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Pride & Prejudice (2005 film) - Wikipedia

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<li id="toc-Production" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Production"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Production</span> </div> </a> <button aria-controls="toc-Production-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Production subsection</span> </button> <ul id="toc-Production-sublist" class="vector-toc-list"> <li id="toc-Conception_and_adaptation" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Conception_and_adaptation"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Conception and adaptation</span> </div> </a> <ul id="toc-Conception_and_adaptation-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Casting" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Casting"> 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</div> </a> <ul id="toc-Filming-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Music" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Music"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.6</span> <span>Music</span> </div> </a> <ul id="toc-Music-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Editing" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Editing"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.7</span> <span>Editing</span> </div> </a> <ul id="toc-Editing-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Major_themes_and_analysis" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Major_themes_and_analysis"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Major themes and analysis</span> </div> </a> <button aria-controls="toc-Major_themes_and_analysis-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Major themes and analysis subsection</span> </button> <ul id="toc-Major_themes_and_analysis-sublist" class="vector-toc-list"> <li id="toc-Romanticism_and_realism" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Romanticism_and_realism"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.1</span> <span>Romanticism and realism</span> </div> </a> <ul id="toc-Romanticism_and_realism-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Family" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Family"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2</span> <span>Family</span> </div> </a> <ul id="toc-Family-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Depiction_of_Elizabeth_Bennet" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Depiction_of_Elizabeth_Bennet"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.3</span> <span>Depiction of Elizabeth Bennet</span> </div> </a> <ul id="toc-Depiction_of_Elizabeth_Bennet-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Release" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Release"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Release</span> </div> </a> <button aria-controls="toc-Release-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Release subsection</span> </button> <ul id="toc-Release-sublist" class="vector-toc-list"> <li id="toc-Marketing" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Marketing"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.1</span> <span>Marketing</span> </div> </a> <ul id="toc-Marketing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Box_office" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Box_office"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.2</span> <span>Box office</span> </div> </a> <ul id="toc-Box_office-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Home_media" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Home_media"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.3</span> <span>Home media</span> </div> </a> <ul id="toc-Home_media-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Reception" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Reception"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Reception</span> </div> </a> <button aria-controls="toc-Reception-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Reception subsection</span> </button> <ul id="toc-Reception-sublist" class="vector-toc-list"> <li id="toc-Accolades" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Accolades"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.1</span> <span>Accolades</span> </div> </a> <ul id="toc-Accolades-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Influence_and_legacy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Influence_and_legacy"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Influence and legacy</span> </div> </a> <ul id="toc-Influence_and_legacy-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Notes</span> </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>Bibliography</span> </div> </a> <button aria-controls="toc-Bibliography-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Bibliography subsection</span> </button> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> <li id="toc-Books" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Books"> <div class="vector-toc-text"> <span class="vector-toc-numb">11.1</span> <span>Books</span> </div> </a> <ul id="toc-Books-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Essays_and_journals" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Essays_and_journals"> <div class="vector-toc-text"> <span class="vector-toc-numb">11.2</span> <span>Essays and journals</span> </div> </a> <ul id="toc-Essays_and_journals-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Interviews" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Interviews"> <div class="vector-toc-text"> <span class="vector-toc-numb">11.3</span> <span>Interviews</span> </div> </a> <ul id="toc-Interviews-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Newspaper_and_magazine_articles" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Newspaper_and_magazine_articles"> <div class="vector-toc-text"> <span class="vector-toc-numb">11.4</span> <span>Newspaper and magazine articles</span> </div> </a> <ul id="toc-Newspaper_and_magazine_articles-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Online" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Online"> <div class="vector-toc-text"> <span class="vector-toc-numb">11.5</span> <span>Online</span> </div> </a> <ul id="toc-Online-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Press_releases" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Press_releases"> <div class="vector-toc-text"> <span class="vector-toc-numb">11.6</span> <span>Press releases</span> </div> </a> <ul id="toc-Press_releases-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Visual_media" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Visual_media"> <div class="vector-toc-text"> <span class="vector-toc-numb">11.7</span> <span>Visual media</span> </div> </a> <ul id="toc-Visual_media-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" title="Table of Contents" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><i>Pride &amp; Prejudice</i> (2005 film)</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 50 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-50" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">50 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D9%83%D8%A8%D8%B1%D9%8A%D8%A7%D8%A1_%D9%88%D8%AA%D8%AD%D8%A7%D9%85%D9%84_(%D9%81%D9%8A%D9%84%D9%85_2005)" title="كبرياء وتحامل (فيلم 2005) – Arabic" lang="ar" hreflang="ar" data-title="كبرياء وتحامل (فيلم 2005)" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%AA%E0%A7%8D%E0%A6%B0%E0%A6%BE%E0%A6%87%E0%A6%A1_%E0%A6%85%E0%A7%8D%E0%A6%AF%E0%A6%BE%E0%A6%A8%E0%A7%8D%E0%A6%A1_%E0%A6%AA%E0%A7%8D%E0%A6%B0%E0%A7%87%E0%A6%9C%E0%A7%81%E0%A6%A1%E0%A6%BF%E0%A6%B8_(%E0%A7%A8%E0%A7%A6%E0%A7%A6%E0%A7%AB-%E0%A6%8F%E0%A6%B0_%E0%A6%9A%E0%A6%B2%E0%A6%9A%E0%A7%8D%E0%A6%9A%E0%A6%BF%E0%A6%A4%E0%A7%8D%E0%A6%B0)" title="প্রাইড অ্যান্ড প্রেজুডিস (২০০৫-এর চলচ্চিত্র) – Bangla" lang="bn" hreflang="bn" data-title="প্রাইড অ্যান্ড প্রেজুডিস (২০০৫-এর চলচ্চিত্র)" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target"><span>বাংলা</span></a></li><li class="interlanguage-link interwiki-zh-min-nan mw-list-item"><a href="https://zh-min-nan.wikipedia.org/wiki/Ng%C5%8D%CD%98-b%C4%81n_kap_Phian-ki%C3%A0n_(2015)" title="Ngō͘-bān kap Phian-kiàn (2015) – Minnan" lang="nan" hreflang="nan" data-title="Ngō͘-bān kap Phian-kiàn (2015)" data-language-autonym="閩南語 / Bân-lâm-gú" data-language-local-name="Minnan" class="interlanguage-link-target"><span>閩南語 / Bân-lâm-gú</span></a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%93%D0%BE%D1%80%D0%B4%D0%BE%D1%81%D1%82_%D0%B8_%D0%BF%D1%80%D0%B5%D0%B4%D1%80%D0%B0%D0%B7%D1%81%D1%8A%D0%B4%D1%8A%D1%86%D0%B8_(%D1%84%D0%B8%D0%BB%D0%BC,_2005)" title="Гордост и предразсъдъци (филм, 2005) – Bulgarian" lang="bg" hreflang="bg" data-title="Гордост и предразсъдъци (филм, 2005)" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target"><span>Български</span></a></li><li class="interlanguage-link interwiki-ca badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://ca.wikipedia.org/wiki/Orgull_i_prejudici_(pel%C2%B7l%C3%ADcula_de_2005)" title="Orgull i prejudici (pel·lícula de 2005) – Catalan" lang="ca" hreflang="ca" data-title="Orgull i prejudici (pel·lícula de 2005)" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/P%C3%BDcha_a_p%C5%99edsudek_(film,_2005)" title="Pýcha a předsudek (film, 2005) – Czech" lang="cs" hreflang="cs" data-title="Pýcha a předsudek (film, 2005)" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Pride_%26_Prejudice_(ffilm_2005)" title="Pride &amp; Prejudice (ffilm 2005) – Welsh" lang="cy" hreflang="cy" data-title="Pride &amp; Prejudice (ffilm 2005)" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target"><span>Cymraeg</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Stolthed_og_fordom_(film_fra_2005)" title="Stolthed og fordom (film fra 2005) – Danish" lang="da" hreflang="da" data-title="Stolthed og fordom (film fra 2005)" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Stolz_und_Vorurteil_(2005)" title="Stolz und Vorurteil (2005) – German" lang="de" hreflang="de" data-title="Stolz und Vorurteil (2005)" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Orgullo_y_prejuicio_(pel%C3%ADcula_de_2005)" title="Orgullo y prejuicio (película de 2005) – Spanish" lang="es" hreflang="es" data-title="Orgullo y prejuicio (película de 2005)" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Pride_%26_Prejudice_(2005)" title="Pride &amp; Prejudice (2005) – Esperanto" lang="eo" hreflang="eo" data-title="Pride &amp; Prejudice (2005)" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Pride_%26_Prejudice_(2005eko_filma)" title="Pride &amp; Prejudice (2005eko filma) – Basque" lang="eu" hreflang="eu" data-title="Pride &amp; Prejudice (2005eko filma)" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%BA%D8%B1%D9%88%D8%B1_%D9%88_%D8%AA%D8%B9%D8%B5%D8%A8_(%D9%81%DB%8C%D9%84%D9%85_%DB%B2%DB%B0%DB%B0%DB%B5)" title="غرور و تعصب (فیلم ۲۰۰۵) – Persian" lang="fa" hreflang="fa" data-title="غرور و تعصب (فیلم ۲۰۰۵)" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Orgueil_et_Pr%C3%A9jug%C3%A9s_(film,_2005)" title="Orgueil et Préjugés (film, 2005) – French" lang="fr" hreflang="fr" data-title="Orgueil et Préjugés (film, 2005)" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Pride_%26_Prejudice_(filme_de_2005)" title="Pride &amp; Prejudice (filme de 2005) – Galician" lang="gl" hreflang="gl" data-title="Pride &amp; Prejudice (filme de 2005)" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%98%A4%EB%A7%8C%EA%B3%BC_%ED%8E%B8%EA%B2%AC_(2005%EB%85%84_%EC%98%81%ED%99%94)" title="오만과 편견 (2005년 영화) – Korean" lang="ko" hreflang="ko" data-title="오만과 편견 (2005년 영화)" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D5%80%D5%BA%D5%A1%D6%80%D5%BF%D5%B8%D6%82%D5%A9%D5%B5%D5%B8%D6%82%D5%B6_%D6%87_%D5%B6%D5%A1%D5%AD%D5%A1%D5%BA%D5%A1%D5%B7%D5%A1%D6%80%D5%B4%D5%B8%D6%82%D5%B6%D6%84_(%D6%86%D5%AB%D5%AC%D5%B4)" title="Հպարտություն և նախապաշարմունք (ֆիլմ) – Armenian" lang="hy" hreflang="hy" data-title="Հպարտություն և նախապաշարմունք (ֆիլմ)" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Pride_%26_Prejudice_(film_2005)" title="Pride &amp; Prejudice (film 2005) – Indonesian" lang="id" hreflang="id" data-title="Pride &amp; Prejudice (film 2005)" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Orgoglio_e_pregiudizio_(film_2005)" title="Orgoglio e pregiudizio (film 2005) – Italian" lang="it" hreflang="it" data-title="Orgoglio e pregiudizio (film 2005)" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%92%D7%90%D7%95%D7%95%D7%94_%D7%95%D7%93%D7%A2%D7%94_%D7%A7%D7%93%D7%95%D7%9E%D7%94_(%D7%A1%D7%A8%D7%98,_2005)" title="גאווה ודעה קדומה (סרט, 2005) – Hebrew" lang="he" hreflang="he" data-title="גאווה ודעה קדומה (סרט, 2005)" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%A1%E1%83%98%E1%83%90%E1%83%9B%E1%83%90%E1%83%A7%E1%83%94_%E1%83%93%E1%83%90_%E1%83%AA%E1%83%A0%E1%83%A3%E1%83%A0%E1%83%AC%E1%83%9B%E1%83%94%E1%83%9C%E1%83%90_(2005_%E1%83%AC%E1%83%9A%E1%83%98%E1%83%A1_%E1%83%A4%E1%83%98%E1%83%9A%E1%83%9B%E1%83%98)" title="სიამაყე და ცრურწმენა (2005 წლის ფილმი) – Georgian" lang="ka" hreflang="ka" data-title="სიამაყე და ცრურწმენა (2005 წლის ფილმი)" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-ky mw-list-item"><a href="https://ky.wikipedia.org/wiki/%D0%9D%D0%B0%D0%BC%D1%8B%D1%81_%D0%B6%D0%B0%D0%BD%D0%B0_%D1%81%D0%BE%D0%BA%D1%83%D1%80_%D0%B8%D1%88%D0%B5%D0%BD%D0%B8%D0%BC_(%D1%82%D0%B0%D1%81%D0%BC%D0%B0)" title="Намыс жана сокур ишеним (тасма) – Kyrgyz" lang="ky" hreflang="ky" data-title="Намыс жана сокур ишеним (тасма)" data-language-autonym="Кыргызча" data-language-local-name="Kyrgyz" class="interlanguage-link-target"><span>Кыргызча</span></a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Lepnums_un_aizspriedumi_(filma)" title="Lepnums un aizspriedumi (filma) – Latvian" lang="lv" hreflang="lv" data-title="Lepnums un aizspriedumi (filma)" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target"><span>Latviešu</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/B%C3%BCszkes%C3%A9g_%C3%A9s_bal%C3%ADt%C3%A9let_(film,_2005)" title="Büszkeség és balítélet (film, 2005) – Hungarian" lang="hu" hreflang="hu" data-title="Büszkeség és balítélet (film, 2005)" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%93%D0%BE%D1%80%D0%B4%D0%BE%D1%81%D1%82_%D0%B8_%D0%BF%D1%80%D0%B5%D0%B4%D1%80%D0%B0%D1%81%D1%83%D0%B4%D0%B0_(%D1%84%D0%B8%D0%BB%D0%BC)" title="Гордост и предрасуда (филм) – Macedonian" lang="mk" hreflang="mk" data-title="Гордост и предрасуда (филм)" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-mr mw-list-item"><a href="https://mr.wikipedia.org/wiki/%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%BE%E0%A4%87%E0%A4%A1_%E0%A4%85%E0%A4%81%E0%A4%A1_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%9C%E0%A5%8D%E0%A4%AF%E0%A5%81%E0%A4%A1%E0%A5%80%E0%A4%B8_(%E0%A5%A8%E0%A5%A6%E0%A5%A6%E0%A5%AB_%E0%A4%9A%E0%A4%BF%E0%A4%A4%E0%A5%8D%E0%A4%B0%E0%A4%AA%E0%A4%9F)" title="प्राइड अँड प्रेज्युडीस (२००५ चित्रपट) – Marathi" lang="mr" hreflang="mr" data-title="प्राइड अँड प्रेज्युडीस (२००५ चित्रपट)" data-language-autonym="मराठी" data-language-local-name="Marathi" class="interlanguage-link-target"><span>मराठी</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D9%83%D8%A8%D8%B1%D9%8A%D8%A7%D8%A1_%D9%88_%D8%AA%D8%AD%D8%A7%D9%85%D9%84_(%D9%81%D9%8A%D9%84%D9%85_2005)" title="كبرياء و تحامل (فيلم 2005) – Egyptian Arabic" lang="arz" hreflang="arz" data-title="كبرياء و تحامل (فيلم 2005)" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Pride_%26_Prejudice_(filem_2005)" title="Pride &amp; Prejudice (filem 2005) – Malay" lang="ms" hreflang="ms" data-title="Pride &amp; Prejudice (filem 2005)" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target"><span>Bahasa Melayu</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Pride_and_Prejudice_(2005)" title="Pride and Prejudice (2005) – Dutch" lang="nl" hreflang="nl" data-title="Pride and Prejudice (2005)" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%97%E3%83%A9%E3%82%A4%E3%83%89%E3%81%A8%E5%81%8F%E8%A6%8B" title="プライドと偏見 – Japanese" lang="ja" hreflang="ja" data-title="プライドと偏見" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Stolthet_og_fordom_(2005)" title="Stolthet og fordom (2005) – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Stolthet og fordom (2005)" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/G%CA%BBurur_va_kibr_(2005)" title="Gʻurur va kibr (2005) – Uzbek" lang="uz" hreflang="uz" data-title="Gʻurur va kibr (2005)" data-language-autonym="Oʻzbekcha / ўзбекча" data-language-local-name="Uzbek" class="interlanguage-link-target"><span>Oʻzbekcha / ўзбекча</span></a></li><li class="interlanguage-link interwiki-pa mw-list-item"><a href="https://pa.wikipedia.org/wiki/%E0%A8%AA%E0%A9%8D%E0%A8%B0%E0%A8%BE%E0%A8%87%E0%A8%A1_%E0%A8%90%E0%A8%82%E0%A8%A1_%E0%A8%AA%E0%A9%8D%E0%A8%B0%E0%A9%80%E0%A8%9C%E0%A9%81%E0%A8%A1%E0%A8%BE%E0%A8%87%E0%A8%B8_(2005_%E0%A8%AB%E0%A8%BC%E0%A8%BF%E0%A8%B2%E0%A8%AE)" title="ਪ੍ਰਾਇਡ ਐਂਡ ਪ੍ਰੀਜੁਡਾਇਸ (2005 ਫ਼ਿਲਮ) – Punjabi" lang="pa" hreflang="pa" data-title="ਪ੍ਰਾਇਡ ਐਂਡ ਪ੍ਰੀਜੁਡਾਇਸ (2005 ਫ਼ਿਲਮ)" data-language-autonym="ਪੰਜਾਬੀ" data-language-local-name="Punjabi" class="interlanguage-link-target"><span>ਪੰਜਾਬੀ</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Duma_i_uprzedzenie_(film_2005)" title="Duma i uprzedzenie (film 2005) – Polish" lang="pl" hreflang="pl" data-title="Duma i uprzedzenie (film 2005)" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Orgulho_e_Preconceito_(2005)" title="Orgulho e Preconceito (2005) – Portuguese" lang="pt" hreflang="pt" data-title="Orgulho e Preconceito (2005)" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/M%C3%A2ndrie_%C8%99i_prejudecat%C4%83_(film_din_2005)" title="Mândrie și prejudecată (film din 2005) – Romanian" lang="ro" hreflang="ro" data-title="Mândrie și prejudecată (film din 2005)" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%93%D0%BE%D1%80%D0%B4%D0%BE%D1%81%D1%82%D1%8C_%D0%B8_%D0%BF%D1%80%D0%B5%D0%B4%D1%83%D0%B1%D0%B5%D0%B6%D0%B4%D0%B5%D0%BD%D0%B8%D0%B5_(%D1%84%D0%B8%D0%BB%D1%8C%D0%BC,_2005)" title="Гордость и предубеждение (фильм, 2005) – Russian" lang="ru" hreflang="ru" data-title="Гордость и предубеждение (фильм, 2005)" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/Pride_and_Prejudice_(film_2005)" title="Pride and Prejudice (film 2005) – Albanian" lang="sq" hreflang="sq" data-title="Pride and Prejudice (film 2005)" data-language-autonym="Shqip" data-language-local-name="Albanian" class="interlanguage-link-target"><span>Shqip</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Pride_%26_Prejudice_(2005_movie)" title="Pride &amp; Prejudice (2005 movie) – Simple English" lang="en-simple" hreflang="en-simple" data-title="Pride &amp; Prejudice (2005 movie)" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Prevzetnost_in_pristranost_(film,_2005)" title="Prevzetnost in pristranost (film, 2005) – Slovenian" lang="sl" hreflang="sl" data-title="Prevzetnost in pristranost (film, 2005)" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target"><span>Slovenščina</span></a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%93%D0%BE%D1%80%D0%B4%D0%BE%D1%81%D1%82_%D0%B8_%D0%BF%D1%80%D0%B5%D0%B4%D1%80%D0%B0%D1%81%D1%83%D0%B4%D0%B0_(%D1%84%D0%B8%D0%BB%D0%BC_%D0%B8%D0%B7_2005)" title="Гордост и предрасуда (филм из 2005) – Serbian" lang="sr" hreflang="sr" data-title="Гордост и предрасуда (филм из 2005)" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target"><span>Српски / srpski</span></a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Pride_%26_Prejudice_(film,_2005)" title="Pride &amp; Prejudice (film, 2005) – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Pride &amp; Prejudice (film, 2005)" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target"><span>Srpskohrvatski / српскохрватски</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Ylpeys_ja_ennakkoluulo_(vuoden_2005_elokuva)" title="Ylpeys ja ennakkoluulo (vuoden 2005 elokuva) – Finnish" lang="fi" hreflang="fi" data-title="Ylpeys ja ennakkoluulo (vuoden 2005 elokuva)" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Stolthet_%26_f%C3%B6rdom_(film,_2005)" title="Stolthet &amp; fördom (film, 2005) – Swedish" lang="sv" hreflang="sv" data-title="Stolthet &amp; fördom (film, 2005)" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-ta mw-list-item"><a href="https://ta.wikipedia.org/wiki/%E0%AE%AA%E0%AE%BF%E0%AE%B0%E0%AF%88%E0%AE%9F%E0%AF%81_%E0%AE%85%E0%AE%A3%E0%AF%8D%E0%AE%9F%E0%AF%81_%E0%AE%AA%E0%AE%BF%E0%AE%B0%E0%AE%9A%E0%AF%81%E0%AE%9F%E0%AF%88%E0%AE%9A%E0%AF%81" title="பிரைடு அண்டு பிரசுடைசு – Tamil" lang="ta" hreflang="ta" data-title="பிரைடு அண்டு பிரசுடைசு" data-language-autonym="தமிழ்" data-language-local-name="Tamil" class="interlanguage-link-target"><span>தமிழ்</span></a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B8%94%E0%B8%AD%E0%B8%81%E0%B9%84%E0%B8%A1%E0%B9%89%E0%B8%97%E0%B8%A3%E0%B8%99%E0%B8%87%E0%B8%81%E0%B8%B1%E0%B8%9A%E0%B8%8A%E0%B8%B2%E0%B8%A2%E0%B8%8A%E0%B8%B2%E0%B8%95%E0%B8%B4%E0%B8%9C%E0%B8%A2%E0%B8%AD%E0%B8%87" title="ดอกไม้ทรนงกับชายชาติผยอง – Thai" lang="th" hreflang="th" data-title="ดอกไม้ทรนงกับชายชาติผยอง" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target"><span>ไทย</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/A%C5%9Fk_ve_Gurur_(film,_2005)" title="Aşk ve Gurur (film, 2005) – Turkish" lang="tr" hreflang="tr" data-title="Aşk ve Gurur (film, 2005)" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%93%D0%BE%D1%80%D0%B4%D1%96%D1%81%D1%82%D1%8C_%D1%96_%D1%83%D0%BF%D0%B5%D1%80%D0%B5%D0%B4%D0%B6%D0%B5%D0%BD%D0%BD%D1%8F_(%D1%84%D1%96%D0%BB%D1%8C%D0%BC,_2005)" title="Гордість і упередження (фільм, 2005) – Ukrainian" lang="uk" hreflang="uk" data-title="Гордість і упередження (фільм, 2005)" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Ki%C3%AAu_h%C3%A3nh_v%C3%A0_%C4%91%E1%BB%8Bnh_ki%E1%BA%BFn_(phim_2005)" title="Kiêu hãnh và định kiến (phim 2005) – Vietnamese" lang="vi" hreflang="vi" data-title="Kiêu hãnh và định kiến (phim 2005)" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target"><span>Tiếng Việt</span></a></li><li class="interlanguage-link interwiki-zh badge-Q17437796 badge-featuredarticle mw-list-item" 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Click here for more information."><img alt="Featured article" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/20px-Cscr-featured.svg.png" decoding="async" width="20" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/30px-Cscr-featured.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/40px-Cscr-featured.svg.png 2x" data-file-width="466" data-file-height="443" /></a></span></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">British historical romantic drama film by Joe Wright</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-style: italic;">Pride &amp; Prejudice</th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Prideandprejudiceposter.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/0/03/Prideandprejudiceposter.jpg/220px-Prideandprejudiceposter.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/0/03/Prideandprejudiceposter.jpg 1.5x" data-file-width="250" data-file-height="187" /></a></span><div class="infobox-caption">UK theatrical release poster</div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Directed by</th><td class="infobox-data"><a href="/wiki/Joe_Wright" title="Joe Wright">Joe Wright</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Screenplay by</th><td class="infobox-data"><a href="/wiki/Deborah_Moggach" title="Deborah Moggach">Deborah Moggach</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Based on</th><td class="infobox-data"><i><a href="/wiki/Pride_and_Prejudice" title="Pride and Prejudice">Pride and Prejudice</a></i><br />1813 novel<br />by <a href="/wiki/Jane_Austen" title="Jane Austen">Jane Austen</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Produced by</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li><a href="/wiki/Tim_Bevan" title="Tim Bevan">Tim Bevan</a></li> <li><a href="/wiki/Eric_Fellner" title="Eric Fellner">Eric Fellner</a></li> <li><a href="/wiki/Paul_Webster_(producer)" title="Paul Webster (producer)">Paul Webster</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Starring</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/Keira_Knightley" title="Keira Knightley">Keira Knightley</a></li> <li><a href="/wiki/Matthew_Macfadyen" title="Matthew Macfadyen">Matthew Macfadyen</a></li> <li><a href="/wiki/Brenda_Blethyn" title="Brenda Blethyn">Brenda Blethyn</a></li> <li><a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Donald Sutherland</a></li> <li><a href="/wiki/Rosamund_Pike" title="Rosamund Pike">Rosamund Pike</a></li> <li><a href="/wiki/Jena_Malone" title="Jena Malone">Jena Malone</a></li> <li><a href="/wiki/Tom_Hollander" title="Tom Hollander">Tom Hollander</a></li> <li><a href="/wiki/Penelope_Wilton" title="Penelope Wilton">Penelope Wilton</a></li> <li><a href="/wiki/Judi_Dench" title="Judi Dench">Judi Dench</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Cinematography</th><td class="infobox-data"><a href="/wiki/Roman_Osin" title="Roman Osin">Roman Osin</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Edited by</th><td class="infobox-data">Paul Tothill</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Music by</th><td class="infobox-data"><a href="/wiki/Dario_Marianelli" title="Dario Marianelli">Dario Marianelli</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Production<br />companies</div></th><td class="infobox-data"><div style="vertical-align: middle;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal Pictures</a></li> <li><a href="/wiki/StudioCanal" title="StudioCanal">StudioCanal</a></li> <li><a href="/wiki/Working_Title_Films" title="Working Title Films">Working Title Films</a></li> <li>Scion Films<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup></li></ul> </div></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Distributed by</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/Focus_Features" title="Focus Features">Focus Features</a> (United States)</li> <li><a href="/wiki/BAC_Films" title="BAC Films">Mars Distribution</a> (France)</li> <li><a href="/wiki/United_International_Pictures" title="United International Pictures">United International Pictures</a> (International)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Release dates</div></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist film-date"> <ul><li>11&#160;September&#160;2005<span style="display:none">&#160;(<span class="bday dtstart published updated itvstart">2005-09-11</span>)</span>&#32;(<a href="/wiki/2005_Toronto_International_Film_Festival" title="2005 Toronto International Film Festival">TIFF</a>)</li> <li>16&#160;September&#160;2005<span style="display:none">&#160;(<span class="bday dtstart published updated itvstart">2005-09-16</span>)</span>&#32;(United Kingdom)</li> <li>11&#160;November&#160;2005<span style="display:none">&#160;(<span class="bday dtstart published updated itvstart">2005-11-11</span>)</span>&#32;(United States)</li> <li>18&#160;January&#160;2006<span style="display:none">&#160;(<span class="bday dtstart published updated itvstart">2006-01-18</span>)</span>&#32;(France)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Running time</div></th><td class="infobox-data">127 minutes<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Countries</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li>United Kingdom</li> <li>United States</li> <li>France</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Language</th><td class="infobox-data">English</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Budget</th><td class="infobox-data">$28 million<sup id="cite_ref-FOOTNOTEThe_Numbers_3-0" class="reference"><a href="#cite_note-FOOTNOTEThe_Numbers-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Box office</th><td class="infobox-data">$121.6 million<sup id="cite_ref-FOOTNOTEBox_Office_Mojo_Profile_4-0" class="reference"><a href="#cite_note-FOOTNOTEBox_Office_Mojo_Profile-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup></td></tr></tbody></table> <p><i><b>Pride &amp; Prejudice</b></i> is a 2005 <a href="/wiki/Historical_romance" title="Historical romance">historical romantic</a> <a href="/wiki/Drama_film" class="mw-redirect" title="Drama film">drama film</a> directed by <a href="/wiki/Joe_Wright" title="Joe Wright">Joe Wright</a>, in his feature directorial debut, and based on <a href="/wiki/Jane_Austen" title="Jane Austen">Jane Austen</a>'s <a href="/wiki/Pride_and_Prejudice" title="Pride and Prejudice">1813 novel</a>. The film features five sisters from an English family of <a href="/wiki/Landed_gentry" title="Landed gentry">landed gentry</a> as they deal with issues of marriage, morality, and misconceptions. <a href="/wiki/Keira_Knightley" title="Keira Knightley">Keira Knightley</a> stars as <a href="/wiki/Elizabeth_Bennet" title="Elizabeth Bennet">Elizabeth Bennet</a>, while <a href="/wiki/Matthew_Macfadyen" title="Matthew Macfadyen">Matthew Macfadyen</a> plays <a href="/wiki/Mr_Darcy" class="mw-redirect" title="Mr Darcy">Mr Darcy</a>, who falls in love with her. </p><p>Screenwriter <a href="/wiki/Deborah_Moggach" title="Deborah Moggach">Deborah Moggach</a> initially attempted to make her script as faithful to the novel as possible, writing from Elizabeth's perspective while preserving much of the original dialogue. Wright encouraged greater deviation from the text, including changing the dynamics within the Bennet family. Wright and Moggach set the film in an earlier period and avoided depicting a "perfectly clean Regency world", presenting instead a "muddy hem version" of the time. It was shot entirely on location in England on an 11-week schedule.<sup id="cite_ref-FOOTNOTEElley2005_5-0" class="reference"><a href="#cite_note-FOOTNOTEElley2005-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-0" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> Wright found casting difficult due to past performances of particular characters. The filmmakers had to balance who they thought was best for each role with the studio's desire for stars. Knightley was well known in part from her role in the <i><a href="/wiki/Pirates_of_the_Caribbean_(film_series)" title="Pirates of the Caribbean (film series)">Pirates of the Caribbean</a></i> film series, while Macfadyen had no international name recognition. </p><p>Produced by <a href="/wiki/Working_Title_Films" title="Working Title Films">Working Title Films</a> in association with <a href="/wiki/StudioCanal" title="StudioCanal">StudioCanal</a>, <i>Pride &amp; Prejudice</i> was released on 16 September 2005 in the United Kingdom and on 11 November in the United States. The film's themes emphasise realism, romanticism and family. It was marketed to a younger, mainstream audience; promotional items noted that it came from the producers of 2001's <a href="/wiki/Romantic_comedy" title="Romantic comedy">romantic comedy</a> <i><a href="/wiki/Bridget_Jones%27s_Diary" title="Bridget Jones&#39;s Diary">Bridget Jones's Diary</a></i> before acknowledging its provenance as an Austen novel. Austen scholars opined that Wright's work created a new hybrid genre by blending traditional traits of the <a href="/wiki/Heritage_film" title="Heritage film">heritage film</a> with "youth-oriented filmmaking techniques".<sup id="cite_ref-FOOTNOTEDole2007_7-0" class="reference"><a href="#cite_note-FOOTNOTEDole2007-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> </p><p><i>Pride &amp; Prejudice</i> was successful at the box office, grossing $121.6 million worldwide on a budget of $28 million. The film received positive reviews from critics upon release, with praise directed towards Knightley's performance. It received four nominations at the <a href="/wiki/78th_Academy_Awards" title="78th Academy Awards">78th Academy Awards</a>, including <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Best Actress</a> for the 20-year-old Knightley, making her the <a href="/wiki/List_of_oldest_and_youngest_Academy_Award_winners_and_nominees#Youngest_nominees_3" title="List of oldest and youngest Academy Award winners and nominees">third-youngest Best Actress</a> nominee at the time.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> The film received other accolades, including the <a href="/wiki/BAFTA_Award_for_Outstanding_Debut_by_a_British_Writer,_Director_or_Producer" title="BAFTA Award for Outstanding Debut by a British Writer, Director or Producer">BAFTA Award for Outstanding Debut by a British Writer, Director or Producer</a> for Wright. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Plot">Plot</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=1" title="Edit section: Plot"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>During the late 18th century, Mr and Mrs Bennet and their daughters – Jane, <a href="/wiki/Elizabeth_Bennet" title="Elizabeth Bennet">Elizabeth</a>, Mary, Kitty, and Lydia – live at Longbourn, their estate in rural <a href="/wiki/England" title="England">England</a>. Mrs Bennet, eager to secure suitable marriages for her daughters, is delighted when wealthy bachelor <a href="/wiki/Charles_Bingley" class="mw-redirect" title="Charles Bingley">Charles Bingley</a> moves into nearby Netherfield Hall. </p><p>At an <a href="/wiki/Assembly_rooms" title="Assembly rooms">assembly</a> <a href="/wiki/Ball_(dance)" class="mw-redirect" title="Ball (dance)">ball</a>, Bingley, his sister Caroline, and his friend <a href="/wiki/Mr_Darcy" class="mw-redirect" title="Mr Darcy">Mr Darcy</a> meet the local society. Bingley and Jane are immediately taken with each other, while Elizabeth instantly dislikes the snobbish Darcy and overhears his dismissive remarks about her. </p><p>Later, visiting the Bingleys, Jane falls ill and must stay to recuperate. While Elizabeth is visiting Jane at Netherfield, she verbally spars with the haughty Caroline and the aloof Darcy. Jane recovers and, soon after, Mr Bennet's cousin <a href="/wiki/Mr_William_Collins" title="Mr William Collins">Mr Collins</a>, a pompous clergyman, visits the Bennets; as the closest male relative, Collins will inherit Longbourn as it is entailed on the male line. </p><p>Mr Collins intends to propose to Jane, but Mrs Bennet says she will soon be engaged and consequently suggests Elizabeth, whom Collins considers an agreeable alternative. The Bennet sisters also meet the handsome and charming soldier <a href="/wiki/George_Wickham" title="George Wickham">Lieutenant Wickham</a>, whose father worked for the Darcy family. He wins Elizabeth's sympathy by telling her that Mr Darcy denied him his rightful inheritance. </p><p>At the Netherfield ball, Elizabeth dances with Darcy, though the encounter is strained. The next day, Collins proposes to Elizabeth, who roundly rejects him; despite her mother's anger, her father supports her decision. </p><p>Elizabeth is astonished when her close friend, Charlotte, fearing <a href="/wiki/Spinster" title="Spinster">spinsterhood</a>, announces her engagement to Mr Collins. The Bingley party unexpectedly returns to London. Elizabeth urges Jane to visit their aunt and uncle, the Gardiners, who live in London, hoping she reconnects with Bingley. </p><p>Months later, Elizabeth visits Charlotte and Mr Collins, who reside next to <a href="/wiki/Lady_Catherine_de_Bourgh" title="Lady Catherine de Bourgh">Lady Catherine de Bourgh</a>'s estate in Kent. Elizabeth unexpectedly meets Darcy, who is Lady Catherine's nephew and visiting with his cousin, <a href="/wiki/Colonel_Fitzwilliam" class="mw-redirect" title="Colonel Fitzwilliam">Colonel Fitzwilliam</a>. Unaware that Jane is Elizabeth's sister, Fitzwilliam mentions that Darcy recently untangled Bingley from an imprudent match with an "unsuitable" family. </p><p>Distraught, Elizabeth is then met by Darcy, who surprisingly proposes marriage, declaring his ardent love despite her inferior rank and family. Offended and angry, she refuses him. He defends separating Jane and Bingley, believing Jane indifferent to his friend, and criticises the other Bennets' occasional social impropriety. Elizabeth also cites his mistreating Wickham. </p><p>Angry and heartbroken, Darcy later delivers Elizabeth a letter describing Wickham's true character: Wickham squandered the bequest Darcy's father left him, then attempted to seduce Darcy's 15-year-old sister, Georgiana, into eloping to gain her fortune. </p><p>Elizabeth returns home, as does Jane. Accompanying the Gardiners on a trip to the <a href="/wiki/Peak_District" title="Peak District">Peak District</a>, Elizabeth reluctantly tours <a href="/wiki/Pemberley" title="Pemberley">Pemberley</a>, the grand Darcy estate. She unexpectedly runs into Darcy, who invites her and the Gardiners to dine there. Darcy's manner has softened considerably, his manners impressing the Gardiners, and Georgiana sharing her brother's flattering reports about Elizabeth. </p><p>An urgent letter from Jane reveals that Lydia has run off with Wickham. Darcy leaves abruptly, and Elizabeth returns home, certain she will never see Darcy again. Her mother fears Lydia's disgrace will ruin her other daughters' chances of good marriages. </p><p>After a tense waiting period, Mr Gardiner sends news that Lydia and Wickham are now married, and the newlyweds return to Longbourn. Lydia lets slip to Elizabeth that it was Darcy who found them and paid for their wedding; he also purchased Wickham's <a href="/wiki/Purchase_of_commissions_in_the_British_Army" title="Purchase of commissions in the British Army">military commission</a>. </p><p>Bingley and Darcy return to Netherfield and visit Longbourn. Bingley proposes to Jane, who accepts. Late that night, Lady Catherine arrives to see Elizabeth and demands she never become engaged to Darcy because, she claims, Darcy has been engaged to marry Lady Catherine's daughter, who suffers poor health, since infancy. Deeply insulted, Elizabeth orders her to leave. </p><p>Walking early the next morning, Elizabeth encounters Darcy, who apologises for his aunt's intrusion. He professes his continued love and Elizabeth, her feelings radically altered, accepts his proposal. She tells her father the truth of Darcy's actions, and Mr Bennet gives Elizabeth his consent to marry, overjoyed she has found love. </p> <div class="mw-heading mw-heading2"><h2 id="Cast">Cast</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=2" title="Edit section: Cast"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 25em;min-width: min(25em, 100%);"> <ul><li><a href="/wiki/Keira_Knightley" title="Keira Knightley">Keira Knightley</a> as <a href="/wiki/Elizabeth_Bennet" title="Elizabeth Bennet">Elizabeth "Lizzy" Bennet</a></li> <li><a href="/wiki/Matthew_Macfadyen" title="Matthew Macfadyen">Matthew Macfadyen</a> as <a href="/wiki/Mr_Darcy" class="mw-redirect" title="Mr Darcy">Mr Darcy</a></li> <li><a href="/wiki/Brenda_Blethyn" title="Brenda Blethyn">Brenda Blethyn</a> as <a href="/wiki/Mrs_Bennet" class="mw-redirect" title="Mrs Bennet">Mrs Bennet</a></li> <li><a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Donald Sutherland</a> as <a href="/wiki/Mr_Bennet" class="mw-redirect" title="Mr Bennet">Mr Bennet</a></li> <li><a href="/wiki/Rosamund_Pike" title="Rosamund Pike">Rosamund Pike</a> as <a href="/wiki/Jane_Bennet" class="mw-redirect" title="Jane Bennet">Jane Bennet</a></li> <li><a href="/wiki/Jena_Malone" title="Jena Malone">Jena Malone</a> as <a href="/wiki/Lydia_Bennet" class="mw-redirect" title="Lydia Bennet">Lydia Bennet</a></li> <li><a href="/wiki/Tom_Hollander" title="Tom Hollander">Tom Hollander</a> as <a href="/wiki/Mr._Collins" class="mw-redirect" title="Mr. Collins">Mr Collins</a></li> <li><a href="/wiki/Penelope_Wilton" title="Penelope Wilton">Penelope Wilton</a> as Mrs Gardiner</li> <li><a href="/wiki/Judi_Dench" title="Judi Dench">Judi Dench</a> as <a href="/wiki/Lady_Catherine_de_Bourgh" title="Lady Catherine de Bourgh">Lady Catherine de Bourgh</a></li> <li><a href="/wiki/Simon_Woods" title="Simon Woods">Simon Woods</a> as <a href="/wiki/Charles_Bingley" class="mw-redirect" title="Charles Bingley">Charles Bingley</a></li> <li><a href="/wiki/Carey_Mulligan" title="Carey Mulligan">Carey Mulligan</a> as <a href="/wiki/Kitty_Bennet" class="mw-redirect" title="Kitty Bennet">Catherine "Kitty" Bennet</a></li> <li><a href="/wiki/Talulah_Riley" title="Talulah Riley">Talulah Riley</a> as <a href="/wiki/Mary_Bennet" class="mw-redirect" title="Mary Bennet">Mary Bennet</a></li> <li><a href="/wiki/Rupert_Friend" title="Rupert Friend">Rupert Friend</a> as <a href="/wiki/George_Wickham" title="George Wickham">George Wickham</a></li> <li><a href="/wiki/Kelly_Reilly" title="Kelly Reilly">Kelly Reilly</a> as <a href="/wiki/Caroline_Bingley" class="mw-redirect" title="Caroline Bingley">Caroline Bingley</a></li> <li><a href="/wiki/Tamzin_Merchant" title="Tamzin Merchant">Tamzin Merchant</a> as <a href="/wiki/Georgiana_Darcy" class="mw-redirect" title="Georgiana Darcy">Georgiana Darcy</a></li> <li><a href="/wiki/Claudie_Blakley" title="Claudie Blakley">Claudie Blakley</a> as <a href="/wiki/Charlotte_Lucas_(Pride_and_Prejudice)" class="mw-redirect" title="Charlotte Lucas (Pride and Prejudice)">Charlotte Lucas</a></li> <li>Cornelius Booth as <a href="/wiki/Colonel_Fitzwilliam" class="mw-redirect" title="Colonel Fitzwilliam">Colonel Fitzwilliam</a></li> <li><a href="/wiki/Peter_Wight_(actor)" title="Peter Wight (actor)">Peter Wight</a> as Mr Gardiner</li> <li><a href="/wiki/Roy_Holder" title="Roy Holder">Roy Holder</a> as Mr Hill</li> <li><a href="/wiki/Pip_Torrens" title="Pip Torrens">Pip Torrens</a> as Netherfield Hall Butler</li> <li><a href="/wiki/Meg_Wynn_Owen" title="Meg Wynn Owen">Meg Wynn Owen</a> as Mrs Reynolds</li> <li><a href="/wiki/Sinead_Matthews" title="Sinead Matthews">Sinead Matthews</a> as Mrs Betsy</li></ul></div> <div class="mw-heading mw-heading2"><h2 id="Production">Production</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=3" title="Edit section: Production"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Conception_and_adaptation">Conception and adaptation</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=4" title="Edit section: Conception and adaptation"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>As with several recent <a href="/wiki/Jane_Austen" title="Jane Austen">Jane Austen</a> adaptations, <i>Pride &amp; Prejudice</i> was an Anglo-American collaboration, between British studio <a href="/wiki/Working_Title_Films" title="Working Title Films">Working Title Films</a> (in association with French company <a href="/wiki/StudioCanal" title="StudioCanal">StudioCanal</a>) and its American parent company <a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal Studios</a>.