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It looks especially at the outcry in Afghanistan over 'culturally inflammatory'... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_6229927" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper examines the varied public responses, favourable and unfavourable, to Khaled Hosseini's 2003 novel, The Kite Runner, and its 2007 film adaptation. It looks especially at the outcry in Afghanistan over 'culturally inflammatory' elements of both novel and film typically framed by the Anglophone press as the gap between Western liberalism and ethnoreligious extremism, and considers those hostilities against antagonisms toward Hosseini's work expressed within the Afghan expatriate communities. In seeking a nuanced understanding of what lies at the core of this so-called 'clash of sensibilities', the author draws upon media reports and critique, conversations with Afghan transnationals, and Hosseini's text to explore the broader but related questions of 1) the limits of acceptability in art, particularly when it transgresses the norms of the society from which it has emerged and 2) the future of expatriate literary production when carried out under communally-imposed constraints.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6229927" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="963f8a95cf278ba086047c2fd3504dc6" rel="nofollow" data-download="{"attachment_id":48955392,"asset_id":6229927,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48955392/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9567660" href="https://dliflc.academia.edu/JanetteEdwards">Janette Edwards</a><script data-card-contents-for-user="9567660" type="text/json">{"id":9567660,"first_name":"Janette","last_name":"Edwards","domain_name":"dliflc","page_name":"JanetteEdwards","display_name":"Janette Edwards","profile_url":"https://dliflc.academia.edu/JanetteEdwards","photo":"https://0.academia-photos.com/9567660/37791719/31849534/s65_janette.edwards.jpg"}</script></span></span></li><li class="js-paper-rank-work_6229927 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6229927"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6229927, container: ".js-paper-rank-work_6229927", }); 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$(".js-view-count[data-work-id=6229927]").text(description); $(".js-view-count-work_6229927").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6229927").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6229927"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="14800" rel="nofollow" href="https://www.academia.edu/Documents/in/Hermeneutics_and_Narrative">Hermeneutics and Narrative</a><script data-card-contents-for-ri="14800" type="text/json">{"id":14800,"name":"Hermeneutics and Narrative","url":"https://www.academia.edu/Documents/in/Hermeneutics_and_Narrative","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6229927]'), work: {"id":6229927,"title":"Expatriate Literature and the Problem of Contested Representation: The Case of Khaled Hosseini's The Kite Runner1","created_at":"2014-02-27T14:44:08.875-08:00","owner_id":9567660,"url":"https://www.academia.edu/6229927/Expatriate_Literature_and_the_Problem_of_Contested_Representation_The_Case_of_Khaled_Hosseinis_The_Kite_Runner1","slug":"Expatriate_Literature_and_the_Problem_of_Contested_Representation_The_Case_of_Khaled_Hosseinis_The_Kite_Runner1","dom_id":"work_6229927","summary":"This paper examines the varied public responses, favourable and unfavourable, to Khaled Hosseini's 2003 novel, The Kite Runner, and its 2007 film adaptation. It looks especially at the outcry in Afghanistan over 'culturally inflammatory' elements of both novel and film typically framed by the Anglophone press as the gap between Western liberalism and ethnoreligious extremism, and considers those hostilities against antagonisms toward Hosseini's work expressed within the Afghan expatriate communities. In seeking a nuanced understanding of what lies at the core of this so-called 'clash of sensibilities', the author draws upon media reports and critique, conversations with Afghan transnationals, and Hosseini's text to explore the broader but related questions of 1) the limits of acceptability in art, particularly when it transgresses the norms of the society from which it has emerged and 2) the future of expatriate literary production when carried out under communally-imposed 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class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12144741/Expatriate_Literature_and_the_Problem_of_Contested_Representation_The_Case_of_Khaled_Hosseini_s_The_Kite_Runner">Expatriate Literature and the Problem of Contested Representation: The Case of Khaled Hosseini’s The Kite Runner </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper examines the varied public responses, favourable and unfavourable, to Khaled Hosseini's 2003 novel, The Kite Runner, and its 2007 film adaptation. It looks especially at the outcry in Afghanistan over 'culturally inflammatory'... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12144741" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper examines the varied public responses, favourable and unfavourable, to Khaled Hosseini's 2003 novel, The Kite Runner, and its 2007 film adaptation. It looks especially at the outcry in Afghanistan over 'culturally inflammatory' elements of both novel and film typically framed by the Anglophone press as the gap between Western liberalism and ethnoreligious extremism, and considers those hostilities against antagonisms toward Hosseini's work expressed within the Afghan expatriate communities. 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It looks especially at the outcry in Afghanistan over 'culturally inflammatory'... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_74917666" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper examines the varied public responses, favourable and unfavourable, to Khaled Hosseini's 2003 novel, The Kite Runner, and its 2007 film adaptation. It looks especially at the outcry in Afghanistan over 'culturally inflammatory' elements of both novel and film typically framed by the Anglophone press as the gap between Western liberalism and ethnoreligious extremism, and considers those hostilities against antagonisms toward Hosseini's work expressed within the Afghan expatriate communities. In seeking a nuanced understanding of what lies at the core of this so-called 'clash of sensibilities', the author draws upon media reports and critique, conversations with Afghan transnationals, and Hosseini's text to explore the broader but related questions of 1) the limits of acceptability in art, particularly when it transgresses the norms of the society from which it has emerged and 2) the future of expatriate literary production when carried out under communally-imposed constraints. All views expressed in this paper are the author's and not those of the United States Department of Defense or the Defense Language Institute where she serves as associate professor in the Faculty Development Division.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/74917666" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a32ec43da7fb9ef2f3d5db1b7d47bab0" rel="nofollow" data-download="{"attachment_id":83578766,"asset_id":74917666,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/83578766/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9567660" href="https://dliflc.academia.edu/JanetteEdwards">Janette Edwards</a><script data-card-contents-for-user="9567660" type="text/json">{"id":9567660,"first_name":"Janette","last_name":"Edwards","domain_name":"dliflc","page_name":"JanetteEdwards","display_name":"Janette Edwards","profile_url":"https://dliflc.academia.edu/JanetteEdwards","photo":"https://0.academia-photos.com/9567660/37791719/31849534/s65_janette.edwards.jpg"}</script></span></span></li><li class="js-paper-rank-work_74917666 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="74917666"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 74917666, container: ".js-paper-rank-work_74917666", }); 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It looks especially at the outcry in Afghanistan over 'culturally inflammatory' elements of both novel and film typically framed by the Anglophone press as the gap between Western liberalism and ethnoreligious extremism, and considers those hostilities against antagonisms toward Hosseini's work expressed within the Afghan expatriate communities. In seeking a nuanced understanding of what lies at the core of this so-called 'clash of sensibilities', the author draws upon media reports and critique, conversations with Afghan transnationals, and Hosseini's text to explore the broader but related questions of 1) the limits of acceptability in art, particularly when it transgresses the norms of the society from which it has emerged and 2) the future of expatriate literary production when carried out under communally-imposed constraints. All views expressed in this paper are the author's and not those of the United States Department of Defense or the Defense Language Institute where she serves as associate professor in the Faculty Development Division.","publication":"Inter-Disciplinary. net","publication_with_fallback":"Inter-Disciplinary. net","downloadable_attachments":[{"id":83578766,"asset_id":74917666,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/83578766/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/83578766/Expatriate_Literature_and_the_Problem_of20220409-31004-1hqimoj.pdf?1738489313=\u0026response-content-disposition=attachment%3B+filename%3DExpatriate_Literature_and_the_Problem_of.pdf\u0026Expires=1743062977\u0026Signature=f7EO1Nupek8Rs1Mv8p2RUvI1cQk8Qx7FSxlu15mssoF01~VFLhExzFCZLFkSqnsgZae~RrzT6V5SAFOIb2gHyVxmbN2uT-puMQJ9U0t~qmumU5vdJMVhNyqydA~K-KNIKKuaWiFQNk6OosOkj7FQUqJsCK6KS3OjREscbQeDidB6fFSpZB0OjfMCN2vItUBPpxG3lLGXPnlZVtf8-FMEDrOVzHxHepW70lhXs237~XH9o~zrmbawFjoCXAKUNxKzB02mhSpeJ1e55S9vzvuzPsAQl9Qb-AHrO-B7SDFetyQAl0-jNc2v5o1p63g7UrN9we1ccUkbYzHU5tbbTeV3jg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/83578766/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/83578766/mini_magick20220409-17864-omrj0q.png?1649516751"}],"downloadable_attachments_with_full_thumbnails":[{"id":83578766,"asset_id":74917666,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/83578766/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/83578766/Expatriate_Literature_and_the_Problem_of20220409-31004-1hqimoj.pdf?1738489313=\u0026response-content-disposition=attachment%3B+filename%3DExpatriate_Literature_and_the_Problem_of.pdf\u0026Expires=1743062977\u0026Signature=f7EO1Nupek8Rs1Mv8p2RUvI1cQk8Qx7FSxlu15mssoF01~VFLhExzFCZLFkSqnsgZae~RrzT6V5SAFOIb2gHyVxmbN2uT-puMQJ9U0t~qmumU5vdJMVhNyqydA~K-KNIKKuaWiFQNk6OosOkj7FQUqJsCK6KS3OjREscbQeDidB6fFSpZB0OjfMCN2vItUBPpxG3lLGXPnlZVtf8-FMEDrOVzHxHepW70lhXs237~XH9o~zrmbawFjoCXAKUNxKzB02mhSpeJ1e55S9vzvuzPsAQl9Qb-AHrO-B7SDFetyQAl0-jNc2v5o1p63g7UrN9we1ccUkbYzHU5tbbTeV3jg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/83578766/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/83578766/mini_magick20220409-17864-omrj0q.png?1649516751"}],"has_pdf":true,"has_fulltext":true,"page_count":13,"ordered_authors":[{"id":9567660,"first_name":"Janette","last_name":"Edwards","domain_name":"dliflc","page_name":"JanetteEdwards","display_name":"Janette Edwards","profile_url":"https://dliflc.academia.edu/JanetteEdwards","photo":"https://0.academia-photos.com/9567660/37791719/31849534/s65_janette.edwards.jpg"}],"research_interests":[{"id":14800,"name":"Hermeneutics and Narrative","url":"https://www.academia.edu/Documents/in/Hermeneutics_and_Narrative","nofollow":true}],"publication_year":2008,"publication_year_with_fallback":2008,"paper_rank":null,"all_time_views":17,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9085797" data-work_id="9085797" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9085797/The_Cultural_Identity_Crisis_of_Late_Qing_and_Early_Republican_China_Liang_Shumings_Chinese_Cultural_Conservatism_in_Chinese_">The Cultural Identity Crisis of Late Qing and Early Republican China: Liang Shuming's Chinese Cultural Conservatism (in Chinese)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In his discussion of China’s cultural tradition, Liang Shuming attempted to carry out plans of rural construction with a goal to create Chinese democracy and science. Admittedly, the late Qing self-strengthening movement and Zhang... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9085797" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In his discussion of China’s cultural tradition, Liang Shuming attempted to carry out plans of rural construction with a goal to create Chinese democracy and science. Admittedly, the late Qing self-strengthening movement and Zhang Zhidong’s concept of “Chinese substance and Western function” was influential in Liang’s thinking, for he sought to renew his Confucian thinking, in order to replenish China’s cultural spirit. Current scholarship focuses on Liang’s philosophy, but scholars have not examined how Liang, as a pragmatic Confucian, transmitted Wang Yangming’s idea of “Unity of Knowledge and Action.” Such being the case, one might ask, as an intellectual enveloped under late Qing and early Republican China, how did Liang react to the onerous predicaments of this period? In terms of his philosophical concepts, how did he achieve purification? From Liang’s philosophical works, what can be observed concerning Liang’s transcendence of China’s cultural identity crisis? This article aims to examine these questions, and through Chinese history, philosophy, New Confucianism, research on Liang Shuming and other academic fields, it hopes to provide a greater understanding of this topic.