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posts</a> </div> <div class='status-msg-border'> <div class='status-msg-bg'> <div class='status-msg-hidden'>Showing posts with label CRA. <a href="https://plundered-art.blogspot.com/">Show all posts</a></div> </div> </div> </div> <div style='clear: both;'></div> <div class="date-outer"> <h2 class='date-header'>10 May 2015</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWz0dppB7aOLgH6rRGx6z7xRRxO9qX9HYjixfmH9saOiuQ44O01U92Kn7zgDt1r6YQm1sJGvNknfuCrrSil8UZlT_ckDwj9sDyid1RHRx87xGdX5ONvT77I1lHUlI0pDJ0l2cNPBwKewc/s320/May-9-1945-A1.jpg' itemprop='image_url'/> <meta content='5918154958856402553' itemprop='blogId'/> <meta content='7966252668897188127' itemprop='postId'/> <a name='7966252668897188127'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://plundered-art.blogspot.com/2015/05/the-day-after.html'>The day after…</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-7966252668897188127' itemprop='description articleBody'>   by Marc Masurovsky  <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWz0dppB7aOLgH6rRGx6z7xRRxO9qX9HYjixfmH9saOiuQ44O01U92Kn7zgDt1r6YQm1sJGvNknfuCrrSil8UZlT_ckDwj9sDyid1RHRx87xGdX5ONvT77I1lHUlI0pDJ0l2cNPBwKewc/s1600/May-9-1945-A1.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWz0dppB7aOLgH6rRGx6z7xRRxO9qX9HYjixfmH9saOiuQ44O01U92Kn7zgDt1r6YQm1sJGvNknfuCrrSil8UZlT_ckDwj9sDyid1RHRx87xGdX5ONvT77I1lHUlI0pDJ0l2cNPBwKewc/s320/May-9-1945-A1.jpg" width="245" /></a> We just commemorated the 70th anniversary of the end of the Second World War, at least that <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWz0dppB7aOLgH6rRGx6z7xRRxO9qX9HYjixfmH9saOiuQ44O01U92Kn7zgDt1r6YQm1sJGvNknfuCrrSil8UZlT_ckDwj9sDyid1RHRx87xGdX5ONvT77I1lHUlI0pDJ0l2cNPBwKewc/s1600/May-9-1945-A1.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a>portion of the war being fought on the European continent. It took another three months of heavy fighting, two atomic bombs, and an invasion of Japan to bring the Empire of the Rising Sun to the table and sign an unconditional surrender in mid-August of the same year. <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWz0dppB7aOLgH6rRGx6z7xRRxO9qX9HYjixfmH9saOiuQ44O01U92Kn7zgDt1r6YQm1sJGvNknfuCrrSil8UZlT_ckDwj9sDyid1RHRx87xGdX5ONvT77I1lHUlI0pDJ0l2cNPBwKewc/s1600/May-9-1945-A1.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a> Let’s try and imagine what it must have been like to wake up the day after the surrender of the Reich and to think about all that had occurred since Hitler took power in January 1933. With 60 million people dead, including six million Jews, men, women and children, five million others who perished in prisons and camps, a third of the male population of the Soviet Union destroyed, one third of Europe’s infrastructure in ruins. Basically a traumatized world. Not a pleasant morning on which to view a sunrise. Let’s focus on the thefts and displacements of objects. With every act of physical aggression comes a theft especially during military conflicts, civil disorder, and wholesale extermination of one group by another. In this case, the backdrop of a war on culture decreed by National Socialism everywhere Nazis set foot provoked a systematic and systemic displacement of objects from homes, businesses, and public places. Take a camera with a very wide angle lens and click. The snapshot you record should tell you where objects were located on May 10, 1945. <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_UBmvtBw0JFRfgFHRz4Hneb8IjUXdgNibXREmnCsWI9CPM8sgDAMr3ezW6tRbEd80luCePBkZyEcYL1JKNHzBMYjEnMj0V7xU-oDQX9_ovqnSKvk6wAx-BOWOPCXSAugjPsrCd4Hfak8/s1600/Alliedgains5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div>  In short, it was an utter mess. Displacement meant movement. Objects were removed from their original home and taken somewhere else, never to return again. Liberators, whether military or militia or resistance units, found “things” everywhere they went---barns, attics, basements, gyms, cellars, abandoned apartments and villas and farmhouses, barracks, everywhere someone with a gun showed up, there were objects strewn about or carefully stacked, no matter. <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_UBmvtBw0JFRfgFHRz4Hneb8IjUXdgNibXREmnCsWI9CPM8sgDAMr3ezW6tRbEd80luCePBkZyEcYL1JKNHzBMYjEnMj0V7xU-oDQX9_ovqnSKvk6wAx-BOWOPCXSAugjPsrCd4Hfak8/s1600/Alliedgains5.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_UBmvtBw0JFRfgFHRz4Hneb8IjUXdgNibXREmnCsWI9CPM8sgDAMr3ezW6tRbEd80luCePBkZyEcYL1JKNHzBMYjEnMj0V7xU-oDQX9_ovqnSKvk6wAx-BOWOPCXSAugjPsrCd4Hfak8/s320/Alliedgains5.jpg" width="320" /></a>There was no system in place on May 10, 1945 to properly dispose of “found” objects. It was all improvised which led to massive abuses, naturally, like theft. In most places, objects did not travel very far. They remained within the immediate geographic area and ended up mostly in other people’s homes, which means that those objects were never recovered unless someone denounced you after the war ended, neighbors stealing from their neighbors, communities cannibalizing themselves. Those objects which traveled far were those taken either by people fleeing one area and getting as far away as possible from the scene of the crime, or by paramilitary or military units, resistance groups on the prowl. In that case, objects could travel long distances, ten, one hundred, even one thousand kilometers or more. So, on May 10, 1945, you must imagine that most objects that were removed illegally from people’s homes by neighbors, strangers, policemen, thugs, agents, soldiers, officers, either stayed on your street, or moved to another neighborhood, or another city, or another country, ultimately another continent. On May 10, 1945, Europe was a mess, like an attic through which a tornado had passed and objects blown out and falling wherever. That is why “things” taken from Western Europe went as far as Kiev, Ukraine. <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgQmY2135NUc0eAxGYtSYsWpm4CLLWeN8QppVtL_KmLzzrHaCfrEZDMYtEajXQOe02_UdTQIziUZ3RskzyZRJ073HxDCkFbAC5xmeml1Ez5gczjRTg_JKMgQK98JSrVdfmxCiudbyXxXk/s1600/Eastern_Front_1943-08_to_1944-12.png" style="margin-left: 1em; margin-right: 1em;"></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6BLdOTC6_xumfQX3Z_8xm7A5X07-sA4f912cKaX04t0F5t56c5vrXSzJkyw7yOd2K0UjBbwGY7qykKXhXEyBONZwSzcc4AyuLf3b9fPTq2uraTW_CyMTrw7KuJaRk3h_1XoTRSHLtSw/s1600/NorthwesternEurope.jpg" style="margin-left: 1em; margin-right: 1em;"></a> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgQmY2135NUc0eAxGYtSYsWpm4CLLWeN8QppVtL_KmLzzrHaCfrEZDMYtEajXQOe02_UdTQIziUZ3RskzyZRJ073HxDCkFbAC5xmeml1Ez5gczjRTg_JKMgQK98JSrVdfmxCiudbyXxXk/s1600/Eastern_Front_1943-08_to_1944-12.png" style="margin-left: auto; margin-right: auto;"><img border="0" height="153" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgQmY2135NUc0eAxGYtSYsWpm4CLLWeN8QppVtL_KmLzzrHaCfrEZDMYtEajXQOe02_UdTQIziUZ3RskzyZRJ073HxDCkFbAC5xmeml1Ez5gczjRTg_JKMgQK98JSrVdfmxCiudbyXxXk/s200/Eastern_Front_1943-08_to_1944-12.png" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Soviet counteroffensive, 1943-44</td></tr> </tbody></table> That is why “things” taken out of the Soviet Union went as far as Germany and Austria. <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj442Jn3-YCjysAXcSWQGSW6YGdADwNGi4LnTQxveu9YZMoOhJ3A8-VU0lljBq9DyHiK1oICUMntNMhKePoAhRNF8StXiYzRp_Ab5jEftY9Usf_ARS-LaodwNuFnR_uKVd64dymdavvaJM/s1600/Norway1939.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a> That is why “things” taken out of Norway went “south.” <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj442Jn3-YCjysAXcSWQGSW6YGdADwNGi4LnTQxveu9YZMoOhJ3A8-VU0lljBq9DyHiK1oICUMntNMhKePoAhRNF8StXiYzRp_Ab5jEftY9Usf_ARS-LaodwNuFnR_uKVd64dymdavvaJM/s1600/Norway1939.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj442Jn3-YCjysAXcSWQGSW6YGdADwNGi4LnTQxveu9YZMoOhJ3A8-VU0lljBq9DyHiK1oICUMntNMhKePoAhRNF8StXiYzRp_Ab5jEftY9Usf_ARS-LaodwNuFnR_uKVd64dymdavvaJM/s200/Norway1939.jpg" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Norway</td></tr> </tbody></table> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj442Jn3-YCjysAXcSWQGSW6YGdADwNGi4LnTQxveu9YZMoOhJ3A8-VU0lljBq9DyHiK1oICUMntNMhKePoAhRNF8StXiYzRp_Ab5jEftY9Usf_ARS-LaodwNuFnR_uKVd64dymdavvaJM/s1600/Norway1939.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj442Jn3-YCjysAXcSWQGSW6YGdADwNGi4LnTQxveu9YZMoOhJ3A8-VU0lljBq9DyHiK1oICUMntNMhKePoAhRNF8StXiYzRp_Ab5jEftY9Usf_ARS-LaodwNuFnR_uKVd64dymdavvaJM/s1600/Norway1939.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj442Jn3-YCjysAXcSWQGSW6YGdADwNGi4LnTQxveu9YZMoOhJ3A8-VU0lljBq9DyHiK1oICUMntNMhKePoAhRNF8StXiYzRp_Ab5jEftY9Usf_ARS-LaodwNuFnR_uKVd64dymdavvaJM/s1600/Norway1939.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6BLdOTC6_xumfQX3Z_8xm7A5X07-sA4f912cKaX04t0F5t56c5vrXSzJkyw7yOd2K0UjBbwGY7qykKXhXEyBONZwSzcc4AyuLf3b9fPTq2uraTW_CyMTrw7KuJaRk3h_1XoTRSHLtSw/s1600/NorthwesternEurope.jpg" style="margin-left: 1em; margin-right: 1em;"></a> “Things” taken out of France went north, east, south, and west. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6BLdOTC6_xumfQX3Z_8xm7A5X07-sA4f912cKaX04t0F5t56c5vrXSzJkyw7yOd2K0UjBbwGY7qykKXhXEyBONZwSzcc4AyuLf3b9fPTq2uraTW_CyMTrw7KuJaRk3h_1XoTRSHLtSw/s1600/NorthwesternEurope.