<sup id="cite_ref-FOOTNOTEElley2005_5-1" class="reference"><a href="#cite_note-FOOTNOTEElley2005-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEHigson2011170_10-0" class="reference"><a href="#cite_note-FOOTNOTEHigson2011170-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> Working Title at the time was known for mainstream productions like <i><a href="/wiki/Bridget_Jones%27s_Diary" title="Bridget Jones&#39;s Diary">Bridget Jones's Diary</a></i> and <i><a href="/wiki/Love_Actually" title="Love Actually">Love Actually</a></i> that drew international audiences,<sup id="cite_ref-FOOTNOTEDurgan2007_11-0" class="reference"><a href="#cite_note-FOOTNOTEDurgan2007-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> rather than films in the historical drama genre.<sup id="cite_ref-FOOTNOTETroost200786_12-0" class="reference"><a href="#cite_note-FOOTNOTETroost200786-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> Its co-chairman <a href="/wiki/Tim_Bevan" title="Tim Bevan">Tim Bevan</a> explained that the studio wanted to "bring Austen's original story, concentrating on <a href="/wiki/Elizabeth_Bennet" title="Elizabeth Bennet">Lizzie</a>, back in all its glory to the big screen for audiences everywhere to enjoy".<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-1" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> Given a "relatively inexpensive" budget of £22 million ($28 million),<sup id="cite_ref-FOOTNOTEBritish_Film_Institute_13-0" class="reference"><a href="#cite_note-FOOTNOTEBritish_Film_Institute-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEThe_Numbers_3-1" class="reference"><a href="#cite_note-FOOTNOTEThe_Numbers-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> the film was expected to excel at the box office, particularly based on the commercial successes of <i><a href="/wiki/Romeo_%2B_Juliet" title="Romeo + Juliet">Romeo + Juliet</a></i> (1996) and <i><a href="/wiki/Shakespeare_in_Love" title="Shakespeare in Love">Shakespeare in Love</a></i> (1998) as well as the resurgence of interest in Austen's <a href="/wiki/Jane_Austen#List_of_works" title="Jane Austen">works</a>.<sup id="cite_ref-FOOTNOTEAndrew201131_14-0" class="reference"><a href="#cite_note-FOOTNOTEAndrew201131-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEHigson2011166_15-0" class="reference"><a href="#cite_note-FOOTNOTEHigson2011166-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Deborah_Moggach.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a5/Deborah_Moggach.jpg/220px-Deborah_Moggach.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a5/Deborah_Moggach.jpg/330px-Deborah_Moggach.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a5/Deborah_Moggach.jpg/440px-Deborah_Moggach.jpg 2x" data-file-width="1200" data-file-height="800" /></a><figcaption>Screenwriter <a href="/wiki/Deborah_Moggach" title="Deborah Moggach">Deborah Moggach</a> changed the film's period setting to the late 18th century partly out of concern that it would be overshadowed by the <a href="/wiki/Pride_and_Prejudice_(1995_TV_series)" title="Pride and Prejudice (1995 TV series)">1995 BBC adaptation</a>.<sup id="cite_ref-FOOTNOTECartmell201085_16-0" class="reference"><a href="#cite_note-FOOTNOTECartmell201085-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup></figcaption></figure> <p>Given little instruction from the studio, screenwriter <a href="/wiki/Deborah_Moggach" title="Deborah Moggach">Deborah Moggach</a> spent over two years creating the script. She had sole discretion with the early script, and eventually wrote approximately ten drafts.<sup id="cite_ref-FOOTNOTESpunberg2011_17-0" class="reference"><a href="#cite_note-FOOTNOTESpunberg2011-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEHanson2005_18-0" class="reference"><a href="#cite_note-FOOTNOTEHanson2005-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> Realising it held "a perfect three-act structure",<sup id="cite_ref-FOOTNOTEHanson2005_18-1" class="reference"><a href="#cite_note-FOOTNOTEHanson2005-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> Moggach attempted to be as faithful to the original novel as possible, calling it "so beautifully shaped as a story – the ultimate romance about two people who think they hate each other but who are really passionately in love. I felt, 'If it's not broken, don't fix it'".<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-2" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> While she could not reproduce the novel's "fiercely wonderful dialogue in its entirety", she sought to keep much of it.<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-3" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p><p>Moggach's first script was closest to Austen's book, but later versions trimmed extraneous storylines and characters.<sup id="cite_ref-FOOTNOTEHanson2005_18-2" class="reference"><a href="#cite_note-FOOTNOTEHanson2005-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> Moggach initially wrote all scenes from Elizabeth's point of view in keeping with the novel; she later set a few scenes from the male perspective, such as when Bingley practices his marriage proposal, to "show Darcy and Bingley being close" and to indicate Darcy was a "human being instead of being stuck up".<sup id="cite_ref-FOOTNOTESpunberg2011_17-1" class="reference"><a href="#cite_note-FOOTNOTESpunberg2011-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> Small details were inserted that acknowledged wider events outside of the characters' circle, such as those then occurring in France.<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-4" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> While Moggach is the only credited screenwriter, playwright <a href="/wiki/Lee_Hall_(playwright)" title="Lee Hall (playwright)">Lee Hall</a> provided early additions.<sup id="cite_ref-FOOTNOTEWells2007_19-0" class="reference"><a href="#cite_note-FOOTNOTEWells2007-19"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEDawtrey2004_20-0" class="reference"><a href="#cite_note-FOOTNOTEDawtrey2004-20"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup> </p><p>Television director <a href="/wiki/Joe_Wright" title="Joe Wright">Joe Wright</a> was hired in early 2004,<sup id="cite_ref-FOOTNOTEDawtrey2004_20-1" class="reference"><a href="#cite_note-FOOTNOTEDawtrey2004-20"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup> in his feature film directorial debut.<sup id="cite_ref-FOOTNOTEHolden2005_21-0" class="reference"><a href="#cite_note-FOOTNOTEHolden2005-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> He was considered a surprising choice for a film in the <a href="/wiki/Romance_film" title="Romance film">romance</a> <a href="/wiki/Drama_film" class="mw-redirect" title="Drama film">drama</a> genre due to his past work with <a href="/wiki/Social_realism" title="Social realism">social realism</a>.<sup id="cite_ref-FOOTNOTEHoggard2005_22-0" class="reference"><a href="#cite_note-FOOTNOTEHoggard2005-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEHigson2011171_23-0" class="reference"><a href="#cite_note-FOOTNOTEHigson2011171-23"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup> Wright's body of work had impressed the producers,<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-5" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> who were looking for a fresh perspective;<sup id="cite_ref-FOOTNOTEDurgan2007_11-1" class="reference"><a href="#cite_note-FOOTNOTEDurgan2007-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> they sent him a script despite the fact that Wright had not read the novel.<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-6" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEDeGennaro2005_24-0" class="reference"><a href="#cite_note-FOOTNOTEDeGennaro2005-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> He commented that at the time, "I didn't know if I was really all that interested; I thought I was a little bit more mainstream than this, a bit more edgy. But then I read the script and I was surprised I was very moved by it".<sup id="cite_ref-FOOTNOTEFetters_25-0" class="reference"><a href="#cite_note-FOOTNOTEFetters-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> He next read the novel, which he called "an amazing piece of character observation and it really seemed like the first piece of British Realism. It felt like it was a true story; had a lot of truth in it about understanding how to love other people, understanding how to overcome prejudices, understanding the things that separate us from other people&#160;... things like that".<sup id="cite_ref-FOOTNOTEFetters_25-1" class="reference"><a href="#cite_note-FOOTNOTEFetters-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatleft" style="width:30em; ; color: #202122;background-color: #FFFFF0;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>"I wanted to make something that is about young people, about young people experiencing these emotions for the first time and not understanding the feelings they are having. If you have a 40-year-old man as your star not understanding the feeling he's having then it becomes a bit unbelievable and suspect, rather like <i><a href="/wiki/The_40-Year-Old_Virgin" title="The 40-Year-Old Virgin">The 40-Year-Old Virgin</a></i> or something instead of <i>Pride &amp; Prejudice</i>". </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style="">— Director Joe Wright commenting on the ages of the actors in the 1940 adaptation<sup id="cite_ref-FOOTNOTEFetters_25-2" class="reference"><a href="#cite_note-FOOTNOTEFetters-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup></cite></div> </div> <p>The only adaptation of <i>Pride and Prejudice</i> Wright had seen was the <a href="/wiki/Pride_and_Prejudice_(1940_film)" title="Pride and Prejudice (1940 film)">1940 production</a>, which was the last time the novel had been adapted into a feature film. The director purposely did not watch the <a href="/wiki/Pride_and_Prejudice#Film,_television_and_theatre" title="Pride and Prejudice">other productions</a>, both out of fear he would inadvertently steal ideas and because he wanted to be as original as possible.<sup id="cite_ref-FOOTNOTEFetters_25-3" class="reference"><a href="#cite_note-FOOTNOTEFetters-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> He did, however, watch other period films, including <a href="/wiki/Ang_Lee" title="Ang Lee">Ang Lee</a>'s <i><a href="/wiki/Sense_and_Sensibility_(film)" title="Sense and Sensibility (film)">Sense and Sensibility</a></i>, <a href="/wiki/Roger_Michell" title="Roger Michell">Roger Michell</a>'s <i><a href="/wiki/Persuasion_(1995_film)" title="Persuasion (1995 film)">Persuasion</a></i>, and <a href="/wiki/John_Schlesinger" title="John Schlesinger">John Schlesinger</a>'s <i><a href="/wiki/Far_from_the_Madding_Crowd_(1967_film)" title="Far from the Madding Crowd (1967 film)">Far from the Madding Crowd</a></i>. Wright cited this last film as the greatest influence on his own adaptation, calling it "very real and very honest – and it is quite romantic as well".<sup id="cite_ref-FOOTNOTEHaun2005_26-0" class="reference"><a href="#cite_note-FOOTNOTEHaun2005-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> In trying to create an atmosphere of charged flirtation, the director also gained inspiration from teen romance films such as <i><a href="/wiki/Sixteen_Candles" title="Sixteen Candles">Sixteen Candles</a></i><sup id="cite_ref-FOOTNOTEAusten2008_27-0" class="reference"><a href="#cite_note-FOOTNOTEAusten2008-27"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup> and <i><a href="/wiki/The_Breakfast_Club" title="The Breakfast Club">The Breakfast Club</a></i>.<sup id="cite_ref-FOOTNOTEWright200510:00–10:40_28-0" class="reference"><a href="#cite_note-FOOTNOTEWright200510:00–10:40-28"><span class="cite-bracket">&#91;</span>28<span class="cite-bracket">&#93;</span></a></sup> </p><p>Wright came on while Moggach was on her third draft.<sup id="cite_ref-FOOTNOTEHanson2005_18-3" class="reference"><a href="#cite_note-FOOTNOTEHanson2005-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> Despite her desire to work closely with Austen's dialogue, Wright made an effort to not "be too reverential to [it]. I don't believe people spoke like that then; it's not natural."<sup id="cite_ref-FOOTNOTEDeGennaro2005_24-1" class="reference"><a href="#cite_note-FOOTNOTEDeGennaro2005-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> While a few scenes, such as the discussion over accomplished women, aligned closely with the author's original dialogue, many others "substituted instead a mixture of modern idiom and archaic-sounding sentence structure".<sup id="cite_ref-FOOTNOTEWells2007_19-1" class="reference"><a href="#cite_note-FOOTNOTEWells2007-19"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup> One alteration concerned politeness; Wright noted that while Austen's work had characters waiting before speaking, he believed that "particularly in big families of girls, everyone tends to speak over each other, finishing each other's sentences, etc. So I felt that the Bennet family's conversations would be overlapping like that."<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-7" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> <i>Sense and Sensibility</i> actress and screenwriter <a href="/wiki/Emma_Thompson" title="Emma Thompson">Emma Thompson</a> aided in script development, though she opted to be uncredited. She advised the nervous director about adapting Austen for the screen and made dialogue recommendations, such as with parts of the Collins-Charlotte storyline.<sup id="cite_ref-FOOTNOTEHewitt2005_29-0" class="reference"><a href="#cite_note-FOOTNOTEHewitt2005-29"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWright200555:30–55:44_30-0" class="reference"><a href="#cite_note-FOOTNOTEWright200555:30–55:44-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> </p><p>Citing the year Austen first wrote a draft of the novel,<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">&#91;</span>note 1<span class="cite-bracket">&#93;</span></a></sup> Wright and Moggach changed the period setting from 1813 (the novel's publication date) to the late eighteenth century; this decision was partly because Wright wanted to highlight the differences within an England influenced by the <a href="/wiki/French_Revolution" title="French Revolution">French Revolution</a>,<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-8" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEDeGennaro2005_24-2" class="reference"><a href="#cite_note-FOOTNOTEDeGennaro2005-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> as he was fascinated that it had "caused an atmosphere among the British aristocracy of fear".<sup id="cite_ref-FOOTNOTEHaun2005_26-1" class="reference"><a href="#cite_note-FOOTNOTEHaun2005-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> Additionally, Wright chose the earlier period because he hated dresses with an <a href="/wiki/Empire_silhouette" title="Empire silhouette">empire silhouette</a>, which were popular in the later period.<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-9" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEDeGennaro2005_24-3" class="reference"><a href="#cite_note-FOOTNOTEDeGennaro2005-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> The decision helped make the film visually distinct from other Austen adaptations.<sup id="cite_ref-FOOTNOTEAusten2008_27-1" class="reference"><a href="#cite_note-FOOTNOTEAusten2008-27"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup> In comparison to the popular <a href="/wiki/Pride_and_Prejudice_(1995_TV_series)" title="Pride and Prejudice (1995 TV series)">1995 BBC version</a>, which featured <a href="/wiki/Colin_Firth" title="Colin Firth">Colin Firth</a> and <a href="/wiki/Jennifer_Ehle" title="Jennifer Ehle">Jennifer Ehle</a>, producer <a href="/wiki/Paul_Webster_(producer)" title="Paul Webster (producer)">Paul Webster</a> desired to make an adaptation that "doesn't conform to the television drama stereotypes of a perfect clean Regency world".<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-10" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> Wright and Moggach opted for a "muddy hem version" of Longbourn, presenting a more rural setting than in previous adaptations<sup id="cite_ref-FOOTNOTECartmell201011_33-0" class="reference"><a href="#cite_note-FOOTNOTECartmell201011-33"><span class="cite-bracket">&#91;</span>32<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTESpunberg2011_17-2" class="reference"><a href="#cite_note-FOOTNOTESpunberg2011-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> out of a desire to depict the Bennets in "very close proximity to their rural life"<sup id="cite_ref-FOOTNOTEDeGennaro2005_24-4" class="reference"><a href="#cite_note-FOOTNOTEDeGennaro2005-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> and to emphasise their relative poverty.<sup id="cite_ref-FOOTNOTECartmell201086_34-0" class="reference"><a href="#cite_note-FOOTNOTECartmell201086-34"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup> While the degree of poverty was criticised by some critics, Wright felt that the "mess adds to the drama of the predicament that the family were in", and helps contrast the Bennets, Darcys, and Bingleys.<sup id="cite_ref-FOOTNOTEWoodworth2007_35-0" class="reference"><a href="#cite_note-FOOTNOTEWoodworth2007-35"><span class="cite-bracket">&#91;</span>34<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Casting">Casting</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=5" title="Edit section: Casting"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/Pride_and_Prejudice#Characters" title="Pride and Prejudice">Characters of Pride and Prejudice</a></div> <p>Wright found casting of the film to be difficult because he was very particular about "the types of people [he] wanted to work with".<sup id="cite_ref-FOOTNOTEFetters_25-4" class="reference"><a href="#cite_note-FOOTNOTEFetters-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> While interviewing to direct, he insisted that the actors match the ages of the characters in the novel.<sup id="cite_ref-FOOTNOTEHaun2005_26-2" class="reference"><a href="#cite_note-FOOTNOTEHaun2005-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> Wright specifically cast actors that had rapport on and off screen, and insisted that they partake in three weeks of rehearsal in improvisation workshops.<sup id="cite_ref-FOOTNOTEHanson2005_18-4" class="reference"><a href="#cite_note-FOOTNOTEHanson2005-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> Wright also had to balance who he thought was best for each role with what the producers wanted – mainly a big name attraction.<sup id="cite_ref-FOOTNOTEFetters_25-5" class="reference"><a href="#cite_note-FOOTNOTEFetters-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> Though Wright had not initially pictured someone as attractive as English actress <a href="/wiki/Keira_Knightley" title="Keira Knightley">Keira Knightley</a> for the lead role of Elizabeth Bennet,<sup id="cite_ref-FOOTNOTEHoggard2005_22-1" class="reference"><a href="#cite_note-FOOTNOTEHoggard2005-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> he cast her after realising that the actress "is really a tomboy [and] has a lively mind and a great sense of humour".<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-11" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> The actress spoke about this on <i>The Graham Norton Show</i> stating "He initially thought I was too pretty, but then he met me and said "Oh, no, you're fine!". <sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">&#91;</span>35<span class="cite-bracket">&#93;</span></a></sup> Knightley at the time was known for <i><a href="/wiki/Bend_It_Like_Beckham" title="Bend It Like Beckham">Bend It Like Beckham</a></i> and the <i><a href="/wiki/Pirates_of_the_Caribbean_(film_series)" title="Pirates of the Caribbean (film series)">Pirates of the Caribbean</a></i> film series.<sup id="cite_ref-FOOTNOTEAusten2008_27-2" class="reference"><a href="#cite_note-FOOTNOTEAusten2008-27"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup> She had been an Austen fan since the age of seven, but initially feared taking the role out of apprehension that she would be doing "an absolute copy of Jennifer Ehle's performance", which she deeply admired.<sup id="cite_ref-FOOTNOTERojas_Weiss2005_37-0" class="reference"><a href="#cite_note-FOOTNOTERojas_Weiss2005-37"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup> Knightley believed Elizabeth is "what you aspire to be: she's funny, she's witty and intelligent. She's a fully rounded and very much loved character."<sup id="cite_ref-FOOTNOTELee2005_38-0" class="reference"><a href="#cite_note-FOOTNOTELee2005-38"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup> For the period, the actress studied etiquette, history and dancing but ran into trouble when she acquired a short haircut while preparing for her role in the bounty hunter film <i><a href="/wiki/Domino_(2005_film)" title="Domino (2005 film)">Domino</a></i>.<sup id="cite_ref-FOOTNOTERojas_Weiss2005_37-1" class="reference"><a href="#cite_note-FOOTNOTERojas_Weiss2005-37"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Bust_of_Matthew_Macfadyen_as_Fitzwilliam_Darcy.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Bust_of_Matthew_Macfadyen_as_Fitzwilliam_Darcy.jpg/170px-Bust_of_Matthew_Macfadyen_as_Fitzwilliam_Darcy.jpg" decoding="async" width="170" height="227" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Bust_of_Matthew_Macfadyen_as_Fitzwilliam_Darcy.jpg/255px-Bust_of_Matthew_Macfadyen_as_Fitzwilliam_Darcy.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Bust_of_Matthew_Macfadyen_as_Fitzwilliam_Darcy.jpg/340px-Bust_of_Matthew_Macfadyen_as_Fitzwilliam_Darcy.jpg 2x" data-file-width="1536" data-file-height="2048" /></a><figcaption>Bust of <a href="/wiki/Mr_Darcy" class="mw-redirect" title="Mr Darcy">Mr Darcy</a> played by <a href="/wiki/Matthew_Macfadyen" title="Matthew Macfadyen">Matthew Macfadyen</a>. <a href="/wiki/Keira_Knightley" title="Keira Knightley">Keira Knightley</a>'s name recognition allowed the casting of Macfadyen, who was little known internationally.</figcaption></figure> <p>Webster found the casting of Darcy especially hard due to the character's iconic status and because "Colin Firth cast a very long shadow" as the 1995 Darcy.<sup id="cite_ref-FOOTNOTEAlberge2004_39-0" class="reference"><a href="#cite_note-FOOTNOTEAlberge2004-39"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup> Wright later commented that his choice of Knightley allowed him to cast comparative unknown <a href="/wiki/Matthew_Macfadyen" title="Matthew Macfadyen">Matthew Macfadyen</a>, something that would have been impossible had he chosen a less well-known actress for Elizabeth Bennet.<sup id="cite_ref-FOOTNOTEFetters_25-6" class="reference"><a href="#cite_note-FOOTNOTEFetters-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> Macfadyen at the time was known for his role in the British television spy series <i><a href="/wiki/Spooks_(TV_series)" title="Spooks (TV series)">Spooks</a></i>,<sup id="cite_ref-FOOTNOTEAlberge2004_39-1" class="reference"><a href="#cite_note-FOOTNOTEAlberge2004-39"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup> but had no recognition internationally.<sup id="cite_ref-FOOTNOTEAusten2008_27-3" class="reference"><a href="#cite_note-FOOTNOTEAusten2008-27"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup> A fan of the actor's television work,<sup id="cite_ref-FOOTNOTEHaun2005_26-3" class="reference"><a href="#cite_note-FOOTNOTEHaun2005-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> Wright called Macfadyen "a proper manly man&#160;... I didn't want a pretty boy kind of actor. His properties were the ones I felt I needed [for Darcy]. Matthew's a great big hunk of a guy."<sup id="cite_ref-FOOTNOTEFetters_25-7" class="reference"><a href="#cite_note-FOOTNOTEFetters-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> </p><p>According to Wright, <a href="/wiki/Rosamund_Pike" title="Rosamund Pike">Rosamund Pike</a> was cast as the eldest sister "because [he] knew she wasn't going to play her as a nice, simple person. Jane has a real interior world, she has her heart broken."<sup id="cite_ref-FOOTNOTEHoggard2005_22-2" class="reference"><a href="#cite_note-FOOTNOTEHoggard2005-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> Despite being Pike's ex-boyfriend, <a href="/wiki/Simon_Woods" title="Simon Woods">Simon Woods</a> was cast as her romantic interest Mr Bingley.<sup id="cite_ref-FOOTNOTEHoggard2005_22-3" class="reference"><a href="#cite_note-FOOTNOTEHoggard2005-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> The other three Bennet sisters were played by <a href="/wiki/Talulah_Riley" title="Talulah Riley">Talulah Riley</a>, <a href="/wiki/Carey_Mulligan" title="Carey Mulligan">Carey Mulligan</a>, and <a href="/wiki/Jena_Malone" title="Jena Malone">Jena Malone</a>, the only American actress among them.<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-12" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> Wright believed Malone to have a "pretty faultless English accent".<sup id="cite_ref-FOOTNOTEWright20054:10–4:35_40-0" class="reference"><a href="#cite_note-FOOTNOTEWright20054:10–4:35-40"><span class="cite-bracket">&#91;</span>39<span class="cite-bracket">&#93;</span></a></sup> Mulligan heard about the casting call at a dinner hosted by <a href="/wiki/Julian_Fellowes" title="Julian Fellowes">Julian Fellowes</a>, to whom she had written a letter after failing to get into drama school; she won the part after three auditions.<sup id="cite_ref-FOOTNOTEHall2010_41-0" class="reference"><a href="#cite_note-FOOTNOTEHall2010-41"><span class="cite-bracket">&#91;</span>40<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Tamzin_Merchant" title="Tamzin Merchant">Tamzin Merchant</a> appears as Georgiana Darcy; she was hired despite having no previous acting experience after she wrote a letter to the casting director.<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-13" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> In addition to Merchant, <i>Pride &amp; Prejudice</i> was the feature film debut of both Mulligan<sup id="cite_ref-FOOTNOTERoberts2010_42-0" class="reference"><a href="#cite_note-FOOTNOTERoberts2010-42"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup> and Riley.<sup id="cite_ref-FOOTNOTESutherland20053:10–3:20_43-0" class="reference"><a href="#cite_note-FOOTNOTESutherland20053:10–3:20-43"><span class="cite-bracket">&#91;</span>42<span class="cite-bracket">&#93;</span></a></sup> </p><p><a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Donald Sutherland</a> reminded Wright of his own father and was cast as the Bennet patriarch;<sup id="cite_ref-FOOTNOTEWright20054:10–4:35_40-1" class="reference"><a href="#cite_note-FOOTNOTEWright20054:10–4:35-40"><span class="cite-bracket">&#91;</span>39<span class="cite-bracket">&#93;</span></a></sup> Wright thought the actor possessed the "strength to handle those six women".<sup id="cite_ref-FOOTNOTEHoggard2005_22-4" class="reference"><a href="#cite_note-FOOTNOTEHoggard2005-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Brenda_Blethyn" title="Brenda Blethyn">Brenda Blethyn</a> was hired to play Mrs Bennet, whom Moggach believed to be the unsung heroine of the film;<sup id="cite_ref-FOOTNOTECartmell201063_44-0" class="reference"><a href="#cite_note-FOOTNOTECartmell201063-44"><span class="cite-bracket">&#91;</span>43<span class="cite-bracket">&#93;</span></a></sup> Wright explained that it was "a tricky part [to fill], as she can be very annoying; you want to stop her chattering and shrieking. But Brenda has the humour and the heart to show the amount of love and care Mrs Bennet has for her daughters."<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-14" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> Wright convinced veteran actress <a href="/wiki/Judi_Dench" title="Judi Dench">Judi Dench</a> to join the cast as Lady Catherine de Bourgh by writing her a letter that read "I love it when you play a bitch. Please come and be a bitch for me."<sup id="cite_ref-FOOTNOTEDole2007_7-1" class="reference"><a href="#cite_note-FOOTNOTEDole2007-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEHoggard2005_22-5" class="reference"><a href="#cite_note-FOOTNOTEHoggard2005-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> Dench had only one week available to shoot her scenes, forcing Wright to make them his first days of filming.<sup id="cite_ref-FOOTNOTEHewitt2005_29-1" class="reference"><a href="#cite_note-FOOTNOTEHewitt2005-29"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWright20051:00:05–1:00:15_45-0" class="reference"><a href="#cite_note-FOOTNOTEWright20051:00:05–1:00:15-45"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Cinematography">Cinematography</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=6" title="Edit section: Cinematography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Cinematographer <a href="/wiki/Roman_Osin" title="Roman Osin">Roman Osin</a> broke many of the conventions of the period piece, often piercing through the glamorous settings to focus on the characters' humanity. He kept the camera moving in many of the scenes, although almost every shot would have been memorable even as a still, suffused with rich colour and light, both for interiors and outdoors. In the scene in which Darcy escorts Lizzie into the carriage, he takes her hand, and then, walking away is shown momentarily closing his fingers and then opening them, in what became infamous as the "hand flex".<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">&#91;</span>45<span class="cite-bracket">&#93;</span></a></sup> Of note is the extended "onesie" shot in which the camera swirls seamlessly between characters and rooms during the ball at Netherfield, to show the charged emotions and confusions that overlaid the graceful and poised surroundings. </p> <div class="mw-heading mw-heading3"><h3 id="Costume_design">Costume design</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=7" title="Edit section: Costume design"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Pride_%26_Prejudice_(2005)_Bennet_sisters_screenshot.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/2/27/Pride_%26_Prejudice_%282005%29_Bennet_sisters_screenshot.jpg/220px-Pride_%26_Prejudice_%282005%29_Bennet_sisters_screenshot.jpg" decoding="async" width="220" height="144" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/2/27/Pride_%26_Prejudice_%282005%29_Bennet_sisters_screenshot.jpg/330px-Pride_%26_Prejudice_%282005%29_Bennet_sisters_screenshot.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/2/27/Pride_%26_Prejudice_%282005%29_Bennet_sisters_screenshot.jpg 2x" data-file-width="400" data-file-height="261" /></a><figcaption><a href="/wiki/Jacqueline_Durran" title="Jacqueline Durran">Jacqueline Durran</a> designed the Bennet sisters' costumes based on their characters' specific characteristics. From left: Mary, Elizabeth, Jane, Mrs Bennet, Kitty and Lydia.</figcaption></figure> <p>Known for her <a href="/wiki/BAFTA_award" class="mw-redirect" title="BAFTA award">BAFTA award</a>-winning work on the 2004 film <i><a href="/wiki/Vera_Drake" title="Vera Drake">Vera Drake</a></i>, <a href="/wiki/Jacqueline_Durran" title="Jacqueline Durran">Jacqueline Durran</a> was hired as the costume designer. She and Wright approached his film "as a difficult thing to tackle" because of their desire to distinguish it from the television adaptation. Due to Wright's dislike of the high waistline, Durran focused on later <a href="/wiki/1795%E2%80%931820_in_fashion" class="mw-redirect" title="1795–1820 in fashion">eighteenth century fashions</a> that often included a <a href="/wiki/Corset" title="Corset">corseted</a>, natural waistline rather than an <a href="/wiki/Empire_silhouette" title="Empire silhouette">empire silhouette</a> (which became popular after the 1790s).<sup id="cite_ref-FOOTNOTERobey2006_47-0" class="reference"><a href="#cite_note-FOOTNOTERobey2006-47"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> A generational divide was established: the older characters dress in mid-eighteenth century fashions while the young wear "a sort of proto-<a href="/wiki/British_Regency" class="mw-redirect" title="British Regency">Regency</a> style of hair and dress".<sup id="cite_ref-FOOTNOTETandy2007_48-0" class="reference"><a href="#cite_note-FOOTNOTETandy2007-48"><span class="cite-bracket">&#91;</span>47<span class="cite-bracket">&#93;</span></a></sup> </p><p>Durran's costumes also helped emphasise social rank among the different characters;<sup id="cite_ref-FOOTNOTEWright200523:40–24:00_49-0" class="reference"><a href="#cite_note-FOOTNOTEWright200523:40–24:00-49"><span class="cite-bracket">&#91;</span>48<span class="cite-bracket">&#93;</span></a></sup> Caroline Bingley for instance is introduced in an empire silhouetted dress, clothing that would have then been at the height of fashion.<sup id="cite_ref-FOOTNOTEWright20057:30–7:40_50-0" class="reference"><a href="#cite_note-FOOTNOTEWright20057:30–7:40-50"><span class="cite-bracket">&#91;</span>49<span class="cite-bracket">&#93;</span></a></sup> During her interview, Durran opined that all the women wear white at the Netherfield Ball due to its contemporary popularity, an idea that Wright credits as his reason for hiring her.<sup id="cite_ref-FOOTNOTEWright200535:10–35:30_51-0" class="reference"><a href="#cite_note-FOOTNOTEWright200535:10–35:30-51"><span class="cite-bracket">&#91;</span>50<span class="cite-bracket">&#93;</span></a></sup> Costumes and hairstyles were adjusted to appeal to contemporary audiences, sacrificing historical accuracy.<sup id="cite_ref-FOOTNOTEDemory2010134_52-0" class="reference"><a href="#cite_note-FOOTNOTEDemory2010134-52"><span class="cite-bracket">&#91;</span>51<span class="cite-bracket">&#93;</span></a></sup> </p><p>To help differentiate the Bennet sisters, Durran viewed Elizabeth as the "tomboy", clothing her in earthy colours because of her love of the countryside.<sup id="cite_ref-FOOTNOTERobey2006_47-1" class="reference"><a href="#cite_note-FOOTNOTERobey2006-47"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> For the other sisters, Durran remarked, "Jane was the most refined and yet it's still all a bit slapdash and homemade, because the Bennets have no money. One of the main things Joe wanted was for the whole thing to have a provincial feel. Mary is the bluestocking: serious and practical. And then Lydia and Kitty are a bit Tweedledum and Tweedledee in a kind of teenage way. I tried to make it so that they'd be sort of mirror images. If one's wearing a green dress, the other will wear a green jacket; so you always have a visual asymmetry between the two."<sup id="cite_ref-FOOTNOTERobey2006_47-2" class="reference"><a href="#cite_note-FOOTNOTERobey2006-47"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> In contrast to the 1940 film, the 2005 production displayed the Bennet sisters in worn-down but comfortable dresses.