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9085797" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="49112525f605dbb6b30c728ee1986bb2" rel="nofollow" data-download="{"attachment_id":35383584,"asset_id":9085797,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35383584/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_9085797 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9085797"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9085797, container: ".js-paper-rank-work_9085797", }); });</script></li><li class="js-percentile-work_9085797 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9085797; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_9085797"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_9085797 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="9085797"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9085797; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9085797]").text(description); $(".js-view-count-work_9085797").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9085797").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9085797"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1020" rel="nofollow" href="https://www.academia.edu/Documents/in/Chinese_Philosophy">Chinese Philosophy</a>, <script data-card-contents-for-ri="1020" type="text/json">{"id":1020,"name":"Chinese Philosophy","url":"https://www.academia.edu/Documents/in/Chinese_Philosophy","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="71586" rel="nofollow" href="https://www.academia.edu/Documents/in/New_Confucianism">New Confucianism</a><script data-card-contents-for-ri="71586" type="text/json">{"id":71586,"name":"New Confucianism","url":"https://www.academia.edu/Documents/in/New_Confucianism","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9085797]'), work: {"id":9085797,"title":"The Cultural Identity Crisis of Late Qing and Early Republican China: Liang Shuming's Chinese Cultural Conservatism (in Chinese)","created_at":"2014-11-02T16:20:27.748-08:00","owner_id":20589547,"url":"https://www.academia.edu/9085797/The_Cultural_Identity_Crisis_of_Late_Qing_and_Early_Republican_China_Liang_Shumings_Chinese_Cultural_Conservatism_in_Chinese_","slug":"The_Cultural_Identity_Crisis_of_Late_Qing_and_Early_Republican_China_Liang_Shumings_Chinese_Cultural_Conservatism_in_Chinese_","dom_id":"work_9085797","summary":"In his discussion of China’s cultural tradition, Liang Shuming attempted to carry out plans of rural construction with a goal to create Chinese democracy and science. Admittedly, the late Qing self-strengthening movement and Zhang Zhidong’s concept of “Chinese substance and Western function” was influential in Liang’s thinking, for he sought to renew his Confucian thinking, in order to replenish China’s cultural spirit. Current scholarship focuses on Liang’s philosophy, but scholars have not examined how Liang, as a pragmatic Confucian, transmitted Wang Yangming’s idea of “Unity of Knowledge and Action.” Such being the case, one might ask, as an intellectual enveloped under late Qing and early Republican China, how did Liang react to the onerous predicaments of this period? In terms of his philosophical concepts, how did he achieve purification? From Liang’s philosophical works, what can be observed concerning Liang’s transcendence of China’s cultural identity crisis? This article aims to examine these questions, and through Chinese history, philosophy, New Confucianism, research on Liang Shuming and other academic fields, it hopes to provide a greater understanding of this topic.","publication":"Yunhan xuekan 雲漢學刊","publication_with_fallback":"Yunhan xuekan 雲漢學刊","downloadable_attachments":[{"id":35383584,"asset_id":9085797,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/35383584/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/35383584/Lem__Henry_-_Liang_Shuming_Chinese_Conservatism_Aug._2013-libre.pdf?1414973994=\u0026response-content-disposition=attachment%3B+filename%3DThe_Cultural_Identity_Crisis_of_Late_Qin.pdf\u0026Expires=1743062977\u0026Signature=dgAAYENv5c3PDZDBa11G-hEaggX-EHdtBFxEebwvm8gzntyObGv-cRZ1HMF1Osu2BjMiWNoZCdkcEQfYa8S5F~lI097HASbl208e51E6gSxFZ5~xEfyzMPx2c-EJtWVTpAztRCogDX41hfv0oQkKkW4QgH6bdD1-pQHtZQ0yuz-7iDxEyLkn~j4k6S50fvZXRdVURQ5-ToO4Mqw3qxWLhfVvHNnFfU0e7-1bD0K2YMGwRUGzZb3gSemzsQFnjNK59Ow2qbizsJ2Hp-eeliEjKp9Les2x-I8xWfsgbkFIv~Rx~8mmEbdDYdpxC3~Eq1vcO5s3EvUsd6tme1XJT8dWiQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/35383584/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/35383584/mini_magick20190315-19981-1u8lpsm.png?1552668881"}],"downloadable_attachments_with_full_thumbnails":[{"id":35383584,"asset_id":9085797,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/35383584/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/35383584/Lem__Henry_-_Liang_Shuming_Chinese_Conservatism_Aug._2013-libre.pdf?1414973994=\u0026response-content-disposition=attachment%3B+filename%3DThe_Cultural_Identity_Crisis_of_Late_Qin.pdf\u0026Expires=1743062977\u0026Signature=dgAAYENv5c3PDZDBa11G-hEaggX-EHdtBFxEebwvm8gzntyObGv-cRZ1HMF1Osu2BjMiWNoZCdkcEQfYa8S5F~lI097HASbl208e51E6gSxFZ5~xEfyzMPx2c-EJtWVTpAztRCogDX41hfv0oQkKkW4QgH6bdD1-pQHtZQ0yuz-7iDxEyLkn~j4k6S50fvZXRdVURQ5-ToO4Mqw3qxWLhfVvHNnFfU0e7-1bD0K2YMGwRUGzZb3gSemzsQFnjNK59Ow2qbizsJ2Hp-eeliEjKp9Les2x-I8xWfsgbkFIv~Rx~8mmEbdDYdpxC3~Eq1vcO5s3EvUsd6tme1XJT8dWiQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/35383584/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/35383584/mini_magick20190315-19981-1u8lpsm.png?1552668881"}],"has_pdf":true,"has_fulltext":true,"page_count":18,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":1020,"name":"Chinese Philosophy","url":"https://www.academia.edu/Documents/in/Chinese_Philosophy","nofollow":true},{"id":71586,"name":"New Confucianism","url":"https://www.academia.edu/Documents/in/New_Confucianism","nofollow":true},{"id":295297,"name":"Liang Shuming 梁漱溟","url":"https://www.academia.edu/Documents/in/Liang_Shuming_"}],"publication_year":2013,"publication_year_with_fallback":2013,"paper_rank":null,"all_time_views":157,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9085817" data-work_id="9085817" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9085817/Literary_Mind_and_the_Carving_of_Dragons_and_Elucidation_of_the_Rhapsody_A_New_Discussion_on_Liu_Xie_s_Theory_of_the_Fu_in_Chinese_">Literary Mind and the Carving of Dragons and “Elucidation of the Rhapsody”—A New Discussion on Liu Xie’s Theory of the Fu (in Chinese)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In Wenxin Diaolong’s “Elucidation of the Rhapsody” (Quan Fu) chapter, Liu Xie explores the meaning of fu and discusses its transformation from a type of expressive technique to an actual literary genre. He elaborates on canonical fu... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9085817" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In Wenxin Diaolong’s “Elucidation of the Rhapsody” (Quan Fu) chapter, Liu Xie explores the meaning of fu and discusses its transformation from a type of expressive technique to an actual literary genre. He elaborates on canonical fu writers of the Chinese past, reveals his theory of the Han fu and also examines this literary genre from a historical perspective, referencing Ban Gu’s Han Shu (History of the Later Han) and his preface to the Liang Du Fu (Rhapsody on Dual Capitals). Furthermore, Liu Xie discusses the different types of fu and evaluates its unique characteristics, emphasizing that the fu must possess “exquisite words and elegant meaning” (li ci ya yi). Recent scholars have analyzed Liu Xie’s concept of the fu, focusing on the Quan Fu chapter in relation to the literary theory of Liu Xie’s text; however, scholars have not thoroughly explored the strong relationship between Liu Xie’s Confucian thinking and his evaluation of fu writers within the Quan Fu chapter. Therefore, this article aims to reevaluate Liu Xie’s exegesis of the fu, and through Wenxin Diaolong research, scholarly criticism of the fu literary genre, Chinese literary history and other fields, the author hopes to provide a greater understanding of this topic.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9085817" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="215f0d5034f2432e9944fd2a7b15bc08" rel="nofollow" data-download="{"attachment_id":35383615,"asset_id":9085817,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35383615/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_9085817 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9085817"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9085817, container: ".js-paper-rank-work_9085817", }); });</script></li><li class="js-percentile-work_9085817 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9085817; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_9085817"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_9085817 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="9085817"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9085817; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9085817]").text(description); $(".js-view-count-work_9085817").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9085817").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9085817"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="27584" rel="nofollow" href="https://www.academia.edu/Documents/in/Chinese_literature">Chinese literature</a>, <script data-card-contents-for-ri="27584" type="text/json">{"id":21584,"name":"Six Dynasties","url":"https://www.academia.edu/Documents/in/Six_Dynasties","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="175109" rel="nofollow" href="https://www.academia.edu/Documents/in/Literary_Aesthetics">Literary Aesthetics</a><script data-card-contents-for-ri="175109" type="text/json">{"id":27584,"name":"Chinese literature","url":"https://www.academia.edu/Documents/in/Chinese_literature","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9085817]'), work: {"id":9085817,"title":"Literary Mind and the Carving of Dragons and “Elucidation of the Rhapsody”—A New Discussion on Liu Xie’s Theory of the Fu (in Chinese)","created_at":"2014-11-02T16:22:08.936-08:00","owner_id":20589547,"url":"https://www.academia.edu/9085817/Literary_Mind_and_the_Carving_of_Dragons_and_Elucidation_of_the_Rhapsody_A_New_Discussion_on_Liu_Xie_s_Theory_of_the_Fu_in_Chinese_","slug":"Literary_Mind_and_the_Carving_of_Dragons_and_Elucidation_of_the_Rhapsody_A_New_Discussion_on_Liu_Xie_s_Theory_of_the_Fu_in_Chinese_","dom_id":"work_9085817","summary":"In Wenxin Diaolong’s “Elucidation of the Rhapsody” (Quan Fu) chapter, Liu Xie explores the meaning of fu and discusses its transformation from a type of expressive technique to an actual literary genre. He elaborates on canonical fu writers of the Chinese past, reveals his theory of the Han fu and also examines this literary genre from a historical perspective, referencing Ban Gu’s Han Shu (History of the Later Han) and his preface to the Liang Du Fu (Rhapsody on Dual Capitals). Furthermore, Liu Xie discusses the different types of fu and evaluates its unique characteristics, emphasizing that the fu must possess “exquisite words and elegant meaning” (li ci ya yi). Recent scholars have analyzed Liu Xie’s concept of the fu, focusing on the Quan Fu chapter in relation to the literary theory of Liu Xie’s text; however, scholars have not thoroughly explored the strong relationship between Liu Xie’s Confucian thinking and his evaluation of fu writers within the Quan Fu chapter. Therefore, this article aims to reevaluate Liu Xie’s exegesis of the fu, and through Wenxin Diaolong research, scholarly criticism of the fu literary genre, Chinese literary history and other fields, the author hopes to provide a greater understanding of this topic.","publication":"Yunhan xuekan 雲漢學刊","publication_with_fallback":"Yunhan xuekan 雲漢學刊","downloadable_attachments":[{"id":35383615,"asset_id":9085817,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/35383615/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/35383615/Lem__Henry_-_Liu_Xies_Fu_Theory_Aug._2012-libre.pdf?1414974120=\u0026response-content-disposition=attachment%3B+filename%3DLiterary_Mind_and_the_Carving_of_Dragons.pdf\u0026Expires=1742131505\u0026Signature=YIjUs0HI~1~-Dq4CO-HDXixCOFmAuZM9r8JleFksV5VIrW9vws1ewuEmRkUBPozIJ6dZjtTz8aoXoRFvTMxG6RyTbKCYokkXvN5d18FgWHwzJgEMP9ICTbxshED2Oi0f4PR7QKBP6hZZ2jcPo2ErDVvRaZpOKeFUcHu3zga02-OMoKXHXCPFfoWifiXHwBhfLWPr1gEA7cXsYBhWNEsb0Pl2n9IYxQ5N225FE3kwU6LmeA1EnK2YPDNHb6wFclzOoIeDJ2NpikOycFsICKtg1PW341mvplMLa97IOkHVWb5-~ff2CKcHNjuU8elA0haXwNeyrUcmzTGaQ2n8fYtMvw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/35383615/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/35383615/mini_magick20190315-594-nso2hd.png?1552668852"}],"downloadable_attachments_with_full_thumbnails":[{"id":35383615,"asset_id":9085817,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/35383615/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/35383615/Lem__Henry_-_Liu_Xies_Fu_Theory_Aug._2012-libre.pdf?1414974120=\u0026response-content-disposition=attachment%3B+filename%3DLiterary_Mind_and_the_Carving_of_Dragons.pdf\u0026Expires=1742131505\u0026Signature=YIjUs0HI~1~-Dq4CO-HDXixCOFmAuZM9r8JleFksV5VIrW9vws1ewuEmRkUBPozIJ6dZjtTz8aoXoRFvTMxG6RyTbKCYokkXvN5d18FgWHwzJgEMP9ICTbxshED2Oi0f4PR7QKBP6hZZ2jcPo2ErDVvRaZpOKeFUcHu3zga02-OMoKXHXCPFfoWifiXHwBhfLWPr1gEA7cXsYBhWNEsb0Pl2n9IYxQ5N225FE3kwU6LmeA1EnK2YPDNHb6wFclzOoIeDJ2NpikOycFsICKtg1PW341mvplMLa97IOkHVWb5-~ff2CKcHNjuU8elA0haXwNeyrUcmzTGaQ2n8fYtMvw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/35383615/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/35383615/mini_magick20190315-594-nso2hd.png?1552668852"}],"has_pdf":true,"has_fulltext":true,"page_count":20,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":21584,"name":"Six