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After five years of being a reporter, she moved to New York for her masters and studied history and theory of modern design at Parsons the New School for Design. Her thesis focussed on the relationship between craft and design in a living, cultural, and applied context. While she was in the US, she did short stints at Herman Miller, writing for their editorial platform WHY magazine; at Maharam, the textile studio; and Metropolis Magazine.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eOn her return to India, Sharma worked for a year at Harper’s Bazaar in New Delhi as Managing Editor and gained understandings beyond writing and editing – particularly around how to manage and run a magazine.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWhen a role opened up at AD, Conde Nast India’s office in Mumbai, she didn’t think twice, and immediately applied and luckily got the job. 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In 2016 she became the brand’s Digital Editor. From December 2017, she was appointed Deputy Editorial Director of AD Mexico and Latin America. Since May 2021, Contreras has been Head of Editorial Content of Architectural Digest Mexico and Latin America.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSince joining the team, Contreras has developed new sections in the magazine that introduce a fresh and creative approach, such as \"In the Studio\", which is about visiting the workspace of important figures from the current design scene, to show readers their creation process; and \"Zoom\", in which, through a curatorship of great design objects, the team creates editorial compositions that show global trends, among many others.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn April 2018, as Deputy Editor of AD, she was part of the launching of #LaNuevaEraAD, in which – together with her team – she developed a new cover format, redesigned the magazine’s interiors with changes in typography, sections and photo curation, as well as in the narrative. 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During Astley’s tenure, Teen Vogue was nominated twice for a National Magazine Award for General Excellence; she oversaw a series of successful licensing deals including bedding and back-to-school products; and Astley’s 2009 New York Times best-seller, “The Teen Vogue Handbook: An Insider’s Guide to Careers in Fashion” was updated and reissued by Penguin in 2014.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAstley has spent a great deal of her career immersed in art, design and fashion, including five years at House \u0026amp; Garden and nearly a decade at Vogue.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAstley graduated from the Honors College at Michigan State University. 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With a Master’s Degree in Cultural Management (La Fábrica, Madrid) and further studies in Digital Marketing (CSM, London) and Business Management in the Art World (Sotheby’s, London). She started her professional career as a fashion editor in Vogue Spain in 2004 and has been part of the Condé family since then. One of her latest jobs was Deputy Editor for Vogue Spain.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá\u003c/span\u003e is the founder and director of FASHION NOW, MA in Fashion Marketing and Communication (Barreira Arte+Diseño) and in January 2020 curated the exhibition ‘La esperanza de Occidente’, on the art work of Spanish artists Iñigo Navarro and Luis Gaspar. Her passion for Architecture and the Art world has driven her to interview architects, artists and designers like Rem Koolhaas, Richard Rogers, Jonathan Anderson, Giorgio Armani, Paloma Picasso, Olafur Eliasson, Stella McCartney. 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In addition to overseeing all editorial content, Astley is committed to reimagining and expanding the brand’s digital presence across every platform and format, and furthering the reach of AD’s design authority.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSince Astley was named, AD has experienced unprecedented growth across all platforms and where the brand’s digital presence previously functioned solely as an extension of the print edition, AD now boasts a rapidly expanding social footprint, a hit video series on YouTube, and multiple digital-only verticals: AD PRO, a B2B membership service featuring authoritative coverage and breaking news for the design industry, Clever, which takes on the unique challenges of designing a smaller space; offering design advice for real life and AD It Yourself, which features elevated DIY projects and actionable advice with content covering what to buy, what to do, and how to do it. 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During Astley’s tenure, Teen Vogue was nominated twice for a National Magazine Award for General Excellence; she oversaw a series of successful licensing deals including bedding and back-to-school products; and Astley’s 2009 New York Times best-seller, “The Teen Vogue Handbook: An Insider’s Guide to Careers in Fashion” was updated and reissued by Penguin in 2014.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAstley has spent a great deal of her career immersed in art, design and fashion, including five years at House \u0026amp; Garden and nearly a decade at Vogue.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAstley graduated from the Honors College at Michigan State University. She lives in New York City with her husband and two daughters.\u003c/p\u003e","createdAt":"2023-10-09T02:34:33.690Z","updatedAt":"2023-10-09T02:34:36.788Z","publishedAt":"2022-02-17T20:12:51.180Z","locale":"en","Media":{"data":{"id":4415,"attributes":{"name":"03_Amy_Astley_009-2.jpg","alternativeText":null,"caption":null,"width":6208,"height":8280,"formats":{"large":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/large_03_Amy_Astley_009_2_271fd94dfc.jpg","hash":"large_03_Amy_Astley_009_2_271fd94dfc","mime":"image/jpeg","name":"large_03_Amy_Astley_009-2.jpg","path":null,"size":82.81,"width":750,"height":1000},"small":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/small_03_Amy_Astley_009_2_271fd94dfc.jpg","hash":"small_03_Amy_Astley_009_2_271fd94dfc","mime":"image/jpeg","name":"small_03_Amy_Astley_009-2.jpg","path":null,"size":23.1,"width":375,"height":500},"medium":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/medium_03_Amy_Astley_009_2_271fd94dfc.jpg","hash":"medium_03_Amy_Astley_009_2_271fd94dfc","mime":"image/jpeg","name":"medium_03_Amy_Astley_009-2.jpg","path":null,"size":47.32,"width":562,"height":750},"thumbnail":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/thumbnail_03_Amy_Astley_009_2_271fd94dfc.jpg","hash":"thumbnail_03_Amy_Astley_009_2_271fd94dfc","mime":"image/jpeg","name":"thumbnail_03_Amy_Astley_009-2.jpg","path":null,"size":3.64,"width":117,"height":156}},"hash":"03_Amy_Astley_009_2_271fd94dfc","ext":".jpg","mime":"image/jpeg","size":7140.57,"url":"https://strapi-bus-eng-prod.s3.amazonaws.com/03_Amy_Astley_009_2_271fd94dfc.jpg","previewUrl":null,"provider":"aws-s3","provider_metadata":null,"createdAt":"2023-10-05T23:05:29.393Z","updatedAt":"2023-10-05T23:05:29.393Z"}}},"localizations":{"data":[{"id":1962,"attributes":{"Name":"Amy Astley","Slug":"amy-astley-es-mx","Label":"Director Editorial Global y Editor en Jefe ","Text":"\u003cp style=\"margin-left: 0px;\"\u003eAmy Astley es la Director Editorial Global y Editor en Jefe\u003cspan style=\"background-color: rgb(255,255,255); color: rgb(0,0,0);\"\u003e de EU para AD. Además de supervisar todo el contenido editorial, Astley se compromete a reinventar y expandir la presencia digital de la marca en todas las plataformas y formatos, y a ampliar el alcance de la autoridad de diseño de AD.\u003c/span\u003e\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eDesde que se nombró a Astley, AD ha experimentado un crecimiento sin precedentes en todas las plataformas y donde la presencia digital de la marca anteriormente funcionaba únicamente como una extensión de la edición impresa, AD ahora cuenta con una huella social en rápida expansión, una exitosa serie de videos en YouTube y múltiples plataformas digitales (solo verticales): AD PRO, un servicio de membresía B2B que ofrece cobertura autorizada y noticias de última hora para la industria del diseño, Clever, que asume los desafíos únicos de diseñar un espacio más pequeño; que ofrece consejos de diseño para la vida real y AD It Yourself, que presenta elevados proyectos de bricolaje y consejos prácticos con contenido que cubre qué comprar, qué hacer y cómo hacerlo. Astley también es autor del libro más vendido, AD at 100: A Century of Style, que celebra las casas más increíbles del siglo pasado.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eAnterior Según AD, Astley fue la Editora fundadora de Teen Vogue, lanzada en 2003, donde ayudó a construir una marca de estilo de vida dinámica que ha prosperado en el entorno de los nuevos medios durante la última década. Durante el mandato de Astley, Teen Vogue fue nominada dos veces al Premio Nacional de Revista a la Excelencia General; supervisó una serie de acuerdos de licencia exitosos que incluían ropa de cama y productos para el regreso a clases; y el best-seller de Astley del New York Times de 2009, “The Teen Vogue Handbook: An Insider's Guide to Careers in Fashion” fue actualizado y reeditado por Penguin en 2014.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eAstley ha pasado gran parte de su carrera inmersa en el arte, el diseño y la moda, incluidos cinco años en House \u0026amp; Garden y casi una década en Vogue.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eAstley se graduó en Honors College de la Universidad Estatal de Michigan. Vive en la ciudad de Nueva York con su marido y sus dos hijas.\u003c/p\u003e","createdAt":"2023-10-09T02:34:36.765Z","updatedAt":"2023-10-20T18:15:06.138Z","publishedAt":"2023-10-20T18:15:05.458Z","locale":"es-MX"}},{"id":1961,"attributes":{"Name":"Amy Astley","Slug":"amy-astley-es-es","Label":"Global Editorial Director and Editor-in-Chief","Text":"\u003cp\u003eAmy Astley es la Directora Editorial Global y Directora de AD en EE.UU. Además de supervisar todo el contenido editorial, Astley trabaja en reinventar y expandir la presencia digital de la marca en todas las plataformas y formatos, y a aumentar el alcance de la autoridad en diseño de AD.\u003c/p\u003e\n\u003cp\u003eDesde el nombramiento de Astley, AD ha experimentado un crecimiento sin precedentes en todas las plataformas y, mientras que antes la presencia digital de la marca funcionaba únicamente como una extensión de la edición impresa, AD cuenta ahora con una presencia en redes sociales en rápida expansión, una serie de vídeos de éxito en YouTube y múltiples verticales exclusivamente digitales. Entre ellos AD PRO, un servicio de afiliación B2B que ofrece la mejor información y noticias de última hora para la industria del diseño, Clever, que aborda los desafíos únicos de diseñar un espacio más pequeño, ofreciendo consejos de diseño para la vida real; y AD It Yourself, que presenta elevados proyectos de bricolaje y consejos prácticos con contenidos que aconsejan sobre qué comprar, qué hacer y cómo hacerlo. Astley es también autora del éxito de ventas AD at 100: A Century of Style, que celebra las casas más increíbles del siglo pasado.\u003c/p\u003e\n\u003cp\u003eAntes de AD, Astley fue la editora fundadora de Teen Vogue, lanzada en 2003, donde ayudó a construir una dinámica marca de estilo de vida que ha prosperado en el nuevo entorno de medios en la última década. Bajo la dirección de Astley, Teen Vogue fue nominada dos veces al National Magazine Award for General Excellence; supervisó una serie de exitosos acuerdos de licencia, incluyendo productos de ropa de cama y de regreso a la escuela; y el best-seller de Astley de 2009, \"The Teen Vogue Handbook: An Insider’s Guide to Careers in Fashion\" fue actualizado y reeditado por Penguin en 2014.\u003c/p\u003e\n\u003cp\u003eAstley ha pasado gran parte de su carrera en entornos relacioandos con el arte, el diseño y la moda, incluyendo cinco años en House \u0026amp; Garden y casi una década en Vogue.\u003c/p\u003e\n\u003cp\u003eAstley se graduó del Honors College en la Universidad Estatal de Michigan. Vive en la ciudad de Nueva York con su esposo y dos hijas.\u003c/p\u003e","createdAt":"2023-10-09T02:34:36.345Z","updatedAt":"2024-01-11T11:30:42.418Z","publishedAt":"2024-01-11T11:30:42.199Z","locale":"es-ES"}},{"id":1960,"attributes":{"Name":"Amy Astley","Slug":"amy-astley-zh-hant-tw","Label":"Global Editorial Director and Editor-in-Chief","Text":"\u003cp style=\"margin-left:0px;\"\u003eAmy Astley 是 \u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,0,0);\"\u003e全球編輯總監和編輯美國AD首席。除了監督所有編輯內容外,Astley 還致力於重新構想和擴展品牌在各個平台和格式上的數字形象,並進一步擴大AD 設計權威的影響力。\u003c/p\u003e\u003cp style=\"margin-left:0px ;\" \u003e自Astley 被命名以來,AD 在所有平台上都經歷了前所未有的增長,該品牌的數字形像以前僅作為印刷版的延伸,而現在AD 擁有快速擴大的社交足跡、YouTube 上的熱門視頻系列以及多個數字版本。 -僅限垂直行業:AD PRO,一項 B2B 會員服務,提供設計行業的權威報導和突發新聞;Clever,應對設計較小空間的獨特挑戰;為現實生活和 AD It Yourself 提供設計建議,其中包括高級 DIY 項目和可行的建議,內容涵蓋買什麼、做什麼以及如何做。阿斯特利還是暢銷書《AD 100:一個世紀的風格》的作者,該書頌揚了上個世紀最令人難以置信的住宅。\u003c/p\u003e\u003cp style=\"margin-left:0px;\" \u003e從 AD 到 AD,Astley 是《Teen Vogue》的創始編輯,該雜誌於 2003 年推出,她幫助建立了一個充滿活力的生活方式品牌,該品牌在過去十年中在新媒體環境中蓬勃發展。在阿斯特利任職期間,《Teen Vogue》兩次獲得國家雜誌卓越獎提名;她監督了一系列成功的授權交易,包括床上用品和返校產品; Astley 的 2009 年《紐約時報》暢銷書《青少年時尚手冊:時尚職業業內人士指南》由企鵝出版社於 2014 年更新並重新發行。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e Astley 職業生涯的大部分時間都沉浸在藝術、設計和時尚中,其中包括在House \u0026amp; 工作了五年。 Garden 並在《Vogue》工作了近十年。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAstley 畢業於密歇根州立大學榮譽學院。她與丈夫和兩個女兒住在紐約市。\u003c/p\u003e","createdAt":"2023-10-09T02:34:35.898Z","updatedAt":"2023-10-10T12:40:45.746Z","publishedAt":"2023-10-10T12:40:45.631Z","locale":"zh-Hant-TW"}},{"id":1959,"attributes":{"Name":"Amy Astley","Slug":"amy-astley-de","Label":"Global Editorial Director and Editor-in-Chief","Text":"\u003cp style=\"margin-left:0px;\"\u003eAmy Astley ist \u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,0,0);\"\u003eGlobal Editorial Director und U.S. Editor-in-Chief\u003c/span\u003efür AD. Sie verantwortet alle redaktionellen Inhalte und ist darüber hinaus bestrebt, die digitale Präsenz der Marke auf allen Plattformen und in allen Formaten neu zu gestalten und auszubauen sowie die Reichweite der Designkompetenz von AD zu steigern.