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: réflexions sur la représentation picturale de l’esclavage dans l’œuvre de Rugendas et de Debret" class="work-thumbnail" src="https://attachments.academia-assets.com/118220305/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123891101/Les_limites_du_visible_r%C3%A9flexions_sur_la_repr%C3%A9sentation_picturale_de_l_esclavage_dans_l_%C5%93uvre_de_Rugendas_et_de_Debret">Les limites du visible : réflexions sur la représentation picturale de l’esclavage dans l’œuvre de Rugendas et de Debret</a></div><div class="wp-workCard_item"><span>DOAJ (DOAJ: Directory of Open Access Journals)</span><span>, Nov 1, 2009</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d1bdbe3a41e3c9a91191e52e5ed5a35b" 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src="https://attachments.academia-assets.com/118220303/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123891099/Arqueolog%C3%ADa_Hiperb%C3%B3lica_Para_El_Americanismo">Arqueología Hiperbólica Para El Americanismo</a></div><div class="wp-workCard_item"><span>Prismas - Revista de historia intelectual</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este trabajo analiza la relación de colaboración intelectual que se establece entre el arqueólogo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este trabajo analiza la relación de colaboración intelectual que se establece entre el arqueólogo Arthur Posnansky –abocado a la interpretación del legado arqueológico de Tiahuanaco– y el sociólogo argentino Ernesto Quesada. Ambos mantienen una fluida correspondencia en los años veinte, la cual deja entrever la centralidad de la arqueología precolombina –y la importancia de los lazos de solidaridad transnacional– para la consolidación del americanismo. En particular, me interesa indagar en torno a las consecuencias que entraña la difusión en Argentina de las hipótesis osadas de Posnansky, duramente combatidas por la arqueología “científica” de José Imbelloni. Para ello, quisiera explorar el papel que juega Posnansky en la recepción crítica de La decadencia de Occidente de Oswald Spengler por parte de Quesada. En última instancia, me interesa iluminar las intersecciones entre el “americanismo” stricto sensu (centrado en la arqueología) y otros discursos sociales (como los ensayos de ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="794f63926a212cd763a67541f28f6370" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118220303,"asset_id":123891099,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118220303/download_file?st=MTczMjU2MzMyNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123891099"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123891099"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123891099; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=123891099]").text(description); $(".js-view-count[data-work-id=123891099]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 123891099; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='123891099']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 123891099, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "794f63926a212cd763a67541f28f6370" } } $('.js-work-strip[data-work-id=123891099]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":123891099,"title":"Arqueología Hiperbólica Para El Americanismo","translated_title":"","metadata":{"abstract":"Este trabajo analiza la relación de colaboración intelectual que se establece entre el arqueólogo Arthur Posnansky –abocado a la interpretación del legado arqueológico de Tiahuanaco– y el sociólogo argentino Ernesto Quesada. 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En última instancia, me interesa iluminar las intersecciones entre el “americanismo” stricto sensu (centrado en la arqueología) y otros discursos sociales (como los ensayos de ...","publisher":"Universidad Nacional de Quilmes","publication_name":"Prismas - Revista de historia intelectual"},"translated_abstract":"Este trabajo analiza la relación de colaboración intelectual que se establece entre el arqueólogo Arthur Posnansky –abocado a la interpretación del legado arqueológico de Tiahuanaco– y el sociólogo argentino Ernesto Quesada. Ambos mantienen una fluida correspondencia en los años veinte, la cual deja entrever la centralidad de la arqueología precolombina –y la importancia de los lazos de solidaridad transnacional– para la consolidación del americanismo. En particular, me interesa indagar en torno a las consecuencias que entraña la difusión en Argentina de las hipótesis osadas de Posnansky, duramente combatidas por la arqueología “científica” de