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6BLdOTC6_xumfQX3Z_8xm7A5X07-sA4f912cKaX04t0F5t56c5vrXSzJkyw7yOd2K0UjBbwGY7qykKXhXEyBONZwSzcc4AyuLf3b9fPTq2uraTW_CyMTrw7KuJaRk3h_1XoTRSHLtSw/s200/NorthwesternEurope.jpg" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Northern France</td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;">   <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6BLdOTC6_xumfQX3Z_8xm7A5X07-sA4f912cKaX04t0F5t56c5vrXSzJkyw7yOd2K0UjBbwGY7qykKXhXEyBONZwSzcc4AyuLf3b9fPTq2uraTW_CyMTrw7KuJaRk3h_1XoTRSHLtSw/s1600/NorthwesternEurope.jpg" style="margin-left: 1em; margin-right: 1em;"></a> And so forth and so on. </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv1Bvi1yatL3sr8oe8_v4t3t1xqGyWMEFmaWZrwHYUtPwVBk3Thr0WNaySTk7smhUW_8ztmekECpyRkzFEcHISPy5Lxy55xqRjl-cYvGh9QQGSYQJdHTD2sLhNj29mWA_rr8E6eGpCj38/s1600/Second_world_war_europe_1941-1942_map_de.png" style="margin-left: auto; margin-right: auto;"><img border="0" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv1Bvi1yatL3sr8oe8_v4t3t1xqGyWMEFmaWZrwHYUtPwVBk3Thr0WNaySTk7smhUW_8ztmekECpyRkzFEcHISPy5Lxy55xqRjl-cYvGh9QQGSYQJdHTD2sLhNj29mWA_rr8E6eGpCj38/s320/Second_world_war_europe_1941-1942_map_de.png" width="320" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Axis-occupied Europe</td></tr> </tbody></table> The problem of restitution on May 10, 1945, was a staggering mess with a crime scene engulfing 15 European countries. Now, let’s finally get to the point. How many objects were removed? No number can adequately reflect the reality of the thefts. But, governments and armies are in the business of releasing information which is supposed to be accepted as “official”, therefore not up for discussion. When the French government says that 40,000 objects were removed from its territory, it’s because it recovered 40,000 objects from Germany, Austria and other places. Half of those objects presumably went through the Jeu de Paume in downtown Paris. That makes it easier to count.  On December 1, 1998, American pundits announced that there were 125,000 works of art still missing which needed to be identified, recovered and returned to their rightful owners. No one bothered to ask: How did you come up with that figure? Then, as recently as this year, another figure was proposed: <a href="http://www.cbc.ca/q/blog/2015/02/02/nazi-looted-art-israel/">600,000 objects were still missing</a>. And yet again, no one bothered to ask where that figure came from and what documents were used to tabulate a figure which had grown more than five-fold in less than two decades. At the end of the movie, <a href="http://www.rottentomatoes.com/m/woman_in_gold/">“Woman in Gold” </a>a text appears indicating that there are 100,000 works of art still missing. Already people who have seen the film are quoting that figure as if it is manna from heaven. But here again, where did the filmmakers obtain that figure? Does it apply only to Austria or to Europe as a whole? That figure mysteriously coincides with one put forth by the London-based Art Loss Register (ALR) as the total number of all objects in its registry of stolen objects, including contemporary commercial thefts. The short answer is: no one knows because no one has bothered to know. Simple. If you don’t bother to know how many objects were stolen, you don’t really have to focus on restitution issues. The missing objects are gone with the wind, just like in the wake of a storm. Poof! Disappeared. It would be simpler to consider WWII and the Holocaust as a natural disaster. It does not work that way. These were nightmares created by human beings against other human beings, a man-made disaster which implies accountability. If you do come up with a number like 100,000 or 125,000, you might have something in mind. Could it be that those 100,000 works of art are worth something? Could it be that the numbers game is all about value? And not necessarily about individual losses? That the only way to interest someone in restitution is to place a monetary value on an object? Maybe, for some people, the “restitution game” is just a global treasure hunt where we forget about the “why”, the ”where” and the “how” of the thefts committed in the context of genocide. People hunt for treasures from the Holocaust the same way they look for metal on beaches and dive for gold laying about on the ocean floor. With a little effort, you too can get rich. Or so you think. Except that we have no idea how to define a “treasure” and, for the most part, we don’t really know what we are looking for, except for objects listed on online databases. The only way to understand the reality of the thefts that took place across Europe is to collect all relevant information about what disappeared, sift through the evidence, sort it, and catalogue it. This exercise began but was never finished in the years that followed May 9, 1945, perhaps because it took too much time and the chances of finding anything were deemed to be close to zero. So why bother? Instead of recording everything that was lost, the focus was placed on registering losses of “culturally significant” items. No one really defined “culturally significant” except to suggest that the loss of the cultural item meant a loss for the nation. In other words, someone had to decide whether your objects had any “cultural” meaning as determined by the government of your country. That “someone” was usually an art historian, a museum curator or director, or an official in a government ministry. This is where the recording of cultural losses crossed over into cultural policy and esthetics. If you were unfortunate to have owned objects deemed “insignificant”, chances are that your government was not going to assist you in locating them. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5zDP0_qgoYjXmB8ukEMgaxENUoJw9Z0ytJd4qWN9nuNXf-BLHHBix0_SUzr3N8IzOGdj5WYwj2fnjG3enFAzAjZs2cIAABWLr7e1ZRfIhgp-bGLjRr9ZrMB1552TMIRGblz1KA-FyEMU/s1600/jankel.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5zDP0_qgoYjXmB8ukEMgaxENUoJw9Z0ytJd4qWN9nuNXf-BLHHBix0_SUzr3N8IzOGdj5WYwj2fnjG3enFAzAjZs2cIAABWLr7e1ZRfIhgp-bGLjRr9ZrMB1552TMIRGblz1KA-FyEMU/s200/jankel.jpg" width="124" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">insignificant?</td></tr> </tbody></table> If, on the other hand, there was something “significant” about your collection, the government did take an interest and registered your claim. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9E_1-BaR2RFUo21fZN4JbK0KT-aZoKiWFZUZWc_9CU7vpwvlDpCzJFdpJmy-bNjyyQEetqxlRwIIPPDzBBBGMrTTAXimJRjZEBEJ3Y5ZmI9vLi33mVOPKwiMJmE7tVL1YiIIIlAclqwA/s1600/vermeer.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9E_1-BaR2RFUo21fZN4JbK0KT-aZoKiWFZUZWc_9CU7vpwvlDpCzJFdpJmy-bNjyyQEetqxlRwIIPPDzBBBGMrTTAXimJRjZEBEJ3Y5ZmI9vLi33mVOPKwiMJmE7tVL1YiIIIlAclqwA/s200/vermeer.jpg" width="146" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">significant?</td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6C07X3xaD32uEowsD9-U_OO8VSqmLKBZrkrFwyqOOTZk4aXQXJpK5nZTcDJEuvYeOYSx2tddlbCN1OO6E8xiST0ff5pOxpY18DOg07cHETVu1x-VKOcy0qludLIDDZ-eUGn-QQd0XljE/s1600/treasure.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6C07X3xaD32uEowsD9-U_OO8VSqmLKBZrkrFwyqOOTZk4aXQXJpK5nZTcDJEuvYeOYSx2tddlbCN1OO6E8xiST0ff5pOxpY18DOg07cHETVu1x-VKOcy0qludLIDDZ-eUGn-QQd0XljE/s1600/treasure.jpg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Treasure?</td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfiTq9bfbFjRaTmofym6XTPfeoCWhPoWqXPlmJtmiPX6XXIr0I_IzIaY6IGSC-61REUflozDMK4B4XlijEHFJXgRt_ZTvVw6Qqa7NlC3EoA9JdhDIjcy3s1t3z01gJIZByj4UHZAGCj8w/s1600/B323-853-fol.036dr%23ESM28.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfiTq9bfbFjRaTmofym6XTPfeoCWhPoWqXPlmJtmiPX6XXIr0I_IzIaY6IGSC-61REUflozDMK4B4XlijEHFJXgRt_ZTvVw6Qqa7NlC3EoA9JdhDIjcy3s1t3z01gJIZByj4UHZAGCj8w/s320/B323-853-fol.036dr%23ESM28.jpg" width="211" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">unworthy?</td><td class="tr-caption" style="text-align: center;"></td></tr> </tbody></table> It is difficult to pinpoint the difference between significant and insignificant. If we use French archival records as a point of reference, those containing information about cultural losses as an example, we can begin to understand the difference. The members of the Art Restitution Commission, Commission de récupération artistique (CRA), were mostly museum curators and art historians. They devised, perhaps through trial and error, a ranking system using different colored pencils and a lettering system from A to H. Each letter stood for a type of object. Many lists of losses submitted by victims were hardly annotated, meaning that there was little chance that the objects that they contained would ever be registered as “worthy” or “significant.” [This question will be explored in greater detail in future articles on plundered art. Stay tuned…] As an example,<a href="http://www.culture.gouv.fr/documentation/mnr/MnR-rbs.htm"> the “Répertoire des biens spoliés”</a>, a central registry that the French government published in 1947, can be viewed <a href="http://www.culture.gouv.fr/documentation/mnr/RBS/T_2.pdf">as a central catalogue </a>of “culturally significant” objects listed as still missing by that date. Similar lists were published in other countries using different formulas and presentation schemes. But the end result was the same: these official lists tended to summarize, encapsulate the universe of what was missing as “significant” and what was being sought by the governments of the nations which had suffered under the Nazi boot. It’s time to understand, better late than never, that art restitution, the idea of cultural loss, was quickly subverted even before the ink had dried on the act of surrender of the Third Reich. It was not about what you lost but whether what you lost was important enough for the government to take heed of your loss. The principle of restitution was transformed into an arbitrary State-sponsored diktat which implicitly carried a judgment about the quality of your losses and how the government perceived your ownership of cultural assets. A far cry from being the victim of an act of cultural plunder and genocide. That explains in part why restitution efforts fell far short of their potential, because they quickly had very little to do with you as an individual victim. The idea of ‘recovery’ was intertwined with the interest of the nation, of the State. When the State decided: enough was enough, it meant that it was no longer interested in promoting location, identification and recovery of objects, even those that were deemed “significant.” It was easier to mourn them as a nation’s loss than to make the effort to “find” them. The irony of this exercise is that many “mourned” objects ended up sitting in the museums of the nations that “stopped looking for them.” Hypocrisy? Double speak? Or sheer deceit? So, we are back to where we started: a staggering mess. The only way to solve it is through citizens’ initiatives, publicizing the losses, identifying where lost objects are located especially if they sit in State collections and demanding their return. It is up to each and everyone of us to document these crimes and to tell their stories, not necessarily for the sake of restitution but to teach a public lesson about the crime of cultural plunder, to restore the word “significant” to its proper context and to assert that an individual’s cultural tastes and losses are not subject to government whims and elitist conceptions of “Kultur.” <div class="MsoNormal"> </div> <div class="MsoNormal"> </div> <div class="MsoNormal"> </div> <div class="MsoNormal"> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by the <meta content='https://www.blogger.com/profile/03190272299610799123' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/03190272299610799123' rel='author' title='author profile'> plundered art </a> at <meta content='https://plundered-art.blogspot.com/2015/05/the-day-after.html' itemprop='url'/> <a class='timestamp-link' href='https://plundered-art.blogspot.com/2015/05/the-day-after.