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Timbre | Frequency, Harmonics & Waveforms | Britannica
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They write new content and verify and edit content received from contributors.</div> </a> <div data-popper-arrow></div> </div> <span class="btn btn-link editor-link p-0 qa-byline-link gtm-byline font-12 byline-contributor text-decoration-underline"> The Editors of Encyclopaedia Britannica</span></div> <div class="last-updated font-12 font-serif"> <span class="text-gray-700"> Last Updated: <time datetime="2024-11-28T00:00:00CST" >Nov 28, 2024</time> •</span> <a class="byline-edit-history" href="https://www.britannica.com/science/timbre/additional-info#history" rel="nofollow">Article History</a> </div></div> </div> <button class="d-flex d-lg-none btn btn-outline-blue border rounded-sm shadow-sm mobile-toc-button gtm-mobile-toc-inline-button d-none d-sm-block js-sections-inline-button module-spacing btn d-lg-none"> <em class="material-icons mr-5 ml-n10 my-n5 md-icon" data-icon="toc"></em> Table of Contents </button> <div class="d-flex d-sm-none flex-row"> <button class="d-flex d-lg-none btn btn-outline-blue border rounded-sm shadow-sm mobile-toc-button gtm-mobile-toc-inline-button js-sections-inline-button module-spacing"> <em class="material-icons mr-5 ml-n10 my-n5 md-icon" data-icon="toc"></em> Table of Contents </button> <button class="ai-ask-button btn border-2 ai-ask-button btn border-2 module-spacing btn-sm js-inline-ai-ask-button btn-outline-red-400 border-red-400 p-10 ml-5"> Ask the Chatbot a Question </button> </div> <div class="js-qf-module qf-module px-40 px-sm-20 py-15 mx-auto module-spacing font-14 bg-gray-50 rounded"> <div class="facts-list mt-10"> <div class=""> <div class="js-fact mb-10 line-clamp clamp-3"> <dl> <dt>Also called: </dt> <dd>timber</dd> </dl> <button class="js-more-btn d-none btn btn-unstyled font-12 bg-gray-50" aria-label="Toggle more/less fact data"> <em class="js-content link-blue">(Show more)</em> </button> </div> </div> <div class=""> <div class="js-fact mb-10 line-clamp clamp-3"> <dl> <dt>Related Topics: </dt> <dd><a href="/art/music" topicid="398918">music</a></dd> <dd><a href="/art/Essential-elements-of-music" topicid="2257056">Essential Elements of Music</a></dd> <dd><a href="/science/envelope-sound" topicid="189111">envelope</a></dd> </dl> <button class="js-more-btn d-none btn btn-unstyled font-12 bg-gray-50" aria-label="Toggle more/less fact data"> <em class="js-content link-blue">(Show more)</em> </button> </div> <div class="text-center"> <a class="btn btn-sm btn-link p-0" href="/facts/timbre"> See all related content </a> </div> </div> </div> </div><!--[BEFORE-ARTICLE]--><span class="marker before-article"></span><section data-level="1" id="ref1"><!--[PREMOD1]--><span class="marker PREMOD1 mod-inline"></span><div class="assemblies"><div class="w-100"><figure class="md-assembly m-0 mb-md-0 card card-borderless print-false" data-assembly-id="278092" data-asm-type="video"><div class="md-assembly-wrapper card-media " data-type="video" video-id="240872"><a data-id="240872" class="gtm-assembly-link d-flex justify-content-center" style="--aspect-ratio: 16/9" href="/video/Bobby-McFerrin-Demonstrates-the-Power-of-the-Pentatonic-Scale/-278092"><img src="https://cdn.britannica.com/72/240872-138-3D434C6C/Bobby-McFerrin-Demonstrates-the-Power-of-the-Pentatonic-Scale.jpg?w=800&h=450&c=crop" alt="Bobby McFerrin" loading="lazy"><script type="application/json"> { "sources": [ { "file" : "//content.jwplatform.com/manifests/ioQ73bRf.m3u8" } ], "image": "https://cdn.britannica.com/72/240872-138-3D434C6C/Bobby-McFerrin-Demonstrates-the-Power-of-the-Pentatonic-Scale.jpg" ,"tracks": [ { "file" : "//assets-jpcust.jwpsrv.com/tracks/8fGO4I3w", "label": "English" } ] ,"adfile": "//content.jwplatform.com/manifests/7CpdCkUx.m3u8" } </script><div