Calenda - Le calendrier des lettres et sciences humaines et sociales

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <meta http-equiv="Content-type" content="text/html; charset=utf-8" /> <meta http-equiv="Content-language" content="" /> <link rel="shortcut icon" type="image/x-icon" href="favicon.ico" /> <title>Calenda - Le calendrier des lettres et sciences humaines et sociales</title> <link rel="stylesheet" type="text/css" href="https://static-origin.openedition.org/openbarre_/styles/main.css?date=2018-11-06" /> <link rel="stylesheet" type="text/css" href="css/screen.css" media="screen, print" /> <link rel="stylesheet" type="text/css" href="css/print.css" media="print" /> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" 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class="num">(47)</span></li> <li class=" first_facet_disabled"><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=09&fyear=2024&primary=fdate">Septembre</a> <span class="num">(262)</span></li> <li class=" first_facet_disabled"><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=10&fyear=2024&primary=fdate">Octobre</a> <span class="num">(260)</span></li> <li class=" first_facet_disabled"><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=11&fyear=2024&primary=fdate">Novembre</a> <span class="num">(350)</span></li> <li class=" first_facet_disabled"><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=12&fyear=2024&primary=fdate">D茅cembre</a> <span class="num">(244)</span></li> </ul> </div> </div> <div class="date third" style="max-width:355px; width:355px;"> <div class="detail"> <table> <tbody> <tr> <th>L</th> <th>M</th> <th>M</th> <th>J</th> <th>V</th> <th>S</th> <th>D</th> </tr> <tr> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=01" class=" ">01</a><span class="num">(3)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=02" class=" first_facet_disabled">02</a><span class="num">(0)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=03" class=" ">03</a><span class="num">(2)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=04" class=" ">04</a><span class="num">(1)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=05" class=" ">05</a><span class="num">(10)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=06" class=" ">06</a><span class="num">(1)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=07" class=" ">07</a><span class="num">(4)</span></td> </tr> <tr> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=08" class=" ">08</a><span class="num">(10)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=09" class=" ">09</a><span class="num">(6)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=10" class=" ">10</a><span class="num">(13)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=11" class=" ">11</a><span class="num">(7)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=12" class=" ">12</a><span class="num">(14)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=13" class=" ">13</a><span class="num">(3)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=14" class=" ">14</a><span class="num">(3)</span></td> </tr> <tr> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=15" class=" ">15</a><span class="num">(61)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=16" class=" ">16</a><span class="num">(4)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=17" class=" ">17</a><span class="num">(8)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=18" class=" ">18</a><span class="num">(14)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=19" class=" ">19</a><span class="num">(18)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=20" class=" ">20</a><span class="num">(8)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=21" class=" ">21</a><span class="num">(2)</span></td> </tr> <tr> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=22" class=" ">22</a><span class="num">(8)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=23" class=" ">23</a><span class="num">(9)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=24" class=" ">24</a><span class="num">(8)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=25" class=" ">25</a><span class="num">(14)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=26" class=" ">26</a><span class="num">(20)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=27" class=" ">27</a><span class="num">(2)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=28" class=" ">28</a><span class="num">(5)</span></td> </tr> <tr> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=29" class=" ">29</a><span class="num">(8)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=30" class=" ">30</a><span class="num">(15)</span></td> <td><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&fday=31" class=" ">31</a><span class="num">(52)</span></td> <td> </td> <td> </td> <td> </td> <td> </td> </tr> </tbody> </table> </div> </div> </div> <hr class="hrprepagination" /> <div id="resultsContainer"> <div class="pagination"> <p class="total">127 脡v茅nements</p> <div> <ul> <li><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=20" class="fleches"><<</a></li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=0">1</a></li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=20">2</a></li> <li class="selected">3</li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=60">4</a></li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=80">5</a></li> <li ><a 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class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=02&fday=01">01</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=02">f茅v</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Paris</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a></span></p> <p