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Through an analysis of the text as autobiographical fiction and its portrayal of the figure of the ángel del hogar (angel of the house), this article argues that we need to find new ways of reading this type of text that consider how the conditions of production both create and limit the spaces that nineteenth-century women writers have for expressing their lived realities.","author":[{"@context":"https://schema.org","@type":"Person","name":"Jennifer Fraser","url":"https://westminster.academia.edu/JenniferFraser"}],"contributor":[],"dateCreated":"2015-06-16","dateModified":"2015-06-16","datePublished":"2015-01-01","headline":"‘Con el ropaje de la novela’: Margarita Práxedes Muñoz’s La evolución de Paulina as an attempt to (re)negotiate literary forms and contest normative subjectivities","image":"https://attachments.academia-assets.com/37919290/thumbnails/1.jpg","inLanguage":"en","keywords":[],"publication":"Journal of Romance 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experiences that do not fit normative social models of womanhood. Through an analysis of the text as autobiographical fiction and its portrayal of the figure of the ángel del hogar (angel of the house), this article argues that we need to find new ways of reading this type of text that consider how the conditions of production both create and limit the spaces that nineteenth-century women writers have for expressing their lived realities.","publication_date":"2015,,","publication_name":"Journal of Romance Studies"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"‘Con el ropaje de la novela’: Margarita Práxedes Muñoz’s La evolución de Paulina as an attempt to (re)negotiate literary forms and contest normative subjectivities","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [32243499]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":37919290,"attachmentType":"pdf"}"><img alt="First page of “‘Con el ropaje de la novela’: Margarita Práxedes Muñoz’s La evolución de Paulina as an attempt to (re)negotiate literary forms and contest normative subjectivities”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/37919290/mini_magick20190227-8875-17r8c8v.png?1551294467" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">‘Con el ropaje de la novela’: Margarita Práxedes Muñoz’s La evolución de Paulina as an attempt to (re)negotiate literary forms and contest normative subjectivities</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="32243499" href="https://westminster.academia.edu/JenniferFraser"><img alt="Profile image of Jennifer Fraser" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/32243499/9642980/16046528/s65_jennifer.fraser.jpg" />Jennifer Fraser</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2015, Journal of Romance Studies</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">28 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 13018069; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=13018069"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">This article examines a text by the nineteenth-century Peruvian writer Margarita Práxedes Muñoz to explore how she plays with the boundaries of the emerging form of the novel to bring together scientific knowledge and experiences that do not fit normative social models of womanhood. Through an analysis of the text as autobiographical fiction and its portrayal of the figure of the ángel del hogar (angel of the house), this article argues that we need to find new ways of reading this type of text that consider how the conditions of production both create and limit the spaces that nineteenth-century women writers have for expressing their lived realities.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":37919290,"attachmentType":"pdf","workUrl":"https://www.academia.edu/13018069/_Con_el_ropaje_de_la_novela_Margarita_Pr%C3%A1xedes_Mu%C3%B1oz_s_La_evoluci%C3%B3n_de_Paulina_as_an_attempt_to_re_negotiate_literary_forms_and_contest_normative_subjectivities"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":37919290,"attachmentType":"pdf","workUrl":"https://www.academia.edu/13018069/_Con_el_ropaje_de_la_novela_Margarita_Pr%C3%A1xedes_Mu%C3%B1oz_s_La_evoluci%C3%B3n_de_Paulina_as_an_attempt_to_re_negotiate_literary_forms_and_contest_normative_subjectivities"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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Jaquette divides the female characters in Garcia Marquez’s Cien Anos de Soledad into three archetypes: Mother, Witch/Mysterious Woman, and Wife/Concubine. Jaquette’s proposal is a departure from the traditional archetypes of women in Latin American literature of the Virgin, the Mother, and the Whore, all of which have their genesis in biblical literature. Unfortunately, Jaquette’s archetypal schema is inadequate, for only a few of Cien Anos’s characters manage to fit into her three categories; she ignores important main characters that are neither mothers, nor witches, nor wives.This paper explores the archetypes of the Virgin, the Mother, and the Whore, and how Garcia Marquez applied and bent these traditional female roles in his classic Cien Anos de Soledad (1967). This paper also explores how Garcia Marquez’s novel laid the ground...