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Vladimir Cora - Wikipedia

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srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/72/Reminiscencias12.JPG/330px-Reminiscencias12.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/72/Reminiscencias12.JPG/440px-Reminiscencias12.JPG 2x" data-file-width="2592" data-file-height="3872" /></a><figcaption>Vladimir Cora at the Salón de la Plastica Mexicana</figcaption></figure> <p><b>Vladimir Cora</b> (born 1951, Acaponeta, Nayarit) is a <a href="/wiki/List_of_Mexican_artists" title="List of Mexican artists">Mexican painter and sculptor</a> based in the state of <a href="/wiki/Nayarit" title="Nayarit">Nayarit</a>, whose work has been recognized by various awards and membership in the <a href="/wiki/Sal%C3%B3n_de_la_Pl%C3%A1stica_Mexicana" title="Salón de la Plástica Mexicana">Salón de la Plástica Mexicana</a>. He discovered art at age fifteen, after deciding that he could not be a musician. He received training in <a href="/wiki/Tijuana" title="Tijuana">Tijuana</a> and <a href="/wiki/Mexico_City" title="Mexico City">Mexico City</a>, with his first success in the 1980s. His style has been described as neo-figurative, minimalist and coarse, and he creates his works in series usually related to the apostles, flowers, birds and women, especially those related to Nayarit. He has had over 150 individual exhibitions both in Mexico and abroad and continues to work from his home state. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Life">Life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Vladimir_Cora&amp;action=edit&amp;section=1" title="Edit section: Life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Vladimir Cora was born in San Diego el Naranjo in the municipality of <a href="/wiki/Acaponeta" title="Acaponeta">Acaponeta</a>, Nayarit. His father named him after <a href="/wiki/Vladimir_Lenin" title="Vladimir Lenin">Vladimir Lenin</a>, and his last name is derived from that of the <a href="/wiki/Cora_people" title="Cora people">Cora people</a> who are native to his home state.<sup id="cite_ref-asombran_1-0" class="reference"><a href="#cite_note-asombran-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-siembra_2-0" class="reference"><a href="#cite_note-siembra-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> </p><p>He played with lace, white paper and paintbrushes as a child, but did not discover art until he was a teenager.<sup id="cite_ref-jrodriguez_3-0" class="reference"><a href="#cite_note-jrodriguez-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> At age fourteen, he wanted to be a musician, inspired by <a href="/wiki/Carlos_Santana" title="Carlos Santana">Carlos Santana</a>, but says that he had to give it up for “…having clumsy hands.”<sup id="cite_ref-jmanzanilla_4-0" class="reference"><a href="#cite_note-jmanzanilla-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-lideres_5-0" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> He discovered art at age fifteen, working as a delivery boy for his aunt's pharmacy in <a href="/wiki/Mazatl%C3%A1n" title="Mazatlán">Mazatlán</a>. There he came across a magazine cover with a reproduction of a <a href="/wiki/Monet" class="mw-redirect" title="Monet">Monet</a> painting.<sup id="cite_ref-lideres_5-1" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-siembra_2-1" class="reference"><a href="#cite_note-siembra-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> He took some classes and began by reproducing images he saw in publications.<sup id="cite_ref-tconde_6-0" class="reference"><a href="#cite_note-tconde-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-tributo_7-0" class="reference"><a href="#cite_note-tributo-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> </p><p>He stated that when he discovered art, he decided that it was what he was born for.<sup id="cite_ref-lideres_5-2" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> Frustrated with his progress, he decided to run off to Mexico City and he remembers his first time seeing the <a href="/wiki/Palacio_de_Bellas_Artes" title="Palacio de Bellas Artes">Palacio de Bellas Artes</a>. Struggling to survive and learn art, he was in the city only six months before he hitchhiked his way to Tijuana. There he also had problems finding shelter until someone gave him room and board in exchange for some of his drawings, but he did manage to attend some classes.<sup id="cite_ref-lideres_5-3" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> After Tijuana, he returned to Mazatlán where he met with family disapproval but he says he never regretted it.