachments":[{"id":37558405,"asset_id":12262207,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":27907225,"first_name":"caroline","last_name":"toussaint","domain_name":"independent","page_name":"carolinetoussaint","display_name":"caroline toussaint","profile_url":"https://independent.academia.edu/carolinetoussaint?f_ri=50577","photo":"https://0.academia-photos.com/27907225/8996731/11838227/s65_caroline.toussaint.jpg"}],"research_interests":[{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34351956 coauthored" data-work_id="34351956" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34351956/As_horas_finais_de_Pompeia">As horas finais de Pompeia</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Os romanos não faziam ideia do que um vulcão era capaz de fazer Claudia de Castro Lima Obra 'O último dia de Pompéia' | Crédito: Full Era só mais um dia qualquer em Pompeia. Em 24 de agosto do ano 79, o comércio abriu as portas às 8... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34351956" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Os romanos não faziam ideia do que um vulcão era capaz de fazer Claudia de Castro Lima Obra 'O último dia de Pompéia' | Crédito: Full Era só mais um dia qualquer em Pompeia. Em 24 de agosto do ano 79, o comércio abriu as portas às 8 horas, como sempre, mas poucas pessoas estavam na rua. É provável que muita gente ainda estivesse dormindo, já que na noite anterior os moradores da cidade, como os de todo o Império Romano, tinham ido às lutas de gladiadores, peças de teatro e tomado muito, muito vinho. Tudo em celebração a Vulcano, deus do fogo (uma merae incrívelcoincidência com os fatos que ocorreriam a seguir).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34351956" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d2d9581e4c5e9443afde94cda6629294" rel="nofollow" data-download="{"attachment_id":54243831,"asset_id":34351956,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54243831/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3436058" href="https://unicamp.academia.edu/PedroPauloAFunari">Pedro Paulo A . Funari</a><script data-card-contents-for-user="3436058" type="text/json">{"id":3436058,"first_name":"Pedro Paulo","last_name":"Funari","domain_name":"unicamp","page_name":"PedroPauloAFunari","display_name":"Pedro Paulo A . Funari","profile_url":"https://unicamp.academia.edu/PedroPauloAFunari?f_ri=50577","photo":"https://0.academia-photos.com/3436058/1939709/165678368/s65_pedro_paulo.funari.jpeg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-34351956">+1</span><div class="hidden js-additional-users-34351956"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://anynhamor.academia.edu/LourdesFeitosa">Lourdes Feitosa</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-34351956'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-34351956').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_34351956 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34351956"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34351956, container: ".js-paper-rank-work_34351956", }); });</script></li><li class="js-percentile-work_34351956 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34351956; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_34351956"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_34351956 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="34351956"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34351956; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34351956]").text(description); $(".js-view-count-work_34351956").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34351956").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34351956"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="130" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_History">Ancient History</a>, <script data-card-contents-for-ri="130" type="text/json">{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="829" rel="nofollow" href="https://www.academia.edu/Documents/in/Roman_History">Roman History</a>, <script data-card-contents-for-ri="829" type="text/json">{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8327" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii_Archaeology_">Pompeii (Archaeology)</a>, <script data-card-contents-for-ri="8327" type="text/json">{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="42667" rel="nofollow" href="https://www.academia.edu/Documents/in/Historia_Antiga">Historia Antiga</a><script data-card-contents-for-ri="42667" type="text/json">{"id":42667,"name":"Historia Antiga","url":"https://www.academia.edu/Documents/in/Historia_Antiga?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34351956]'), work: {"id":34351956,"title":"As horas finais de Pompeia","created_at":"2017-08-25T06:47:00.130-07:00","url":"https://www.academia.edu/34351956/As_horas_finais_de_Pompeia?f_ri=50577","dom_id":"work_34351956","summary":"Os romanos não faziam ideia do que um vulcão era capaz de fazer Claudia de Castro Lima Obra 'O último dia de Pompéia' | Crédito: Full Era só mais um dia qualquer em Pompeia. Em 24 de agosto do ano 79, o comércio abriu as portas às 8 horas, como sempre, mas poucas pessoas estavam na rua. É provável que muita gente ainda estivesse dormindo, já que na noite anterior os moradores da cidade, como os de todo o Império Romano, tinham ido às lutas de gladiadores, peças de teatro e tomado muito, muito vinho. Tudo em celebração a Vulcano, deus do fogo (uma merae incrívelcoincidência com os fatos que ocorreriam a seguir).","downloadable_attachments":[{"id":54243831,"asset_id":34351956,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3436058,"first_name":"Pedro Paulo","last_name":"Funari","domain_name":"unicamp","page_name":"PedroPauloAFunari","display_name":"Pedro Paulo A . Funari","profile_url":"https://unicamp.academia.edu/PedroPauloAFunari?f_ri=50577","photo":"https://0.academia-photos.com/3436058/1939709/165678368/s65_pedro_paulo.funari.jpeg"},{"id":20746042,"first_name":"Lourdes","last_name":"Feitosa","domain_name":"anynhamor","page_name":"LourdesFeitosa","display_name":"Lourdes Feitosa","profile_url":"https://anynhamor.academia.edu/LourdesFeitosa?f_ri=50577","photo":"https://0.academia-photos.com/20746042/6145154/35236305/s65_lourdes.feitosa.jpg"}],"research_interests":[{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=50577","nofollow":true},{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577","nofollow":true},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":42667,"name":"Historia Antiga","url":"https://www.academia.edu/Documents/in/Historia_Antiga?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":53339,"name":"Arqueología histórica","url":"https://www.academia.edu/Documents/in/Arqueolog%C3%ADa_hist%C3%B3rica?f_ri=50577"},{"id":67859,"name":"Arqueologia Clássica e História da Arte","url":"https://www.academia.edu/Documents/in/Arqueologia_Classica_e_Historia_da_Arte?f_ri=50577"},{"id":71380,"name":"Arqueologia","url":"https://www.academia.edu/Documents/in/Arqueologia?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35479705" data-work_id="35479705" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35479705/Graffiti_als_Interaktionsform_Geritzte_Inschriften_in_den_Wohnh%C3%A4usern_Pompejis_MTK_16_Berlin_2017_">Graffiti als Interaktionsform. Geritzte Inschriften in den Wohnhäusern Pompejis, MTK 16 (Berlin 2017)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Geritzte Inschriften in den Wohnhäusern Pompejis Aus Pompeji stammen mehrere tausend informeller Wandinschriften, die bei den Ausgrabungen zwar dokumentiert, aber nur sehr selektiv untersucht wurden. Für die damals neuartige... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35479705" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Geritzte Inschriften in den Wohnhäusern Pompejis Aus Pompeji stammen mehrere tausend informeller Wandinschriften, die bei den Ausgrabungen zwar dokumentiert, aber nur sehr selektiv untersucht wurden. Für die damals neuartige Inschriftengattung prägte man im 19. Jahrhundert den Begriff " Graffiti", der heute für eine Vielzahl ganz unterschiedlicher Schrift-und Textformen verwendet wird. Assoziationen zu modernen Graffiti-Writings und Taggings werden dabei häufig leichtfertig auf antike Graffiti übertragen. Dabei stammt ein Großteil der pompejanischen Ritzinschriften aus den Innenräumen von Wohnhäusern und wirft damit die Frage nach ihrer Akzeptanz und Wahrnehmung auf. Polly Lohmann nähert sich den antiken Graffiti im Vergleich mit ihren modernen Namenspendants einerseits, mit anderen antiken Inschriften, Texten und Bildern andererseits. Fallstudien stellen einzelne Wohnhäuser mit ihren Graffiti vor, und in kontextübergreifenden Vergleichen werden Bezüge zu anderen Text-und Bildgattungen des urbanen Raums aufgezeigt. Sie machen deutlich, dass die pompejanischen Graffiti vielfach von dem geprägt waren, was man im Alltag sah und erlebte.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35479705" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8871b5dd0f28428426a3cda7e0706755" rel="nofollow" data-download="{"attachment_id":55342196,"asset_id":35479705,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55342196/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2776608" href="https://uni-heidelberg.academia.edu/PollyLohmann">Polly Lohmann</a><script data-card-contents-for-user="2776608" type="text/json">{"id":2776608,"first_name":"Polly","last_name":"Lohmann","domain_name":"uni-heidelberg","page_name":"PollyLohmann","display_name":"Polly Lohmann","profile_url":"https://uni-heidelberg.academia.edu/PollyLohmann?f_ri=50577","photo":"https://0.academia-photos.com/2776608/968763/1212638/s65_polly.lohmann.jpg"}</script></span></span></li><li class="js-paper-rank-work_35479705 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35479705"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35479705, container: ".js-paper-rank-work_35479705", }); 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$(".js-view-count[data-work-id=35479705]").text(description); $(".js-view-count-work_35479705").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35479705").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35479705"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="8327" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii_Archaeology_">Pompeii (Archaeology)</a>, <script data-card-contents-for-ri="8327" type="text/json">{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15588" rel="nofollow" href="https://www.academia.edu/Documents/in/Social_History">Social History</a>, <script data-card-contents-for-ri="15588" type="text/json">{"id":15588,"name":"Social History","url":"https://www.academia.edu/Documents/in/Social_History?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15928" rel="nofollow" href="https://www.academia.edu/Documents/in/Domestic_Space">Domestic Space</a>, <script data-card-contents-for-ri="15928" type="text/json">{"id":15928,"name":"Domestic Space","url":"https://www.academia.edu/Documents/in/Domestic_Space?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="18139" rel="nofollow" href="https://www.academia.edu/Documents/in/Graffiti_in_history">Graffiti in history</a><script data-card-contents-for-ri="18139" type="text/json">{"id":18139,"name":"Graffiti in history","url":"https://www.academia.edu/Documents/in/Graffiti_in_history?