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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Graeco-Roman Mosaics and Wall Paintings</h1><div class="u-tcGrayDark">11,121 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Graeco-Roman Mosaics and Wall Paintings</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Graeco-Roman_Mosaics_and_Wall_Paintings">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36867934 coauthored" data-work_id="36867934" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36867934/FIELD_SCHOOL_PITTURA_ELLENISTICA_DALLA_MACEDONIA_ALLA_SICILIA_IL_CASO_DI_AGRIGENTO_">FIELD SCHOOL " PITTURA ELLENISTICA DALLA MACEDONIA ALLA SICILIA. IL CASO DI AGRIGENTO"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Missione Archeologica Unibo ad Agrigento 6 giugno alle ore 9:28 · Field School 2018 - Hellenistic painting The Archaeological and Landscape Park “Valley of the Temples” of Agrigento, in collaboration with the University of Bologna,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36867934" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Missione Archeologica Unibo ad Agrigento<br />6 giugno alle ore 9:28 · <br />Field School 2018 - Hellenistic painting<br /><br />The Archaeological and Landscape Park “Valley of the Temples” of Agrigento, in collaboration with the University of Bologna, organizes a Field School on Hellenistic painting which will take place from 3 to 26 October 2018 n the so called Hellenistic-Roman district of the Park, in the housing unit called "Casa III M".<br /><br />The project includes a theoretical part and a practical part focused on the recovery of collapsed plaster fragments and ...<br />Altro...<br />Scuola di campo 2018-pittura ellenistica<br /><br />Il Parco Archeologico e paesaggistico "Valle dei templi" di Agrigento, in collaborazione con l'università di Bologna, organizza una scuola di campo sulla pittura ellenistica che si svolgerà dal 3 al 26 ottobre 2018 n il cosiddetto ellenistico - Distretto Romano del parco, nell'unità abitativa chiamata "Casa III M".<br /><br />Il progetto comprende una parte teorica e una parte pratica incentrata sul recupero dei frammenti di gesso crollati e sul loro consolidamento in situ.<br /><br />Per ulteriori informazioni:<br />Web <a href="http://www.disci.unibo.it" rel="nofollow">www.disci.unibo.it</a>, <a href="http://www.parcodeitempli.it" rel="nofollow">www.parcodeitempli.it</a><br />Facebook @QER3BOLOGNA, @parcodeitempli<br />Instagram 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Templi","domain_name":"sicilia","page_name":"ParcoArcheologicoePaesaggisticoValledeiTempli","display_name":"Parco Archeologico e Paesaggistico Valle dei Templi","profile_url":"https://sicilia.academia.edu/ParcoArcheologicoePaesaggisticoValledeiTempli?f_ri=32626","photo":"https://0.academia-photos.com/32695094/9761407/156195305/s65_parco_archeologico_e_paesaggistico.valle_dei_templi.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-36867934">+3</span><div class="hidden js-additional-users-36867934"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unibo.academia.edu/VincenzoBaldoni">Vincenzo Baldoni</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://parcovalledeitempli.academia.edu/mariaconcettaparello">maria concetta parello</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/ValentinaCaminneci">Valentina Caminneci</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-36867934'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-36867934').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_36867934 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36867934"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36867934, container: ".js-paper-rank-work_36867934", }); });</script></li><li class="js-percentile-work_36867934 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span 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href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" rel="nofollow" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="7655" rel="nofollow" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a><script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36867934]'), work: {"id":36867934,"title":"FIELD SCHOOL \" PITTURA ELLENISTICA DALLA MACEDONIA ALLA SICILIA. IL CASO DI AGRIGENTO\"","created_at":"2018-06-19T01:35:47.831-07:00","url":"https://www.academia.edu/36867934/FIELD_SCHOOL_PITTURA_ELLENISTICA_DALLA_MACEDONIA_ALLA_SICILIA_IL_CASO_DI_AGRIGENTO_?f_ri=32626","dom_id":"work_36867934","summary":"Missione Archeologica Unibo ad Agrigento\n6 giugno alle ore 9:28 · \nField School 2018 - Hellenistic painting\n\nThe Archaeological and Landscape Park “Valley of the Temples” of Agrigento, in collaboration with the University of Bologna, organizes a Field School on Hellenistic painting which will take place from 3 to 26 October 2018 n the so called Hellenistic-Roman district of the Park, in the housing unit called \"Casa III M\".\n\nThe project includes a theoretical part and a practical part focused on the recovery of collapsed plaster fragments and ...\nAltro...\nScuola di campo 2018-pittura ellenistica\n\nIl Parco Archeologico e paesaggistico \"Valle dei templi\" di Agrigento, in collaborazione con l'università di Bologna, organizza una scuola di campo sulla pittura ellenistica che si svolgerà dal 3 al 26 ottobre 2018 n il cosiddetto ellenistico - Distretto Romano del parco, nell'unità abitativa chiamata \"Casa III M\".\n\nIl progetto comprende una parte teorica e una parte pratica incentrata sul recupero dei frammenti di gesso crollati e sul loro consolidamento in situ.\n\nPer ulteriori informazioni:\nWeb www.disci.unibo.it, www.parcodeitempli.it\nFacebook @QER3BOLOGNA, @parcodeitempli\nInstagram @missione_unibo, @valle_dei_templi_agrigento\n\nOppure 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Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35311140" data-work_id="35311140" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35311140/The_removal_of_Paraloid_B_72_coatings_with_aqueous_gelled_systems_Roman_frescoes_from_Emp%C3%BAries_Catalonia">The removal of Paraloid B-72 coatings with aqueous gelled systems: Roman frescoes from Empúries, Catalonia</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is a practical example of the removal of Paraloid B-72 coatings from Roman wall paintings executed in true fresco. The resin was applied to adhere fabrics used to detach the paintings with the stacco technique. The applied coating as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35311140" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is a practical example of the removal of Paraloid B-72 coatings from Roman wall paintings executed in true fresco. The resin was applied to adhere fabrics used to detach the paintings with the stacco technique. The applied coating as so thick that it was preventing the cleaning of the paintings as it covered concretion of salts, dirt and significant bioform colonization, as well as some other alterations.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35311140" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e95311178fd902368894159ff4049719" rel="nofollow" data-download="{"attachment_id":55171565,"asset_id":35311140,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55171565/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="37446310" href="https://lleida.academia.edu/AleixBarber%C3%A0Gin%C3%A9">Aleix Barberà Giné</a><script data-card-contents-for-user="37446310" type="text/json">{"id":37446310,"first_name":"Aleix","last_name":"Barberà Giné","domain_name":"lleida","page_name":"AleixBarberàGiné","display_name":"Aleix Barberà Giné","profile_url":"https://lleida.academia.edu/AleixBarber%C3%A0Gin%C3%A9?f_ri=32626","photo":"https://0.academia-photos.com/37446310/10588906/18450782/s65_aleix.barber_gin_.jpg"}</script></span></span></li><li class="js-paper-rank-work_35311140 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35311140"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35311140, container: ".js-paper-rank-work_35311140", }); 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$(".js-view-count[data-work-id=35311140]").text(description); $(".js-view-count-work_35311140").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35311140").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35311140"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a>, <script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="55872" rel="nofollow" href="https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage">Science for Conservation and Restoration of Cultural Heritage</a>, <script data-card-contents-for-ri="55872" type="text/json">{"id":55872,"name":"Science for Conservation and Restoration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="92897" rel="nofollow" href="https://www.academia.edu/Documents/in/Restauration_and_Conservation">Restauration and Conservation</a>, <script data-card-contents-for-ri="92897" type="text/json">{"id":92897,"name":"Restauration and Conservation","url":"https://www.academia.edu/Documents/in/Restauration_and_Conservation?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="516678" rel="nofollow" href="https://www.academia.edu/Documents/in/Paraloid_B-72">Paraloid B-72</a><script data-card-contents-for-ri="516678" type="text/json">{"id":516678,"name":"Paraloid B-72","url":"https://www.academia.edu/Documents/in/Paraloid_B-72?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35311140]'), work: {"id":35311140,"title":"The removal of Paraloid B-72 coatings with aqueous gelled systems: Roman frescoes from Empúries, Catalonia","created_at":"2017-12-01T09:44:49.482-08:00","url":"https://www.academia.edu/35311140/The_removal_of_Paraloid_B_72_coatings_with_aqueous_gelled_systems_Roman_frescoes_from_Emp%C3%BAries_Catalonia?f_ri=32626","dom_id":"work_35311140","summary":"This is a practical example of the removal of Paraloid B-72 coatings from Roman wall paintings executed in true fresco. The resin was applied to adhere fabrics used to detach the paintings with the stacco technique. The applied coating as so thick that it was preventing the cleaning of the paintings as it covered concretion of salts, dirt and significant bioform colonization, as well as some other alterations.","downloadable_attachments":[{"id":55171565,"asset_id":35311140,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":37446310,"first_name":"Aleix","last_name":"Barberà Giné","domain_name":"lleida","page_name":"AleixBarberàGiné","display_name":"Aleix Barberà Giné","profile_url":"https://lleida.academia.edu/AleixBarber%C3%A0Gin%C3%A9?f_ri=32626","photo":"https://0.academia-photos.com/37446310/10588906/18450782/s65_aleix.barber_gin_.jpg"}],"research_interests":[{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":55872,"name":"Science for Conservation and Restoration of Cultural Heritage","url":"https://www.academia.edu/Documents/in/Science_for_Conservation_and_Restoration_of_Cultural_Heritage?f_ri=32626","nofollow":true},{"id":92897,"name":"Restauration and Conservation","url":"https://www.academia.edu/Documents/in/Restauration_and_Conservation?f_ri=32626","nofollow":true},{"id":516678,"name":"Paraloid B-72","url":"https://www.academia.edu/Documents/in/Paraloid_B-72?f_ri=32626","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9978882" data-work_id="9978882" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9978882/M_David_Marion_Elizabeth_Blake_e_il_Tardoantico_in_Musiva_et_Sectilia_7_2010_pp_215_228">M. David, "Marion Elizabeth Blake e il Tardoantico", in Musiva et Sectilia, 7, 2010, pp. 215-228. </a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9978882" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c0846132b1fc85f81a878a44a59ae390" rel="nofollow" data-download="{"attachment_id":36122474,"asset_id":9978882,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36122474/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="318293" href="https://uniroma1.academia.edu/MassimilianoDavid">Massimiliano David</a><script data-card-contents-for-user="318293" type="text/json">{"id":318293,"first_name":"Massimiliano","last_name":"David","domain_name":"uniroma1","page_name":"MassimilianoDavid","display_name":"Massimiliano David","profile_url":"https://uniroma1.academia.edu/MassimilianoDavid?f_ri=32626","photo":"https://0.academia-photos.com/318293/133706/155660/s65_massimiliano.david.jpg"}</script></span></span></li><li class="js-paper-rank-work_9978882 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9978882"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9978882, container: ".js-paper-rank-work_9978882", }); 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$(".js-view-count[data-work-id=9978882]").text(description); $(".js-view-count-work_9978882").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9978882").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9978882"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="5041" rel="nofollow" href="https://www.academia.edu/Documents/in/Late_Antique_Archaeology">Late Antique Archaeology</a>, <script data-card-contents-for-ri="5041" type="text/json">{"id":5041,"name":"Late Antique Archaeology","url":"https://www.academia.edu/Documents/in/Late_Antique_Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="11076" rel="nofollow" href="https://www.academia.edu/Documents/in/Late_Antiquity">Late Antiquity</a>, <script data-card-contents-for-ri="11076" type="text/json">{"id":11076,"name":"Late Antiquity","url":"https://www.academia.edu/Documents/in/Late_Antiquity?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a>, <script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="163799" rel="nofollow" href="https://www.academia.edu/Documents/in/Roman_Mosaics">Roman Mosaics</a><script data-card-contents-for-ri="163799" type="text/json">{"id":163799,"name":"Roman Mosaics","url":"https://www.academia.edu/Documents/in/Roman_Mosaics?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9978882]'), work: {"id":9978882,"title":"M. David, \"Marion Elizabeth Blake e il Tardoantico\", in Musiva et Sectilia, 7, 2010, pp. 215-228. ","created_at":"2015-01-02T05:44:16.754-08:00","url":"https://www.academia.edu/9978882/M_David_Marion_Elizabeth_Blake_e_il_Tardoantico_in_Musiva_et_Sectilia_7_2010_pp_215_228?f_ri=32626","dom_id":"work_9978882","summary":null,"downloadable_attachments":[{"id":36122474,"asset_id":9978882,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":318293,"first_name":"Massimiliano","last_name":"David","domain_name":"uniroma1","page_name":"MassimilianoDavid","display_name":"Massimiliano David","profile_url":"https://uniroma1.academia.edu/MassimilianoDavid?f_ri=32626","photo":"https://0.academia-photos.com/318293/133706/155660/s65_massimiliano.david.jpg"}],"research_interests":[{"id":5041,"name":"Late Antique Archaeology","url":"https://www.academia.edu/Documents/in/Late_Antique_Archaeology?f_ri=32626","nofollow":true},{"id":11076,"name":"Late Antiquity","url":"https://www.academia.edu/Documents/in/Late_Antiquity?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":163799,"name":"Roman Mosaics","url":"https://www.academia.edu/Documents/in/Roman_Mosaics?f_ri=32626","nofollow":true},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24437031" data-work_id="24437031" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24437031/Reyhan_SAHIN_Die_Mosaiken_Westkleinasiens_Tessellate_des_2_Jahrhunderts_v_Chr_bis_Anfang_des_7_Jahrhunderts_n_Chr_Veronika_Scheibelreiter_Gail_JMR_8_2015_185_187_review_english_">Reyhan SAHIN, Die Mosaiken Westkleinasiens (Tessellate des 2. Jahrhunderts v. Chr. bis Anfang des 7. Jahrhunderts n. Chr.), Veronika Scheibelreiter-Gail, JMR 8, 2015. 185-187 (review-english)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">(review- english)<br />R. Sahin, Die Mosaiken Westkleinasiens (Tessellate des 2. Jahrhunderts v. Chr. bis Anfang des 7. Jahrhunderts n. Chr.), Veronika Scheibelreiter-Gail, JMR 8, 2015, 185-187.