<sup id="cite_ref-FOOTNOTECartmell201086_34-1" class="reference"><a href="#cite_note-FOOTNOTECartmell201086-34"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup> </p><p> Mr Darcy's costume went through a series of phases. Durran noted: <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style></p><blockquote class="templatequote"><p>The first time we see him he's at Meriton &#32;&#91;<i><a href="/wiki/Sic" title="Sic">sic</a></i>&#93;, where he has a very stiffly tailored jacket on and he's quite contained and rigid. He stays in that rigid form for the first part of the film. By the time we get to the proposal that goes wrong in the rain, we move to a similar cut, but a much softer fabric. And then later he's got a completely different cut of coat, not interlined and he wears it undone. The nth degree is him walking through the mist in the morning, completely undressed by 18th-century standards. It's absolutely unlikely, but then Lizzie's in her nightie, so what can you say?<sup id="cite_ref-FOOTNOTERobey2006_47-3" class="reference"><a href="#cite_note-FOOTNOTERobey2006-47"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> </p></blockquote> <div class="mw-heading mw-heading3"><h3 id="Filming">Filming</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=8" title="Edit section: Filming"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Filming_Pride_and_Prejudice_in_Stamford_Lincolnshire_-_geograph.org.uk_-_61717.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Filming_Pride_and_Prejudice_in_Stamford_Lincolnshire_-_geograph.org.uk_-_61717.jpg/170px-Filming_Pride_and_Prejudice_in_Stamford_Lincolnshire_-_geograph.org.uk_-_61717.jpg" decoding="async" width="170" height="257" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Filming_Pride_and_Prejudice_in_Stamford_Lincolnshire_-_geograph.org.uk_-_61717.jpg/255px-Filming_Pride_and_Prejudice_in_Stamford_Lincolnshire_-_geograph.org.uk_-_61717.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Filming_Pride_and_Prejudice_in_Stamford_Lincolnshire_-_geograph.org.uk_-_61717.jpg/340px-Filming_Pride_and_Prejudice_in_Stamford_Lincolnshire_-_geograph.org.uk_-_61717.jpg 2x" data-file-width="424" data-file-height="640" /></a><figcaption><a href="/wiki/Stamford,_Lincolnshire" title="Stamford, Lincolnshire">Stamford, Lincolnshire</a> represented the fictional village of Meryton.<sup id="cite_ref-FOOTNOTEFocus_Features_Locations2005_53-0" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Locations2005-53"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> <span style="font-size:85%;">(Filming of the militia pictured)</span></figcaption></figure> <p>Moggach believed the novel was very filmable, "despite it containing no description and being a very unvisual book".<sup id="cite_ref-FOOTNOTEHanson2005_18-5" class="reference"><a href="#cite_note-FOOTNOTEHanson2005-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> To Wright, many other period films had relied on paintings for inspiration rather than photographs, causing them to appear unreal. He thus used "Austen's prose [to give him] many visual references for the people in the story", including using close-up shots of various characters.<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-15" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> The filmmakers also changed several scenes to more romantic locales than those in the book. For instance, in the film, Darcy first proposes outdoors in a rainstorm at a building with <a href="/wiki/Neoclassical_architecture" title="Neoclassical architecture">neoclassical architecture</a>; in the book, this scene takes place inside a parsonage. In the film, his second proposal occurs on the misty moors as dawn breaks;<sup id="cite_ref-FOOTNOTEChan2007_54-0" class="reference"><a href="#cite_note-FOOTNOTEChan2007-54"><span class="cite-bracket">&#91;</span>53<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEGymnichRuhlScheunemann201040_55-0" class="reference"><a href="#cite_note-FOOTNOTEGymnichRuhlScheunemann201040-55"><span class="cite-bracket">&#91;</span>54<span class="cite-bracket">&#93;</span></a></sup> in the book, he and Elizabeth are walking down a country lane in broad daylight.<sup id="cite_ref-FOOTNOTEAusten2006392–96_56-0" class="reference"><a href="#cite_note-FOOTNOTEAusten2006392–96-56"><span class="cite-bracket">&#91;</span>55<span class="cite-bracket">&#93;</span></a></sup> Wright has acknowledged that "there are a lot of period film clichés; some of them are in the film and some are not, but for me it was important to question them".<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-16" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Pride_%26_Prejudice_Exhibit_(6319832859).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1a/Pride_%26_Prejudice_Exhibit_%286319832859%29.jpg/220px-Pride_%26_Prejudice_Exhibit_%286319832859%29.jpg" decoding="async" width="220" height="154" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1a/Pride_%26_Prejudice_Exhibit_%286319832859%29.jpg/330px-Pride_%26_Prejudice_Exhibit_%286319832859%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1a/Pride_%26_Prejudice_Exhibit_%286319832859%29.jpg/440px-Pride_%26_Prejudice_Exhibit_%286319832859%29.jpg 2x" data-file-width="4064" data-file-height="2848" /></a><figcaption><i>Pride &amp; Prejudice</i> exhibition in <a href="/wiki/Basildon_Park" title="Basildon Park">Basildon Park</a>, which was used as the location of Netherfield, home of George Bingley</figcaption></figure> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Groombridge_Place_1.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Groombridge_Place_1.jpg/220px-Groombridge_Place_1.jpg" decoding="async" width="220" height="168" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Groombridge_Place_1.jpg/330px-Groombridge_Place_1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Groombridge_Place_1.jpg/440px-Groombridge_Place_1.jpg 2x" data-file-width="1919" data-file-height="1468" /></a><figcaption><a href="/wiki/Groombridge_Place" title="Groombridge Place">Groombridge Place</a> served as the filming location of the Bennet family house</figcaption></figure> <p>During script development, the crew created a "constant going back and forth between script and location".<sup id="cite_ref-FOOTNOTEHanson2005_18-6" class="reference"><a href="#cite_note-FOOTNOTEHanson2005-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> The film was shot entirely on location within England on an 11-week schedule<sup id="cite_ref-FOOTNOTEElley2005_5-2" class="reference"><a href="#cite_note-FOOTNOTEElley2005-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-17" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> during the 2004 summer.<sup id="cite_ref-FOOTNOTEKnightley20051:25–1:30_57-0" class="reference"><a href="#cite_note-FOOTNOTEKnightley20051:25–1:30-57"><span class="cite-bracket">&#91;</span>56<span class="cite-bracket">&#93;</span></a></sup> Co-producer Paul Webster noted that "it is quite unusual for a movie this size to be shot entirely on location. Part of Joe [Wright]'s idea was to try to create a reality which allows the actors to relax and feel at one with their environment."<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-18" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> Working under <a href="/wiki/Production_designer" title="Production designer">production designer</a> <a href="/wiki/Sarah_Greenwood" title="Sarah Greenwood">Sarah Greenwood</a> and <a href="/wiki/Set_decorator" title="Set decorator">set decorator</a> <a href="/wiki/Katie_Spencer" title="Katie Spencer">Katie Spencer</a>, the crew filmed on seven estates in six different counties. Because "nothing exists in the United Kingdom that is untouched by the twenty-first century", many of the sites required substantial work to make them suitable for filming.<sup id="cite_ref-FOOTNOTEWhitlock2010304_58-0" class="reference"><a href="#cite_note-FOOTNOTEWhitlock2010304-58"><span class="cite-bracket">&#91;</span>57<span class="cite-bracket">&#93;</span></a></sup> Visual effects company <a href="/wiki/Double_Negative_(VFX)" class="mw-redirect" title="Double Negative (VFX)">Double Negative</a> digitally restored several locations to make them contemporaneous; they eradicated weeds, enhanced gold plating on window frames, and removed anachronisms such as gravel driveways and electricity pylons. Double Negative also developed the typeface used for the film's title sequence.<sup id="cite_ref-FOOTNOTEDesowitz2005_59-0" class="reference"><a href="#cite_note-FOOTNOTEDesowitz2005-59"><span class="cite-bracket">&#91;</span>58<span class="cite-bracket">&#93;</span></a></sup> </p><p>Production staff selected particularly grand-looking residences to better convey the wealth and power of certain characters.<sup id="cite_ref-FOOTNOTESilversOlsen2011194_60-0" class="reference"><a href="#cite_note-FOOTNOTESilversOlsen2011194-60"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup> Locations included <a href="/wiki/Chatsworth_House" title="Chatsworth House">Chatsworth House</a> in <a href="/wiki/Derbyshire" title="Derbyshire">Derbyshire</a>, the largest privately held country house in England with its spectacular rooms frescoed by <a href="/wiki/Antonio_Verrio" title="Antonio Verrio">Antonio Verrio</a>. Chatsworth House is often believed to have been Austen's inspiration for the Darcy residence.<sup id="cite_ref-FOOTNOTEDole2007_7-2" class="reference"><a href="#cite_note-FOOTNOTEDole2007-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTECartmell201089_61-0" class="reference"><a href="#cite_note-FOOTNOTECartmell201089-61"><span class="cite-bracket">&#91;</span>60<span class="cite-bracket">&#93;</span></a></sup> Chatsworth and <a href="/wiki/Wilton_House" title="Wilton House">Wilton House</a> in <a href="/wiki/Salisbury" title="Salisbury">Salisbury</a> stood in for <a href="/wiki/Pemberley" title="Pemberley">Pemberley</a>.<sup id="cite_ref-FOOTNOTEHolden2005_21-1" class="reference"><a href="#cite_note-FOOTNOTEHolden2005-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEFocus_Features_Locations2005_53-1" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Locations2005-53"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> After a search of various sites in England, the moated manor house <a href="/wiki/Groombridge_Place" title="Groombridge Place">Groombridge Place</a> in <a href="/wiki/Kent" title="Kent">Kent</a> was chosen for Longbourn.<sup id="cite_ref-FOOTNOTEWright20054:50–4:55_62-0" class="reference"><a href="#cite_note-FOOTNOTEWright20054:50–4:55-62"><span class="cite-bracket">&#91;</span>61<span class="cite-bracket">&#93;</span></a></sup> Location manager Adam Richards believed Groombridge had an "immense charm" that was "untouched by post-17th Century development".<sup id="cite_ref-FOOTNOTEBBC_News2004_63-0" class="reference"><a href="#cite_note-FOOTNOTEBBC_News2004-63"><span class="cite-bracket">&#91;</span>62<span class="cite-bracket">&#93;</span></a></sup> Reflecting Wright's choice of realism, Groombridge's interior was designed to be "<a href="/wiki/Shabby_chic" title="Shabby chic">shabby chic</a>".<sup id="cite_ref-FOOTNOTEWhitlock2010305_64-0" class="reference"><a href="#cite_note-FOOTNOTEWhitlock2010305-64"><span class="cite-bracket">&#91;</span>63<span class="cite-bracket">&#93;</span></a></sup> Representing Netherfield Park was the late-18th century site <a href="/wiki/Basildon_Park" title="Basildon Park">Basildon Park</a> in Berkshire, leading it to close for seven weeks to allow time for filming.<sup id="cite_ref-FOOTNOTEMcGhie2005_65-0" class="reference"><a href="#cite_note-FOOTNOTEMcGhie2005-65"><span class="cite-bracket">&#91;</span>64<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Burghley_House" title="Burghley House">Burghley House</a> in Lincolnshire<sup id="cite_ref-FOOTNOTEHolden2005_21-2" class="reference"><a href="#cite_note-FOOTNOTEHolden2005-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTECartmell201089_61-1" class="reference"><a href="#cite_note-FOOTNOTECartmell201089-61"><span class="cite-bracket">&#91;</span>60<span class="cite-bracket">&#93;</span></a></sup> stood in for Rosings, while the adjacent town of <a href="/wiki/Stamford,_Lincolnshire" title="Stamford, Lincolnshire">Stamford</a> served as Meryton. Other locations included <a href="/wiki/Haddon_Hall" title="Haddon Hall">Haddon Hall</a> (for The Inn at Lambton), the Temple of Apollo and Palladian Bridge of <a href="/wiki/Stourhead" title="Stourhead">Stourhead</a> (for the Gardens of Rosings), Hunsford (for Collins' parsonage and church) and <a href="/wiki/Peak_District" title="Peak District">Peak District</a> (for Elizabeth and the Gardiners' tour).<sup id="cite_ref-FOOTNOTEFocus_Features_Locations2005_53-2" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Locations2005-53"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> The first dance scenes were shot on a set in a potato warehouse in <a href="/wiki/Lincolnshire" title="Lincolnshire">Lincolnshire</a> with the employment of local townspeople as <a href="/wiki/Extra_(actor)" class="mw-redirect" title="Extra (actor)">extras</a>;<sup id="cite_ref-FOOTNOTEHanson2005_18-7" class="reference"><a href="#cite_note-FOOTNOTEHanson2005-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> this was the only set the crew built that was not already in existence.<sup id="cite_ref-FOOTNOTEWright20055:00–5:14,_11:00–11:30_66-0" class="reference"><a href="#cite_note-FOOTNOTEWright20055:00–5:14,_11:00–11:30-66"><span class="cite-bracket">&#91;</span>65<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Music">Music</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=9" title="Edit section: Music"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Pride_%26_Prejudice_(soundtrack)" title="Pride &amp; Prejudice (soundtrack)">Pride &amp; Prejudice (soundtrack)</a></div> <p>Italian composer <a href="/wiki/Dario_Marianelli" title="Dario Marianelli">Dario Marianelli</a> wrote the film score. The soundtrack is performed by the French pianist <a href="/wiki/Jean-Yves_Thibaudet" title="Jean-Yves Thibaudet">Jean-Yves Thibaudet</a> accompanied by the <a href="/wiki/English_Chamber_Orchestra" title="English Chamber Orchestra">English Chamber Orchestra</a>. </p><p>The early <a href="/wiki/Piano_sonata" title="Piano sonata">piano sonatas</a> of <a href="/wiki/Ludwig_van_Beethoven" title="Ludwig van Beethoven">Ludwig van Beethoven</a> "became a point of reference" and "starting point" for the original score.<sup id="cite_ref-FOOTNOTEGoldwasser2006_67-0" class="reference"><a href="#cite_note-FOOTNOTEGoldwasser2006-67"><span class="cite-bracket">&#91;</span>66<span class="cite-bracket">&#93;</span></a></sup> Some pieces were inspired by the film's period,<sup id="cite_ref-FOOTNOTEO&#39;Brien_68-0" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Brien-68"><span class="cite-bracket">&#91;</span>67<span class="cite-bracket">&#93;</span></a></sup> with the assumption that they could conceivably have been heard during that time and contained actual dance cues that were fitting for the late eighteenth century. Pieces that actors perform were composed first, before filming began. </p><p>The soundtrack ultimately contained seventeen instrumental tracks of music organised in a different way from the film.<sup id="cite_ref-FOOTNOTEO&#39;Brien_68-1" class="reference"><a href="#cite_note-FOOTNOTEO&#39;Brien-68"><span class="cite-bracket">&#91;</span>67<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Editing">Editing</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=10" title="Edit section: Editing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:30em; ; color: #202122;background-color: #FFFFF0;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>You have to be true to the integrity of the book and to Jane Austen, but then you also have to be quite ruthless. What you don't see, you don't miss&#160;... By focusing on Elizabeth Bennett and what's happening to her, and her gruelling and difficult journey, certain things slough off as you go along. </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style="">— Deborah Moggach on editing the film<sup id="cite_ref-FOOTNOTEHanson2005_18-8" class="reference"><a href="#cite_note-FOOTNOTEHanson2005-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup></cite></div> </div> <p>In contrast to the five-hour BBC adaptation,<sup id="cite_ref-FOOTNOTEGilligan2011_69-0" class="reference"><a href="#cite_note-FOOTNOTEGilligan2011-69"><span class="cite-bracket">&#91;</span>68<span class="cite-bracket">&#93;</span></a></sup> Wright compressed his film into two hours and nine minutes of screen time.<sup id="cite_ref-FOOTNOTEPRNewswire2006_70-0" class="reference"><a href="#cite_note-FOOTNOTEPRNewswire2006-70"><span class="cite-bracket">&#91;</span>69<span class="cite-bracket">&#93;</span></a></sup> He remarked that the film is "obviously about Elizabeth and Darcy, following them and anything that detracts or diverts you from that story is what you have to cut".<sup id="cite_ref-FOOTNOTEFetters_25-8" class="reference"><a href="#cite_note-FOOTNOTEFetters-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> Some of the most notable changes from the original book include time compression of several major sequences, including the departure of Wickham and the militia, Elizabeth's visit to Rosings Park and Hunsford Parsonage, Elizabeth's visit to Pemberley, Lydia's elopement and subsequent crisis; the elimination of several supporting characters, including Mr and Mrs Hurst, Mr and Mrs Phillips,<sup id="cite_ref-FOOTNOTESpunberg2011_17-3" class="reference"><a href="#cite_note-FOOTNOTESpunberg2011-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> Lady and Maria Lucas, Mrs Younge, several of Lydia's friends (including Colonel and Mrs Forster) and various military officers and townspeople;<sup id="cite_ref-FOOTNOTEGilligan2011_69-1" class="reference"><a href="#cite_note-FOOTNOTEGilligan2011-69"><span class="cite-bracket">&#91;</span>68<span class="cite-bracket">&#93;</span></a></sup> and the elimination of several sections in which characters reflect or converse on events that have recently occurred—for example, Elizabeth's chapter-long change of mind after reading Darcy's letter.<sup id="cite_ref-FOOTNOTEMonaghanHudeletWiltshire200988_71-0" class="reference"><a href="#cite_note-FOOTNOTEMonaghanHudeletWiltshire200988-71"><span class="cite-bracket">&#91;</span>70<span class="cite-bracket">&#93;</span></a></sup> </p><p><span class="anchor" id="American_ending"></span> Moggach and Wright debated how to end the film, but knew they did not want to have a wedding scene "because we didn't want Elizabeth to come off as the girl who became a queen at this lavish wedding, or for it to be corny".<sup id="cite_ref-FOOTNOTESpunberg2011_17-4" class="reference"><a href="#cite_note-FOOTNOTESpunberg2011-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> Shortly before the North American release, the film was modified to include a final scene (not in the novel) of the married Darcys enjoying a romantic evening and passionate kiss at Pemberley<sup id="cite_ref-FOOTNOTEGymnichRuhlScheunemann201040–41_72-0" class="reference"><a href="#cite_note-FOOTNOTEGymnichRuhlScheunemann201040–41-72"><span class="cite-bracket">&#91;</span>71<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEHigson2011172–73_73-0" class="reference"><a href="#cite_note-FOOTNOTEHigson2011172–73-73"><span class="cite-bracket">&#91;</span>72<span class="cite-bracket">&#93;</span></a></sup> in an attempt to attract sentimental viewers;<sup id="cite_ref-FOOTNOTESpunberg2011_17-5" class="reference"><a href="#cite_note-FOOTNOTESpunberg2011-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> this became a source of complaint for the Jane Austen Society of North America (JASNA). After watching a preview of the film before its wide release, former JASNA president Elsa Solender commented, "It has nothing at all of Jane Austen in it, is inconsistent with the first two-thirds of the film, insults the audience with its banality and ought to be cut before release".<sup id="cite_ref-FOOTNOTEWloszczyna2005_74-0" class="reference"><a href="#cite_note-FOOTNOTEWloszczyna2005-74"><span class="cite-bracket">&#91;</span>73<span class="cite-bracket">&#93;</span></a></sup> It had been removed from the British version after preview audiences found it unintentionally humorous;<sup id="cite_ref-FOOTNOTEBrownstein201153_75-0" class="reference"><a href="#cite_note-FOOTNOTEBrownstein201153-75"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup> however, later audiences complained that they were excluded from viewing this version, causing the film to be re-released in the UK and Ireland 10 weeks after the original UK premiere date.<sup id="cite_ref-FOOTNOTEDawson_Edwards20081_76-0" class="reference"><a href="#cite_note-FOOTNOTEDawson_Edwards20081-76"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWorking_Title_Films2005d_77-0" class="reference"><a href="#cite_note-FOOTNOTEWorking_Title_Films2005d-77"><span class="cite-bracket">&#91;</span>76<span class="cite-bracket">&#93;</span></a></sup> The original British version ended with Mr Bennet's blessing upon Elizabeth and Darcy's union,<sup id="cite_ref-FOOTNOTEDole2007_7-3" class="reference"><a href="#cite_note-FOOTNOTEDole2007-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> thus circumventing the last chapter in the novel, which summarises the lives of the Darcys and the other main characters over the next several years.<sup id="cite_ref-FOOTNOTEAusten2006403–05_78-0" class="reference"><a href="#cite_note-FOOTNOTEAusten2006403–05-78"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Major_themes_and_analysis">Major themes and analysis</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=11" title="Edit section: Major themes and analysis"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Romanticism_and_realism">Romanticism and realism</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=12" title="Edit section: Romanticism and realism"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Film, literary, and Austen scholars noted the appearance of romance and <a href="/wiki/Romanticism" title="Romanticism">romanticism</a> within <i>Pride &amp; Prejudice</i>, especially in comparison to previous adaptations.<sup id="cite_ref-FOOTNOTEDemory2010132_79-0" class="reference"><a href="#cite_note-FOOTNOTEDemory2010132-79"><span class="cite-bracket">&#91;</span>78<span class="cite-bracket">&#93;</span></a></sup> Sarah Ailwood marked the film as "an essentially Romantic interpretation of Austen's novel", citing as evidence Wright's attention to nature as a means to "position Elizabeth and Darcy as Romantic figures&#160;... Wright's <i>Pride &amp; Prejudice</i> takes as its central focus Austen's concern with exploring the nature of the Romantic self and the possibilities for women and men to achieve individual self-fulfillment within an oppressive patriarchal social and economic order."<sup id="cite_ref-FOOTNOTEAilwood2007_80-0" class="reference"><a href="#cite_note-FOOTNOTEAilwood2007-80"><span class="cite-bracket">&#91;</span>79<span class="cite-bracket">&#93;</span></a></sup> Likewise, Catherine Stewart-Beer of <a href="/wiki/Oxford_Brookes_University" title="Oxford Brookes University">Oxford Brookes University</a> called Elizabeth's presence on the Derbyshire cliff a "stunning, magical evocation of Wright's strong stylistic brand of Postmodern Romanticism", but found this less like Austen and more reminiscent of <a href="/wiki/Emily_Bront%C3%AB" title="Emily Brontë">Emily Brontë</a>'s <i><a href="/wiki/Wuthering_Heights" title="Wuthering Heights">Wuthering Heights</a></i>.<sup id="cite_ref-FOOTNOTEStewart-Beer2007_81-0" class="reference"><a href="#cite_note-FOOTNOTEStewart-Beer2007-81"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup> In her analysis, <a href="/wiki/University_of_Provence" title="University of Provence">University of Provence</a> scholar Lydia Martin concluded that the "Romantic bias of the film is shown through the shifts in the characters' relationships, the soundtrack and the treatment of landscape".<sup id="cite_ref-FOOTNOTEMartin2007_82-0" class="reference"><a href="#cite_note-FOOTNOTEMartin2007-82"><span class="cite-bracket">&#91;</span>81<span class="cite-bracket">&#93;</span></a></sup> </p><p>Realism is a prominent aspect of the film, a theme confirmed by Wright in interviews as well as the DVD audio commentary.<sup id="cite_ref-FOOTNOTEPaquet-Deyris2007_83-0" class="reference"><a href="#cite_note-FOOTNOTEPaquet-Deyris2007-83"><span class="cite-bracket">&#91;</span>82<span class="cite-bracket">&#93;</span></a></sup> In a 2007 article, <a href="/wiki/Ursinus_College" title="Ursinus College">Ursinus College</a> film studies professor Carole Dole argued that <i>Pride &amp; Prejudice</i> is "a hybrid that embraces both an irreverent realism to which younger audiences are accustomed (and which reflects the director's realist aesthetic) and the classic <a href="/wiki/Heritage_film" title="Heritage film">heritage film</a>'s reverence for country houses, attractive landscapes and authentic period detail". Such "irreverent realism" included the depiction of Longbourn as a working farm complete with chickens, cattle and pigs; as Dole explains, "The agricultural realities of 1790s England are equally evident in the enclosed yard with barn and hay where Lizzie twirls barefoot over the mud on a rope swing". Referring to recent adaptations such as 1999's gritty <i><a href="/wiki/Mansfield_Park_(1999_film)" title="Mansfield Park (1999 film)">Mansfield Park</a></i>, Dole cited <i>Pride &amp; Prejudice</i> as evidence that the heritage film is still around but has "been transformed into a more flexible genre".<sup id="cite_ref-FOOTNOTEDole2007_7-4" class="reference"><a href="#cite_note-FOOTNOTEDole2007-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> Jessica Durgan agreed with this assessment, writing that the film "simultaneously reject[s] and embrac[es] heritage to attract a larger audience".<sup id="cite_ref-FOOTNOTEDurgan2007_11-2" class="reference"><a href="#cite_note-FOOTNOTEDurgan2007-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Family">Family</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=13" title="Edit section: Family"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Raised with three sisters, Moggach was particularly interested in the story's family dynamics.<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-19" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Brock_University" title="Brock University">Brock University</a> professor Barbara K. Seeber believed that in contrast to the novel, the 2005 adaptation emphasises the familial over the romantic. Evidence of this can be seen in how <i>Pride &amp; Prejudice</i> "significantly recast the Bennet family, in particular its patriarch, presenting Mr Bennet as a sensitive and kind father whose role in the family's misfortunes is continually downplayed."<sup id="cite_ref-FOOTNOTESeeber2007_84-0" class="reference"><a href="#cite_note-FOOTNOTESeeber2007-84"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> Seeber further observed that the film is "the first to present Mrs Bennet in a sympathetic light", with Mr Bennet displayed as "an attentive husband as well as a loving father."<sup id="cite_ref-FOOTNOTESeeber2007_84-1" class="reference"><a href="#cite_note-FOOTNOTESeeber2007-84"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> </p><p>Stewart-Beer and Austen scholar Sally B. Palmer noted alterations within the depiction of the Bennet family;<sup id="cite_ref-FOOTNOTEPalmer2007_85-0" class="reference"><a href="#cite_note-FOOTNOTEPalmer2007-85"><span class="cite-bracket">&#91;</span>84<span class="cite-bracket">&#93;</span></a></sup> Stewart-Beer remarked that while their family home "might be chaotic, in this version it is, at heart, a happy home—much happier and much less dysfunctional, than Austen's original version of Longbourn&#160;... For one, Mr and Mrs Bennet actually seem to like each other, even love each other, a characterisation which is a far cry from the source text."<sup id="cite_ref-FOOTNOTEStewart-Beer2007_81-1" class="reference"><a href="#cite_note-FOOTNOTEStewart-Beer2007-81"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup> Producer Paul Webster acknowledged the familial theme in the DVD featurette "A Bennet Family Portrait", remarking "Yes, it's a great love story between Elizabeth Bennet and Fitzwilliam Darcy, but underpinning it all is the kind of love that runs this family."<sup id="cite_ref-FOOTNOTESeeber2007_84-2" class="reference"><a href="#cite_note-FOOTNOTESeeber2007-84"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Depiction_of_Elizabeth_Bennet">Depiction of Elizabeth Bennet</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=14" title="Edit section: Depiction of Elizabeth Bennet"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Wright intended for the film to be "as subjective as possible" in being from Elizabeth's perspective; the audience first glimpses Darcy when she does.<sup id="cite_ref-FOOTNOTEWright20056:40–6:55_86-0" class="reference"><a href="#cite_note-FOOTNOTEWright20056:40–6:55-86"><span class="cite-bracket">&#91;</span>85<span class="cite-bracket">&#93;</span></a></sup> This focus on Elizabeth features some dramatic changes from the novel. Knightley's Elizabeth has an "increasingly aloof and emotionally distant" relationship with her family. Evidence of this can be seen with Elizabeth's gradual alienation from Jane as the film progresses; this is in contrast to the book, where Elizabeth confides more of her feelings to Jane after difficult events.<sup id="cite_ref-FOOTNOTEStewart-Beer2007_81-2" class="reference"><a href="#cite_note-FOOTNOTEStewart-Beer2007-81"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup> Wright wanted to create a "real" relationship between the two sisters and have them grow apart, as he thought the book depicted them as too "syrupy."<sup id="cite_ref-FOOTNOTEWright200514:00–14:30_87-0" class="reference"><a href="#cite_note-FOOTNOTEWright200514:00–14:30-87"><span class="cite-bracket">&#91;</span>86<span class="cite-bracket">&#93;</span></a></sup> Moggach's intent was for Elizabeth to "keep secrets to herself. They are a great burden to her&#160;... As she keeps all this to herself, we feel for her more and more. The truest comedy, I believe, is born from pain."<sup id="cite_ref-FOOTNOTEFocus_Features_Production2005_6-20" class="reference"><a href="#cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p><p>In her "feisty, impassioned" interactions with Darcy and "rebellious refusal to 'perform'" for Lady Catherine, Stewart-Beer sees Knightley's depiction as "far removed from Austen's original Elizabeth, who has a greater sense of grounded maturity, even though both Elizabeths have an occasional inclination to fluster, fun and giggles."<sup id="cite_ref-FOOTNOTEStewart-Beer2007_81-3" class="reference"><a href="#cite_note-FOOTNOTEStewart-Beer2007-81"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup> According to <a href="/wiki/George_Washington_University" title="George Washington University">George Washington University</a> professor Laurie Kaplan, while Wright's focus on Elizabeth is consistent with the novel, the screenplay removed her line of self-recognition: "Till this moment, I never knew myself". Kaplan characterises the sentence as Elizabeth's "most important", and believes its deletion "violates not only the spirit and the essence of Austen's story but the viewer's expectations as well."<sup id="cite_ref-FOOTNOTEKaplan2007_88-0" class="reference"><a href="#cite_note-FOOTNOTEKaplan2007-88"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Release">Release</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=15" title="Edit section: Release"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Marketing">Marketing</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=16" title="Edit section: Marketing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>After a string of Jane Austen semi-adaptations in the late 1990s and early 2000s,<sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span class="cite-bracket">&#91;</span>note 2<span class="cite-bracket">&#93;</span></a></sup> <i>Pride &amp; Prejudice</i> was positioned to take audiences "back into the world of period drama and what many saw as a more authentic version of Austen."<sup id="cite_ref-FOOTNOTEHigson2011170_10-1" class="reference"><a href="#cite_note-FOOTNOTEHigson2011170-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> While the novel was known to audiences, the large number of related productions required the film to distinguish itself.<sup id="cite_ref-FOOTNOTEDawson_Edwards20084_91-0" class="reference"><a href="#cite_note-FOOTNOTEDawson_Edwards20084-91"><span class="cite-bracket">&#91;</span>89<span class="cite-bracket">&#93;</span></a></sup> It was marketed to attract mainstream, young viewers,<sup id="cite_ref-FOOTNOTETroost200787_92-0" class="reference"><a href="#cite_note-FOOTNOTETroost200787-92"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup> with one observer referring to it as "the ultimate chick-flick romance" and "more commercial than previous big-screen Austen adaptations."<sup id="cite_ref-FOOTNOTEHigson2011172_93-0" class="reference"><a href="#cite_note-FOOTNOTEHigson2011172-93"><span class="cite-bracket">&#91;</span>91<span class="cite-bracket">&#93;</span></a></sup> Another wrote that it brings "millennial girlhood to the megaplex&#160;... If Ehle's Lizzie is every forty-, or fifty-something's favorite independent, even 'mature,' Austen heroine, Knightley is every twenty-something's sexpot good girl."<sup id="cite_ref-FOOTNOTESadoff201087_94-0" class="reference"><a href="#cite_note-FOOTNOTESadoff201087-94"><span class="cite-bracket">&#91;</span>92<span class="cite-bracket">&#93;</span></a></sup> An <a href="/wiki/Ampersand" title="Ampersand">ampersand</a> replaced the word "and" in the film title, similar to the 1996 <a href="/wiki/Postmodern" class="mw-redirect" title="Postmodern">postmodern</a> film <i>Romeo + Juliet</i>.<sup id="cite_ref-FOOTNOTEDole2007_7-5" class="reference"><a href="#cite_note-FOOTNOTEDole2007-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> </p><p>Already a star at the time of release, Knightley's appearance in the film was emphasised by featuring her in all promotional materials (similar to Colin Firth's prominent appearance in the 1995 adaptation).<sup id="cite_ref-FOOTNOTECamden2007_95-0" class="reference"><a href="#cite_note-FOOTNOTECamden2007-95"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup> Several commentators likened the main poster of <i>Pride &amp; Prejudice</i> to that of 1995's <i>Sense and Sensibility</i>, which was seen as an attempt to attract the same demographic.<sup id="cite_ref-FOOTNOTECartmell201085_16-1" class="reference"><a href="#cite_note-FOOTNOTECartmell201085-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> Advertising noted that the film came "from the producers of <i>Bridget Jones's Diary</i>", a 2001 romantic comedy film, before mentioning Austen.<sup id="cite_ref-FOOTNOTEDole2007_7-6" class="reference"><a href="#cite_note-FOOTNOTEDole2007-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> Leading up to the release, fans were allowed to download pictures and screensavers online, which emphasised the differences between <i>Pride &amp; Prejudice</i> and previous adaptations. Lydia Martin wrote that in contrast to past <i>Pride and Prejudice</i> productions, marketing materials downplayed the "suggested antagonism between the heroes" in favour of highlighting a "romantic relationship", as can be seen with the positioning of the characters as well as with the tagline, "Sometimes the last person on earth you want to be with is the one you can't be without."<sup id="cite_ref-FOOTNOTEMartin2007_82-1" class="reference"><a href="#cite_note-FOOTNOTEMartin2007-82"><span class="cite-bracket">&#91;</span>81<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Box_office">Box office</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=17" title="Edit section: Box office"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>On 11 September 2005, <i>Pride &amp; Prejudice</i> <a href="/wiki/Premiered" class="mw-redirect" title="Premiered">premiered</a> at the <a href="/wiki/2005_Toronto_International_Film_Festival" title="2005 Toronto International Film Festival">Toronto International Film Festival</a> as a special Gala Presentation.<sup id="cite_ref-FOOTNOTEMTV2005_96-0" class="reference"><a href="#cite_note-FOOTNOTEMTV2005-96"><span class="cite-bracket">&#91;</span>94<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWorking_Title_Films2005a_97-0" class="reference"><a href="#cite_note-FOOTNOTEWorking_Title_Films2005a-97"><span class="cite-bracket">&#91;</span>95<span class="cite-bracket">&#93;</span></a></sup> The film was released in cinemas on 16 September in the United Kingdom and Ireland.<sup id="cite_ref-FOOTNOTEPapamichael2005_98-0" class="reference"><a href="#cite_note-FOOTNOTEPapamichael2005-98"><span class="cite-bracket">&#91;</span>96<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWorking_Title_Films2005b_99-0" class="reference"><a href="#cite_note-FOOTNOTEWorking_Title_Films2005b-99"><span class="cite-bracket">&#91;</span>97<span class="cite-bracket">&#93;</span></a></sup> It achieved the number one spot in its first week, earning £2.5 million ($4.6 million) while playing on 397 screens.<sup id="cite_ref-FOOTNOTEWorking_Title_Films2005c_100-0" class="reference"><a href="#cite_note-FOOTNOTEWorking_Title_Films2005c-100"><span class="cite-bracket">&#91;</span>98<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEBox_Office_Mojo_International_Box_Office_101-0" class="reference"><a href="#cite_note-FOOTNOTEBox_Office_Mojo_International_Box_Office-101"><span class="cite-bracket">&#91;</span>99<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEUK_Film_Council_102-0" class="reference"><a href="#cite_note-FOOTNOTEUK_Film_Council-102"><span class="cite-bracket">&#91;</span>100<span class="cite-bracket">&#93;</span></a></sup> The film stayed at the top for two more weeks, earning by then a total of over £9 million at the UK box office. It was featured on 412 screens at its widest domestic release.<sup id="cite_ref-FOOTNOTEUK_Film_Council_102-1" class="reference"><a href="#cite_note-FOOTNOTEUK_Film_Council-102"><span class="cite-bracket">&#91;</span>100<span class="cite-bracket">&#93;</span></a></sup> </p><p>On 11 November 2005, the film debuted in the United States with an opening weekend of $2.9 million on 215 screens.<sup id="cite_ref-FOOTNOTELos_Angeles_Times2005_103-0" class="reference"><a href="#cite_note-FOOTNOTELos_Angeles_Times2005-103"><span class="cite-bracket">&#91;</span>101<span class="cite-bracket">&#93;</span></a></sup> Two weeks later, it played on 1,299 screens and box office returns increased to $7.2 million; the film left cinemas the week of 24 February 2006 with a total US gross of $38,405,088.