Dynasties","url":"https://www.academia.edu/Documents/in/Six_Dynasties","nofollow":true},{"id":27584,"name":"Chinese literature","url":"https://www.academia.edu/Documents/in/Chinese_literature","nofollow":true},{"id":175109,"name":"Literary Aesthetics","url":"https://www.academia.edu/Documents/in/Literary_Aesthetics"}],"publication_year":2012,"publication_year_with_fallback":2012,"paper_rank":null,"all_time_views":161,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9085824" data-work_id="9085824" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9085824/A_Discussion_of_Zhu_Zumous_Jiang_Cun_Yu_Ye_and_its_Allusions_to_Du_Fus_Poetry_in_Chinese_">A Discussion of Zhu Zumou's Jiang Cun Yu Ye and its Allusions to Du Fu's Poetry (in Chinese)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Zhu Xiaozang (1857-1931), actual name Zumou (zi Huosheng, hao Jiangcun), was from Gui'an, Zhejiang. He attained his jinshi degree in 1883 and later studied tz'u poetry intensively, annotated and edited Tang, Song, Jin, and Yuan tz'u in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9085824" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Zhu Xiaozang (1857-1931), actual name Zumou (zi Huosheng, hao Jiangcun), was from Gui'an, Zhejiang. He attained his jinshi degree in 1883 and later studied tz'u poetry intensively, annotated and edited Tang, Song, Jin, and Yuan tz'u in his Jiangcun Congshu; and wrote tz'u, which exist in his surviving collection called Jiangcun Yuye. Scholars of the past argue the style of Jiangcun's tz'u is like "Mengchuang in spirit, Su Dongpo in form." From recently collected sources, one finds that scholars have explored the innovation and unique qualities of Jiangcun's Tz'u. In regards to Jiangcun's borrowing of Du Fu's poetry, scholars have missed this point. Therefore, this article aims to correct this gap in understanding Jiiangcun's poetry, to engage in a deeper exploration and analysis through the Tz'u poetry research methodology of National Cheng Kung University's Professor Wang Weiyong and other research on the study of Tz'u, with hopes to provide a fresh and new perspective on the topic.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9085824" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1a6eab87a8ce64be8d4ae60a26e32f4e" rel="nofollow" data-download="{"attachment_id":57386765,"asset_id":9085824,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57386765/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_9085824 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9085824"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9085824, container: ".js-paper-rank-work_9085824", }); });</script></li><li class="js-percentile-work_9085824 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9085824; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_9085824"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_9085824 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="9085824"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9085824; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9085824]").text(description); $(".js-view-count-work_9085824").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9085824").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9085824"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14300" rel="nofollow" href="https://www.academia.edu/Documents/in/Chinese_poetry">Chinese poetry</a>, <script data-card-contents-for-ri="14300" type="text/json">{"id":14300,"name":"Chinese poetry","url":"https://www.academia.edu/Documents/in/Chinese_poetry","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27584" rel="nofollow" href="https://www.academia.edu/Documents/in/Chinese_literature">Chinese literature</a>, <script data-card-contents-for-ri="27584" type="text/json">{"id":27584,"name":"Chinese literature","url":"https://www.academia.edu/Documents/in/Chinese_literature","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="57374" rel="nofollow" href="https://www.academia.edu/Documents/in/Late_Qing_literature">Late Qing literature</a>, <script data-card-contents-for-ri="57374" type="text/json">{"id":57374,"name":"Late Qing literature","url":"https://www.academia.edu/Documents/in/Late_Qing_literature","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1195951" rel="nofollow" href="https://www.academia.edu/Documents/in/Tang_Poetry">Tang Poetry</a><script data-card-contents-for-ri="1195951" type="text/json">{"id":1195951,"name":"Tang Poetry","url":"https://www.academia.edu/Documents/in/Tang_Poetry","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9085824]'), work: {"id":9085824,"title":"A Discussion of Zhu Zumou's Jiang Cun Yu Ye and its Allusions to Du Fu's Poetry (in Chinese)","created_at":"2014-11-02T16:23:00.167-08:00","owner_id":20589547,"url":"https://www.academia.edu/9085824/A_Discussion_of_Zhu_Zumous_Jiang_Cun_Yu_Ye_and_its_Allusions_to_Du_Fus_Poetry_in_Chinese_","slug":"A_Discussion_of_Zhu_Zumous_Jiang_Cun_Yu_Ye_and_its_Allusions_to_Du_Fus_Poetry_in_Chinese_","dom_id":"work_9085824","summary":"Zhu Xiaozang (1857-1931), actual name Zumou (zi Huosheng, hao Jiangcun), was from Gui'an, Zhejiang. He attained his jinshi degree in 1883 and later studied tz'u poetry intensively, annotated and edited Tang, Song, Jin, and Yuan tz'u in his Jiangcun Congshu; and wrote tz'u, which exist in his surviving collection called Jiangcun Yuye. Scholars of the past argue the style of Jiangcun's tz'u is like \"Mengchuang in spirit, Su Dongpo in form.\" From recently collected sources, one finds that scholars have explored the innovation and unique qualities of Jiangcun's Tz'u. In regards to Jiangcun's borrowing of Du Fu's poetry, scholars have missed this point. Therefore, this article aims to correct this gap in understanding Jiiangcun's poetry, to engage in a deeper exploration and analysis through the Tz'u poetry research methodology of National Cheng Kung University's Professor Wang Weiyong and other research on the study of Tz'u, with hopes to provide a fresh and new perspective on the topic.","publication":"You feng chu ming nian kan 有鳳初鳴年刊","publication_with_fallback":"You feng chu ming nian kan 有鳳初鳴年刊","downloadable_attachments":[{"id":57386765,"asset_id":9085824,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/57386765/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/57386765/%E6%9C%89%E9%B3%B3%E5%88%9D%E9%B3%B4%E5%B9%B4%E5%88%8A%E5%85%A8%E6%96%87_%E7%AC%AC%E5%85%AB%E6%9C%9F.pdf?1738377542=\u0026response-content-disposition=attachment%3B+filename%3DA_Discussion_of_Zhu_Zumous_Jiang_Cun_Yu.pdf\u0026Expires=1742131505\u0026Signature=NmI~dLcvgqBff24-FcYQdmUYGtz5YMYhd7iZxFZCU-Vv0aUEsOS~sXWEb-P~XW6LnvSZGSHmY2xa~QY9XRj81BpYAcYaIFoKDBW28Rg~ClHNnHmY9om1~MctsF9T5Fm-AoZOl3jCaloVvdY6m6i~ysC7wPJ0cBtn9GhuHMf29K-~5fPNSifBarKIsPI3nkvrp3stpWfsQB6NQmyZmC5QUtC66ftql7pV~1knLE9EB~h4QOuHnlmwCplE3UzEp-P4Z7jFJysnxrOy8EbTBx9wPwyLzBk4VeS45ddAdA8dqMn9jbQOdd99DSoCgyJrd-T62Ad9mF-JVDYyU68tKXEanw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/57386765/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":null}],"downloadable_attachments_with_full_thumbnails":[],"has_pdf":true,"has_fulltext":true,"page_count":null,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":14300,"name":"Chinese poetry","url":"https://www.academia.edu/Documents/in/Chinese_poetry","nofollow":true},{"id":27584,"name":"Chinese literature","url":"https://www.academia.edu/Documents/in/Chinese_literature","nofollow":true},{"id":57374,"name":"Late Qing literature","url":"https://www.academia.edu/Documents/in/Late_Qing_literature","nofollow":true},{"id":1195951,"name":"Tang Poetry","url":"https://www.academia.edu/Documents/in/Tang_Poetry","nofollow":true}],"publication_year":2012,"publication_year_with_fallback":2012,"paper_rank":null,"all_time_views":167,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9086282" data-work_id="9086282" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9086282/Fact_and_Fiction_Liu_Es_Treatment_of_Characters_in_Laocan_youji">Fact and Fiction: Liu E's Treatment of Characters in Laocan youji</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Liu E was a versatile scholar, entrepreneur, and writer. During the waning years of imperial Qing China (1644-1911), he witnessed the sharpening conflict between Chinese tradition and encroaching Western influence, writing his novel to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9086282" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Liu E was a versatile scholar, entrepreneur, and writer. During the waning years of imperial Qing China (1644-1911), he witnessed the sharpening conflict between Chinese tradition and encroaching Western influence, writing his novel to express concern for Chinese civilization and its future. This research explores how the author's philosophy and treatment of characters in the novel reflect actual teachings and real people in his environment: how these biographical and historical factors shape Liu E's ideas towards politics, society, and philosophy in the work. The study includes an analysis of the novel and field research in locations associated with the author and his literature. The methodology directs close attention to past scholarship on the subject, philosophical Chinese texts, biographies, and late Qing history to support research findings: Liu E, in crafting the novel’s characters, blends fact and fiction to voice his distress at the state of the country and also to establish his spiritual self.<br /><br />(To readers: written to satisfy requirements for my 2010 undergraduate research thesis. my apologies for minor errors in spelling, pinyin, and grammar. a revised version of this paper appears in my MA thesis written in Chinese)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9086282" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f3e92bcbda073cb91fcbb5e59687127b" rel="nofollow" data-download="{"attachment_id":35383982,"asset_id":9086282,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35383982/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_9086282 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9086282"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9086282, container: ".js-paper-rank-work_9086282", }); });</script></li><li class="js-percentile-work_9086282 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9086282; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_9086282"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_9086282 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="9086282"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9086282; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9086282]").text(description); $(".js-view-count-work_9086282").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9086282").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9086282"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="27584" rel="nofollow" href="https://www.academia.edu/Documents/in/Chinese_literature">Chinese literature</a>, <script data-card-contents-for-ri="27584" type="text/json">{"id":27584,"name":"Chinese literature","url":"https://www.academia.edu/Documents/in/Chinese_literature","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="37525" rel="nofollow" href="https://www.academia.edu/Documents/in/Late_Qing_History">Late Qing History</a>, <script data-card-contents-for-ri="37525" type="text/json">{"id":37525,"name":"Late Qing History","url":"https://www.academia.edu/Documents/in/Late_Qing_History","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="57374" rel="nofollow" href="https://www.academia.edu/Documents/in/Late_Qing_literature">Late Qing literature</a><script data-card-contents-for-ri="57374" type="text/json">{"id":57374,"name":"Late Qing literature","url":"https://www.academia.edu/Documents/in/Late_Qing_literature","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9086282]'), work: {"id":9086282,"title":"Fact and Fiction: Liu E's Treatment of Characters in Laocan youji","created_at":"2014-11-02T17:00:48.640-08:00","owner_id":20589547,"url":"https://www.academia.edu/9086282/Fact_and_Fiction_Liu_Es_Treatment_of_Characters_in_Laocan_youji","slug":"Fact_and_Fiction_Liu_Es_Treatment_of_Characters_in_Laocan_youji","dom_id":"work_9086282","summary":"Liu E was a versatile scholar, entrepreneur, and writer. During the waning years of imperial Qing China (1644-1911), he witnessed the sharpening conflict between Chinese tradition and encroaching Western influence, writing his novel to express concern for Chinese civilization and its future. This research explores how the author's philosophy and treatment of characters in the novel reflect actual teachings and real people in his environment: how these biographical and historical factors shape Liu E's ideas towards politics, society, and philosophy in the work. The study includes an analysis of the novel and field research in locations associated with the author and his literature. The methodology directs close attention to past scholarship on the subject, philosophical Chinese texts, biographies, and late Qing history to support research findings: Liu E, in crafting the novel’s characters, blends fact and fiction to voice his distress at the state of the country and also to establish his spiritual self.