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24437031" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="72946ca5873f271fae339f7ddad3f1b8" rel="nofollow" data-download="{"attachment_id":44766844,"asset_id":24437031,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/44766844/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="220900" href="https://uludag.academia.edu/ReyhanSahin">Reyhan Sahin</a><script data-card-contents-for-user="220900" type="text/json">{"id":220900,"first_name":"Reyhan","last_name":"Sahin","domain_name":"uludag","page_name":"ReyhanSahin","display_name":"Reyhan Sahin","profile_url":"https://uludag.academia.edu/ReyhanSahin?f_ri=32626","photo":"https://0.academia-photos.com/220900/324697/31672818/s65_reyhan.sahin.jpeg"}</script></span></span></li><li class="js-paper-rank-work_24437031 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24437031"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24437031, container: ".js-paper-rank-work_24437031", }); 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$(".js-view-count[data-work-id=24437031]").text(description); $(".js-view-count-work_24437031").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24437031").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24437031"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" rel="nofollow" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="393" rel="nofollow" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3790" rel="nofollow" href="https://www.academia.edu/Documents/in/Anatolian_Archaeology">Anatolian Archaeology</a>, <script data-card-contents-for-ri="3790" type="text/json">{"id":3790,"name":"Anatolian Archaeology","url":"https://www.academia.edu/Documents/in/Anatolian_Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14641" rel="nofollow" href="https://www.academia.edu/Documents/in/Byzantine_Archaeology">Byzantine Archaeology</a><script data-card-contents-for-ri="14641" type="text/json">{"id":14641,"name":"Byzantine Archaeology","url":"https://www.academia.edu/Documents/in/Byzantine_Archaeology?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24437031]'), work: {"id":24437031,"title":"Reyhan SAHIN, Die Mosaiken Westkleinasiens (Tessellate des 2. Jahrhunderts v. Chr. bis Anfang des 7. Jahrhunderts n. Chr.), Veronika Scheibelreiter-Gail, JMR 8, 2015. 185-187 (review-english)","created_at":"2016-04-15T09:00:37.967-07:00","url":"https://www.academia.edu/24437031/Reyhan_SAHIN_Die_Mosaiken_Westkleinasiens_Tessellate_des_2_Jahrhunderts_v_Chr_bis_Anfang_des_7_Jahrhunderts_n_Chr_Veronika_Scheibelreiter_Gail_JMR_8_2015_185_187_review_english_?f_ri=32626","dom_id":"work_24437031","summary":"(review- english)\nR. Sahin, Die Mosaiken Westkleinasiens (Tessellate des 2. Jahrhunderts v. Chr. bis Anfang des 7. Jahrhunderts n. Chr.), Veronika Scheibelreiter-Gail, JMR 8, 2015, 185-187.","downloadable_attachments":[{"id":44766844,"asset_id":24437031,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":220900,"first_name":"Reyhan","last_name":"Sahin","domain_name":"uludag","page_name":"ReyhanSahin","display_name":"Reyhan Sahin","profile_url":"https://uludag.academia.edu/ReyhanSahin?f_ri=32626","photo":"https://0.academia-photos.com/220900/324697/31672818/s65_reyhan.sahin.jpeg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=32626","nofollow":true},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=32626","nofollow":true},{"id":3790,"name":"Anatolian Archaeology","url":"https://www.academia.edu/Documents/in/Anatolian_Archaeology?f_ri=32626","nofollow":true},{"id":14641,"name":"Byzantine Archaeology","url":"https://www.academia.edu/Documents/in/Byzantine_Archaeology?f_ri=32626","nofollow":true},{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626"},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626"},{"id":105881,"name":"Byzantine Mosaics","url":"https://www.academia.edu/Documents/in/Byzantine_Mosaics?f_ri=32626"},{"id":133100,"name":"Ephesos","url":"https://www.academia.edu/Documents/in/Ephesos?f_ri=32626"},{"id":163799,"name":"Roman Mosaics","url":"https://www.academia.edu/Documents/in/Roman_Mosaics?f_ri=32626"},{"id":1521818,"name":"Late Roman and Byzantine mosaics","url":"https://www.academia.edu/Documents/in/Late_Roman_and_Byzantine_mosaics?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26491506" data-work_id="26491506" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26491506/The_fate_of_statues_a_contextualised_study_of_sculpture_in_Late_Antique_Cyprus_Unpublished_PhD_thesis_in_two_volumes_Durham_University_2016_">The fate of statues: a contextualised study of sculpture in Late Antique Cyprus (Unpublished PhD thesis in two volumes; Durham University 2016)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Research undertaken in Durham University, Faculty of Social Sciences and Health: Department of Archaeology; supervised by Dr Anna Leone. Viva voce examination held on April 15th, 2016. Examiners: Prof. Roland R. R. Smith (University of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26491506" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Research undertaken in Durham University, Faculty of Social Sciences and Health: Department of Archaeology; supervised by Dr Anna Leone.<br /><br />Viva voce examination held on April 15th, 2016.<br />Examiners: Prof. Roland R. R. Smith (University of Oxford), Dr Catherine M. Draycott (Durham University).<br />Outcome: passed forthwith (no corrections; thesis passed unconditionally).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26491506" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9c678483cd0c72cb2d76649e4d842fd9" rel="nofollow" data-download="{"attachment_id":46787859,"asset_id":26491506,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46787859/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="466845" href="https://departmentantiquitiescyprus.academia.edu/PanayiotisPanayides">Panayiotis Panayides</a><script data-card-contents-for-user="466845" type="text/json">{"id":466845,"first_name":"Panayiotis","last_name":"Panayides","domain_name":"departmentantiquitiescyprus","page_name":"PanayiotisPanayides","display_name":"Panayiotis Panayides","profile_url":"https://departmentantiquitiescyprus.academia.edu/PanayiotisPanayides?f_ri=32626","photo":"https://0.academia-photos.com/466845/155071/3016008/s65_panayiotis.panayides.jpeg"}</script></span></span></li><li class="js-paper-rank-work_26491506 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="26491506"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 26491506, container: ".js-paper-rank-work_26491506", }); 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Topography","url":"https://www.academia.edu/Documents/in/Ancient_Roman_Topography?f_ri=32626"},{"id":498231,"name":"Mosaics","url":"https://www.academia.edu/Documents/in/Mosaics?f_ri=32626"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39776619" data-work_id="39776619" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39776619/Hadrianopolis_IV_Early_Byzantine_Mosaics_and_Frescoes_from_Northwestern_Central_Turkey">Hadrianopolis IV: Early Byzantine Mosaics and Frescoes from Northwestern Central Turkey</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Hadrianopolis is a site located on the principal western route from the Central Anatolian plain through the mountains to Bartın and the Black Sea, 3 km west of the modern town of Eskipazar, near Karabük, in what was in Roman times... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39776619" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Hadrianopolis is a site located on the principal western route from the Central Anatolian plain through the mountains to Bartın and the Black Sea, 3 km west of the modern town of Eskipazar, near Karabük, in what was in Roman times southwestern Paphlagonia (modern northwestern central Turkey). This site was a small but important city, controlling this major route and dominating a rich agricultural and especially vinicultural enclave on the borders between Paphlagonia, Bithynia and Galatia. Between 2005 and 2008, four survey, excavation and restoration campaigns were conducted at this Roman and early Byzantine site by Dokuz Eylül University in Izmir. As a result of the 2005 surveys of the area, it was confi rmed that Hadrianopolis was indeed coincident with Viranşehir, which is located c. 3 km west of modern Eskipazar and was active between the 1st cent. BC. and the 8th cent. AD. The fi eld surveys in 2005 identifi ed the remains of at least 24 buildings at the site. Among them are two bath buildings, two basilicas, a domus, an apsidal building, a fortifi ed structure of the Byzantine period, a possible theatre, a vaulted building, a domed building and some domestic buildings, most of which were paved with extensive mosaic floors. Following the publication of the inscriptions (Hadrianopolis I), glass (Hadrianopolis II), and pottery fi nds (Hadrianopolis III), the present volume IV of this multi-volume report is devoted to the early Byzantine mosaics and frescoes from this site, which have been dated mainly to the 6th and 7th cent. AD. The main find spots for mosaics and frescoes are Baths A, Baths B, Basilica A, Basilica B, the Apsidal Building and the Domus. One of the most remarkable discoveries was undoubtedly the floor mosaic of the nave of Basilica B, which displays personifi cations of the Four Rivers of Paradise: Euphrates, Tigris, Phison and Geon.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39776619" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6bbcf0b8637d786712eb90f9854798ce" rel="nofollow" data-download="{"attachment_id":59960705,"asset_id":39776619,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59960705/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1091260" href="https://ardahan.academia.edu/SamiPatac%C4%B1">Sami Patacı</a><script data-card-contents-for-user="1091260" type="text/json">{"id":1091260,"first_name":"Sami","last_name":"Patacı","domain_name":"ardahan","page_name":"SamiPatacı","display_name":"Sami Patacı","profile_url":"https://ardahan.academia.edu/SamiPatac%C4%B1?f_ri=32626","photo":"https://0.academia-photos.com/1091260/378826/18576101/s65_sami.patac_.jpg"}</script></span></span></li><li class="js-paper-rank-work_39776619 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39776619"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39776619, container: ".js-paper-rank-work_39776619", }); 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This site was a small but important city, controlling this major route and dominating a rich agricultural and especially vinicultural enclave on the borders between Paphlagonia, Bithynia and Galatia. Between 2005 and 2008, four survey, excavation and restoration campaigns were conducted at this Roman and early Byzantine site by Dokuz Eylül University in Izmir. As a result of the 2005 surveys of the area, it was confi rmed that Hadrianopolis was indeed coincident with Viranşehir, which is located c. 3 km west of modern Eskipazar and was active between the 1st cent. BC. and the 8th cent. AD. The fi eld surveys in 2005 identifi ed the remains of at least 24 buildings at the site. Among them are two bath buildings, two basilicas, a domus, an apsidal building, a fortifi ed structure of the Byzantine period, a possible theatre, a vaulted building, a domed building and some domestic buildings, most of which were paved with extensive mosaic floors. Following the publication of the inscriptions (Hadrianopolis I), glass (Hadrianopolis II), and pottery fi nds (Hadrianopolis III), the present volume IV of this multi-volume report is devoted to the early Byzantine mosaics and frescoes from this site, which have been dated mainly to the 6th and 7th cent. AD. The main find spots for mosaics and frescoes are Baths A, Baths B, Basilica A, Basilica B, the Apsidal Building and the Domus. One of the most remarkable discoveries was undoubtedly the floor mosaic of the nave of Basilica B, which displays personifi cations of the Four Rivers of Paradise: Euphrates, Tigris, Phison and Geon.","downloadable_attachments":[{"id":59960705,"asset_id":39776619,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1091260,"first_name":"Sami","last_name":"Patacı","domain_name":"ardahan","page_name":"SamiPatacı","display_name":"Sami Patacı","profile_url":"https://ardahan.academia.edu/SamiPatac%C4%B1?f_ri=32626","photo":"https://0.academia-photos.com/1091260/378826/18576101/s65_sami.patac_.jpg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=32626","nofollow":true},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=32626","nofollow":true},{"id":991,"name":"Late Antique and Byzantine 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Byzantine Archaeology","url":"https://www.academia.edu/Documents/in/Early_Byzantine_Archaeology?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10706516 coauthored" data-work_id="10706516" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10706516/Hadrianoupolis_2010_%C3%87al%C4%B1%C5%9Fmalar%C4%B1">Hadrianoupolis 2010 Çalışmaları</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Ya zı lar kay nak gös te ril mek şar tıy la kul la nı la bi lir.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm 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href="https://www.academia.edu/36277204/Trasmigrazione_di_tipi_Daphne_si_muta_in_Kyparissos_in_un_dipinto_inedito_pompeiano_in_C_GUILAR_PELEGRIN_cur_Circulaci%C3%B2n_de_temas_y_sistemas_decorativos_en_la_pintura_mural_antigua_Atti_del_IX_convegno_internazionale_AIPMA_Saragozza_settembre_2004_Calatayud_2007_pp_83_90">Trasmigrazione di tipi. Daphne si muta in Kyparissos in un dipinto inedito pompeiano, in C. GUILAR PELEGRIN (cur.), Circulaciòn de temas y sistemas decorativos en la pintura mural antigua (Atti del IX convegno internazionale AIPMA Saragozza settembre 2004), Calatayud 2007, pp. 83-90</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Diseño gráfico y coordinanción técnica Víctor M. Lahuerta Impresión ISAC Artes Gráficas Encuadernación Gil Depósito legal Z-3085/07 © de los textos e imágenes, sus autores. © del diseño gráfico, Víctor M. Lahuerta. Zaragoza, 2007 © de la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36277204" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Diseño gráfico y coordinanción técnica Víctor M. Lahuerta Impresión ISAC Artes Gráficas Encuadernación Gil Depósito legal Z-3085/07 © de los textos e imágenes, sus autores. © del diseño gráfico, Víctor M. Lahuerta. Zaragoza, 2007 © de la presente edición, Association Internationale pour la Peinture Murale Antique [AIPMA]. Lausanne, 2007. Hecho e impreso en España-Unión Europea /Made and Printed in Spain-European Union En cubierta: Detalle de un erote de las pinturas del triclinio de la domus de la calle Añón de Zaragoza (España). Fot. J. 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Vous trouverez ci joint le programme de ces 30e rencontre et dans une autre rubrique la fiche d'inscription... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30224393" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">le 30e colloque de l'AFPMA aura lieu les vendredi 24 et samedi 25 novembre 2017 au musée départemental Arles antique à Arles. <br /><br />Vous trouverez ci joint le programme de ces 30e rencontre et dans une autre rubrique la fiche d'inscription auditeur à retourner avant le 31 octobre.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30224393" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text 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Antioch","url":"https://www.academia.edu/Documents/in/Ancient_Antioch?f_ri=32626"},{"id":263852,"name":"Roman Wall Painting","url":"https://www.academia.edu/Documents/in/Roman_Wall_Painting?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_14709369" data-work_id="14709369" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/14709369/Die_Wiedergeburt_des_Mainzer_Orpheus_Mainz_2007_">Die Wiedergeburt des Mainzer Orpheus (Mainz 2007)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Publication of the most important mosaic find from Mainz. Description of its saving, reconstruction and meaning. Originally part of a bath building near the Roman theater of Mainz, it perhaps commemorated an entertainment happened there... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_14709369" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Publication of the most important mosaic find from Mainz. Description of its saving, reconstruction and meaning. Originally part of a bath building near the Roman theater of Mainz, it perhaps commemorated an entertainment happened there once.