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class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Anthony Mandal" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/80348/22287/55165/s200_anthony.mandal.80348" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Anthony Mandal</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://cardiff.academia.edu/">Cardiff University</a>, <a class="u-tcGrayDarker" href="https://cardiff.academia.edu/Departments/School_of_English_Communication_and_Philosophy/Documents">School of English, Communication, and Philosophy</a>, <span class="u-tcGrayDarker">Faculty Member</span></div><div><a class="u-tcGrayDarker" href="https://durham.academia.edu/">Durham University</a>, <a class="u-tcGrayDarker" href="https://durham.academia.edu/Departments/English_Studies/Documents">English Studies</a>, <span class="u-tcGrayDarker">Alumnus</span></div><div><a class="u-tcGrayDarker" href="https://wales.academia.edu/">University of Wales</a>, <a class="u-tcGrayDarker" href="https://wales.academia.edu/Departments/School_of_Art_Humanities/Documents">School of Art & Humanities</a>, <span class="u-tcGrayDarker">Alumnus</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Anthony" data-follow-user-id="80348" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" 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class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">I am Professor of Print and Digital Cultures, and Director of the Centre for Editorial<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span><a class="ri-more-link js-profile-ri-list-card" data-click-track="profile-user-info-primary-research-interest" data-has-card-for-ri-list="80348">View All (35)</a></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="80348" href="https://www.academia.edu/Documents/in/History"><div id="js-react-on-rails-context" style="display:none" 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id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Collaborative-Projects" data-toggle="tab" href="#collaborativeprojects" role="tab" title="Collaborative Projects"><span>6</span> <span class="ds2-5-body-sm-bold">Collaborative Projects</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>4</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li 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class="profile--tab_heading_container">Collaborative Projects by Anthony Mandal</h3></div><div class="js-work-strip profile--work_container" data-work-id="2450863"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/2450863/Jekyll_2_0_Embodying_the_Gothic_Text_2013_"><img alt="Research paper thumbnail of Jekyll 2.0: Embodying the Gothic Text (2013)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2450863/Jekyll_2_0_Embodying_the_Gothic_Text_2013_">Jekyll 2.0: Embodying the Gothic Text (2013)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">What makes us human? Do our minds control our bodies or are we compelled by urges, compulsions an...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">What makes us human? Do our minds control our bodies or are we compelled by urges, compulsions and appetites? When gothic novels were first written, their pace and content were designed to raise heart beats and send shivers down the spine. Games company SlingShot and Anthony Mandal of Cardiff University are setting out to find the contemporary equivalent to the phantasmagoric form. Using participants' bio-data to shape the experience, Jekyll 2.0 is a pervasive media adaptation of Robert Louis Stevenson's Jekyll and Hyde – a reclamation of the novel's transgressive power and a reframing of its central themes for the age of the bio-hacker.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2450863"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2450863"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2450863; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2450863]").text(description); $(".js-view-count[data-work-id=2450863]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2450863; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2450863']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 2450863, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2450863]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2450863,"title":"Jekyll 2.0: Embodying the Gothic Text (2013)","translated_title":"","metadata":{"abstract":"What makes us human? 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When gothic novels were first written, their pace and content were designed to raise heart beats and send shivers down the spine. Games company SlingShot and Anthony Mandal of Cardiff University are setting out to find the contemporary equivalent to the phantasmagoric form. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="347468"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/347468/The_New_Edinburgh_Edition_of_the_Collected_Works_of_Robert_Louis_Stevenson_2009_2020_"><img alt="Research paper thumbnail of The New Edinburgh Edition of the Collected Works of Robert Louis Stevenson (2009-2020)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/347468/The_New_Edinburgh_Edition_of_the_Collected_Works_of_Robert_Louis_Stevenson_2009_2020_">The New Edinburgh Edition of the Collected Works of Robert Louis Stevenson (2009-2020)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://cardiff.academia.edu/AnthonyMandal">Anthony Mandal</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/StephenDArata">Stephen D. Arata</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibg.academia.edu/RichardDury">Richard Dury</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Robert Louis Stevenson is recognised as one of the most important writers of the 19th century, co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Robert Louis Stevenson is recognised as one of the most important writers of the 19th century, covering an extraordinary breadth of genres, including stories, essays, travel-writing, the historical romance and the modernist novel. This new, groundbreaking complete edition of 39 volumes will allow readers to understand for the first time the development of Stevenson’s work, his collaborations, his relations with publishers and his place in the literary history of his period. Disentangling Stevenson’s writing from the changes made by his first editor, Sidney Colvin, the New Edinburgh Edition will provide completely fresh, authoritative texts of each of his works. <br /> <br />The New Edinburgh Edition presents new, annotated texts of Stevenson’s most popular works, such as Treasure Island and Dr Jekyll and Mr Hyde, and brings back into print some of his lesser-known writing. Each volume considers the various states in which Stevenson’s texts appeared, from magazine publication to final editions, allowing readers to discover what Stevenson wrote, and how this hugely popular writer responded to the burgeoning literary market of the late nineteenth century. The project began in 2009 and is due to conclude in 2020, with the first wave of volumes appearing 2011–13.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="347468"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="347468"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 347468; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=347468]").text(description); $(".js-view-count[data-work-id=347468]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 347468; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='347468']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 347468, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=347468]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":347468,"title":"The New Edinburgh Edition of the Collected Works of Robert Louis Stevenson (2009-2020)","translated_title":"","metadata":{"abstract":"Robert Louis Stevenson is recognised as one of the most important writers of the 19th century, covering an extraordinary breadth of genres, including stories, essays, travel-writing, the historical romance and the modernist novel. 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The project began in 2009 and is due to conclude in 2020, with the first wave of volumes appearing 2011–13.\r\n","more_info":"General Editors: Stephen D. Arata, Richard Dury, Penny Fielding, Anthony Mandal"},"translated_abstract":"Robert Louis Stevenson is recognised as one of the most important writers of the 19th century, covering an extraordinary breadth of genres, including stories, essays, travel-writing, the historical romance and the modernist novel. This new, groundbreaking complete edition of 39 volumes will allow readers to understand for the first time the development of Stevenson’s work, his collaborations, his relations with publishers and his place in the literary history of his period. Disentangling Stevenson’s writing from the changes made by his first editor, Sidney Colvin, the New Edinburgh Edition will provide completely fresh, authoritative texts of each of his works.\r\n\r\nThe New Edinburgh Edition presents new, annotated texts of Stevenson’s most popular works, such as Treasure Island and Dr Jekyll and Mr Hyde, and brings back into print some of his lesser-known writing. Each volume considers the various states in which Stevenson’s texts appeared, from magazine publication to final editions, allowing readers to discover what Stevenson wrote, and how this hugely popular writer responded to the burgeoning literary market of the late nineteenth century. 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The database will have enhanced search capabilities added to its iconographic browsing facilities; the core application will be available as a downloadable tool that users will be able to use to create their own image-driven databases; we will be exploring the viability of applying social-networking paradigms to image-tagging. Details about this project will be regularly updated through this blog in the coming months.