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class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Henrietta Lidchi</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://edinburgh.academia.edu/">University of Edinburgh</a>, <a class="u-tcGrayDarker" href="https://edinburgh.academia.edu/Departments/School_of_Social_and_Political_Science/Documents">School of Social and Political Science</a>, <span class="u-tcGrayDarker">Honorary Professor</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Henrietta" data-follow-user-id="243284065" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="243284065"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">2</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">1</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-author</p><p class="data">1</p></div></a><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Executive Director, Wheelwright Museum of the American Indian, Santa Fe<br />Previously:<br />Head of Research and Collections, National Museum of World Cultures, the Netherlands<br />Keeper of World Cultures, National Museums Scotland<br />Deputy Keeper, Department of Ethnography, British Museum<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>1</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>40</span> <span class="ds2-5-body-sm-bold">Papers</span></a></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Henrietta Lidchi</h3></div><div class="js-work-strip profile--work_container" data-work-id="88894780"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/88894780/Dividing_the_spoils_Perspectives_on_military_collections_and_the_British_empire"><img alt="Research paper thumbnail of Dividing the spoils Perspectives on military collections and the British empire" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88894780/Dividing_the_spoils_Perspectives_on_military_collections_and_the_British_empire">Dividing the spoils Perspectives on military collections and the British empire</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://edinburgh.academia.edu/HenriettaLidchi">Henrietta Lidchi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://nms.academia.edu/StuartAllan">Stuart Allan</a></span></div><div class="wp-workCard_item"><span>Dividing the spoils Perspectives on military collections and the British empire</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">At a time of heightened international interest in the colonial dimensions of museum collections, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony.<br /><br />As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88894780"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88894780"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88894780; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88894780]").text(description); $(".js-view-count[data-work-id=88894780]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88894780; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88894780']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 88894780, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=88894780]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88894780,"title":"Dividing the spoils Perspectives on military collections and the British empire","translated_title":"","metadata":{"abstract":"At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. 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Imaging the Arctic is the first general account of the photography of the indigenous peoples of the North American Arctic. Bringing together native and non-native photographers, archivists and anthropologists, this volume explores both the aesthetics and the content of Arctic photographs.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="118777241"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="118777241"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 118777241; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=118777241]").text(description); $(".js-view-count[data-work-id=118777241]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 118777241; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='118777241']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 118777241, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=118777241]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":118777241,"title":"Imaging the Arctic","translated_title":"","metadata":{"abstract":"Photographers have been bringing images of the Arctic to a fascinated public since the nineteenth century. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="109973508"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/109973508/Surviving_Desires_Making_and_Selling_Native_Jewellery_in_the_American_Southwest"><img alt="Research paper thumbnail of Surviving Desires: Making and Selling Native Jewellery in the American Southwest" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109973508/Surviving_Desires_Making_and_Selling_Native_Jewellery_in_the_American_Southwest">Surviving Desires: Making and Selling Native Jewellery in the American Southwest</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Sout...