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/14709369" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="047b66955262da5e3fb5d3efc59465f2" rel="nofollow" data-download="{"attachment_id":38397874,"asset_id":14709369,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38397874/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="834044" href="https://independent.academia.edu/RuedigerGograefe">Ruediger Gograefe</a><script data-card-contents-for-user="834044" type="text/json">{"id":834044,"first_name":"Ruediger","last_name":"Gograefe","domain_name":"independent","page_name":"RuedigerGograefe","display_name":"Ruediger Gograefe","profile_url":"https://independent.academia.edu/RuedigerGograefe?f_ri=32626","photo":"https://0.academia-photos.com/834044/5835240/6629221/s65_ruediger.gograefe.jpg"}</script></span></span></li><li class="js-paper-rank-work_14709369 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="14709369"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 14709369, container: ".js-paper-rank-work_14709369", }); 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Barocchi, D. Gallo (eds), L’Accademia Etrusca, Electa Milano, 1985, 32, 57-62, 101-102</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La Musa Polimnia di Cortona, in P. Barocchi, D. Gallo, L’Accademia Etrusca, Electa Milano, 1985, 32, 57-62, 101-102. The Musa Polimnia of the Accademia Etrusca at Cortona was commissioned at Naples by the local erudite Marcello Venuti in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36043699" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La Musa Polimnia di Cortona, in P. Barocchi, D. Gallo, L’Accademia Etrusca, Electa Milano, 1985, 32, 57-62, 101-102.<br /><br />The Musa Polimnia of the Accademia Etrusca at Cortona was commissioned at Naples by the local erudite Marcello Venuti in 1740. In 1738 he was invited by King of Spain to order the Library in the Royal Palace at Naples. The 7th July 1739 he assisted at one of the first discovery of ancient paintings at Herculaneum, the portrait of a young couple dressed as comedy player (hapolòs neanìskos) and lyre player and ivy crowned as winners of a musical competition. Their eyes are looking straight to the beholder, as they in all ancient painted portraits do. Venuti commissioned a copy of the female lyre player on slate, the stone used for backing the ancient frescoes once they were detached from the wall. The copy was presented during the Notti Coritane of December 1744 ‘as a painting found 50 years ago under the ground of Villa of Petrognano, once property of the family Passerini of Cortona'. For Venuti (1748) the painting surmounted the ones discovered at Herculaneum, because it was covered with varnish similar to the one used by Apelles (Pliny 35.97). Until 1985 the painting was generally considered ancient, until I discovered its derivation from the Portrait of a Young Couple, Naples, Archaeological Museum inv. N. 9079.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36043699" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3f570cba93990cc9df0e818bb69b3f0e" rel="nofollow" data-download="{"attachment_id":55929748,"asset_id":36043699,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55929748/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1056976" href="https://unitn.academia.edu/MarietteMMdeVosRaaijmakers">Mariette de Vos Raaijmakers</a><script data-card-contents-for-user="1056976" type="text/json">{"id":1056976,"first_name":"Mariette","last_name":"de Vos Raaijmakers","domain_name":"unitn","page_name":"MarietteMMdeVosRaaijmakers","display_name":"Mariette de Vos Raaijmakers","profile_url":"https://unitn.academia.edu/MarietteMMdeVosRaaijmakers?f_ri=32626","photo":"https://0.academia-photos.com/1056976/9888460/11023801/s65_mariette.de_vos_raaijmakers.jpg"}</script></span></span></li><li class="js-paper-rank-work_36043699 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36043699"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36043699, container: ".js-paper-rank-work_36043699", }); });</script></li><li class="js-percentile-work_36043699 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36043699; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36043699"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36043699 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36043699"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36043699; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36043699]").text(description); $(".js-view-count-work_36043699").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36043699").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36043699"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a><script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36043699]'), work: {"id":36043699,"title":"La Musa Polimnia di Cortona, in P. Barocchi, D. Gallo (eds), L’Accademia Etrusca, Electa Milano, 1985, 32, 57-62, 101-102","created_at":"2018-02-28T10:24:48.186-08:00","url":"https://www.academia.edu/36043699/La_Musa_Polimnia_di_Cortona_in_P_Barocchi_D_Gallo_eds_L_Accademia_Etrusca_Electa_Milano_1985_32_57_62_101_102?f_ri=32626","dom_id":"work_36043699","summary":"La Musa Polimnia di Cortona, in P. Barocchi, D. Gallo, L’Accademia Etrusca, Electa Milano, 1985, 32, 57-62, 101-102.\n\nThe Musa Polimnia of the Accademia Etrusca at Cortona was commissioned at Naples by the local erudite Marcello Venuti in 1740. In 1738 he was invited by King of Spain to order the Library in the Royal Palace at Naples. The 7th July 1739 he assisted at one of the first discovery of ancient paintings at Herculaneum, the portrait of a young couple dressed as comedy player (hapolòs neanìskos) and lyre player and ivy crowned as winners of a musical competition. Their eyes are looking straight to the beholder, as they in all ancient painted portraits do. Venuti commissioned a copy of the female lyre player on slate, the stone used for backing the ancient frescoes once they were detached from the wall. The copy was presented during the Notti Coritane of December 1744 ‘as a painting found 50 years ago under the ground of Villa of Petrognano, once property of the family Passerini of Cortona'. For Venuti (1748) the painting surmounted the ones discovered at Herculaneum, because it was covered with varnish similar to the one used by Apelles (Pliny 35.97). Until 1985 the painting was generally considered ancient, until I discovered its derivation from the Portrait of a Young Couple, Naples, Archaeological Museum inv. N. 9079.\n","downloadable_attachments":[{"id":55929748,"asset_id":36043699,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1056976,"first_name":"Mariette","last_name":"de Vos Raaijmakers","domain_name":"unitn","page_name":"MarietteMMdeVosRaaijmakers","display_name":"Mariette de Vos Raaijmakers","profile_url":"https://unitn.academia.edu/MarietteMMdeVosRaaijmakers?f_ri=32626","photo":"https://0.academia-photos.com/1056976/9888460/11023801/s65_mariette.de_vos_raaijmakers.jpg"}],"research_interests":[{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37608324" data-work_id="37608324" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37608324/Review_of_Karen_Britt_and_Ra_anan_S_Boustan_The_Elephant_Mosaic_Panel_in_the_Synagogue_at_Huqoq_Official_Publication_and_Initial_Interpretations_Portsmouth_RI_Journal_of_Roman_Archaeology_Supplementary_Series_no_106_2017_8">Review of Karen Britt and Ra’anan S. Boustan, The Elephant Mosaic Panel in the Synagogue at Huqoq: Official Publication and Initial Interpretations. Portsmouth, RI: Journal of Roman Archaeology Supplementary Series no. 106, 2017. 8</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Images 10 (2018)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37608324" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a9c772c2035ec8cd88f7798b31048395" rel="nofollow" data-download="{"attachment_id":57590534,"asset_id":37608324,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57590534/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="316198" href="https://yeshiva.academia.edu/StevenFine">Steven Fine</a><script data-card-contents-for-user="316198" type="text/json">{"id":316198,"first_name":"Steven","last_name":"Fine","domain_name":"yeshiva","page_name":"StevenFine","display_name":"Steven Fine","profile_url":"https://yeshiva.academia.edu/StevenFine?f_ri=32626","photo":"https://0.academia-photos.com/316198/63390/799997/s65_steven.fine.jpg"}</script></span></span></li><li class="js-paper-rank-work_37608324 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37608324"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37608324, container: ".js-paper-rank-work_37608324", }); 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Portsmouth, RI: Journal of Roman Archaeology Supplementary Series no. 106, 2017. 8","created_at":"2018-10-18T13:53:54.074-07:00","url":"https://www.academia.edu/37608324/Review_of_Karen_Britt_and_Ra_anan_S_Boustan_The_Elephant_Mosaic_Panel_in_the_Synagogue_at_Huqoq_Official_Publication_and_Initial_Interpretations_Portsmouth_RI_Journal_of_Roman_Archaeology_Supplementary_Series_no_106_2017_8?f_ri=32626","dom_id":"work_37608324","summary":"Images 10 (2018)","downloadable_attachments":[{"id":57590534,"asset_id":37608324,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":316198,"first_name":"Steven","last_name":"Fine","domain_name":"yeshiva","page_name":"StevenFine","display_name":"Steven Fine","profile_url":"https://yeshiva.academia.edu/StevenFine?f_ri=32626","photo":"https://0.academia-photos.com/316198/63390/799997/s65_steven.fine.jpg"}],"research_interests":[{"id":983,"name":"Jewish 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Mosaics","url":"https://www.academia.edu/Documents/in/Byzantine_Mosaics?f_ri=32626"},{"id":206907,"name":"Galilee in early roman time","url":"https://www.academia.edu/Documents/in/Galilee_in_early_roman_time?f_ri=32626"},{"id":453809,"name":"ancient Synagogues","url":"https://www.academia.edu/Documents/in/ancient_Synagogues?f_ri=32626"},{"id":668832,"name":"Late Antique and Byzantine Art and Archaeology, Mosaic pavements, Middle and Late Byzantine Painting","url":"https://www.academia.edu/Documents/in/Late_Antique_and_Byzantine_Art_and_Archaeology_Mosaic_pavements_Middle_and_Late_Byzantine_Painting?f_ri=32626"},{"id":1259773,"name":"Hüquq","url":"https://www.academia.edu/Documents/in/Huquq?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34113213" data-work_id="34113213" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34113213/Museo_Archeologico_di_Napoli_Nuove_informazioni_sulla_provenienza_di_un_mosaico_con_rappresentazione_di_Teseo_che_uccide_il_Minotauro">Museo Archeologico di Napoli: Nuove informazioni sulla provenienza di un mosaico con rappresentazione di Teseo che uccide il Minotauro</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">New hypothesis around the provenance of a mosaic, preserved in Museo Archeologico Nazionale di Napoli from the territory of Fondi (Southern Latium -  Italy).</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34113213" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i 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itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="728188" href="https://haifa.academia.edu/AndreaDiRosa">Andrea Di Rosa</a><script data-card-contents-for-user="728188" type="text/json">{"id":728188,"first_name":"Andrea","last_name":"Di Rosa","domain_name":"haifa","page_name":"AndreaDiRosa","display_name":"Andrea Di Rosa","profile_url":"https://haifa.academia.edu/AndreaDiRosa?f_ri=32626","photo":"https://0.academia-photos.com/728188/299316/109850862/s65_andrea.di_rosa.jpg"}</script></span></span></li><li class="js-paper-rank-work_34113213 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34113213"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34113213, container: ".js-paper-rank-work_34113213", }); });</script></li><li class="js-percentile-work_34113213 InlineList-item 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Italy).","downloadable_attachments":[{"id":57559235,"asset_id":34113213,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":728188,"first_name":"Andrea","last_name":"Di Rosa","domain_name":"haifa","page_name":"AndreaDiRosa","display_name":"Andrea Di Rosa","profile_url":"https://haifa.academia.edu/AndreaDiRosa?f_ri=32626","photo":"https://0.academia-photos.com/728188/299316/109850862/s65_andrea.di_rosa.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=32626","nofollow":true},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=32626","nofollow":true},{"id":8364,"name":"Archaeology of Southern Italy","url":"https://www.academia.edu/Documents/in/Archaeology_of_Southern_Italy?f_ri=32626","nofollow":true},{"id":9660,"name":"Italy (History)","url":"https://www.academia.edu/Documents/in/Italy_History_?f_ri=32626","nofollow":true},{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626"},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626"},{"id":79037,"name":"Historia del Arte","url":"https://www.academia.edu/Documents/in/Historia_del_Arte?f_ri=32626"},{"id":105880,"name":"Pavement Mosaics","url":"https://www.academia.edu/Documents/in/Pavement_Mosaics?f_ri=32626"},{"id":134466,"name":"Minotaure","url":"https://www.academia.edu/Documents/in/Minotaure?f_ri=32626"},{"id":137596,"name":"Theseus","url":"https://www.academia.edu/Documents/in/Theseus?f_ri=32626"},{"id":146002,"name":"Minotauro","url":"https://www.academia.edu/Documents/in/Minotauro?f_ri=32626"},{"id":163799,"name":"Roman Mosaics","url":"https://www.academia.edu/Documents/in/Roman_Mosaics?f_ri=32626"},{"id":206007,"name":"Fondi","url":"https://www.academia.edu/Documents/in/Fondi?f_ri=32626"},{"id":206009,"name":"Lazio meridionale","url":"https://www.academia.edu/Documents/in/Lazio_meridionale?f_ri=32626"},{"id":206010,"name":"Southern Latium","url":"https://www.academia.edu/Documents/in/Southern_Latium?f_ri=32626"},{"id":227885,"name":"Minotaur","url":"https://www.academia.edu/Documents/in/Minotaur?f_ri=32626"},{"id":340381,"name":"Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Roman_Mosaics_and_Wall_Paintings?f_ri=32626"},{"id":498231,"name":"Mosaics","url":"https://www.academia.edu/Documents/in/Mosaics?f_ri=32626"},{"id":919013,"name":"Latium Adiectum","url":"https://www.academia.edu/Documents/in/Latium_Adiectum?f_ri=32626"},{"id":1247117,"name":"Emblemata","url":"https://www.academia.edu/Documents/in/Emblemata?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_66932525" data-work_id="66932525" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/66932525/Faces_in_the_frame_masks_and_heads_in_the_boundaries_of_Roman_art">Faces in the frame: masks and heads in the boundaries of Roman art</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">OF THE DISSERTATION Faces in the Frame: Masks and Heads in the Boundaries of Roman Art By Mieke Paulsen Bahmer Dissertation Director: John Kenfield III Satyric and comedic masks, in addition to lively-seeming heads that could almost be... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_66932525" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">OF THE DISSERTATION Faces in the Frame: Masks and Heads in the Boundaries of Roman Art By Mieke Paulsen Bahmer Dissertation Director: John Kenfield III Satyric and comedic masks, in addition to lively-seeming heads that could almost be masks, appear with pattern-like regularity wherever the Romans had a foothold; however, the near instinctive impulse to assign a straightforward, Hellenistically-derived Dionysiac message to the borders where these faces reside has rendered both masks and heads almost invisible to further iconographic study. The masks are more thoroughly examined as remnants of Classical theatre than in studies of antique mosaics, while the heads that supplant them are treated neither in theatrical studies nor, aside from stylistic analyses, in art historical scholarship. The assumption that satyrs (and their depictions) in the Roman world retained the same meanings and functions that had been given to them by their Greek originators ignores fundamental distinctions b...