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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Festivals</h1><div class="u-tcGrayDark">14,850 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Festivals</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Festivals">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Festivals/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Festivals/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Festivals/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Festivals">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_57551458" data-work_id="57551458" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/57551458/Exploring_the_Relationship_Between_Arts_Festivals_and_Economic_Development_in_Rural_Island_Regions_A_Case_Study_of_Scotland_s_Orkney_Isles">Exploring the Relationship Between Arts Festivals and Economic Development in Rural Island Regions: A Case Study of Scotland’s Orkney Isles</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper explores arts festivals in terms of their relationship to local economic development within the rural island region of Orkney in Scotland. Fourteen qualitative, semi-structured interviews were conducted with arts festival... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_57551458" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper explores arts festivals in terms of their relationship to local economic development within the rural island region of Orkney in Scotland. Fourteen qualitative, semi-structured interviews were conducted with arts festival organisers, tourism representatives and local volunteers during the summer festival season. The findings offer new insights into the factors affecting how arts festivals impact the local economy; the areas of the local economy that are affected by arts festivals; and the implications of funding from awarding bodies on the endogenous development of arts festivals. For instance, it is concluded that supporting the cultural values of locals is vital to the economic success of rural arts festivals through a strategic design in the combined integration of minimised paid staff and maximised volunteers. Furthermore, it is revealed how in certain cases the initial retention of funding may benefit start-up arts festivals in terms of strategic development of their...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/57551458" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="11952730" href="https://liverpool.academia.edu/JordanGamble">Jordan R Gamble</a><script data-card-contents-for-user="11952730" type="text/json">{"id":11952730,"first_name":"Jordan","last_name":"Gamble","domain_name":"liverpool","page_name":"JordanGamble","display_name":"Jordan R Gamble","profile_url":"https://liverpool.academia.edu/JordanGamble?f_ri=53827","photo":"https://0.academia-photos.com/11952730/15846942/28359425/s65_jordan.gamble.jpg"}</script></span></span></li><li class="js-paper-rank-work_57551458 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="57551458"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 57551458, container: ".js-paper-rank-work_57551458", }); 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$(".js-view-count[data-work-id=57551458]").text(description); $(".js-view-count-work_57551458").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_57551458").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="57551458"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1057" href="https://www.academia.edu/Documents/in/Festivals_and_music">Festivals and music</a>, <script data-card-contents-for-ri="1057" type="text/json">{"id":1057,"name":"Festivals and music","url":"https://www.academia.edu/Documents/in/Festivals_and_music?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3135" href="https://www.academia.edu/Documents/in/Island_Studies">Island Studies</a>, <script data-card-contents-for-ri="3135" type="text/json">{"id":3135,"name":"Island Studies","url":"https://www.academia.edu/Documents/in/Island_Studies?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3609" href="https://www.academia.edu/Documents/in/Event_Management">Event Management</a>, <script data-card-contents-for-ri="3609" type="text/json">{"id":3609,"name":"Event Management","url":"https://www.academia.edu/Documents/in/Event_Management?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4702" href="https://www.academia.edu/Documents/in/Case_Study_Research">Case Study Research</a><script data-card-contents-for-ri="4702" type="text/json">{"id":4702,"name":"Case Study Research","url":"https://www.academia.edu/Documents/in/Case_Study_Research?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=57551458]'), work: {"id":57551458,"title":"Exploring the Relationship Between Arts Festivals and Economic Development in Rural Island Regions: A Case Study of Scotland’s Orkney Isles","created_at":"2021-10-13T08:20:59.317-07:00","url":"https://www.academia.edu/57551458/Exploring_the_Relationship_Between_Arts_Festivals_and_Economic_Development_in_Rural_Island_Regions_A_Case_Study_of_Scotland_s_Orkney_Isles?f_ri=53827","dom_id":"work_57551458","summary":"This paper explores arts festivals in terms of their relationship to local economic development within the rural island region of Orkney in Scotland. Fourteen qualitative, semi-structured interviews were conducted with arts festival organisers, tourism representatives and local volunteers during the summer festival season. The findings offer new insights into the factors affecting how arts festivals impact the local economy; the areas of the local economy that are affected by arts festivals; and the implications of funding from awarding bodies on the endogenous development of arts festivals. For instance, it is concluded that supporting the cultural values of locals is vital to the economic success of rural arts festivals through a strategic design in the combined integration of minimised paid staff and maximised volunteers. Furthermore, it is revealed how in certain cases the initial retention of funding may benefit start-up arts festivals in terms of strategic development of their...","downloadable_attachments":[],"ordered_authors":[{"id":11952730,"first_name":"Jordan","last_name":"Gamble","domain_name":"liverpool","page_name":"JordanGamble","display_name":"Jordan R Gamble","profile_url":"https://liverpool.academia.edu/JordanGamble?f_ri=53827","photo":"https://0.academia-photos.com/11952730/15846942/28359425/s65_jordan.gamble.jpg"}],"research_interests":[{"id":1057,"name":"Festivals and music","url":"https://www.academia.edu/Documents/in/Festivals_and_music?f_ri=53827","nofollow":false},{"id":3135,"name":"Island Studies","url":"https://www.academia.edu/Documents/in/Island_Studies?f_ri=53827","nofollow":false},{"id":3609,"name":"Event Management","url":"https://www.academia.edu/Documents/in/Event_Management?f_ri=53827","nofollow":false},{"id":4702,"name":"Case Study Research","url":"https://www.academia.edu/Documents/in/Case_Study_Research?f_ri=53827","nofollow":false},{"id":5305,"name":"Scottish Studies","url":"https://www.academia.edu/Documents/in/Scottish_Studies?f_ri=53827"},{"id":7453,"name":"Rural Development","url":"https://www.academia.edu/Documents/in/Rural_Development?f_ri=53827"},{"id":8083,"name":"Scottish Culture","url":"https://www.academia.edu/Documents/in/Scottish_Culture?f_ri=53827"},{"id":11395,"name":"Economic Development","url":"https://www.academia.edu/Documents/in/Economic_Development?f_ri=53827"},{"id":12217,"name":"Scottish music","url":"https://www.academia.edu/Documents/in/Scottish_music?f_ri=53827"},{"id":15315,"name":"Festival Tourism","url":"https://www.academia.edu/Documents/in/Festival_Tourism?f_ri=53827"},{"id":17649,"name":"Orkney and Shetland studies","url":"https://www.academia.edu/Documents/in/Orkney_and_Shetland_studies?f_ri=53827"},{"id":21638,"name":"Sustainable Rural Development","url":"https://www.academia.edu/Documents/in/Sustainable_Rural_Development?f_ri=53827"},{"id":43330,"name":"Regional economic development","url":"https://www.academia.edu/Documents/in/Regional_economic_development?f_ri=53827"},{"id":49890,"name":"Rural Planning and Development","url":"https://www.academia.edu/Documents/in/Rural_Planning_and_Development?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":81559,"name":"Scotland","url":"https://www.academia.edu/Documents/in/Scotland?f_ri=53827"},{"id":137080,"name":"Festival","url":"https://www.academia.edu/Documents/in/Festival?f_ri=53827"},{"id":202846,"name":"Music festivals","url":"https://www.academia.edu/Documents/in/Music_festivals?f_ri=53827"},{"id":218201,"name":"Rural Tourisme","url":"https://www.academia.edu/Documents/in/Rural_Tourisme?f_ri=53827"},{"id":344559,"name":"Music Festival Culture","url":"https://www.academia.edu/Documents/in/Music_Festival_Culture?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40841278" data-work_id="40841278" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40841278/Myths_Festivals_and_Rituals_in_Greece">Myths, Festivals and Rituals in Greece</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The local festival dedicated to the Anniversary of the Vision of Agia (Saint) or Osia (venerable, blessed, saint) Pelagia is celebrated on the Greek island of Tinos and is dedicated to one of the most recent Orthodox saints, Agia Pelagia,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40841278" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The local festival dedicated to the Anniversary of the Vision of Agia (Saint) or Osia (venerable, blessed, saint) Pelagia is celebrated on the Greek island of Tinos and is dedicated to one of the most recent Orthodox saints, Agia Pelagia, a nun who was sanctified in 1971. After the great Greek War of Liberation (1821) broke out, the pious nun Pelagia had several mystical visions which lead to the finding of the miraculous icon of the Annunciation. According to the tradition, Pelagia repeatedly saw, in her visions, the Panagia (Virgin Mary), who ordered her to start digging to find her icon. In 1823, the icon was unearthed in the field where it had remained for about 850 years. “Pelagia’s Vision” is celebrated annually on 23 July. During the festival the church housing her skull next to her cell in the monastery of Kekhrovouno, where she had the visions, is particularly important. <br /> Based on a presentation of this festival and some other relevant rituals from Greece where I have conducted fieldwork, the article will explore some aspects of the way myths are important when re-presenting the past in the Greek context both, earlier and today. <br /> <br />Keywords: Method, Myth/s, Gender, Greece, Festivals</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40841278" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e74019a266c2a35433d4ecfe0f3fe7b2" rel="nofollow" data-download="{"attachment_id":61150950,"asset_id":40841278,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61150950/download_file?st=MTczMjUzMzcyOCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="571830" href="https://uoa.academia.edu/EvyJohanneHaland">Evy Johanne Håland</a><script data-card-contents-for-user="571830" type="text/json">{"id":571830,"first_name":"Evy Johanne","last_name":"Håland","domain_name":"uoa","page_name":"EvyJohanneHaland","display_name":"Evy Johanne Håland","profile_url":"https://uoa.academia.edu/EvyJohanneHaland?f_ri=53827","photo":"https://0.academia-photos.com/571830/247485/87834515/s65_evy_johanne.h_land.jpg"}</script></span></span></li><li class="js-paper-rank-work_40841278 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40841278"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40841278, container: ".js-paper-rank-work_40841278", }); 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$(".js-view-count[data-work-id=40841278]").text(description); $(".js-view-count-work_40841278").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40841278").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40841278"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="106" href="https://www.academia.edu/Documents/in/Religion">Religion</a>, <script data-card-contents-for-ri="106" type="text/json">{"id":106,"name":"Religion","url":"https://www.academia.edu/Documents/in/Religion?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="696" href="https://www.academia.edu/Documents/in/Gender_Studies">Gender Studies</a>, <script data-card-contents-for-ri="696" type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="767" href="https://www.academia.edu/Documents/in/Anthropology">Anthropology</a><script data-card-contents-for-ri="767" type="text/json">{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40841278]'), work: {"id":40841278,"title":"Myths, Festivals and Rituals in Greece","created_at":"2019-11-04T15:38:21.740-08:00","url":"https://www.academia.edu/40841278/Myths_Festivals_and_Rituals_in_Greece?f_ri=53827","dom_id":"work_40841278","summary":"The local festival dedicated to the Anniversary of the Vision of Agia (Saint) or Osia (venerable, blessed, saint) Pelagia is celebrated on the Greek island of Tinos and is dedicated to one of the most recent Orthodox saints, Agia Pelagia, a nun who was sanctified in 1971. After the great Greek War of Liberation (1821) broke out, the pious nun Pelagia had several mystical visions which lead to the finding of the miraculous icon of the Annunciation. According to the tradition, Pelagia repeatedly saw, in her visions, the Panagia (Virgin Mary), who ordered her to start digging to find her icon. In 1823, the icon was unearthed in the field where it had remained for about 850 years. “Pelagia’s Vision” is celebrated annually on 23 July. During the festival the church housing her skull next to her cell in the monastery of Kekhrovouno, where she had the visions, is particularly important.\r\n\tBased on a presentation of this festival and some other relevant rituals from Greece where I have conducted fieldwork, the article will explore some aspects of the way myths are important when re-presenting the past in the Greek context both, earlier and today. \r\n\r\nKeywords: Method, Myth/s, Gender, Greece, Festivals \r\n\r\n","downloadable_attachments":[{"id":61150950,"asset_id":40841278,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":571830,"first_name":"Evy Johanne","last_name":"Håland","domain_name":"uoa","page_name":"EvyJohanneHaland","display_name":"Evy Johanne Håland","profile_url":"https://uoa.academia.edu/EvyJohanneHaland?f_ri=53827","photo":"https://0.academia-photos.com/571830/247485/87834515/s65_evy_johanne.h_land.jpg"}],"research_interests":[{"id":106,"name":"Religion","url":"https://www.academia.edu/Documents/in/Religion?f_ri=53827","nofollow":false},{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=53827","nofollow":false},{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=53827","nofollow":false},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology?f_ri=53827","nofollow":false},{"id":2065,"name":"Research Methodology","url":"https://www.academia.edu/Documents/in/Research_Methodology?f_ri=53827"},{"id":3337,"name":"Balkan Studies","url":"https://www.academia.edu/Documents/in/Balkan_Studies?f_ri=53827"},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology?f_ri=53827"},{"id":4058,"name":"Ritual","url":"https://www.academia.edu/Documents/in/Ritual?f_ri=53827"},{"id":6952,"name":"Mediterranean Studies","url":"https://www.academia.edu/Documents/in/Mediterranean_Studies?f_ri=53827"},{"id":7256,"name":"Saints' Cults","url":"https://www.academia.edu/Documents/in/Saints_Cults?f_ri=53827"},{"id":21902,"name":"Time Perception","url":"https://www.academia.edu/Documents/in/Time_Perception?f_ri=53827"},{"id":48044,"name":"Greece","url":"https://www.academia.edu/Documents/in/Greece?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":83404,"name":"Myths","url":"https://www.academia.edu/Documents/in/Myths?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5797844" data-work_id="5797844" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5797844/2007_The_role_of_the_Roman_calendar_for_the_formation_of_the_Imperium_Romanum_and_for_the_confessional_states_of_the_16th_century">2007 - The role of the Roman calendar for the formation of the Imperium Romanum and for the confessional states of the 16th century</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5797844" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4188b41e8ba164dd8021eb52e452d1d1" rel="nofollow" data-download="{"attachment_id":54835787,"asset_id":5797844,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54835787/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5921289" href="https://uni-erfurt.academia.edu/JoergRuepke">Joerg Ruepke</a><script data-card-contents-for-user="5921289" type="text/json">{"id":5921289,"first_name":"Joerg","last_name":"Ruepke","domain_name":"uni-erfurt","page_name":"JoergRuepke","display_name":"Joerg Ruepke","profile_url":"https://uni-erfurt.academia.edu/JoergRuepke?f_ri=53827","photo":"https://0.academia-photos.com/5921289/2620892/3043710/s65_joerg.ruepke.jpg"}</script></span></span></li><li class="js-paper-rank-work_5797844 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5797844"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5797844, container: ".js-paper-rank-work_5797844", }); });</script></li><li class="js-percentile-work_5797844 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x 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u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39724481" data-work_id="39724481" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39724481/Les_visages_de_Soleil_et_Lune_Configurations_calendaires_mythiques_et_rituelles_du_temps_chez_les_Mixes_de_l_Oaxaca_Mexique">Les visages de Soleil et Lune Configurations calendaires, mythiques et rituelles du temps chez les Mixes de l’Oaxaca, Mexique</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Thèse de doctorat présentée le 17 Septembre 2001 à l'Ecole Pratique des Hautes, Paris-Sorbonne, sous la direction de Michel Graulich, Directeur d'Etudes. Le travail étudie la continuité mais aussi les ruptures et les innovations dans la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39724481" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Thèse de doctorat présentée le 17 Septembre 2001 à l'Ecole Pratique des Hautes, Paris-Sorbonne, sous la direction de Michel Graulich, Directeur d'Etudes. Le travail étudie la continuité mais aussi les ruptures et les innovations dans la vision du monde des Mixes du Sud de Mexique tel que l'on a pu observer dans ses mythes et rituels.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39724481" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6b22b595ca5a18153eafa7d1f0b1d45d" rel="nofollow" data-download="{"attachment_id":59900729,"asset_id":39724481,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59900729/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2474831" href="https://ephe.academia.edu/GustavoTorres">Gustavo Torres</a><script data-card-contents-for-user="2474831" type="text/json">{"id":2474831,"first_name":"Gustavo","last_name":"Torres","domain_name":"ephe","page_name":"GustavoTorres","display_name":"Gustavo Torres","profile_url":"https://ephe.academia.edu/GustavoTorres?f_ri=53827","photo":"https://0.academia-photos.com/2474831/774282/962278/s65_gustavo.torres.jpg"}</script></span></span></li><li class="js-paper-rank-work_39724481 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39724481"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39724481, container: ".js-paper-rank-work_39724481", }); 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Tempi del lavoro e ritmi della festa","created_at":"2014-12-16T10:56:05.458-08:00","url":"https://www.academia.edu/9799120/I_morti_e_il_grano_Tempi_del_lavoro_e_ritmi_della_festa?f_ri=53827","dom_id":"work_9799120","summary":null,"downloadable_attachments":[{"id":35972129,"asset_id":9799120,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1129348,"first_name":"Ignazio","last_name":"Buttitta","domain_name":"unipa","page_name":"IgnazioButtitta","display_name":"Ignazio E Buttitta","profile_url":"https://unipa.academia.edu/IgnazioButtitta?f_ri=53827","photo":"https://0.academia-photos.com/1129348/395717/6257608/s65_ignazio.buttitta.jpg"}],"research_interests":[{"id":20774,"name":"Ritual (Anthropology)","url":"https://www.academia.edu/Documents/in/Ritual_Anthropology_?f_ri=53827","nofollow":false},{"id":27637,"name":"Calendars","url":"https://www.academia.edu/Documents/in/Calendars?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":951309,"name":"Traditional Festival and Construction of Locality","url":"https://www.academia.edu/Documents/in/Traditional_Festival_and_Construction_of_Locality?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38936343" data-work_id="38936343" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38936343/THE_MAITREYA_PRAYER_FESTIVAL_AT_BKRA_SHIS_LHUN_PO_A_HISTORICAL_AND_ART_HISTORICAL_STUDY">THE MAITREYA PRAYER FESTIVAL AT BKRA SHIS LHUN PO: A HISTORICAL AND ART HISTORICAL STUDY</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article deals with an important festival in Tibet dedicated to the future Buddha Maitreya. It was held on three days in summer when three giant thangkas showing Buddhas Amitābha, Śākyamuni and Maitreya were put on public display.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38936343" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article deals with an important festival in Tibet dedicated to the future Buddha Maitreya. It was held on three days in summer when three giant thangkas showing Buddhas Amitābha, Śākyamuni and Maitreya were put on public display. Introduced in the seventeenth century, it became a defining feature of the monastic life in the Dge lugs monastery of Bkra shis lhun po, the seat of the Panchen Lamas. It attained a supra-regional importance, which even extended to Mongolia. Based on a number of textual sources, this essay examines various aspects of this festival, how it was funded, who participated, and which rituals and ceremonies were conducted. It also analyses the history and iconography of the three giant textile thangkas by discussing in detail the contributions made during the reign of each respective Panchen Lama from the past to the present. In sum, the article argues that this festival has to be seen in the context of a special bond the Dge lugs school of Tibetan Buddhism maintained to have with the future Buddha Maitreya</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38936343" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8af11757e205dce27f61423c3f00d57a" rel="nofollow" data-download="{"attachment_id":59037562,"asset_id":38936343,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59037562/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5264545" href="https://uni-leipzig.academia.edu/OlafCzaja">Olaf Czaja</a><script data-card-contents-for-user="5264545" type="text/json">{"id":5264545,"first_name":"Olaf","last_name":"Czaja","domain_name":"uni-leipzig","page_name":"OlafCzaja","display_name":"Olaf Czaja","profile_url":"https://uni-leipzig.academia.edu/OlafCzaja?f_ri=53827","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_38936343 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38936343"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38936343, container: ".js-paper-rank-work_38936343", }); 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It was held on three days in summer when three giant thangkas showing Buddhas Amitābha, Śākyamuni and Maitreya were put on public display. Introduced in the seventeenth century, it became a defining feature of the monastic life in the Dge lugs monastery of Bkra shis lhun po, the seat of the Panchen Lamas. It attained a supra-regional importance, which even extended to Mongolia. Based on a number of textual sources, this essay examines various aspects of this festival, how it was funded, who participated, and which rituals and ceremonies were conducted. It also analyses the history and iconography of the three giant textile thangkas by discussing in detail the contributions made during the reign of each respective Panchen Lama from the past to the present. In sum, the article argues that this festival has to be seen in the context of a special bond the Dge lugs school of Tibetan Buddhism maintained to have with the future Buddha Maitreya","downloadable_attachments":[{"id":59037562,"asset_id":38936343,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5264545,"first_name":"Olaf","last_name":"Czaja","domain_name":"uni-leipzig","page_name":"OlafCzaja","display_name":"Olaf Czaja","profile_url":"https://uni-leipzig.academia.edu/OlafCzaja?f_ri=53827","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":113,"name":"Buddhism","url":"https://www.academia.edu/Documents/in/Buddhism?f_ri=53827","nofollow":false},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=53827","nofollow":false},{"id":380,"name":"Asian Studies","url":"https://www.academia.edu/Documents/in/Asian_Studies?f_ri=53827","nofollow":false},{"id":2905,"name":"Tibetan Studies","url":"https://www.academia.edu/Documents/in/Tibetan_Studies?f_ri=53827","nofollow":false},{"id":2906,"name":"Buddhist Studies","url":"https://www.academia.edu/Documents/in/Buddhist_Studies?f_ri=53827"},{"id":6034,"name":"Mongolian Studies","url":"https://www.academia.edu/Documents/in/Mongolian_Studies?f_ri=53827"},{"id":8240,"name":"Tibet","url":"https://www.academia.edu/Documents/in/Tibet?f_ri=53827"},{"id":16592,"name":"Tibeto-Mongolian Buddhism","url":"https://www.academia.edu/Documents/in/Tibeto-Mongolian_Buddhism?f_ri=53827"},{"id":18313,"name":"Tibetan Buddhism","url":"https://www.academia.edu/Documents/in/Tibetan_Buddhism?f_ri=53827"},{"id":25719,"name":"Religious History","url":"https://www.academia.edu/Documents/in/Religious_History?f_ri=53827"},{"id":29966,"name":"Tibetan and Himalayan societies","url":"https://www.academia.edu/Documents/in/Tibetan_and_Himalayan_societies?f_ri=53827"},{"id":48550,"name":"Religious Studies","url":"https://www.academia.edu/Documents/in/Religious_Studies?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":62231,"name":"Tibetan Art","url":"https://www.academia.edu/Documents/in/Tibetan_Art?f_ri=53827"},{"id":111884,"name":"Tibetan History","url":"https://www.academia.edu/Documents/in/Tibetan_History?f_ri=53827"},{"id":348188,"name":"Asian Art","url":"https://www.academia.edu/Documents/in/Asian_Art?f_ri=53827"},{"id":716445,"name":"Mongolian history","url":"https://www.academia.edu/Documents/in/Mongolian_history?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37493469 coauthored" data-work_id="37493469" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37493469/Discussion_Papers_in_Arts_and_Festivals_Management_Reviving_Traditional_Folk_Events_in_the_UK">Discussion Papers in Arts and Festivals Management Reviving Traditional Folk Events in the UK</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Traditional folk events occupy a sacred space in the collective cultural identity of the United Kingdom. Ridiculed and suppressed there have been periods in history when it looked very much as if their decline was terminal. However, in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37493469" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Traditional folk events occupy a sacred space in the collective cultural identity of the United Kingdom. Ridiculed and suppressed there have been periods in history when it looked very much as if their decline was terminal. However, in the twenty first century many events are in good health and cherished by enthusiastic communities who organise, participate or simply turn out to enjoy the spectacle.