\u003c/p\u003e\u003cp style=\"margin-left:0px;\" \u003eSeit Astleys Ernennung ist AD auf allen Plattformen maßgeblich gewachsen und während die digitale Präsenz der Marke zuvor lediglich als Erweiterung der Printausgabe fungierte, verfügt AD nun über eine schnell wachsende Präsenz auf Social Media, eine erfolgreiche Videoserie auf YouTube und mehrere digitale Verticals wie AD PRO, ein B2B-Membership mit fundierten Berichten und aktuellen News für die Designbranche, „Clever“, das sich den besonderen Herausforderungen in der Gestaltung kleiner Räume widmet und Designtipps für das echte Leben bietet sowie „AD It Yourself“, das anspruchsvolle DIY-Projekte featured und nützliche Tipps und Inhalte zu Kauf, Umsetzung und Handhabung gibt. Astley ist außerdem Autorin des Bestsellers „AD at 100: A Century of Style“, das die eindruckvollsten Häuser des vergangenen Jahrhunderts feiert.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e Vor ihrer Zeit bei AD war Astley Founding Editor der 2013 ins Leben gerufenen Teen Vogue. Dort trug sie zum Aufbau einer dynamischen Lifestylemarke bei, die in den letzten zehn Jahren im Umfeld der neuen Medienlandschaft erfolgreich ihren Platz behauptete. Während Astleys Amtszeit wurde Teen Vogue zweimal für den „National Magazine Award for General Excellence“ nominiert; Sie betreute eine Reihe erfolgreicher Lizenzverträge, darunter Bettwäsche und Produkte für den Schulanfang. Astleys „New York Times“-Bestseller aus dem Jahr 2009, „The Teen Vogue Handbook: An Insider's Guide to Careers in Fashion“ wurde 2014 von Penguin aktualisiert und neu aufgelegt.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e Astley hat einen Großteil ihrer Karriere mit Kunst, Design und Mode verbracht, davon fünf Jahre bei House \u0026 Garden und fast ein Jahrzehnt bei Vogue.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAstley absolvierte das Honors College der Michigan State University. Sie lebt mit ihrem Mann und ihren beiden Töchtern in New York City.\u003c/p\u003e","createdAt":"2023-10-09T02:34:35.499Z","updatedAt":"2023-11-24T10:39:02.372Z","publishedAt":"2023-11-24T10:39:00.687Z","locale":"de"}},{"id":1958,"attributes":{"Name":"Amy Astley","Slug":"amy-astley-ja","Label":"Global Editorial Director and Editor-in-Chief","Text":"\u003cp style=\"margin-left:0px;\"\u003eAmy Astleyは、\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,0,0);\"\u003e『AD(アーキテクチュラル・ダイジェスト)』のグローバル・エディトリアル・ディレクター兼米国版編集長です。すべてのエディトリアル・コンテンツを監督するほか、あらゆるプラットフォームおよびフォーマットにわたり、ブランドのデジタルプレゼンスの再イメージ化と拡大を図ることで、『AD』のデザインにおける第一人者としての影響をさらに広めることに尽力しています。\u003c/p\u003e\u003cp style=\"margin-left:0px;\" \u003eAstleyが現職に就任して以来、『AD』は全プラットフォームで前例のない成長を遂げました。以前は印刷版の延長としてのみ機能していたブランドのデジタルプレゼンスが、現在ではSNSや、YouTubeでバズったビデオシリーズ、複数のデジタル専用コンテンツに至るまで拡大しています。例えば、デザイン業界の信頼できる報道とニュース速報を特集するB2B会員制サービスの「AD PRO」や、狭小空間をデザインする際の特有な課題を取り上げ、実生活に役立つデザイン・アドバイスを提供する「Clever」、何を買うか、何をするか、そのやり方を網羅した内容で、より高度なDIYプロジェクトと実用的なアドバイスを特集する「AD It Yourself」などです。Astleyは、ベストセラー本『AD at 100: A Century of Style』の著者でもあります。同書では前世紀の極めて素晴らしい住宅を称えています。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e現職以前は、2003年創刊の『Teen VOGUE』誌の創刊編集者として、ここ10年間にわたって新しいメディア環境で成功しているダイナミックなライフスタイル・ブランドの構築に貢献しました。Astleyの在任中、『Teen VOGUE』は全米雑誌賞の最優秀賞に2度ノミネートされました。また、寝具類や新学期用製品など一連のライセンス契約を監督しました。2009年にはニューヨーク・タイムズ紙のベストセラー『The Teen Vogue Handbook: An Insider’s Guide to Careers in Fashion』を出版。2014年にペンギン社から改訂版が再発行されました。\n\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e 『ハウス&ガーデン(House \u0026 Garden)』での5年間、『VOGUE』での約10年間など、Astleyは自身のキャリアの大半をアート、デザイン、ファッションに費やしてきました。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eアストリーはミシガン州立大学オナーズ カレッジを卒業しました。彼女は夫と 2 人の娘とともにニューヨーク市に住んでいます。\u003c/p\u003e","createdAt":"2023-10-09T02:34:35.080Z","updatedAt":"2024-01-09T22:13:23.040Z","publishedAt":"2024-01-09T22:13:22.914Z","locale":"ja"}},{"id":1957,"attributes":{"Name":"Amy Astley","Slug":"amy-astley-zh","Label":"Global Editorial Director and Editor-in-Chief","Text":"\u003cp style=\"margin-left:0px;\"\u003eAmy Astley 是 \u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,0,0);\"\u003e全球编辑总监和编辑美国 AD 首席。除了监督所有编辑内容外,Astley 还致力于重新构想和扩展品牌在各个平台和格式上的数字形象,并进一步扩大 AD 设计权威的影响力。\u003c/p\u003e\u003cp style=\"margin-left:0px;\" \u003e自 Astley 被命名以来,AD 在所有平台上都经历了前所未有的增长,该品牌的数字形象以前仅作为印刷版的延伸,而现在 AD 拥有快速扩大的社交足迹、YouTube 上的热门视频系列以及多个数字版本。 -仅限垂直行业:AD PRO,一项 B2B 会员服务,提供设计行业的权威报道和突发新闻;Clever,应对设计较小空间的独特挑战;为现实生活和 AD It Yourself 提供设计建议,其中包括高级 DIY 项目和可行的建议,内容涵盖买什么、做什么以及如何做。阿斯特利还是畅销书《AD 100:一个世纪的风格》的作者,该书颂扬了上个世纪最令人难以置信的住宅。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e从 AD 到 AD,Astley 是《Teen Vogue》的创始编辑,该杂志于 2003 年推出,她帮助建立了一个充满活力的生活方式品牌,该品牌在过去十年中在新媒体环境中蓬勃发展。在阿斯特利任职期间,《Teen Vogue》两次获得国家杂志卓越奖提名;她监督了一系列成功的授权交易,包括床上用品和返校产品; Astley 的 2009 年《纽约时报》畅销书《青少年时尚手册:时尚职业业内人士指南》由企鹅出版社于 2014 年更新并重新发行。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e Astley 职业生涯的大部分时间都沉浸在艺术、设计和时尚中,其中包括在 House \u0026amp; 工作了五年。 Garden 并在《Vogue》工作了近十年。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAstley 毕业于密歇根州立大学荣誉学院。她与丈夫和两个女儿住在纽约市。\u003c/p\u003e","createdAt":"2023-10-09T02:34:34.682Z","updatedAt":"2023-10-10T12:42:20.724Z","publishedAt":"2023-10-10T12:42:20.585Z","locale":"zh"}},{"id":1956,"attributes":{"Name":"Amy Astley","Slug":"amy-astley-fr","Label":"Global Editorial Director and Editor-in-Chief","Text":"\u003cp style=\"margin-left: 0px;\"\u003eAmy Astley est la D\u003cspan style=\"background-color: rgb(255,255,255); color: rgb(0,0,0);\"\u003eirectrice éditoriale mondiale et Rédactrice en chef États-Unis \u003c/span\u003epour AD. En plus de superviser tout le contenu éditorial mondial d'AD, Amy Astley a à cœur de réinventer et d'étendre la présence numérique de la marque sur toutes les plateformes et tous les formats, et à accroître la portée de l'expertise design d'AD.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eDepuis qu'Amy Astley a été nommée, AD a connu une croissance sans précédent sur toutes les plateformes, alors qu'auparavant la présence digitale de la marque n'était qu'une extension de l'édition print. AD est aujourd'hui considéré comme ayant une véritable empreinte numérique en pleine expansion, une série de vidéos à succès sur YouTube et plusieurs verticales exclusivement numériques : AD PRO (un service d'abonnement B2B offrant un contenu exclusif pour l'industrie du design), Clever (qui relève les défis uniques de la conception d'un petit espace en offrant des conseils de conception réels) et AD It Yourself (qui propose des projets de bricolage ambitieux et des conseils pratiques : ce qu'il faut acheter, ce qu'il faut faire et comment le faire). Amy Astley est également l'auteur du best-seller \"AD at 100 : A Century of Style\", qui célèbre les maisons les plus incroyables du siècle dernier.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eAvant AD, Amy Astley a été la Rédactrice en chef et fondatrice de Teen Vogue, lancé en 2003, où elle a aidé à créer une marque dynamique qui a prospéré dans l'environnement des nouveaux médias au cours de la dernière décennie. Pendant son mandat, Teen Vogue a été nommé deux fois pour un National Magazine Award for General Excellence; elle a supervisé une série d'accords de licence réussis, y compris des produits de literie et de rentrée scolaire ; et le best-seller 2009 d'Astley au New York Times, \"The Teen Vogue Handbook : An Insider's Guide to Careers in Fashion\" a été mis à jour et réédité par Penguin en 2014.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eAmy Astley a passé une grande partie de sa carrière immergée dans l'art, le design et la mode, dont cinq ans chez House \u0026amp; Garden et près d'une décennie chez Vogue.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eAmy Astley est diplômée du Honors College de la Michigan State University. Elle vit à New York avec son mari et ses deux filles.\u003c/p\u003e","createdAt":"2023-10-09T02:34:34.290Z","updatedAt":"2023-11-27T10:40:21.556Z","publishedAt":"2023-11-27T10:40:18.564Z","locale":"fr"}},{"id":1955,"attributes":{"Name":"Amy Astley","Slug":"amy-astley-it","Label":"Global Editorial Director and Editor-in-Chief","Text":"\u003cp style=\"margin-left:0px;\"\u003eAmy Astley è la \u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,0,0);\"\u003e Global Editorial Director e Editor in Chief U.S \u003c/span\u003e per AD. Oltre a supervisionare tutti i contenuti editoriali, Astley si impegna a reinventare ed espandere la presenza digitale del brand su tutte le piattaforme e i formati, oltre ad aumentare la portata dell'autorità di AD nel campo del design.\u003c/p\u003e\u003cp style=\"margin-left:0px;\" \u003eDa quando Astley è stata nominata, AD ha registrato una crescita senza precedenti su tutte le piattaforme e, se prima la presenza digitale del brand funzionava solo come un'estensione dell'edizione cartacea, ora AD vanta un'impronta social in rapida espansione, una serie di video di successo su YouTube e molteplici contenuti verticali esclusivamente digital: AD PRO, un servizio di membership B2B che offre una copertura autorevole e le ultime notizie per l'industria del design; Clever, che affronta le sfide uniche di progettare uno spazio più piccolo offrendo consigli di progettazione per la vita reale; AD It Yourself, che presenta progetti fai-da-te e consigli pratici su cosa comprare, cosa fare e come farlo. Astley è anche autrice del libro best-seller \"AD at 100: A Century of Style\", che celebra le case più incredibili del secolo scorso.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003ePrima di AD, Astley è stata la direttrice fondatrice di Teen Vogue, lanciato nel 2003, dove ha contribuito a costruire un brand di lifestyle dinamico che ha prosperato nell'ambiente dei nuovi media nell'ultimo decennio. Durante il mandato di Astley, Teen Vogue è stato nominato due volte per il National Magazine Award for General Excellence; ha supervisionato una serie di accordi di licenza di successo, tra cui prodotti per la biancheria da letto e per la scuola; e il best-seller di Astley del New York Times del 2009, \"The Teen Vogue Handbook: An Insider's Guide to Careers in Fashion\" è stato aggiornato e ripubblicato da Penguin nel 2014.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e Astley ha trascorso gran parte della sua carriera immersa nell'arte, nel design e nella moda, inclusi cinque anni presso House \u0026 Garden e quasi un decennio da Vogue.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAstley si è laureata all'Honors College della Michigan State University. Vive a New York City con suo marito e le sue due figlie.\u003c/p\u003e ","createdAt":"2023-10-09T02:34:33.882Z","updatedAt":"2023-12-04T15:07:12.759Z","publishedAt":"2023-12-04T15:07:08.578Z","locale":"it"}}]}}}}},{"id":1613,"alternateRole":"Head of Editorial Content - Middle East","cn_com_profile":{"data":{"id":1747,"attributes":{"Name":"Talib Choudhry","Slug":"talib-choudhry","Label":"Head of Editorial Content - Middle East","Text":"\u003cp\u003eArchitectural Digest Middle East’s newly appointed Head of Editorial Content,\u0026nbsp;Talib Choudhry, has been at the helm of the title since September 2017.\u003c/p\u003e\u003cp\u003eSince moving to Dubai, he has cemented AD’s position as the region’s leading design authority, developing the brand across digital, social and experiential. With over 20 years’ experience in media, Talib previously held senior positions at the UK’s most prestigious magazines and newspapers, including the Sunday Times Style, ELLE Decoration and The Telegraph.\u003c/p\u003e","createdAt":"2023-10-09T02:33:09.578Z","updatedAt":"2023-10-09T02:33:12.651Z","publishedAt":"2023-05-05T09:34:29.744Z","locale":"en","Media":{"data":{"id":4393,"attributes":{"name":"Talib Choudhry headshot.jpg","alternativeText":null,"caption":null,"width":3257,"height":4455,"formats":{"large":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/large_Talib_Choudhry_headshot_4256614f5e.jpg","hash":"large_Talib_Choudhry_headshot_4256614f5e","mime":"image/jpeg","name":"large_Talib Choudhry headshot.jpg","path":null,"size":99.85,"width":731,"height":1000},"small":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/small_Talib_Choudhry_headshot_4256614f5e.jpg","hash":"small_Talib_Choudhry_headshot_4256614f5e","mime":"image/jpeg","name":"small_Talib Choudhry headshot.jpg","path":null,"size":29.6,"width":366,"height":500},"medium":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/medium_Talib_Choudhry_headshot_4256614f5e.jpg","hash":"medium_Talib_Choudhry_headshot_4256614f5e","mime":"image/jpeg","name":"medium_Talib Choudhry headshot.jpg","path":null,"size":58.95,"width":549,"height":750},"thumbnail":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/thumbnail_Talib_Choudhry_headshot_4256614f5e.jpg","hash":"thumbnail_Talib_Choudhry_headshot_4256614f5e","mime":"image/jpeg","name":"thumbnail_Talib Choudhry headshot.jpg","path":null,"size":4.9,"width":114,"height":156}},"hash":"Talib_Choudhry_headshot_4256614f5e","ext":".jpg","mime":"image/jpeg","size":3691,"url":"https://strapi-bus-eng-prod.s3.amazonaws.com/Talib_Choudhry_headshot_4256614f5e.jpg","previewUrl":null,"provider":"aws-s3","provider_metadata":null,"createdAt":"2023-10-05T23:04:19.115Z","updatedAt":"2023-10-05T23:04:19.115Z"}}},"localizations":{"data":[{"id":1755,"attributes":{"Name":"Talib Choudhry","Slug":"talib-choudhry-es-mx","Label":"Jefe de Contenido Editorial - Medio Oriente","Text":"\u003cp\u003eTalib Choudhry, recientemente nombrado Jefe de Contenido Editrial para AD Medio Oriente, ha estado al frente del título desde septiembre de 2017. Desde que se mudó a Dubái, ha consolidado la posición de AD como la principal autoridad en diseño en la región, expandiendo la marca a través de lo digital, lo social y lo experiencial. Con más de 20 años de experiencia en medios de comunicación, Talib ocupó previamente puestos directivos en algunas de las publicaciones más prestigiosas del Reino Unido, incluyendo el Sunday Times Style, ELLE Decoration y The Telegraph.\u003c/p\u003e","createdAt":"2023-10-09T02:33:12.636Z","updatedAt":"2024-01-16T17:37:35.674Z","publishedAt":"2023-10-20T18:15:52.596Z","locale":"es-MX"}},{"id":1754,"attributes":{"Name":"Talib Choudhry","Slug":"talib-choudhry-es-es","Label":"Head of Editorial Content - Middle East","Text":"\u003cp\u003eTalib Choudhry, recientemente nombrado Head of Editorial Content de AD Oriente Medio, ha estado al frente del título desde septiembre de 2017. Desde su llegada a Dubái, ha consolidado la posición de AD como la principal autoridad en diseño en la región, expandiendo la marca a través de lo digital, lo social y lo experiencial. Con más de 20 años de experiencia en medios, Talib Choudhry ocupó previamente puestos directivos en algunas de las publicaciones más prestigiosas del Reino Unido, incluyendo el Sunday Times Style, ELLE Decoration y The Telegraph.\u003c/p\u003e","createdAt":"2023-10-09T02:33:12.238Z","updatedAt":"2024-01-16T17:37:16.828Z","publishedAt":"2023-11-09T17:36:20.361Z","locale":"es-ES"}},{"id":1753,"attributes":{"Name":"Talib Choudhry","Slug":"talib-choudhry-zh-hant-tw","Label":"Head of Editorial Content - Middle East","Text":"\u003cp\u003e《中東建築文摘》新任命的編輯內容主管 Talib Choudhry 自 2017 年 9 月起一直掌管該刊。