Society & Culture | The New York Review of Books

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class="col-12 col-lg-6"> <article class="mb-xs-3 mb-lg-0"> <a href="https://www.nybooks.com/articles/2025/02/13/its-technicolor-edges-of-ailey/" class="article-card"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-xs-3"> <img src="https://www.nybooks.com/wp-content/uploads/2025/01/mcclendon_1-021325-900.jpg?w=1140" class="mw-100 embed-responsive-item object-fit-cover" alt=""> </figure> <div class="text-xs-20 text-lg-22 mb-xs-1 color-ny-red hover-text-ny-red font-giza"> <span class="color-ny-red hover-text-ny-red"><strong>Blair McClendon</strong></span> </div> <p class="text-xs-30 font-giza d-block mb-xs-1 mb-lg-0 card-title card-title-ny-red">It’s Technicolor</p> <p class="mb-0 article-card-excerpt">Alvin Ailey is one of those artists, like Picasso and Faulkner, whose name is shorthand for a whole field. </p> <p class="text-label color-gray mt-xs-1 mb-xs-3 mb-lg-0"> February 13, 2025 issue </p> </a> <div class="rule-10 d-lg-none"></div> </article> </div> <div class="col-12 col-lg-6 d-lg-flex flex-lg-column"> <div class="row featured-posts-secondary"> <div class="col-12 col-lg-6 left-border-lg"> <article class="mb-xs-3 mb-lg-8"> <a href="https://www.nybooks.com/articles/2025/02/13/a-half-century-of-artistic-genius-siena-the-rise-of-painting/" class="article-card"> <div class="small-thumb-mobile ml-xs-3 ml-lg-0 float-right float-lg-none d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img src="https://www.nybooks.com/wp-content/uploads/2025/01/butterfield_1-021325-900.jpg?w=1200" class="mw-100 embed-responsive-item object-fit-cover" alt=""> </figure> </div> <div class="text-small mb-xs-1 color-ny-red hover-text-ny-red semi-bold"> <span class="color-ny-red text-small hover-text-ny-red semi-bold"><strong>Andrew Butterfield</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-ny-red">A Half-Century of Artistic Genius</p> <div class="text-small mb-xs-1 article-card-excerpt">For two generations Sienese painters and sculptors engaged in a nonstop flurry of experimentation and innovation. </div> <p class="text-label color-gray mb-xs-3 mb-lg-0"> February 13, 2025 issue </p> </a> <div class="rule-10 d-lg-none"></div> </article> </div> <div class="col-12 col-lg-6 left-border-lg"> <article class="mb-xs-3 mb-lg-8"> <a href="https://www.nybooks.com/online/2024/11/03/i-coppola-megalopolis/" class="article-card"> <div class="small-thumb-mobile ml-xs-3 ml-lg-0 float-right float-lg-none d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img src="https://www.nybooks.com/wp-content/uploads/2024/11/WinslowYost202411_6.jpg?w=1200" class="mw-100 embed-responsive-item object-fit-cover" alt=""> </figure> </div> <div class="text-small mb-xs-1 color-ny-red hover-text-ny-red semi-bold"> <span class="color-ny-red text-small hover-text-ny-red semi-bold"><strong>Gabriel Winslow-Yost</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-ny-red">I, Coppola</p> <div class="text-small mb-xs-1 article-card-excerpt"><em>Megalopolis</em>, the director’s first film in thirteen years, is a useful reminder of how inimical extreme wealth is to democratic thinking—and to clear thinking in general.  </div> <p class="text-label color-gray mb-xs-3 mb-lg-0"> November 3, 2024 </p> </a> <div class="rule-10 d-lg-none"></div> </article> </div> </div> <div class="row featured-posts-secondary"> <div class="col-12 col-lg-6 left-border-lg"> <article class="mb-xs-3 mb-lg-8"> <a href="https://www.nybooks.com/articles/2025/01/16/rebels-without-a-cause-romeo-and-juliet-sam-gold/" class="article-card"> <div class="text-small mb-xs-1 color-ny-red hover-text-ny-red semi-bold"> <span class="color-ny-red text-small hover-text-ny-red semi-bold"><strong>James Shapiro</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-ny-red">Rebels Without a Cause</p> <div class="text-small mb-xs-1 article-card-excerpt">In Sam Gold’s <em>Romeo + Juliet</em>, the lovers’ headlong rush into marriage is in tension throughout with the surprising regression to childhood that characterizes so much of the production. </div> <p class="text-label color-gray mb-xs-3 mb-lg-0"> January 16, 2025 issue </p> </a> <div class="rule-10 d-lg-none"></div> </article> </div> <div class="col-12 col-lg-6 left-border-lg"> <article class="mb-xs-3 mb-lg-8"> <a href="https://www.nybooks.com/articles/2024/12/19/look-whos-talking-the-language-puzzle-steven-mithen/" class="article-card"> <div class="text-small mb-xs-1 color-ny-red hover-text-ny-red semi-bold"> <span class="color-ny-red text-small hover-text-ny-red semi-bold"><strong>Ian Tattersall</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-ny-red">Look Who’s Talking</p> <div class="text-small mb-xs-1 article-card-excerpt">When did our first linguistic ancestor emerge, and how did the transition from a nonlinguistic to a linguistic state take place? </div> <p class="text-label color-gray mb-xs-3 mb-lg-0"> December 19, 2024 issue </p> </a> <div class="rule-10 d-lg-none"></div> </article> </div> </div> </div> </div> <div class="row mb-md-6 featured-posts-tertiary"> <div class="col-12 col-lg-4"> <article class="mb-xs-3 mb-lg-6"> <a href="https://www.nybooks.com/articles/2024/12/19/as-you-like-it-choose-love-interactive-film/" class="article-card"> <div class="small-thumb-mobile ml-xs-3 ml-lg-0 float-right float-lg-none d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img src="https://www.nybooks.com/wp-content/uploads/2024/11/winslow-yost_1-121924-900.jpg?w=1680" class="mw-100 embed-responsive-item object-fit-cover" alt=""> </figure> </div> <div class="text-small mb-xs-1 color-ny-red hover-text-ny-red semi-bold"> <span class="color-ny-red text-small hover-text-ny-red semi-bold"><strong>Gabriel Winslow-Yost</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-ny-red">As You Like It</p> <p class="text-small mb-xs-1 article-card-excerpt">Sam Barlow’s video games may be the first efforts at interactive cinema—by either a game designer or a filmmaker—that work. </p> <p class="text-label color-gray mb-xs-3"> December 19, 2024 issue </p> </a> <div class="rule-10 d-lg-none"></div> </article> </div> <div class="col-12 col-lg-4"> <article class="mb-xs-3 mb-lg-6"> <a href="https://www.nybooks.com/online/2024/12/13/acts-of-self-erasure/" class="article-card"> <div class="small-thumb-mobile ml-xs-3 ml-lg-0 float-right float-lg-none d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img src="https://www.nybooks.com/wp-content/uploads/2024/12/Nersessian202412_7-e1734107801213.jpeg?w=1680" class="mw-100 embed-responsive-item object-fit-cover" alt=""> </figure> </div> <div class="text-small mb-xs-1 color-ny-red hover-text-ny-red semi-bold"> <span class="color-ny-red text-small hover-text-ny-red semi-bold"><strong>Anahid Nersessian</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-ny-red">Acts of Self-Erasure</p> <p class="text-small mb-xs-1 article-card-excerpt">A new exhibition of the conceptual artist Christine Kozlov shows how she worked by concealing her own tracks. </p> <p class="text-label color-gray mb-xs-3"> December 13, 2024 </p> </a> <div class="rule-10 d-lg-none"></div> </article> </div> <div