<br />That these events exist at all is usually due to the work of charismatic community activists who choose to not only participate but act as researchers, archivists and organisers. They may also be founders of revived events that were once dormant. This study examines the reasons event organisers choose to revive traditional folk events in the U.K. Research was undertaken in the form of interviews with organisers, documentary analysis, surveys of participants and observation during attendance at a series of events that took place from January to May 2017.<br />The analysis presented here tested the hypothesis that event organisers revive traditional events because of a perceived erosion and potential loss of their cultural identity. In doing so it was discovered that there are complex reasons underlying revivals in the UK. Whilst a perceived loss of cultural identity may be one factor that inspires organisers to revive traditional events that sensation is not universal. Testing the cultural identity hypothesis revealed that connecting with the past is part of a richly detailed set of semiotic codes that event organisers use as part of a creative toolkit.<br />Using language such as ‘tradition’ and ‘revival’ in events can create obligations to participate. Tradition can be seen as a malleable resource available to event organisers who may use it without viewing authenticity as a priority. The use of these semiotic codes link with a past that is part of an English cultural identity. These semiotic codes form a creative resource called tradition that can be employed to drive engagement and participation.<br />With reference to the theories of Tönnies and Durkheim this study demonstrates that a relationship with an imagined past assists organisers in creating social interventions in a community. Analysis of the research illustrates that traditional folk events have a societal role that organisers understand and exploit for community value.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37493469" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="403344b8a8d462702c43f539d1b0114e" rel="nofollow" data-download="{"attachment_id":57464261,"asset_id":37493469,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57464261/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="42584699" href="https://dmu.academia.edu/ArtsandFestivalsManagementDiscussionPapers">Discussion Papers in Arts & Festivals Management</a><script data-card-contents-for-user="42584699" type="text/json">{"id":42584699,"first_name":"Discussion Papers in","last_name":"Arts \u0026 Festivals Management","domain_name":"dmu","page_name":"ArtsandFestivalsManagementDiscussionPapers","display_name":"Discussion Papers in Arts \u0026 Festivals Management","profile_url":"https://dmu.academia.edu/ArtsandFestivalsManagementDiscussionPapers?f_ri=53827","photo":"https://0.academia-photos.com/42584699/11552916/12884426/s65_discussion_papers_in.arts_festivals_management.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-37493469">+1</span><div class="hidden js-additional-users-37493469"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://aub-uk.academia.edu/KevinChambers">Kevin Chambers</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-37493469'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-37493469').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37493469 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37493469"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37493469; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37493469]").text(description); $(".js-view-count-work_37493469").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37493469").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37493469"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16213" href="https://www.academia.edu/Documents/in/Folk_Music">Folk Music</a>, <script data-card-contents-for-ri="16213" type="text/json">{"id":16213,"name":"Folk Music","url":"https://www.academia.edu/Documents/in/Folk_Music?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="166076" href="https://www.academia.edu/Documents/in/Cultural_Revivalism">Cultural Revivalism</a><script data-card-contents-for-ri="166076" type="text/json">{"id":166076,"name":"Cultural Revivalism","url":"https://www.academia.edu/Documents/in/Cultural_Revivalism?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37493469]'), work: {"id":37493469,"title":"Discussion Papers in Arts and Festivals Management Reviving Traditional Folk Events in the UK","created_at":"2018-09-28T05:40:58.295-07:00","url":"https://www.academia.edu/37493469/Discussion_Papers_in_Arts_and_Festivals_Management_Reviving_Traditional_Folk_Events_in_the_UK?f_ri=53827","dom_id":"work_37493469","summary":"Traditional folk events occupy a sacred space in the collective cultural identity of the United Kingdom. Ridiculed and suppressed there have been periods in history when it looked very much as if their decline was terminal. However, in the twenty first century many events are in good health and cherished by enthusiastic communities who organise, participate or simply turn out to enjoy the spectacle.\nThat these events exist at all is usually due to the work of charismatic community activists who choose to not only participate but act as researchers, archivists and organisers. They may also be founders of revived events that were once dormant. This study examines the reasons event organisers choose to revive traditional folk events in the U.K. Research was undertaken in the form of interviews with organisers, documentary analysis, surveys of participants and observation during attendance at a series of events that took place from January to May 2017.\nThe analysis presented here tested the hypothesis that event organisers revive traditional events because of a perceived erosion and potential loss of their cultural identity. In doing so it was discovered that there are complex reasons underlying revivals in the UK. Whilst a perceived loss of cultural identity may be one factor that inspires organisers to revive traditional events that sensation is not universal. Testing the cultural identity hypothesis revealed that connecting with the past is part of a richly detailed set of semiotic codes that event organisers use as part of a creative toolkit.\nUsing language such as ‘tradition’ and ‘revival’ in events can create obligations to participate. Tradition can be seen as a malleable resource available to event organisers who may use it without viewing authenticity as a priority. The use of these semiotic codes link with a past that is part of an English cultural identity. These semiotic codes form a creative resource called tradition that can be employed to drive engagement and participation.\nWith reference to the theories of Tönnies and Durkheim this study demonstrates that a relationship with an imagined past assists organisers in creating social interventions in a community. Analysis of the research illustrates that traditional folk events have a societal role that organisers understand and exploit for community value.","downloadable_attachments":[{"id":57464261,"asset_id":37493469,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":42584699,"first_name":"Discussion Papers in","last_name":"Arts \u0026 Festivals Management","domain_name":"dmu","page_name":"ArtsandFestivalsManagementDiscussionPapers","display_name":"Discussion Papers in Arts \u0026 Festivals Management","profile_url":"https://dmu.academia.edu/ArtsandFestivalsManagementDiscussionPapers?f_ri=53827","photo":"https://0.academia-photos.com/42584699/11552916/12884426/s65_discussion_papers_in.arts_festivals_management.png"},{"id":94010593,"first_name":"Kevin","last_name":"Chambers","domain_name":"aub-uk","page_name":"KevinChambers","display_name":"Kevin Chambers","profile_url":"https://aub-uk.academia.edu/KevinChambers?f_ri=53827","photo":"https://0.academia-photos.com/94010593/20599991/129007803/s65_kevin.chambers.png"}],"research_interests":[{"id":16213,"name":"Folk Music","url":"https://www.academia.edu/Documents/in/Folk_Music?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":166076,"name":"Cultural Revivalism","url":"https://www.academia.edu/Documents/in/Cultural_Revivalism?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10020372" data-work_id="10020372" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10020372/Unmanned_vehicles">Unmanned vehicles</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">En juin 1606, au palais ducal de Nancy, on s’activait pour les festivités des noces (remariage) du duc Henri de Bar avec une princesse italienne, Marguerite de Gonzague. Il s’agissait d’éblouir les invités ! On prépara un ballet de douze... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10020372" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">En juin 1606, au palais ducal de Nancy, on s’activait pour les festivités des noces (remariage) du duc Henri de Bar avec une princesse italienne, Marguerite de Gonzague. Il s’agissait d’éblouir les invités ! On prépara un ballet de douze dames qui devaient descendre du « char de l’Amour » puis danser et chanter. Le char avait à franchir au maximum une vingtaine de mètres dans la salle d’apparat du premier étage du palais. <br /> <br /> D’abord, on eut l’idée, comme on le faisait d’ordinaire pour de semblables occasions, de le mettre en mouvement à l’aide d’hommes dissimulés par en dessous, avec des animaux peints semblant le tirer. Or on changea soudain d’avis et l’on décida que ce char serait mû par un mécanisme invisible, tandis que des chanteurs déguisés en « esclaves » accompagneraient sa progression. Le vieux Jean du Vivier, un ingénieur venu exprès de Lyon, passa dix jours à mettre au point cette invention avec un serrurier ; le principe en était, selon sa facture, une vis sans fin avec de grandes roues de fer à pignons, autrement dit un système moteur à engrenages, dont il n’est pas possible toutefois de préciser le fonctionnement. <br />Dans ces quelques pages, je tente de démontrer que cet engin était un drone.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10020372" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1846c8b490a5848e3c452d08acc22fa8" rel="nofollow" data-download="{"attachment_id":36154605,"asset_id":10020372,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36154605/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="807143" href="https://u-bourgogne.academia.edu/PauletteChon%C3%A9">Paulette Choné</a><script data-card-contents-for-user="807143" type="text/json">{"id":807143,"first_name":"Paulette","last_name":"Choné","domain_name":"u-bourgogne","page_name":"PauletteChoné","display_name":"Paulette Choné","profile_url":"https://u-bourgogne.academia.edu/PauletteChon%C3%A9?f_ri=53827","photo":"https://0.academia-photos.com/807143/279321/330263/s65_paulette.chon_.jpg"}</script></span></span></li><li class="js-paper-rank-work_10020372 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10020372"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10020372, container: ".js-paper-rank-work_10020372", }); });</script></li><li class="js-percentile-work_10020372 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10020372; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_10020372"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_10020372 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="10020372"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10020372; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10020372]").text(description); $(".js-view-count-work_10020372").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10020372").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10020372"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="22920" href="https://www.academia.edu/Documents/in/Automobile">Automobile</a>, <script data-card-contents-for-ri="22920" type="text/json">{"id":22920,"name":"Automobile","url":"https://www.academia.edu/Documents/in/Automobile?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="181995" href="https://www.academia.edu/Documents/in/Aeronautics">Aeronautics</a><script data-card-contents-for-ri="181995" type="text/json">{"id":181995,"name":"Aeronautics","url":"https://www.academia.edu/Documents/in/Aeronautics?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10020372]'), work: {"id":10020372,"title":"Unmanned vehicles","created_at":"2015-01-05T13:13:10.548-08:00","url":"https://www.academia.edu/10020372/Unmanned_vehicles?f_ri=53827","dom_id":"work_10020372","summary":"En juin 1606, au palais ducal de Nancy, on s’activait pour les festivités des noces (remariage) du duc Henri de Bar avec une princesse italienne, Marguerite de Gonzague. Il s’agissait d’éblouir les invités ! On prépara un ballet de douze dames qui devaient descendre du « char de l’Amour » puis danser et chanter. Le char avait à franchir au maximum une vingtaine de mètres dans la salle d’apparat du premier étage du palais. \n\t\t\n\tD’abord, on eut l’idée, comme on le faisait d’ordinaire pour de semblables occasions, de le mettre en mouvement à l’aide d’hommes dissimulés par en dessous, avec des animaux peints semblant le tirer. Or on changea soudain d’avis et l’on décida que ce char serait mû par un mécanisme invisible, tandis que des chanteurs déguisés en « esclaves » accompagneraient sa progression. Le vieux Jean du Vivier, un ingénieur venu exprès de Lyon, passa dix jours à mettre au point cette invention avec un serrurier ; le principe en était, selon sa facture, une vis sans fin avec de grandes roues de fer à pignons, autrement dit un système moteur à engrenages, dont il n’est pas possible toutefois de préciser le fonctionnement. \nDans ces quelques pages, je tente de démontrer que cet engin était un drone.\n","downloadable_attachments":[{"id":36154605,"asset_id":10020372,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":807143,"first_name":"Paulette","last_name":"Choné","domain_name":"u-bourgogne","page_name":"PauletteChoné","display_name":"Paulette Choné","profile_url":"https://u-bourgogne.academia.edu/PauletteChon%C3%A9?f_ri=53827","photo":"https://0.academia-photos.com/807143/279321/330263/s65_paulette.chon_.jpg"}],"research_interests":[{"id":22920,"name":"Automobile","url":"https://www.academia.edu/Documents/in/Automobile?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":181995,"name":"Aeronautics","url":"https://www.academia.edu/Documents/in/Aeronautics?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36008086" data-work_id="36008086" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36008086/Guru_purnima">Guru purnima</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Though Gurus have been an integral part of ancient Hinduism, the celebration of a specific purnima in their honour in the month of Ashadha is a contribution of Buddhism and Jainism. Gurus and their ashramas or pathshalas have served as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36008086" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Though Gurus have been an integral part of ancient Hinduism, the celebration of a specific purnima in their honour in the month of Ashadha is a contribution of Buddhism and Jainism. Gurus and their ashramas or pathshalas have served as boarding schools or even for day-time education of students for the entire period of their childhood and early youth that covered the Brahmacharyya phase of their life, but there is no unanimity  on the exact date of entry. Those Gurus who taught specific skills, like Dronacharya did to the young Kauravas and Pandavas, did not mention any specific entry date for their academic year or semesters, while other adult- life spiritual Gurus were and are rather open ended on their admission policies. Buddhists, however, were quite clear  that Guru Punima marked the beginning of the season of Varsha or Vassa as it is called in  Pali, when both young and old monks had to leave human habitations and huddle together in distant caves and monasteries. Some courses were  open to other devotees who were interested in pursuing courses in theology, scholastic disciplines or even in pure meditative discipline for the benefits of naturopathPopularly known as the 'Rains Retreat', this full moon was the definitive day for the monsoons to have reached all parts of India, even though the coastal areas receive their rains earlier than others. It was the day for the flock of teachers and students to get together and begin the mandatory thirty-six week Trimester courses. Contemporary Jainism also began their Chaturmaas or four month period of piety and both religions continue to do so even today rather strictly. They believe that it was on this very purnima that Tirthankara Mahavira ordained his first disciple, Gautama Swami of Gandhara as his first disciple and this reminds us of the strong Buddhist tradition that a month after receiving his 'enlightenment', the Buddha delivered his first sermon to his five former companions, which is called the Dhamma-Cakkappavattana Sutta on the full moon day of Ashadah at Sarnath and that he spent the first four-month Vassa at Mula- gandha-kuti. It was the period for all followers of Buddhism and Jainism to give up meat, fish and certain other food items.....</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36008086" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d5222af35152e2ca6b04339865ee215d" rel="nofollow" data-download="{"attachment_id":55894962,"asset_id":36008086,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55894962/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6525008" href="https://independent.academia.edu/SircarJawhar">Jawhar Sircar</a><script data-card-contents-for-user="6525008" type="text/json">{"id":6525008,"first_name":"Jawhar","last_name":"Sircar","domain_name":"independent","page_name":"SircarJawhar","display_name":"Jawhar Sircar","profile_url":"https://independent.academia.edu/SircarJawhar?f_ri=53827","photo":"https://0.academia-photos.com/6525008/19130880/35135863/s65_jawhar.sircar.jpeg"}</script></span></span></li><li class="js-paper-rank-work_36008086 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36008086"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36008086, container: ".js-paper-rank-work_36008086", }); 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$(".js-view-count[data-work-id=36008086]").text(description); $(".js-view-count-work_36008086").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36008086").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36008086"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="114" href="https://www.academia.edu/Documents/in/Hinduism">Hinduism</a>, <script data-card-contents-for-ri="114" type="text/json">{"id":114,"name":"Hinduism","url":"https://www.academia.edu/Documents/in/Hinduism?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1057" href="https://www.academia.edu/Documents/in/Festivals_and_music">Festivals and music</a>, <script data-card-contents-for-ri="1057" type="text/json">{"id":1057,"name":"Festivals and music","url":"https://www.academia.edu/Documents/in/Festivals_and_music?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3783" href="https://www.academia.edu/Documents/in/Contemporary_Spirituality">Contemporary Spirituality</a>, <script data-card-contents-for-ri="3783" type="text/json">{"id":3783,"name":"Contemporary Spirituality","url":"https://www.academia.edu/Documents/in/Contemporary_Spirituality?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3815" href="https://www.academia.edu/Documents/in/Spirituality">Spirituality</a><script data-card-contents-for-ri="3815" type="text/json">{"id":3815,"name":"Spirituality","url":"https://www.academia.edu/Documents/in/Spirituality?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36008086]'), work: {"id":36008086,"title":"Guru purnima","created_at":"2018-02-25T01:06:49.693-08:00","url":"https://www.academia.edu/36008086/Guru_purnima?f_ri=53827","dom_id":"work_36008086","summary":"Though Gurus have been an integral part of ancient Hinduism, the celebration of a specific purnima in their honour in the month of Ashadha is a contribution of Buddhism and Jainism. Gurus and their ashramas or pathshalas have served as boarding schools or even for day-time education of students for the entire period of their childhood and early youth that covered the Brahmacharyya phase of their life, but there is no unanimity on the exact date of entry. Those Gurus who taught specific skills, like Dronacharya did to the young Kauravas and Pandavas, did not mention any specific entry date for their academic year or semesters, while other adult- life spiritual Gurus were and are rather open ended on their admission policies. Buddhists, however, were quite clear that Guru Punima marked the beginning of the season of Varsha or Vassa as it is called in Pali, when both young and old monks had to leave human habitations and huddle together in distant caves and monasteries. Some courses were open to other devotees who were interested in pursuing courses in theology, scholastic disciplines or even in pure meditative discipline for the benefits of naturopathPopularly known as the 'Rains Retreat', this full moon was the definitive day for the monsoons to have reached all parts of India, even though the coastal areas receive their rains earlier than others. It was the day for the flock of teachers and students to get together and begin the mandatory thirty-six week Trimester courses. Contemporary Jainism also began their Chaturmaas or four month period of piety and both religions continue to do so even today rather strictly. They believe that it was on this very purnima that Tirthankara Mahavira ordained his first disciple, Gautama Swami of Gandhara as his first disciple and this reminds us of the strong Buddhist tradition that a month after receiving his 'enlightenment', the Buddha delivered his first sermon to his five former companions, which is called the Dhamma-Cakkappavattana Sutta on the full moon day of Ashadah at Sarnath and that he spent the first four-month Vassa at Mula- gandha-kuti. It was the period for all followers of Buddhism and Jainism to give up meat, fish and certain other food items..... ","downloadable_attachments":[{"id":55894962,"asset_id":36008086,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6525008,"first_name":"Jawhar","last_name":"Sircar","domain_name":"independent","page_name":"SircarJawhar","display_name":"Jawhar Sircar","profile_url":"https://independent.academia.edu/SircarJawhar?f_ri=53827","photo":"https://0.academia-photos.com/6525008/19130880/35135863/s65_jawhar.sircar.jpeg"}],"research_interests":[{"id":114,"name":"Hinduism","url":"https://www.academia.edu/Documents/in/Hinduism?f_ri=53827","nofollow":false},{"id":1057,"name":"Festivals and music","url":"https://www.academia.edu/Documents/in/Festivals_and_music?f_ri=53827","nofollow":false},{"id":3783,"name":"Contemporary Spirituality","url":"https://www.academia.edu/Documents/in/Contemporary_Spirituality?f_ri=53827","nofollow":false},{"id":3815,"name":"Spirituality","url":"https://www.academia.edu/Documents/in/Spirituality?f_ri=53827","nofollow":false},{"id":19109,"name":"Spiritualism","url":"https://www.academia.edu/Documents/in/Spiritualism?f_ri=53827"},{"id":21231,"name":"Spirituality \u0026 Psychology","url":"https://www.academia.edu/Documents/in/Spirituality_and_Psychology?f_ri=53827"},{"id":35851,"name":"Hindu Philosophy","url":"https://www.academia.edu/Documents/in/Hindu_Philosophy?f_ri=53827"},{"id":51217,"name":"Community Events and Festivals","url":"https://www.academia.edu/Documents/in/Community_Events_and_Festivals?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":71894,"name":"Hindu Mythology","url":"https://www.academia.edu/Documents/in/Hindu_Mythology?f_ri=53827"},{"id":80929,"name":"Hindu temples","url":"https://www.academia.edu/Documents/in/Hindu_temples?f_ri=53827"},{"id":93257,"name":"Hindu Studies","url":"https://www.academia.edu/Documents/in/Hindu_Studies?f_ri=53827"},{"id":137080,"name":"Festival","url":"https://www.academia.edu/Documents/in/Festival?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26508340 coauthored" data-work_id="26508340" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26508340/Dragon_Dance_in_Tu_Village_Social_Cohesion_and_Symbolic_Warfare">Dragon Dance in Tu Village: Social Cohesion and Symbolic Warfare</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">China has a rich heritage of " folk sports " : traditional dance, processions and parades, games, martial arts, and acrobatics. Unfortunately, in the wake of social reforms designed to " modernize " the nation in the mid-20 th century and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26508340" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">China has a rich heritage of " folk sports " : traditional dance, processions and parades, games, martial arts, and acrobatics. Unfortunately, in the wake of social reforms designed to " modernize " the nation in the mid-20 th century and the growing popularity of international sports, opportunities to document many of the folk sports in context may have been lost. In certain cases, however, reconstruction of the traditional contexts of folk sports in ritual, festival, or similar cultural enactments is possible. In such cases, we can attempt to understand their original social functions to create cohesion, articulate social conflict, mark boundaries, etc. This article considers the case of the Dragon Dance as performed during Spring Festival at Tu Village in Southeastern China. We argue that beyond the ancestral function of this folk sport as festival symbol, the dance serves as a vehicle for articulating territorial disputes between neighboring villages, a variety of surrogate warfare. The following article applies folkloristics, economic, political and symbolic anthropology to interpret the historic functions of the Dragon Dance complex and to illuminate general theories about the interconnections among the performed world and the social world.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26508340" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3d112ab6bd1dbd7a1907a8eb3d252110" rel="nofollow" data-download="{"attachment_id":46804887,"asset_id":26508340,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46804887/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2783234" href="https://tamu.academia.edu/ThomasGreen">Thomas Green</a><script data-card-contents-for-user="2783234" type="text/json">{"id":2783234,"first_name":"Thomas","last_name":"Green","domain_name":"tamu","page_name":"ThomasGreen","display_name":"Thomas Green","profile_url":"https://tamu.academia.edu/ThomasGreen?f_ri=53827","photo":"https://0.academia-photos.com/2783234/908976/1136115/s65_thomas.green.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-26508340">+1</span><div class="hidden js-additional-users-26508340"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/GreenT">Thomas Green</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-26508340'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-26508340').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_26508340 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="26508340"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 26508340; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=26508340]").text(description); $(".js-view-count-work_26508340").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_26508340").