class="title"><a href="1121229">Le queer dans le cin茅ma arabe</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">Cette journée d’étude se concentre sur l’exploration de la représentation du queer dans le cinéma arabe, avec pour objectif d’analyser les différentes dimensions de ces thèmes, en mettant en évidence les nuances du langage corporel et des interactions émotionnelles à l’écran. Au lendemain de récents actes d’homophobie dans le monde arabe, cette journée vise à soutenir la liberté d’expression des artistes et cinéastes arabes, à célébrer la créativité et de renforcer le dialogue autour des questions LGBTQ+. Elle aspire à être une source d’inspiration, à encourager des perspectives variées et à créer un réseau de soutien pour les artistes qui ont choisi de s’exprimer librement.</p> </div> <p class="readmore"><a href="1121229">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=31">31</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos"></p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=336">Am茅riques</a></span></p> <p class="title"><a href="1118538">Pour une histoire des milieux universitaires au Qu茅bec (XIXe-XXe si猫cles)</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">Cet appel à contributions fait suite au panel « Un renouveau de l’histoire des milieux universitaires au Québec ? Trajectoires inédites et mobilisations des savoirs » qui a été organisé dans le cadre du congrès annuel de l’Institut d’histoire de l’Amérique française. L’appel concerne un numéro thématique qui sera publié dans Revue d’histoire de l’éducation / Historical Studies in Education au printemps 2025. Il a pour but réunir des recherches actuelles sur l’histoire des milieux universitaires (francophones et anglophones) au Québec au XIXe et XXe siècles afin de mettre en relation différentes approches et objets, tout en démontrant la pertinence de considérer les milieux universitaires comme des centres orbitaux, sur les plans pratique et heuristique, pour envisager de futures recherches.</p> </div> <p class="readmore"><a href="1118538">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=21">21</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Al猫s</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a></span></p> <p class="title"><a href="1118403">Les sources des repr茅sentations genr茅es dans les mythes indo-europ茅ens et leurs r茅percussions sur les repr茅sentations sexu茅es dans l鈥橭ccident contemporain</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">Les mythes plus que les contes merveilleux sont propices à transmettre les valeurs du patriarcat. Plus dogmatiques, plus rigides, ils ont souvent été exploités sous des habillages divers dans les grands récits religieux et nourrissent des valeurs et des m&oelig;urs encore vivantes aujourd’hui… Mais au-delà de ces figures patriarcales, ils donnent aussi des indications et des représentations sur les genres aujourd’hui encore souvent considérés comme marginales. L’objectif de ce séminaire sera donc de repérer les figures les plus significatives de certains mythes et d’analyser la façon dont elles influencent encore la construction de représentations contemporaines.</p> </div> <p class="readmore"><a href="1118403">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=15">15</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos"></p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=228">Histoire</a></span></p> <p class="title"><a href="1119919">Collecting, Growing, and Exploring in Early Modernity</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">This workshop aims to focus attention on the collections of <em>naturalia</em>, on the one hand, and on the attempts to grow exotic plants in Europe and the adventurous journeys that the search for tropical plants and animals they encouraged, on the other. The organizers of this workshop invite interdisciplinary contributions addressing the topic from the perspective of each discipline, from art history to material culture, from botany to gastronomy, from travel literature to cartography. Proposals that feature a female figure as protagonist are particularly encouraged, as the importance of the female contribution to this topic, although demonstrated, remains under-researched and under-published.</p> <p> </p> </div> <p class="readmore"><a href="1119919">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=10">10</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Paris</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a></span></p> <p class="title"><a href="1118516">脡crire en commun(s). Arts, 茅cologies, radicalit茅s</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">Dans le domaine de la création, la notion de radicalité (empruntée au latin <em>radicalis</em> « qui tient à la racine, premier, fondamental ») convie des pratiques de recherche et expérimentales ayant souvent contribué à élargir le concept d’art lui-même. Le contenu généralement attribué à l’art radical concerne aussi la notion d’engagement et d’implication politiques manifestes contre les pouvoirs, les intérêts économiques dominants ou les pratiques artistiques institutionnelles. La notion de radical recouvre différents champs qui concernent aussi bien la biologie, le politique, la linguistique que les techniques. Elle ouvre la recherche et la création en arts à des approches pluridisciplinaires qui interrogent aussi bien le nouveau négationnisme climatique, les expériences radicales de la nature ou questionnent de façon inédite nos relations aux technologies… Ce colloque s’inscrit dans la poursuite des activités du collectif Arts, écologies, transitions, initié en 2017, et entend à la fois faire le bilan de ses activités de recherche (sortie conjointe de notre abécédaire en version française et anglaise) et s’ouvrir à de nouvelles approches et aires culturelles.