CINXE.COM

Rod Stewart | Artist | GRAMMY.com

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href="https://www.recordingacademy.com/membership/grammy-u">GRAMMY U</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/login/?language=en_US">Membership Login</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/?language=en_US">Join Membership</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/awards" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Awards</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://grammy.com/awards" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/GRAMMYS_2025_HERO_6?fmt=auto&amp;w=500" width="525" alt="Graphic featuring graphics for the 2025 GRAMMYs"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY AWARD SHOWS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://naras.a.bigcontent.io/v1/static/67thAwards_PressList_11072024">67th GRAMMY Nominations: Full List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs: See The Full Nominees List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://live.grammy.com/">Watch: 2025 GRAMMY Nominations In Full</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://qrco.de/bdyS50">2025 GRAMMY Nominations Announcement Schedule</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/awards/67th-annual-grammy-awards-2024">67th Annual GRAMMY Awards (2024)</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://amazon.com/grammys">GRAMMY Shop</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">MUSIC GENRES</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com#" target="_self" class="font-bold border-solid text-[10px] pb-[5px] border-black ">SPECIAL MERIT AWARDS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/lifetime-achievement-awards">Lifetime Achievement Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/trustee-awards">Trustees Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/technical-awards">Technical GRAMMY Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/music-educator-award">Music Educator Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/hall-of-fame-award">GRAMMY Hall Of Fame</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/legends">GRAMMY Legend Award</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards/best-song-for-social-change-award" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">HARRY BELAFONTE BEST SONG FOR SOCIAL CHANGE AWARD</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">GRAMMY AWARDS PROCESS</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/voting-process">Voting Process</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/rules-guidelines">Rules and Guidelines</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://naras.a.bigcontent.io/v1/static/67_Grammy_Gold_Quick_Reference">GRAMMY Categories</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/awards-updates">Awards Process Updates</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/voting-and-solicitation-guidelines">Voting &amp; Solicitation Guidelines</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards/faq" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">GRAMMY AWARDS FAQ &amp; HELP</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/grammy-participation-certificates">GRAMMY Participation Certificates</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/awards/grammy-nominee-stickers">GRAMMY Nominee Stickers</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards/media-company-registration-and-online-entry-process-oep" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">ARTIST/RECORD LABEL/MEDIA REGISTRATION (OEP)</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/news" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">News</a></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/videos" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Videos</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/videos" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-03_1644x925?fmt=auto&amp;w=500" width="525" alt="Image of GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/videos" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY ORIGINAL SERIES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammys-red-carpet-flashback-videos">GRAMMY Red Carpet Flashback</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-great-performances">GRAMMY Great Performances</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-rewind-grammys">GRAMMY Rewind</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/global-spin-grammys">Global Spin</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/it-goes-to-11-videos-grammys">It Goes To 11</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/reimagined-grammys">ReImagined</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/where-do-you-keep-your-grammy">Where Do You Keep Your GRAMMY?</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/positive-vibes-only-grammys">Positive Vibes Only</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/press-play-grammys">Press Play</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/for-the-record-grammys">For The Record</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/behind-the-boards-grammys">Behind The Board</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/herbal-tea-white-sofas-grammys">Herbal Tea &amp; White Sofas</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/family-matters">Family Matters</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://live.grammy.com" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">WATCH GRAMMY LIVE!