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{"work":{"id":28980238,"created_at":"2016-10-07T04:55:44.582-07:00","from_world_paper_id":null,"updated_at":"2021-01-17T19:33:44.783-08:00","_data":{"abstract":"Titian depicted several portraits of the Sultan, his wife and daughter, but few paintings survive. All the sources are investigated in order to understand the historical contest and the attribution of the paintings avalable today in some public and private collections."},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"it","title":"Tiziano e il Gran Turco, \"Studi Veneziani\", LXXII, 2015","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [36346929]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":49424608,"attachmentType":"pdf"}"><img alt="First page of “Tiziano e il Gran Turco, "Studi Veneziani", LXXII, 2015”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/49424608/mini_magick20190131-1926-1l1fkni.png?1548975099" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Tiziano e il Gran Turco, "Studi Veneziani", LXXII, 2015</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="36346929" href="https://independent.academia.edu/ANDREADONATI6"><img alt="Profile image of ANDREA DONATI" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/36346929/10510787/12070109/s65_andrea.donati.jpg" />ANDREA DONATI</a></div><div class="ds-work-card--detail"><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">24 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 28980238; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=28980238"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Titian depicted several portraits of the Sultan, his wife and daughter, but few paintings survive. All the sources are investigated in order to understand the historical contest and the attribution of the paintings avalable today in some public and private collections.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":49424608,"attachmentType":"pdf","workUrl":"https://www.academia.edu/28980238/Tiziano_e_il_Gran_Turco_Studi_Veneziani_LXXII_2015"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":49424608,"attachmentType":"pdf","workUrl":"https://www.academia.edu/28980238/Tiziano_e_il_Gran_Turco_Studi_Veneziani_LXXII_2015"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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Aikema (a cura di), 2013</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="15890452" href="https://epfl.academia.edu/IsabellaDiLenardo">Isabella di Lenardo</a></div><p class="ds-related-work--abstract ds2-5-body-sm">re ma, soprattutto, ripercorrere attendibilmente i contesti legati al suo esordio veneziano e le ragioni del suo successo. nel caso di Tiziano i documenti, spesso, si inseriscono in raggiunti 1 e dell'unicità della sua arte celebrata a dovere. In questo senso l'attestazione 2 ma, semmai, l'esito conclusivo di un lungo processo di costruzione mitologica della propria 3 . È proprio il silenzio di documenti più circostanziati durante il primo decennio del Cinquecento che possano documentarne, anche indirettamente, l'attività, che lascia ancora più in sospeso una collocazione della nascita precedente al 1490 e che, rende problematico ipotizzare l'evolversi del suo alunnato: prima accanto a Sebastiano zuccato, mosaicista, padre di Valerio e Francesco 4 , e poi in rapida ascesa, inserito nella bottega belliniana, lasciando "quel goffo Gentile" 5 che lo "trasse e affettuosamente gl'insegnò i veri lumi dell'arte" 6 .</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Sulle tracce di Tiziano (1504-1515), in Tiziano, Venezia e il papa Borgia, cat. exh, B. Aikema (a cura di), 2013","attachmentId":34589421,"attachmentType":"pdf","work_url":"https://www.academia.edu/8149925/Sulle_tracce_di_Tiziano_1504_1515_in_Tiziano_Venezia_e_il_papa_Borgia_cat_exh_B_Aikema_a_cura_di_2013","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/8149925/Sulle_tracce_di_Tiziano_1504_1515_in_Tiziano_Venezia_e_il_papa_Borgia_cat_exh_B_Aikema_a_cura_di_2013"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="88025128" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/88025128/Tiziano_e_Francesco_Vecellio_in_La_Pontificia_Basilica_di_SantAntonio_a_cura_di_L_Bertazzo_G_Zampieri_2_voll_Roma_LErma_di_Bretschneider_2021_II_pp_1255_1304">Tiziano e Francesco Vecellio, in "La Pontificia Basilica di Sant'Antonio", a cura di L. Bertazzo, G. Zampieri, 2 voll., Roma, "L'Erma di Bretschneider", 2021, II, pp. 1255-1304.