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Instead, this" /> <title>(PDF) All the modes of story": Genre and the Gendering of Authorship in the Year 1771 | Claude Willan - Academia.edu</title> <link rel="canonical" href="https://www.academia.edu/114473840/All_the_modes_of_story_Genre_and_the_Gendering_of_Authorship_in_the_Year_1771" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = '49879c2402910372f4abc62630a427bbe033d190'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1732462129000); window.Aedu.timeDifference = new Date().getTime() - 1732462129000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"This essay argues that literary histories organized around a single genre, narratives of national formation, or canonical male authors cannot do justice to the complexities of womens participation in eighteenth-century British genres. Instead, this essay offers an alternative approach based on the reduction of the geotemporal scope to the literary productions of a single year in three cities. Working with the ESTC records for the 2000+ items produced in these cities helped produce a dataset that allowed us to recreate each city\u0026amp;amp;#39;s literary and non-literary genre system, print environment, and \u0026amp;amp;quot;historical present\u0026amp;amp;quot; for the target year. This inventory became the basis for a microhistory of women\u0026amp;amp;#39;s literary and nonliterary textual production for this year, organized by city, category, and genre. From this project we learned of London\u0026amp;amp;#39;s overwhelming commercial dominance for genres both literary (sentimental fiction, semifictional memoirs, religious elegy) and non-lit...","author":[{"@context":"https://schema.org","@type":"Person","name":"Claude Willan"}],"contributor":[],"dateCreated":"2024-02-04","dateModified":"2024-08-01","datePublished":null,"headline":"All the modes of story\": Genre and the Gendering of Authorship in the Year 1771","inLanguage":"en","keywords":["History","Literature","Narrative"],"locationCreated":null,"publication":"ABO: Interactive Journal for Women in the Arts, 1640-1830","publisher":{"@context":"https://schema.org","@type":"Organization","name":"University of South Florida 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Instead, this essay offers an alternative approach based on the reduction of the geotemporal scope to the literary productions of a single year in three cities. Working with the ESTC records for the 2000+ items produced in these cities helped produce a dataset that allowed us to recreate each city\u0026#39;s literary and non-literary genre system, print environment, and \u0026quot;historical present\u0026quot; for the target year. This inventory became the basis for a microhistory of women\u0026#39;s literary and nonliterary textual production for this year, organized by city, category, and genre. From this project we learned of London\u0026#39;s overwhelming commercial dominance for genres both literary (sentimental fiction, semifictional memoirs, religious elegy) and non-lit...","publisher":"University of South Florida Libraries","publication_name":"ABO: Interactive Journal for Women in the Arts, 1640-1830"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"All the modes of story\": Genre and the Gendering of Authorship in the Year 1771","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [79236]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":111162959,"attachmentType":"pdf"}"><img alt="First page of “All the modes of story": Genre and the Gendering of Authorship in the Year 1771”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/111162959/mini_magick20240204-1-8ugqou.png?1707090281" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">All the modes of story": Genre and the Gendering of Authorship in the Year 1771</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="79236" href="https://rowan.academia.edu/ClaudeWillan"><img alt="Profile image of Claude Willan" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/79236/2550130/36834019/s65_claude.willan.jpg" />Claude Willan</a></div><p class="ds-work-card--detail ds2-5-body-sm">ABO: Interactive Journal for Women in the Arts, 1640-1830</p><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">This essay argues that literary histories organized around a single genre, narratives of national formation, or canonical male authors cannot do justice to the complexities of womens participation in eighteenth-century British genres. Instead, this essay offers an alternative approach based on the reduction of the geotemporal scope to the literary productions of a single year in three cities. Working with the ESTC records for the 2000+ items produced in these cities helped produce a dataset that allowed us to recreate each city&#39;s literary and non-literary genre system, print environment, and &quot;historical present&quot; for the target year. This inventory became the basis for a microhistory of women&#39;s literary and nonliterary textual production for this year, organized by city, category, and genre. From this project we learned of London&#39;s overwhelming commercial dominance for genres both literary (sentimental fiction, semifictional memoirs, religious elegy) and non-lit...