<sup id="cite_ref-FOOTNOTEBox_Office_Mojo_Profile_4-1" class="reference"><a href="#cite_note-FOOTNOTEBox_Office_Mojo_Profile-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> Jack Foley, the president of distribution of <a href="/wiki/Focus_Features" title="Focus Features">Focus Features</a>, the film's US distributor, attributed <i>Pride &amp; Prejudice</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s success in America to Austen's appeal to "the <a href="/wiki/Boomer" class="mw-redirect" title="Boomer">boomer</a> market" and its status as a known "brand".<sup id="cite_ref-FOOTNOTEGray2005_104-0" class="reference"><a href="#cite_note-FOOTNOTEGray2005-104"><span class="cite-bracket">&#91;</span>102<span class="cite-bracket">&#93;</span></a></sup> </p><p><i>Pride &amp; Prejudice</i> was released in an additional fifty-nine countries between September 2005 and May 2006 by United International Pictures.<sup id="cite_ref-FOOTNOTEBox_Office_Mojo_International_Box_Office_101-1" class="reference"><a href="#cite_note-FOOTNOTEBox_Office_Mojo_International_Box_Office-101"><span class="cite-bracket">&#91;</span>99<span class="cite-bracket">&#93;</span></a></sup> With a worldwide gross of $121,147,947, it was the 72nd highest-grossing film of 2005 in the US and was the 41st highest internationally.<sup id="cite_ref-FOOTNOTEBox_Office_Mojo_Profile_4-2" class="reference"><a href="#cite_note-FOOTNOTEBox_Office_Mojo_Profile-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Home_media">Home media</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=18" title="Edit section: Home media"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the US and UK, <a href="/wiki/Universal_Studios_Home_Entertainment" class="mw-redirect" title="Universal Studios Home Entertainment">Universal Studios Home Entertainment</a> released the standard <a href="/wiki/Videocassette" class="mw-redirect" title="Videocassette">VHS</a> and <a href="/wiki/DVD" title="DVD">DVD</a> in February 2006 for both widescreen and fullframe; attached bonus features included <a href="/wiki/Audio_commentary" title="Audio commentary">audio commentary</a> by director Joe Wright, a look into Austen's life and the ending scene of Elizabeth and Darcy kissing.<sup id="cite_ref-FOOTNOTEPRNewswire2006_70-1" class="reference"><a href="#cite_note-FOOTNOTEPRNewswire2006-70"><span class="cite-bracket">&#91;</span>69<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEBox_Office_Mojo_Profile_4-3" class="reference"><a href="#cite_note-FOOTNOTEBox_Office_Mojo_Profile-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTECarrier2006_105-0" class="reference"><a href="#cite_note-FOOTNOTECarrier2006-105"><span class="cite-bracket">&#91;</span>103<span class="cite-bracket">&#93;</span></a></sup> On 13 November 2007, Universal released the deluxe edition DVD to coincide with the theatrical arrival of Wright's 2007 film <i><a href="/wiki/Atonement_(2007_film)" title="Atonement (2007 film)">Atonement</a></i>. The deluxe edition included both widescreen and fullscreen features, the original soundtrack CD, a collectible book and booklet, as well as a number of special features not included in the original DVD.<sup id="cite_ref-FOOTNOTEPRNewswire2007_106-0" class="reference"><a href="#cite_note-FOOTNOTEPRNewswire2007-106"><span class="cite-bracket">&#91;</span>104<span class="cite-bracket">&#93;</span></a></sup> In the US, a Blu-ray version of the film was released by Universal on 26 January 2010, which also contained bonus features.<sup id="cite_ref-FOOTNOTEMcCutcheon2009_107-0" class="reference"><a href="#cite_note-FOOTNOTEMcCutcheon2009-107"><span class="cite-bracket">&#91;</span>105<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Reception">Reception</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=19" title="Edit section: Reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Pride_and_Prejudice_004_(7271339306).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Pride_and_Prejudice_004_%287271339306%29.jpg/180px-Pride_and_Prejudice_004_%287271339306%29.jpg" decoding="async" width="180" height="252" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Pride_and_Prejudice_004_%287271339306%29.jpg/270px-Pride_and_Prejudice_004_%287271339306%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Pride_and_Prejudice_004_%287271339306%29.jpg/360px-Pride_and_Prejudice_004_%287271339306%29.jpg 2x" data-file-width="555" data-file-height="778" /></a><figcaption><a href="/wiki/Keira_Knightley" title="Keira Knightley">Keira Knightley</a>'s performance earned the 20-year-old her first nomination for the <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Academy Award for Best Actress</a>, becoming the <a href="/wiki/List_of_oldest_and_youngest_Academy_Award_winners_and_nominees#Youngest_nominees_3" title="List of oldest and youngest Academy Award winners and nominees">third-youngest Best Actress nominee</a> at the time.</figcaption></figure> <p><i>Pride &amp; Prejudice</i> was only the second film version after "the famed, but oddly flawed, black-and-white <a href="/wiki/Pride_and_Prejudice_(1940_film)" title="Pride and Prejudice (1940 film)">1940 adaptation</a>, starring <a href="/wiki/Greer_Garson" title="Greer Garson">Greer Garson</a> and <a href="/wiki/Laurence_Olivier" title="Laurence Olivier">Laurence Olivier</a>",<sup id="cite_ref-FOOTNOTEBriscoe2005_108-0" class="reference"><a href="#cite_note-FOOTNOTEBriscoe2005-108"><span class="cite-bracket">&#91;</span>106<span class="cite-bracket">&#93;</span></a></sup> and until 2005, <i><a href="/wiki/The_Times" title="The Times">The Times</a></i> considered the 1995 television adaptation "so dominant, so universally adored, [that] it has lingered in the public consciousness as a cinematic standard."<sup id="cite_ref-FOOTNOTEBriscoe2005_108-1" class="reference"><a href="#cite_note-FOOTNOTEBriscoe2005-108"><span class="cite-bracket">&#91;</span>106<span class="cite-bracket">&#93;</span></a></sup> Wright's film consequently met with some scepticism from admirers of Austen, especially in relation to plot changes and casting choices.<sup id="cite_ref-FOOTNOTEDemory2010129_109-0" class="reference"><a href="#cite_note-FOOTNOTEDemory2010129-109"><span class="cite-bracket">&#91;</span>107<span class="cite-bracket">&#93;</span></a></sup> "Any resemblance to scenes and characters created by Miss Austen is, of course, entirely coincidental," mocked <i><a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a>'s</i> film critic.<sup id="cite_ref-110" class="reference"><a href="#cite_note-110"><span class="cite-bracket">&#91;</span>108<span class="cite-bracket">&#93;</span></a></sup> Given Austen's characters were landed gentry, especially criticised was the re-imagining of the Bennetts as country bumpkins, lacking even the basics of table manners, and their home "a barnyard".<sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span class="cite-bracket">&#91;</span>109<span class="cite-bracket">&#93;</span></a></sup> </p><p>Comparing six major adaptations of <i>Pride and Prejudice</i> in 2005, <i><a href="/wiki/The_Daily_Mirror" class="mw-redirect" title="The Daily Mirror">The Daily Mirror</a></i> gave the only top marks of nine out of ten to the 1995 serial and the 2005 film, leaving the other adaptations behind with six or fewer points.<sup id="cite_ref-FOOTNOTEEdwards2005_112-0" class="reference"><a href="#cite_note-FOOTNOTEEdwards2005-112"><span class="cite-bracket">&#91;</span>110<span class="cite-bracket">&#93;</span></a></sup> On the review aggregation website <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a>, the film has an approval rating of 86% based on reviews from 182 critics, with an average rating of 7.7/10. The website's consensus reads: "Sure, it's another adaptation of cinema's fave Jane Austen novel, but key performances and a modern filmmaking sensibility make this familiar period piece fresh and enjoyable."<sup id="cite_ref-FOOTNOTERotten_Tomatoes_113-0" class="reference"><a href="#cite_note-FOOTNOTERotten_Tomatoes-113"><span class="cite-bracket">&#91;</span>111<span class="cite-bracket">&#93;</span></a></sup> On <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a> the film has an average score of 82 out of 100, based on 37 reviews.<sup id="cite_ref-FOOTNOTEMetacritic_114-0" class="reference"><a href="#cite_note-FOOTNOTEMetacritic-114"><span class="cite-bracket">&#91;</span>112<span class="cite-bracket">&#93;</span></a></sup> Audiences surveyed by <a href="/wiki/CinemaScore" title="CinemaScore">CinemaScore</a> gave the film a grade "A−" on scale of A to F.<sup id="cite_ref-115" class="reference"><a href="#cite_note-115"><span class="cite-bracket">&#91;</span>113<span class="cite-bracket">&#93;</span></a></sup> </p><p>Critics claimed the film's time constraints did not capture the depth and complexity of the television serials<sup id="cite_ref-FOOTNOTEHolden2005_21-3" class="reference"><a href="#cite_note-FOOTNOTEHolden2005-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> and called Wright's adaptation "obviously [not as] daring or revisionist" as the serial.<sup id="cite_ref-FOOTNOTEBradshaw2005_116-0" class="reference"><a href="#cite_note-FOOTNOTEBradshaw2005-116"><span class="cite-bracket">&#91;</span>114<span class="cite-bracket">&#93;</span></a></sup> JASNA president Joan Klingel Ray preferred the young age of Knightley and Macfadyen, saying that Jennifer Ehle had formerly been "a little too 'heavy' for the role."<sup id="cite_ref-FOOTNOTEHastings2005_117-0" class="reference"><a href="#cite_note-FOOTNOTEHastings2005-117"><span class="cite-bracket">&#91;</span>115<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Peter_Bradshaw" title="Peter Bradshaw">Peter Bradshaw</a> of <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i>, while praising Knightley for an outstanding performance "which lifts the whole movie", considered the casting of the leads "arguably a little more callow than Firth and Ehle." He does add that "Only a snob, a curmudgeon, or someone with necrophiliac loyalty to the 1995 BBC version with Colin Firth and Jennifer Ehle could fail to enjoy [Knightley's] performance."<sup id="cite_ref-FOOTNOTEBradshaw2005_116-1" class="reference"><a href="#cite_note-FOOTNOTEBradshaw2005-116"><span class="cite-bracket">&#91;</span>114<span class="cite-bracket">&#93;</span></a></sup> At the time, BBC film critic Stella Papamichael considered it Knightley's "best performance yet."<sup id="cite_ref-FOOTNOTEPapamichael2005_98-1" class="reference"><a href="#cite_note-FOOTNOTEPapamichael2005-98"><span class="cite-bracket">&#91;</span>96<span class="cite-bracket">&#93;</span></a></sup> However, <i>The Daily Telegraph</i> critic thought Knightley's acting skills slight, in her view, "Someone who radiates little more than good-mannered perkiness", and that between her and Macfadyen there was "little spark".<sup id="cite_ref-118" class="reference"><a href="#cite_note-118"><span class="cite-bracket">&#91;</span>116<span class="cite-bracket">&#93;</span></a></sup> </p><p>Critics were divided about Macfadyen's portrayal of Darcy, expressing pleasant surprise,<sup id="cite_ref-FOOTNOTEHastings2005_117-1" class="reference"><a href="#cite_note-FOOTNOTEHastings2005-117"><span class="cite-bracket">&#91;</span>115<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEGleiberman2005_119-0" class="reference"><a href="#cite_note-FOOTNOTEGleiberman2005-119"><span class="cite-bracket">&#91;</span>117<span class="cite-bracket">&#93;</span></a></sup> dislike for his lack of gradual emotional shift as in the novel,<sup id="cite_ref-FOOTNOTEHastings2005_117-2" class="reference"><a href="#cite_note-FOOTNOTEHastings2005-117"><span class="cite-bracket">&#91;</span>115<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTETime_Out2005_120-0" class="reference"><a href="#cite_note-FOOTNOTETime_Out2005-120"><span class="cite-bracket">&#91;</span>118<span class="cite-bracket">&#93;</span></a></sup> and praise for his matching the insecure and sensitive personality of the book character better than Firth.<sup id="cite_ref-FOOTNOTEHolden2005_21-4" class="reference"><a href="#cite_note-FOOTNOTEHolden2005-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> </p><p>Critics also drew attention to other aspects of the film. Writing for <i><a href="/wiki/The_Sydney_Morning_Herald" title="The Sydney Morning Herald">The Sydney Morning Herald</a></i>, <a href="/wiki/Sandra_Hall_(writer)" title="Sandra Hall (writer)">Sandra Hall</a> criticised Wright's attention to realism for being "careless with the customs and conventions that were part of the fabric of Austen's world."<sup id="cite_ref-FOOTNOTEHall2005_121-0" class="reference"><a href="#cite_note-FOOTNOTEHall2005-121"><span class="cite-bracket">&#91;</span>119<span class="cite-bracket">&#93;</span></a></sup> In another review, <i><a href="/wiki/Time_Out_(company)" class="mw-redirect" title="Time Out (company)">Time Out</a></i> magazine lamented the absence of Austen's "brilliant sense of irony", remarking that the film's "romantic melodrama's played up at the expense of her razor-sharp wit."<sup id="cite_ref-FOOTNOTETime_Out2005_120-1" class="reference"><a href="#cite_note-FOOTNOTETime_Out2005-120"><span class="cite-bracket">&#91;</span>118<span class="cite-bracket">&#93;</span></a></sup> More positively, Derek Elley of <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i> magazine praised Wright and Moggach for "extracting the youthful essence" of the novel while also "providing a richly detailed setting" under Greenwood and Durran's supervision.<sup id="cite_ref-FOOTNOTEElley2005_5-3" class="reference"><a href="#cite_note-FOOTNOTEElley2005-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> Equally pleased with the film was the <i><a href="/wiki/San_Francisco_Chronicle" title="San Francisco Chronicle">San Francisco Chronicle</a></i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s Ruthe Stein, who wrote that Wright made a "spectacular feature film debut" that is "creatively reimagined and sublimely entertaining".<sup id="cite_ref-FOOTNOTEStein2005_122-0" class="reference"><a href="#cite_note-FOOTNOTEStein2005-122"><span class="cite-bracket">&#91;</span>120<span class="cite-bracket">&#93;</span></a></sup> Claudia Puig of <i><a href="/wiki/USA_Today" title="USA Today">USA Today</a></i> called it "a stellar adaptation, bewitching the viewer completely and incandescently with an exquisite blend of emotion and wit".<sup id="cite_ref-FOOTNOTEPuig2005_123-0" class="reference"><a href="#cite_note-FOOTNOTEPuig2005-123"><span class="cite-bracket">&#91;</span>121<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Accolades">Accolades</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=20" title="Edit section: Accolades"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="wikitable sortable"> <tbody><tr> <th>Award </th> <th>Category </th> <th>Recipients </th> <th>Result </th></tr> <tr> <td rowspan="4"><a href="/wiki/Academy_Awards" title="Academy Awards">Academy Awards</a><sup id="cite_ref-FOOTNOTEAcademy_of_Motion_Picture_Arts_and_Sciences_124-0" class="reference"><a href="#cite_note-FOOTNOTEAcademy_of_Motion_Picture_Arts_and_Sciences-124"><span class="cite-bracket">&#91;</span>122<span class="cite-bracket">&#93;</span></a></sup> </td> <td><a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Best Actress</a> </td> <td><a href="/wiki/Keira_Knightley" title="Keira Knightley">Keira Knightley</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Best_Art_Direction" class="mw-redirect" title="Best Art Direction">Best Art Direction</a> </td> <td><a href="/wiki/Sarah_Greenwood" title="Sarah Greenwood">Sarah Greenwood</a>, <a href="/wiki/Katie_Spencer" title="Katie Spencer">Katie Spencer</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Academy_Award_for_Best_Costume_Design" title="Academy Award for Best Costume Design">Best Costume Design</a> </td> <td><a href="/wiki/Jacqueline_Durran" title="Jacqueline Durran">Jacqueline Durran</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Academy_Award_for_Best_Original_Score" title="Academy Award for Best Original Score">Best Original Score</a> </td> <td><a href="/wiki/Dario_Marianelli" title="Dario Marianelli">Dario Marianelli</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/American_Cinema_Editors" title="American Cinema Editors">American Cinema Editors</a><sup id="cite_ref-FOOTNOTESoares2006a_125-0" class="reference"><a href="#cite_note-FOOTNOTESoares2006a-125"><span class="cite-bracket">&#91;</span>123<span class="cite-bracket">&#93;</span></a></sup> </td> <td>Best Edited Feature Film – Comedy or Musical </td> <td>Paul Tothill </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Boston_Society_of_Film_Critics" title="Boston Society of Film Critics">Boston Society of Film Critics</a><sup id="cite_ref-FOOTNOTEKimmel2005_126-0" class="reference"><a href="#cite_note-FOOTNOTEKimmel2005-126"><span class="cite-bracket">&#91;</span>124<span class="cite-bracket">&#93;</span></a></sup> </td> <td>Best New Filmmaker </td> <td><a href="/wiki/Joe_Wright" title="Joe Wright">Joe Wright</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td rowspan="6"><a href="/wiki/British_Academy_Film_Awards" title="British Academy Film Awards">British Academy Film Awards</a><sup id="cite_ref-FOOTNOTEBritish_Academy_of_Film_and_Television_Arts_127-0" class="reference"><a href="#cite_note-FOOTNOTEBritish_Academy_of_Film_and_Television_Arts-127"><span class="cite-bracket">&#91;</span>125<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWorking_Title_Films2006_128-0" class="reference"><a href="#cite_note-FOOTNOTEWorking_Title_Films2006-128"><span class="cite-bracket">&#91;</span>126<span class="cite-bracket">&#93;</span></a></sup> </td> <td><a href="/wiki/BAFTA_Award_for_Best_British_Film" class="mw-redirect" title="BAFTA Award for Best British Film">Best British Film</a> </td> <td><i>Pride &amp; Prejudice</i> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/BAFTA_Award_for_Best_Actress_in_a_Supporting_Role" title="BAFTA Award for Best Actress in a Supporting Role">Best Actress in a Supporting Role</a> </td> <td><a href="/wiki/Brenda_Blethyn" title="Brenda Blethyn">Brenda Blethyn</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td>Most Promising Newcomer </td> <td>Joe Wright </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td><a href="/wiki/BAFTA_Award_for_Best_Adapted_Screenplay" title="BAFTA Award for Best Adapted Screenplay">Best Adapted Screenplay</a> </td> <td><a href="/wiki/Deborah_Moggach" title="Deborah Moggach">Deborah Moggach</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/BAFTA_Award_for_Best_Costume_Design" title="BAFTA Award for Best Costume Design">Best Costume Design</a> </td> <td>Jacqueline Durran </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/BAFTA_Award_for_Best_Makeup_%26_Hair" class="mw-redirect" title="BAFTA Award for Best Makeup &amp; Hair">Best Makeup &amp; Hair</a> </td> <td>Fae Hammond </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Broadcast_Film_Critics_Association" class="mw-redirect" title="Broadcast Film Critics Association">Broadcast Film Critics Association</a><sup id="cite_ref-FOOTNOTEBroadcast_Film_Critics_Awards_2006_129-0" class="reference"><a href="#cite_note-FOOTNOTEBroadcast_Film_Critics_Awards_2006-129"><span class="cite-bracket">&#91;</span>127<span class="cite-bracket">&#93;</span></a></sup> </td> <td>Best Actress </td> <td>Keira Knightley </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td rowspan="4"><a href="/wiki/Chicago_Film_Critics_Association" title="Chicago Film Critics Association">Chicago Film Critics Association</a><sup id="cite_ref-FOOTNOTESoares2006b_130-0" class="reference"><a href="#cite_note-FOOTNOTESoares2006b-130"><span class="cite-bracket">&#91;</span>128<span class="cite-bracket">&#93;</span></a></sup> </td> <td><a href="/wiki/Chicago_Film_Critics_Association_Award_for_Best_Actress" title="Chicago Film Critics Association Award for Best Actress">Best Actress</a> </td> <td>Keira Knightley </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td>Best Cinematography </td> <td><a href="/wiki/Roman_Osin" title="Roman Osin">Roman Osin</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Chicago_Film_Critics_Association_Award_for_Best_Supporting_Actor" title="Chicago Film Critics Association Award for Best Supporting Actor">Best Supporting Actor</a> </td> <td><a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Donald Sutherland</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td>Most Promising Filmmaker </td> <td>Joe Wright </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td rowspan="3"><a href="/wiki/Empire_Awards" title="Empire Awards">Empire Awards</a><sup id="cite_ref-FOOTNOTEEmpire_Awards_2006_131-0" class="reference"><a href="#cite_note-FOOTNOTEEmpire_Awards_2006-131"><span class="cite-bracket">&#91;</span>129<span class="cite-bracket">&#93;</span></a></sup> </td> <td><a href="/wiki/Empire_Award_for_Best_Actress" title="Empire Award for Best Actress">Best Actress</a> </td> <td>Keira Knightley </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td>Best British Film </td> <td><i>Pride &amp; Prejudice</i> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td><a href="/wiki/Empire_Award_for_Best_Director" title="Empire Award for Best Director">Best Director</a> </td> <td>Joe Wright </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td rowspan="3"><a href="/wiki/European_Film_Awards" title="European Film Awards">European Film Awards</a><sup id="cite_ref-FOOTNOTESoares2006c_132-0" class="reference"><a href="#cite_note-FOOTNOTESoares2006c-132"><span class="cite-bracket">&#91;</span>130<span class="cite-bracket">&#93;</span></a></sup> </td> <td><a href="/wiki/European_Film_Award_for_Best_Cinematographer" title="European Film Award for Best Cinematographer">Best Cinematographer</a> </td> <td>Roman Osin </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/European_Film_Award_for_Best_Composer" title="European Film Award for Best Composer">Best Composer</a> </td> <td>Dario Marianelli </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/European_Film_Award_for_Best_Film" title="European Film Award for Best Film">Best Film</a> </td> <td>Joe Wright </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td rowspan="2"><a href="/wiki/Golden_Globe_Award" class="mw-redirect" title="Golden Globe Award">Golden Globe Awards</a><sup id="cite_ref-FOOTNOTEHollywood_Foreign_Press_Association2005_133-0" class="reference"><a href="#cite_note-FOOTNOTEHollywood_Foreign_Press_Association2005-133"><span class="cite-bracket">&#91;</span>131<span class="cite-bracket">&#93;</span></a></sup> </td> <td><a href="/wiki/Golden_Globe_Award_for_Best_Actress_%E2%80%93_Motion_Picture_Musical_or_Comedy" class="mw-redirect" title="Golden Globe Award for Best Actress – Motion Picture Musical or Comedy">Best Actress – Motion Picture Musical or Comedy</a> </td> <td>Keira Knightley </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/Golden_Globe_Award_for_Best_Motion_Picture_%E2%80%93_Musical_or_Comedy" title="Golden Globe Award for Best Motion Picture – Musical or Comedy">Best Film – Musical or Comedy</a> </td> <td><i>Pride &amp; Prejudice</i> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td rowspan="8"><a href="/wiki/London_Film_Critics%27_Circle" title="London Film Critics&#39; Circle">London Film Critics' Circle</a><sup id="cite_ref-FOOTNOTEBarraclough2005_134-0" class="reference"><a href="#cite_note-FOOTNOTEBarraclough2005-134"><span class="cite-bracket">&#91;</span>132<span class="cite-bracket">&#93;</span></a></sup> </td> <td><a href="/wiki/London_Film_Critics_Circle_Award_for_Actress_of_the_Year" class="mw-redirect" title="London Film Critics Circle Award for Actress of the Year">British Actress of the Year</a> </td> <td>Keira Knightley </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td><a href="/wiki/London_Film_Critics_Circle_Award_for_Director_of_the_Year" class="mw-redirect" title="London Film Critics Circle Award for Director of the Year">British Director of the Year</a> </td> <td>Joe Wright </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td><a href="/wiki/London_Film_Critics_Circle_Award_for_Film_of_the_Year" class="mw-redirect" title="London Film Critics Circle Award for Film of the Year">British Film of the Year</a> </td> <td><i>Pride &amp; Prejudice</i> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td>British Newcomer of the Year </td> <td><a href="/wiki/Matthew_Macfadyen" title="Matthew Macfadyen">Matthew Macfadyen</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td>British Newcomer of the Year </td> <td>Joe Wright </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td>British Supporting Actor of the Year </td> <td><a href="/wiki/Tom_Hollander" title="Tom Hollander">Tom Hollander</a> </td> <td style="background: #9EFF9E; color: #000; vertical-align: middle; text-align: center;" class="yes table-yes2 notheme">Won </td></tr> <tr> <td>British Supporting Actress of the Year </td> <td>Brenda Blethyn </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr> <tr> <td>British Supporting Actress of the Year </td> <td><a href="/wiki/Rosamund_Pike" title="Rosamund Pike">Rosamund Pike</a> </td> <td style="background: #FFE3E3; color: black; vertical-align: middle; text-align: center;" class="no table-no2 notheme">Nominated </td></tr></tbody></table> <div class="mw-heading mw-heading2"><h2 id="Influence_and_legacy">Influence and legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=21" title="Edit section: Influence and legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Wright's adaptation failed to have the same cultural influence as the 1995 serial and has since attracted sharply-divided opinions.<sup id="cite_ref-FOOTNOTECamden2007_95-1" class="reference"><a href="#cite_note-FOOTNOTECamden2007-95"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTECamdenFord2007_135-0" class="reference"><a href="#cite_note-FOOTNOTECamdenFord2007-135"><span class="cite-bracket">&#91;</span>133<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEWightman2011_136-0" class="reference"><a href="#cite_note-FOOTNOTEWightman2011-136"><span class="cite-bracket">&#91;</span>134<span class="cite-bracket">&#93;</span></a></sup> However, even three years after the release, Knightley was still associated with Elizabeth Bennet among a generation of young viewers who had not seen the 1995 production.<sup id="cite_ref-FOOTNOTEWells2008109–110_137-0" class="reference"><a href="#cite_note-FOOTNOTEWells2008109–110-137"><span class="cite-bracket">&#91;</span>135<span class="cite-bracket">&#93;</span></a></sup> Given the varied opinions about the film, JASNA published an edited special issue of its online journal <i>Persuasions On-Line</i> in 2007 with the collaboration of 19 Austen scholars from six countries; the intent was to foster discussion and stimulate scholarly analysis. JASNA had done this only once before, for the 1996 film <i><a href="/wiki/Emma_(1996_theatrical_film)" title="Emma (1996 theatrical film)">Emma</a></i>.<sup id="cite_ref-FOOTNOTECamden2007_95-2" class="reference"><a href="#cite_note-FOOTNOTECamden2007-95"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTECamdenFord2007_135-1" class="reference"><a href="#cite_note-FOOTNOTECamdenFord2007-135"><span class="cite-bracket">&#91;</span>133<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTECopelandMcMaster2011257_138-0" class="reference"><a href="#cite_note-FOOTNOTECopelandMcMaster2011257-138"><span class="cite-bracket">&#91;</span>136<span class="cite-bracket">&#93;</span></a></sup> </p><p><i>Pride &amp; Prejudice</i> influenced later productions in the costume drama and heritage film genres. Literary critics protested that Wright's adaptation effectively "popularized Austen's celebrated romance and brought her novel to the screen as an easy visual read for an undemanding mainstream audience".<sup id="cite_ref-FOOTNOTESabine2008_139-0" class="reference"><a href="#cite_note-FOOTNOTESabine2008-139"><span class="cite-bracket">&#91;</span>137<span class="cite-bracket">&#93;</span></a></sup> Carole Dole noted that the film's success "only made it more likely that future adaptations of Austen will feature, if not necessarily mud, then at least youthful and market-tested performers and youth-orientated filmmaking techniques balanced with the visual pleasures of the heritage film." She cited <a href="/wiki/Anne_Hathaway" title="Anne Hathaway">Anne Hathaway</a> in the 2007 film <i><a href="/wiki/Becoming_Jane" title="Becoming Jane">Becoming Jane</a></i> as an example.<sup id="cite_ref-FOOTNOTEDole2007_7-7" class="reference"><a href="#cite_note-FOOTNOTEDole2007-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> Jessica Durgan added that <i>Pride &amp; Prejudice</i> conceived a new hybrid genre by rejecting the visual cues of the heritage film, which attracted "youth and mainstream audiences without alienating the majority of heritage fans".<sup id="cite_ref-FOOTNOTEDurgan2007_11-3" class="reference"><a href="#cite_note-FOOTNOTEDurgan2007-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> </p><p>Production of <i>Pride &amp; Prejudice</i> began Wright's relationship with Working Title Films, the first of four collaborations.<sup id="cite_ref-FOOTNOTEWorking_Title_Films2011_140-0" class="reference"><a href="#cite_note-FOOTNOTEWorking_Title_Films2011-140"><span class="cite-bracket">&#91;</span>138<span class="cite-bracket">&#93;</span></a></sup> Many members of the film's cast and crew joined Wright in his later directorial efforts. For his adaptation of <i>Atonement</i>, which he viewed as "a direct reaction to <i>Pride &amp; Prejudice</i>",<sup id="cite_ref-FOOTNOTEWloszczyna2007_141-0" class="reference"><a href="#cite_note-FOOTNOTEWloszczyna2007-141"><span class="cite-bracket">&#91;</span>139<span class="cite-bracket">&#93;</span></a></sup> Wright hired Knightley, Blethyn, Marianelli, Thibaudet, Greenwood, and Durran.<sup id="cite_ref-FOOTNOTEWells2008110_142-0" class="reference"><a href="#cite_note-FOOTNOTEWells2008110-142"><span class="cite-bracket">&#91;</span>140<span class="cite-bracket">&#93;</span></a></sup> <i>Atonement</i> employed themes similar to Austen's, including the notion of a young writer living in "an isolated <a href="/wiki/English_country_house" title="English country house">English country house</a>" who "mixes up desires and fantasies, truths and fiction".<sup id="cite_ref-FOOTNOTEBrownstein201153_75-1" class="reference"><a href="#cite_note-FOOTNOTEBrownstein201153-75"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup> Wright's 2009 film <i><a href="/wiki/The_Soloist" title="The Soloist">The Soloist</a></i> included Hollander, Malone, and Marianelli,<sup id="cite_ref-FOOTNOTEMonger_143-0" class="reference"><a href="#cite_note-FOOTNOTEMonger-143"><span class="cite-bracket">&#91;</span>141<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEBradshaw2009_144-0" class="reference"><a href="#cite_note-FOOTNOTEBradshaw2009-144"><span class="cite-bracket">&#91;</span>142<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-FOOTNOTEPham2010_145-0" class="reference"><a href="#cite_note-FOOTNOTEPham2010-145"><span class="cite-bracket">&#91;</span>143<span class="cite-bracket">&#93;</span></a></sup> while Hollander was also featured in <i><a href="/wiki/Hanna_(film)" title="Hanna (film)">Hanna</a></i> (2011).<sup id="cite_ref-FOOTNOTEMcCarthy2011_146-0" class="reference"><a href="#cite_note-FOOTNOTEMcCarthy2011-146"><span class="cite-bracket">&#91;</span>144<span class="cite-bracket">&#93;</span></a></sup> Wright's <a href="/wiki/Anna_Karenina_(2012_film)" title="Anna Karenina (2012 film)">2012 adaptation</a> of <i><a href="/wiki/Anna_Karenina" title="Anna Karenina">Anna Karenina</a></i> features Knightley, Macfadyen, Marianelli, Durran, and Greenwood and is produced by Bevan, <a href="/wiki/Eric_Fellner" title="Eric Fellner">Eric Fellner</a>, and Webster.<sup id="cite_ref-FOOTNOTEWorking_Title_Films2011_140-1" class="reference"><a href="#cite_note-FOOTNOTEWorking_Title_Films2011-140"><span class="cite-bracket">&#91;</span>138<span class="cite-bracket">&#93;</span></a></sup> </p><p>On 11 December 2017, <a href="/wiki/Netflix" title="Netflix">Netflix</a> announced that a person from Chile watched the film 278 times during the entire year.<sup id="cite_ref-FOOTNOTEVilla2017_147-0" class="reference"><a href="#cite_note-FOOTNOTEVilla2017-147"><span class="cite-bracket">&#91;</span>145<span class="cite-bracket">&#93;</span></a></sup> It was later reported that the person was a 51-year-old woman, who declared herself as "obsessed" with the film and saw Elizabeth Bennet as "a feminist icon".<sup id="cite_ref-FOOTNOTEGutiérrez2017_148-0" class="reference"><a href="#cite_note-FOOTNOTEGutiérrez2017-148"><span class="cite-bracket">&#91;</span>146<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=22" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Jane_Austen_in_popular_culture" title="Jane Austen in popular culture">Jane Austen in popular culture</a></li> <li><a href="/wiki/Janeite" title="Janeite">Janeite</a></li> <li><a href="/wiki/List_of_literary_adaptations_of_Pride_and_Prejudice" title="List of literary adaptations of Pride and Prejudice">List of literary adaptations of <i>Pride and Prejudice</i></a></li> <li><a href="/wiki/2005_in_film" title="2005 in film">2005 in film</a></li> <li><a href="/wiki/List_of_British_films_of_2005" title="List of British films of 2005">List of British films of 2005</a></li> <li><a href="/wiki/List_of_oldest_and_youngest_Academy_Award_winners_and_nominees#Youngest_nominees_3" title="List of oldest and youngest Academy Award winners and nominees">List of oldest and youngest Academy Award winners and nominees – Youngest nominees for Best Actress in a Leading Role</a></li> <li><a href="/wiki/78th_Academy_Awards" title="78th Academy Awards">78th Academy Awards</a></li> <li><a href="/wiki/63rd_Golden_Globe_Awards" title="63rd Golden Globe Awards">63rd Golden Globe Awards</a></li> <li><a href="/wiki/59th_British_Academy_Film_Awards" title="59th British Academy Film Awards">59th British Academy Film Awards</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=23" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text">Austen wrote a draft of <i>First Impressions</i> (later renamed <i>Pride and Prejudice</i>) between October 1796 and August 1797.<sup id="cite_ref-FOOTNOTESilversOlsen2011191_31-0" class="reference"><a href="#cite_note-FOOTNOTESilversOlsen2011191-31"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup></span> </li> <li id="cite_note-90"><span class="mw-cite-backlink"><b><a href="#cite_ref-90">^</a></b></span> <span class="reference-text">Recent Austen adaptations included <i><a href="/wiki/Mansfield_Park_(1999_film)" title="Mansfield Park (1999 film)">Mansfield Park</a></i> (1999), <i><a href="/wiki/Bridget_Jones%27s_Diary" title="Bridget Jones&#39;s Diary">Bridget Jones's Diary</a></i> (2001), <i><a href="/wiki/Pride_%26_Prejudice:_A_Latter-Day_Comedy" title="Pride &amp; Prejudice: A Latter-Day Comedy">Pride &amp; Prejudice: A Latter-Day Comedy</a></i> (2003), and <i><a href="/wiki/Bride_and_Prejudice" title="Bride and Prejudice">Bride and Prejudice</a></i> (2004).<sup id="cite_ref-FOOTNOTEHigson2011161–70_89-0" class="reference"><a href="#cite_note-FOOTNOTEHigson2011161–70-89"><span class="cite-bracket">&#91;</span>88<span class="cite-bracket">&#93;</span></a></sup></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=24" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://catalog.afi.com/Film/63570-PRIDE-PREJUDICE?sid=9c50dd7a-58b8-4c94-bdeb-8804d1d22b5e&amp;sr=7.3439465&amp;cp=4&amp;pos=4">"Pride &amp; Prejudice (2005)"</a>. <i><a href="/wiki/AFI_Catalog_of_Feature_Films" title="AFI Catalog of Feature Films">AFI Catalog of Feature Films</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004423/https://fonts.googleapis.com/css?family=Open+Sans:400,300,600,700&amp;subset=all">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">13 February</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=AFI+Catalog+of+Feature+Films&amp;rft.atitle=Pride+%26+Prejudice+%282005%29&amp;rft_id=http%3A%2F%2Fcatalog.afi.com%2FFilm%2F63570-PRIDE-PREJUDICE%3Fsid%3D9c50dd7a-58b8-4c94-bdeb-8804d1d22b5e%26sr%3D7.3439465%26cp%3D4%26pos%3D4&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bbfc.co.uk/releases/pride-prejudice-2005-0">"<i>Pride &amp; Prejudice</i> (U)"</a>. <i><a href="/wiki/United_International_Pictures" title="United International Pictures">United International Pictures</a></i>. <a href="/wiki/British_Board_of_Film_Classification" title="British Board of Film Classification">British Board of Film Classification</a>. 25 July 2005. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131004215342/http://www.bbfc.co.uk/releases/pride-prejudice-2005-0">Archived</a> from the original on 4 October 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">1 October</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=United+International+Pictures&amp;rft.atitle=Pride+%26+Prejudice+%28U%29&amp;rft.date=2005-07-25&amp;rft_id=https%3A%2F%2Fwww.bbfc.co.uk%2Freleases%2Fpride-prejudice-2005-0&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEThe_Numbers-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEThe_Numbers_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEThe_Numbers_3-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFThe_Numbers">The Numbers</a>.</span> </li> <li id="cite_note-FOOTNOTEBox_Office_Mojo_Profile-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBox_Office_Mojo_Profile_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBox_Office_Mojo_Profile_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBox_Office_Mojo_Profile_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBox_Office_Mojo_Profile_4-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBox_Office_Mojo_Profile">Box Office Mojo Profile</a>.</span> </li> <li id="cite_note-FOOTNOTEElley2005-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEElley2005_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEElley2005_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEElley2005_5-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEElley2005_5-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFElley2005">Elley 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEFocus_Features_Production2005-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-13"><sup><i><b>n</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-14"><sup><i><b>o</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-15"><sup><i><b>p</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-16"><sup><i><b>q</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-17"><sup><i><b>r</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-18"><sup><i><b>s</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-19"><sup><i><b>t</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Production2005_6-20"><sup><i><b>u</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFFocus_Features_Production2005">Focus Features Production 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEDole2007-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEDole2007_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDole2007_7-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDole2007_7-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDole2007_7-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDole2007_7-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDole2007_7-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDole2007_7-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDole2007_7-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFDole2007">Dole 2007</a>.