</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/music-genres" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Genres</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-04_1644x925?fmt=auto&amp;w=500" width="525" alt="A close-up graphic of a GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">ALL MUSIC GENRES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/pop">Pop</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/rock">Rock</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/r-and-b">R&amp;B</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/country">Country</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/rap">Rap</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/latin">Latin</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/global-music">Global Music</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/gospel-contemporary-christian-music">Gospel &amp; Contemporary Christian Music</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/new-age">New Age</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/jazz">Jazz</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/alternative">Alternative</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/dance-electronic-music">Dance/Electronic</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://www.amazon.com/grammys" target="_blank" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Shop</a></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://naras.a.bigcontent.io/v1/static/67thAwards_PressList_11072024" target="_blank" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">67th GRAMMY Nominations: Full List</a></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://go.grammy.com/?utm_source=GRMY&amp;utm_medium=site-header-link" target="_blank" class="block text-sm p-[2px] border-solid hover:font-medium current-link border-b-[1px]">GRAMMY GO</a></li></ul></nav><div class="right-header flex items-center justify-between gap-[20px] mr-6"><div class="search w-max h-[24px] flex-row justify-between items-center border-solid border-black"><img class="block w-[20px] h-[20px] cursor-pointer" src="https://naras.a.bigcontent.io/v1/static/search" alt="search"/><input class="hidden text-sm cursor-pointer focus:outline-none w-[120px]" type="text" placeholder="Search"/></div><div class="hidden login px-[5px] py-[8px] flex items-center"><a href="https://recordingacademy.com/user/login" class="border-solid border-black hover:border-b-[1px] hover:font-medium text-sm p-[2px]" target="_blank" rel="noreferrer">Login</a></div><button type="button" class="block w-[20px] h-[20px]"><img class="block w-full h-full" src="https://naras.a.bigcontent.io/v1/static/subscribe" alt="subscribe"/><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="w-[1640px] h-[264px] px-6 py-4 justify-start items-start gap-[120px] inline-flex"><div class="w-[572px] pb-2 flex-col justify-start items-start inline-flex"><div class="self-stretch h-[220px] flex-col justify-start items-start gap-11 flex"><div class="self-stretch h-[100px] flex-col justify-start items-start gap-4 flex"><div class="text-black text-2xl font-[&#x27;Polaris&#x27;] leading-loose">Subscribe to Newsletters</div><div class="self-stretch h-[52px] flex-col justify-start items-start gap-2 flex"><div class="self-stretch text-black text-sm font-[&#x27;Polaris&#x27;] leading-snug">Be the first to find out about GRAMMY nominees, winners, important news, and events.</div><div class="pb-0.5 border-b border-black justify-start items-start inline-flex"><div class="text-right text-black text-xs font-[&#x27;Polaris&#x27;] leading-tight">Privacy 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class="justify-start items-start gap-4 flex"><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/facebook_solid"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/x_corp"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/instagram_new"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/youtube_new"/></div></div></div><div class="w-[436px] justify-between items-center inline-flex"><div class="text-black text-sm font-[&#x27;Polaris&#x27;]">GRAMMY Museum</div><div class="justify-start items-start gap-4 flex"><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/facebook_solid"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/x_corp"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/instagram_new"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/youtube_new"/></div></div></div><div class="w-[436px] justify-between items-center inline-flex"><div class="text-black text-sm font-[&#x27;Polaris&#x27;]">Musicares</div><div class="h-4 justify-start items-start gap-4 flex"><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/facebook_solid"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/x_corp"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/instagram_new"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/youtube_new"/></div></div></div><div class="w-[436px] justify-between items-center inline-flex"><div class="text-black text-sm font-[&#x27;Polaris&#x27;]">Advocacy</div><div class="h-4 justify-start items-start gap-4 flex"><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/facebook_solid"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/x_corp"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] 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src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/GRAMMYAdvocacy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">MUSICARES</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/MusiCares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/MusiCares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/musicares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">LATIN GRAMMYS</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="http://www.facebook.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://twitter.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://www.instagram.