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Virgins, Mothers, and Whores: Female Archetypes in Gabriel García Márquez's \"Cien Años de Soledad\" (1967) and Isabel Allende's \"La Casa de los Espíritus\" (1982)","attachmentId":79315405,"attachmentType":"pdf","work_url":"https://www.academia.edu/69080217/Virgins_Mothers_and_Whores_Female_Archetypes_in_Gabriel_Garc%C3%ADa_M%C3%A1rquezs_Cien_A%C3%B1os_de_Soledad_1967_and_Isabel_Allendes_La_Casa_de_los_Esp%C3%ADritus_1982_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/69080217/Virgins_Mothers_and_Whores_Female_Archetypes_in_Gabriel_Garc%C3%ADa_M%C3%A1rquezs_Cien_A%C3%B1os_de_Soledad_1967_and_Isabel_Allendes_La_Casa_de_los_Esp%C3%ADritus_1982_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="12306819" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/12306819/Katarzyna_Moszczy%C5%84ska_D%C3%BCrst_2014_The_symbolic_value_of_the_female_body_in_contemporary_Spanish_women_s_novel_and_literary_field_En_Mar%C3%ADa_Victoria_Carrillo_Dur%C3%A1n_M%C3%B3nica_Jim%C3%A9nez_Morales_Mar%C3%ADa_F_S%C3%A1nchez_Hern%C3%A1ndez_eds_Communication_and_Body_Image_M%C3%A9xico_Pearson_207_225">Katarzyna Moszczyńska-Dürst (2014) “The symbolic value of the female body in contemporary Spanish women´s novel and literary field”. En: María Victoria Carrillo Durán, Mónica Jiménez Morales, María F. Sánchez Hernández (eds.) Communication and Body Image. México, Pearson: 207-225.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="30929450" href="https://uw.academia.edu/KatarzynaMoszczy%C5%84skaD%C3%BCrst">Katarzyna Moszczyńska-Dürst</a></div><p class="ds-related-work--abstract ds2-5-body-sm">T his article analyzes the role which inscriptions and images of the female body play in the contemporary Spanish narrative as well as in the Spanish literary field. Parting from theoretical concepts of Judith Butler and Pierre Bourdieu, it focuses on the discursive strategies adopted in Franco's Spain with respect to the female body and woman's role in the society. Further on, it analyzes the socio-discursive differences which were brought by the Spanish transition period and the democratic regime. The study of the narrative and the literary field shows that the body cult and body obsessions promoted by the consumer culture gradually replace the conservative Francoist ideology, codified in the concept of "the angel of the house" as the "essence of natural womanhood", whereas the body politics becomes a new means of oppression and sociopolitical exclusion of women.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Katarzyna Moszczyńska-Dürst (2014) “The symbolic value of the female body in contemporary Spanish women´s novel and literary field”. En: María Victoria Carrillo Durán, Mónica Jiménez Morales, María F. Sánchez Hernández (eds.) Communication and Body Image. México, Pearson: 207-225.","attachmentId":37588147,"attachmentType":"pdf","work_url":"https://www.academia.edu/12306819/Katarzyna_Moszczy%C5%84ska_D%C3%BCrst_2014_The_symbolic_value_of_the_female_body_in_contemporary_Spanish_women_s_novel_and_literary_field_En_Mar%C3%ADa_Victoria_Carrillo_Dur%C3%A1n_M%C3%B3nica_Jim%C3%A9nez_Morales_Mar%C3%ADa_F_S%C3%A1nchez_Hern%C3%A1ndez_eds_Communication_and_Body_Image_M%C3%A9xico_Pearson_207_225","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/12306819/Katarzyna_Moszczy%C5%84ska_D%C3%BCrst_2014_The_symbolic_value_of_the_female_body_in_contemporary_Spanish_women_s_novel_and_literary_field_En_Mar%C3%ADa_Victoria_Carrillo_Dur%C3%A1n_M%C3%B3nica_Jim%C3%A9nez_Morales_Mar%C3%ADa_F_S%C3%A1nchez_Hern%C3%A1ndez_eds_Communication_and_Body_Image_M%C3%A9xico_Pearson_207_225"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="54468462" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/54468462/Reading_Feminist_Re_reading_Orqu%C3%ADdeas_a_la_luz_de_la_luna_and_La_revoluci%C3%B3n">Reading Feminist: Re-reading Orquídeas a la luz de la luna and La revolución</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="33855281" href="https://independent.academia.edu/kirstennigro">kirsten nigro</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Inti Revista De Literatura Hispanica, 1994</p><p class="ds-related-work--abstract ds2-5-body-sm">Recently I had the good fortune to see the performance of Vicente Leñero's La noche de Hernán Cortés, a play that has caused a mixture of admiration and horror among theatregoers, but even more so the staging of it by Luis de Tavira, the enfant terrible of Mexican directors. 