class="btn btn-xl btn-white btn-circle position-absolute shadow" style="top: 50%; transform: translateY(-50%)"><em class="material-icons" data-icon="play_arrow"></em></div></a></div><figcaption class="card-body"><div class="md-assembly-caption text-muted font-14 font-serif line-clamp"><span><span class="md-assembly-title font-weight-bold mr-5 d-inline font-sans-serif md-video-caption" video-control="240872">Bobby McFerrin</span><span>The universality and innate nature of music, and the pentatonic scale, as demonstrated by singer Bobby McFerrin. </span><button class="js-more-btn d-none btn btn-unstyled font-12 bg-white js-content" aria-label="Toggle more/less fact data"><span class="link-blue">(more)</span></button></span></div><a class="font-14 mt-10 d-inline-block" href="/science/timbre/images-videos">See all videos for this article</a></figcaption></figure></div></div><p class="topic-paragraph"><strong><span id="ref123175"></span>timbre</strong>, quality of auditory sensations produced by the <a href="https://www.britannica.com/science/tone-sound" class="md-crosslink " data-show-preview="true">tone</a> of a <a href="https://www.britannica.com/science/sound-physics" class="md-crosslink " data-show-preview="true">sound</a> <a href="https://www.britannica.com/science/wave-physics" class="md-crosslink autoxref " data-show-preview="true">wave</a>.</p><!--[MOD1]--><span class="marker MOD1 mod-inline"></span><!--[PREMOD2]--><span class="marker PREMOD2 mod-inline"></span><div class="assemblies"><div class="w-100"><figure class="md-assembly m-0 mb-md-0 card card-borderless print-false" data-assembly-id="61869" data-asm-type="image"><div class="md-assembly-wrapper card-media " data-type="image"><a href="https://cdn.britannica.com/74/4674-004-0FF1ABDC/Timbre.jpg" class="gtm-assembly-link position-relative d-flex align-items-center justify-content-center media-overlay-link card-media" data-href="/media/1/596009/61869"><picture><source media="(min-width: 680px)" srcset="https://cdn.britannica.com/74/4674-004-0FF1ABDC/Timbre.jpg"><img src="https://cdn.britannica.com/74/4674-004-0FF1ABDC/Timbre.jpg?w=300" alt="timbre" data-width="370" data-height="276" loading="eager"></picture><button class="magnifying-glass btn btn-circle position-absolute shadow btn-white top-10 right-10" aria-label="Zoom in"><em class="material-icons link-blue" data-icon="zoom_in"></em></button></a></div><figcaption class="card-body"><div class="md-assembly-caption text-muted font-14 font-serif line-clamp"><span><a class="gtm-assembly-link md-assembly-title font-weight-bold d-inline font-sans-serif mr-5 media-overlay-link" href="https://cdn.britannica.com/74/4674-004-0FF1ABDC/Timbre.jpg" data-href="/media/1/596009/61869">timbre</a><button class="js-more-btn d-none btn btn-unstyled font-12 bg-white js-content" aria-label="Toggle more/less fact data"><span class="link-blue">(more)</span></button></span></div></figcaption></figure></div></div><p class="topic-paragraph">The <a class="md-dictionary-link md-dictionary-tt-off eb" data-term="timbre" href="https://www.britannica.com/dictionary/timbre" data-type="EB">timbre</a> of a sound depends on its wave form, which varies with the number of overtones, or harmonics, that are present, their frequencies, and their relative intensities. The <span class="link-blue media-overlay-link asmref" data-href="/media/1/596009/61869">illustration</span> shows the wave form that results when <span id="ref895428"></span><a href="https://www.britannica.com/science/pure-tone" class="md-crosslink ">pure tones</a> of frequencies 100, 300, and 500 hertz (cycles per second) and relative amplitudes of 10, 5, and 2.5 are synthesized into a <span id="ref895429"></span><a href="https://www.britannica.com/science/complex-tone" class="md-crosslink ">complex