José Imbelloni. Para ello, quisiera explorar el papel que juega Posnansky en la recepción crítica de La decadencia de Occidente de Oswald Spengler por parte de Quesada. En última instancia, me interesa iluminar las intersecciones entre el “americanismo” stricto sensu (centrado en la arqueología) y otros discursos sociales (como los ensayos de ...","internal_url":"https://www.academia.edu/123891099/Arqueolog%C3%ADa_Hiperb%C3%B3lica_Para_El_Americanismo","translated_internal_url":"","created_at":"2024-09-15T06:39:44.476-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":126252608,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":118220303,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/118220303/thumbnails/1.jpg","file_name":"1748.pdf","download_url":"https://www.academia.edu/attachments/118220303/download_file?st=MTczMjU2MzMyNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Arqueologia_Hiperbolica_Para_El_American.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/118220303/1748-libre.pdf?1726410522=\u0026response-content-disposition=attachment%3B+filename%3DArqueologia_Hiperbolica_Para_El_American.pdf\u0026Expires=1732566924\u0026Signature=HXahhHxk-0EXQ09XSGlb-6Ty-uPeugaTQ33YltZaa4kM34oGjEkT4YQIWtdIkIjEXlpyCKwpLc921W3etFrbXMTSuekeHbNyrrV8IGXMYgzXFjI-pR3BPygx8t6OH8e-7F4wKuxaY4C18hpTYgWjANm-Y-wN1UOUy9ryd1Jv7ZEgEUE1uPVp~q2ZqP9OdCwfldNVVMWwHJ12quNmUgZXI4pITN1oY8mI3gz4rZdRGCd00rxjq3Dh75F5WtcX-YzcSjdgvI9svrH5iLLkY02uxk0yb27PugakEeBktUkP2IVS036gYMdJlJ5mVDbe5koe60uUqVbBhWCwJDlUHHY7EQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Arqueología_Hiperbólica_Para_El_Americanismo","translated_slug":"","page_count":20,"language":"es","content_type":"Work","owner":{"id":126252608,"first_name":"Alejandra","middle_initials":null,"last_name":"Mailhe","page_name":"AlejandraMailhe","domain_name":"independent","created_at":"2019-09-12T20:55:33.492-07:00","display_name":"Alejandra Mailhe","url":"https://independent.academia.edu/AlejandraMailhe"},"attachments":[{"id":118220303,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/118220303/thumbnails/1.jpg","file_name":"1748.pdf","download_url":"https://www.academia.edu/attachments/118220303/download_file?st=MTczMjU2MzMyNCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Arqueologia_Hiperbolica_Para_El_American.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/118220303/1748-libre.pdf?1726410522=\u0026response-content-disposition=attachment%3B+filename%3DArqueologia_Hiperbolica_Para_El_American.pdf\u0026Expires=1732566924\u0026Signature=HXahhHxk-0EXQ09XSGlb-6Ty-uPeugaTQ33YltZaa4kM34oGjEkT4YQIWtdIkIjEXlpyCKwpLc921W3etFrbXMTSuekeHbNyrrV8IGXMYgzXFjI-pR3BPygx8t6OH8e-7F4wKuxaY4C18hpTYgWjANm-Y-wN1UOUy9ryd1Jv7ZEgEUE1uPVp~q2ZqP9OdCwfldNVVMWwHJ12quNmUgZXI4pITN1oY8mI3gz4rZdRGCd00rxjq3Dh75F5WtcX-YzcSjdgvI9svrH5iLLkY02uxk0yb27PugakEeBktUkP2IVS036gYMdJlJ5mVDbe5koe60uUqVbBhWCwJDlUHHY7EQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities"},{"id":960810,"name":"Prismas","url":"https://www.academia.edu/Documents/in/Prismas"}],"urls":[{"id":44674710,"url":"https://prismas.unq.edu.ar/OJS/index.php/Prismas/article/download/1197/1748"}]}, dispatcherData: dispatcherData }); 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Notre article part de cette question pour réfléchir sur quelques oeuvres picturales produites par les européens Johann M. Rugendas et Jean-Baptiste Debret. Nous y considérons particulièrement quelques planches présentes dans Viagem pitoresca através do Brasil (1835) de Rugendas, et dans Viagem pitoresca e histórica ao Brasil (1834-1839) de Debret. Nous nous centrons sur un corpus d’images paradigmatiques pour percevoir comment sont conceptualisés esthétiquement les secteurs populaires brésiliens (en particulier, les esclaves des “fazendas” et de la capitale). En effet, au Brésil, ces deux artistes abordent de manière explicite la thématique esclave, tout en adoptant une perspective de dénonciation malgré les pressions exercées par les institutions impériales. L’analyse critique de quelques images et des ess...