\u003c/p\u003e\u003cp\u003e自從搬到迪拜後,他鞏固了 AD 作為該地區領先的設計權威,在數字、社交和體驗領域發展品牌。 Talib 擁有 20 多年的媒體經驗,曾在英國最負盛名的雜誌和報紙擔任高級職位,包括《Sunday Times Style》、《ELLE Decoration》和《電訊報》。\u003c/p\u003e","createdAt":"2023-10-09T02:33:11.836Z","updatedAt":"2023-10-10T12:40:39.848Z","publishedAt":"2023-10-10T12:40:39.730Z","locale":"zh-Hant-TW"}},{"id":1752,"attributes":{"Name":"Talib Choudhry","Slug":"talib-choudhry-de","Label":"Head of Editorial Content – Middle East","Text":"\u003cp\u003eDer neu ernannte Head of Editorial Content von Architectural Digest Middle East, Talib Choudhry, steht seit September 2017 an der Spitze des Titels. Seit seinem Umzug nach Dubai hat er die Position von AD als führende Design-Autorität in der Region gefestigt und die Marke in den Bereichen Digital, Social und Experiential weiterentwickelt. Mit über 20 Jahren Erfahrung in der Medienbranche war Talib zuvor in leitenden Positionen bei den renommiertesten Magazinen und Zeitungen Großbritanniens tätig, darunter Sunday Times Style, ELLE Decoration und The Telegraph.\u003c/p\u003e","createdAt":"2023-10-09T02:33:11.444Z","updatedAt":"2024-01-16T17:39:17.176Z","publishedAt":"2023-11-24T13:31:51.034Z","locale":"de"}},{"id":1751,"attributes":{"Name":"Talib Choudhry","Slug":"talib-choudhry-ja","Label":"Head of Editorial Content - Middle East","Text":"\u003cp\u003eTalib Choudhryは、2017年9月に中東版『AD(アーキテクチュラル・ダイジェスト)』のヘッド・オブ・エディトリアル・コンテンツに着任しました。 ドバイに移って以来、デジタル、ソーシャル、エクスペリエンシャル(体験型)にわたるブランド展開をすることで、中東地域におけるデザインの第一人者としての『AD』の地位を確固たるものにしてきました。メディア分野で20年以上の経験を持ち、これまでに『Sunday Times Style』、『ELLE Decoration』、『The Telegraph』など、英国で最も権威ある雑誌・新聞で要職を歴任しています。\u003c/p\u003e","createdAt":"2023-10-09T02:33:11.029Z","updatedAt":"2024-01-16T17:37:52.181Z","publishedAt":"2023-12-18T05:29:57.858Z","locale":"ja"}},{"id":1750,"attributes":{"Name":"Talib Choudhry","Slug":"talib-choudhry-zh","Label":"Head of Editorial Content - Middle East","Text":"\u003cp\u003e《中东建筑文摘》新任命的编辑内容主管 Talib Choudhry 自 2017 年 9 月起一直掌管该刊。\u003c/p\u003e\u003cp\u003e自从搬到迪拜后,他巩固了 AD 作为该地区领先的设计权威,在数字、社交和体验领域发展品牌。 Talib 拥有 20 多年的媒体经验,曾在英国最负盛名的杂志和报纸担任高级职位,包括《Sunday Times Style》、《ELLE Decoration》和《电讯报》。\u003c/p\u003e","createdAt":"2023-10-09T02:33:10.575Z","updatedAt":"2023-10-10T12:42:12.361Z","publishedAt":"2023-10-10T12:42:12.280Z","locale":"zh"}},{"id":1749,"attributes":{"Name":"Talib Choudhry","Slug":"talib-choudhry-fr","Label":"Head of Editorial Content - Middle East","Text":"\u003cp\u003eTalib Choudhry, nouvellement nommé Head of Editorial Content d'AD Moyen-Orient, est à la tête du titre depuis septembre 2017. Depuis son installation à Dubaï, il a cimenté la position d'AD en tant que principale autorité en matière de design dans la région, en développant la marque à travers le digital, le social et l'expérientiel. Avec plus de 20 ans d'expérience dans les médias, Talib Choudhry a précédemment occupé des postes de direction dans les publications les plus prestigieuses du Royaume-Uni, notamment le Sunday Times Style, ELLE Decoration et The Telegraph.\u003c/p\u003e","createdAt":"2023-10-09T02:33:10.169Z","updatedAt":"2024-01-16T17:35:54.960Z","publishedAt":"2023-11-21T15:26:33.912Z","locale":"fr"}},{"id":1748,"attributes":{"Name":"Talib Choudhry","Slug":"talib-choudhry-it","Label":"Head of Editorial Content - Middle East","Text":"\u003cp\u003eTalib Choudhry, recentemente nominato Head of Editorial Content di Architectural Digest Middle East, è al timone della testata da settembre 2017. Da quando si è trasferito a Dubai, ha consolidato la posizione di AD come autorità leader nel settore del design della regione, sviluppando il brand in ambito digital e social e nel ramo esperienziale. Con oltre 20 anni di esperienza nel settore dei media, Talib ha ricoperto in precedenza posizioni di rilievo presso le riviste e i giornali più prestigiosi del Regno Unito, tra cui Sunday Times Style, ELLE Decoration e The Telegraph.\u003c/p\u003e","createdAt":"2023-10-09T02:33:09.783Z","updatedAt":"2024-01-16T17:37:00.582Z","publishedAt":"2023-12-04T15:10:10.315Z","locale":"it"}}]}}}}},{"id":1614,"alternateRole":"Head of Editorial Content - Mexico \u0026 Latin America","cn_com_profile":{"data":{"id":2152,"attributes":{"Name":"Katia Contreras","Slug":"katia-contreras","Label":"Head of Editorial Content - Mexico \u0026 Latin America","Text":"\u003cp style=\"margin-left:0px;\"\u003eKatia Contreras is an Interior Architect from the Universidad de las Americas Puebla (UDLAP), a degree from which she graduated by winning a state competition for the design of tourist centres in Puebla.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn 2012 she joined Condé Nast as Editorial Coordinator of Architectural Digest. In 2016 she became the brand’s Digital Editor. From December 2017, she was appointed Deputy Editorial Director of AD Mexico and Latin America. Since May 2021, Contreras has been Head of Editorial Content of Architectural Digest Mexico and Latin America.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSince joining the team, Contreras has developed new sections in the magazine that introduce a fresh and creative approach, such as \"In the Studio\", which is about visiting the workspace of important figures from the current design scene, to show readers their creation process; and \"Zoom\", in which, through a curatorship of great design objects, the team creates editorial compositions that show global trends, among many others.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn April 2018, as Deputy Editor of AD, she was part of the launching of #LaNuevaEraAD, in which – together with her team – she developed a new cover format, redesigned the magazine’s interiors with changes in typography, sections and photo curation, as well as in the narrative. The tone of the brand became more candid, outspoken, simple and unpretentious in its language to create a more diverse, inclusive and vibrant version of the brand.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWith this renewed identity, AD reinforced its status as the authority on design, interior design and architecture in Mexico.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn November 2019, Contreras moderated the Trend Talks panel in Tijuana, with renowned Mexican industrial and interior designers, on 2020 color trends.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSince 2020, Contreras has been an Interior Styling professor for the Diploma AD Interior Design, at Condé Nast College Mexico and Latin America, in which she teaches students the basis of creating editorial sets, photographic composition and interior design trends.\u003c/p\u003e","createdAt":"2023-10-09T02:35:53.998Z","updatedAt":"2023-10-09T02:35:57.617Z","publishedAt":"2022-02-17T20:13:50.083Z","locale":"en","Media":{"data":{"id":4437,"attributes":{"name":"KatiaContreras_Vogue_MX_LATAM.jpg","alternativeText":null,"caption":null,"width":500,"height":753,"formats":{"small":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/small_Katia_Contreras_Vogue_MX_LATAM_fee8beda32.jpg","hash":"small_Katia_Contreras_Vogue_MX_LATAM_fee8beda32","mime":"image/jpeg","name":"small_KatiaContreras_Vogue_MX_LATAM.jpg","path":null,"size":15.74,"width":332,"height":500},"medium":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/medium_Katia_Contreras_Vogue_MX_LATAM_fee8beda32.jpg","hash":"medium_Katia_Contreras_Vogue_MX_LATAM_fee8beda32","mime":"image/jpeg","name":"medium_KatiaContreras_Vogue_MX_LATAM.jpg","path":null,"size":32.26,"width":498,"height":750},"thumbnail":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/thumbnail_Katia_Contreras_Vogue_MX_LATAM_fee8beda32.jpg","hash":"thumbnail_Katia_Contreras_Vogue_MX_LATAM_fee8beda32","mime":"image/jpeg","name":"thumbnail_KatiaContreras_Vogue_MX_LATAM.jpg","path":null,"size":2.93,"width":104,"height":156}},"hash":"Katia_Contreras_Vogue_MX_LATAM_fee8beda32","ext":".jpg","mime":"image/jpeg","size":33.18,"url":"https://strapi-bus-eng-prod.s3.amazonaws.com/Katia_Contreras_Vogue_MX_LATAM_fee8beda32.jpg","previewUrl":null,"provider":"aws-s3","provider_metadata":null,"createdAt":"2023-10-05T23:06:34.658Z","updatedAt":"2023-10-05T23:06:34.658Z"}}},"localizations":{"data":[{"id":2160,"attributes":{"Name":"Katia Contreras","Slug":"katia-contreras-es-mx","Label":"Jefe de Contenido Editorial - México y Latinoamérica","Text":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"ES\" style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eKatia Contreras es Arquitecta de Interiores por la Universidad de las Américas Puebla, licenciatura de la cual se graduó al ganar un concurso estatal por el diseño de los centros de atención turística. \u003c/span\u003e\u003c/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"ES\" style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eEn 2012 ingresó a \u003cem\u003eCondé Nast\u003c/em\u003e como Coordinadora Editorial de \u003cem\u003eArchitectural Digest\u003c/em\u003e; en 2016 ascendió a Editora Digital y partir de 2017, fue nombrada Subdirectora Editorial de \u003cem\u003eArchitectural Digest México y Latinoamérica\u003c/em\u003e. \u003c/span\u003e\u003c/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"ES\" style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eDesde 2021, Katia es Head of Editorial Content de \u003cem\u003eAD México y Latinoamérica\u003c/em\u003e.\u003c/span\u003e\u003c/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"ES\" style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eA partir de su incorporación al equipo editorial hace 11 años, Katia ha desarrollado el concepto creativo y el styling de diversas portadas, así como secciones que introdujeron un enfoque fresco y creativo al título, como “Planeta AD” dedicado a propuestas ambiental y socialmente responsables, \"En el estudio\", o \"Zoom”, entre muchas otras.\u003c/span\u003e\u003c/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"ES\" style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eA lo largo de su trayectoria en \u003cem\u003eAD\u003c/em\u003e, ha liderado diversos proyectos que han representado importantes éxitos en la historia del título como los suplementos \u003cem\u003eAD Bath \u0026amp; Spa, AD Gourmet\u003c/em\u003e y la \u003cem\u003eGuía AD\u003c/em\u003e, así como booklets especiales para marcas como Samsung, Liverpool y Sears.\u003c/span\u003e\u003c/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"ES\" style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eEn abril de 2018, como Subdirectora de \u003cem\u003eAD\u003c/em\u003e, fue parte del lanzamiento de \u003cem\u003e#LaNuevaEraAD\u003c/em\u003e, en el que junto al equipo desarrolló un nuevo formato de portada, hizo un rediseño a los interiores de la revista con cambios en la tipografía, en las secciones y en la curaduría fotográfica, así como en la narrativa; en la que apostaron por un lenguaje franco, simple y sin pretensiones para crear un título diverso, inclusivo y vibrante. Con este carácter renovado, \u003cem\u003eAD \u003c/em\u003ereforzó su estatus como la autoridad en diseño, interiorismo y arquitectura en la región.\u003c/span\u003e\u003c/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"ES\" style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003eDesde 2020, Katia es profesora de la materia Estilismo de Interiores –en el Diploma AD Diseño de Interiores, de \u003cem\u003eCondé Nast College México y Latinoamérica\u003c/em\u003e– en la que enseña a los alumnos las bases para crear sets editoriales, composición fotográfica y las tendencias de diseño interior.\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:35:57.601Z","updatedAt":"2023-10-20T18:17:18.340Z","publishedAt":"2023-10-20T18:17:17.324Z","locale":"es-MX"}},{"id":2159,"attributes":{"Name":"Katia Contreras","Slug":"katia-contreras-es-es","Label":"Head of Editorial Content - Mexico \u0026 Latin America","Text":"\u003cp style=\"margin-left: 0px;\"\u003eKatia Contreras es Arquitecta de Interiores por la Universidad de las Américas Puebla (UDLAP), carrera en la cual se graduó al ganar un concurso estatal para el diseño de centros turísticos en Puebla.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn 2012 se incorporó a Condé Nast como coordinadora editorial de Architectural Digest. En 2016 se convirtió en editora digital de la marca. A partir de diciembre de 2017 fue nombrada Subdirectora Editorial de AD México y América Latina. Desde mayo de 2021, Contreras es Head of Editorial Content de Architectural Digest México y Latinoamérica.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eDesde que se unió al equipo, Contreras ha desarrollado nuevas secciones con las que introducijo un enfoque fresco y creativo, como \"In the Studio\", que consiste en visitar el espacio de trabajo de importantes figuras de la escena del diseño actual, para mostrar a los lectores su proceso de creación; y \"Zoom\", en el que, a través de una curaduría de grandes piezas de diseño, el equipo crea composiciones editoriales que muestran tendencias globales, entre muchas otras.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn abril de 2018 , como subdirectora de AD, formó parte del lanzamiento de #LaNuevaEraAD, en el que -junto a su equipo- desarrolló un nuevo formato de portada, rediseñó el interior de la revista con cambios en tipografía, secciones y selección de fotografías, así como en la narrativa. El tono de la marca se volvió más sincero, franco, simple y sin pretensiones, con un lenguaje para crear una versión más diversa, inclusiva y vibrante de la marca.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eCon una identidad renovada, AD reforzó su estatus como autoridad en diseño, interiorismo y arquitectura en México.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn noviembre de 2019, Contreras moderó el panel Trend Talks en Tijuana, con reconocidos diseñadores industriales y de interiores mexicanos, sobre las tendencias de color 2020.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eDesde 2020, Contreras es profesora de Interiorismo del Diploma AD Interior Design, en Condé Nast College México y Latinoamérica, en el que enseña a los estudiantes las bases de la creación de sets editoriales, composición fotográfica y tendencias en diseño de interiores.\u003c/p\u003e","createdAt":"2023-10-09T02:35:57.149Z","updatedAt":"2024-01-11T11:30:43.980Z","publishedAt":"2024-01-11T11:30:43.051Z","locale":"es-ES"}},{"id":2158,"attributes":{"Name":"Katia Contreras","Slug":"katia-contreras-zh-hant-tw","Label":"Head of Editorial Content - Mexico \u0026 Latin America","Text":"\u003cp style=\"margin-left:0px;\"\u003eKatia Contreras 是普埃布拉美洲大學 (UDLAP) 的一名室內建築師,她通過贏得普埃布拉旅遊中心設計州競賽而獲得學位。 \u003c/ p\u003e\u003cp style=\"margin-left:0px;\"\u003e2012 年,她加入康泰納仕,擔任《建築文摘》的編輯協調員。 2016年,她成為該品牌的數字編輯。 