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Martin Crimp - Wikipedia

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.mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><p><b>Martin Andrew Crimp</b> (born 14 February 1956 in <a href="/wiki/Dartford" title="Dartford">Dartford</a>, Kent) is a <a href="/wiki/British_people" title="British people">British</a> <a href="/wiki/Playwright" title="Playwright">playwright</a>. </p><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Martin Crimp</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Martin_Crimp.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/40/Martin_Crimp.jpg/220px-Martin_Crimp.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/40/Martin_Crimp.jpg/330px-Martin_Crimp.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/40/Martin_Crimp.jpg/440px-Martin_Crimp.jpg 2x" data-file-width="2626" data-file-height="1751"></a></span><div class="infobox-caption">Crimp (centre) at the <a href="https://fr.wikipedia.org/wiki/Th%C3%A9%C3%A2tre_des_Abbesses" class="extiw" title="fr:Théâtre des Abbesses">Théâtre des Abbesses</a>, Paris</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Martin Andrew Crimp</div><br><span style="display:none"> (<span class="bday">1956-02-14</span>) </span>14 February 1956<span class="noprint ForceAgeToShow"> (age 68)</span><br><div style="display:inline" class="birthplace"><a href="/wiki/Dartford" title="Dartford">Dartford</a>, Kent, England</div></td></tr><tr><th scope="row" class="infobox-label">Occupation</th><td class="infobox-data role">Playwright</td></tr></tbody></table> <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none"><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><span class="toctogglespan"><label class="toctogglelabel" for="toctogglecheckbox"></label></span></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#Early_life_and_career"><span class="tocnumber">1</span> <span class="toctext">Early life and career</span></a></li> <li class="toclevel-1 tocsection-2"><a href="#Professional_career"><span class="tocnumber">2</span> <span class="toctext">Professional career</span></a> <ul> <li class="toclevel-2 tocsection-3"><a href="#Playwright"><span class="tocnumber">2.1</span> <span class="toctext">Playwright</span></a></li> <li class="toclevel-2 tocsection-4"><a href="#Theatre_translator"><span class="tocnumber">2.2</span> <span class="toctext">Theatre translator</span></a></li> <li class="toclevel-2 tocsection-5"><a href="#Opera_librettist"><span class="tocnumber">2.3</span> <span class="toctext">Opera librettist</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-6"><a href="#Works"><span class="tocnumber">3</span> <span class="toctext">Works</span></a> <ul> <li class="toclevel-2 tocsection-7"><a href="#Plays"><span class="tocnumber">3.1</span> <span class="toctext">Plays</span></a></li> <li class="toclevel-2 tocsection-8"><a href="#Translations"><span class="tocnumber">3.2</span> <span class="toctext">Translations</span></a></li> <li class="toclevel-2 tocsection-9"><a href="#Opera_libretti"><span class="tocnumber">3.3</span> <span class="toctext">Opera libretti</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-10"><a href="#References"><span class="tocnumber">4</span> <span class="toctext">References</span></a></li> <li class="toclevel-1 tocsection-11"><a href="#External_links"><span class="tocnumber">5</span> <span class="toctext">External links</span></a></li> </ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(1)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Early_life_and_career">Early life and career</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=1" title="Edit section: Early life and career" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-1 collapsible-block" id="mf-section-1"> <p>The son of John Crimp, a British Rail signalling engineer, and his wife Jennie, Crimp's family moved in 1960 to <a href="/wiki/Streatham" title="Streatham">Streatham</a> where he attended a local primary school before winning a scholarship to <a href="/wiki/Dulwich_College" title="Dulwich College">Dulwich College</a>. But when his father was transferred to York, he went to the nearby <a href="/wiki/Pocklington_School" title="Pocklington School">Pocklington School</a>, where he showed an aptitude for languages, music, English literature, and theatre. He read English at <a href="/wiki/St_Catharine%27s_College,_Cambridge" title="St Catharine's College, Cambridge">St Catharine's College, Cambridge</a> (1975–78), where his first play <i>Clang</i> was staged by fellow student <a href="/wiki/Roger_Michell" title="Roger Michell">Roger Michell</a>.