</p> </div> <p class="readmore"><a href="1118516">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=08">08</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Nantes</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=251">Droit</a></span></p> <p class="title"><a href="1117551">Coercion and Well-being in Europe</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">The conference focuses on critically examining various aspects of the relationship between coercion and well-being with a multidisciplinary approach. During the Conference, participants will discuss their papers in groups led by a scholar. This will give them feedback in order to finalize their papers for publication after the Conference.</p> </div> <p class="readmore"><a href="1117551">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=05">05</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Oxford</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=47">Bourse, prix et emploi</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=312">脡poque moderne</a></span></p> <p class="title"><a href="1120494">Vie curiale et correspondance 脿 l鈥櫭﹑oque de Marie-Antoinette - Bourse d'茅tudes doctorales</a></p> <p class="subtitle"></p> <div class="summary"> <p>L’université d’Oxford, en collaboration avec le Centre de recherche du château de Versailles, propose une bourse d’études doctorales à partir d’octobre 2024 avec pour thématique « Vie curiale et correspondance à l’époque de Marie-Antoinette ». Il s’adresse aux étudiant(e)s des disciplines suivantes : lettres, littérature comparée, histoire, anglais, etc.</p> </div> <p class="readmore"><a href="1120494">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=06&fday=27">27</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=06">jui</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=11">11</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=02&fday=08">08</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=02">f茅v</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=03&fday=07">07</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=03">mar</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=04&fday=18">18</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=04">avr</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> <td class="unique_date">...</td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Paris</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=48">Cycle de conf茅rences</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=228">Histoire</a></span></p> <p class="title"><a href="1119873">L鈥檃venture impressionniste au Mus茅e d'Orsay</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">À l’occasion des 150 ans de la première exposition impressionniste et en lien avec l'exposition « <a class="default-link" href="https://www.musee-orsay.fr/fr/agenda/expositions/paris-1874">Paris 1874</a> », un cycle de conférences tout public abordera l’impressionnisme sous un angle neuf et dynamique.</p> </div> <p class="readmore"><a href="1119873">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=02&fday=01">01</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=02">f茅v</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Gen猫ve</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=317">脡poque contemporaine</a></span></p> <p class="title"><a href="1117599">Image Deluge and Globalization</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">The fields of visual studies, cultural history, and art history have encountered considerable challenges in addressing the plurality of images. These disciplines typically favor a singular outlook on images, neglecting the sheer deluge of visual representations that characterize the modern media landscape. Nevertheless, the constant flood of images has been part of our daily lives since the introduction of mass reproduction techniques, evolving alongside the gradual development of engraving, illustrated print, advertisement, cinema, television, video games, and now digital media. Observers of these consecutive stages of mass visual communication and consumption have consistently linked this phenomenon with the broader concept of globalization, often raising concerns about cultural homogenization, and loss of identity. This conference aims to provide a comprehensive exploration of image globalization, representing the wide range of subjects and methodologies used in the domain.</p> </div> <p class="readmore"><a href="1117599">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=02&fday=01">01</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=02">f茅v</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos"></p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=260">Pens茅e</a></span></p> <p class="title"><a href="1117519">Imaginaires techniques : ce que l鈥檌mage fait au geste</a></p> <p class="subtitle">Revue 芦 No茅sis 禄, num茅ro 45</p> <div class="summary"> <p style="text-align: left;">Si cette publication s’ancre d’abord en philosophie de l’art et de la technique, elle est par son objet même ouverte à l’interdisciplinarité. Son objectif est d’étudier le concept même d’imaginaire, pris entre une aspiration à l’irréalité et un ancrage profond à la matière, afin de comprendre ce qui fait d’un imaginaire plus qu’une simple collection d’images, en partant d’un champ précis : celui des techniques… Il s’agira alors de penser les types de relation existant entre les images, l’imaginaire et les gestes et les efforts techniques, et ce, dans les métiers artisanaux, dans l’apprentissage et le déploiement des pratiques artistiques et dans nos pratiques quotidiennes, particulièrement celles liées aux technologies et aux environnements numériques.