2017年12月起,她被任命為《AD墨西哥和拉丁美洲》副編輯主任。自2021 年5 月以來,Contreras 一直擔任《建築文摘》墨西哥和拉丁美洲的編輯內容主管。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e自加入團隊以來,Contreras 在雜誌中開發了新版塊,引入新穎且富有創意的方式,例如“在工作室”,參觀當今設計界重要人物的工作空間,向讀者展示他們的創作過程;以及“Zoom”,其中,團隊通過精選出色的設計對象,創作出展示全球趨勢等的社論作品。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2018 年 4 月作為《AD 》的副主編,她參與了#LaNuevaEraAD 的啟動,其中她與她的團隊一起開發了新的封面格式,重新設計了雜誌的內部,改變了版式、版塊和照片策展,以及敘述。品牌的基調在語言上變得更加坦誠、直言、簡單、樸實,打造出更加多元化、包容性和活力的品牌版本。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e以此更新的身份,AD 鞏固了其作為墨西哥設計、室內設計和建築權威的地位。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2019 年11 月,Contreras 主持了蒂華納的趨勢對話小組,與著名的墨西哥工業和室內設計師一起探討2020 年色彩趨勢。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e自2020 年以來,Contreras 一直擔任Condé Nast AD 室內設計文憑課程的室內造型教授墨西哥和拉丁美洲學院,她教授學生創作編輯集、攝影構圖和室內設計趨勢的基礎知識。\u003c/p\u003e","createdAt":"2023-10-09T02:35:56.725Z","updatedAt":"2023-10-10T12:40:55.461Z","publishedAt":"2023-10-10T12:40:54.693Z","locale":"zh-Hant-TW"}},{"id":2157,"attributes":{"Name":"Katia Contreras","Slug":"katia-contreras-de","Label":"Head of Editorial Content – Mexico \u0026 Latin America","Text":"\u003cp style=\"margin-left:0px;\"\u003eKatia Contreras ist Innenarchitektin und studierte an der Universidad de las Americas Puebla (UDLAP), wo sie einen staatlichen Wettbewerb für die Gestaltung von Touristenzentren in Puebla gewonnen hat. \u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2012 kam sie als Editorial Coordinator für Architectural Digest zu Condé Nast. 2016 wurde sie Digital Editor der Marke. Im Dezember 2017 folgte die Ernennung zur stellvertretenden Redaktionsleiterin von AD Mexico and Latin America. Seit Mai 2021 ist Contreras Head of Editorial Content von Architectural Digest Mexico and Latin America.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSeit ihrem Eintritt ins Team hat Contreras neue Rubriken im Magazin entwickelt, die einen frischen und kreativen Ansatz verfolgen, wie etwa „In the Studio“, bei dem es darum geht, einen Blick in den Arbeitsbereich wichtiger Persönlichkeiten der aktuellen Designszene zu werfen, um der Leserschaft ihren Entstehungsprozess zu zeigen, oder „Zoom“,bei dem das Team durch die Kuration großer Designobjekte redaktionelle Kompositionen schafft, die unter anderem globale Trends aufzeigen.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIm April 2018 war sie als stellvertretende Redakteurin von AD an der Einführung von #LaNuevaEraAD beteiligt, bei der sie zusammen mit ihrem Team ein neues Coverformat entwickelte und den Innenteil des Magazins mit Änderungen in der Typografie, den Rubriken und der Fotokuration sowie in der Art des Storytellings neu gestaltete. Die Tonalität der Marke wurde sprachlich freimütiger, einfacher und unprätentiöser, um eine vielfältigere, integrativere und lebendigere Version von AD zu schaffen.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eMit dieser erneuerten Identität stärkte AD seinen Status als Autorität für Design, Innenarchitektur und Architektur in Mexiko.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIm November 2019 moderierte Contreras das „Trend Talks“-Panel in Tijuana, mit renommierten mexikanischen Industrie- und Innenarchitekt:innen über die Farbtrends 2020.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSeit 2020 ist Contreras Professor für Innenarchitektur im Diploma AD Interior Design an der Condé Nast College in Mexiko und Lateinamerika, wo sie Studierenden die Grundlagen für die Erstellung redaktioneller Sets, fotografischer Kompositionen und Innenarchitekturtrends beibringt.\u003c/p\u003e","createdAt":"2023-10-09T02:35:55.945Z","updatedAt":"2023-11-24T13:31:56.864Z","publishedAt":"2023-11-24T13:31:56.695Z","locale":"de"}},{"id":2156,"attributes":{"Name":"Katia Contreras","Slug":"katia-contreras-ja","Label":"Head of Editorial Content - Mexico \u0026 Latin America","Text":"\u003cp style=\"margin-left:0px;\"\u003eKatia Contrerasはアメリカス・プエブラ大学(UDLAP)出身のインテリア・アーキテクト。メキシコ・プエブラ州の観光センターの設計コンペティションで優勝して学位を取得しています。 \u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2012年、『AD(アーキテクチュラル・ダイジェスト)』のエディトリアル・コーディネーターとしてコンデナスト社に入社。2016年にブランドのデジタル・エディターとして着任しました。2017年12月、メキシコおよびラテンアメリカ版『AD』の副編集長に任命され、2021年5月よりヘッド・オブ・エディトリアル・コンテントを務めています。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eチームに加わって以来、Contrerasは斬新でクリエイティブなアプローチを取り入れた新コーナーを雑誌で展開しています。例えば、現在のデザイン界で活躍する重要人物の仕事場を訪ね、その創造過程を読者に紹介する「In the Studio」、優れたデザインオブジェのキュレーターシップを通じて、世界のトレンドなどを示す編集構成をチームで作り出す「Zoom」などです。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2018年4月、『AD』の副編集長として「#LaNuevaEraAD」の立ち上げに携わりました。チームとともに新しい表紙の構成を開発し、タイポグラフィ、セクション、写真のキュレーション、さらにナラティブ(語り口)にも変更を加え、誌面のデザインを一新しました。ブランドのトーンは、より率直で歯に衣を着せず、シンプルで気取らない表現になり、そうすることで、より多様性に富み、インクルーシブで活気に満ちた新版を作り上げました。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eこの新たなアイデンティティにより、『AD』はメキシコにおけるデザイン、インテリアデザイン、建築の第一人者としての地位を強固なものにしました。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2019年11月、メキシコの著名な工業デザイナーおよびインテリアデザイナーがパネリストとして参加し、ティファナで開催された2020年のカラートレンドに関する集会「Trend Talks」の司会を務めました。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2020年以降、Contrerasは、ADインテリアデザイン学位が取得できるコンデナスト・カレッジ(メキシコおよびラテンアメリカ)で、インテリア・スタイリングの教授を務め、学生にエディトリアル・セットを作る基礎、写真の構図、インテリアデザインのトレンドを教えています。\u003c/p\u003e","createdAt":"2023-10-09T02:35:55.438Z","updatedAt":"2023-12-18T05:35:54.553Z","publishedAt":"2023-12-18T05:35:54.259Z","locale":"ja"}},{"id":2155,"attributes":{"Name":"Katia Contreras","Slug":"katia-contreras-zh","Label":"Head of Editorial Content - Mexico \u0026 Latin America","Text":"\u003cp style=\"margin-left:0px;\"\u003eKatia Contreras 是普埃布拉美洲大学 (UDLAP) 的一名室内建筑师,她通过赢得普埃布拉旅游中心设计州竞赛而获得学位。 \u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2012 年,她加入康泰纳仕,担任《建筑文摘》的编辑协调员。 2016年,她成为该品牌的数字编辑。 2017年12月起,她被任命为《AD墨西哥和拉丁美洲》副编辑主任。自 2021 年 5 月以来,Contreras 一直担任《建筑文摘》墨西哥和拉丁美洲的编辑内容主管。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e自加入团队以来,Contreras 在杂志中开发了新版块,引入新颖且富有创意的方式,例如“在工作室”,参观当今设计界重要人物的工作空间,向读者展示他们的创作过程;以及“Zoom”,其中,团队通过精选出色的设计对象,创作出展示全球趋势等的社论作品。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2018 年 4 月作为《AD》的副主编,她参与了 #LaNuevaEraAD 的启动,其中她与她的团队一起开发了新的封面格式,重新设计了杂志的内部,改变了版式、版块和照片策展,以及叙述。品牌的基调在语言上变得更加坦诚、直言、简单、朴实,打造出更加多元化、包容性和活力的品牌版本。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e以此更新的身份,AD 巩固了其作为墨西哥设计、室内设计和建筑权威的地位。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e2019 年 11 月,Contreras 主持了蒂华纳的趋势对话小组,与著名的墨西哥工业和室内设计师一起探讨 2020 年色彩趋势。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e自 2020 年以来,Contreras 一直担任 Condé Nast AD 室内设计文凭课程的室内造型教授墨西哥和拉丁美洲学院,她教授学生创作编辑集、摄影构图和室内设计趋势的基础知识。\u003c/p\u003e","createdAt":"2023-10-09T02:35:55.011Z","updatedAt":"2023-10-10T12:42:27.398Z","publishedAt":"2023-10-10T12:42:27.302Z","locale":"zh"}},{"id":2154,"attributes":{"Name":"Katia Contreras","Slug":"katia-contreras-fr","Label":"Head of Editorial Content - Mexico \u0026 Latin America","Text":"\u003cp style=\"margin-left: 0px;\"\u003eKatia Contreras est architecte d'intérieur, formée à l'Universidad de las Americas Puebla (UDLAP), diplôme qu'elle a obtenu en remportant un concours d'État pour la conception de centres touristiques à Puebla. \u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn 2012, elle rejoint Condé Nast en tant que Coordinatrice éditoriale d'AD puis en 2016, devient Rédactrice digitale pour le site Internet. En décembre 2017, Katia Contreras est nommée Directrice éditoriale adjointe d'AD Mexique et Amérique latine et en mai 2021, elle devient Responsable du contenu éditorial d'AD Mexique et Amérique latine.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eDepuis que Katia Contreras a rejoint AD, elle a su développer de nouvelles rubriques, donnant une approche fraîche et créative à la marque. Elle est également à l'origine du projet #LaNuevaEraAD, dans lequel elle a développé, avec son équipe, une nouvelle identité pour AD, notamment avec des changements majeurs au niveau de la couverture, de la typographie, ou de la sélection des photographies. Le ton de la marque est devenu plus franc et simple, en faisant une version plus diversifiée, inclusive et dynamique. Ainsi, grâce à cette identité renouvelée, AD a renforcé son statut de leader en matière de design et d'architecture au Mexique.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eKatia Contreras est également professeure de stylisme d'intérieur pour le diplôme AD Interior Design depuis 2020 au Collège Condé Nast Mexique et Amérique latine, dans lequel elle enseigne aux étudiants les bases de la création d'ensembles éditoriaux, de la composition photographique et des tendances du design d'intérieur.\u003c/p\u003e","createdAt":"2023-10-09T02:35:54.616Z","updatedAt":"2023-11-21T15:26:41.621Z","publishedAt":"2023-11-21T15:26:40.024Z","locale":"fr"}},{"id":2153,"attributes":{"Name":"Katia Contreras","Slug":"katia-contreras-it","Label":"Head of Editorial Content - Mexico \u0026 Latin America","Text":"\u003cp style=\"margin-left:0px;\"\u003eKatia Contreras è un architetto d'interni. Ha conseguito la laurea all'Universidad de Las Americas Puebla (UDLAP), vincendo un concorso statale per la progettazione di centri turistici a Puebla. \u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eNel 2012 è entrata a far parte di Condé Nast come Editorial Coordinator di Architectural Digest. Nel 2016 è diventata Digital Editor del brand. A dicembre 2017 è stata nominata Deputy Editorial Director di AD Mexico e LATAM. Da maggio 2021 è l'Head of Editorial Content di Architectural Digest Mexico e LATAM.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eDa quando è entrata a far parte del team, Contreras ha sviluppato nuove sezioni nella rivista che introducono un approccio fresco e creativo, come \"In the Studio\", che consiste nella visita dello spazio di lavoro di importanti figure dell'attuale scena del design, per mostrare ai lettori il loro processo di creazione e \"Zoom\", in cui attraverso una curatela di grandi oggetti di design, il team crea composizioni editoriali che mostrano, tra le altre, le tendenze globali.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAd aprile 2018, in qualità di Deputy Editor di AD, ha partecipato al lancio di #LaNuevaEraAD, in cui – insieme al suo team – ha sviluppato un nuovo formato di copertina, ha ridisegnato gli interni della rivista con cambiamenti nella tipografia, nelle sezioni e nella curatela fotografica, oltre che nella narrazione. Il tono del brand è diventato più schietto, franco, semplice e senza pretese nel suo linguaggio per creare una versione più diversificata, inclusiva e vibrante del brand.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eCon questa rinnovata identità, AD ha rafforzato il suo status di autorità in materia di design, interior design e architettura in Messico.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eNel novembre 2019, Contreras ha moderato il panel dei Trend Talks a Tijuana, con rinomati designer industriali e d'interni messicani, sulle tendenze cromatiche del 2020.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eDal 2020, Contreras è professoressa di Interior Styling per il corso di Diploma AD Interior Design, presso Condé Nast College Messico e America Latina, in cui insegna agli studenti le basi della creazione di set editoriali, la composizione fotografica e le tendenze dell'interior design.\u003c/p\u003e","createdAt":"2023-10-09T02:35:54.198Z","updatedAt":"2023-12-04T15:12:55.116Z","publishedAt":"2023-12-04T15:12:52.250Z","locale":"it"}}]}}}}},{"id":1616,"alternateRole":"Head of Editorial Content - France","cn_com_profile":{"data":{"id":1594,"attributes":{"Name":"Marina Hemonet","Slug":"marina-hemonet","Label":"Head of Editorial Content – France","Text":"\u003cp style=\"margin-left:0px;\"\u003eAfter graduating in modern literature, then in information and communication with a specialisation in journalism, Marina Hemonet began to work for publishing houses as an editorial assistant for two years. She then joined a press group where she stayed for seven years until becoming Deputy Editor-in-Chief of a design magazine. In order to supplement her print knowledge, Hemonet also took the opportunity to do an intensive training course about digital project management, learning everything from coding to the optimization of the user experience.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003ePassionate about art, architecture, design and decoration, Hemonet was very interested in working for AD France and arrived in 2014, just as the brand’s new website launched. She then went on to become the Digital Editor for the brand. Fast-forward to 2021, and Hermonet is now the brand’s Head of Editorial Content.\u003c/p\u003e","createdAt":"2023-10-09T02:32:06.372Z","updatedAt":"2023-10-09T02:32:10.319Z","publishedAt":"2022-02-17T20:14:41.795Z","locale":"en","Media":{"data":{"id":4376,"attributes":{"name":"image_6483441.JPG","alternativeText":null,"caption":null,"width":3359,"height":4199,"formats":{"large":{"ext":".JPG","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/large_image_6483441_2a05dcf134.JPG","hash":"large_image_6483441_2a05dcf134","mime":"image/jpeg","name":"large_image_6483441.JPG","path":null,"size":95.03,"width":800,"height":1000},"small":{"ext":".JPG","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/small_image_6483441_2a05dcf134.JPG","hash":"small_image_6483441_2a05dcf134","mime":"image/jpeg","name":"small_image_6483441.JPG","path":null,"size":27.13,"width":400,"height":500},"medium":{"ext":".JPG","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/medium_image_6483441_2a05dcf134.JPG","hash":"medium_image_6483441_2a05dcf134","mime":"image/jpeg","name":"medium_image_6483441.JPG","path":null,"size":55.08,"width":600,"height":750},"thumbnail":{"ext":".JPG","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/thumbnail_image_6483441_2a05dcf134.JPG","hash":"thumbnail_image_6483441_2a05dcf134","mime":"image/jpeg","name":"thumbnail_image_6483441.JPG","path":null,"size":3.97,"width":125,"height":156}},"hash":"image_6483441_2a05dcf134","ext":".JPG","mime":"image/jpeg","size":1828.16,"url":"https://strapi-bus-eng-prod.s3.amazonaws.com/image_6483441_2a05dcf134.JPG","previewUrl":null,"provider":"aws-s3","provider_metadata":null,"createdAt":"2023-10-05T23:03:24.948Z","updatedAt":"2023-10-05T23:03:24.948Z"}}},"localizations":{"data":[{"id":1602,"attributes":{"Name":"Marina Hemonet","Slug":"marina-hemonet-es-mx","Label":"Jefe de Contenido Editorial - Francia","Text":"\u003cp style=\"margin-left: 0px;\"\u003eDespués de graduarse en literatura moderna, luego en información y comunicación con especialización en periodismo, Marina Hemonet comenzó a trabajar para editoriales como asistente editorial durante dos años. Luego se unió a un grupo de prensa en el que permaneció siete años hasta convertirse en Editora en Jefe Adjunta de una revista de diseño. Para complementar sus conocimientos de impresión, Hemonet también aprovechó la oportunidad para realizar un curso intensivo de formación sobre gestión de proyectos digitales, aprendiendo desde codificación hasta la optimización de la experiencia del usuario.