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2450930"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2450930"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2450930; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2450930]").text(description); $(".js-view-count[data-work-id=2450930]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2450930; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2450930']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 2450930, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2450930]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2450930,"title":"Enhancing the Database of Mid-Victorian Illustration (2011–12)","translated_title":"","metadata":{"abstract":"Commencing in November 2010 and funded through the AHRC’s recent Digital Equipment and Database Enhancement for Impact (DEDEFI) initiative, this one-year project will develop the interface of our pioneering Database of Mid-Victorian Wood-Engraved Illustration in a number of ways. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1549940"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1549940/The_English_Novel_1830_1836_A_Bibliographical_Survey_of_Prose_Fiction_Published_in_Britain_and_Ireland_2003_"><img alt="Research paper thumbnail of The English Novel, 1830–1836: A Bibliographical Survey of Prose Fiction Published in Britain and Ireland (2003)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1549940/The_English_Novel_1830_1836_A_Bibliographical_Survey_of_Prose_Fiction_Published_in_Britain_and_Ireland_2003_">The English Novel, 1830–1836: A Bibliographical Survey of Prose Fiction Published in Britain and Ireland (2003)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This two-year British Academy-funded project resulted in the first comprehensive bibliography of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This two-year British Academy-funded project resulted in the first comprehensive bibliography of British fiction spanning the reign of William IV. This online bibliographical checklist of nearly 750 individual titles, arranged chronologically and into various categories, is based on the first-hand examination of titles by the project members, and supplies full transcriptions of titles, publishers’ imprints, printer information, format and pagination, etc.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f5908354179dca431c766d71fdab98b2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":30865098,"asset_id":1549940,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/30865098/download_file?st=MTczMjQ2OTE1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1549940"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1549940"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1549940; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1549940]").text(description); $(".js-view-count[data-work-id=1549940]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1549940; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1549940']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1549940, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f5908354179dca431c766d71fdab98b2" } } $('.js-work-strip[data-work-id=1549940]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1549940,"title":"The English Novel, 1830–1836: A Bibliographical Survey of Prose Fiction Published in Britain and Ireland (2003)","translated_title":"","metadata":{"abstract":"This two-year British Academy-funded project resulted in the first comprehensive bibliography of British fiction spanning the reign of William IV. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Anthony Mandal</h3></div><div class="js-work-strip profile--work_container" data-work-id="1549934"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1549934/The_Palgrave_Guide_to_Gothic_Publishing_The_Business_of_Gothic_Fiction_1764_1835_2014_"><img alt="Research paper thumbnail of The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1549934/The_Palgrave_Guide_to_Gothic_Publishing_The_Business_of_Gothic_Fiction_1764_1835_2014_">The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://cardiff.academia.edu/AnthonyMandal">Anthony Mandal</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://national.academia.edu/FranzPotter">Franz Potter</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bathspa.academia.edu/NickyLloyd">Nicky Lloyd</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Considering the remarkable scholarly and public interest in Gothic fiction during the last thirty...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Considering the remarkable scholarly and public interest in Gothic fiction during the last thirty years it is surprising that there are no reference books or studies that exclusively examine the authors and publishers who were collectively responsible for the creation of the genre. To this end, <i>The Palgrave Guide to Gothic Publishing</i> will for the first time, bring together the biographies of those who produced the Gothic and those who published it to investigate and appraise the often symbiotic relationship which lies at the heart of the genre.<br /><br />By specifically examining the relationship between the writers and the publishers of the Gothic, <i>The Palgrave Guide</i> will demonstrate the extent to these agents labored together to sustain the Gothic genre in the midst of a dramatically changing book market. The first part consists of biographical accounts of authors and their works, in order to explore how authors reveal their economic dependency on the industry and their ability to respond quickly to the readers’ shifting interests. The second part will provide biographies of publishers who specialized in or contributed significantly to the Gothic genre, and includes an empirical and statistical analysis of their business, as well as material on circulating libraries, which were perhaps the most important conduit of fiction during the survey period.<br /><br />The unique approach and depth of this study, as well as the revelations it makes concerning the complex artistic, commercial and social implications of its growth, invite further examination of the genre as it unfolds across continental Europe and America, and its ongoing reverberations in our collective psyche from its inception to today. In that respect, this unique work might form the first instalment of several that would continue to chart the evolution of the genre as it is first introduced, and later imitated and transformed to the specific and unique characteristics of vastly different cultures and social backdrops. We therefore see this guide as a work that both stands on its own and represents part of a longer analysis that would chart the genre across the centuries and continents.<br /><br />Enhancing this study will be Appendices that list Gothic novels alphabetically and by publisher and a comprehensive Index that gives readers a deeper understanding of the personal interactions and business dealings of the writers and publishers. Also included will be something new to studies of this genre: a map that describes the geographic location of major and minor publishers and their popular audiences. This innovative addition to the guide will reinforce its central function as a resource for those interested in the genre and allow them to understand more deeply its inception, evolution and context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1549934"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1549934"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1549934; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1549934]").text(description); $(".js-view-count[data-work-id=1549934]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1549934; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1549934']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1549934, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1549934]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1549934,"title":"The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)","translated_title":"","metadata":{"abstract":"Considering the remarkable scholarly and public interest in Gothic fiction during the last thirty years it is surprising that there are no reference books or studies that exclusively examine the authors and publishers who were collectively responsible for the creation of the genre. To this end, \u003ci\u003eThe Palgrave Guide to Gothic Publishing\u003c/i\u003e will for the first time, bring together the biographies of those who produced the Gothic and those who published it to investigate and appraise the often symbiotic relationship which lies at the heart of the genre.\n\nBy specifically examining the relationship between the writers and the publishers of the Gothic, \u003ci\u003eThe Palgrave Guide\u003c/i\u003e will demonstrate the extent to these agents labored together to sustain the Gothic genre in the midst of a dramatically changing book market. The first part consists of biographical accounts of authors and their works, in order to explore how authors reveal their economic dependency on the industry and their ability to respond quickly to the readers’ shifting interests. The second part will provide biographies of publishers who specialized in or contributed significantly to the Gothic genre, and includes an empirical and statistical analysis of their business, as well as material on circulating libraries, which were perhaps the most important conduit of fiction during the survey period.\n\nThe unique approach and depth of this study, as well as the revelations it makes concerning the complex artistic, commercial and social implications of its growth, invite further examination of the genre as it unfolds across continental Europe and America, and its ongoing reverberations in our collective psyche from its inception to today. In that respect, this unique work might form the first instalment of several that would continue to chart the evolution of the genre as it is first introduced, and later imitated and transformed to the specific and unique characteristics of vastly different cultures and social backdrops. We therefore see this guide as a work that both stands on its own and represents part of a longer analysis that would chart the genre across the centuries and continents.