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2671340" href="https://talentgate.academia.edu/SarahFerrari">Sarah Ferrari</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Ove non specificatamente indicato, le foto sono di Andrea e Giuliano Ghiraldini La foto aerea della Basilica in sovracopertina è di Michele Parisi</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tiziano e Francesco Vecellio, in \"La Pontificia Basilica di Sant'Antonio\", a cura di L. Bertazzo, G. Zampieri, 2 voll., Roma, \"L'Erma di Bretschneider\", 2021, II, pp. 1255-1304.","attachmentId":111210858,"attachmentType":"pdf","work_url":"https://www.academia.edu/88025128/Tiziano_e_Francesco_Vecellio_in_La_Pontificia_Basilica_di_SantAntonio_a_cura_di_L_Bertazzo_G_Zampieri_2_voll_Roma_LErma_di_Bretschneider_2021_II_pp_1255_1304","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/88025128/Tiziano_e_Francesco_Vecellio_in_La_Pontificia_Basilica_di_SantAntonio_a_cura_di_L_Bertazzo_G_Zampieri_2_voll_Roma_LErma_di_Bretschneider_2021_II_pp_1255_1304"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="17727751" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/17727751/Tiziano_e_il_ritratto_di_Paolo_III">Tiziano e il ritratto di Paolo III</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="36346929" href="https://independent.academia.edu/ANDREADONATI6">ANDREA DONATI</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Titian made the first portrait of Paul III in 1543, during the meeting of the Pope and the Emperor Charles V. It had a great success. So Titian was immediately requested for replicas. This paper makes the history of the portrait and the philological point on the original versions and the copies.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tiziano e il ritratto di Paolo III","attachmentId":39676704,"attachmentType":"pdf","work_url":"https://www.academia.edu/17727751/Tiziano_e_il_ritratto_di_Paolo_III","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/17727751/Tiziano_e_il_ritratto_di_Paolo_III"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="19783882" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/19783882/Il_rapporto_Tiziano_Cesare_Vecellio_negli_studi_recenti_I_Dolomiti_XXXV_2012_5_pp_21_28">Il rapporto Tiziano - Cesare Vecellio negli studi recenti (I), «Dolomiti», XXXV (2012), 5, pp. 21-28.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="39682011" href="https://independent.academia.edu/GiorgioReolon">Giorgio Reolon</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Il rapporto Tiziano - Cesare Vecellio negli studi recenti (I), «Dolomiti», XXXV (2012), 5, pp. 21-28.","attachmentId":60933102,"attachmentType":"pdf","work_url":"https://www.academia.edu/19783882/Il_rapporto_Tiziano_Cesare_Vecellio_negli_studi_recenti_I_Dolomiti_XXXV_2012_5_pp_21_28","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/19783882/Il_rapporto_Tiziano_Cesare_Vecellio_negli_studi_recenti_I_Dolomiti_XXXV_2012_5_pp_21_28"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="61952696" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/61952696/TOCCHINI_G_Minacciare_con_le_immagini_Tintoretto_gli_affreschi_scomparsi_della_Casa_Barbariga_e_la_svolta_ideologica_del_patriziato_veneziano_Roma_Edizioni_di_Storia_e_Letteratura_2010_Introduzione_e_cap_3_Il_patriziato_la_terra_lordine_il_comando_">TOCCHINI G., Minacciare con le immagini. Tintoretto: gli affreschi scomparsi della «Casa Barbariga» e la svolta ideologica del patriziato veneziano , Roma, Edizioni di Storia e Letteratura, 2010: Introduzione e cap. 3 (Il patriziato: la terra, l'ordine, il comando)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="30897265" href="https://unive.academia.edu/GerardoTocchini">Gerardo Tocchini</a></div><p class="ds-related-work--metadata ds2-5-body-xs">TOCCHINI G., Minacciare con le immagini. Tintoretto: gli affreschi scomparsi della «Casa Barbariga» e la svolta ideologica del patriziato veneziano , Roma, Edizioni di Storia e Letteratura, 2010, pp. xi-xvi e 39-64, 2010</p><p class="ds-related-work--abstract ds2-5-body-sm">Lo studio è volto a ricostruire e capire un ciclo pittorico ormai irrimediabilmente consumato dal tempo, ridotto a una muta larva su una vecchia foto, a esili ombre graffite sulla facciata della veneziana "Casa" dei Barbarigo di San