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35479705]'), work: {"id":35479705,"title":"Graffiti als Interaktionsform. Geritzte Inschriften in den Wohnhäusern Pompejis, MTK 16 (Berlin 2017)","created_at":"2017-12-20T11:03:13.030-08:00","url":"https://www.academia.edu/35479705/Graffiti_als_Interaktionsform_Geritzte_Inschriften_in_den_Wohnh%C3%A4usern_Pompejis_MTK_16_Berlin_2017_?f_ri=50577","dom_id":"work_35479705","summary":"Geritzte Inschriften in den Wohnhäusern Pompejis Aus Pompeji stammen mehrere tausend informeller Wandinschriften, die bei den Ausgrabungen zwar dokumentiert, aber nur sehr selektiv untersucht wurden. Für die damals neuartige Inschriftengattung prägte man im 19. Jahrhundert den Begriff \" Graffiti\", der heute für eine Vielzahl ganz unterschiedlicher Schrift-und Textformen verwendet wird. Assoziationen zu modernen Graffiti-Writings und Taggings werden dabei häufig leichtfertig auf antike Graffiti übertragen. Dabei stammt ein Großteil der pompejanischen Ritzinschriften aus den Innenräumen von Wohnhäusern und wirft damit die Frage nach ihrer Akzeptanz und Wahrnehmung auf. Polly Lohmann nähert sich den antiken Graffiti im Vergleich mit ihren modernen Namenspendants einerseits, mit anderen antiken Inschriften, Texten und Bildern andererseits. Fallstudien stellen einzelne Wohnhäuser mit ihren Graffiti vor, und in kontextübergreifenden Vergleichen werden Bezüge zu anderen Text-und Bildgattungen des urbanen Raums aufgezeigt. Sie machen deutlich, dass die pompejanischen Graffiti vielfach von dem geprägt waren, was man im Alltag sah und erlebte.","downloadable_attachments":[{"id":55342196,"asset_id":35479705,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2776608,"first_name":"Polly","last_name":"Lohmann","domain_name":"uni-heidelberg","page_name":"PollyLohmann","display_name":"Polly Lohmann","profile_url":"https://uni-heidelberg.academia.edu/PollyLohmann?f_ri=50577","photo":"https://0.academia-photos.com/2776608/968763/1212638/s65_polly.lohmann.jpg"}],"research_interests":[{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":15588,"name":"Social History","url":"https://www.academia.edu/Documents/in/Social_History?f_ri=50577","nofollow":true},{"id":15928,"name":"Domestic 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mosaico de Alejandro, lo encontramos situado en la Casa del Fauno, casa que debe su nombre a la estatua de un fauno que encontramos en su impluvium-así se llama una especie de estanque rectangular... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44974529" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La pieza que vamos a ver, el maravilloso mosaico de Alejandro, lo encontramos situado en la Casa del Fauno, casa que debe su nombre a la estatua de un fauno que encontramos en su impluvium-así se llama una especie de estanque rectangular destinado a recoger el agua de la lluvia situado en el patio (atrium) central de las casas romanas (domus) del tipo que encontramos en Pompeya. Esta imponente mansión, la más grande de Pompeya (Beard 2009: 45), se terminó de construir a finales del siglo II aC (Beard 2009: 47). En esta época Pompeya ya era aliada de Roma, lo fue desde inicios del siglo III aC (Beard 2009: 56), al tiempo que Roma consolidaba su poder en el Mediterráneo, formando un imperio que se extendía desde la península Ibérica, ocupaba el Adriático y Grecia hasta llegar a Asia Menor. Asimismo la admiración por Grecia crecía dentro de la sociedad romana, convirtiéndose en referente en su arte, las construcciones, etc. Pompeya, una ciudad de provincia que no destacaba especialmente en su época (Beard 2009: 66), tenía un destino catastrófico que a la vez la inmortalizó. El año 79 dC. a raíz de la erupción volcánica del Vesubio quedará inmortalizada, como si de una instantánea fotográfica se tratara, al ser sepultada por toneladas de sedimentos volcánicos. La vida quedó parada en ese momento para revivir en forma de hallazgo arqueológico.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44974529" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a91e2986b08d9c447c46808a11b2b446" rel="nofollow" data-download="{"attachment_id":65511188,"asset_id":44974529,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65511188/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="105846306" href="https://independent.academia.edu/JoanClusella">Joan Clusella</a><script data-card-contents-for-user="105846306" type="text/json">{"id":105846306,"first_name":"Joan","last_name":"Clusella","domain_name":"independent","page_name":"JoanClusella","display_name":"Joan Clusella","profile_url":"https://independent.academia.edu/JoanClusella?f_ri=50577","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_44974529 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44974529"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44974529, container: ".js-paper-rank-work_44974529", }); 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Esta imponente mansión, la más grande de Pompeya (Beard 2009: 45), se terminó de construir a finales del siglo II aC (Beard 2009: 47). En esta época Pompeya ya era aliada de Roma, lo fue desde inicios del siglo III aC (Beard 2009: 56), al tiempo que Roma consolidaba su poder en el Mediterráneo, formando un imperio que se extendía desde la península Ibérica, ocupaba el Adriático y Grecia hasta llegar a Asia Menor. Asimismo la admiración por Grecia crecía dentro de la sociedad romana, convirtiéndose en referente en su arte, las construcciones, etc. Pompeya, una ciudad de provincia que no destacaba especialmente en su época (Beard 2009: 66), tenía un destino catastrófico que a la vez la inmortalizó. El año 79 dC. a raíz de la erupción volcánica del Vesubio quedará inmortalizada, como si de una instantánea fotográfica se tratara, al ser sepultada por toneladas de sedimentos volcánicos. La vida quedó parada en ese momento para revivir en forma de hallazgo arqueológico. ","downloadable_attachments":[{"id":65511188,"asset_id":44974529,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":105846306,"first_name":"Joan","last_name":"Clusella","domain_name":"independent","page_name":"JoanClusella","display_name":"Joan Clusella","profile_url":"https://independent.academia.edu/JoanClusella?f_ri=50577","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":252187,"name":"Alejandro Magno","url":"https://www.academia.edu/Documents/in/Alejandro_Magno?f_ri=50577","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43005210 coauthored" data-work_id="43005210" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43005210/Rivista_di_Studi_Pompeiani_30_2019">Rivista di Studi Pompeiani 30. 2019</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">ISSN: 1120-3579 Year of Publication: 2020 Edizione: L'ERMA di BRETSCHNEIDER Journal: Rivista di Studi Pompeiani, 30. 2019 ISBN: 9788891318862 Binding: Paperback Pages: 272, 150 ill. B/N Size: 22,5 x 28,5 cm Sandra Zanella, Pompei. Sulle... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43005210" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ISSN: 1120-3579<br />Year of Publication: 2020<br />Edizione: L'ERMA di BRETSCHNEIDER<br />Journal: Rivista di Studi Pompeiani, 30. 2019<br />ISBN: 9788891318862<br />Binding: Paperback<br />Pages: 272, 150 ill. B/N<br />Size: 22,5 x 28,5 cm<br /><br />Sandra Zanella, Pompei. Sulle tracce di fondazioni e di rifondazioni urbane<br />Antonio Varone, Manliane, malum tibi eveniat. Spigolando su nuovi graffiti pompeiani<br />Domenico Russo, Il Tempio della Fortuna Augusta di Pompei nelle immagini del- l' Ottocento<br />Aude Durand, Holconia, fille de Marcus: nouveaux temoignages sur les ateliers des Holconii pompéjens<br />Ernesto De Carolis-Roberta Pardi, La Casa del Marinaio in Pompei (VII 15, 1-2,16). Osservazioni sulla scoperta della domus e nuove evidenze archeologiche<br />Rosaria Ciardiello, Influenza, ricezione e fortuna delle decorazioni dalla Villa di Cicerone a Pompei<br />Luca Di Franco, Le sculture decorative di Ercolano: un caso di studio<br />Agneta Freccero, Insula I 9. Paintings<br />Ernesto De Carolis-Francesco Esposito-Diego Ferrara, Per una storia del restauro musivo: il caso emblematico del cave canem tra evidenze materiali e fonti documentarie<br />Lavinia De Rosa, La Biblioteca della Scuola archeologica di Pompei dagli Scavi al Museo di Napoli<br />Nikola D. Bellucci-Eric M. Moormann, Una descrizione degli scavi di Pompei negli appunti inediti di una visita del 1784 di Pasquale Baffi: trascrizione, analisi, interpreta- zione<br />Marici Martins Magalhaes, La Collezione archeologica "Teresa Cristina di Borbone" nel Museo Nazionale a Rio de Janeiro(UFR)<br /><br />NOTIZIARIO<br /><br />Le nuove indagini stratigrafiche nella Regio V di Pompei (M. Osanna-M. Fabbri)<br />Ufficio Scavi di Pompei. Attività 2018 (G. Stefani)<br />Terme Centrali. Un quartiere di conservazione e ricerca (A. Martellone-A. Mauro)<br />Ceramiche comuni dal Fondo Iozzino di Pompei (A. D' Alise)<br />Addendum alla Testa Carafa (P.G. Guzzo)<br />Progetto di ricerca "Ricezione e influenza di Pompei ed Ercolano in Spagna e America Latina" (M. Romero Recio)<br />Ufficio Scavi di Oplontis, Attività 2018 (I. Bergamasco)<br />Ufficio Scavi di Boscoreale, Notiziario 2018 (A.M. Sodo)<br />L' attività del Parco archeologico di Ercolano nel 2018 (F. Sirano)<br />L' Herculaneum Conservaction Project nel 2018 (D. Camardo-S. Court-A. D' Andrea-A.a.Laino-P. Pesaresi-J. Thompson)<br />Il Contributo dell' Herculaneum Conservation Project nell' anno 2018 alla conoscenza archeologica del sito. Nuovi dati sulle fasi più antiche della Casa a Graticcio di Ercolano (III, 13-15) (D. Camardo-M. Notomista)<br />Ufficio Scavi di Stabia, Notiziario 2018 (G. Bonifacio)<br />Dossier Collina di Varano di Castellammare di Stabia. Tavolo tecnico per la prevenzione,contrasto e controllo del territorio a difesa della collina di Varano (17 maggio 2018) (V. Papaccio)<br />Ricerche preliminari sui mosaici di Villa Cuomo a S. Antonio Abate (C. Ariano)<br />Villa Arianna: per una classificazione delle anfore Dressel 2-4 dai vecchi scavi (R. Federico)<br /><br />DISCUSSIONI<br /><br />Quando c' erano le Soprintendenze archeologiche. La Villa romana di S. Marco a Stabia (1980-1999) (P. Miniero)<br />Il Commissario, la valorizzazione e la Corte dei Conti (P.G. Guzzo)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43005210" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="75fb298742842da773cb2754e53fbb76" rel="nofollow" data-download="{"attachment_id":63269045,"asset_id":43005210,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63269045/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4316814" href="https://independent.academia.edu/LERMAdiBRETSCHNEIDER">L'ERMA di BRETSCHNEIDER, Publisher</a><script data-card-contents-for-user="4316814" type="text/json">{"id":4316814,"first_name":"L'ERMA di BRETSCHNEIDER,","last_name":"Publisher","domain_name":"independent","page_name":"LERMAdiBRETSCHNEIDER","display_name":"L'ERMA di BRETSCHNEIDER, Publisher","profile_url":"https://independent.academia.edu/LERMAdiBRETSCHNEIDER?f_ri=50577","photo":"https://0.academia-photos.com/4316814/1728347/15923094/s65_l_erma_di_bretschneider.publishers.