<sup id="cite_ref-siembra_2-2" class="reference"><a href="#cite_note-siembra-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> Later, he entered the <a href="/wiki/Escuela_Nacional_de_Pintura,_Escultura_y_Grabado_%22La_Esmeralda%22" title="Escuela Nacional de Pintura, Escultura y Grabado &quot;La Esmeralda&quot;">Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda"</a> but only stayed for a year and a half. There he met <a href="/w/index.php?title=Gabriel_Macotela&amp;action=edit&amp;redlink=1" class="new" title="Gabriel Macotela (page does not exist)">Gabriel Macotela</a>, who introduced him to <a href="/wiki/Gilberto_Aceves_Navarro" title="Gilberto Aceves Navarro">Gilberto Aceves Navarro</a>.<sup id="cite_ref-lideres_5-4" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> He also worked in <a href="/wiki/Rufino_Tamayo" title="Rufino Tamayo">Rufino Tamayo</a>’s studio and learned various techniques that he used in his own work, but says he never tried to imitate his teacher's work.<sup id="cite_ref-jrodriguez_3-1" class="reference"><a href="#cite_note-jrodriguez-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> </p><p>Since beginning his career, he has mostly lived off his art, teaching classes as well in various places.<sup id="cite_ref-tconde_6-1" class="reference"><a href="#cite_note-tconde-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> When he works, he is in his studio from morning until night and often does not even go out to eat.<sup id="cite_ref-lideres_5-5" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> He remains in his native Nayarit and has never considered living in Mexico City to further his career or fame.<sup id="cite_ref-jrodriguez_3-2" class="reference"><a href="#cite_note-jrodriguez-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> His routine is early, getting up at 6am to run, then drinking coffee to begin painting at 730.<sup id="cite_ref-tributo_7-1" class="reference"><a href="#cite_note-tributo-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> He considers himself reclusive and tends to shy away from social events. However, he does value connections with other artists and sharing ideas with them.<sup id="cite_ref-lideres_5-6" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> When he is not painting he enjoys his aviary where he has a number of <a href="/wiki/Parrot" title="Parrot">parrot</a> and <a href="/wiki/Macaw" title="Macaw">macaw</a> species.<sup id="cite_ref-tributo_7-2" class="reference"><a href="#cite_note-tributo-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> </p><p>He has defined himself as a romantic who should have been born in the 18th century. He met his wife in 1986 and they eloped. They were separated for three years, reunited in 1989 and shortly after his first daughter Adilene was born. They did not have the religious ceremony until 1999, with painter <a href="/wiki/Manuel_Felgu%C3%A9rez" title="Manuel Felguérez">Manuel Felguérez</a> and his wife Mercedes as witnesses. The couple has two other children, Vladimir and Lica.<sup id="cite_ref-tributo_7-3" class="reference"><a href="#cite_note-tributo-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> He does not like to fly and prefers to travel by automobile when he has to travel.<sup id="cite_ref-lideres_5-7" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Career">Career</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Vladimir_Cora&amp;action=edit&amp;section=2" title="Edit section: Career"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div><p> Cora has had over 150 individual exhibitions and has participated in many more collective ones.<sup id="cite_ref-siembra_2-3" class="reference"><a href="#cite_note-siembra-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-consic_8-0" class="reference"><a href="#cite_note-consic-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> He had his very first exhibition in 1974 in Nayarit.<sup id="cite_ref-artes_9-0" class="reference"><a href="#cite_note-artes-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> He began to be able to live off his art around 1981, when he had an exhibition in <a href="/wiki/Puerto_Vallarta" title="Puerto Vallarta">Puerto Vallarta</a>, where all thirty three pieces sold in one night. He used the money to buy a car. In 1982 he entered two pieces at the first Rufino Tamayo biennale in <a href="/wiki/Oaxaca" title="Oaxaca">Oaxaca</a>. One received a prize which allowed him to meet the famous Oaxacan painter.<sup id="cite_ref-lideres_5-8" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> Since then he has had his work exhibited in a wide variety of galleries and cultural centers in Mexico such as the Museo Regional de Nayarit, the Instituto Regional de Bellas Ares in Mazatlan, the Ex-Convento del Carmen in <a href="/wiki/Guadalajara" title="Guadalajara">Guadalajara</a>, the Museo de Arte Moderno in <a href="/wiki/Culiac%C3%A1n" title="Culiacán">Culiacán</a> and the Galería HB in Mexico City.