</p> </div> <p class="readmore"><a href="1117519">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=19">19</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Aix-en-Provence</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=260">Pens茅e</a></span></p> <p class="title"><a href="1117579">L鈥檌nsensibilit茅</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">Depuis plusieurs décennies, la culture sensible fait l’objet de nombreux travaux dans les sciences humaines, pour lesquelles la sensibilité s’est constituée comme un champ d’étude à part entière. En revanche, la notion d’insensibilité reste quant à elle un impensé de la recherche en lettres et sciences humaines, Si l’indifférence ou l’apathie de tel ou tel personnage tiré d’une &oelig;uvre littéraire ou artistique a pu être soulignée, l’insensibilité est le plus souvent conçue comme une absence ou un refus. Un des objectifs de cette journée d’étude serait ainsi d’étudier cette notion pour elle-même, dans une perspective à la fois pluridisciplinaire et pluriséculaire. </p> </div> <p class="readmore"><a href="1117579">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=31">31</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">T眉bingen</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a></span></p> <p class="title"><a href="1116631">Dream and Music Theatre after 1800</a></p> <p class="subtitle">Continuities, Turning Points, Perspectives</p> <div class="summary"> <p style="text-align: left;">Sleep and dream scenes have been an integral part of the operatic genre since the beginnings of opera in the 17th century. From 1800 onwards, however, epochal changes can be observed which have affected the operatic genre itself as well as the discourse on dreams and the Western cultural sphere in general. These changes extend right up to the present day. The conference aims to discuss these developments and their interrelationships from an interdisciplinary perspective and to trace their effects down to contemporary music theatre.</p> </div> <p class="readmore"><a href="1116631">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=02&fday=01">01</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=02">f茅v</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Otterlo</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a></span></p> <p class="title"><a href="1117049">Living apart together? The troubled and treasured relationship between nature and human beings in art 1789-1914</a></p> <p class="subtitle">European Society for Nineteenth-century Art Conference 2024 </p> <div class="summary"> <p style="text-align: left;">With the growing realisation that nature and the earth’s climate are at risk of being destroyed, this conference aims to centralize the interconnectedness between nature and human beings, by analysing the depiction of their relationship in Western-European art, including the effects of colonialism, during the long nineteenth century.This conference centralizes the depiction of the troubled relationship between nature and humans, both around the corner as well as overseas, including the fascination for non-indigenous flora and fauna. It aims to answer questions such as: Did changing opinions on nature have effect on nineteenth-century art? Did nineteenth-century art have effect on the changing opinions on nature? How was the relationship between nature and human beings depicted? Which role did the advent of working <em>en plein air</em> play in artists’ bond with nature? Which role did ecology play in the depiction of nature? How did artists and critics manage to evoke their awareness of the changing attitudes towards nature in their work? Which role did colonialism play in artists’ perception of nature?</p> </div> <p class="readmore"><a href="1117049">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=14">14</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos"></p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=354">Europe</a></span></p> <p class="title"><a href="1116391">The European Song Contest in the 21st Century, Euro-vision and/or Eurovisions ?</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">At a crossroads between cultural, geopolitical and sociological studies, this conference offers to explore fresher interdisciplinary perspectives on the Eurovision Song Contest and it adaptation to 21st century structural transformations in the digital mediascape and ever-evolving, albeit contested European model.</p> </div> <p class="readmore"><a href="1116391">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=05">05</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Aix-en-Provence</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a></span></p> <p class="title"><a href="1116588">Jocelyne Saab, reporter, cin茅aste, au service de l鈥檋istoire</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">Ces deux journées d’études seront consacrées à l’&oelig;uvre de la cinéaste libanaise Jocelyne Saab (1948-2019), de ses premiers documentaires à ses dernières &oelig;uvres de photographe. Elles ont pour ambition d’investiguer plusieurs thèmes marquants qui traversent le travail de Saab, parmi lesquels les rapports entre histoire, mémoire et engagement, la question des archives et de leur portée testimoniale et politique, l’élaboration d’une poétique de l’exil, qui mettra notamment en rapport les médiums cinématographiques et littéraires, mais également plastiques, relativement à l’influence de son &oelig;uvre sur les artistes contemporains libanais de l’après-guerre.