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eApasionado por el arte, la arquitectura, el diseño y la decoración, Hemonet estaba muy interesado en trabajar para AD France y llegó en 2014, justo cuando se lanzaba el nuevo sitio web de la marca. Luego pasó a convertirse en Editora Digital y en 2021, Hermonet se convirtió en Jefe de Contenido Editorial de la marca.\u003c/p\u003e","createdAt":"2023-10-09T02:32:10.302Z","updatedAt":"2023-10-20T18:17:56.832Z","publishedAt":"2023-10-20T18:17:56.069Z","locale":"es-MX"}},{"id":1601,"attributes":{"Name":"Marina Hemonet","Slug":"marina-hemonet-es-es","Label":"Head of Editorial Content – France","Text":"\u003cp style=\"margin-left: 0px;\"\u003eDespués de graduarse en literatura moderna, posteriormente en información y comunicación con especialización en periodismo, Marina Hemonet comenzó a trabajar como asistente editorial durante dos años. Después se unió a una compañía editorial donde permaneció durante siete años hasta convertirse en directora adjunta de una publicación de diseño. Para complementar sus conocimientos editoriales, Hemonet también realizó un curso intensivo de formación sobre gestión de proyectos digitales, aprendiendo desde programación hasta la optimización de la experiencia del usuario.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eApasionada por el arte, la arquitectura, el diseño y la decoración, Hemonet llegó a AD Francia 2014 como su destino natural, justo cuando se lanzaba el nuevo sitio web de la marca. Luego pasó a convertirse en editora digital de la marca. Desde 2021 Hermonet es Head of Editorial Content de AD Francia.\u003c/p\u003e","createdAt":"2023-10-09T02:32:09.888Z","updatedAt":"2023-11-09T17:36:20.183Z","publishedAt":"2023-11-09T17:36:19.934Z","locale":"es-ES"}},{"id":1600,"attributes":{"Name":"Marina Hemonet","Slug":"marina-hemonet-zh-hant-tw","Label":"Head of Editorial Content – France","Text":"\u003cp style=\"margin-left:0px;\"\u003e從現代文學專業畢業,然後在信息與傳播專業新聞學專業畢業後,瑪麗娜·赫莫內特(Marina Hemonet) 開始在出版社擔任編輯助理兩年。隨後,她加入了一個新聞小組,在那里呆了七年,直到成為一家設計雜誌的副主編。為了補充印刷知識,Hemonet 還趁機參加了有關數字項目管理的強化培訓課程,學習從編碼到用戶體驗優化的所有內容。\u003c/p\u003e\u003cp style=\"margin-left:0px ;\"\u003eHemonet 對藝術、建築、設計和裝飾充滿熱情,對在AD France 工作非常感興趣,並於2014 年來到AD France,恰逢該品牌新網站推出。然後,她繼續成為該品牌的數字編輯。時間快進到 2021 年,Hermonet 現在是該品牌的編輯內容主管。\u003c/p\u003e","createdAt":"2023-10-09T02:32:09.499Z","updatedAt":"2023-10-10T12:40:26.343Z","publishedAt":"2023-10-10T12:40:25.899Z","locale":"zh-Hant-TW"}},{"id":1599,"attributes":{"Name":"Marina Hemonet","Slug":"marina-hemonet-de","Label":"Head of Editorial Content – France","Text":"\u003cp style=\"margin-left:0px;\"\u003eNach ihrem Abschluss in Moderner Literatur und später in Information und Kommunikation mit Schwerpunkt Journalismus arbeitete Marina Hemonet zwei Jahre lang als Redaktionsassistentin für Verlage. Anschließend schloss sie sich einer Pressegruppe an, in der sie sieben Jahre lang blieb, bis sie stellvertretende Chefredakteurin eines Designmagazins wurde. Um ihre Kenntnisse im Printbereich zu erweitern, nahm Hemonet die Gelegenheit wahr, einen Intensivkurs über digitales Projektmanagement zu absolvieren und lernte dabei alles von der Codierung bis zur Optimierung der User Experience. \u003c/p\u003e\u003cp style=\"margin-left:0px ;\"\u003eMit ihrer Leidenschaft für Kunst, Architektur, Design und Dekoration war Hemonet sehr bestrebt, für AD France zu arbeiten und kam 2014 zur Marke, gerade als die neue Website startete. Anschließend wurde sie Digitalredakteurin. 2021 wurde Hermonet zur Head of Editorial Content von AD France ernannt.\u003c/p\u003e","createdAt":"2023-10-09T02:32:09.094Z","updatedAt":"2023-11-24T10:45:05.033Z","publishedAt":"2023-11-24T10:45:04.776Z","locale":"de"}},{"id":1598,"attributes":{"Name":"Marina Hemonet","Slug":"marina-hemonet-ja","Label":"Head of Editorial Content – France","Text":"\u003cp style=\"margin-left:0px;\"\u003e近代文学、そしてジャーナリズムを専門に情報通信を学び卒業した後、編集アシスタントとして出版社で2年間勤務しました。その後、報道グループに入り、デザイン誌の副編集長になるまで7年間在籍しました。印刷物に関する自身の知識を補完するため、デジタル・プロジェクト管理を学ぶ集中訓練コースを受講するチャンスを活かし、プログラミングからユーザーエクスペリエンスの最適化に至るまで全てを学びました。\u003c/p\u003e\u003cp style=\"margin-left:0px ;\"\u003eアート、建築、デザイン、装飾に対する熱意があるHemonetは、フランス版『AD(アーキテクチュラル・ダイジェスト)』 で働くことに強い興味を抱き、2014年、ブランドの新しいウェブサイトが立ち上がると同時に着任しました。その後、ブランドのデジタル・エディターに。そして現在(2021年)、ヘッド・オブ・エディトリアル・コンテントを務めています。\u003c/p\u003e","createdAt":"2023-10-09T02:32:07.888Z","updatedAt":"2023-12-18T05:37:43.515Z","publishedAt":"2023-12-18T05:37:42.897Z","locale":"ja"}},{"id":1597,"attributes":{"Name":"Marina Hemonet","Slug":"marina-hemonet-zh","Label":"Head of Editorial Content – France","Text":"\u003cp style=\"margin-left:0px;\"\u003e从现代文学专业毕业,然后在信息与传播专业新闻学专业毕业后,玛丽娜·赫莫内特 (Marina Hemonet) 开始在出版社担任编辑助理两年。随后,她加入了一个新闻小组,在那里呆了七年,直到成为一家设计杂志的副主编。为了补充印刷知识,Hemonet 还借此机会参加了有关数字项目管理的强化培训课程,学习从编码到用户体验优化的所有知识。\u003c/p\u003e\u003cp style=\"margin-left:0px ;\"\u003eHemonet 对艺术、建筑、设计和装饰充满热情,对在 AD France 工作非常感兴趣,并于 2014 年来到 AD France,当时该品牌的新网站刚刚推出。然后,她继续成为该品牌的数字编辑。时间快进到 2021 年,Hermonet 现在是该品牌的编辑内容主管。\u003c/p\u003e","createdAt":"2023-10-09T02:32:07.334Z","updatedAt":"2023-10-10T12:42:08.607Z","publishedAt":"2023-10-10T12:42:08.513Z","locale":"zh"}},{"id":1596,"attributes":{"Name":"Marina Hemonet","Slug":"marina-hemonet-fr","Label":"Head of Editorial Content – France","Text":"\u003cp style=\"margin-left: 0px;\"\u003eAprès des études en lettres modernes, puis en information et communication avec une spécialisation en journalisme, Marina Hemonet commence sa carrière au sein de maisons d'édition en tant qu'assistante éditoriale pendant deux ans. Elle intègre ensuite un groupe de presse où elle restera sept ans jusqu'à devenir Rédactrice en chef adjointe d'un magazine de design. Afin de compléter ses connaissances en print, Marina Hemonet a suivi une formation intensive sur la gestion de projet numérique, apprenant tout du codage à l'optimisation de l'expérience utilisateur.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003ePassionnée d'art, d'architecture, de design et de décoration, Marina Hemonet est arrivée chez AD France en 2014, au moment où le nouveau site Internet de la marque est lancé. Elle est ensuite devenue Rédactrice digitale de la marque puis en 2021 est nommée Directrice éditoriale d'AD France.\u003c/p\u003e","createdAt":"2023-10-09T02:32:06.949Z","updatedAt":"2023-11-21T15:41:20.577Z","publishedAt":"2023-11-21T15:41:19.307Z","locale":"fr"}},{"id":1595,"attributes":{"Name":"Marina Hemonet","Slug":"marina-hemonet-it","Label":"Head of Editorial Content – France","Text":"\u003cp style=\"margin-left:0px;\"\u003eDopo la laurea in lettere moderne, poi in informazione e comunicazione con specializzazione in giornalismo, Marina Hemonet inizia a lavorare per due anni presso alcune case editrici come assistente di redazione. In seguito entra a far parte di un gruppo stampa dove rimane per sette anni fino a diventare vice caporedattore di una rivista di design. Per integrare la sua conoscenza sulla stampa, Hemonet ha colto l'opportunità di seguire un corso di formazione intensivo sulla gestione dei progetti digitali, imparando tutto, dalla progettazione all'ottimizzazione dell'esperienza dell'utente.\u003c/p\u003e\u003cp style=\"margin-left:0px ;\"\u003eAppassionata di arte, architettura, design e decorazione, Hemonet era molto interessata a lavorare per AD France dove arriva nel 2014, proprio quando viene lanciato il nuovo sito web del brand. In seguito diventa Digital Editor del marchio per poi nel 2021 venire nominata Head of Editorial Content del brand, carica che ricopre tutt'ora.\u003c/p\u003e ","createdAt":"2023-10-09T02:32:06.562Z","updatedAt":"2024-01-11T09:41:38.235Z","publishedAt":"2024-01-11T09:41:37.620Z","locale":"it"}}]}}}}},{"id":1615,"alternateRole":"Editor-in-Chief - China","cn_com_profile":{"data":{"id":1603,"attributes":{"Name":"Beryl Hsu","Slug":"beryl-hsu","Label":"Editor-in-Chief – China","Text":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(119,119,119);\"\u003eBeryl Hsu has abundant media professional experience across the architecture, design, art and contemporary lifestyle fields. She joined AD China in 2013 and founded the AD100 Young and AD Casa exhibitions in China. With architecture, designs and art in China thriving, Hsu firmly believes that her mission is to create an international platform for excellent and innovative creative minds.\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:32:10.700Z","updatedAt":"2023-10-09T02:32:13.711Z","publishedAt":"2022-02-17T20:15:08.995Z","locale":"en","Media":{"data":{"id":4377,"attributes":{"name":"Beryl_Hsu__EIC__AD_China__1_.jpg","alternativeText":null,"caption":null,"width":500,"height":742,"formats":{"small":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/small_Beryl_Hsu_EIC_AD_China_1_3c84a8292f.jpg","hash":"small_Beryl_Hsu_EIC_AD_China_1_3c84a8292f","mime":"image/jpeg","name":"small_Beryl_Hsu__EIC__AD_China__1_.jpg","path":null,"size":28.54,"width":337,"height":500},"thumbnail":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/thumbnail_Beryl_Hsu_EIC_AD_China_1_3c84a8292f.jpg","hash":"thumbnail_Beryl_Hsu_EIC_AD_China_1_3c84a8292f","mime":"image/jpeg","name":"thumbnail_Beryl_Hsu__EIC__AD_China__1_.jpg","path":null,"size":5.16,"width":105,"height":156}},"hash":"Beryl_Hsu_EIC_AD_China_1_3c84a8292f","ext":".jpg","mime":"image/jpeg","size":33.19,"url":"https://strapi-bus-eng-prod.s3.amazonaws.com/Beryl_Hsu_EIC_AD_China_1_3c84a8292f.jpg","previewUrl":null,"provider":"aws-s3","provider_metadata":null,"createdAt":"2023-10-05T23:03:27.473Z","updatedAt":"2023-10-05T23:03:27.473Z"}}},"localizations":{"data":[{"id":1611,"attributes":{"Name":"Beryl Hsu","Slug":"beryl-hsu-es-mx","Label":"Editor en Jefe – China","Text":"\u003cp\u003e\u003cspan style=\"background-color: rgb(255,255,255); color: rgb(119,119,119);\"\u003eBeryl Hsu tiene abundante experiencia profesional en medios en los campos de la arquitectura, el diseño, el arte y el estilo de vida contemporáneo. Se unió a AD China en 2013 y fundó las exposiciones AD100 Young y AD Casa en China. Dado que la arquitectura, el diseño y el arte en China prosperan, Hsu cree firmemente que su misión es crear una plataforma internacional para mentes creativas excelentes e innovadoras.\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:32:13.692Z","updatedAt":"2023-10-20T18:03:42.344Z","publishedAt":"2023-10-20T18:03:42.139Z","locale":"es-MX"}},{"id":1610,"attributes":{"Name":"Beryl Hsu","Slug":"beryl-hsu-es-es","Label":"Editor-in-Chief – China","Text":"\u003cp\u003e\u003cspan style=\"background-color: rgb(255,255,255); color: rgb(119,119,119);\"\u003eBeryl Hsu tiene una dilatada experiencia profesional en medios en los campos de la arquitectura, el diseño, el arte y el estilo de vida contemporáneo. Se unió a AD China en 2013 y fundó las exposiciones AD100 Young y AD Casa en China. Dado que la arquitectura, el diseño y el arte están en plena expansión en China, Hsu cree firmemente que su misión es crear una plataforma internacional para los talentos más innovadores y creativos.\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:32:13.295Z","updatedAt":"2024-01-11T11:30:41.222Z","publishedAt":"2024-01-11T11:30:39.218Z","locale":"es-ES"}},{"id":1609,"attributes":{"Name":"Beryl Hsu","Slug":"beryl-hsu-zh-hant-tw","Label":"Editor-in-Chief – China","Text":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(119,119,119);\"\u003eBeryl Hsu在建築、設計、藝術和當代生活方式領域擁有豐富的媒體專業經驗。她於2013年加入AD中國,並在中國創辦了AD100 Young和AD Casa展覽。隨著中國建築、設計和藝術的蓬勃發展,徐堅信自己的使命是為優秀和創新的創意思維創建一個國際平台。\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:32:12.899Z","updatedAt":"2023-10-10T12:40:27.089Z","publishedAt":"2023-10-10T12:40:26.403Z","locale":"zh-Hant-TW"}},{"id":1608,"attributes":{"Name":"Beryl Hsu","Slug":"beryl-hsu-de","Label":"Editor-in-Chief – China","Text":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(119,119,119);\"\u003eBeryl Hsu verfügt über umfangreiche Berufserfahrung im Bereich Medien sowie auf den Feldern Architektur, Design, Kunst und Contemporary Lifestyle. Sie kam 2013 zu AD China und gründete die Ausstellungen AD100 Young und AD Casa in China. Da Architektur, Design und Kunst in China florieren, ist Hsu fest von ihrer Mission überzeugt, eine internationale Plattform für exzellente und innovative kreative Köpfe zu schaffen.\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:32:12.494Z","updatedAt":"2023-11-24T10:45:05.272Z","publishedAt":"2023-11-24T10:45:05.074Z","locale":"de"}},{"id":1607,"attributes":{"Name":"Beryl Hsu","Slug":"beryl-hsu-ja","Label":"Editor-in-Chief – China","Text":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(119,119,119);\"\u003e建築、デザイン、アート、現代のライフスタイルの各分野でメディアのプロとして豊富な経験を持つBeryl Hsu。2013年に中国版『AD(アーキテクチュラル・ダイジェスト)』に参加し、中国で「AD100 Young」および「AD Casa」の展覧会を立ち上げました。中国では建築、デザイン、アートが盛況なことを受け、優れた革新的なクリエイティブ・マインドのための国際的なプラットフォームを作ることが自身の使命であると確信しています。\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:32:12.076Z","updatedAt":"2023-12-18T05:40:56.223Z","publishedAt":"2023-12-18T05:40:55.572Z","locale":"ja"}},{"id":1606,"attributes":{"Name":"Beryl Hsu","Slug":"beryl-hsu-zh","Label":"Editor-in-Chief – China","Text":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(119,119,119);\"\u003eBeryl Hsu在建筑、设计、艺术和当代生活方式领域拥有丰富的媒体专业经验。她于2013年加入AD中国,并在中国创办了AD100 Young和AD Casa展览。随着中国建筑、设计和艺术的蓬勃发展,徐坚信自己的使命是为优秀和创新的创意思维创建一个国际平台。\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:32:11.669Z","updatedAt":"2023-10-10T12:42:08.746Z","publishedAt":"2023-10-10T12:42:08.646Z","locale":"zh"}},{"id":1605,"attributes":{"Name":"Beryl Hsu","Slug":"beryl-hsu-fr","Label":"Editor-in-Chief – China","Text":"\u003cp\u003e\u003cspan style=\"background-color: rgb(255,255,255); color: rgb(119,119,119);\"\u003eBeryl Hsu possède une vaste expérience professionnelle des médias dans les domaines de l'architecture, du design et de l'art contemporain. Elle a rejoint AD Chine en 2013 et a fondé les expositions AD100 Young et AD Casa en Chine. Avec l'architecture, le design et l'art en plein essor en Chine, \u003cspan style=\"background-color: rgb(255,255,255); color: rgb(119,119,119);\"\u003eBeryl \u003c/span\u003eHsu a pour mission de créer une plateforme internationale pour les esprits créatifs innovants.\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:32:11.275Z","updatedAt":"2023-11-21T15:41:24.557Z","publishedAt":"2023-11-21T15:41:21.495Z","locale":"fr"}},{"id":1604,"attributes":{"Name":"Beryl Hsu","Slug":"beryl-hsu-it","Label":"Editor-in-Chief – China","Text":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(119,119,119);\"\u003eBeryl Hsu ha una vasta esperienza professionale nei settori dell'architettura, del design, dell'arte e del lifestyle contemporaneo. È entrata a far parte di AD China nel 2013 dove ha fondato AD100 Young e AD Casa Exhibition. Con l'architettura, il design e l'arte che continuano a prosperare in Cina, Hsu crede fermamente che la sua missione sia quella di creare una piattaforma internazionale per menti creative eccellenti e innovative.