Trovaso, incapace ormai di restituire una pur minima traccia degli squillanti colori dei quali l'aveva ornata, a metà Cinquecento, il genio di Iacopo Tintoretto. Ombre tuttavia sufficienti per avviare una raccolta di indizi e poi di prove sul loro contenuto figurativo, per ricostruirne la struttura e l'iconografia, per coglierne il significato iconologico, per dare ad esse un senso nel quadro delle esigenze di autorappresentazione e delle ambizioni del committente. Un gioco di pazienza che servirà a riportare alla luce i perduti affreschi di palazzo Barbarigo: non certo nella loro dimensione estetica e visiva, perduta ormai per sempre, ma nei messaggi ideologici che ad essi erano stati affidati; non per quello che erano, insomma, ma per quello che volevano essere. Un documento per capire non tanto l'unicità dell'estro di Tintoretto quanto la storia di Venezia</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"TOCCHINI G., Minacciare con le immagini. Tintoretto: gli affreschi scomparsi della «Casa Barbariga» e la svolta ideologica del patriziato veneziano , Roma, Edizioni di Storia e Letteratura, 2010: Introduzione e cap. 3 (Il patriziato: la terra, l'ordine, il comando)","attachmentId":74851501,"attachmentType":"pdf","work_url":"https://www.academia.edu/61952696/TOCCHINI_G_Minacciare_con_le_immagini_Tintoretto_gli_affreschi_scomparsi_della_Casa_Barbariga_e_la_svolta_ideologica_del_patriziato_veneziano_Roma_Edizioni_di_Storia_e_Letteratura_2010_Introduzione_e_cap_3_Il_patriziato_la_terra_lordine_il_comando_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/61952696/TOCCHINI_G_Minacciare_con_le_immagini_Tintoretto_gli_affreschi_scomparsi_della_Casa_Barbariga_e_la_svolta_ideologica_del_patriziato_veneziano_Roma_Edizioni_di_Storia_e_Letteratura_2010_Introduzione_e_cap_3_Il_patriziato_la_terra_lordine_il_comando_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="37713194" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/37713194/Asterisco_in_margine_al_Demio_milanese_in_Giovanni_Demio_e_la_maniera_moderna_tra_Tiziano_e_Tintoretto_catalogo_della_mostra_Schio_Palazzo_Fogazzaro_31_ottobre_2018_31_marzo_2019_a_cura_di_V_Sgarbi_e_P_Di_Natale_Laurenzana_PZ_2018_pp_45_55">Asterisco in margine al Demio milanese, in Giovanni Demio e la maniera moderna tra Tiziano e Tintoretto, catalogo della mostra (Schio, Palazzo Fogazzaro, 31 ottobre 2018 – 31 marzo 2019), a cura di V. Sgarbi e P. Di Natale, Laurenzana (PZ) 2018, pp. 45-55.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4364194" href="https://unisalento.academia.edu/MarcoTanzi">Marco Tanzi</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Pagina a lato: Giovanni Demio, Incontro di Cristo con la Maddalena (particolare), 1541-1544 circa, Milano, Santa Maria delle Grazie, cappella Sauli.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Asterisco in margine al Demio milanese, in Giovanni Demio e la maniera moderna tra Tiziano e Tintoretto, catalogo della mostra (Schio, Palazzo Fogazzaro, 31 ottobre 2018 – 31 marzo 2019), a cura di V. Sgarbi e P. Di Natale, Laurenzana (PZ) 2018, pp. 45-55.","attachmentId":57705515,"attachmentType":"pdf","work_url":"https://www.academia.edu/37713194/Asterisco_in_margine_al_Demio_milanese_in_Giovanni_Demio_e_la_maniera_moderna_tra_Tiziano_e_Tintoretto_catalogo_della_mostra_Schio_Palazzo_Fogazzaro_31_ottobre_2018_31_marzo_2019_a_cura_di_V_Sgarbi_e_P_Di_Natale_Laurenzana_PZ_2018_pp_45_55","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/37713194/Asterisco_in_margine_al_Demio_milanese_in_Giovanni_Demio_e_la_maniera_moderna_tra_Tiziano_e_Tintoretto_catalogo_della_mostra_Schio_Palazzo_Fogazzaro_31_ottobre_2018_31_marzo_2019_a_cura_di_V_Sgarbi_e_P_Di_Natale_Laurenzana_PZ_2018_pp_45_55"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="19783888" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/19783888/Il_rapporto_Tiziano_Cesare_Vecellio_negli_studi_recenti_II_Dolomiti_XXXV_2012_6_pp_35_41">Il rapporto Tiziano - Cesare Vecellio negli studi recenti (II), «Dolomiti», XXXV (2012), 6, pp. 35-41.