<sup id="cite_ref-artes_9-1" class="reference"><a href="#cite_note-artes-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> In 2004, he created a series of pieces such as paintings, graphic work and sculpture with fellow Mexican artist <a href="/wiki/Jazzamoart" title="Jazzamoart">Jazzamoart</a> and exhibited them.<sup id="cite_ref-riveroll_10-0" class="reference"><a href="#cite_note-riveroll-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> The series Los Apóstoles was on display in front of the Palacio de Bellas Artes in 2010.<sup id="cite_ref-asombran_1-1" class="reference"><a href="#cite_note-asombran-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> In 2013, he exhibited a series called “Reminiscencias” at the <a href="/wiki/Sal%C3%B3n_de_la_Pl%C3%A1stica_Mexicana" title="Salón de la Plástica Mexicana">Salón de la Plástica Mexicana</a>, of which he is a member.<sup id="cite_ref-llegasalon_11-0" class="reference"><a href="#cite_note-llegasalon-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> Outside of Mexico he has had exhibitions in <a href="/wiki/Palm_Springs,_California" title="Palm Springs, California">Palm Springs, CA</a>, <a href="/wiki/Havana" title="Havana">Havana</a>, <a href="/wiki/Lima" title="Lima">Lima</a> and Miami.<sup id="cite_ref-artes_9-2" class="reference"><a href="#cite_note-artes-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> He exhibited at the Kodak Gallery in the <a href="/wiki/SoHo" class="mw-redirect" title="SoHo">SoHo</a> section of New York in 2008.<sup id="cite_ref-expondr_12-0" class="reference"><a href="#cite_note-expondr-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup></p><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:El_Coraz%C3%B3n_M%C3%A1s_Grande_Del_Mundo.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/13/El_Coraz%C3%B3n_M%C3%A1s_Grande_Del_Mundo.jpg/220px-El_Coraz%C3%B3n_M%C3%A1s_Grande_Del_Mundo.jpg" decoding="async" width="220" height="140" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/13/El_Coraz%C3%B3n_M%C3%A1s_Grande_Del_Mundo.jpg/330px-El_Coraz%C3%B3n_M%C3%A1s_Grande_Del_Mundo.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/13/El_Coraz%C3%B3n_M%C3%A1s_Grande_Del_Mundo.jpg/440px-El_Coraz%C3%B3n_M%C3%A1s_Grande_Del_Mundo.jpg 2x" data-file-width="3847" data-file-height="2445" /></a><figcaption><i>The Biggest Heart On Earth.</i></figcaption></figure><p>Cora has spent most of his professional life working from his native Nayarit, rather than in Mexico City like most Mexican artists although he has a workshop in California. Much of his work has a relationship to this state, such as Danza de pájaros (Bird Dance) painted for the International Festival of Migratory Birds in <a href="/wiki/San_Blas,_Nayarit" title="San Blas, Nayarit">San Blas</a>. For this series, he built a cabin on the Palmar de Cuautla beach to observe the birds there.<sup id="cite_ref-ugto_13-0" class="reference"><a href="#cite_note-ugto-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-consic_8-1" class="reference"><a href="#cite_note-consic-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2010, Cora donated a work called The Biggest Heart On Earth to the <a href="/wiki/Guanajuato,_Guanajuato" class="mw-redirect" title="Guanajuato, Guanajuato">city of Guanajuato</a> and the <a href="/wiki/Festival_Internacional_Cervantino" title="Festival Internacional Cervantino">Festival Internacional Cervantino</a>. The piece was vandalized with graffiti and the removal of several parts. The bronze sculpture is in the shape of a human heart, which represents Nayarit, with twenty niches that represent the state’s twenty municipalities.<sup id="cite_ref-colvera_14-0" class="reference"><a href="#cite_note-colvera-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> The piece was taken out of Guanajuato because the city could not guarantee its security.<sup id="cite_ref-maltrato_15-0" class="reference"><a href="#cite_note-maltrato-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> </p><p>He received an honorary mention at the first Rufino Tamayo Biennal, the Gran Premio de Confraternidad de Cuatro Cultural at the first Iberoamerican Painting Biennal of the Instituto Andino de Artes Populares in Miami and the Fine Arts Prize of the government of Nayarit.<sup id="cite_ref-llegasalon_11-1" class="reference"><a href="#cite_note-llegasalon-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-consic_8-2" class="reference"><a href="#cite_note-consic-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Artistry">Artistry</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Vladimir_Cora&amp;action=edit&amp;section=3" title="Edit section: Artistry"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Reminiscencias01.