<sup id="cite_ref-:0_1-0" class="reference"><a href="#cite_note-:0-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Before establishing himself as a playwright, he put together <i>An Anatomy</i>, a collection of short stories, and also wrote a novel <i>Still Early Days</i>. These remain unpublished. </p><p>His first six plays were performed at the <a href="/wiki/Orange_Tree_Theatre" title="Orange Tree Theatre">Orange Tree Theatre</a> in Richmond. As he told Marsha Hanlon in an interview for the Orange Tree appeal brochure in 1991: "When the Orange Tree ran a workshop for local writers [in September 1981], I was invited to take part. The carrot was the chance of a lunchtime production, so I wrote <i>Living Remains</i> and the Orange Tree staged it – my first-ever produced play! I was so excited that I didn't think about the space where it was performed [then a room above a pub], but now I realise that the Orange Tree's intimacy and simplicity provided an extra layer of excitement." </p><p>Seven of his plays, and his second Ionesco translation have also been presented at the Royal Court Theatre, London, where he became writer-in-residence in 1997. </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(2)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Professional_career">Professional career</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=2" title="Edit section: Professional career" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-2 collapsible-block" id="mf-section-2"> <div class="mw-heading mw-heading3"><h3 id="Playwright">Playwright</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=3" title="Edit section: Playwright" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <p>Crimp’s play Attempts on Her Life, which premiered at London’s Royal Court Theatre in 1997, was described by critic <a href="/wiki/Aleks_Sierz" title="Aleks Sierz">Aleks Sierz</a> as the "event that secured his reputation as the most innovative, most exciting, and most exportable playwright of his generation" [Sierz, Aleks, Aleks, (2013) p.48].<sup id="cite_ref-:0_1-1" class="reference"><a href="#cite_note-:0-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The play presents a unique structure, as none of the lines are assigned to specific characters, and Crimp does not specify the number of actors required to perform the piece. The play consists of seventeen seemingly unrelated scenes in which groups of people provide contradictory descriptions of an absent protagonist, a woman who is discussed as a terrorist, the daughter of grieving parents, an artist, and even a new car. Through its deliberate fragmentation, Attempts on Her Life challenges the audience to reconsider their understanding of what constitutes a "play" and raises questions about the existence of individuals beyond the constructs we create. </p><p>His other plays range from tragi-comic studies of suburban guilt and repression — <i>Definitely the Bahamas</i> (1987), <i>Dealing with Clair</i> (1989), <i>The Country</i> (2000) — via the satirical ‘entertainment’ <i>In the Republic of Happiness</i> (2012) — to powerful re-writings of Greek classics — <i>Cruel &amp; Tender</i> (2004), <i>The Rest Will Be Familiar to You from Cinema</i> (2013). This unusual variety has led Vicky Angelaki to write: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>Crimp’s multifaceted theatre, rich in textual, visual and visceral nuances, moves beyond rigid groupings of drama types and genres. What makes Crimp’s work both challenging and fascinating is its dual and equal focus on the private and the public, the collective and the individual, the humorous and the dramatic, the spoken and the unspoken. [Angelaki, Vicky (2012), The Plays of Martin Crimp, Palgrave Macmillan, page1]<sup id="cite_ref-:1_2-0" class="reference"><a href="#cite_note-:1-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Crimp's work has successfully received numerous productions abroad. In Germany, he is considered to be "one of the most respected British playwrights" and it was reported in 2013 that there has been "more than 60 German-language productions of his work in the past two decades."