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="39682011" href="https://independent.academia.edu/GiorgioReolon">Giorgio Reolon</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Cesare Vecellio viene ricordato spesso per alcune opere in cui si vede chiaramente il debito da composizioni tizianesche, per la presenza di evidenti (e a volte meccaniche) citazioni. Questo è stato visto come un segnale di stretta dipendenza da modelli del maestro, che a volte scade nella riproposizione fiacca e indebolita (in tal caso assegnate a una collaborazione con la sua bottega), e ancora un segnale di una conoscenza diretta delle opere di Tiziano da parte di Cesare, interpretato come prova della sua partecipazione all'interno dello staff tizianesco. Giorgio Tagliaferro, al contrario, ha avanzato la proposta che alla base della riproposizione di tali composizioni ci sia la presenza di materiale proveniente dalla bottega di Tiziano e in qualche modo giunto a Cesare. Ma bisogna vedere, si interroga lo studioso, come Cesare ne sia entrato in possesso e se tale riutilizzo sia indice di una sua precedente partecipazione. Questi recuperi sono «fin troppo meccanici nella loro eccessiva vistosità, contraddetti da una maniera che di tizianesco ha ben poco, più consoni all'attitudine dell'incisore che arricchisce le proprie composizioni attingendo a modelli altrui» 1 . Alessandra Cusinato, parlando dei dipinti di Cesare, afferma che egli ha guardato a un solo modello, quello ritenuto perfetto, interpretando la volontà di coloro che volevano adeguarsi alla cultura della Dominante 2 . E uno di questi modelli è proprio Tiziano. All'origine dell'imitazione e della volontà di rifarsi ad un unico modello, sempre secondo la studiosa, ci sono sia il diffondersi della cultura veneziana in terra cadorina, sia i mutamenti economici, sia il profondo cambiamento avvenuto all'interno della Chiesa nella seconda metà del Cinquecento 3 .</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Il rapporto Tiziano - Cesare Vecellio negli studi recenti (II), «Dolomiti», XXXV (2012), 6, pp. 35-41.","attachmentId":60924376,"attachmentType":"pdf","work_url":"https://www.academia.edu/19783888/Il_rapporto_Tiziano_Cesare_Vecellio_negli_studi_recenti_II_Dolomiti_XXXV_2012_6_pp_35_41","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/19783888/Il_rapporto_Tiziano_Cesare_Vecellio_negli_studi_recenti_II_Dolomiti_XXXV_2012_6_pp_35_41"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="66531507" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/66531507/Tiziano_e_la_duplice_metamorfosi_di_Callisto_Il_punctum_attorno_a_cui_ruota_loriginale_in_Venezia_Arti_nuova_serie_3_vol_30_dicembre_2021_pp_41_58">Tiziano e la duplice metamorfosi di Callisto. Il "punctum" attorno a cui ruota l'originale, in "Venezia Arti", nuova serie 3, vol. 30, dicembre 2021, pp. 41-58.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2589557" href="https://unisr.academia.edu/AlessandroRossi">Alessandro Rossi</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Abstract A careful examination of Diana and Callisto, painted by Titian (London, National Gallery and Edinburgh, National Galleries of Scotland), its copy by Rubens (Knowsley Hall, Earl of Derby) and the version by Titian’s workshop in Vienna (Kunsthistorisches Museum) reveals details hitherto unrecognised by scholars. Although marginal, these take on extraordinary iconographic and communicative value, and it is precisely through these details that Titian evokes the mutations of the nymph Callisto narrated by Ovid in the Metamorphoses (2.401-530). The way in which the details are depicted and coordinated within the composition allows the beholder to experience the ‘graduality of discovery’. This is useful not only for lending the fixed image a temporality similar to that of literary narration (consisting of a ‘before’ and an ‘after’) but above all to induce, within the process of visual-perceptual discovery and its subsequent iconographic comprehension, the sequence of ‘desire-surprise-reward’ theorised by Daniel Arasse with regard to the revelatory power of detail, here applied to the polarity punctum/studium. Keywords Titian. Rubens. Diana and Callisto. Ovid’s Metamorphoses. Details. Copy/original. Punctum/studium. Theory of art. Visual semiotics. Daniel Arasse.