class="col-12 col-lg-4"> <article class="mb-xs-3 mb-lg-6"> <a href="https://www.nybooks.com/articles/2024/12/19/the-architect-who-unified-america-henry-hobson-richardson/" class="article-card"> <div class="small-thumb-mobile ml-xs-3 ml-lg-0 float-right float-lg-none d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img src="https://www.nybooks.com/wp-content/uploads/2024/11/filler_1-121924-900.jpg?w=1680" class="mw-100 embed-responsive-item object-fit-cover" alt=""> </figure> </div> <div class="text-small mb-xs-1 color-ny-red hover-text-ny-red semi-bold"> <span class="color-ny-red text-small hover-text-ny-red semi-bold"><strong>Martin Filler</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-ny-red">The Architect Who Unified America</p> <p class="text-small mb-xs-1 article-card-excerpt">H. H. Richardson invented a practical, adaptable style for American civic architecture that was used for decades after his death. </p> <p class="text-label color-gray mb-xs-3"> December 19, 2024 issue </p> </a> </article> </div> </div> </div> </div> <div class="article-collection"> <div class="article-collection-inner w-100 mb-xs-6 mb-lg-12"> <div class="container position-relative px-0"> <div class="collection-top text-center"> <div class="collection-title h2 pt-xs-2 pb-xs-1 pl-xs-4 pr-xs-4 bg-orange color-blue d-inline-block mb-0">On Old New York</div> <div class="collection-top-border border-orange pl-lg-2 pr-lg-2"></div> </div> </div> <div class="container position-relative pt-xs-6 pt-lg-8"> <div class="border-wrap border-orange pl-lg-2 pr-lg-2"></div> <div class="row"> <div class="col-12 col-lg-3 mb-xs-3 mb-lg-12"> <article> <a href="https://www.nybooks.com/online/2019/10/09/what-happened-to-the-west-village/" class="article-card"> <div class="small-thumb-mobile ml-xs-3 ml-lg-0 float-right float-lg-none d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img loading="lazy" src="https://www.nybooks.com/wp-content/uploads/2019/10/ruddy-wvill14.jpg?w=298" srcset="https://www.nybooks.com/wp-content/uploads/2019/10/ruddy-wvill14.jpg?w=92 92w, https://www.nybooks.com/wp-content/uploads/2019/10/ruddy-wvill14.jpg?w=184 184w, https://www.nybooks.com/wp-content/uploads/2019/10/ruddy-wvill14.jpg?w=298 298w, https://www.nybooks.com/wp-content/uploads/2019/10/ruddy-wvill14.jpg?w=596 596w" sizes="(max-width: 768px) 92px, 298px" class="mw-100 embed-responsive-item object-fit-cover" alt="" > </figure> </div> <div class="text-small mb-xs-1 color-blue hover-text-blue semi-bold"> <span class="color-blue text-small hover-text-blue semi-bold"><strong>Susannah Jacob</strong></span>, photographs by <span class="color-blue text-small hover-text-blue semi-bold"><strong>Radcliffe Roye</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-blue">What Happened to the West Village?</p> <p class="text-small mb-xs-1 article-card-excerpt">The neighborhood became the epicenter of what the remorseless rise of rents will do to a once mixed and diverse city, rich foremost in its peoples and cultures. </p> <p class="text-label color-gray"> October 9, 2019 </p> </a> <div class="rule-article d-lg-none"></div> </article> </div> <div class="col-12 col-lg-3 mb-xs-3 mb-lg-12"> <article> <a href="https://www.nybooks.com/online/2018/03/07/the-death-and-life-of-a-great-american-building/" class="article-card"> <div class="small-thumb-mobile ml-xs-3 ml-lg-0 float-right float-lg-none d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img loading="lazy" src="https://www.nybooks.com/wp-content/uploads/2018/03/st-denis-postcard.jpg?w=298" srcset="https://www.nybooks.com/wp-content/uploads/2018/03/st-denis-postcard.jpg?w=92 