<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>In 2021, Crimp was recipient of Germany’s Nyssen-Bansemer theater prize in recognition of the importance of his body of work. [Süddeutsche Zeitung, 29 March 2021]<sup id="cite_ref-:2_4-0" class="reference"><a href="#cite_note-:2-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Writing about the prize in <i><a href="/wiki/Theater_heute" title="Theater heute">Theater heute</a></i> magazine, Till Briegleb praises the way that “With great authority, Crimp sketches the most diverse victims of a bourgeois society that wants to ignore all connections between their tranquil existence and the violence that makes it possible. From the murderer to the child, everyone who appears is unique, their life-lies and fears individual.”<sup id="cite_ref-:2_4-1" class="reference"><a href="#cite_note-:2-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>Martin Crimp is sometimes described as a practitioner of the "<a href="/wiki/In-yer-face_theatre" title="In-yer-face theatre">in-yer-face</a>" school of contemporary British drama, although he rejects the label.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>In 2022, he performed his play <i>Not one of these people</i>, which gave voice to 299 different characters. Supported with a live <a href="/wiki/Deepfake" title="Deepfake">deepfake</a> video generator, imagined by Quebec director Christian Lapointe, the playwright accepted Lapointe’s invitation to perform as an actor on stage for the first time.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Theatre_translator">Theatre translator</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=4" title="Edit section: Theatre translator" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <p>From 1997 onwards, Crimp has had a parallel career as theatre translator, making his first impact at the Royal Court Theatre with a translation of <a href="/wiki/Eug%C3%A8ne_Ionesco" title="Eugène Ionesco">Ionesco</a>’s <a rel="nofollow" class="external text" href="http://www.complicite.org/productions/TheChairs"><i>The Chairs</i></a>, a production that subsequently transferred to Broadway. His re-writings of <a href="/wiki/Moli%C3%A8re" title="Molière">Molière</a>’s <i><a href="/wiki/The_Misanthrope" title="The Misanthrope">The Misanthrope</a></i> (1996, revived 2009)<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/Edmond_Rostand" title="Edmond Rostand">Rostand</a>’s <i><a href="/wiki/Cyrano_de_Bergerac_(play)" title="Cyrano de Bergerac (play)">Cyrano de Bergerac</a></i> (2019/22) were both commercially and critically successful, the latter transferring from London’s West End to the Brooklyn Academy of Music.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> These rewritings have led some critics to see them as new plays. Angelaki, for example, argues that "Crimp’s radical adaptations … depart substantially from the early versions of the texts that inspire them and as such belong to a discussion of Crimp’s playwriting canon, rather than of his translations or versions" [Angelaki, Vicky, Op. Cit. page 154]<sup id="cite_ref-:1_2-1" class="reference"><a href="#cite_note-:1-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Opera_librettist">Opera librettist</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=5" title="Edit section: Opera librettist" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:%22Written_on_Skin%22_at_Opera_Philadelphia_(38770669300).jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/%22Written_on_Skin%22_at_Opera_Philadelphia_%2838770669300%29.jpg/220px-%22Written_on_Skin%22_at_Opera_Philadelphia_%2838770669300%29.jpg" decoding="async" width="220" height="131" class="mw-file-element" data-file-width="3000" data-file-height="1786"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 131px;" data-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/%22Written_on_Skin%22_at_Opera_Philadelphia_%2838770669300%29.jpg/220px-%22Written_on_Skin%22_at_Opera_Philadelphia_%2838770669300%29.jpg" data-width="220" data-height="131" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/%22Written_on_Skin%22_at_Opera_Philadelphia_%2838770669300%29.jpg/330px-%22Written_on_Skin%22_at_Opera_Philadelphia_%2838770669300%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/36/%22Written_on_Skin%22_at_Opera_Philadelphia_%2838770669300%29.jpg/440px-%22Written_on_Skin%22_at_Opera_Philadelphia_%2838770669300%29.