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window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":77474906,"created_at":"2022-04-24T11:17:57.312-07:00","from_world_paper_id":203076143,"updated_at":"2025-01-29T16:07:43.574-08:00","_data":{"publisher":"Johns Hopkins University Press","grobid_abstract":"Contra-escrituras: Delmira Agustini, Alfonsina Storni y la subversio ´n del modernismo ignacio ruiz pe ´rez the university of texas at arlington E n este trabajo estudio los recursos comunes-reto ´ricos y tema ´ticos-que comparten Delmira Agustini (1886-1914) y Alfonsina Storni (1892-1938), ası ´como la subjetividad ace ´ntrica que distingue sus obras de la praxis discursiva modernista y las emparienta con el posmodernismo 1 . Las convergencias podrı ´an atribuirse al desgaste del referente modernista y al imaginario finisecular, pero tambie ´n al arte portador de la crisis que antecede los problemas textuales del posmodernismo, al que entiendo aquı ´como el conjunto de tendencias multitudinarias y dispersas-segu ´n refieren prolijamente Herve ´Le Corre (2001) y Guillermo Sucre (1975)-que, en palabras de Ramo ´n Lo ´pez Velarde, plantean el discurso poe ´tico como un ''sistema crı ´tico'' (478). Aunque la crisis del modernismo aparece desde su concepcio ´n con Rube ´n Darı ´o y se prolonga con Leopoldo Lugones, Julio Herrera y Reissig y Enrique Gonza ´lez Martı ´nez, sera ´el grupo de poetas posteriores-Ramo ´n Lo ´pez Velarde, Evaristo Carriego, Luis Carlos Lo ´pez, Carlos Pezoa Ve ´liz, Baldomero Ferna ´ndez, entre otros-quienes abren nuevos derroteros a la lı ´rica en Hispanoame ´rica. Los posmodernistas serı ´an, entonces, precursores y pioneros de un nuevo lenguaje poe ´tico ma ´s que meros epı ´gonos de una reto ´rica languideciente: no tanto un movimiento a medio camino en la cuestionable lı ´nea cronolo ´gica que va del modernismo a las vanguardias, sino un conjunto de autores en cuyas obras la escritura se concibe como un espacio conflictivo e inestable. Esto no significa que antes no se hubiera empleado el humor, la meta ´fora inso ´lita o la rima rara para procurar efectos rı ´tmicos extran ˜os, como hicieron el argentino Leopoldo Lugones y el uruguayo Herrera y Reissig, poetas con quienes la revisio ´n del modernismo se convierte en programa. De hecho, la sola lectura del simbolismo y del parnasianismo franceses-pienso en la obra ejemplar de Rube ´n Darı ´o-, y las posteriores apropiaciones y conversiones del referente en su discurso significaban un procedimiento crı ´tico: leer para asimilar y subvertir. Los recursos poe ´ti-1 En este trabajo empleo el te ´rmino ''posmodernismo'' en su variante relajada para evitar cualquier confusio ´n terminolo ´gica con el significado que recientemente se da a la voz ''postmodernidad'' y para estar ma ´s en concordancia con el tono coloquial y desenfadado de los poetas ''posmodernistas''. Para un resumen de la suerte crı ´tica del te ´rmino sen ˜alado, encuentro sugerente el capı ´tulo ''Avatares de un te ´rmino'' incluido en Poesı ´a hispanoamericana posmodernista de Herve ´Le .","publication_date":"2008,,","publication_name":"Revista Hispánica Moderna","grobid_abstract_attachment_id":"84825998"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"es","title":"Contra-escrituras: Delmira Agustini, Alfonsina Storni y la subversión del modernismo","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [9655440]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":84825998,"attachmentType":"pdf"}"><img alt="First page of “Contra-escrituras: Delmira Agustini, Alfonsina Storni y la subversión del modernismo”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/84825998/mini_magick20220424-27966-1qgbkmy.png?1650859425" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Contra-escrituras: Delmira Agustini, Alfonsina Storni y la subversión del modernismo</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="9655440" href="https://independent.academia.edu/IgnacioRuizP%C3%A9rez"><img alt="Profile image of Ignacio