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="26508340"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="4260" href="https://www.academia.edu/Documents/in/Anthropology_Of_Dance">Anthropology Of Dance</a>, <script data-card-contents-for-ri="4260" type="text/json">{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12108" href="https://www.academia.edu/Documents/in/China">China</a>, <script data-card-contents-for-ri="12108" type="text/json">{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14370" href="https://www.academia.edu/Documents/in/Conflict_Management">Conflict Management</a>, <script data-card-contents-for-ri="14370" type="text/json">{"id":14370,"name":"Conflict Management","url":"https://www.academia.edu/Documents/in/Conflict_Management?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a><script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26508340]'), work: {"id":26508340,"title":"Dragon Dance in Tu Village: Social Cohesion and Symbolic Warfare","created_at":"2016-06-26T07:35:36.165-07:00","url":"https://www.academia.edu/26508340/Dragon_Dance_in_Tu_Village_Social_Cohesion_and_Symbolic_Warfare?f_ri=53827","dom_id":"work_26508340","summary":"China has a rich heritage of \" folk sports \" : traditional dance, processions and parades, games, martial arts, and acrobatics. Unfortunately, in the wake of social reforms designed to \" modernize \" the nation in the mid-20 th century and the growing popularity of international sports, opportunities to document many of the folk sports in context may have been lost. In certain cases, however, reconstruction of the traditional contexts of folk sports in ritual, festival, or similar cultural enactments is possible. In such cases, we can attempt to understand their original social functions to create cohesion, articulate social conflict, mark boundaries, etc. This article considers the case of the Dragon Dance as performed during Spring Festival at Tu Village in Southeastern China. We argue that beyond the ancestral function of this folk sport as festival symbol, the dance serves as a vehicle for articulating territorial disputes between neighboring villages, a variety of surrogate warfare. The following article applies folkloristics, economic, political and symbolic anthropology to interpret the historic functions of the Dragon Dance complex and to illuminate general theories about the interconnections among the performed world and the social world.","downloadable_attachments":[{"id":46804887,"asset_id":26508340,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2783234,"first_name":"Thomas","last_name":"Green","domain_name":"tamu","page_name":"ThomasGreen","display_name":"Thomas Green","profile_url":"https://tamu.academia.edu/ThomasGreen?f_ri=53827","photo":"https://0.academia-photos.com/2783234/908976/1136115/s65_thomas.green.jpg"},{"id":1284710,"first_name":"Thomas","last_name":"Green","domain_name":"independent","page_name":"GreenT","display_name":"Thomas Green","profile_url":"https://independent.academia.edu/GreenT?f_ri=53827","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":4260,"name":"Anthropology Of Dance","url":"https://www.academia.edu/Documents/in/Anthropology_Of_Dance?f_ri=53827","nofollow":false},{"id":12108,"name":"China","url":"https://www.academia.edu/Documents/in/China?f_ri=53827","nofollow":false},{"id":14370,"name":"Conflict Management","url":"https://www.academia.edu/Documents/in/Conflict_Management?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_32595922" data-work_id="32595922" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32595922/AWAKENING_RETURNING_AND_LOOKING_FORWARD_AN_INTERVIEW_WITH_IAN_JOHNSON_on_Souls_of_China">AWAKENING, RETURNING, AND LOOKING FORWARD: AN INTERVIEW WITH IAN JOHNSON on Souls of China</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32595922" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0eec09da1b06cbb96b35bae93bc45e68" rel="nofollow" data-download="{"attachment_id":52770909,"asset_id":32595922,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="106" href="https://www.academia.edu/Documents/in/Religion">Religion</a>, <script data-card-contents-for-ri="106" type="text/json">{"id":106,"name":"Religion","url":"https://www.academia.edu/Documents/in/Religion?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="113" href="https://www.academia.edu/Documents/in/Buddhism">Buddhism</a>, <script data-card-contents-for-ri="113" type="text/json">{"id":113,"name":"Buddhism","url":"https://www.academia.edu/Documents/in/Buddhism?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="787" href="https://www.academia.edu/Documents/in/Folklore">Folklore</a>, <script data-card-contents-for-ri="787" type="text/json">{"id":787,"name":"Folklore","url":"https://www.academia.edu/Documents/in/Folklore?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2170" href="https://www.academia.edu/Documents/in/Ethnography">Ethnography</a><script data-card-contents-for-ri="2170" type="text/json">{"id":2170,"name":"Ethnography","url":"https://www.academia.edu/Documents/in/Ethnography?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=32595922]'), work: {"id":32595922,"title":"AWAKENING, RETURNING, AND LOOKING FORWARD: AN INTERVIEW WITH IAN JOHNSON on Souls of 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class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35821993" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0a6274d2f1df7c04b11aed741a25577f" rel="nofollow" data-download="{"attachment_id":55699231,"asset_id":35821993,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55699231/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa 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data-has-card-for-ri="11525" href="https://www.academia.edu/Documents/in/Events_management">Events management</a>, <script data-card-contents-for-ri="11525" type="text/json">{"id":11525,"name":"Events management","url":"https://www.academia.edu/Documents/in/Events_management?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20180" href="https://www.academia.edu/Documents/in/Volunteerism">Volunteerism</a>, <script data-card-contents-for-ri="20180" type="text/json">{"id":20180,"name":"Volunteerism","url":"https://www.academia.edu/Documents/in/Volunteerism?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="36990" href="https://www.academia.edu/Documents/in/Event_Studies">Event Studies</a><script data-card-contents-for-ri="36990" type="text/json">{"id":36990,"name":"Event Studies","url":"https://www.academia.edu/Documents/in/Event_Studies?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35821993]'), work: {"id":35821993,"title":"Raport z ilościowego badania wolontariuszy","created_at":"2018-02-02T03:52:22.823-08:00","url":"https://www.academia.edu/35821993/Raport_z_ilo%C5%9Bciowego_badania_wolontariuszy?f_ri=53827","dom_id":"work_35821993","summary":null,"downloadable_attachments":[{"id":55699231,"asset_id":35821993,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6074161,"first_name":"Aleksandra","last_name":"Koltun","domain_name":"umcs-pl","page_name":"AleksandraKoltun","display_name":"Aleksandra Koltun","profile_url":"https://umcs-pl.academia.edu/AleksandraKoltun?f_ri=53827","photo":"/images/s65_no_pic.png"},{"id":4463432,"first_name":"Andrzej","last_name":"Stawicki","domain_name":"umcs-pl","page_name":"AndrzejStawicki","display_name":"Andrzej 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data-has-card-for-ri="94" href="https://www.academia.edu/Documents/in/Discourse_Analysis">Discourse Analysis</a>, <script data-card-contents-for-ri="94" type="text/json">{"id":94,"name":"Discourse Analysis","url":"https://www.academia.edu/Documents/in/Discourse_Analysis?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="162827" href="https://www.academia.edu/Documents/in/Success_factors">Success factors</a><script data-card-contents-for-ri="162827" type="text/json">{"id":162827,"name":"Success factors","url":"https://www.academia.edu/Documents/in/Success_factors?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45133542]'), work: {"id":45133542,"title":"Future of the arts festivals: do the views of managers and attendees match?","created_at":"2021-02-16T08:09:36.505-08:00","url":"https://www.academia.edu/45133542/Future_of_the_arts_festivals_do_the_views_of_managers_and_attendees_match?f_ri=53827","dom_id":"work_45133542","summary":null,"downloadable_attachments":[{"id":65704489,"asset_id":45133542,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1277004,"first_name":"Maarit","last_name":"Kinnunen","domain_name":"ulapland","page_name":"MaaritKinnunen","display_name":"Maarit Kinnunen","profile_url":"https://ulapland.academia.edu/MaaritKinnunen?f_ri=53827","photo":"https://0.academia-photos.com/1277004/468568/39481025/s65_maarit.kinnunen.jpg"}],"research_interests":[{"id":94,"name":"Discourse Analysis","url":"https://www.academia.edu/Documents/in/Discourse_Analysis?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":162827,"name":"Success factors","url":"https://www.academia.edu/Documents/in/Success_factors?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44311969" data-work_id="44311969" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44311969/Who_Speaks_for_British_Muslims_The_Politics_and_Presentation_of_the_1976_World_of_Islam_Festival_London">Who Speaks for British Muslims? The Politics and Presentation of the 1976 World of Islam Festival, London</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the spring of 1976, the World of Islam Festival opened in London, celebrated by royalty and diplomats from around the world. For three months, the city of London was filled with different exhibitions, performances, and lectures about... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44311969" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the spring of 1976, the World of Islam Festival opened in London, celebrated by royalty and diplomats from around the world. For three months, the city of London was filled with different exhibitions, performances, and lectures about the historical Islamic past in order to inspire Muslim-Christian unity in then present-day Britain. Archival documents, which have not yet been examined or cited in the existing literature, reveal that the authority to present Islam was held in the hands of former diplomats, and other private interests. The event was funded by what organizers called "Moslim governments" in conjunction with the British government, and other private investors. Although the festival had educational intentions, it was met with mixed reception, including intense criticism from Christian Evangelicals who saw the event as proselytizing Islam, and from British Muslims, who felt unrepresented. An event that was designed to promote unity ultimately created more divisions. <br />Utilizing the decolonial methodologies of Walter Mignolo and archival documents from the festival organizers, this paper examines how representations of a timeless, historic Middle East were crafted at the World of Islam Festival. This paper has several interrelated aims. First, utilizing archival material, it highlights what sorts of representations the organizers crafted and how, specifically using history and religion for contemporary goals. Specifically, what was the relationship between the organizers and Islam, and from where did they attempt to derive their authority? Second, this paper highlights how the World of Islam Festival was received by the public. Third, it considers how smaller galleries at this time, such as the Mathaf Gallery and the Long Gallery, both in London, presented contemporary art from the Arab World, a topic notably absent from the World of Islam Festival. This paper promotes further questions about how historical Islamic objects are currently used to "represent" the Middle East and for what purpose.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44311969" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9cbd5281e8f29f06a5cc2316f0616cf1" rel="nofollow" data-download="{"attachment_id":64698077,"asset_id":44311969,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64698077/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="96864619" href="https://ucsb.academia.edu/RachelWinter">Rachel Winter, Ph.D.</a><script data-card-contents-for-user="96864619" type="text/json">{"id":96864619,"first_name":"Rachel","last_name":"Winter, Ph.D.","domain_name":"ucsb","page_name":"RachelWinter","display_name":"Rachel Winter, Ph.D.","profile_url":"https://ucsb.academia.edu/RachelWinter?f_ri=53827","photo":"https://0.academia-photos.com/96864619/21134323/116794870/s65_rachel.winter.jpg"}</script></span></span></li><li class="js-paper-rank-work_44311969 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44311969"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44311969, container: ".js-paper-rank-work_44311969", }); });</script></li><li class="js-percentile-work_44311969 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44311969; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44311969"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44311969 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44311969"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44311969; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44311969]").text(description); $(".js-view-count-work_44311969").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44311969").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44311969"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8916" href="https://www.academia.edu/Documents/in/Islamic_Art">Islamic Art</a>, <script data-card-contents-for-ri="8916" type="text/json">{"id":8916,"name":"Islamic Art","url":"https://www.academia.edu/Documents/in/Islamic_Art?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13966" href="https://www.academia.edu/Documents/in/History_of_Art">History of Art</a>, <script data-card-contents-for-ri="13966" type="text/json">{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15866" href="https://www.academia.edu/Documents/in/Islam">Islam</a><script data-card-contents-for-ri="15866" type="text/json">{"id":15866,"name":"Islam","url":"https://www.academia.edu/Documents/in/Islam?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44311969]'), work: {"id":44311969,"title":"Who Speaks for British Muslims? The Politics and Presentation of the 1976 World of Islam Festival, London","created_at":"2020-10-16T12:22:07.095-07:00","url":"https://www.academia.edu/44311969/Who_Speaks_for_British_Muslims_The_Politics_and_Presentation_of_the_1976_World_of_Islam_Festival_London?f_ri=53827","dom_id":"work_44311969","summary":"In the spring of 1976, the World of Islam Festival opened in London, celebrated by royalty and diplomats from around the world. For three months, the city of London was filled with different exhibitions, performances, and lectures about the historical Islamic past in order to inspire Muslim-Christian unity in then present-day Britain. Archival documents, which have not yet been examined or cited in the existing literature, reveal that the authority to present Islam was held in the hands of former diplomats, and other private interests. The event was funded by what organizers called \"Moslim governments\" in conjunction with the British government, and other private investors. Although the festival had educational intentions, it was met with mixed reception, including intense criticism from Christian Evangelicals who saw the event as proselytizing Islam, and from British Muslims, who felt unrepresented. An event that was designed to promote unity ultimately created more divisions. \nUtilizing the decolonial methodologies of Walter Mignolo and archival documents from the festival organizers, this paper examines how representations of a timeless, historic Middle East were crafted at the World of Islam Festival. This paper has several interrelated aims. First, utilizing archival material, it highlights what sorts of representations the organizers crafted and how, specifically using history and religion for contemporary goals. Specifically, what was the relationship between the organizers and Islam, and from where did they attempt to derive their authority? Second, this paper highlights how the World of Islam Festival was received by the public. Third, it considers how smaller galleries at this time, such as the Mathaf Gallery and the Long Gallery, both in London, presented contemporary art from the Arab World, a topic notably absent from the World of Islam Festival. This paper promotes further questions about how historical Islamic objects are currently used to \"represent\" the Middle East and for what purpose. ","downloadable_attachments":[{"id":64698077,"asset_id":44311969,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":96864619,"first_name":"Rachel","last_name":"Winter, Ph.D.","domain_name":"ucsb","page_name":"RachelWinter","display_name":"Rachel Winter, Ph.D.","profile_url":"https://ucsb.academia.edu/RachelWinter?f_ri=53827","photo":"https://0.academia-photos.com/96864619/21134323/116794870/s65_rachel.winter.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=53827","nofollow":false},{"id":8916,"name":"Islamic Art","url":"https://www.academia.edu/Documents/in/Islamic_Art?f_ri=53827","nofollow":false},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=53827","nofollow":false},{"id":15866,"name":"Islam","url":"https://www.academia.edu/Documents/in/Islam?f_ri=53827","nofollow":false},{"id":40719,"name":"Museums","url":"https://www.academia.edu/Documents/in/Museums?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=53827"},{"id":226095,"name":"History of Exhibitions","url":"https://www.academia.edu/Documents/in/History_of_Exhibitions?f_ri=53827"},{"id":555889,"name":"History of Art Exhibitions","url":"https://www.academia.edu/Documents/in/History_of_Art_Exhibitions?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37835484" data-work_id="37835484" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37835484/_2018_SON_SARDINA_CARNESTOLTES_I_REVOLTES_Revisitaci%C3%B3_antropol%C3%B2gica_a_la_rua_escolar_de_la_pol%C3%A8mica_del_2004">(2018) SON SARDINA, CARNESTOLTES I REVOLTES. Revisitació antropològica a la rua escolar de la polèmica del 2004.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Ponència presentada a les Jornades Locals de Son Sardina, Sa Garriga i Son Espanyol, dia 24 de novembre del 2018.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37835484" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a17fbd2bdbeb5825f0a9cc59e50883e9" rel="nofollow" data-download="{"attachment_id":57837431,"asset_id":37835484,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57837431/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24942869" href="https://ehu.academia.edu/FrancescAlemanySureda">Francesc Alemany Sureda</a><script data-card-contents-for-user="24942869" type="text/json">{"id":24942869,"first_name":"Francesc","last_name":"Alemany Sureda","domain_name":"ehu","page_name":"FrancescAlemanySureda","display_name":"Francesc Alemany Sureda","profile_url":"https://ehu.academia.edu/FrancescAlemanySureda?f_ri=53827","photo":"https://0.academia-photos.com/24942869/9421149/41913990/s65_francesc.alemany_sureda.jpg"}</script></span></span></li><li class="js-paper-rank-work_37835484 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37835484"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37835484, container: ".js-paper-rank-work_37835484", }); });</script></li><li class="js-percentile-work_37835484 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37835484; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37835484"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37835484 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37835484"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37835484; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37835484]").text(description); $(".js-view-count-work_37835484").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37835484").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37835484"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="208" href="https://www.academia.edu/Documents/in/Social_Movements">Social Movements</a>, <script data-card-contents-for-ri="208" type="text/json">{"id":208,"name":"Social Movements","url":"https://www.academia.edu/Documents/in/Social_Movements?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="767" href="https://www.academia.edu/Documents/in/Anthropology">Anthropology</a>, <script data-card-contents-for-ri="767" type="text/json">{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3472" href="https://www.academia.edu/Documents/in/Political_Anthropology">Political Anthropology</a>, <script data-card-contents-for-ri="3472" type="text/json">{"id":3472,"name":"Political Anthropology","url":"https://www.academia.edu/Documents/in/Political_Anthropology?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3499" href="https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology">Social and Cultural Anthropology</a><script data-card-contents-for-ri="3499" type="text/json">{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37835484]'), work: {"id":37835484,"title":"(2018) SON SARDINA, CARNESTOLTES I REVOLTES. Revisitació antropològica a la rua escolar de la polèmica del 2004.","created_at":"2018-11-23T04:51:09.032-08:00","url":"https://www.academia.edu/37835484/_2018_SON_SARDINA_CARNESTOLTES_I_REVOLTES_Revisitaci%C3%B3_antropol%C3%B2gica_a_la_rua_escolar_de_la_pol%C3%A8mica_del_2004?f_ri=53827","dom_id":"work_37835484","summary":"Ponència presentada a les Jornades Locals de Son Sardina, Sa Garriga i Son Espanyol, dia 24 de novembre del 2018. ","downloadable_attachments":[{"id":57837431,"asset_id":37835484,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24942869,"first_name":"Francesc","last_name":"Alemany Sureda","domain_name":"ehu","page_name":"FrancescAlemanySureda","display_name":"Francesc Alemany Sureda","profile_url":"https://ehu.academia.edu/FrancescAlemanySureda?f_ri=53827","photo":"https://0.academia-photos.com/24942869/9421149/41913990/s65_francesc.alemany_sureda.jpg"}],"research_interests":[{"id":208,"name":"Social Movements","url":"https://www.academia.edu/Documents/in/Social_Movements?f_ri=53827","nofollow":false},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology?f_ri=53827","nofollow":false},{"id":3472,"name":"Political Anthropology","url":"https://www.academia.edu/Documents/in/Political_Anthropology?f_ri=53827","nofollow":false},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology?f_ri=53827","nofollow":false},{"id":3741,"name":"Urban Anthropology","url":"https://www.academia.edu/Documents/in/Urban_Anthropology?f_ri=53827"},{"id":4156,"name":"Local History","url":"https://www.academia.edu/Documents/in/Local_History?f_ri=53827"},{"id":6337,"name":"Oral history","url":"https://www.academia.edu/Documents/in/Oral_history?f_ri=53827"},{"id":17140,"name":"Symbolic Anthropology (Anthropology)","url":"https://www.academia.edu/Documents/in/Symbolic_Anthropology_Anthropology_?f_ri=53827"},{"id":23980,"name":"Ecological restoration","url":"https://www.academia.edu/Documents/in/Ecological_restoration?f_ri=53827"},{"id":36059,"name":"Environmentalism","url":"https://www.academia.edu/Documents/in/Environmentalism?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":79728,"name":"Mallorca","url":"https://www.academia.edu/Documents/in/Mallorca?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38060416" data-work_id="38060416" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38060416/Festival_Blockbuster_Romeo_and_Juliet_at_the_Edinburgh_Fringe_and_the_Avignon_Off">Festival Blockbuster: Romeo and Juliet at the Edinburgh Fringe and the Avignon Off</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Avignon Off and the Edinburgh Fringe Festival have a favourite Shakespearean play: Romeo and Juliet. Between 2011 and 2014, the play has been staged fourteen times at the Edinburgh Fringe and thirteen at the Avignon Off. This success... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38060416" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Avignon Off and the Edinburgh Fringe Festival have a favourite Shakespearean play: Romeo and Juliet. Between 2011 and 2014, the play has been staged fourteen times at the Edinburgh Fringe and thirteen at the Avignon Off. This success can be owing to its status as a well-known love story, its popularity and its emblematic scenes. Among the abundance of productions, two main trends can be identified: whereas many of the productions at the Edinburgh Fringe are staged by amateur groups, professional companies re-write the play or use it as a point of departure at the Avignon Off. This chapter seeks to address how Romeo and Juliet allows for different approaches in these two alternative festivals and, at the same time, it looks for reasons that explain the popularity of the play in 21st-century popular culture.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38060416" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e3dba34cccb2ae6f09808fd3adbde710" rel="nofollow" data-download="{"attachment_id":58085181,"asset_id":38060416,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58085181/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5149850" href="https://uned.academia.edu/IsabelGuerrero">Isabel Guerrero</a><script data-card-contents-for-user="5149850" type="text/json">{"id":5149850,"first_name":"Isabel","last_name":"Guerrero","domain_name":"uned","page_name":"IsabelGuerrero","display_name":"Isabel Guerrero","profile_url":"https://uned.academia.edu/IsabelGuerrero?f_ri=53827","photo":"https://0.academia-photos.com/5149850/9141075/17679759/s65_isabel.guerrero.jpg"}</script></span></span></li><li class="js-paper-rank-work_38060416 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38060416"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38060416, container: ".js-paper-rank-work_38060416", }); });</script></li><li class="js-percentile-work_38060416 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38060416; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38060416"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38060416 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38060416"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38060416; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38060416]").text(description); $(".js-view-count-work_38060416").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38060416").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38060416"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2858" href="https://www.academia.edu/Documents/in/Popular_Culture">Popular Culture</a>, <script data-card-contents-for-ri="2858" type="text/json">{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3146" href="https://www.academia.edu/Documents/in/Shakespeare">Shakespeare</a>, <script data-card-contents-for-ri="3146" type="text/json">{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5677" href="https://www.academia.edu/Documents/in/Adaptation">Adaptation</a>, <script data-card-contents-for-ri="5677" type="text/json">{"id":5677,"name":"Adaptation","url":"https://www.academia.edu/Documents/in/Adaptation?