92w, https://www.nybooks.com/wp-content/uploads/2018/03/st-denis-postcard.jpg?w=184 184w, https://www.nybooks.com/wp-content/uploads/2018/03/st-denis-postcard.jpg?w=298 298w, https://www.nybooks.com/wp-content/uploads/2018/03/st-denis-postcard.jpg?w=596 596w" sizes="(max-width: 768px) 92px, 298px" class="mw-100 embed-responsive-item object-fit-cover" alt="A postcard showing the St. Denis Hotel at Broadway and 11th Street, New York City, circa 1908" > </figure> </div> <div class="text-small mb-xs-1 color-blue hover-text-blue semi-bold"> <span class="color-blue text-small hover-text-blue semi-bold"><strong>Jeremiah Moss</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-blue">The Death and Life of a Great American Building</p> <p class="text-small mb-xs-1 article-card-excerpt">As affordable rents disappear, the mental health of New Yorkers increasingly becomes yet another tale of two cities. Imagine a future Manhattan without shrinks. What will happen to the psyche of that city? </p> <p class="text-label color-gray"> March 7, 2018 </p> </a> <div class="rule-article d-lg-none"></div> </article> </div> <div class="col-12 col-lg-3 mb-xs-3 mb-lg-12"> <article> <a href="https://www.nybooks.com/articles/2009/08/13/new-york-the-prophet/" class="article-card"> <div class="small-thumb-mobile ml-xs-3 ml-lg-0 float-right float-lg-none d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img loading="lazy" src="https://www.nybooks.com/wp-content/uploads/2009/08/epstein_1-081309-e1462380014507.jpg?w=298" srcset="https://www.nybooks.com/wp-content/uploads/2009/08/epstein_1-081309-e1462380014507.jpg?w=92 92w, https://www.nybooks.com/wp-content/uploads/2009/08/epstein_1-081309-e1462380014507.jpg?w=184 184w, https://www.nybooks.com/wp-content/uploads/2009/08/epstein_1-081309-e1462380014507.jpg?w=298 298w, https://www.nybooks.com/wp-content/uploads/2009/08/epstein_1-081309-e1462380014507.jpg?w=596 596w" sizes="(max-width: 768px) 92px, 298px" class="mw-100 embed-responsive-item object-fit-cover" alt="" > </figure> </div> <div class="text-small mb-xs-1 color-blue hover-text-blue semi-bold"> <span class="color-blue text-small hover-text-blue semi-bold"><strong>Jason Epstein</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-blue">New York: The Prophet</p> <p class="text-small mb-xs-1 article-card-excerpt">“The war over the monstrous Lower Manhattan Expressway, a projected ten-lane elevated link…connecting the Holland Tunnel to the East River bridges, would be long and painful. Jacobs and the neighborhood coalition prevailed. But the nine-year struggle…convinced Jacobs that if she wanted to write other books she must leave New York.” </p> <p class="text-label color-gray"> August 13, 2009 issue </p> </a> <div class="rule-article d-lg-none"></div> </article> </div> <div class="col-12 col-lg-3 mb-xs-3 mb-lg-12"> <article> <a href="https://www.nybooks.com/articles/2003/11/06/my-lost-city/" class="article-card"> <div class="small-thumb-mobile ml-xs-3 ml-lg-0 float-right float-lg-none d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img loading="lazy" src="https://www.nybooks.com/wp-content/uploads/2003/11/nyc-subway.png?w=298" srcset="https://www.nybooks.com/wp-content/uploads/2003/11/nyc-subway.png?w=92 92w, https://www.nybooks.com/wp-content/uploads/2003/11/nyc-subway.png?w=184 184w, https://www.nybooks.com/wp-content/uploads/2003/11/nyc-subway.png?w=298 298w, https://www.nybooks.com/wp-content/uploads/2003/11/nyc-subway.png?w=596 596w" sizes="(max-width: 768px) 92px, 298px" class="mw-100 