Calenda - CFP: Reactivating Archives in Contemporary Art

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <meta http-equiv="Content-type" content="text/html; charset=utf-8" /> <meta http-equiv="Content-language" content="" /> <link rel="shortcut icon" type="image/x-icon" href="favicon.ico" /> <title>Calenda - CFP: Reactivating Archives in Contemporary Art</title> <link rel="stylesheet" type="text/css" href="https://static-origin.openedition.org/openbarre_/styles/main.css?date=2018-11-06" /> <link rel="stylesheet" type="text/css" href="css/screen.css" media="screen, print" /> <link rel="stylesheet" type="text/css" href="css/print.css" media="print" /> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script> <meta name="twitter:card" content="summary" /> <meta property="og:type" content="article" /> <meta name="twitter:site" content="@calendaSHS" /> <meta property="og:url" content="https://calenda.org/1240085" /> <meta property="og:title" content="CFP: Reactivating Archives in Contemporary Art" /> <meta property="og:description" content="For this international conference, researchers and cultural practitioners are invited to explore the articulation of archives in contemporary art. We are interested in exploring how archival materi..." /> <meta property="og:image" content="https://calenda.org/images/favicon_150x150.png" /> <meta name="DC.rights" content="https://creativecommons.org/publicdomain/zero/1.0/" /> <meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no"></head> <body> <div id="ob-breadcrumb" class="ob-breadcrumb-calenda"> <div class="container"> <a href="https://calenda.org">Accueil</a><a href=""><span>CFP: Reactivating Archives in Contemporary Art</span></a> </div> </div> <div id="wrapper"> <div id="content"> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script> <div class="colwrapper"> <div id="icon" class="column"> <h2><a href="search?primary=ftype&ftype=40">Appel 脿 contribution</a><span><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a></span></h2> <div id="tabledates"> <h2>Dates</h2> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2025&fmonth=03&fday=31">31</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2025&fmonth=03">mar</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2025">2025</a></div> </td> </tr> </tbody> </table> </div> </div> <div id="listcategories"> <h2>Cat茅gories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=279">Patrimoine</a></li> <li><a href="search?primary=fsubject&fsubject=326">XXIe si猫cle</a></li> <li><a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=281">Identit茅s culturelles</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="1240085">CFP: Reactivating Archives in Contemporary Art</a></h1> </div> <div class="mapuce2">*  *  *</div> <p id="pubdate"> Publi茅 le jeudi 06 mars 2025 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div id="resume-1240085-en" class="tabContent" lang="en" xml:lang="en"> <p style="text-align: left;">For this international conference, researchers and cultural practitioners are invited to explore the articulation of archives in contemporary art. We are interested in exploring how archival materials and frameworks have been mobilised in artistic projects to facilitate and amplify processes of transmission, re-organisation and interrogation. We also welcome papers that foster debates around the role of archival-based art in building the present and the future.</p> <p> </p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-1240085-en" class="tabContent" lang="en" xml:lang="en"> <p style="text-align: left;">International Conference: Reactivating Archives in Contemporary Art -<strong> </strong>2-3 October 2025, Universidade Nova de Lisboa (Lisbon)<br>Supported by the Leverhulme Trust and the Fundação para a Ciência e Tecnologia (FCT)</p> <h1>Argument</h1> <p style="text-align: left;">Since the late 1990s, the archive has paradoxically become both a buzzword and an integral part of the vocabularies of academia and contemporary art (Callahan, 2022). Scholars, art critics, artists and museums have increasingly addressed the production, articulation, curation and destruction of archival material to discuss matters of presence and visibility, which can also be situated in a wider problematization of the relationship between art and documentation (Groys, 2008). Debates on the archive as a structure, a technology and an institution have also taken centre stage: through its processes of montage, deconstruction and reassemblage, archival-based art has challenged “official” histories and exposed the power relations that permeate our visual repertoires.<br><br>The archive has therefore always been a space of dispute and has played a key role in memory activism struggles. Archival documentation can be seen as a symptom of the contemporary obsession with memory, and archival-based art holds a multifaceted relationship to notions of evidence, referencing and (re)appropriation. This is because, on the one hand, the archive can facilitate the exploration of past practices and affective knowledge, opening up new paths for collaborative work and shared lexicons. On the other, the archive is also a site for the fetishization of past experiences, the imposition of meaning, and processes of censorship or self-censorship. In this sense, archive-based contemporary art has often negotiated between the poetic and the political, offering opportunities for constant (un)learning, reconstruction and reinterpretation.<br><br>For this conference, our focus is two-fold: on the images, objects, themes and narratives we (do not) see or “find” in archives, and on the ways in which peoples, histories and knowledges are connected and disconnected through archival structures and apparatuses. We invite contributing scholars to reflect on how contemporary artists have been mobilising archival materials and frameworks in their practices to facilitate and amplify processes of transmission, re- organisation and interrogation. What do artistic archival projects tell us about the impulse (Foster, 2004) and impossibility to archive everything? In their processes of excavation, how can artists bring to the surface stories that have been buried, erased, hidden or displaced? And how can these (re)activated archives help us challenge notions of narrative stability, temporal linearity and neutrality?