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a><script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38060416]'), work: {"id":38060416,"title":"Festival Blockbuster: Romeo and Juliet at the Edinburgh Fringe and the Avignon Off","created_at":"2018-12-30T05:01:01.570-08:00","url":"https://www.academia.edu/38060416/Festival_Blockbuster_Romeo_and_Juliet_at_the_Edinburgh_Fringe_and_the_Avignon_Off?f_ri=53827","dom_id":"work_38060416","summary":"The Avignon Off and the Edinburgh Fringe Festival have a favourite Shakespearean play: Romeo and Juliet. Between 2011 and 2014, the play has been staged fourteen times at the Edinburgh Fringe and thirteen at the Avignon Off. This success can be owing to its status as a well-known love story, its popularity and its emblematic scenes. Among the abundance of productions, two main trends can be identified: whereas many of the productions at the Edinburgh Fringe are staged by amateur groups, professional companies re-write the play or use it as a point of departure at the Avignon Off. This chapter seeks to address how Romeo and Juliet allows for different approaches in these two alternative festivals and, at the same time, it looks for reasons that explain the popularity of the play in 21st-century popular culture. ","downloadable_attachments":[{"id":58085181,"asset_id":38060416,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5149850,"first_name":"Isabel","last_name":"Guerrero","domain_name":"uned","page_name":"IsabelGuerrero","display_name":"Isabel Guerrero","profile_url":"https://uned.academia.edu/IsabelGuerrero?f_ri=53827","photo":"https://0.academia-photos.com/5149850/9141075/17679759/s65_isabel.guerrero.jpg"}],"research_interests":[{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture?f_ri=53827","nofollow":false},{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=53827","nofollow":false},{"id":5677,"name":"Adaptation","url":"https://www.academia.edu/Documents/in/Adaptation?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":57385,"name":"Shakespeare in Performance","url":"https://www.academia.edu/Documents/in/Shakespeare_in_Performance?f_ri=53827"},{"id":99418,"name":"William Shakespeare","url":"https://www.academia.edu/Documents/in/William_Shakespeare?f_ri=53827"},{"id":182509,"name":"Romeo and Juliet","url":"https://www.academia.edu/Documents/in/Romeo_and_Juliet?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6919480" data-work_id="6919480" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6919480/Festivalisation_of_Slovenia_and_festival_production_of_locality">Festivalisation of Slovenia and festival production of locality</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The number of public events termed festival has dramatically increased in Slovenia during the last decade. We are witnessing a true festivalization of society. The article presents some ethnological, anthropological and humanistic... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_6919480" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The number of public events termed festival has dramatically increased in Slovenia during the last decade. We are witnessing a true festivalization of society. The article presents some ethnological, anthropological and humanistic theories on festivals. On the basis of ethnographic data the author also develops his thesis on festival production of locality. According to this premise, a segment of festival (hyper-)production can be linked to structures of local identification.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6919480" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a0c8ae9380f12cdd2ed0b2ae3c74a1cb" rel="nofollow" data-download="{"attachment_id":33595395,"asset_id":6919480,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33595395/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9787861" href="https://uni-lj.academia.edu/MihaKozorog">Miha Kozorog</a><script data-card-contents-for-user="9787861" type="text/json">{"id":9787861,"first_name":"Miha","last_name":"Kozorog","domain_name":"uni-lj","page_name":"MihaKozorog","display_name":"Miha Kozorog","profile_url":"https://uni-lj.academia.edu/MihaKozorog?f_ri=53827","photo":"https://0.academia-photos.com/9787861/3271337/11609305/s65_miha.kozorog.jpg"}</script></span></span></li><li class="js-paper-rank-work_6919480 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6919480"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6919480, container: ".js-paper-rank-work_6919480", }); 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$(".js-view-count[data-work-id=6919480]").text(description); $(".js-view-count-work_6919480").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6919480").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6919480"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3759" href="https://www.academia.edu/Documents/in/Local_Identities">Local Identities</a>, <script data-card-contents-for-ri="3759" type="text/json">{"id":3759,"name":"Local Identities","url":"https://www.academia.edu/Documents/in/Local_Identities?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8770" href="https://www.academia.edu/Documents/in/Anthropology_of_locality">Anthropology of locality</a>, <script data-card-contents-for-ri="8770" type="text/json">{"id":8770,"name":"Anthropology of locality","url":"https://www.academia.edu/Documents/in/Anthropology_of_locality?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="296333" href="https://www.academia.edu/Documents/in/Place_Making">Place Making</a><script data-card-contents-for-ri="296333" type="text/json">{"id":296333,"name":"Place Making","url":"https://www.academia.edu/Documents/in/Place_Making?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6919480]'), work: {"id":6919480,"title":"Festivalisation of Slovenia and festival production of locality","created_at":"2014-04-30T03:39:42.194-07:00","url":"https://www.academia.edu/6919480/Festivalisation_of_Slovenia_and_festival_production_of_locality?f_ri=53827","dom_id":"work_6919480","summary":"The number of public events termed festival has dramatically increased in Slovenia during the last decade. We are witnessing a true festivalization of society. The article presents some ethnological, anthropological and humanistic theories on festivals. On the basis of ethnographic data the author also develops his thesis on festival production of locality. According to this premise, a segment of festival (hyper-)production can be linked to structures of local identification.","downloadable_attachments":[{"id":33595395,"asset_id":6919480,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9787861,"first_name":"Miha","last_name":"Kozorog","domain_name":"uni-lj","page_name":"MihaKozorog","display_name":"Miha Kozorog","profile_url":"https://uni-lj.academia.edu/MihaKozorog?f_ri=53827","photo":"https://0.academia-photos.com/9787861/3271337/11609305/s65_miha.kozorog.jpg"}],"research_interests":[{"id":3759,"name":"Local Identities","url":"https://www.academia.edu/Documents/in/Local_Identities?f_ri=53827","nofollow":false},{"id":8770,"name":"Anthropology of locality","url":"https://www.academia.edu/Documents/in/Anthropology_of_locality?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":296333,"name":"Place Making","url":"https://www.academia.edu/Documents/in/Place_Making?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6398377" data-work_id="6398377" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6398377/Transformaciones_culturales_y_procesos_de_patrimonializaci%C3%B3n_en_un_ritual_festivo_El_caso_del_Cascamorras_Granada_">Transformaciones culturales y procesos de patrimonialización en un ritual festivo: El caso del Cascamorras (Granada)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6398377" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1791a1c9ac3352f0b048bfcde629f13f" rel="nofollow" data-download="{"attachment_id":33207891,"asset_id":6398377,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33207891/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2655435" href="https://uned.academia.edu/JuandeDiosLopez">Juan de Dios López López</a><script data-card-contents-for-user="2655435" type="text/json">{"id":2655435,"first_name":"Juan de Dios","last_name":"López López","domain_name":"uned","page_name":"JuandeDiosLopez","display_name":"Juan de Dios López López","profile_url":"https://uned.academia.edu/JuandeDiosLopez?f_ri=53827","photo":"https://0.academia-photos.com/2655435/2833796/20092746/s65_juan_de_dios.l_pez_l_pez.jpg"}</script></span></span></li><li class="js-paper-rank-work_6398377 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6398377"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new 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fa-spin"></i></span><script>$(function () { var workId = 6398377; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6398377]").text(description); $(".js-view-count-work_6398377").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6398377").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6398377"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="4058" href="https://www.academia.edu/Documents/in/Ritual">Ritual</a>, <script data-card-contents-for-ri="4058" type="text/json">{"id":4058,"name":"Ritual","url":"https://www.academia.edu/Documents/in/Ritual?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19764" href="https://www.academia.edu/Documents/in/Intangible_Cultural_Heritage_Culture_">Intangible Cultural Heritage (Culture)</a>, <script data-card-contents-for-ri="19764" type="text/json">{"id":19764,"name":"Intangible Cultural Heritage (Culture)","url":"https://www.academia.edu/Documents/in/Intangible_Cultural_Heritage_Culture_?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="123988" href="https://www.academia.edu/Documents/in/Fiestas_y_celebraciones">Fiestas y celebraciones</a><script data-card-contents-for-ri="123988" type="text/json">{"id":123988,"name":"Fiestas y celebraciones","url":"https://www.academia.edu/Documents/in/Fiestas_y_celebraciones?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6398377]'), work: {"id":6398377,"title":"Transformaciones culturales y procesos de patrimonialización en un ritual festivo: El caso del Cascamorras 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u-tcGrayDarkest"><div class="summarized">Az év végi ünnepi asztal rendszerint akaratlanul is alkalmat ad az áttekintésre, olykor pedig hosszabb időszakok átgondolására is. A fesztiválok esetében úgy tűnik az elmúlt huszonöt év lezárt egy időszakot, rendszerváltozás dinamizáló,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45335214" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Az év végi ünnepi asztal rendszerint akaratlanul is alkalmat ad az áttekintésre, olykor pedig hosszabb időszakok átgondolására is. A fesztiválok esetében úgy tűnik az elmúlt huszonöt év lezárt egy időszakot, rendszerváltozás dinamizáló, kapunyitó hatása révén létrejöttek azok a fesztiválok melyek meghatározzák a fesztiválszezont és piacot. Ennek megvan a maga társadalmi és gazdasági magyarázata. Milliók szórakozása-Hová tart a magyar fesztiválpiac? 2015. január első napjaiban arra kért a PORTFOLIO.HU pénzügyi és gazdasági portál hogy röviden összegezzem merre tart a magyar fesztivál piac. A cikk 2015. január 7-én jelent meg, alább a rövidített változata olvasható, a teljes cikk itt olvasható (regisztráció után). Társadalmi szempontok A cikkben szó van arról, hogy az elmúlt huszonöt évben alaposan átalakult a magyarországi fesztiválok világa, a konformitás alakításában játszott társadalmi szerepük alapján négy főbb csoportba sorolhatók ezek az események:  A hagyományos (ellenkultúra kialakulásakor már létező) műfajokat bemutató, régi konform fesztiválok(pl.-Tavaszi Fesztivál, Szegedi Szabadtéri Játékok). Ezek szervezői főleg önkormányzati vagy helyi-közművelődési-intézményi kötődésűek, ezért a szervezők</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45335214" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b58d17cfb250a251ef432c2d28df6b95" rel="nofollow" data-download="{"attachment_id":65875527,"asset_id":45335214,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65875527/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25340215" href="https://independent.academia.edu/J%C3%A1nosZolt%C3%A1nSzab%C3%B3">János Zoltán Szabó</a><script data-card-contents-for-user="25340215" type="text/json">{"id":25340215,"first_name":"János Zoltán","last_name":"Szabó","domain_name":"independent","page_name":"JánosZoltánSzabó","display_name":"János Zoltán Szabó","profile_url":"https://independent.academia.edu/J%C3%A1nosZolt%C3%A1nSzab%C3%B3?f_ri=53827","photo":"https://0.academia-photos.com/25340215/6902826/7787748/s65_j_nos_zolt_n.szab_.jpg_oh_dc1582ee04b4e82b19edb9e908d5dda6_oe_5525a207___gda___1432053496_5d384cc2f0e93155d3f3ad0744389af7"}</script></span></span></li><li class="js-paper-rank-work_45335214 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45335214"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45335214, container: ".js-paper-rank-work_45335214", }); 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Ezek szervezői főleg önkormányzati vagy helyi-közművelődési-intézményi kötődésűek, ezért a szervezők","downloadable_attachments":[{"id":65875527,"asset_id":45335214,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":25340215,"first_name":"János Zoltán","last_name":"Szabó","domain_name":"independent","page_name":"JánosZoltánSzabó","display_name":"János Zoltán Szabó","profile_url":"https://independent.academia.edu/J%C3%A1nosZolt%C3%A1nSzab%C3%B3?f_ri=53827","photo":"https://0.academia-photos.com/25340215/6902826/7787748/s65_j_nos_zolt_n.szab_.jpg_oh_dc1582ee04b4e82b19edb9e908d5dda6_oe_5525a207___gda___1432053496_5d384cc2f0e93155d3f3ad0744389af7"}],"research_interests":[{"id":1057,"name":"Festivals and music","url":"https://www.academia.edu/Documents/in/Festivals_and_music?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":522207,"name":"Festival and Events Management: An International Arts and Culture Perspective","url":"https://www.academia.edu/Documents/in/Festival_and_Events_Management_An_International_Arts_and_Culture_Perspective?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45138471" data-work_id="45138471" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45138471/Festivals_arts_audio_et_cr%C3%A9ation_sonore_Sound_audio_arts_and_sound_creation_festivals">Festivals arts audio et création sonore - Sound audio arts and sound creation festivals</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Ressources de festivals consacrés à la création sonore</div></div><ul 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Lorincz","profile_url":"https://uni-pannon.academia.edu/KatalinLorincz?f_ri=53827","photo":"https://0.academia-photos.com/4037909/1539751/14216573/s65_katalin.lorincz.jpg"}],"research_interests":[{"id":4962,"name":"Destination Management","url":"https://www.academia.edu/Documents/in/Destination_Management?f_ri=53827","nofollow":false},{"id":10700,"name":"Satisfaction","url":"https://www.academia.edu/Documents/in/Satisfaction?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":2839129,"name":"Veszprém","url":"https://www.academia.edu/Documents/in/Veszpr%C3%A9m?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_57798719" data-work_id="57798719" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/57798719/The_Absence_of_Texas_Mexican_Musics_at_the_South_by_Southwest_Festival">The Absence of Texas-Mexican Musics at the South by Southwest Festival</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Following the conclusion of the Mexican-American War and continuing through the first half of the twentieth century, the ethnically Mexican population in Texas suffered discrimination and ethno-racial segregation from the dominant,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_57798719" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Following the conclusion of the Mexican-American War and continuing through the first half of the twentieth century, the ethnically Mexican population in Texas suffered discrimination and ethno-racial segregation from the dominant, Anglo-Texan community. This systemic structure induced the Texas-Mexican community to create separate, Spanish-speaking social spaces. Tejano and conjunto musics were created in response to these inequitable policies. Separate performance outlets, with distinct priorities and procedures, maintained a musical community outside of mainstream recording practices. This Texas-Mexican musical community– separate and distinctive from the hegemonic industry– has been maintained in contemporary practices, as demonstrated by the absence of Texas-Mexican artists at the annual South by Southwest Festival (SXSW) in Austin, Texas. From its beginnings in 1987, SXSW has drawn a diverse assortment of record labels, booking agents, promoters, managers, artists, and audiences. Although the festival started with a regional focus, billed as a means to bring together Texas music and the rest of the world, Tejanx participation is sparse, indicating a continuing separation between these two communities. Yet, SXSW has strategically attracted international artists and historically Black American genres. This paper uses numeric and ethnographic evidence to examine this selective absence of Tejano musics at SXSW.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/57798719" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6375ccbb0fe0ce18f06baeb370e4a701" rel="nofollow" data-download="{"attachment_id":102637930,"asset_id":57798719,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/102637930/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10670812" href="https://muskingum.academia.edu/ErinBauer">Erin Bauer</a><script data-card-contents-for-user="10670812" type="text/json">{"id":10670812,"first_name":"Erin","last_name":"Bauer","domain_name":"muskingum","page_name":"ErinBauer","display_name":"Erin Bauer","profile_url":"https://muskingum.academia.edu/ErinBauer?f_ri=53827","photo":"https://0.academia-photos.com/10670812/3211030/110790786/s65_erin.bauer.jpg"}</script></span></span></li><li class="js-paper-rank-work_57798719 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="57798719"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 57798719, container: ".js-paper-rank-work_57798719", }); 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$(".js-view-count[data-work-id=57798719]").text(description); $(".js-view-count-work_57798719").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_57798719").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="57798719"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="671" href="https://www.academia.edu/Documents/in/Music">Music</a>, <script data-card-contents-for-ri="671" type="text/json">{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1056" href="https://www.academia.edu/Documents/in/Popular_Music_Studies">Popular Music Studies</a>, <script data-card-contents-for-ri="1056" type="text/json">{"id":1056,"name":"Popular Music Studies","url":"https://www.academia.edu/Documents/in/Popular_Music_Studies?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1057" href="https://www.academia.edu/Documents/in/Festivals_and_music">Festivals and music</a><script data-card-contents-for-ri="1057" type="text/json">{"id":1057,"name":"Festivals and music","url":"https://www.academia.edu/Documents/in/Festivals_and_music?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=57798719]'), work: {"id":57798719,"title":"The Absence of Texas-Mexican Musics at the South by Southwest Festival","created_at":"2021-10-14T05:59:36.878-07:00","url":"https://www.academia.edu/57798719/The_Absence_of_Texas_Mexican_Musics_at_the_South_by_Southwest_Festival?f_ri=53827","dom_id":"work_57798719","summary":"Following the conclusion of the Mexican-American War and continuing through the first half of the twentieth century, the ethnically Mexican population in Texas suffered discrimination and ethno-racial segregation from the dominant, Anglo-Texan community. This systemic structure induced the Texas-Mexican community to create separate, Spanish-speaking social spaces. Tejano and conjunto musics were created in response to these inequitable policies. Separate performance outlets, with distinct priorities and procedures, maintained a musical community outside of mainstream recording practices. This Texas-Mexican musical community– separate and distinctive from the hegemonic industry– has been maintained in contemporary practices, as demonstrated by the absence of Texas-Mexican artists at the annual South by Southwest Festival (SXSW) in Austin, Texas. From its beginnings in 1987, SXSW has drawn a diverse assortment of record labels, booking agents, promoters, managers, artists, and audiences. Although the festival started with a regional focus, billed as a means to bring together Texas music and the rest of the world, Tejanx participation is sparse, indicating a continuing separation between these two communities. Yet, SXSW has strategically attracted international artists and historically Black American genres. This paper uses numeric and ethnographic evidence to examine this selective absence of Tejano musics at SXSW.","downloadable_attachments":[{"id":102637930,"asset_id":57798719,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10670812,"first_name":"Erin","last_name":"Bauer","domain_name":"muskingum","page_name":"ErinBauer","display_name":"Erin Bauer","profile_url":"https://muskingum.academia.edu/ErinBauer?f_ri=53827","photo":"https://0.academia-photos.com/10670812/3211030/110790786/s65_erin.bauer.jpg"}],"research_interests":[{"id":671,"name":"Music","url":"https://www.academia.edu/Documents/in/Music?f_ri=53827","nofollow":false},{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=53827","nofollow":false},{"id":1056,"name":"Popular Music Studies","url":"https://www.academia.edu/Documents/in/Popular_Music_Studies?f_ri=53827","nofollow":false},{"id":1057,"name":"Festivals and music","url":"https://www.academia.edu/Documents/in/Festivals_and_music?f_ri=53827","nofollow":false},{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music?f_ri=53827"},{"id":1987,"name":"Ethnomusicology","url":"https://www.academia.edu/Documents/in/Ethnomusicology?f_ri=53827"},{"id":2170,"name":"Ethnography","url":"https://www.academia.edu/Documents/in/Ethnography?f_ri=53827"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture?f_ri=53827"},{"id":32038,"name":"Popular musicology","url":"https://www.academia.edu/Documents/in/Popular_musicology?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":101917,"name":"Popular Music and Culture","url":"https://www.academia.edu/Documents/in/Popular_Music_and_Culture?f_ri=53827"},{"id":137080,"name":"Festival","url":"https://www.academia.edu/Documents/in/Festival?f_ri=53827"},{"id":190090,"name":"Tejano music","url":"https://www.academia.edu/Documents/in/Tejano_music?f_ri=53827"},{"id":673676,"name":"Musica Tejana","url":"https://www.academia.edu/Documents/in/Musica_Tejana?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36015599" data-work_id="36015599" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36015599/Valentines_Day_Stories_of_Valentines_Day">Valentine's Day: Stories of Valentine's Day</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">As Valentine Day arrives on the 14th of February, controversies break out in India and passions run high, in more senses than one. But why is it so? Who or what is this Valentine? Is this Valentine just a heart and a symbol of love that... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36015599" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">As Valentine Day arrives on the 14th of February, controversies break out in India and passions run high, in more senses than one. But why is it so?  Who or what is this Valentine?  Is this Valentine just a heart and a symbol of love that purists are so bothered about, or is it a ‘western pollution’ of our culture? Maybe, it is just a marketing strategy of greeting card producers...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36015599" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="408a40ba7819bfc3d5c9a0df9898460b" rel="nofollow" data-download="{"attachment_id":55902330,"asset_id":36015599,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55902330/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6525008" href="https://independent.academia.edu/SircarJawhar">Jawhar Sircar</a><script data-card-contents-for-user="6525008" type="text/json">{"id":6525008,"first_name":"Jawhar","last_name":"Sircar","domain_name":"independent","page_name":"SircarJawhar","display_name":"Jawhar Sircar","profile_url":"https://independent.academia.edu/SircarJawhar?f_ri=53827","photo":"https://0.academia-photos.com/6525008/19130880/35135863/s65_jawhar.sircar.jpeg"}</script></span></span></li><li class="js-paper-rank-work_36015599 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36015599"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36015599, container: ".js-paper-rank-work_36015599", }); 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But why is it so? Who or what is this Valentine? Is this Valentine just a heart and a symbol of love that purists are so bothered about, or is it a ‘western pollution’ of our culture? Maybe, it is just a marketing strategy of greeting card producers...","downloadable_attachments":[{"id":55902330,"asset_id":36015599,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6525008,"first_name":"Jawhar","last_name":"Sircar","domain_name":"independent","page_name":"SircarJawhar","display_name":"Jawhar Sircar","profile_url":"https://independent.academia.edu/SircarJawhar?f_ri=53827","photo":"https://0.academia-photos.com/6525008/19130880/35135863/s65_jawhar.sircar.jpeg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=53827","nofollow":false},{"id":7092,"name":"Pagan Studies","url":"https://www.academia.edu/Documents/in/Pagan_Studies?f_ri=53827","nofollow":false},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture?f_ri=53827","nofollow":false},{"id":8356,"name":"Culture Studies","url":"https://www.academia.edu/Documents/in/Culture_Studies?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":517218,"name":"Valentine","url":"https://www.academia.edu/Documents/in/Valentine?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43760480" data-work_id="43760480" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43760480/BUENOS_AIRES_MECCA_OF_TANGO_ACTIVATION_PROCESSES_MEGA_CULTURAL_EVENTS_TOURISM_AND_DILEMMAS_IN_THE_LOCAL_HERITAGE">BUENOS AIRES, MECCA OF TANGO: ACTIVATION PROCESSES, MEGA CULTURAL EVENTS, TOURISM AND DILEMMAS IN THE LOCAL HERITAGE</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In this paper, we go through the history of the construction of tango as heritage. The period analyzed here begins in the late 90's and extends until 2010. We analyze the factors underlying the cultural policies that came to surface after... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43760480" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In this paper, we go through the history of the construction of tango as heritage. The period analyzed here begins in the late 90's and extends until 2010. We analyze the factors underlying the cultural policies that came to surface after the "turn" of tango as heritage in Buenos Aires, that is to say, after the activation and promotion of this popular genre on part of the political power (Morel 2009). Through a process analysis, we outline the official efforts behind this recognition. Simultaneously, we examine the impact of tourism as a decisive factor in the political-cultural approaches of the successive administrations. Our aim is especially focused on two main aspects: first, we highlight the heritage-driven policies that went along with the activation process of this genre, and, secondly, we note the consolidation of the cultural policies and actions which had to do, mainly, with the organization of tango events in relation to the promotion of tourism in the city. Under this framework, we explore the negotiations and disputes which, later on, led to the creation of the Buenos Aires Tango Festival and its institutionalization within the official cultural program.