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a5/Reminiscencias01.JPG/220px-Reminiscencias01.JPG" decoding="async" width="220" height="366" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a5/Reminiscencias01.JPG/330px-Reminiscencias01.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a5/Reminiscencias01.JPG/440px-Reminiscencias01.JPG 2x" data-file-width="2213" data-file-height="3684" /></a><figcaption>Cora with one of his sculptures at a 2013 exhibition</figcaption></figure> <p>Cora is a painter and a sculptor. He began painting with oils on canvas and then began to work with acrylics and enamels. Today he mixes the mediums, for example enamels over previously painted oil and sometimes adding texture and volume to paintings, but prefers acrylics because they dry faster.<sup id="cite_ref-lideres_5-9" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-jmanzanilla_4-1" class="reference"><a href="#cite_note-jmanzanilla-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> His paintings are medium-sized but some are large, and his work, especially the addition of enamel, has been described by Mexican art critic <a href="/wiki/Teresa_del_Conde" title="Teresa del Conde">Teresa del Conde</a> as giving a Northern Mexican or <a href="/wiki/Chicano" title="Chicano">Chicano</a> look.<sup id="cite_ref-tconde_6-2" class="reference"><a href="#cite_note-tconde-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> Later he began sculpting, starting with wood, then plaster and bronze.<sup id="cite_ref-lideres_5-10" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> His sculptures tend to be either small scale with a popular art character or sculptures of medium or large size. Many of his sculptures are made by modifying natural formations such as tree roots or twisted tree trunks. His bronze works show influence from <a href="/w/index.php?title=Alberto_Castro_Le%C3%B1ero&amp;action=edit&amp;redlink=1" class="new" title="Alberto Castro Leñero (page does not exist)">Alberto Castro Leñero</a>, which whom he has worked.<sup id="cite_ref-tconde_6-3" class="reference"><a href="#cite_note-tconde-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p><p>Much of his work is classified as neo-figurative.<sup id="cite_ref-jmanzanilla_4-2" class="reference"><a href="#cite_note-jmanzanilla-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> His work has been described as a “… skillful exercise of composition and color, of the transformation of color to a primordial form…”<sup id="cite_ref-mamunoz_16-0" class="reference"><a href="#cite_note-mamunoz-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> He often paints without sketching first once he has a theme as he likes to be spontaneous.<sup id="cite_ref-lideres_5-11" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> Cora believes that art should relate to “ancestral memory” and old myths applied to modern reality.<sup id="cite_ref-mamunoz_16-1" class="reference"><a href="#cite_note-mamunoz-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> His development as an artist has not experienced serious changes in direction or jumps from one style to another. He has maintained a consistent identity, using rich colors in a minimalist style.<sup id="cite_ref-juegos_17-0" class="reference"><a href="#cite_note-juegos-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> His painting technique is not sophisticated or elegant but rather expressionist, coarse and spontaneous. His use of light and color shows influence from Rufino Tamayo.<sup id="cite_ref-mamunoz_16-2" class="reference"><a href="#cite_note-mamunoz-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> Northern Mexican influence in his work comes from classes in Tijuana as well as exhibitions and work done in Laguna Beach and other cities in California.<sup id="cite_ref-tconde_6-4" class="reference"><a href="#cite_note-tconde-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p><p>Almost all of his work is done in series, based on a theme.<sup id="cite_ref-lideres_5-12" class="reference"><a href="#cite_note-lideres-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> Recurring themes in his work are the <a href="/wiki/Twelve_Apostles" class="mw-redirect" title="Twelve Apostles">Twelve Apostles</a>, flowers, fruit, birds and female nudes.