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2015-05-10T11:23:00-04:00'>11:23</abbr></a> <a href='https://www.blogger.com/email-post/5918154958856402553/7966252668897188127' title='Email Post'> <img alt='' class='icon-action' height='13' src='https://resources.blogblog.com/img/icon18_email.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=7966252668897188127&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=7966252668897188127&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=7966252668897188127&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=7966252668897188127&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=7966252668897188127&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Keywords: <a href='https://plundered-art.blogspot.com/search/label/1945' rel='tag'>1945</a>, <a href='https://plundered-art.blogspot.com/search/label/Axis-occupied%20Europe' rel='tag'>Axis-occupied Europe</a>, <a href='https://plundered-art.blogspot.com/search/label/Commission%20de%20r%C3%A9cup%C3%A9ration%20artistique' rel='tag'>Commission de récupération artistique</a>, <a href='https://plundered-art.blogspot.com/search/label/CRA' rel='tag'>CRA</a>, <a href='https://plundered-art.blogspot.com/search/label/France' rel='tag'>France</a>, <a href='https://plundered-art.blogspot.com/search/label/May%209' rel='tag'>May 9</a>, <a href='https://plundered-art.blogspot.com/search/label/Norway' rel='tag'>Norway</a>, <a href='https://plundered-art.blogspot.com/search/label/restitution' rel='tag'>restitution</a>, <a href='https://plundered-art.blogspot.com/search/label/Soviet%20Union' rel='tag'>Soviet Union</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>04 February 2015</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnH-x94Wl-IWbv9cq4cbirhawgXehhV0EkNRSEB7RF5DiY7pxHjTZgKbaQoiH8L_lcFRfKWHMHVBH4rru_USvihB1e_V7c4O51PJlfnlcUZnQYlBYXxh0ctmxyyxLZgn3bNWfLyAJ5iCA/s1600/Screen+Shot+2014-12-10+at+7.20.24+PM.png' itemprop='image_url'/> <meta content='5918154958856402553' itemprop='blogId'/> <meta content='489236340713642048' itemprop='postId'/> <a name='489236340713642048'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://plundered-art.blogspot.com/2015/02/a-gurlitt-painting-waiting-to-be.html'>A Gurlitt painting waiting to be restituted: View of the Seine from the Pont-Neuf, by Camille Pissarro</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-489236340713642048' itemprop='description articleBody'> by Marc Masurovsky One of the paintings found in the infamous Salzburg Depot in Western Austria which were part of the art collection of the late Cornelius Gurlitt is a view of the Seine from the Pont-Neuf by Camille Pissarro. It turns out that this painting had been stolen from a safe deposit box owned by the late Max Heilbronn and his family after they had fled Paris. The painting turned out to be a perfect match with the one listed in documents illustrating the plundering ways of the Einsatzstab Reichsleiter Rosenberg in France between the fall of 1940 and the summer of 1944. The painting can also be found on page 257 of the Répertoire des biens spoliés en France as still missing. <div> Please find some of the relevant documents concerning this painting so that you can appreciate how the historical evidence comes together to demonstrate that a theft took place and restitution becomes the order of the day. <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnH-x94Wl-IWbv9cq4cbirhawgXehhV0EkNRSEB7RF5DiY7pxHjTZgKbaQoiH8L_lcFRfKWHMHVBH4rru_USvihB1e_V7c4O51PJlfnlcUZnQYlBYXxh0ctmxyyxLZgn3bNWfLyAJ5iCA/s1600/Screen+Shot+2014-12-10+at+7.20.24+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnH-x94Wl-IWbv9cq4cbirhawgXehhV0EkNRSEB7RF5DiY7pxHjTZgKbaQoiH8L_lcFRfKWHMHVBH4rru_USvihB1e_V7c4O51PJlfnlcUZnQYlBYXxh0ctmxyyxLZgn3bNWfLyAJ5iCA/s1600/Screen+Shot+2014-12-10+at+7.20.24+PM.png" width="236" /></a></div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: left;"> The ERR inventory list tells us that the late Max Heilbronn had an apartment at 1, Place de l'Alma and a safe deposit box at the Crédit commercial de France in Mont-de-Marsan, in southwestern France. The Devisenschutzkommando (DSK) sent agents down to the CCF to remove the Heilbronn collection from its safe and transferred it to the ERR in Paris. The removal took place before February 13, 1941.</div> <div class="separator" style="clear: both; text-align: left;"> The  ERR assigned to the painting the title of "Ansicht auf Paris, 1902" under the moniker of "Heilbronn 7."  A card was then created for this painting confirming that it had been officially processed and indexed at the Jeu de Paume, in Paris, a central sorting, cataloguing, displaying, and shipping point for cultural and artistic objects plundered in Paris, the neighboring regions and selected parts of France (Bordeaux region in particular and Nice). <a href="http://www.errproject.org/jeudepaume/card_view.php?CardId=2735">You can find more details on the ERR database.</a></div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7bdNZdPlpixHqQkD5bBpKYaeWtUCZeaXkJylFpLgQ3UKq75W0JFlV-yPBQtNRmtGjqgYMq8ISNnk7g6ouHDvwb3IaIvdj-QVQ5Zo7_StytekyNBQYDveNesWK8rb_7hEZs1MsIz3Dhxs/s1600/2735-2491.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7bdNZdPlpixHqQkD5bBpKYaeWtUCZeaXkJylFpLgQ3UKq75W0JFlV-yPBQtNRmtGjqgYMq8ISNnk7g6ouHDvwb3IaIvdj-QVQ5Zo7_StytekyNBQYDveNesWK8rb_7hEZs1MsIz3Dhxs/s1600/2735-2491.png" width="311" /></a></div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="separator" style="clear: both; text-align: left;"> The painting was placed on an easel and photographed.  The use of the easel is most closely identified with the Louvre annex where most objects were stored and which served as a glorified warehouse for the ERR art historians from which they would retrieve objects, bring them to the Jeu de Paume for processing and then return them to the Louvre where they awaited their fate.</div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig2rV7kINz25sw0FZbLAdSTTgzKJDWKnIwXESLS7v8IOOx8nnkyMT8TPNs1tCibvArc35ae-Y1vvNrYN5NbTKikXGqDyvnP1ZBOy1u6p8McEwVa8CFH1kBsLLs7Pe3dIBGpikr3myMdGc/s1600/B323-861-fol.019_r%23Heilbronn7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig2rV7kINz25sw0FZbLAdSTTgzKJDWKnIwXESLS7v8IOOx8nnkyMT8TPNs1tCibvArc35ae-Y1vvNrYN5NbTKikXGqDyvnP1ZBOy1u6p8McEwVa8CFH1kBsLLs7Pe3dIBGpikr3myMdGc/s1600/B323-861-fol.019_r%23Heilbronn7.jpg" width="229" /></a></div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="separator" style="clear: both; text-align: left;"> Mrs. Tomforde completed the Heilbronn inventory in July 1942.  On October 31, 1942, the Pissaro view of Paris from the Pont-Neuf was subject to the 23rd exchange (Tausch) engineered by Bruno Lohse, deputy commander of the ERR plundering unit in Paris and Gustav Rochlitz, a German dealer based in the rue de Rivoli in Paris who came up with the concept of the exchanges and proposed them to Lohse as an efficient way of unloading "modernist" works in exchange for Old Masters more coveted by the Nazi hierarchy in Berlin.</div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM8Vl3mI1t3GKdqZXbTyg4qL0NcrMKTpTFbauu8UNpM-Vuo83H4wBmhr-KLw55OFLkwqTqpfBMBPBTua-6vjpuLC2Dga2ibHTI3ylGpMUQtcZrLBGyuYqhT7Us571YGspJl8Vu9qyJlZQ/s1600/Screen+Shot+2014-12-10+at+7.11.08+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="97" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM8Vl3mI1t3GKdqZXbTyg4qL0NcrMKTpTFbauu8UNpM-Vuo83H4wBmhr-KLw55OFLkwqTqpfBMBPBTua-6vjpuLC2Dga2ibHTI3ylGpMUQtcZrLBGyuYqhT7Us571YGspJl8Vu9qyJlZQ/s1600/Screen+Shot+2014-12-10+at+7.11.08+PM.png" width="320" /></a></div> At this point, the painting vanishes.  Since we know that Hildebrand Gurlitt, father of Cornelius Gurlitt, obtained the painting and that he traveled frequently to Paris, one should presume that Gurlitt acquired the Pissarro work in Paris either directly from Rochlitz or through a mutual acquaintance. <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV036WL0rF_hVDByTlZWJPG47s3fDJmzaiqWzWvGUYsD1Xo5yKlyEJsqf9SoD24hQIEnQFL_Y_wQkDHG5vmCSZSNuNW822BUOCToCbnOrZt0MGjVu8od-IWBsGAFLB33nAt3BRIndNVMc/s1600/Screen+Shot+2014-12-10+at+6.49.18+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV036WL0rF_hVDByTlZWJPG47s3fDJmzaiqWzWvGUYsD1Xo5yKlyEJsqf9SoD24hQIEnQFL_Y_wQkDHG5vmCSZSNuNW822BUOCToCbnOrZt0MGjVu8od-IWBsGAFLB33nAt3BRIndNVMc/s1600/Screen+Shot+2014-12-10+at+6.49.18+PM.png" width="320" /></a></div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="separator" style="clear: both; text-align: left;"> After the war ended, the Heilbronn heirs filed a claim with the French government and reported their cultural losses to the Commission de recuperation artistique (CRA) set up to investigate cultural losses and facilitate restitutions to rightful owners.