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Voice-over - Wikipedia
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<li id="toc-Early_Beginnings_(1920s-1930s)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Early_Beginnings_(1920s-1930s)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1</span> <span>Early Beginnings (1920s-1930s)</span> </div> </a> <ul id="toc-Early_Beginnings_(1920s-1930s)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Golden_Age_of_Radio_and_the_Introduction_of_Television_(1940s-1950s)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#The_Golden_Age_of_Radio_and_the_Introduction_of_Television_(1940s-1950s)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2</span> <span>The Golden Age of Radio and the Introduction of Television (1940s-1950s)</span> </div> </a> <ul id="toc-The_Golden_Age_of_Radio_and_the_Introduction_of_Television_(1940s-1950s)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Rise_of_Commercials_and_Dubbing_(1960s-1970s)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#The_Rise_of_Commercials_and_Dubbing_(1960s-1970s)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3</span> <span>The Rise of Commercials and Dubbing (1960s-1970s)</span> </div> </a> <ul id="toc-The_Rise_of_Commercials_and_Dubbing_(1960s-1970s)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Technological_Advancements_and_the_Home_Video_Revolution_(1980s-1990s)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Technological_Advancements_and_the_Home_Video_Revolution_(1980s-1990s)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4</span> <span>Technological Advancements and the Home Video Revolution (1980s-1990s)</span> </div> </a> <ul id="toc-Technological_Advancements_and_the_Home_Video_Revolution_(1980s-1990s)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_Internet_Age_and_the_Democratization_of_Voice-Overs_(2000s-Present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#The_Internet_Age_and_the_Democratization_of_Voice-Overs_(2000s-Present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5</span> <span>The Internet Age and the Democratization of Voice-Overs (2000s-Present)</span> </div> </a> <ul id="toc-The_Internet_Age_and_the_Democratization_of_Voice-Overs_(2000s-Present)-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Career_in_voice-over" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Career_in_voice-over"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Career in voice-over</span> </div> </a> <ul id="toc-Career_in_voice-over-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Techniques" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Techniques"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Techniques</span> </div> </a> <button aria-controls="toc-Techniques-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Techniques subsection</span> </button> <ul id="toc-Techniques-sublist" class="vector-toc-list"> <li id="toc-Character_device" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Character_device"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Character device</span> </div> </a> <ul id="toc-Character_device-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Creative_device" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Creative_device"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>Creative device</span> </div> </a> <ul id="toc-Creative_device-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Educational_or_descriptive_device" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Educational_or_descriptive_device"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.3</span> <span>Educational or descriptive device</span> </div> </a> <ul id="toc-Educational_or_descriptive_device-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Commercial_device" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Commercial_device"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.4</span> <span>Commercial device</span> </div> </a> <ul id="toc-Commercial_device-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Translation" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Translation"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.5</span> <span>Translation</span> </div> </a> <ul id="toc-Translation-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav 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class="firstHeading mw-first-heading"><span class="mw-page-title-main">Voice-over</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 28 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-28" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">28 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%AA%D8%B9%D9%84%D9%8A%D9%82_%D8%B5%D9%88%D8%AA%D9%8A" title="تعليق صوتي – Arabic" lang="ar" hreflang="ar" data-title="تعليق صوتي" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Veu_en_off" title="Veu en off – Catalan" lang="ca" hreflang="ca" data-title="Veu en off" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Voiceover" title="Voiceover – Czech" lang="cs" hreflang="cs" data-title="Voiceover" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Voice-over" title="Voice-over – Danish" lang="da" hreflang="da" data-title="Voice-over" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Voiceover" title="Voiceover – German" lang="de" hreflang="de" data-title="Voiceover" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Pealelugemine" title="Pealelugemine – Estonian" lang="et" hreflang="et" data-title="Pealelugemine" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target"><span>Eesti</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Voz_en_off" title="Voz en off – Spanish" lang="es" hreflang="es" data-title="Voz en off" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Eksterscena_vo%C4%89o" title="Eksterscena voĉo – Esperanto" lang="eo" hreflang="eo" data-title="Eksterscena voĉo" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Off_ahots" title="Off ahots – Basque" lang="eu" hreflang="eu" data-title="Off ahots" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Voix_off" title="Voix off – French" lang="fr" hreflang="fr" data-title="Voix off" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-fy mw-list-item"><a href="https://fy.wikipedia.org/wiki/Voice-over" title="Voice-over – Western Frisian" lang="fy" hreflang="fy" data-title="Voice-over" data-language-autonym="Frysk" data-language-local-name="Western Frisian" class="interlanguage-link-target"><span>Frysk</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Voz_en_off" title="Voz en off – Galician" lang="gl" hreflang="gl" data-title="Voz en off" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EB%B3%B4%EC%9D%B4%EC%8A%A4%EC%98%A4%EB%B2%84" title="보이스오버 – Korean" lang="ko" hreflang="ko" data-title="보이스오버" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D4%B5%D5%BF%D5%AF%D5%A1%D5%A4%D6%80%D5%A1%D5%B5%D5%AB%D5%B6_%D5%A9%D5%A1%D6%80%D5%A3%D5%B4%D5%A1%D5%B6%D5%B8%D6%82%D5%A9%D5%B5%D5%B8%D6%82%D5%B6" title="Ետկադրային թարգմանություն – Armenian" lang="hy" hreflang="hy" data-title="Ետկադրային թարգմանություն" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Suara_latar" title="Suara latar – Indonesian" lang="id" hreflang="id" data-title="Suara latar" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Fuori_campo_(cinema)" title="Fuori campo (cinema) – Italian" lang="it" hreflang="it" data-title="Fuori campo (cinema)" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%A7%D7%95%D7%9C-%D7%A2%D7%9C" title="קול-על – Hebrew" lang="he" hreflang="he" data-title="קול-על" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%AA%D8%B9%D9%84%D9%8A%D9%82_%D8%B5%D9%88%D8%AA%D9%89" title="تعليق صوتى – Egyptian Arabic" lang="arz" hreflang="arz" data-title="تعليق صوتى" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Suara_latar" title="Suara latar – Malay" lang="ms" hreflang="ms" data-title="Suara latar" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target"><span>Bahasa Melayu</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Voice-over" title="Voice-over – Dutch" lang="nl" hreflang="nl" data-title="Voice-over" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ne mw-list-item"><a href="https://ne.wikipedia.org/wiki/%E0%A4%AD%E0%A5%8B%E0%A4%87%E0%A4%B8-%E0%A4%93%E0%A4%AD%E0%A4%B0" title="भोइस-ओभर – Nepali" lang="ne" hreflang="ne" data-title="भोइस-ओभर" data-language-autonym="नेपाली" data-language-local-name="Nepali" class="interlanguage-link-target"><span>नेपाली</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%9C%E3%82%A4%E3%82%B9%E3%82%AA%E3%83%BC%E3%83%90%E3%83%BC" title="ボイスオーバー – Japanese" lang="ja" hreflang="ja" data-title="ボイスオーバー" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Voiceover" title="Voiceover – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Voiceover" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-oc mw-list-item"><a href="https://oc.wikipedia.org/wiki/Votz_off" title="Votz off – Occitan" lang="oc" hreflang="oc" data-title="Votz off" data-language-autonym="Occitan" data-language-local-name="Occitan" class="interlanguage-link-target"><span>Occitan</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Voice-over" title="Voice-over – Simple English" lang="en-simple" hreflang="en-simple" data-title="Voice-over" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Kafa_sesi" title="Kafa sesi – Turkish" lang="tr" hreflang="tr" data-title="Kafa sesi" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E6%97%81%E8%BF%B0" title="旁述 – Cantonese" lang="yue" hreflang="yue" data-title="旁述" data-language-autonym="粵語" data-language-local-name="Cantonese" class="interlanguage-link-target"><span>粵語</span></a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E6%97%81%E7%99%BD" title="旁白 – Chinese" lang="zh" hreflang="zh" data-title="旁白" data-language-autonym="中文" data-language-local-name="Chinese" class="interlanguage-link-target"><span>中文</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q1146822#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> <div class="vector-page-toolbar-container"> <div id="left-navigation"> <nav aria-label="Namespaces"> <div id="p-associated-pages" class="vector-menu vector-menu-tabs mw-portlet mw-portlet-associated-pages" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="ca-nstab-main" class="selected vector-tab-noicon mw-list-item"><a href="/wiki/Voice-over" title="View the content page [c]" 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class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Non-diegetic speech in media</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">"Voiceover" redirects here. For the art also sometimes called "voiceover", see <a href="/wiki/Voice_acting" title="Voice acting">voice acting</a>. For the feature on Apple products, see <a href="/wiki/VoiceOver" title="VoiceOver">VoiceOver</a>. For the 2014 Chilean film, see <a href="/wiki/Voice_Over_(film)" title="Voice Over (film)">Voice Over (film)</a>.