<sup id="cite_ref-llegasalon_11-2" class="reference"><a href="#cite_note-llegasalon-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> His depictions of women are often related to the concepts of desire and devotion, often with the body partially hidden to give a sense of looking into a private scene. When the woman is completely shown, she often assumes monumental proportions with solid anatomy.<sup id="cite_ref-ugto_13-1" class="reference"><a href="#cite_note-ugto-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> Female themes have included a series on “Señorita Tecuala,” a stereotype of tropical women from Nayarit and his wife, who was the inspiration for the series, “Natura: Flores para Mary” which was exhibited at the <a href="/wiki/Jos%C3%A9_Luis_Cuevas_Museum" title="José Luis Cuevas Museum">José Luis Cuevas Museum</a> .<sup id="cite_ref-consic_8-3" class="reference"><a href="#cite_note-consic-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-tributo_7-4" class="reference"><a href="#cite_note-tributo-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> His more recent work often gives the sense of looking at a private moment.<sup id="cite_ref-mamunoz_16-3" class="reference"><a href="#cite_note-mamunoz-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Casa_Museo_Vladimir_Cora">Casa Museo Vladimir Cora</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Vladimir_Cora&amp;action=edit&amp;section=4" title="Edit section: Casa Museo Vladimir Cora"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The Casa Museo Vladimir Cora was founded by the artist in 1999. It contains a collection of his works from the 1980s to the present as well as pieces from the Castro Leñero brothers, Rufino Tamayo, <a href="/wiki/Francisco_Toledo" title="Francisco Toledo">Francisco Toledo</a>, <a href="/wiki/Sebasti%C3%A1n_(sculptor)" title="Sebastián (sculptor)">Sebastián</a>, Manuel Felguérez, Vicente Rojo and Gabriel Macotela. It also holds between two and four temporary exhibitions each year in paintings, graphic work and sculpture. The building dates from the 19th century.<sup id="cite_ref-sicgob_18-0" class="reference"><a href="#cite_note-sicgob-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-consic_8-4" class="reference"><a href="#cite_note-consic-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></span></span></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Vladimir_Cora" class="extiw" title="commons:Category:Vladimir Cora">Vladimir Cora</a></span>.</div></div> </div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Vladimir_Cora&amp;action=edit&amp;section=5" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-asombran-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-asombran_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-asombran_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation news cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.informador.com.mx/cultura/2010/190474/6/los-apostoles-de-vladimir-cora-asombran-en-bellas-artes.htm">"Los Apóstoles de Vladimir Cora asombran en Bellas Artes"</a> &#91;The Apostles of Vladivir amaze at the Palacio de Bellas Artes&#93;. <i>El Informador</i> (in Spanish). Guadalajara. April 2, 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=El+Informador&amp;rft.atitle=Los+Ap%C3%B3stoles+de+Vladimir+Cora+asombran+en+Bellas+Artes&amp;rft.date=2010-04-02&amp;rft_id=http%3A%2F%2Fwww.informador.com.mx%2Fcultura%2F2010%2F190474%2F6%2Flos-apostoles-de-vladimir-cora-asombran-en-bellas-artes.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-siembra-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-siembra_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-siembra_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-siembra_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-siembra_2-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.conaculta.gob.mx/detalle-nota/?id=3598">"Siembra Vladimir Cora 12 apóstoles gigantes en la explanada del Palacio de Bellas"</a> &#91;Vladimir Cora plants 12 giant apostles in the esplanade of the Palacio de Bellas Artes&#93; (in Spanish). Mexico: CONACULTA. March 22, 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Siembra+Vladimir+Cora+12+ap%C3%B3stoles+gigantes+en+la+explanada+del+Palacio+de+Bellas&amp;rft.place=Mexico&amp;rft.pub=CONACULTA&amp;rft.date=2010-03-22&amp;rft_id=http%3A%2F%2Fwww.conaculta.gob.mx%2Fdetalle-nota%2F%3Fid%3D3598&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-jrodriguez-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-jrodriguez_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-jrodriguez_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-jrodriguez_3-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJuan_Rodriguez1996" class="citation news cs1 cs1-prop-foreign-lang-source">Juan Rodriguez (April 21, 1996). "Vladimir Cora: Banadas por la luz y el calor del tropico mexicano, sus obras se exhiben en Los Angeles" &#91;Vladimir Cora: Bathed in the light and heat of tropical Mexico, his works are exhibited in Los Angeles&#93;. <i>La Opinion</i> (in Spanish). Los Angeles. p.