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/66932525" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4fd962553d82322140035a3f567a9089" rel="nofollow" data-download="{"attachment_id":77940855,"asset_id":66932525,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/77940855/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="190934346" href="https://independent.academia.edu/MiekePaulsenBahmer">Mieke Paulsen Bahmer</a><script data-card-contents-for-user="190934346" type="text/json">{"id":190934346,"first_name":"Mieke","last_name":"Paulsen Bahmer","domain_name":"independent","page_name":"MiekePaulsenBahmer","display_name":"Mieke Paulsen Bahmer","profile_url":"https://independent.academia.edu/MiekePaulsenBahmer?f_ri=32626","photo":"https://0.academia-photos.com/190934346/54007988/42144029/s65_mieke.paulsen_bahmer.jpeg"}</script></span></span></li><li class="js-paper-rank-work_66932525 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="66932525"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 66932525, container: ".js-paper-rank-work_66932525", }); 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however, the near instinctive impulse to assign a straightforward, Hellenistically-derived Dionysiac message to the borders where these faces reside has rendered both masks and heads almost invisible to further iconographic study. The masks are more thoroughly examined as remnants of Classical theatre than in studies of antique mosaics, while the heads that supplant them are treated neither in theatrical studies nor, aside from stylistic analyses, in art historical scholarship. The assumption that satyrs (and their depictions) in the Roman world retained the same meanings and functions that had been given to them by their Greek originators ignores fundamental distinctions b...","downloadable_attachments":[{"id":77940855,"asset_id":66932525,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":190934346,"first_name":"Mieke","last_name":"Paulsen Bahmer","domain_name":"independent","page_name":"MiekePaulsenBahmer","display_name":"Mieke Paulsen Bahmer","profile_url":"https://independent.academia.edu/MiekePaulsenBahmer?f_ri=32626","photo":"https://0.academia-photos.com/190934346/54007988/42144029/s65_mieke.paulsen_bahmer.jpeg"}],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":61828,"name":"Masks \u0026 Faces","url":"https://www.academia.edu/Documents/in/Masks_and_Faces?f_ri=32626","nofollow":true},{"id":104301,"name":"Frames","url":"https://www.academia.edu/Documents/in/Frames?f_ri=32626","nofollow":true},{"id":376653,"name":"Satyrs","url":"https://www.academia.edu/Documents/in/Satyrs?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49426812" data-work_id="49426812" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49426812/La_pittura_ellenistica_a_Pompei_in_decorazioni_scomparse_documentate_da_uno_studio_dellarchitetto_A_A_Parland">La pittura ellenistica a Pompei in decorazioni scomparse documentate da uno studio dell'architetto A.A. Parland.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Disappeared I style decorations at Pompeii pulbished in 1916 by the Russian architect A.A. 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Parland.","created_at":"2021-06-27T15:03:20.586-07:00","url":"https://www.academia.edu/49426812/La_pittura_ellenistica_a_Pompei_in_decorazioni_scomparse_documentate_da_uno_studio_dellarchitetto_A_A_Parland?f_ri=32626","dom_id":"work_49426812","summary":"Disappeared I style decorations at Pompeii pulbished in 1916 by the Russian architect A.A. Parland. 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class="clearfix u-pv7x u-mb0x js-work-card work_37701248" data-work_id="37701248" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37701248/BOISL%C3%88VE_and_RABASTE_2018_Julien_Boisl%C3%A8ve_et_Yoann_Rabast%C3%A9_Les_d%C3%A9cors_peints_d_une_domus_de_Durocortorum_Reims_72_rue_Ponsardin_13_rue_Diderot_">BOISLÈVE & RABASTE 2018 : Julien Boislève et Yoann Rabasté "Les décors peints d’une domus de Durocortorum, Reims / 72 rue Ponsardin / 13 rue Diderot"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La fouille d’un habitat antique, dans un secteur de la cité de Durocortorum / Reims connu pour avoir livré de grandes domus, a mis au jour plusieurs décors malheureusement très fragmentaires. Parmi eux, on retiendra un ensemble à panneaux... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37701248" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La fouille d’un habitat antique, dans un secteur de la cité de Durocortorum / Reims connu pour avoir livré de grandes domus, a mis au jour plusieurs décors malheureusement très fragmentaires. Parmi eux, on retiendra un ensemble à panneaux sous pseudo-édicules au-dessus desquels évoluent des Amours tandis que les candélabres des inter-panneaux sont couronnés de riches figures sommitales dont l’identification demeure difficile. Un autre groupe permet de reconnaître une voûte d’arêtes dont la surface peignée révèle une mode caractéristique de la toute fin du IIe ou du IIIe s. p.C. D’autres indices témoignent encore de la présence de plusieurs décors à scènes figurées de grande taille ou au contraire d’ensembles à l’ornementation particulièrement sommaire, à fond blanc.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37701248" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a5ae7aa2724989899077ec98a4f61b83" rel="nofollow" data-download="{"attachment_id":65078155,"asset_id":37701248,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65078155/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5216680" href="https://inrap.academia.edu/BoisleveJulienPeintureRomaineToichographologie">Julien Boislève</a><script data-card-contents-for-user="5216680" type="text/json">{"id":5216680,"first_name":"Julien","last_name":"Boislève","domain_name":"inrap","page_name":"BoisleveJulienPeintureRomaineToichographologie","display_name":"Julien Boislève","profile_url":"https://inrap.academia.edu/BoisleveJulienPeintureRomaineToichographologie?f_ri=32626","photo":"https://0.academia-photos.com/5216680/2297972/3593712/s65_julien.boisl_ve.jpg"}</script></span></span></li><li class="js-paper-rank-work_37701248 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37701248"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37701248, container: ".js-paper-rank-work_37701248", }); 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Parmi eux, on retiendra un ensemble à panneaux sous pseudo-édicules au-dessus desquels évoluent des Amours tandis que les candélabres des inter-panneaux sont couronnés de riches figures sommitales dont l’identification demeure difficile. Un autre groupe permet de reconnaître une voûte d’arêtes dont la surface peignée révèle une mode caractéristique de la toute fin du IIe ou du IIIe s. p.C. D’autres indices témoignent encore de la présence de plusieurs décors à scènes figurées de grande taille ou au contraire d’ensembles à l’ornementation particulièrement sommaire, à fond blanc.","downloadable_attachments":[{"id":65078155,"asset_id":37701248,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5216680,"first_name":"Julien","last_name":"Boislève","domain_name":"inrap","page_name":"BoisleveJulienPeintureRomaineToichographologie","display_name":"Julien Boislève","profile_url":"https://inrap.academia.edu/BoisleveJulienPeintureRomaineToichographologie?f_ri=32626","photo":"https://0.academia-photos.com/5216680/2297972/3593712/s65_julien.boisl_ve.jpg"}],"research_interests":[{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":48073,"name":"Gallo-roman archaeology","url":"https://www.academia.edu/Documents/in/Gallo-roman_archaeology?f_ri=32626","nofollow":true},{"id":103557,"name":"Archéologie","url":"https://www.academia.edu/Documents/in/Arch%C3%A9ologie?f_ri=32626","nofollow":true},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=32626","nofollow":true},{"id":263852,"name":"Roman Wall Painting","url":"https://www.academia.edu/Documents/in/Roman_Wall_Painting?f_ri=32626"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=32626"},{"id":951143,"name":"Archeology","url":"https://www.academia.edu/Documents/in/Archeology?f_ri=32626"},{"id":1024256,"name":"Toichographologie","url":"https://www.academia.edu/Documents/in/Toichographologie?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38871549" data-work_id="38871549" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38871549/The_Broken_Column_Frida_Kahlo">The Broken Column Frida Kahlo</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38871549" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0ef0775aff08e0348240df63e6b85aec" rel="nofollow" data-download="{"attachment_id":58967867,"asset_id":38871549,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58967867/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="95484771" href="https://du-in.academia.edu/SharonH">Sharon Hooda</a><script data-card-contents-for-user="95484771" type="text/json">{"id":95484771,"first_name":"Sharon","last_name":"Hooda","domain_name":"du-in","page_name":"SharonH","display_name":"Sharon Hooda","profile_url":"https://du-in.academia.edu/SharonH?f_ri=32626","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_38871549 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38871549"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38871549, container: ".js-paper-rank-work_38871549", }); 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$(".js-view-count[data-work-id=38871549]").text(description); $(".js-view-count-work_38871549").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38871549").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38871549"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="29961" rel="nofollow" href="https://www.academia.edu/Documents/in/Frida_Kahlo">Frida Kahlo</a>, <script data-card-contents-for-ri="29961" type="text/json">{"id":29961,"name":"Frida Kahlo","url":"https://www.academia.edu/Documents/in/Frida_Kahlo?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a>, <script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="616229" rel="nofollow" href="https://www.academia.edu/Documents/in/Frida_Kahlo_feminist_painting">Frida Kahlo feminist painting</a>, <script data-card-contents-for-ri="616229" type="text/json">{"id":616229,"name":"Frida Kahlo feminist painting","url":"https://www.academia.edu/Documents/in/Frida_Kahlo_feminist_painting?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1117934" rel="nofollow" href="https://www.academia.edu/Documents/in/Pintora_Mexicana._Frida_Kahlo._Diego_Rivera">Pintora Mexicana. Frida Kahlo. Diego Rivera</a><script data-card-contents-for-ri="1117934" type="text/json">{"id":1117934,"name":"Pintora Mexicana. Frida Kahlo. Diego Rivera","url":"https://www.academia.edu/Documents/in/Pintora_Mexicana._Frida_Kahlo._Diego_Rivera?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38871549]'), work: {"id":38871549,"title":"The Broken Column Frida Kahlo","created_at":"2019-04-20T00:03:01.663-07:00","url":"https://www.academia.edu/38871549/The_Broken_Column_Frida_Kahlo?f_ri=32626","dom_id":"work_38871549","summary":null,"downloadable_attachments":[{"id":58967867,"asset_id":38871549,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":95484771,"first_name":"Sharon","last_name":"Hooda","domain_name":"du-in","page_name":"SharonH","display_name":"Sharon Hooda","profile_url":"https://du-in.academia.edu/SharonH?f_ri=32626","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":29961,"name":"Frida Kahlo","url":"https://www.academia.edu/Documents/in/Frida_Kahlo?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":616229,"name":"Frida Kahlo feminist painting","url":"https://www.academia.edu/Documents/in/Frida_Kahlo_feminist_painting?f_ri=32626","nofollow":true},{"id":1117934,"name":"Pintora Mexicana. Frida Kahlo. Diego Rivera","url":"https://www.academia.edu/Documents/in/Pintora_Mexicana._Frida_Kahlo._Diego_Rivera?f_ri=32626","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39906939" data-work_id="39906939" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39906939/PRIMEROS_RESULTADOS_DE_LAS_EXCAVACIONES_REALIZADAS_EN_LA_VILLA_DE_LA_ESTACI%C3%93N_ANTEQUERA_M%C3%81LAGA_">PRIMEROS RESULTADOS DE LAS EXCAVACIONES REALIZADAS EN LA VILLA DE LA ESTACIÓN (ANTEQUERA MÁLAGA)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">RESUMEN El artículo describe y realiza un primer estudio de las estructuras y los materiales de una villa romana recientemente excavada en Antequera. Entre ellos destacan el repertorio musivo y escultórico, de los que emerge la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39906939" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">RESUMEN El artículo describe y realiza un primer estudio de las estructuras y los materiales de una villa romana recientemente excavada en Antequera. Entre ellos destacan el repertorio musivo y escultórico, de los que emerge la importancia del yacimiento. <br />SUMMARY The present article describes and attempts a first approach to the structures and materials from a recently discovered Roman Villa in Antequera. The Villa is particularly remarkable for its mosaics and sculptures, from which the importance of the site arises.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39906939" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="53d8d4964ec24696fa51706bbaeadc71" rel="nofollow" data-download="{"attachment_id":60093949,"asset_id":39906939,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60093949/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1986051" href="https://us.academia.edu/Sebasti%C3%A1nVargas">Sebastián Vargas Vázquez</a><script data-card-contents-for-user="1986051" type="text/json">{"id":1986051,"first_name":"Sebastián","last_name":"Vargas Vázquez","domain_name":"us","page_name":"SebastiánVargas","display_name":"Sebastián Vargas Vázquez","profile_url":"https://us.academia.edu/Sebasti%C3%A1nVargas?f_ri=32626","photo":"https://0.academia-photos.com/1986051/657884/816720/s65_sebasti_n.vargas.jpg"}</script></span></span></li><li class="js-paper-rank-work_39906939 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39906939"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39906939, container: ".js-paper-rank-work_39906939", }); 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$(".js-view-count[data-work-id=39906939]").text(description); $(".js-view-count-work_39906939").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39906939").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39906939"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" rel="nofollow" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15481" rel="nofollow" href="https://www.academia.edu/Documents/in/Roman_Villae">Roman Villae</a>, <script data-card-contents-for-ri="15481" type="text/json">{"id":15481,"name":"Roman Villae","url":"https://www.academia.edu/Documents/in/Roman_Villae?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27746" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_Mosaics">Ancient Mosaics</a>, <script data-card-contents-for-ri="27746" type="text/json">{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a><script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39906939]'), work: {"id":39906939,"title":"PRIMEROS RESULTADOS DE LAS EXCAVACIONES REALIZADAS EN LA VILLA DE LA ESTACIÓN (ANTEQUERA MÁLAGA)","created_at":"2019-07-23T10:48:31.092-07:00","url":"https://www.academia.edu/39906939/PRIMEROS_RESULTADOS_DE_LAS_EXCAVACIONES_REALIZADAS_EN_LA_VILLA_DE_LA_ESTACI%C3%93N_ANTEQUERA_M%C3%81LAGA_?f_ri=32626","dom_id":"work_39906939","summary":"RESUMEN El artículo describe y realiza un primer estudio de las estructuras y los materiales de una villa romana recientemente excavada en Antequera. Entre ellos destacan el repertorio musivo y escultórico, de los que emerge la importancia del yacimiento. \nSUMMARY The present article describes and attempts a first approach to the structures and materials from a recently discovered Roman Villa in Antequera. The Villa is particularly remarkable for its mosaics and sculptures, from which the importance of the site arises. ","downloadable_attachments":[{"id":60093949,"asset_id":39906939,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1986051,"first_name":"Sebastián","last_name":"Vargas Vázquez","domain_name":"us","page_name":"SebastiánVargas","display_name":"Sebastián Vargas Vázquez","profile_url":"https://us.academia.edu/Sebasti%C3%A1nVargas?f_ri=32626","photo":"https://0.academia-photos.com/1986051/657884/816720/s65_sebasti_n.vargas.