</div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="separator" style="clear: both; text-align: left;"> The painting only resurfaced in the spring of 2014 upon the discovery of the Salzburg Depot.</div> <div class="separator" style="clear: both; text-align: left;"> To view the work go<a href="http://www.kunstmuseumbern.ch/admin/data/hosts/kmb/files/page_editorial_paragraph_file/file_en/1021/141127_gurlitt_salzburg.pdf?lm=1417099001"> to the website of the Kunstmuseum Bern and download the list for Salzburg.</a></div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="separator" style="clear: both; text-align: left;"> Sources: Bundesarchiv Koblenz, B323; Ministere des affaires étrangères, La Courneuve, France, Fonds RA</div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="separator" style="clear: both; text-align: left;"> </div> <div class="page" title="Page 11"> <div class="section" style="background-color: rgb(100.000000%, 100.000000%, 100.000000%);"> </div> </div>     <div class="MsoNormal"> <o:p></o:p></div> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by the <meta content='https://www.blogger.com/profile/03190272299610799123' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/03190272299610799123' rel='author' title='author profile'> plundered art </a> at <meta content='https://plundered-art.blogspot.com/2015/02/a-gurlitt-painting-waiting-to-be.html' itemprop='url'/> <a class='timestamp-link' href='https://plundered-art.blogspot.com/2015/02/a-gurlitt-painting-waiting-to-be.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2015-02-04T11:08:00-05:00'>11:08</abbr></a> <a href='https://www.blogger.com/email-post/5918154958856402553/489236340713642048' title='Email Post'> <img alt='' class='icon-action' height='13' src='https://resources.blogblog.com/img/icon18_email.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=489236340713642048&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=489236340713642048&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=489236340713642048&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=489236340713642048&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=489236340713642048&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Keywords: <a href='https://plundered-art.blogspot.com/search/label/Bruno%20Lohse' rel='tag'>Bruno Lohse</a>, <a href='https://plundered-art.blogspot.com/search/label/Camille%20Pissarro' rel='tag'>Camille Pissarro</a>, <a href='https://plundered-art.blogspot.com/search/label/Commission%20de%20r%C3%A9cup%C3%A9ration%20artistique' rel='tag'>Commission de récupération artistique</a>, <a href='https://plundered-art.blogspot.com/search/label/Cornelius%20Gurlitt' rel='tag'>Cornelius Gurlitt</a>, <a href='https://plundered-art.blogspot.com/search/label/CRA' rel='tag'>CRA</a>, <a href='https://plundered-art.blogspot.com/search/label/Einsatzstab%20Reichsleiter%20Rosenberg' rel='tag'>Einsatzstab Reichsleiter Rosenberg</a>, <a href='https://plundered-art.blogspot.com/search/label/ERR' rel='tag'>ERR</a>, <a href='https://plundered-art.blogspot.com/search/label/Gustav%20Rochlitz' rel='tag'>Gustav Rochlitz</a>, <a href='https://plundered-art.blogspot.com/search/label/Hildebrand%20Gurlitt' rel='tag'>Hildebrand Gurlitt</a>, <a href='https://plundered-art.blogspot.com/search/label/Max%20Heilbronn' rel='tag'>Max Heilbronn</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>15 November 2011</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ddR1bRyFISdEHefO_AZchbXKyB2oDfJBWABJPKuOAoMCNpdP5DIlVau3dL370fU2gmpFyH4DRDEhR-YcQ8fc_KuqC_sSumVU5jeKx7gYhb5r_Vghv4m3F2zXzI7uhRCW6UCSnJVNdBAa/s400/modigliani-man-cane.jpeg' itemprop='image_url'/> <meta content='5918154958856402553' itemprop='blogId'/> <meta content='8085668475999030385' itemprop='postId'/> <a name='8085668475999030385'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://plundered-art.blogspot.com/2011/11/modiglianis-seated-man-with-cane-up-for.html'>Modigliani's "Seated Man with a Cane" up for grabs</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-8085668475999030385' itemprop='description articleBody'> <div dir="ltr" style="text-align: left;" trbidi="on"> by Marc Masurovsky [Editor's note: This blog piece originally appeared on November 15, 2011. It has been updated to reflect additional news and research regarding the "Seated Man with a Cane," by Amedeo Modigliani, in 2016, on June 9, 2018, and on 4 February 2024] <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ddR1bRyFISdEHefO_AZchbXKyB2oDfJBWABJPKuOAoMCNpdP5DIlVau3dL370fU2gmpFyH4DRDEhR-YcQ8fc_KuqC_sSumVU5jeKx7gYhb5r_Vghv4m3F2zXzI7uhRCW6UCSnJVNdBAa/s1600/modigliani-man-cane.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ddR1bRyFISdEHefO_AZchbXKyB2oDfJBWABJPKuOAoMCNpdP5DIlVau3dL370fU2gmpFyH4DRDEhR-YcQ8fc_KuqC_sSumVU5jeKx7gYhb5r_Vghv4m3F2zXzI7uhRCW6UCSnJVNdBAa/s400/modigliani-man-cane.jpeg" width="350" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Seated Man with a Cane, Amédéo Modigliani Source: Courthouse News Service</td></tr> </tbody></table> <a href="http://www.courthousenews.com/2011/11/01/41088.htm">The first day of November 2011</a> began with a headline-grabbing story about a painting by Amédéo Modigliani, "Seated Man with a Cane." According to the prevailing news accounts in the Anglo-American press, a Frenchman of Jewish descent by the name of Oscar Stettiner had lived in Paris before the advent of the Second World War. Instead of waiting for the Wehrmacht to march into Paris, Stettiner did what a third of the Parisian populace did—he fled. Before going south, Stettiner parted with his property, including works of art, never to see them again. The plaintiff in this case is Philippe Maestracci who was born in the Dordogne in 1944 where his grandfather, Oscar Stettiner, had sought refuge and remained throughout the Second World War in a small town called La Force. <div class="separator" style="clear: both; text-align: center;"> </div> <div style="text-align: right;"> </div> The news reports indicate that, at some point in 1941, a man by the name of Marcel Philippon became the official overseer of Stettiner’s assets as a logical consequence of being of Jewish descent and being specifically targeted for that reason by German and French anti-Jewish ordinances and decrees. On July 3, 1944, the Modigliani painting was offered up for sale at an auction in Paris. In 1946, Oscar Stettiner initiated proceedings to recover his painting. He died in 1948. More than sixty years later, the Modigliani painting was offered up for sale at Sotheby’s by its current owner, Helly Nahmad, which triggered the current claim by Oscar Stettiner's sole surviving heir, Philippe Maestracci. The following text should be viewed as a historical consultation provided free of charge to the parties warring over the painting. If they get no benefit out of this, the fault is entirely theirs. Before even entering into a critical analysis of the facts as they have been presented to the public, the news reports contradict one another, thereby making it very difficult to develop an accurate version of a now-familiar story of spoliation of Jewish cultural assets, recycling on the wartime art market, and postwar attempts at recovering the stolen cultural property. Most news reports, which repeat Courthouse News Service and the <a href="http://www.dailymail.co.uk/news/article-2056503/Billionaire-art-dealer-refuses-return-famous-25-million-painting-stolen-Jew-Nazis-World-War-II.html">British Mail</a>, indicate that “the Nazis appointed Marcel Philippon a temporary administrator to sell Stettiner’s property…” <a href="http://blogs.artinfo.com/artintheair/2011/11/01/helly-nahmad-gallery-sued-over-allegedly-nazi-looted-modigliani/">ArtInfo</a>, on the other hand, gets it all wrong by indicating that the Nazis placed the Modigliani painting “in the care of” Marcel Philippon in 1939, which is a bit nonsensical since the Germans entered Paris in mid-June 1940. The complaint itself does not shed additional light on what went wrong during the war. However, it does make several historical errors which are not helpful. It alleges that “the Nazis adopted a practice and a policy of despoiling Jewish families of property located in the Occupied Zone by forced sales.” It would have been more intelligent to indicate that the Nazi authorities, referred to as the German Military Administration (Militärbefehlshaber für Frankreich) shared the burden of enacting and enforcing anti-Jewish decrees with the collaborationist regime of Marshal Philippe Pétain, whose government was based in Vichy. It was Vichy that enacted the most sweeping anti-Jewish laws, not the Germans. Those laws established a sequence of economic restrictions aimed at ostracizing and impoverishing the Jews living in France at the time of the German invasion. The turnkey moment was the establishment of the “Commissariat Général aux Questions Juives” (The General Commissariat for Jewish Affairs or “CGQJ”) in April 1941 whose main purpose was the wholesale transfer of property from Jewish ownership to Aryan hands in consultation with and sometimes in opposition to German dicta. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="http://upload.wikimedia.org/wikipedia/commons/1/18/Bundesarchiv_Bild_183-2008-0626-500,_Frankreich,_Paris,_deutsche_Besatzung.