1 A dazzling postmodern spectacle in all senses, de Tavira's text, following its lead from Leñero's, is a rewriting of traditional historical and theatrical discourse. That is, until it comes to La Malinche, and here, neither playwright nor director seems able to overcome, to deconstruct or to restructure the patriarchal semiotic that weighs so heavily on her person. She remains forever "la chingada," as Cortés takes her from behind, and then casts her aside, in a brief but very vivid and disturbing scene. I note this as a way of entering one of the topics that concerns me herethat of resistance; resistance to the rewriting of discourse about women, and resistance as a feminist strategy for that very rewriting. But I want to emphasize not only writing, but also "reading"-the need to retrain the cultural "eye" to see, to take in texts from a critical perspective. In the case of the Leñero/de Tavira Malinche, for example, it was largely the women I spoke with who were bothered by her. Most of the men, however sensitive or sympathetic, seemed perplexed; and de Tavira himself has argued that he was only being "realistic," for La Malinche is still "la chingada" for most Mexicans. 2 And this in a performance that works very hard to thoroughly deconstruct all other Mexican cultural myths. To understand the importance of "seeing" differently, one has only to compare this Malinche, with Rosario Castellanos's in El eterno femenino or Sabina Berman's in Aguila o sol. 3 But in the theatre, seeing is also a product of encoding; that is, of what is</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Reading Feminist: Re-reading Orquídeas a la luz de la luna and La revolución","attachmentId":70816533,"attachmentType":"pdf","work_url":"https://www.academia.edu/54468462/Reading_Feminist_Re_reading_Orqu%C3%ADdeas_a_la_luz_de_la_luna_and_La_revoluci%C3%B3n","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/54468462/Reading_Feminist_Re_reading_Orqu%C3%ADdeas_a_la_luz_de_la_luna_and_La_revoluci%C3%B3n"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="17231610" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/17231610/_De_Forming_Woman_Images_of_Feminine_Political_Subjectivity_in_Latin_American_Literature_from_Disappearance_to_Femicide">(De)Forming Woman: Images of Feminine Political Subjectivity in Latin American Literature, from Disappearance to Femicide</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="943929" href="https://independentresearcher.academia.edu/MichaelMartinezRaguso">Michael Martinez-Raguso</a></div><p class="ds-related-work--abstract ds2-5-body-sm">The question at the root of this study is why the political formation of state power in Latin America always seems to be accompanied by violence against women. Two threads run throughout: an analysis of the relation between image, violence, and subject formation; and the application of this theory to the political violence exerted upon feminine subjectivity in relation to state formation in Latin America. I trace the marginalization of women through experimental dictatorial fiction of the Southern Cone up to the crisis of femicide that has emerged alongside the so-called narco-state in Mexico in the wake of NAFTA. I argue that Latin American feminist thought has sought to articulate itself as a post-hegemonic force of interruption from within the dominant order, a project that is problematized in the face of the perverse seriality of the femicide crimes and the intolerable yet enigmatic power of which they become a forced representation. The first chapter stages a close reading of Salvador Elizondo’s Farabeuf (1965), locating in the novel’s engagement with a photograph of the Chinese Leng Tch’é execution a theory of the relation between cut, image, and the female body that understands the subtraction of the feminine as the foundation of the political. The second chapter turns to the structure of dictatorial violence in Argentina, looking at Alejandra Pizarnik’s La condesa sangrienta (1965) and Luisa Valenzuela’s “Cambio de armas” (1982) alongside the Argentine Revolution and the Dirty War, respectively. Pizarnik’s meditation on Elizabeth Bathory’s crimes highlights both the fetishization of the subversive body and the inevitable failure of sovereign power to designate itself. Valenzuela’s fragmentary story deconstructs the notion of erasure at the heart of the regime’s use of forced disappearance by staging a perverse sexual relation within an environment of domestic confinement. The third chapter examines Diamela Eltit’s critique of neoliberalism during the Pinochet regime in Chile through her cinematographic novel Lumpérica (1983) before following this economic trail northward to the femicide crisis that has ravaged the Mexican-U.S. border since 1993. I demonstrate that both oppressive power structures—official and unofficial—are founded on the fusion of economic and gender violence. A reading of Roberto Bolaño’s 2666 through the notion of the exquisite corpse situates this urgent crisis in relation to globalization and the postmodern world of images, technology, efficiency, and instantaneity for which it becomes a disturbing emblem.