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Calenda - Les pierres de Venise
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<h2>Cat茅gories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=319">XXe si猫cle</a></li> <li><a href="search?primary=fsubject&fsubject=279">Patrimoine</a></li> <li><a href="search?primary=fsubject&fsubject=258">脡tudes urbaines</a></li> <li><a href="search?primary=fsubject&fsubject=228">Histoire</a></li> <li><a href="search?primary=fsubject&fsubject=282">Architecture</a></li> <li><a href="search?primary=fsubject&fsubject=366">Italie</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="984629">Les pierres de Venise</a></h1> <p class="origd">XXVe s茅minaire d鈥檋istoire de l鈥檃rt V茅nitien (2022) </p> </div> <div class="mapuce2">* * *</div> <p id="pubdate"> Publi茅 le mercredi 30 mars 2022 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div class="tabMenu"><a href="#resume-984629-fr" hreflang="fr" class="active">Fran莽ais</a> <a href="#resume-984629-it" hreflang="it">Italiano</a> </div> <div id="resume-984629-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;">Née modestement de la rencontre du sable et de l’eau, Venise a cru虃, en un miracle, jusqu’a虁 devenir au fil du temps « le plus prodigieux événement urbanistique existant sur terre » (Le Corbusier). Cet essaim d’édifices posés en îlots compose aussi un mirage de pierre tant la cite虂 de bâtisseurs s’est heurtée a虁 l’éloignement de toute bonne carrière de pierre, obligeant a虁 recourir a虁 la pierre plutôt en parement sur des structures de briques, et a虁 se tourner naturellement vers le remploi de pierres d’anciens monuments. Étudier les Pierres de Venise (1851), c’est donc revenir sur l’histoire d’un défi constructif et architectural, depuis la quête et l’acheminement des matériaux, des ruines d’Altino aux carrières d’Istrie, et l’organisation des métiers lapidaires (<em>tagiapiera, scultori, terrazzieri</em>), jusqu’a虁 la réalisation des façades, ponts, puits, margelles, escaliers…</p> </div> <div id="resume-984629-it" class="tabContent hidden" lang="it" xml:lang="it"> <p style="text-align: left;">Nata semplicemente dall’incontro di sabbia e acqua, Venezia e虁 cresciuta come in un miracolo fino a diventare nel tempo “il piu虁 prodigioso evento urbanistico esistente sulla terra” (Le Corbusier). Questo brulicare di edifici suddivisi in isolotti costituisce anche un miraggio di pietra in quanto la citta虁 dei costruttori si e虁 dovuta scontrare con la distanza da ogni buona cava di pietra, costringendo a ricorrere alla pietra come rivestimento di strutture in laterizio, e a riutilizzare naturalmente pietre tratte da monumenti antichi. Studiare le Pietre di Venezia (1851) significa dunque ripercorrere la storia di una sfida costruttiva e architettonica, dalla ricerca e trasporto dei materiali, dalle rovine di Altino alle cave d’Istria, e l’organizzazione delle professioni lapidarie (tagiapiera, scultori, terrazzieri), fino alla realizzazione di facciate, ponti, pozzi, vere da pozzo, scale…</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div class="tabMenu"><a href="#annonce-984629-fr" hreflang="fr" class="active">Fran莽ais</a> <a href="#annonce-984629-it" hreflang="it">Italiano</a> </div> <div id="annonce-984629-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;">Venise, du 23 au 29 juin 2022</p> <h1>Argumentaire</h1> <p style="text-align: left;">Née modestement de la rencontre du sable et de l’eau, Venise a cru虃, en un miracle, jusqu’a虁 devenir au fil du temps « le plus prodigieux événement urbanistique existant sur terre » (Le Corbusier). Cet essaim d’édifices posés en îlots compose aussi un mirage de pierre tant la cite虂 de bâtisseurs s’est heurtée a虁 l’éloignement de toute bonne carrière de pierre, obligeant a虁 recourir a虁 la pierre plutôt en parement sur des structures de briques, et a虁 se tourner naturellement vers le remploi de pierres d’anciens monuments. Etudier les Pierres de Venise (1851), c’est donc revenir sur l’histoire d’un défi constructif et architectural, depuis la quête et l’acheminement des matériaux, des ruines d’Altino aux carrières d’Istrie, et l’organisation des métiers lapidaires (tagiapiera, scultori, terrazzieri), jusqu’a虁 la réalisation des façades, ponts, puits, margelles, escaliers… Ce défi est toujours celui actuel de la conservation et restauration et passe nécessairement, comme le rappela la Charte de Venise (1965), par la permanence de l’entretien, faisant de la cite虂 le lieu de réflexion paradigmatique sur le passe虂 et l’avenir du patrimoine bâti. Dans la Sérénissime, John Ruskin vit aussi une « école de l’incrustation », ou虁 la luminosité de la pierre d’Istrie, idiomatique depuis le XIIIe siècle, se conjugue a虁 l’enchantement colore虂 (rosso di Verona, serpentine, jusqu’au terrazzo). Mais, au-delà du décor, des mosaïques de pavement de San Marco, des me虂tamorphoses en e虂pines et tendres floraisons gothiques, les pierres de Venise sont aussi le lieu ou虁 s’inscrit par la sculpture l’histoire de la ville, des chapiteaux du Palais des doges ou des autels des Lombardo aux stèles des grands hommes. De l’histoire matérielle et artistique a虁 l’historiographie, le séminaire s’attachera a虁 comprendre comment les pierres ruskiniennes ont contribué a虁 forger le mythe de Venise, mythe dont l’histoire de la photographie a su saisir, par-delà les clichés, la poésie singulière.