\u003c/span\u003e\u003c/p\u003e","createdAt":"2023-10-09T02:32:10.885Z","updatedAt":"2023-11-03T13:29:03.691Z","publishedAt":"2023-11-03T13:29:03.390Z","locale":"it"}}]}}}}},{"id":1618,"alternateRole":"Head of Editorial Content - Italy","cn_com_profile":{"data":null}},{"id":1617,"alternateRole":"Head of Editorial Content - Spain","cn_com_profile":{"data":{"id":1459,"attributes":{"Name":"Maite Sebastiá","Slug":"maite-sebastia","Label":"Head of Editorial Content - Spain","Text":"\u003cp style=\"margin-left:0px;\"\u003eMaite Sebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá\u003c/span\u003e has more than 15 years of experience in fashion communication and lifestyle magazines. With a Master’s Degree in Cultural Management (La Fábrica, Madrid) and further studies in Digital Marketing (CSM, London) and Business Management in the Art World (Sotheby’s, London). She started her professional career as a fashion editor in Vogue Spain in 2004 and has been part of the Condé family since then. One of her latest jobs was Deputy Editor for Vogue Spain.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá\u003c/span\u003e is the founder and director of FASHION NOW, MA in Fashion Marketing and Communication (Barreira Arte+Diseño) and in January 2020 curated the exhibition ‘La esperanza de Occidente’, on the art work of Spanish artists Iñigo Navarro and Luis Gaspar. Her passion for Architecture and the Art world has driven her to interview architects, artists and designers like Rem Koolhaas, Richard Rogers, Jonathan Anderson, Giorgio Armani, Paloma Picasso, Olafur Eliasson, Stella McCartney. She is a frequent speaker in summits and talks such as WOMEN NOW, leading congress for women leadership and empowerment promoted by Banco Santander.\u003c/p\u003e","createdAt":"2023-10-09T02:31:12.651Z","updatedAt":"2023-10-09T02:31:16.153Z","publishedAt":"2022-02-17T20:16:34.787Z","locale":"en","Media":{"data":{"id":4361,"attributes":{"name":"MaiteSebastia_AD_ES.jpeg","alternativeText":null,"caption":null,"width":500,"height":650,"formats":{"small":{"ext":".jpeg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/small_Maite_Sebastia_AD_ES_3e243ca7dc.jpeg","hash":"small_Maite_Sebastia_AD_ES_3e243ca7dc","mime":"image/jpeg","name":"small_MaiteSebastia_AD_ES.jpeg","path":null,"size":28.79,"width":385,"height":500},"thumbnail":{"ext":".jpeg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/thumbnail_Maite_Sebastia_AD_ES_3e243ca7dc.jpeg","hash":"thumbnail_Maite_Sebastia_AD_ES_3e243ca7dc","mime":"image/jpeg","name":"thumbnail_MaiteSebastia_AD_ES.jpeg","path":null,"size":3.91,"width":120,"height":156}},"hash":"Maite_Sebastia_AD_ES_3e243ca7dc","ext":".jpeg","mime":"image/jpeg","size":51.99,"url":"https://strapi-bus-eng-prod.s3.amazonaws.com/Maite_Sebastia_AD_ES_3e243ca7dc.jpeg","previewUrl":null,"provider":"aws-s3","provider_metadata":null,"createdAt":"2023-10-05T23:02:30.824Z","updatedAt":"2023-10-05T23:02:30.824Z"}}},"localizations":{"data":[{"id":1467,"attributes":{"Name":"Maite Sebastiá","Slug":"maite-sebastia-es-mx","Label":"Jefe de Contenido Editorial - España","Text":"\u003cp style=\"margin-left: 0px;\"\u003eMaite Sebasti\u003cspan style=\"background-color: #ffffff; color: #000000;\"\u003eá\u003c/span\u003e tiene más de 15 años de experiencia en comunicación de moda y revistas de estilo de vida. Con Máster en Gestión Cultural (La Fábrica, Madrid) y estudios adicionales en Marketing Digital (CSM, Londres) y Gestión Empresarial en el Mundo del Arte (Sotheby’s, Londres). Inició su carrera profesional como Editora de Moda en Vogue España en 2004 y desde entonces forma parte de la familia Condé. Uno de sus últimos trabajos fue Editora Adjunta de Vogue España.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eSebasti\u003cspan style=\"background-color: #ffffff; color: #000000;\"\u003eá \u003c/span\u003e es fundador y director de FASHION NOW, MA en Marketing y Comunicación de Moda (Barreira Arte+Diseño) y en enero de 2020 comisarió la exposición \"La esperanza de Occidente\", sobre la obra de arte de los artistas españoles Iñigo Navarro y Luis Gaspar. 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Posee un Máster en Gestión Cultural de La Fábrica en Madrid, además de estudios complementarios en Marketing Digital de CSM en Londres y Gestión Empresarial en el Mundo del Arte de Sotheby's en Londres. Su carrera profesional se inició como editora de moda en Vogue España en 2004, y desde entonces ha sido una parte integral de la familia Condé Nast. Uno de sus roles más recientes fue el de directora adjunta de Vogue España.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eSebasti\u003cspan style=\"background-color: #ffffff; color: #000000;\"\u003eá \u003c/span\u003e es fundadora y directora de FASHION NOW, MA en Marketing y Comunicación de Moda (Barreira Arte+Diseño) y en enero de 2020 comisarió la exposición 'La esperanza de Occidente', sobre la obra de los artistas españoles Íñigo Navarro y Luis Gaspar. Su pasión por la Arquitectura y el mundo del arte la ha llevado a entrevistar a arquitectos, artistas y diseñadores como Rem Koolhaas, Richard Rogers, Jonathan Anderson, Giorgio Armani, Paloma Picasso, Olafur Eliasson, Stella McCartney. Es ponente habitual en foros y charlas como WOMEN NOW, congreso sobre liderazgo y empoderamiento de las mujeres impulsado por Banco Santander.\u003c/p\u003e","createdAt":"2023-10-09T02:31:15.738Z","updatedAt":"2024-01-11T11:30:35.811Z","publishedAt":"2024-01-11T11:30:35.026Z","locale":"es-ES"}},{"id":1465,"attributes":{"Name":"Maite Sebastiá","Slug":"maite-sebastia-zh-hant-tw","Label":"Head of Editorial Content - Spain","Text":"\u003cp style=\"margin-left:0px;\"\u003eMaite Sebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá\u003c/span\u003e 擁有超過 15 年的時尚傳播經驗,生活方式雜誌。擁有文化管理碩士學位(La Fábrica,馬德里),並進一步研究數字營銷(CSM,倫敦)和藝術世界商業管理(蘇富比,倫敦)。 2004 年,她在《Vogue》西班牙版擔任時尚編輯,開始了她的職業生涯,自此成為 Condé 家族的一員。她最新的工作之一是《Vogue》西班牙版副主編。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSebasti\u003cspan style=\"background-color:#ffffff;color:#000000; \"\u003eá \u003c/span\u003e 是FASHION NOW 的創始人兼總監,時尚營銷與傳播碩士(Barreira Arte+Diseño),並於2020 年1 月策劃了展覽“La esperanza de Occidente”,展示西班牙藝術家Iñigo Navarro 和Luis 的藝術作品加斯帕.她對建築和藝術世界的熱情促使她採訪雷姆·庫哈斯、理查德·羅傑斯、喬納森·安德森、喬治·阿瑪尼、帕洛瑪·畢加索、奧拉維爾·埃利亞松、斯特拉·麥卡特尼等建築師、藝術家和設計師。她經常在“WOMEN NOW”等峰會和演講中發表演講,該會議是桑坦德銀行推動的女性領導力和賦權大會。\u003c/p\u003e","createdAt":"2023-10-09T02:31:15.330Z","updatedAt":"2023-10-10T12:40:20.378Z","publishedAt":"2023-10-10T12:40:19.645Z","locale":"zh-Hant-TW"}},{"id":1464,"attributes":{"Name":"Maite Sebastiá","Slug":"maite-sebastia-de","Label":"Head of Editorial Content - Spain","Text":"\u003cp style=\"margin-left:0px;\"\u003eMaite Sebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá\u003c/span\u003e hat über 15 Jahre Erfahrung in der Modekommunikation und dem Lifestyle-Magazinbereich. Mit einem Masterabschluss in Kulturmanagement (La Fábrica, Madrid) und weiterführenden Studien in Digital Marketing (CSM, London) sowie Unternehmensführung in der Kunstwelt (Sotheby’s, London). Sie begann ihre berufliche Laufbahn 2004 als Moderedakteurin bei Vogue Spain und ist seitdem Teil der Condé Nast-Familie. In einer ihrer letzten Positionen war sie stellvertretende Redakteurin für Vogue Spain.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá \u003c/span\u003e ist Gründerin und Leiterin von FASHION NOW, MA in Modemarketing und Kommunikation (Barreira Arte+Diseño) und kuratierte im Januar 2020 die Ausstellung „La esperanza de Occidente“ über die Kunstwerke der spanischen Künstler Iñigo Navarro und Luis Gaspar. Geleitet von ihrer Leidenschaft für Architektur und die Kunstwelt hat sie Architekt:innen, Künstler:innen und Designer:innen wie Rem Koolhaas, Richard Rogers, Jonathan Anderson, Giorgio Armani, Paloma Picasso, Olafur Eliasson und Stella McCartney interviewt. Sie ist eine oft geladene Speakerin bei Gipfeltreffen und Vorträgen wie WOMEN NOW, dem führenden Kongress für Frauenführung und Empowerment, der von der Banco Santander veranstaltet wird.\u003c/p\u003e","createdAt":"2023-10-09T02:31:14.824Z","updatedAt":"2023-11-24T10:52:35.181Z","publishedAt":"2023-11-24T10:52:34.563Z","locale":"de"}},{"id":1463,"attributes":{"Name":"Maite Sebastiá","Slug":"maite-sebastia-ja","Label":"Head of Editorial Content - Spain","Text":"\u003cp style=\"margin-left:0px;\"\u003eMaite Sebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá\u003c/span\u003e は、ファッション・コミュニケーションとライフスタイル誌で15年以上の経験を持っています。マドリードのLa Fábricaでカルチュラル・マネジメントの修士号を取得後、ロンドンのセントラル・セント・マーチンズでデジタル・マーケティングを、サザビーズで美術界におけるビジネス・マネジメントをさらに学びました。2004年にスペイン版『VOGUE』のファッション・エディターとしてキャリアをスタートさせ、それ以来、コンデナストファミリーの一員として活躍しています。最新の仕事の一つがスペイン版『VOGUE』の副編集長です。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá \u003c/span\u003e は、ファッション・マーケティングとコミュニケーションの修士課程(Barreira Arte+Diseño)、「FASHION NOW」の創設者兼ディレクターです。2020年1月には、スペイン人アーティスのイニーゴ・ナヴァロとルイス・ガスパーのアート作品による展覧会「La esperanza de Occidente」を主催しました。建築と美術界への情熱は、レム・コールハース、リチャード・ロジャース、ジョナサン・アンダーソン、ジョルジオ・アルマーニ、パロマ・ピカソ、オラファー・エリアソン、ステラ・マッカートニーといった、著名な建築家、アーティスト、デザイナーたちへインタビューするモチベーションを駆り立てました。サンタンデール銀行が推進する女性のリーダーシップとエンパワーメントのための主要会議「WOMEN NOW」などのサミットや講演会にも頻繁に登壇しています。\u003c/p\u003e","createdAt":"2023-10-09T02:31:14.047Z","updatedAt":"2023-12-18T05:47:42.002Z","publishedAt":"2023-12-18T05:47:41.399Z","locale":"ja"}},{"id":1462,"attributes":{"Name":"Maite Sebastiá","Slug":"maite-sebastia-zh","Label":"Head of Editorial Content - Spain","Text":"\u003cp style=\"margin-left:0px;\"\u003eMaite Sebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá\u003c/span\u003e 拥有超过 15 年的时尚传播经验,生活方式杂志。拥有文化管理硕士学位(La Fábrica,马德里),并进一步研究数字营销(CSM,伦敦)和艺术世界商业管理(苏富比,伦敦)。 2004 年,她在《Vogue》西班牙版担任时尚编辑,开始了她的职业生涯,自此成为 Condé 家族的一员。她最新的工作之一是《Vogue》西班牙版副主编。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá \u003c/span\u003e 是 FASHION NOW 的创始人兼总监,时尚营销与传播硕士 (Barreira Arte+Diseño),并于 2020 年 1 月策划了展览“La esperanza de Occidente”,展示西班牙艺术家 Iñigo Navarro 和 Luis 的艺术作品加斯帕.她对建筑和艺术世界的热情促使她采访雷姆·库哈斯、理查德·罗杰斯、乔纳森·安德森、乔治·阿玛尼、帕洛玛·毕加索、奥拉维尔·埃利亚松、斯特拉·麦卡特尼等建筑师、艺术家和设计师。她经常在“WOMEN NOW”等峰会和演讲中发表演讲,该会议是桑坦德银行推动的女性领导力和赋权大会。\u003c/p\u003e","createdAt":"2023-10-09T02:31:13.656Z","updatedAt":"2023-10-10T12:42:06.331Z","publishedAt":"2023-10-10T12:42:06.046Z","locale":"zh"}},{"id":1461,"attributes":{"Name":"Maite Sebastiá","Slug":"maite-sebastia-fr","Label":"Head of Editorial Content - Spain","Text":"\u003cp style=\"margin-left: 0px;\"\u003eMaite Sebasti\u003cspan style=\"background-color: #ffffff; color: #000000;\"\u003eá\u003c/span\u003e possède plus de 15 ans d'expérience dans la communication de mode et les médias spécialisés dans l'art de vivre. Titulaire d'un Master en gestion culturelle et d'un diplôme complémentaire en marketing numérique et gestion d'entreprise dans le monde de l'art, Maite Sebasti\u003cspan style=\"background-color: #ffffff; color: #000000;\"\u003eá\u003c/span\u003e a démarré sa carrière professionnelle en tant que Rédactrice mode pour Vogue Espagne en 2004. \u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eMaite Sebasti\u003cspan style=\"background-color: #ffffff; color: #000000;\"\u003eá \u003c/span\u003eest la fondatrice et directrice d'une agence de marketing et communication de mode et a organisé en janvier 2020 l'exposition \"La esperanza de Occidente\" sur les œuvres des artistes espagnols Iñigo Navarro et Luis Gaspar. Sa passion pour l'architecture et le monde de l'art l'a amenée à interviewer des architectes, artistes et designers de renom, comme Rem Koolhaas, Richard Rogers, Jonathan Anderson, Giorgio Armani, Paloma Picasso, Olafur Eliasson, Stella McCartney. Enfin, elle intervient fréquemment dans des sommets et des conférences autour du leadership et de l'autonomisation des femmes. \u003c/p\u003e","createdAt":"2023-10-09T02:31:13.252Z","updatedAt":"2023-11-21T15:41:12.271Z","publishedAt":"2023-11-21T15:41:08.981Z","locale":"fr"}},{"id":1460,"attributes":{"Name":"Maite Sebastiá","Slug":"maite-sebastia-it","Label":"Head of Editorial Content - Spain","Text":"\u003cp style=\"margin-left:0px;\"\u003eMaite Sebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá\u003c/span\u003e ha più di 15 anni di esperienza nella comunicazione di moda e riviste di lifestyle. Ha conseguito un Master in Management Culturale (La Fábrica, Madrid) effettuando ulteriori studi in Digital Marketing (CSM, Londra) e Business Management nel mondo dell'arte (Sotheby's, Londra). Ha iniziato la sua carriera professionale come redattrice di moda per Vogue Spagna nel 2004 e da allora è parte della famiglia Condé Nast. Uno dei suoi ultimi incarichi è stato quello di vicedirettrice per Vogue Spagna.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSebasti\u003cspan style=\"background-color:#ffffff;color:#000000;\"\u003eá \u003c/span\u003e è fondatrice e direttrice di FASHION NOW, Master in Fashion Marketing and Communication (Barreira Arte+Diseño) e nel gennaio 2020 ha curato la mostra 'La esperanza de Occidente', sull'opera degli artisti spagnoli Iñigo Navarro e Luis Gaspar. La sua passione per arte e archiettura l'ha spinta ad intervistare architetti, artisti e designer come Rem Koolhaas, Richard Rogers, Jonathan Anderson, Giorgio Armani, Paloma Picasso, Olafur Eliasson, Stella McCartney. È spesso relatrice in summit e conferenze come WOMEN NOW, il principale congresso per la leadership e l'emancipazione delle donne promosso da Banco Santander.\u003c/p\u003e ","createdAt":"2023-10-09T02:31:12.852Z","updatedAt":"2023-12-04T10:57:03.066Z","publishedAt":"2023-12-04T10:57:02.804Z","locale":"it"}}]}}}}},{"id":1619,"alternateRole":"Head of Editorial Content - India","cn_com_profile":{"data":{"id":1477,"attributes":{"Name":"Komal Sharma","Slug":"komal-sharma","Label":"Head of Editorial Content - India","Text":"\u003cp style=\"margin-left:0px;\"\u003eKomal Sharma started her career at the weekend edition of Mint, a business daily newspaper in India, writing culture and lifestyle-related stories. After five years of being a reporter, she moved to New York for her masters and studied history and theory of modern design at Parsons the New School for Design. Her thesis focussed on the relationship between craft and design in a living, cultural, and applied context. While she was in the US, she did short stints at Herman Miller, writing for their editorial platform WHY magazine; at Maharam, the textile studio; and Metropolis Magazine.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eOn her return to India, Sharma worked for a year at Harper’s Bazaar in New Delhi as Managing Editor and gained understandings beyond writing and editing – particularly around how to manage and run a magazine.