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=32626","nofollow":true},{"id":15481,"name":"Roman Villae","url":"https://www.academia.edu/Documents/in/Roman_Villae?f_ri=32626","nofollow":true},{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":48990,"name":"Late roman villas","url":"https://www.academia.edu/Documents/in/Late_roman_villas?f_ri=32626"},{"id":85515,"name":"Roman Sculpture","url":"https://www.academia.edu/Documents/in/Roman_Sculpture?f_ri=32626"},{"id":99285,"name":"Roman Architecture","url":"https://www.academia.edu/Documents/in/Roman_Architecture?f_ri=32626"},{"id":163799,"name":"Roman Mosaics","url":"https://www.academia.edu/Documents/in/Roman_Mosaics?f_ri=32626"},{"id":469738,"name":"Greek and Roman Sculpture","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Sculpture?f_ri=32626"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_18191970" data-work_id="18191970" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/18191970/A_CLOSER_LOOK_AT_THE_TAJ_MAHAL_S_PIETRA_DURA_ART_WORK">A CLOSER LOOK AT THE TAJ MAHAL’S PIETRA DURA ART WORK</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Inlaid with lapis lazuli, turquoise and malachite, the Pietra Dura work on the Taj Mahal is a testament to the beauty of this art form as well as its power to evoke emotion. Known locally as “Parchin Kari”, many who have come to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_18191970" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Inlaid with lapis lazuli, turquoise and malachite, the Pietra Dura work on the Taj Mahal is a testament to the beauty of this art form as well as its power to evoke emotion. Known locally as “Parchin Kari”, many who have come to personally see the Taj Mahal have also come to appreciate the detailed craftsmanship that has been poured into the inlaying of the majestic white marble. People have called the precise work on the marble as nothing short of an artistic phenomenon, knowing that it is able to add depth and richness to the entire monument and that it is able to seamlessly work together with all its architectural features.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/18191970" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2303e0f02ac33dee12d9719f9c39089e" rel="nofollow" data-download="{"attachment_id":39925017,"asset_id":18191970,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39925017/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="35479812" href="https://independent.academia.edu/ChantalMenhem">Chantal Menhem</a><script data-card-contents-for-user="35479812" type="text/json">{"id":35479812,"first_name":"Chantal","last_name":"Menhem","domain_name":"independent","page_name":"ChantalMenhem","display_name":"Chantal Menhem","profile_url":"https://independent.academia.edu/ChantalMenhem?f_ri=32626","photo":"https://gravatar.com/avatar/36b54b5eb48f7d9c7a90cb5d2ab4d0cd?s=65"}</script></span></span></li><li class="js-paper-rank-work_18191970 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="18191970"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 18191970, container: ".js-paper-rank-work_18191970", }); });</script></li><li class="js-percentile-work_18191970 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 18191970; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_18191970"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_18191970 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="18191970"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 18191970; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=18191970]").text(description); $(".js-view-count-work_18191970").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_18191970").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="18191970"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="27746" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_Mosaics">Ancient Mosaics</a>, <script data-card-contents-for-ri="27746" type="text/json">{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a>, <script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="43838" rel="nofollow" href="https://www.academia.edu/Documents/in/India">India</a>, <script data-card-contents-for-ri="43838" type="text/json">{"id":43838,"name":"India","url":"https://www.academia.edu/Documents/in/India?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1557739" rel="nofollow" href="https://www.academia.edu/Documents/in/Pietra_dura">Pietra dura</a><script data-card-contents-for-ri="1557739" type="text/json">{"id":1557739,"name":"Pietra dura","url":"https://www.academia.edu/Documents/in/Pietra_dura?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=18191970]'), work: {"id":18191970,"title":"A CLOSER LOOK AT THE TAJ MAHAL’S PIETRA DURA ART WORK","created_at":"2015-11-12T02:41:39.120-08:00","url":"https://www.academia.edu/18191970/A_CLOSER_LOOK_AT_THE_TAJ_MAHAL_S_PIETRA_DURA_ART_WORK?f_ri=32626","dom_id":"work_18191970","summary":"Inlaid with lapis lazuli, turquoise and malachite, the Pietra Dura work on the Taj Mahal is a testament to the beauty of this art form as well as its power to evoke emotion. Known locally as “Parchin Kari”, many who have come to personally see the Taj Mahal have also come to appreciate the detailed craftsmanship that has been poured into the inlaying of the majestic white marble. People have called the precise work on the marble as nothing short of an artistic phenomenon, knowing that it is able to add depth and richness to the entire monument and that it is able to seamlessly work together with all its architectural features.","downloadable_attachments":[{"id":39925017,"asset_id":18191970,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":35479812,"first_name":"Chantal","last_name":"Menhem","domain_name":"independent","page_name":"ChantalMenhem","display_name":"Chantal Menhem","profile_url":"https://independent.academia.edu/ChantalMenhem?f_ri=32626","photo":"https://gravatar.com/avatar/36b54b5eb48f7d9c7a90cb5d2ab4d0cd?s=65"}],"research_interests":[{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":43838,"name":"India","url":"https://www.academia.edu/Documents/in/India?f_ri=32626","nofollow":true},{"id":1557739,"name":"Pietra dura","url":"https://www.academia.edu/Documents/in/Pietra_dura?f_ri=32626","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_71031055" data-work_id="71031055" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/71031055/Exchange_Media_movement_meaning_in_ancient_medieval_surface_decoration">Exchange: Media, movement, meaning in ancient-medieval surface decoration</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">treatments in the visual and material culture of the ancient and early medieval periods. At a moment when our world is hyper-focused on how people, things, and ideas move between geographies, surfaces, and spaces, we turn to the ancient... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_71031055" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">treatments in the visual and material culture of the ancient and early medieval periods. At a moment when our world is hyper-focused on how people, things, and ideas move between geographies, surfaces, and spaces, we turn to the ancient world to understand instances of visual, technical, and material exchange as manifest in ancient surface decoration. Purposefully diverse in terms of chronology, geography, and cultural purview, the contributions in this Special Issue should address the many mechanisms that propelled the transfer and transmission of artistic concepts, themes, motifs, and decorative schema in ancient painting, mosaic, stucco, textile, and other surface media.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/71031055" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="39dee730dc16ce1d0b4fe2c2df28b3dd" rel="nofollow" data-download="{"attachment_id":80543759,"asset_id":71031055,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/80543759/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="254469" href="https://utdallas.academia.edu/ElizabethMMolacek">Elizabeth M. Molacek</a><script data-card-contents-for-user="254469" type="text/json">{"id":254469,"first_name":"Elizabeth M.","last_name":"Molacek","domain_name":"utdallas","page_name":"ElizabethMMolacek","display_name":"Elizabeth M. Molacek","profile_url":"https://utdallas.academia.edu/ElizabethMMolacek?f_ri=32626","photo":"https://0.academia-photos.com/254469/54347/30932300/s65_elizabeth_m..molacek.jpg"}</script></span></span></li><li class="js-paper-rank-work_71031055 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="71031055"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 71031055, container: ".js-paper-rank-work_71031055", }); });</script></li><li class="js-percentile-work_71031055 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 71031055; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_71031055"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_71031055 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="71031055"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71031055; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=71031055]").text(description); $(".js-view-count-work_71031055").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_71031055").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="71031055"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="393" rel="nofollow" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="17618" rel="nofollow" href="https://www.academia.edu/Documents/in/Greek_Archaeology">Greek Archaeology</a>, <script data-card-contents-for-ri="17618" type="text/json">{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27746" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_Mosaics">Ancient Mosaics</a>, <script data-card-contents-for-ri="27746" type="text/json">{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a><script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=71031055]'), work: {"id":71031055,"title":"Exchange: Media, movement, meaning in ancient-medieval surface decoration","created_at":"2022-02-09T16:36:32.449-08:00","url":"https://www.academia.edu/71031055/Exchange_Media_movement_meaning_in_ancient_medieval_surface_decoration?f_ri=32626","dom_id":"work_71031055","summary":"treatments in the visual and material culture of the ancient and early medieval periods. At a moment when our world is hyper-focused on how people, things, and ideas move between geographies, surfaces, and spaces, we turn to the ancient world to understand instances of visual, technical, and material exchange as manifest in ancient surface decoration. Purposefully diverse in terms of chronology, geography, and cultural purview, the contributions in this Special Issue should address the many mechanisms that propelled the transfer and transmission of artistic concepts, themes, motifs, and decorative schema in ancient painting, mosaic, stucco, textile, and other surface media.","downloadable_attachments":[{"id":80543759,"asset_id":71031055,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":254469,"first_name":"Elizabeth M.","last_name":"Molacek","domain_name":"utdallas","page_name":"ElizabethMMolacek","display_name":"Elizabeth M. Molacek","profile_url":"https://utdallas.academia.edu/ElizabethMMolacek?f_ri=32626","photo":"https://0.academia-photos.com/254469/54347/30932300/s65_elizabeth_m..molacek.jpg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=32626","nofollow":true},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=32626","nofollow":true},{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=32626"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42060630" data-work_id="42060630" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42060630/Review_Buried_by_Vesuvius_The_Villa_dei_Papiri_at_Herculaneum_Getty_Villa_2019_">Review - Buried by Vesuvius: The Villa dei Papiri at Herculaneum (Getty Villa, 2019)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42060630" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" 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Crowley","profile_url":"https://stanford.academia.edu/PatrickCrowley?f_ri=32626","photo":"https://0.academia-photos.com/3959649/1486989/33092589/s65_patrick.crowley.jpg"}],"research_interests":[{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=32626","nofollow":true},{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=32626","nofollow":true},{"id":23333,"name":"Collecting and Collections","url":"https://www.academia.edu/Documents/in/Collecting_and_Collections?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":79496,"name":"Pompeii and Herculaneum","url":"https://www.academia.edu/Documents/in/Pompeii_and_Herculaneum?f_ri=32626"},{"id":85515,"name":"Roman Sculpture","url":"https://www.academia.edu/Documents/in/Roman_Sculpture?f_ri=32626"},{"id":116959,"name":"History of Collecting and Antiquarianism","url":"https://www.academia.edu/Documents/in/History_of_Collecting_and_Antiquarianism?f_ri=32626"},{"id":171747,"name":"Roman Bronzes","url":"https://www.academia.edu/Documents/in/Roman_Bronzes?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40480499" data-work_id="40480499" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40480499/Paganizmin_Erken_Hristiyan_Mozaik_Sanat%C4%B1na_Bir_Etkisi_Deniz_ve_Nehir_Tanr%C4%B1lar%C4%B1ndan_D%C3%B6rt_Cennet_Nehrine">Paganizmin Erken Hristiyan Mozaik Sanatına Bir Etkisi: Deniz ve Nehir Tanrılarından Dört Cennet Nehrine</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Antik Dönem Hellen sanatında deniz ve nehir tanrıları önemli bir yer tutar. Bu tanrı ve tanrıçalar ile ilgili sahneler, Roma Dönemi mozaiklerinde sevilerek konu edinilmiştir. Antiokheia ad Orontes ve Zeugma kentleri zemin mozaiklerinde... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40480499" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Antik Dönem Hellen sanatında deniz ve nehir tanrıları önemli bir yer tutar.<br />Bu tanrı ve tanrıçalar ile ilgili sahneler, Roma Dönemi mozaiklerinde sevilerek konu edinilmiştir. Antiokheia ad Orontes ve Zeugma kentleri zemin mozaiklerinde Okeanos ve Tethys ile ilgili sahnelere rastlamaktayız. Hem bir deniz tanrısı olarak kabul edilen hem de yeryüzünü dört bir yandan saran bir nehir olduğuna inanılan Okeanos bir titandır. Onun eşi Tethys ise denizin verimliliğini simgeler ve bu figürün geç tarihli tasvirlerine Thalassa adı da verilir. Hellen mitolojisine göre Okeanos ve Tethys’in birleşmesinden binlerce nehir doğmuştur. Roma Dönemi ile birlikte deniz ve nehir tanrıları ikonografisi sanatta belirginleşir ve standart bir betimleme tarzına kavuşur. Bu tipik betimleme anlayışı zemin mozaiklerinde rahatlıkla takip edilebilmektedir.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40480499" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="efa2f804aece4132d62e3ec1360437ff" rel="nofollow" data-download="{"attachment_id":60747141,"asset_id":40480499,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60747141/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1091260" href="https://ardahan.academia.edu/SamiPatac%C4%B1">Sami Patacı</a><script data-card-contents-for-user="1091260" type="text/json">{"id":1091260,"first_name":"Sami","last_name":"Patacı","domain_name":"ardahan","page_name":"SamiPatacı","display_name":"Sami Patacı","profile_url":"https://ardahan.academia.edu/SamiPatac%C4%B1?f_ri=32626","photo":"https://0.academia-photos.com/1091260/378826/18576101/s65_sami.patac_.jpg"}</script></span></span></li><li class="js-paper-rank-work_40480499 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40480499"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40480499, container: ".js-paper-rank-work_40480499", }); 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Antiokheia ad Orontes ve Zeugma kentleri zemin mozaiklerinde Okeanos ve Tethys ile ilgili sahnelere rastlamaktayız. Hem bir deniz tanrısı olarak kabul edilen hem de yeryüzünü dört bir yandan saran bir nehir olduğuna inanılan Okeanos bir titandır. Onun eşi Tethys ise denizin verimliliğini simgeler ve bu figürün geç tarihli tasvirlerine Thalassa adı da verilir. Hellen mitolojisine göre Okeanos ve Tethys’in birleşmesinden binlerce nehir doğmuştur. Roma Dönemi ile birlikte deniz ve nehir tanrıları ikonografisi sanatta belirginleşir ve standart bir betimleme tarzına kavuşur. Bu tipik betimleme anlayışı zemin mozaiklerinde rahatlıkla takip edilebilmektedir.","downloadable_attachments":[{"id":60747141,"asset_id":40480499,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1091260,"first_name":"Sami","last_name":"Patacı","domain_name":"ardahan","page_name":"SamiPatacı","display_name":"Sami Patacı","profile_url":"https://ardahan.academia.edu/SamiPatac%C4%B1?f_ri=32626","photo":"https://0.academia-photos.com/1091260/378826/18576101/s65_sami.patac_.jpg"}],"research_interests":[{"id":788,"name":"Mythology","url":"https://www.academia.edu/Documents/in/Mythology?f_ri=32626","nofollow":true},{"id":25525,"name":"Early Christian Art","url":"https://www.academia.edu/Documents/in/Early_Christian_Art?f_ri=32626","nofollow":true},{"id":27032,"name":"Christian Iconography","url":"https://www.academia.edu/Documents/in/Christian_Iconography?f_ri=32626","nofollow":true},{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true},{"id":28371,"name":"Greco-Roman Mythology","url":"https://www.academia.edu/Documents/in/Greco-Roman_Mythology?f_ri=32626"},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626"},{"id":77581,"name":"Ancient Greek Mythology","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Mythology?f_ri=32626"},{"id":105881,"name":"Byzantine Mosaics","url":"https://www.academia.edu/Documents/in/Byzantine_Mosaics?f_ri=32626"},{"id":163799,"name":"Roman Mosaics","url":"https://www.academia.edu/Documents/in/Roman_Mosaics?f_ri=32626"},{"id":216268,"name":"Tigris River","url":"https://www.academia.edu/Documents/in/Tigris_River?f_ri=32626"},{"id":292072,"name":"Early Christian Mosaics","url":"https://www.academia.edu/Documents/in/Early_Christian_Mosaics?f_ri=32626"},{"id":330671,"name":"Early Christian Art and Iconography","url":"https://www.academia.edu/Documents/in/Early_Christian_Art_and_Iconography?f_ri=32626"},{"id":340381,"name":"Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Roman_Mosaics_and_Wall_Paintings?f_ri=32626"},{"id":1733467,"name":"Oceanus","url":"https://www.academia.edu/Documents/in/Oceanus?