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Scene from a 2018 performance of <i><a href="/wiki/Written_on_Skin" title="Written on Skin">Written on Skin</a></i> by <a href="/wiki/Opera_Philadelphia" title="Opera Philadelphia">Opera Philadelphia</a></figcaption></figure> <p>In 2006, Crimp began a collaboration with composer <a href="/wiki/George_Benjamin_(composer)" title="George Benjamin (composer)">George Benjamin</a> that has led to the creation of three operas: <i><a href="/wiki/Into_the_Little_Hill" title="Into the Little Hill">Into the Little Hill</a></i> (2006), <i><a href="/wiki/Written_on_Skin" title="Written on Skin">Written on Skin</a></i> (2012) and <i><a href="/wiki/Lessons_in_Love_and_Violence" title="Lessons in Love and Violence">Lessons in Love and Violence</a></i> (2018). <i>Written on Skin</i> in particular has garnered international acclaim since its premiere at the <a href="/wiki/Festival_d%27Aix-en-Provence" class="mw-redirect" title="Festival d'Aix-en-Provence">Festival d’Aix en Provence</a> in 2012.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(3)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Works">Works</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=6" title="Edit section: Works" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-3 collapsible-block" id="mf-section-3"> <div class="mw-heading mw-heading3"><h3 id="Plays">Plays</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=7" title="Edit section: Plays" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <ul><li><i>Not One Of These People</i> (<a href="https://fr.wikipedia.org/wiki/Carrefour_international_de_th%C3%A9%C3%A2tre_de_Qu%C3%A9bec" class="extiw" title="fr:Carrefour international de théâtre de Québec">Carrefour international de théâtre</a> <a href="https://fr.wikipedia.org/wiki/Th%C3%A9%C3%A2tre_de_la_Bord%C3%A9e" class="extiw" title="fr:Théâtre de la Bordée">Théâtre La Bordée</a> 2022 )</li> <li><i>When We Have Sufficiently Tortured Each Other: 12 Variations on Samuel Richardson’s Pamela</i>, ("provoked" by Richardson's <i><a href="/wiki/Pamela;_or,_Virtue_Rewarded" title="Pamela; or, Virtue Rewarded">Pamela</a></i>, <a href="/wiki/Royal_National_Theatre" title="Royal National Theatre">National Theatre</a>, Dorfman, 2019)<sup id="cite_ref-NT-when_10-0" class="reference"><a href="#cite_note-NT-when-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup></li> <li><i>Men Asleep</i> (<a href="/wiki/Deutsches_Schauspielhaus" title="Deutsches Schauspielhaus">Deutsches Schauspielhaus</a> 2018)</li> <li><i>The Rest Will Be Familiar to You from Cinema</i> (inspired by <a href="/wiki/Euripides" title="Euripides">Euripides</a>' <a href="/wiki/The_Phoenician_Women" title="The Phoenician Women">Phoenician Women</a>, <a href="/wiki/Deutsches_Schauspielhaus" title="Deutsches Schauspielhaus">Deutsches Schauspielhaus</a> 2013)</li> <li><i>In the Republic of Happiness</i> (<a href="/wiki/Royal_Court_Theatre" title="Royal Court Theatre">Royal Court Theatre</a> 2012)<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup></li> <li><i>Play House</i> (<a href="/wiki/Orange_Tree_Theatre" title="Orange Tree Theatre">Orange Tree</a> 2012, revived with <i>Definitely the Bahamas</i> and directed by the author)</li> <li><i>The City</i> (Royal Court, Jerwood Theatre Downstairs 2008)</li> <li><i>Fewer Emergencies</i> (Royal Court, Theatre Upstairs 2005)<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup></li> <li><i>Cruel and Tender</i> (<a href="/wiki/Young_Vic" title="Young Vic">Young Vic</a> 2004)</li> <li><i>Advice to Iraqi women</i> (Royal Court 2003)</li> <li><i>Face to the Wall</i> (Royal Court 2002)</li> <li><i>The Country</i> (Royal Court 2000, revived at the <a href="/wiki/Tabard_Theatre" title="Tabard Theatre">Tabard Theatre</a> May 2008)</li> <li><i>Attempts on Her Life</i> (Royal Court 1997; National Theatre, Lyttelton, March 2007)</li> <li><i>The Treatment</i> (Royal Court 1993; revived <a href="/wiki/Almeida_Theatre" title="Almeida Theatre">Almeida Theatre</a> 2017)</li> <li><i>Getting Attention</i> (Royal Court, Theatre Upstairs 1991)</li> <li><i>No One Sees the Video</i> (Royal Court, Theatre Upstairs 1990)</li> <li><i>Play with Repeats</i> (Orange Tree 1989)</li> <li><i>Dealing with Clair</i> (Orange Tree 1988)</li> <li><i>Definitely the Bahamas</i>, "a group of three plays for consecutive performance" also including <i>A Kind of Arden</i> and <i>The Spanish Girls</i> (<a href="/wiki/Orange_Tree_Theatre" title="Orange Tree Theatre">Orange Tree</a> 1987)</li> <li><i>A Variety of Death-Defying Acts</i> (Orange Tree 1985)</li> <li><i>Four Attempted Acts</i> (Orange Tree 1984)</li> <li><i>Living Remains</i> (Orange Tree lunchtime, 9–25 July 1982)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Translations">Translations</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=8" title="Edit section: Translations" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <ul><li><a href="/wiki/Cyrano_de_Bergerac_(play)" title="Cyrano de Bergerac (play)"><i>Cyrano De