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://upload.wikimedia.org/wikipedia/commons/1/18/Bundesarchiv_Bild_183-2008-0626-500,_Frankreich,_Paris,_deutsche_Besatzung.jpg" width="273" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Le Commissariat général aux question juive, place des Petits-Peres, l´ancenne banque Léopold Louis-Dreyfus Source: Wikipedia via Bundesarchiv</td></tr> </tbody></table> Where does Marcel Philippon fit into this strategy? According to the complaint, “the Nazis would appointe [sic] a Temporary Administrator (“Commissaire Gérant”) to marshal and sell Jewish property and to turn the proceeds over to the Third Reich.” This is really where matters get very sticky. Before the establishment of the CGQJ, the German authorities began to appoint overseers to manage companies and businesses owned by Jews. The individuals appointed in this capacity were known as commissaires gérants. The title should be interpreted literally: their function was to manage businesses whose owners had fled, hence the word “Gérant” or “manager.” The ultimate fate of these businesses became entangled in arduous negotiations between the German occupation authorities and the newly-minted CGQJ since the Vichy authorities had laid claim to any assets owned by Jews on French soil, especially if they were French nationals. The Administrateur Provisoire is an invention of the Vichy government. Loosely translated as interim overseers, their function was to manage confiscated Jewish assets for the purpose of either liquidating them or aryanizing them. In the case of Oscar Stettiner, the complaint raises a number of questions which need to be researched thoroughly: <ol style="text-align: left;"> <li>Stettiner -- assuming that we are talking about the same one--allegedly owned a gallery which had been founded by his family in the second half of the nineteenth century. If his gallery was still active in the fall of 1939, it would have been placed under the care of a “commissaire gérant”, assuming that the Germans had gotten to it first. Had they not, the Vichy government would have seized the opportunity and appointed its own overseer, hence the competitive nature of control of Jewish assets between the Germans and the French.  </li> <li>Marcel Philippon, as an interim overseer, had to abide by the instructions of the CGQJ and/or the Germans, depending on who actually appointed him. If he was in charge of both Stettiner’s personal and corporate assets, a determination would have to be made about how best to handle the seized property. It could be a mix of transfer of ownership to Aryan hands and outright liquidation through auctions or sealed bid offers. If there is a paper trail, it would be in the records of the CGQJ, archivally known as AJ38, the acronym given to this notorious collection by the French National Archives.  </li> <li>the sale of the Modigliani painting three years after its placement under the management of Philippon is of concern, because it is difficult to understand, although it is not inconceivable, how and why Philippon would have waited for so long to sell the Modigliani, knowing that the wartime Paris market was thriving and that Modiglianis were easy to sell at a fair price due to their desirability both in contemporaneous French and foreign art circles. For reasons of due diligence, both parties should consult the d’Atri records at the Archives of American Art which contain the notes of Mr. D’Atri who was busy assembling a catalogue raisonné of Modigliani’s works but failed to complete it. However, his notes and ledgers are enlightening since he presumably inventoried every oil painting produced by the master until his untimely death.  </li> <li>the postwar claim gives me heartburn. Indeed, there is no indication that Mr. Stettiner filed an official restitution claim with the French government. The records of the Commission de récupération artistique (CRA) make no mention of Oscar Stettiner or of his gallery. The records of the Office des Biens et Intérêts Privés (OBIP) make no mention of either Oscar, Maud, or Jacques Stettiner. However, in this particular instance, the current inventories are incomplete. Both parties in this litigation owe it to themselves to contact the Archives of the Ministry of Foreign Affairs at La Courneuve (Ministère des Affaires Etrangères et Européennes or MAEE) and request any compensation or restitution claims filed under the various names of the victims as presented in the complaint. If Oscar Stettiner decided to “go it alone” and seek personal justice outside the sphere of State-sponsored claims through judicial proceedings, the Paris courts and especially the Tribunal de la Seine and the Tribunal de Première Instance might be the proper jurisdictions where a docket might have survived.  </li> <li>forced sales in Vichy France: The French government has never admitted to the existence of so-called “forced sales”, assigning that moniker to Nazi ill-doings. Liquidation sales of Jewish-owned property did occur on a weekly basis throughout occupied France, mostly in the Paris region, but the mechanisms used to recycle Jewish-owned property were far more complex than meets the eye, especially when cultural assets were involved. This matter needs to be seriously examined in light of the extensive historical documentation surrounding the wartime Paris art market and the recycling of confiscated Jewish property.</li> </ol> Parting thoughts: The search for justice through claims for restitution of cultural assets forcibly removed from the hands of owners of Jewish descent requires that those who represent the aggrieved parties should pay close attention to history as it unfolded and reflect that history in their argumentation. Without such scrupulous and diligent attention to the historical truth, history is rewritten and the damage is done in the courts and in the minds of those who must hear these cases and make an informed decision about the validity of the claim brought before them. That is not to say that the Stettiner issue is invalid. Far from that, but the historical investigative work must be brought to a forceful conclusion in order to allow all parties involved in this and similar conflicts to reach an outcome that is anchored in historical truth and ethical conduct. Otherwise, much like “Groundhog Day”, we keep on repeating history over and over again. <div class="separator" style="clear: both; text-align: left;"> </div> Is it too much to ask that the parties involved in the dispute over the Modigliani painting come together and ascertain the facts as they occurred in the name of history, justice, and the truth? No more, no less. It would be reprehensible for Helly Nahmad to proceed with the sale of the painting because there is a taint on it and that taint must be washed off. 2016 update: The Toronto-based <a href="http://www.nytimes.com/2016/06/13/arts/design/owner-of-modigliani-portrait-named-in-panama-papers-says-its-not-nazi-loot.html?_r=0">Mondex Corp</a>. now represents Mr. Maestracci, the closest kin to Oscar Stettiner in its attempt to recover the "Seated Man with a Cane", an oil painting by Modigliani. The "Seated Man with a Cane" by Amedeo Modigliani has been located in the Geneva Freeport where Swiss authorities ordered its seizure.  The shell company under which it was registered is in fact owned by the Nahmad family which means that, by several steps removed, Nahmad is the current possessor. Or so the Swiss prosecutors believe together with US investigators. The challenge now is to see whether Mr. Maestracci and Mondex can prevail and assert their claim over the Modigliani painting.  Its history remains murky. Meanwhile.... The provenance of the "Seated Man with a Cane" raises questions, which beg for more meticulous and forensic research: Repeated inspections and examinations of the <a href="http://www.aaa.si.edu/collections/items/detail/alberto-g-datris-register-modigliani-paintings-16185">records of Alfredo d'Atri,</a> an art dealer and collector based in Paris, France, who was an expert on Modigliani's life and works, failed to produce any tangible information on "Seated Man with a Cane."  The only reference to the painting was a photograph of the painting when it was loaned by a Mr. Stettiner to the 1930 Venice Biennale. D'atri's ledger of paintings by Modigliani does not include any information on this work nor does it mention it. In other words, there is a 14-year gap between the only public display of the "Seated Man with a Cane" and the purported sale of the painting in wartime Paris on July 3, 1944. It needs to be "filled." <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1xyf6zdgbPAQXGd6jB_DlVQ6xloDWGoB6p9a93r0uP5Yy5Y3fKljAteuu1aVb8s3oyZWdGnn_TimFbM4x95kbsVjP9moESZEQvpJJCItH4eRf72yBxqsQX4zkkfuFVBmecEg-WBmLSCw/s1600/photo.JPG" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1xyf6zdgbPAQXGd6jB_DlVQ6xloDWGoB6p9a93r0uP5Yy5Y3fKljAteuu1aVb8s3oyZWdGnn_TimFbM4x95kbsVjP9moESZEQvpJJCItH4eRf72yBxqsQX4zkkfuFVBmecEg-WBmLSCw/s320/photo.JPG" width="238" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">"Seated Man with a Cane"</td></tr> </tbody></table> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicrDtHV9alILTLai4dfh_dA2TvoEvFYs46EbUt_d8svPugqy9Q9JPpNKUPwI2O4WQJWd8OKN_WmXdsby-GmoMTrdUgWq2QhtR9ZebOAvJsvoVcFHa_KUD1vC7vL38dcXlpAqcoRZt3KO4/s1600/photo5.JPG" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicrDtHV9alILTLai4dfh_dA2TvoEvFYs46EbUt_d8svPugqy9Q9JPpNKUPwI2O4WQJWd8OKN_WmXdsby-GmoMTrdUgWq2QhtR9ZebOAvJsvoVcFHa_KUD1vC7vL38dcXlpAqcoRZt3KO4/s320/photo5.JPG" width="238" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Page from the Venice Biennale catalogue, 1930</td></tr> </tbody></table> Note: the black and white photograph of the "Seated Man with a Cane" and the page from the 1930 Venice Biennale catalogue where the painting was exhibited come from the Archives of American Art, in Washington, DC. Update from June 9, 2018 On April 18, 2018, <a href="https://www.theartnewspaper.com/news/legal-battle-over-modigliani-painting-rumbles-on">New York State Judge Eileen Bransten </a>denied Nahmad's motion to dismiss the case against him for the Modigliani painting. On June 5, 2018, Helly Nahmad, current possessor of the "Seated Man with a Cane," by Amadeo Modigliani, filed a request for judgment with the New York State Supreme Court to dismiss Mr. Maestracci's complaint against Nahmad, and to award monetary damages to Nahmad in the event of a ruling favorable to Maestracci equal to the value of the painting at time of purchase plus interest. Source: Verified answer and counterclaim re "George W. Gowen as Limited Ancillary Administrator of the Estate of Oscar Stettiner, against Helly Nahmad Gallery, Inc., Helly Nahmad, (New York) individually, David Nahmad, and International Art Center, SA." NYSCEF Doc. No. 1819. <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> </div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on">Update from February 4, 2024</div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on">13 years have passed, come and gone, since we first heard of the "Seated Man with a Cane" by Amadeo Modigliani. As of today, Mr. Nahmad remains the happy current possessor of a painting which has been labeled as "looted." You would think that in its many boasts Mondex Corp. would have seen fit to release part of the historical evidence making it clear to Mr. Nahmad that it would be best for him to surrender the painting to Mr. Maestracci, the purported heir of Mr. Stettiner, alleged victim of this crime of spoliation at the hands of the Vichy government and the German occupation force.