\n\n(To readers: written to satisfy requirements for my 2010 undergraduate research thesis. my apologies for minor errors in spelling, pinyin, and grammar. a revised version of this paper appears in my MA thesis written in Chinese)","publication":"PSU McNair Journal","publication_with_fallback":"PSU McNair Journal","downloadable_attachments":[{"id":35383982,"asset_id":9086282,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/35383982/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/35383982/Lem__Henry_-_Fact_and_Fiction_Jan._2011-libre.pdf?1414976333=\u0026response-content-disposition=attachment%3B+filename%3DFact_and_Fiction_Liu_Es_Treatment_of_Cha.pdf\u0026Expires=1741665077\u0026Signature=GKBSQUsyzgMvKa4eqPHBLLqocy2wKZEM~ufOz4LGnwQ9EzLX5ng4yzRPI14hA1m~20mafMCIqEVp2R0owafjfAdD6vqPBwY~viLvYtUohgh3JfSD74p3G5R~wANv1GX7wpx5pKIiIdkiOl3Xuf2DVbBvyL5-NL3oIrMVDsjpJ8NcDTPe82QHzoASFPJILKghYjrZTwoRE7CxIQfLh-JE~uaOxE8yO70sX8G6pZbpa-GMn4orBBSj8YLlN3yb0pvDGY8eCvDbW6xsCrrNFMUkcZEsT2RN6ZzDG-HsyeQcYUKQ4DEoyFBx8MPRkQvcrLcM-5cM5hOCTlEM~XacJbeDVA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/35383982/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/35383982/mini_magick20190315-17369-82963y.png?1552668676"}],"downloadable_attachments_with_full_thumbnails":[{"id":35383982,"asset_id":9086282,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/35383982/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/35383982/Lem__Henry_-_Fact_and_Fiction_Jan._2011-libre.pdf?1414976333=\u0026response-content-disposition=attachment%3B+filename%3DFact_and_Fiction_Liu_Es_Treatment_of_Cha.pdf\u0026Expires=1741665077\u0026Signature=GKBSQUsyzgMvKa4eqPHBLLqocy2wKZEM~ufOz4LGnwQ9EzLX5ng4yzRPI14hA1m~20mafMCIqEVp2R0owafjfAdD6vqPBwY~viLvYtUohgh3JfSD74p3G5R~wANv1GX7wpx5pKIiIdkiOl3Xuf2DVbBvyL5-NL3oIrMVDsjpJ8NcDTPe82QHzoASFPJILKghYjrZTwoRE7CxIQfLh-JE~uaOxE8yO70sX8G6pZbpa-GMn4orBBSj8YLlN3yb0pvDGY8eCvDbW6xsCrrNFMUkcZEsT2RN6ZzDG-HsyeQcYUKQ4DEoyFBx8MPRkQvcrLcM-5cM5hOCTlEM~XacJbeDVA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/35383982/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/35383982/mini_magick20190315-17369-82963y.png?1552668676"}],"has_pdf":true,"has_fulltext":true,"page_count":70,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":27584,"name":"Chinese literature","url":"https://www.academia.edu/Documents/in/Chinese_literature","nofollow":true},{"id":37525,"name":"Late Qing History","url":"https://www.academia.edu/Documents/in/Late_Qing_History","nofollow":true},{"id":57374,"name":"Late Qing literature","url":"https://www.academia.edu/Documents/in/Late_Qing_literature","nofollow":true},{"id":844645,"name":"Late Imperial Chinese Fiction and Drama","url":"https://www.academia.edu/Documents/in/Late_Imperial_Chinese_Fiction_and_Drama"},{"id":850330,"name":"Late Qing novel","url":"https://www.academia.edu/Documents/in/Late_Qing_novel"}],"publication_year":2011,"publication_year_with_fallback":2011,"paper_rank":null,"all_time_views":283,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9143614" data-work_id="9143614" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9143614/A_Transitional_Novel_of_Tradition_and_Modernity_Liu_E_and_the_Travels_of_Lao_Can">A Transitional Novel of Tradition and Modernity: Liu E and the Travels of Lao Can</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Travels of Lao Can, considered to be China’s first political novel or the last classic Chinese novel, has garnered praise from scholars, for the author, Liu E, demonstrates brilliance in his descriptive power and the realistic... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9143614" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Travels of Lao Can, considered to be China’s first political novel or the last classic Chinese novel, has garnered praise from scholars, for the author, Liu E, demonstrates brilliance in his descriptive power and the realistic portrayal of late Qing China. However, when examined as a creation of the late Qing transformation, the novel is essentially a literary work of transition situated between tradition and modernity. The historical and biographical elements that shaped Liu E’s aesthetic vision and literary criticism are briefly discussed, with references to Liu E’s commentary to the novel and the influence of Jin Shengtan’s literary criticism. The paper then focuses on creative aspects of the novel, including matters of literary technique, Liu E’s use of multiple points of view, and the structural arrangement of the novel, to explain how these aspects strengthen its narrative quality and establish Liu E as a pioneering writer of his time, who not only continued, but also developed an innovative narrative mode in the tradition of Chinese fiction.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9143614" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2a0ce3b963e1843988c9b2907cfbbaa6" rel="nofollow" data-download="{"attachment_id":35431295,"asset_id":9143614,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35431295/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_9143614 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9143614"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9143614, container: ".js-paper-rank-work_9143614", }); 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However, when examined as a creation of the late Qing transformation, the novel is essentially a literary work of transition situated between tradition and modernity. The historical and biographical elements that shaped Liu E’s aesthetic vision and literary criticism are briefly discussed, with references to Liu E’s commentary to the novel and the influence of Jin Shengtan’s literary criticism. The paper then focuses on creative aspects of the novel, including matters of literary technique, Liu E’s use of multiple points of view, and the structural arrangement of the novel, to explain how these aspects strengthen its narrative quality and establish Liu E as a pioneering writer of his time, who not only continued, but also developed an innovative narrative mode in the tradition of Chinese fiction.","publication":null,"publication_with_fallback":null,"downloadable_attachments":[{"id":35431295,"asset_id":9143614,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/35431295/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/35431295/%E5%BE%9E%E5%82%B3%E7%B5%B1%E5%88%B0%E7%8F%BE%E4%BB%A3%E4%B9%8B%E9%81%8E%E6%B8%A1%E5%B0%8F%E8%AA%AA_%E5%8A%89%E9%B6%9A%E8%80%81%E6%AE%98-libre.pdf?1415207640=\u0026response-content-disposition=attachment%3B+filename%3DA_Transitional_Novel_of_Tradition_and_Mo.pdf\u0026Expires=1742407997\u0026Signature=KTUuP1OFkYNAd~gL62onNkuIfs2MLzvndouo8Bdq8olrMkWSFnj9WE5zuRc1Jg7WkxEh3WryKdHnEqQyRLZwb13V7An7oCl8d9WG6kXoc5aiXjlahwyZUvsGUiXqI1qRO7MUr1erSvfKurrIofPbumeo2wMPr0ip-n3V87keonZ0g5aCkiSvrQdn2lOgynQVFQ4ESG1ttZXorRLeOMxMqgdsNgraYH-tsRz7GXl8KzDdAwFn61pFflJkMXvZ~rd0IDW1wH4OEFYDFLnvX-cPwu-MOijChh5bG4jr5egVzqt2-ujxZKXwiHoCWygcytikrihbmQVd5k~YFa6NoZlZyg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/35431295/download_file?st=MTc0MzA1OTM3Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":null}],"downloadable_attachments_with_full_thumbnails":[],"has_pdf":true,"has_fulltext":true,"page_count":null,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":27584,"name":"Chinese literature","url":"https://www.academia.edu/Documents/in/Chinese_literature","nofollow":true},{"id":34132,"name":"Chinese Modern Literature","url":"https://www.academia.edu/Documents/in/Chinese_Modern_Literature","nofollow":true},{"id":57374,"name":"Late Qing literature","url":"https://www.academia.edu/Documents/in/Late_Qing_literature","nofollow":true},{"id":844645,"name":"Late Imperial Chinese Fiction and Drama","url":"https://www.academia.edu/Documents/in/Late_Imperial_Chinese_Fiction_and_Drama"}],"publication_year":null,"publication_year_with_fallback":null,"paper_rank":null,"all_time_views":282,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35153818" data-work_id="35153818" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35153818/Technique_Point_of_View_and_Structure_The_Travels_of_Laocan_and_the_Influence_of_Jin_Shengtan">Technique, Point of View, and Structure: The Travels of Laocan and the Influence of Jin Shengtan</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Annual Meeting of the American Oriental Society (AOS), Portland, Oregon, March 15-18, 2013 The Travels of Laocan, considered to be China's first political novel or the last classic Chinese novel, has garnered praise from scholars for its... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35153818" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Annual Meeting of the American Oriental Society (AOS), Portland, Oregon, March 15-18, 2013<br /><br />The Travels of Laocan, considered to be China's first political novel or the last classic Chinese novel, has garnered praise from scholars for its descriptive power and the realistic portrayal of late Qing China. However, when examined as a creation of the late Qing transformation, the novel is essentially a literary work of transition situated between tradition and modernity. The historical and biographical elements that shaped Liu E's aesthetic vision and literary criticism are briefly discussed, with references to Liu E's commentary to the novel and the influence of Jin Shengtan's literary criticism. The paper then focuses on creative aspects of the novel, including matters of literary technique, Liu E's use of multiple points of view, and the structural arrangement of the novel, to explain how these aspects strengthen its narrative quality and establish Liu E as a pioneering writer of his time, who not only continued, but also developed an innovative narrative mode in the tradition of Chinese fiction.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35153818" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b531fe9c4a6fb2e16ef3741071799f99" rel="nofollow" data-download="{"attachment_id":55015576,"asset_id":35153818,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55015576/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_35153818 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35153818"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35153818, container: ".js-paper-rank-work_35153818", }); 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$(".js-view-count[data-work-id=35153818]").text(description); $(".js-view-count-work_35153818").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35153818").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35153818"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="57374" rel="nofollow" href="https://www.academia.edu/Documents/in/Late_Qing_literature">Late Qing literature</a>, <script data-card-contents-for-ri="57374" type="text/json">{"id":57374,"name":"Late Qing literature","url":"https://www.academia.edu/Documents/in/Late_Qing_literature","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="59705" rel="nofollow" href="https://www.academia.edu/Documents/in/late_imperial_Chinese_literature">late imperial Chinese literature</a><script data-card-contents-for-ri="59705" type="text/json">{"id":59705,"name":"late imperial Chinese literature","url":"https://www.academia.edu/Documents/in/late_imperial_Chinese_literature","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35153818]'), work: {"id":35153818,"title":"Technique, Point of View, and Structure: The Travels of Laocan and the Influence of Jin Shengtan","created_at":"2017-11-15T07:47:29.283-08:00","owner_id":20589547,"url":"https://www.academia.edu/35153818/Technique_Point_of_View_and_Structure_The_Travels_of_Laocan_and_the_Influence_of_Jin_Shengtan","slug":"Technique_Point_of_View_and_Structure_The_Travels_of_Laocan_and_the_Influence_of_Jin_Shengtan","dom_id":"work_35153818","summary":"Annual Meeting of the American Oriental Society (AOS), Portland, Oregon, March 15-18, 2013\n\nThe Travels of Laocan, considered to be China's first political novel or the last classic Chinese novel, has garnered praise from scholars for its descriptive power and the realistic portrayal of late Qing China. However, when examined as a creation of the late Qing transformation, the novel is essentially a literary work of transition situated between tradition and modernity. The historical and biographical elements that shaped Liu E's aesthetic vision and literary criticism are briefly discussed, with references to Liu E's commentary to the novel and the influence of Jin Shengtan's literary criticism. The paper then focuses on creative aspects of the novel, including matters of literary technique, Liu E's use of multiple points of view, and the structural arrangement of the novel, to explain how these aspects strengthen its narrative quality and establish Liu E as a pioneering writer of his time, who not only continued, but also developed an innovative narrative mode in the tradition of Chinese