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Calenda - 1949-2009 : presse et photographie. Les mutations du photojournalisme et des magazines illustr茅s
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Les mutations du photojournalisme et des magazines illustr茅s</span></a></h2> <div class="colwrapper"> <div id="icon" class="column"> <h2><a href="search?primary=ftype&ftype=40">Appel 脿 contribution</a><span><a href="search?primary=fsubject&fsubject=270">Information</a></span></h2> <div id="tabledates"> <h2>Dates</h2> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2009&fmonth=01&fday=20">20</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2009&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2009">2009</a></div> </td> </tr> </tbody> </table> </div> </div> <div id="listcategories"> <h2>Cat茅gories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=204">Sociologie du travail</a></li> <li><a href="search?primary=fsubject&fsubject=271">Sciences de l'information</a></li> <li><a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=274">Histoire et sociologie de la presse</a></li> <li><a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=275">Histoire et sociologie des m茅dias</a></li> <li><a href="search?primary=fsubject&fsubject=234">Histoire du travail</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="195809">1949-2009 : presse et photographie. Les mutations du photojournalisme et des magazines illustr茅s</a></h1> </div> <div class="mapuce2">* * *</div> <p id="pubdate"> Publi茅 le lundi 27 octobre 2008 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div id="resume-195809-fr" class="tabContent" lang="fr" xml:lang="fr">Les 60 ans de Paris-Match, en 2009, fournissent l鈥檕ccasion de s鈥檌nterroger sur les mutations du photojournalisme. Aussi, le cas de Paris-Match servira donc de fil rouge pour 茅valuer et saisir les infl茅chissements de la photographie de presse, per莽ue au travers de sa production, de ses supports, de ses techniques et ses usages dans les magazines illustr茅s d鈥檌nformation, de son r么le strat茅gique pour atteindre le public, alors qu鈥檈n 60 ans d鈥檋istoire, l鈥檌mage d鈥檃ctualit茅 se fait toujours plus concurrentielle, depuis l鈥檈ssor de la t茅l茅vision jusqu鈥檃u ph茅nom猫ne internet. La journ茅e d'茅tudes s'interrogera donc sur l鈥櫭﹙olution mat茅rielle des magazines illustr茅s, la place des professionnels de l鈥檌mage dans le journal, l鈥檋istoire des agences de presse et des photoreporters et les mutations techniques, sociales, culturelles du photojournalisme.</div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-195809-fr" class="tabContent" lang="fr" xml:lang="fr"> <p>Les 60 ans de Paris-Match, en 2009, fournissent l’occasion de s’interroger sur les mutations du photojournalisme, auquel il participa, et celles des grands magazines illustrés, dont il fut et reste l’un des grands représentants. La journée d’études pourra même remonter à l’avant-guerre, puisque Paris-Match est l’héritier de Match, magazine sportif que Jean Prouvost racheta en 1938 pour le transformer en un journal illustré d’actualité qui, inspiré de Life, de Vu et de Bild Zeitung, rencontra un véritable succès populaire avant de disparaître avec la défaite de 1940.</p> <p>Relancé par Jean Prouvost le 25 mars 1949, devenu Paris-Match, le magazine connaît des débuts difficiles avant de faire de la photographie – et singulièrement la photographie à spectacle- sa vitrine et sa marque. Aucun autre, parmi ses concurrents, ne parvient à se hisser, comme lui, au-delà du million d’exemplaires. Les plus grands photographes de l’époque se succèdent dans ses pages : Henri Cartier-Bresson, Capa, Tony Armstrong Jones, Walter Carone, Raymond Depardon, Denise Belon, Philip Halsman, Danièle Isserman, Youssouf Karsh, Willy Rizzo, Goskin Sipahioglu…, etc. Paris-Match, alors, nourrit et accompagne l’ « âge d’or » des agences photos. Modèle de presse à l’échelle nationale et même internationale, il est le magazine qui acquiert le plus d’images en France. Un phénomène qu’il faudra éclairer, tout comme il conviendra de saisir le déclin du magazine à la fin des années 1960, alors même que Paris fait figure de capitale mondiale du photojournalisme, avec l’affirmation d’une nouvelle génération d’agences, portée par une nouvelle vague de photographes, autour de Gamma, de Sygma ou de Sipa. En tout état de cause, la journée d’études devra permettre de comprendre le rôle particulier joué par Paris-Match dans la dynamique mais aussi l’érosion du photoreportage, de l’époque du « poids des mots » et du « choc des photos », slogan qui marque la relance de l’hebdomadaire par Filipacchi-Thérond au milieu des années 1970, jusqu’à nos jours où le photojournalisme, ici et ailleurs, semble submergé par la vague « people ».