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="49a20f9de044b18a6403b6cfb01dc917" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118220300,"asset_id":123891095,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118220300/download_file?st=MTczMjU2MzMyNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123891095"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123891095"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123891095; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=123891095]").text(description); $(".js-view-count[data-work-id=123891095]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 123891095; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='123891095']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 123891095, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "49a20f9de044b18a6403b6cfb01dc917" } } $('.js-work-strip[data-work-id=123891095]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":123891095,"title":"Les limites du visible: réflexions sur la représentation picturale de l'esclavage dans l'oeuvre de Rugendas et de Debret","translated_title":"","metadata":{"abstract":"Quelles modulations la perspective artistique développe- t-elle au Brésil au milieu du XIXe siècle, pour représenter les secteurs populaires, et en particulier le monde esclave ? 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Para ello se tendrán en cuenta los aportes de diversas teorías y autores en la conformación de contenidos mínimos que brinden los instrumentos conceptuales necesarios para que los/las futuros/as docentes puedan transformarse, a través de la enseñanza de la lengua, en difusores de la cultura lusa, volviéndose capaces de reponer el “halo semántico” y las connotaciones (estéticas, sociales y culturales) que anidan en el lenguaje.Fil: Mailhe, Alejandra Marta. Universidad Nacional de La Plata; Argentina. 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Centro ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Fil: Mailhe, Alejandra Marta. Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educacion. 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Rojas convierte esta region en un espacio saturado de connotaciones socioculturales vinculadas al pasado y al presente, elevandola a sinecdoque del interior de la totalidad del pais, e incluso a modelo de la dimension americana de la Argentina, obturada por otros discursos sociales. El articulo tambien reflexiona sobre la experiencia esoterica del “viaje iniciatico” implicito en el ensayo de Rojas, en sintonia con la representacion imaginaria del viaje en los ensayos de otros autores vinculados al antipositivismo y a la Reforma Universitaria, como Jose Vasconcelos. 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Nucleados en torno a una misma constelacion intelectual, autores tales como Jose Ingenieros, Francisco De Veyga, Jose Maria Ramos Mejia y Lucas Ayarragaray, entre otros, se citan entre si, y escriben sobre temas afines y con enfoques proximos, esforzandose por consolidar un espacio de profesionalizacion moderno. La revista Archivos de Psiquiatria y Criminologia Aplicadas a las Ciencias Afines. Medicina Legal – Sociologia – Derecho – Psicologia – Pedagogia juega un papel clave, como instancia privilegiada en este proceso de consolidacion a nivel nacional y continental. 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Vivía en medio de una gran licencia, en lucha con su madre, a la que arrojó del trono. Fundó un estado de mujeres, que se dio a conocer por sus conquistas. Públicamente declaró no sentir amor por su madre ni por su hijo. A éste, un niño pequeño, le mató delante de una asamblea, se tiñó con su sangre y dispuso que hubiera siempre en palacio provisión de sangre de niño. Sus leyes eran terribles. A los hombres los expulsaba o los mataba; las mujeres tenían que dar muerte a sus hijos varones (…). Como furias invadían las hembras los poblados vecinos, (y) comían carne humana… La cita corresponde a la \"Introducción\" a las Lecciones sobre la filosofía de la historia universal de Hegel. 1 Luego de expulsar a América Latina fuera de la historia, Hegel considera el carácter primitivo de Africa, para lo cual recrea una serie de imágenes fantasmáticas vinculadas a la alteridad radical de las mujeres negras como otredad bárbara; así, lo femenino se identifica con la irracionalidad, la negación de la moral, la antropofagia y el infanticidio, trazos que devienen emblemas MAILHE Alejandra Marta: El género del margen. 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de Debret" class="work-thumbnail" src="https://attachments.academia-assets.com/118220305/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123891101/Les_limites_du_visible_r%C3%A9flexions_sur_la_repr%C3%A9sentation_picturale_de_l_esclavage_dans_l_%C5%93uvre_de_Rugendas_et_de_Debret">Les limites du visible : réflexions sur la représentation picturale de l’esclavage dans l’œuvre de Rugendas et de Debret</a></div><div class="wp-workCard_item"><span>DOAJ (DOAJ: Directory of Open Access Journals)</span><span>, Nov 1, 2009</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d1bdbe3a41e3c9a91191e52e5ed5a35b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" 