</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">For prerecorded radio announcements, see <a href="/wiki/Voice-tracking" title="Voice-tracking">Voice-tracking</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1251242444">.mw-parser-output .ambox{border:1px solid #a2a9b1;border-left:10px solid #36c;background-color:#fbfbfb;box-sizing:border-box}.mw-parser-output .ambox+link+.ambox,.mw-parser-output .ambox+link+style+.ambox,.mw-parser-output .ambox+link+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+style+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+link+.ambox{margin-top:-1px}html body.mediawiki .mw-parser-output .ambox.mbox-small-left{margin:4px 1em 4px 0;overflow:hidden;width:238px;border-collapse:collapse;font-size:88%;line-height:1.25em}.mw-parser-output .ambox-speedy{border-left:10px solid #b32424;background-color:#fee7e6}.mw-parser-output .ambox-delete{border-left:10px solid #b32424}.mw-parser-output .ambox-content{border-left:10px solid #f28500}.mw-parser-output .ambox-style{border-left:10px solid #fc3}.mw-parser-output .ambox-move{border-left:10px solid #9932cc}.mw-parser-output .ambox-protection{border-left:10px solid #a2a9b1}.mw-parser-output .ambox .mbox-text{border:none;padding:0.25em 0.5em;width:100%}.mw-parser-output .ambox .mbox-image{border:none;padding:2px 0 2px 0.5em;text-align:center}.mw-parser-output .ambox .mbox-imageright{border:none;padding:2px 0.5em 2px 0;text-align:center}.mw-parser-output .ambox .mbox-empty-cell{border:none;padding:0;width:1px}.mw-parser-output .ambox .mbox-image-div{width:52px}@media(min-width:720px){.mw-parser-output .ambox{margin:0 10%}}@media print{body.ns-0 .mw-parser-output .ambox{display:none!important}}</style><table class="box-More_citations_needed plainlinks metadata ambox ambox-content ambox-Refimprove" role="presentation"><tbody><tr><td class="mbox-image"><div class="mbox-image-div"><span typeof="mw:File"><a href="/wiki/File:Question_book-new.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/50px-Question_book-new.svg.png" decoding="async" width="50" height="39" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/75px-Question_book-new.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/99/Question_book-new.svg/100px-Question_book-new.svg.png 2x" data-file-width="512" data-file-height="399" /></a></span></div></td><td class="mbox-text"><div class="mbox-text-span">This article <b>needs additional citations for <a href="/wiki/Wikipedia:Verifiability" title="Wikipedia:Verifiability">verification</a></b>.<span class="hide-when-compact"> Please help <a href="/wiki/Special:EditPage/Voice-over" title="Special:EditPage/Voice-over">improve this article</a> by <a href="/wiki/Help:Referencing_for_beginners" title="Help:Referencing for beginners">adding citations to reliable sources</a>. Unsourced material may be challenged and removed.<br /><small><span class="plainlinks"><i>Find sources:</i> <a rel="nofollow" class="external text" href="https://www.google.com/search?as_eq=wikipedia&q=%22Voice-over%22">"Voice-over"</a> – <a rel="nofollow" class="external text" href="https://www.google.com/search?tbm=nws&q=%22Voice-over%22+-wikipedia&tbs=ar:1">news</a> <b>·</b> <a rel="nofollow" class="external text" href="https://www.google.com/search?&q=%22Voice-over%22&tbs=bkt:s&tbm=bks">newspapers</a> <b>·</b> <a rel="nofollow" class="external text" href="https://www.google.com/search?tbs=bks:1&q=%22Voice-over%22+-wikipedia">books</a> <b>·</b> <a rel="nofollow" class="external text" href="https://scholar.google.com/scholar?q=%22Voice-over%22">scholar</a> <b>·</b> <a rel="nofollow" class="external text" href="https://www.jstor.org/action/doBasicSearch?Query=%22Voice-over%22&acc=on&wc=on">JSTOR</a></span></small></span> <span class="date-container"><i>(<span class="date">May 2015</span>)</i></span><span class="hide-when-compact"><i> (<small><a href="/wiki/Help:Maintenance_template_removal" title="Help:Maintenance template removal">Learn how and when to remove this message</a></small>)</i></span></div></td></tr></tbody></table> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Christ_University_student_giving_voiceover_for_Hindi_Wikipeia_tutorial.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Christ_University_student_giving_voiceover_for_Hindi_Wikipeia_tutorial.jpg/220px-Christ_University_student_giving_voiceover_for_Hindi_Wikipeia_tutorial.jpg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Christ_University_student_giving_voiceover_for_Hindi_Wikipeia_tutorial.jpg/330px-Christ_University_student_giving_voiceover_for_Hindi_Wikipeia_tutorial.