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39475221" data-work_id="39475221" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39475221/The_Syrian_influence_over_the_Late_Antique_mosaics_in_Philippopolis_Thrace_HORTUS_ARTIUM_MEDIEVALIUM_22_2016_118_129">The Syrian influence over the Late Antique mosaics in Philippopolis, Thrace, HORTUS ARTIUM MEDIEVALIUM 22, 2016, 118-129</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">e paper deals with mosaic pavements from Philippopolis, the capital of the Late antique province of race, which are supposed to be made after Syrian in uence or by masters from that region. ree main types of examples are studied: 1).... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39475221" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">e paper deals with mosaic pavements from Philippopolis, the capital of the Late antique province of race, which are supposed to be made after Syrian in uence or by masters from that region. ree main types of examples are studied: 1). variations of standard geometric schemes which are repeated; 2). variations of motifs which are close parallels and 3). repetition of similar gural images. e examples come either from Early Christian buildings or richly decorated private dwellings. Despite the similarities between the mosaics of Philippopolis and those in Syria, some discrepancies also appear. It seems that the 'Syrian' in uence was transmitted indirectly via the metropolitan masters, i. e. those from Constantinople, by following the decoration of a building in the provincial capital or home city or by immigrants and realized by the local masters. e metropolitan in uence in race, however, was enormous and spread in two ways: by simply copying the decoration of what was in the metropolis by the local patrons and the elite in race and second one -through special imperial policy. And this is clearly visible in the second half of 4 th c. at the earliest, but mostly after the decision of eodosius I to settle in Constantinople when all of a sudden, race from a remote province became part of the hinterland of the metropolis.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39475221" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="21ebf0a2f75b81ee34f7b3ff9b789cd4" rel="nofollow" data-download="{"attachment_id":59622107,"asset_id":39475221,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59622107/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="534917" href="https://bas.academia.edu/IvoTopalilov">Ivo Topalilov</a><script data-card-contents-for-user="534917" type="text/json">{"id":534917,"first_name":"Ivo","last_name":"Topalilov","domain_name":"bas","page_name":"IvoTopalilov","display_name":"Ivo Topalilov","profile_url":"https://bas.academia.edu/IvoTopalilov?f_ri=32626","photo":"https://0.academia-photos.com/534917/191000/40565043/s65_ivo.topalilov.jpg"}</script></span></span></li><li class="js-paper-rank-work_39475221 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39475221"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39475221, container: ".js-paper-rank-work_39475221", }); 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$(".js-view-count[data-work-id=39475221]").text(description); $(".js-view-count-work_39475221").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39475221").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39475221"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5041" rel="nofollow" href="https://www.academia.edu/Documents/in/Late_Antique_Archaeology">Late Antique Archaeology</a>, <script data-card-contents-for-ri="5041" type="text/json">{"id":5041,"name":"Late Antique Archaeology","url":"https://www.academia.edu/Documents/in/Late_Antique_Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27746" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_Mosaics">Ancient Mosaics</a>, <script data-card-contents-for-ri="27746" type="text/json">{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a>, <script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="105880" rel="nofollow" href="https://www.academia.edu/Documents/in/Pavement_Mosaics">Pavement Mosaics</a><script data-card-contents-for-ri="105880" type="text/json">{"id":105880,"name":"Pavement Mosaics","url":"https://www.academia.edu/Documents/in/Pavement_Mosaics?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39475221]'), work: {"id":39475221,"title":"The Syrian influence over the Late Antique mosaics in Philippopolis, Thrace, HORTUS ARTIUM MEDIEVALIUM 22, 2016, 118-129","created_at":"2019-06-08T23:33:49.938-07:00","url":"https://www.academia.edu/39475221/The_Syrian_influence_over_the_Late_Antique_mosaics_in_Philippopolis_Thrace_HORTUS_ARTIUM_MEDIEVALIUM_22_2016_118_129?f_ri=32626","dom_id":"work_39475221","summary":"e paper deals with mosaic pavements from Philippopolis, the capital of the Late antique province of race, which are supposed to be made after Syrian in uence or by masters from that region. ree main types of examples are studied: 1). variations of standard geometric schemes which are repeated; 2). variations of motifs which are close parallels and 3). repetition of similar gural images. e examples come either from Early Christian buildings or richly decorated private dwellings. Despite the similarities between the mosaics of Philippopolis and those in Syria, some discrepancies also appear. It seems that the 'Syrian' in uence was transmitted indirectly via the metropolitan masters, i. e. those from Constantinople, by following the decoration of a building in the provincial capital or home city or by immigrants and realized by the local masters. e metropolitan in uence in race, however, was enormous and spread in two ways: by simply copying the decoration of what was in the metropolis by the local patrons and the elite in race and second one -through special imperial policy. And this is clearly visible in the second half of 4 th c. at the earliest, but mostly after the decision of eodosius I to settle in Constantinople when all of a sudden, race from a remote province became part of the hinterland of the metropolis.","downloadable_attachments":[{"id":59622107,"asset_id":39475221,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":534917,"first_name":"Ivo","last_name":"Topalilov","domain_name":"bas","page_name":"IvoTopalilov","display_name":"Ivo Topalilov","profile_url":"https://bas.academia.edu/IvoTopalilov?f_ri=32626","photo":"https://0.academia-photos.com/534917/191000/40565043/s65_ivo.topalilov.jpg"}],"research_interests":[{"id":5041,"name":"Late Antique Archaeology","url":"https://www.academia.edu/Documents/in/Late_Antique_Archaeology?f_ri=32626","nofollow":true},{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":105880,"name":"Pavement Mosaics","url":"https://www.academia.edu/Documents/in/Pavement_Mosaics?f_ri=32626","nofollow":true},{"id":105881,"name":"Byzantine Mosaics","url":"https://www.academia.edu/Documents/in/Byzantine_Mosaics?f_ri=32626"},{"id":163799,"name":"Roman Mosaics","url":"https://www.academia.edu/Documents/in/Roman_Mosaics?f_ri=32626"},{"id":292072,"name":"Early Christian Mosaics","url":"https://www.academia.edu/Documents/in/Early_Christian_Mosaics?f_ri=32626"},{"id":340381,"name":"Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Roman_Mosaics_and_Wall_Paintings?f_ri=32626"},{"id":431467,"name":"Late antique mosaics","url":"https://www.academia.edu/Documents/in/Late_antique_mosaics?f_ri=32626"},{"id":668832,"name":"Late Antique and Byzantine Art and Archaeology, Mosaic pavements, Middle and Late Byzantine Painting","url":"https://www.academia.edu/Documents/in/Late_Antique_and_Byzantine_Art_and_Archaeology_Mosaic_pavements_Middle_and_Late_Byzantine_Painting?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_17549680" data-work_id="17549680" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/17549680/Reflections_on_the_Mosaics_of_the_Umayyad_Mosque_in_Damascus">Reflections on the Mosaics of the Umayyad Mosque in Damascus</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Multiple connections between the Damascus mosque and the Dome of the Rock in Jerusalem; implications of the size of the surface area covered in mosaic; links with classical, early Christian, Byzantine and other Umayyad mosaics, and with... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_17549680" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Multiple connections between the Damascus mosque and the Dome of the Rock in Jerusalem; implications of the size of the surface area covered in mosaic; links with classical, early Christian, Byzantine and other Umayyad mosaics, and with the art of pre-Islamic Arabia; the meaning and iconography of the Damascus mosaics; originality of the Damascus mosque; problems and pitfalls in the interpretation of the Damascus mosaics; their originality and their place in late antique art; Qur'anic inscriptions on high buildings, gardens and rivers; the theme of paradise; the uses of colour in the Damascus mosaics; the karma.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item 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Damascus mosque and the Dome of the Rock in Jerusalem; implications of the size of the surface area covered in mosaic; links with classical, early Christian, Byzantine and other Umayyad mosaics, and with the art of pre-Islamic Arabia; the meaning and iconography of the Damascus mosaics; originality of the Damascus mosque; problems and pitfalls in the interpretation of the Damascus mosaics; their originality and their place in late antique art; Qur'anic inscriptions on high buildings, gardens and rivers; the theme of paradise; the uses of colour in the Damascus mosaics; the karma.","downloadable_attachments":[{"id":39573826,"asset_id":17549680,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1286823,"first_name":"Robert","last_name":"Hillenbrand","domain_name":"st-andrews","page_name":"RobertHillenbrand","display_name":"Robert 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href="https://www.academia.edu/40500474/Le_c_d_gammadiae_nelle_catacombe_cristiane_di_Roma_Censimento_confronti_ed_ipotesi_interpretative">Le c.d. gammadiae nelle catacombe cristiane di Roma: Censimento, confronti ed ipotesi interpretative</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il presente volume prende avvio dalle riflessioni generate dall'analisi di tutti gli affreschi nelle catacombe cristiane di Roma, per identificare e catalogare le c.d. gammadiae, rappresentate sul lembo del pallio dei personaggi, e... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40500474" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il presente volume prende avvio dalle riflessioni generate dall'analisi di tutti gli affreschi nelle catacombe cristiane di Roma, per identificare e catalogare le c.d. gammadiae, rappresentate sul lembo del pallio dei personaggi, e provando a comprenderne il significato attraverso una suddivisione per temi iconografici e un inquadramento topografico. Per raggiungere questo obiettivo, non è possibile fermarsi alle sole testimonianze presenti nei cimiteri romani, ma è anche necessario "viaggiare" attraverso l'Egitto e Israele, scoprendo i reperti tessili, toccando l'affascinante mondo dei sarcofagi-ritratto, così come quello degli affreschi della sinagoga di Dura Europos e, infine, esaminando i mosaici cristiani, profani e giudaici. Il volume, con un ricco catalogo di 209 schede, si propone come un punto di partenza per ricerche più approfondite, costituendosi anche come un importante passo per far sì che si indaghi su un tema iconografico che è sempre stato considerato estremamente intricato.<br /><br />This book analyses all the frescoes in the Early Christian Roman catacombs to identify and catalogue the so-called gammadiae, represented on the hem of the pallium of the characters. It interrogates their meaning through a thematic subdivision of iconographic themes and a topographical overview.  The study explores beyond evidences found in the Roman cemetery: "travelling" through Egypt and Israel to discover textile finds; touching the fascinating world of the portrait-sarcophagi, as well as that of the frescoes in the synagogue of Dura Europos; and finally, examining Christian, profane and Jewish mosaics. This book, with a rich catalogue of 209 forms, is a starting point for further research, but it is also an important contribution to investigate an iconographic theme that has always been considered extremely intricate.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40500474" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fdd997e7fb5fe7e1b7a948a9b17c1e4b" rel="nofollow" data-download="{"attachment_id":60771407,"asset_id":40500474,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60771407/download_file?st=MTczOTg0MTg1MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="31409200" href="https://independent.academia.edu/BARpublishing">BAR Publishing - British Archaeological Reports (Oxford) Ltd</a><script data-card-contents-for-user="31409200" type="text/json">{"id":31409200,"first_name":"BAR Publishing","last_name":"- British Archaeological Reports (Oxford) Ltd","domain_name":"independent","page_name":"BARpublishing","display_name":"BAR Publishing - British Archaeological Reports (Oxford) Ltd","profile_url":"https://independent.academia.edu/BARpublishing?f_ri=32626","photo":"https://0.academia-photos.com/31409200/19172211/19118242/s65_british_archaeological_reports._oxford_ltd.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-40500474">+1</span><div class="hidden js-additional-users-40500474"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independentresearcher.academia.edu/CristinaCumbo">Cristina Cumbo</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-40500474'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-40500474').html(); 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Per raggiungere questo obiettivo, non è possibile fermarsi alle sole testimonianze presenti nei cimiteri romani, ma è anche necessario \"viaggiare\" attraverso l'Egitto e Israele, scoprendo i reperti tessili, toccando l'affascinante mondo dei sarcofagi-ritratto, così come quello degli affreschi della sinagoga di Dura Europos e, infine, esaminando i mosaici cristiani, profani e giudaici. Il volume, con un ricco catalogo di 209 schede, si propone come un punto di partenza per ricerche più approfondite, costituendosi anche come un importante passo per far sì che si indaghi su un tema iconografico che è sempre stato considerato estremamente intricato.\n\nThis book analyses all the frescoes in the Early Christian Roman catacombs to identify and catalogue the so-called gammadiae, represented on the hem of the pallium of the characters. It interrogates their meaning through a thematic subdivision of iconographic themes and a topographical overview. The study explores beyond evidences found in the Roman cemetery: \"travelling\" through Egypt and Israel to discover textile finds; touching the fascinating world of the portrait-sarcophagi, as well as that of the frescoes in the synagogue of Dura Europos; and finally, examining Christian, profane and Jewish mosaics. This book, with a rich catalogue of 209 forms, is a starting point for further research, but it is also an important contribution to investigate an iconographic theme that has always been considered extremely intricate.