</div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on"><a href="https://www.theartnewspaper.com/2020/01/09/new-evidence-cited-in-restitution-claim-for-panama-papers-modigliani">In 2020, the Art Newspaper</a> published an update on the case putting forth new evidence from the French archives showing that the painting was clearly looted. A note on a document signaling the painting as stolen and being sought in America. Is that it? </div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on">I'd gladly offer a bottle of champagne (I get to choose the brand) to anyone willing to come forth with the damning and incontrovertible evidence against Mr. Nahmad. I doubt that the offer would bear fruit because, at this stage, no one is convinced that there is a case to be made and that Mondex has convinced a distant relative of Mr. Stettiner to sign on to a restitution claim for a painting worth today upwards of 20 million dollars. Another high-stakes game played by the new bad boys and girls of the restitution industry. At the end, claimants suffer, the restitution process gets trivialized and maligned by the very people who should take heed of how serious we are to do justice and fix--even symbolically--the crime of cultural plunder.</div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on">At this point, it would be foolish to take bets on a losing case.</div><div dir="ltr" style="text-align: left;" trbidi="on"> </div><div dir="ltr" style="text-align: left;" trbidi="on"> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by the <meta content='https://www.blogger.com/profile/10031369530402611145' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/10031369530402611145' rel='author' title='author profile'> Unknown </a> at <meta content='https://plundered-art.blogspot.com/2011/11/modiglianis-seated-man-with-cane-up-for.html' itemprop='url'/> <a class='timestamp-link' href='https://plundered-art.blogspot.com/2011/11/modiglianis-seated-man-with-cane-up-for.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2011-11-15T09:47:00-05:00'>09:47</abbr></a> <a href='https://www.blogger.com/email-post/5918154958856402553/8085668475999030385' title='Email Post'> <img alt='' class='icon-action' height='13' src='https://resources.blogblog.com/img/icon18_email.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=8085668475999030385&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=8085668475999030385&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=8085668475999030385&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=8085668475999030385&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=8085668475999030385&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Keywords: <a href='https://plundered-art.blogspot.com/search/label/Am%C3%A9d%C3%A9o%20Modigliani' rel='tag'>Amédéo Modigliani</a>, <a href='https://plundered-art.blogspot.com/search/label/CGQJ' rel='tag'>CGQJ</a>, <a href='https://plundered-art.blogspot.com/search/label/Commissariat%20G%C3%A9n%C3%A9ral%20aux%20Questions%20Juives' rel='tag'>Commissariat Général aux Questions Juives</a>, <a href='https://plundered-art.blogspot.com/search/label/CRA' rel='tag'>CRA</a>, <a href='https://plundered-art.blogspot.com/search/label/Marcel%20Philippon' rel='tag'>Marcel Philippon</a>, <a href='https://plundered-art.blogspot.com/search/label/OBIP' rel='tag'>OBIP</a>, <a href='https://plundered-art.blogspot.com/search/label/Oscar%20Stettiner' rel='tag'>Oscar Stettiner</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>21 July 2011</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiydvES9iPxE3YoflZ5v1X3UIH4SqOoa_vrBy7EQ7Vfcn2-JE1UJoM3mnlE9YRitNneZJETFwzoocM9Ve3QApXxBRzW0q3SQLJMGEl2WF7oyxChRWfg0mFOejd-Heg_L3oTvpFjuXUZ7AIV/s400/B323-1054-fol.018_r%2523SUH1.jpg' itemprop='image_url'/> <meta content='5918154958856402553' itemprop='blogId'/> <meta content='4037233115748334229' itemprop='postId'/> <a name='4037233115748334229'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://plundered-art.blogspot.com/2011/07/err-database-robert-schumann-aka-robert.html'>ERR database–Robert Schumann aka Robert Schuhmann</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-4037233115748334229' itemprop='description articleBody'> <div class="" style="clear: both; text-align: left;"> If the records of the Einsatztab Reichsleiter Rosenberg (ERR) are to be believed, the ERR stole only one item from Robert Schumann’s Parisian apartment—<a href="http://www.errproject.org/jeudepaume/card_view.php?CardId=12657">an Aubusson tapestry produced under Louis XVI.</a></div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiydvES9iPxE3YoflZ5v1X3UIH4SqOoa_vrBy7EQ7Vfcn2-JE1UJoM3mnlE9YRitNneZJETFwzoocM9Ve3QApXxBRzW0q3SQLJMGEl2WF7oyxChRWfg0mFOejd-Heg_L3oTvpFjuXUZ7AIV/s1600/B323-1054-fol.018_r%2523SUH1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiydvES9iPxE3YoflZ5v1X3UIH4SqOoa_vrBy7EQ7Vfcn2-JE1UJoM3mnlE9YRitNneZJETFwzoocM9Ve3QApXxBRzW0q3SQLJMGEl2WF7oyxChRWfg0mFOejd-Heg_L3oTvpFjuXUZ7AIV/s400/B323-1054-fol.018_r%2523SUH1.jpg" width="400" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">SUH 1 Source: ERR Project via Bundesarchiv</td></tr> </tbody></table> The <a href="http://www.culture.gouv.fr/documentation/mnr/RBS/T_1_S1.pdf">Répertoire des Biens Spoliés</a> en France, that postwar monument to wartime cultural plunder under German occupation, a masterpiece of understatement, records only one item under Robert Schumann’s name—an Aubusson tapestry. All is good. The stars are aligned. Mr. Schumann recovered his tapestry on 7 November 1947 after it was found at the ERR depot of Buxheim. Here is where it gets complicated: Robert Schumann informed the French government’s restitution commission—the Commission de récupération artistique (CRA)—that he had lost not only his Aubusson tapestry but also the following items: <ul> <li>a Steinway piano bearing the registration number 118 524,</li> <li>a collection of 474 prints and etchings signed by <a href="http://www.fichesdelecture.com/auteur/biographie/407-felicien-rops/">Félicien Rops</a>, as well as watercolors and drawings signed by Rops,</li> </ul> <ul><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEOUvVFMU9NCXgbIb5CKTb8CWeZd6NXbEayIHWBuSJwqLOlpOlUcM9bdxFtHKe0QFFP5QscGMVisrNkI0218OosWDpljvj5WFI9_hbY82d0Ktd_jJIjsvAXiztw47Y46Z7azddb5g1fqlX/s1600/MusesExpositionsFoires-MuseFlicienRops-590_2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEOUvVFMU9NCXgbIb5CKTb8CWeZd6NXbEayIHWBuSJwqLOlpOlUcM9bdxFtHKe0QFFP5QscGMVisrNkI0218OosWDpljvj5WFI9_hbY82d0Ktd_jJIjsvAXiztw47Y46Z7azddb5g1fqlX/s320/MusesExpositionsFoires-MuseFlicienRops-590_2.jpg" width="231" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Felicien Rops Source: ardennes-etapes.com</td></tr> </tbody></table> <li>a collection of 12 Renaissance period Swiss stained glass,</li> <li>assorted antique porcelain and high-end textiles (lampas, brocades, and the like).</li> </ul> We all know that life is unfair and postwar officials did the best they could with the information and resources that they had in hand. Nevertheless, the French government opted not to list 474 works signed by Félicien Rops despite the fact that there is a section in the Répertoire entitled “Tableaux et dessins” (Paintings and drawings). The same goes for the 12 Renaissance Swiss stained glass pieces. Although titles and print states were supplied for the Rops items, they were not counted as official losses and subsequently recorded. Therefore, what criteria did the CRA use to select items for inclusion in the Répertoire, the only official document printed by the French government after 1945 with which it could inform the outside world of items still listed as missing and therefore looted and subject to seizure? could it be that Robert Schumann lost interest in his collection of original Rops works? Did he get all philosophical about his losses thinking "time to move on"? Then, why bother reporting the objects as missing? After all, it is complicated to search for works on paper. They are easy to conceal, most often there are no obvious markings on them that might distinguish them from other similar items.  This is especially true with any work reproduced from stone or plate through a press. And yet, there is a market for works by Félicien Rops as there is for Swiss Renaissance era stained glass. Could it be that a search for these items would necessitate a deeper investigation into the sinews of the art market? One can only speculate. But, as of now, if one totals up Robert Schumann’s net losses, they amount to at least 500 items, of which he recovered one—his Aubusson tapestry. <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by the <meta content='https://www.blogger.com/profile/10031369530402611145' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/10031369530402611145' rel='author' title='author profile'> Unknown </a> at <meta content='https://plundered-art.blogspot.com/2011/07/err-database-robert-schumann-aka-robert.html' itemprop='url'/> <a class='timestamp-link' href='https://plundered-art.blogspot.com/2011/07/err-database-robert-schumann-aka-robert.