tone</a>. At the right is the resultant of the three sine curves when their ordinates are added point by point along the time <a href="https://www.britannica.com/art/scale-music" class="md-crosslink autoxref " data-show-preview="true">scale</a>. In equation form, the amplitude <em>y</em> of the wave form at any time <em>t</em> would be represented by <em>y</em> <em>=</em> 10 sin (2<em>π</em> 100<em>t</em>) + 5 sin (2<em>π</em> 300<em>t</em>) + 2.5 sin (2<em>π</em> 500<em>t</em>). The timbre of this form would be recognizable and different from others having a fundamental tone of 100 hertz but a different harmonic <a class="md-dictionary-link md-dictionary-tt-off eb" data-term="amplitude" href="https://www.britannica.com/dictionary/amplitude" data-type="EB">amplitude</a>.</p><div class="one-good-fact-module"> </div><!--[MOD2]--><span class="marker MOD2 mod-inline"></span><!--[PREMOD3]--><span class="marker PREMOD3 mod-inline"></span><p class="topic-paragraph">In <a href="https://www.britannica.com/art/music" class="md-crosslink autoxref " data-show-preview="true">music</a> timbre is the characteristic tone colour of an <span id="ref895423"></span><a href="https://www.britannica.com/art/musical-instrument" class="md-crosslink " data-show-preview="true">instrument</a> or <span id="ref895430"></span><a href="https://www.britannica.com/science/vocalization" class="md-crosslink " data-show-preview="true">voice</a>, arising from reinforcement by individual <span id="ref895424"></span><a href="https://www.britannica.com/art/singing" class="md-crosslink " data-show-preview="true">singers</a> or instruments of different harmonics, or <a href="https://www.britannica.com/science/overtone" class="md-crosslink " data-show-preview="true">overtone</a>s (<em>q.v.</em>), of a fundamental <a href="https://www.britannica.com/art/pitch-music" class="md-crosslink autoxref " data-show-preview="true">pitch</a>. Extremely nasal timbre thus stresses different overtones than mellow timbre. The timbre of the <a href="https://www.britannica.com/technology/tuning-fork" class="md-crosslink autoxref " data-show-preview="true">tuning fork</a> and of the stopped diapason organ pipe is clear and pure because the sound they produce is almost without overtones. Timbre is determined by an instrument’s shape (<em>e.g.,</em> the conical or cylindrical pipe of a wind instrument), by the <a href="https://www.britannica.com/science/frequency-physics" class="md-crosslink autoxref " data-show-preview="true">frequency</a> range within which the instrument can produce overtones, and by the <a href="https://www.britannica.com/science/envelope-sound" class="md-crosslink autoxref " data-show-preview="true">envelope</a> of the instrument’s sound. The timbre of spoken vowels or of a <a href="https://www.britannica.com/art/singing" class="md-crosslink autoxref " data-show-preview="true">singing</a> voice is modified by constricting or opening various parts of the vocal tract, such as the lips, tongue, or throat.</p><a class="link-module shadow-sm d-block qa-quiz-module" href="/quiz/sound-check-musical-vocabulary-quiz" data-link-module-iframe-link=""> <img loading="lazy" src="https://cdn.britannica.com/30/254330-131-1B200240/young-girl-playing-trumpet.jpg" alt="Young girl wearing a demin jacket playing the trumpet (child, musical instruments, Asian ethnicity)" class="rounded-sm mr-15" width="70" /> <div class="line-clamp clamp-5"> <div class="module-title bg-green">Britannica Quiz</div> <div class="font-weight-semi-bold mt-5">Sound Check: Musical Vocabulary Quiz</div> </div> </a><!--[MOD3]--><span class="marker MOD3 mod-inline"></span></section> <span class="md-signature">This article was most recently revised and updated by <a href="/editor/William-L-Hosch/6481">William L. 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