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Christ_University_student_giving_voiceover_for_Hindi_Wikipeia_tutorial.jpg/440px-Christ_University_student_giving_voiceover_for_Hindi_Wikipeia_tutorial.jpg 2x" data-file-width="2448" data-file-height="3264" /></a><figcaption>A man recording a voice-over</figcaption></figure> <p><b>Voice-over</b> (also known as <b>off-camera</b> or <b>off-stage commentary</b>) is a production technique used in <a href="/wiki/Radio" title="Radio">radio</a>, <a href="/wiki/Television" title="Television">television</a>, <a href="/wiki/Filmmaking" title="Filmmaking">filmmaking</a>, <a href="/wiki/Theatre" title="Theatre">theatre</a>, and other <a href="/wiki/Media_(communication)" title="Media (communication)">media</a> in which a <a href="/wiki/Description" title="Description">descriptive</a> or <a href="/wiki/Exposition_(narrative)" title="Exposition (narrative)">expository</a> voice that is not part of the narrative (i.e., <a href="/wiki/Diegesis#In_film" title="Diegesis">non-diegetic</a>) accompanies the pictured or on-site <a href="/wiki/Presentation" title="Presentation">presentation</a> of events.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist <a href="/wiki/Voice_actor" class="mw-redirect" title="Voice actor">voice actor</a>. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema.<sup id="cite_ref-:0_2-0" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> It is usually prerecorded and placed over the top of a film or video and commonly used in <a href="/wiki/Documentary_film" title="Documentary film">documentaries</a> or news reports to explain information. </p><p>Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> It may also be read live for events such as award presentations. Voice-over is added in addition to any existing dialogue and is not to be confused with <a href="/wiki/Voice_acting" title="Voice acting">voice acting</a> or the process of replacing dialogue with a translated version, the latter of which is called <a href="/wiki/Dubbing_(filmmaking)" class="mw-redirect" title="Dubbing (filmmaking)">dubbing</a> or revoicing. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History">History</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=1" title="Edit section: History"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The voice-over industry has evolved significantly since its inception, paralleling developments in technology, entertainment, and advertising. It began in the early days of radio and has since expanded into various media including television, film, video games, and the internet. </p> <div class="mw-heading mw-heading3"><h3 id="Early_Beginnings_(1920s-1930s)"><span id="Early_Beginnings_.281920s-1930s.29"></span>Early Beginnings (1920s-1930s)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=2" title="Edit section: Early Beginnings (1920s-1930s)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Voice-over work began in the 1920s with the advent of radio broadcasting. The industry was primarily driven by radio dramas, comedies, and serials. Actors like Orson Welles were among the pioneers, known for their work on radio shows such as "The Mercury Theatre on the Air." The most notable event of this era was the 1938 broadcast of "The War of the Worlds," directed and narrated by Welles, which famously caused panic among listeners who believed the fictional story to be a real news broadcast. </p> <div class="mw-heading mw-heading3"><h3 id="The_Golden_Age_of_Radio_and_the_Introduction_of_Television_(1940s-1950s)"><span id="The_Golden_Age_of_Radio_and_the_Introduction_of_Television_.281940s-1950s.29"></span>The Golden Age of Radio and the Introduction of Television (1940s-1950s)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=3" title="Edit section: The Golden Age of Radio and the Introduction of Television (1940s-1950s)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The 1940s and 1950s are often referred to as the Golden Age of Radio. Voice actors like Mel Blanc, known for his work with Warner Bros. cartoons, became household names. This era also saw the transition from radio to television. Voice-over work expanded to include off-screen narration and character voices in television shows, particularly in animations and commercials. </p> <div class="mw-heading mw-heading3"><h3 id="The_Rise_of_Commercials_and_Dubbing_(1960s-1970s)"><span id="The_Rise_of_Commercials_and_Dubbing_.281960s-1970s.29"></span>The Rise of Commercials and Dubbing (1960s-1970s)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=4" title="Edit section: The Rise of Commercials and Dubbing (1960s-1970s)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The 1960s and 1970s witnessed a significant increase in the use of voice-overs in commercials. Advertisers began to realize the impact of a strong, persuasive voice in selling products. This period also saw the growth of dubbing foreign films and shows, expanding the global reach of media content. </p> <div class="mw-heading mw-heading3"><h3 id="Technological_Advancements_and_the_Home_Video_Revolution_(1980s-1990s)"><span id="Technological_Advancements_and_the_Home_Video_Revolution_.281980s-1990s.29"></span>Technological Advancements and the Home Video Revolution (1980s-1990s)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=5" title="Edit section: Technological Advancements and the Home Video Revolution (1980s-1990s)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>With the advent of cable television and home video in the 1980s and 1990s, the demand for voice-over artists surged. The era was