Bergerac</i></a> (<a href="/wiki/Edmond_Rostand" title="Edmond Rostand">Rostand</a>) (<a href="/wiki/Playhouse_Theatre" title="Playhouse Theatre">Playhouse Theatre</a> 2019, <a href="/wiki/Harold_Pinter_Theatre" title="Harold Pinter Theatre">Harold Pinter Theatre</a> 2022)</li> <li><i><a href="/wiki/Big_and_Little" title="Big and Little">Big and Small</a></i> (<i>Gross und klein</i> by <a href="/wiki/Botho_Strau%C3%9F" class="mw-redirect" title="Botho Strauß">Botho Strauß</a>), a 2011 <a href="/wiki/Sydney_Theatre_Company" title="Sydney Theatre Company">Sydney Theatre Company</a> production, co-commissioned by the <a href="/wiki/Barbican_Centre" title="Barbican Centre">Barbican Centre</a>, London 2012 Festival, <a href="/wiki/Th%C3%A9%C3%A2tre_de_la_Ville" title="Théâtre de la Ville">Théâtre de la Ville</a>, Paris, <a href="/wiki/Vienna_Festival" title="Vienna Festival">Vienna Festival</a> and <a href="/wiki/Ruhrfestspiele" title="Ruhrfestspiele">Ruhrfestspiele</a> <a href="/wiki/Recklinghausen" title="Recklinghausen">Recklinghausen</a>; <a href="/wiki/Cate_Blanchett" title="Cate Blanchett">Cate Blanchett</a> as Lotte.</li> <li><i>Pains of Youth</i> (<i>Krankheit der Jugend</i> by <a href="/wiki/Ferdinand_Bruckner" title="Ferdinand Bruckner">Ferdinand Bruckner</a>) (National Theatre 2009)</li> <li><i><a href="/wiki/Rhinoceros_(play)" title="Rhinoceros (play)">Rhinoceros</a></i> (Ionesco) (Royal Court 2007)</li> <li><i><a href="/wiki/The_Seagull" title="The Seagull">The Seagull</a></i> (<a href="/wiki/Anton_Chekhov" title="Anton Chekhov">Chekhov</a>) (National Theatre 2006)</li> <li><i><a href="/wiki/La_Fausse_Suivante" title="La Fausse Suivante">The False Servant</a></i> (Marivaux) (National Theatre 2004)</li> <li><i><a href="/wiki/The_Triumph_of_Love_(play)" title="The Triumph of Love (play)">The Triumph of Love</a></i> (<a href="/wiki/Marivaux" class="mw-redirect" title="Marivaux">Marivaux</a>) (Almeida 1999)</li> <li><i><a href="/wiki/The_Maids" title="The Maids">The Maids</a></i> (<a href="/wiki/Jean_Genet" title="Jean Genet">Genet</a>) (Young Vic 1999)</li> <li><i><a href="/wiki/Roberto_Succo" title="Roberto Succo">Roberto Zucco</a></i> (<a href="/wiki/Bernard-Marie_Kolt%C3%A8s" title="Bernard-Marie Koltès">Bernard-Marie Koltès</a>) (<a href="/wiki/Royal_Shakespeare_Company" title="Royal Shakespeare Company">RSC The Other Place</a>, Stratford 1997)</li> <li><i><a href="/wiki/The_Chairs" title="The Chairs">The Chairs</a></i> (<a href="/wiki/Eug%C3%A8ne_Ionesco" title="Eugène Ionesco">Ionesco</a>) (<a href="/wiki/Theatre_Royal,_Bath" title="Theatre Royal, Bath">Theatre Royal Bath</a> 1997)</li> <li><i><a href="/wiki/The_Misanthrope" title="The Misanthrope">The Misanthrope</a></i> (<a href="/wiki/Moli%C3%A8re" title="Molière">Molière</a>) (Young Vic 1996, revived <a href="/wiki/Comedy_Theatre" class="mw-redirect" title="Comedy Theatre">Comedy Theatre</a> 2009)</li> <li><i>Love Games</i> (<a href="https://pl.wikipedia.org/wiki/Jerzy_Prze%C5%BAdziecki" class="extiw" title="pl:Jerzy Przeździecki">Jerzy Przezdziecki</a>) (co-written with Howard Curtis, Orange Tree Theatre lunchtime, 9 April – 1 May 1982)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Opera_libretti">Opera libretti</h3><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=9" title="Edit section: Opera libretti" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div> <ul><li><i>Picture a Day Like This</i> (2023, composer George Benjamin)</li> <li><i><a href="/wiki/Lessons_in_Love_and_Violence" title="Lessons in Love and Violence">Lessons in Love and Violence</a></i> (2018, composer <a href="/wiki/George_Benjamin_(composer)" title="George Benjamin (composer)">George Benjamin</a>)</li> <li><i><a href="/wiki/Written_on_Skin" title="Written on Skin">Written on Skin</a></i> (2012, composer George Benjamin)</li> <li><i><a href="/wiki/Into_the_Little_Hill" title="Into the Little Hill">Into the Little Hill</a></i> (2006, composer George Benjamin)</li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(4)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="References">References</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=10" title="Edit section: References" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-4 collapsible-block" id="mf-section-4"> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-:0-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFSierz2013" class="citation web cs1">Sierz, Aleks (2013). <a rel="nofollow" class="external text" href="https://www.bloomsbury.com/uk/theatre-of-martin-crimp-9781472517012/">"The Theatre