&#160;1D.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=La+Opinion&amp;rft.atitle=Vladimir+Cora%3A+Banadas+por+la+luz+y+el+calor+del+tropico+mexicano%2C+sus+obras+se+exhiben+en+Los+Angeles&amp;rft.pages=1D&amp;rft.date=1996-04-21&amp;rft.au=Juan+Rodriguez&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-jmanzanilla-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-jmanzanilla_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-jmanzanilla_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-jmanzanilla_4-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJosé_Manzanilla2012" class="citation news cs1 cs1-prop-foreign-lang-source">José Manzanilla (July 28, 2012). <a rel="nofollow" class="external text" href="http://www.correo-gto.com.mx/cultura/48512-lineas-del-tiempo-de-vladimir-cora.html">"Líneas del tiempo de Vladimir Cora"</a> &#91;Lines of time of Vladimir Cora&#93;. <i>El Correo</i> (in Spanish). Guanajuato<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=El+Correo&amp;rft.atitle=L%C3%ADneas+del+tiempo+de+Vladimir+Cora&amp;rft.date=2012-07-28&amp;rft.au=Jos%C3%A9+Manzanilla&amp;rft_id=http%3A%2F%2Fwww.correo-gto.com.mx%2Fcultura%2F48512-lineas-del-tiempo-de-vladimir-cora.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-lideres-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-lideres_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-lideres_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-lideres_5-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-lideres_5-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-lideres_5-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-lideres_5-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-lideres_5-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-lideres_5-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-lideres_5-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-lideres_5-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-lideres_5-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-lideres_5-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-lideres_5-12"><sup><i><b>m</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGonzález" class="citation web cs1 cs1-prop-foreign-lang-source">González, Jesús Isaac. <a rel="nofollow" class="external text" href="http://lideresmexicanos.com/revista/contenido/semblanza/2803-vladimir.html">"Vladimir Cora / Artista plástico"</a> &#91;Vladimir Cora/Artist&#93; (in Spanish). Mexico City: Lideres Mexicanos magazine<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Vladimir+Cora+%2F+Artista+pl%C3%A1stico&amp;rft.place=Mexico+City&amp;rft.pub=Lideres+Mexicanos+magazine&amp;rft.aulast=Gonz%C3%A1lez&amp;rft.aufirst=Jes%C3%BAs+Isaac&amp;rft_id=http%3A%2F%2Flideresmexicanos.com%2Frevista%2Fcontenido%2Fsemblanza%2F2803-vladimir.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-tconde-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-tconde_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-tconde_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-tconde_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-tconde_6-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-tconde_6-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTeresa_del_Conde2006" class="citation news cs1 cs1-prop-foreign-lang-source">Teresa del Conde (February 21, 2006). <a rel="nofollow" class="external text" href="http://www.jornada.unam.mx/2006/02/21/index.php?section=opinion&amp;article=a06a1cul">"Vladimir Cora en el museo Cuevas"</a> &#91;Vladimir Cora at the Cuevas Museum&#93;. <i>Milenio</i> (in Spanish). Mexico City<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Milenio&amp;rft.atitle=Vladimir+Cora+en+el+museo+Cuevas&amp;rft.date=2006-02-21&amp;rft.au=Teresa+del+Conde&amp;rft_id=http%3A%2F%2Fwww.jornada.unam.mx%2F2006%2F02%2F21%2Findex.php%3Fsection%3Dopinion%26article%3Da06a1cul&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-tributo-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-tributo_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-tributo_7-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-tributo_7-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-tributo_7-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-tributo_7-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDora_Luz_Haw2006" class="citation news cs1 cs1-prop-foreign-lang-source">Dora Luz Haw (January 25, 2006). "Tributo de Cora al amor" &#91;Cora’s tribute to love&#93;. <i>Mural</i> (in Spanish). Guadalajara. p.&#160;5.