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Southwest is an iconic art form. Internationally recognized and locally significant, Native American jewellery has a compelling history—it represents the persistence of tradition while encapsulating the vitality of Native American communities and the continuously transforming nature of the jewellery makers’ art. Author Henrietta Lidchi focuses on jewellery in the cultural economy of the Southwest, exploring jewellery making as a decorative art form in constant transition. She describes the jewellery as subject to a number of desires, controlled at different times by government agencies, individual entrepreneurs, traders, curators, and Native American communities. Lidchi explores the jewellery as craft, material culture, commodity, and adornment. Considering the impact of tourism, she discusses fakes in the market and the artists’ desires to codify traditional styles, explaining how these factors can affect stylistic development and value. Surviving Desires suggests the complexity and reinvention innate to Native American jewellery as a commercial craft. Drawing on the author’s archival research and on interviews she conducted with Native American jewellers, traders, dealers, and curators, this volume examines British collecting, exchanges between British and American institutions, and the development of the British Museum’s contemporary collection. Lavishly illustrated with 300 color photographs of jewellery in the British Museum, the National Museums Scotland, and major collections in the United States, Surviving Desires presents many previously unpublished pieces and showcases works by twenty Native American jewellers, including the best-known names in the field today. 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Ariese and Magdalena Wróblewska (Amsterdam: Amsterdam University Press, 2021)Listening to Art as the Voice of Our Time: The Online In-Conversation Series Indigenizing the (Art) Museum (Wapatah Centre for Indigenous Visual Knowledge/OCAD University, Toronto)National Museums in Africa: Some Reflections from the Continent: National Museums in Africa: Identity, History and Politics, Edited by Raymond Silverman, George Abungu, and Peter Probst (London: Routledge 2022)From Paddock to Peace Garden: Heritage Politics and the Development of the Japanese Memorial Site at FeatherstonShadows, Strings & Other Things: The Enchanting Theater of Puppets</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6dcca11042745a39f2c84ba4656ff1b4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107935561,"asset_id":109973502,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107935561/download_file?st=MTczMjQyMTYxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109973502"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109973502"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109973502; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109973502]").text(description); $(".js-view-count[data-work-id=109973502]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109973502; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109973502']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109973502, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6dcca11042745a39f2c84ba4656ff1b4" } } $('.js-work-strip[data-work-id=109973502]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109973502,"title":"Review Essays","translated_title":"","metadata":{"abstract":"How to Practice Decoloniality in Museums: Practicing Decoloniality in Museums: A Guide with Global Examples, Csilla E. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="109973501"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/109973501/Surviving_Desires_Making_and_Selling_Native_Jewellery_in_the_American_Southwest_Henrietta_Lidchi_Norman_University_of_Oklahoma_Press_2015_272_pp_34_95_paper_ISBN_978_0_8061_4850_2"><img alt="Research paper thumbnail of Surviving Desires: Making and Selling Native Jewellery in the American Southwest. Henrietta Lidchi. Norman: University of Oklahoma Press, 2015, 272 pp. $34.95, paper. ISBN 978-0-8061-4850-2" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109973501/Surviving_Desires_Making_and_Selling_Native_Jewellery_in_the_American_Southwest_Henrietta_Lidchi_Norman_University_of_Oklahoma_Press_2015_272_pp_34_95_paper_ISBN_978_0_8061_4850_2">Surviving Desires: Making and Selling Native Jewellery in the American Southwest. Henrietta Lidchi. Norman: University of Oklahoma Press, 2015, 272 pp. $34.95, paper. ISBN 978-0-8061-4850-2</a></div><div class="wp-workCard_item"><span>Journal of Anthropological Research</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Sout...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Southwest is an iconic art form. Internationally recognized and locally significant, Native American jewellery has a compelling history—it represents the persistence of tradition while encapsulating the vitality of Native American communities and the continuously transforming nature of the jewellery makers’ art. Author Henrietta Lidchi focuses on jewellery in the cultural economy of the Southwest, exploring jewellery making as a decorative art form in constant transition. She describes the jewellery as subject to a number of desires, controlled at different times by government agencies, individual entrepreneurs, traders, curators, and Native American communities. Lidchi explores the jewellery as craft, material culture, commodity, and adornment. Considering the impact of tourism, she discusses fakes in the market and the artists’ desires to codify traditional styles, explaining how these factors can affect stylistic development and value. Surviving Desires suggests the complexity and reinvention innate to Native American jewellery as a commercial craft. Drawing on the author’s archival research and on interviews she conducted with Native American jewellers, traders, dealers, and curators, this volume examines British collecting, exchanges between British and American institutions, and the development of the British Museum’s contemporary collection. Lavishly illustrated with 300 color photographs of jewellery in the British Museum, the National Museums Scotland, and major collections in the United States, Surviving Desires presents many previously unpublished pieces and showcases works by twenty Native American jewellers, including the best-known names in the field today. 