\n\nEnhancing this study will be Appendices that list Gothic novels alphabetically and by publisher and a comprehensive Index that gives readers a deeper understanding of the personal interactions and business dealings of the writers and publishers. Also included will be something new to studies of this genre: a map that describes the geographic location of major and minor publishers and their popular audiences. This innovative addition to the guide will reinforce its central function as a resource for those interested in the genre and allow them to understand more deeply its inception, evolution and context.","more_info":"Co-authored with Franz Potter and Colin Marlaire"},"translated_abstract":"Considering the remarkable scholarly and public interest in Gothic fiction during the last thirty years it is surprising that there are no reference books or studies that exclusively examine the authors and publishers who were collectively responsible for the creation of the genre. To this end, \u003ci\u003eThe Palgrave Guide to Gothic Publishing\u003c/i\u003e will for the first time, bring together the biographies of those who produced the Gothic and those who published it to investigate and appraise the often symbiotic relationship which lies at the heart of the genre.\n\nBy specifically examining the relationship between the writers and the publishers of the Gothic, \u003ci\u003eThe Palgrave Guide\u003c/i\u003e will demonstrate the extent to these agents labored together to sustain the Gothic genre in the midst of a dramatically changing book market. The first part consists of biographical accounts of authors and their works, in order to explore how authors reveal their economic dependency on the industry and their ability to respond quickly to the readers’ shifting interests. The second part will provide biographies of publishers who specialized in or contributed significantly to the Gothic genre, and includes an empirical and statistical analysis of their business, as well as material on circulating libraries, which were perhaps the most important conduit of fiction during the survey period.\n\nThe unique approach and depth of this study, as well as the revelations it makes concerning the complex artistic, commercial and social implications of its growth, invite further examination of the genre as it unfolds across continental Europe and America, and its ongoing reverberations in our collective psyche from its inception to today. In that respect, this unique work might form the first instalment of several that would continue to chart the evolution of the genre as it is first introduced, and later imitated and transformed to the specific and unique characteristics of vastly different cultures and social backdrops. We therefore see this guide as a work that both stands on its own and represents part of a longer analysis that would chart the genre across the centuries and continents.\n\nEnhancing this study will be Appendices that list Gothic novels alphabetically and by publisher and a comprehensive Index that gives readers a deeper understanding of the personal interactions and business dealings of the writers and publishers. Also included will be something new to studies of this genre: a map that describes the geographic location of major and minor publishers and their popular audiences. This innovative addition to the guide will reinforce its central function as a resource for those interested in the genre and allow them to understand more deeply its inception, evolution and context.","internal_url":"https://www.academia.edu/1549934/The_Palgrave_Guide_to_Gothic_Publishing_The_Business_of_Gothic_Fiction_1764_1835_2014_","translated_internal_url":"","created_at":"2012-05-10T15:32:02.177-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":80348,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":483221,"work_id":1549934,"tagging_user_id":80348,"tagged_user_id":2105146,"co_author_invite_id":null,"email":"f***r@nu.edu","affiliation":"National University, San Diego","display_order":null,"name":"Franz Potter","title":"The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)"},{"id":483222,"work_id":1549934,"tagging_user_id":80348,"tagged_user_id":31669254,"co_author_invite_id":188310,"email":"n***d@bathspa.ac.uk","affiliation":"Bath Spa University","display_order":null,"name":"Nicky Lloyd","title":"The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)"}],"downloadable_attachments":[],"slug":"The_Palgrave_Guide_to_Gothic_Publishing_The_Business_of_Gothic_Fiction_1764_1835_2014_","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":80348,"first_name":"Anthony","middle_initials":null,"last_name":"Mandal","page_name":"AnthonyMandal","domain_name":"cardiff","created_at":"2009-11-10T07:43:29.983-08:00","display_name":"Anthony Mandal","url":"https://cardiff.academia.edu/AnthonyMandal"},"attachments":[],"research_interests":[{"id":876,"name":"Print Culture","url":"https://www.academia.edu/Documents/in/Print_Culture"},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature"},{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History"},{"id":7720,"name":"British Eighteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/British_Eighteenth-Century_Literature_and_Culture"},{"id":8296,"name":"Gothic Literature","url":"https://www.academia.edu/Documents/in/Gothic_Literature"},{"id":8354,"name":"Gothic Studies","url":"https://www.academia.edu/Documents/in/Gothic_Studies"},{"id":12889,"name":"English Novel","url":"https://www.academia.edu/Documents/in/English_Novel"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1797059"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1797059/Mary_Brunton_Self_Control_A_Novel_2013_"><img alt="Research paper thumbnail of Mary Brunton, Self-Control: A Novel (2013)" class="work-thumbnail" src="https://attachments.academia-assets.com/31798959/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1797059/Mary_Brunton_Self_Control_A_Novel_2013_">Mary Brunton, Self-Control: A Novel (2013)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"When it appeared in spring 1811, Mary Brunton’s first novel, Self-Control, was an overnight best...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"When it appeared in spring 1811, Mary Brunton’s first novel, Self-Control, was an overnight best-seller that surpassed both its author’s modest expectations and its origins as a lady’s genteel pastime. Self-Control combines complex psychological portraiture, religious didacticism and social comedy with a sensitive eye for regional description. While a religious novel, it blends both exciting incident and dramatic characterization with a sophisticated analysis of contemporary gender politics. <br /> <br />Going into four editions within one year, the unexpected success of Self-Control can be seen in its popularity both in Edinburgh and London, with contemporaries like Jane Austen part of an eager readership clamouring to number themselves among its readers. Published in Edinburgh, Brunton’s novel was a particularly Scottish success, arguably the first fully home-grown Scots novel, which anticipated the emergence of other noteworthy Scottish writers of the period, such as Christian Johnstone, Susan Ferrier and of course Walter Scott. <br /> <br />Appearing at transformative moment in the history of British fiction, Self-Control is a significant novel by a neglected author—an omission which the present edition seeks to redress. The volume will contain a substantial introduction to Brunton's life and works, the key themes of the novel and an essay on the text, covering the complex history of composition, publication and reception that characterized the novel. This will be supplemented by extensive editorial notes and a list of emendations and textual variants."</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="be1a4e347ff51b8a44f1bd7f63ec1500" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":31798959,"asset_id":1797059,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/31798959/download_file?st=MTczMjQ2OTE1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1797059"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1797059"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1797059; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1797059]").text(description); $(".js-view-count[data-work-id=1797059]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1797059; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1797059']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1797059, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "be1a4e347ff51b8a44f1bd7f63ec1500" } } $('.js-work-strip[data-work-id=1797059]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1797059,"title":"Mary Brunton, Self-Control: A Novel (2013)","translated_title":"","metadata":{"abstract":"\"When it appeared in spring 1811, Mary Brunton’s first novel, Self-Control, was an overnight best-seller that surpassed both its author’s modest expectations and its origins as a lady’s genteel pastime. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="347467"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/347467/The_Reception_of_Jane_Austen_in_Europe_2007_"><img alt="Research paper thumbnail of The Reception of Jane Austen in Europe (2007)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/347467/The_Reception_of_Jane_Austen_in_Europe_2007_">The Reception of Jane Austen in Europe (2007)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume of international research provides a wide-ranging account of Jane Austen's reception ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume of international research provides a wide-ranging account of Jane Austen's reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. In historical terms, the survey ranges from the near-contemporary - since Austen's novels were available in French very soon after their original publication - to modern times, in those countries which for various reasons, linguistic, historical or ideological, have taken up the novels only in recent years. For many, Austen’s novels are valued for their romantic content, as love stories, but increasingly they are being perceived as sophisticated, ironic narratives. In this, the quality of translation has been a significant factor and the many film and television adaptations have played an important part in establishing Austen's reputation amongst the public at large. It will be seen from this that across Europe Austen's 'reception history' is far from uniform and has been shaped by a complex of extra-literary forces.