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2011-07-21T17:28:00-04:00'>17:28</abbr></a> <a href='https://www.blogger.com/email-post/5918154958856402553/4037233115748334229' title='Email Post'> <img alt='' class='icon-action' height='13' src='https://resources.blogblog.com/img/icon18_email.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=4037233115748334229&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=4037233115748334229&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=4037233115748334229&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=4037233115748334229&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=4037233115748334229&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Keywords: <a href='https://plundered-art.blogspot.com/search/label/Aubusson' rel='tag'>Aubusson</a>, <a href='https://plundered-art.blogspot.com/search/label/Buxheim' rel='tag'>Buxheim</a>, <a href='https://plundered-art.blogspot.com/search/label/CRA' rel='tag'>CRA</a>, <a href='https://plundered-art.blogspot.com/search/label/ERR' rel='tag'>ERR</a>, <a href='https://plundered-art.blogspot.com/search/label/F%C3%A9licien%20Rops' rel='tag'>Félicien Rops</a>, <a href='https://plundered-art.blogspot.com/search/label/R%C3%A9pertoire%20des%20Biens%20Spoli%C3%A9s%20en%20France' rel='tag'>Répertoire des Biens Spoliés en France</a>, <a href='https://plundered-art.blogspot.com/search/label/Robert%20Schumann' rel='tag'>Robert Schumann</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>10 July 2011</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAFZ3w_sp8jY-5n1pgJi3KaZyk6NMNiY0UEDHGYDNXyI2eC6g4ET_wc3-Imswlt1tU5-GThvKIJl4mmkrh6aB70e00vKuGfWs-S05KYNXnlGlocnB1_i0RAaHEc0UKvhWk65YSjki0ldAT/s320/B323-896-fol.005_r%2523MAB727.jpg' itemprop='image_url'/> <meta content='5918154958856402553' itemprop='blogId'/> <meta content='2859489001911917730' itemprop='postId'/> <a name='2859489001911917730'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://plundered-art.blogspot.com/2011/07/exhibit-of-works-of-art-that-are-not.html'>Exhibit of works of art that are not works of art</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-2859489001911917730' itemprop='description articleBody'> Please refer to the 10 July 2011 post entitled <a href="http://plundered-art.blogspot.com/2011/07/work-of-art-is-not-work-of-art.html">“A work of art is not a work of art”</a> Here are some of the 29 works of art which were ruled unfit by the French government restitution commission (CRA) to be considered as works of art. They were handed over to the OBIP in mid-1947.  None of the owners could be identified since the works were seized during M-Aktion by units linked to the Einsatzstab Reichsleiter Rosenberg (ERR) in the Paris region. One can only assume that the esthetic judgment of the CRA was critical in making the final decision to exclude these works from the broad category of “work of art.” You be the judge… <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAFZ3w_sp8jY-5n1pgJi3KaZyk6NMNiY0UEDHGYDNXyI2eC6g4ET_wc3-Imswlt1tU5-GThvKIJl4mmkrh6aB70e00vKuGfWs-S05KYNXnlGlocnB1_i0RAaHEc0UKvhWk65YSjki0ldAT/s1600/B323-896-fol.005_r%2523MAB727.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAFZ3w_sp8jY-5n1pgJi3KaZyk6NMNiY0UEDHGYDNXyI2eC6g4ET_wc3-Imswlt1tU5-GThvKIJl4mmkrh6aB70e00vKuGfWs-S05KYNXnlGlocnB1_i0RAaHEc0UKvhWk65YSjki0ldAT/s320/B323-896-fol.005_r%2523MAB727.jpg" width="320" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Maurice Wagemans, "Port de pêche" Source: ERR Project via Bundesarchiv</td><td class="tr-caption" style="text-align: center;"> </td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiUqvnGaZN96UoZQtn4A7ZYA2hX0jUXgLO6sR0BNmCam26PC1E5k1AOIIgiYoXXzFwB5Yj2EEEQRM4g6uvw4ULvprVCJJshfTKJ3PJ6zX11xRQw8V4wpv76rVI8FZ0q4xfNS0GkLmy2iF3/s1600/B323-893-fol.002_r%2523MAB462.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiUqvnGaZN96UoZQtn4A7ZYA2hX0jUXgLO6sR0BNmCam26PC1E5k1AOIIgiYoXXzFwB5Yj2EEEQRM4g6uvw4ULvprVCJJshfTKJ3PJ6zX11xRQw8V4wpv76rVI8FZ0q4xfNS0GkLmy2iF3/s320/B323-893-fol.002_r%2523MAB462.jpg" width="320" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Paul Désiré Trouillebert, "Paysage" Source: ERR Project via Bundesarchive</td></tr> </tbody></table> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhsNZ6aYZT7fMHgbYcWqeae4dWdNBafrxnG069ZXxgLUAKmg9GCPwZ26RJN6ojoeyeVHINb8o2sM280DDJa1yDYpCaAm0ASbY2a4cS_0RLYO6vH9dHcqpTpxuaQ3RZ46Vj-PSGoPl8Syak/s1600/B323-894-fol.026_r%2523MA-B582.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhsNZ6aYZT7fMHgbYcWqeae4dWdNBafrxnG069ZXxgLUAKmg9GCPwZ26RJN6ojoeyeVHINb8o2sM280DDJa1yDYpCaAm0ASbY2a4cS_0RLYO6vH9dHcqpTpxuaQ3RZ46Vj-PSGoPl8Syak/s320/B323-894-fol.026_r%2523MA-B582.jpg" width="320" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><div class="MsoNormal"> France, 19ème siècle, “Fleurs” Source: ERR Project via Bundesarchiv</div> </td></tr> </tbody></table> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLRuSsyonUQEt7foiNTFEpIuoByjt-bQGdDvDRprL3VOq8kXN61MJ2zqNX5S5sGszTc83j5hqYRSj03NoIB-oNyTjPUnFjXvDUcnTQl-MQ_2bSqQzZrjlDaIEJaBMdAqUSy_aU5zgKrd-O/s1600/B323-890-fol.039pr%2523MA-B116.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLRuSsyonUQEt7foiNTFEpIuoByjt-bQGdDvDRprL3VOq8kXN61MJ2zqNX5S5sGszTc83j5hqYRSj03NoIB-oNyTjPUnFjXvDUcnTQl-MQ_2bSqQzZrjlDaIEJaBMdAqUSy_aU5zgKrd-O/s320/B323-890-fol.039pr%2523MA-B116.jpg" width="320" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Jacques de La Joue, "La Botanique" Source: ERR Project via Bundesarchiv</td></tr> </tbody></table> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw_NwJmeofioXOSgFcn2Yfbkx9ncBH7rUJk7mhwJn_E551bVSIGWwlmlyAYlVLEHYCtnNLSpfpVTaJqjBkicT9ARxmp3dXs-HgTmERfPJ9swX44K7t0e2if-hFV7oSNZ3vZf8QRvA2BwSL/s1600/B323-890-fol.011gr%2523MA-B190.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw_NwJmeofioXOSgFcn2Yfbkx9ncBH7rUJk7mhwJn_E551bVSIGWwlmlyAYlVLEHYCtnNLSpfpVTaJqjBkicT9ARxmp3dXs-HgTmERfPJ9swX44K7t0e2if-hFV7oSNZ3vZf8QRvA2BwSL/s320/B323-890-fol.011gr%2523MA-B190.jpg" width="204" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><div class="MsoNormal"> B. Genzmer, "Fonctionnaire à la porte d’une maison" Source: ERR Project via Bundesarchiv</div> </td></tr> </tbody></table> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by the <meta content='https://www.blogger.com/profile/10031369530402611145' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/10031369530402611145' rel='author' title='author profile'> Unknown </a> at <meta content='https://plundered-art.blogspot.com/2011/07/exhibit-of-works-of-art-that-are-not.html' itemprop='url'/> <a class='timestamp-link' href='https://plundered-art.blogspot.com/2011/07/exhibit-of-works-of-art-that-are-not.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2011-07-10T23:51:00-04:00'>23:51</abbr></a> <a href='https://www.blogger.com/email-post/5918154958856402553/2859489001911917730' title='Email Post'> <img alt='' class='icon-action' height='13' src='https://resources.blogblog.com/img/icon18_email.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2859489001911917730&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2859489001911917730&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2859489001911917730&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2859489001911917730&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5918154958856402553&postID=2859489001911917730&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Keywords: <a href='https://plundered-art.blogspot.com/search/label/B.%20Genzmer' rel='tag'>B. Genzmer</a>, <a href='https://plundered-art.blogspot.com/search/label/Commission%20de%20r%C3%A9cup%C3%A9ration%20artistique' rel='tag'>Commission de récupération artistique</a>, <a href='https://plundered-art.blogspot.com/search/label/CRA' rel='tag'>CRA</a>, <a href='https://plundered-art.blogspot.com/search/label/ERR' rel='tag'>ERR</a>, <a href='https://plundered-art.blogspot.com/search/label/Jacques%20de%20La%20Joue' rel='tag'>Jacques de La Joue</a>, <a href='https://plundered-art.blogspot.com/search/label/Maurice%20Wagemans' rel='tag'>Maurice Wagemans</a>, <a href='https://plundered-art.blogspot.com/search/label/OBIP' rel='tag'>OBIP</a>, <a href='https://plundered-art.blogspot.com/search/label/Paul%20D%C3%A9sir%C3%A9%20Trouillebert' rel='tag'>Paul Désiré Trouillebert</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> </div> <div class='blog-pager' id='blog-pager'> <a class='blog-pager-older-link' 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<div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2013/02/angelus-novus-angel-of-history-by-paul.html' target='_blank'> <img alt='' border='0' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHFby21uWyMFJ_QUwu8V2t6yvufmLhodSpnyn05qN2JZvIki-sT-vObbOXvwB8IQDBRi6ToUH5_UGgi2NcvkRxrWcicB9PK5cW8xJzAsYMyEWtA5UAoIU3hn8AV7cVCiwvtZkt_n0xq9DO/w72-h72-p-k-no-nu/klee.jpg'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2013/02/angelus-novus-angel-of-history-by-paul.html'>Angelus Novus, Angel of History, by Paul Klee</a></div> <div class='item-snippet'> by Marc Masurovsky Paul Klee Source: Wikipedia Interesting destiny for the watercolor, “Angelus Novus”, a critical early work by Swis...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a 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The US Senate and its friends in the art market and i...</div> </div> <div style='clear: both;'></div> </li> <li> <div class='item-content'> <div class='item-thumbnail'> <a href='https://plundered-art.blogspot.com/2018/04/a-brief-look-at-operation-safehaven.html' target='_blank'> <img alt='' border='0' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiS6zLoxAEztLBNgk44stdVjWVF8gyf45yQDa9NfcqwB0FgVLdH4toDo__kGGQDBRbDVCWeGDACyYhCyJ0PCxM4-cOw2_WWHXSrJE8QFSHpJZICd16dvOLzXX2UfgBiIKqSnF4zo-YkZA/w72-h72-p-k-no-nu/neutral.gif'/> </a> </div> <div class='item-title'><a href='https://plundered-art.blogspot.com/2018/04/a-brief-look-at-operation-safehaven.html'>A brief look at Operation Safehaven, 1944-1949</a></div> <div class='item-snippet'>by Marc Masurovsky The purpose of this presentation is to place the search for and recovery of Nazi looted art on the European continent in ...