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-43005210">+1</span><div class="hidden js-additional-users-43005210"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://beniculturali.academia.edu/AntonioVarone">Antonio Varone</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-43005210'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-43005210').html(); 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B/N\nSize: 22,5 x 28,5 cm\n\nSandra Zanella, Pompei. Sulle tracce di fondazioni e di rifondazioni urbane\nAntonio Varone, Manliane, malum tibi eveniat. Spigolando su nuovi graffiti pompeiani\nDomenico Russo, Il Tempio della Fortuna Augusta di Pompei nelle immagini del- l' Ottocento\nAude Durand, Holconia, fille de Marcus: nouveaux temoignages sur les ateliers des Holconii pompéjens\nErnesto De Carolis-Roberta Pardi, La Casa del Marinaio in Pompei (VII 15, 1-2,16). Osservazioni sulla scoperta della domus e nuove evidenze archeologiche\nRosaria Ciardiello, Influenza, ricezione e fortuna delle decorazioni dalla Villa di Cicerone a Pompei\nLuca Di Franco, Le sculture decorative di Ercolano: un caso di studio\nAgneta Freccero, Insula I 9. Paintings\nErnesto De Carolis-Francesco Esposito-Diego Ferrara, Per una storia del restauro musivo: il caso emblematico del cave canem tra evidenze materiali e fonti documentarie\nLavinia De Rosa, La Biblioteca della Scuola archeologica di Pompei dagli Scavi al Museo di Napoli\nNikola D. Bellucci-Eric M. Moormann, Una descrizione degli scavi di Pompei negli appunti inediti di una visita del 1784 di Pasquale Baffi: trascrizione, analisi, interpreta- zione\nMarici Martins Magalhaes, La Collezione archeologica \"Teresa Cristina di Borbone\" nel Museo Nazionale a Rio de Janeiro(UFR)\n\nNOTIZIARIO\n\nLe nuove indagini stratigrafiche nella Regio V di Pompei (M. Osanna-M. Fabbri)\nUfficio Scavi di Pompei. Attività 2018 (G. Stefani)\nTerme Centrali. Un quartiere di conservazione e ricerca (A. Martellone-A. Mauro)\nCeramiche comuni dal Fondo Iozzino di Pompei (A. D' Alise)\nAddendum alla Testa Carafa (P.G. Guzzo)\nProgetto di ricerca \"Ricezione e influenza di Pompei ed Ercolano in Spagna e America Latina\" (M. Romero Recio)\nUfficio Scavi di Oplontis, Attività 2018 (I. Bergamasco)\nUfficio Scavi di Boscoreale, Notiziario 2018 (A.M. Sodo)\nL' attività del Parco archeologico di Ercolano nel 2018 (F. Sirano)\nL' Herculaneum Conservaction Project nel 2018 (D. Camardo-S. Court-A. D' Andrea-A.a.Laino-P. Pesaresi-J. Thompson)\nIl Contributo dell' Herculaneum Conservation Project nell' anno 2018 alla conoscenza archeologica del sito. Nuovi dati sulle fasi più antiche della Casa a Graticcio di Ercolano (III, 13-15) (D. Camardo-M. Notomista)\nUfficio Scavi di Stabia, Notiziario 2018 (G. Bonifacio)\nDossier Collina di Varano di Castellammare di Stabia. Tavolo tecnico per la prevenzione,contrasto e controllo del territorio a difesa della collina di Varano (17 maggio 2018) (V. Papaccio)\nRicerche preliminari sui mosaici di Villa Cuomo a S. Antonio Abate (C. Ariano)\nVilla Arianna: per una classificazione delle anfore Dressel 2-4 dai vecchi scavi (R. Federico)\n\nDISCUSSIONI\n\nQuando c' erano le Soprintendenze archeologiche. La Villa romana di S. Marco a Stabia (1980-1999) (P. Miniero)\nIl Commissario, la valorizzazione e la Corte dei Conti (P.G. Guzzo)","downloadable_attachments":[{"id":63269045,"asset_id":43005210,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4316814,"first_name":"L'ERMA di BRETSCHNEIDER,","last_name":"Publisher","domain_name":"independent","page_name":"LERMAdiBRETSCHNEIDER","display_name":"L'ERMA di BRETSCHNEIDER, Publisher","profile_url":"https://independent.academia.edu/LERMAdiBRETSCHNEIDER?f_ri=50577","photo":"https://0.academia-photos.com/4316814/1728347/15923094/s65_l_erma_di_bretschneider.publishers.jpg"},{"id":16705360,"first_name":"Antonio","last_name":"Varone","domain_name":"beniculturali","page_name":"AntonioVarone","display_name":"Antonio Varone","profile_url":"https://beniculturali.academia.edu/AntonioVarone?f_ri=50577","photo":"https://0.academia-photos.com/16705360/11005464/12281793/s65_antonio.varone.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=50577","nofollow":true},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=50577","nofollow":true},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":31752,"name":"Archeologia","url":"https://www.academia.edu/Documents/in/Archeologia?f_ri=50577","nofollow":true},{"id":38945,"name":"Arqueología","url":"https://www.academia.edu/Documents/in/Arqueolog%C3%ADa?f_ri=50577"},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":88760,"name":"Classics: Ancient History and Archaeology","url":"https://www.academia.edu/Documents/in/Classics_Ancient_History_and_Archaeology?f_ri=50577"},{"id":168208,"name":"Archeologia Classica","url":"https://www.academia.edu/Documents/in/Archeologia_Classica?f_ri=50577"},{"id":173546,"name":"Klassische Archaeologie","url":"https://www.academia.edu/Documents/in/Klassische_Archaeologie?f_ri=50577"},{"id":238266,"name":"Pompeii, Roman Domestic Space","url":"https://www.academia.edu/Documents/in/Pompeii_Roman_Domestic_Space?f_ri=50577"},{"id":313513,"name":"Scienze dell'Antichità","url":"https://www.academia.edu/Documents/in/Scienze_dellAntichita?f_ri=50577"},{"id":590053,"name":"Stabiae","url":"https://www.academia.edu/Documents/in/Stabiae?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"},{"id":1536729,"name":"Ercolano","url":"https://www.academia.edu/Documents/in/Ercolano?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_16567930 coauthored" data-work_id="16567930" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/16567930/A_fundamento_restituit_R%C3%A9fections_dans_le_temple_dIsis_%C3%A0_Pomp%C3%A9i">A fundamento restituit. Réfections dans le temple d'Isis à Pompéi</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Isis temple in Pompeii, excavated in 1765, under the Bourbons, has seemed so far to be a construcüon well dated by an inscription which supports the chronoJogy acknowledged by many publications. But, though this inscription is... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_16567930" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Isis temple in Pompeii, excavated in 1765, under the Bourbons, has seemed so far to be a construcüon well dated by an inscription which supports the chronoJogy acknowledged by many publications. <br />But, though this inscription is supported by elements <br />of the last period of the town, particularly the <br />stucco omament and painting of the Fourth Style of the <br />portico, remains of a previous state - stylobate, capitals <br />and stuccoes in the cella - still exist. The drawing of a <br />new plan inc1uding measurements and the elevations <br />leads to revision of the former hypotheses, whereas the <br />proportions reveal an architectural logic, unknown so <br />far. The article analyses the architectural data in detail <br />- constraints of the site, dimensions and proportions, <br />constituent elements of the sanctuary, types of <br />masonry. It leads to the conclusion that two stages are <br />to be distinguished in the overall construction of the <br />sanctuary : a first phase of the Augustan period - and <br />not Samnite as previously thought - whereas a second <br />phase, after 62, is demonstrated by analysis of the stuccoes <br />and mosaics, which does not modify the general <br />plan and rather proceeds from a faithful restoration . In <br />fact, the temple was still standing after the 62 earthquake <br />and its so-called reconstruction must be considered a mere restoration</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/16567930" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ff6d561f5f39598343339724f786a0e8" rel="nofollow" data-download="{"attachment_id":39054190,"asset_id":16567930,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39054190/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="502967" href="https://ens.academia.edu/EristovH%C3%A9l%C3%A8ne">Eristov Hélène</a><script data-card-contents-for-user="502967" type="text/json">{"id":502967,"first_name":"Eristov","last_name":"Hélène","domain_name":"ens","page_name":"EristovHélène","display_name":"Eristov Hélène","profile_url":"https://ens.academia.edu/EristovH%C3%A9l%C3%A8ne?f_ri=50577","photo":"https://0.academia-photos.com/502967/10375143/11577548/s65_eristov.h_l_ne.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-16567930">+1</span><div class="hidden js-additional-users-16567930"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://ens.academia.edu/NicoleBLANC">Nicole BLANC</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-16567930'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-16567930').html(); 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Réfections dans le temple d'Isis à Pompéi","created_at":"2015-10-08T07:01:53.982-07:00","url":"https://www.academia.edu/16567930/A_fundamento_restituit_R%C3%A9fections_dans_le_temple_dIsis_%C3%A0_Pomp%C3%A9i?f_ri=50577","dom_id":"work_16567930","summary":"The Isis temple in Pompeii, excavated in 1765, under the Bourbons, has seemed so far to be a construcüon well dated by an inscription which supports the chronoJogy acknowledged by many publications.\r\nBut, though this inscription is supported by elements\r\nof the last period of the town, particularly the\r\nstucco omament and painting of the Fourth Style of the\r\nportico, remains of a previous state - stylobate, capitals\r\nand stuccoes in the cella - still exist. The drawing of a\r\nnew plan inc1uding measurements and the elevations\r\nleads to revision of the former hypotheses, whereas the\r\nproportions reveal an architectural logic, unknown so\r\nfar. The article analyses the architectural data in detail\r\n- constraints of the site, dimensions and proportions,\r\nconstituent elements of the sanctuary, types of\r\nmasonry. It leads to the conclusion that two stages are\r\nto be distinguished in the overall construction of the\r\nsanctuary : a first phase of the Augustan period - and\r\nnot Samnite as previously thought - whereas a second\r\nphase, after 62, is demonstrated by analysis of the stuccoes\r\nand mosaics, which does not modify the general\r\nplan and rather proceeds from a faithful restoration . In\r\nfact, the temple was still standing after the 62 earthquake\r\nand its so-called reconstruction must be considered a mere restoration","downloadable_attachments":[{"id":39054190,"asset_id":16567930,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":502967,"first_name":"Eristov","last_name":"Hélène","domain_name":"ens","page_name":"EristovHélène","display_name":"Eristov Hélène","profile_url":"https://ens.academia.edu/EristovH%C3%A9l%C3%A8ne?f_ri=50577","photo":"https://0.academia-photos.com/502967/10375143/11577548/s65_eristov.h_l_ne.jpg"},{"id":8957295,"first_name":"Nicole","last_name":"BLANC","domain_name":"ens","page_name":"NicoleBLANC","display_name":"Nicole BLANC","profile_url":"https://ens.academia.edu/NicoleBLANC?f_ri=50577","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":185157,"name":"Isis","url":"https://www.academia.edu/Documents/in/Isis?f_ri=50577","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41998594" data-work_id="41998594" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41998594/Un_d%C3%ADa_en_Pompeya_Espasa_">Un día en Pompeya (Espasa)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Un día en Pompeya narra una jornada en la vida cotidiana de los pompeyanos, desde los habitantes de las hermosas villas hasta el ladrón de vasijas del mercado. El rigor y la amenidad van de la mano en este día que nos llevará a descubrir... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41998594" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Un día en Pompeya narra una jornada en la vida cotidiana de los pompeyanos, desde los habitantes de las hermosas villas hasta el ladrón de vasijas del mercado.<br />El rigor y la amenidad van de la mano en este día que nos llevará a descubrir muchas curiosidades de la vida en Pompeya y, sobre todo, que no eran tan diferentes de nosotros.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41998594" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bb6a9c418f4cdfc4a6824f4bb8f97d1f" rel="nofollow" data-download="{"attachment_id":62122622,"asset_id":41998594,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62122622/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7675570" href="https://independent.academia.edu/FernandoLilloRedonet">Fernando Lillo Redonet</a><script data-card-contents-for-user="7675570" type="text/json">{"id":7675570,"first_name":"Fernando","last_name":"Lillo Redonet","domain_name":"independent","page_name":"FernandoLilloRedonet","display_name":"Fernando Lillo Redonet","profile_url":"https://independent.academia.edu/FernandoLilloRedonet?f_ri=50577","photo":"https://0.academia-photos.com/7675570/2755113/3210799/s65_fernando.lillo_redonet.jpg"}</script></span></span></li><li class="js-paper-rank-work_41998594 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41998594"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41998594, container: ".js-paper-rank-work_41998594", }); 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Col.