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="347467"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="347467"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 347467; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=347467]").text(description); $(".js-view-count[data-work-id=347467]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 347467; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='347467']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 347467, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=347467]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":347467,"title":"The Reception of Jane Austen in Europe (2007)","translated_title":"","metadata":{"abstract":"This volume of international research provides a wide-ranging account of Jane Austen's reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. 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Austen criticism has traditionally fixed her oeuvre within the ideological locus of the 1790s, ignoring the more topical elements displayed by her novels. Such accounts have consequently neglected the complex interactions that took place between Austen's works and newer forms of popular fiction, such as the Evangelical tale, the national romance, and historical novel. By situating Austen in the 1810s - the immediate literary period within which she published - this book argues for the inherently intertextual nature of her novels, positing that her 'innovation' lies not in her uniqueness, but in her polyvalent negotiations with other literary models. 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Jane Austen and the Popular Novel demonstrates the extent to which Austen was not only a determined author, but also an author determined by the literary marketplace itself."},"translated_abstract":"Jane Austen and the Popular Novel: The Determined Author offers a provocative reinterpretation of one of the most cherished authors in the English literary canon. Austen criticism has traditionally fixed her oeuvre within the ideological locus of the 1790s, ignoring the more topical elements displayed by her novels. Such accounts have consequently neglected the complex interactions that took place between Austen's works and newer forms of popular fiction, such as the Evangelical tale, the national romance, and historical novel. By situating Austen in the 1810s - the immediate literary period within which she published - this book argues for the inherently intertextual nature of her novels, positing that her 'innovation' lies not in her uniqueness, but in her polyvalent negotiations with other literary models. Jane Austen and the Popular Novel demonstrates the extent to which Austen was not only a determined author, but also an author determined by the literary marketplace itself.","internal_url":"https://www.academia.edu/347466/Jane_Austen_and_the_Popular_Novel_The_Determined_Author_2007_","translated_internal_url":"","created_at":"2010-10-10T12:25:14.814-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":80348,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[],"slug":"Jane_Austen_and_the_Popular_Novel_The_Determined_Author_2007_","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":80348,"first_name":"Anthony","middle_initials":null,"last_name":"Mandal","page_name":"AnthonyMandal","domain_name":"cardiff","created_at":"2009-11-10T07:43:29.983-08:00","display_name":"Anthony Mandal","url":"https://cardiff.academia.edu/AnthonyMandal"},"attachments":[],"research_interests":[{"id":876,"name":"Print Culture","url":"https://www.academia.edu/Documents/in/Print_Culture"},{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History"},{"id":2587,"name":"The Novel","url":"https://www.academia.edu/Documents/in/The_Novel"},{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book"},{"id":7335,"name":"Jane Austen","url":"https://www.academia.edu/Documents/in/Jane_Austen"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture"}],"urls":[{"id":15573,"url":"http://books.google.co.uk/books?id=B9FzQgAACAAJ\u0026dq=jane+austen+and+the+popular+novel\u0026hl=en\u0026sa=X\u0026ei=euqyT6HCL4KD8gOhseTCCQ\u0026ved=0CEMQ6AEwAA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Anthony Mandal</h3></div><div class="js-work-strip profile--work_container" data-work-id="116679518"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/116679518/The_reception_of_Jane_Austen_in_Europe"><img alt="Research paper thumbnail of The reception of Jane Austen in Europe" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/116679518/The_reception_of_Jane_Austen_in_Europe">The reception of Jane Austen in Europe</a></div><div class="wp-workCard_item"><span>Bloomsbury eBooks</span><span>, Aug 13, 2007</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume of international research provides a wide-ranging account of Jane Austen&#39;s recept...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume of international research provides a wide-ranging account of Jane Austen&#39;s reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. In historical terms, the survey ranges from the near-contemporary - since Austen&#39;s novels were available in French very soon after their original publication - to modern times, in those countries which for various reasons, linguistic, historical or ideological, have taken up the novels only in recent years. For many, Austen&#39;s novels are valued for their romantic content, as love stories, but increasingly they are being perceived as sophisticated, ironic narratives. In this, the quality of translation has been a significant factor and the many film and television adaptations have played an important part in establishing Austen&#39;s reputation amongst the public across two centuries. It will be seen from this that across Europe Austen&#39;s &#39;reception history&#39; is far from uniform and has been shaped by a complex of extra-literary forces. The paperback edition has been updated to include developments in Austen&#39;s European reception up to 2013.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116679518"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116679518"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116679518; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116679518]").text(description); $(".js-view-count[data-work-id=116679518]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116679518; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116679518']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 116679518, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=116679518]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":116679518,"title":"The reception of Jane Austen in Europe","translated_title":"","metadata":{"abstract":"This volume of international research provides a wide-ranging account of Jane Austen\u0026#39;s reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. In historical terms, the survey ranges from the near-contemporary - since Austen\u0026#39;s novels were available in French very soon after their original publication - to modern times, in those countries which for various reasons, linguistic, historical or ideological, have taken up the novels only in recent years. For many, Austen\u0026#39;s novels are valued for their romantic content, as love stories, but increasingly they are being perceived as sophisticated, ironic narratives. In this, the quality of translation has been a significant factor and the many film and television adaptations have played an important part in establishing Austen\u0026#39;s reputation amongst the public across two centuries. It will be seen from this that across Europe Austen\u0026#39;s \u0026#39;reception history\u0026#39; is far from uniform and has been shaped by a complex of extra-literary forces. The paperback edition has been updated to include developments in Austen\u0026#39;s European reception up to 2013.","publisher":"Bloomsbury","publication_date":{"day":13,"month":8,"year":2007,"errors":{}},"publication_name":"Bloomsbury eBooks"},"translated_abstract":"This volume of international research provides a wide-ranging account of Jane Austen\u0026#39;s reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. In historical terms, the survey ranges from the near-contemporary - since Austen\u0026#39;s novels were available in French very soon after their original publication - to modern times, in those countries which for various reasons, linguistic, historical or ideological, have taken up the novels only in recent years. For many, Austen\u0026#39;s novels are valued for their romantic content, as love stories, but increasingly they are being perceived as sophisticated, ironic narratives. In this, the quality of translation has been a significant factor and the many film and television adaptations have played an important part in establishing Austen\u0026#39;s reputation amongst the public across two centuries. It will be seen from this that across Europe Austen\u0026#39;s \u0026#39;reception history\u0026#39; is far from uniform and has been shaped by a complex of extra-literary forces. The paperback edition has been updated to include developments in Austen\u0026#39;s European reception up to 2013.","internal_url":"https://www.academia.edu/116679518/The_reception_of_Jane_Austen_in_Europe","translated_internal_url":"","created_at":"2024-03-25T09:19:06.008-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":80348,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"The_reception_of_Jane_Austen_in_Europe","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":80348,"first_name":"Anthony","middle_initials":null,"last_name":"Mandal","page_name":"AnthonyMandal","domain_name":"cardiff","created_at":"2009-11-10T07:43:29.983-08:00","display_name":"Anthony Mandal","url":"https://cardiff.academia.edu/AnthonyMandal"},"attachments":[],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":2368,"name":"Reception Theory","url":"https://www.academia.edu/Documents/in/Reception_Theory"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":2852,"name":"Narrative","url":"https://www.academia.edu/Documents/in/Narrative"},{"id":5780,"name":"Ideology","url":"https://www.academia.edu/Documents/in/Ideology"},{"id":48977,"name":"Reputation","url":"https://www.academia.edu/Documents/in/Reputation"},{"id":74127,"name":"PR","url":"https://www.academia.edu/Documents/in/PR"},{"id":128259,"name":"Romance","url":"https://www.academia.edu/Documents/in/Romance"},{"id":584021,"name":"PN","url":"https://www.academia.edu/Documents/in/PN"}],"urls":[{"id":40602657,"url":"http://ci.nii.ac.jp/ncid/BA8334906X"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="116679512"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/116679512/The_Pathology_of_Common_Life_Domestic_Medicine_as_Gothic_Disruption"><img