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tiziano e la duplice metamorfosi di Callisto. Il \"punctum\" attorno a cui ruota l'originale, in \"Venezia Arti\", nuova serie 3, vol. 30, dicembre 2021, pp. 41-58.","attachmentId":77686422,"attachmentType":"pdf","work_url":"https://www.academia.edu/66531507/Tiziano_e_la_duplice_metamorfosi_di_Callisto_Il_punctum_attorno_a_cui_ruota_loriginale_in_Venezia_Arti_nuova_serie_3_vol_30_dicembre_2021_pp_41_58","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/66531507/Tiziano_e_la_duplice_metamorfosi_di_Callisto_Il_punctum_attorno_a_cui_ruota_loriginale_in_Venezia_Arti_nuova_serie_3_vol_30_dicembre_2021_pp_41_58"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="29784455" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/29784455/Marco_Mantova_Benavides_Tiziano_e_un_ritratto_a_Konopi%C5%A1t%C4%9B_in_Paragone_LXVI_terza_serie_n_123_124_787_789_Settembre_Novembre_2015_pp_76_84_tavv_68_75">Marco Mantova Benavides, Tiziano e un ritratto a Konopiště, in “Paragone”, LXVI, terza serie, n. 123-124 (787-789) Settembre-Novembre 2015, pp. 76-84, tavv. 68-75</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="25336749" href="https://univr.academia.edu/EnricoMariaDalPozzolo">Enrico Maria Dal Pozzolo</a></div><p class="ds-related-work--abstract ds2-5-body-sm">www.paragone.it Alpi Lito, Firenze Finito di stampare nel mese di Novembre 2015</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Marco Mantova Benavides, Tiziano e un ritratto a Konopiště, in “Paragone”, LXVI, terza serie, n. 123-124 (787-789) Settembre-Novembre 2015, pp. 76-84, tavv. 68-75","attachmentId":50237947,"attachmentType":"pdf","work_url":"https://www.academia.edu/29784455/Marco_Mantova_Benavides_Tiziano_e_un_ritratto_a_Konopi%C5%A1t%C4%9B_in_Paragone_LXVI_terza_serie_n_123_124_787_789_Settembre_Novembre_2015_pp_76_84_tavv_68_75","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/29784455/Marco_Mantova_Benavides_Tiziano_e_un_ritratto_a_Konopi%C5%A1t%C4%9B_in_Paragone_LXVI_terza_serie_n_123_124_787_789_Settembre_Novembre_2015_pp_76_84_tavv_68_75"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="50318160" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/50318160/Tiziano_alla_mano_Studi_tizianeschi_2019_2020">Tiziano alla mano. Studi tizianeschi 2019-2020</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="11705593" href="https://beniculturali.academia.edu/MicheleDiMonte">Michele Di Monte</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Studi Tizianeschi, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">The text discusses a selection of essays, published in the last two years, focused on the materiality of Titian's painting, his touch, and the relationship between manner and matter of painting.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tiziano alla mano. Studi tizianeschi 2019-2020","attachmentId":68350164,"attachmentType":"pdf","work_url":"https://www.academia.edu/50318160/Tiziano_alla_mano_Studi_tizianeschi_2019_2020","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/50318160/Tiziano_alla_mano_Studi_tizianeschi_2019_2020"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":49424608,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":49424608,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_49424608" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="12191131" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/12191131/E_M_Dal_Pozzolo_L_Ultima_Cena_di_Tiziano_e_altri_dipinti_veneti_del_Cinquecento_nella_collezione_d_Alba_a_Madrid_in_Studi_Tizianeschi_V_2007_pp_112_137">E.M. 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Dal Pozzolo, L’Ultima Cena di Tiziano e altri dipinti veneti del Cinquecento nella collezione d’Alba a Madrid, in “Studi Tizianeschi”, V, 2007, pp. 112-137","attachmentId":37483781,"attachmentType":"pdf","work_url":"https://www.academia.edu/12191131/E_M_Dal_Pozzolo_L_Ultima_Cena_di_Tiziano_e_altri_dipinti_veneti_del_Cinquecento_nella_collezione_d_Alba_a_Madrid_in_Studi_Tizianeschi_V_2007_pp_112_137","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/12191131/E_M_Dal_Pozzolo_L_Ultima_Cena_di_Tiziano_e_altri_dipinti_veneti_del_Cinquecento_nella_collezione_d_Alba_a_Madrid_in_Studi_Tizianeschi_V_2007_pp_112_137"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="1" data-entity-id="38384225" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38384225/Tiziano_e_il_corpo_a_corpo_della_pittura_Studi_tizianeschi_2017_2019">Tiziano e il corpo a corpo della pittura. 