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Mural&amp;rft.atitle=Tributo+de+Cora+al+amor&amp;rft.pages=5&amp;rft.date=2006-01-25&amp;rft.au=Dora+Luz+Haw&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-consic-8"><span class="mw-cite-backlink">^ <a href="#cite_ref-consic_8-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-consic_8-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-consic_8-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-consic_8-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-consic_8-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.sic.gob.mx/ficha.php?table=artista&amp;table_id=418">"Vladimir Cora"</a>. <i>Sistema de Información Cultural</i> (in Spanish). Mexico: CONACULTA<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Sistema+de+Informaci%C3%B3n+Cultural&amp;rft.atitle=Vladimir+Cora&amp;rft_id=http%3A%2F%2Fwww.sic.gob.mx%2Fficha.php%3Ftable%3Dartista%26table_id%3D418&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-artes-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-artes_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-artes_9-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-artes_9-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.arts-history.mx/sitios/index.php?id_sitio=631918&amp;id_seccion=974096&amp;id_subseccion=771376&amp;id_documento=860">"Vladimir Cora"</a> (in Spanish). Mexico City: Artes e Historia magazine<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Vladimir+Cora&amp;rft.place=Mexico+City&amp;rft.pub=Artes+e+Historia+magazine&amp;rft_id=http%3A%2F%2Fwww.arts-history.mx%2Fsitios%2Findex.php%3Fid_sitio%3D631918%26id_seccion%3D974096%26id_subseccion%3D771376%26id_documento%3D860&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-riveroll-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-riveroll_10-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJulieta_Riveroll2004" class="citation news cs1 cs1-prop-foreign-lang-source">Julieta Riveroll (August 6, 2004). "Unen en el lienzo pasiones y color" &#91;He unites passions and color on canvas&#93;. <i>Reforma</i> (in Spanish). Mexico City. p.&#160;3.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Reforma&amp;rft.atitle=Unen+en+el+lienzo+pasiones+y+color&amp;rft.pages=3&amp;rft.date=2004-08-06&amp;rft.au=Julieta+Riveroll&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-llegasalon-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-llegasalon_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-llegasalon_11-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-llegasalon_11-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.eluniversal.com.mx/notas/896530.html">"Vladimir Cora llega al Salón de Plástica Mexicana"</a> &#91;Vladimir Cora arrives to the Salón de la Plástica Mexicana&#93;. <i>El Universal</i> (in Spanish). Mexico City. January 17, 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=El+Universal&amp;rft.atitle=Vladimir+Cora+llega+al+Sal%C3%B3n+de+Pl%C3%A1stica+Mexicana&amp;rft.date=2013-01-17&amp;rft_id=http%3A%2F%2Fwww.eluniversal.com.mx%2Fnotas%2F896530.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-expondr-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-expondr_12-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1 cs1-prop-foreign-lang-source">"Expondrá en Nueva York su obra el artista mexicano Vladimir Cora" &#91;Mexican artists will exhibit his work in New York&#93;. <i>NOTIMEX</i> (in Spanish). Mexico City. March 15, 2008.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=NOTIMEX&amp;rft.atitle=Expondr%C3%A1+en+Nueva+York+su+obra+el+artista+mexicano+Vladimir+Cora.&amp;rft.date=2008-03-15&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-ugto-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-ugto_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ugto_13-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCarlos_Ashida" class="citation web cs1 cs1-prop-foreign-lang-source">Carlos Ashida. <a rel="nofollow" class="external text" href="http://www.extension.ugto.mx/descargas/expos/textos_octubre/expo_polivalente.pdf">"Vladimir Cora Danza de Pájaros"</a> &#91;Vladimir Cora Dance of Birds&#93; <span class="cs1-format">(PDF)</span> (in Spanish). Guanajuato: Universidad Autónoma de Guanajuato<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Vladimir+Cora+Danza+de+P%C3%A1jaros&amp;rft.place=Guanajuato&amp;rft.pub=Universidad+Aut%C3%B3noma+de+Guanajuato&amp;rft.au=Carlos+Ashida&amp;rft_id=http%3A%2F%2Fwww.extension.ugto.mx%2Fdescargas%2Fexpos%2Ftextos_octubre%2Fexpo_polivalente.