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWhen a role opened up at AD, Conde Nast India’s office in Mumbai, she didn’t think twice, and immediately applied and luckily got the job. At AD, in the last two years as managing editor, while she primarily took care of the print vertical, she has also been deeply involved in the overall voice of AD in India, across print, digital, and events like AD100 and the AD Design Show.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn her current role as Head of Editorial Content in India, Sharma is focussed on casting a wider net, on drawing in a larger, more diverse audience, and in making AD digital more accessible, agile and in sync with how people consume design and lifestyle, going forward.\u003c/p\u003e","createdAt":"2023-10-09T02:31:20.030Z","updatedAt":"2023-10-09T02:31:23.163Z","publishedAt":"2022-02-17T20:17:07.555Z","locale":"en","Media":{"data":{"id":4363,"attributes":{"name":"KomalSharma_AD_IN.jpg","alternativeText":null,"caption":null,"width":500,"height":700,"formats":{"small":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/small_Komal_Sharma_AD_IN_758ada0734.jpg","hash":"small_Komal_Sharma_AD_IN_758ada0734","mime":"image/jpeg","name":"small_KomalSharma_AD_IN.jpg","path":null,"size":24.51,"width":357,"height":500},"thumbnail":{"ext":".jpg","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/thumbnail_Komal_Sharma_AD_IN_758ada0734.jpg","hash":"thumbnail_Komal_Sharma_AD_IN_758ada0734","mime":"image/jpeg","name":"thumbnail_KomalSharma_AD_IN.jpg","path":null,"size":4.51,"width":111,"height":156}},"hash":"Komal_Sharma_AD_IN_758ada0734","ext":".jpg","mime":"image/jpeg","size":37.45,"url":"https://strapi-bus-eng-prod.s3.amazonaws.com/Komal_Sharma_AD_IN_758ada0734.jpg","previewUrl":null,"provider":"aws-s3","provider_metadata":null,"createdAt":"2023-10-05T23:02:35.549Z","updatedAt":"2023-10-05T23:02:35.549Z"}}},"localizations":{"data":[{"id":1485,"attributes":{"Name":"Komal Sharma","Slug":"komal-sharma-es-mx","Label":"Jefe de Contenido Editorial - India","Text":"\u003cp style=\"margin-left: 0px;\"\u003eKomal Sharma comenzó su carrera en la edición de fin de semana de Mint, un diario de negocios de la India, escribiendo historias relacionadas con la cultura y el estilo de vida. Después de cinco años como reportera, se mudó a Nueva York para realizar su maestría y estudió historia y teoría del diseño moderno en Parsons the New School for Design. Su tesis se centró en la relación entre artesanía y diseño en un contexto vivo, cultural y aplicado. Mientras estuvo en los EU, trabajó brevemente en Herman Miller, escribiendo para su plataforma editorial, la revista WHY; en Maharam, el taller textil; y Metropolis Magazine.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eA su regreso a la India, Sharma trabajó durante un año en Harper's Bazaar en Nueva Delhi como Editora en Jefe y adquirió conocimientos más allá de la escritura y la edición, particularmente sobre cómo administrar y administrar una revista.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eCuando se abrió un puesto en AD en la oficina de Condé Nast India en Mumbai, no lo pensó dos veces e inmediatamente los contacto, obteniendo el puesto de Editora en Jefe, si bien se encargó principalmente del sector impreso, también ha estado profundamente involucrada en la voz general de AD en India, en medios impresos, digitales y eventos como AD100 y AD Design.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn su puesto actual como Jefa de Contenido Editorial en India, Sharma se centra en ampliar la red, en atraer a una audiencia más amplia y diversa, haciendo que AD digital sea más accesible, ágil y sincronizado con la forma en que las personas consumen diseño y estilo de vida, en el futuro.\u003c/p\u003e","createdAt":"2023-10-09T02:31:23.145Z","updatedAt":"2023-10-20T18:26:32.648Z","publishedAt":"2023-10-20T18:26:32.378Z","locale":"es-MX"}},{"id":1484,"attributes":{"Name":"Komal Sharma","Slug":"komal-sharma-es-es","Label":"Head of Editorial Content - India","Text":"\u003cp style=\"margin-left: 0px;\"\u003eKomal Sharma comenzó su carrera en la edición de fin de semana de Mint, un diario económico de la India, escribiendo historias relacionadas con la cultura y el estilo de vida. Después de cinco años como periodista, se mudó a Nueva York para realizar un master y estudió historia y teoría del diseño moderno en Parsons the New School for Design. Su tesis se centró en la relación entre artesanía y diseño en un contexto vivo, cultural y aplicado. Mientras estuvo en los EE. UU., trabajó brevemente en Herman Miller, escribiendo para su plataforma editorial, la revista WHY; en Maharam, el taller textil; y Metropolis Magazine.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eA su regreso a la India, Sharma trabajó durante un año en Harper's Bazaar en Nueva Delhi como directora y adquirió conocimientos más allá de la escritura y la edición, particularmente sobre cómo administrar y administrar una publicación.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eCuando se abrió un puesto en AD en la oficina de Conde Nast India en Mumbai, no lo pensó dos veces e inmediatamente postuló al puesto. Si bien se encargó de dirigir principalmente la parte impresa, también ha estado profundamente involucrada en proyectar la voz general de AD en India, en medios impresos, digitales y eventos como AD100 y AD Design. \u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn su puesto actual como Head of Editorial Content en India, Sharma trabaja ampliando la red de la marca y atrayendo a una audiencia más amplia y diversa, haciendo que AD digital sea más accesible, ágil, y sincronizado con la forma en que las personas consumen diseño y estilo de vida; ahora y en el futuro.\u003c/p\u003e","createdAt":"2023-10-09T02:31:22.722Z","updatedAt":"2024-01-11T11:30:37.017Z","publishedAt":"2024-01-11T11:30:35.887Z","locale":"es-ES"}},{"id":1483,"attributes":{"Name":"Komal Sharma","Slug":"komal-sharma-zh-hant-tw","Label":"Head of Editorial Content - India","Text":"\u003cp style=\"margin-left:0px;\"\u003eKomal Sharma 在印度商業日報《Mint》週末版開始了她的職業生涯,撰寫與文化和生活方式相關的故事。當了五年記者後,她搬到紐約攻讀碩士學位,並在帕森斯新設計學院學習現代設計的歷史和理論。她的論文重點關註生活、文化和應用背景下工藝與設計之間的關係。在美國期間,她曾在 Herman Miller 短暫任職,為他們的編輯平台《WHY》雜誌撰稿;在Maharam,紡織工作室;和Metropolis Magazine。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e返回印度後,Sharma 在新德里的Harper's Bazaar 工作了一年,擔任總編輯,並獲得了寫作和編輯之外的理解,尤其是圍繞如何管理和運營一本雜誌。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e當康泰納仕印度孟買辦事處 AD 職位空缺時,她沒有多想,立即申請並幸運地得到了這份工作。在 AD 擔任總編輯的過去兩年裡,她主要負責印刷垂直領域的工作,同時也深入參與了 AD 在印度的整體聲音,包括印刷、數字以及 AD100 和 AD 設計等活動顯示。\u003c/p\u003e\u003c p style=\"margin-left:0px;\"\u003eSharma 目前擔任印度編輯內容主管,專注於撒下更廣泛的網絡,吸引更多、更多樣化的受眾,並讓AD 數字化更容易獲得、更靈活,並與人們消費設計和生活方式的方式保持同步,繼續前進。\u003c/p\u003e","createdAt":"2023-10-09T02:31:22.305Z","updatedAt":"2023-10-10T12:40:20.889Z","publishedAt":"2023-10-10T12:40:20.754Z","locale":"zh-Hant-TW"}},{"id":1482,"attributes":{"Name":"Komal Sharma","Slug":"komal-sharma-de","Label":"Head of Editorial Content - India","Text":"\u003cp style=\"margin-left:0px;\"\u003eKomal Sharma begann ihre Karriere bei der Wochenendausgabe von Mint, einer Wirtschaftstageszeitung in Indien, für die sie Geschichten über Kultur und Lifestyle schrieb. Nachdem sie fünf Jahre lang als Reporterin gearbeitet hatte, zog sie für ihren Master nach New York und studierte Geschichte und Theorie des modernen Designs an der Parsons New School for Design. In ihrer Abschlussarbeit beschäftigte sie sich mit der Beziehung zwischen Handwerk und Design in einem lebendigen, kulturellen und angewandten Kontext. Während ihres Aufenthalts in den USA arbeitete sie für kurze Zeit bei Herman Miller und schrieb für deren Redaktionsplattform WHY Magazine sowie für das Textilstudio Maharam und das Metropolis Magazine.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eNach ihrer Rückkehr nach Indien arbeitete Sharma ein Jahr lang als leitende Redakteurin bei Harper's Bazaar in Neu-Delhi und lernte dort mehr als nur das Schreiben und Redigieren – vor allem sammelte sie Erfahrung darin, ein Magazin zu leiten und zu führen.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAls eine Position bei Condé Nast India für AD in Mumbai frei wurde, überlegte sie nicht lange; sie bewarb sich und bekam die Stelle. In den letzten zwei Jahren verantwortete sie als leitende Redakteurin bei AD zwar hauptsächlich für den Printbereich, war aber auch maßgeblich an der Gesamtausrichtung von AD in Indien beteiligt. Dies umfasst neben Print und Digital auch Veranstaltungen wie AD100 und die AD Design Show.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn ihrer aktuellen Rolle als Head of Editorial Content in Indien konzentriert sich Sharma darauf, die Präsenz im Netz zu erweitern, ein größeres, vielfältigeres Publikum anzusprechen und AD digital zugänglicher und flexibler zu machen, damit es mit dem Design- und Lifestyle-Konsum der Menschen in Zukunft besser zusammengeht.\u003c/p\u003e","createdAt":"2023-10-09T02:31:21.870Z","updatedAt":"2023-11-24T10:52:35.763Z","publishedAt":"2023-11-24T10:52:35.233Z","locale":"de"}},{"id":1481,"attributes":{"Name":"Komal Sharma","Slug":"komal-sharma-ja","Label":"Head of Editorial Content - India","Text":"\u003cp style=\"margin-left:0px;\"\u003eKomal Sharmaは、インドのビジネス日刊紙『ミント(Mint)』の週末版でキャリアをスタート、文化やライフスタイル関連の記事を担当しました。記者として5年間働いた後、修士課程のためにニューヨークに移り、パーソンズ・ザ・ニュー・スクール・フォー・デザインでモダンデザインの歴史と理論を学びました。修士論文は、生活、文化、応用という文脈における工芸品とデザインの関係に焦点を当てたものでした。米国滞在中は、ハーマンミラー(Herman Miller)社のエディトリアル・プラットフォーム『WHY』誌のライター、テキスタイル・スタジオのマハラム(Maharam)、メトロポリス・マガジン(Metropolis Magazine)で短期間勤務しています。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eインドに帰国後、ニューデリーの『ハーパーズ バザー(Harper's Bazaar)』誌でマネージング・エディターとして1年間働き、執筆や編集以外のこと、特に雑誌の管理・運営方法についても理解を深めました。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eインド・ムンバイにあるコンデナスト社のオフィスで『AD(アーキテクチュラル・ダイジェスト)』の求人があると、ためらうことなくすぐに応募し、運よく仕事を得ました。ここ2年間、『AD』の編集長として主に印刷物に関わる全工程を担当する一方、印刷物、デジタルコンテンツ、「AD100」や「AD Design Show」といったイベントなどで、インドにおける『AD』全体の“声”(考え)にも深く関わっています。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e現在、インド版『AD』のヘッド・オブ・エディトリアル・コンテントとして重点的に取り組んでいるのは、より広い対象や範囲を視野に入れ、より多くの多様な読者を引き込むこと。デジタル版『AD』を、よりアクセスしやすく、状況の変化に素早く対応できて、デザインやライフスタイルを大衆がどう消費して前に進むかということにも共鳴できるものにすることです。\u003c/p\u003e","createdAt":"2023-10-09T02:31:21.476Z","updatedAt":"2023-12-18T05:49:51.278Z","publishedAt":"2023-12-18T05:49:51.051Z","locale":"ja"}},{"id":1480,"attributes":{"Name":"Komal Sharma","Slug":"komal-sharma-zh","Label":"Head of Editorial Content - India","Text":"\u003cp style=\"margin-left:0px;\"\u003eKomal Sharma 在印度商业日报《Mint》周末版开始了她的职业生涯,撰写与文化和生活方式相关的故事。当了五年记者后,她搬到纽约攻读硕士学位,并在帕森斯新设计学院学习现代设计的历史和理论。她的论文重点关注生活、文化和应用背景下工艺与设计之间的关系。在美国期间,她曾在 Herman Miller 短暂任职,为他们的编辑平台《WHY》杂志撰稿; Maharam 纺织工作室;和 Metropolis Magazine。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e返回印度后,Sharma 在新德里的 Harper's Bazaar 工作了一年,担任总编辑,获得了写作和编辑之外的理解,尤其是围绕如何管理和运营一本杂志。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e当康泰纳仕印度孟买办事处 AD 职位空缺时,她没有多想,立即就申请并幸运地得到了这份工作。在 AD 担任总编辑的过去两年中,虽然她主要负责印刷垂直领域的工作,但她也深入参与了 AD 在印度的整体声音,包括印刷、数字以及 AD100 和 AD 设计等活动显示。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e目前担任印度编辑内容主管的 Sharma 专注于撒下更广泛的网络,吸引更多、更多样化的受众,并让 AD 数字化更容易获得、更灵活,并与人们消费设计和生活方式的方式保持同步,继续前进。\u003c/p\u003e","createdAt":"2023-10-09T02:31:21.075Z","updatedAt":"2023-10-10T12:42:06.689Z","publishedAt":"2023-10-10T12:42:06.536Z","locale":"zh"}},{"id":1479,"attributes":{"Name":"Komal Sharma","Slug":"komal-sharma-fr","Label":"Head of Editorial Content - India","Text":"\u003cp style=\"margin-left: 0px;\"\u003eKomal Sharma a débuté sa carrière dans l'édition du week-end de Mint, un quotidien économique indien, et était spécialisée dans la culture et l'art de vivre. Après 5 ans en tant que journaliste, Komal Sharma déménage à New York et entame un Master en histoire et design moderne à la Parsons School for Design. Durant cette période, elle écrit notamment pour WHY Magazine et Metropolis Magazine.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eÀ son retour en Inde, Komal Sharma a travaillé pendant un an pour Harper's Bazaar à New Delhi avant de rejoindre Condé Nast Inde à Mumbai, en tant que Rédactrice en chef d'AD. Komal Sharma s'est impliquée non seulement sur le développement du volet print du magazine, mais également sur le numérique et sur des événements tels que AD100 et AD Design Show.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eAujourd'hui Directrice éditoriale, Komal Sharma s'attache à élargir son champ d'action, à attirer un public plus large et plus diversifié et à rendre le site d'AD plus accessible, agile et en phase avec la façon dont le public consomme le design et l'art de vivre au fil du temps.\u003c/p\u003e","createdAt":"2023-10-09T02:31:20.642Z","updatedAt":"2023-11-21T15:41:15.072Z","publishedAt":"2023-11-21T15:41:13.437Z","locale":"fr"}},{"id":1478,"attributes":{"Name":"Komal Sharma","Slug":"komal-sharma-it","Label":"Head of Editorial Content - India","Text":"\u003cp style=\"margin-left:0px;\"\u003eKomal Sharma ha iniziato la sua carriera nell'edizione weekend di Mint, un quotidiano economico indiano, scrivendo storie legate alla cultura e al lifestyle. Dopo cinque anni come reporter, si è trasferita a New York per seguire dei master e ha studiato storia e teoria del design moderno alla Parsons the New School for Design. La sua tesi si è concentrata sul rapporto tra artigianato e design in un contesto di vita, cultura e applicazione. Mentre si trovava negli Stati Uniti, ha lavorato per brevi periodi presso Herman Miller, scrivendo per la loro piattaforma editoriale WHY magazine, da Maharam - lo studio tessile - e da Metropolis Magazine.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAl suo ritorno in India, Sharma ha lavorato per un anno presso Harper's Bazaar, a Nuova Delhi, come managing editor e ha acquisito conoscenze che vanno oltre la scrittura e l'editing, in particolare su come gestire e dirigere una rivista.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eQuando si è aperta una posizione presso AD, nell'ufficio di Conde Nast India a Mumbai, non ci ha pensato due volte, si è candidata subito e fortunatamente ha ottenuto il lavoro. In AD negli ultimi due anni, come managing editor, si è occupata principalmente della stampa, ma è anche stata profondamente coinvolta nella voce generale di AD in India: nella stampa, nel digitale e in eventi come AD100 e AD Design Show.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eNel suo attuale ruolo di Head of Editorial Content in India, Sharma si concentra nel gettare una rete più ampia, nell'attirare un pubblico più vasto e diversificato, e nel rendere la pubblicità digitale più accessibile, agile e in sintonia con il modo in cui le persone consumano il design e il lifestyle.