of Martin Crimp: Second Edition: Critical Companions Aleks Sierz Methurn Drama"</a>. <i>Bloomsbury</i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Bloomsbury&amp;rft.atitle=The+Theatre+of+Martin+Crimp%3A+Second+Edition%3A+Critical+Companions+Aleks+Sierz+Methurn+Drama&amp;rft.date=2013&amp;rft.aulast=Sierz&amp;rft.aufirst=Aleks&amp;rft_id=https%3A%2F%2Fwww.bloomsbury.com%2Fuk%2Ftheatre-of-martin-crimp-9781472517012%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-:1-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAngelaki2012" class="citation journal cs1">Angelaki, Vicky (2012). <a rel="nofollow" class="external text" href="https://www.degruyter.com/document/doi/10.1515/jcde-2015-0012/html">"Vicky Angelaki. The Plays of Martin Crimp: Making Theatre Strange. Houndmills, Basingstoke: Palgrave Macmillan 2012"</a>. <i>Degruyter.com</i>. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1515%2Fjcde-2015-0012">10.1515/jcde-2015-0012</a><span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Degruyter.com&amp;rft.atitle=Vicky+Angelaki.+The+Plays+of+Martin+Crimp%3A+Making+Theatre+Strange.+Houndmills%2C+Basingstoke%3A+Palgrave+Macmillan+2012&amp;rft.date=2012&amp;rft_id=info%3Adoi%2F10.1515%2Fjcde-2015-0012&amp;rft.aulast=Angelaki&amp;rft.aufirst=Vicky&amp;rft_id=https%3A%2F%2Fwww.degruyter.com%2Fdocument%2Fdoi%2F10.1515%2Fjcde-2015-0012%2Fhtml&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSierz2013" class="citation book cs1">Sierz, Aleks (2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=A30fAgAAQBAJ&amp;dq=The%20theatre%20of%20martin%20crimp&amp;pg=PR12"><i>The Theatre of Martin Crimp</i></a> (Second ed.). Bloomsbury Methuen Drama. pp. xii. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1472517012" title="Special:BookSources/978-1472517012"><bdi>978-1472517012</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Theatre+of+Martin+Crimp&amp;rft.pages=xii&amp;rft.edition=Second&amp;rft.pub=Bloomsbury+Methuen+Drama&amp;rft.date=2013&amp;rft.isbn=978-1472517012&amp;rft.aulast=Sierz&amp;rft.aufirst=Aleks&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DA30fAgAAQBAJ%26dq%3DThe%2520theatre%2520of%2520martin%2520crimp%26pg%3DPR12&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-:2-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-:2_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:2_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBriegleb2021" class="citation web cs1">Briegleb, Till (2021). <a rel="nofollow" class="external text" href="https://www.der-theaterverlag.de/theater-heute/archiv/artikel/satiriker-des-schmerzes/">"Article "Satirist of Pain": Der Theaterverlag"</a>. <i>der-theaterverlag.de</i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=der-theaterverlag.de&amp;rft.atitle=Article+%22Satirist+of+Pain%22%3A+Der+Theaterverlag&amp;rft.date=2021&amp;rft.aulast=Briegleb&amp;rft.aufirst=Till&amp;rft_id=https%3A%2F%2Fwww.der-theaterverlag.de%2Ftheater-heute%2Farchiv%2Fartikel%2Fsatiriker-des-schmerzes%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDevine2006" class="citation web cs1">Devine, Harriet (2006). <a rel="nofollow" class="external text" href="https://www.faber.co.uk/product/9780571230136-looking-back-playwrights-at-the-royal-court-1956-2006/">"Looking Back: Playwrights at the Royal Court, 1956-2006 Faber"</a>. <i>Faber.co.uk</i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Faber.co.uk&amp;rft.atitle=Looking+Back%3A+Playwrights+at+the+Royal+Court%2C+1956-2006+Faber&amp;rft.date=2006&amp;rft.aulast=Devine&amp;rft.aufirst=Harriet&amp;rft_id=https%3A%2F%2Fwww.faber.co.uk%2Fproduct%2F9780571230136-looking-back-playwrights-at-the-royal-court-1956-2006%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrown2022" class="citation web cs1">Brown, Mark (2022). <a rel="nofollow" class="external text" href="https://www.telegraph.co.uk/theatre/what-to-see/not-one-people-review-triumph-deep-fakery-yes-really/">"Not One of These People: a triumph of deep fakery? Yes, really"</a>. <i>Telegraph.co.uk</i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Telegraph.co.uk&amp;rft.atitle=Not+One+of+These+People%3A+a+triumph+of+deep+fakery%3F+Yes%2C+really.&amp;rft.date=2022&amp;rft.aulast=Brown&amp;rft.aufirst=Mark&amp;rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Ftheatre%2Fwhat-to-see%2Fnot-one-people-review-triumph-deep-fakery-yes-really%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSierz2009" class="citation web cs1">Sierz, Aleks (2009). <a rel="nofollow" class="external text" href="https://theartsdesk.com/node/693/view">"The Misanthrope, Comedy Theatre, reviews, The Arts Desk"</a>. <i>theartsdesk.