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44392904" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="447cb26d2651e505ebe2d9f93d9d27bf" rel="nofollow" data-download="{"attachment_id":64798821,"asset_id":44392904,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64798821/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4316814" href="https://independent.academia.edu/LERMAdiBRETSCHNEIDER">L'ERMA di BRETSCHNEIDER, Publisher</a><script data-card-contents-for-user="4316814" type="text/json">{"id":4316814,"first_name":"L'ERMA di BRETSCHNEIDER,","last_name":"Publisher","domain_name":"independent","page_name":"LERMAdiBRETSCHNEIDER","display_name":"L'ERMA di BRETSCHNEIDER, Publisher","profile_url":"https://independent.academia.edu/LERMAdiBRETSCHNEIDER?f_ri=50577","photo":"https://0.academia-photos.com/4316814/1728347/15923094/s65_l_erma_di_bretschneider.publishers.jpg"}</script></span></span></li><li class="js-paper-rank-work_44392904 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44392904"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44392904, container: ".js-paper-rank-work_44392904", }); 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$(".js-view-count[data-work-id=44392904]").text(description); $(".js-view-count-work_44392904").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44392904").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44392904"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5459" rel="nofollow" href="https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation">Cultural Heritage Conservation</a>, <script data-card-contents-for-ri="5459" type="text/json">{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8327" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii_Archaeology_">Pompeii (Archaeology)</a>, <script data-card-contents-for-ri="8327" type="text/json">{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19405" rel="nofollow" href="https://www.academia.edu/Documents/in/Cultural_Heritage_Management">Cultural Heritage Management</a>, <script data-card-contents-for-ri="19405" type="text/json">{"id":19405,"name":"Cultural Heritage Management","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Management?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="50577" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii">Pompeii</a><script data-card-contents-for-ri="50577" type="text/json">{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44392904]'), work: {"id":44392904,"title":"Restauri a Pompei (1748-1860)","created_at":"2020-10-29T03:57:42.892-07:00","url":"https://www.academia.edu/44392904/Restauri_a_Pompei_1748_1860_?f_ri=50577","dom_id":"work_44392904","summary":" Teresa Demauro\n\nAnno di Edizione: 2020\nEdizione: L'ERMA di BRETSCHNEIDER\nCollane: \tStudi e Ricerche del Parco Archeologico di Pompei , 44\nISBN: 9788891320933\nPagine: 224, 193 ill. Col.\n","downloadable_attachments":[{"id":64798821,"asset_id":44392904,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4316814,"first_name":"L'ERMA di BRETSCHNEIDER,","last_name":"Publisher","domain_name":"independent","page_name":"LERMAdiBRETSCHNEIDER","display_name":"L'ERMA di BRETSCHNEIDER, Publisher","profile_url":"https://independent.academia.edu/LERMAdiBRETSCHNEIDER?f_ri=50577","photo":"https://0.academia-photos.com/4316814/1728347/15923094/s65_l_erma_di_bretschneider.publishers.jpg"}],"research_interests":[{"id":5459,"name":"Cultural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Conservation?f_ri=50577","nofollow":true},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":19405,"name":"Cultural Heritage Management","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Management?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":55872,"name":"Science for Conservation and Restoration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage?f_ri=50577"},{"id":68226,"name":"Conservación y Restauración","url":"https://www.academia.edu/Documents/in/Conservaci%C3%B3n_y_Restauraci%C3%B3n?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":92897,"name":"Restauration and Conservation","url":"https://www.academia.edu/Documents/in/Restauration_and_Conservation?f_ri=50577"},{"id":122584,"name":"History of Conservation and Restoration","url":"https://www.academia.edu/Documents/in/History_of_Conservation_and_Restoration?f_ri=50577"},{"id":174050,"name":"Conservação e restauro","url":"https://www.academia.edu/Documents/in/Conservacao_e_restauro?f_ri=50577"},{"id":281957,"name":"Science for Conservation and Restauration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restauration_of_Cultural_Heritage?f_ri=50577"},{"id":1023362,"name":"Storia E Teoria Del Restauro","url":"https://www.academia.edu/Documents/in/Storia_E_Teoria_Del_Restauro?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_69798726 coauthored" data-work_id="69798726" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/69798726/Dilaria_et_al_2022_Phasing_the_history_of_ancient_buildings_through_PCA_on_mortars_mineralogical_profiles_the_example_of_the_Sarno_Baths_Pompeii_">Dilaria et al. 2022, Phasing the history of ancient buildings through PCA on mortars' mineralogical profiles: the example of the Sarno Baths (Pompeii)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A total of 83 wall joint mortar samples collected from the Sarno Baths complex in Pompeii (Naples, Italy) were analysed by optical microscopy (OM) and X-ray powder diffraction-quantitative phase analysis (XRPD- QPA) in order to scan the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_69798726" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A total of 83 wall joint mortar samples collected from the Sarno Baths complex in Pompeii (Naples, Italy) were analysed by optical microscopy (OM) and X-ray powder diffraction-quantitative phase analysis (XRPD- QPA) in order to scan the ancient construction phases and modern restorations to which the building was subject. The major issue to overcome in the research depended on the fact that the most part of the analysed mortars was taken from undated structures, while only 35 were collected from dated ones. In order to observe correlations in sample distribution which could reflect ancient building phases and modern restorations, we then processed XRPD-QPA data of the mortars through principal component analysis (PCA). A rational subdivision of the full dataset into a smaller one before performing PCA was a useful step for a proper enucleation of coherent groups. The presence in most of the resulting groups of dated samples also allowed us to place in a precise timeframe the undated ones. This study demonstrates that our approach, integrating the traditional archaeological analysis with archaeometrical methods and statistics, could be adopted as a tool with which to frame the constructive episodes in other ancient buildings in Pompeii as well as at other archaeological sites.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/69798726" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e480db63540ee2533e5116921893afb3" rel="nofollow" data-download="{"attachment_id":88344539,"asset_id":69798726,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/88344539/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1641106" href="https://unipd.academia.edu/SimoneDilaria">Simone Dilaria</a><script data-card-contents-for-user="1641106" type="text/json">{"id":1641106,"first_name":"Simone","last_name":"Dilaria","domain_name":"unipd","page_name":"SimoneDilaria","display_name":"Simone Dilaria","profile_url":"https://unipd.academia.edu/SimoneDilaria?f_ri=50577","photo":"https://0.academia-photos.com/1641106/570666/22937674/s65_simone.dilaria.jpeg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-69798726">+1</span><div class="hidden js-additional-users-69798726"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unipd.academia.edu/CP">Caterina Previato</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-69798726'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-69798726').html(); 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The major issue to overcome in the research depended on the fact that the most part of the analysed mortars was taken from undated structures, while only 35 were collected from dated ones. In order to observe correlations in sample distribution which could reflect ancient building phases and modern restorations, we then processed XRPD-QPA data of the mortars through principal component analysis (PCA). A rational subdivision of the full dataset into a smaller one before performing PCA was a useful step for a proper enucleation of coherent groups. The presence in most of the resulting groups of dated samples also allowed us to place in a precise timeframe the undated ones. 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" rel="nofollow" href="https://www.academia.edu/71775456/Bringing_the_Law_Home_The_Roman_house_as_courtroom">Bringing the Law Home: The Roman house as courtroom</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This chapter considers the role of the Roman house in providing a space where the second stage of a judicial activity (the apud iudicum portion), could be held in the Early Empire. Placing this activity within specific rooms of the house... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_71775456" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This chapter considers the role of the Roman house in providing a space where the second stage of a judicial activity (the apud iudicum portion), could be held in the Early Empire. Placing this activity within specific rooms of the house is complicated by the fact that a Roman court really did not have or need many specific architectural features. In one part of this chapter, I will propose a specific architectural feature in the House of the Faun, at Pompeii, as offering a suitable location for such hearings.