marked by the rise of animated shows, video games, and the direct-to-video market. Voice actors like James Earl Jones, known for his work as the voice of Darth Vader in "Star Wars," and Frank Welker, known for his work in cartoons and films, became prominent. </p> <div class="mw-heading mw-heading3"><h3 id="The_Internet_Age_and_the_Democratization_of_Voice-Overs_(2000s-Present)"><span id="The_Internet_Age_and_the_Democratization_of_Voice-Overs_.282000s-Present.29"></span>The Internet Age and the Democratization of Voice-Overs (2000s-Present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=6" title="Edit section: The Internet Age and the Democratization of Voice-Overs (2000s-Present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The turn of the millennium brought about drastic changes with the proliferation of the internet. Platforms like YouTube and the advent of podcasting opened up new avenues for voice-over work. Home recording technology and high-speed internet made it possible for voice-over artists to work remotely, democratizing the industry. Voice-over websites and online casting services have made it easier for artists to find work and for producers to find talent. </p> <div class="mw-heading mw-heading2"><h2 id="Career_in_voice-over">Career in voice-over</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=7" title="Edit section: Career in voice-over"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>To become a voice actor, significant training is required. The important factors to being a voice actor are technique, genres, and work. It is recommended to hire an acting coach and voice coach to help hone skills for recording a voice-over. There are many pieces of equipment that are also required to start a career in voice-overs. A computer, professional microphone, and an editing program, along with a studio to set up in, are all requirements to develop a professional voice-over. Careers in voice-over often allow people to work at home.<sup id="cite_ref-:02_4-0" class="reference"><a href="#cite_note-:02-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>To audition for a voice-over role, people often record a demo-reel, which is a compilation of someone's works in voice acting. A demo-reel is important to have for someone looking for a job in voice acting because many auditions ask for one. To find casting auditions, there are many online websites that can allow people to sign up for auditions. For an audition, people should study the target audience, warm up and try to arrive early so they can prepare and have the best chance at getting the role. The audition is begun with slating. Slating is a practice where the person going for the audition states their name and then says Take 1, Take 2, Take 3. After slating, the auditionee then reads the copy given to them by the casting team.<sup id="cite_ref-:02_4-1" class="reference"><a href="#cite_note-:02-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Techniques">Techniques</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=8" title="Edit section: Techniques"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Character_device">Character device</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=9" title="Edit section: Character device"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In <a href="/wiki/Herman_Melville" title="Herman Melville">Herman Melville</a>'s <i><a href="/wiki/Moby_Dick_(1956_film)" title="Moby Dick (1956 film)">Moby Dick</a></i> (1956), <a href="/wiki/Ishmael_(Moby-Dick)" title="Ishmael (Moby-Dick)">Ishmael</a> (<a href="/wiki/Richard_Basehart" title="Richard Basehart">Richard Basehart</a>) narrates the story, and he sometimes comments on the action in voice-over, as does Joe Gillis (<a href="/wiki/William_Holden" title="William Holden">William Holden</a>) in <i><a href="/wiki/Sunset_Boulevard_(film)" title="Sunset Boulevard (film)">Sunset Boulevard</a></i> (1950) and Eric Erickson (William Holden) in <i><a href="/wiki/The_Counterfeit_Traitor" title="The Counterfeit Traitor">The Counterfeit Traitor</a></i> (1962); adult Pip (<a href="/wiki/John_Mills" title="John Mills">John Mills</a>) in <i><a href="/wiki/Great_Expectations_(1946_film)" title="Great Expectations (1946 film)">Great Expectations</a></i> (1946) and <a href="/wiki/Michael_York_(actor)" class="mw-redirect" title="Michael York (actor)">Michael York</a> in <a href="/wiki/Great_Expectations_(1974_film)" title="Great Expectations (1974 film)">its 1974 television remake</a>. </p><p>Voice-over technique is likewise used to give voices and personalities to animated characters. Noteworthy and versatile <a href="/wiki/Voice_actor" class="mw-redirect" title="Voice actor">voice actors</a> include <a href="/wiki/Mel_Blanc" title="Mel Blanc">Mel Blanc</a>, <a href="/wiki/Daws_Butler" title="Daws Butler">Daws Butler</a>, <a href="/wiki/Don_Messick" title="Don Messick">Don Messick</a>, <a href="/wiki/Paul_Frees" title="Paul Frees">Paul Frees</a>, and <a href="/wiki/June_Foray" title="June Foray">June Foray</a>. Charactering techniques in voice-overs are used to give personalities and voice to fictional characters. There has been some controversy with charactering techniques in voice-overs, particularly with white radio entertainers mimicking <a href="/wiki/AAVE" class="mw-redirect" title="AAVE">AAVE</a>.