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=theartsdesk.com&amp;rft.atitle=The+Misanthrope%2C+Comedy+Theatre%2C+reviews%2C+The+Arts+Desk&amp;rft.date=2009&amp;rft.aulast=Sierz&amp;rft.aufirst=Aleks&amp;rft_id=https%3A%2F%2Ftheartsdesk.com%2Fnode%2F693%2Fview&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreen2022" class="citation web cs1">Green, Jesse (2022). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2022/04/14/theater/cyrano-de-bergerac-review.html">"Review: 'Cyrano De Bergerac' Now Noseless and Drunk on Words The New York Times"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Review%3A+%27Cyrano+De+Bergerac%27+Now+Noseless+and+Drunk+on+Words+The+New+York+Times&amp;rft.date=2022&amp;rft.aulast=Green&amp;rft.aufirst=Jesse&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2022%2F04%2F14%2Ftheater%2Fcyrano-de-bergerac-review.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMachart2012" class="citation web cs1">Machart, Renaud (2012). <a rel="nofollow" class="external text" href="https://www.lemonde.fr/culture/article/2012/07/09/written-on-skin-le-meilleur-opera-ecrit-depuis-vingt-ans_1731145_3246.html">"The best opera written for twenty years?"</a>. <i>www-lemonde-fr</i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=www-lemonde-fr&amp;rft.atitle=The+best+opera+written+for+twenty+years%3F&amp;rft.date=2012&amp;rft.aulast=Machart&amp;rft.aufirst=Renaud&amp;rft_id=https%3A%2F%2Fwww.lemonde.fr%2Fculture%2Farticle%2F2012%2F07%2F09%2Fwritten-on-skin-le-meilleur-opera-ecrit-depuis-vingt-ans_1731145_3246.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-NT-when-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-NT-when_10-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.nationaltheatre.org.uk/shows/when-we-have-sufficiently-tortured-each-other">"When We Have Sufficiently Tortured Each Other"</a>. National Theatre<span class="reference-accessdate">. Retrieved <span class="nowrap">23 November</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=When+We+Have+Sufficiently+Tortured+Each+Other&amp;rft.pub=National+Theatre&amp;rft_id=https%3A%2F%2Fwww.nationaltheatre.org.uk%2Fshows%2Fwhen-we-have-sufficiently-tortured-each-other&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://royalcourttheatre.com/whats-on/in-the-republic-of-happiness/">"In the Republic of Happiness"</a>. <i>Royal Court</i><span class="reference-accessdate">. Retrieved <span class="nowrap">11 October</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Royal+Court&amp;rft.atitle=In+the+Republic+of+Happiness&amp;rft_id=https%3A%2F%2Froyalcourttheatre.com%2Fwhats-on%2Fin-the-republic-of-happiness%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080516102851/http://www.britishtheatreguide.info/reviews/feweremergencies-rev.htm">"The British Theatre Guide: Reviews - Fewer Emergencies (Royal Court)"</a>. 16 May 2008. Archived from <a rel="nofollow" class="external text" href="http://www.britishtheatreguide.info/reviews/feweremergencies-rev.htm">the original</a> on 16 May 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">11 October</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=The+British+Theatre+Guide%3A+Reviews+-+Fewer+Emergencies+%28Royal+Court%29&amp;rft.date=2008-05-16&amp;rft_id=http%3A%2F%2Fwww.britishtheatreguide.info%2Freviews%2Ffeweremergencies-rev.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AMartin+Crimp" class="Z3988"></span></span> </li> </ol></div></div> <ul><li><i><a href="/wiki/Theatre_Record" title="Theatre Record">Theatre Record</a></i> and its annual indexes</li> <li><a href="/wiki/Aleks_Sierz" title="Aleks Sierz">Sierz, Aleks</a> <i>The Theatre of Martin Crimp</i>, Methuen (2007) <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-413-77588-7" title="Special:BookSources/0-413-77588-7">0-413-77588-7</a>.</li> <li>Devine, Harriet <i>Looking Back</i>, Faber (2006) <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-413-77588-7" title="Special:BookSources/0-413-77588-7">0-413-77588-7</a> .</li> <li>Edgar, David <i>Each Scene for Itself</i>, <a href="/wiki/London_Review_of_Books" title="London Review of Books">London Review of Books</a> 4 March 1999</li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(5)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="External_links">External links</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Martin_Crimp&amp;action=edit&amp;section=11" title="Edit section: External links" class="cdx-button cdx-button--size-large cdx-button--fake-button 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Rendering was triggered because: page-view --> </section></div> <!