embed-responsive-item object-fit-cover" alt="" > </figure> </div> <div class="text-small mb-xs-1 color-blue hover-text-blue semi-bold"> <span class="color-blue text-small hover-text-blue semi-bold"><strong>Lucy Sante</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-blue">My Lost City</p> <p class="text-small mb-xs-1 article-card-excerpt">“Aside from the matter of actual violence, drugs, and squalor, there was the fact that in the 1970s New York City was not a part of the United States at all. It was an offshore interzone with no shopping malls, few major chains, very few born-again Christians who had not been sent there on a mission, no golf courses, no subdivisions.” </p> <p class="text-label color-gray"> November 6, 2003 issue </p> </a> </article> </div> </div> </div> <div class="container position-relative"> <div class="collection-bottom text-center"> <div class="pt-xs-4"></div> <div class="collection-bottom-border border-orange pl-lg-2 pr-lg-2"></div> </div> </div> </div> </div> <div class="container"> <div class="row"> <div class="col-12"> <div id="category-lander-lower-ad" class="ad-spacing d-flex flex-column inline-banner-ad mb-xs-12"> <p class="text-label-sm mb-xs-2 mt-xs-2 color-gray text-center">Advertisement</p> <div id="div-gpt-ad-1600890844418-0" class="mx-auto"></div> </div> </div> </div> </div> <section class="archive-roll"> <div class="container"> <div class="row"> <div class="col-12 text-center"> <h2 class="color-blue section-header text-center mb-xs-6 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Sigh</p> <p class="text-small mb-xs-1 article-card-excerpt">Where we might have expected a show about the state of the nation, the spy series <em>Slow Horses</em> instead examines the state of the office. </p> <p class="text-label color-gray mb-0"> January 18, 2025 </p> </a> </div> </div> </article> <div class="rule-article mb-xs-3 clearfix"></div> </div> <div class="col-12 mx-auto col-lg-7"> <article class="mb-xs-3 clearfix"> <div class="archive-meta d-lg-flex justify-content-between"> <a href="https://www.nybooks.com/online/2025/01/16/haunted-haunted-mike-leigh-hard-truths/" class="archive-meta-img order-lg-1 ml-xs-3 ml-lg-12 small-thumb float-right d-inline-block"> <figure class="border-light-gray embed-responsive-3by2 embed-responsive mb-0"> <img src="https://www.nybooks.com/wp-content/uploads/2025/01/Katzenstein202501_5.jpeg?w=330" srcset="https://www.nybooks.com/wp-content/uploads/2025/01/Katzenstein202501_5.jpeg?w=330 330w, 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<div class="text-small mb-xs-1 color-ny-red hover-text-ny-red semi-bold"> <span class="text-small color-ny-red hover-text-ny-red semi-bold"><strong>Claudio Lomnitz</strong></span> </div> <p class="h4 d-block mb-xs-1 card-title card-title-ny-red">Risky, Ephemeral, Revolutionary Prints</p> <p class="text-small mb-xs-1 article-card-excerpt">A survey of Mexican printmaking shows how enduringly the country’s illustrators blurred the boundary between art and the world of the working poor. </p> <p class="text-label color-gray mb-0"> January 1, 2025 </p> </a> </div> </div> </article> <div class="rule-article mb-xs-3 clearfix"></div> </div> <div class="col-12 mx-auto col-lg-7"> <article class="mb-xs-3 clearfix"> <div class="archive-meta d-lg-flex justify-content-between"> <a href="https://www.nybooks.com/online/2024/12/08/mama-tried-hold-on-to-me-darling/" class="archive-meta-img order-lg-1 ml-xs-3 ml-lg-12 small-thumb float-right d-inline-block"> <figure class="border-light-gray 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