</p> <p>Le cas de Paris-Match servira donc de fil rouge pour évaluer et saisir les infléchissements de la photographie de presse, perçue au travers de sa production, de ses supports, de ses techniques et ses usages dans les magazines illustrés d’information, de son rôle stratégique pour atteindre le public, alors qu’en 60 ans d’histoire, l’image d’actualité se fait toujours plus concurrentielle, depuis l’essor de la télévision jusqu’au phénomène internet. La journée s’interrogera donc à la fois sur la photographie et ses contenus, et sur ceux qui travaillent l’image, des photojournalistes aux rédacteurs photos. L’évolution matérielle des magazines illustrés, la place des professionnels de l’image dans le journal, l’histoire des agences de presse et des photoreporters, les mutations techniques, sociales, culturelles du photojournalisme, la signification historique de l’ensemble des transformations de la photographie de presse compteront parmi les thèmes privilégiés par la rencontre qui tentera d’ouvrir une perspective comparative en ne limitant pas sa réflexion au seul cas français.</p> <p> </p> <p><b>Les propositions de communication (500 mots, précisant les corpus, méthode et contexte) sont à adresser pour le 20 janvier 2009</b><b> aux responsables de la journée d'études,</b> Klervi Le Collen, doctorante au Centre d’histoire culturelle des sociétés contemporaines, Université de Versailles Saint-Quentin et Karine Taveaux-Grandpierre, Maître de conférences en sciences de l’Information et de la Communication, IUT Bobigny, Universités Paris 13.</p> <p><b>Par courriel :</b> klervi.lecollen@free.fr et karine.grandpierre@univ-paris13.fr </p> <p><b>Par courrier :</b> IUT de Bobigny, Département SRC, Klervi Le Collen et Karine Grandpierre, <br />1 rue de Chablis, 93017 Bobigny Cedex.<br /><br /></p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=270">Information</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=201">Sociologie</a> > <a href="search?primary=fsubject&fsubject=204">Sociologie du travail</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=270">Information</a> > <a href="search?primary=fsubject&fsubject=271">Sciences de l'information</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=270">Information</a> > <a href="search?primary=fsubject&fsubject=274">Histoire et sociologie de la presse</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=270">Information</a> > <a href="search?primary=fsubject&fsubject=275">Histoire et sociologie des m茅dias</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=228">Histoire</a> > <a href="search?primary=fsubject&fsubject=234">Histoire du travail</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Saint Denis (93) <br/> Saint-Denis, France </li> </ul> </div> <div id="eventformats"><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>mardi 20 janvier 2009</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Le Collen Klervi<br/><em>courriel :</em> klervi [dot] lecollen [at] free [dot] fr<br/></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Le Collen<br/><em>courriel :</em> klervi [dot] lecollen [at] free [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 1949-2009 : presse et photographie. Les mutations du photojournalisme et des magazines illustr茅s 禄, <span class="category">Appel 脿 contribution</span>, <em>Calenda</em>, Publi茅 le lundi 27 octobre 2008, <a class="url" href="https://doi.org/10.58079/d7m">https://doi.org/10.58079/d7m</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('195809?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="195809?formatage=print">Imprimer</a> <a id="signaler" 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