-- MobileFormatter took 0.012 seconds --><!--esi <esi:include src="/esitest-fa8a495983347898/content" /> --><noscript><img src="https://login.m.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&amp;mobile=1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Martin_Crimp&amp;oldid=1255418789">https://en.wikipedia.org/w/index.php?title=Martin_Crimp&amp;oldid=1255418789</a>"</div></div> </div> <div class="post-content" id="page-secondary-actions"> </div> </main> <footer class="mw-footer minerva-footer" role="contentinfo"> <a class="last-modified-bar" href="/w/index.php?title=Martin_Crimp&amp;action=history"> <div class="post-content last-modified-bar__content"> <span class="minerva-icon minerva-icon-size-medium minerva-icon--modified-history"></span> <span class="last-modified-bar__text modified-enhancement" data-user-name="Criric" data-user-gender="unknown" data-timestamp="1730755582"> <span>Last edited on 4 November 2024, at 21:26</span> </span> <span class="minerva-icon minerva-icon-size-small minerva-icon--expand"></span> </div> </a> <div class="post-content footer-content"> <div id='mw-data-after-content'> <div class="read-more-container"></div> </div> <div id="p-lang"> <h4>Languages</h4> <section> <ul id="p-variants" class="minerva-languages"></ul> <ul class="minerva-languages"><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D9%85%D8%A7%D8%B1%D8%AA%D9%86_%D8%A7%D8%B9%D9%82%D8%B5" title="مارتن اعقص – Arabic" lang="ar" hreflang="ar" data-title="مارتن اعقص" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Martin_Crimp" title="Martin Crimp – Czech" lang="cs" hreflang="cs" data-title="Martin Crimp" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Martin_Crimp" title="Martin Crimp – German" lang="de" hreflang="de" data-title="Martin Crimp" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%9C%CE%AC%CF%81%CF%84%CE%B9%CE%BD_%CE%9A%CF%81%CE%B9%CE%BC%CF%80" title="Μάρτιν Κριμπ – Greek" lang="el" hreflang="el" data-title="Μάρτιν Κριμπ" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Martin_Crimp" title="Martin Crimp – French" lang="fr" hreflang="fr" data-title="Martin Crimp" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D5%84%D5%A1%D6%80%D5%BF%D5%AB%D5%B6_%D5%94%D6%80%D5%AB%D5%B4%D6%83" title="Մարտին Քրիմփ – Armenian" lang="hy" hreflang="hy" data-title="Մարտին Քրիմփ" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Martin_Crimp" title="Martin Crimp – Italian" lang="it" hreflang="it" data-title="Martin Crimp" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%9E%D7%A8%D7%98%D7%99%D7%9F_%D7%A7%D7%A8%D7%99%D7%9E%D7%A4" title="מרטין קרימפ – Hebrew" lang="he" hreflang="he" data-title="מרטין קרימפ" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-lb mw-list-item"><a href="https://lb.wikipedia.org/wiki/Martin_Crimp" title="Martin Crimp – Luxembourgish" lang="lb" hreflang="lb" data-title="Martin Crimp" data-language-autonym="Lëtzebuergesch" data-language-local-name="Luxembourgish" class="interlanguage-link-target"><span>Lëtzebuergesch</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Martin_Crimp" title="Martin Crimp – Dutch" lang="nl" hreflang="nl" data-title="Martin Crimp" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%9A%D1%80%D0%B8%D0%BC%D0%BF,_%D0%9C%D0%B0%D1%80%D1%82%D0%B8%D0%BD" title="Кримп, Мартин – Russian" lang="ru" hreflang="ru" data-title="Кримп, Мартин" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Martin_Crimp" title="Martin Crimp – Swedish" lang="sv" hreflang="sv" data-title="Martin Crimp" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Martin_Crimp" title="Martin Crimp – Turkish" lang="tr" hreflang="tr" data-title="Martin Crimp" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%9C%D0%B0%D1%80%D1%82%D1%96%D0%BD_%D0%9A%D1%80%D1%96%D0%BC%D0%BF" title="Мартін Крімп – Ukrainian" lang="uk" hreflang="uk" data-title="Мартін Крімп" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li></ul> </section> </div> <div class="minerva-footer-logo"><img src="/static/images/mobile/copyright/wikipedia-wordmark-en.svg" alt="Wikipedia" width="120" height="18" style="width: 7.5em; height: 1.125em;"/> </div> <ul id="footer-info" class="footer-info hlist hlist-separated"> <li id="footer-info-lastmod"> This page was last edited on 4 November 2024, at 21:26<span class="anonymous-show">&#160;(UTC)</span>.</li> <li id="footer-info-copyright">Content is available under <a class="external" rel="nofollow" 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