</p> <h1>Modalités de candidature</h1> <p style="text-align: left;">Le programme intègre conférences de spécialistes internationaux et visites : il combine histoire de l’architecture, de la sculpture, de la restauration, des techniques, de la photographie, historiographie, histoire sociale…</p> <p style="text-align: left;">Le séminaire s’adresse aux étudiants en histoire de l’art de second et troisième cycles des institutions françaises et étrangères. Il se déroule indifféremment en français et en italien. Le droit d’inscription est de 180 euros.</p> <h3>Les candidatures devront e虃tre soumises en ligne, avant le 21 avril 2022</h3> <p style="text-align: left;"><a href="http://www.ecoledulouvre.fr/international/seminaires-internationaux/venise"> via le formulaire disponible sur le site.</a></p> <h1>Coordination scientifique</h1> <ul> <li>Natacha Pernac, Ecole du Louvre</li> <li>Giovanna Palandri, Istituto Veneto</li> </ul> <h1>Organisation pratique</h1> <ul> <li>Delphine Cayrel, Ecole du Louvre</li> <li>Laura Padoan, Istituto Veneto</li> </ul> <h1>Renseignements</h1> <p style="text-align: left;">E虂cole du Louvre.</p> <p style="text-align: left;">Palais du Louvre. Porte Jaujard. Place du Carrousel. 75001 Paris-Fr</p> <p style="text-align: left;">Te虂le虂phone : +33(0)1.55.35.18.52.</p> <p style="text-align: left;">Me虂l. : international@ecoledulouvre.fr</p> <p style="text-align: left;">Istituto Veneto di Scienze, Lettere ed Arti.</p> <p style="text-align: left;">Palazzo Loredan. Campo Santo Stefano. 2945. I-30124 Venezia</p> <p style="text-align: left;">Telefono : +39.041.240.77.11.</p> <p style="text-align: left;">E-mail : laura.padoan@istitutoveneto.it</p> <p style="text-align: left;">Site internet : <a href="http://www.ecoledulouvre.fr/international/seminaires-internationaux/venise">http://www.ecoledulouvre.fr/international/seminaires-internationaux/venise</a></p> </div> <div id="annonce-984629-it" class="tabContent hidden" lang="it" xml:lang="it"> <p style="text-align: left;">xxve Seminario di storia dell’arte Veneta</p> <p style="text-align: left;">Ecole du Louvre / Istituto Veneto Venezia, dal 23 al 29 giugno 2022</p> <h1><span data-sheets-formula-bar-text-style="font-size:13px;color:#000000;font-weight:normal;text-decoration:none;font-family:'Arial';font-style:normal;text-decoration-skip-ink:none;">Argomento</span></h1> <p style="text-align: left;">Nata semplicemente dall’incontro di sabbia e acqua, Venezia e虁 cresciuta come in un miracolo fino a diventare nel tempo “il piu虁 prodigioso evento urbanistico esistente sulla terra” (Le Corbusier). Questo brulicare di edifici suddivisi in isolotti costituisce anche un miraggio di pietra in quanto la citta虁 dei costruttori si e虁 dovuta scontrare con la distanza da ogni buona cava di pietra, costringendo a ricorrere alla pietra come rivestimento di strutture in laterizio, e a riutilizzare naturalmente pietre tratte da monumenti antichi. Studiare le Pietre di Venezia (1851) significa dunque ripercorrere la storia di una sfida costruttiva e architettonica, dalla ricerca e trasporto dei materiali, dalle rovine di Altino alle cave d’Istria, e l’organizzazione delle professioni lapidarie (tagiapiera, scultori, terrazzieri), fino alla realizzazione di facciate, ponti, pozzi, vere da pozzo, scale… Questa sfida, sempre attuale, riguarda la conservazione e il restauro, e passa necessariamente, come ha ricordato la Carta di Venezia (1965), attraverso la manutenzione continua, facendo della citta虁 il luogo di riflessione paradigmatico sul passato e sul futuro del patrimonio edificato. Nella Serenissima, John Ruskin vide anche una « scuola di intarsi », dove la luminosita虁 della pietra istriana, idiomatica dal 13mo secolo, si combina con il colorato incanto (rosso di Verona, serpentina, fino al terrazzo). Ma, al di la虁 della decorazione, dei mosaici del pavimento di San Marco, delle metamorfosi in spine e tenere fioriture gotiche, le pietre di Venezia sono anche il luogo dove la storia della citta虁 e虁 scritta attraverso la scultura, dai capitelli del Palazzo ducale o dagli altari dei Lombardo alle stele dei grandi uomini. Dalla storia materiale e artistica alla storiografia, il seminario si concentrera虁 sulla comprensione di come le pietre di Ruskin abbiano contribuito a forgiare il mito di Venezia, un mito la cui storia della fotografia ha catturato, al di la虁 dei cliche虂, la poesia unica.