alt="Research paper thumbnail of The Pathology of Common Life: 'Domestic' Medicine as Gothic Disruption" class="work-thumbnail" src="https://attachments.academia-assets.com/112741383/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/116679512/The_Pathology_of_Common_Life_Domestic_Medicine_as_Gothic_Disruption">The Pathology of Common Life: 'Domestic' Medicine as Gothic Disruption</a></div><div class="wp-workCard_item"><span>Gothic Studies</span><span>, 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c0fb43002eeb086bf99642a169813b57" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112741383,"asset_id":116679512,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112741383/download_file?st=MTczMjQ2OTE1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116679512"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116679512"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116679512; 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class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/2546737/Lies_on_Paper_Bibliophobia_Textuality_and_Alterity_in_Contemporary_Gothic_Fiction"><img alt="Research paper thumbnail of 'Lies on Paper': Bibliophobia, Textuality and Alterity in Contemporary Gothic Fiction" class="work-thumbnail" src="https://attachments.academia-assets.com/30560265/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2546737/Lies_on_Paper_Bibliophobia_Textuality_and_Alterity_in_Contemporary_Gothic_Fiction">'Lies on Paper': Bibliophobia, Textuality and Alterity in Contemporary Gothic Fiction</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The labyrinthine library and textual untrustworthiness are nothing new in fiction: throughout its...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The labyrinthine library and textual untrustworthiness are nothing new in fiction: throughout its history, gothic literature, in particular, has been populated with libraries as problematized loci that belie their seemingly progressive principles, while the elucidatory potential of language is subverted by the gothic’s preoccupation with linguistic slippage, discovered manuscripts, inset tales, narrative fragmentation and structural contradictions. Taking some theoretical models supplied by Borges, Foucault and Eco as starting points, the essay considers the ‘bibliophobia’ of recent gothic fiction, in which the text becomes the locus of supernatural irruptions that threaten to infect the everyday world. Promising the privilege and completeness of structured knowledge, these novels paradoxically reveal the textual condition as masking disorder and monstrosity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b39a55f7691c6a328cb3bf1d4480f2b4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":30560265,"asset_id":2546737,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/30560265/download_file?st=MTczMjQ2OTE1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2546737"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2546737"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2546737; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2546737]").text(description); $(".js-view-count[data-work-id=2546737]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2546737; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2546737']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 2546737, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b39a55f7691c6a328cb3bf1d4480f2b4" } } $('.js-work-strip[data-work-id=2546737]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2546737,"title":"'Lies on Paper': Bibliophobia, Textuality and Alterity in Contemporary Gothic Fiction","translated_title":"","metadata":{"abstract":"The labyrinthine library and textual untrustworthiness are nothing new in fiction: throughout its history, gothic literature, in particular, has been populated with libraries as problematized loci that belie their seemingly progressive principles, while the elucidatory potential of language is subverted by the gothic’s preoccupation with linguistic slippage, discovered manuscripts, inset tales, narrative fragmentation and structural contradictions. Taking some theoretical models supplied by Borges, Foucault and Eco as starting points, the essay considers the ‘bibliophobia’ of recent gothic fiction, in which the text becomes the locus of supernatural irruptions that threaten to infect the everyday world. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Talks" id="Talks"><h3 class="profile--tab_heading_container">Talks by Anthony Mandal</h3></div><div class="js-work-strip profile--work_container" data-work-id="3804338"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/3804338/Forms_of_Innovation_Workshop_Digital_Transformations_Transmediality"><img alt="Research paper thumbnail of Forms of Innovation Workshop: Digital Transformations - Transmediality" class="work-thumbnail" src="https://attachments.academia-assets.com/31461053/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/3804338/Forms_of_Innovation_Workshop_Digital_Transformations_Transmediality">Forms of Innovation Workshop: Digital Transformations - Transmediality</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b67cc9087dc85643f270162084a87392" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":31461053,"asset_id":3804338,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/31461053/download_file?st=MTczMjQ2OTE1OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="3804338"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="3804338"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3804338; 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You will be asked to spend the next 30 minutes working in groups to sketch out your own pervasive/transmedia experience / encounter / game / thingy. 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src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2450863/Jekyll_2_0_Embodying_the_Gothic_Text_2013_">Jekyll 2.0: Embodying the Gothic Text (2013)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">What makes us human? Do our minds control our bodies or are we compelled by urges, compulsions an...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">What makes us human? Do our minds control our bodies or are we compelled by urges, compulsions and appetites? When gothic novels were first written, their pace and content were designed to raise heart beats and send shivers down the spine. Games company SlingShot and Anthony Mandal of Cardiff University are setting out to find the contemporary equivalent to the phantasmagoric form. Using participants' bio-data to shape the experience, Jekyll 2.0 is a pervasive media adaptation of Robert Louis Stevenson's Jekyll and Hyde – a reclamation of the novel's transgressive power and a reframing of its central themes for the age of the bio-hacker.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2450863"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2450863"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2450863; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2450863]").text(description); $(".js-view-count[data-work-id=2450863]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2450863; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2450863']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 2450863, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2450863]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2450863,"title":"Jekyll 2.0: Embodying the Gothic Text (2013)","translated_title":"","metadata":{"abstract":"What makes us human? 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When gothic novels were first written, their pace and content were designed to raise heart beats and send shivers down the spine. Games company SlingShot and Anthony Mandal of Cardiff University are setting out to find the contemporary equivalent to the phantasmagoric form. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="347468"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/347468/The_New_Edinburgh_Edition_of_the_Collected_Works_of_Robert_Louis_Stevenson_2009_2020_"><img alt="Research paper thumbnail of The New Edinburgh Edition of the Collected Works of Robert Louis Stevenson (2009-2020)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/347468/The_New_Edinburgh_Edition_of_the_Collected_Works_of_Robert_Louis_Stevenson_2009_2020_">The New Edinburgh Edition of the Collected Works of Robert Louis Stevenson (2009-2020)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://cardiff.academia.edu/AnthonyMandal">Anthony Mandal</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/StephenDArata">Stephen D. Arata</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unibg.academia.edu/RichardDury">Richard Dury</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Robert Louis Stevenson is recognised as one of the most important writers of the 19th century, co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Robert Louis Stevenson is recognised as one of the most important writers of the 19th century, covering an extraordinary breadth of genres, including stories, essays, travel-writing, the historical romance and the modernist novel. This new, groundbreaking complete edition of 39 volumes will allow readers to understand for the first time the development of Stevenson’s work, his collaborations, his relations with publishers and his place in the literary history of his period. Disentangling Stevenson’s writing from the changes made by his first editor, Sidney Colvin, the New Edinburgh Edition will provide completely fresh, authoritative texts of each of his works. <br /> <br />The New Edinburgh Edition presents new, annotated texts of Stevenson’s most popular works, such as Treasure Island and Dr Jekyll and Mr Hyde, and brings back into print some of his lesser-known writing. Each volume considers the various states in which Stevenson’s texts appeared, from magazine publication to final editions, allowing readers to discover what Stevenson wrote, and how this hugely popular writer responded to the burgeoning literary market of the late nineteenth century. 