Ruiz-Pérez" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/9655440/5892341/6691116/s65_ignacio.ruiz-p_rez.jpg_oh_01d4292955620d66682cab00c900e238_oe_55167688___gda___1424371743_c21148e4975eb5219d8b3166d625f078" />Ignacio Ruiz-Pérez</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2008, Revista Hispánica Moderna</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">14 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 77474906; 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if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Contra-escrituras: Delmira Agustini, Alfonsina Storni y la subversio ´n del modernismo ignacio ruiz pe ´rez the university of texas at arlington E n este trabajo estudio los recursos comunes-reto ´ricos y tema ´ticos-que comparten Delmira Agustini (1886-1914) y Alfonsina Storni (1892-1938), ası ´como la subjetividad ace ´ntrica que distingue sus obras de la praxis discursiva modernista y las emparienta con el posmodernismo 1 . Las convergencias podrı ´an atribuirse al desgaste del referente modernista y al imaginario finisecular, pero tambie ´n al arte portador de la crisis que antecede los problemas textuales del posmodernismo, al que entiendo aquı ´como el conjunto de tendencias multitudinarias y dispersas-segu ´n refieren prolijamente Herve ´Le Corre (2001) y Guillermo Sucre (1975)-que, en palabras de Ramo ´n Lo ´pez Velarde, plantean el discurso poe ´tico como un ''sistema crı ´tico'' (478). Aunque la crisis del modernismo aparece desde su concepcio ´n con Rube ´n Darı ´o y se prolonga con Leopoldo Lugones, Julio Herrera y Reissig y Enrique Gonza ´lez Martı ´nez, sera ´el grupo de poetas posteriores-Ramo ´n Lo ´pez Velarde, Evaristo Carriego, Luis Carlos Lo ´pez, Carlos Pezoa Ve ´liz, Baldomero Ferna ´ndez, entre otros-quienes abren nuevos derroteros a la lı ´rica en Hispanoame ´rica. Los posmodernistas serı ´an, entonces, precursores y pioneros de un nuevo lenguaje poe ´tico ma ´s que meros epı ´gonos de una reto ´rica languideciente: no tanto un movimiento a medio camino en la cuestionable lı ´nea cronolo ´gica que va del modernismo a las vanguardias, sino un conjunto de autores en cuyas obras la escritura se concibe como un espacio conflictivo e inestable. Esto no significa que antes no se hubiera empleado el humor, la meta ´fora inso ´lita o la rima rara para procurar efectos rı ´tmicos extran ˜os, como hicieron el argentino Leopoldo Lugones y el uruguayo Herrera y Reissig, poetas con quienes la revisio ´n del modernismo se convierte en programa. De hecho, la sola lectura del simbolismo y del parnasianismo franceses-pienso en la obra ejemplar de Rube ´n Darı ´o-, y las posteriores apropiaciones y conversiones del referente en su discurso significaban un procedimiento crı ´tico: leer para asimilar y subvertir. Los recursos poe ´ti-1 En este trabajo empleo el te ´rmino ''posmodernismo'' en su variante relajada para evitar cualquier confusio ´n terminolo ´gica con el significado que recientemente se da a la voz ''postmodernidad'' y para estar ma ´s en concordancia con el tono coloquial y desenfadado de los poetas ''posmodernistas''. Para un resumen de la suerte crı ´tica del te ´rmino sen ˜alado, encuentro sugerente el capı ´tulo ''Avatares de un te ´rmino'' incluido en Poesı ´a hispanoamericana posmodernista de Herve ´Le .</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":84825998,"attachmentType":"pdf","workUrl":"https://www.academia.edu/77474906/Contra_escrituras_Delmira_Agustini_Alfonsina_Storni_y_la_subversi%C3%B3n_del_modernismo"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":84825998,"attachmentType":"pdf","workUrl":"https://www.academia.edu/77474906/Contra_escrituras_Delmira_Agustini_Alfonsina_Storni_y_la_subversi%C3%B3n_del_modernismo"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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Tal concepto me interesa justamente por lo que tiene que ver con el canon y por la presunta contravención del mismo que supone la poesía escrita por mujeres en cuanto que anticanónica. Por otra parte, este diálogo se me reveló de