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/71775456" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5640086" href="https://ubc.academia.edu/LeanneBablitz">Leanne Bablitz</a><script data-card-contents-for-user="5640086" type="text/json">{"id":5640086,"first_name":"Leanne","last_name":"Bablitz","domain_name":"ubc","page_name":"LeanneBablitz","display_name":"Leanne Bablitz","profile_url":"https://ubc.academia.edu/LeanneBablitz?f_ri=50577","photo":"https://0.academia-photos.com/5640086/2455501/2854221/s65_leanne.bablitz.jpg"}</script></span></span></li><li class="js-paper-rank-work_71775456 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="71775456"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 71775456, container: ".js-paper-rank-work_71775456", }); 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","downloadable_attachments":[],"ordered_authors":[{"id":5640086,"first_name":"Leanne","last_name":"Bablitz","domain_name":"ubc","page_name":"LeanneBablitz","display_name":"Leanne Bablitz","profile_url":"https://ubc.academia.edu/LeanneBablitz?f_ri=50577","photo":"https://0.academia-photos.com/5640086/2455501/2854221/s65_leanne.bablitz.jpg"}],"research_interests":[{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":238266,"name":"Pompeii, Roman Domestic Space","url":"https://www.academia.edu/Documents/in/Pompeii_Roman_Domestic_Space?f_ri=50577","nofollow":true},{"id":435895,"name":"Roman law, legal history and archaeology","url":"https://www.academia.edu/Documents/in/Roman_law_legal_history_and_archaeology?f_ri=50577","nofollow":true},{"id":454210,"name":"Roman law and Civil Procedure","url":"https://www.academia.edu/Documents/in/Roman_law_and_Civil_Procedure?f_ri=50577","nofollow":true},{"id":965797,"name":"Social History 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{"id":45042792,"title":"Rivista di Studi Pompeiani, XXXI -2020","created_at":"2021-02-03T06:10:21.171-08:00","url":"https://www.academia.edu/45042792/Rivista_di_Studi_Pompeiani_XXXI_2020?f_ri=50577","dom_id":"work_45042792","summary":"A rewiew to the Volume: Prima di quel giorno a Pompei…\ntecniche costruttive, vulnerabilità sismica, riparazioni\ne rinforzi al tempo dell’eruzione del 79 d.C.,\nAracne editrice, Roma 2019, pp. 261 by NICOLA RUGGIERI","downloadable_attachments":[{"id":65594329,"asset_id":45042792,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":493110,"first_name":"Carmelo","last_name":"Colelli","domain_name":"independent","page_name":"CarmeloColelli","display_name":"Carmelo Colelli","profile_url":"https://independent.academia.edu/CarmeloColelli?f_ri=50577","photo":"https://0.academia-photos.com/493110/299173/11156805/s65_carmelo.colelli.jpg"}],"research_interests":[{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_51002652" data-work_id="51002652" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/51002652/Esempio_di_unit%C3%A0_didattica_sul_participio_latino_mediante_le_iscrizioni_parietali_di_Pompei">Esempio di unità didattica sul participio latino mediante le iscrizioni parietali di Pompei</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Esempio di unità didattica sul participio latino. Esempi ed esercitazioni. Approfondimento sulle preposizioni italiane che derivano dai participi latini. Spiegazione sugli strumenti di lavoro: Corpus Inscriptionum Latinarum e la banca... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_51002652" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Esempio di unità didattica sul participio latino. Esempi ed esercitazioni.<br />Approfondimento sulle preposizioni italiane che derivano dai participi latini.<br />Spiegazione sugli strumenti di lavoro: Corpus Inscriptionum Latinarum e la banca dati Epigraphik datenbank.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/51002652" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="72b8c882637be29b6020de8ead47eded" rel="nofollow" data-download="{"attachment_id":68874717,"asset_id":51002652,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/68874717/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="201195670" href="https://unipi.academia.edu/GiuliaCoccia">Giulia Coccia</a><script data-card-contents-for-user="201195670" type="text/json">{"id":201195670,"first_name":"Giulia","last_name":"Coccia","domain_name":"unipi","page_name":"GiuliaCoccia","display_name":"Giulia Coccia","profile_url":"https://unipi.academia.edu/GiuliaCoccia?f_ri=50577","photo":"https://0.academia-photos.com/201195670/62660763/50955407/s65_giulia.coccia.jpg"}</script></span></span></li><li class="js-paper-rank-work_51002652 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="51002652"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 51002652, container: ".js-paper-rank-work_51002652", }); 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$(".js-view-count[data-work-id=51002652]").text(description); $(".js-view-count-work_51002652").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_51002652").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="51002652"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="8327" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii_Archaeology_">Pompeii (Archaeology)</a>, <script data-card-contents-for-ri="8327" type="text/json">{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27306" rel="nofollow" href="https://www.academia.edu/Documents/in/Latino_Studies">Latino Studies</a>, <script data-card-contents-for-ri="27306" type="text/json">{"id":27306,"name":"Latino Studies","url":"https://www.academia.edu/Documents/in/Latino_Studies?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="50577" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii">Pompeii</a>, <script data-card-contents-for-ri="50577" type="text/json">{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="171633" rel="nofollow" href="https://www.academia.edu/Documents/in/Archeologia_Romana">Archeologia Romana</a><script data-card-contents-for-ri="171633" type="text/json">{"id":171633,"name":"Archeologia Romana","url":"https://www.academia.edu/Documents/in/Archeologia_Romana?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=51002652]'), work: {"id":51002652,"title":"Esempio di unità didattica sul participio latino mediante le iscrizioni parietali di Pompei","created_at":"2021-08-25T02:49:11.848-07:00","url":"https://www.academia.edu/51002652/Esempio_di_unit%C3%A0_didattica_sul_participio_latino_mediante_le_iscrizioni_parietali_di_Pompei?f_ri=50577","dom_id":"work_51002652","summary":"Esempio di unità didattica sul participio latino. Esempi ed esercitazioni.\nApprofondimento sulle preposizioni italiane che derivano dai participi latini.\nSpiegazione sugli strumenti di lavoro: Corpus Inscriptionum Latinarum e la banca dati Epigraphik datenbank.","downloadable_attachments":[{"id":68874717,"asset_id":51002652,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":201195670,"first_name":"Giulia","last_name":"Coccia","domain_name":"unipi","page_name":"GiuliaCoccia","display_name":"Giulia Coccia","profile_url":"https://unipi.academia.edu/GiuliaCoccia?f_ri=50577","photo":"https://0.academia-photos.com/201195670/62660763/50955407/s65_giulia.coccia.jpg"}],"research_interests":[{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":27306,"name":"Latino Studies","url":"https://www.academia.edu/Documents/in/Latino_Studies?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":171633,"name":"Archeologia Romana","url":"https://www.academia.edu/Documents/in/Archeologia_Romana?f_ri=50577","nofollow":true},{"id":237688,"name":"Corpus inscriptionum Latinarum","url":"https://www.academia.edu/Documents/in/Corpus_inscriptionum_Latinarum?f_ri=50577"},{"id":271182,"name":"Didattica","url":"https://www.academia.edu/Documents/in/Didattica?f_ri=50577"},{"id":458191,"name":"Didattica Del Latino","url":"https://www.academia.edu/Documents/in/Didattica_Del_Latino?f_ri=50577"},{"id":953293,"name":"Iscrizioni","url":"https://www.academia.edu/Documents/in/Iscrizioni?f_ri=50577"},{"id":2353254,"name":"Vesuvio","url":"https://www.academia.edu/Documents/in/Vesuvio?f_ri=50577"},{"id":2353434,"name":"Eruzione","url":"https://www.academia.edu/Documents/in/Eruzione?f_ri=50577"},{"id":3072238,"name":"Grammatica Latina","url":"https://www.academia.edu/Documents/in/Grammatica_Latina?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35645061 coauthored" data-work_id="35645061" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35645061/Pompeii_a_fully_urban_society_charting_diachronic_social_and_economic_changes_in_the_environmental_evidence">Pompeii, a fully urban society: charting diachronic social and economic changes in the environmental evidence</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The earliest attempts to identify economic and edible plants from Pompeii came from ancient textual and art historical research. However, in more recent excavations of the site’s bicentennial ‘archaeological history’, a handful of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35645061" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The earliest attempts to identify economic and edible plants from Pompeii came from ancient textual and art historical research. However, in more recent excavations of the site’s bicentennial ‘archaeological history’, a handful of influential publications on the archaeobotanical evidence, mainly from material in the storerooms, have been produced and added key information to this discussion. This growing corpus of data, in combination with the legacy archaeobotanical record, has shed new light on the diachronic patterns of food and cuisine for the city of Pompeii, regarding it as a fully urban consumer society by the first century AD within the Roman Empire. This article synthesizes the available legacy and recent archaeobotanical evidence that both testifies to the established ‘standard’ Mediterranean diet for Pompeii and demonstrates changes in the number and diversity of plant species recovered. These changes represent a significant shift in the economic division of the city’s inhabitants, and therefore its history.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35645061" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="84a0647278e02fe1c94a0a9ec5bf8ae2" rel="nofollow" data-download="{"attachment_id":55514414,"asset_id":35645061,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55514414/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1862258" href="https://rug.academia.edu/TMATijdschriftvoorMediterraneArcheologie">TMA - Tijdschrift voor Mediterrane Archeologie</a><script data-card-contents-for-user="1862258" type="text/json">{"id":1862258,"first_name":"TMA","last_name":"Tijdschrift voor Mediterrane Archeologie","domain_name":"rug","page_name":"TMATijdschriftvoorMediterraneArcheologie","display_name":"TMA - Tijdschrift voor Mediterrane Archeologie","profile_url":"https://rug.academia.edu/TMATijdschriftvoorMediterraneArcheologie?f_ri=50577","photo":"https://0.academia-photos.com/1862258/632208/15348988/s65_tma.tijdschrift_voor_mediterrane_archeologie.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-35645061">+1</span><div class="hidden js-additional-users-35645061"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://ucl.academia.edu/CharleneMurphy">Charlene A Murphy</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-35645061'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-35645061').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35645061 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35645061"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35645061; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35645061]").text(description); $(".js-view-count-work_35645061").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35645061").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35645061"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" rel="nofollow" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="393" rel="nofollow" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1742" rel="nofollow" href="https://www.academia.edu/Documents/in/Archaeobotany">Archaeobotany</a>, <script data-card-contents-for-ri="1742" type="text/json">{"id":1742,"name":"Archaeobotany","url":"https://www.academia.edu/Documents/in/Archaeobotany?