<br><br>Notions of access and who has the right to (the) archive (Azoulay, 2019) are also central to this conference. We are interested in exploring the intersections between autobiographical, fictional and documentary archival narratives and welcome papers that question and renegotiate dichotomies such as personal and institutional, affective and objective, preservation and neglect. How can we ensure that caring for artistic documents and images is done critically and in common? How might artistic archival projects challenge the notion of collective memory, and what are the artistic strategies employed for building multidirectional or conflicting narratives (Huyssen, 2003, 2022; Rothberg, 2009)? How do artists manage to remain aware of how archives were constituted, but also think creatively beyond it?</p> <h1>Submission guidelines</h1> <p class="MsoNormal" style="text-align: left;">We want to celebrate the diversity and heterogeneity of archival-inspired art and are therefore keen on learning from and about practices and projects from different geographical contexts. We are also particularly interested in the interdisciplinary and multimedia ways in which archives are mobilised and (re)activated to the public. Possible topics for presentation might include (but are not limited to):</p> <ul> <li class="MsoNormal">Artistic archival research: how, when, where, for whom?</li> <li class="MsoNormal">The artist as archivist: questions of authorship and self-reflexivity</li> <li class="MsoNormal">Documenting and (re)presenting ephemeral works</li> <li class="MsoNormal">Audience engagement with archival-based, multimedia works</li> <li class="MsoNormal">Archives and activism: how images can be a political tool</li> <li class="MsoNormal">The past in the present: rethinking images of resistance today</li> <li class="MsoNormal">Archiving now and for the future: institutional, practical and conceptual challenges</li> <li class="MsoNormal">Making space for unreliable memories and informal knowledges within the archive</li> </ul> <p class="MsoNormal" style="text-align: left;">We welcome both academic papers and creative contributions (i.e., visual essays, interactive workshops). Please submit abstracts (max. 300 words for 20-minute presentations) and a short biographical note (max. 250 words) to <strong>reactivatingarchives@gmail.com</strong>,</p> <h3 class="MsoNormal">by 31 March 2025. </h3> <p class="MsoNormal" style="text-align: left;">While this is an in-person conference, we might accept a small number of online presentations for accessibility reasons; if this applies, please let us know when you submit your abstract. We aim to respond to authors in April. No conference fees will be charged. Following the conference, we will invite selected papers for inclusion in an edited volume.</p> <h1>Scientific committee</h1> <ul> <li class="MsoNormal"><span class="wixui-rich-texttext">Amanda Tavares</span>, <span class="wixui-rich-texttext">IHA-NOVA FCSH / IN2PAST</span>, <span class="wixui-rich-texttext">Nouvelle université de Lisbonne</span></li> <li class="MsoNormal"><span class="wixui-rich-texttext">Ana Balona de Oliveira</span>, <span class="wixui-rich-texttext">IHA-NOVA FCSH / IN2PAST</span>, <span class="wixui-rich-texttext">Nouvelle université de Lisbonne</span></li> <li class="MsoNormal"><span class="wixui-rich-texttext">Émilie Goudal</span>, <span class="wixui-rich-texttext">Centre d’Étude des Arts Contemporains</span>, <span class="wixui-rich-texttext">l'Université de Lille</span></li> <li class="MsoNormal"><span class="wixui-rich-texttext">Margarida Brito Alves</span>, <span class="wixui-rich-texttext">IHA-NOVA FCSH / IN2PAST</span>, <span class="wixui-rich-texttext">Nouvelle université de Lisbonne</span></li> <li class="MsoNormal"><span class="wixui-rich-texttext">Moira Cristi</span>, <span class="wixui-rich-texttext">Institut de recherche Gino Germani</span>, <span class="wixui-rich-texttext">L'Université de Buenos Aires</span></li> </ul> <h1 class="MsoNormal">Organising Committee/Presidents</h1> <ul> <li class="MsoNormal"><span class="wixui-rich-texttext">Amanda Tavares</span>, <span class="wixui-rich-texttext">Chercheur post-doctorant</span>, <span class="wixui-rich-texttext">IHA-NOVA FCSH / IN2PAST</span> - <span class="wixui-rich-texttext">Financé par le Leverhulme Trust</span></li> <li class="MsoNormal"><span class="wixui-rich-texttext">Tainan Barbosa</span>, <span class="wixui-rich-texttext">Chercheur au doctorat</span> , <span class="wixui-rich-texttext">IHA-NOVA FCSH / IN2PAST</span>, <span class="wixui-rich-texttext">Nouvelle université de Lisbonne</span> - <span class="wixui-rich-texttext">Financé par la FCT</span></li> </ul> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=279">Patrimoine</a></li> <li><a href="search?primary=fsubject&fsubject=302">P茅riodes</a> > <a href="search?primary=fsubject&fsubject=317">脡poque contemporaine</a> > <a href="search?primary=fsubject&fsubject=326">XXIe si猫cle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=281">Identit茅s culturelles</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Audit贸rio B1, Torre B - Universidade Nova de Lisboa: Avenida de Berna, 26C <br/> Lisbonne, Portugal (1069-061) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'茅v茅nement</h2> <p>脡v茅nement hybride sur site et en ligne</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>lundi 31 mars 2025</li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>archive, contemporary art, memory, activism, documentation, engagement</li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://reactivatingarchives.wixsite.com/conference"></a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Amanda Tavares<br/><em>courriel :</em> reactivatingarchives [at] gmail [dot] com</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 CFP: Reactivating Archives in Contemporary Art 禄, <span class="category">Appel 脿 contribution</span>, <em>Calenda</em>, Publi茅 le jeudi 06 mars 2025, <a class="url" href="https://doi.org/10.58079/13fjx">https://doi.org/10.58079/13fjx</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1240085?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1240085?formatage=print">Imprimer</a> <a id="signaler" 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