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Studi tizianeschi 2017-2019","attachmentId":67380487,"attachmentType":"pdf","work_url":"https://www.academia.edu/38384225/Tiziano_e_il_corpo_a_corpo_della_pittura_Studi_tizianeschi_2017_2019","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/38384225/Tiziano_e_il_corpo_a_corpo_della_pittura_Studi_tizianeschi_2017_2019"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="2" data-entity-id="88048968" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/88048968/Una_poesia_di_Tiziano_nell_Ercole_di_Giraldi_Osservazioni_storico_artistiche_a_margine_di_due_ottave">Una "poesia" di Tiziano nell'«Ercole» di Giraldi. Osservazioni storico-artistiche a margine di due ottave</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="230493078" href="https://independent.academia.edu/GiampaoloChill%C3%A8">Giampaolo Chillè</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2021</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Una \"poesia\" di Tiziano nell'«Ercole» di Giraldi. Osservazioni storico-artistiche a margine di due ottave","attachmentId":92105907,"attachmentType":"pdf","work_url":"https://www.academia.edu/88048968/Una_poesia_di_Tiziano_nell_Ercole_di_Giraldi_Osservazioni_storico_artistiche_a_margine_di_due_ottave","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/88048968/Una_poesia_di_Tiziano_nell_Ercole_di_Giraldi_Osservazioni_storico_artistiche_a_margine_di_due_ottave"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="3" data-entity-id="12525963" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/12525963/Le_botteghe_di_Tiziano_Firenze_Alinari_2009_">Le botteghe di Tiziano (Firenze: Alinari, 2009)</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6328574" href="https://warwick.academia.edu/GiorgioTagliaferro">Giorgio Tagliaferro</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2009</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Le botteghe di Tiziano (Firenze: Alinari, 2009)","attachmentId":49309712,"attachmentType":"pdf","work_url":"https://www.academia.edu/12525963/Le_botteghe_di_Tiziano_Firenze_Alinari_2009_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/12525963/Le_botteghe_di_Tiziano_Firenze_Alinari_2009_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="4" data-entity-id="88024910" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/88024910/Una_fonte_per_i_disegni_di_paesaggi_di_Tiziano_Prime_riflessioni_sui_Lusus_di_Andrea_Navagero_in_Il_Paesaggio_veneto_nel_Rinascimento_europeo_Milano_Officina_Libraria_2019_pp_27_47">Una fonte per i disegni di paesaggi di Tiziano. Prime riflessioni sui 'Lusus' di Andrea Navagero, in "Il Paesaggio veneto nel Rinascimento europeo", Milano, Officina Libraria, 2019, pp. 27-47.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2671340" href="https://talentgate.academia.edu/SarahFerrari">Sarah Ferrari</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Una fonte per i disegni di paesaggi di Tiziano. Prime riflessioni sui 'Lusus' di Andrea Navagero, in \"Il Paesaggio veneto nel Rinascimento europeo\", Milano, Officina Libraria, 2019, pp. 27-47.","attachmentId":111210439,"attachmentType":"pdf","work_url":"https://www.academia.edu/88024910/Una_fonte_per_i_disegni_di_paesaggi_di_Tiziano_Prime_riflessioni_sui_Lusus_di_Andrea_Navagero_in_Il_Paesaggio_veneto_nel_Rinascimento_europeo_Milano_Officina_Libraria_2019_pp_27_47","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/88024910/Una_fonte_per_i_disegni_di_paesaggi_di_Tiziano_Prime_riflessioni_sui_Lusus_di_Andrea_Navagero_in_Il_Paesaggio_veneto_nel_Rinascimento_europeo_Milano_Officina_Libraria_2019_pp_27_47"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="5" data-entity-id="43449470" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/43449470/Tiziano_Veronese_schede_in_Peterzano_Allievo_di_Tiziano_maestro_di_Caravaggio_catalogo_della_mostra_Bergamo_Accademia_Carrara_6_febbraio_17_maggio_2020_a_cura_di_S_Facchinetti_F_Frangi_P_Plebani_M_C_Rodeschini_Milano_2020_pp_92_93_108_111_172_173">Tiziano; Veronese (schede), in Peterzano. Allievo di Tiziano, maestro di Caravaggio, catalogo della mostra (Bergamo, Accademia Carrara, 6 febbraio - 17 maggio 2020), a cura di S. Facchinetti, F. Frangi, P. Plebani, M.C. Rodeschini, Milano 2020, pp. 92-93, 108-111, 172-173.