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>In the late 1920s, radio started to stray away from reporting exclusively on musicals and sporting events; instead, radio began to create serial talk shows as well as shows with fictional story lines.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Radio became the ideal medium for voice impersonations. </p> <div class="mw-heading mw-heading3"><h3 id="Creative_device">Creative device</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=10" title="Edit section: Creative device"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In film, the filmmaker distributes the sound of a human voice (or voices) over images shown on the screen that may or may not be related to the words that are being spoken. Consequently, voice-overs are sometimes used to create ironic counterpoint. Also, sometimes they can be random voices not directly connected to the people seen on the screen. In works of fiction, the voice-over is often by a character reflecting on his or her past, or by a person external to the story who usually has a more complete knowledge of the events in the film than the other characters. </p><p>Voice-overs are often used to create the effect of storytelling by a character/omniscient <a href="/wiki/Narration" title="Narration">narrator</a>. For example, in <i><a href="/wiki/The_Usual_Suspects" title="The Usual Suspects">The Usual Suspects</a></i>, the character of <a href="/wiki/Verbal_Kint" class="mw-redirect" title="Verbal Kint">Roger "Verbal" Kint</a> has voice-over segments as he is recounting details of a crime. Classic voice-overs in cinema history can be heard in <i><a href="/wiki/Citizen_Kane" title="Citizen Kane">Citizen Kane</a></i> and <i><a href="/wiki/The_Naked_City" title="The Naked City">The Naked City</a></i>. </p><p>Sometimes, voice-over can be used to aid continuity in edited versions of films, in order for the audience to gain a better understanding of what has gone on between scenes. This was done when the film <i><a href="/wiki/Joan_of_Arc_(1948_film)" title="Joan of Arc (1948 film)">Joan of Arc</a></i> (1948) starring <a href="/wiki/Ingrid_Bergman" title="Ingrid Bergman">Ingrid Bergman</a> turned out to be far from the box-office and critical hit that was expected and it was edited down from 145 minutes to 100 minutes for its second run in theaters.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> The edited version, which circulated for years, used narration to conceal the fact that large chunks of the film had been cut out. In the full-length version, restored in 1998 and released on DVD in 2004, the voice-over narration is heard only at the beginning of the film. </p><p><a href="/wiki/Film_noir" title="Film noir">Film noir</a> is especially associated with the voice-over technique. The golden age of first-person narration was during the 1940s.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Film noir typically used male voice-over narration but there are a few rare female voice-overs.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>In radio, voice-overs are an integral part of the creation of the radio program. The voice-over artist might be used to entice listeners of the station name or as characters to enhance or develop show content. During the 1980s, the British broadcasters <a href="/wiki/Steve_Wright_(DJ)" title="Steve Wright (DJ)">Steve Wright</a> and <a href="/wiki/Kenny_Everett" title="Kenny Everett">Kenny Everett</a> used voice-over artists to create a virtual "posse" or studio crew who contributed to the programmes. It is believed that this principle was in play long before that time. The American radio broadcaster <a href="/wiki/Howard_Stern" title="Howard Stern">Howard Stern</a> has also used voice-overs in this way.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (June 2023)">citation needed</span></a></i>]</sup> </p> <div class="mw-heading mw-heading3"><h3 id="Educational_or_descriptive_device">Educational or descriptive device</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=11" title="Edit section: Educational or descriptive device"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The voice-over has many applications in non-fiction as well. Television news is often presented as a series of video clips of newsworthy events, with voice-over by the reporters describing the significance of the scenes being presented; these are interspersed with straight video of the <a href="/wiki/News_anchor" class="mw-redirect" title="News anchor">news anchors</a> describing stories for which video is not shown. </p><p>Television networks such as <a href="/wiki/History_(U.S._TV_channel)" class="mw-redirect" title="History (U.S. TV channel)">The History Channel</a> and the <a href="/wiki/Discovery_Channel" title="Discovery Channel">Discovery Channel</a> make extensive use of voice-overs. On <a href="/wiki/NBC" title="NBC">NBC</a>, the television show <i><a href="/wiki/Starting_Over_(TV_series)" title="Starting Over (TV series)">Starting Over</a></i> used Sylvia Villagran as the voice-over narrator to tell a story. </p><p>Live sports broadcasts are usually shown as extensive voice-overs by <a href="/wiki/Sports_commentator" title="Sports