</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRenfro" class="citation web cs1">Renfro, Kim. <a rel="nofollow" class="external text" href="https://www.insider.com/youngest-oscar-nominees-2018-2">"The 31 youngest Oscar nominees of all time"</a>. <i>Insider</i>. <a rel="nofollow" class="external text" href="http://webarchive.loc.gov/all/20200212223412/https://www.insider.com/youngest-oscar-nominees-2018-2">Archived</a> from the original on 12 February 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">17 April</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Insider&amp;rft.atitle=The+31+youngest+Oscar+nominees+of+all+time&amp;rft.aulast=Renfro&amp;rft.aufirst=Kim&amp;rft_id=https%3A%2F%2Fwww.insider.com%2Fyoungest-oscar-nominees-2018-2&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEvry" class="citation web cs1">Evry, Max. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210420163843/https://www.mtv.com/news/2802405/youngest-oscar-nominees-winners-of-all-time/">"The 25 Youngest Oscar Nominees of All Time"</a>. <i>MTV News</i>. Archived from <a rel="nofollow" class="external text" href="https://www.mtv.com/news/2802405/youngest-oscar-nominees-winners-of-all-time/">the original</a> on 20 April 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">17 April</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=MTV+News&amp;rft.atitle=The+25+Youngest+Oscar+Nominees+of+All+Time&amp;rft.aulast=Evry&amp;rft.aufirst=Max&amp;rft_id=https%3A%2F%2Fwww.mtv.com%2Fnews%2F2802405%2Fyoungest-oscar-nominees-winners-of-all-time%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEHigson2011170-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHigson2011170_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHigson2011170_10-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHigson2011">Higson 2011</a>, p.&#160;170.</span> </li> <li id="cite_note-FOOTNOTEDurgan2007-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEDurgan2007_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDurgan2007_11-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDurgan2007_11-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDurgan2007_11-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFDurgan2007">Durgan 2007</a>.</span> </li> <li id="cite_note-FOOTNOTETroost200786-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETroost200786_12-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTroost2007">Troost 2007</a>, p.&#160;86.</span> </li> <li id="cite_note-FOOTNOTEBritish_Film_Institute-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBritish_Film_Institute_13-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBritish_Film_Institute">British Film Institute</a>.</span> </li> <li id="cite_note-FOOTNOTEAndrew201131-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEAndrew201131_14-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFAndrew2011">Andrew 2011</a>, p.&#160;31.</span> </li> <li id="cite_note-FOOTNOTEHigson2011166-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHigson2011166_15-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHigson2011">Higson 2011</a>, p.&#160;166.</span> </li> <li id="cite_note-FOOTNOTECartmell201085-16"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECartmell201085_16-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECartmell201085_16-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCartmell2010">Cartmell 2010</a>, p.&#160;85.</span> </li> <li id="cite_note-FOOTNOTESpunberg2011-17"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESpunberg2011_17-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpunberg2011_17-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpunberg2011_17-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpunberg2011_17-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpunberg2011_17-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpunberg2011_17-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSpunberg2011">Spunberg 2011</a>.</span> </li> <li id="cite_note-FOOTNOTEHanson2005-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHanson2005_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHanson2005_18-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHanson2005_18-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHanson2005_18-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHanson2005_18-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHanson2005_18-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHanson2005_18-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHanson2005_18-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHanson2005_18-8"><sup><i><b>i</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHanson2005">Hanson 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEWells2007-19"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWells2007_19-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWells2007_19-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWells2007">Wells 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEDawtrey2004-20"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEDawtrey2004_20-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDawtrey2004_20-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFDawtrey2004">Dawtrey 2004</a>.</span> </li> <li id="cite_note-FOOTNOTEHolden2005-21"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHolden2005_21-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHolden2005_21-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHolden2005_21-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHolden2005_21-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHolden2005_21-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHolden2005">Holden 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEHoggard2005-22"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHoggard2005_22-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHoggard2005_22-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHoggard2005_22-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHoggard2005_22-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHoggard2005_22-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHoggard2005_22-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHoggard2005">Hoggard 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEHigson2011171-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHigson2011171_23-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHigson2011">Higson 2011</a>, p.&#160;171.</span> </li> <li id="cite_note-FOOTNOTEDeGennaro2005-24"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEDeGennaro2005_24-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDeGennaro2005_24-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDeGennaro2005_24-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDeGennaro2005_24-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEDeGennaro2005_24-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFDeGennaro2005">DeGennaro 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEFetters-25"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEFetters_25-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFetters_25-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFetters_25-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFetters_25-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFetters_25-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFetters_25-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFetters_25-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFetters_25-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFetters_25-8"><sup><i><b>i</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFFetters">Fetters</a>.</span> </li> <li id="cite_note-FOOTNOTEHaun2005-26"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHaun2005_26-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHaun2005_26-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHaun2005_26-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHaun2005_26-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHaun2005">Haun 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEAusten2008-27"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEAusten2008_27-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEAusten2008_27-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEAusten2008_27-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEAusten2008_27-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFAusten2008">Austen 2008</a>.</span> </li> <li id="cite_note-FOOTNOTEWright200510:00–10:40-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright200510:00–10:40_28-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 10:00–10:40.</span> </li> <li id="cite_note-FOOTNOTEHewitt2005-29"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHewitt2005_29-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHewitt2005_29-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHewitt2005">Hewitt 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEWright200555:30–55:44-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright200555:30–55:44_30-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 55:30–55:44.</span> </li> <li id="cite_note-FOOTNOTESilversOlsen2011191-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESilversOlsen2011191_31-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSilversOlsen2011">Silvers &amp; Olsen 2011</a>, p.&#160;191.</span> </li> <li id="cite_note-FOOTNOTECartmell201011-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECartmell201011_33-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCartmell2010">Cartmell 2010</a>, p.&#160;11.</span> </li> <li id="cite_note-FOOTNOTECartmell201086-34"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECartmell201086_34-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECartmell201086_34-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCartmell2010">Cartmell 2010</a>, p.&#160;86.</span> </li> <li id="cite_note-FOOTNOTEWoodworth2007-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWoodworth2007_35-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWoodworth2007">Woodworth 2007</a>.</span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://vocal.media/geeks/10-facts-you-didn-t-know-about-pride-and-prejudice-2005">"10 Facts You Didn't Know About 'Pride and Prejudice' (2005)"</a>. <i>Geeks</i><span class="reference-accessdate">. Retrieved <span class="nowrap">12 February</span> 2025</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Geeks&amp;rft.atitle=10+Facts+You+Didn%27t+Know+About+%27Pride+and+Prejudice%27+%282005%29&amp;rft_id=https%3A%2F%2Fvocal.media%2Fgeeks%2F10-facts-you-didn-t-know-about-pride-and-prejudice-2005&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTERojas_Weiss2005-37"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTERojas_Weiss2005_37-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTERojas_Weiss2005_37-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRojas_Weiss2005">Rojas Weiss 2005</a>.</span> </li> <li id="cite_note-FOOTNOTELee2005-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELee2005_38-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLee2005">Lee 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEAlberge2004-39"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEAlberge2004_39-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEAlberge2004_39-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFAlberge2004">Alberge 2004</a>.</span> </li> <li id="cite_note-FOOTNOTEWright20054:10–4:35-40"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWright20054:10–4:35_40-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWright20054:10–4:35_40-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 4:10–4:35.</span> </li> <li id="cite_note-FOOTNOTEHall2010-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHall2010_41-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHall2010">Hall 2010</a>.</span> </li> <li id="cite_note-FOOTNOTERoberts2010-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERoberts2010_42-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRoberts2010">Roberts 2010</a>.</span> </li> <li id="cite_note-FOOTNOTESutherland20053:10–3:20-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESutherland20053:10–3:20_43-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSutherland2005">Sutherland 2005</a>, 3:10–3:20.</span> </li> <li id="cite_note-FOOTNOTECartmell201063-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECartmell201063_44-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCartmell2010">Cartmell 2010</a>, p.&#160;63.</span> </li> <li id="cite_note-FOOTNOTEWright20051:00:05–1:00:15-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright20051:00:05–1:00:15_45-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 1:00:05–1:00:15.</span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://crookedmarquee.com/the-subtle-cinematic-subversion-of-pride-and-prejudice/">"The Subtle Cinematic Subversion of Pride and Prejudice"</a>. <i>Crooked Marquee</i>. 11 November 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">26 March</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Crooked+Marquee&amp;rft.atitle=The+Subtle+Cinematic+Subversion+of+Pride+and+Prejudice&amp;rft.date=2020-11-11&amp;rft_id=https%3A%2F%2Fcrookedmarquee.com%2Fthe-subtle-cinematic-subversion-of-pride-and-prejudice%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTERobey2006-47"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTERobey2006_47-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTERobey2006_47-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTERobey2006_47-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTERobey2006_47-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRobey2006">Robey 2006</a>.</span> </li> <li id="cite_note-FOOTNOTETandy2007-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETandy2007_48-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTandy2007">Tandy 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEWright200523:40–24:00-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright200523:40–24:00_49-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 23:40–24:00.</span> </li> <li id="cite_note-FOOTNOTEWright20057:30–7:40-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright20057:30–7:40_50-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 7:30–7:40.</span> </li> <li id="cite_note-FOOTNOTEWright200535:10–35:30-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright200535:10–35:30_51-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 35:10–35:30.</span> </li> <li id="cite_note-FOOTNOTEDemory2010134-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDemory2010134_52-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDemory2010">Demory 2010</a>, p.&#160;134.</span> </li> <li id="cite_note-FOOTNOTEFocus_Features_Locations2005-53"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEFocus_Features_Locations2005_53-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Locations2005_53-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFocus_Features_Locations2005_53-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFFocus_Features_Locations2005">Focus Features Locations 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEChan2007-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEChan2007_54-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFChan2007">Chan 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEGymnichRuhlScheunemann201040-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGymnichRuhlScheunemann201040_55-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGymnichRuhlScheunemann2010">Gymnich, Ruhl &amp; Scheunemann 2010</a>, p.&#160;40.</span> </li> <li id="cite_note-FOOTNOTEAusten2006392–96-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEAusten2006392–96_56-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFAusten2006">Austen 2006</a>, pp.&#160;392–96.</span> </li> <li id="cite_note-FOOTNOTEKnightley20051:25–1:30-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKnightley20051:25–1:30_57-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKnightley2005">Knightley 2005</a>, 1:25–1:30.</span> </li> <li id="cite_note-FOOTNOTEWhitlock2010304-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhitlock2010304_58-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhitlock2010">Whitlock 2010</a>, p.&#160;304.</span> </li> <li id="cite_note-FOOTNOTEDesowitz2005-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDesowitz2005_59-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDesowitz2005">Desowitz 2005</a>.</span> </li> <li id="cite_note-FOOTNOTESilversOlsen2011194-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESilversOlsen2011194_60-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSilversOlsen2011">Silvers &amp; Olsen 2011</a>, p.&#160;194.</span> </li> <li id="cite_note-FOOTNOTECartmell201089-61"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECartmell201089_61-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECartmell201089_61-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCartmell2010">Cartmell 2010</a>, p.&#160;89.</span> </li> <li id="cite_note-FOOTNOTEWright20054:50–4:55-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright20054:50–4:55_62-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 4:50–4:55.</span> </li> <li id="cite_note-FOOTNOTEBBC_News2004-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBBC_News2004_63-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBBC_News2004">BBC News 2004</a>.</span> </li> <li id="cite_note-FOOTNOTEWhitlock2010305-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhitlock2010305_64-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhitlock2010">Whitlock 2010</a>, p.&#160;305.</span> </li> <li id="cite_note-FOOTNOTEMcGhie2005-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcGhie2005_65-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcGhie2005">McGhie 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEWright20055:00–5:14,_11:00–11:30-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright20055:00–5:14,_11:00–11:30_66-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 5:00–5:14, 11:00–11:30.</span> </li> <li id="cite_note-FOOTNOTEGoldwasser2006-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGoldwasser2006_67-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGoldwasser2006">Goldwasser 2006</a>.</span> </li> <li id="cite_note-FOOTNOTEO&#39;Brien-68"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEO&#39;Brien_68-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEO&#39;Brien_68-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFO&#39;Brien">O'Brien</a>.</span> </li> <li id="cite_note-FOOTNOTEGilligan2011-69"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGilligan2011_69-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGilligan2011_69-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGilligan2011">Gilligan 2011</a>.</span> </li> <li id="cite_note-FOOTNOTEPRNewswire2006-70"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPRNewswire2006_70-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPRNewswire2006_70-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPRNewswire2006">PRNewswire 2006</a>.</span> </li> <li id="cite_note-FOOTNOTEMonaghanHudeletWiltshire200988-71"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMonaghanHudeletWiltshire200988_71-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMonaghanHudeletWiltshire2009">Monaghan, Hudelet &amp; Wiltshire 2009</a>, p.&#160;88.</span> </li> <li id="cite_note-FOOTNOTEGymnichRuhlScheunemann201040–41-72"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGymnichRuhlScheunemann201040–41_72-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGymnichRuhlScheunemann2010">Gymnich, Ruhl &amp; Scheunemann 2010</a>, pp.&#160;40–41.</span> </li> <li id="cite_note-FOOTNOTEHigson2011172–73-73"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHigson2011172–73_73-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHigson2011">Higson 2011</a>, pp.&#160;172–73.</span> </li> <li id="cite_note-FOOTNOTEWloszczyna2005-74"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWloszczyna2005_74-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWloszczyna2005">Wloszczyna 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEBrownstein201153-75"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBrownstein201153_75-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBrownstein201153_75-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBrownstein2011">Brownstein 2011</a>, pp.&#160;53.</span> </li> <li id="cite_note-FOOTNOTEDawson_Edwards20081-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDawson_Edwards20081_76-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDawson_Edwards2008">Dawson Edwards 2008</a>, p.&#160;1.</span> </li> <li id="cite_note-FOOTNOTEWorking_Title_Films2005d-77"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWorking_Title_Films2005d_77-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWorking_Title_Films2005d">Working Title Films 2005d</a>.</span> </li> <li id="cite_note-FOOTNOTEAusten2006403–05-78"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEAusten2006403–05_78-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFAusten2006">Austen 2006</a>, pp.&#160;403–05.</span> </li> <li id="cite_note-FOOTNOTEDemory2010132-79"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDemory2010132_79-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDemory2010">Demory 2010</a>, p.&#160;132.</span> </li> <li id="cite_note-FOOTNOTEAilwood2007-80"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEAilwood2007_80-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFAilwood2007">Ailwood 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEStewart-Beer2007-81"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEStewart-Beer2007_81-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEStewart-Beer2007_81-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEStewart-Beer2007_81-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEStewart-Beer2007_81-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFStewart-Beer2007">Stewart-Beer 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEMartin2007-82"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMartin2007_82-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMartin2007_82-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMartin2007">Martin 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEPaquet-Deyris2007-83"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPaquet-Deyris2007_83-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPaquet-Deyris2007">Paquet-Deyris 2007</a>.</span> </li> <li id="cite_note-FOOTNOTESeeber2007-84"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESeeber2007_84-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESeeber2007_84-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESeeber2007_84-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSeeber2007">Seeber 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEPalmer2007-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPalmer2007_85-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPalmer2007">Palmer 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEWright20056:40–6:55-86"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright20056:40–6:55_86-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 6:40–6:55.</span> </li> <li id="cite_note-FOOTNOTEWright200514:00–14:30-87"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWright200514:00–14:30_87-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWright2005">Wright 2005</a>, 14:00–14:30.</span> </li> <li id="cite_note-FOOTNOTEKaplan2007-88"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKaplan2007_88-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKaplan2007">Kaplan 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEHigson2011161–70-89"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHigson2011161–70_89-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHigson2011">Higson 2011</a>, pp.&#160;161–70.</span> </li> <li id="cite_note-FOOTNOTEDawson_Edwards20084-91"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDawson_Edwards20084_91-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDawson_Edwards2008">Dawson Edwards 2008</a>, p.&#160;4.</span> </li> <li id="cite_note-FOOTNOTETroost200787-92"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETroost200787_92-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTroost2007">Troost 2007</a>, p.&#160;87.</span> </li> <li id="cite_note-FOOTNOTEHigson2011172-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHigson2011172_93-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHigson2011">Higson 2011</a>, p.&#160;172.</span> </li> <li id="cite_note-FOOTNOTESadoff201087-94"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESadoff201087_94-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSadoff2010">Sadoff 2010</a>, p.&#160;87.</span> </li> <li id="cite_note-FOOTNOTECamden2007-95"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECamden2007_95-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECamden2007_95-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTECamden2007_95-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCamden2007">Camden 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEMTV2005-96"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMTV2005_96-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMTV2005">MTV 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEWorking_Title_Films2005a-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWorking_Title_Films2005a_97-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWorking_Title_Films2005a">Working Title Films 2005a</a>.</span> </li> <li id="cite_note-FOOTNOTEPapamichael2005-98"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPapamichael2005_98-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPapamichael2005_98-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPapamichael2005">Papamichael 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEWorking_Title_Films2005b-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWorking_Title_Films2005b_99-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWorking_Title_Films2005b">Working Title Films 2005b</a>.</span> </li> <li id="cite_note-FOOTNOTEWorking_Title_Films2005c-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWorking_Title_Films2005c_100-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWorking_Title_Films2005c">Working Title Films 2005c</a>.</span> </li> <li id="cite_note-FOOTNOTEBox_Office_Mojo_International_Box_Office-101"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBox_Office_Mojo_International_Box_Office_101-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBox_Office_Mojo_International_Box_Office_101-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBox_Office_Mojo_International_Box_Office">Box Office Mojo International Box Office</a>.</span> </li> <li id="cite_note-FOOTNOTEUK_Film_Council-102"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEUK_Film_Council_102-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEUK_Film_Council_102-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFUK_Film_Council">UK Film Council</a>.</span> </li> <li id="cite_note-FOOTNOTELos_Angeles_Times2005-103"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELos_Angeles_Times2005_103-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLos_Angeles_Times2005">Los Angeles Times 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEGray2005-104"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGray2005_104-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGray2005">Gray 2005</a>.</span> </li> <li id="cite_note-FOOTNOTECarrier2006-105"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarrier2006_105-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarrier2006">Carrier 2006</a>.</span> </li> <li id="cite_note-FOOTNOTEPRNewswire2007-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPRNewswire2007_106-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPRNewswire2007">PRNewswire 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEMcCutcheon2009-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcCutcheon2009_107-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcCutcheon2009">McCutcheon 2009</a>.</span> </li> <li id="cite_note-FOOTNOTEBriscoe2005-108"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBriscoe2005_108-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBriscoe2005_108-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBriscoe2005">Briscoe 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEDemory2010129-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDemory2010129_109-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDemory2010">Demory 2010</a>, p.&#160;129.</span> </li> <li id="cite_note-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-110">^</a></b></span> <span class="reference-text">Lane, Anthony <a rel="nofollow" class="external text" href="https://www.newyorker.com/magazine/2005/11/14/parent-traps">"Parent Traps"</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210126185149/https://www.newyorker.com/magazine/2005/11/14/parent-traps">Archived</a> 26 January 2021 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>, The New Yorker, 14 November 2005</span> </li> <li id="cite_note-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-111">^</a></b></span> <span class="reference-text">Lane, Anthony "Parent Traps", The New Yorker, 14 November 2005</span> </li> <li id="cite_note-FOOTNOTEEdwards2005-112"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEEdwards2005_112-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFEdwards2005">Edwards 2005</a>.</span> </li> <li id="cite_note-FOOTNOTERotten_Tomatoes-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERotten_Tomatoes_113-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRotten_Tomatoes">Rotten Tomatoes</a>.</span> </li> <li id="cite_note-FOOTNOTEMetacritic-114"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMetacritic_114-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMetacritic">Metacritic</a>.</span> </li> <li id="cite_note-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-115">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20181220122629/https://www.cinemascore.com/publicsearch/index/title/">"PRIDE AND PREJUDICE (2005) A-"</a>. <i><a href="/wiki/CinemaScore" title="CinemaScore">CinemaScore</a></i>. Archived from <a rel="nofollow" class="external text" href="https://www.cinemascore.com/publicsearch/index/title/">the original</a> on 20 December 2018.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=CinemaScore&amp;rft.atitle=PRIDE+AND+PREJUDICE+%282005%29+A-&amp;rft_id=https%3A%2F%2Fwww.cinemascore.com%2Fpublicsearch%2Findex%2Ftitle%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEBradshaw2005-116"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBradshaw2005_116-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBradshaw2005_116-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBradshaw2005">Bradshaw 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEHastings2005-117"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHastings2005_117-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHastings2005_117-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHastings2005_117-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHastings2005">Hastings 2005</a>.</span> </li> <li id="cite_note-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-118">^</a></b></span> <span class="reference-text">Sandhu, Sukhdev "A jolly romp to nowhere", The Daily Telegraph (London), 16 September 2005</span> </li> <li id="cite_note-FOOTNOTEGleiberman2005-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGleiberman2005_119-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGleiberman2005">Gleiberman 2005</a>.</span> </li> <li id="cite_note-FOOTNOTETime_Out2005-120"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTETime_Out2005_120-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTETime_Out2005_120-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFTime_Out2005">Time Out 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEHall2005-121"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHall2005_121-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHall2005">Hall 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEStein2005-122"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStein2005_122-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStein2005">Stein 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEPuig2005-123"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPuig2005_123-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPuig2005">Puig 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEAcademy_of_Motion_Picture_Arts_and_Sciences-124"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEAcademy_of_Motion_Picture_Arts_and_Sciences_124-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFAcademy_of_Motion_Picture_Arts_and_Sciences">Academy of Motion Picture Arts and Sciences</a>.</span> </li> <li id="cite_note-FOOTNOTESoares2006a-125"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESoares2006a_125-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSoares2006a">Soares 2006a</a>.</span> </li> <li id="cite_note-FOOTNOTEKimmel2005-126"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKimmel2005_126-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKimmel2005">Kimmel 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEBritish_Academy_of_Film_and_Television_Arts-127"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBritish_Academy_of_Film_and_Television_Arts_127-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBritish_Academy_of_Film_and_Television_Arts">British Academy of Film and Television Arts</a>.</span> </li> <li id="cite_note-FOOTNOTEWorking_Title_Films2006-128"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWorking_Title_Films2006_128-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWorking_Title_Films2006">Working Title Films 2006</a>.</span> </li> <li id="cite_note-FOOTNOTEBroadcast_Film_Critics_Awards_2006-129"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBroadcast_Film_Critics_Awards_2006_129-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBroadcast_Film_Critics_Awards_2006">Broadcast Film Critics Awards 2006</a>.</span> </li> <li id="cite_note-FOOTNOTESoares2006b-130"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESoares2006b_130-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSoares2006b">Soares 2006b</a>.</span> </li> <li id="cite_note-FOOTNOTEEmpire_Awards_2006-131"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEEmpire_Awards_2006_131-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFEmpire_Awards_2006">Empire Awards 2006</a>.</span> </li> <li id="cite_note-FOOTNOTESoares2006c-132"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESoares2006c_132-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSoares2006c">Soares 2006c</a>.</span> </li> <li id="cite_note-FOOTNOTEHollywood_Foreign_Press_Association2005-133"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHollywood_Foreign_Press_Association2005_133-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHollywood_Foreign_Press_Association2005">Hollywood Foreign Press Association 2005</a>.</span> </li> <li id="cite_note-FOOTNOTEBarraclough2005-134"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBarraclough2005_134-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBarraclough2005">Barraclough 2005</a>.</span> </li> <li id="cite_note-FOOTNOTECamdenFord2007-135"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECamdenFord2007_135-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECamdenFord2007_135-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCamdenFord2007">Camden &amp; Ford 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEWightman2011-136"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWightman2011_136-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWightman2011">Wightman 2011</a>.</span> </li> <li id="cite_note-FOOTNOTEWells2008109–110-137"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWells2008109–110_137-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWells2008">Wells 2008</a>, pp.&#160;109–110.</span> </li> <li id="cite_note-FOOTNOTECopelandMcMaster2011257-138"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECopelandMcMaster2011257_138-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCopelandMcMaster2011">Copeland &amp; McMaster 2011</a>, p.&#160;257.</span> </li> <li id="cite_note-FOOTNOTESabine2008-139"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESabine2008_139-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSabine2008">Sabine 2008</a>.</span> </li> <li id="cite_note-FOOTNOTEWorking_Title_Films2011-140"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWorking_Title_Films2011_140-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWorking_Title_Films2011_140-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWorking_Title_Films2011">Working Title Films 2011</a>.</span> </li> <li id="cite_note-FOOTNOTEWloszczyna2007-141"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWloszczyna2007_141-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWloszczyna2007">Wloszczyna 2007</a>.</span> </li> <li id="cite_note-FOOTNOTEWells2008110-142"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWells2008110_142-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWells2008">Wells 2008</a>, p.&#160;110.</span> </li> <li id="cite_note-FOOTNOTEMonger-143"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMonger_143-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMonger">Monger</a>.</span> </li> <li id="cite_note-FOOTNOTEBradshaw2009-144"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBradshaw2009_144-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBradshaw2009">Bradshaw 2009</a>.</span> </li> <li id="cite_note-FOOTNOTEPham2010-145"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPham2010_145-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPham2010">Pham 2010</a>.</span> </li> <li id="cite_note-FOOTNOTEMcCarthy2011-146"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMcCarthy2011_146-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMcCarthy2011">McCarthy 2011</a>.</span> </li> <li id="cite_note-FOOTNOTEVilla2017-147"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEVilla2017_147-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFVilla2017">Villa 2017</a>.