</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":111162959,"attachmentType":"pdf","workUrl":"https://www.academia.edu/114473840/All_the_modes_of_story_Genre_and_the_Gendering_of_Authorship_in_the_Year_1771"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":111162959,"attachmentType":"pdf","workUrl":"https://www.academia.edu/114473840/All_the_modes_of_story_Genre_and_the_Gendering_of_Authorship_in_the_Year_1771"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="111162959" data-landing_url="https://www.academia.edu/114473840/All_the_modes_of_story_Genre_and_the_Gendering_of_Authorship_in_the_Year_1771" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="24604697" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/24604697/Lost_and_Found_the_Woman_Writer_in_the_Eighteenth_Century">Lost and Found: the Woman Writer in the Eighteenth Century</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6547668" href="https://kingston.academia.edu/NormaClarke">Norma Clarke</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Gender <html_ent glyph="@amp;" ascii="&amp;"/> History, 2003</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Lost and Found: the Woman Writer in the Eighteenth Century","attachmentId":44934338,"attachmentType":"pdf","work_url":"https://www.academia.edu/24604697/Lost_and_Found_the_Woman_Writer_in_the_Eighteenth_Century","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/24604697/Lost_and_Found_the_Woman_Writer_in_the_Eighteenth_Century"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="33204004" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/33204004/_Women_s_Writing_and_Victorian_Print_Culture_The_Cambridge_Companion_to_Victorian_Womens_Writing_ed_by_Linda_H_Peterson_Cambridge_University_Press_2015_294_pp">“Women’s Writing and Victorian Print Culture.” The Cambridge Companion to Victorian Women's Writing. ed. by Linda H. 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Rosenthal</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"British Women's Writing in the Long Eighteenth Century: Authorship, History, Politics","attachmentId":77376397,"attachmentType":"pdf","work_url":"https://www.academia.edu/66025882/British_Womens_Writing_in_the_Long_Eighteenth_Century_Authorship_History_Politics","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/66025882/British_Womens_Writing_in_the_Long_Eighteenth_Century_Authorship_History_Politics"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="42968522" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42968522/The_Rise_of_the_Woman_Writer">The Rise of the Woman Writer</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2664482" href="https://edinburgh.academia.edu/AnnaPilz">Anna Pilz</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Irish Literature in Transition, 1830-1880: Volume 3, edited by Matthew Campbell (Cambridge: Cambridge University Press, 2020)., 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">Drawing on new archival research into book history, letters and periodical literature, this chapter explores the critical narratives around what it meant to be a woman writer between 1830 and 1880 via a focus on case studies of two Irish woman writers: Maria Edgeworth (1768–1849) and Mrs S. C. Hall (1800–1881). This focused approach allows a comprehensive placing of Irish women writers within the developing literary marketplace of their time and consideration of the extent to which the contemporary critical reception of their work has shaped subsequent scholarship. In doing so, the chapter uncovers a narrative of peaks and troughs, epitomised by periods of great esteem and critical disdain, and highlights the fluctuating patterns of visibility and invisibility of literary productions in the nineteenth century and beyond.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Rise of the Woman Writer","attachmentId":64122392,"attachmentType":"pdf","work_url":"https://www.academia.edu/42968522/The_Rise_of_the_Woman_Writer","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/42968522/The_Rise_of_the_Woman_Writer"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="29177284" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/29177284/The_Publishing_History_of_Novels_by_Women_in_Late_Nineteenth_Century_England">The Publishing History of Novels by Women in Late Nineteenth-Century England</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="293602" href="https://jadavpur.academia.edu/AbhijitGupta">Abhijit Gupta</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Thesis submitted for the degree of Doctor of Philosophy by Abhijit Gupta University of Cambridge 1996</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Publishing History of Novels by Women in Late Nineteenth-Century England","attachmentId":49622620,"attachmentType":"pdf","work_url":"https://www.academia.edu/29177284/The_Publishing_History_of_Novels_by_Women_in_Late_Nineteenth_Century_England","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/29177284/The_Publishing_History_of_Novels_by_Women_in_Late_Nineteenth_Century_England"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="68887212" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/68887212/Book_Reviews_Genre_and_Women_s_Life_Writing_in_Early_Modern_England_Ed">Book Reviews Genre and Women’s Life Writing in Early Modern England. Ed</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="21515218" href="https://umn-morris.academia.edu/JulieEckerle">Julie A . Eckerle</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2011</p><p class="ds-related-work--abstract ds2-5-body-sm">Genre and Women’s Life Writing in Early Modern England and Lives of Spirit: English Carmelite Self-Writing of the Early Modern Period make important contributions to the study of early modern culture and women’s life-writing practices. In one of the first critical collections to focus solely on English women’s works, Dowd and Eckerle reframe what we might consider life writing. The collection attends to memoirs and personal letters but also looks for the autobiographical in defense narratives, discourses of the new science, mother’s legacies, prefaces, poems, and receipt books. Interdisciplinary in nature, each of the articles identifies intersections between literary and autobiographical texts and fiction and nonfiction. As Helen Wilcox argues in the essay that models the collection’s methodology, the confluence of literature with life-writing practices produces a generic hybridity that informs the versions of selfhood a writer can construct. In an analysis of letters and poems by ...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Book Reviews Genre and Women’s Life Writing in Early Modern England. 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