commentator">sports commentators</a> over video of the sporting event. </p><p><a href="/wiki/Game_show" title="Game show">Game shows</a> formerly made extensive use of voice-overs to introduce contestants and describe available or awarded prizes, but this technique has diminished as shows have moved toward predominantly cash prizes. The most prolific have included <a href="/wiki/Don_Pardo" title="Don Pardo">Don Pardo</a>, <a href="/wiki/Johnny_Olson" title="Johnny Olson">Johnny Olson</a>, <a href="/wiki/John_Harlan_(announcer)" title="John Harlan (announcer)">John Harlan</a>, <a href="/wiki/Jay_Stewart" title="Jay Stewart">Jay Stewart</a>, <a href="/wiki/Gene_Wood" title="Gene Wood">Gene Wood</a> and <a href="/wiki/Johnny_Gilbert" title="Johnny Gilbert">Johnny Gilbert</a>. </p><p>Voice-over commentary by a leading critic, historian, or by the production personnel themselves is often a prominent feature of the release of feature films or documentaries on <a href="/wiki/DVD" title="DVD">DVDs</a>. </p> <div class="mw-heading mw-heading3"><h3 id="Commercial_device">Commercial device</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=12" title="Edit section: Commercial device"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The commercial use of voice-over in <a href="/wiki/Television_advertising" class="mw-redirect" title="Television advertising">television advertising</a> has been popular since the beginning of <a href="/wiki/Radio_broadcasting" title="Radio broadcasting">radio broadcasting</a>. </p><p>In the early years, before effective sound recording and mixing, announcements were produced "live" and at-once in a studio with the entire cast, crew and, usually, orchestra. A corporate sponsor hired a producer, who hired writers and <a href="/wiki/Voice_actor" class="mw-redirect" title="Voice actor">voice actors</a> to perform comedy or drama. </p><p>Manufacturers will often use a distinctive voice to help them with brand messaging, often retaining talent to a long-term exclusive contract. </p><p>The industry expanded very rapidly with the advent of television in the 1950s, and the age of highly produced serial radio shows ended. The ability to record high-quality sound on <a href="/wiki/Magnetic_tape" title="Magnetic tape">magnetic tape</a> also created opportunities. <a href="/wiki/Digital_recording" title="Digital recording">Digital recording</a>, thanks to the proliferation of PCs, smartphones (iOS and Android 5.0+), dedicated recording devices, free or inexpensive recording and editing software, and USB <a href="/wiki/Microphone" title="Microphone">microphones</a> of reasonable quality, and the increasing use of home studios, has revolutionized the industry. </p><p>The sound recording industry uses the term "presence" as the standard of a good quality voice-over and is used for commercial purposes in particular. The term "presence" measures the legitimacy of how a voice sounds, specifically one of a voice-over. Advances in technology for sound recording have helped voice-overs reach that standard. These technological advances have increasingly diminished "the noise of the system...and thus reducing the distance perceived between the object and its representation."<sup id="cite_ref-:0_2-1" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Translation">Translation</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=13" title="Edit section: Translation"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Voice-over_translation" title="Voice-over translation">Voice-over translation</a></div> <p>In some countries, such as <a href="/wiki/Russia" title="Russia">Russia</a>, <a href="/wiki/Ukraine" title="Ukraine">Ukraine</a> and <a href="/wiki/Poland" title="Poland">Poland</a>, voice-over provided by an artist is commonly used on <a href="/wiki/Television_program" class="mw-redirect" title="Television program">television programs</a> as a <a href="/wiki/Language_localization" class="mw-redirect" title="Language localization">language localization</a> technique, as an alternative to full <a href="/wiki/Dub_localization" class="mw-redirect" title="Dub localization">dub localization</a>. </p><p>In <a href="/wiki/Bulgaria" title="Bulgaria">Bulgaria</a>, multiple voice-over is also common, but each film (or episode) is normally voiced by three to six actors. The voice artists try to match the original voice and preserve the <a href="/wiki/Intonation_(linguistics)" title="Intonation (linguistics)">intonation</a>. The main reason for the use of this type of translation is that unlike synchronized voice translation, it takes a relatively short time to produce, since there is no need to synchronize the voices with the character's lip movements, which is compensated by the quieted original audio. When there is no speaking in the film for some time, the original sound is turned up. Recently,<sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Manual_of_Style/Dates_and_numbers#Chronological_items" title="Wikipedia:Manual of Style/Dates and numbers"><span title="The time period mentioned near this tag is ambiguous. (June 2023)">when?</span></a></i>]</sup> as more films are distributed with separate voice and noises-and-music tracks, some voice-over translations in Bulgaria are produced by only turning down the voice track, in this way not affecting the other sounds. One actor always reads the translation crew's names over the show's ending credits (except for when there is dialogue over the credits).