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8327" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii_Archaeology_">Pompeii (Archaeology)</a><script data-card-contents-for-ri="8327" type="text/json">{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35645061]'), work: {"id":35645061,"title":"Pompeii, a fully urban society: charting diachronic social and economic changes in the environmental evidence","created_at":"2018-01-11T15:19:01.818-08:00","url":"https://www.academia.edu/35645061/Pompeii_a_fully_urban_society_charting_diachronic_social_and_economic_changes_in_the_environmental_evidence?f_ri=50577","dom_id":"work_35645061","summary":"The earliest attempts to identify economic and edible plants from Pompeii came from ancient textual and art historical research. However, in more recent excavations of the site’s bicentennial ‘archaeological history’, a handful of influential publications on the archaeobotanical evidence, mainly from material in the storerooms, have been produced and added key information to this discussion. This growing corpus of data, in combination with the legacy archaeobotanical record, has shed new light on the diachronic patterns of food and cuisine for the city of Pompeii, regarding it as a fully urban consumer society by the first century AD within the Roman Empire. This article synthesizes the available legacy and recent archaeobotanical evidence that both testifies to the established ‘standard’ Mediterranean diet for Pompeii and demonstrates changes in the number and diversity of plant species recovered. These changes represent a significant shift in the economic division of the city’s inhabitants, and therefore its history.","downloadable_attachments":[{"id":55514414,"asset_id":35645061,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1862258,"first_name":"TMA","last_name":"Tijdschrift voor Mediterrane Archeologie","domain_name":"rug","page_name":"TMATijdschriftvoorMediterraneArcheologie","display_name":"TMA - Tijdschrift voor Mediterrane Archeologie","profile_url":"https://rug.academia.edu/TMATijdschriftvoorMediterraneArcheologie?f_ri=50577","photo":"https://0.academia-photos.com/1862258/632208/15348988/s65_tma.tijdschrift_voor_mediterrane_archeologie.png"},{"id":6112288,"first_name":"Charlene","last_name":"Murphy","domain_name":"ucl","page_name":"CharleneMurphy","display_name":"Charlene A Murphy","profile_url":"https://ucl.academia.edu/CharleneMurphy?f_ri=50577","photo":"https://0.academia-photos.com/6112288/2553408/10835212/s65_charlene.murphy.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=50577","nofollow":true},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=50577","nofollow":true},{"id":1742,"name":"Archaeobotany","url":"https://www.academia.edu/Documents/in/Archaeobotany?f_ri=50577","nofollow":true},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":10222,"name":"Food Production","url":"https://www.academia.edu/Documents/in/Food_Production?f_ri=50577"},{"id":23640,"name":"Roman Economy","url":"https://www.academia.edu/Documents/in/Roman_Economy?f_ri=50577"},{"id":32780,"name":"Mediterranean archaeology","url":"https://www.academia.edu/Documents/in/Mediterranean_archaeology?f_ri=50577"},{"id":50059,"name":"Roman social and economic history","url":"https://www.academia.edu/Documents/in/Roman_social_and_economic_history?f_ri=50577"},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":111574,"name":"Archaeobotanical analysis","url":"https://www.academia.edu/Documents/in/Archaeobotanical_analysis?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31047239" data-work_id="31047239" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31047239/Der_ZuschauerInnenaufstand_in_Pompeji_59_n_Chr_Perspektiven_zu_Tacitus_Annalen_14_17">Der ZuschauerInnenaufstand in Pompeji 59 n. Chr. Perspektiven zu Tacitus' Annalen 14, 17</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Die römischen Spiele, vor allem zur Kaiserzeit, sind in der Forschung der vergangenen Jahre zahlreich diskutiert worden. Überwiegend gerieten die historische Entwicklung der Spiele mit ihren religiösen Wurzeln, die politischen Dimensionen... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31047239" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Die römischen Spiele, vor allem zur Kaiserzeit, sind in der Forschung der vergangenen Jahre<br />zahlreich diskutiert worden. Überwiegend gerieten die historische Entwicklung der Spiele mit ihren<br />religiösen Wurzeln, die politischen Dimensionen im Hinblick auf Mittel zur Machtausübung der<br />Kaiser bzw. Spielgeber, soziale Aspekte der SpielteilnehmerInnen wie auch der Ablauf der Spiele<br />selber in den Fokus der Wissenschaft. Weniger Aufmerksamkeit bekamen Phänomene, die soziale<br />Dynamiken unter den Zuschauenden fokussierten. Wissenschaftliche Ausführungen zu sozialen<br />Phänomenen bei Aufständen oder Überblicksliteratur zu Aufständen allgemein, vor allem im Kontext<br />von Gladiatorenspielen, fehlen nahezu vollständig. Lediglich einzelne Ereignisse wie z.B. der Nika-<br />Aufstand wurden punktuell thematisiert. Vor allem im Vergleich zu den ausgiebigen Berichten über<br />Rom (aufgrund der Nähe zum Kaiserhof) fanden Ereignisse im Rahmen der Spiele außerhalb der<br />Hauptstadt nur bei Katastrophen oder anderen Ausnahmen Erwähnung. Somit fehlt in der Forschung<br />bislang eine Makroperspektive auf Aufstände im Kontext von öffentlichen Spielen einerseits,<br />andererseits aber auch die Mikroperspektive im Hinblick auf die römischen Provinzen.<br />Die vorliegende Arbeit legt das Augenmerk auf ein weiteres Ereignis, welches in der modernen<br />Forschung häufig erwähnt, aber selten ausgiebig besprochen wurde. Das Ziel besteht darin, die<br />mikroperspektivische Betrachtung des Aufstandes zwischen pompejianischen und nucerinischen<br />ZuschauerInnen anlässlich eines Gladiatorenspiels in Pompeji im Jahre 59 n. Chr. zu stärken.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31047239" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f3b3dd3581295ebcf8f02a6fbff3477d" rel="nofollow" data-download="{"attachment_id":51480637,"asset_id":31047239,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51480637/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="22727728" href="https://independent.academia.edu/MaJoBerg">MaJo Berg</a><script data-card-contents-for-user="22727728" type="text/json">{"id":22727728,"first_name":"MaJo","last_name":"Berg","domain_name":"independent","page_name":"MaJoBerg","display_name":"MaJo Berg","profile_url":"https://independent.academia.edu/MaJoBerg?f_ri=50577","photo":"https://0.academia-photos.com/22727728/6184576/7007713/s65_majo.berg.jpg_oh_d45c17440cef709796a400cafd204542_oe_551cb651___gda___1428056660_40d06a894d944d585bd6d52846309a8d"}</script></span></span></li><li class="js-paper-rank-work_31047239 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31047239"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31047239, container: ".js-paper-rank-work_31047239", }); 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$(".js-view-count[data-work-id=31047239]").text(description); $(".js-view-count-work_31047239").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31047239").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31047239"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="130" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_History">Ancient History</a>, <script data-card-contents-for-ri="130" type="text/json">{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="35986" rel="nofollow" href="https://www.academia.edu/Documents/in/Tacitus">Tacitus</a>, <script data-card-contents-for-ri="35986" type="text/json">{"id":35986,"name":"Tacitus","url":"https://www.academia.edu/Documents/in/Tacitus?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="50577" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii">Pompeii</a>, <script data-card-contents-for-ri="50577" type="text/json">{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="69955" rel="nofollow" href="https://www.academia.edu/Documents/in/Mobs_Riots_and_Revolutionary_Crowds">Mobs, Riots, and Revolutionary Crowds</a><script data-card-contents-for-ri="69955" type="text/json">{"id":69955,"name":"Mobs, Riots, and Revolutionary Crowds","url":"https://www.academia.edu/Documents/in/Mobs_Riots_and_Revolutionary_Crowds?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31047239]'), work: {"id":31047239,"title":"Der ZuschauerInnenaufstand in Pompeji 59 n. Chr. Perspektiven zu Tacitus' Annalen 14, 17","created_at":"2017-01-23T05:43:31.839-08:00","url":"https://www.academia.edu/31047239/Der_ZuschauerInnenaufstand_in_Pompeji_59_n_Chr_Perspektiven_zu_Tacitus_Annalen_14_17?f_ri=50577","dom_id":"work_31047239","summary":"Die römischen Spiele, vor allem zur Kaiserzeit, sind in der Forschung der vergangenen Jahre\nzahlreich diskutiert worden. Überwiegend gerieten die historische Entwicklung der Spiele mit ihren\nreligiösen Wurzeln, die politischen Dimensionen im Hinblick auf Mittel zur Machtausübung der\nKaiser bzw. Spielgeber, soziale Aspekte der SpielteilnehmerInnen wie auch der Ablauf der Spiele\nselber in den Fokus der Wissenschaft. Weniger Aufmerksamkeit bekamen Phänomene, die soziale\nDynamiken unter den Zuschauenden fokussierten. Wissenschaftliche Ausführungen zu sozialen\nPhänomenen bei Aufständen oder Überblicksliteratur zu Aufständen allgemein, vor allem im Kontext\nvon Gladiatorenspielen, fehlen nahezu vollständig. Lediglich einzelne Ereignisse wie z.B. der Nika-\nAufstand wurden punktuell thematisiert. Vor allem im Vergleich zu den ausgiebigen Berichten über\nRom (aufgrund der Nähe zum Kaiserhof) fanden Ereignisse im Rahmen der Spiele außerhalb der\nHauptstadt nur bei Katastrophen oder anderen Ausnahmen Erwähnung. Somit fehlt in der Forschung\nbislang eine Makroperspektive auf Aufstände im Kontext von öffentlichen Spielen einerseits,\nandererseits aber auch die Mikroperspektive im Hinblick auf die römischen Provinzen.\nDie vorliegende Arbeit legt das Augenmerk auf ein weiteres Ereignis, welches in der modernen\nForschung häufig erwähnt, aber selten ausgiebig besprochen wurde. Das Ziel besteht darin, die\nmikroperspektivische Betrachtung des Aufstandes zwischen pompejianischen und nucerinischen\nZuschauerInnen anlässlich eines Gladiatorenspiels in Pompeji im Jahre 59 n. Chr. zu stärken.","downloadable_attachments":[{"id":51480637,"asset_id":31047239,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22727728,"first_name":"MaJo","last_name":"Berg","domain_name":"independent","page_name":"MaJoBerg","display_name":"MaJo Berg","profile_url":"https://independent.academia.edu/MaJoBerg?f_ri=50577","photo":"https://0.academia-photos.com/22727728/6184576/7007713/s65_majo.berg.jpg_oh_d45c17440cef709796a400cafd204542_oe_551cb651___gda___1428056660_40d06a894d944d585bd6d52846309a8d"}],"research_interests":[{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=50577","nofollow":true},{"id":35986,"name":"Tacitus","url":"https://www.academia.edu/Documents/in/Tacitus?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":69955,"name":"Mobs, Riots, and Revolutionary Crowds","url":"https://www.academia.edu/Documents/in/Mobs_Riots_and_Revolutionary_Crowds?f_ri=50577","nofollow":true},{"id":652026,"name":"Gladiators and the Arena Games","url":"https://www.academia.edu/Documents/in/Gladiators_and_the_Arena_Games?f_ri=50577"},{"id":1011663,"name":"Sport Spectatorship","url":"https://www.academia.edu/Documents/in/Sport_Spectatorship?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10324080" data-work_id="10324080" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10324080/El_foro_de_Pompeya_y_su_difusi%C3%B3n_en_las_provincias_occidentales_del_Imperio">El foro de Pompeya y su difusión en las provincias occidentales del Imperio</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10324080" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5169ff81c4d9255ce5c5a2cbeec4ce9f" rel="nofollow" data-download="{"attachment_id":36393804,"asset_id":10324080,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36393804/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="435056" href="https://ucm.academia.edu/LuisRomeroNovella">Luis Romero Novella</a><script data-card-contents-for-user="435056" type="text/json">{"id":435056,"first_name":"Luis","last_name":"Romero Novella","domain_name":"ucm","page_name":"LuisRomeroNovella","display_name":"Luis Romero Novella","profile_url":"https://ucm.academia.edu/LuisRomeroNovella?f_ri=50577","photo":"https://0.academia-photos.com/435056/132633/146853119/s65_luis.romero_novella.jpg"}</script></span></span></li><li class="js-paper-rank-work_10324080 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10324080"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10324080, container: ".js-paper-rank-work_10324080", }); 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$(".js-view-count[data-work-id=10324080]").text(description); $(".js-view-count-work_10324080").