\n","downloadable_attachments":[{"id":60771407,"asset_id":40500474,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":31409200,"first_name":"BAR Publishing","last_name":"- British Archaeological Reports (Oxford) Ltd","domain_name":"independent","page_name":"BARpublishing","display_name":"BAR Publishing - British Archaeological Reports (Oxford) Ltd","profile_url":"https://independent.academia.edu/BARpublishing?f_ri=32626","photo":"https://0.academia-photos.com/31409200/19172211/19118242/s65_british_archaeological_reports._oxford_ltd.jpg"},{"id":947510,"first_name":"Cristina","last_name":"Cumbo","domain_name":"independentresearcher","page_name":"CristinaCumbo","display_name":"Cristina 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Archaeology","url":"https://www.academia.edu/Documents/in/Early_Christian_Archaeology?f_ri=32626"},{"id":105881,"name":"Byzantine Mosaics","url":"https://www.academia.edu/Documents/in/Byzantine_Mosaics?f_ri=32626"},{"id":163799,"name":"Roman Mosaics","url":"https://www.academia.edu/Documents/in/Roman_Mosaics?f_ri=32626"},{"id":610320,"name":"Catacombes","url":"https://www.academia.edu/Documents/in/Catacombes?f_ri=32626"},{"id":706201,"name":"Early Christian Catacombs","url":"https://www.academia.edu/Documents/in/Early_Christian_Catacombs?f_ri=32626"},{"id":889324,"name":"Gammadiae","url":"https://www.academia.edu/Documents/in/Gammadiae?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2319508" data-work_id="2319508" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a 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Architecture","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Art_and_Architecture?f_ri=32626","nofollow":true},{"id":118875,"name":"Cultural history of the Ancient world","url":"https://www.academia.edu/Documents/in/Cultural_history_of_the_Ancient_world?f_ri=32626","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43581647" data-work_id="43581647" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43581647/Visual_Evidence_Picturing_Food_and_Food_Culture_in_Roman_Art">Visual Evidence: Picturing Food and Food Culture in Roman Art</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div 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href="https://www.academia.edu/38159007/OBJECTS_FOR_WRITING_AND_INSCRIBED_OBJECTS_IN_THE_PAINTINGS_OF_A_ROMAN_VILLA_Le_rappresentazioni_di_instrumenta_scriptoria_e_di_instrumentum_inscriptum_negli_affresci_della_Villa_c_d_del_Cavalcavia_di_Salone_Studio_preliminare_in_MEP_21_2018_pp_26_38">OBJECTS FOR WRITING AND INSCRIBED OBJECTS IN THE PAINTINGS OF A ROMAN VILLA / Le rappresentazioni di instrumenta scriptoria e di instrumentum inscriptum negli affresci della Villa [c.d .del Cavalcavia di Salone]. Studio preliminare, in MEP 21, 2018, pp. 26-38.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Referee: tutti i saggi sono sottoposti a procedimento di peer-review con il sistema double-blind raccomandato dal CUN (prot. 423, 24.02.2010) e dall'ANVUR</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38159007" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e3d56e544fb0f36a4de59b5211415bda" rel="nofollow" data-download="{"attachment_id":58192595,"asset_id":38159007,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58192595/download_file?st=MTczOTg0MTg1Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="735013" href="https://unimc.academia.edu/z">Giulia Baratta</a><script data-card-contents-for-user="735013" type="text/json">{"id":735013,"first_name":"Giulia","last_name":"Baratta","domain_name":"unimc","page_name":"z","display_name":"Giulia Baratta","profile_url":"https://unimc.academia.edu/z?f_ri=32626","photo":"https://0.academia-photos.com/735013/2645348/3077900/s65_giulia.baratta.jpg"}</script></span></span></li><li class="js-paper-rank-work_38159007 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38159007"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38159007, container: ".js-paper-rank-work_38159007", }); 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work_6067564" data-work_id="6067564" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6067564/El_mosaico_de_los_Siete_Sabios_hallado_en_M%C3%A9rida">El mosaico de los Siete Sabios hallado en Mérida</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Durante el mes de abril de 1982, con motivo de la realización de unas cimentaciones para la construcción de un nuevo edificio en el solar que ocuparon las antiguas fincas nq 3 y 5 de la calle Holgufn de Mérida, aparecían las ruinas de una... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_6067564" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Durante el mes de abril de 1982, con motivo de la realización de unas cimentaciones para la construcción de un nuevo edificio en el solar que ocuparon las antiguas fincas nq 3 y 5 de la calle Holgufn de Mérida, aparecían las ruinas de una importante casa romana. Lo descubierto se relacionaba con dos dependencias de la mansión, ambas pavimentadas con sendos mosaicos, y unas estructuras de compleja identihcación por la destrucción que sufrieron en su día a propósito de la instalación de una pequeña bodega ).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6067564" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c69d108daac68387e57d1e8e1ea118b3" rel="nofollow" data-download="{"attachment_id":32990594,"asset_id":6067564,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32990594/download_file?st=MTczOTg0MTg1Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7531818" href="https://mcu-es.academia.edu/JoseMar%C3%ADaAlvarezMart%C3%ADnez">Jose María Alvarez Martínez</a><script data-card-contents-for-user="7531818" type="text/json">{"id":7531818,"first_name":"Jose María","last_name":"Alvarez Martínez","domain_name":"mcu-es","page_name":"JoseMaríaAlvarezMartínez","display_name":"Jose María Alvarez Martínez","profile_url":"https://mcu-es.academia.edu/JoseMar%C3%ADaAlvarezMart%C3%ADnez?f_ri=32626","photo":"https://0.academia-photos.com/7531818/2891676/3377904/s65_jose_mar_a.alvarez_mart_nez.jpg"}</script></span></span></li><li class="js-paper-rank-work_6067564 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6067564"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6067564, container: ".js-paper-rank-work_6067564", }); 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I risultati della seconda campagna di scavo a Vacone (Rieti)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Upper Sabina Tiberina Project è un progetto avviato nel 2011 dalla Rutgers University del New Jersey (U.S.A.) in collaborazione con la Soprintendenza per i Beni Archeologici del Lazio, finalizzato allo studio delle realtà insediative... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_20173536" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Upper Sabina Tiberina Project è un progetto avviato nel 2011 dalla Rutgers University del New Jersey (U.S.A.) in collaborazione con la Soprintendenza per i Beni Archeologici del Lazio, finalizzato allo studio delle realtà insediative romane in territorio sabino con lo scopo di valutare le evoluzioni locali dell'insediamento rurale e dello sfruttamento agricolo, alla ricerca del riscontro archeologico del dato storico-letterario 1 .</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20173536" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d7cb987aa756d3f5aa388a8b17d46281" rel="nofollow" data-download="{"attachment_id":41047403,"asset_id":20173536,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41047403/download_file?st=MTczOTg0MTg1Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="27322780" href="https://unito.academia.edu/GiuliaMasci">Giulia Masci</a><script data-card-contents-for-user="27322780" type="text/json">{"id":27322780,"first_name":"Giulia","last_name":"Masci","domain_name":"unito","page_name":"GiuliaMasci","display_name":"Giulia Masci","profile_url":"https://unito.academia.edu/GiuliaMasci?f_ri=32626","photo":"/images/s65_no_pic.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-20173536">+5</span><div class="hidden js-additional-users-20173536"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://brown.academia.edu/TylerFranconi">Tyler Franconi</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://brown.academia.edu/CandaceRice">Candace M Rice</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://utk.academia.edu/DylanBloy">Dylan Bloy</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://rutgers.academia.edu/GaryFarney">Gary Farney</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://hiram.academia.edu/MatthewNotarian">Matthew Notarian</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-20173536'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-20173536').html(); 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Naples, 2010, p.241-253. </a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1059640" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="12cbc56f00d7e72c31a18a6e0cf94ab2" rel="nofollow" data-download="{"attachment_id":6526615,"asset_id":1059640,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/6526615/download_file?st=MTczOTg0MTg1Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="903275" href="https://univ-tlse2.academia.edu/alexandradardenay">Alexandra Dardenay</a><script data-card-contents-for-user="903275" type="text/json">{"id":903275,"first_name":"Alexandra","last_name":"Dardenay","domain_name":"univ-tlse2","page_name":"alexandradardenay","display_name":"Alexandra Dardenay","profile_url":"https://univ-tlse2.academia.edu/alexandradardenay?f_ri=32626","photo":"https://0.academia-photos.com/903275/333227/690086/s65_alexandra.dardenay.jpg"}</script></span></span></li><li class="js-paper-rank-work_1059640 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1059640"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1059640, container: ".js-paper-rank-work_1059640", }); 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","created_at":"2011-11-02T05:12:43.231-07:00","url":"https://www.academia.edu/1059640/_Formation_et_interpr%C3%A9tation_d_un_sch%C3%A9ma_iconographique_Le_cas_des_images_figurant_Mars_et_Rh%C3%A9a_Silvia_dans_Atti_del_X_Congresso_internazionale_dellAIPMA_Napoli_17_21_settembre_2007_Naples_2010_p_241_253?f_ri=32626","dom_id":"work_1059640","summary":null,"downloadable_attachments":[{"id":6526615,"asset_id":1059640,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":903275,"first_name":"Alexandra","last_name":"Dardenay","domain_name":"univ-tlse2","page_name":"alexandradardenay","display_name":"Alexandra Dardenay","profile_url":"https://univ-tlse2.academia.edu/alexandradardenay?f_ri=32626","photo":"https://0.academia-photos.com/903275/333227/690086/s65_alexandra.dardenay.jpg"}],"research_interests":[{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=32626","nofollow":true},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=32626","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26988886" data-work_id="26988886" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26988886/Ostia_Antica_The_geometry_of_a_mosaic_involving_a_meander_with_a_rhombus_and_tiling_of_the_plane_Update_1">Ostia Antica: The geometry of a mosaic involving a meander with a rhombus and tiling of the plane. Update 1</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is the first update of the paper by the same title and author of July 10th, 2016. Here, some more information is incorporated about the mosaic, and especially his M+ and M- type meanders. This new information is instrumental in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26988886" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is the first update of the paper by the same title and author of July 10th, 2016. Here, some more information is incorporated about the mosaic, and especially his M+ and M- type meanders. This new information is instrumental in further analyzing the micro and macro mosaic design and construction imperfections and their underlying artistic and social conditions which gave rise to them.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26988886" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="63db0e82fed68da11935de91106fb604" rel="nofollow" data-download="{"attachment_id":47249152,"asset_id":26988886,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/47249152/download_file?st=MTczOTg0MTg1Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="26181582" href="https://kansas.academia.edu/DimitriosDendrinos">Dimitrios S Dendrinos, Ph.D.</a><script data-card-contents-for-user="26181582" type="text/json">{"id":26181582,"first_name":"Dimitrios","last_name":"Dendrinos, Ph.D.","domain_name":"kansas","page_name":"DimitriosDendrinos","display_name":"Dimitrios S Dendrinos, Ph.D.","profile_url":"https://kansas.academia.edu/DimitriosDendrinos?f_ri=32626","photo":"https://0.academia-photos.com/26181582/7202599/49378852/s65_dimitrios.dendrinos.jpg"}</script></span></span></li><li class="js-paper-rank-work_26988886 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="26988886"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 26988886, container: ".js-paper-rank-work_26988886", }); 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$(".js-view-count[data-work-id=26988886]").text(description); $(".js-view-count-work_26988886").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_26988886").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="26988886"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="128" rel="nofollow" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="300" rel="nofollow" href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a>, <script data-card-contents-for-ri="300" type="text/json">{"id":300,"name":"Mathematics","url":"https://www.academia.edu/Documents/in/Mathematics?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="915" rel="nofollow" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="17618" rel="nofollow" href="https://www.academia.edu/Documents/in/Greek_Archaeology">Greek Archaeology</a><script data-card-contents-for-ri="17618" type="text/json">{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26988886]'), work: {"id":26988886,"title":"Ostia Antica: The geometry of a mosaic involving a meander with a rhombus and tiling of the plane. Update 1","created_at":"2016-07-14T11:07:20.683-07:00","url":"https://www.academia.edu/26988886/Ostia_Antica_The_geometry_of_a_mosaic_involving_a_meander_with_a_rhombus_and_tiling_of_the_plane_Update_1?f_ri=32626","dom_id":"work_26988886","summary":"This is the first update of the paper by the same title and author of July 10th, 2016. Here, some more information is incorporated about the mosaic, and especially his M+ and M- type meanders. This new information is instrumental in further analyzing the micro and macro mosaic design and construction imperfections and their underlying artistic and social conditions which gave rise to them.","downloadable_attachments":[{"id":47249152,"asset_id":26988886,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":26181582,"first_name":"Dimitrios","last_name":"Dendrinos, Ph.D.","domain_name":"kansas","page_name":"DimitriosDendrinos","display_name":"Dimitrios S Dendrinos, Ph.D.","profile_url":"https://kansas.academia.edu/DimitriosDendrinos?f_ri=32626","photo":"https://0.academia-photos.com/26181582/7202599/49378852/s65_dimitrios.dendrinos.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=32626","nofollow":true},{"id":300,"name":"Mathematics","url":"https://www.academia.edu/Documents/in/Mathematics?f_ri=32626","nofollow":true},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=32626","nofollow":true},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626"},{"id":951143,"name":"Archeology","url":"https://www.academia.edu/Documents/in/Archeology?