</p> </div> <p class="readmore"><a href="1116588">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=15">15</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Villeneuve-d'Ascq</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a></span></p> <p class="title"><a href="1116296">L鈥檌mage contrainte</a></p> <p class="subtitle">Place, forme et fonction de l鈥檌conographie dans les arts d茅coratifs et pr茅cieux</p> <div class="summary"> <p style="text-align: left;">La conception d’un objet d’art est marquée par la recherche constante d’équilibre entre fonctionnalité et matérialité, entre structure et décor. Aussi, sa dimension utilitaire initiale – qui en constitue la raison d’être – s’avère-t-elle donc limitante, dès lors que le discours symbolique que l’on souhaite lui assigner, développé par l’iconographie et l’ornement, se confronte aux réalités techniques de sa construction. La mise en image d’un thème iconographique se voit alors, de prime abord, contrainte par la forme de l’objet qu’elle orne. Celle-ci, restreignant toute possibilité créatrice, la condamnerait à n’être plus qu’une présence conventionnelle, un modèle de référence se répétant inlassablement d’une pièce à l’autre. Cette journée d’étude entend ainsi ouvrir une réflexion sur la place de l’iconographie dans les arts décoratifs et précieux, dès lors que celle-ci doit se conformer aux impératifs structurels de l’objet qu’elle décore.</p> </div> <p class="readmore"><a href="1116296">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=15">15</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Abidjan</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=328">Afrique</a></span></p> <p class="title"><a href="1116246">L鈥櫭ヽriture inclusive dans la langue fran莽aise : normes et mutations sociales</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">Les sociétés actuelles enregistrent des bouleversements profonds dans tous les domaines : politique, économie, culture, arts, sport, loisirs, religion, etc. Cela se traduit par l'émergence de nouvelles formes de lutte telles que la reconnaissance des droits des minorités (LGTB, minorités raciales, religieuses) ou l'égalité des genres, visant à faire accepter à tous et partout des pratiques sociales, des types de comportement. Le versant linguistique de ces luttes de reconnaissance et d'affirmation de soi est « l'écriture inclusive ». Mener une réflexion sur cette question en vue d’en dégager les implications morphosyntaxiques, sémantico-pragmatiques, ainsi que les enjeux idéologiques et éthiques dans une société en pleine mutation apparaît comme une nécessité. Ce colloque invite les spécialistes des sciences du langage, les exégètes des autres sciences sociales et humaines, ainsi que les experts de tous les domaines, intéressés par la question de l’écriture inclusive, à contribuer à la réflexion.</p> </div> <p class="readmore"><a href="1116246">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=20">20</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos"></p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=267">Langage</a></span></p> <p class="title"><a href="1115983">Le fran莽ais au contact des autres langues : 茅tat actuel et enseignement</a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">Dans leur introduction à l’ouvrage « <em>Le français au contact d’autres langues </em>» (paru aux éditions Ophrys), Gadet et Ludwig rappellent que « le contact des langues a toujours existé, pour le français comme pour les autres langues » ajoutant que « les processus actuels de globalisation concentrent les effets du contact, leur fréquence et leur intensité ». L’objectif du colloque est de tenir compte d’une approche « écologique » des langues, du français en particulier, pour les appréhender compte tenu d’un écosystème favorisant les influences mutuelles, mélanges et hybridités, sans perdre de vue les résistances et les orientations, fruits de l’idéologie unilingue qui traverse les institutions. Ce colloque interrogera ainsi la façon dont, dans les usages, se confrontent « nature » et « culture » de la langue française, comment, naturellement, elle évolue au gré des contacts, en étant culturellement « protégée » par un discours prescriptif institutionnalisé.</p> </div> <p class="readmore"><a href="1115983">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=30">30</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Angoul锚me</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=40">Appel 脿 contribution</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=336">Am茅riques</a></span></p> <p class="title"><a href="1115889">Exp茅rience mus茅ale et nouveaux dispositifs immersifs </a></p> <p class="subtitle"></p> <div class="summary"> <p style="text-align: left;">Organisé dans le cadre de l’accord France Canada avec le concours de l’université de Poitiers, du musée de la Pulperie à Chicoutimi et du Musée du Papier d’Angoulême, l’objectif de ce colloque international et interdisciplinaire est de réunir des universitaires ainsi que des professionnels de la culture afin de mettre en exergue la richesse épistémique des travaux en sciences humaines et sociales portant sur la question de l’expérience muséale et des nouveaux dispositifs immersifs.