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10324080").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10324080"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8327" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii_Archaeology_">Pompeii (Archaeology)</a>, <script data-card-contents-for-ri="8327" type="text/json">{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="50577" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii">Pompeii</a>, <script data-card-contents-for-ri="50577" type="text/json">{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="111685" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii_Topography_Architecture">Pompeii Topography Architecture</a><script data-card-contents-for-ri="111685" type="text/json">{"id":111685,"name":"Pompeii Topography Architecture","url":"https://www.academia.edu/Documents/in/Pompeii_Topography_Architecture?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10324080]'), work: {"id":10324080,"title":"El foro de Pompeya y su difusión en las provincias occidentales del\tImperio","created_at":"2015-01-25T08:13:35.067-08:00","url":"https://www.academia.edu/10324080/El_foro_de_Pompeya_y_su_difusi%C3%B3n_en_las_provincias_occidentales_del_Imperio?f_ri=50577","dom_id":"work_10324080","summary":null,"downloadable_attachments":[{"id":36393804,"asset_id":10324080,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":435056,"first_name":"Luis","last_name":"Romero Novella","domain_name":"ucm","page_name":"LuisRomeroNovella","display_name":"Luis Romero Novella","profile_url":"https://ucm.academia.edu/LuisRomeroNovella?f_ri=50577","photo":"https://0.academia-photos.com/435056/132633/146853119/s65_luis.romero_novella.jpg"}],"research_interests":[{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":111685,"name":"Pompeii Topography Architecture","url":"https://www.academia.edu/Documents/in/Pompeii_Topography_Architecture?f_ri=50577","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2179233" data-work_id="2179233" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2179233/Sexualidade_amor_e_erotismo_na_Roma_Antiga_as_representa%C3%A7%C3%B5es_de_V%C3%AAnus_nas_paredes_de_Pompeia">Sexualidade, amor e erotismo na Roma Antiga: as representações de Vênus nas paredes de Pompeia</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Este artigo visa debater alguns aspectos da religiosidade romana, enfatiza, sobretudo, que temas como estes não necessitam estar separados de outros assuntos da esfera humana, e que podem estar atrelados a elementos da vida cotidiana,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2179233" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este artigo visa debater alguns aspectos da religiosidade romana, enfatiza, sobretudo, que temas como estes não necessitam estar separados de outros assuntos da esfera humana, e que podem estar atrelados a elementos da vida cotidiana, tais como o sexo e o amor. Para tanto, evidencia-se a importância das pinturas parietais, como um interessante instrumento de análise histórica e reflexão a respeito da diversidade do passado romano.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2179233" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1f4302662877f65b9888eaf5392d3eba" rel="nofollow" data-download="{"attachment_id":30231964,"asset_id":2179233,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30231964/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="798763" href="https://ufpr.academia.edu/P%C3%A9rolaDePaulaSanfelice">Pérola De Paula Sanfelice</a><script data-card-contents-for-user="798763" type="text/json">{"id":798763,"first_name":"Pérola","last_name":"De Paula Sanfelice","domain_name":"ufpr","page_name":"PérolaDePaulaSanfelice","display_name":"Pérola De Paula Sanfelice","profile_url":"https://ufpr.academia.edu/P%C3%A9rolaDePaulaSanfelice?f_ri=50577","photo":"https://0.academia-photos.com/798763/272987/14318244/s65_p_rola.de_paula_sanfelice.jpg"}</script></span></span></li><li class="js-paper-rank-work_2179233 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2179233"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2179233, container: ".js-paper-rank-work_2179233", }); 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$(".js-view-count[data-work-id=2179233]").text(description); $(".js-view-count-work_2179233").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2179233").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2179233"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="829" rel="nofollow" href="https://www.academia.edu/Documents/in/Roman_History">Roman History</a>, <script data-card-contents-for-ri="829" type="text/json">{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="5327" rel="nofollow" href="https://www.academia.edu/Documents/in/Roman_Religion">Roman Religion</a>, <script data-card-contents-for-ri="5327" type="text/json">{"id":5327,"name":"Roman Religion","url":"https://www.academia.edu/Documents/in/Roman_Religion?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8327" rel="nofollow" href="https://www.academia.edu/Documents/in/Pompeii_Archaeology_">Pompeii (Archaeology)</a>, <script data-card-contents-for-ri="8327" type="text/json">{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="10550" rel="nofollow" href="https://www.academia.edu/Documents/in/Greek_and_Roman_Sexualities">Greek and Roman Sexualities</a><script data-card-contents-for-ri="10550" type="text/json">{"id":10550,"name":"Greek and Roman Sexualities","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Sexualities?f_ri=50577","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2179233]'), work: {"id":2179233,"title":"Sexualidade, amor e erotismo na Roma Antiga: as representações de Vênus nas paredes de Pompeia","created_at":"2012-11-21T23:56:52.735-08:00","url":"https://www.academia.edu/2179233/Sexualidade_amor_e_erotismo_na_Roma_Antiga_as_representa%C3%A7%C3%B5es_de_V%C3%AAnus_nas_paredes_de_Pompeia?f_ri=50577","dom_id":"work_2179233","summary":"Este artigo visa debater alguns aspectos da religiosidade romana, enfatiza, sobretudo, que temas como estes não necessitam estar separados de outros assuntos da esfera humana, e que podem estar atrelados a elementos da vida cotidiana, tais como o sexo e o amor. Para tanto, evidencia-se a importância das pinturas parietais, como um interessante instrumento de análise histórica e reflexão a respeito da diversidade do passado romano.","downloadable_attachments":[{"id":30231964,"asset_id":2179233,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":798763,"first_name":"Pérola","last_name":"De Paula Sanfelice","domain_name":"ufpr","page_name":"PérolaDePaulaSanfelice","display_name":"Pérola De Paula Sanfelice","profile_url":"https://ufpr.academia.edu/P%C3%A9rolaDePaulaSanfelice?f_ri=50577","photo":"https://0.academia-photos.com/798763/272987/14318244/s65_p_rola.de_paula_sanfelice.jpg"}],"research_interests":[{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577","nofollow":true},{"id":5327,"name":"Roman Religion","url":"https://www.academia.edu/Documents/in/Roman_Religion?f_ri=50577","nofollow":true},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":10550,"name":"Greek and Roman Sexualities","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Sexualities?f_ri=50577","nofollow":true},{"id":12679,"name":"Eroticism","url":"https://www.academia.edu/Documents/in/Eroticism?f_ri=50577"},{"id":38840,"name":"Roman Painting","url":"https://www.academia.edu/Documents/in/Roman_Painting?f_ri=50577"},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":238266,"name":"Pompeii, Roman Domestic Space","url":"https://www.academia.edu/Documents/in/Pompeii_Roman_Domestic_Space?f_ri=50577"},{"id":263852,"name":"Roman Wall Painting","url":"https://www.academia.edu/Documents/in/Roman_Wall_Painting?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6535464" data-work_id="6535464" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6535464/La_grande_stagione_dell_archeologia_Ercolano_Pompei_e_Paestum">La grande stagione dell’archeologia: Ercolano, Pompei e Paestum </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Seconda edizione:<br />"Il secondo Settecento", fa parte di "La grande storia dell'arte", Milano 2015, vol. 9, cap. 3, pp. 78-93</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div 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That no one ever told you ...</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Pompeii is full of monuments that have ignited the passion of ancient experts for over 200 years, but also that of travellers, fascinated by the uniqueness of this city in a country already unparalleled historically in the rest of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36758648" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Pompeii is full of monuments that have ignited the passion of ancient experts for over 200 years, but also that of travellers, fascinated by the uniqueness of this city in a country already unparalleled historically in the rest of the world.<br />But this is not all that Pompeii offers.<br />First and foremost, it is a city full of stories about people from thousands of years ago who worked, loved, played, ate, were politicians, traders, hated each other, and stole from each other ...<br />This book contains 79 unusual stories that reveal the magic of the pulsating life and interesting facts that made up the daily life of the inhabitants who lived there. At times, it was a long way off from the habits of our time and at other times, it was surprisingly similar - they are stories that transport us to a distant world, a world that otherwise would have been lost forever.<br /><br />Lara Anniboletti (Perugia, 1973) graduated in Archeology and received her Ph.D. from the University of Rome Tor Vergata with her research focused on Pompeian themes (domestic religion, private architecture, city walls). In addition to continuing her scientific research, she organizes events, the promotion and dissemination of cultural heritage, and her slogan is archeology is a science to be enhanced with humanity. She is currently a member of the Technical Secretariat of Pompeii as the Manager of the Archaeological Park' s Communications Office.<br /><a href="mailto:lara.anniboletti@beniculturali.it" rel="nofollow">lara.anniboletti@beniculturali.it</a>.<br /><br />Pub. Year: 2018<br />Series:Pompeii - Thematic Guides, 6<br />ISBN: 978-88-913-1654-7<br />Paperback; Pages: 132, 130 ill. B/W, 30 ill. Col., 30 Plates<br />Size: 21 x 24 cm</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36758648" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c323fe8b56fa87b743612c20b95f33e5" rel="nofollow" data-download="{"attachment_id":56705090,"asset_id":36758648,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56705090/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4316814" href="https://independent.academia.edu/LERMAdiBRETSCHNEIDER">L'ERMA di BRETSCHNEIDER, Publisher</a><script data-card-contents-for-user="4316814" type="text/json">{"id":4316814,"first_name":"L'ERMA di BRETSCHNEIDER,","last_name":"Publisher","domain_name":"independent","page_name":"LERMAdiBRETSCHNEIDER","display_name":"L'ERMA di BRETSCHNEIDER, Publisher","profile_url":"https://independent.academia.edu/LERMAdiBRETSCHNEIDER?f_ri=50577","photo":"https://0.academia-photos.com/4316814/1728347/15923094/s65_l_erma_di_bretschneider.publishers.