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The database will have enhanced search capabilities added to its iconographic browsing facilities; the core application will be available as a downloadable tool that users will be able to use to create their own image-driven databases; we will be exploring the viability of applying social-networking paradigms to image-tagging. 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Supported by a significant award from the Arts & Humanities Research Council (AHRC), this pilot database (rated Outstanding by the AHRC) allows users to view high-quality digital images of these illustrations, as well as search by bibliographic and iconographic terms.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2450961"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2450961"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2450961; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2450961]").text(description); $(".js-view-count[data-work-id=2450961]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2450961; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2450961']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 2450961, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2450961]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2450961,"title":"A Database of Mid-Victorian Wood-Engraved Illustration (2007)","translated_title":"","metadata":{"abstract":"The Database of Mid-Victorian wood-engraved Illustration (DMVI), provides access to over 860 literary illustrations published in 1862. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2450905"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2450905/British_Fiction_1800_1829_A_Database_of_Production_Circulation_and_Reception_2004_"><img alt="Research paper thumbnail of British Fiction, 1800–1829: A Database of Production, Circulation & Reception (2004)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2450905/British_Fiction_1800_1829_A_Database_of_Production_Circulation_and_Reception_2004_">British Fiction, 1800–1829: A Database of Production, Circulation & Reception (2004)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This AHRC-funded database enables users to analyse detailed bibliographical records of 2,272 indi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This AHRC-funded database enables users to analyse detailed bibliographical records of 2,272 individual works of fiction published during the late Romantic period, as well as contextual data drawn from a variety of contemporary sources, providing over 10,000 pages of research materials.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2450905"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2450905"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2450905; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1549940"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1549940/The_English_Novel_1830_1836_A_Bibliographical_Survey_of_Prose_Fiction_Published_in_Britain_and_Ireland_2003_"><img alt="Research paper thumbnail of The English Novel, 1830–1836: A Bibliographical Survey of Prose Fiction Published in Britain and Ireland (2003)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1549940/The_English_Novel_1830_1836_A_Bibliographical_Survey_of_Prose_Fiction_Published_in_Britain_and_Ireland_2003_">The English Novel, 1830–1836: A Bibliographical Survey of Prose Fiction Published in Britain and Ireland (2003)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This two-year British Academy-funded project resulted in the first comprehensive bibliography of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This two-year British Academy-funded project resulted in the first comprehensive bibliography of British fiction spanning the reign of William IV. This online bibliographical checklist of nearly 750 individual titles, arranged chronologically and into various categories, is based on the first-hand examination of titles by the project members, and supplies full transcriptions of titles, publishers’ imprints, printer information, format and pagination, etc.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f5908354179dca431c766d71fdab98b2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":30865098,"asset_id":1549940,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/30865098/download_file?st=MTczMjQ2OTE1OCw4LjIyMi4yMDguMTQ2&st=MTczMjQ2OTE1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1549940"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1549940"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1549940; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1549940]").text(description); $(".js-view-count[data-work-id=1549940]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1549940; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1549940']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1549940, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f5908354179dca431c766d71fdab98b2" } } $('.js-work-strip[data-work-id=1549940]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1549940,"title":"The English Novel, 1830–1836: A Bibliographical Survey of Prose Fiction Published in Britain and Ireland (2003)","translated_title":"","metadata":{"abstract":"This two-year British Academy-funded project resulted in the first comprehensive bibliography of British fiction spanning the reign of William IV. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="33830" id="books"><div class="js-work-strip profile--work_container" data-work-id="1549934"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1549934/The_Palgrave_Guide_to_Gothic_Publishing_The_Business_of_Gothic_Fiction_1764_1835_2014_"><img alt="Research paper thumbnail of The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1549934/The_Palgrave_Guide_to_Gothic_Publishing_The_Business_of_Gothic_Fiction_1764_1835_2014_">The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://cardiff.academia.edu/AnthonyMandal">Anthony Mandal</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://national.academia.edu/FranzPotter">Franz Potter</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://bathspa.academia.edu/NickyLloyd">Nicky Lloyd</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Considering the remarkable scholarly and public interest in Gothic fiction during the last thirty...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Considering the remarkable scholarly and public interest in Gothic fiction during the last thirty years it is surprising that there are no reference books or studies that exclusively examine the authors and publishers who were collectively responsible for the creation of the genre. To this end, <i>The Palgrave Guide to Gothic Publishing</i> will for the first time, bring together the biographies of those who produced the Gothic and those who published it to investigate and appraise the often symbiotic relationship which lies at the heart of the genre.<br /><br />By specifically examining the relationship between the writers and the publishers of the Gothic, <i>The Palgrave Guide</i> will demonstrate the extent to these agents labored together to sustain the Gothic genre in the midst of a dramatically changing book market. The first part consists of biographical accounts of authors and their works, in order to explore how authors reveal their economic dependency on the industry and their ability to respond quickly to the readers’ shifting interests. The second part will provide biographies of publishers who specialized in or contributed significantly to the Gothic genre, and includes an empirical and statistical analysis of their business, as well as material on circulating libraries, which were perhaps the most important conduit of fiction during the survey period.<br /><br />The unique approach and depth of this study, as well as the revelations it makes concerning the complex artistic, commercial and social implications of its growth, invite further examination of the genre as it unfolds across continental Europe and America, and its ongoing reverberations in our collective psyche from its inception to today. In that respect, this unique work might form the first instalment of several that would continue to chart the evolution of the genre as it is first introduced, and later imitated and transformed to the specific and unique characteristics of vastly different cultures and social backdrops. We therefore see this guide as a work that both stands on its own and represents part of a longer analysis that would chart the genre across the centuries and continents.<br /><br />Enhancing this study will be Appendices that list Gothic novels alphabetically and by publisher and a comprehensive Index that gives readers a deeper understanding of the personal interactions and business dealings of the writers and publishers. Also included will be something new to studies of this genre: a map that describes the geographic location of major and minor publishers and their popular audiences. This innovative addition to the guide will reinforce its central function as a resource for those interested in the genre and allow them to understand more deeply its inception, evolution and context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1549934"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1549934"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1549934; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1549934]").text(description); $(".js-view-count[data-work-id=1549934]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1549934; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1549934']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1549934, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1549934]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1549934,"title":"The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)","translated_title":"","metadata":{"abstract":"Considering the remarkable scholarly and public interest in Gothic fiction during the last thirty years it is surprising that there are no reference books or studies that exclusively examine the authors and publishers who were collectively responsible for the creation of the genre. To this end, \u003ci\u003eThe Palgrave Guide to Gothic Publishing\u003c/i\u003e will for the first time, bring together the biographies of those who produced the Gothic and those who published it to investigate and appraise the often symbiotic relationship which lies at the heart of the genre.