una importancia decisiva para acabar de entender tanto el ideario y la propuesta poética de la genial Delmira Agustini como para comprender la, a la vez controvertida y productiva, relación entre escritoras en el marco específico del cambio de siglo, reveladora en cuanto que «Dans la poésie, c'est toujours la guerre». (Osip Mandelstam) «¿Dónde están las naranjas, mis amigas? Transformadas en piedras, en el olvido de esos tiempos de inercia, en que las manos no se alargan al encuentro de las frutas, en que las mujeres no alargan las manos hacia las manos de las mujeres, y nuestras manos mueren de soledad». (Hélène Cixous, La risa de la medusa)</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La ansiedad de las influencias entre modernistas: el caso de Delmira Agustini y Alfonsina Storni","attachmentId":64325881,"attachmentType":"pdf","work_url":"https://www.academia.edu/43994123/La_ansiedad_de_las_influencias_entre_modernistas_el_caso_de_Delmira_Agustini_y_Alfonsina_Storni","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/43994123/La_ansiedad_de_las_influencias_entre_modernistas_el_caso_de_Delmira_Agustini_y_Alfonsina_Storni"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="43690030" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/43690030/Delmira_Agustini_canon_y_subversi%C3%B3n_Delmira_Agustini_canon_and_subversion">Delmira Agustini: canon y subversión Delmira Agustini: canon and subversion</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2991528" href="https://flup.academia.edu/MirtaDosSantosFern%C3%A1ndez">Mirta Dos Santos Fernández</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Amoxcalli: revista de teoría y crítica de la literatura hispanoamericana, 2017</p><p class="ds-related-work--abstract ds2-5-body-sm">Resumen En la obra poética de Delmira Agustini se aprecia la desgarradora tensión entre el discurso patriarcal y la posición marginal de la mujer que escribe. Agustini experimentó en sí misma la dualidad entre las convenciones y los modelos literarios planteados desde una perspectiva tradicionalmente masculina y su propia subjetividad lírica, ya que las imágenes femeninas habían constituido siempre la materia estética (lo otro) y no el sujeto (yo) del texto poético. Para minimizar los estragos de la «ansiedad de la influencia», intensificados por la «ansiedad de autoridad», Agustini se esconde tras una serie de máscaras femeninas que van cambiando a lo largo de su trayectoria artística y vital. 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Una imagen de la "autora moderna" como Pathosformel del entresiglos latinoamericano: Delmira Agustini y Alfonsina Storni</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="15253576" href="https://17edu.academia.edu/EleonoraCr%C3%B3querPedr%C3%B3n">Eleonora Cróquer Pedrón</a></div><p class="ds-related-work--metadata ds2-5-body-xs">El jardín de los poetas. Revista de teoría y crítica de poesía latinoamericana, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">Resumen: Referido al amasijo de fuerzas heterogéneas que pulsa tras la sintomática presencia de algunas imágenes en la cultura, el término Pathosformel (fórmula del pathos) sintetiza la idea que quiero desarrollar aquí sobre cierta imagen de la "autora moderna" del entresiglos latinoamericano, la de la "Ninfa", en particular significativa del tiempo que abraza su advenimiento, los desplazamientos que lo inquietan y la historia cultural en cuyo relato ocupa un lugar "aparte". En un sentido, por las nuevas economías del deseo que la atraviesan y las tensiones que suscitan en el logos hegemónico de la época; en otro, por la tradición con la que se vincula problemáticamente, la energía libidinal que concentra y la violencia que desentraña su desbordamiento. Hablo de esa impronta erotizada de lo femenino en que se dirime la presencia de un tipo de escritora "amanerada": las "poetisas" Delmira Agustini y Alfonsina Storni. Y, asimismo, de lo que los desafueros de actuaciones y textos confundidos en sus "amaneramientos" nos permiten pensar de la dinámica de