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src="https://attachments.academia-assets.com/118220303/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123891099/Arqueolog%C3%ADa_Hiperb%C3%B3lica_Para_El_Americanismo">Arqueología Hiperbólica Para El Americanismo</a></div><div class="wp-workCard_item"><span>Prismas - Revista de historia intelectual</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Este trabajo analiza la relación de colaboración intelectual que se establece entre el arqueólogo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Este trabajo analiza la relación de colaboración intelectual que se establece entre el arqueólogo Arthur Posnansky –abocado a la interpretación del legado arqueológico de Tiahuanaco– y el sociólogo argentino Ernesto Quesada. Ambos mantienen una fluida correspondencia en los años veinte, la cual deja entrever la centralidad de la arqueología precolombina –y la importancia de los lazos de solidaridad transnacional– para la consolidación del americanismo. En particular, me interesa indagar en torno a las consecuencias que entraña la difusión en Argentina de las hipótesis osadas de Posnansky, duramente combatidas por la arqueología “científica” de José Imbelloni. Para ello, quisiera explorar el papel que juega Posnansky en la recepción crítica de La decadencia de Occidente de Oswald Spengler por parte de Quesada. En última instancia, me interesa iluminar las intersecciones entre el “americanismo” stricto sensu (centrado en la arqueología) y otros discursos sociales (como los ensayos de ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="794f63926a212cd763a67541f28f6370" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118220303,"asset_id":123891099,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118220303/download_file?st=MTczMjU2MzMyNSw4LjIyMi4yMDguMTQ2&st=MTczMjU2MzMyNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123891099"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123891099"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123891099; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=123891099]").text(description); $(".js-view-count[data-work-id=123891099]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 123891099; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='123891099']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 123891099, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "794f63926a212cd763a67541f28f6370" } } $('.js-work-strip[data-work-id=123891099]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":123891099,"title":"Arqueología Hiperbólica Para El Americanismo","translated_title":"","metadata":{"abstract":"Este trabajo analiza la relación de colaboración intelectual que se establece entre el arqueólogo Arthur Posnansky –abocado a la interpretación del legado arqueológico de Tiahuanaco– y el sociólogo argentino Ernesto Quesada. Ambos mantienen una fluida correspondencia en los años veinte, la cual deja entrever la centralidad de la arqueología precolombina –y la importancia de los lazos de solidaridad transnacional– para la consolidación del americanismo. En particular, me interesa indagar en torno a las consecuencias que entraña la difusión en Argentina de las hipótesis osadas de Posnansky, duramente combatidas por la arqueología “científica” de José Imbelloni. Para ello, quisiera explorar el papel que juega Posnansky en la recepción crítica de La decadencia de Occidente de Oswald Spengler por parte de Quesada. 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Para ello, quisiera explorar el papel que juega Posnansky en la recepción crítica de La decadencia de Occidente de Oswald Spengler por parte de Quesada. 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Notre article part de cette question pour réfléchir sur quelques oeuvres picturales produites par les européens Johann M. Rugendas et Jean-Baptiste Debret. Nous y considérons particulièrement quelques planches présentes dans Viagem pitoresca através do Brasil (1835) de Rugendas, et dans Viagem pitoresca e histórica ao Brasil (1834-1839) de Debret. Nous nous centrons sur un corpus d’images paradigmatiques pour percevoir comment sont conceptualisés esthétiquement les secteurs populaires brésiliens (en particulier, les esclaves des “fazendas” et de la capitale). En effet, au Brésil, ces deux artistes abordent de manière explicite la thématique esclave, tout en adoptant une perspective de dénonciation malgré les pressions exercées par les institutions impériales. L’analyse critique de quelques images et des ess...