fiction.","publication":null,"publication_with_fallback":null,"downloadable_attachments":[{"id":55015576,"asset_id":35153818,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015576/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015576/Liu_E_and_Jin_Shengtan_Lem_2013-libre.pdf?1510761189=\u0026response-content-disposition=attachment%3B+filename%3DTechnique_Point_of_View_and_Structure_Th.pdf\u0026Expires=1743062977\u0026Signature=QHkHm70IaMBtu0oZkmzgf9XNgquvGIwLr5HICCw2VrWGhIF--E21DrsRFf3Bw9rvwPoISjrMR1xJejFFlWwvItVKC07z7rmFkglx6CJKueEq6tDvYgRn9qRlchDLUy~44F3YB1LNi1LbQkJCR7aHvLGIDB0iTfOJe03-8k83KXJpAtdkK~0zdAXAQIwoohpweOu-GFJtBB1x9PyaFEQYAUzuXCpNCg26opyE37gzDfTnkNA7veWF3gTHSqGhqv60zjpZitoHRuvCMzF0LTWh97tLqxiPvCti9gC31rva6AjQKrXhPxziNmsKN1jWPeunS2g9e6UO271IU4~9AU3b2A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015576/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015576/mini_magick20190115-4732-oh30pq.png?1547573795"}],"downloadable_attachments_with_full_thumbnails":[{"id":55015576,"asset_id":35153818,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015576/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015576/Liu_E_and_Jin_Shengtan_Lem_2013-libre.pdf?1510761189=\u0026response-content-disposition=attachment%3B+filename%3DTechnique_Point_of_View_and_Structure_Th.pdf\u0026Expires=1743062978\u0026Signature=PtNgkhhMhqMUttiKmSu0VwtyZP3e9SItX10WXNuoxSYlNDXmDK2slZh6bSbb3jZx0j9ehHrLmzqHwcYLUP-71DdSnuQonr6JnPReD9ZEKSzmkXR1RplPMWjxZ~4PcTjqcXLwrTbR4~U189aCUcSZ39EdQr5CXAX80CL6vgxrNfZAERcMWH4ArmFVOJ2mFIT~u-75wF~ForsQp57gPbu~skWu1F2bfCoeOuC5S20YZGrnk3DEImk0qZeoRrS~bPZUKYey2IZNhKhgn7SPpvYjgUNXhhHoRv6GDrHT46njFj44cszOqwRUsPxbYXcEOCH8I4yiiXEmmf4xdAMgQpnoyA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015576/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015576/mini_magick20190115-4732-oh30pq.png?1547573795"}],"has_pdf":true,"has_fulltext":true,"page_count":1,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":57374,"name":"Late Qing literature","url":"https://www.academia.edu/Documents/in/Late_Qing_literature","nofollow":true},{"id":59705,"name":"late imperial Chinese literature","url":"https://www.academia.edu/Documents/in/late_imperial_Chinese_literature","nofollow":true}],"publication_year":null,"publication_year_with_fallback":null,"paper_rank":null,"all_time_views":28,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35153843" data-work_id="35153843" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35153843/Talent_Canon_and_Commentary_Jin_Shengtan_and_the_Interpretation_of_Literary_Genius_caizi_">Talent, Canon, and Commentary: Jin Shengtan and the Interpretation of Literary Genius (caizi)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Annual Meeting of the American Oriental Society (AOS) Western Branch, Stanford University, October 30-31, 2014. This paper examines the writings of Jin Shengtan (1608-1661), his critical commentaries (ping dian), and his... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35153843" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Annual Meeting of the American Oriental Society (AOS) Western Branch, Stanford University, October 30-31, 2014. <br /> <br />This paper examines the writings of Jin Shengtan (1608-1661), his critical commentaries (ping dian), and his interpretation of caizi. Considered one of the champions of traditional Chinese xiaoshuo and drama, Jin's commentaries have gained much attention from scholars. Current research on Jin Shengtan emphasizes his contributions in elevating the status of popular literature. However, Jin's literary thinking becomes more distinct, when considering the " intertextuality " of his prefaces and commentaries. One illuminating example of this textual connection is Jin's exegesis of caizi and his conceptualization of the Liu caizi shu (Six books of genius): Zhuangzi, Li sao, Shi ji, Du Fu shi, Shuihu zhuan, and Xi xiang ji. This paper also considers the issue of audience in Jin's commentaries, in which he addresses young reader-turned-writers—the aspiring caizi preparing for the civil service examination— in his program of literary interpretation. By exploring the interplay between talent, canon, and commentary in one of Chinese history's most complex periods of literary transformation, this paper explores how the concept of caizi is carefully manipulated by Jin Shengtan: to establish himself as a hermeneutic " genius " of literature, thereby providing greater authority to the reader-commentator.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35153843" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b3a9d80ec60e9decc10b184cd2c5c244" rel="nofollow" data-download="{"attachment_id":55015642,"asset_id":35153843,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55015642/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_35153843 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35153843"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35153843, container: ".js-paper-rank-work_35153843", }); 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$(".js-view-count[data-work-id=35153843]").text(description); $(".js-view-count-work_35153843").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35153843").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35153843"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35153843]'), work: {"id":35153843,"title":"Talent, Canon, and Commentary: Jin Shengtan and the Interpretation of Literary Genius (caizi)","created_at":"2017-11-15T07:51:40.469-08:00","owner_id":20589547,"url":"https://www.academia.edu/35153843/Talent_Canon_and_Commentary_Jin_Shengtan_and_the_Interpretation_of_Literary_Genius_caizi_","slug":"Talent_Canon_and_Commentary_Jin_Shengtan_and_the_Interpretation_of_Literary_Genius_caizi_","dom_id":"work_35153843","summary":"Annual Meeting of the American Oriental Society (AOS) Western Branch, Stanford University, October 30-31, 2014.\r\n \r\nThis paper examines the writings of Jin Shengtan (1608-1661), his critical commentaries (ping dian), and his interpretation of caizi. Considered one of the champions of traditional Chinese xiaoshuo and drama, Jin's commentaries have gained much attention from scholars. Current research on Jin Shengtan emphasizes his contributions in elevating the status of popular literature. However, Jin's literary thinking becomes more distinct, when considering the \" intertextuality \" of his prefaces and commentaries. One illuminating example of this textual connection is Jin's exegesis of caizi and his conceptualization of the Liu caizi shu (Six books of genius): Zhuangzi, Li sao, Shi ji, Du Fu shi, Shuihu zhuan, and Xi xiang ji. This paper also considers the issue of audience in Jin's commentaries, in which he addresses young reader-turned-writers—the aspiring caizi preparing for the civil service examination— in his program of literary interpretation. By exploring the interplay between talent, canon, and commentary in one of Chinese history's most complex periods of literary transformation, this paper explores how the concept of caizi is carefully manipulated by Jin Shengtan: to establish himself as a hermeneutic \" genius \" of literature, thereby providing greater authority to the reader-commentator.","publication":null,"publication_with_fallback":null,"downloadable_attachments":[{"id":55015642,"asset_id":35153843,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015642/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015642/JSTCaiziHandout_Lem_10262014-libre.pdf?1510761586=\u0026response-content-disposition=attachment%3B+filename%3DTalent_Canon_and_Commentary_Jin_Shengtan.pdf\u0026Expires=1742462593\u0026Signature=BqeIxIk36~Q3YkMSxgYhyhEzCQt5g8szllrlLo3AWLjefko1Ics2QTUEoX-ZaJbCqzbWpgGKHybUv77zsydtfhy4j00MPGKZlI4zBR0EmuTVxMP6FR8SIWnwENVz4V5ox2Vy3opYI3tJQPR4Ev9JSZaibAnCkUX57mNvXnVjeCvScpi~aTr4-zTadnKUxGy7WBjhckwoVwa-W2xDF00vCgKZmiMNQBfgf5AwEBM69iEeUcjuLCRUlzU~4H-YYqfrPEIR8xCiWbjIDnLc6dsY3iVpOV10uszoZ1oqMIdL8AQXCd1wacGez33b~AkoQ0EF2f~kRIhuQRmvtJUvZZ8wAg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015642/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015642/mini_magick20190115-9856-181f1f.png?1547573788"},{"id":55015643,"asset_id":35153843,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015643/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015643/JSTCaiziScript_Lem_10262014-libre.pdf?1510761587=\u0026response-content-disposition=attachment%3B+filename%3DTalent_Canon_and_Commentary_Jin_Shengtan.pdf\u0026Expires=1742462593\u0026Signature=DnnrM0vYdUQW5F36wk5tN~tZVm~v5Tah8nkHGzYqmStjwcCG8lUn2HYnYtB~5h7n5wNCjwX0WH76Y6gsFcSqOdcsR2qLSedqgCA~m3RkzaBJBc~~AOWbmOSwOQBOxxSsLUDB-F-OWmF5hNlTNRzac4QEXBoQuiI8F6Gck9e6gEBxF9YQXxv0GbC1RLEN4vBFM8mpANHuOXcauUyQc-YDgoo9s6V7hDxgE6NesQgUZVVqF3FadCzg~8wQKoXoCK8fFC8hUV1V7RhRzHglH489bqKcnyJB9Ts3o9DgAUKKJfR8D2tvme1dKTXZZLV4Cm66ikulnKH2~RTmyEo~kDR8aQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015643/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015643/mini_magick20190115-29594-4jg3rw.png?1547573787"}],"downloadable_attachments_with_full_thumbnails":[{"id":55015642,"asset_id":35153843,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015642/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015642/JSTCaiziHandout_Lem_10262014-libre.pdf?1510761586=\u0026response-content-disposition=attachment%3B+filename%3DTalent_Canon_and_Commentary_Jin_Shengtan.pdf\u0026Expires=1742462593\u0026Signature=BqeIxIk36~Q3YkMSxgYhyhEzCQt5g8szllrlLo3AWLjefko1Ics2QTUEoX-ZaJbCqzbWpgGKHybUv77zsydtfhy4j00MPGKZlI4zBR0EmuTVxMP6FR8SIWnwENVz4V5ox2Vy3opYI3tJQPR4Ev9JSZaibAnCkUX57mNvXnVjeCvScpi~aTr4-zTadnKUxGy7WBjhckwoVwa-W2xDF00vCgKZmiMNQBfgf5AwEBM69iEeUcjuLCRUlzU~4H-YYqfrPEIR8xCiWbjIDnLc6dsY3iVpOV10uszoZ1oqMIdL8AQXCd1wacGez33b~AkoQ0EF2f~kRIhuQRmvtJUvZZ8wAg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015642/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015642/mini_magick20190115-9856-181f1f.png?1547573788"},{"id":55015643,"asset_id":35153843,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015643/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015643/JSTCaiziScript_Lem_10262014-libre.pdf?1510761587=\u0026response-content-disposition=attachment%3B+filename%3DTalent_Canon_and_Commentary_Jin_Shengtan.pdf\u0026Expires=1742462593\u0026Signature=DnnrM0vYdUQW5F36wk5tN~tZVm~v5Tah8nkHGzYqmStjwcCG8lUn2HYnYtB~5h7n5wNCjwX0WH76Y6gsFcSqOdcsR2qLSedqgCA~m3RkzaBJBc~~AOWbmOSwOQBOxxSsLUDB-F-OWmF5hNlTNRzac4QEXBoQuiI8F6Gck9e6gEBxF9YQXxv0GbC1RLEN4vBFM8mpANHuOXcauUyQc-YDgoo9s6V7hDxgE6NesQgUZVVqF3FadCzg~8wQKoXoCK8fFC8hUV1V7RhRzHglH489bqKcnyJB9Ts3o9DgAUKKJfR8D2tvme1dKTXZZLV4Cm66ikulnKH2~RTmyEo~kDR8aQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015643/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015643/mini_magick20190115-29594-4jg3rw.png?1547573787"}],"has_pdf":true,"has_fulltext":true,"page_count":13,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":5114,"name":"Hermeneutics","url":"https://www.academia.edu/Documents/in/Hermeneutics"},{"id":20719,"name":"Interpretation","url":"https://www.academia.edu/Documents/in/Interpretation"},{"id":95889,"name":"Ming-Qing vernacular literature","url":"https://www.academia.edu/Documents/in/Ming-Qing_vernacular_literature"},{"id":844645,"name":"Late Imperial Chinese Fiction and Drama","url":"https://www.academia.edu/Documents/in/Late_Imperial_Chinese_Fiction_and_Drama"},{"id":993280,"name":"Late Ming Sensibility","url":"https://www.academia.edu/Documents/in/Late_Ming_Sensibility"}],"publication_year":null,"publication_year_with_fallback":null,"paper_rank":null,"all_time_views":101,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35153897" data-work_id="35153897" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35153897/Chinese_Fiction_Commentary_and_its_Hermeneutic_Role_Zhang_Zhupos_Rhetoric_in_How_to_Read_Plum_in_the_Golden_Vase_">Chinese Fiction Commentary and its Hermeneutic Role: Zhang Zhupo's Rhetoric in " How to Read Plum in the Golden Vase "</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Theory and Methodology in East Asian Studies, UCI, October 23, 2015. Hermeneutics as a field of study involves how the reader interprets and understands the text. It can be distinguished into three types: 1) " textual " hermeneutics,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35153897" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Theory and Methodology in East Asian Studies, UCI, October 23, 2015. Hermeneutics as a field of study involves how the reader interprets and understands the text. It can be distinguished into three types: 1) " textual " hermeneutics, which provides a set of rules or protocol to assist the reader in understanding a text; 2) " discourse " hermeneutics, that provides a system of principles to guide descriptive and normative interpretations; and 3) programmatic hermeneutics, which is concerned with recovering the intentions and meaning behind texts. But what happens when literary commentators employ their interpretations of a work and attempt to establish their position as a privileged, authoritative reader? Furthermore, given the presence of the commentator in a text, what intended effect is there on the reader of the commentaries and text? This paper examines Chinese fiction commentary as a significant " paratext " —prefaces, commentaries, intertextual references—of the main text. First, it selects and analyzes important passages from Zhang Zhupo's 張竹坡 (1670–1698) essay " How to Read Plum in the Golden Vase. " It then underscores how this essay may constitute a control rhetoric, which attempts to guide readers of Jin ping mei while furthering Zhang's aims to establish himself as an authority within the fiction commentary tradition. Last, this paper broadly discusses how xiaoshuo commentary may help us better understand Chinese traditions of interpretation.