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="37967102" href="https://unipv.academia.edu/ceretti">Francesco Ceretti</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tiziano; Veronese (schede), in Peterzano. Allievo di Tiziano, maestro di Caravaggio, catalogo della mostra (Bergamo, Accademia Carrara, 6 febbraio - 17 maggio 2020), a cura di S. Facchinetti, F. Frangi, P. Plebani, M.C. Rodeschini, Milano 2020, pp. 92-93, 108-111, 172-173.","attachmentId":77293453,"attachmentType":"pdf","work_url":"https://www.academia.edu/43449470/Tiziano_Veronese_schede_in_Peterzano_Allievo_di_Tiziano_maestro_di_Caravaggio_catalogo_della_mostra_Bergamo_Accademia_Carrara_6_febbraio_17_maggio_2020_a_cura_di_S_Facchinetti_F_Frangi_P_Plebani_M_C_Rodeschini_Milano_2020_pp_92_93_108_111_172_173","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/43449470/Tiziano_Veronese_schede_in_Peterzano_Allievo_di_Tiziano_maestro_di_Caravaggio_catalogo_della_mostra_Bergamo_Accademia_Carrara_6_febbraio_17_maggio_2020_a_cura_di_S_Facchinetti_F_Frangi_P_Plebani_M_C_Rodeschini_Milano_2020_pp_92_93_108_111_172_173"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="6" data-entity-id="110725211" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/110725211/_Le_occasioni_del_giovane_Tiziano_tra_Venezia_Ferrara_e_Padova_in_Tiziano_1508_Agli_esordi_di_una_luminosa_carriera_exh_cat_Venice_Gallerie_dellAccademia_9_September_3_December_2023_ed_by_R_Battaglia_S_Ferrari_and_A_Mazzotta_Florence_Mandragora_2023_pp_53_63">"Le occasioni del giovane Tiziano, tra Venezia, Ferrara e Padova", in 'Tiziano 1508. Agli esordi di una luminosa carriera', exh. cat. (Venice, Gallerie dell'Accademia, 9 September-3 December 2023), ed. by R. Battaglia, S. Ferrari and A. Mazzotta, Florence (Mandragora) 2023, pp. 53-63</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="16767183" href="https://unimi.academia.edu/AntonioMazzotta">Antonio Mazzotta</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Le occasioni del giovane Tiziano, tra Venezia, Ferrara e Padova\", in 'Tiziano 1508. Agli esordi di una luminosa carriera', exh. cat. (Venice, Gallerie dell'Accademia, 9 September-3 December 2023), ed. by R. Battaglia, S. Ferrari and A. Mazzotta, Florence (Mandragora) 2023, pp. 53-63","attachmentId":108454012,"attachmentType":"pdf","work_url":"https://www.academia.edu/110725211/_Le_occasioni_del_giovane_Tiziano_tra_Venezia_Ferrara_e_Padova_in_Tiziano_1508_Agli_esordi_di_una_luminosa_carriera_exh_cat_Venice_Gallerie_dellAccademia_9_September_3_December_2023_ed_by_R_Battaglia_S_Ferrari_and_A_Mazzotta_Florence_Mandragora_2023_pp_53_63","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/110725211/_Le_occasioni_del_giovane_Tiziano_tra_Venezia_Ferrara_e_Padova_in_Tiziano_1508_Agli_esordi_di_una_luminosa_carriera_exh_cat_Venice_Gallerie_dellAccademia_9_September_3_December_2023_ed_by_R_Battaglia_S_Ferrari_and_A_Mazzotta_Florence_Mandragora_2023_pp_53_63"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="7" data-entity-id="42800777" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42800777/La_giovinezza_di_Simone_Venetiano_in_Peterzano_Allievo_di_Tiziano_maestro_di_Caravaggio_catalogo_della_mostra_Bergamo_Accademia_Carrara_Milano_2020_pp_21_33">La giovinezza di "Simone Venetiano", in Peterzano. Allievo di Tiziano, maestro di Caravaggio, catalogo della mostra (Bergamo, Accademia Carrara), Milano, 2020, pp. 21-33.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1500146" href="https://univp.academia.edu/PaoloPlebani">Paolo Plebani</a><span>, </span><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="23887777" href="https://unipv.academia.edu/FrancescoFrangi">Francesco Frangi</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La giovinezza di \"Simone Venetiano\", in Peterzano. Allievo di Tiziano, maestro di Caravaggio, catalogo della mostra (Bergamo, Accademia Carrara), Milano, 2020, pp. 21-33.","attachmentId":63029141,"attachmentType":"pdf","work_url":"https://www.academia.edu/42800777/La_giovinezza_di_Simone_Venetiano_in_Peterzano_Allievo_di_Tiziano_maestro_di_Caravaggio_catalogo_della_mostra_Bergamo_Accademia_Carrara_Milano_2020_pp_21_33","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/42800777/La_giovinezza_di_Simone_Venetiano_in_Peterzano_Allievo_di_Tiziano_maestro_di_Caravaggio_catalogo_della_mostra_Bergamo_Accademia_Carrara_Milano_2020_pp_21_33"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="8" data-entity-id="36877001" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/36877001/Leterno_Tiziano">L'eterno Tiziano</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="22966685" href="https://independent.academia.edu/AntonioManno">Antonio Manno</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Studi Veneziani, 2014</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"L'eterno