\n\nBy specifically examining the relationship between the writers and the publishers of the Gothic, \u003ci\u003eThe Palgrave Guide\u003c/i\u003e will demonstrate the extent to these agents labored together to sustain the Gothic genre in the midst of a dramatically changing book market. The first part consists of biographical accounts of authors and their works, in order to explore how authors reveal their economic dependency on the industry and their ability to respond quickly to the readers’ shifting interests. The second part will provide biographies of publishers who specialized in or contributed significantly to the Gothic genre, and includes an empirical and statistical analysis of their business, as well as material on circulating libraries, which were perhaps the most important conduit of fiction during the survey period.\n\nThe unique approach and depth of this study, as well as the revelations it makes concerning the complex artistic, commercial and social implications of its growth, invite further examination of the genre as it unfolds across continental Europe and America, and its ongoing reverberations in our collective psyche from its inception to today. In that respect, this unique work might form the first instalment of several that would continue to chart the evolution of the genre as it is first introduced, and later imitated and transformed to the specific and unique characteristics of vastly different cultures and social backdrops. We therefore see this guide as a work that both stands on its own and represents part of a longer analysis that would chart the genre across the centuries and continents.\n\nEnhancing this study will be Appendices that list Gothic novels alphabetically and by publisher and a comprehensive Index that gives readers a deeper understanding of the personal interactions and business dealings of the writers and publishers. Also included will be something new to studies of this genre: a map that describes the geographic location of major and minor publishers and their popular audiences. This innovative addition to the guide will reinforce its central function as a resource for those interested in the genre and allow them to understand more deeply its inception, evolution and context.","more_info":"Co-authored with Franz Potter and Colin Marlaire"},"translated_abstract":"Considering the remarkable scholarly and public interest in Gothic fiction during the last thirty years it is surprising that there are no reference books or studies that exclusively examine the authors and publishers who were collectively responsible for the creation of the genre. To this end, \u003ci\u003eThe Palgrave Guide to Gothic Publishing\u003c/i\u003e will for the first time, bring together the biographies of those who produced the Gothic and those who published it to investigate and appraise the often symbiotic relationship which lies at the heart of the genre.\n\nBy specifically examining the relationship between the writers and the publishers of the Gothic, \u003ci\u003eThe Palgrave Guide\u003c/i\u003e will demonstrate the extent to these agents labored together to sustain the Gothic genre in the midst of a dramatically changing book market. The first part consists of biographical accounts of authors and their works, in order to explore how authors reveal their economic dependency on the industry and their ability to respond quickly to the readers’ shifting interests. The second part will provide biographies of publishers who specialized in or contributed significantly to the Gothic genre, and includes an empirical and statistical analysis of their business, as well as material on circulating libraries, which were perhaps the most important conduit of fiction during the survey period.\n\nThe unique approach and depth of this study, as well as the revelations it makes concerning the complex artistic, commercial and social implications of its growth, invite further examination of the genre as it unfolds across continental Europe and America, and its ongoing reverberations in our collective psyche from its inception to today. In that respect, this unique work might form the first instalment of several that would continue to chart the evolution of the genre as it is first introduced, and later imitated and transformed to the specific and unique characteristics of vastly different cultures and social backdrops. We therefore see this guide as a work that both stands on its own and represents part of a longer analysis that would chart the genre across the centuries and continents.\n\nEnhancing this study will be Appendices that list Gothic novels alphabetically and by publisher and a comprehensive Index that gives readers a deeper understanding of the personal interactions and business dealings of the writers and publishers. Also included will be something new to studies of this genre: a map that describes the geographic location of major and minor publishers and their popular audiences. This innovative addition to the guide will reinforce its central function as a resource for those interested in the genre and allow them to understand more deeply its inception, evolution and context.","internal_url":"https://www.academia.edu/1549934/The_Palgrave_Guide_to_Gothic_Publishing_The_Business_of_Gothic_Fiction_1764_1835_2014_","translated_internal_url":"","created_at":"2012-05-10T15:32:02.177-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":80348,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[{"id":483221,"work_id":1549934,"tagging_user_id":80348,"tagged_user_id":2105146,"co_author_invite_id":null,"email":"f***r@nu.edu","affiliation":"National University, San Diego","display_order":null,"name":"Franz Potter","title":"The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)"},{"id":483222,"work_id":1549934,"tagging_user_id":80348,"tagged_user_id":31669254,"co_author_invite_id":188310,"email":"n***d@bathspa.ac.uk","affiliation":"Bath Spa University","display_order":null,"name":"Nicky Lloyd","title":"The Palgrave Guide to Gothic Publishing: The Business of Gothic Fiction, 1764–1835 (2014)"}],"downloadable_attachments":[],"slug":"The_Palgrave_Guide_to_Gothic_Publishing_The_Business_of_Gothic_Fiction_1764_1835_2014_","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":80348,"first_name":"Anthony","middle_initials":null,"last_name":"Mandal","page_name":"AnthonyMandal","domain_name":"cardiff","created_at":"2009-11-10T07:43:29.983-08:00","display_name":"Anthony Mandal","url":"https://cardiff.academia.edu/AnthonyMandal"},"attachments":[],"research_interests":[{"id":876,"name":"Print Culture","url":"https://www.academia.edu/Documents/in/Print_Culture"},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature"},{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History"},{"id":7720,"name":"British Eighteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/British_Eighteenth-Century_Literature_and_Culture"},{"id":8296,"name":"Gothic Literature","url":"https://www.academia.edu/Documents/in/Gothic_Literature"},{"id":8354,"name":"Gothic Studies","url":"https://www.academia.edu/Documents/in/Gothic_Studies"},{"id":12889,"name":"English Novel","url":"https://www.academia.edu/Documents/in/English_Novel"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1797059"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1797059/Mary_Brunton_Self_Control_A_Novel_2013_"><img alt="Research paper thumbnail of Mary Brunton, Self-Control: A Novel (2013)" class="work-thumbnail" src="https://attachments.academia-assets.com/31798959/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1797059/Mary_Brunton_Self_Control_A_Novel_2013_">Mary Brunton, Self-Control: A Novel (2013)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"When it appeared in spring 1811, Mary Brunton’s first novel, Self-Control, was an overnight best...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"When it appeared in spring 1811, Mary Brunton’s first novel, Self-Control, was an overnight best-seller that surpassed both its author’s modest expectations and its origins as a lady’s genteel pastime. Self-Control combines complex psychological portraiture, religious didacticism and social comedy with a sensitive eye for regional description. While a religious novel, it blends both exciting incident and dramatic characterization with a sophisticated analysis of contemporary gender politics. <br /> <br />Going into four editions within one year, the unexpected success of Self-Control can be seen in its popularity both in Edinburgh and London, with contemporaries like Jane Austen part of an eager readership clamouring to number themselves among its readers. Published in Edinburgh, Brunton’s novel was a particularly Scottish success, arguably the first fully home-grown Scots novel, which anticipated the emergence of other noteworthy Scottish writers of the period, such as Christian Johnstone, Susan Ferrier and of course Walter Scott. <br /> <br />Appearing at transformative moment in the history of British fiction, Self-Control is a significant novel by a neglected author—an omission which the present edition seeks to redress. The volume will contain a substantial introduction to Brunton's life and works, the key themes of the novel and an essay on the text, covering the complex history of composition, publication and reception that characterized the novel. This will be supplemented by extensive editorial notes and a list of emendations and textual variants."</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="be1a4e347ff51b8a44f1bd7f63ec1500" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":31798959,"asset_id":1797059,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/31798959/download_file?st=MTczMjQ2OTE1OCw4LjIyMi4yMDguMTQ2&st=MTczMjQ2OTE1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1797059"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1797059"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1797059; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1797059]").text(description); $(".js-view-count[data-work-id=1797059]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1797059; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1797059']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1797059, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "be1a4e347ff51b8a44f1bd7f63ec1500" } } $('.js-work-strip[data-work-id=1797059]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1797059,"title":"Mary Brunton, Self-Control: A Novel (2013)","translated_title":"","metadata":{"abstract":"\"When it appeared in spring 1811, Mary Brunton’s first novel, Self-Control, was an overnight best-seller that surpassed both its author’s modest expectations and its origins as a lady’s genteel pastime. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="347467"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/347467/The_Reception_of_Jane_Austen_in_Europe_2007_"><img alt="Research paper thumbnail of The Reception of Jane Austen in Europe (2007)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/347467/The_Reception_of_Jane_Austen_in_Europe_2007_">The Reception of Jane Austen in Europe (2007)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume of international research provides a wide-ranging account of Jane Austen's reception ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume of international research provides a wide-ranging account of Jane Austen's reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. In historical terms, the survey ranges from the near-contemporary - since Austen's novels were available in French very soon after their original publication - to modern times, in those countries which for various reasons, linguistic, historical or ideological, have taken up the novels only in recent years. For many, Austen’s novels are valued for their romantic content, as love stories, but increasingly they are being perceived as sophisticated, ironic narratives. In this, the quality of translation has been a significant factor and the many film and television adaptations have played an important part in establishing Austen's reputation amongst the public at large. It will be seen from this that across Europe Austen's 'reception history' is far from uniform and has been shaped by a complex of extra-literary forces.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="347467"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="347467"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 347467; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=347467]").text(description); $(".js-view-count[data-work-id=347467]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 347467; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='347467']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 347467, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=347467]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":347467,"title":"The Reception of Jane Austen in Europe (2007)","translated_title":"","metadata":{"abstract":"This volume of international research provides a wide-ranging account of Jane Austen's reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. 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Austen criticism has traditionally fixed her oeuvre within the ideological locus of the 1790s, ignoring the more topical elements displayed by her novels. Such accounts have consequently neglected the complex interactions that took place between Austen's works and newer forms of popular fiction, such as the Evangelical tale, the national romance, and historical novel. By situating Austen in the 1810s - the immediate literary period within which she published - this book argues for the inherently intertextual nature of her novels, positing that her 'innovation' lies not in her uniqueness, but in her polyvalent negotiations with other literary models. Jane Austen and the Popular Novel demonstrates the extent to which Austen was not only a determined author, but also an author determined by the literary marketplace itself.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="347466"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="347466"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 347466; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=347466]").text(description); $(".js-view-count[data-work-id=347466]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 347466; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='347466']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 347466, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=347466]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":347466,"title":"Jane Austen and the Popular Novel: The Determined Author (2007)","translated_title":"","metadata":{"abstract":"Jane Austen and the Popular Novel: The Determined Author offers a provocative reinterpretation of one of the most cherished authors in the English literary canon. 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By situating Austen in the 1810s - the immediate literary period within which she published - this book argues for the inherently intertextual nature of her novels, positing that her 'innovation' lies not in her uniqueness, but in her polyvalent negotiations with other literary models. 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In historical terms, the survey ranges from the near-contemporary - since Austen&#39;s novels were available in French very soon after their original publication - to modern times, in those countries which for various reasons, linguistic, historical or ideological, have taken up the novels only in recent years. For many, Austen&#39;s novels are valued for their romantic content, as love stories, but increasingly they are being perceived as sophisticated, ironic narratives. In this, the quality of translation has been a significant factor and the many film and television adaptations have played an important part in establishing Austen&#39;s reputation amongst the public across two centuries. It will be seen from this that across Europe Austen&#39;s &#39;reception history&#39; is far from uniform and has been shaped by a complex of extra-literary forces. The paperback edition has been updated to include developments in Austen&#39;s European reception up to 2013.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116679518"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116679518"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116679518; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116679518]").text(description); $(".js-view-count[data-work-id=116679518]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116679518; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116679518']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 116679518, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=116679518]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":116679518,"title":"The reception of Jane Austen in Europe","translated_title":"","metadata":{"abstract":"This volume of international research provides a wide-ranging account of Jane Austen\u0026#39;s reception across the length and breadth of Europe, from Russia and Finland in the North to Italy and Spain in the South. 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class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/2546737/Lies_on_Paper_Bibliophobia_Textuality_and_Alterity_in_Contemporary_Gothic_Fiction"><img alt="Research paper thumbnail of 'Lies on Paper': Bibliophobia, Textuality and Alterity in Contemporary Gothic Fiction" class="work-thumbnail" src="https://attachments.academia-assets.com/30560265/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2546737/Lies_on_Paper_Bibliophobia_Textuality_and_Alterity_in_Contemporary_Gothic_Fiction">'Lies on Paper': Bibliophobia, Textuality and Alterity in Contemporary Gothic Fiction</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The labyrinthine library and textual untrustworthiness are nothing new in fiction: throughout its...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The labyrinthine library and textual untrustworthiness are nothing new in fiction: throughout its history, gothic literature, in particular, has been populated with libraries as problematized loci that belie their seemingly progressive principles, while the elucidatory potential of language is subverted by the gothic’s preoccupation with linguistic slippage, discovered manuscripts, inset tales, narrative fragmentation and structural contradictions. Taking some theoretical models supplied by Borges, Foucault and Eco as starting points, the essay considers the ‘bibliophobia’ of recent gothic fiction, in which the text becomes the locus of supernatural irruptions that threaten to infect the everyday world. Promising the privilege and completeness of structured knowledge, these novels paradoxically reveal the textual condition as masking disorder and monstrosity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b39a55f7691c6a328cb3bf1d4480f2b4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":30560265,"asset_id":2546737,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/30560265/download_file?st=MTczMjQ2OTE1OCw4LjIyMi4yMDguMTQ2&st=MTczMjQ2OTE1Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2546737"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2546737"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2546737; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2546737]").text(description); $(".js-view-count[data-work-id=2546737]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2546737; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2546737']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 2546737, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b39a55f7691c6a328cb3bf1d4480f2b4" } } $('.js-work-strip[data-work-id=2546737]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2546737,"title":"'Lies on Paper': Bibliophobia, Textuality and Alterity in Contemporary Gothic Fiction","translated_title":"","metadata":{"abstract":"The labyrinthine library and textual untrustworthiness are nothing new in fiction: throughout its history, gothic literature, in particular, has been populated with libraries as problematized loci that belie their seemingly progressive principles, while the elucidatory potential of language is subverted by the gothic’s preoccupation with linguistic slippage, discovered manuscripts, inset tales, narrative fragmentation and structural contradictions. 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