</div> </div> <div style='clear: both;'></div> </li> </ul> <div class='clear'></div> </div> 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(2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/J%C3%BCdischer%20Besitz'>Jüdischer Besitz</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Jules%20Adler'>Jules Adler</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Jules%20Strauss'>Jules Strauss</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Julian%20Ratcliffe'>Julian Ratcliffe</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Jurgen%20Lillteicher'>Jurgen Lillteicher</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/just%20and%20fair'>just and fair</a> (3) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/justice'>justice</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Justin%20Tannhauser'>Justin Tannhauser</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Jutta%20Limbach'>Jutta Limbach</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kaete%20Perls'>Kaete Perls</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kajetan%20M%C3%BChlmann'>Kajetan Mühlmann</a> (3) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kamocki'>Kamocki</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kandinsky'>Kandinsky</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kang-hsi'>Kang-hsi</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Karl%20Buchholz'>Karl Buchholz</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Karl%20Epting'>Karl Epting</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Karl%20Haberstock'>Karl Haberstock</a> (4) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/karl%20marx'>karl marx</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Karl%20Maylander'>Karl 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href='https://plundered-art.blogspot.com/search/label/Klutznick%20National%20Jewish%20Museum'>Klutznick National Jewish Museum</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Knoedler%27s'>Knoedler's</a> (7) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kogl'>Kogl</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Konstantin%20Akinsha'>Konstantin Akinsha</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kopenickerstrasse'>Kopenickerstrasse</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kornfeld'>Kornfeld</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kostantin%20Akinsha'>Kostantin Akinsha</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/KPR'>KPR</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Krakow'>Krakow</a> (5) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kramsztyk'>Kramsztyk</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kress'>Kress</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kreszowice'>Kreszowice</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kristallnacht'>Kristallnacht</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kroatien'>Kroatien</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/kultur'>kultur</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/kulturelle%20Pl%C3%BCnderung'>kulturelle Plünderung</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kulturkampf'>Kulturkampf</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kunstgeschichte'>Kunstgeschichte</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kunsthalle'>Kunsthalle</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kunsthaus%20Zurich'>Kunsthaus Zurich</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kunstmuseum%20Basel'>Kunstmuseum Basel</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kunstmuseum%20Bern'>Kunstmuseum Bern</a> (7) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kunstsammlung'>Kunstsammlung</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kunstschutz'>Kunstschutz</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kuratorium'>Kuratorium</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kurt%20von%20Behr'>Kurt von Behr</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kwaa%20Tsi'>Kwaa Tsi</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Kwame%20Opuku'>Kwame Opuku</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/l%E2%80%99oreille%20coup%C3%A9e'>l’oreille coupée</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/La%20Bonne%20Nouvelle'>La Bonne Nouvelle</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/La%20Chaux%20de%20Fonds'>La Chaux de Fonds</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/La%20Convention'>La Convention</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/La%20Paz'>La Paz</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/La-Chaux-de-Fonds'>La-Chaux-de-Fonds</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/laches'>laches</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Ladislas%20Segy'>Ladislas Segy</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lady%20with%20a%20Parrot'>Lady with a Parrot</a> (2) <a dir='ltr' 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href='https://plundered-art.blogspot.com/search/label/latitude'>latitude</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Laufen'>Laufen</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Laurencin'>Laurencin</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Laversine'>Laversine</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lavreince'>Lavreince</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/lawyers'>lawyers</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/LCCHP'>LCCHP</a> (3) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Le%20Bassin%20aux%20Nymph%C3%A9as'>Le Bassin aux Nymphéas</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/le%20Chagrin%20et%20la%20Piti%C3%A9'>le Chagrin et la Pitié</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lea%20Bondi%20Jaray'>Lea Bondi Jaray</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lebourg'>Lebourg</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Leda%20e%20il%20Signo'>Leda e il Signo</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Leffmann'>Leffmann</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lefranc'>Lefranc</a> (3) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Leigh%20Block'>Leigh Block</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lempertz'>Lempertz</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/L%C3%A9on%20Bakst'>Léon Bakst</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Leon%20Black'>Leon Black</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/L%C3%A9on%20Blum'>Léon Blum</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Leonardo%20da%20Vinci'>Leonardo da Vinci</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Leone%20Meyer'>Leone Meyer</a> (4) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Leopold%20Foundation'>Leopold Foundation</a> (6) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Leopold%20Horowitz'>Leopold Horowitz</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Leopold%20Museum'>Leopold Museum</a> (5) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Levitan'>Levitan</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Levy-Hermannos'>Levy-Hermannos</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Libourne'>Libourne</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Library%20of%20Congress'>Library of Congress</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/licit'>licit</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lieutenant%20Karasik'>Lieutenant Karasik</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lieven%20Decaluwe'>Lieven Decaluwe</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lilly%20Cassirer%20Neubauer'>Lilly Cassirer Neubauer</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Limbach%20Commission'>Limbach Commission</a> (4) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lincoln%20Kirstein'>Lincoln Kirstein</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lindon'>Lindon</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Linz'>Linz</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Linz%20Museum'>Linz Museum</a> (5) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lionel%20Jospin'>Lionel Jospin</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Liotard'>Liotard</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lisa%20Leff'>Lisa Leff</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/locations'>locations</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Lodz'>Lodz</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Loiret'>Loiret</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/London'>London</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/London%20Declaration%20of%20January%201943'>London Declaration of January 1943</a> (2) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/longitude'>longitude</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/looted%20antiquities'>looted antiquities</a> (4) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/looted%20art'>looted art</a> (4) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/looted%20assets'>looted assets</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/looted%20cultural%20assets'>looted cultural assets</a> (3) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/looted%20cultural%20property'>looted cultural property</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/looted%20Jewish%20cultural%20property'>looted Jewish cultural property</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/lostart.de'>lostart.de</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Louis%20Grave'>Louis Grave</a> (1) <a dir='ltr' href='https://plundered-art.blogspot.com/search/label/Louis%20Louis-Dreyfus'>Louis Louis-Dreyfus</a> (1) <a dir='ltr' 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