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-colvera-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-colvera_14-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCarlos_Olvera2012" class="citation news cs1 cs1-prop-foreign-lang-source">Carlos Olvera (October 2, 2012). <a rel="nofollow" class="external text" href="http://www.milenio.com/cdb/doc/noticias2011/db17136396fb0da979c9161811eb2bac">"Obra de Vladimir Cora, víctima del vandalismo en Guanajuato"</a> &#91;Work by Vladimir Cora victim of vandalism in Guanajuato&#93;. <i>Milenio</i> (in Spanish). Mexico City<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Milenio&amp;rft.atitle=Obra+de+Vladimir+Cora%2C+v%C3%ADctima+del+vandalismo+en+Guanajuato&amp;rft.date=2012-10-02&amp;rft.au=Carlos+Olvera&amp;rft_id=http%3A%2F%2Fwww.milenio.com%2Fcdb%2Fdoc%2Fnoticias2011%2Fdb17136396fb0da979c9161811eb2bac&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-maltrato-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-maltrato_15-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.milenio.com/cdb/doc/noticias2011/cda5637c29b310147f5b9d343140d649">"La escultura de Cora se iría por maltrato y falta de seguridad: FIC"</a> &#91;Cora’s sculpture will go because of mistreatment and lack of security: Festival Internacional Cervantino&#93;. <i>Milenio</i> (in Spanish). Mexico City. October 2, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Milenio&amp;rft.atitle=La+escultura+de+Cora+se+ir%C3%ADa+por+maltrato+y+falta+de+seguridad%3A+FIC&amp;rft.date=2012-10-02&amp;rft_id=http%3A%2F%2Fwww.milenio.com%2Fcdb%2Fdoc%2Fnoticias2011%2Fcda5637c29b310147f5b9d343140d649&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-mamunoz-16"><span class="mw-cite-backlink">^ <a href="#cite_ref-mamunoz_16-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-mamunoz_16-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-mamunoz_16-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-mamunoz_16-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiguel_Angel_Muñoz" class="citation web cs1 cs1-prop-foreign-lang-source">Miguel Angel Muñoz. <a rel="nofollow" class="external text" href="http://www.difusioncultural.uam.mx/casadeltiempo/50_51_iv_dic_ene_2012/casa_del_tiempo_eIV_num_50_51_57_61.pdf">"Vladimir Cora La contemplación de la luz"</a> &#91;Vladimir Cora Contemplation of light&#93; <span class="cs1-format">(PDF)</span> (in Spanish). Mexico City: Universidad Autónoma Metropolitana<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Vladimir+Cora+La+contemplaci%C3%B3n+de+la+luz&amp;rft.place=Mexico+City&amp;rft.pub=Universidad+Aut%C3%B3noma+Metropolitana&amp;rft.au=Miguel+Angel+Mu%C3%B1oz&amp;rft_id=http%3A%2F%2Fwww.difusioncultural.uam.mx%2Fcasadeltiempo%2F50_51_iv_dic_ene_2012%2Fcasa_del_tiempo_eIV_num_50_51_57_61.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-juegos-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-juegos_17-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.siempre.com.mx/2012/07/los-juegos-esteticos-de-vladimir-cora/">"Los juegos estéticos de Vladimir Cora"</a> &#91;The aesthetic games of Vladimir Cora&#93; (in Spanish). Mexico City: ¡Siempre! magazine. July 21, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Los+juegos+est%C3%A9ticos+de+Vladimir+Cora&amp;rft.place=Mexico+City&amp;rft.pub=%C2%A1Siempre%21+magazine&amp;rft.date=2012-07-21&amp;rft_id=http%3A%2F%2Fwww.siempre.com.mx%2F2012%2F07%2Flos-juegos-esteticos-de-vladimir-cora%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> <li id="cite_note-sicgob-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-sicgob_18-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://sic.gob.mx/ficha.php?table=museo&amp;table_id=643">"Casa Museo Vladimir Cora"</a> &#91;Vladimir Cora House Museum&#93;. <i>Sistema de Información Cultural</i> (in Spanish). Mexico: CONACULTA<span class="reference-accessdate">. Retrieved <span class="nowrap">January 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Sistema+de+Informaci%C3%B3n+Cultural&amp;rft.atitle=Casa+Museo+Vladimir+Cora&amp;rft_id=http%3A%2F%2Fsic.gob.mx%2Fficha.php%3Ftable%3Dmuseo%26table_id%3D643&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AVladimir+Cora" class="Z3988"></span></span> </li> </ol></div></div> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl 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href="https://isni.org/isni/0000000031449450">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/50939193">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/361410/">FAST</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJr3tqdbXy3rjvhgcqCPcP">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n95086397">United States</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐f69cdc8f6‐7zkrf Cached time: 20241123013222 Cache expiry: 2592000 Reduced expiry: 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