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43760480" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5a7bc32b701972bca9be8c1f2ea6d4d0" rel="nofollow" data-download="{"attachment_id":64072676,"asset_id":43760480,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64072676/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1344310" href="https://uba.academia.edu/Hern%C3%A1nMorel">Hernán Morel</a><script data-card-contents-for-user="1344310" type="text/json">{"id":1344310,"first_name":"Hernán","last_name":"Morel","domain_name":"uba","page_name":"HernánMorel","display_name":"Hernán Morel","profile_url":"https://uba.academia.edu/Hern%C3%A1nMorel?f_ri=53827","photo":"https://0.academia-photos.com/1344310/493522/77901550/s65_hern_n.morel.jpg"}</script></span></span></li><li class="js-paper-rank-work_43760480 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43760480"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43760480, container: ".js-paper-rank-work_43760480", }); 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$(".js-view-count[data-work-id=43760480]").text(description); $(".js-view-count-work_43760480").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43760480").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43760480"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2132" href="https://www.academia.edu/Documents/in/Cultural_Heritage">Cultural Heritage</a>, <script data-card-contents-for-ri="2132" type="text/json">{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="267815" href="https://www.academia.edu/Documents/in/Turism">Turism</a>, <script data-card-contents-for-ri="267815" type="text/json">{"id":267815,"name":"Turism","url":"https://www.academia.edu/Documents/in/Turism?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="744503" href="https://www.academia.edu/Documents/in/Tango_Buenos_Aires">Tango Buenos Aires</a><script data-card-contents-for-ri="744503" type="text/json">{"id":744503,"name":"Tango Buenos Aires","url":"https://www.academia.edu/Documents/in/Tango_Buenos_Aires?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43760480]'), work: {"id":43760480,"title":"BUENOS AIRES, MECCA OF TANGO: ACTIVATION PROCESSES, MEGA CULTURAL EVENTS, TOURISM AND DILEMMAS IN THE LOCAL HERITAGE","created_at":"2020-08-01T07:33:22.175-07:00","url":"https://www.academia.edu/43760480/BUENOS_AIRES_MECCA_OF_TANGO_ACTIVATION_PROCESSES_MEGA_CULTURAL_EVENTS_TOURISM_AND_DILEMMAS_IN_THE_LOCAL_HERITAGE?f_ri=53827","dom_id":"work_43760480","summary":"In this paper, we go through the history of the construction of tango as heritage. The period analyzed here begins in the late 90's and extends until 2010. We analyze the factors underlying the cultural policies that came to surface after the \"turn\" of tango as heritage in Buenos Aires, that is to say, after the activation and promotion of this popular genre on part of the political power (Morel 2009). Through a process analysis, we outline the official efforts behind this recognition. Simultaneously, we examine the impact of tourism as a decisive factor in the political-cultural approaches of the successive administrations. Our aim is especially focused on two main aspects: first, we highlight the heritage-driven policies that went along with the activation process of this genre, and, secondly, we note the consolidation of the cultural policies and actions which had to do, mainly, with the organization of tango events in relation to the promotion of tourism in the city. Under this framework, we explore the negotiations and disputes which, later on, led to the creation of the Buenos Aires Tango Festival and its institutionalization within the official cultural program. \n","downloadable_attachments":[{"id":64072676,"asset_id":43760480,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1344310,"first_name":"Hernán","last_name":"Morel","domain_name":"uba","page_name":"HernánMorel","display_name":"Hernán Morel","profile_url":"https://uba.academia.edu/Hern%C3%A1nMorel?f_ri=53827","photo":"https://0.academia-photos.com/1344310/493522/77901550/s65_hern_n.morel.jpg"}],"research_interests":[{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":267815,"name":"Turism","url":"https://www.academia.edu/Documents/in/Turism?f_ri=53827","nofollow":false},{"id":744503,"name":"Tango Buenos Aires","url":"https://www.academia.edu/Documents/in/Tango_Buenos_Aires?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39169284" data-work_id="39169284" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39169284/Review_Dorene_Koehler_The_Mouse_and_the_Myth_Sacred_Art_and_Secular_Ritual_of_Disneyland">Review: Dorene Koehler, The Mouse and the Myth: Sacred Art and Secular Ritual of Disneyland</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39169284" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="adc60faa3f95f05d057e9d6aa9904165" rel="nofollow" data-download="{"attachment_id":59294737,"asset_id":39169284,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59294737/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20174255" href="https://emory.academia.edu/MatthewBrittingham">Matthew H . Brittingham</a><script data-card-contents-for-user="20174255" type="text/json">{"id":20174255,"first_name":"Matthew","last_name":"Brittingham","domain_name":"emory","page_name":"MatthewBrittingham","display_name":"Matthew H . 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The Oregon Festival, the Stratford Ontario... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38060287" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the 20th century, dozens of Shakespeare festivals flourished across the United States and Canada, giving rise to a phenomenon that now accounts for hundreds of festivals in the two countries. The Oregon Festival, the Stratford Ontario Festival and the Shakespeare in the Park (New York) can be considered the pioneers of this movement , influencing many other festivals. These festivals have generated theatrical events typified by their use of space, their outreach, target audiences and their approach to Shakespeare in performance. This article discusses Shakespeare festivals in North America using the cases of the Oregon, Stratford and Shakespeare in the Park festivals to elucidate how these and other contemporary festivals have generated their own formulae to stage Shakespeare's works. Resumen: Durante el siglo XX surge en Estados Unidos y Canadá un fenómeno teatral que pervive en nuestros días: los festivales de Shakes-peare, que ponen en escena cada verano las obras del dramaturgo in-glés. Los festivales de Oregón, Stratford Ontario y Shakespeare in the Park (Nueva York) fueron los pioneros de un movimiento conformado</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38060287" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e044fad7dd035cb9561d97d2124ef635" rel="nofollow" data-download="{"attachment_id":58085051,"asset_id":38060287,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58085051/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5149850" href="https://uned.academia.edu/IsabelGuerrero">Isabel Guerrero</a><script data-card-contents-for-user="5149850" type="text/json">{"id":5149850,"first_name":"Isabel","last_name":"Guerrero","domain_name":"uned","page_name":"IsabelGuerrero","display_name":"Isabel Guerrero","profile_url":"https://uned.academia.edu/IsabelGuerrero?f_ri=53827","photo":"https://0.academia-photos.com/5149850/9141075/17679759/s65_isabel.guerrero.jpg"}</script></span></span></li><li class="js-paper-rank-work_38060287 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38060287"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38060287, container: ".js-paper-rank-work_38060287", }); 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The Oregon Festival, the Stratford Ontario Festival and the Shakespeare in the Park (New York) can be considered the pioneers of this movement , influencing many other festivals. These festivals have generated theatrical events typified by their use of space, their outreach, target audiences and their approach to Shakespeare in performance. This article discusses Shakespeare festivals in North America using the cases of the Oregon, Stratford and Shakespeare in the Park festivals to elucidate how these and other contemporary festivals have generated their own formulae to stage Shakespeare's works. Resumen: Durante el siglo XX surge en Estados Unidos y Canadá un fenómeno teatral que pervive en nuestros días: los festivales de Shakes-peare, que ponen en escena cada verano las obras del dramaturgo in-glés. Los festivales de Oregón, Stratford Ontario y Shakespeare in the Park (Nueva York) fueron los pioneros de un movimiento conformado","downloadable_attachments":[{"id":58085051,"asset_id":38060287,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5149850,"first_name":"Isabel","last_name":"Guerrero","domain_name":"uned","page_name":"IsabelGuerrero","display_name":"Isabel Guerrero","profile_url":"https://uned.academia.edu/IsabelGuerrero?f_ri=53827","photo":"https://0.academia-photos.com/5149850/9141075/17679759/s65_isabel.guerrero.jpg"}],"research_interests":[{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":57385,"name":"Shakespeare in Performance","url":"https://www.academia.edu/Documents/in/Shakespeare_in_Performance?f_ri=53827","nofollow":false},{"id":302074,"name":"Drama and theatre studies","url":"https://www.academia.edu/Documents/in/Drama_and_theatre_studies-1?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8724900" data-work_id="8724900" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8724900/ATLAS_Events_Group_Report_2014">ATLAS Events Group Report 2014</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Report on the research activities of the ATLAS Events Group for 2014, including the ATLAS Events Monitoring Project.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue 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href="https://www.academia.edu/Documents/in/Festival_Tourism">Festival Tourism</a><script data-card-contents-for-ri="15315" type="text/json">{"id":15315,"name":"Festival Tourism","url":"https://www.academia.edu/Documents/in/Festival_Tourism?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8724900]'), work: {"id":8724900,"title":"ATLAS Events Group Report 2014","created_at":"2014-10-10T02:45:33.091-07:00","url":"https://www.academia.edu/8724900/ATLAS_Events_Group_Report_2014?f_ri=53827","dom_id":"work_8724900","summary":"Report on the research activities of the ATLAS Events Group for 2014, including the ATLAS Events Monitoring 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a ball is a rare chance to mingle with the opposite sex. Austen, by incorporating many nations moving and the traditions related with it into her books, accomplishes three sorts of impacts: first, in reflecting... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41840567" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">For Jane Austen's heroines, a ball is a rare chance to mingle with the opposite sex. Austen, by incorporating many nations moving and the traditions related with it into her books, accomplishes three sorts of impacts: first, in reflecting reasonably the exercises and estimations of her country upper-class subculture, she empowers the reader to feel comfortable in her fiction; second, the move set, which unites such a significant number of and such changed individuals, accommodates Austen chances to move plot components, typically ones including affection, romance, and marriage game plans; third, the move setting gives various chances to her to characterize and accentuate the individual characteristics of a portion of her characters. A comprehension of the traditions and traditions of nation move and the eighteenth-century dance hall can open up subtleties of implications that would be lost to the uninitiated reader.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41840567" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d7b1c38dcec484b229b0826420c41906" rel="nofollow" data-download="{"attachment_id":61986477,"asset_id":41840567,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61986477/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="48040995" href="https://arel.academia.edu/KubraBodur">Kübra BODUR</a><script data-card-contents-for-user="48040995" type="text/json">{"id":48040995,"first_name":"Kübra","last_name":"BODUR","domain_name":"arel","page_name":"KubraBodur","display_name":"Kübra BODUR","profile_url":"https://arel.academia.edu/KubraBodur?f_ri=53827","photo":"https://0.academia-photos.com/48040995/12654084/151881604/s65_k_bra.bodur.jpg"}</script></span></span></li><li class="js-paper-rank-work_41840567 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41840567"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41840567, container: ".js-paper-rank-work_41840567", }); 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We use information technology and tools to increase productivity and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26441282" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. 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Lucia</a><script data-card-contents-for-user="294208" type="text/json">{"id":294208,"first_name":"Amanda J.","last_name":"Lucia","domain_name":"ucriverside","page_name":"AmandaLucia","display_name":"Amanda J. Lucia","profile_url":"https://ucriverside.academia.edu/AmandaLucia?f_ri=53827","photo":"https://0.academia-photos.com/294208/72567/21181305/s65_amanda_j..lucia.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-26441282">+1</span><div class="hidden js-additional-users-26441282"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://sciences-po.academia.edu/SRomiMUKHERJEE">S. Romi Mukherjee</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-26441282'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-26441282').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_26441282 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="26441282"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 26441282, container: ".js-paper-rank-work_26441282", }); });</script></li><li class="js-percentile-work_26441282 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 26441282; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_26441282"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_26441282 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="26441282"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 26441282; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=26441282]").text(description); $(".js-view-count-work_26441282").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_26441282").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="26441282"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="106" href="https://www.academia.edu/Documents/in/Religion">Religion</a>, <script data-card-contents-for-ri="106" type="text/json">{"id":106,"name":"Religion","url":"https://www.academia.edu/Documents/in/Religion?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="114" href="https://www.academia.edu/Documents/in/Hinduism">Hinduism</a>, <script data-card-contents-for-ri="114" type="text/json">{"id":114,"name":"Hinduism","url":"https://www.academia.edu/Documents/in/Hinduism?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="388" href="https://www.academia.edu/Documents/in/Latin_American_Studies">Latin American Studies</a>, <script data-card-contents-for-ri="388" type="text/json">{"id":388,"name":"Latin American Studies","url":"https://www.academia.edu/Documents/in/Latin_American_Studies?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="390" href="https://www.academia.edu/Documents/in/American_Studies">American Studies</a><script data-card-contents-for-ri="390" type="text/json">{"id":390,"name":"American Studies","url":"https://www.academia.edu/Documents/in/American_Studies?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26441282]'), work: {"id":26441282,"title":"Take it Outside: Practicing religion in public","created_at":"2016-06-23T09:55:35.053-07:00","url":"https://www.academia.edu/26441282/Take_it_Outside_Practicing_religion_in_public?f_ri=53827","dom_id":"work_26441282","summary":"JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. 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Romi Mukherjee","profile_url":"https://sciences-po.academia.edu/SRomiMUKHERJEE?f_ri=53827","photo":"https://0.academia-photos.com/19686286/10148343/38492646/s65_s._romi.mukherjee.jpg"}],"research_interests":[{"id":106,"name":"Religion","url":"https://www.academia.edu/Documents/in/Religion?f_ri=53827","nofollow":false},{"id":114,"name":"Hinduism","url":"https://www.academia.edu/Documents/in/Hinduism?f_ri=53827","nofollow":false},{"id":388,"name":"Latin American Studies","url":"https://www.academia.edu/Documents/in/Latin_American_Studies?f_ri=53827","nofollow":false},{"id":390,"name":"American Studies","url":"https://www.academia.edu/Documents/in/American_Studies?f_ri=53827","nofollow":false},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology?f_ri=53827"},{"id":3558,"name":"South Asian Studies","url":"https://www.academia.edu/Documents/in/South_Asian_Studies?f_ri=53827"},{"id":3764,"name":"Asian American Studies","url":"https://www.academia.edu/Documents/in/Asian_American_Studies?f_ri=53827"},{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies?f_ri=53827"},{"id":15315,"name":"Festival Tourism","url":"https://www.academia.edu/Documents/in/Festival_Tourism?f_ri=53827"},{"id":40122,"name":"Roman Catholicism","url":"https://www.academia.edu/Documents/in/Roman_Catholicism?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36407443" data-work_id="36407443" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36407443/Sametov%C3%A9_posv%C3%ADcen%C3%AD_jako_hra_symbol%C5%AF">Sametové posvícení jako hra symbolů</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36407443" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f151830309b3fdc3a00064db39b9633a" rel="nofollow" data-download="{"attachment_id":56319078,"asset_id":36407443,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56319078/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="362557" href="https://cuni.academia.edu/MartinPehal">Martin Pehal</a><script data-card-contents-for-user="362557" type="text/json">{"id":362557,"first_name":"Martin","last_name":"Pehal","domain_name":"cuni","page_name":"MartinPehal","display_name":"Martin Pehal","profile_url":"https://cuni.academia.edu/MartinPehal?f_ri=53827","photo":"https://0.academia-photos.com/362557/110788/5487532/s65_martin.pehal.jpg"}</script></span></span></li><li class="js-paper-rank-work_36407443 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36407443"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36407443, container: ".js-paper-rank-work_36407443", }); 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Thus, studying festivals become essential for gaining an in-depth understanding of any culture... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45126655" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Festivals in the society or community work as a prism, reflecting various aspects of people’s life, from their faith, fear to their priorities. Thus, studying festivals become essential for gaining an in-depth understanding of any culture or society. This paper analyses the different festivals of both indigenous and non-indigenous communities in Arunachal Pradesh and also tries to understand the influence of non-indigenous religion in the festivals of Arunachal Pradesh.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45126655" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5149fec2189740870bd951d0f502e1c1" rel="nofollow" data-download="{"attachment_id":119193857,"asset_id":45126655,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/119193857/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3315147" href="https://iitg-in.academia.edu/PriyankaTamta">Dr. Priyanka Tamta</a><script data-card-contents-for-user="3315147" type="text/json">{"id":3315147,"first_name":"Dr. Priyanka","last_name":"Tamta","domain_name":"iitg-in","page_name":"PriyankaTamta","display_name":"Dr. Priyanka Tamta","profile_url":"https://iitg-in.academia.edu/PriyankaTamta?f_ri=53827","photo":"https://0.academia-photos.com/3315147/1106399/39458057/s65_dr._priyanka.tamta.jpg"}</script></span></span></li><li class="js-paper-rank-work_45126655 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45126655"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45126655, container: ".js-paper-rank-work_45126655", }); 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$(".js-view-count[data-work-id=45126655]").text(description); $(".js-view-count-work_45126655").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45126655").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45126655"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="109" href="https://www.academia.edu/Documents/in/Christianity">Christianity</a>, <script data-card-contents-for-ri="109" type="text/json">{"id":109,"name":"Christianity","url":"https://www.academia.edu/Documents/in/Christianity?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="113" href="https://www.academia.edu/Documents/in/Buddhism">Buddhism</a>, <script data-card-contents-for-ri="113" type="text/json">{"id":113,"name":"Buddhism","url":"https://www.academia.edu/Documents/in/Buddhism?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="114" href="https://www.academia.edu/Documents/in/Hinduism">Hinduism</a>, <script data-card-contents-for-ri="114" type="text/json">{"id":114,"name":"Hinduism","url":"https://www.academia.edu/Documents/in/Hinduism?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a><script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45126655]'), work: {"id":45126655,"title":"Understanding Patterns: Festivals of Arunachal Pradesh","created_at":"2021-02-15T08:48:29.189-08:00","url":"https://www.academia.edu/45126655/Understanding_Patterns_Festivals_of_Arunachal_Pradesh?f_ri=53827","dom_id":"work_45126655","summary":"Festivals in the society or community work as a prism, reflecting various aspects of people’s life, from their faith, fear to their priorities. Thus, studying festivals become essential for gaining an in-depth understanding of any culture or society. This paper analyses the different festivals of both indigenous and non-indigenous communities in Arunachal Pradesh and also tries to understand the influence of non-indigenous religion in the festivals of Arunachal Pradesh. \n","downloadable_attachments":[{"id":119193857,"asset_id":45126655,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3315147,"first_name":"Dr. Priyanka","last_name":"Tamta","domain_name":"iitg-in","page_name":"PriyankaTamta","display_name":"Dr. Priyanka Tamta","profile_url":"https://iitg-in.academia.edu/PriyankaTamta?f_ri=53827","photo":"https://0.academia-photos.com/3315147/1106399/39458057/s65_dr._priyanka.tamta.jpg"}],"research_interests":[{"id":109,"name":"Christianity","url":"https://www.academia.edu/Documents/in/Christianity?f_ri=53827","nofollow":false},{"id":113,"name":"Buddhism","url":"https://www.academia.edu/Documents/in/Buddhism?f_ri=53827","nofollow":false},{"id":114,"name":"Hinduism","url":"https://www.academia.edu/Documents/in/Hinduism?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":3890821,"name":"Animistic Faith","url":"https://www.academia.edu/Documents/in/Animistic_Faith?f_ri=53827"},{"id":3890824,"name":"Donyi-Poloism","url":"https://www.academia.edu/Documents/in/Donyi_Poloism?f_ri=53827"},{"id":3890825,"name":"Traditional Rituals","url":"https://www.academia.edu/Documents/in/Traditional_Rituals?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1168201" data-work_id="1168201" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1168201/Los_festivales_como_herramienta_para_el_desarrollo_local">Los festivales como herramienta para el desarrollo local</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1168201" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="eaf16152ebc203b7fc726d1da84f0907" rel="nofollow" data-download="{"attachment_id":7204960,"asset_id":1168201,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/7204960/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="93322" href="https://uoc.academia.edu/FrancescGonz%C3%A1lezRevert%C3%A9">Francesc González Reverté</a><script data-card-contents-for-user="93322" type="text/json">{"id":93322,"first_name":"Francesc","last_name":"González Reverté","domain_name":"uoc","page_name":"FrancescGonzálezReverté","display_name":"Francesc González Reverté","profile_url":"https://uoc.academia.edu/FrancescGonz%C3%A1lezRevert%C3%A9?f_ri=53827","photo":"https://0.academia-photos.com/93322/25875/443856/s65_francesc.gonz_lez-revert_.jpg"}</script></span></span></li><li class="js-paper-rank-work_1168201 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1168201"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1168201, container: ".js-paper-rank-work_1168201", }); 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$(".js-view-count[data-work-id=1168201]").text(description); $(".js-view-count-work_1168201").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1168201").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1168201"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3609" href="https://www.academia.edu/Documents/in/Event_Management">Event Management</a>, <script data-card-contents-for-ri="3609" type="text/json">{"id":3609,"name":"Event Management","url":"https://www.academia.edu/Documents/in/Event_Management?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7860" href="https://www.academia.edu/Documents/in/Cultural_Tourism">Cultural Tourism</a>, <script data-card-contents-for-ri="7860" type="text/json">{"id":7860,"name":"Cultural Tourism","url":"https://www.academia.edu/Documents/in/Cultural_Tourism?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a><script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1168201]'), work: {"id":1168201,"title":"Los festivales como herramienta para el desarrollo local","created_at":"2011-12-19T22:59:55.046-08:00","url":"https://www.academia.edu/1168201/Los_festivales_como_herramienta_para_el_desarrollo_local?f_ri=53827","dom_id":"work_1168201","summary":null,"downloadable_attachments":[{"id":7204960,"asset_id":1168201,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":93322,"first_name":"Francesc","last_name":"González Reverté","domain_name":"uoc","page_name":"FrancescGonzálezReverté","display_name":"Francesc González Reverté","profile_url":"https://uoc.academia.edu/FrancescGonz%C3%A1lezRevert%C3%A9?f_ri=53827","photo":"https://0.academia-photos.com/93322/25875/443856/s65_francesc.gonz_lez-revert_.jpg"}],"research_interests":[{"id":3609,"name":"Event Management","url":"https://www.academia.edu/Documents/in/Event_Management?f_ri=53827","nofollow":false},{"id":7860,"name":"Cultural Tourism","url":"https://www.academia.edu/Documents/in/Cultural_Tourism?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39516210" data-work_id="39516210" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39516210/Primer_Festival_del_Huaso_de_Olmu%C3%A9_Breve_rese%C3%B1a">Primer Festival del Huaso de Olmué. Breve reseña</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">El Festival del Huaso, organizado por la Municipalidad de Olmué, es una tradición ya de esta zona, catalogada hoy, como la capital del turismo de nuestra provincia. Los atractivos de los campos olmueínos, propiedad que alguna vez fue, en... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39516210" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El Festival del Huaso, organizado por la Municipalidad de Olmué, es una tradición ya de esta zona, catalogada hoy, como la capital del turismo de nuestra provincia. Los atractivos de los campos olmueínos, propiedad que alguna vez fue, en los tiempos de la colonia española, de la recordada Mariana Osorio, mujer del capitán Alonso de Riveros y por ende dueña por sucesión por causa de muerte de las haciendas de la Viña de la Mar y las tierras de Gulmué (Olmué). En esta zona y muy alejados los tiempos de doña Mariana, en 1970, se inaugura un espectáculo que reúne a los nuevos exponentes del folklore chileno, que se dan cita en este terruño de la Región de Valparaíso. El encuentro de cultores tradicionales fue un idea que un año antes había tenido el periodista Carlos Guzmán Organ, quien hacia el año 1969 se desempeñaba como Director de Turismo y Relaciones Públicas en la Municipalidad olmueína, este personaje presentó en aquella época un proyecto de festival, al alcalde don Hugo Quinteros con el fin de fomentar tanto la música folklórica como el turismo olmueíno. La iniciativa del periodista fue finalmente acogida y aprobada por la autoridad edilicia, siendo ratificada por acuerdos municipales sucesivos que entregaron a su ideólogo amplias atribuciones para organizar las primeras versiones de este certamen....</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39516210" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="24b691b2a898e04fe35743d00fe3d67f" rel="nofollow" data-download="{"attachment_id":59665286,"asset_id":39516210,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59665286/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="107815831" href="https://cedepkm.academia.edu/RicardoAndr%C3%A9sLoyola">Ricardo Andrés Loyola</a><script data-card-contents-for-user="107815831" type="text/json">{"id":107815831,"first_name":"Ricardo Andrés","last_name":"Loyola","domain_name":"cedepkm","page_name":"RicardoAndrésLoyola","display_name":"Ricardo Andrés Loyola","profile_url":"https://cedepkm.academia.edu/RicardoAndr%C3%A9sLoyola?f_ri=53827","photo":"https://0.academia-photos.com/107815831/28373739/65265362/s65_ricardo_andr_s.loyola.jpg"}</script></span></span></li><li class="js-paper-rank-work_39516210 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39516210"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39516210, container: ".js-paper-rank-work_39516210", }); 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$(".js-view-count[data-work-id=39516210]").text(description); $(".js-view-count-work_39516210").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39516210").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39516210"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="13530" href="https://www.academia.edu/Documents/in/Chile">Chile</a>, <script data-card-contents-for-ri="13530" type="text/json">{"id":13530,"name":"Chile","url":"https://www.academia.edu/Documents/in/Chile?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="49837" href="https://www.academia.edu/Documents/in/Historia">Historia</a>, <script data-card-contents-for-ri="49837" type="text/json">{"id":49837,"name":"Historia","url":"https://www.academia.edu/Documents/in/Historia?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="223590" href="https://www.academia.edu/Documents/in/Historia_de_Chile">Historia de Chile</a><script data-card-contents-for-ri="223590" type="text/json">{"id":223590,"name":"Historia de Chile","url":"https://www.academia.edu/Documents/in/Historia_de_Chile?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39516210]'), work: {"id":39516210,"title":"Primer Festival del Huaso de Olmué. Breve reseña","created_at":"2019-06-11T07:05:06.840-07:00","url":"https://www.academia.edu/39516210/Primer_Festival_del_Huaso_de_Olmu%C3%A9_Breve_rese%C3%B1a?f_ri=53827","dom_id":"work_39516210","summary":"El Festival del Huaso, organizado por la Municipalidad de Olmué, es una tradición ya de esta zona, catalogada hoy, como la capital del turismo de nuestra provincia. Los atractivos de los campos olmueínos, propiedad que alguna vez fue, en los tiempos de la colonia española, de la recordada Mariana Osorio, mujer del capitán Alonso de Riveros y por ende dueña por sucesión por causa de muerte de las haciendas de la Viña de la Mar y las tierras de Gulmué (Olmué). En esta zona y muy alejados los tiempos de doña Mariana, en 1970, se inaugura un espectáculo que reúne a los nuevos exponentes del folklore chileno, que se dan cita en este terruño de la Región de Valparaíso. El encuentro de cultores tradicionales fue un idea que un año antes había tenido el periodista Carlos Guzmán Organ, quien hacia el año 1969 se desempeñaba como Director de Turismo y Relaciones Públicas en la Municipalidad olmueína, este personaje presentó en aquella época un proyecto de festival, al alcalde don Hugo Quinteros con el fin de fomentar tanto la música folklórica como el turismo olmueíno. La iniciativa del periodista fue finalmente acogida y aprobada por la autoridad edilicia, siendo ratificada por acuerdos municipales sucesivos que entregaron a su ideólogo amplias atribuciones para organizar las primeras versiones de este certamen....","downloadable_attachments":[{"id":59665286,"asset_id":39516210,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":107815831,"first_name":"Ricardo Andrés","last_name":"Loyola","domain_name":"cedepkm","page_name":"RicardoAndrésLoyola","display_name":"Ricardo Andrés 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u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6610827/Changing_festival_places_insights_from_Galway">Changing festival places: insights from Galway</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6610827" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3e68966b1cff68a416289b2a3e9d6719" rel="nofollow" data-download="{"attachment_id":33354080,"asset_id":6610827,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm 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news","url":"https://www.academia.edu/Documents/in/Religion_news?f_ri=53827"},{"id":3342335,"name":"Eid Al-Adha Festival of Sacrifice","url":"https://www.academia.edu/Documents/in/Eid_Al-Adha_Festival_of_Sacrifice?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41920411" data-work_id="41920411" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41920411/ATLAS_WEEKEND_%D0%9D%D0%90%D0%99%D0%91%D0%86%D0%9B%D0%AC%D0%A8%D0%98%D0%99_%D0%9C%D0%A3%D0%97%D0%98%D0%A7%D0%9D%D0%98%D0%99_%D0%A4%D0%95%D0%A1%D0%A2%D0%98%D0%92%D0%90%D0%9B%D0%AC_%D0%92_%D0%A3%D0%9A%D0%A0%D0%90%D0%87%D0%9D%D0%86_Atlas_Weekend_the_largest_music_festival_in_Ukraine_">ATLAS WEEKEND – НАЙБІЛЬШИЙ МУЗИЧНИЙ ФЕСТИВАЛЬ В УКРАЇНІ (Atlas Weekend - the largest music festival in Ukraine)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Мета роботи: проаналізувати історію та практику проведення фестивалю «Atlas Weekend», його культурну складову та організаційні відмінності від інших великих музичних фестивалів України. Методологія дослідження полягає у поєднанні... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41920411" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Мета роботи: проаналізувати історію та практику проведення фестивалю «Atlas Weekend», його культурну складову та організаційні відмінності від інших великих музичних фестивалів України. Методологія дослідження полягає у поєднанні біографічного й текстуального аналізу з методом включеного спостереження. Наукова новизна. Автором подана соціально-комунікаційна характеристика і розкриваються інформаційні<br />засади організації фестивалю «Atlas Weekend». Досліджено його історію та особливості художньої програми, у дослідженні використана сучасна музична термінологія. Висновки. У статті проведено аналіз розвитку найбільшого музичного фестивалю України. Досягнення фестивалю «Atlas Weekend», актуальні проблеми креативної індустрії в галузі музичної культури проаналызовані на основі Інтернет-простору і статей у спеціалізованих фахових виданнях.<br />Purpose of the article is to analyze the history and practice of the «Atlas Weekend» festival, its cultural component and organizational differences from other major music festivals in Ukraine. Methodology. The methodology of the study: is the combination of biographical and textual analysis with the method of included observation. Scientific novelty. The author presents the social and communication characteristics and discloses the information principles of the organization of the festival "Atlas Weekend". His history and peculiarities of the artistic program are investigated, modern musical terminology is used in the research. Conclusions. The article analyzes the development of the largest musical festival in Ukraine. The achievements of the «Atlas Weekend» festival, the actual problems of the creative industry in the field of musical culture, are analyzed on the basis of Internet space and articles in specialized editions. The whole European cultural industry is built on the demand of consumers, artificially created and imposed by Western tendencies. Ukrainian festivals, although trying to adapt to the European festival space and still remain too conservative for the European listener, and Western media have created the idea that Ukraine is not the best option for leisure. Such informational defamation has appeared on the side of the Western media, both during Euro 2012 and during the Eurovision 2017. The author presents the social and communication characteristics and discloses the information principles of the organization of the festival «Atlas Weekend». It explores its history and features with the use of modern musical terminology. The urgency of the study is due to the lack of sufficient information in Ukrainian scientific sources on the development of modern festival culture in Ukraine. We must admit that the masters of sciences are concentrated mainly at festivals of classical music, and do not explore poly-genres festivals at all.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41920411" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="98bdc89c2891721933cd2fcd2950a97f" rel="nofollow" data-download="{"attachment_id":62044881,"asset_id":41920411,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62044881/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="82141211" href="https://independent.academia.edu/SviatoslavBerezhnik">Sviatoslav Berezhnyk</a><script data-card-contents-for-user="82141211" type="text/json">{"id":82141211,"first_name":"Sviatoslav","last_name":"Berezhnyk","domain_name":"independent","page_name":"SviatoslavBerezhnik","display_name":"Sviatoslav Berezhnyk","profile_url":"https://independent.academia.edu/SviatoslavBerezhnik?f_ri=53827","photo":"https://0.academia-photos.com/82141211/19809255/19641948/s65_sviatoslav.berezhnik.jpg"}</script></span></span></li><li class="js-paper-rank-work_41920411 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41920411"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41920411, container: ".js-paper-rank-work_41920411", }); 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$(".js-view-count[data-work-id=41920411]").text(description); $(".js-view-count-work_41920411").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41920411").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41920411"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1631" href="https://www.academia.edu/Documents/in/Popular_Music">Popular Music</a>, <script data-card-contents-for-ri="1631" type="text/json">{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="46989" href="https://www.academia.edu/Documents/in/Ukraine">Ukraine</a>, <script data-card-contents-for-ri="46989" type="text/json">{"id":46989,"name":"Ukraine","url":"https://www.academia.edu/Documents/in/Ukraine?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2512180" href="https://www.academia.edu/Documents/in/%D1%84%D0%B5%D1%81%D1%82%D0%B8%D0%B2%D0%B0%D0%BB%D1%8C">фестиваль</a><script data-card-contents-for-ri="2512180" type="text/json">{"id":2512180,"name":"фестиваль","url":"https://www.academia.edu/Documents/in/%D1%84%D0%B5%D1%81%D1%82%D0%B8%D0%B2%D0%B0%D0%BB%D1%8C?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41920411]'), work: {"id":41920411,"title":"ATLAS WEEKEND – НАЙБІЛЬШИЙ МУЗИЧНИЙ ФЕСТИВАЛЬ В УКРАЇНІ (Atlas Weekend - the largest music festival in Ukraine)","created_at":"2020-02-09T10:04:17.865-08:00","url":"https://www.academia.edu/41920411/ATLAS_WEEKEND_%D0%9D%D0%90%D0%99%D0%91%D0%86%D0%9B%D0%AC%D0%A8%D0%98%D0%99_%D0%9C%D0%A3%D0%97%D0%98%D0%A7%D0%9D%D0%98%D0%99_%D0%A4%D0%95%D0%A1%D0%A2%D0%98%D0%92%D0%90%D0%9B%D0%AC_%D0%92_%D0%A3%D0%9A%D0%A0%D0%90%D0%87%D0%9D%D0%86_Atlas_Weekend_the_largest_music_festival_in_Ukraine_?f_ri=53827","dom_id":"work_41920411","summary":"Мета роботи: проаналізувати історію та практику проведення фестивалю «Atlas Weekend», його культурну складову та організаційні відмінності від інших великих музичних фестивалів України. Методологія дослідження полягає у поєднанні біографічного й текстуального аналізу з методом включеного спостереження. Наукова новизна. Автором подана соціально-комунікаційна характеристика і розкриваються інформаційні\nзасади організації фестивалю «Atlas Weekend». Досліджено його історію та особливості художньої програми, у дослідженні використана сучасна музична термінологія. Висновки. У статті проведено аналіз розвитку найбільшого музичного фестивалю України. Досягнення фестивалю «Atlas Weekend», актуальні проблеми креативної індустрії в галузі музичної культури проаналызовані на основі Інтернет-простору і статей у спеціалізованих фахових виданнях.\nPurpose of the article is to analyze the history and practice of the «Atlas Weekend» festival, its cultural component and organizational differences from other major music festivals in Ukraine. Methodology. The methodology of the study: is the combination of biographical and textual analysis with the method of included observation. Scientific novelty. The author presents the social and communication characteristics and discloses the information principles of the organization of the festival \"Atlas Weekend\". His history and peculiarities of the artistic program are investigated, modern musical terminology is used in the research. Conclusions. The article analyzes the development of the largest musical festival in Ukraine. The achievements of the «Atlas Weekend» festival, the actual problems of the creative industry in the field of musical culture, are analyzed on the basis of Internet space and articles in specialized editions. The whole European cultural industry is built on the demand of consumers, artificially created and imposed by Western tendencies. Ukrainian festivals, although trying to adapt to the European festival space and still remain too conservative for the European listener, and Western media have created the idea that Ukraine is not the best option for leisure. Such informational defamation has appeared on the side of the Western media, both during Euro 2012 and during the Eurovision 2017. The author presents the social and communication characteristics and discloses the information principles of the organization of the festival «Atlas Weekend». It explores its history and features with the use of modern musical terminology. The urgency of the study is due to the lack of sufficient information in Ukrainian scientific sources on the development of modern festival culture in Ukraine. We must admit that the masters of sciences are concentrated mainly at festivals of classical music, and do not explore poly-genres festivals at all.","downloadable_attachments":[{"id":62044881,"asset_id":41920411,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":82141211,"first_name":"Sviatoslav","last_name":"Berezhnyk","domain_name":"independent","page_name":"SviatoslavBerezhnik","display_name":"Sviatoslav Berezhnyk","profile_url":"https://independent.academia.edu/SviatoslavBerezhnik?f_ri=53827","photo":"https://0.academia-photos.com/82141211/19809255/19641948/s65_sviatoslav.berezhnik.jpg"}],"research_interests":[{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music?f_ri=53827","nofollow":false},{"id":46989,"name":"Ukraine","url":"https://www.academia.edu/Documents/in/Ukraine?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":2512180,"name":"фестиваль","url":"https://www.academia.edu/Documents/in/%D1%84%D0%B5%D1%81%D1%82%D0%B8%D0%B2%D0%B0%D0%BB%D1%8C?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33058278" data-work_id="33058278" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33058278/_Inherit_the_Truth_Revising_History_at_Daytons_Scopes_Trial_Festival">"Inherit the Truth": Revising History at Dayton's Scopes Trial Festival</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Presentation presented at the 2012 North Carolina Graduate Student History Conference</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33058278" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="69739e8dba66acbc33aad8a2b33897bf" rel="nofollow" data-download="{"attachment_id":53164829,"asset_id":33058278,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53164829/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="46305704" href="https://ncsu.academia.edu/PatrickHalbrook">Patrick Halbrook</a><script data-card-contents-for-user="46305704" type="text/json">{"id":46305704,"first_name":"Patrick","last_name":"Halbrook","domain_name":"ncsu","page_name":"PatrickHalbrook","display_name":"Patrick Halbrook","profile_url":"https://ncsu.academia.edu/PatrickHalbrook?f_ri=53827","photo":"https://0.academia-photos.com/46305704/16167366/19849717/s65_patrick.halbrook.jpg"}</script></span></span></li><li class="js-paper-rank-work_33058278 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33058278"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33058278, container: ".js-paper-rank-work_33058278", }); 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$(".js-view-count[data-work-id=33058278]").text(description); $(".js-view-count-work_33058278").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33058278").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33058278"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2196" href="https://www.academia.edu/Documents/in/History_of_Education">History of Education</a>, <script data-card-contents-for-ri="2196" type="text/json">{"id":2196,"name":"History of Education","url":"https://www.academia.edu/Documents/in/History_of_Education?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18009" href="https://www.academia.edu/Documents/in/Tennessee_history">Tennessee history</a>, <script data-card-contents-for-ri="18009" type="text/json">{"id":18009,"name":"Tennessee history","url":"https://www.academia.edu/Documents/in/Tennessee_history?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="756723" href="https://www.academia.edu/Documents/in/Scopes_Trial">Scopes Trial</a><script data-card-contents-for-ri="756723" type="text/json">{"id":756723,"name":"Scopes Trial","url":"https://www.academia.edu/Documents/in/Scopes_Trial?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33058278]'), work: {"id":33058278,"title":"\"Inherit the Truth\": Revising History at Dayton's Scopes Trial Festival","created_at":"2017-05-17T11:14:59.667-07:00","url":"https://www.academia.edu/33058278/_Inherit_the_Truth_Revising_History_at_Daytons_Scopes_Trial_Festival?f_ri=53827","dom_id":"work_33058278","summary":"Presentation presented at the 2012 North Carolina Graduate Student History Conference","downloadable_attachments":[{"id":53164829,"asset_id":33058278,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":46305704,"first_name":"Patrick","last_name":"Halbrook","domain_name":"ncsu","page_name":"PatrickHalbrook","display_name":"Patrick Halbrook","profile_url":"https://ncsu.academia.edu/PatrickHalbrook?f_ri=53827","photo":"https://0.academia-photos.com/46305704/16167366/19849717/s65_patrick.halbrook.jpg"}],"research_interests":[{"id":2196,"name":"History of Education","url":"https://www.academia.edu/Documents/in/History_of_Education?f_ri=53827","nofollow":false},{"id":18009,"name":"Tennessee history","url":"https://www.academia.edu/Documents/in/Tennessee_history?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":756723,"name":"Scopes Trial","url":"https://www.academia.edu/Documents/in/Scopes_Trial?f_ri=53827","nofollow":false},{"id":972455,"name":"Creationism V Evolution","url":"https://www.academia.edu/Documents/in/Creationism_V_Evolution?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10571490" data-work_id="10571490" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10571490/Ptujsko_kurentovanje_kao_homogeniziranje_pokladne_kulture">Ptujsko kurentovanje kao homogeniziranje pokladne kulture</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Članak je fokusiran na pokladna događanja u Sloveniji vezana uz karnevalske likove, zvane kurenti ili koranti, te bajoslovna ili mitska bića Kurente iz pedesetih godina prošloga stoljeća. Analizira raznolike uporabe izraza kurentovanje,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10571490" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Članak je fokusiran na pokladna događanja u Sloveniji vezana uz karnevalske likove, zvane kurenti ili koranti, te bajoslovna ili mitska bića Kurente iz pedesetih godina prošloga stoljeća. Analizira raznolike uporabe izraza kurentovanje, koje proizlaze iz povezanosti s tim likovima i koje su se od 1960. godine, ptujskim kurentovanjem, danas “najpopularnijom i najmasovnijom kulturnom i folklornom priredbom u Sloveniji i srednjoj Europi”, počele sve više i više gubiti. U prvim godinama nakon Drugoga svjetskog rata kurentovanje je, kako je ustvrdio Gačnik, moglo označavati ne samo cijelu praksu seoskog karnevala već je to bio i izraz koji se često koristio za opisivanje odgovarajućih društvenih oblika gradskog pokladnog događanja. Zbog česte, raznolike i izmijenjene uporabe izraza korant, kurent i Kurent i ostalih izraza koji iz njih nastaju, autorica smatra da o kurentomaniji kao načinu nacionalizacije pokladne kulture možemo govoriti već (barem) od pedesetih godina prošloga stoljeća. Nakon 1960. godine, kada se u Ptuju pojavio pokladni karneval pod imenom Kurentovanje, višeznačnica je postala jednoznačnicom. U uporabi nacionaliziranog pojma za pokladni karneval, koji je redefinirao ponajprije lokalne prakse, prepoznaje se prisvajanje, a s druge strane dodatno homogeniziranje pokladne kulture u Sloveniji. Naime, ako je ptujsko kurentovanje s jedne strane pokušalo revitalizirati nestajuću pokladnu praksu, s druge je strane, makar što se tiče imena, sva druga i drukčija dotadašnja kurentovanja potisnulo u pozadinu.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10571490" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5cf7423cd720c54f9c18f410bdd9a8f7" rel="nofollow" data-download="{"attachment_id":36544623,"asset_id":10571490,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36544623/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="21436303" href="https://uni-aas.academia.edu/matejahabinc">Mateja Habinc</a><script data-card-contents-for-user="21436303" type="text/json">{"id":21436303,"first_name":"Mateja","last_name":"Habinc","domain_name":"uni-aas","page_name":"matejahabinc","display_name":"Mateja Habinc","profile_url":"https://uni-aas.academia.edu/matejahabinc?f_ri=53827","photo":"https://0.academia-photos.com/21436303/7067577/7964915/s65_mateja.habinc.jpg"}</script></span></span></li><li class="js-paper-rank-work_10571490 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10571490"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10571490, container: ".js-paper-rank-work_10571490", }); 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$(".js-view-count[data-work-id=10571490]").text(description); $(".js-view-count-work_10571490").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10571490").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10571490"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="5879" href="https://www.academia.edu/Documents/in/Socialisms">Socialisms</a>, <script data-card-contents-for-ri="5879" type="text/json">{"id":5879,"name":"Socialisms","url":"https://www.academia.edu/Documents/in/Socialisms?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a>, <script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="111356" href="https://www.academia.edu/Documents/in/Carnival">Carnival</a>, <script data-card-contents-for-ri="111356" type="text/json">{"id":111356,"name":"Carnival","url":"https://www.academia.edu/Documents/in/Carnival?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="178709" href="https://www.academia.edu/Documents/in/Slovenia">Slovenia</a><script data-card-contents-for-ri="178709" type="text/json">{"id":178709,"name":"Slovenia","url":"https://www.academia.edu/Documents/in/Slovenia?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10571490]'), work: {"id":10571490,"title":"Ptujsko kurentovanje kao homogeniziranje pokladne kulture","created_at":"2015-02-06T10:06:05.995-08:00","url":"https://www.academia.edu/10571490/Ptujsko_kurentovanje_kao_homogeniziranje_pokladne_kulture?f_ri=53827","dom_id":"work_10571490","summary":"Članak je fokusiran na pokladna događanja u Sloveniji vezana uz karnevalske likove, zvane kurenti ili koranti, te bajoslovna ili mitska bića Kurente iz pedesetih godina prošloga stoljeća. Analizira raznolike uporabe izraza kurentovanje, koje proizlaze iz povezanosti s tim likovima i koje su se od 1960. godine, ptujskim kurentovanjem, danas “najpopularnijom i najmasovnijom kulturnom i folklornom priredbom u Sloveniji i srednjoj Europi”, počele sve više i više gubiti. U prvim godinama nakon Drugoga svjetskog rata kurentovanje je, kako je ustvrdio Gačnik, moglo označavati ne samo cijelu praksu seoskog karnevala već je to bio i izraz koji se često koristio za opisivanje odgovarajućih društvenih oblika gradskog pokladnog događanja. Zbog česte, raznolike i izmijenjene uporabe izraza korant, kurent i Kurent i ostalih izraza koji iz njih nastaju, autorica smatra da o kurentomaniji kao načinu nacionalizacije pokladne kulture možemo govoriti već (barem) od pedesetih godina prošloga stoljeća. Nakon 1960. godine, kada se u Ptuju pojavio pokladni karneval pod imenom Kurentovanje, višeznačnica je postala jednoznačnicom. U uporabi nacionaliziranog pojma za pokladni karneval, koji je redefinirao ponajprije lokalne prakse, prepoznaje se prisvajanje, a s druge strane dodatno homogeniziranje pokladne kulture u Sloveniji. Naime, ako je ptujsko kurentovanje s jedne strane pokušalo revitalizirati nestajuću pokladnu praksu, s druge je strane, makar što se tiče imena, sva druga i drukčija dotadašnja kurentovanja potisnulo u pozadinu.","downloadable_attachments":[{"id":36544623,"asset_id":10571490,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":21436303,"first_name":"Mateja","last_name":"Habinc","domain_name":"uni-aas","page_name":"matejahabinc","display_name":"Mateja Habinc","profile_url":"https://uni-aas.academia.edu/matejahabinc?f_ri=53827","photo":"https://0.academia-photos.com/21436303/7067577/7964915/s65_mateja.habinc.jpg"}],"research_interests":[{"id":5879,"name":"Socialisms","url":"https://www.academia.edu/Documents/in/Socialisms?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false},{"id":111356,"name":"Carnival","url":"https://www.academia.edu/Documents/in/Carnival?f_ri=53827","nofollow":false},{"id":178709,"name":"Slovenia","url":"https://www.academia.edu/Documents/in/Slovenia?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8793171" data-work_id="8793171" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8793171/Event_Design_Social_perspectives_and_practices">Event Design: Social perspectives and practices</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Events are becoming more complex as their range of functions grows, as meeting places, creative spaces, economic catalysts, social drivers, community builders, image makers, business forums and network nodes. Effective design can produce... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8793171" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Events are becoming more complex as their range of functions grows, as meeting places, creative spaces, economic catalysts, social drivers, community builders, image makers, business forums and network nodes. Effective design can produce more successful business models that can help to sustain cultural and sporting activities even in difficult economic times. This process requires creative imagination, and a design methodology or in other words ‘imagineering’.<br /><br />This book brings together a wide range of international experts in the fields of events, design and imagineering to examine the event design process. It explores the entire event experience from conception and production to consumption and co-creation. By doing so it offers insight into effective strategies for coping with the shift in value creation away from transactional economic value towards social and relational value which benefit a range of stakeholders from the community to policy makers. Mega-events, small community events, business events and festivals in eight different countries are examined providing an international view of social issues in event design.<br /><br />A wide selection of current research perspectives is employed, integrating both theoretical and applied contributions. The multidisciplinary nature of the material means that it will appeal to a broad academic audience, such as art and design, cultural studies, tourism, events studies, sociology and hospitality.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8793171" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bb98fe2c79c1483df4939228a5b9cc28" rel="nofollow" data-download="{"attachment_id":35142310,"asset_id":8793171,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35142310/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1068105" href="https://independent.academia.edu/gregrichards">greg richards</a><script data-card-contents-for-user="1068105" type="text/json">{"id":1068105,"first_name":"greg","last_name":"richards","domain_name":"independent","page_name":"gregrichards","display_name":"greg richards","profile_url":"https://independent.academia.edu/gregrichards?f_ri=53827","photo":"https://0.academia-photos.com/1068105/488509/2625485/s65_greg.richards.jpg"}</script></span></span></li><li class="js-paper-rank-work_8793171 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8793171"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8793171, container: ".js-paper-rank-work_8793171", }); 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$(".js-view-count[data-work-id=8793171]").text(description); $(".js-view-count-work_8793171").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8793171").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8793171"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">24</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="909" href="https://www.academia.edu/Documents/in/Tourism_Studies">Tourism Studies</a>, <script data-card-contents-for-ri="909" type="text/json">{"id":909,"name":"Tourism Studies","url":"https://www.academia.edu/Documents/in/Tourism_Studies?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="942" href="https://www.academia.edu/Documents/in/Tourism_Marketing">Tourism Marketing</a>, <script data-card-contents-for-ri="942" type="text/json">{"id":942,"name":"Tourism Marketing","url":"https://www.academia.edu/Documents/in/Tourism_Marketing?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1057" href="https://www.academia.edu/Documents/in/Festivals_and_music">Festivals and music</a>, <script data-card-contents-for-ri="1057" type="text/json">{"id":1057,"name":"Festivals and music","url":"https://www.academia.edu/Documents/in/Festivals_and_music?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3609" href="https://www.academia.edu/Documents/in/Event_Management">Event Management</a><script data-card-contents-for-ri="3609" type="text/json">{"id":3609,"name":"Event Management","url":"https://www.academia.edu/Documents/in/Event_Management?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8793171]'), work: {"id":8793171,"title":"Event Design: Social perspectives and practices","created_at":"2014-10-15T04:34:01.920-07:00","url":"https://www.academia.edu/8793171/Event_Design_Social_perspectives_and_practices?f_ri=53827","dom_id":"work_8793171","summary":"Events are becoming more complex as their range of functions grows, as meeting places, creative spaces, economic catalysts, social drivers, community builders, image makers, business forums and network nodes. Effective design can produce more successful business models that can help to sustain cultural and sporting activities even in difficult economic times. This process requires creative imagination, and a design methodology or in other words ‘imagineering’.\n\nThis book brings together a wide range of international experts in the fields of events, design and imagineering to examine the event design process. It explores the entire event experience from conception and production to consumption and co-creation. By doing so it offers insight into effective strategies for coping with the shift in value creation away from transactional economic value towards social and relational value which benefit a range of stakeholders from the community to policy makers. Mega-events, small community events, business events and festivals in eight different countries are examined providing an international view of social issues in event design.\n\nA wide selection of current research perspectives is employed, integrating both theoretical and applied contributions. The multidisciplinary nature of the material means that it will appeal to a broad academic audience, such as art and design, cultural studies, tourism, events studies, sociology and hospitality.","downloadable_attachments":[{"id":35142310,"asset_id":8793171,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1068105,"first_name":"greg","last_name":"richards","domain_name":"independent","page_name":"gregrichards","display_name":"greg richards","profile_url":"https://independent.academia.edu/gregrichards?f_ri=53827","photo":"https://0.academia-photos.com/1068105/488509/2625485/s65_greg.richards.jpg"}],"research_interests":[{"id":909,"name":"Tourism Studies","url":"https://www.academia.edu/Documents/in/Tourism_Studies?f_ri=53827","nofollow":false},{"id":942,"name":"Tourism Marketing","url":"https://www.academia.edu/Documents/in/Tourism_Marketing?f_ri=53827","nofollow":false},{"id":1057,"name":"Festivals and 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marketing","url":"https://www.academia.edu/Documents/in/Event_marketing?f_ri=53827"},{"id":19107,"name":"Events","url":"https://www.academia.edu/Documents/in/Events?f_ri=53827"},{"id":28304,"name":"Mega Events","url":"https://www.academia.edu/Documents/in/Mega_Events?f_ri=53827"},{"id":43883,"name":"Tourism","url":"https://www.academia.edu/Documents/in/Tourism?f_ri=53827"},{"id":51217,"name":"Community Events and Festivals","url":"https://www.academia.edu/Documents/in/Community_Events_and_Festivals?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":68360,"name":"Film Festivals","url":"https://www.academia.edu/Documents/in/Film_Festivals?f_ri=53827"},{"id":80483,"name":"Creative Tourism","url":"https://www.academia.edu/Documents/in/Creative_Tourism?f_ri=53827"},{"id":91379,"name":"Sport and Event 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})();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33368391 coauthored" data-work_id="33368391" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33368391/Performative_Politics_and_the_Cultures_of_Hinduism_Public_uses_of_Religion_in_Western_India_South_Asia">Performative Politics and the Cultures of Hinduism: Public uses of Religion in Western India - South Asia</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Book review of Performative Politics and the Cultures of Hinduism: Public Uses of Religion in Western India... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33368391" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Book review of Performative Politics and the Cultures of Hinduism: Public Uses  of Religion in Western India<br /><br /><a href="https://books.google.co.uk/books/about/Performative_Politics_and_the_Cultures_o.html?id=Cen2k9kiWW8C&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=false" rel="nofollow">https://books.google.co.uk/books/about/Performative_Politics_and_the_Cultures_o.html?id=Cen2k9kiWW8C&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=false</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33368391" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" 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href="https://www.academia.edu/Documents/in/Religion_and_the_Public_Sphere">Religion & the Public Sphere</a>, <script data-card-contents-for-ri="7743" type="text/json">{"id":7743,"name":"Religion \u0026 the Public Sphere","url":"https://www.academia.edu/Documents/in/Religion_and_the_Public_Sphere?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53827" href="https://www.academia.edu/Documents/in/Festivals">Festivals</a><script data-card-contents-for-ri="53827" type="text/json">{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33368391]'), work: {"id":33368391,"title":"Performative Politics and the Cultures of Hinduism: Public uses of Religion in Western India - South Asia","created_at":"2017-06-07T13:06:40.982-07:00","url":"https://www.academia.edu/33368391/Performative_Politics_and_the_Cultures_of_Hinduism_Public_uses_of_Religion_in_Western_India_South_Asia?f_ri=53827","dom_id":"work_33368391","summary":"Book review of Performative Politics and the Cultures of Hinduism: Public Uses of Religion in Western India\n\nhttps://books.google.co.uk/books/about/Performative_Politics_and_the_Cultures_o.html?id=Cen2k9kiWW8C\u0026printsec=frontcover\u0026source=kp_read_button\u0026redir_esc=y#v=onepage\u0026q\u0026f=false","downloadable_attachments":[{"id":53425261,"asset_id":33368391,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":21360720,"first_name":"Raminder","last_name":"Kaur","domain_name":"sussex","page_name":"RaminderKaur","display_name":"Raminder Kaur","profile_url":"https://sussex.academia.edu/RaminderKaur?f_ri=53827","photo":"https://0.academia-photos.com/21360720/6787676/17216317/s65_raminder.kaur.jpg"},{"id":2783386,"first_name":"Peter","last_name":"Sutherland","domain_name":"lsu","page_name":"PeterSutherland","display_name":"Peter Sutherland","profile_url":"https://lsu.academia.edu/PeterSutherland?f_ri=53827","photo":"https://0.academia-photos.com/2783386/909069/1136229/s65_peter.sutherland.jpg"}],"research_interests":[{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture?f_ri=53827","nofollow":false},{"id":3558,"name":"South Asian Studies","url":"https://www.academia.edu/Documents/in/South_Asian_Studies?f_ri=53827","nofollow":false},{"id":7743,"name":"Religion \u0026 the Public Sphere","url":"https://www.academia.edu/Documents/in/Religion_and_the_Public_Sphere?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_48941852" data-work_id="48941852" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/48941852/A_Festival_in_Change_A_Case_Study_of_the_Fiesta_de_San_Fermin_1930_1978">A Festival in Change: A Case Study of the Fiesta de San Fermin, 1930 - 1978</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The topic of this dissertation is the "fiesta de San Fermin," better known as Sanfermines or Sanfermin, which annually takes place from the 6th to the 14th of July in Pamplona, Spain in the province of Navarre. This work analyzes the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_48941852" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The topic of this dissertation is the "fiesta de San Fermin," better known as Sanfermines or Sanfermin, which annually takes place from the 6th to the 14th of July in Pamplona, Spain in the province of Navarre. This work analyzes the internal dynamics of the fiesta from its origins in the twelfth century through it institutionalization in the fifteenth century, and its popularization in the twentieth century.  In particular, the thesis focusses on the period from 1930 to 1978, an era of turbulent political, social, economic and ideological transformations as well as dramatic modifications in public attitudes and behavior in Spain.  These years include the end of the Restoration, the Second Republic (1931-1936), the civil war (1936-1939),  General Franco's dictatorship (1939-1975), and the transition toward a parliamentary Monarchy. During these years Pamplona witnessed industrialization, rapid urban expansion, the development of new social classes and novel social attitudes, deep social and political polarization, and sharp ideological divisions, especially around the issue of the integration of the province of Navarre into the Basque country.<br />    The study combines historical and anthropological methods. Sanfermines is analyzed as a vivid text which interprets, depicts, and communicates the social, political, ideological, economic, and behavioral context of the city and its inhabitants.  The Pamplonese fiesta is utilized as a document by which the basic principles of Pamplona's society as well as its language, symbols, signs, rituals, and other festive expressions are deciphered. In this work, the fiesta is observed as a microcosm or allegory of an urban center in change. Sanfermines operates as a thermometer which measures the transformation of Pamplona and the relations between the individual and the community.<br />    This work demonstrates that the fiesta is a complex cultural phenomenon that is intrinsically interwoven within its historical context, which cannot be fully understood outside of it. The fiesta is found to generate its own morphology, with a particular form and structure.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/48941852" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7edfff06f5be860ee4a0f8542317d492" rel="nofollow" data-download="{"attachment_id":67340927,"asset_id":48941852,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67340927/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="193346969" href="https://independent.academia.edu/ClotildePuertolas">Clotilde Puertolas</a><script data-card-contents-for-user="193346969" type="text/json">{"id":193346969,"first_name":"Clotilde","last_name":"Puertolas","domain_name":"independent","page_name":"ClotildePuertolas","display_name":"Clotilde Puertolas","profile_url":"https://independent.academia.edu/ClotildePuertolas?f_ri=53827","photo":"https://0.academia-photos.com/193346969/56004477/44195673/s65_clotilde.puertolas.png"}</script></span></span></li><li class="js-paper-rank-work_48941852 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="48941852"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 48941852, container: ".js-paper-rank-work_48941852", }); 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This work analyzes the internal dynamics of the fiesta from its origins in the twelfth century through it institutionalization in the fifteenth century, and its popularization in the twentieth century. In particular, the thesis focusses on the period from 1930 to 1978, an era of turbulent political, social, economic and ideological transformations as well as dramatic modifications in public attitudes and behavior in Spain. These years include the end of the Restoration, the Second Republic (1931-1936), the civil war (1936-1939), General Franco's dictatorship (1939-1975), and the transition toward a parliamentary Monarchy. During these years Pamplona witnessed industrialization, rapid urban expansion, the development of new social classes and novel social attitudes, deep social and political polarization, and sharp ideological divisions, especially around the issue of the integration of the province of Navarre into the Basque country.\n The study combines historical and anthropological methods. Sanfermines is analyzed as a vivid text which interprets, depicts, and communicates the social, political, ideological, economic, and behavioral context of the city and its inhabitants. The Pamplonese fiesta is utilized as a document by which the basic principles of Pamplona's society as well as its language, symbols, signs, rituals, and other festive expressions are deciphered. In this work, the fiesta is observed as a microcosm or allegory of an urban center in change. Sanfermines operates as a thermometer which measures the transformation of Pamplona and the relations between the individual and the community.\n This work demonstrates that the fiesta is a complex cultural phenomenon that is intrinsically interwoven within its historical context, which cannot be fully understood outside of it. The fiesta is found to generate its own morphology, with a particular form and structure.","downloadable_attachments":[{"id":67340927,"asset_id":48941852,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":193346969,"first_name":"Clotilde","last_name":"Puertolas","domain_name":"independent","page_name":"ClotildePuertolas","display_name":"Clotilde Puertolas","profile_url":"https://independent.academia.edu/ClotildePuertolas?f_ri=53827","photo":"https://0.academia-photos.com/193346969/56004477/44195673/s65_clotilde.puertolas.png"}],"research_interests":[{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology?f_ri=53827","nofollow":false},{"id":15588,"name":"Social History","url":"https://www.academia.edu/Documents/in/Social_History?f_ri=53827","nofollow":false},{"id":51219,"name":"Religious Tourism and 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href="https://www.academia.edu/16478430/Trachtenumzug_Skulpturenboulevard_oder_B_750_Parade_Aushandlungsprozesse_um_die_politische_Repr%C3%A4sentation_und_%C3%A4sthetische_Gestaltung_der_750_Jahr_Feier_in_West_Berlin">Trachtenumzug, Skulpturenboulevard oder B-750 Parade? Aushandlungsprozesse um die politische Repräsentation und ästhetische Gestaltung der 750-Jahr-Feier in West-Berlin</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">In: Kaspar Maase, Christoph Bareither, Brigitte Frizzoni, Mirjam Nast (Hg.): Macher – Medien – Publika. Beiträge der Europäischen Ethnologie zu Geschmack und Vergnügen. Würzburg 2014, S. 99-113.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/16478430" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b6432b3f0e10b677195f1c61a140e86e" rel="nofollow" data-download="{"attachment_id":39011586,"asset_id":16478430,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39011586/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="29303891" href="https://hu-berlin.academia.edu/CorneliaK%C3%BChn">Cornelia Kühn</a><script data-card-contents-for-user="29303891" type="text/json">{"id":29303891,"first_name":"Cornelia","last_name":"Kühn","domain_name":"hu-berlin","page_name":"CorneliaKühn","display_name":"Cornelia Kühn","profile_url":"https://hu-berlin.academia.edu/CorneliaK%C3%BChn?f_ri=53827","photo":"https://0.academia-photos.com/29303891/8377988/24073406/s65_cornelia.k_hn.jpg"}</script></span></span></li><li class="js-paper-rank-work_16478430 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="16478430"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 16478430, container: ".js-paper-rank-work_16478430", }); 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Jörg Rüpke zeichnet die Geschichte des Kalenders von der Antike... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_5615454" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">""Was ein Kalender ist, weiß wohl jeder, aber wie umfassend und nachhaltig er unseren Alltag, unsere Zeitrhythmen, unser Denken und Fühlen prägt, ist kaum jemandem bewußt. Jörg Rüpke zeichnet die Geschichte des Kalenders von der Antike bis zur Gegenwart nach und präsentiert in unterhaltsamer Form ebenso überraschende wie faszinierende Erkenntnisse über diesen wirkungsmächtigen kulturellen Zeitgeber. <br /> <br />Im Anfang war der Kalender – und zwar in Gestalt des Mondkalenders. Er bot unseren Vorfahren die Möglichkeit, ihr durch den Ackerbau bestimmtes Jahr angemessen zu organisieren. Je weiter sich die Menschheitskultur entwickelte, um so mehr wuchs das Unbehagen an diesem Zeitgeber. Das Mondjahr mußte dem Sonnenjahr weichen, doch selbst dieses mußte noch nachjustiert werden. Feste wollten exakt im Jahreskreis fixiert, Gerichtstermine bestimmt, Zinstermine festgelegt sein. Nicht zuletzt die Religion verlangte nach zuverlässig bestimmbaren Daten, um den kultischen Verpflichtungen nachzukommen und die Götter nicht zu verstimmen. Herrschaft über die Zeit bedeutete zudem stets auch Herrschaft über die Menschen, ja sogar über ihr Bewußtsein – und das wurde den Mächtigen bald bewußt. So macht dieser Band auch deutlich, weshalb es wichtig war, dieses Instrument unter Kontrolle zu bekommen. ""</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5615454" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ad075349d666f6cd48d6c323e46a84bd" rel="nofollow" data-download="{"attachment_id":32851448,"asset_id":5615454,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32851448/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5921289" href="https://uni-erfurt.academia.edu/JoergRuepke">Joerg Ruepke</a><script data-card-contents-for-user="5921289" type="text/json">{"id":5921289,"first_name":"Joerg","last_name":"Ruepke","domain_name":"uni-erfurt","page_name":"JoergRuepke","display_name":"Joerg Ruepke","profile_url":"https://uni-erfurt.academia.edu/JoergRuepke?f_ri=53827","photo":"https://0.academia-photos.com/5921289/2620892/3043710/s65_joerg.ruepke.jpg"}</script></span></span></li><li class="js-paper-rank-work_5615454 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5615454"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5615454, container: ".js-paper-rank-work_5615454", }); 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$(".js-view-count[data-work-id=5615454]").text(description); $(".js-view-count-work_5615454").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_5615454").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="5615454"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2059" href="https://www.academia.edu/Documents/in/History_of_Religion">History of Religion</a>, <script data-card-contents-for-ri="2059" type="text/json">{"id":2059,"name":"History of Religion","url":"https://www.academia.edu/Documents/in/History_of_Religion?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14757" href="https://www.academia.edu/Documents/in/Ovid">Ovid</a>, <script data-card-contents-for-ri="14757" type="text/json">{"id":14757,"name":"Ovid","url":"https://www.academia.edu/Documents/in/Ovid?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27637" href="https://www.academia.edu/Documents/in/Calendars">Calendars</a>, <script data-card-contents-for-ri="27637" type="text/json">{"id":27637,"name":"Calendars","url":"https://www.academia.edu/Documents/in/Calendars?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="45092" href="https://www.academia.edu/Documents/in/History_of_Time">History of Time</a><script data-card-contents-for-ri="45092" type="text/json">{"id":45092,"name":"History of Time","url":"https://www.academia.edu/Documents/in/History_of_Time?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=5615454]'), work: {"id":5615454,"title":"2006 Zeit und Fest: Eine Kulturgeschichte des Kalenders ","created_at":"2014-01-05T20:38:43.360-08:00","url":"https://www.academia.edu/5615454/2006_Zeit_und_Fest_Eine_Kulturgeschichte_des_Kalenders?f_ri=53827","dom_id":"work_5615454","summary":"\"\"Was ein Kalender ist, weiß wohl jeder, aber wie umfassend und nachhaltig er unseren Alltag, unsere Zeitrhythmen, unser Denken und Fühlen prägt, ist kaum jemandem bewußt. Jörg Rüpke zeichnet die Geschichte des Kalenders von der Antike bis zur Gegenwart nach und präsentiert in unterhaltsamer Form ebenso überraschende wie faszinierende Erkenntnisse über diesen wirkungsmächtigen kulturellen Zeitgeber.\r\n\r\nIm Anfang war der Kalender – und zwar in Gestalt des Mondkalenders. Er bot unseren Vorfahren die Möglichkeit, ihr durch den Ackerbau bestimmtes Jahr angemessen zu organisieren. Je weiter sich die Menschheitskultur entwickelte, um so mehr wuchs das Unbehagen an diesem Zeitgeber. Das Mondjahr mußte dem Sonnenjahr weichen, doch selbst dieses mußte noch nachjustiert werden. Feste wollten exakt im Jahreskreis fixiert, Gerichtstermine bestimmt, Zinstermine festgelegt sein. Nicht zuletzt die Religion verlangte nach zuverlässig bestimmbaren Daten, um den kultischen Verpflichtungen nachzukommen und die Götter nicht zu verstimmen. Herrschaft über die Zeit bedeutete zudem stets auch Herrschaft über die Menschen, ja sogar über ihr Bewußtsein – und das wurde den Mächtigen bald bewußt. So macht dieser Band auch deutlich, weshalb es wichtig war, dieses Instrument unter Kontrolle zu bekommen. \"\"","downloadable_attachments":[{"id":32851448,"asset_id":5615454,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5921289,"first_name":"Joerg","last_name":"Ruepke","domain_name":"uni-erfurt","page_name":"JoergRuepke","display_name":"Joerg Ruepke","profile_url":"https://uni-erfurt.academia.edu/JoergRuepke?f_ri=53827","photo":"https://0.academia-photos.com/5921289/2620892/3043710/s65_joerg.ruepke.jpg"}],"research_interests":[{"id":2059,"name":"History of Religion","url":"https://www.academia.edu/Documents/in/History_of_Religion?f_ri=53827","nofollow":false},{"id":14757,"name":"Ovid","url":"https://www.academia.edu/Documents/in/Ovid?f_ri=53827","nofollow":false},{"id":27637,"name":"Calendars","url":"https://www.academia.edu/Documents/in/Calendars?f_ri=53827","nofollow":false},{"id":45092,"name":"History of Time","url":"https://www.academia.edu/Documents/in/History_of_Time?f_ri=53827","nofollow":false},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":154354,"name":"History of timekeeping","url":"https://www.academia.edu/Documents/in/History_of_timekeeping?f_ri=53827"},{"id":508158,"name":"Ancient Calendars","url":"https://www.academia.edu/Documents/in/Ancient_Calendars?f_ri=53827"},{"id":557640,"name":"medieval Jewish and Christian calendars","url":"https://www.academia.edu/Documents/in/medieval_Jewish_and_Christian_calendars?f_ri=53827"},{"id":617750,"name":"Religionsgeschichte","url":"https://www.academia.edu/Documents/in/Religionsgeschichte?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25911214" data-work_id="25911214" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25911214/Festivalisation_of_Urban_Spaces_Factors_Processes_and_Effects_Springer_Geography_Series_Springer_Cham">Festivalisation of Urban Spaces Factors, Processes and Effects, Springer Geography Series, Springer, Cham.