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"(De)Forming Woman: Images of Feminine Political Subjectivity in Latin American Literature, from Disappearance to Femicide","attachmentId":39394977,"attachmentType":"pdf","work_url":"https://www.academia.edu/17231610/_De_Forming_Woman_Images_of_Feminine_Political_Subjectivity_in_Latin_American_Literature_from_Disappearance_to_Femicide","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/17231610/_De_Forming_Woman_Images_of_Feminine_Political_Subjectivity_in_Latin_American_Literature_from_Disappearance_to_Femicide"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="15330114" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/15330114/Disrupting_Nineteenth_Century_Dichotomies_of_Gender_Reading_and_Imagination_in_Emilia_Pardo_Baz%C3%A1n_s_La_madre_Naturaleza">Disrupting Nineteenth-Century Dichotomies of Gender: Reading and Imagination in Emilia Pardo Bazán’s La madre Naturaleza</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="34441968" href="https://baylor.academia.edu/GabrielleMiller">Gabrielle Miller</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Hispanic Review, 2015</p><p class="ds-related-work--abstract ds2-5-body-sm">This essay contends that Emilia Pardo Bazán’s novel La madre Naturaleza (1887) reflects the author’s fundamental preoccupation with the state of women’s education in Spain. I argue that the narrative portrayal of the novel’s central character, Gabriel Pardo de la Lage, unravels nineteenth-century gendered assumptions of what—or who—constitutes an ideal reader. Despite his extensive rational education, Gabriel Pardo possesses an overactive imagination that, when read in conjunction with contemporary social commentaries of women’s education, emasculates the artilleryman. The novel demonstrates that neither reason nor imagination is indelibly linked to gender, thus problematizing nineteenth-century discourses precluding women from male-coded rational education, or instrucción.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Disrupting Nineteenth-Century Dichotomies of Gender: Reading and Imagination in Emilia Pardo Bazán’s La madre Naturaleza","attachmentId":64432358,"attachmentType":"pdf","work_url":"https://www.academia.edu/15330114/Disrupting_Nineteenth_Century_Dichotomies_of_Gender_Reading_and_Imagination_in_Emilia_Pardo_Baz%C3%A1n_s_La_madre_Naturaleza","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/15330114/Disrupting_Nineteenth_Century_Dichotomies_of_Gender_Reading_and_Imagination_in_Emilia_Pardo_Baz%C3%A1n_s_La_madre_Naturaleza"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="33277258" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/33277258/Gender_and_the_Politics_of_Literature_Gertrudis_G%C3%B3mez_de_Avellaneda_Co_edited_with_Mar%C3%ADa_C_Albin_and_Megan_Corbin">Gender and the Politics of Literature: Gertrudis Gómez de Avellaneda. Co-edited with María C. Albin and Megan Corbin.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="896066" href="https://umn.academia.edu/RaulMarreroFente">Raúl Marrero-Fente</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Gender and the Politics of Literature: Gertrudis Gómez de Avellaneda. Co-edited with María C. Albin and Megan Corbin.","attachmentId":53345466,"attachmentType":"pdf","work_url":"https://www.academia.edu/33277258/Gender_and_the_Politics_of_Literature_Gertrudis_G%C3%B3mez_de_Avellaneda_Co_edited_with_Mar%C3%ADa_C_Albin_and_Megan_Corbin","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/33277258/Gender_and_the_Politics_of_Literature_Gertrudis_G%C3%B3mez_de_Avellaneda_Co_edited_with_Mar%C3%ADa_C_Albin_and_Megan_Corbin"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="102947363" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/102947363/From_Havana_to_C%C3%A1diz_in_the_Imaginary_of_Women_Writers_of_the_Last_Decades">From Havana to Cádiz in the Imaginary of Women Writers of the Last Decades</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="175926855" href="https://independent.academia.edu/BEGO%C3%91AHERREROBERNAL">BEGOÑA HERRERO BERNAL</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Literature</p><p class="ds-related-work--abstract ds2-5-body-sm">In this essay, we intend to demonstrate how the cities of Havana and Cádiz became mutable literary subjects that accompany the female characters of the narratives of female writers of the past decades from Havana (Anna Lidia Vega Serova, Ena Lucía Portela, and Mylene Fernández Pintado) and Cádiz (Ana Rossetti and Pilar Paz Pasamar). The ironic and delusional visions of a ruined life due to the special period, economic crisis, and political xenophobia in Cádiz will be illustrated by Cuban-Spanish mapping of the analyzed authors’ works. Our hypothesis stems from the idea that there is a clear relation between the representation of the city and political, cultural, and patriarchal transgression that is quoted in these texts (Bataille), which relates to the experience of scarcity/poverty lived on both sides of the Atlantic Ocean. Our bibliographic search has focused on the literary expression of the experience of these cities from the point of view of female writers and protagonists. We...