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30312475" data-work_id="30312475" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30312475/Il_mosaico_una_pittura_per_leternit%C3%A0_il_Manifesto_7_dicembre_2016">Il mosaico, una pittura per l'eternità - il Manifesto, 7 dicembre 2016</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Recensione a «Musivaria» di Licia Vlad Borrelli, pubblicato da Viella. Non un manuale tout court, ma un racconto scientifico su una delle produzioni artistiche più affascinanti degli antichi</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30312475" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2c47ef1f3a1a51151a5c000f629524fc" rel="nofollow" data-download="{"attachment_id":50768941,"asset_id":30312475,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50768941/download_file?st=MTczOTg0MTg1Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1526808" href="https://independent.academia.edu/ValentinaPorcheddu">Valentina Porcheddu</a><script data-card-contents-for-user="1526808" type="text/json">{"id":1526808,"first_name":"Valentina","last_name":"Porcheddu","domain_name":"independent","page_name":"ValentinaPorcheddu","display_name":"Valentina Porcheddu","profile_url":"https://independent.academia.edu/ValentinaPorcheddu?f_ri=32626","photo":"https://0.academia-photos.com/1526808/540584/40397971/s65_valentina.porcheddu.jpg"}</script></span></span></li><li class="js-paper-rank-work_30312475 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30312475"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30312475, container: ".js-paper-rank-work_30312475", }); 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$(".js-view-count[data-work-id=30312475]").text(description); $(".js-view-count-work_30312475").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30312475").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30312475"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="17618" rel="nofollow" href="https://www.academia.edu/Documents/in/Greek_Archaeology">Greek Archaeology</a>, <script data-card-contents-for-ri="17618" type="text/json">{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27746" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_Mosaics">Ancient Mosaics</a>, <script data-card-contents-for-ri="27746" type="text/json">{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a>, <script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="33438" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art">Ancient Greek and Roman Art</a><script data-card-contents-for-ri="33438" type="text/json">{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30312475]'), work: {"id":30312475,"title":"Il mosaico, una pittura per l'eternità - il Manifesto, 7 dicembre 2016","created_at":"2016-12-07T09:04:47.193-08:00","url":"https://www.academia.edu/30312475/Il_mosaico_una_pittura_per_leternit%C3%A0_il_Manifesto_7_dicembre_2016?f_ri=32626","dom_id":"work_30312475","summary":"Recensione a «Musivaria» di Licia Vlad Borrelli, pubblicato da Viella. Non un manuale tout court, ma un racconto scientifico su una delle produzioni artistiche più affascinanti degli antichi ","downloadable_attachments":[{"id":50768941,"asset_id":30312475,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1526808,"first_name":"Valentina","last_name":"Porcheddu","domain_name":"independent","page_name":"ValentinaPorcheddu","display_name":"Valentina Porcheddu","profile_url":"https://independent.academia.edu/ValentinaPorcheddu?f_ri=32626","photo":"https://0.academia-photos.com/1526808/540584/40397971/s65_valentina.porcheddu.jpg"}],"research_interests":[{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=32626","nofollow":true},{"id":27746,"name":"Ancient Mosaics","url":"https://www.academia.edu/Documents/in/Ancient_Mosaics?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=32626","nofollow":true},{"id":163799,"name":"Roman Mosaics","url":"https://www.academia.edu/Documents/in/Roman_Mosaics?f_ri=32626"},{"id":277405,"name":"Opus Sectile","url":"https://www.academia.edu/Documents/in/Opus_Sectile?f_ri=32626"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45179573" data-work_id="45179573" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45179573/Theorizing_Image_and_Abstraction_in_Ancient_Rome_The_Case_of_the_Villa_Farnesina">Theorizing Image and Abstraction in Ancient Rome: The Case of the Villa Farnesina</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This essay argues that abstract colouristic effects were favoured in the arts of ancient Rome in a manner long overlooked. Taking the wall paintings of Cubiculum B from the Villa Farnesina as a case in point, the article demonstrates that... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45179573" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This essay argues that abstract colouristic effects were favoured in the arts of ancient Rome in a manner long overlooked. Taking the wall paintings of Cubiculum B from the Villa Farnesina as a case in point, the article demonstrates that these images display an interest in interlocking planes of colour and shape that might be described as formalist. It juxtaposes this visual evidence with overlooked passages in ancient texts to explore how such effects were conceptualized in ancient Roman thought. What emerges is a model of aesthetic value that foregrounds terpnopoietic planar effects of colour and shape above those of mimetic representation – so long revered as the most important artistic practice theorized in the classical world. This paradigm of visual value is employed in relation to both figural and non-figural works alike. The absence of these surface effects in the standard narrative of classical art becomes testimony to that narrative’s limitations.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45179573" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5db65919610a1a122146a38b67d59c25" rel="nofollow" data-download="{"attachment_id":65765015,"asset_id":45179573,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65765015/download_file?st=MTczOTg0MTg1Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="18785" href="https://umich.academia.edu/NicolaJCroninBarham">Nicola J. Cronin Barham</a><script data-card-contents-for-user="18785" type="text/json">{"id":18785,"first_name":"Nicola J. Cronin","last_name":"Barham","domain_name":"umich","page_name":"NicolaJCroninBarham","display_name":"Nicola J. Cronin Barham","profile_url":"https://umich.academia.edu/NicolaJCroninBarham?f_ri=32626","photo":"https://0.academia-photos.com/18785/2864786/15475981/s65_nicola_j._cronin.barham.jpg"}</script></span></span></li><li class="js-paper-rank-work_45179573 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45179573"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45179573, container: ".js-paper-rank-work_45179573", }); });</script></li><li class="js-percentile-work_45179573 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45179573; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45179573"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45179573 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45179573"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45179573; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45179573]").text(description); $(".js-view-count-work_45179573").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45179573").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45179573"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="4404" rel="nofollow" href="https://www.academia.edu/Documents/in/Abstract_Art">Abstract Art</a>, <script data-card-contents-for-ri="4404" type="text/json">{"id":4404,"name":"Abstract Art","url":"https://www.academia.edu/Documents/in/Abstract_Art?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15481" rel="nofollow" href="https://www.academia.edu/Documents/in/Roman_Villae">Roman Villae</a>, <script data-card-contents-for-ri="15481" type="text/json">{"id":15481,"name":"Roman Villae","url":"https://www.academia.edu/Documents/in/Roman_Villae?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a>, <script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="33438" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art">Ancient Greek and Roman Art</a><script data-card-contents-for-ri="33438" type="text/json">{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45179573]'), work: {"id":45179573,"title":"Theorizing Image and Abstraction in Ancient Rome: The Case of the Villa Farnesina","created_at":"2021-02-23T21:29:33.837-08:00","url":"https://www.academia.edu/45179573/Theorizing_Image_and_Abstraction_in_Ancient_Rome_The_Case_of_the_Villa_Farnesina?f_ri=32626","dom_id":"work_45179573","summary":"This essay argues that abstract colouristic effects were favoured in the arts of ancient Rome in a manner long overlooked. Taking the wall paintings of Cubiculum B from the Villa Farnesina as a case in point, the article demonstrates that these images display an interest in interlocking planes of colour and shape that might be described as formalist. It juxtaposes this visual evidence with overlooked passages in ancient texts to explore how such effects were conceptualized in ancient Roman thought. What emerges is a model of aesthetic value that foregrounds terpnopoietic planar effects of colour and shape above those of mimetic representation – so long revered as the most important artistic practice theorized in the classical world. This paradigm of visual value is employed in relation to both figural and non-figural works alike. The absence of these surface effects in the standard narrative of classical art becomes testimony to that narrative’s limitations.","downloadable_attachments":[{"id":65765015,"asset_id":45179573,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":18785,"first_name":"Nicola J. Cronin","last_name":"Barham","domain_name":"umich","page_name":"NicolaJCroninBarham","display_name":"Nicola J. Cronin Barham","profile_url":"https://umich.academia.edu/NicolaJCroninBarham?f_ri=32626","photo":"https://0.academia-photos.com/18785/2864786/15475981/s65_nicola_j._cronin.barham.jpg"}],"research_interests":[{"id":4404,"name":"Abstract Art","url":"https://www.academia.edu/Documents/in/Abstract_Art?f_ri=32626","nofollow":true},{"id":15481,"name":"Roman Villae","url":"https://www.academia.edu/Documents/in/Roman_Villae?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=32626","nofollow":true},{"id":38840,"name":"Roman Painting","url":"https://www.academia.edu/Documents/in/Roman_Painting?f_ri=32626"},{"id":95424,"name":"Greek and Roman Art and Architecture","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Art_and_Architecture?f_ri=32626"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=32626"},{"id":144851,"name":"Wall Paintings","url":"https://www.academia.edu/Documents/in/Wall_Paintings?f_ri=32626"},{"id":167667,"name":"Villas Romanas","url":"https://www.academia.edu/Documents/in/Villas_Romanas?f_ri=32626"},{"id":263852,"name":"Roman Wall Painting","url":"https://www.academia.edu/Documents/in/Roman_Wall_Painting?f_ri=32626"},{"id":340381,"name":"Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Roman_Mosaics_and_Wall_Paintings?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8194769" data-work_id="8194769" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8194769/_COLPO_I_2011_Ninfe_violate_il_mito_di_Callisto_nelle_Metamorfosi_di_Ovidio_in_Tra_protostoria_e_storia_Studi_in_onore_di_Loredana_Capuis_Roma_pp_473_484">• COLPO I. 2011, Ninfe violate: il mito di Callisto nelle Metamorfosi di Ovidio, in Tra protostoria e storia. Studi in onore di Loredana Capuis, Roma, pp. 473-484</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">ESTRATTO 2 0 1 1 e d i z i o n i q u a s a r e s t r a t t o antenor quaderni</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8194769" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b7f3f073715bdd64dad76501825028c9" rel="nofollow" data-download="{"attachment_id":34625576,"asset_id":8194769,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34625576/download_file?st=MTczOTg0MTg1Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="15990458" href="https://unipd.academia.edu/IsabellaColpo">Isabella Colpo</a><script data-card-contents-for-user="15990458" type="text/json">{"id":15990458,"first_name":"Isabella","last_name":"Colpo","domain_name":"unipd","page_name":"IsabellaColpo","display_name":"Isabella Colpo","profile_url":"https://unipd.academia.edu/IsabellaColpo?f_ri=32626","photo":"https://0.academia-photos.com/15990458/4356839/19497502/s65_isabella.colpo.jpg"}</script></span></span></li><li class="js-paper-rank-work_8194769 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8194769"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8194769, container: ".js-paper-rank-work_8194769", }); 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$(".js-view-count[data-work-id=8194769]").text(description); $(".js-view-count-work_8194769").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8194769").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8194769"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="869" rel="nofollow" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="31870" rel="nofollow" href="https://www.academia.edu/Documents/in/Iconology">Iconology</a>, <script data-card-contents-for-ri="31870" type="text/json">{"id":31870,"name":"Iconology","url":"https://www.academia.edu/Documents/in/Iconology?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" rel="nofollow" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a>, <script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="91865" rel="nofollow" href="https://www.academia.edu/Documents/in/Iconography_and_Iconology">Iconography and Iconology</a><script data-card-contents-for-ri="91865" type="text/json">{"id":91865,"name":"Iconography and Iconology","url":"https://www.academia.edu/Documents/in/Iconography_and_Iconology?f_ri=32626","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8194769]'), work: {"id":8194769,"title":"•\tCOLPO I. 2011, Ninfe violate: il mito di Callisto nelle Metamorfosi di Ovidio, in Tra protostoria e storia. Studi in onore di Loredana Capuis, Roma, pp. 473-484","created_at":"2014-09-04T01:07:42.531-07:00","url":"https://www.academia.edu/8194769/_COLPO_I_2011_Ninfe_violate_il_mito_di_Callisto_nelle_Metamorfosi_di_Ovidio_in_Tra_protostoria_e_storia_Studi_in_onore_di_Loredana_Capuis_Roma_pp_473_484?f_ri=32626","dom_id":"work_8194769","summary":"ESTRATTO 2 0 1 1 e d i z i o n i q u a s a r e s t r a t t o antenor quaderni","downloadable_attachments":[{"id":34625576,"asset_id":8194769,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15990458,"first_name":"Isabella","last_name":"Colpo","domain_name":"unipd","page_name":"IsabellaColpo","display_name":"Isabella Colpo","profile_url":"https://unipd.academia.edu/IsabellaColpo?f_ri=32626","photo":"https://0.academia-photos.com/15990458/4356839/19497502/s65_isabella.colpo.jpg"}],"research_interests":[{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=32626","nofollow":true},{"id":31870,"name":"Iconology","url":"https://www.academia.edu/Documents/in/Iconology?f_ri=32626","nofollow":true},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=32626","nofollow":true},{"id":91865,"name":"Iconography and Iconology","url":"https://www.academia.edu/Documents/in/Iconography_and_Iconology?f_ri=32626","nofollow":true},{"id":263852,"name":"Roman Wall Painting","url":"https://www.academia.edu/Documents/in/Roman_Wall_Painting?f_ri=32626"},{"id":427808,"name":"Classic Art and Philology","url":"https://www.academia.edu/Documents/in/Classic_Art_and_Philology?f_ri=32626"},{"id":1535038,"name":"Classic literature and art","url":"https://www.academia.edu/Documents/in/Classic_literature_and_art?f_ri=32626"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35117952" data-work_id="35117952" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35117952/_%D7%91%D7%99%D7%95%D7%9E%D7%95%D7%99_%D7%93%D7%A8%D7%91%D7%99_%D7%90%D7%91%D7%95%D7%9F_%D7%A9%D7%A8%D7%95%D7%9F_%D7%A6%D7%99%D7%99%D7%A8%D7%99%D7%9F_%D7%A2%D7%9C_%D7%A4%D7%A1%D7%99%D7%A4%D7%A1%D7%A1_%D7%95%D7%9C%D7%90_%D7%9E%D7%97%D7%99_%D7%91%D7%99%D7%93%D7%95%D7%9F_">"ביומוי דרבי אבון שרון ציירין על פסיפסס ולא מחי בידון"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">How two lines including "new" one from the Genizah, was integral part of the scholarly discussion about the attitude of the sages toward the "problematic" mosaics of the ancient synagogues?</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35117952" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="02f8e34afda3452a26169ce9fc2e3dbd" rel="nofollow" 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