<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (June 2023)">citation needed</span></a></i>]</sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=14" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Bumper_(broadcasting)" title="Bumper (broadcasting)">Bumper (broadcasting)</a></li> <li><a href="/wiki/Bumper_music" title="Bumper music">Bumper music</a></li> <li><i><a href="/wiki/Cin%C3%A9ma_v%C3%A9rit%C3%A9" title="Cinéma vérité">Cinéma vérité</a></i></li> <li><a href="/wiki/Direct_cinema" title="Direct cinema">Direct cinema</a></li> <li><i><a href="/wiki/I_Know_That_Voice" title="I Know That Voice">I Know That Voice</a></i></li> <li><a href="/wiki/National_Audio_Theatre_Festival" title="National Audio Theatre Festival">National Audio Theatre Festival</a></li> <li><a href="/wiki/Offscreen" title="Offscreen">Offscreen</a></li> <li><a href="/wiki/Voice_acting" title="Voice acting">Voice acting</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Voice-over&action=edit&section=15" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://m-w.com/dictionary/voice-over">Merriam Webster's Online Dictionary</a></span> </li> <li id="cite_note-:0-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFDone1980" class="citation book cs1">Done, Mary Ann (1980). <i>The Voice in the Cinema: The Articulation of Body and Space</i>. Yale French Studies. pp. 33–50.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Voice+in+the+Cinema%3A+The+Articulation+of+Body+and+Space.&rft.pages=33-50&rft.pub=Yale+French+Studies&rft.date=1980&rft.aulast=Done&rft.aufirst=Mary+Ann&rfr_id=info%3Asid%2Fen.wikipedia.org%3AVoice-over" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.dedicatedtovo.com/posts/types-of-voice-over/">Types of Voice Over</a></span> </li> <li id="cite_note-:02-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-:02_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:02_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLindsay2022" class="citation web cs1">Lindsay, Benjamin (August 29, 2022). <a rel="nofollow" class="external text" href="https://www.backstage.com/magazine/article/voiceover-training-5077/">"How To Become a Voice Actor"</a>. <i>Backstage</i><span class="reference-accessdate">. Retrieved <span class="nowrap">October 4,</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Backstage&rft.atitle=How+To+Become+a+Voice+Actor&rft.date=2022-08-29&rft.aulast=Lindsay&rft.aufirst=Benjamin&rft_id=https%3A%2F%2Fwww.backstage.com%2Fmagazine%2Farticle%2Fvoiceover-training-5077%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AVoice-over" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarlow1999" class="citation book cs1">Barlow, William (1999). <i>Voice Over: The Making of Black Radio</i>. Philadelphia, PA: Temple University Press. p. 2. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-56639-667-0" title="Special:BookSources/1-56639-667-0"><bdi>1-56639-667-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Voice+Over%3A+The+Making+of+Black+Radio&rft.place=Philadelphia%2C+PA&rft.pages=2&rft.pub=Temple+University+Press&rft.date=1999&rft.isbn=1-56639-667-0&rft.aulast=Barlow&rft.aufirst=William&rfr_id=info%3Asid%2Fen.wikipedia.org%3AVoice-over" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKozloff1988" class="citation book cs1">Kozloff, Sarah (1988). <i>Invisible Storytellers Voice-Over Narration in American Fictional Film</i>. United States of America: University of California Press. p. 26. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-520-05861-5" title="Special:BookSources/0-520-05861-5"><bdi>0-520-05861-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Invisible+Storytellers+Voice-Over+Narration+in+American+Fictional+Film&rft.place=United+States+of+America&rft.pages=26&rft.pub=University+of+California+Press&rft.date=1988&rft.isbn=0-520-05861-5&rft.aulast=Kozloff&rft.aufirst=Sarah&rfr_id=info%3Asid%2Fen.wikipedia.org%3AVoice-over" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.tcm.com/tcmdb/title/79785/Joan-of-Arc/notes.html">"Joan of Arc (1948) - Notes - TCM.com"</a>. <i>Turner Classic Movies</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2017-10-06</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Turner+Classic+Movies&rft.atitle=Joan+of+Arc+%281948%29+-+Notes+-+TCM.com&rft_id=http%3A%2F%2Fwww.tcm.com%2Ftcmdb%2Ftitle%2F79785%2FJoan-of-Arc%2Fnotes.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AVoice-over" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.filmsite.org/filmnoir.html">"Film Noir - Films"</a>. <i>www.filmsite.org</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2017-09-11</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.filmsite.org&rft.atitle=Film+Noir+-+Films&rft_id=http%3A%2F%2Fwww.filmsite.org%2Ffilmnoir.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AVoice-over" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.thevoicerealm.com/blog/film-noirs-role-in-voiceover/">"Film Noir's Role in Voiceover"</a>. <i>The Voice Realm</i>. 2016-10-21<span class="reference-accessdate">. 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