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"From Havana to Cádiz in the Imaginary of Women Writers of the Last Decades","attachmentId":103084298,"attachmentType":"pdf","work_url":"https://www.academia.edu/102947363/From_Havana_to_C%C3%A1diz_in_the_Imaginary_of_Women_Writers_of_the_Last_Decades","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/102947363/From_Havana_to_C%C3%A1diz_in_the_Imaginary_of_Women_Writers_of_the_Last_Decades"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="80498201" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/80498201/Rosario_Orrego_Casta%C3%B1eda_1831_4_1879_and_the_Proto_Feminist_Writing_Scene">Rosario Orrego Castañeda (1831/4-1879) and the Proto-Feminist Writing Scene</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="28809598" href="https://ucsd.academia.edu/CarolArcos">Carol Arcos</a></div><p class="ds-related-work--metadata ds2-5-body-xs">A History of Chilean Literature. Edited by Ignacio López-Calvo. England: Cambridge University Press. , 2021</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Rosario Orrego Castañeda (1831/4-1879) and the Proto-Feminist Writing Scene","attachmentId":110085970,"attachmentType":"pdf","work_url":"https://www.academia.edu/80498201/Rosario_Orrego_Casta%C3%B1eda_1831_4_1879_and_the_Proto_Feminist_Writing_Scene","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/80498201/Rosario_Orrego_Casta%C3%B1eda_1831_4_1879_and_the_Proto_Feminist_Writing_Scene"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="20081258" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/20081258/Introduction_to_Cambridge_History_of_Latin_American_Womens_Literature">Introduction to Cambridge History of Latin American Women's Literature</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1188412" href="https://deerlab.academia.edu/M%C3%B3nicaSzurmuk">Mónica Szurmuk</a></div><p class="ds-related-work--abstract ds2-5-body-sm">The Cambridge History of Latin American Women’s Literature is an essential resource for anyone interested in the development of women’s writing in Latin America. Ambitious in scope, it explores women’s literature from ancient indigenous cultures to the beginning of the twenty-fi rst century. Organized chronologically and written by a host of leading scholars, this History off ers an array of approaches that contribute to current dialogues about translation, literary genres, oral and written cultures, and the complex relationship between literature and the political sphere. Covering subjects from cronistas in colonial Latin America and nation building to feminicide and literature of the indigenous elite, this History traces the development of a literary tradition while remaining grounded in contemporary scholarship. The Cambridge History of Latin American Women’s Literature will not only engage readers in ongoing debates but also serve as a defi nitive reference for years to come.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Introduction to Cambridge History of Latin American Women's Literature","attachmentId":40996127,"attachmentType":"pdf","work_url":"https://www.academia.edu/20081258/Introduction_to_Cambridge_History_of_Latin_American_Womens_Literature","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/20081258/Introduction_to_Cambridge_History_of_Latin_American_Womens_Literature"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="13191284" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/13191284/The_Economy_of_the_Feminine_in_Emilia_Pardo_Baz%C3%A1ns_Las_medias_rojas">The Economy of the Feminine in Emilia Pardo Bazán's "Las medias rojas</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="32449353" href="https://csulb.academia.edu/BonnieGasior">Bonnie Gasior</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Hispania, 2007</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Economy of the Feminine in Emilia Pardo Bazán's \"Las medias rojas","attachmentId":41648061,"attachmentType":"pdf","work_url":"https://www.academia.edu/13191284/The_Economy_of_the_Feminine_in_Emilia_Pardo_Baz%C3%A1ns_Las_medias_rojas","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/13191284/The_Economy_of_the_Feminine_in_Emilia_Pardo_Baz%C3%A1ns_Las_medias_rojas"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":37919290,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":37919290,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_37919290" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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Today","attachmentId":113054535,"attachmentType":"pdf","work_url":"https://www.academia.edu/117108999/Process_Identity_and_Learning_to_Read_Female_Writing_and_Feminist_Criticism_in_Latin_America_Today","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/117108999/Process_Identity_and_Learning_to_Read_Female_Writing_and_Feminist_Criticism_in_Latin_America_Today"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="2" data-entity-id="35180900" data-sort-order="default"><a class="ds-related-work--title 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