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Haldane, a 19th Century Tsimshian Photographer by Mique&#39;l Askren (Tsimshian), University of British Columbia Museums and the Creation of Visual Memories by Henrietta Lidchi, National Museums Scotland &#39;A Many-Splendored Thing&#39;: Rosalie Favell&#39;s Digital Photo-art by Amalia Conrad, University of British Columbia Changing Concepts of Community Access to Museum Photographs, a Case Study from the Jicarilla Apaches by Joyce Herold, Denver Museum of Nature &amp; Science American Myths and Indigenous Photograph by Larry McNeil (Tlingit), Boise State University</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109973500"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109973500"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109973500; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109973500]").text(description); $(".js-view-count[data-work-id=109973500]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109973500; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109973500']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109973500, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=109973500]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109973500,"title":"Visual currencies: Reflections on Native photography","translated_title":"","metadata":{"abstract":"Dragon fly\u0026#39;s sweet dreams, America\u0026#39;s nightmares by Hulleah J. 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J. C. H. King and Henrietta Lidchi. eds. London: British Museum Press, 1998. ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Imaging the Arctic. J. C. H. King and Henrietta Lidchi. eds. London: British Museum Press, 1998. 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This revolves around questions of legitimacy of retention and, in a more focused manner, on the question of military looting. A number of scholars have written about the looting activities of British and other European forces concerning Yuanmingyuan (Tythacott 2018), Tibet (Carrington 2003; Harris 2012), and Benin City (Bodenstein 2018, 2020/1, 2022; Eyo 1997; Hicks 2020; Igbare 1970, 2007; Lundén 2016; Plankensteiner 2007; Ratté 1972; Shyllon 2019) to mention but a few. Some historians have provided an overview of the system that British land and naval forces operated to expropriate, and manage the expropriation of, artworks during colonial conflicts in the nineteenth century and prior (Finn 2018; Hevia 1994; Hill 1999; Spiers 2020). 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As noted in other publications (Lidchi and Allan 2020b; Lidchi and Hartwell 2022)...","publisher":"Berghahn Books","publication_name":"Museum Worlds"},"translated_abstract":"The attack on Benin City by British forces in 1897 has evolved into a symbol in the twenty-first century of the contested legacy of taking in military colonial conflicts. This revolves around questions of legitimacy of retention and, in a more focused manner, on the question of military looting. A number of scholars have written about the looting activities of British and other European forces concerning Yuanmingyuan (Tythacott 2018), Tibet (Carrington 2003; Harris 2012), and Benin City (Bodenstein 2018, 2020/1, 2022; Eyo 1997; Hicks 2020; Igbare 1970, 2007; Lundén 2016; Plankensteiner 2007; Ratté 1972; Shyllon 2019) to mention but a few. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="16244971" id="books"><div class="js-work-strip profile--work_container" data-work-id="88894780"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/88894780/Dividing_the_spoils_Perspectives_on_military_collections_and_the_British_empire"><img alt="Research paper thumbnail of Dividing the spoils Perspectives on military collections and the British empire" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88894780/Dividing_the_spoils_Perspectives_on_military_collections_and_the_British_empire">Dividing the spoils Perspectives on military collections and the British empire</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://edinburgh.academia.edu/HenriettaLidchi">Henrietta Lidchi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://nms.academia.edu/StuartAllan">Stuart Allan</a></span></div><div class="wp-workCard_item"><span>Dividing the spoils Perspectives on military collections and the British empire</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">At a time of heightened international interest in the colonial dimensions of museum collections, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony.<br /><br />As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88894780"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88894780"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88894780; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88894780]").text(description); $(".js-view-count[data-work-id=88894780]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88894780; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88894780']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 88894780, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=88894780]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88894780,"title":"Dividing the spoils Perspectives on military collections and the British empire","translated_title":"","metadata":{"abstract":"At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. 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Imaging the Arctic is the first general account of the photography of the indigenous peoples of the North American Arctic. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="109973508"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/109973508/Surviving_Desires_Making_and_Selling_Native_Jewellery_in_the_American_Southwest"><img alt="Research paper thumbnail of Surviving Desires: Making and Selling Native Jewellery in the American Southwest" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109973508/Surviving_Desires_Making_and_Selling_Native_Jewellery_in_the_American_Southwest">Surviving Desires: Making and Selling Native Jewellery in the American Southwest</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Sout...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Southwest is an iconic art form. Internationally recognized and locally significant, Native American jewellery has a compelling history—it represents the persistence of tradition while encapsulating the vitality of Native American communities and the continuously transforming nature of the jewellery makers’ art. Author Henrietta Lidchi focuses on jewellery in the cultural economy of the Southwest, exploring jewellery making as a decorative art form in constant transition. She describes the jewellery as subject to a number of desires, controlled at different times by government agencies, individual entrepreneurs, traders, curators, and Native American communities. Lidchi explores the jewellery as craft, material culture, commodity, and adornment. Considering the impact of tourism, she discusses fakes in the market and the artists’ desires to codify traditional styles, explaining how these factors can affect stylistic development and value. Surviving Desires suggests the complexity and reinvention innate to Native American jewellery as a commercial craft. Drawing on the author’s archival research and on interviews she conducted with Native American jewellers, traders, dealers, and curators, this volume examines British collecting, exchanges between British and American institutions, and the development of the British Museum’s contemporary collection. Lavishly illustrated with 300 color photographs of jewellery in the British Museum, the National Museums Scotland, and major collections in the United States, Surviving Desires presents many previously unpublished pieces and showcases works by twenty Native American jewellers, including the best-known names in the field today. The volume is a visually stunning exploration of the symbolic, economic, and communal value of jewellery in the American Southwest.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109973508"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109973508"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109973508; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109973508]").text(description); $(".js-view-count[data-work-id=109973508]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109973508; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109973508']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109973508, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=109973508]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109973508,"title":"Surviving Desires: Making and Selling Native Jewellery in the American Southwest","translated_title":"","metadata":{"abstract":"In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Southwest is an iconic art form. 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Ariese and Magdalena Wróblewska (Amsterdam: Amsterdam University Press, 2021)Listening to Art as the Voice of Our Time: The Online In-Conversation Series Indigenizing the (Art) Museum (Wapatah Centre for Indigenous Visual Knowledge/OCAD University, Toronto)National Museums in Africa: Some Reflections from the Continent: National Museums in Africa: Identity, History and Politics, Edited by Raymond Silverman, George Abungu, and Peter Probst (London: Routledge 2022)From Paddock to Peace Garden: Heritage Politics and the Development of the Japanese Memorial Site at FeatherstonShadows, Strings & Other Things: The Enchanting Theater of Puppets</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6dcca11042745a39f2c84ba4656ff1b4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107935561,"asset_id":109973502,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107935561/download_file?st=MTczMjQyMTYxNSw4LjIyMi4yMDguMTQ2&st=MTczMjQyMTYxNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109973502"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109973502"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109973502; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109973502]").text(description); $(".js-view-count[data-work-id=109973502]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109973502; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109973502']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109973502, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6dcca11042745a39f2c84ba4656ff1b4" } } $('.js-work-strip[data-work-id=109973502]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109973502,"title":"Review Essays","translated_title":"","metadata":{"abstract":"How to Practice Decoloniality in Museums: Practicing Decoloniality in Museums: A Guide with Global Examples, Csilla E. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="109973501"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/109973501/Surviving_Desires_Making_and_Selling_Native_Jewellery_in_the_American_Southwest_Henrietta_Lidchi_Norman_University_of_Oklahoma_Press_2015_272_pp_34_95_paper_ISBN_978_0_8061_4850_2"><img alt="Research paper thumbnail of Surviving Desires: Making and Selling Native Jewellery in the American Southwest. Henrietta Lidchi. Norman: University of Oklahoma Press, 2015, 272 pp. $34.95, paper. ISBN 978-0-8061-4850-2" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109973501/Surviving_Desires_Making_and_Selling_Native_Jewellery_in_the_American_Southwest_Henrietta_Lidchi_Norman_University_of_Oklahoma_Press_2015_272_pp_34_95_paper_ISBN_978_0_8061_4850_2">Surviving Desires: Making and Selling Native Jewellery in the American Southwest. Henrietta Lidchi. Norman: University of Oklahoma Press, 2015, 272 pp. $34.95, paper. ISBN 978-0-8061-4850-2</a></div><div class="wp-workCard_item"><span>Journal of Anthropological Research</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Sout...