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35153897" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="86b6d1b0363fc86f4e19a7b0927d15d4" rel="nofollow" data-download="{"attachment_id":55015663,"asset_id":35153897,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55015663/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_35153897 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35153897"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35153897, container: ".js-paper-rank-work_35153897", }); });</script></li><li class="js-percentile-work_35153897 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35153897; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35153897"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35153897 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35153897"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35153897; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35153897]").text(description); $(".js-view-count-work_35153897").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35153897").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35153897"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35153897]'), work: {"id":35153897,"title":"Chinese Fiction Commentary and its Hermeneutic Role: Zhang Zhupo's Rhetoric in \" How to Read Plum in the Golden Vase \"","created_at":"2017-11-15T07:59:03.425-08:00","owner_id":20589547,"url":"https://www.academia.edu/35153897/Chinese_Fiction_Commentary_and_its_Hermeneutic_Role_Zhang_Zhupos_Rhetoric_in_How_to_Read_Plum_in_the_Golden_Vase_","slug":"Chinese_Fiction_Commentary_and_its_Hermeneutic_Role_Zhang_Zhupos_Rhetoric_in_How_to_Read_Plum_in_the_Golden_Vase_","dom_id":"work_35153897","summary":"Theory and Methodology in East Asian Studies, UCI, October 23, 2015. Hermeneutics as a field of study involves how the reader interprets and understands the text. It can be distinguished into three types: 1) \" textual \" hermeneutics, which provides a set of rules or protocol to assist the reader in understanding a text; 2) \" discourse \" hermeneutics, that provides a system of principles to guide descriptive and normative interpretations; and 3) programmatic hermeneutics, which is concerned with recovering the intentions and meaning behind texts. But what happens when literary commentators employ their interpretations of a work and attempt to establish their position as a privileged, authoritative reader? Furthermore, given the presence of the commentator in a text, what intended effect is there on the reader of the commentaries and text? This paper examines Chinese fiction commentary as a significant \" paratext \" —prefaces, commentaries, intertextual references—of the main text. First, it selects and analyzes important passages from Zhang Zhupo's 張竹坡 (1670–1698) essay \" How to Read Plum in the Golden Vase. \" It then underscores how this essay may constitute a control rhetoric, which attempts to guide readers of Jin ping mei while furthering Zhang's aims to establish himself as an authority within the fiction commentary tradition. Last, this paper broadly discusses how xiaoshuo commentary may help us better understand Chinese traditions of interpretation.","publication":null,"publication_with_fallback":null,"downloadable_attachments":[{"id":55015663,"asset_id":35153897,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015663/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015663/ZhangZhupoCommentary_ConferencePaper_Lem_10152015-libre.pdf?1510761846=\u0026response-content-disposition=attachment%3B+filename%3DChinese_Fiction_Commentary_and_its_Herme.pdf\u0026Expires=1741665078\u0026Signature=LCdKE1Si16mEZ9wam9Z2FF2nT1UdQ6szy8SUxGh7dxEOQcjHWEuExk3J0CbQSvJYKxMm5bKai~ZSj~UdcG~Ld6VHKHGO9Szr2Mya9zGKQ0BsCSieol4EFw5ZT6g-iyWXgmLMbVM-y-fypi39ux9y3x-wNAf3ritm8vG7ebZuyA3IEsPYzuIIVHMUimLiIhyPt-KAeXXENDEVMq4Xu5RCJYSRNnC1atAZa3ZcIFDyod43jbo5eyqc~-jaFB2ZKTg6TKtugncWvRlTbSmGfvgtgSH2w8iAdh9MAbIW1Uca8xOnGe1jOI6EY4Ufz7EUCAdPnFoB3sZyxXhO6EbteXrsiw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015663/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015663/mini_magick20190115-4723-1upe0i6.png?1547573793"}],"downloadable_attachments_with_full_thumbnails":[{"id":55015663,"asset_id":35153897,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015663/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015663/ZhangZhupoCommentary_ConferencePaper_Lem_10152015-libre.pdf?1510761846=\u0026response-content-disposition=attachment%3B+filename%3DChinese_Fiction_Commentary_and_its_Herme.pdf\u0026Expires=1741665078\u0026Signature=LCdKE1Si16mEZ9wam9Z2FF2nT1UdQ6szy8SUxGh7dxEOQcjHWEuExk3J0CbQSvJYKxMm5bKai~ZSj~UdcG~Ld6VHKHGO9Szr2Mya9zGKQ0BsCSieol4EFw5ZT6g-iyWXgmLMbVM-y-fypi39ux9y3x-wNAf3ritm8vG7ebZuyA3IEsPYzuIIVHMUimLiIhyPt-KAeXXENDEVMq4Xu5RCJYSRNnC1atAZa3ZcIFDyod43jbo5eyqc~-jaFB2ZKTg6TKtugncWvRlTbSmGfvgtgSH2w8iAdh9MAbIW1Uca8xOnGe1jOI6EY4Ufz7EUCAdPnFoB3sZyxXhO6EbteXrsiw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015663/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015663/mini_magick20190115-4723-1upe0i6.png?1547573793"}],"has_pdf":true,"has_fulltext":true,"page_count":11,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":5114,"name":"Hermeneutics","url":"https://www.academia.edu/Documents/in/Hermeneutics"},{"id":20719,"name":"Interpretation","url":"https://www.academia.edu/Documents/in/Interpretation"},{"id":844645,"name":"Late Imperial Chinese Fiction and Drama","url":"https://www.academia.edu/Documents/in/Late_Imperial_Chinese_Fiction_and_Drama"},{"id":993280,"name":"Late Ming Sensibility","url":"https://www.academia.edu/Documents/in/Late_Ming_Sensibility"}],"publication_year":null,"publication_year_with_fallback":null,"paper_rank":null,"all_time_views":182,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35153921" data-work_id="35153921" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35153921/Rewriting_the_Hero_as_a_Failure_The_Image_of_Wu_Song_in_Shuihu_zhuan_and_Jin_ping_mei">Rewriting the Hero as a Failure: The Image of Wu Song in Shuihu zhuan and Jin ping mei</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The International Workshop on Ming-Qing Studies, Academia Sinica, Taipei, Taiwan, July 21-22, 2016. Jin ping mei is known for its sophisticated and eclectic narrative style. It is one of the “four masterworks” of the Ming dynasty that... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35153921" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The International Workshop on Ming-Qing Studies, Academia Sinica, Taipei, Taiwan, July 21-22, 2016. <br /> <br />Jin ping mei is known for its sophisticated and eclectic narrative style. It is one of the “four masterworks” of the Ming dynasty that is both indebted to Shuihu zhuan, in that the former’s narrative momentum centers on Wu Song, Ximen Qing and Pan Jinlian, but nonetheless demonstrates a clear departure from the Shuihu tradition. Yet, how should one account for the creative choice to simultaneously maintain continuity with Shuihu zhuan and also attempt a move of “discontinuity:” innovating a new narrative outside the Shuihu tradition? This issue may be better understood through a juxtaposed reading of Shuihu zhuan and Jin ping mei, by which one is positioned to appreciate one of the novelistic agendas of the latter: to redefine the concept of righteous loyalty (yi) and to reconstruct the image of the gallant fellow (haohan). This paper makes a few contentions. In Shuihu zhuan, the author valorizes the concept of righteous loyalty and the gallant fellow ideal, but in Jin ping mei, the author critiques them as lacking relevance and as impossibilities in a world dominated by the wealthy and powerful. In particular, the author of Shuihu zhuan depicts Wu Song as an authentic hero, whom is celebrated for his uninhibited expression of heroism. By contrast, the author of Jin ping mei attempts a reversal of Wu Song by re-presenting him, that is, reconfiguring Wu Song’s gallant attributes as symptomatic as a failed hero. The author draws attention to his anger, cunning, and obsession with vengeance as shortcomings to portray Wu Song as a character who may be important on the battlefield in Shuihu zhuan, but whose significance is challenged in the domestic world in Jin ping mei.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35153921" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="86445f315cf2ba9b96ba3a6e74363646" rel="nofollow" data-download="{"attachment_id":55015681,"asset_id":35153921,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55015681/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_35153921 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35153921"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35153921, container: ".js-paper-rank-work_35153921", }); 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It is one of the “four masterworks” of the Ming dynasty that is both indebted to Shuihu zhuan, in that the former’s narrative momentum centers on Wu Song, Ximen Qing and Pan Jinlian, but nonetheless demonstrates a clear departure from the Shuihu tradition. Yet, how should one account for the creative choice to simultaneously maintain continuity with Shuihu zhuan and also attempt a move of “discontinuity:” innovating a new narrative outside the Shuihu tradition? This issue may be better understood through a juxtaposed reading of Shuihu zhuan and Jin ping mei, by which one is positioned to appreciate one of the novelistic agendas of the latter: to redefine the concept of righteous loyalty (yi) and to reconstruct the image of the gallant fellow (haohan). This paper makes a few contentions. In Shuihu zhuan, the author valorizes the concept of righteous loyalty and the gallant fellow ideal, but in Jin ping mei, the author critiques them as lacking relevance and as impossibilities in a world dominated by the wealthy and powerful. In particular, the author of Shuihu zhuan depicts Wu Song as an authentic hero, whom is celebrated for his uninhibited expression of heroism. By contrast, the author of Jin ping mei attempts a reversal of Wu Song by re-presenting him, that is, reconfiguring Wu Song’s gallant attributes as symptomatic as a failed hero. The author draws attention to his anger, cunning, and obsession with vengeance as shortcomings to portray Wu Song as a character who may be important on the battlefield in Shuihu zhuan, but whose significance is challenged in the domestic world in Jin ping mei.","publication":null,"publication_with_fallback":null,"downloadable_attachments":[{"id":55015681,"asset_id":35153921,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015681/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015681/WuSongDraft_Ming-QingWorkshop_Lem-libre.pdf?1510762089=\u0026response-content-disposition=attachment%3B+filename%3DRewriting_the_Hero_as_a_Failure_The_Imag.pdf\u0026Expires=1742279693\u0026Signature=QEfV3mP-X4kl7r4u4itW91w2nTQtlCz5v6tLQKOSUXRX7n9ou-GAz~9GLbaXmz~5FwCUydv9LeA4CERsvOcAS-NCXVgbZhh5bTmwIUrVb9z8NybOPRtwro07lymOlhp1JXbyJR-ekjIKAY0iUb5DhA7kDIBNgbmtGOrRg4jytykYCfMqUTS~ZOIWbkFwrTRiszGWShMoyxruAiizVyCBeeFZrzdhwCh~1zvgatV09-US7ohLrBd9c9WKb~TDRW-fI~wyVFacI~-SvqqIB-4bPDJtX~jhOP-7CqlFIzIHnppCtCCpnK2S1DPLpapNYS3pAYhgw0~NvmTbErJewJaKow__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015681/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015681/mini_magick20190115-23598-p9b50p.png?1547573795"}],"downloadable_attachments_with_full_thumbnails":[{"id":55015681,"asset_id":35153921,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/55015681/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/55015681/WuSongDraft_Ming-QingWorkshop_Lem-libre.pdf?1510762089=\u0026response-content-disposition=attachment%3B+filename%3DRewriting_the_Hero_as_a_Failure_The_Imag.pdf\u0026Expires=1742279693\u0026Signature=QEfV3mP-X4kl7r4u4itW91w2nTQtlCz5v6tLQKOSUXRX7n9ou-GAz~9GLbaXmz~5FwCUydv9LeA4CERsvOcAS-NCXVgbZhh5bTmwIUrVb9z8NybOPRtwro07lymOlhp1JXbyJR-ekjIKAY0iUb5DhA7kDIBNgbmtGOrRg4jytykYCfMqUTS~ZOIWbkFwrTRiszGWShMoyxruAiizVyCBeeFZrzdhwCh~1zvgatV09-US7ohLrBd9c9WKb~TDRW-fI~wyVFacI~-SvqqIB-4bPDJtX~jhOP-7CqlFIzIHnppCtCCpnK2S1DPLpapNYS3pAYhgw0~NvmTbErJewJaKow__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/55015681/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/55015681/mini_magick20190115-23598-p9b50p.png?1547573795"}],"has_pdf":true,"has_fulltext":true,"page_count":26,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":20719,"name":"Interpretation","url":"https://www.academia.edu/Documents/in/Interpretation","nofollow":true},{"id":59705,"name":"late imperial Chinese literature","url":"https://www.academia.edu/Documents/in/late_imperial_Chinese_literature"},{"id":95889,"name":"Ming-Qing vernacular literature","url":"https://www.academia.edu/Documents/in/Ming-Qing_vernacular_literature"},{"id":844645,"name":"Late Imperial Chinese Fiction and Drama","url":"https://www.academia.edu/Documents/in/Late_Imperial_Chinese_Fiction_and_Drama"},{"id":993280,"name":"Late Ming Sensibility","url":"https://www.academia.edu/Documents/in/Late_Ming_Sensibility"}],"publication_year":null,"publication_year_with_fallback":null,"paper_rank":null,"all_time_views":487,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37495425" data-work_id="37495425" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37495425/Reimagining_History_and_Rebellion_Yu_Wanchun_s_Fiction_Sequel_Dangkou_zhi_Quell_the_Bandits_">Reimagining History and Rebellion: Yu Wanchun’s Fiction Sequel Dangkou zhi (Quell the Bandits)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Paper presented at the History Graduate Students Association Conference, at UC Irvine. April 28, 2018. Shuihu zhuan (Water Margin) is known to be a novel of rebellion, with the potential to undermine imperial sovereignty. During the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37495425" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Paper presented at the History Graduate Students Association Conference, at UC Irvine. April 28, 2018.