</p> </div> <p class="readmore"><a href="1115889">Lire l'annonce</a></p> </div> </li> <li class="list_entry"> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=01&fday=31">31</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=01">jan</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=02&fday=07">07</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=02">f茅v</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=02&fday=14">14</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=02">f茅v</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> </tr> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=02&fday=28">28</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=02">f茅v</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2024&fmonth=03&fday=06">06</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2024&fmonth=03">mar</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2024">2024</a></div> </td> <td class="unique_date">...</td> </tr> </tbody> </table> </div> <div class="list_content"> <p class="lieuinfos">Paris</p> <p class="typetag"><a class="type" href="search?q=*:*&primary=ftype&ftype=48">Cycle de conf茅rences</a><span class="gris"> - </span><span class="type"><a href="search?primary=fsubject&fsubject=228">Histoire</a></span></p> <p class="title"><a href="1115654">Sciences Po 脿 Orsay : Introduction 脿 l鈥檋istoire de l鈥檃rt des XIX猫me et XX猫me si猫cles</a></p> <p class="subtitle">Claude Monet et les caprices de l'histoire des XIXe-XXe si猫cles</p> <div class="summary"> <p>Laurence Bertrand Dorléac est professeure d’histoire de l’art à Sciences Po. Elle est aussi l’autrice de <em>Contre-déclin : Monet et Spengler dans les jardins de l’histoire</em>, Ed. Gallimard, Paris, 2012. S’appuyant sur les collections des musées d’Orsay et de l’Orangerie, elle livre à travers ce cours une réflexion sur la perception et la destinée de l’&oelig;uvre du maître de l’impressionnisme, Claude Monet. De son jardin artificiel de Giverny où se mélange la double inspiration de l’Occident et de l’Extrême-Orient, Monet tire ses derniers chefs-d’&oelig;uvre. Pourquoi les <em>Nymphéas </em>installés à l’Orangerie des Tuileries, aujourd’hui plébiscités par le public, ont-ils été rejetés jusqu’en 1945 ? Par quelle opération sont-ils sortis du purgatoire et désignés comme des sources d’inspiration de la peinture abstraite ? En s’appuyant sur l’essai du philosophe allemand Oswald Spengler, <em>Le Déclin de l’Occident</em>, Laurence Bertrand Dorléac s’interroge sur la notion de déclin et de progrès appliquée à l’histoire de l’art.</p> </div> <p class="readmore"><a href="1115654">Lire l'annonce</a></p> </div> </li> </ul> </div> <div class="pagination"> <p class="total">127 脡v茅nements</p> <div> <ul> <li><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=20" class="fleches"><<</a></li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=0">1</a></li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=20">2</a></li> <li class="selected">3</li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=60">4</a></li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=80">5</a></li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=100">6</a></li> <li ><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=120">7</a></li> <li><a href="/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=60" class="fleches">>></a></li> </ul> </div> </div> </div> <div id="sortingKeys" class="filters"> <h2><a href="http://calenda.org/feed.php?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&start=40"><img src="images/feed-icon-12x12.png" alt="RSS" title="RSS" /></a> Filtres s茅lectionn茅s</h2> <div class="group"> <ul class="filters"> <li class="filter-in-use"> <div class="unitem"> <p>2024 - Janvier </p> <div class="infos_actions"><a href="http://calenda.org/search?f2subject%5B0%5D=276&primary=fdate&start=40"><img src="images/new_deletecross.png" alt="Supprimer ce filtre" title="Supprimer ce filtre" /></a></div> </div> </li> <li class="filter-in-use"> <div class="unitem"> <p>Repr茅sentations</p> <div class="infos_actions"><a href="?fmonth=01&fyear=2024&primary=fdate"><img src="images/new_deletecross.png" alt="Supprimer ce filtre" title="Supprimer ce filtre" /></a></div> </div> </li> </ul> </div> </div> <div id="facets"> <div class="faceted enlarge"> <h2>Choisir un filtre</h2> <h3 class="premier">脡v茅nements</h3> <ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2period=past">Pass茅s</a> <span class="num">(127)</span></li> </ul> <h3>Format de l'茅v茅nement</h3> <ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2eventformat=905455">脡v茅nement uniquement sur site</a> <span class="num">(58)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2eventformat=905458">脡v茅nement hybride sur site et en ligne</a> <span class="num">(31)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2eventformat=905454">脡v茅nement uniquement en ligne</a> <span class="num">(9)</span></li> </ul> <h3>Langues</h3> <ul> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang[]=65">Fran莽ais</a> <span class="num">(103)</span></li> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang[]=66">Anglais</a> <span class="num">(18)</span></li> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang[]=67">Espagnol</a> <span class="num">(2)</span></li> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang[]=68">Portugais</a> <span class="num">(2)</span></li> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang[]=70">Allemand</a> <span class="num">(2)</span></li> </ul> <h3>Langues secondaires</h3> <ul> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang_sec[]=66">Anglais</a> <span class="num">(23)</span></li> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang_sec[]=65">Fran莽ais</a> <span class="num">(4)</span></li> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang_sec[]=67">Espagnol</a> <span class="num">(4)</span></li> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang_sec[]=70">Allemand</a> <span