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Southwest is an iconic art form. Internationally recognized and locally significant, Native American jewellery has a compelling history—it represents the persistence of tradition while encapsulating the vitality of Native American communities and the continuously transforming nature of the jewellery makers’ art. Author Henrietta Lidchi focuses on jewellery in the cultural economy of the Southwest, exploring jewellery making as a decorative art form in constant transition. She describes the jewellery as subject to a number of desires, controlled at different times by government agencies, individual entrepreneurs, traders, curators, and Native American communities. Lidchi explores the jewellery as craft, material culture, commodity, and adornment. Considering the impact of tourism, she discusses fakes in the market and the artists’ desires to codify traditional styles, explaining how these factors can affect stylistic development and value. Surviving Desires suggests the complexity and reinvention innate to Native American jewellery as a commercial craft. Drawing on the author’s archival research and on interviews she conducted with Native American jewellers, traders, dealers, and curators, this volume examines British collecting, exchanges between British and American institutions, and the development of the British Museum’s contemporary collection. Lavishly illustrated with 300 color photographs of jewellery in the British Museum, the National Museums Scotland, and major collections in the United States, Surviving Desires presents many previously unpublished pieces and showcases works by twenty Native American jewellers, including the best-known names in the field today. 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Haldane, a 19th Century Tsimshian Photographer by Mique&#39;l Askren (Tsimshian), University of British Columbia Museums and the Creation of Visual Memories by Henrietta Lidchi, National Museums Scotland &#39;A Many-Splendored Thing&#39;: Rosalie Favell&#39;s Digital Photo-art by Amalia Conrad, University of British Columbia Changing Concepts of Community Access to Museum Photographs, a Case Study from the Jicarilla Apaches by Joyce Herold, Denver Museum of Nature &amp; Science American Myths and Indigenous Photograph by Larry McNeil (Tlingit), Boise State University</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109973500"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109973500"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109973500; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109973500]").text(description); $(".js-view-count[data-work-id=109973500]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109973500; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109973500']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 109973500, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=109973500]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109973500,"title":"Visual currencies: Reflections on Native photography","translated_title":"","metadata":{"abstract":"Dragon fly\u0026#39;s sweet dreams, America\u0026#39;s nightmares by Hulleah J. 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J. C. H. King and Henrietta Lidchi. eds. London: British Museum Press, 1998. ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Imaging the Arctic. J. C. H. King and Henrietta Lidchi. eds. London: British Museum Press, 1998. 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This revolves around questions of legitimacy of retention and, in a more focused manner, on the question of military looting. A number of scholars have written about the looting activities of British and other European forces concerning Yuanmingyuan (Tythacott 2018), Tibet (Carrington 2003; Harris 2012), and Benin City (Bodenstein 2018, 2020/1, 2022; Eyo 1997; Hicks 2020; Igbare 1970, 2007; Lundén 2016; Plankensteiner 2007; Ratté 1972; Shyllon 2019) to mention but a few. Some historians have provided an overview of the system that British land and naval forces operated to expropriate, and manage the expropriation of, artworks during colonial conflicts in the nineteenth century and prior (Finn 2018; Hevia 1994; Hill 1999; Spiers 2020). 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As noted in other publications (Lidchi and Allan 2020b; Lidchi and Hartwell 2022)...","publisher":"Berghahn Books","publication_name":"Museum Worlds"},"translated_abstract":"The attack on Benin City by British forces in 1897 has evolved into a symbol in the twenty-first century of the contested legacy of taking in military colonial conflicts. This revolves around questions of legitimacy of retention and, in a more focused manner, on the question of military looting. A number of scholars have written about the looting activities of British and other European forces concerning Yuanmingyuan (Tythacott 2018), Tibet (Carrington 2003; Harris 2012), and Benin City (Bodenstein 2018, 2020/1, 2022; Eyo 1997; Hicks 2020; Igbare 1970, 2007; Lundén 2016; Plankensteiner 2007; Ratté 1972; Shyllon 2019) to mention but a few. 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