\u003c/p\u003e","createdAt":"2023-10-09T02:31:20.229Z","updatedAt":"2023-12-04T10:59:50.108Z","publishedAt":"2023-12-04T10:59:48.296Z","locale":"it"}}]}}}}},{"id":1620,"alternateRole":"Head of Editorial Content - Germany","cn_com_profile":{"data":{"id":2134,"attributes":{"Name":"Felix Wagner","Slug":"felix-wagner","Label":"Head of Editorial Content - Germany","Text":"\u003cp style=\"margin-left:0px;\"\u003eFelix Wagner was appointed Head of Editorial Content for Architectural Digest Germany in March 2023. He joined Condé Nast in 2016 and most recently held the role of Head of Commercial Home \u0026amp; Luxury and Brand Director of Architectural Digest.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn this role, Wagner drove the brand‘s entrepreneurial success and played a key part in shaping its content. Furthermore, he supported the integration of the European AD teams into the brand’s global structure.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWagner began his career at Condé Nast as Advertising Manager for VOGUE and AD, then worked in digital key account sales where he moved on to become Director of Business Development in 2020. Prior to Condé Nast, he gained his expertise in brand and media strategies with a focus on interior and luxury at the agency Häberlein \u0026amp; Mauerer, in the communications department at Cartier Northern Europe and at the Condé Nast International Head Office in London. Wagner studied American Studies and Law at the Ludwig Maximilian University in Munich.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn his new position, he will work closely with Amy Astley, Global Editorial Director AD and the international AD teams.\u003c/p\u003e","createdAt":"2023-10-09T02:35:46.915Z","updatedAt":"2023-10-09T02:35:50.105Z","publishedAt":"2023-04-04T14:28:26.567Z","locale":"en","Media":{"data":{"id":4435,"attributes":{"name":"Felix_Wagner_credit_OrtwinKlipp.png","alternativeText":null,"caption":null,"width":500,"height":750,"formats":{"small":{"ext":".png","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/small_Felix_Wagner_credit_Ortwin_Klipp_cc879445c2.png","hash":"small_Felix_Wagner_credit_Ortwin_Klipp_cc879445c2","mime":"image/png","name":"small_Felix_Wagner_credit_OrtwinKlipp.png","path":null,"size":158.03,"width":333,"height":500},"thumbnail":{"ext":".png","url":"https://strapi-bus-eng-prod.s3.amazonaws.com/thumbnail_Felix_Wagner_credit_Ortwin_Klipp_cc879445c2.png","hash":"thumbnail_Felix_Wagner_credit_Ortwin_Klipp_cc879445c2","mime":"image/png","name":"thumbnail_Felix_Wagner_credit_OrtwinKlipp.png","path":null,"size":23.11,"width":104,"height":156}},"hash":"Felix_Wagner_credit_Ortwin_Klipp_cc879445c2","ext":".png","mime":"image/png","size":83.68,"url":"https://strapi-bus-eng-prod.s3.amazonaws.com/Felix_Wagner_credit_Ortwin_Klipp_cc879445c2.png","previewUrl":null,"provider":"aws-s3","provider_metadata":null,"createdAt":"2023-10-05T23:06:29.088Z","updatedAt":"2023-10-05T23:06:29.088Z"}}},"localizations":{"data":[{"id":2142,"attributes":{"Name":"Felix Wagner","Slug":"felix-wagner-es-mx","Label":"Jefe de Contenido Editorial - Alemania","Text":"\u003cp style=\"margin-left: 0px;\"\u003eFelix Wagner fue nombrado Director de Contenido Editorial de Architectural Digest Alemania en marzo de 2023. Se incorporó a Condé Nast en 2016 y más recientemente ocupó el cargo de Director Comercial de Home \u0026amp; Luxury y Director de Marca de Architectural Digest.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn este puesto, Wagner impulsó el éxito empresarial de la marca y desempeñó un papel clave en la configuración de su contenido. Además, apoyó la integración de los equipos europeos de AD en la estructura global de la marca. \u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eWagner comenzó su carrera en Condé Nast como Director de Publicidad para VOGUE y AD, luego trabajó en ventas de cuentas clave digitales, donde pasó a ser Director de Desarrollo Comercial en 2020. Antes de Condé Nast, adquirió experiencia en estrategias de marca y medios con un enfoque en interiores y lujo en la agencia Häberlein \u0026amp; Mauerer, en el departamento de comunicación de Cartier Northern Europe y en la sede internacional de Condé Nast en Londres. Wagner estudió Estudios Americanos y Derecho en la Universidad Ludwig Maximilian de Múnich.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn su nuevo puesto, trabajará en estrecha colaboración con Amy Astley, Directora Editorial Global de AD y los equipos internacionales de la marca.\u003c/p\u003e","createdAt":"2023-10-09T02:35:50.085Z","updatedAt":"2023-10-20T01:07:24.580Z","publishedAt":"2023-10-20T01:07:24.445Z","locale":"es-MX"}},{"id":2141,"attributes":{"Name":"Felix Wagner","Slug":"felix-wagner-es-es","Label":"Head of Editorial Content - Germany","Text":"\u003cp style=\"margin-left: 0px;\"\u003eFelix Wagner fue nombrado Head of Editorial Content de Architectural Digest Alemania en marzo de 2023. Se incorporó a Condé Nast en 2016 y más recientemente ocupó el cargo de Head of Commercial Home \u0026amp; Luxury and Brand Director de Architectural Digest.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn este puesto, Wagner impulsó el éxito comercial de la marca y desempeñó un papel clave en la configuración de su contenido. Además, apoyó la integración de los equipos europeos de AD en la estructura global de la marca. \u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eWagner comenzó su carrera en Condé Nast como Director de Publicidad para VOGUE y AD. Posteriormente trabajó en ventas de cuentas clave digitales, donde pasó a ser Director de Desarrollo Comercial en 2020. Antes de Condé Nast, adquirió experiencia en estrategias de marca y medios con un enfoque en interiores y lujo en la agencia Häberlein \u0026amp; Mauerer, en el departamento de comunicación de Cartier Northern Europe y en la sede internacional de Condé Nast en Londres. Wagner estudió Estudios Americanos y Derecho en la Universidad Ludwig Maximilian de Múnich.\u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eEn su nuevo puesto, trabaja en estrecha colaboración con Amy Astley, directora editorial global de AD, y los equipos internacionales de AD.\u003c/p\u003e","createdAt":"2023-10-09T02:35:49.662Z","updatedAt":"2024-01-11T11:30:42.906Z","publishedAt":"2024-01-11T11:30:42.470Z","locale":"es-ES"}},{"id":2140,"attributes":{"Name":"Felix Wagner","Slug":"felix-wagner-zh-hant-tw","Label":"Head of Editorial Content - Germany","Text":"\u003cp style=\"margin-left:0px;\"\u003eFelix Wagner 於 2023 年 3 月被任命為德國《建築文摘》編輯內容主管。他於 2016 年加入康泰納仕,最近擔任商業家居和建築部門主管。 《建築文摘》的奢侈品和品牌總監。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e在此職位上,瓦格納推動了該品牌的創業成功,並在塑造其內容方面發揮了關鍵作用。此外,他還支持將歐洲廣告團隊整合到該品牌的全球結構中。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e瓦格納的職業生涯始於康泰納仕(Condé Nast),擔任《VOGUE 》和《廣告》的廣告經理之後,他從事數字大客戶銷售工作,並於2020 年成為業務開發總監。在加入Condé Nast 之前,他在Häberlein \u0026amp; 代理機構獲得了品牌和媒體策略方面的專業知識,重點關注室內和奢侈品領域。 Mauerer,在卡地亞北歐通訊部和倫敦康泰納仕國際總部工作。瓦格納在慕尼黑路德維希馬克西米利安大學學習美國研究和法律。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e在新職位上,他將與AD 全球編輯總監Amy Astley 密切合作以及國際AD團隊。\u003c/p\u003e","createdAt":"2023-10-09T02:35:49.261Z","updatedAt":"2023-10-10T12:40:52.846Z","publishedAt":"2023-10-10T12:40:52.031Z","locale":"zh-Hant-TW"}},{"id":2139,"attributes":{"Name":"Felix Wagner","Slug":"felix-wagner-de","Label":"Head of Editorial Content – Germany","Text":"\u003cp style=\"margin-left:0px;\"\u003eFelix Wagner wurde im März 2023 zum Head of Editorial Content für Architectural Digest Germany ernannt. Der gebürtige Münchner ist seit 2016 bei Condé Nast tätig und arbeitete stets eng mit der Marke AD und dem redaktionellen Team verzahnt, zuletzt in der Rolle des Head of Commercial Home \u0026 Luxury und Brand Director AD Architectural Digest.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn dieser Funktion trieb er die Marke unternehmerisch voran und gestaltete sie inhaltlich maßgeblich mit. Darüber hinaus war er an der Integration der europäischen AD-Teams in die globale Markenstruktur beteiligt.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWagner begann seine Karriere bei Condé Nast als Advertising Manager für VOGUE und AD. Anschließend arbeitete er im digitalen Key Account Sales und wechselte 2020 in die Rolle des Director Business Development. Seine weitreichende Expertise im Bereich Marken- und Medienstrategien mit Fokus auf Interior \u0026 Luxury sammelte Felix Wagner zuvor bei der Agentur Häberlein \u0026 Mauerer, in der Kommunikationsabteilung bei Cartier Northern Europe sowie im damaligen Condé Nast International Head Office in London. Felix Wagner hat an der Ludwig-Maximilians-Universität in München Amerikanistik und Rechtswissenschaften studiert.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn seiner Position arbeitet er eng mit Amy Astley, Global Editorial Director AD, und den internationalen AD-Teams zusammen.\u003c/p\u003e","createdAt":"2023-10-09T02:35:48.852Z","updatedAt":"2023-11-24T13:31:56.648Z","publishedAt":"2023-11-24T13:31:56.232Z","locale":"de"}},{"id":2138,"attributes":{"Name":"Felix Wagner","Slug":"felix-wagner-ja","Label":"Head of Editorial Content - Germany","Text":"\u003cp style=\"margin-left:0px;\"\u003eFelix Wagnerは、2023年3月にドイツ版『AD(アーキテクチュラル・ダイジェスト)』のヘッド・オブ・エディトリアル・コンテントに任命されました。2016年にコンデナストに入社し、直近では『AD』のコマーシャル・ホーム&ラグジュアリーの責任者兼ブランド・ディレクターの役職に就いていました。\n現職務において、ブランドの成功を牽引し、コンテンツの形成に重要な役割を果たしました。さらに、欧州のADチームとブランドのグローバル体制との統合もサポートしました。\n\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWagnerはコンデナスト社で『VOGUE』と『AD』の広告担当マネージャーとしてキャリアをスタートさせ、その後、デジタル・キーアカウント・セールスを経て、2020年にディレクター・オブ・ビジネス・ディベロップメント(事業開発担当ディレクター)に就任。コンデナスト入社以前は、代理店のヘーベルライン&マウラー(Häberlein \u0026 Mauerer)、高級宝飾メゾンのカルティエ 北欧(Cartier Northern Europe)のコミュニケーション部門、ロンドンのコンデナスト・インターナショナル本社で、インテリアとラグジュアリーに焦点を置いた、ブランドおよびメディア戦略の専門知識を身につけました。ミュンヘンのルートヴィヒ・マクシミリアン大学でアメリカ研究と法律を学びました。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eヘッド・オブ・エディトリアル・コンテントとして、『AD』グローバル・エディトリアル・ディレクターのAmy Astleyおよび『AD』のインターナショナルチームと緊密に連携していきます。\u003c/p\u003e","createdAt":"2023-10-09T02:35:48.345Z","updatedAt":"2023-12-18T05:53:18.074Z","publishedAt":"2023-12-18T05:53:17.723Z","locale":"ja"}},{"id":2137,"attributes":{"Name":"Felix Wagner","Slug":"felix-wagner-zh","Label":"Head of Editorial Content - Germany","Text":"\u003cp style=\"margin-left:0px;\"\u003eFelix Wagner 于 2023 年 3 月被任命为德国《建筑文摘》编辑内容主管。他于 2016 年加入康泰纳仕,最近担任商业家居和建筑部门主管。 《建筑文摘》的奢侈品和品牌总监。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e在此职位上,瓦格纳推动了该品牌的创业成功,并在塑造其内容方面发挥了关键作用。此外,他还支持将欧洲广告团队整合到该品牌的全球结构中。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e瓦格纳的职业生涯始于康泰纳仕 (Condé Nast),担任《VOGUE》和《广告》的广告经理之后,他从事数字大客户销售工作,并于 2020 年成为业务开发总监。在加入 Condé Nast 之前,他在 Häberlein \u0026amp; 代理机构获得了品牌和媒体策略方面的专业知识,重点关注室内和奢侈品领域。 Mauerer,在卡地亚北欧通讯部和伦敦康泰纳仕国际总部工作。瓦格纳在慕尼黑路德维希马克西米利安大学学习美国研究和法律。\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e在新职位上,他将与 AD 全球编辑总监 Amy Astley 密切合作以及国际AD团队。\u003c/p\u003e","createdAt":"2023-10-09T02:35:47.926Z","updatedAt":"2023-10-10T12:42:27.131Z","publishedAt":"2023-10-10T12:42:26.972Z","locale":"zh"}},{"id":2136,"attributes":{"Name":"Felix Wagner","Slug":"felix-wagner-fr","Label":"Head of Editorial Content - Germany","Text":"\u003cp style=\"margin-left: 0px;\"\u003eFelix Wagner a été nommé Directeur éditorial d'AD Allemagne en mars 2023. Il a rejoint Condé Nast en 2016 et a récemment occupé le poste de Head of Commercial Home \u0026amp; Luxury and Brand Director pour AD. \u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eDans ce rôle, Felix Wagner a participé au succès de la marque et a joué un rôle clé dans l'élaboration de son contenu. En outre, il a soutenu l'intégration des équipes européennes de publicité dans la structure globale de la marque. \u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eFelix Wagner a commencé sa carrière chez Condé Nast en tant que Responsable de la publicité pour Vogue et AD et a ensuite travaillé dans la vente aux grands comptes numériques où il est devenu Directeur du développement commercial en 2020. Avant Condé Nast, il a acquis son expertise dans les stratégies de marque et de médias, spécialisé dans la décoration d'intérieur et le luxe, au sein de l'agence Häberlein \u0026amp; Mauerer, puis au service communication de Cartier Europe du Nord et au siège de Condé Nast à Londres. Felix Wagner a étudié le droit à l'Université Ludwig Maximilian de Munich. \u003c/p\u003e\n\u003cp style=\"margin-left: 0px;\"\u003eAu sein de ce poste, il travaille en étroite collaboration avec Amy Astley, Directrice éditoriale mondiale d'AD et les équipes internationales d'AD.\u003c/p\u003e","createdAt":"2023-10-09T02:35:47.532Z","updatedAt":"2023-11-21T15:41:28.574Z","publishedAt":"2023-11-21T15:41:25.727Z","locale":"fr"}},{"id":2135,"attributes":{"Name":"Felix Wagner","Slug":"felix-wagner-it","Label":"Head of Editorial Content - Germany","Text":"\u003cp style=\"margin-left:0px;\"\u003eFelix Wagner è stato nominato Head of Editorial Content per Architectural Digest Germania nel marzo 2023. Entrato in Condé Nast nel 2016, ha ricoperto di recente il ruolo di Head of Commercial Home \u0026amp; Luxury and Brand Director di Architectural Digest.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eIn questo ruolo, Wagner ha guidato il successo imprenditoriale del brand e ha svolto un ruolo chiave nella definizione dei suoi contenuti. Inoltre ha supportato l'integrazione dei team AD europei nella struttura globale del marchio.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWagner ha iniziato la sua carriera in Condé Nast come Advertising Manager per VOGUE e AD, poi ha lavorato nelle vendite di key account digitali dove è poi diventato Director of Business Development nel 2020. Prima di Condé Nast, ha acquisito la sua esperienza nelle strategie di brand e media con particolare attenzione agli interni e al lusso presso l'agenzia Häberlein \u0026amp; Mauerer, nel reparto comunicazione di Cartier Northern Europe e presso la sede internazionale di Condé Nast a Londra. Wagner ha studiato Studi Americani e Giurisprudenza presso l'Università Ludwig Maximilian di Monaco.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eNella sua nuova posizione, lavorerà a stretto contatto con Amy Astley, Global Editorial Director AD e con i team AD internazionali.\u003c/p\u003e","createdAt":"2023-10-09T02:35:47.135Z","updatedAt":"2023-12-04T15:23:52.577Z","publishedAt":"2023-12-04T15:23:49.395Z","locale":"it"}}]}}}}}]}]},"__N_SSP":true},"page":"/brands/[brand]","query":{"brand":"ad"},"buildId":"JA32Abg31Z-Ypo3DzPYV3","isFallback":false,"gssp":true,"locale":"en","locales":["en","de","ja","fr","es-ES","es-MX","it","es"],"defaultLocale":"en","scriptLoader":[]}</script></body></html>

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