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="49a20f9de044b18a6403b6cfb01dc917" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118220300,"asset_id":123891095,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118220300/download_file?st=MTczMjU2MzMyNSw4LjIyMi4yMDguMTQ2&st=MTczMjU2MzMyNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123891095"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123891095"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123891095; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=123891095]").text(description); $(".js-view-count[data-work-id=123891095]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 123891095; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='123891095']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 123891095, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "49a20f9de044b18a6403b6cfb01dc917" } } $('.js-work-strip[data-work-id=123891095]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":123891095,"title":"Les limites du visible: réflexions sur la représentation picturale de l'esclavage dans l'oeuvre de Rugendas et de Debret","translated_title":"","metadata":{"abstract":"Quelles modulations la perspective artistique développe- t-elle au Brésil au milieu du XIXe siècle, pour représenter les secteurs populaires, et en particulier le monde esclave ? 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En effet, au Brésil, ces deux artistes abordent de manière explicite la thématique esclave, tout en adoptant une perspective de dénonciation malgré les pressions exercées par les institutions impériales. 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Para ello se tendrán en cuenta los aportes de diversas teorías y autores en la conformación de contenidos mínimos que brinden los instrumentos conceptuales necesarios para que los/las futuros/as docentes puedan transformarse, a través de la enseñanza de la lengua, en difusores de la cultura lusa, volviéndose capaces de reponer el “halo semántico” y las connotaciones (estéticas, sociales y culturales) que anidan en el lenguaje.Fil: Mailhe, Alejandra Marta. Universidad Nacional de La Plata; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f7e8f7c12b153467400ea8f1af50c182" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118220298,"asset_id":123891093,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118220298/download_file?st=MTczMjU2MzMyNSw4LjIyMi4yMDguMTQ2&st=MTczMjU2MzMyNCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123891093"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123891093"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123891093; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=123891093]").text(description); $(".js-view-count[data-work-id=123891093]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 123891093; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='123891093']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 123891093, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f7e8f7c12b153467400ea8f1af50c182" } } $('.js-work-strip[data-work-id=123891093]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":123891093,"title":"Algunas reflexiones teóricas en torno a la concepción del área socio-cultural en el Profesorado de Portugués de la Universidad Nacional de La Plata","translated_title":"","metadata":{"abstract":"El objetivo de este artículo es presentar las reflexiones teóricas que sustentan la concepción del área sociocultural del Profesorado de Portugués de la UNLP. Para ello se tendrán en cuenta los aportes de diversas teorías y autores en la conformación de contenidos mínimos que brinden los instrumentos conceptuales necesarios para que los/las futuros/as docentes puedan transformarse, a través de la enseñanza de la lengua, en difusores de la cultura lusa, volviéndose capaces de reponer el “halo semántico” y las connotaciones (estéticas, sociales y culturales) que anidan en el lenguaje.Fil: Mailhe, Alejandra Marta. Universidad Nacional de La Plata; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin","publisher":"Universidad Nacional de Córdoba. Facultad de Lenguas","publication_date":{"day":1,"month":6,"year":2012,"errors":{}}},"translated_abstract":"El objetivo de este artículo es presentar las reflexiones teóricas que sustentan la concepción del área sociocultural del Profesorado de Portugués de la UNLP. Para ello se tendrán en cuenta los aportes de diversas teorías y autores en la conformación de contenidos mínimos que brinden los instrumentos conceptuales necesarios para que los/las futuros/as docentes puedan transformarse, a través de la enseñanza de la lengua, en difusores de la cultura lusa, volviéndose capaces de reponer el “halo semántico” y las connotaciones (estéticas, sociales y culturales) que anidan en el lenguaje.Fil: Mailhe, Alejandra Marta. Universidad Nacional de La Plata; Argentina. 