exhibición y pulsión escópica a la cual parece responder su emergencia en el marco de la eclosión de lo visual característica de las últimas décadas del siglo XIX y las primeras del XX. Abstract: Concerning to the mixture of heterogeneous forces that pulses behind the symptomatic presence of some images in culture, the term Pathosformel synthesizes the idea that I want to develop here about a certain image of the female "modern author" in Latin America's Fin-du-Siècle-the "Nymph"-, particularly significant of the time that embraces its advent, the displacements that disturb it and the cultural history in whose narrative it occupies a "separate" place. In one sense, because of the new economies of desire that are passing</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La ninfa finisecular. Una imagen de la \"autora moderna\" como Pathosformel del entresiglos latinoamericano: Delmira Agustini y Alfonsina Storni","attachmentId":65383608,"attachmentType":"pdf","work_url":"https://www.academia.edu/44128925/La_ninfa_finisecular_Una_imagen_de_la_autora_moderna_como_Pathosformel_del_entresiglos_latinoamericano_Delmira_Agustini_y_Alfonsina_Storni","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/44128925/La_ninfa_finisecular_Una_imagen_de_la_autora_moderna_como_Pathosformel_del_entresiglos_latinoamericano_Delmira_Agustini_y_Alfonsina_Storni"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="22108016" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/22108016/El_imaginario_er%C3%B2tico_femenino_en_Delmira_Agustini_y_Alfonsina_Storni">El imaginario eròtico femenino en Delmira Agustini y Alfonsina Storni</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="43416762" href="https://anep.academia.edu/SamyGuany">Samy Guany</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"El imaginario eròtico femenino en Delmira Agustini y Alfonsina Storni","attachmentId":42776726,"attachmentType":"pdf","work_url":"https://www.academia.edu/22108016/El_imaginario_er%C3%B2tico_femenino_en_Delmira_Agustini_y_Alfonsina_Storni","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/22108016/El_imaginario_er%C3%B2tico_femenino_en_Delmira_Agustini_y_Alfonsina_Storni"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="99161676" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/99161676/La_poes%C3%ADa_de_Delmira_Agustini_entre_el_Modernismo_y_la_Vanguardia">La poesía de Delmira Agustini: entre el Modernismo y la Vanguardia</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="241098868" href="https://uam.academia.edu/MercedesGarc%C3%ADadeSaracho">Mercedes García de Saracho</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Philobiblion: revista de literaturas hispánicas, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">En este trabajo se analiza el paso del modernismo a la vanguardia a partir de la poesía de Delmira Agustini como movimientos en continuidad y no como compartimentos estancos. Un recorrido por la crítica más significativa en lo que respecta a la autora y a su inclusión en un movimiento u otro, así como el estudio de los rasgos modernistas y vanguardistas más característicos de su obra, permiten leer a Agustini como un antecedente de la vanguardia estética y comprender las aportaciones que hizo al campo literario de su tiempo.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La poesía de Delmira Agustini: entre el Modernismo y la Vanguardia","attachmentId":100321806,"attachmentType":"pdf","work_url":"https://www.academia.edu/99161676/La_poes%C3%ADa_de_Delmira_Agustini_entre_el_Modernismo_y_la_Vanguardia","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/99161676/La_poes%C3%ADa_de_Delmira_Agustini_entre_el_Modernismo_y_la_Vanguardia"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="53335694" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/53335694/Trampas_de_la_escritura_Caso_Alfonsina_Storni">Trampas de la escritura. Caso: Alfonsina Storni</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="49024797" href="https://ufmg.academia.edu/DanielaCamposAtienzo">Daniela