</p> <p style="text-align: left;">Il programma prevede conferenze tenute da esperti di fama internazionale, da curatori di collezioni, visite a musei e a monumenti. Attraverso una prospettiva multidisciplinare, si intrecciano storia dell’architettura, della scultura, del restauro, delle techniche, della fotografia, storiagrafia e storia sociale.</p> <h1><span data-sheets-formula-bar-text-style="font-size:13px;color:#000000;font-weight:normal;text-decoration:none;font-family:'Arial';font-style:normal;text-decoration-skip-ink:none;">Modalità di partecipazione</span></h1> <p style="text-align: left;">Il seminario, destinato a laureati e dottorandi, si svolge in francese e in italiano. La quota d’iscrizione e虁 di 180 euro.</p> <p style="text-align: left;">Le domande di ammissione e i curricula devono essere inviati on line,</p> <h3>entro il 21 aprile 2022,</h3> <p>tramite il <a href="http://www.ecoledulouvre.fr/international/seminaires-internationaux/venise">modulo disponibile sul sito dell’Ecole du Louvre.</a></p> <h1>Programma e organizzazione</h1> <p>E虂cole du Louvre / Istituto Veneto di Scienze, Lettere ed Arti</p> <h1><span data-sheets-formula-bar-text-style="font-size:13px;color:#000000;font-weight:normal;text-decoration:none;font-family:'Arial';font-style:normal;text-decoration-skip-ink:none;">Responsabili scientifici</span></h1> <ul> <li>Natacha Pernac, Ecole du Louvre</li> <li>Giovanna Palandri, Istituto Veneto</li> </ul> <h1><span data-sheets-formula-bar-text-style="font-size:13px;color:#000000;font-weight:normal;text-decoration:none;font-family:'Arial';font-style:normal;text-decoration-skip-ink:none;">Comitato organizzativo</span></h1> <ul> <li>Delphine Cayrel, Ecole du Louvre</li> <li>Laura Padoan, Istituto Veneto</li> </ul> <h1>Informazioni</h1> <p>E虂cole du Louvre.</p> <p>Palais du Louvre. Porte Jaujard. Place du Carrousel. 75001 Paris-Fr</p> <p>Te虂le虂phone : +33(0)1.55.35.18.52.</p> <p>Me虂l. : international@ecoledulouvre.fr</p> <p>Istituto Veneto di Scienze, Lettere ed Arti.</p> <p>Palazzo Loredan. Campo Santo Stefano. 2945. I-30124 Venezia</p> <p>Telefono : +39.041.240.77.11.</p> <p>E-mail : laura.padoan@istitutoveneto.it</p> <p>Site internet : <a href="http://www.ecoledulouvre.fr/international/seminaires-internationaux/venise">http://www.ecoledulouvre.fr/international/seminaires-internationaux/venise</a></p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=312">脡poque moderne</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=302">P茅riodes</a> > <a href="search?primary=fsubject&fsubject=317">脡poque contemporaine</a> > <a href="search?primary=fsubject&fsubject=319">XXe si猫cle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=279">Patrimoine</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=258">脡tudes urbaines</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=228">Histoire</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=282">Architecture</a></li> <li><a href="search?primary=fsubject&fsubject=327">Espaces</a> > <a href="search?primary=fsubject&fsubject=354">Europe</a> > <a href="search?primary=fsubject&fsubject=366">Italie</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Istituto Veneto di Scienze, Lettere ed Arti. Palazzo Loredan. Campo Santo Stefano <br/> Venise, Italie (30124) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'茅v茅nement</h2> <p>脡v茅nement uniquement sur site</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>jeudi 21 avril 2022</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attach茅s</p> <ul> <li><a href="984644?file=1" target="_blank">VENISE.2022.pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>pierre, venise, architecture, patrimoine, conservation, sculpture, Ruskin, historiographie, photographie, technique, restauration, histoire, art, mosaique, pavement, puit, pont, escalier, autel, gothique</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Delphine Cayrel<br/><em>courriel :</em> international [at] ecoledulouvre [dot] fr<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="http://www.ecoledulouvre.fr/international/seminaires-internationaux/venise">Ecole du Louvre</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Natacha PERNAC<br/><em>courriel :</em> natachapernac [at] yahoo [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Les pierres de Venise 禄, <span class="category">脡cole th茅matique</span>, <em>Calenda</em>, Publi茅 le mercredi 30 mars 2022, <a class="url" href="https://doi.org/10.58079/18lg">https://doi.org/10.58079/18lg</a></p> </div> </div> </div> </div> <div id="news" 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