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Centro ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Fil: Mailhe, Alejandra Marta. Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - La Plata. Instituto de Investigaciones en Humanidades y Ciencias Sociales. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educacion. 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Rojas convierte esta region en un espacio saturado de connotaciones socioculturales vinculadas al pasado y al presente, elevandola a sinecdoque del interior de la totalidad del pais, e incluso a modelo de la dimension americana de la Argentina, obturada por otros discursos sociales. El articulo tambien reflexiona sobre la experiencia esoterica del “viaje iniciatico” implicito en el ensayo de Rojas, en sintonia con la representacion imaginaria del viaje en los ensayos de otros autores vinculados al antipositivismo y a la Reforma Universitaria, como Jose Vasconcelos. Ademas, este texto contrapone la idealizacion del mundo indigena “perdido”, en Archipielago, a la vision desplegada por otros autores como Jose Imbelloni, central...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="24d1e3ea170f51a17ac5e42b0c7b6908" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118220316,"asset_id":123891079,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118220316/download_file?st=MTczMjU2MzMyNSw4LjIyMi4yMDguMTQ2&st=MTczMjU2MzMyNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="123891079"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="123891079"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 123891079; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=123891079]").text(description); $(".js-view-count[data-work-id=123891079]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 123891079; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='123891079']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 123891079, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "24d1e3ea170f51a17ac5e42b0c7b6908" } } $('.js-work-strip[data-work-id=123891079]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":123891079,"title":"Un confinamiento en los confines: Archipiélago de Ricardo Rojas como americanización del interior","translated_title":"","metadata":{"abstract":"espanolEste articulo explora la representacion imaginaria del “interior” tal como es desplegada por Ricardo Rojas en su ensayo Archipielago (1934), para pensar Tierra del Fuego como area de frontera, plagada de temporalidades y sustratos culturales en conflicto. 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Nucleados en torno a una misma constelacion intelectual, autores tales como Jose Ingenieros, Francisco De Veyga, Jose Maria Ramos Mejia y Lucas Ayarragaray, entre otros, se citan entre si, y escriben sobre temas afines y con enfoques proximos, esforzandose por consolidar un espacio de profesionalizacion moderno. La revista Archivos de Psiquiatria y Criminologia Aplicadas a las Ciencias Afines. Medicina Legal – Sociologia – Derecho – Psicologia – Pedagogia juega un papel clave, como instancia privilegiada en este proceso de consolidacion a nivel nacional y continental. 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Vivía en medio de una gran licencia, en lucha con su madre, a la que arrojó del trono. Fundó un estado de mujeres, que se dio a conocer por sus conquistas. Públicamente declaró no sentir amor por su madre ni por su hijo. A éste, un niño pequeño, le mató delante de una asamblea, se tiñó con su sangre y dispuso que hubiera siempre en palacio provisión de sangre de niño. Sus leyes eran terribles. A los hombres los expulsaba o los mataba; las mujeres tenían que dar muerte a sus hijos varones (…). Como furias invadían las hembras los poblados vecinos, (y) comían carne humana… La cita corresponde a la \"Introducción\" a las Lecciones sobre la filosofía de la historia universal de Hegel. 1 Luego de expulsar a América Latina fuera de la historia, Hegel considera el carácter primitivo de Africa, para lo cual recrea una serie de imágenes fantasmáticas vinculadas a la alteridad radical de las mujeres negras como otredad bárbara; así, lo femenino se identifica con la irracionalidad, la negación de la moral, la antropofagia y el infanticidio, trazos que devienen emblemas MAILHE Alejandra Marta: El género del margen. 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