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">▶ The book presents the role of festivals in relation to the urban spaces ▶ Provides the overview of the origins, history, and the main factors of festival development ▶ Presents the case study of the city of Lodz, Poland ▶ Provides a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_25911214" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">▶ The book presents the role of festivals in relation to the urban spaces<br />▶ Provides the overview of the origins, history, and the main factors of<br />festival development<br />▶ Presents the case study of the city of Lodz, Poland<br />▶ Provides a model for studying the role of festivals in the<br />development of the city space<br />▶ Multidisciplinary work, intended for a wider audience<br />▶ Comprehensive and multifaceted publication, which covers both<br />theoretical and practical issues regarding festival studies<br />This is a multi-disciplinary scientific monograph referring to urban geography, urban<br />regions management, event studies, tourism geography, cultural anthropology and<br />sociology. It covers issues which are typically related to the most popular type of<br />events: festivals. This book studies the origins, history, and the main factors of festival<br />development, as well as the concept of a festival in the context of various scientific<br />disciplines. It presents the existing festival typologies as well as the author's own<br />comprehensive typology. The theoretical part concerns the basic research methods and<br />approaches used in the analysis of these events, as well as their impacts on the urban<br />space in the physical (festival facilities), social (a place where people may pursue their<br />interests, meet with family and friends) and cultural aspect. The economic aspect of<br />festivals (generating jobs and income from tourism, using festivals for city branding,<br />etc.) is also discussed. The book presents practical examples in sub-chapters, references<br />to literature (further reading) and the case study of the influence of festivals on urban<br />space management and urban development, using the example of Łódź – a Polish postsocialist<br />city. It may also be treated as a supplementary course book for students of urban<br />geography, urban regions management, tourism, event management and, to a certain<br />extent, anthropology of culture and sociology. </div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25911214" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="da6290f0ab4d086bf865769dd3e07335" rel="nofollow" data-download="{"attachment_id":46273518,"asset_id":25911214,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46273518/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24305186" href="https://unilodz.academia.edu/CudnyWaldemar">Waldemar Cudny</a><script data-card-contents-for-user="24305186" type="text/json">{"id":24305186,"first_name":"Waldemar","last_name":"Cudny","domain_name":"unilodz","page_name":"CudnyWaldemar","display_name":"Waldemar Cudny","profile_url":"https://unilodz.academia.edu/CudnyWaldemar?f_ri=53827","photo":"https://0.academia-photos.com/24305186/6562289/7430405/s65_waldemar.cudny.jpg"}</script></span></span></li><li class="js-paper-rank-work_25911214 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="25911214"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 25911214, container: ".js-paper-rank-work_25911214", }); 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$(".js-view-count[data-work-id=25911214]").text(description); $(".js-view-count-work_25911214").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_25911214").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="25911214"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">32</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="262" href="https://www.academia.edu/Documents/in/Human_Geography">Human Geography</a>, <script data-card-contents-for-ri="262" type="text/json">{"id":262,"name":"Human Geography","url":"https://www.academia.edu/Documents/in/Human_Geography?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="263" href="https://www.academia.edu/Documents/in/Cultural_Geography">Cultural Geography</a>, <script data-card-contents-for-ri="263" type="text/json">{"id":263,"name":"Cultural Geography","url":"https://www.academia.edu/Documents/in/Cultural_Geography?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="277" href="https://www.academia.edu/Documents/in/Urban_Geography">Urban Geography</a><script data-card-contents-for-ri="277" type="text/json">{"id":277,"name":"Urban Geography","url":"https://www.academia.edu/Documents/in/Urban_Geography?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=25911214]'), work: {"id":25911214,"title":"Festivalisation of Urban Spaces Factors, Processes and Effects, Springer Geography Series, Springer, Cham.","created_at":"2016-06-06T03:28:04.170-07:00","url":"https://www.academia.edu/25911214/Festivalisation_of_Urban_Spaces_Factors_Processes_and_Effects_Springer_Geography_Series_Springer_Cham?f_ri=53827","dom_id":"work_25911214","summary":"▶ The book presents the role of festivals in relation to the urban spaces\n▶ Provides the overview of the origins, history, and the main factors of\nfestival development\n▶ Presents the case study of the city of Lodz, Poland\n▶ Provides a model for studying the role of festivals in the\ndevelopment of the city space\n▶ Multidisciplinary work, intended for a wider audience\n▶ Comprehensive and multifaceted publication, which covers both\ntheoretical and practical issues regarding festival studies\nThis is a multi-disciplinary scientific monograph referring to urban geography, urban\nregions management, event studies, tourism geography, cultural anthropology and\nsociology. It covers issues which are typically related to the most popular type of\nevents: festivals. This book studies the origins, history, and the main factors of festival\ndevelopment, as well as the concept of a festival in the context of various scientific\ndisciplines. It presents the existing festival typologies as well as the author's own\ncomprehensive typology. The theoretical part concerns the basic research methods and\napproaches used in the analysis of these events, as well as their impacts on the urban\nspace in the physical (festival facilities), social (a place where people may pursue their\ninterests, meet with family and friends) and cultural aspect. The economic aspect of\nfestivals (generating jobs and income from tourism, using festivals for city branding,\netc.) is also discussed. The book presents practical examples in sub-chapters, references\nto literature (further reading) and the case study of the influence of festivals on urban\nspace management and urban development, using the example of Łódź – a Polish postsocialist\ncity. It may also be treated as a supplementary course book for students of urban\ngeography, urban regions management, tourism, event management and, to a certain\nextent, anthropology of culture and sociology. ","downloadable_attachments":[{"id":46273518,"asset_id":25911214,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24305186,"first_name":"Waldemar","last_name":"Cudny","domain_name":"unilodz","page_name":"CudnyWaldemar","display_name":"Waldemar Cudny","profile_url":"https://unilodz.academia.edu/CudnyWaldemar?f_ri=53827","photo":"https://0.academia-photos.com/24305186/6562289/7430405/s65_waldemar.cudny.jpg"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=53827","nofollow":false},{"id":262,"name":"Human Geography","url":"https://www.academia.edu/Documents/in/Human_Geography?f_ri=53827","nofollow":false},{"id":263,"name":"Cultural Geography","url":"https://www.academia.edu/Documents/in/Cultural_Geography?f_ri=53827","nofollow":false},{"id":277,"name":"Urban 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36040638/Vancouver_producing_urban_public_space_and_city_transformation">Vancouver: producing urban public space and city transformation</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Chapter 3 presents empirically informed analyses of a number of new public space projects initiated first as counter-projects and counter-spaces by a variety of community and historic preservation society interests. It demonstrates... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36040638" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Chapter 3 presents empirically informed analyses of a number of new public <br />space projects initiated first as counter-projects and counter-spaces <br />by a variety of community and historic preservation society interests. <br />It demonstrates further that, Vancouver City Council (VCC) proved <br />receptive to the counter-projects and provided an overarching strategic <br />spatial framework within which the projects on the ground were <br />devised and implemented. This chapter also introduces the importance <br />of the social animation of public space, whether through politicised <br />collective action or ludic enjoyment. Changing representations of space <br />through time are shown to have implications for spatial practice on the ground, based on differences in the way social behaviour in public <br />space is understood and interpreted.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36040638" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d8d63ccd7050cc4f9c00a8d446f7702b" rel="nofollow" data-download="{"attachment_id":55926592,"asset_id":36040638,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55926592/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1965031" href="https://independentresearcher.academia.edu/MichaelLearyOwhin">Michael Edema Leary-Owhin</a><script data-card-contents-for-user="1965031" type="text/json">{"id":1965031,"first_name":"Michael Edema","last_name":"Leary-Owhin","domain_name":"independentresearcher","page_name":"MichaelLearyOwhin","display_name":"Michael Edema Leary-Owhin","profile_url":"https://independentresearcher.academia.edu/MichaelLearyOwhin?f_ri=53827","photo":"https://0.academia-photos.com/1965031/672053/92208380/s65_michael_edema.leary-owhin.jpg"}</script></span></span></li><li class="js-paper-rank-work_36040638 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36040638"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36040638, container: ".js-paper-rank-work_36040638", }); 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$(".js-view-count[data-work-id=36040638]").text(description); $(".js-view-count-work_36040638").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36040638").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36040638"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">174</a>  </div><span class="InlineList-item-text u-textTruncate u-pl11x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="277" href="https://www.academia.edu/Documents/in/Urban_Geography">Urban Geography</a>, <script data-card-contents-for-ri="277" type="text/json">{"id":277,"name":"Urban Geography","url":"https://www.academia.edu/Documents/in/Urban_Geography?f_ri=53827","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="862" href="https://www.academia.edu/Documents/in/Archival_Studies">Archival Studies</a><script data-card-contents-for-ri="862" type="text/json">{"id":862,"name":"Archival Studies","url":"https://www.academia.edu/Documents/in/Archival_Studies?f_ri=53827","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36040638]'), work: {"id":36040638,"title":"Vancouver: producing urban public space and city transformation","created_at":"2018-02-28T04:59:17.370-08:00","url":"https://www.academia.edu/36040638/Vancouver_producing_urban_public_space_and_city_transformation?f_ri=53827","dom_id":"work_36040638","summary":"Chapter 3 presents empirically informed analyses of a number of new public\r\nspace projects initiated first as counter-projects and counter-spaces\r\nby a variety of community and historic preservation society interests.\r\nIt demonstrates further that, Vancouver City Council (VCC) proved\r\nreceptive to the counter-projects and provided an overarching strategic\r\nspatial framework within which the projects on the ground were\r\ndevised and implemented. 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u-pv7x u-mb0x js-work-card work_41582152" data-work_id="41582152" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41582152/_Pagan_masks_in_contemporary_European_winter_festivals_popular_Frazerism_and_the_search_for_festive_authenticity_and_its_heritagisation_">“Pagan” masks in contemporary European winter festivals, popular Frazerism, and the search for festive authenticity (and its heritagisation)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Session Ü. VALK, L. GUZY: Insecurities and uncertainties at the margins of institutionalised religions: ghosts, monsters, witchcraft and other dangerous matters “Pagan” masks in contemporary European winter festivals, popular Frazerism,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41582152" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Session Ü. VALK, L. GUZY: Insecurities and uncertainties at the margins of institutionalised religions: ghosts, monsters, witchcraft and other dangerous matters<br /><br />“Pagan” masks in contemporary European winter festivals, popular Frazerism, and the search for festive authenticity (and its heritagisation)<br /><br />Many winter festivals and public rituals throughout Europe reveal an interesting characteristic: the usage of masks and costumes with monstrous and/or zoomorphic features. These events occur in contexts that are or were traditionally Christian (especially in Catholic areas), although they have also been undergoing significant secularisation in the last few decades. In spite of these Christian or secular frameworks, these rituals and the masked figures that characterise them are very often described as “pagan”, “Dionysian”, “pre-Christian”, “very ancient”, and the like.<br />This paper intends to highlight the symbolic sources of these phenomena and discuss what are or could be the historical factors that led to these rather striking and apparently incongruous forms of religious or pseudo-religious conceptualisations and practices as well as the social needs to which they seem to respond today. To achieve these heuristic goals, several concepts will be operationalised and discussed, such as “ritualisation”, “popular Frazerism”, and “heritagisation”, and others.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41582152" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4043168830220236dc2eef7f313e24f8" rel="nofollow" data-download="{"attachment_id":61738756,"asset_id":41582152,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61738756/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="39333819" href="https://cuni.academia.edu/AlessandroTesta">Alessandro Testa</a><script data-card-contents-for-user="39333819" type="text/json">{"id":39333819,"first_name":"Alessandro","last_name":"Testa","domain_name":"cuni","page_name":"AlessandroTesta","display_name":"Alessandro Testa","profile_url":"https://cuni.academia.edu/AlessandroTesta?f_ri=53827","photo":"https://0.academia-photos.com/39333819/10845916/35111160/s65_alessandro.testa.jpg"}</script></span></span></li><li class="js-paper-rank-work_41582152 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41582152"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41582152, container: ".js-paper-rank-work_41582152", }); 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VALK, L. GUZY: Insecurities and uncertainties at the margins of institutionalised religions: ghosts, monsters, witchcraft and other dangerous matters\n\n“Pagan” masks in contemporary European winter festivals, popular Frazerism, and the search for festive authenticity (and its heritagisation)\n\nMany winter festivals and public rituals throughout Europe reveal an interesting characteristic: the usage of masks and costumes with monstrous and/or zoomorphic features. These events occur in contexts that are or were traditionally Christian (especially in Catholic areas), although they have also been undergoing significant secularisation in the last few decades. In spite of these Christian or secular frameworks, these rituals and the masked figures that characterise them are very often described as “pagan”, “Dionysian”, “pre-Christian”, “very ancient”, and the like.\nThis paper intends to highlight the symbolic sources of these phenomena and discuss what are or could be the historical factors that led to these rather striking and apparently incongruous forms of religious or pseudo-religious conceptualisations and practices as well as the social needs to which they seem to respond today. To achieve these heuristic goals, several concepts will be operationalised and discussed, such as “ritualisation”, “popular Frazerism”, and “heritagisation”, and others.\n\n","downloadable_attachments":[{"id":61738756,"asset_id":41582152,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":39333819,"first_name":"Alessandro","last_name":"Testa","domain_name":"cuni","page_name":"AlessandroTesta","display_name":"Alessandro Testa","profile_url":"https://cuni.academia.edu/AlessandroTesta?f_ri=53827","photo":"https://0.academia-photos.com/39333819/10845916/35111160/s65_alessandro.testa.jpg"}],"research_interests":[{"id":120,"name":"New Religious Movements","url":"https://www.academia.edu/Documents/in/New_Religious_Movements?f_ri=53827","nofollow":false},{"id":2059,"name":"History of Religion","url":"https://www.academia.edu/Documents/in/History_of_Religion?f_ri=53827","nofollow":false},{"id":2170,"name":"Ethnography","url":"https://www.academia.edu/Documents/in/Ethnography?f_ri=53827","nofollow":false},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology?f_ri=53827","nofollow":false},{"id":4923,"name":"European Ethnography","url":"https://www.academia.edu/Documents/in/European_Ethnography?f_ri=53827"},{"id":11308,"name":"Paganism","url":"https://www.academia.edu/Documents/in/Paganism?f_ri=53827"},{"id":15315,"name":"Festival Tourism","url":"https://www.academia.edu/Documents/in/Festival_Tourism?f_ri=53827"},{"id":19764,"name":"Intangible Cultural Heritage (Culture)","url":"https://www.academia.edu/Documents/in/Intangible_Cultural_Heritage_Culture_?f_ri=53827"},{"id":20774,"name":"Ritual (Anthropology)","url":"https://www.academia.edu/Documents/in/Ritual_Anthropology_?f_ri=53827"},{"id":35728,"name":"Neopaganism","url":"https://www.academia.edu/Documents/in/Neopaganism?f_ri=53827"},{"id":47984,"name":"James George Frazer","url":"https://www.academia.edu/Documents/in/James_George_Frazer?f_ri=53827"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=53827"},{"id":62586,"name":"Masks","url":"https://www.academia.edu/Documents/in/Masks?f_ri=53827"},{"id":619396,"name":"Anthropology of Religion","url":"https://www.academia.edu/Documents/in/Anthropology_of_Religion?f_ri=53827"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_51005333" data-work_id="51005333" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/51005333/Piosenka_religijna_na_festiwalu_Sacrosong_w_latach_1969_1978">Piosenka religijna na festiwalu Sacrosong w latach 1969–1978</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Festiwal Pieśni i Piosenki Religijnej Sacrosong (1969–1999) powstał w czasie, gdy stopniowo wchodziły w życie postanowienia Soboru Watykańskiego II, a wśród nich to dotyczące otwierania Kościoła katolickiego na nowe formy ewangelizacji.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_51005333" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Festiwal Pieśni i Piosenki Religijnej Sacrosong (1969–1999) powstał w czasie, gdy stopniowo wchodziły w życie postanowienia Soboru Watykańskiego II, a wśród nich to dotyczące otwierania Kościoła katolickiego na nowe formy ewangelizacji. Równocześnie olbrzymią popularność w świecie zyskiwała muzyka rockandrollowa. Znalazła ona entuzjastów także wśród muzyków chrześcijańskich, którym rockowe brzmienia posłużyły do przekazywania treści religijnych. Lata 60. XX wieku to również czas, w którym znacząco wzrosło zainteresowanie gatunkiem piosenki, której w twórczości religijnej dały wyraz m.in. utwory francuskiego jezuity Aimé Duvala.<br />Pomimo trudnej sytuacji społeczno-politycznej PRL, zarówno moda na muzykę młodzieżową jak i na piosenkarstwo religijne bardzo szybko dotarły do grona zainteresowanych. Pierwszą sceną dla repertuaru religijnego w Polsce był festiwal Sacrosong, który w założeniach miał nie tylko sprzyjać powstawaniu i promocji nowych utworów w języku polskim, lecz również angażować w działalność religijną środowisko artystów i młodzież i w ten sposób przeciwdziałać ateizacji społeczeństwa.<br />W ciągu trzydziestu lat podczas ogólnopolskich Sacrosongów można było usłyszeć zarówno piosenki konkursowe, jak i pieśni, kantaty czy oratoria powstałe na zamówienie organizatorów. Wydarzeniom muzycznym towarzyszyły spektakle teatralne, wystawy, wieczory poezji, konferencje i dyskusje. W jury konkursu zasiadały takie osobistości, jak Wojciech Kilar czy Stefan Kisielewski, muzykę na zamówienie pisali m.in. Jerzy Bauer, Marian Sawa, a teksty – Roman Brandstaetter, Ernest Bryll czy ks. Jan Twardowski.<br />Artykuł porusza zagadnienia dotyczące historii Sacrosongów, repertuaru oraz społecznej i kulturotwórczej roli tego wydarzenia. Całości dopełniają refleksje związane z samym gatunkiem „głównej bohaterki” festiwalu – piosenki religijnej.<br /><br />The ‘Sacrosong’ Festival of Religious Songs and Hymns (1969–1999) was established at a time when the resolutions of the Second Ecumenical Council of the Vatican were gradually being implemented, including the decision to open the Catholic Church up to new forms of evangelisation. With rock music gaining huge popularity worldwide, it also found enthusiasts among Christian usicians, who employed rock to convey a religious message. The 1960s also saw increased interest in the song genre, represented in the field of sacred music by the French Jesuit Aimé Duval, among others. Despite the difficult social and political situation in communist Poland, the fashion for teenage music and religious songs soon reached that country’s youth. The Sacrosong festival<br />was Poland’s first platform for the presentation of religious repertoire. It was created not only to support the composition and promotion of new works sung in Polish, but also to involve artists and youngsters in religious life and thereby counteract the atheisation of Polish society. Over the thirty years of Sacrosong’s history as a nationwide festival, its repertoire included songs submitted for the festival’s competition, as well as songs, cantatas and oratorios commissioned by the organisers. Musical events were accompanied by theatre shows, exhibitions, poetry evenings, conferences and debates. The competition jury featured celebrities like Wojciech Kilar and Stefan Kisielewski, while the commissioned works were written by such artists as Jerzy Bauer and Marian Sawa (music), Roman Brandstaetter, Ernest Bryll and Revd Jan Twardowski (lyrics). This article discusses Sacrosong’s history and repertoire, as well as its social and cultural role. It also includes reflection on the genre of religious song as the ‘chief protagonist’ of the festival.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/51005333" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5cdde73970af3954d10f11f7b4649188" rel="nofollow" data-download="{"attachment_id":68876924,"asset_id":51005333,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/68876924/download_file?st=MTczMjUzMzcyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="62547709" href="https://pan-pl.academia.edu/Barbara%C5%9Anie%C5%BCek">Barbara Śnieżek</a><script data-card-contents-for-user="62547709" type="text/json">{"id":62547709,"first_name":"Barbara","last_name":"Śnieżek","domain_name":"pan-pl","page_name":"BarbaraŚnieżek","display_name":"Barbara Śnieżek","profile_url":"https://pan-pl.academia.edu/Barbara%C5%9Anie%C5%BCek?f_ri=53827","photo":"https://0.academia-photos.com/62547709/19694969/19781815/s65_barbara._nie_ek.jpg"}</script></span></span></li><li class="js-paper-rank-work_51005333 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="51005333"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 51005333, container: ".js-paper-rank-work_51005333", }); 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Równocześnie olbrzymią popularność w świecie zyskiwała muzyka rockandrollowa. Znalazła ona entuzjastów także wśród muzyków chrześcijańskich, którym rockowe brzmienia posłużyły do przekazywania treści religijnych. Lata 60. XX wieku to również czas, w którym znacząco wzrosło zainteresowanie gatunkiem piosenki, której w twórczości religijnej dały wyraz m.in. utwory francuskiego jezuity Aimé Duvala.\nPomimo trudnej sytuacji społeczno-politycznej PRL, zarówno moda na muzykę młodzieżową jak i na piosenkarstwo religijne bardzo szybko dotarły do grona zainteresowanych. Pierwszą sceną dla repertuaru religijnego w Polsce był festiwal Sacrosong, który w założeniach miał nie tylko sprzyjać powstawaniu i promocji nowych utworów w języku polskim, lecz również angażować w działalność religijną środowisko artystów i młodzież i w ten sposób przeciwdziałać ateizacji społeczeństwa.\nW ciągu trzydziestu lat podczas ogólnopolskich Sacrosongów można było usłyszeć zarówno piosenki konkursowe, jak i pieśni, kantaty czy oratoria powstałe na zamówienie organizatorów. Wydarzeniom muzycznym towarzyszyły spektakle teatralne, wystawy, wieczory poezji, konferencje i dyskusje. W jury konkursu zasiadały takie osobistości, jak Wojciech Kilar czy Stefan Kisielewski, muzykę na zamówienie pisali m.in. Jerzy Bauer, Marian Sawa, a teksty – Roman Brandstaetter, Ernest Bryll czy ks. Jan Twardowski.\nArtykuł porusza zagadnienia dotyczące historii Sacrosongów, repertuaru oraz społecznej i kulturotwórczej roli tego wydarzenia. Całości dopełniają refleksje związane z samym gatunkiem „głównej bohaterki” festiwalu – piosenki religijnej.\n\nThe ‘Sacrosong’ Festival of Religious Songs and Hymns (1969–1999) was established at a time when the resolutions of the Second Ecumenical Council of the Vatican were gradually being implemented, including the decision to open the Catholic Church up to new forms of evangelisation. With rock music gaining huge popularity worldwide, it also found enthusiasts among Christian usicians, who employed rock to convey a religious message. The 1960s also saw increased interest in the song genre, represented in the field of sacred music by the French Jesuit Aimé Duval, among others. Despite the difficult social and political situation in communist Poland, the fashion for teenage music and religious songs soon reached that country’s youth. The Sacrosong festival\nwas Poland’s first platform for the presentation of religious repertoire. It was created not only to support the composition and promotion of new works sung in Polish, but also to involve artists and youngsters in religious life and thereby counteract the atheisation of Polish society. Over the thirty years of Sacrosong’s history as a nationwide festival, its repertoire included songs submitted for the festival’s competition, as well as songs, cantatas and oratorios commissioned by the organisers. Musical events were accompanied by theatre shows, exhibitions, poetry evenings, conferences and debates. The competition jury featured celebrities like Wojciech Kilar and Stefan Kisielewski, while the commissioned works were written by such artists as Jerzy Bauer and Marian Sawa (music), Roman Brandstaetter, Ernest Bryll and Revd Jan Twardowski (lyrics). This article discusses Sacrosong’s history and repertoire, as well as its social and cultural role. It also includes reflection on the genre of religious song as the ‘chief protagonist’ of the festival.","downloadable_attachments":[{"id":68876924,"asset_id":51005333,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":62547709,"first_name":"Barbara","last_name":"Śnieżek","domain_name":"pan-pl","page_name":"BarbaraŚnieżek","display_name":"Barbara Śnieżek","profile_url":"https://pan-pl.academia.edu/Barbara%C5%9Anie%C5%BCek?f_ri=53827","photo":"https://0.academia-photos.com/62547709/19694969/19781815/s65_barbara._nie_ek.jpg"}],"research_interests":[{"id":1057,"name":"Festivals and music","url":"https://www.academia.edu/Documents/in/Festivals_and_music?f_ri=53827","nofollow":false},{"id":25885,"name":"Second Vatican Council","url":"https://www.academia.edu/Documents/in/Second_Vatican_Council?f_ri=53827","nofollow":false},{"id":28612,"name":"Sacred 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