</span> </li> <li id="cite_note-FOOTNOTEGutiérrez2017-148"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGutiérrez2017_148-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGutiérrez2017">Gutiérrez 2017</a>.</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=25" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Books">Books</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=26" title="Edit section: Books"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAndrew2011" class="citation book cs1"><a href="/wiki/Dudley_Andrew" title="Dudley Andrew">Andrew, Dudley</a> (2011). "The Economies of Adaptation". <i>True to the Spirit: Film Adaptation and the Question of Fidelity</i>. Colin MacCabe, Rick Warner, Kathleen Murray (editors). Oxford University Press. pp.&#160;<span class="nowrap">27–</span>40. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-19-537467-4" title="Special:BookSources/978-0-19-537467-4"><bdi>978-0-19-537467-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=The+Economies+of+Adaptation&amp;rft.btitle=True+to+the+Spirit%3A+Film+Adaptation+and+the+Question+of+Fidelity&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E27-%3C%2Fspan%3E40&amp;rft.pub=Oxford+University+Press&amp;rft.date=2011&amp;rft.isbn=978-0-19-537467-4&amp;rft.aulast=Andrew&amp;rft.aufirst=Dudley&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAusten2006" class="citation book cs1"><a href="/wiki/Jane_Austen" title="Jane Austen">Austen, Jane</a> (2006). <i>Jane Austen: Complete and Unabridged</i>. Sarah S.G. Frantz (editor). Barnes &amp; Noble Publishing, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-7607-7401-3" title="Special:BookSources/0-7607-7401-3"><bdi>0-7607-7401-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Jane+Austen%3A+Complete+and+Unabridged&amp;rft.pub=Barnes+%26+Noble+Publishing%2C+Inc&amp;rft.date=2006&amp;rft.isbn=0-7607-7401-3&amp;rft.aulast=Austen&amp;rft.aufirst=Jane&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAusten2008" class="citation book cs1"><a href="/wiki/Jane_Austen" title="Jane Austen">Austen, Jane</a> (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=obMP1xBBhh8C"><i><span></span></i>Pride and Prejudice<i>: A Penguin Enhanced e-Book Classic</i></a>. Vivian Jones, Tony Tanner, Juliette Wells (editors). Penguin Classics. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-14-143951-8" title="Special:BookSources/978-0-14-143951-8"><bdi>978-0-14-143951-8</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140627142013/http://books.google.com/books?id=obMP1xBBhh8C&amp;printsec=frontcover">Archived</a> from the original on 27 June 2014.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Pride+and+Prejudice%3A+A+Penguin+Enhanced+e-Book+Classic&amp;rft.pub=Penguin+Classics&amp;rft.date=2008&amp;rft.isbn=978-0-14-143951-8&amp;rft.aulast=Austen&amp;rft.aufirst=Jane&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DobMP1xBBhh8C&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrownstein2011" class="citation book cs1">Brownstein, Rachel M. (2011). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/whyjaneausten0000brow"><i>Why Jane Austen?</i></a></span>. Columbia University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-231-15390-4" title="Special:BookSources/978-0-231-15390-4"><bdi>978-0-231-15390-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Why+Jane+Austen%3F&amp;rft.pub=Columbia+University+Press&amp;rft.date=2011&amp;rft.isbn=978-0-231-15390-4&amp;rft.aulast=Brownstein&amp;rft.aufirst=Rachel+M.&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fwhyjaneausten0000brow&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCartmell2010" class="citation book cs1">Cartmell, Deborah (2010). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=J6TG62AsSJQC"><i>Screen Adaptations: Jane Austen's </i>Pride and Prejudice<i>: A Close Study of the Relationship between Text and Film</i></a>. A&amp;C Black Publishers Ltd. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-4081-0593-1" title="Special:BookSources/978-1-4081-0593-1"><bdi>978-1-4081-0593-1</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004425/https://books.google.com/books?id=J6TG62AsSJQC">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">24 October</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Screen+Adaptations%3A+Jane+Austen%27s+Pride+and+Prejudice%3A+A+Close+Study+of+the+Relationship+between+Text+and+Film&amp;rft.pub=A%26C+Black+Publishers+Ltd&amp;rft.date=2010&amp;rft.isbn=978-1-4081-0593-1&amp;rft.aulast=Cartmell&amp;rft.aufirst=Deborah&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DJ6TG62AsSJQC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCopelandMcMaster2011" class="citation book cs1">Copeland, Edward; McMaster, Juliet (2011). <i>The Cambridge Companion to Jane Austen</i>. Cambridge University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-521-74650-2" title="Special:BookSources/978-0-521-74650-2"><bdi>978-0-521-74650-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Cambridge+Companion+to+Jane+Austen&amp;rft.pub=Cambridge+University+Press&amp;rft.date=2011&amp;rft.isbn=978-0-521-74650-2&amp;rft.aulast=Copeland&amp;rft.aufirst=Edward&amp;rft.au=McMaster%2C+Juliet&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDawson_Edwards2008" class="citation book cs1">Dawson Edwards, Kyle (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=A95DiIHW2FcC"><i>Corporate Fictions: Film Adaptation and Authorship in the Classical Hollywood Era</i></a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-549-38632-2" title="Special:BookSources/978-0-549-38632-2"><bdi>978-0-549-38632-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Corporate+Fictions%3A+Film+Adaptation+and+Authorship+in+the+Classical+Hollywood+Era&amp;rft.date=2008&amp;rft.isbn=978-0-549-38632-2&amp;rft.aulast=Dawson+Edwards&amp;rft.aufirst=Kyle&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DA95DiIHW2FcC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span><sup class="noprint Inline-Template"><span style="white-space: nowrap;">&#91;<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot"><span title="&#160;Dead link tagged August 2024">permanent dead link</span></a></i><span style="visibility:hidden; color:transparent; padding-left:2px">&#8205;</span>&#93;</span></sup></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDemory2010" class="citation book cs1">Demory, Pamela (2010). "Jane Austen and the Chick Flick in the Twenty-first Century". <a rel="nofollow" class="external text" href="https://books.google.com/books?id=6ytXyIw7Lg4C"><i>Adaptation Studies: New Approaches</i></a>. Christa Albrecht-Crane, Dennis Cutchins (editors). Rosemont Publishing &amp; Printing Corp. pp.&#160;<span class="nowrap">121–</span>149. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8386-4262-7" title="Special:BookSources/978-0-8386-4262-7"><bdi>978-0-8386-4262-7</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004425/https://books.google.com/books?id=6ytXyIw7Lg4C">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">24 October</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Jane+Austen+and+the+Chick+Flick+in+the+Twenty-first+Century&amp;rft.btitle=Adaptation+Studies%3A+New+Approaches&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E121-%3C%2Fspan%3E149&amp;rft.pub=Rosemont+Publishing+%26+Printing+Corp&amp;rft.date=2010&amp;rft.isbn=978-0-8386-4262-7&amp;rft.aulast=Demory&amp;rft.aufirst=Pamela&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D6ytXyIw7Lg4C&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGymnichRuhlScheunemann2010" class="citation book cs1">Gymnich, Marion; Ruhl, Kathrin; Scheunemann, Klaus (2010). "Revisiting the Classical Romance: <i>Pride and Prejudice</i>, <i>Bridget Jones's Diary</i> and <i>Bride and Prejudice</i>". <a rel="nofollow" class="external text" href="https://books.google.com/books?id=VWcRp0Xy41IC&amp;q=Lanedo+GmbH"><i>Gendered (Re)Visions: Constructions of Gender in Audiovisual Media</i></a>. Bonn University Press. pp.&#160;<span class="nowrap">23–</span>44. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-3-89971-662-7" title="Special:BookSources/978-3-89971-662-7"><bdi>978-3-89971-662-7</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004432/https://books.google.com/books?id=VWcRp0Xy41IC&amp;q=Lanedo+GmbH">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">24 October</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Revisiting+the+Classical+Romance%3A+Pride+and+Prejudice%2C+Bridget+Jones%27s+Diary+and+Bride+and+Prejudice&amp;rft.btitle=Gendered+%28Re%29Visions%3A+Constructions+of+Gender+in+Audiovisual+Media&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E23-%3C%2Fspan%3E44&amp;rft.pub=Bonn+University+Press&amp;rft.date=2010&amp;rft.isbn=978-3-89971-662-7&amp;rft.aulast=Gymnich&amp;rft.aufirst=Marion&amp;rft.au=Ruhl%2C+Kathrin&amp;rft.au=Scheunemann%2C+Klaus&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DVWcRp0Xy41IC%26q%3DLanedo%2BGmbH&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHigson2011" class="citation book cs1">Higson, Andrew (2011). <i>Film England: Culturally English Filmmaking Since the 1990s</i>. I.B. Tauris. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-84885-454-3" title="Special:BookSources/978-1-84885-454-3"><bdi>978-1-84885-454-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Film+England%3A+Culturally+English+Filmmaking+Since+the+1990s&amp;rft.pub=I.B.+Tauris&amp;rft.date=2011&amp;rft.isbn=978-1-84885-454-3&amp;rft.aulast=Higson&amp;rft.aufirst=Andrew&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMonaghanHudeletWiltshire2009" class="citation book cs1">Monaghan, David; Hudelet, Ariane; Wiltshire, John (2009). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=0EPYqh8C2VgC"><i>The Cinematic Jane Austen: Essays on the Filmic Sensibility of the Novels</i></a>. McFarland &amp; Company, Inc., Publishers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7864-3506-7" title="Special:BookSources/978-0-7864-3506-7"><bdi>978-0-7864-3506-7</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210622233102/https://books.google.com/books?id=0EPYqh8C2VgC">Archived</a> from the original on 22 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">24 October</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Cinematic+Jane+Austen%3A+Essays+on+the+Filmic+Sensibility+of+the+Novels&amp;rft.pub=McFarland+%26+Company%2C+Inc.%2C+Publishers&amp;rft.date=2009&amp;rft.isbn=978-0-7864-3506-7&amp;rft.aulast=Monaghan&amp;rft.aufirst=David&amp;rft.au=Hudelet%2C+Ariane&amp;rft.au=Wiltshire%2C+John&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D0EPYqh8C2VgC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSilversOlsen2011" class="citation book cs1">Silvers, Josh; Olsen, Toby D. (2011). "<i>Pride and Prejudice</i>: Establishing Historical Connections Among the Arts". <i>Conjuring the Real: The Role of Architecture in Eighteenth- And Nineteenth-Century Fiction</i>. Rumiko Handa, James Potter (editors), <a href="/wiki/Iain_Borden" title="Iain Borden">Iain Borden</a> (foreword). University of Nebraska Press. pp.&#160;<span class="nowrap">191–</span>214. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8032-1743-0" title="Special:BookSources/978-0-8032-1743-0"><bdi>978-0-8032-1743-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Pride+and+Prejudice%3A+Establishing+Historical+Connections+Among+the+Arts&amp;rft.btitle=Conjuring+the+Real%3A+The+Role+of+Architecture+in+Eighteenth-+And+Nineteenth-Century+Fiction&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E191-%3C%2Fspan%3E214&amp;rft.pub=University+of+Nebraska+Press&amp;rft.date=2011&amp;rft.isbn=978-0-8032-1743-0&amp;rft.aulast=Silvers&amp;rft.aufirst=Josh&amp;rft.au=Olsen%2C+Toby+D.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTroost2007" class="citation book cs1">Troost, Linda V. (2007). "The Nineteenth-Century Novel on Film: Jane Austen". <i>The Cambridge Companion to Literature on Screen</i>. Deborah Cartmell, Imelda Whelehan (editors). Cambridge University Press. pp.&#160;<span class="nowrap">75–</span>89. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-521-61486-3" title="Special:BookSources/978-0-521-61486-3"><bdi>978-0-521-61486-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=The+Nineteenth-Century+Novel+on+Film%3A+Jane+Austen&amp;rft.btitle=The+Cambridge+Companion+to+Literature+on+Screen&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E75-%3C%2Fspan%3E89&amp;rft.pub=Cambridge+University+Press&amp;rft.date=2007&amp;rft.isbn=978-0-521-61486-3&amp;rft.aulast=Troost&amp;rft.aufirst=Linda+V.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhitlock2010" class="citation book cs1">Whitlock, Cathy (2010). <i>Designs on Film: A Century of Hollywood Art Direction</i>. HarperCollins Publishers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-06-088122-1" title="Special:BookSources/978-0-06-088122-1"><bdi>978-0-06-088122-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Designs+on+Film%3A+A+Century+of+Hollywood+Art+Direction&amp;rft.pub=HarperCollins+Publishers&amp;rft.date=2010&amp;rft.isbn=978-0-06-088122-1&amp;rft.aulast=Whitlock&amp;rft.aufirst=Cathy&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading3"><h3 id="Essays_and_journals">Essays and journals</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=27" title="Edit section: Essays and journals"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239549316"><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAilwood2007" class="citation journal cs1">Ailwood, Sarah (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/ailwood.htm">"What Are Men to Rocks and Mountains?' Romanticism in Joe Wright's <i>Pride &amp; Prejudice</i>"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120125055355/http://www.jasna.org/persuasions/on-line/vol27no2/ailwood.htm">Archived</a> from the original on 25 January 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">10 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=What+Are+Men+to+Rocks+and+Mountains%3F%27+Romanticism+in+Joe+Wright%27s+Pride+%26+Prejudice&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Ailwood&amp;rft.aufirst=Sarah&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Failwood.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCamden2007" class="citation journal cs1">Camden, Jen (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/camden.htm">"Sex and the Scullery: The New <i>Pride &amp; Prejudice</i>"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110829231756/http://www.jasna.org/persuasions/on-line/vol27no2/camden.htm">Archived</a> from the original on 29 August 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Sex+and+the+Scullery%3A+The+New+Pride+%26+Prejudice&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Camden&amp;rft.aufirst=Jen&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fcamden.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCamdenFord2007" class="citation journal cs1">Camden, Jen; Ford, Susan Allen (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/editors.htm">"Something new to be observed&#160;... for ever"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110626001010/http://jasna.org/persuasions/on-line/vol27no2/editors.htm">Archived</a> from the original on 26 June 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">3 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Something+new+to+be+observed+...+for+ever&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Camden&amp;rft.aufirst=Jen&amp;rft.au=Ford%2C+Susan+Allen&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Feditors.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChan2007" class="citation journal cs1">Chan, Mary (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/chan.htm">"Location, Location, Location: The Spaces of <i>Pride &amp; Prejudice</i>"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120614204131/http://www.jasna.org/persuasions/on-line/vol27no2/chan.htm">Archived</a> from the original on 14 June 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">27 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Location%2C+Location%2C+Location%3A+The+Spaces+of+Pride+%26+Prejudice&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Chan&amp;rft.aufirst=Mary&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fchan.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDole2007" class="citation journal cs1">Dole, Carole (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/dole.htm">"Jane Austen and Mud: <i>Pride &amp; Prejudice</i> (2005), British Realism and the Heritage Film"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110626000953/http://jasna.org/persuasions/on-line/vol27no2/dole.htm">Archived</a> from the original on 26 June 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">10 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Jane+Austen+and+Mud%3A+Pride+%26+Prejudice+%282005%29%2C+British+Realism+and+the+Heritage+Film&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Dole&amp;rft.aufirst=Carole&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fdole.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDurgan2007" class="citation journal cs1">Durgan, Jessica (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/durgan.htm">"Framing Heritage: The Role of Cinematography in <i>Pride &amp; Prejudice</i>"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110822131300/http://www.jasna.org/persuasions/on-line/vol27no2/durgan.htm">Archived</a> from the original on 22 August 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Framing+Heritage%3A+The+Role+of+Cinematography+in+Pride+%26+Prejudice&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Durgan&amp;rft.aufirst=Jessica&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fdurgan.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGilligan2011" class="citation journal cs1">Gilligan, Kathleen E. (2011). <a rel="nofollow" class="external text" href="http://www.studentpulse.com/articles/599/jane-austens-unnamed-character-exploring-nature-in-pride-and-prejudice-2005">"Jane Austen's Unnamed Character: Exploring Nature in <i>Pride and Prejudice</i> (2005)"</a>. <i>Student Pulse</i>. <b>3</b> (12). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121124230805/http://www.studentpulse.com/articles/599/jane-austens-unnamed-character-exploring-nature-in-pride-and-prejudice-2005">Archived</a> from the original on 24 November 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">29 April</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Student+Pulse&amp;rft.atitle=Jane+Austen%27s+Unnamed+Character%3A+Exploring+Nature+in+Pride+and+Prejudice+%282005%29&amp;rft.volume=3&amp;rft.issue=12&amp;rft.date=2011&amp;rft.aulast=Gilligan&amp;rft.aufirst=Kathleen+E.&amp;rft_id=http%3A%2F%2Fwww.studentpulse.com%2Farticles%2F599%2Fjane-austens-unnamed-character-exploring-nature-in-pride-and-prejudice-2005&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKaplan2007" class="citation journal cs1">Kaplan, Laurie (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/kaplan.htm">"Inside Out/Outside In: <i>Pride &amp; Prejudice</i> on Film 2005"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120120205652/http://www.jasna.org/persuasions/on-line/vol27no2/kaplan.htm">Archived</a> from the original on 20 January 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">27 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Inside+Out%2FOutside+In%3A+Pride+%26+Prejudice+on+Film+2005&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Kaplan&amp;rft.aufirst=Laurie&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fkaplan.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMartin2007" class="citation journal cs1">Martin, Lydia (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/kaplan.htm">"Joe Wright's <i>Pride &amp; Prejudice</i>: From Classicism to Romanticism"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120120205652/http://www.jasna.org/persuasions/on-line/vol27no2/kaplan.htm">Archived</a> from the original on 20 January 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">2 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Joe+Wright%27s+Pride+%26+Prejudice%3A+From+Classicism+to+Romanticism&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Martin&amp;rft.aufirst=Lydia&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fkaplan.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPalmer2007" class="citation journal cs1">Palmer, Sally B. (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/palmer.htm">"Little Women at Longbourn: The Re-Wrighting of <i>Pride and Prejudice</i>"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110626000929/http://jasna.org/persuasions/on-line/vol27no2/palmer.htm">Archived</a> from the original on 26 June 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">27 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Little+Women+at+Longbourn%3A+The+Re-Wrighting+of+Pride+and+Prejudice&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Palmer&amp;rft.aufirst=Sally+B.&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fpalmer.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPaquet-Deyris2007" class="citation journal cs1">Paquet-Deyris, Anne-Marie (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/paquet-deyris.htm">"Staging intimacy and interiority in Joe Wright's <i>Pride &amp; Prejudice</i> (2005)"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20101126002510/http://jasna.org/persuasions/on-line/vol27no2/paquet-deyris.htm">Archived</a> from the original on 26 November 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">27 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Staging+intimacy+and+interiority+in+Joe+Wright%27s+Pride+%26+Prejudice+%282005%29&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Paquet-Deyris&amp;rft.aufirst=Anne-Marie&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fpaquet-deyris.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSabine2008" class="citation journal cs1">Sabine, Maureen (Fall 2008). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110921040811/http://www.usask.ca/relst/jrpc/art20-bodyworship.html">"With My Body I Thee Worship: Joe Wright's Erotic Vision in <i>Pride &amp; Prejudice</i> (2005)"</a>. <i><a href="/wiki/Journal_of_Religion_and_Popular_Culture" title="Journal of Religion and Popular Culture">Journal of Religion and Popular Culture</a></i>. <b>20</b>: 5. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.3138%2Fjrpc.20.1.005">10.3138/jrpc.20.1.005</a>. Archived from <a rel="nofollow" class="external text" href="https://www.usask.ca/relst/jrpc/art20-bodyworship.html">the original</a> on 21 September 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">12 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Journal+of+Religion+and+Popular+Culture&amp;rft.atitle=With+My+Body+I+Thee+Worship%3A+Joe+Wright%27s+Erotic+Vision+in+Pride+%26+Prejudice+%282005%29&amp;rft.ssn=fall&amp;rft.volume=20&amp;rft.pages=5&amp;rft.date=2008&amp;rft_id=info%3Adoi%2F10.3138%2Fjrpc.20.1.005&amp;rft.aulast=Sabine&amp;rft.aufirst=Maureen&amp;rft_id=https%3A%2F%2Fwww.usask.ca%2Frelst%2Fjrpc%2Fart20-bodyworship.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSadoff2010" class="citation journal cs1">Sadoff, Dianne F. (Spring 2010). "Marketing Jane Austen at the Megaplex". <i>Novel: A Forum on Fiction</i>. <b>43</b> (1): <span class="nowrap">83–</span>92. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1215%2F00295132-2009-067">10.1215/00295132-2009-067</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Novel%3A+A+Forum+on+Fiction&amp;rft.atitle=Marketing+Jane+Austen+at+the+Megaplex&amp;rft.ssn=spring&amp;rft.volume=43&amp;rft.issue=1&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E83-%3C%2Fspan%3E92&amp;rft.date=2010&amp;rft_id=info%3Adoi%2F10.1215%2F00295132-2009-067&amp;rft.aulast=Sadoff&amp;rft.aufirst=Dianne+F.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSeeber2007" class="citation journal cs1">Seeber, Barbara K. (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/seeber.htm">"A Bennet Utopia: Adapting the Father in <i>Pride and Prejudice</i>"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120108191929/http://www.jasna.org/persuasions/on-line/vol27no2/seeber.htm">Archived</a> from the original on 8 January 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">10 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=A+Bennet+Utopia%3A+Adapting+the+Father+in+Pride+and+Prejudice&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Seeber&amp;rft.aufirst=Barbara+K.&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fseeber.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStewart-Beer2007" class="citation journal cs1">Stewart-Beer, Catherine (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/stewart-beer.htm">"Style over Substance? <i>Pride &amp; Prejudice</i> (2005) Proves Itself a Film for Our Time"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110626000946/http://jasna.org/persuasions/on-line/vol27no2/stewart-beer.htm">Archived</a> from the original on 26 June 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=Style+over+Substance%3F+Pride+%26+Prejudice+%282005%29+Proves+Itself+a+Film+for+Our+Time&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Stewart-Beer&amp;rft.aufirst=Catherine&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fstewart-beer.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTandy2007" class="citation journal cs1">Tandy, Ann M. (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/tandy.htm">"<span class="cs1-kern-left"></span>'Just What a Young Man Ought to Be': The 2005 <i>Pride &amp; Prejudice</i> and Transitional Ideas of Gentility"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110626001035/http://jasna.org/persuasions/on-line/vol27no2/tandy.htm">Archived</a> from the original on 26 June 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">8 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=%27Just+What+a+Young+Man+Ought+to+Be%27%3A+The+2005+Pride+%26+Prejudice+and+Transitional+Ideas+of+Gentility&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Tandy&amp;rft.aufirst=Ann+M.&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Ftandy.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWells2007" class="citation journal cs1">Wells, Juliette (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/wells.htm">"A Fearsome Thing to Behold'? The Accomplished Woman in Joe Wright's 'Pride &amp; Prejudice'<span class="cs1-kern-right"></span>"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120516125558/http://www.jasna.org/persuasions/on-line/vol27no2/wells.htm">Archived</a> from the original on 16 May 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">10 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=A+Fearsome+Thing+to+Behold%27%3F+The+Accomplished+Woman+in+Joe+Wright%27s+%27Pride+%26+Prejudice%27&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Wells&amp;rft.aufirst=Juliette&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fwells.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWells2008" class="citation journal cs1">Wells, Juliette (2008). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/printed/number30/wells.pdf">"Shades of Austen in Ian McEwan's <i>Atonement</i>"</a> <span class="cs1-format">(PDF)</span>. <i>New Directions in Austen Studies</i>. <b>30</b> (2): <span class="nowrap">101–</span>112. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110625231718/http://jasna.org/persuasions/printed/number30/wells.pdf">Archived</a> <span class="cs1-format">(PDF)</span> from the original on 25 June 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">12 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=New+Directions+in+Austen+Studies&amp;rft.atitle=Shades+of+Austen+in+Ian+McEwan%27s+Atonement&amp;rft.volume=30&amp;rft.issue=2&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E101-%3C%2Fspan%3E112&amp;rft.date=2008&amp;rft.aulast=Wells&amp;rft.aufirst=Juliette&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fprinted%2Fnumber30%2Fwells.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWoodworth2007" class="citation journal cs1">Woodworth, Megan (Summer 2007). <a rel="nofollow" class="external text" href="http://www.jasna.org/persuasions/on-line/vol27no2/woodworth.htm">"<span class="cs1-kern-left"></span>'I am a gentleman's daughter'? Translating Class from Austen's Page to the Twenty-first-century Screen"</a>. <i>Persuasions On-Line</i>. <b>27</b> (2). Jane Austen Society of North America. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110626000918/http://jasna.org/persuasions/on-line/vol27no2/woodworth.htm">Archived</a> from the original on 26 June 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">8 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Persuasions+On-Line&amp;rft.atitle=%27I+am+a+gentleman%27s+daughter%27%3F+Translating+Class+from+Austen%27s+Page+to+the+Twenty-first-century+Screen&amp;rft.ssn=summer&amp;rft.volume=27&amp;rft.issue=2&amp;rft.date=2007&amp;rft.aulast=Woodworth&amp;rft.aufirst=Megan&amp;rft_id=http%3A%2F%2Fwww.jasna.org%2Fpersuasions%2Fon-line%2Fvol27no2%2Fwoodworth.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading3"><h3 id="Interviews">Interviews</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=28" title="Edit section: Interviews"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239549316"><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDeGennaro2005" class="citation web cs1">DeGennaro, Alexa (12 November 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205062247/http://voices.yahoo.com/interview-pride-prejudice-director-joe-10916.html">"Interview with New <i>Pride and Prejudice</i> Director Joe Wright"</a>. <a href="/wiki/Yahoo!" class="mw-redirect" title="Yahoo!">Yahoo!</a>. Archived from <a rel="nofollow" class="external text" href="http://voices.yahoo.com/interview-pride-prejudice-director-joe-10916.html">the original</a> on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">16 January</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Interview+with+New+Pride+and+Prejudice+Director+Joe+Wright&amp;rft.pub=Yahoo%21&amp;rft.date=2005-11-12&amp;rft.aulast=DeGennaro&amp;rft.aufirst=Alexa&amp;rft_id=http%3A%2F%2Fvoices.yahoo.com%2Finterview-pride-prejudice-director-joe-10916.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFetters" class="citation web cs1">Fetters, Sara Michelle. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120106195656/http://www.moviefreak.com/features/interviews/joewright.htm">"It's Austen All Over Again"</a>. MovieFreak.com. Archived from <a rel="nofollow" class="external text" href="http://www.moviefreak.com/features/interviews/joewright.htm">the original</a> on 6 January 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">10 January</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=It%27s+Austen+All+Over+Again&amp;rft.pub=MovieFreak.com&amp;rft.aulast=Fetters&amp;rft.aufirst=Sara+Michelle&amp;rft_id=http%3A%2F%2Fwww.moviefreak.com%2Ffeatures%2Finterviews%2Fjoewright.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoldwasser2006" class="citation web cs1">Goldwasser, Dan (March 2006). <a rel="nofollow" class="external text" href="http://www.soundtrack.net/features/article/?id=187">"Interview – Dario Marianelli"</a>. <a href="/wiki/Soundtrack.net" class="mw-redirect" title="Soundtrack.net">Soundtrack.net</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100616232856/http://www.soundtrack.net/features/article/?id=187">Archived</a> from the original on 16 June 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">16 January</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Interview+%E2%80%93+Dario+Marianelli&amp;rft.pub=Soundtrack.net&amp;rft.date=2006-03&amp;rft.aulast=Goldwasser&amp;rft.aufirst=Dan&amp;rft_id=http%3A%2F%2Fwww.soundtrack.net%2Ffeatures%2Farticle%2F%3Fid%3D187&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHanson2005" class="citation web cs1">Hanson, Briony; David Benedict (13 September 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100811031022/http://www.scriptfactory.co.uk/go/Training/Extract_282.html">"A masterclass with Deborah Moggach &amp; Joe Wright"</a>. <i>The Script Factory</i>. Archived from <a rel="nofollow" class="external text" href="http://www.scriptfactory.co.uk/go/Training/Extract_282.html">the original</a> on 11 August 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">27 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Script+Factory&amp;rft.atitle=A+masterclass+with+Deborah+Moggach+%26+Joe+Wright&amp;rft.date=2005-09-13&amp;rft.aulast=Hanson&amp;rft.aufirst=Briony&amp;rft.au=David+Benedict&amp;rft_id=http%3A%2F%2Fwww.scriptfactory.co.uk%2Fgo%2FTraining%2FExtract_282.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHewitt2005" class="citation news cs1">Hewitt, Chris (9 November 2005). "Unlikely Director Brought New Approach to <i>Pride &amp; Prejudice</i>". <i><a href="/wiki/Ottawa_Citizen" title="Ottawa Citizen">Ottawa Citizen</a></i>. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ProQuest" title="ProQuest">ProQuest</a>&#160;<a rel="nofollow" class="external text" href="https://www.proquest.com/docview/240921209">240921209</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Ottawa+Citizen&amp;rft.atitle=Unlikely+Director+Brought+New+Approach+to+Pride+%26+Prejudice&amp;rft.date=2005-11-09&amp;rft.aulast=Hewitt&amp;rft.aufirst=Chris&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoggard2005" class="citation news cs1">Hoggard, Liz (10 September 2005). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2005/sep/11/features.review">"Meet the puppet master"</a>. <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205081441/http://www.theguardian.com/film/2005/sep/11/features.review">Archived</a> from the original on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">12 January</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Meet+the+puppet+master&amp;rft.date=2005-09-10&amp;rft.aulast=Hoggard&amp;rft.aufirst=Liz&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2005%2Fsep%2F11%2Ffeatures.review&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLee2005" class="citation web cs1">Lee, Alana (September 2005). <a rel="nofollow" class="external text" href="https://www.bbc.co.uk/films/2005/09/14/keira_knightley_pride_and_prejudice_interview.shtml">"BBC – Movies – interview – Keira Knightley"</a>. <a href="/wiki/BBC" title="BBC">BBC</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121104204230/http://www.bbc.co.uk/films/2005/09/14/keira_knightley_pride_and_prejudice_interview.shtml">Archived</a> from the original on 4 November 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">5 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=BBC+%E2%80%93+Movies+%E2%80%93+interview+%E2%80%93+Keira+Knightley&amp;rft.pub=BBC&amp;rft.date=2005-09&amp;rft.aulast=Lee&amp;rft.aufirst=Alana&amp;rft_id=https%3A%2F%2Fwww.bbc.co.uk%2Ffilms%2F2005%2F09%2F14%2Fkeira_knightley_pride_and_prejudice_interview.shtml&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRobey2006" class="citation news cs1">Robey, Tim (3 February 2006). <a rel="nofollow" class="external text" href="https://www.telegraph.co.uk/culture/film/3649828/How-I-undressed-Mr-Darcy.html">"How I undressed Mr Darcy"</a>. <i><a href="/wiki/The_Daily_Telegraph" title="The Daily Telegraph">The Daily Telegraph</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120116082450/http://www.telegraph.co.uk/culture/film/3649828/How-I-undressed-Mr-Darcy.html">Archived</a> from the original on 16 January 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">10 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Daily+Telegraph&amp;rft.atitle=How+I+undressed+Mr+Darcy&amp;rft.date=2006-02-03&amp;rft.aulast=Robey&amp;rft.aufirst=Tim&amp;rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Fculture%2Ffilm%2F3649828%2FHow-I-undressed-Mr-Darcy.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSpunberg2011" class="citation web cs1">Spunberg, Adam (1 April 2011). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120315145536/http://www.picktainment.com/blog/2011/04/scripting-pride-prejudice-with-deborah-moggach-part-i/">"Scripting <i>Pride &amp; Prejudice</i> with Deborah Moggach"</a>. Picktainment.com. Archived from <a rel="nofollow" class="external text" href="http://www.picktainment.com/blog/2011/04/scripting-pride-prejudice-with-deborah-moggach-part-i/">the original</a> on 15 March 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">14 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Scripting+Pride+%26+Prejudice+with+Deborah+Moggach&amp;rft.pub=Picktainment.com&amp;rft.date=2011-04-01&amp;rft.aulast=Spunberg&amp;rft.aufirst=Adam&amp;rft_id=http%3A%2F%2Fwww.picktainment.com%2Fblog%2F2011%2F04%2Fscripting-pride-prejudice-with-deborah-moggach-part-i%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading3"><h3 id="Newspaper_and_magazine_articles">Newspaper and magazine articles</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=29" title="Edit section: Newspaper and magazine articles"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239549316"><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAlberge2004" class="citation news cs1">Alberge, Dalya (11 June 2004). "Hunt for Darcy nets star of TV spy drama". <i><a href="/wiki/The_Times" title="The Times">The Times</a></i>. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ProQuest" title="ProQuest">ProQuest</a>&#160;<a rel="nofollow" class="external text" href="https://www.proquest.com/docview/319106084">319106084</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Times&amp;rft.atitle=Hunt+for+Darcy+nets+star+of+TV+spy+drama&amp;rft.date=2004-06-11&amp;rft.aulast=Alberge&amp;rft.aufirst=Dalya&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span> <span style="font-size:0.95em; font-size:95%; color: var( --color-subtle, #555 )">(subscription required)</span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBBC_News2004" class="citation news cs1"><a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/uk_news/england/kent/3906447.stm">"Austen story filmed at old house"</a>. <i><a href="/wiki/BBC_News" title="BBC News">BBC News</a></i>. 19 July 2004. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140222030901/http://news.bbc.co.uk/2/hi/uk_news/england/kent/3906447.stm">Archived</a> from the original on 22 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">3 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=BBC+News&amp;rft.atitle=Austen+story+filmed+at+old+house&amp;rft.date=2004-07-19&amp;rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fuk_news%2Fengland%2Fkent%2F3906447.stm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarraclough2005" class="citation news cs1">Barraclough, Leo (21 December 2005). <a rel="nofollow" class="external text" href="https://variety.com/2005/film/awards/pride-of-crix-kudos-1117935025/">"<i>Pride</i> of crix kudos"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004427/https://variety.com/2005/film/awards/pride-of-crix-kudos-1117935025/">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">25 April</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Variety&amp;rft.atitle=Pride+of+crix+kudos&amp;rft.date=2005-12-21&amp;rft.aulast=Barraclough&amp;rft.aufirst=Leo&amp;rft_id=https%3A%2F%2Fvariety.com%2F2005%2Ffilm%2Fawards%2Fpride-of-crix-kudos-1117935025%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBradshaw2005" class="citation news cs1"><a href="/wiki/Peter_Bradshaw" title="Peter Bradshaw">Bradshaw, Peter</a> (16 September 2005). <a rel="nofollow" class="external text" href="http://film.guardian.co.uk/News_Story/Critic_Review/Guardian_review/0,,1570740,00.html">"Pride &amp; Prejudice"</a>. <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080610033446/http://film.guardian.co.uk/News_Story/Critic_Review/Guardian_review/0%2C%2C1570740%2C00.html">Archived</a> from the original on 10 June 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">2 June</span> 2008</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Pride+%26+Prejudice&amp;rft.date=2005-09-16&amp;rft.aulast=Bradshaw&amp;rft.aufirst=Peter&amp;rft_id=http%3A%2F%2Ffilm.guardian.co.uk%2FNews_Story%2FCritic_Review%2FGuardian_review%2F0%2C%2C1570740%2C00.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBradshaw2009" class="citation news cs1"><a href="/wiki/Peter_Bradshaw" title="Peter Bradshaw">Bradshaw, Peter</a> (25 September 2009). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2009/sep/25/the-soloist-review">"The Soloist"</a>. <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131008001750/http://www.theguardian.com/film/2009/sep/25/the-soloist-review">Archived</a> from the original on 8 October 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">29 April</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=The+Soloist&amp;rft.date=2009-09-25&amp;rft.aulast=Bradshaw&amp;rft.aufirst=Peter&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2009%2Fsep%2F25%2Fthe-soloist-review&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBriscoe2005" class="citation news cs1"><a href="/wiki/Joanna_Briscoe" title="Joanna Briscoe">Briscoe, Joanna</a> (31 July 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110615225939/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article549627.ece">"A costume drama with muddy hems"</a>. <i><a href="/wiki/The_Times" title="The Times">The Times</a></i>. Archived from <a rel="nofollow" class="external text" href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article549627.ece">the original</a> on 15 June 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">2 June</span> 2008</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Times&amp;rft.atitle=A+costume+drama+with+muddy+hems&amp;rft.date=2005-07-31&amp;rft.aulast=Briscoe&amp;rft.aufirst=Joanna&amp;rft_id=http%3A%2F%2Fentertainment.timesonline.co.uk%2Ftol%2Farts_and_entertainment%2Ffilm%2Farticle549627.ece&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDawtrey2004" class="citation news cs1">Dawtrey, Adam (19 January 2004). <a rel="nofollow" class="external text" href="http://0-www.lexisnexis.com.libus.csd.mu.edu/lnacui2api/api/version1/getDocCui?lni=4BGY-JV30-0006-73JR&amp;csi=139224&amp;hl=t&amp;hv=t&amp;hnsd=f&amp;hns=t&amp;hgn=t&amp;oc=00240&amp;perma=true">"London Eye"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>. <a rel="nofollow" class="external text" href="https://archive.today/20121214215748/http://0-www.lexisnexis.com.libus.csd.mu.edu/lnacui2api/api/version1/getDocCui?lni=4BGY-JV30-0006-73JR&amp;csi=139224&amp;hl=t&amp;hv=t&amp;hnsd=f&amp;hns=t&amp;hgn=t&amp;oc=00240&amp;perma=true">Archived</a> from the original on 14 December 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">11 June</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Variety&amp;rft.atitle=London+Eye&amp;rft.date=2004-01-19&amp;rft.aulast=Dawtrey&amp;rft.aufirst=Adam&amp;rft_id=http%3A%2F%2F0-www.lexisnexis.com.libus.csd.mu.edu%2Flnacui2api%2Fapi%2Fversion1%2FgetDocCui%3Flni%3D4BGY-JV30-0006-73JR%26csi%3D139224%26hl%3Dt%26hv%3Dt%26hnsd%3Df%26hns%3Dt%26hgn%3Dt%26oc%3D00240%26perma%3Dtrue&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span><span style="font-size:0.95em; font-size:95%; color: var( --color-subtle, #555 )">(subscription required)</span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEdwards2005" class="citation news cs1">Edwards, David (9 September 2005). <a rel="nofollow" class="external text" href="https://www.questia.com/read/1G1-135957209">"Pride and Passion"</a>. <i><a href="/wiki/Daily_Mirror" title="Daily Mirror">Daily Mirror</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004430/https://www.gale.com/databases/questia">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">4 June</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Daily+Mirror&amp;rft.atitle=Pride+and+Passion&amp;rft.date=2005-09-09&amp;rft.aulast=Edwards&amp;rft.aufirst=David&amp;rft_id=https%3A%2F%2Fwww.questia.com%2Fread%2F1G1-135957209&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFElley2005" class="citation news cs1">Elley, Derek (11 September 2005). <a rel="nofollow" class="external text" href="https://www.variety.com/review/VE1117928133/">"<i>Pride &amp; Prejudice</i> (U.K.–U.S.)"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004429/https://variety.com/2005/film/awards/pride-prejudice-2-1200523317/">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Variety&amp;rft.atitle=Pride+%26+Prejudice+%28U.K.%E2%80%93U.S.%29&amp;rft.date=2005-09-11&amp;rft.aulast=Elley&amp;rft.aufirst=Derek&amp;rft_id=https%3A%2F%2Fwww.variety.com%2Freview%2FVE1117928133%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGleiberman2005" class="citation magazine cs1"><a href="/wiki/Owen_Gleiberman" title="Owen Gleiberman">Gleiberman, Owen</a> (9 November 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120604015122/http://www.ew.com/ew/article/0%2C%2C1127830%2C00.html">"<i>Pride &amp; Prejudice</i> (2005)"</a>. <i><a href="/wiki/Entertainment_Weekly" title="Entertainment Weekly">Entertainment Weekly</a></i>. Archived from <a rel="nofollow" class="external text" href="https://www.ew.com/ew/article/0,,1127830,00.html">the original</a> on 4 June 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">29 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Entertainment+Weekly&amp;rft.atitle=Pride+%26+Prejudice+%282005%29&amp;rft.date=2005-11-09&amp;rft.aulast=Gleiberman&amp;rft.aufirst=Owen&amp;rft_id=https%3A%2F%2Fwww.ew.com%2Few%2Farticle%2F0%2C%2C1127830%2C00.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHall2005" class="citation news cs1"><a href="/wiki/Sandra_Hall_(writer)" title="Sandra Hall (writer)">Hall, Sandra</a> (20 October 2005). <a rel="nofollow" class="external text" href="https://www.smh.com.au/news/film-reviews/pride-and-prejudice/2005/10/20/1129775887559.html">"Pride and Prejudice"</a>. <i><a href="/wiki/The_Sydney_Morning_Herald" title="The Sydney Morning Herald">The Sydney Morning Herald</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120630023034/http://www.smh.com.au/news/film-reviews/pride-and-prejudice/2005/10/20/1129775887559.html">Archived</a> from the original on 30 June 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">29 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Sydney+Morning+Herald&amp;rft.atitle=Pride+and+Prejudice&amp;rft.date=2005-10-20&amp;rft.aulast=Hall&amp;rft.aufirst=Sandra&amp;rft_id=https%3A%2F%2Fwww.smh.com.au%2Fnews%2Ffilm-reviews%2Fpride-and-prejudice%2F2005%2F10%2F20%2F1129775887559.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHastings2005" class="citation news cs1">Hastings, Chris (8 August 2005). <a rel="nofollow" class="external text" href="https://www.telegraph.co.uk/news/uknews/1497098/Colin-Firth-was-born-to-play-Mr-Darcy.-So-can-anyone-else-shine-in-the-lead-role.html">"Colin Firth was born to play Mr Darcy. So can anyone else shine in the lead role?"</a>. <i><a href="/wiki/The_Daily_Telegraph" title="The Daily Telegraph">The Daily Telegraph</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080627154836/http://www.telegraph.co.uk/news/uknews/1497098/Colin-Firth-was-born-to-play-Mr-Darcy.-So-can-anyone-else-shine-in-the-lead-role.html">Archived</a> from the original on 27 June 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">3 June</span> 2008</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Daily+Telegraph&amp;rft.atitle=Colin+Firth+was+born+to+play+Mr+Darcy.+So+can+anyone+else+shine+in+the+lead+role%3F&amp;rft.date=2005-08-08&amp;rft.aulast=Hastings&amp;rft.aufirst=Chris&amp;rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Fnews%2Fuknews%2F1497098%2FColin-Firth-was-born-to-play-Mr-Darcy.-So-can-anyone-else-shine-in-the-lead-role.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHaun2005" class="citation journal cs1">Haun, Harry (1 November 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205084611/http://www.filmjournal.com/filmjournal/esearch/article_display.jsp?vnu_content_id=1001349092">"Austentatious Debut"</a>. <i><a href="/wiki/Film_Journal_International" title="Film Journal International">Film Journal International</a></i>. Archived from <a rel="nofollow" class="external text" href="http://www.filmjournal.com/filmjournal/esearch/article_display.jsp?vnu_content_id=1001349092">the original</a> on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">14 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Film+Journal+International&amp;rft.atitle=Austentatious+Debut&amp;rft.date=2005-11-01&amp;rft.aulast=Haun&amp;rft.aufirst=Harry&amp;rft_id=http%3A%2F%2Fwww.filmjournal.com%2Ffilmjournal%2Fesearch%2Farticle_display.jsp%3Fvnu_content_id%3D1001349092&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHolden2005" class="citation news cs1"><a href="/wiki/Stephen_Holden" title="Stephen Holden">Holden, Stephen</a> (11 November 2005). <a rel="nofollow" class="external text" href="https://movies.nytimes.com/2005/11/11/movies/11prid.html">"Marrying Off Those Bennet Sisters Again, but This Time Elizabeth Is a Looker"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. <a rel="nofollow" class="external text" href="https://archive.today/20120213153638/http://movies.nytimes.com/2005/11/11/movies/11prid.html">Archived</a> from the original on 13 February 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">8 January</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Marrying+Off+Those+Bennet+Sisters+Again%2C+but+This+Time+Elizabeth+Is+a+Looker&amp;rft.date=2005-11-11&amp;rft.aulast=Holden&amp;rft.aufirst=Stephen&amp;rft_id=https%3A%2F%2Fmovies.nytimes.com%2F2005%2F11%2F11%2Fmovies%2F11prid.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKimmel2005" class="citation news cs1"><a href="/wiki/Daniel_M._Kimmel" title="Daniel M. Kimmel">Kimmel, Daniel M.</a> (11 December 2005). <a rel="nofollow" class="external text" href="https://variety.com/2005/film/awards/boston-film-crix-hail-brokeback-capote-1117934415/">"Boston film crix hail <i>Brokeback,</i> <i>Capote</i>"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201204091134/https://variety.com/2005/film/awards/boston-film-crix-hail-brokeback-capote-1117934415/">Archived</a> from the original on 4 December 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">11 May</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Variety&amp;rft.atitle=Boston+film+crix+hail+Brokeback%2C+Capote&amp;rft.date=2005-12-11&amp;rft.aulast=Kimmel&amp;rft.aufirst=Daniel+M.&amp;rft_id=https%3A%2F%2Fvariety.com%2F2005%2Ffilm%2Fawards%2Fboston-film-crix-hail-brokeback-capote-1117934415%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcGhie2005" class="citation news cs1">McGhie, Caroline (24 August 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130623102757/http://www.telegraph.co.uk/property/3344239/A-house-in-want-of-a-fortune.html">"A house in want of a fortune"</a>. <i><a href="/wiki/The_Daily_Telegraph" title="The Daily Telegraph">The Daily Telegraph</a></i>. Archived from <a rel="nofollow" class="external text" href="https://www.telegraph.co.uk/property/3344239/A-house-in-want-of-a-fortune.html">the original</a> on 23 June 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">3 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Daily+Telegraph&amp;rft.atitle=A+house+in+want+of+a+fortune&amp;rft.date=2005-08-24&amp;rft.aulast=McGhie&amp;rft.aufirst=Caroline&amp;rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Fproperty%2F3344239%2FA-house-in-want-of-a-fortune.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPapamichael2005" class="citation news cs1">Papamichael, Stella (16 September 2005). <a rel="nofollow" class="external text" href="https://www.bbc.co.uk/films/2005/08/19/pride_and_prejudice_2005_review.shtml">"<i>Pride &amp; Prejudice</i> (2005)"</a>. <a href="/wiki/BBC" title="BBC">BBC</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110123072159/http://www.bbc.co.uk/films/2005/08/19/pride_and_prejudice_2005_review.shtml">Archived</a> from the original on 23 January 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">25 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=Pride+%26+Prejudice+%282005%29&amp;rft.date=2005-09-16&amp;rft.aulast=Papamichael&amp;rft.aufirst=Stella&amp;rft_id=https%3A%2F%2Fwww.bbc.co.uk%2Ffilms%2F2005%2F08%2F19%2Fpride_and_prejudice_2005_review.shtml&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPham2010" class="citation news cs1">Pham, Alex (24 July 2010). <a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-2010-jul-24-la-et-comic-con-sucker-punch-story.html">"COMIC-CON 2010: Zack Snyder's <i>Sucker Punch</i> goes for grrrl power"</a>. <i><a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121111111642/http://articles.latimes.com/2010/jul/24/entertainment/la-et-comic-con-sucker-punch">Archived</a> from the original on 11 November 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">29 April</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Los+Angeles+Times&amp;rft.atitle=COMIC-CON+2010%3A+Zack+Snyder%27s+Sucker+Punch+goes+for+grrrl+power&amp;rft.date=2010-07-24&amp;rft.aulast=Pham&amp;rft.aufirst=Alex&amp;rft_id=https%3A%2F%2Fwww.latimes.com%2Farchives%2Fla-xpm-2010-jul-24-la-et-comic-con-sucker-punch-story.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPuig2005" class="citation news cs1"><a href="/wiki/Claudia_Puig" title="Claudia Puig">Puig, Claudia</a> (10 November 2005). <a rel="nofollow" class="external text" href="https://www.usatoday.com/life/movies/reviews/2005-11-10-pride_x.htm">"This <i>Pride</i> does Austen proud"</a>. <i><a href="/wiki/USA_Today" title="USA Today">USA Today</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090519054507/http://www.usatoday.com/life/movies/reviews/2005-11-10-pride_x.htm">Archived</a> from the original on 19 May 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">29 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=USA+Today&amp;rft.atitle=This+Pride+does+Austen+proud&amp;rft.date=2005-11-10&amp;rft.aulast=Puig&amp;rft.aufirst=Claudia&amp;rft_id=https%3A%2F%2Fwww.usatoday.com%2Flife%2Fmovies%2Freviews%2F2005-11-10-pride_x.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoberts2010" class="citation news cs1">Roberts, Laura (16 December 2010). <a rel="nofollow" class="external text" href="https://www.telegraph.co.uk/culture/culturenews/8205611/British-actresses-who-made-their-name-starring-in-Jane-Austen-adaptations.html">"British actresses who made their name starring in Jane Austen adaptations"</a>. <i><a href="/wiki/The_Daily_Telegraph" title="The Daily Telegraph">The Daily Telegraph</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110124034755/http://www.telegraph.co.uk/culture/culturenews/8205611/British-actresses-who-made-their-name-starring-in-Jane-Austen-adaptations.html">Archived</a> from the original on 24 January 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">11 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Daily+Telegraph&amp;rft.atitle=British+actresses+who+made+their+name+starring+in+Jane+Austen+adaptations&amp;rft.date=2010-12-16&amp;rft.aulast=Roberts&amp;rft.aufirst=Laura&amp;rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Fculture%2Fculturenews%2F8205611%2FBritish-actresses-who-made-their-name-starring-in-Jane-Austen-adaptations.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRojas_Weiss2005" class="citation news cs1">Rojas Weiss, Sabrina (11 November 2005). <a rel="nofollow" class="external text" href="https://www.tvguide.com/news/keira-knightley-prejudice-37087.aspx">"Keira Knightley Has Austen Power"</a>. <i><a href="/wiki/TV_Guide" title="TV Guide">TV Guide</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100812060252/http://www.tvguide.com/news/keira-knightley-prejudice-37087.aspx">Archived</a> from the original on 12 August 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=TV+Guide&amp;rft.atitle=Keira+Knightley+Has+Austen+Power&amp;rft.date=2005-11-11&amp;rft.aulast=Rojas+Weiss&amp;rft.aufirst=Sabrina&amp;rft_id=https%3A%2F%2Fwww.tvguide.com%2Fnews%2Fkeira-knightley-prejudice-37087.aspx&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStein2005" class="citation news cs1">Stein, Ruthe (11 November 2005). <a rel="nofollow" class="external text" href="http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/11/11/DDGD1FLJTO1.DTL">"Luscious new <i>Pride &amp; Prejudice</i> updates the mating game"</a>. <i><a href="/wiki/San_Francisco_Chronicle" title="San Francisco Chronicle">San Francisco Chronicle</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090215021101/http://www.sfgate.com/cgi-bin/article.cgi?f=%2Fc%2Fa%2F2005%2F11%2F11%2FDDGD1FLJTO1.DTL">Archived</a> from the original on 15 February 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">29 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=San+Francisco+Chronicle&amp;rft.atitle=Luscious+new+Pride+%26+Prejudice+updates+the+mating+game&amp;rft.date=2005-11-11&amp;rft.aulast=Stein&amp;rft.aufirst=Ruthe&amp;rft_id=http%3A%2F%2Fwww.sfgate.com%2Fcgi-bin%2Farticle.cgi%3Ff%3D%2Fc%2Fa%2F2005%2F11%2F11%2FDDGD1FLJTO1.DTL&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTime_Out2005" class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.timeout.com/film/reviews/82978/pride-prejudice.html">"<i>Pride &amp; Prejudice</i> (2005)"</a>. <i><a href="/wiki/Time_Out_(company)" class="mw-redirect" title="Time Out (company)">Time Out</a></i>. 14 September 2005. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120815235235/http://www.timeout.com/film/reviews/82978/pride-prejudice.html">Archived</a> from the original on 15 August 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">29 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Time+Out&amp;rft.atitle=Pride+%26+Prejudice+%282005%29&amp;rft.date=2005-09-14&amp;rft_id=https%3A%2F%2Fwww.timeout.com%2Ffilm%2Freviews%2F82978%2Fpride-prejudice.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWloszczyna2005" class="citation news cs1">Wloszczyna, Susan (13 November 2005). <a rel="nofollow" class="external text" href="https://www.usatoday.com/life/movies/news/2005-11-13-pride-kiss_x.htm">"It was the best kiss, it was the worst in <i>Pride &amp; Prejudice</i>"</a>. <i><a href="/wiki/USA_Today" title="USA Today">USA Today</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100728095140/http://www.usatoday.com/life/movies/news/2005-11-13-pride-kiss_x.htm">Archived</a> from the original on 28 July 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">29 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=USA+Today&amp;rft.atitle=It+was+the+best+kiss%2C+it+was+the+worst+in+Pride+%26+Prejudice&amp;rft.date=2005-11-13&amp;rft.aulast=Wloszczyna&amp;rft.aufirst=Susan&amp;rft_id=https%3A%2F%2Fwww.usatoday.com%2Flife%2Fmovies%2Fnews%2F2005-11-13-pride-kiss_x.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWloszczyna2007" class="citation news cs1">Wloszczyna, Susan (6 September 2007). <a rel="nofollow" class="external text" href="https://www.usatoday.com/life/movies/news/2007-09-05-toronto-fest-side_N.htm">"Returning directors feel the warmth in fest spotlight"</a>. <i><a href="/wiki/USA_Today" title="USA Today">USA Today</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20081013134459/http://www.usatoday.com/life/movies/news/2007-09-05-toronto-fest-side_N.htm">Archived</a> from the original on 13 October 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">14 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=USA+Today&amp;rft.atitle=Returning+directors+feel+the+warmth+in+fest+spotlight&amp;rft.date=2007-09-06&amp;rft.aulast=Wloszczyna&amp;rft.aufirst=Susan&amp;rft_id=https%3A%2F%2Fwww.usatoday.com%2Flife%2Fmovies%2Fnews%2F2007-09-05-toronto-fest-side_N.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading3"><h3 id="Online">Online</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=30" title="Edit section: Online"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239549316"><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAcademy_of_Motion_Picture_Arts_and_Sciences" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120309142120/http://www.oscars.org/awards/academyawards/oscarlegacy/2000-2009/78nominees.html">"Nominees &amp; Winners for the 78th Academy Awards"</a>. <a href="/wiki/Academy_of_Motion_Picture_Arts_and_Sciences" title="Academy of Motion Picture Arts and Sciences">Academy of Motion Picture Arts and Sciences</a>. Archived from <a rel="nofollow" class="external text" href="http://www.oscars.org/awards/academyawards/oscarlegacy/2000-2009/78nominees.html">the original</a> on 9 March 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Nominees+%26+Winners+for+the+78th+Academy+Awards&amp;rft.pub=Academy+of+Motion+Picture+Arts+and+Sciences&amp;rft_id=http%3A%2F%2Fwww.oscars.org%2Fawards%2Facademyawards%2Foscarlegacy%2F2000-2009%2F78nominees.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBritish_Academy_of_Film_and_Television_Arts" class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.bafta.org/awards-database.html?award=false&amp;category=Film&amp;pageNo=3&amp;year=2005">"Awards database"</a>. <a href="/wiki/British_Academy_of_Film_and_Television_Arts" title="British Academy of Film and Television Arts">British Academy of Film and Television Arts</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004433/https://ajax.googleapis.com/ajax/libs/swfobject/2.2/swfobject.js">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Awards+database&amp;rft.pub=British+Academy+of+Film+and+Television+Arts&amp;rft_id=http%3A%2F%2Fwww.bafta.org%2Fawards-database.html%3Faward%3Dfalse%26category%3DFilm%26pageNo%3D3%26year%3D2005&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBox_Office_Mojo_International_Box_Office" class="citation web cs1"><a rel="nofollow" class="external text" href="https://boxofficemojo.com/movies/?page=intl&amp;view=byweekend&amp;id=prideandprejudice05.htm">"<i>Pride and Prejudice</i> (2005) – International Box Office Results"</a>. <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205050501/http://boxofficemojo.com/movies/?page=intl&amp;view=byweekend&amp;id=prideandprejudice05.htm">Archived</a> from the original on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+and+Prejudice+%282005%29+%E2%80%93+International+Box+Office+Results&amp;rft.pub=Box+Office+Mojo&amp;rft_id=https%3A%2F%2Fboxofficemojo.com%2Fmovies%2F%3Fpage%3Dintl%26view%3Dbyweekend%26id%3Dprideandprejudice05.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBox_Office_Mojo_Profile" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/movies/?id=prideandprejudice05.htm">"<i>Pride and Prejudice</i> (2005)"</a>. <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120129062227/http://boxofficemojo.com/movies/?id=prideandprejudice05.htm">Archived</a> from the original on 29 January 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">10 January</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+and+Prejudice+%282005%29&amp;rft.pub=Box+Office+Mojo&amp;rft_id=https%3A%2F%2Fwww.boxofficemojo.com%2Fmovies%2F%3Fid%3Dprideandprejudice05.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBritish_Film_Institute" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205043552/http://ftvdb.bfi.org.uk/sift/title/793891?view=synopsis">"<i>Pride and Prejudice</i> (2005)"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Archived from <a rel="nofollow" class="external text" href="http://ftvdb.bfi.org.uk/sift/title/793891?view=synopsis">the original</a> on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">10 July</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+and+Prejudice+%282005%29&amp;rft.pub=British+Film+Institute&amp;rft_id=http%3A%2F%2Fftvdb.bfi.org.uk%2Fsift%2Ftitle%2F793891%3Fview%3Dsynopsis&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBroadcast_Film_Critics_Awards_2006" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120826235307/http://www.bfca.org/ccawards/2005.php">"The 11th Critics' Choice Movie Awards Winners and Nominees"</a>. <a href="/wiki/Broadcast_Film_Critics_Association" class="mw-redirect" title="Broadcast Film Critics Association">Broadcast Film Critics Association</a>. Archived from <a rel="nofollow" class="external text" href="http://bfca.org/ccawards/2005.php">the original</a> on 26 August 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">16 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=The+11th+Critics%27+Choice+Movie+Awards+Winners+and+Nominees&amp;rft.pub=Broadcast+Film+Critics+Association&amp;rft_id=http%3A%2F%2Fbfca.org%2Fccawards%2F2005.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCarrier2006" class="citation web cs1">Carrier, Steven (24 January 2006). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130721232956/http://www.dvdactive.com/reviews/dvd/pride-and-prejudice.html">"<i>Pride &amp; Prejudice</i> (UK – DVD R2/5)"</a>. DVDactive. Archived from <a rel="nofollow" class="external text" href="http://www.dvdactive.com/reviews/dvd/pride-and-prejudice.html">the original</a> on 21 July 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">29 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice+%28UK+%E2%80%93+DVD+R2%2F5%29&amp;rft.pub=DVDactive&amp;rft.date=2006-01-24&amp;rft.aulast=Carrier&amp;rft.aufirst=Steven&amp;rft_id=http%3A%2F%2Fwww.dvdactive.com%2Freviews%2Fdvd%2Fpride-and-prejudice.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDesowitz2005" class="citation web cs1">Desowitz, Bill (22 September 2005). <a rel="nofollow" class="external text" href="http://www.awn.com/news/visual-effects/double-negative-does-vfx-pride-prejudice/page/2,1">"Double Negative Does VFX for <i>Pride &amp; Prejudice</i>"</a>. <a href="/wiki/Animation_World_Network" title="Animation World Network">Animation World Network</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004444/https://www.awn.com/news/double-negative-does-vfx-pride-prejudice">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">27 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Double+Negative+Does+VFX+for+Pride+%26+Prejudice&amp;rft.pub=Animation+World+Network&amp;rft.date=2005-09-22&amp;rft.aulast=Desowitz&amp;rft.aufirst=Bill&amp;rft_id=http%3A%2F%2Fwww.awn.com%2Fnews%2Fvisual-effects%2Fdouble-negative-does-vfx-pride-prejudice%2Fpage%2F2%2C1&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEmpire_Awards_2006" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20130616185349/http://www.empireonline.com/awards2006/winners/director.asp">"Sony Ericsson Empire Awards 2006"</a>. <i><a href="/wiki/Empire_(film_magazine)" class="mw-redirect" title="Empire (film magazine)">Empire</a></i>. Archived from <a rel="nofollow" class="external text" href="https://www.empireonline.com/awards2006/winners/director.asp">the original</a> on 16 June 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">16 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Empire&amp;rft.atitle=Sony+Ericsson+Empire+Awards+2006&amp;rft_id=https%3A%2F%2Fwww.empireonline.com%2Fawards2006%2Fwinners%2Fdirector.asp&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGray2005" class="citation web cs1">Gray, Brandon (14 November 2005). <a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/news/?id=1940&amp;p=.htm">"<i>Pride and Prejudice</i> Impresses in Limited Bow"</a>. <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120213214625/http://www.boxofficemojo.com/news/?id=1940&amp;p=.htm">Archived</a> from the original on 13 February 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">8 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+and+Prejudice+Impresses+in+Limited+Bow&amp;rft.pub=Box+Office+Mojo&amp;rft.date=2005-11-14&amp;rft.aulast=Gray&amp;rft.aufirst=Brandon&amp;rft_id=https%3A%2F%2Fwww.boxofficemojo.com%2Fnews%2F%3Fid%3D1940%26p%3D.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHollywood_Foreign_Press_Association2005" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120527221853/http://www.goldenglobes.org/blog/2005/12/63rd-golden-globe-awards-nominations/">"63rd Golden Globe Awards Nominations"</a>. <a href="/wiki/Hollywood_Foreign_Press_Association" title="Hollywood Foreign Press Association">Hollywood Foreign Press Association</a>. 13 December 2005. Archived from <a rel="nofollow" class="external text" href="http://www.goldenglobes.org/blog/2005/12/63rd-golden-globe-awards-nominations/">the original</a> on 27 May 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">16 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=63rd+Golden+Globe+Awards+Nominations&amp;rft.pub=Hollywood+Foreign+Press+Association&amp;rft.date=2005-12-13&amp;rft_id=http%3A%2F%2Fwww.goldenglobes.org%2Fblog%2F2005%2F12%2F63rd-golden-globe-awards-nominations%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHall2010" class="citation web cs1">Hall, Katy (18 March 2010). <a rel="nofollow" class="external text" href="https://www.huffingtonpost.com/2009/10/06/carey-mulligan-gets-an-ed_n_311477.html">"Carey Mulligan Gets <i>An Education</i> In Movie Stardom"</a>. <i><a href="/wiki/HuffPost" title="HuffPost">HuffPost</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131206084452/http://www.huffingtonpost.com/2009/10/06/carey-mulligan-gets-an-ed_n_311477.html">Archived</a> from the original on 6 December 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">11 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=HuffPost&amp;rft.atitle=Carey+Mulligan+Gets+An+Education+In+Movie+Stardom&amp;rft.date=2010-03-18&amp;rft.aulast=Hall&amp;rft.aufirst=Katy&amp;rft_id=https%3A%2F%2Fwww.huffingtonpost.com%2F2009%2F10%2F06%2Fcarey-mulligan-gets-an-ed_n_311477.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLos_Angeles_Times2005" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-2005-nov-15-et-boxoffice15-story.html">"Weekend box office"</a>. <i><a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a></i>. 15 November 2005. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205092601/http://articles.latimes.com/2005/nov/15/entertainment/et-boxoffice15">Archived</a> from the original on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">3 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Los+Angeles+Times&amp;rft.atitle=Weekend+box+office&amp;rft.date=2005-11-15&amp;rft_id=https%3A%2F%2Fwww.latimes.com%2Farchives%2Fla-xpm-2005-nov-15-et-boxoffice15-story.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCarthy2011" class="citation web cs1"><a href="/wiki/Todd_McCarthy" title="Todd McCarthy">McCarthy, Todd</a> (30 March 2011). <a rel="nofollow" class="external text" href="https://www.hollywoodreporter.com/review/hanna-movie-review-172453">"<i>Hanna</i>: Movie Review"</a>. <i><a href="/wiki/The_Hollywood_Reporter" title="The Hollywood Reporter">The Hollywood Reporter</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111209134256/http://www.hollywoodreporter.com/review/hanna-movie-review-172453">Archived</a> from the original on 9 December 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">12 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Hollywood+Reporter&amp;rft.atitle=Hanna%3A+Movie+Review&amp;rft.date=2011-03-30&amp;rft.aulast=McCarthy&amp;rft.aufirst=Todd&amp;rft_id=https%3A%2F%2Fwww.hollywoodreporter.com%2Freview%2Fhanna-movie-review-172453&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCutcheon2009" class="citation web cs1">McCutcheon, David (21 December 2009). <a rel="nofollow" class="external text" href="http://bluray.ign.com/articles/105/1056777p1.html">"Pride Finds Prejudice"</a>. <a href="/wiki/IGN" title="IGN">IGN</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120720145649/http://bluray.ign.com/articles/105/1056777p1.html">Archived</a> from the original on 20 July 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">29 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+Finds+Prejudice&amp;rft.pub=IGN&amp;rft.date=2009-12-21&amp;rft.aulast=McCutcheon&amp;rft.aufirst=David&amp;rft_id=http%3A%2F%2Fbluray.ign.com%2Farticles%2F105%2F1056777p1.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMetacritic" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.metacritic.com/film/titles/prideandprejudice?q=pride%20and%20prejudice">"<i>Pride &amp; Prejudice</i> (2005 film): Reviews"</a>. <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090224070200/http://www.metacritic.com/film/titles/prideandprejudice?q=pride%20and%20prejudice">Archived</a> from the original on 24 February 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">13 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice+%282005+film%29%3A+Reviews&amp;rft.pub=Metacritic&amp;rft_id=https%3A%2F%2Fwww.metacritic.com%2Ffilm%2Ftitles%2Fprideandprejudice%3Fq%3Dpride%2520and%2520prejudice&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMonger" class="citation web cs1">Monger, James Christopher. <a rel="nofollow" class="external text" href="https://www.allmusic.com/album/the-soloist-music-from-the-motion-picture-r1548506">"<i> The Soloist</i> &#91;Music from the Motion Picture&#93;"</a>. <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004431/https://www.allmusic.com/album/the-soloist-music-from-the-motion-picture-mw0000803519">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">29 April</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=+The+Soloist+%5BMusic+from+the+Motion+Picture%26%2393%3B&amp;rft.pub=AllMusic&amp;rft.aulast=Monger&amp;rft.aufirst=James+Christopher&amp;rft_id=https%3A%2F%2Fwww.allmusic.com%2Falbum%2Fthe-soloist-music-from-the-motion-picture-r1548506&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMTV2005" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20140221192521/http://www.mtv.com/photos/keira-knightley-hits-the-red-carpet/1511252/1798183/photo.jhtml">"Keira Knightley Hits The Red Carpet"</a>. <a href="/wiki/MTV" title="MTV">MTV</a>. 10 October 2005. Archived from <a rel="nofollow" class="external text" href="http://www.mtv.com/photos/keira-knightley-hits-the-red-carpet/1511252/1798183/photo.jhtml">the original</a> on 21 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">14 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Keira+Knightley+Hits+The+Red+Carpet&amp;rft.pub=MTV&amp;rft.date=2005-10-10&amp;rft_id=http%3A%2F%2Fwww.mtv.com%2Fphotos%2Fkeira-knightley-hits-the-red-carpet%2F1511252%2F1798183%2Fphoto.jhtml&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFO&#39;Brien" class="citation web cs1">O'Brien, Jon. <a rel="nofollow" class="external text" href="https://www.allmusic.com/album/pride-prejudice-original-score-r806485">"<i>Pride &amp; Prejudice</i> &#91;Original Score&#93;"</a>. <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210623004431/https://www.allmusic.com/album/pride-and-prejudice-music-from-the-motion-pictures-mw0000704072">Archived</a> from the original on 23 June 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">11 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice+%5BOriginal+Score%26%2393%3B&amp;rft.pub=AllMusic&amp;rft.aulast=O%27Brien&amp;rft.aufirst=Jon&amp;rft_id=https%3A%2F%2Fwww.allmusic.com%2Falbum%2Fpride-prejudice-original-score-r806485&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRotten_Tomatoes" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/m/1153077-1153077-pride_and_prejudice/">"<i>Pride and Prejudice</i> (2005)"</a>. <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120107212653/http://www.rottentomatoes.com/m/1153077-1153077-pride_and_prejudice/">Archived</a> from the original on 7 January 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">8 January</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+and+Prejudice+%282005%29&amp;rft.pub=Rotten+Tomatoes&amp;rft_id=https%3A%2F%2Fwww.rottentomatoes.com%2Fm%2F1153077-1153077-pride_and_prejudice%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRuhlmann" class="citation magazine cs1">Ruhlmann, William. <a rel="nofollow" class="external text" href="https://www.billboard.com/album/soundtrack/pride-prejudice/746384#/album/dario-marianelli-jean-yves-thibaudet-english/pride-prejudice-original-score/746384/review">"<i>Pride &amp; Prejudice</i> &#91;Original Score&#93; Album Reviews"</a>. <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110122215129/http://www.billboard.com/album/soundtrack/pride-prejudice/746384">Archived</a> from the original on 22 January 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">11 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Pride+%26+Prejudice+%5BOriginal+Score%26%2393%3B+Album+Reviews&amp;rft.aulast=Ruhlmann&amp;rft.aufirst=William&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Falbum%2Fsoundtrack%2Fpride-prejudice%2F746384%23%2Falbum%2Fdario-marianelli-jean-yves-thibaudet-english%2Fpride-prejudice-original-score%2F746384%2Freview&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSoares2006a" class="citation web cs1">Soares, Andre (19 February 2006). <a rel="nofollow" class="external text" href="http://www.altfg.com/blog/awards/ace-awards-2005/">"American Cinema Editors Awards 2006"</a>. Alt Film Guide. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121001195015/http://www.altfg.com/blog/awards/ace-awards-2005/">Archived</a> from the original on 1 October 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">11 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=American+Cinema+Editors+Awards+2006&amp;rft.pub=Alt+Film+Guide&amp;rft.date=2006-02-19&amp;rft.aulast=Soares&amp;rft.aufirst=Andre&amp;rft_id=http%3A%2F%2Fwww.altfg.com%2Fblog%2Fawards%2Face-awards-2005%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSoares2006b" class="citation web cs1">Soares, Andre (9 January 2006). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110823101654/http://www.altfg.com/blog/awards/chicago-film-critics-awards-2005/">"Chicago Film Critics Awards 2005"</a>. Alt Film Guide. Archived from <a rel="nofollow" class="external text" href="http://www.altfg.com/blog/awards/chicago-film-critics-awards-2005/">the original</a> on 23 August 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">16 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Chicago+Film+Critics+Awards+2005&amp;rft.pub=Alt+Film+Guide&amp;rft.date=2006-01-09&amp;rft.aulast=Soares&amp;rft.aufirst=Andre&amp;rft_id=http%3A%2F%2Fwww.altfg.com%2Fblog%2Fawards%2Fchicago-film-critics-awards-2005%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSoares2006c" class="citation web cs1">Soares, Andre (2 December 2006). <a rel="nofollow" class="external text" href="http://www.altfg.com/blog/awards/european-film-awards-2006/">"European Film Awards 2006"</a>. Alt Film Guide. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121005180504/http://www.altfg.com/blog/awards/european-film-awards-2006/">Archived</a> from the original on 5 October 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">11 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=European+Film+Awards+2006&amp;rft.pub=Alt+Film+Guide&amp;rft.date=2006-12-02&amp;rft.aulast=Soares&amp;rft.aufirst=Andre&amp;rft_id=http%3A%2F%2Fwww.altfg.com%2Fblog%2Fawards%2Feuropean-film-awards-2006%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThe_Numbers" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.the-numbers.com/movies/2005/PRDPJ.php">"Pride and Prejudice"</a>. The Numbers. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111219164150/http://www.the-numbers.com/movies/2005/PRDPJ.php">Archived</a> from the original on 19 December 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">8 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+and+Prejudice&amp;rft.pub=The+Numbers&amp;rft_id=https%3A%2F%2Fwww.the-numbers.com%2Fmovies%2F2005%2FPRDPJ.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUK_Film_Council" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120430232238/http://industry.bfi.org.uk/article/16415/UK-Box-Office-2005">"UK Box Office: 2005"</a>. <a href="/wiki/UK_Film_Council" title="UK Film Council">UK Film Council</a>. Archived from <a rel="nofollow" class="external text" href="http://industry.bfi.org.uk/article/16415/UK-Box-Office-2005">the original</a> on 30 April 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">10 July</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=UK+Box+Office%3A+2005&amp;rft.pub=UK+Film+Council&amp;rft_id=http%3A%2F%2Findustry.bfi.org.uk%2Farticle%2F16415%2FUK-Box-Office-2005&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWightman2011" class="citation web cs1">Wightman, Catriona (12 November 2011). <a rel="nofollow" class="external text" href="http://www.digitalspy.com/british-tv/tubetalk/a350476/pride-and-prejudice-tube-talk-gold.html">"<i>Pride and Prejudice</i>: Tube Talk Gold"</a>. <i><a href="/wiki/Digital_Spy" title="Digital Spy">Digital Spy</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205043050/http://www.digitalspy.com/british-tv/tubetalk/a350476/pride-and-prejudice-tube-talk-gold.html">Archived</a> from the original on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">3 May</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Digital+Spy&amp;rft.atitle=Pride+and+Prejudice%3A+Tube+Talk+Gold&amp;rft.date=2011-11-12&amp;rft.aulast=Wightman&amp;rft.aufirst=Catriona&amp;rft_id=http%3A%2F%2Fwww.digitalspy.com%2Fbritish-tv%2Ftubetalk%2Fa350476%2Fpride-and-prejudice-tube-talk-gold.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVilla2017" class="citation web cs1 cs1-prop-foreign-lang-source">Villa, Bernardita (11 December 2017). <a rel="nofollow" class="external text" href="http://www.biobiochile.cl/noticias/espectaculos-y-tv/cine-y-series/2017/12/11/las-series-mas-vistas-por-los-chilenos-en-netflix.shtml">"Las series más vistas por los chilenos en Netflix"</a> &#91;The most watched TV series by chileans in Netflix&#93; (in Spanish). Bio-Bio. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171217014808/http://www.biobiochile.cl/noticias/espectaculos-y-tv/cine-y-series/2017/12/11/las-series-mas-vistas-por-los-chilenos-en-netflix.shtml">Archived</a> from the original on 17 December 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">16 December</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Las+series+m%C3%A1s+vistas+por+los+chilenos+en+Netflix&amp;rft.pub=Bio-Bio&amp;rft.date=2017-12-11&amp;rft.aulast=Villa&amp;rft.aufirst=Bernardita&amp;rft_id=http%3A%2F%2Fwww.biobiochile.cl%2Fnoticias%2Fespectaculos-y-tv%2Fcine-y-series%2F2017%2F12%2F11%2Flas-series-mas-vistas-por-los-chilenos-en-netflix.shtml&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGutiérrez2017" class="citation web cs1 cs1-prop-foreign-lang-source">Gutiérrez, Catalina (14 December 2017). <a rel="nofollow" class="external text" href="https://www.women-talk.com/news/me-gusta-orgullo-y-prejuicio-porque-es-feminista">"Me gusta Orgullo y Prejuicio porque es feminista"</a> &#91;I like Pride &amp; Prejudice because is a feminist film&#93; (in Spanish). Women Talk. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171222195828/https://www.women-talk.com/news/me-gusta-orgullo-y-prejuicio-porque-es-feminista">Archived</a> from the original on 22 December 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">16 December</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Me+gusta+Orgullo+y+Prejuicio+porque+es+feminista&amp;rft.pub=Women+Talk&amp;rft.date=2017-12-14&amp;rft.aulast=Guti%C3%A9rrez&amp;rft.aufirst=Catalina&amp;rft_id=https%3A%2F%2Fwww.women-talk.com%2Fnews%2Fme-gusta-orgullo-y-prejuicio-porque-es-feminista&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading3"><h3 id="Press_releases">Press releases</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=31" title="Edit section: Press releases"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239549316"><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFocus_Features_Locations2005" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="https://archive.today/20130124072917/http://focusfeatures.com/article/pride___prejudice__the_locations?film=pride_and_prejudice">"<i>Pride &amp; Prejudice</i>: The Locations"</a> (Press release). <a href="/wiki/Focus_Features" title="Focus Features">Focus Features</a>. 1 November 2005. Archived from <a rel="nofollow" class="external text" href="http://focusfeatures.com/article/pride___prejudice__the_locations?film=pride_and_prejudice">the original</a> on 24 January 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">19 January</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice%3A+The+Locations&amp;rft.pub=Focus+Features&amp;rft.date=2005-11-01&amp;rft_id=http%3A%2F%2Ffocusfeatures.com%2Farticle%2Fpride&#95;__prejudice&#95;_the_locations%3Ffilm%3Dpride_and_prejudice&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFocus_Features_Production2005" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="https://archive.today/20130123092712/http://focusfeatures.com/article/pride___prejudice__the_production?film=pride_and_prejudice">"<i>Pride &amp; Prejudice</i>: The Production"</a> (Press release). <a href="/wiki/Focus_Features" title="Focus Features">Focus Features</a>. 1 November 2005. Archived from <a rel="nofollow" class="external text" href="http://focusfeatures.com/article/pride___prejudice__the_production?film=pride_and_prejudice">the original</a> on 23 January 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">19 January</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice%3A+The+Production&amp;rft.pub=Focus+Features&amp;rft.date=2005-11-01&amp;rft_id=http%3A%2F%2Ffocusfeatures.com%2Farticle%2Fpride&#95;__prejudice&#95;_the_production%3Ffilm%3Dpride_and_prejudice&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPRNewswire2006" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="http://www.prnewswire.com/news-releases/nominated-for-four-academy-awardsr-including-best-actress-keira-knightley-universal-studios-home-entertainment-is-proud-to-announce-the-dvd-release-of-jane-austens-ultimate-romance-pride--prejudice-55202607.html">"Nominated for Four Academy Awards(R)* Including Best Actress Keira Knightley Universal Studios Home Entertainment Is Proud to Announce the DVD Release of Jane Austen's Ultimate Romance <i>Pride &amp; Prejudice</i>"</a> (Press release). PR Newswire. 31 January 2006. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205042744/http://www.prnewswire.com/news-releases/nominated-for-four-academy-awardsr-including-best-actress-keira-knightley-universal-studios-home-entertainment-is-proud-to-announce-the-dvd-release-of-jane-austens-ultimate-romance-pride--prejudice-55202607.html">Archived</a> from the original on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Nominated+for+Four+Academy+Awards%28R%29%2A+Including+Best+Actress+Keira+Knightley+Universal+Studios+Home+Entertainment+Is+Proud+to+Announce+the+DVD+Release+of+Jane+Austen%27s+Ultimate+Romance+Pride+%26+Prejudice&amp;rft.date=2006-01-31&amp;rft_id=http%3A%2F%2Fwww.prnewswire.com%2Fnews-releases%2Fnominated-for-four-academy-awardsr-including-best-actress-keira-knightley-universal-studios-home-entertainment-is-proud-to-announce-the-dvd-release-of-jane-austens-ultimate-romance-pride--prejudice-55202607.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPRNewswire2007" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="http://www.prnewswire.com/news-releases/from-universal-studios-home-entertainment-pride--prejudice-2-disc-deluxe-gift-set-58156687.html">"From Universal Studios Home Entertainment: <i>Pride &amp; Prejudice</i> 2 Disc Deluxe Gift Set"</a> (Press release). PR Newswire. 20 September 2007. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205042646/http://www.prnewswire.com/news-releases/from-universal-studios-home-entertainment-pride--prejudice-2-disc-deluxe-gift-set-58156687.html">Archived</a> from the original on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=From+Universal+Studios+Home+Entertainment%3A+Pride+%26+Prejudice+2+Disc+Deluxe+Gift+Set&amp;rft.date=2007-09-20&amp;rft_id=http%3A%2F%2Fwww.prnewswire.com%2Fnews-releases%2Ffrom-universal-studios-home-entertainment-pride--prejudice-2-disc-deluxe-gift-set-58156687.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWorking_Title_Films2005a" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20111104031259/http://workingtitlefilms.com/news/view/post/29">"<i>Pride &amp; Prejudice</i> gala screening in Toronto"</a> (Press release). <a href="/wiki/Working_Title_Films" title="Working Title Films">Working Title Films</a>. 29 July 2005. Archived from <a rel="nofollow" class="external text" href="http://www.workingtitlefilms.com/news/view/post/29">the original</a> on 4 November 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">14 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice+gala+screening+in+Toronto&amp;rft.pub=Working+Title+Films&amp;rft.date=2005-07-29&amp;rft_id=http%3A%2F%2Fwww.workingtitlefilms.com%2Fnews%2Fview%2Fpost%2F29&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWorking_Title_Films2005b" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20111104030636/http://workingtitlefilms.com/news/view/post/37">"<i>Pride &amp; Prejudice</i> released this weekend"</a> (Press release). <a href="/wiki/Working_Title_Films" title="Working Title Films">Working Title Films</a>. 15 September 2005. Archived from <a rel="nofollow" class="external text" href="http://www.workingtitlefilms.com/news/view/post/37">the original</a> on 4 November 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">14 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice+released+this+weekend&amp;rft.pub=Working+Title+Films&amp;rft.date=2005-09-15&amp;rft_id=http%3A%2F%2Fwww.workingtitlefilms.com%2Fnews%2Fview%2Fpost%2F37&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWorking_Title_Films2005c" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20111104030854/http://workingtitlefilms.com/news/view/post/40">"<i>Pride &amp; Prejudice</i> is a number 1 hit"</a> (Press release). <a href="/wiki/Working_Title_Films" title="Working Title Films">Working Title Films</a>. 19 September 2005. Archived from <a rel="nofollow" class="external text" href="http://www.workingtitlefilms.com/news/view/post/40">the original</a> on 4 November 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice+is+a+number+1+hit&amp;rft.pub=Working+Title+Films&amp;rft.date=2005-09-19&amp;rft_id=http%3A%2F%2Fwww.workingtitlefilms.com%2Fnews%2Fview%2Fpost%2F40&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWorking_Title_Films2005d" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20111104031008/http://workingtitlefilms.com/news/view/post/57">"<i>Pride &amp; Prejudice</i> – US ending now on release in UK"</a> (Press release). <a href="/wiki/Working_Title_Films" title="Working Title Films">Working Title Films</a>. 25 November 2005. Archived from <a rel="nofollow" class="external text" href="http://www.workingtitlefilms.com/news/view/post/57">the original</a> on 4 November 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">14 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice+%E2%80%93+US+ending+now+on+release+in+UK&amp;rft.pub=Working+Title+Films&amp;rft.date=2005-11-25&amp;rft_id=http%3A%2F%2Fwww.workingtitlefilms.com%2Fnews%2Fview%2Fpost%2F57&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWorking_Title_Films2006" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20111104031032/http://workingtitlefilms.com/news/view/post/66">"<i>Pride &amp; Prejudice</i> wins six Bafta nominations"</a> (Press release). <a href="/wiki/Working_Title_Films" title="Working Title Films">Working Title Films</a>. 19 January 2006. Archived from <a rel="nofollow" class="external text" href="http://workingtitlefilms.com/news/view/post/66">the original</a> on 4 November 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">26 February</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice+wins+six+Bafta+nominations&amp;rft.pub=Working+Title+Films&amp;rft.date=2006-01-19&amp;rft_id=http%3A%2F%2Fworkingtitlefilms.com%2Fnews%2Fview%2Fpost%2F66&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWorking_Title_Films2011" class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20140205042239/http://www.workingtitlefilms.com/news/view/post/210/production-commences-on-anna-karenina">"Production Commences on <i>Anna Karenina</i>"</a> (Press release). <a href="/wiki/Working_Title_Films" title="Working Title Films">Working Title Films</a>. 3 October 2011. Archived from <a rel="nofollow" class="external text" href="http://www.workingtitlefilms.com/news/view/post/210/production-commences-on-anna-karenina">the original</a> on 5 February 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">12 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Production+Commences+on+Anna+Karenina&amp;rft.pub=Working+Title+Films&amp;rft.date=2011-10-03&amp;rft_id=http%3A%2F%2Fwww.workingtitlefilms.com%2Fnews%2Fview%2Fpost%2F210%2Fproduction-commences-on-anna-karenina&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading3"><h3 id="Visual_media">Visual media</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=32" title="Edit section: Visual media"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239549316"><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKnightley2005" class="citation audio-visual cs1"><a href="/wiki/Keira_Knightley" title="Keira Knightley">Knightley, Keira</a> (2005). <i><span></span></i>Pride &amp; Prejudice<i>: <a href="/wiki/HBO" title="HBO">HBO</a> First Look</i> (DVD). <a href="/wiki/Joe_Wright" title="Joe Wright">Joe Wright</a>, <a href="/wiki/Tim_Bevan" title="Tim Bevan">Tim Bevan</a>, <a href="/wiki/Deborah_Moggach" title="Deborah Moggach">Deborah Moggach</a>, <a href="/wiki/Brenda_Blethyn" title="Brenda Blethyn">Brenda Blethyn</a>, <a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Donald Sutherland</a>. Bonus Features: <a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal Studios</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pride+%26+Prejudice%3A+HBO+First+Look&amp;rft.place=Bonus+Features&amp;rft.pub=Universal+Studios&amp;rft.date=2005&amp;rft.aulast=Knightley&amp;rft.aufirst=Keira&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSutherland2005" class="citation audio-visual cs1"><a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Sutherland, Donald</a> (2005). <i>Behind-the-Scenes at the Ball</i> (DVD). <a href="/wiki/Brenda_Blethyn" title="Brenda Blethyn">Brenda Blethyn</a>, <a href="/wiki/Tom_Hollander" title="Tom Hollander">Tom Hollander</a>, <a href="/wiki/Keira_Knightley" title="Keira Knightley">Keira Knightley</a>, <a href="/wiki/Matthew_Macfadyen" title="Matthew Macfadyen">Matthew Macfadyen</a>, <a href="/wiki/Talulah_Riley" title="Talulah Riley">Talulah Riley</a>, <a href="/wiki/Carey_Mulligan" title="Carey Mulligan">Carey Mulligan</a>, <a href="/wiki/Jena_Malone" title="Jena Malone">Jena Malone</a>, <a href="/wiki/Rosamund_Pike" title="Rosamund Pike">Rosamund Pike</a>. Bonus Features: <a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal Studios</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Behind-the-Scenes+at+the+Ball&amp;rft.place=Bonus+Features&amp;rft.pub=Universal+Studios&amp;rft.date=2005&amp;rft.aulast=Sutherland&amp;rft.aufirst=Donald&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWright2005" class="citation audio-visual cs1"><a href="/wiki/Joe_Wright" title="Joe Wright">Wright, Joe</a> (2005). <i><a href="/wiki/Audio_commentary" title="Audio commentary">Audio commentary</a> for </i>Pride &amp; Prejudice<i><span></span></i> (DVD). Bonus Features: <a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal Studios</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Audio+commentary+for+Pride+%26+Prejudice&amp;rft.place=Bonus+Features&amp;rft.pub=Universal+Studios&amp;rft.date=2005&amp;rft.aulast=Wright&amp;rft.aufirst=Joe&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3APride+%26+Prejudice+%282005+film%29" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;action=edit&amp;section=33" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px 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mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini 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title="Special:EditPage/Template:Pride and Prejudice"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Jane_Austen&amp;#039;s_Pride_and_Prejudice96" style="font-size:114%;margin:0 4em"><a href="/wiki/Jane_Austen" title="Jane Austen">Jane Austen</a>'s <i><a href="/wiki/Pride_and_Prejudice" title="Pride and Prejudice">Pride and Prejudice</a></i></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Characters</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Pride_and_Prejudice_(novel)#Characters" class="mw-redirect" title="Pride and Prejudice (novel)">List of characters</a></li> <li><a href="/wiki/Bennet_family" title="Bennet family">Bennet family</a> <ul><li><a href="/wiki/Elizabeth_Bennet" title="Elizabeth Bennet">Elizabeth Bennet</a></li></ul></li> <li><a href="/wiki/Mr._Darcy" title="Mr. Darcy">Mr. Darcy</a></li> <li><a href="/wiki/Mr_William_Collins" title="Mr William Collins">William Collins</a></li> <li><a href="/wiki/Lady_Catherine_de_Bourgh" title="Lady Catherine de Bourgh">Lady Catherine de Bourgh</a></li> <li><a href="/wiki/George_Wickham" title="George Wickham">George Wickham</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Films</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Pride_and_Prejudice_(1940_film)" title="Pride and Prejudice (1940 film)"><i>Pride and Prejudice</i></a> (1940)</li> <li><a href="/wiki/Bridget_Jones%27s_Diary" title="Bridget Jones&#39;s Diary"><i>Bridget Jones's Diary</i></a> (2001)</li> <li><i><a href="/wiki/Pride_%26_Prejudice:_A_Latter-Day_Comedy" title="Pride &amp; Prejudice: A Latter-Day Comedy">Pride &amp; Prejudice: A Latter-Day Comedy</a></i> (2003)</li> <li><i><a href="/wiki/Bride_and_Prejudice" title="Bride and Prejudice">Bride and Prejudice</a></i> (2004)</li> <li><a class="mw-selflink selflink"><i>Pride &amp; Prejudice</i></a> (2005)</li> <li><i><a href="/wiki/Austenland_(film)" title="Austenland (film)">Austenland</a></i> (2013 film)</li> <li><a href="/wiki/Pride_and_Prejudice_and_Zombies_(film)" title="Pride and Prejudice and Zombies (film)"><i>Pride and Prejudice and Zombies</i></a> (2016)</li> <li><i><a href="/wiki/Fire_Island_(film)" title="Fire Island (film)">Fire Island</a></i> (2022)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Television</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Elizabeth_Refuses" title="Elizabeth Refuses">Elizabeth Refuses</a></i> (1957)</li> <li><a href="/wiki/Pride_and_Prejudice_(1958_TV_series)" title="Pride and Prejudice (1958 TV series)"><i>Pride and Prejudice</i></a> (1958)</li> <li><a href="/wiki/Pride_and_Prejudice_(1967_TV_series)" title="Pride and Prejudice (1967 TV series)"><i>Pride and Prejudice</i></a> (1967)</li> <li><a href="/wiki/Pride_and_Prejudice_(1980_TV_series)" title="Pride and Prejudice (1980 TV series)"><i>Pride and Prejudice</i></a> (1980)</li> <li><i><a href="/wiki/Trishna_(TV_series)" title="Trishna (TV series)">Trishna</a></i> (1985)</li> <li><a href="/wiki/Pride_and_Prejudice_(1995_TV_series)" title="Pride and Prejudice (1995 TV series)"><i>Pride and Prejudice</i></a> (1995)</li> <li><i><a href="/wiki/Kahiin_to_Hoga" title="Kahiin to Hoga">Will be Somewhere</a></i> (2004)</li> <li><i><a href="/wiki/Lost_in_Austen" title="Lost in Austen">Lost in Austen</a></i> (2008)</li> <li><a href="/wiki/Death_Comes_to_Pemberley_(TV_series)" title="Death Comes to Pemberley (TV series)"><i>Death Comes to Pemberley</i></a> (2013)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Novels</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Darcy%27s_Story" title="Darcy&#39;s Story">Darcy's Story</a></i> (1995)</li> <li><i><a href="/wiki/Bridget_Jones%27s_Diary_(novel)" title="Bridget Jones&#39;s Diary (novel)">Bridget Jones's Diary</a></i> (1996)</li> <li><i><a href="/wiki/Mr._Darcy%27s_Daughters" title="Mr. Darcy&#39;s Daughters">Mr. Darcy's Daughters</a></i> (2003)</li> <li><a href="/wiki/Fitzwilliam_Darcy,_Gentleman" title="Fitzwilliam Darcy, Gentleman">Fitzwilliam Darcy, Gentleman</a> <ul><li><i><a href="/wiki/An_Assembly_Such_as_This" title="An Assembly Such as This">An Assembly Such as This</a></i> (2003)</li> <li><i><a href="/wiki/Duty_and_Desire" title="Duty and Desire">Duty and Desire</a></i> (2004)</li> <li><i><a href="/wiki/These_Three_Remain" title="These Three Remain">These Three Remain</a></i> (2005)</li></ul></li> <li><i><a href="/wiki/Austenland" title="Austenland">Austenland</a></i> (2007)</li> <li><i><a href="/wiki/Love,_Lies_and_Lizzie" title="Love, Lies and Lizzie">Love, Lies and Lizzie</a></i> (2009)</li> <li><i><a href="/wiki/Pride_and_Prejudice_and_Zombies" title="Pride and Prejudice and Zombies">Pride and Prejudice and Zombies</a></i> (2009 parody)</li> <li><i><a href="/wiki/Pride_and_Prejudice_and_Zombies:_Dawn_of_the_Dreadfuls" title="Pride and Prejudice and Zombies: Dawn of the Dreadfuls">Pride and Prejudice and Zombies: Dawn of the Dreadfuls</a></i> (2010 parody)</li> <li><i><a href="/wiki/Death_Comes_to_Pemberley" title="Death Comes to Pemberley">Death Comes to Pemberley</a></i> (2011)</li> <li><i><a href="/wiki/Longbourn" title="Longbourn">Longbourn</a></i> (2013)</li> <li><i><a href="/wiki/Eligible_(novel)" title="Eligible (novel)">Eligible</a></i> (2016)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Theatre</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/First_Impressions_(musical)" title="First Impressions (musical)">First Impressions</a></i> (1959 musical)</li> <li><i><a href="/wiki/Pride_and_Prejudice_(musical)" title="Pride and Prejudice (musical)">Pride and Prejudice</a></i> (1993 musical)</li> <li><i><a href="/wiki/Stolthet_och_f%C3%B6rdom" title="Stolthet och fördom">Stolthet och fördom</a></i> (2011 opera)</li> <li><i><a href="/wiki/Pride_and_Prejudice*_(*sort_of)" title="Pride and Prejudice* (*sort of)">Pride and Prejudice* (*sort of)</a></i> (2018 play)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Beyond_a_Joke_(Red_Dwarf)" title="Beyond a Joke (Red Dwarf)">Beyond a Joke</a>" (1997)</li> <li><i><a href="/wiki/The_Lizzie_Bennet_Diaries" title="The Lizzie Bennet Diaries">The Lizzie Bennet Diaries</a></i> (2012 web series)</li> <li><i><a href="/wiki/Stride_%26_Prejudice" title="Stride &amp; Prejudice">Stride &amp; Prejudice</a></i> (2013 video game)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">See also</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Pride_%26_Prejudice_(soundtrack)" title="Pride &amp; Prejudice (soundtrack)"><i>Pride &amp; Prejudice</i></a> (2005 soundtrack)</li> <li><a href="/wiki/Pemberley" title="Pemberley">Pemberley</a></li> <li><a href="/wiki/List_of_literary_adaptations_of_Pride_and_Prejudice" title="List of literary adaptations of Pride and Prejudice">List of literary adaptations</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Joe_Wright29" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Joe_Wright" title="Template:Joe Wright"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Joe_Wright" title="Template talk:Joe Wright"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Joe_Wright" title="Special:EditPage/Template:Joe Wright"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Joe_Wright29" style="font-size:114%;margin:0 4em"><a href="/wiki/Joe_Wright" title="Joe Wright">Joe Wright</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Films</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a class="mw-selflink selflink">Pride &amp; Prejudice</a></i> (2005)</span></li> <li><span class="nowrap"><i><a href="/wiki/Atonement_(2007_film)" title="Atonement (2007 film)">Atonement</a></i> (2007)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Soloist" title="The Soloist">The Soloist</a></i> (2009)</span></li> <li><span class="nowrap"><i><a href="/wiki/Hanna_(film)" title="Hanna (film)">Hanna</a></i> (2011)</span></li> <li><span class="nowrap"><i><a href="/wiki/Anna_Karenina_(2012_film)" title="Anna Karenina (2012 film)">Anna Karenina</a></i> (2012)</span></li> <li><span class="nowrap"><i><a href="/wiki/Pan_(2015_film)" title="Pan (2015 film)">Pan</a></i> (2015)</span></li> <li><span class="nowrap"><i><a href="/wiki/Darkest_Hour_(film)" title="Darkest Hour (film)">Darkest Hour</a></i> (2017)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Woman_in_the_Window_(2021_film)" title="The Woman in the Window (2021 film)">The Woman in the Window</a></i> (2021)</span></li> <li><span class="nowrap"><i><a href="/wiki/Cyrano_(film)" title="Cyrano (film)">Cyrano</a></i> (2021)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Television</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Charles_II:_The_Power_and_the_Passion" title="Charles II: The Power and the Passion">Charles II: The Power and the Passion</a></i> (2003)</span></li> <li><span class="nowrap"><i><a href="/wiki/Black_Mirror" title="Black Mirror">Black Mirror</a></i> ("<a href="/wiki/Nosedive_(Black_Mirror)" title="Nosedive (Black Mirror)">Nosedive</a>", 2016)</span></li> <li><span class="nowrap"><i><a href="/wiki/Mussolini:_Son_of_the_Century" title="Mussolini: Son of the Century">Mussolini: Son of the Century</a></i> (2024)</span></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Awards_for_Pride_&amp;amp;_Prejudice99" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#e8e8ff;"><div id="Awards_for_Pride_&amp;amp;_Prejudice99" style="font-size:114%;margin:0 4em">Awards for <i>Pride &amp; Prejudice</i></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0;font-size:114%"><div style="padding:0px"> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Empire_Award_for_Best_British_Film38" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Empire_Award_for_Best_British_Film" title="Template:Empire Award for Best British Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Empire_Award_for_Best_British_Film" title="Template talk:Empire Award for Best British Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Empire_Award_for_Best_British_Film" title="Special:EditPage/Template:Empire Award for Best British Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Empire_Award_for_Best_British_Film38" style="font-size:114%;margin:0 4em"><a href="/wiki/Empire_Award_for_Best_British_Film" title="Empire Award for Best British Film">Empire Award for Best British Film</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Shallow_Grave_(1994_film)" title="Shallow Grave (1994 film)">Shallow Grave</a></i> (1996)</li> <li><i><a href="/wiki/Trainspotting_(film)" title="Trainspotting (film)">Trainspotting</a></i> (1997)</li> <li><i><a href="/wiki/The_Full_Monty" title="The Full Monty">The Full Monty</a></i> (1998)</li> <li><i><a href="/wiki/Lock,_Stock_and_Two_Smoking_Barrels" title="Lock, Stock and Two Smoking Barrels">Lock, Stock and Two Smoking Barrels</a></i> (1999)</li> <li><i><a href="/wiki/Notting_Hill_(film)" title="Notting Hill (film)">Notting Hill</a></i> (2000)</li> <li><i><a href="/wiki/Billy_Elliot" title="Billy Elliot">Billy Elliot</a></i> (2001)</li> <li><i><a href="/wiki/Bridget_Jones%27s_Diary_(film)" class="mw-redirect" title="Bridget Jones&#39;s Diary (film)">Bridget Jones's Diary</a></i> (2002)</li> <li><i><a href="/wiki/28_Days_Later" title="28 Days Later">28 Days Later</a></i> (2003)</li> <li><i><a href="/wiki/Love_Actually" title="Love Actually">Love Actually</a></i> (2004)</li> <li><i><a href="/wiki/Shaun_of_the_Dead" title="Shaun of the Dead">Shaun of the Dead</a></i> (2005)</li> <li><i><a class="mw-selflink selflink">Pride &amp; Prejudice</a></i> (2006)</li> <li><i><a href="/wiki/United_93_(film)" title="United 93 (film)">United 93</a></i> (2007)</li> <li><i><a href="/wiki/Atonement_(2007_film)" title="Atonement (2007 film)">Atonement</a></i> (2008)</li> <li><i><a href="/wiki/RocknRolla" title="RocknRolla">RocknRolla</a></i> (2009)</li> <li><i><a href="/wiki/Harry_Brown_(film)" title="Harry Brown (film)">Harry Brown</a></i> (2010)</li> <li><i><a href="/wiki/Kick-Ass_(film)" title="Kick-Ass (film)">Kick-Ass</a></i> (2011)</li> <li><i><a href="/wiki/Tinker_Tailor_Soldier_Spy_(film)" title="Tinker Tailor Soldier Spy (film)">Tinker Tailor Soldier Spy</a></i> (2012)</li> <li><i><a href="/wiki/Sightseers" title="Sightseers">Sightseers</a></i> (2013)</li> <li><i><a href="/wiki/The_World%27s_End_(film)" title="The World&#39;s End (film)">The World's End</a></i> (2014)</li> <li><i><a href="/wiki/Kingsman:_The_Secret_Service" title="Kingsman: The Secret Service">Kingsman: The Secret Service</a></i> (2015)</li> <li><i><a href="/wiki/Spectre_(2015_film)" title="Spectre (2015 film)">Spectre</a></i> (2016)</li> <li><i><a href="/wiki/I,_Daniel_Blake" title="I, Daniel Blake">I, Daniel Blake</a></i> (2017)</li> <li><i><a href="/wiki/God%27s_Own_Country_(2017_film)" title="God&#39;s Own Country (2017 film)">God's Own Country</a></i> (2018)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Washington_D.C._Area_Film_Critics_Association_Award_for_Best_Acting_Ensemble150" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Washington_D.C._Area_Film_Critics_Association_Award_for_Best_Ensemble" title="Template:Washington D.C. Area Film Critics Association Award for Best Ensemble"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Washington_D.C._Area_Film_Critics_Association_Award_for_Best_Ensemble" title="Template talk:Washington D.C. Area Film Critics Association Award for Best Ensemble"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Washington_D.C._Area_Film_Critics_Association_Award_for_Best_Ensemble" title="Special:EditPage/Template:Washington D.C. Area Film Critics Association Award for Best Ensemble"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Washington_D.C._Area_Film_Critics_Association_Award_for_Best_Acting_Ensemble150" style="font-size:114%;margin:0 4em"><a href="/wiki/Washington_D.C._Area_Film_Critics_Association_Award_for_Best_Ensemble" title="Washington D.C. Area Film Critics Association Award for Best Ensemble">Washington D.C. Area Film Critics Association Award for Best Acting Ensemble</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Barbershop_(film)" title="Barbershop (film)">Barbershop</a></i> (2002)</li> <li><i><a href="/wiki/Love_Actually" title="Love Actually">Love Actually</a></i> (2003)</li> <li><i><a href="/wiki/Eternal_Sunshine_of_the_Spotless_Mind" title="Eternal Sunshine of the Spotless Mind">Eternal Sunshine of the Spotless Mind</a></i> (2004)</li> <li><i><a class="mw-selflink selflink">Pride &amp; Prejudice</a></i> (2005)</li> <li><i><a href="/wiki/Little_Miss_Sunshine" title="Little Miss Sunshine">Little Miss Sunshine</a></i> (2006)</li> <li><i><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a></i> (2007)</li> <li><i><a href="/wiki/Doubt_(2008_film)" title="Doubt (2008 film)">Doubt</a></i> (2008)</li> <li><i><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a></i> (2009)</li> <li><i><a href="/wiki/The_Town_(2010_film)" title="The Town (2010 film)">The Town</a></i> (2010)</li> <li><i><a href="/wiki/Bridesmaids_(2011_film)" title="Bridesmaids (2011 film)">Bridesmaids</a></i> (2011)</li> <li><i><a href="/wiki/Les_Mis%C3%A9rables_(2012_film)" title="Les Misérables (2012 film)">Les Misérables</a></i> (2012)</li> <li><i><a href="/wiki/12_Years_a_Slave_(film)" title="12 Years a Slave (film)">12 Years a Slave</a></i> (2013)</li> <li><i><a href="/wiki/Birdman_(film)" title="Birdman (film)">Birdman or (The Unexpected Virtue of Ignorance)</a></i> (2014)</li> <li><i><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a></i> (2015)</li> <li><i><a href="/wiki/Hell_or_High_Water_(film)" title="Hell or High Water (film)">Hell or High Water</a></i> (2016)</li> <li><i><a href="/wiki/Three_Billboards_Outside_Ebbing,_Missouri" title="Three Billboards Outside Ebbing, Missouri">Three Billboards Outside Ebbing, Missouri</a></i> (2017)</li> <li><i><a href="/wiki/The_Favourite" title="The Favourite">The Favourite</a></i> (2018)</li> <li><i><a href="/wiki/Knives_Out" title="Knives Out">Knives Out</a></i> (2019)</li> <li><i><a href="/wiki/One_Night_in_Miami..." title="One Night in Miami...">One Night in Miami...</a></i> (2020)</li> <li><i><a href="/wiki/Mass_(2021_film)" title="Mass (2021 film)">Mass</a></i> (2021)</li> <li><i><a href="/wiki/Glass_Onion:_A_Knives_Out_Mystery" title="Glass Onion: A Knives Out Mystery">Glass Onion: A Knives Out Mystery</a></i> (2022)</li> <li><i><a href="/wiki/Oppenheimer_(film)" title="Oppenheimer (film)">Oppenheimer</a></i> (2023)</li> <li><i><a href="/wiki/Conclave_(film)" title="Conclave (film)">Conclave</a></i> (2024)</li></ul> </div></td></tr></tbody></table></div></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link 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class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q270385#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/212908763">VIAF</a></span><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/224415858">2</a></span></li></ul></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/7643135-6">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/no2006023754">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb15099859r">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb15099859r">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&amp;authority_id=XX5018874">Spain</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/110142225">IdRef</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐b766959bd‐lz6pw Cached time: 20250217013527 Cache expiry: 3600 Reduced expiry: true Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 1.975 seconds Real time usage: 2.207 seconds Preprocessor visited node count: 23242/1000000 Post‐expand include size: 408114/2097152 bytes Template argument size: 52493/2097152 bytes Highest expansion depth: 24/100 Expensive parser function count: 7/500 Unstrip recursion depth: 1/20 Unstrip 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Template:Infobox_film 8.59% 166.359 1 Template:Infobox 7.63% 147.782 2 Template:Reflist 5.68% 109.955 26 Template:Cite_news 5.55% 107.456 272 Template:Main_other 4.85% 93.893 4 Template:Navbox 4.70% 91.004 20 Template:Cite_journal --> <!-- Saved in parser cache with key enwiki:pcache:2312056:|#|:idhash:canonical and timestamp 20250217013527 and revision id 1276121447. Rendering was triggered because: page-view --> </div><!--esi <esi:include src="/esitest-fa8a495983347898/content" /> --><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?useformat=desktop&amp;type=1x1&amp;usesul3=0" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;oldid=1276121447">https://en.wikipedia.org/w/index.php?title=Pride_%26_Prejudice_(2005_film)&amp;oldid=1276121447</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:2005_films" title="Category:2005 films">2005 films</a></li><li><a href="/wiki/Category:2000s_historical_romance_films" title="Category:2000s historical romance 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date\"] = 1,\n [\"Further\"] = 1,\n [\"IMDb title\"] = 1,\n [\"Infobox film\"] = 1,\n [\"Joe Wright\"] = 1,\n [\"Navboxes\"] = 1,\n [\"Nom\"] = 28,\n [\"Official website\"] = 1,\n [\"Plainlist\"] = 5,\n [\"Pride and Prejudice\"] = 1,\n [\"ProQuest\"] = 2,\n [\"Quote box\"] = 2,\n [\"Refbegin\"] = 7,\n [\"Refend\"] = 7,\n [\"Reflist\"] = 2,\n [\"See also\"] = 1,\n [\"Sfn\"] = 250,\n [\"SfnRef\"] = 30,\n [\"Short description\"] = 1,\n [\"Sic\"] = 1,\n [\"Small\"] = 1,\n [\"Subscription required\"] = 2,\n [\"TCMDb title\"] = 1,\n [\"Use British English\"] = 1,\n [\"Use dmy dates\"] = 1,\n [\"Washington D.C. Area Film Critics Association Award for Best Ensemble\"] = 1,\n [\"Webarchive\"] = 1,\n [\"Wikiquote\"] = 1,\n [\"Won\"] = 5,\n}\narticle_whitelist = table#1 {\n}\nciteref_patterns = table#1 {\n}\n","limitreport-profile":[["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::callParserFunction","360","28.1"],["?","180","14.1"],["dataWrapper \u003Cmw.lua:672\u003E","140","10.9"],["recursiveClone \u003CmwInit.lua:45\u003E","100","7.8"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::match","60","4.7"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::getAllExpandedArguments","60","4.7"],["next","60","4.7"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::getEntityStatements","40","3.1"],["gsub","40","3.1"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::getExpandedArgument","40","3.1"],["[others]","200","15.6"]]},"cachereport":{"origin":"mw-web.codfw.main-b766959bd-lz6pw","timestamp":"20250217013527","ttl":3600,"transientcontent":true}}});});</script> <script type="application/ld+json">{"@context":"https:\/\/schema.org","@type":"Article","name":"Pride & Prejudice (2005 film)","url":"https:\/\/en.wikipedia.org\/wiki\/Pride_%26_Prejudice_(2005_film)","sameAs":"http:\/\/www.wikidata.org\/entity\/Q270385","mainEntity":"http:\/\/www.wikidata.org\/entity\/Q270385","author":{"@type":"Organization","name":"Contributors to Wikimedia projects"},"publisher":{"@type":"Organization","name":"Wikimedia Foundation, Inc.","logo":{"@type":"ImageObject","url":"https:\/\/www.wikimedia.org\/static\/images\/wmf-hor-googpub.png"}},"datePublished":"2005-07-26T12:35:18Z","dateModified":"2025-02-17T00:26:20Z","image":"https:\/\/upload.wikimedia.org\/wikipedia\/en\/0\/03\/Prideandprejudiceposter.jpg","headline":"2005 film directed by Joe Wright"}</script> </body> </html>

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