class="num">(3)</span></li> <li style="direction:rtl; text-align:left;" ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang_sec[]=75">丕賱毓乇亘賷丞</a> <span class="num">(2)</span></li> <li ><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2lang_sec[]=68">Portugais</a> <span class="num">(1)</span></li> </ul> <h3>Types</h3> <ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2type=40">Appel 脿 contribution</a> <span class="num">(81)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2type=42">S茅minaire</a> <span class="num">(18)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2type=41">Colloque</a> <span class="num">(7)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2type=45">Journ茅e d'茅tude</a> <span class="num">(6)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2type=48">Cycle de conf茅rences</a> <span class="num">(6)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2type=47">Bourse, prix et emploi</a> <span class="num">(4)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2type=44">Informations diverses</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2type=46">Appel d'offres</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2type=294004">脡cole th茅matique</a> <span class="num">(1)</span></li> </ul> <h3>Cat茅gories</h3> <ul> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=200">Soci茅t茅s</a> <span class="num">(83)</span></strong><ul> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=201">Sociologie</a> <span class="num">(31)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=204">Sociologie du travail</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=205">脡tude des genres</a> <span class="num">(9)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=206">Sport et loisirs</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=208">Sociologie urbaine</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=209">Sociologie de la sant茅</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=211">Sociologie de la culture</a> <span class="num">(14)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=212">Sociologie 茅conomique</a> <span class="num">(1)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=213">Ethnologie, anthropologie</a> <span class="num">(33)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=214">Anthropologie sociale</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=215">Anthropologie culturelle</a> <span class="num">(17)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=216">Anthropologie politique</a> <span class="num">(3)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=217">Anthropologie religieuse</a> <span class="num">(3)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=254">脡tudes des sciences</a> <span class="num">(9)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=255">Histoire des sciences</a> <span class="num">(7)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=256">Sociologie des sciences</a> <span class="num">(1)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=258">脡tudes urbaines</a> <span class="num">(7)</span></strong></li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=218">G茅ographie</a> <span class="num">(18)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=220">Migrations, immigrations, minorit茅s</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=221">G茅ographie urbaine</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=223">G茅ographie rurale</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=226">Espace, soci茅t茅 et territoire</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=227">G茅ographie : politique, culture et repr茅sentation</a> <span class="num">(5)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=222">Nature, paysage et environnement</a> <span class="num">(2)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=228">Histoire</a> <span class="num">(51)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=230">Histoire industrielle</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=231">Histoire rurale</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=232">Histoire urbaine</a> <span class="num">(4)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=233">Histoire des femmes</a> <span class="num">(4)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=235">Histoire sociale</a> <span class="num">(10)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=236">脡conomie</a> <span class="num">(1)</span></strong><ul></ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=241">脡tudes du politique</a> <span class="num">(23)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=242">Sciences politiques</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=243">Histoire politique</a> <span class="num">(4)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=246">Relations internationales</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=247">Mouvements politiques et sociaux</a> <span class="num">(5)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=248">Sociologie politique</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=249">Politiques et actions publiques</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=244">Guerres, conflits, violence</a> <span class="num">(2)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=251">Droit</a> <span class="num">(4)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=252">Histoire du droit</a> <span class="num">(2)</span></li> </ul> </li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=259">Esprit et Langage</a> <span class="num">(127)</span></strong><ul> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=260">Pens茅e</a> <span class="num">(28)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=261">Philosophie</a> <span