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-36758648">+1</span><div class="hidden js-additional-users-36758648"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://archeologicaroma.academia.edu/LaraAnniboletti">Lara Anniboletti</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-36758648'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-36758648').html(); 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That no one ever told you ...","created_at":"2018-06-01T03:53:13.743-07:00","url":"https://www.academia.edu/36758648/79_Stories_about_Pompeii_That_no_one_ever_told_you_?f_ri=50577","dom_id":"work_36758648","summary":"Pompeii is full of monuments that have ignited the passion of ancient experts for over 200 years, but also that of travellers, fascinated by the uniqueness of this city in a country already unparalleled historically in the rest of the world.\nBut this is not all that Pompeii offers.\nFirst and foremost, it is a city full of stories about people from thousands of years ago who worked, loved, played, ate, were politicians, traders, hated each other, and stole from each other ...\nThis book contains 79 unusual stories that reveal the magic of the pulsating life and interesting facts that made up the daily life of the inhabitants who lived there. At times, it was a long way off from the habits of our time and at other times, it was surprisingly similar - they are stories that transport us to a distant world, a world that otherwise would have been lost forever.\n\nLara Anniboletti (Perugia, 1973) graduated in Archeology and received her Ph.D. from the University of Rome Tor Vergata with her research focused on Pompeian themes (domestic religion, private architecture, city walls). In addition to continuing her scientific research, she organizes events, the promotion and dissemination of cultural heritage, and her slogan is archeology is a science to be enhanced with humanity. She is currently a member of the Technical Secretariat of Pompeii as the Manager of the Archaeological Park' s Communications Office.\nlara.anniboletti@beniculturali.it.\n\nPub. Year: 2018\nSeries:Pompeii - Thematic Guides, 6\nISBN: 978-88-913-1654-7\nPaperback; Pages: 132, 130 ill. B/W, 30 ill. Col., 30 Plates\nSize: 21 x 24 cm","downloadable_attachments":[{"id":56705090,"asset_id":36758648,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4316814,"first_name":"L'ERMA di BRETSCHNEIDER,","last_name":"Publisher","domain_name":"independent","page_name":"LERMAdiBRETSCHNEIDER","display_name":"L'ERMA di BRETSCHNEIDER, Publisher","profile_url":"https://independent.academia.edu/LERMAdiBRETSCHNEIDER?f_ri=50577","photo":"https://0.academia-photos.com/4316814/1728347/15923094/s65_l_erma_di_bretschneider.publishers.jpg"},{"id":3242840,"first_name":"Lara","last_name":"Anniboletti","domain_name":"archeologicaroma","page_name":"LaraAnniboletti","display_name":"Lara Anniboletti","profile_url":"https://archeologicaroma.academia.edu/LaraAnniboletti?f_ri=50577","photo":"https://0.academia-photos.com/3242840/1069912/14362710/s65_lara.anniboletti.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=50577","nofollow":true},{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=50577","nofollow":true},{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=50577","nofollow":true},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=50577","nofollow":true},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=50577"},{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577"},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=50577"},{"id":88760,"name":"Classics: Ancient History and Archaeology","url":"https://www.academia.edu/Documents/in/Classics_Ancient_History_and_Archaeology?f_ri=50577"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=50577"},{"id":1433270,"name":"Classical Studies","url":"https://www.academia.edu/Documents/in/Classical_Studies?f_ri=50577"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_230780 coauthored" data-work_id="230780" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/230780/Pompeii_Art_Industry_and_Infrastructure_Oxbow_2011_">Pompeii: Art, Industry and Infrastructure (Oxbow, 2011)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">More than 250 years after its discovery, Pompeii continues to resonate powerfully in both academic discourse and the popular imagination. This volume brings together a collection of ten papers that advance, challenge and revise the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_230780" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">More than 250 years after its discovery, Pompeii continues to resonate powerfully in both academic discourse and the popular imagination. This volume brings together a collection of ten papers that advance, challenge and revise the present conceptions of the city's art, industry and infrastructure. <br /><br />The discussions of domestic art in this book, a perennial topic for Pompeian scholars, engage previously neglected subjects such as wall ornaments in domestic decoration, the sculpture collection in the house of Octavius Quartio, and the role of the covered walkways in luxury villa architecture. The famous cupid's frieze from the house of the Vettii is given a novel and intelligent reinterpretation. The place of industry at Pompeii, in both the physical and economic landscapes has long been overlooked. The chapters on building practice in inhabited houses, on the presence of fulling workshops in atrium houses, and on the urban pottery industry serve as successful contributions to a more complete understanding of the life of the ancient city. <br /><br />Finally, this volume breaks new ground in the consideration of the urban infrastructure of Pompeii, a topic that has won serious attention only in the last decades, but one that is playing an increasingly central role in Pompeian studies. The final three chapters offer a reassessment of the Pompeian street network, a scientific analysis of the amount of lead in Pompeian drinking water, and a thorough analysis of the water infrastructure around the forum that supported its architectural transformation in the last decades before the eruption of Mount Vesuvius in AD 79. 200p, 99 illus. (Oxbow Books 2011)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/230780" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="32b9aa13df49be3172c70591654c0d9f" rel="nofollow" data-download="{"attachment_id":43234091,"asset_id":230780,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43234091/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="173673" href="https://leidenuniv.academia.edu/MikoFlohr">Miko Flohr</a><script data-card-contents-for-user="173673" type="text/json">{"id":173673,"first_name":"Miko","last_name":"Flohr","domain_name":"leidenuniv","page_name":"MikoFlohr","display_name":"Miko Flohr","profile_url":"https://leidenuniv.academia.edu/MikoFlohr?f_ri=50577","photo":"https://0.academia-photos.com/173673/43422/30905790/s65_miko.flohr.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-230780">+2</span><div class="hidden js-additional-users-230780"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://umass.academia.edu/EricPoehler">Eric Poehler</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://broward.academia.edu/KevinCole">Kevin Cole</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-230780'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-230780').html(); 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This volume brings together a collection of ten papers that advance, challenge and revise the present conceptions of the city's art, industry and infrastructure. \n\nThe discussions of domestic art in this book, a perennial topic for Pompeian scholars, engage previously neglected subjects such as wall ornaments in domestic decoration, the sculpture collection in the house of Octavius Quartio, and the role of the covered walkways in luxury villa architecture. The famous cupid's frieze from the house of the Vettii is given a novel and intelligent reinterpretation. The place of industry at Pompeii, in both the physical and economic landscapes has long been overlooked. The chapters on building practice in inhabited houses, on the presence of fulling workshops in atrium houses, and on the urban pottery industry serve as successful contributions to a more complete understanding of the life of the ancient city. \n\nFinally, this volume breaks new ground in the consideration of the urban infrastructure of Pompeii, a topic that has won serious attention only in the last decades, but one that is playing an increasingly central role in Pompeian studies. The final three chapters offer a reassessment of the Pompeian street network, a scientific analysis of the amount of lead in Pompeian drinking water, and a thorough analysis of the water infrastructure around the forum that supported its architectural transformation in the last decades before the eruption of Mount Vesuvius in AD 79. 200p, 99 illus. (Oxbow Books 2011)","downloadable_attachments":[{"id":43234091,"asset_id":230780,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":173673,"first_name":"Miko","last_name":"Flohr","domain_name":"leidenuniv","page_name":"MikoFlohr","display_name":"Miko Flohr","profile_url":"https://leidenuniv.academia.edu/MikoFlohr?f_ri=50577","photo":"https://0.academia-photos.com/173673/43422/30905790/s65_miko.flohr.jpg"},{"id":236550,"first_name":"Eric","last_name":"Poehler","domain_name":"umass","page_name":"EricPoehler","display_name":"Eric Poehler","profile_url":"https://umass.academia.edu/EricPoehler?f_ri=50577","photo":"https://0.academia-photos.com/236550/235484/15965067/s65_eric.poehler.jpg"},{"id":1993,"first_name":"Kevin","last_name":"Cole","domain_name":"broward","page_name":"KevinCole","display_name":"Kevin Cole","profile_url":"https://broward.academia.edu/KevinCole?f_ri=50577","photo":"https://0.academia-photos.com/1993/948/20686866/s65_kevin.cole.jpg"}],"research_interests":[{"id":50577,"name":"Pompeii","url":"https://www.academia.edu/Documents/in/Pompeii?f_ri=50577","nofollow":true},{"id":98823,"name":"Roman Architecture and Urbanism","url":"https://www.academia.edu/Documents/in/Roman_Architecture_and_Urbanism?f_ri=50577","nofollow":true},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=50577","nofollow":true},{"id":181430,"name":"Roman urban crafts","url":"https://www.academia.edu/Documents/in/Roman_urban_crafts?f_ri=50577","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45288527" data-work_id="45288527" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45288527/Luxus_und_Dekor_%C3%A0_l_antique_Das_Pompejanum_in_Aschaffenburg_und_die_Getty_Villa_in_Malibu">Luxus und Dekor à l’antique. Das Pompejanum in Aschaffenburg und die Getty Villa in Malibu</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45288527" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ad0a422089245f2e2b0fd5ce1c7c241e" rel="nofollow" data-download="{"attachment_id":65843758,"asset_id":45288527,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65843758/download_file?st=MTc0MDE2MDg3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="510087" href="https://landesmuseum-stuttgart.academia.edu/AstridFendt">Astrid Fendt</a><script data-card-contents-for-user="510087" type="text/json">{"id":510087,"first_name":"Astrid","last_name":"Fendt","domain_name":"landesmuseum-stuttgart","page_name":"AstridFendt","display_name":"Astrid Fendt","profile_url":"https://landesmuseum-stuttgart.academia.edu/AstridFendt?f_ri=50577","photo":"https://0.academia-photos.com/510087/177370/57784279/s65_astrid.fendt.jpg"}</script></span></span></li><li class="js-paper-rank-work_45288527 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45288527"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45288527, container: ".js-paper-rank-work_45288527", }); 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