Campos</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Editora Académica Española, 2018</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Trampas de la escritura. Caso: Alfonsina Storni","attachmentId":70226771,"attachmentType":"pdf","work_url":"https://www.academia.edu/53335694/Trampas_de_la_escritura_Caso_Alfonsina_Storni","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/53335694/Trampas_de_la_escritura_Caso_Alfonsina_Storni"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="106904097" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/106904097/La_recepci%C3%B3n_cr%C3%ADtica_de_la_obra_de_Delmira_Agustini_por_sus_contempor%C3%A1neos">La recepción crítica de la obra de Delmira Agustini por sus contemporáneos</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="77708703" href="https://independent.academia.edu/RevistaLETRAL">Revista Letral</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><p class="ds-related-work--abstract ds2-5-body-sm">Reseña de La recepción crítica de la obra de Delmira Agustini por sus contemporáneos, de Fernández Mirta Dos Santos.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La recepción crítica de la obra de Delmira Agustini por sus contemporáneos","attachmentId":105836548,"attachmentType":"pdf","work_url":"https://www.academia.edu/106904097/La_recepci%C3%B3n_cr%C3%ADtica_de_la_obra_de_Delmira_Agustini_por_sus_contempor%C3%A1neos","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/106904097/La_recepci%C3%B3n_cr%C3%ADtica_de_la_obra_de_Delmira_Agustini_por_sus_contempor%C3%A1neos"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="38396991" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38396991/Una_modernidad_femenina_las_cr%C3%B3nicas_de_Alfonsina_Storni">Una modernidad femenina: las crónicas de Alfonsina Storni</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="30912634" href="https://unlp.academia.edu/GracielaQueirolo">Graciela Queirolo</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Feminaria, 2007</p><p class="ds-related-work--abstract ds2-5-body-sm">Alfonsina Storni integra una generación de mujeres intelectuales latinoamericanas que a lo largo de las décadas de 1920 a 1950 expresaron en sus escritos subjetividades femeninas novedosas resultado de sus experiencias de una modernidad emergente . A modo de ejemplo pueden ser mencionadas Gabriela Mistral, Juana de Ibarbourou, Delmira Agustini, María Eugenia Vaz Ferreira, Delfina Bunge . En el caso particular de Alfonsina, su figura se ha convertido en una leyenda que combina las imágenes de poeta romántica, mujer transgresora, suicida trágica (Kirkpatrick, 1995). Este trabajo pretende distanciarse de esas imágenes e incursionar en la prosa periodística, en un intento de analizar la visión sexo-genérica de los procesos modernizadores elaborada por Storni. Su prosa periodística constituye un corpus llamativamente abundante, (más de cien artículos), que se halla fragmentado y disperso en la prensa porteña, dentro del cual se destacan los artículos aparecidos regularmente, entre los años 1919 y 1921, en las secciones femeninas de la revista La Nota y del diario La Nación.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Una modernidad femenina: las crónicas de Alfonsina Storni","attachmentId":58454142,"attachmentType":"pdf","work_url":"https://www.academia.edu/38396991/Una_modernidad_femenina_las_cr%C3%B3nicas_de_Alfonsina_Storni","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/38396991/Una_modernidad_femenina_las_cr%C3%B3nicas_de_Alfonsina_Storni"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="27028958" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/27028958/Las_mal_ubicadas_intervenciones_en_la_modernidad_en_la_prosa_de_Alfonsina_Storni_y_Gabriela_Mistral">Las mal ubicadas: intervenciones en la modernidad en la prosa de Alfonsina Storni y Gabriela Mistral</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2727614" href="https://gmu.academia.edu/ClaudiaCabelloHutt">Claudia Cabello Hutt</a></div><div 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