class="num">(7)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=262">Histoire intellectuelle</a> <span class="num">(13)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=263">Sciences cognitives</a> <span class="num">(3)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=299">Religions</a> <span class="num">(3)</span></strong><ul></ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=264">Psychisme</a> <span class="num">(3)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=265">Psychanalyse</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=266">Psychologie</a> <span class="num">(2)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=267">Langage</a> <span class="num">(46)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=268">Linguistique</a> <span class="num">(9)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=269">Litt茅ratures</a> <span class="num">(35)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=270">Information</a> <span class="num">(11)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=271">Sciences de l'information</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=273">Histoire et sociologie du livre</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=274">Histoire et sociologie de la presse</a> <span class="num">(1)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=275">Histoire et sociologie des m茅dias</a> <span class="num">(2)</span></li> </ul> </li> <li class="selected"><strong>Repr茅sentations</strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=277">Histoire culturelle</a> <span class="num">(46)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=278">Histoire de l'art</a> <span class="num">(44)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=279">Patrimoine</a> <span class="num">(20)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=280">脡tudes visuelles</a> <span class="num">(25)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=281">Identit茅s culturelles</a> <span class="num">(27)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=282">Architecture</a> <span class="num">(6)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=283">脡ducation</a> <span class="num">(12)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=284">Histoire de l'茅ducation</a> <span class="num">(3)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=285">Sciences de l'茅ducation</a> <span class="num">(8)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=286">脡pist茅mologie et m茅thodes</a> <span class="num">(27)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=289">Vie de la recherche</a> <span class="num">(3)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=288">Cartographie, imagerie, SIG</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=291">Historiographie</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=292">Sciences auxiliaires de l'Histoire</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=293">Arch茅ologie</a> <span class="num">(3)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=294">M茅thodes de traitement et de repr茅sentation</a> <span class="num">(2)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=297">Approches de corpus, enqu锚tes, archives</a> <span class="num">(5)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=298">Humanit茅s num茅riques</a> <span class="num">(6)</span></li> </ul> </li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=302">P茅riodes</a> <span class="num">(59)</span></strong><ul> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=303">Pr茅histoire et Antiquit茅</a> <span class="num">(7)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=305">Histoire grecque</a> <span class="num">(3)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=306">Histoire romaine</a> <span class="num">(3)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=307">Monde oriental</a> <span class="num">(3)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=308">脡gypte ancienne</a> <span class="num">(2)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=309">Moyen 脗ge</a> <span class="num">(10)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=310">Haut Moyen 脗ge</a> <span class="num">(4)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=311">Bas Moyen 脗ge</a> <span class="num">(4)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=312">脡poque moderne</a> <span class="num">(15)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=313">XVIe si猫cle</a> <span class="num">(4)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=314">XVIIe si猫cle</a> <span class="num">(3)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=315">XVIIIe si猫cle</a> <span class="num">(3)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=316">R茅volution fran莽aise</a> <span class="num">(1)</span></li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=317">脡poque contemporaine</a> <span class="num">(39)</span></strong><ul> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=318">XIXe si猫cle</a> <span class="num">(10)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=319">XXe si猫cle</a> <span class="num">(13)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=326">XXIe si猫cle</a> <span class="num">(11)</span></li> <li><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=325">Prospectives</a> <span class="num">(3)</span></li> </ul> </li> </ul> </li> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=327">Espaces</a> <span class="num">(44)</span></strong><ul> <li><strong><a href="http://calenda.org/search?f2subject%5B0%5D=276&fmonth=01&fyear=2024&primary=fdate&f2subject[]=328">Afrique</a> <span 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