<br /><br /> Shuihu zhuan (Water Margin) is known to be a novel of rebellion, with the potential to undermine imperial sovereignty. During the late Qing (1848-1911), Yu Wanchun authored the sequel Dangkou zhi, based upon his argument that those who do not understand the virtue of zhong (loyalty to the emperor) will always fail to practice yi (righteous action). His agenda was to ideologically twist Shuihu zhuan by promoting a message of honoring imperial sovereignty. This paper argues that taming the rebellious nature of Shuihu zhuan proved to be a challenge for Yu Wanchun, given the fame of the Liangshan “bandits” as popular folk heroes in the Shandong locality. What emerges in Dangkou zhi is an urgency to properly “end” rebellion in Shuihu zhuan, by reimagining a historical moment where “bandits” must be physically terminated to ensure “great peace for all under heaven” (tianxia taiping), despite Liangshan’s popularity as local gallants.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37495425" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="62557fa22a37ee176467a25510ffab54" rel="nofollow" data-download="{"attachment_id":57466276,"asset_id":37495425,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57466276/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_37495425 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37495425"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37495425, container: ".js-paper-rank-work_37495425", }); 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April 28, 2018.\n\n Shuihu zhuan (Water Margin) is known to be a novel of rebellion, with the potential to undermine imperial sovereignty. During the late Qing (1848-1911), Yu Wanchun authored the sequel Dangkou zhi, based upon his argument that those who do not understand the virtue of zhong (loyalty to the emperor) will always fail to practice yi (righteous action). His agenda was to ideologically twist Shuihu zhuan by promoting a message of honoring imperial sovereignty. This paper argues that taming the rebellious nature of Shuihu zhuan proved to be a challenge for Yu Wanchun, given the fame of the Liangshan “bandits” as popular folk heroes in the Shandong locality. What emerges in Dangkou zhi is an urgency to properly “end” rebellion in Shuihu zhuan, by reimagining a historical moment where “bandits” must be physically terminated to ensure “great peace for all under heaven” (tianxia taiping), despite Liangshan’s popularity as local gallants.","publication":null,"publication_with_fallback":null,"downloadable_attachments":[{"id":57466276,"asset_id":37495425,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/57466276/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/57466276/Reimagining_History_and_Rebellion-libre.pdf?1538163802=\u0026response-content-disposition=attachment%3B+filename%3DReimagining_History_and_Rebellion_Yu_Wan.pdf\u0026Expires=1742833984\u0026Signature=MeGlQuBNY9ugkaJf6UGN1vBcD-6p4saQ6vuIqv7HgPuec~KyYWwhwR29IuQX~jiqukt-opW1sYyIiCQ7azz-nAkMpVEjYFSn-~zclYOgxRcGiS0HbCpQDvWlJbCegQ~ePfSf5ZR0jOetst1PeLIG9shpH1SHQaLfhdLc3tltjjHGAXcP7b4ug~1RKx7jkrTZx5ufImBVpzpse9PL3lWnhlRqFovwjYrLpCR2KR9YPVWwZ5m5t1Bf3IDXEfKshwv9I4vElN64mlVZn5JCTM3bXml0n49TuO1hlA3zGsTAlQv-VVrFu6AsZBJFxAjij3XAx-G2x3nyo2pZYSc4Bw0UfQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/57466276/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/57466276/mini_magick20180928-12638-4i8nst.png?1538163833"}],"downloadable_attachments_with_full_thumbnails":[{"id":57466276,"asset_id":37495425,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/57466276/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/57466276/Reimagining_History_and_Rebellion-libre.pdf?1538163802=\u0026response-content-disposition=attachment%3B+filename%3DReimagining_History_and_Rebellion_Yu_Wan.pdf\u0026Expires=1742833984\u0026Signature=MeGlQuBNY9ugkaJf6UGN1vBcD-6p4saQ6vuIqv7HgPuec~KyYWwhwR29IuQX~jiqukt-opW1sYyIiCQ7azz-nAkMpVEjYFSn-~zclYOgxRcGiS0HbCpQDvWlJbCegQ~ePfSf5ZR0jOetst1PeLIG9shpH1SHQaLfhdLc3tltjjHGAXcP7b4ug~1RKx7jkrTZx5ufImBVpzpse9PL3lWnhlRqFovwjYrLpCR2KR9YPVWwZ5m5t1Bf3IDXEfKshwv9I4vElN64mlVZn5JCTM3bXml0n49TuO1hlA3zGsTAlQv-VVrFu6AsZBJFxAjij3XAx-G2x3nyo2pZYSc4Bw0UfQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/57466276/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/57466276/mini_magick20180928-12638-4i8nst.png?1538163833"}],"has_pdf":true,"has_fulltext":true,"page_count":4,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":37525,"name":"Late Qing History","url":"https://www.academia.edu/Documents/in/Late_Qing_History","nofollow":true},{"id":57374,"name":"Late Qing literature","url":"https://www.academia.edu/Documents/in/Late_Qing_literature","nofollow":true},{"id":95889,"name":"Ming-Qing vernacular literature","url":"https://www.academia.edu/Documents/in/Ming-Qing_vernacular_literature","nofollow":true},{"id":1006148,"name":"Ming and Qing China","url":"https://www.academia.edu/Documents/in/Ming_and_Qing_China"}],"publication_year":null,"publication_year_with_fallback":null,"paper_rank":null,"all_time_views":122,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38194275" data-work_id="38194275" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38194275/Heroic_Trials_of_Manhood_The_Problem_of_Sworn_Fraternity_in_Water_Margin_Commentaries_and_Sequels">Heroic Trials of Manhood: The Problem of Sworn Fraternity in Water Margin Commentaries and Sequels</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Presented at the 58th Annual Meeting of the Southeast Conference of the Association for Asian Studies, Jan 18-20, 2019. One of the most critical factors in analyzing the Water Margin is to recognize the problem posed by interpretations... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38194275" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Presented at the 58th Annual Meeting of the Southeast Conference of the Association for Asian Studies, Jan 18-20, 2019. <br /><br />One of the most critical factors in analyzing the Water Margin is to recognize the problem posed by interpretations of the Liangshan fraternity as either “heroes” (haohan) or “bandits” (qiangdao). The fiction commentator Jin Shengtan (1608-1661) once noted how the “author” succeeded in creating 108 “personalities” (xingge) and singles out Wu Song, Lu Zhishen, and Lin Chong as the finest of “heroes,” but often contradicts himself by condemning certain characters as evil “bandits.” Jin struggled with the ambiguity of “sworn fraternal honor” (yiqi) that was so crucial in the construction and popularity of the “hero” image in the Water Margin. In this paper, I argue that the construct of “hero” in the Water Margin was complicated by Jin’s inability to decide how to properly “read” the Liangshan bandit-heroes, whose honor and manhood are often put to the test through trials of necessitated violence and the collection of blood debt. Such trials constitute a narrative “cycle:” the unjust death of a sworn brother, the chase of the perpetrator by one of the finest heroes, and the almost cannibalistic “sacrifice” of the perpetrator to the honorable spirits of the deceased fraternity member. Focusing on the connection between fiction commentary and sequel, I hope to demonstrate that these cycles are imitated in Water Margin sequels, in an attempt to correct, through the act of sequeling, what a sequel writer believed to be Jin’s misinterpretations of the Liangshan fraternity, by rewriting “bandit-hero” as martyr and, in certain cases, even demi-god.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38194275" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="44b4f6acf7f899be1aacd5fe97f600ce" rel="nofollow" data-download="{"attachment_id":58231924,"asset_id":38194275,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58231924/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_38194275 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38194275"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38194275, container: ".js-paper-rank-work_38194275", }); 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The fiction commentator Jin Shengtan (1608-1661) once noted how the “author” succeeded in creating 108 “personalities” (xingge) and singles out Wu Song, Lu Zhishen, and Lin Chong as the finest of “heroes,” but often contradicts himself by condemning certain characters as evil “bandits.” Jin struggled with the ambiguity of “sworn fraternal honor” (yiqi) that was so crucial in the construction and popularity of the “hero” image in the Water Margin. In this paper, I argue that the construct of “hero” in the Water Margin was complicated by Jin’s inability to decide how to properly “read” the Liangshan bandit-heroes, whose honor and manhood are often put to the test through trials of necessitated violence and the collection of blood debt. Such trials constitute a narrative “cycle:” the unjust death of a sworn brother, the chase of the perpetrator by one of the finest heroes, and the almost cannibalistic “sacrifice” of the perpetrator to the honorable spirits of the deceased fraternity member. Focusing on the connection between fiction commentary and sequel, I hope to demonstrate that these cycles are imitated in Water Margin sequels, in an attempt to correct, through the act of sequeling, what a sequel writer believed to be Jin’s misinterpretations of the Liangshan fraternity, by rewriting “bandit-hero” as martyr and, in certain cases, even demi-god.","publication":null,"publication_with_fallback":null,"downloadable_attachments":[{"id":58231924,"asset_id":38194275,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/58231924/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/58231924/SEC_AAS_SwornFraternityPaper_Lem-libre.pdf?1548133019=\u0026response-content-disposition=attachment%3B+filename%3DHeroic_Trials_of_Manhood_The_Problem_of.pdf\u0026Expires=1742299009\u0026Signature=YJUWFX4nyMrIlaroC3qjLjWD31DlJcXEGTpkAkC1S1NIRpQeqzCl3ZSaBr-9uIeibAlmPD0YwfZRHWipwu2APwlm2n1omjtcQcnlWQVvBtZg5XlfybJ-ilk0QCzN99bFXj1HXpZ9ao8Dz09YUZDo8r6uazzH6FGN-dKwnUWgjfzqHzHSYNs~ro-5n1nKiDqgLd5XxXiGQJnNtMSZXrtR-RpySIJai-uDhBwLq7t~AEn0wXVlNEUaOj2xLhFBCCO1BgeobEIjjN99bt~xE5rzPmOZv~ivsx9r~XoPKGNsJ2~nGJYWcHP5iNZfPkVJYWs~HIFyJhE3~7BW2fzNY8usIw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/58231924/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/58231924/mini_magick20190121-6040-yzuzlm.png?1548135079"}],"downloadable_attachments_with_full_thumbnails":[{"id":58231924,"asset_id":38194275,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/58231924/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/58231924/SEC_AAS_SwornFraternityPaper_Lem-libre.pdf?1548133019=\u0026response-content-disposition=attachment%3B+filename%3DHeroic_Trials_of_Manhood_The_Problem_of.pdf\u0026Expires=1742299009\u0026Signature=YJUWFX4nyMrIlaroC3qjLjWD31DlJcXEGTpkAkC1S1NIRpQeqzCl3ZSaBr-9uIeibAlmPD0YwfZRHWipwu2APwlm2n1omjtcQcnlWQVvBtZg5XlfybJ-ilk0QCzN99bFXj1HXpZ9ao8Dz09YUZDo8r6uazzH6FGN-dKwnUWgjfzqHzHSYNs~ro-5n1nKiDqgLd5XxXiGQJnNtMSZXrtR-RpySIJai-uDhBwLq7t~AEn0wXVlNEUaOj2xLhFBCCO1BgeobEIjjN99bt~xE5rzPmOZv~ivsx9r~XoPKGNsJ2~nGJYWcHP5iNZfPkVJYWs~HIFyJhE3~7BW2fzNY8usIw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/58231924/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/58231924/mini_magick20190121-6040-yzuzlm.png?1548135079"}],"has_pdf":true,"has_fulltext":true,"page_count":9,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":57374,"name":"Late Qing literature","url":"https://www.academia.edu/Documents/in/Late_Qing_literature","nofollow":true},{"id":59705,"name":"late imperial Chinese literature","url":"https://www.academia.edu/Documents/in/late_imperial_Chinese_literature","nofollow":true},{"id":95889,"name":"Ming-Qing vernacular literature","url":"https://www.academia.edu/Documents/in/Ming-Qing_vernacular_literature","nofollow":true},{"id":116879,"name":"Late Imperial China","url":"https://www.academia.edu/Documents/in/Late_Imperial_China","nofollow":true},{"id":285258,"name":"Ming-Qing History","url":"https://www.academia.edu/Documents/in/Ming-Qing_History"},{"id":861353,"name":"Drama \u0026 Fiction In Ming and Qing Period","url":"https://www.academia.edu/Documents/in/Drama_and_Fiction_In_Ming_and_Qing_Period"},{"id":1030675,"name":"Traditional CHinese Narrative and Drama","url":"https://www.academia.edu/Documents/in/Traditional_CHinese_Narrative_and_Drama"}],"publication_year":null,"publication_year_with_fallback":null,"paper_rank":null,"all_time_views":206,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41702970" data-work_id="41702970" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41702970/Fiction_as_Cautionary_Tale_Rewriting_Rebellion_in_Yu_Wanchuns_Dangkou_zhi">Fiction as Cautionary Tale: Rewriting "Rebellion" in Yu Wanchun's Dangkou zhi</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">An important aspect of the 70-chapter edition of Shuihu zhuan 水滸傳 (Water margin) includes the many edits, revisions, deletions, and commentaries provided by the literary giant Jin Shengtan 金聖嘆 (1608-1661). With his deletion of the last 30... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41702970" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">An important aspect of the 70-chapter edition of Shuihu zhuan 水滸傳 (Water margin) includes the many edits, revisions, deletions, and commentaries provided by the literary giant Jin Shengtan 金聖嘆 (1608-1661). With his deletion of the last 30 chapters of the 100-chapter edition and the addition of an ending that aimed to properly "terminate" the Shuihu novelistic tradition, Jin had opened up certain possibilities for sequeling. A key text related to this issue is the 70-chapter edition's direct sequel, titled Dangkou zhi 蕩寇志 (Quell the bandits) and authored by Yu Wanchun 俞萬春 (1794-1849). <br /><br />Yu was a military man and an erudite scholar who authored several books. His interest in subjects such as military strategy, weapons, medicine, and Buddhism reveal the sensibilities of a serious intellectual caught in an age of political unrest and rapid modernization. Much of his frustrations and concerns, including the concern for rebellion and dangerous readings of xiaoshuo 小説 (fiction), certainly informed the design and content of his sequel.<br /><br />In this paper, I argue that if Jin Shengtan attempted to decrease the tension between zhong 忠 (loyalty to the emperor) and yi 義 (righteousness) in the 70-chapter edition, Yu Wanchun takes an even more radical approach to resolving this tension by "rewriting" rebellion in his sequel. Moreover, having constructed an intricate rhetoric of controlling interpretation, Yu Wanchun and the Dangkou zhi commentators aim to shape Shuihu zhuan into a cautionary tale against rebellion by properly terminating the Liangshan "bandit resistance movement," to have the effect of rectifying the meaning of zhongyi.<br /><br />(note: This article is a proof and can be cited--page numbers and content are almost exactly the same as the published version. This is an draft copy of an article in the journal Ming Qing Studies. Permission has been granted from the editors to publish this version on academia.edu. Ming Qing Studies 2019 eds. Paolo Santangelo, Maria Paola Culeddu, and Tommaso Previato. © 2019 WriteUp Site di Francesa Maria Pagano)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41702970" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fe072d16f79b7ef3905caff5ade47256" rel="nofollow" data-download="{"attachment_id":61930980,"asset_id":41702970,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61930980/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_41702970 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41702970"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41702970, container: ".js-paper-rank-work_41702970", }); 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With his deletion of the last 30 chapters of the 100-chapter edition and the addition of an ending that aimed to properly \"terminate\" the Shuihu novelistic tradition, Jin had opened up certain possibilities for sequeling. A key text related to this issue is the 70-chapter edition's direct sequel, titled Dangkou zhi 蕩寇志 (Quell the bandits) and authored by Yu Wanchun 俞萬春 (1794-1849). \n\nYu was a military man and an erudite scholar who authored several books. His interest in subjects such as military strategy, weapons, medicine, and Buddhism reveal the sensibilities of a serious intellectual caught in an age of political unrest and rapid modernization. Much of his frustrations and concerns, including the concern for rebellion and dangerous readings of xiaoshuo 小説 (fiction), certainly informed the design and content of his sequel.\n\nIn this paper, I argue that if Jin Shengtan attempted to decrease the tension between zhong 忠 (loyalty to the emperor) and yi 義 (righteousness) in the 70-chapter edition, Yu Wanchun takes an even more radical approach to resolving this tension by \"rewriting\" rebellion in his sequel. Moreover, having constructed an intricate rhetoric of controlling interpretation, Yu Wanchun and the Dangkou zhi commentators aim to shape Shuihu zhuan into a cautionary tale against rebellion by properly terminating the Liangshan \"bandit resistance movement,\" to have the effect of rectifying the meaning of zhongyi.\n\n(note: This article is a proof and can be cited--page numbers and content are almost exactly the same as the published version. This is an draft copy of an article in the journal Ming Qing Studies. Permission has been granted from the editors to publish this version on academia.edu. Ming Qing Studies 2019 eds. 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Studies in Chinese Literature, National Taiwan University, Taiwan, March 15, 2013. 夏志清指出，郁達夫敢於小說中表露個人的弱點。相形之下，李歐梵提及，郁達夫遊記散文顯出一個缺乏心靈超越的獨遊者。夏、李兩位老師各執其理，研究成果殊為可貴，但郁達夫在偉大的中國傳統下，如何觀看自己？其對於作家與自然的分割，... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41716284" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Paper presented at the 26th Conference for Studies in Chinese Literature, National Taiwan University, Taiwan, March 15, 2013.<br /><br />夏志清指出，郁達夫敢於小說中表露個人的弱點。相形之下，李歐梵提及，郁達夫遊記散文顯出一個缺乏心靈超越的獨遊者。夏、李兩位老師各執其理，研究成果殊為可貴，但郁達夫在偉大的中國傳統下，如何觀看自己？其對於作家與自然的分割，做出什麼回應？而郁氏最終追尋到精神超越與否？由於小說建立在虛實的基礎上，它不足以周全地回答有關郁達夫之自我形象問題，但郁達夫遊記散文，因是記錄與創作兼全的文體，而能體現出郁達夫多元的自我形象。本文首先釐清郁達夫的文論，以針對郁氏如何藉由表現特徵與真率個性的連串來構成文學性的自我。在第二部分即勘探郁達夫之求實精神，此分為郁達夫「書儒」與樂於探險山川水澤的自我形象。其次，透過郁達夫的自我觀點來探討其遊記中的真情實景，並進一步說明郁達夫遊記散文，是如何展現出作家與自然隔閡的矛盾。最後，強調郁達夫的遊記散文，體現出郁氏三十歲以後，已將「作者」與「獨遊者」的自我形象融為一體，因而，其盡力追尋心靈寄託與生命安頓，乃一生始終秉持感時憂國的精神，也對家國懷著不可消滅的盼望。<br /><br /> 關鍵詞：郁達夫、遊記散文、自我形象、五四文學、五四運動</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41716284" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d15f894b4f3d7117d902b755b32d5f7e" rel="nofollow" data-download="{"attachment_id":61875564,"asset_id":41716284,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61875564/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa 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Chinese)","created_at":"2020-01-23T12:01:45.374-08:00","owner_id":20589547,"url":"https://www.academia.edu/41716284/In_Pursuit_of_Spiritual_Sustenance_The_Image_of_Self_in_Yu_Dafu_s_Travel_Records_in_Chinese_","slug":"In_Pursuit_of_Spiritual_Sustenance_The_Image_of_Self_in_Yu_Dafu_s_Travel_Records_in_Chinese_","dom_id":"work_41716284","summary":"Paper presented at the 26th Conference for Studies in Chinese Literature, National Taiwan University, Taiwan, March 15, 2013.\n\n夏志清指出，郁達夫敢於小說中表露個人的弱點。相形之下，李歐梵提及，郁達夫遊記散文顯出一個缺乏心靈超越的獨遊者。夏、李兩位老師各執其理，研究成果殊為可貴，但郁達夫在偉大的中國傳統下，如何觀看自己？其對於作家與自然的分割，做出什麼回應？而郁氏最終追尋到精神超越與否？由於小說建立在虛實的基礎上，它不足以周全地回答有關郁達夫之自我形象問題，但郁達夫遊記散文，因是記錄與創作兼全的文體，而能體現出郁達夫多元的自我形象。本文首先釐清郁達夫的文論，以針對郁氏如何藉由表現特徵與真率個性的連串來構成文學性的自我。在第二部分即勘探郁達夫之求實精神，此分為郁達夫「書儒」與樂於探險山川水澤的自我形象。其次，透過郁達夫的自我觀點來探討其遊記中的真情實景，並進一步說明郁達夫遊記散文，是如何展現出作家與自然隔閡的矛盾。最後，強調郁達夫的遊記散文，體現出郁氏三十歲以後，已將「作者」與「獨遊者」的自我形象融為一體，因而，其盡力追尋心靈寄託與生命安頓，乃一生始終秉持感時憂國的精神，也對家國懷著不可消滅的盼望。\n\n 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China</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This dissertation considers the Shuihu zhuan (Water margin) interpretation complex to be a problematic site of interaction between parent work, commentaries, and sequels, where a commentator and a sequel writer both attempt to control... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42667483" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This dissertation considers the Shuihu zhuan (Water margin) interpretation complex to be a problematic site of interaction between parent work, commentaries, and sequels, where a commentator and a sequel writer both attempt to control "reader response" to the novel. Table of contents also included. Please contact me for specific chapters.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42667483" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="45a078a7e9588f26437098f40fae6fcf" rel="nofollow" data-download="{"attachment_id":62874969,"asset_id":42667483,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62874969/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_42667483 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42667483"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42667483, container: ".js-paper-rank-work_42667483", }); 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Table of contents also included. Please contact me for specific chapters.","publication":"UC Irvine Ph.D. Dissertation (abstract)","publication_with_fallback":"UC Irvine Ph.D. Dissertation (abstract)","downloadable_attachments":[{"id":62874969,"asset_id":42667483,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/62874969/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/62874969/Lem_-_PhD_Diss_Abstract_and_Table_of_Contents_201920200408-36548-174v2m8-libre.pdf?1586360417=\u0026response-content-disposition=attachment%3B+filename%3DThe_Sixteenth_Century_Novel_Water_Margin.pdf\u0026Expires=1740146337\u0026Signature=XvxWxWVMNWboDgebMg-APLjG1nBS1n9tJGti97DFvHU-dvHIcK9ARmmeB9xbO732QwX8xLDAzh8pBu69Ddb1w9Spwp6GGICEqRleRSE83krowj1~kXwbaFo8O7Yx49r5ayULm4xxxOg8eA7mm9ZwKRs19V7R~V5OMnbkhNGqTmATkZCpeITDXgYiUQu-aW5vs5Qo0hlc9gJpVrBhAQ67Po7vnUN9tlpaI9elEwFhqi57Zib~Jmz-q3y5gr1Hu-0nXH9GY825bJDraJJnFhLBkid1D5zAXduHyuksY2Hbqf477TlylK0nY8SfOY-KLjD3FwNXBG~Hc2jz-C9pEgTEzg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/62874969/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/62874969/mini_magick20200408-16303-1uk4ors.png?1586360188"}],"downloadable_attachments_with_full_thumbnails":[{"id":62874969,"asset_id":42667483,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/62874969/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/62874969/Lem_-_PhD_Diss_Abstract_and_Table_of_Contents_201920200408-36548-174v2m8-libre.pdf?1586360417=\u0026response-content-disposition=attachment%3B+filename%3DThe_Sixteenth_Century_Novel_Water_Margin.pdf\u0026Expires=1740146337\u0026Signature=XvxWxWVMNWboDgebMg-APLjG1nBS1n9tJGti97DFvHU-dvHIcK9ARmmeB9xbO732QwX8xLDAzh8pBu69Ddb1w9Spwp6GGICEqRleRSE83krowj1~kXwbaFo8O7Yx49r5ayULm4xxxOg8eA7mm9ZwKRs19V7R~V5OMnbkhNGqTmATkZCpeITDXgYiUQu-aW5vs5Qo0hlc9gJpVrBhAQ67Po7vnUN9tlpaI9elEwFhqi57Zib~Jmz-q3y5gr1Hu-0nXH9GY825bJDraJJnFhLBkid1D5zAXduHyuksY2Hbqf477TlylK0nY8SfOY-KLjD3FwNXBG~Hc2jz-C9pEgTEzg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/62874969/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/62874969/mini_magick20200408-16303-1uk4ors.png?1586360188"}],"has_pdf":true,"has_fulltext":true,"page_count":2,"ordered_authors":[{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}],"research_interests":[{"id":5114,"name":"Hermeneutics","url":"https://www.academia.edu/Documents/in/Hermeneutics","nofollow":true},{"id":9801,"name":"Chinese Language and Culture","url":"https://www.academia.edu/Documents/in/Chinese_Language_and_Culture","nofollow":true},{"id":27584,"name":"Chinese literature","url":"https://www.academia.edu/Documents/in/Chinese_literature","nofollow":true},{"id":88717,"name":"Sequels, parodies, rewritings","url":"https://www.academia.edu/Documents/in/Sequels_parodies_rewritings","nofollow":true},{"id":116879,"name":"Late Imperial China","url":"https://www.academia.edu/Documents/in/Late_Imperial_China"},{"id":844645,"name":"Late Imperial Chinese Fiction and Drama","url":"https://www.academia.edu/Documents/in/Late_Imperial_Chinese_Fiction_and_Drama"},{"id":1006148,"name":"Ming and Qing China","url":"https://www.academia.edu/Documents/in/Ming_and_Qing_China"},{"id":2180287,"name":"Chinese Language and Literature","url":"https://www.academia.edu/Documents/in/Chinese_Language_and_Literature"}],"publication_year":2019,"publication_year_with_fallback":2019,"paper_rank":null,"all_time_views":446,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43609849" data-work_id="43609849" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43609849/Battle_Within_Martial_Arts_Asian_Food_and_Face_Masks_in_Corona_Conversations_EAST_and_WEST">Battle Within: Martial Arts, Asian Food, and Face Masks - in Corona Conversations: EAST & WEST</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">An essay that provides some reflections on martial arts, Chinese philosophy, and the Asian/ Asian American experience during COVID-19. Online version: <a href="https://aaari.info/cuny-forum-8-lem/" rel="nofollow">https://aaari.info/cuny-forum-8-lem/</a></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43609849" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4614492680a90e4f313ed30f5eb66cfc" rel="nofollow" data-download="{"attachment_id":65545050,"asset_id":43609849,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65545050/download_file?st=MTc0MzA1OTM3OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20589547" href="https://dliflc.academia.edu/HenryLem">Henry Lem 林子龍</a><script data-card-contents-for-user="20589547" type="text/json">{"id":20589547,"first_name":"Henry","last_name":"Lem 林子龍","domain_name":"dliflc","page_name":"HenryLem","display_name":"Henry Lem 林子龍","profile_url":"https://dliflc.academia.edu/HenryLem","photo":"https://0.academia-photos.com/20589547/5702882/20978404/s65_henry.lem.jpg"}</script></span></span></li><li class="js-paper-rank-work_43609849 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43609849"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43609849, container: ".js-paper-rank-work_43609849", }); 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