Tiziano","attachmentId":56832006,"attachmentType":"pdf","work_url":"https://www.academia.edu/36877001/Leterno_Tiziano","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/36877001/Leterno_Tiziano"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="9" data-entity-id="20081645" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/20081645/Per_Andrea_Schiavone_pittore_revisioni_e_aggiornamenti_in_Splendori_del_Rinascimento_a_Venezia_Schiavone_tra_Parmigianino_Tintoretto_e_Tiziano_catalogo_della_mostra_Venezia_Museo_Correr_28_11_2015_10_04_2016_a_cura_di_E_M_Dal_Pozzolo_e_L_Puppi_Milano_2015_pp_77_102">Per Andrea Schiavone pittore: revisioni e aggiornamenti, in Splendori del Rinascimento a Venezia: Schiavone tra Parmigianino, Tintoretto e Tiziano, catalogo della mostra (Venezia, Museo Correr, 28/11/2015-10/04/2016), a cura di E.M.Dal Pozzolo e L. Puppi, Milano, 2015, pp. 77-102</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="25336749" href="https://univr.academia.edu/EnricoMariaDalPozzolo">Enrico Maria Dal Pozzolo</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Per Andrea Schiavone pittore: revisioni e aggiornamenti, in Splendori del Rinascimento a Venezia: Schiavone tra Parmigianino, Tintoretto e Tiziano, catalogo della mostra (Venezia, Museo Correr, 28/11/2015-10/04/2016), a cura di E.M.Dal Pozzolo e L. Puppi, Milano, 2015, pp. 77-102","attachmentId":40996292,"attachmentType":"pdf","work_url":"https://www.academia.edu/20081645/Per_Andrea_Schiavone_pittore_revisioni_e_aggiornamenti_in_Splendori_del_Rinascimento_a_Venezia_Schiavone_tra_Parmigianino_Tintoretto_e_Tiziano_catalogo_della_mostra_Venezia_Museo_Correr_28_11_2015_10_04_2016_a_cura_di_E_M_Dal_Pozzolo_e_L_Puppi_Milano_2015_pp_77_102","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/20081645/Per_Andrea_Schiavone_pittore_revisioni_e_aggiornamenti_in_Splendori_del_Rinascimento_a_Venezia_Schiavone_tra_Parmigianino_Tintoretto_e_Tiziano_catalogo_della_mostra_Venezia_Museo_Correr_28_11_2015_10_04_2016_a_cura_di_E_M_Dal_Pozzolo_e_L_Puppi_Milano_2015_pp_77_102"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="10" data-entity-id="5443136" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/5443136/Tiziano_La_Fuga_in_Egitto_e_la_pittura_di_paesaggio">Tiziano. La Fuga in Egitto e la pittura di paesaggio</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="7120300" href="https://uniud.academia.edu/AlessioPasian">Alessio Pasian</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tiziano. La Fuga in Egitto e la pittura di paesaggio","attachmentId":32567557,"attachmentType":"pdf","work_url":"https://www.academia.edu/5443136/Tiziano_La_Fuga_in_Egitto_e_la_pittura_di_paesaggio","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/5443136/Tiziano_La_Fuga_in_Egitto_e_la_pittura_di_paesaggio"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="11" data-entity-id="8183588" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/8183588/Miti_da_non_credere_Tiziano_e_la_poetica_tragica">Miti da non credere. Tiziano e la poetica tragica</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="11705593" href="https://beniculturali.academia.edu/MicheleDiMonte">Michele Di Monte</a></div><p class="ds-related-work--metadata ds2-5-body-xs">"Venezia Cinquecento", XVIII, 36, 2008, pp. 159-176, 2008</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Miti da non credere. 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Zavatta, Alfonso Gonzaga di Novellara committente di Giovanni Paolo Pace, e il tentativo di acquisto di un dipinto di Tiziano tramite il miniatore Antonio Bernieri da Correggio, in STUDI TIZIANESCHI, VIII, 2012</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3860726" href="https://unive.academia.edu/GiulioZavatta">Giulio Zavatta</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"G. 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I Frari Ottocento", a cura di I. Collavizza, E. Catra, V. Pajusco, Treviso 2017, pp. 62-78.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1177940" href="https://uniud.academia.edu/IsabellaCollavizza">Isabella Collavizza</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"...l’inaugurazione del Monumento a Tiziano tra dibattito intellettuale e celebrazione politica\", in \"Canova e Tiziano. I Frari Ottocento\", a cura di I. Collavizza, E. Catra, V. 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