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://www.youtube.com/latinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">GRAMMY MUSEUM</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/grammymuseum/" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/GRAMMYMuseum" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/grammymuseum/" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/thegrammymuseum" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li></ul></div></div></div></div><div class="overlay z-10"></div></div></div></div><main class="flex flex-col flex-grow w-full"><section class="h-full w-full"><div class="flex flex-col md-xl:flex-row"><div class="flex flex-col w-full md-xl:max-w-[60%] overflow-hidden" style="height:55vw"><div class="w-full h-full relative"><img style="height:55vw" src="https://i8.amplience.net/i/naras/rod-stewart_MI0005347717-MN0000293896" alt="Rod Stewart" class="w-[100%] object-cover"/></div></div><div class="relative p-4 md-xl:py-6 md-xl:px-20 font-galaxy-polaris md-xl:w-[40%] text-black"><div class="z-auto bg-gradient-to-t bottom-[100%] w-full md-xl:right-[100%] md-xl:block md-xl:top-0 md-xl:w-[40%] md-xl:h-[100%] absolute md-xl:bg-gradient-to-l from-white"></div><div class="w-full flex justify-between"><h3 class="text-base md-xl:text-[1vw] md-xl:leading-normal font-bold uppercase">Artist</h3><div class="flex items-end"><div class="mr-[20px]"><a class="" href="https://twitter.com/intent/tweet?url="><img class="opacity-30" src="https://naras.a.bigcontent.io/v1/static/twitter" alt=""/></a></div><div><a class="" href="https://www.facebook.com/sharer/sharer.php?u="><img class="opacity-30" src="https://naras.a.bigcontent.io/v1/static/facebook" alt=""/></a></div></div></div><h1 class="text-6xl md-xl:text-[4vw] md-xl:leading-normal mt-[30px]">Rod Stewart</h1><div class="flex mt-20px"><div class="mr-90px"><h4 class="text-base md-xl:text-[1vw] md-xl:leading-normal text-predominant-color font-bold">WINS*</h4><h1 class="text-6xl md-xl:text-[4vw] md-xl:leading-normal text-predominant-color">1</h1></div><div><h4 class="text-base md-xl:text-[1vw] md-xl:leading-normal font-bold opacity-60">NOMINATIONS*</h4><h1 class="text-6xl md-xl:text-[4vw] md-xl:leading-normal opacity-60">15</h1></div></div><h2 class="text-base md-xl:text-[1.25vw] md-xl:leading-normal mt-40px"><span class="text-predominant-color">53rd Annual GRAMMY Awards</span></h2><div class="border-faint-gray border-t border-b py-30px mt-10px relative"><div class="slick-slider slick-initialized"><div class="slick-list"><div class="slick-track" style="width:100%;left:0%"><div data-index="0" class="slick-slide slick-active slick-current" tabindex="-1" aria-hidden="false" style="outline:none;width:100%;position:relative;left:0;opacity:1;transition:opacity 1500ms ease, visibility 1500ms ease"><div><div tabindex="-1" style="width:100%;display:inline-block"><div class="flex"><img class="w-[80px] md-xl:w-[20%] h-[80px] md-xl:h-[20%]" src="https://naras.a.bigcontent.io/v1/static/artist_default_200x200" alt=""/><div class="px-18px"><h4 class="text-base md-xl:text-[0.9vw] md-xl:leading-normal text-predominant-color">NOMINATION</h4><h3 class="text-base md-xl:text-[1vw] md-xl:leading-normal font-bold opacity-60">Traditional Pop Vocal Album</h3><h2 class="text-base md-xl:text-[1.1vw] md-xl:leading-normal font-bold">Fly Me To The Moon…The Great American Songbook: Volume V</h2></div></div></div></div></div></div></div></div></div><a><h3 class="text-base md-xl:text-[1vw] md-xl:leading-normal text-predominant-color font-bold mt-20px uppercase cursor-pointer">View All Nominations For This Artist</h3></a><p class="text-base md-xl:text-[1vw] md-xl:leading-normal text-title-gray mt-20px">Through the 65th GRAMMY Awards</p></div></div><div class="info-container max-w-[1414px] xl:flex justify-between mx-auto px-[8px] justify-evenly"></div><section class="relative overflow-hidden md-xl:min-h-[425px] hidden"><h3 class="pl-4 md-xl:pl-20 mb-5 font-galaxy-polaris text-[#666666] text-xl">Rod Stewart Videos</h3><style> .dynamic-video-container { height: 100%; position: relative; } .dynamic-video-buttons { transition: opacity 0.2s ease-in-out; opacity: 0; height: 0; } .dynamic-video-container:hover .dynamic-video-buttons { opacity: 1; height: auto; } .dynamic-video-carousel { padding-left: 1.25rem; width: 100%; overflow: visible !important; } .dynamic-video-carousel .embla__container { display: flex; gap: 10px; } .dynamic-video-carousel .embla__slide { position: relative; flex: 0 0 190px; } .dynamic-video-carousel .embla__slide .video-desc { padding-top: 1.5rem; transform-origin: center; transition: 0.2s; } .dynamic-video-carousel .embla__slide .watch-now { display: none; } .dynamic-video-embla-button .embla__button { outline: 0; cursor: pointer; touch-action: manipulation; position: absolute; top: -25%; height: 130%; width: 50px; background-color: #fff; opacity: 0.7; border-radius: 0; } .dynamic-video-embla-button .embla__button:disabled { cursor: default; opacity: 0.3; } .dynamic-video-carousel.news-carousel { padding-left: 0 !important; } .dynamic-video-carousel.news-carousel .embla__slide { flex: 0 0 190px; font-size: 14px; } .dynamic-video-carousel.news-carousel .embla__slide:hover .video-desc { font-size: 12px; padding: 10px; } .dynamic-video-carousel.news-carousel .embla__slide:hover .watch-now { display: flex; } @media (min-width: 940px) { .dynamic-video-carousel { height: auto; padding-left: 5rem; } .dynamic-video-carousel .embla__slide { position: relative; flex: 0 0 340px; } .dynamic-video-carousel .embla__slide:hover .video-desc { padding: 20px; } .dynamic-video-carousel .embla__slide:hover .watch-now { display: flex; } } </style><div class="dynamic-video-container"><div class="dynamic-video-carousel relative "><div class="embla__container"></div></div><div class="dynamic-video-buttons"><div class="dynamic-video-embla-button"><button class="embla__button embla__button--prev left-0 swiper" disabled=""><i class="arrow left"></i></button></div><style></style><div class="dynamic-video-embla-button"><button class="embla__button right-0 swiper-next" disabled=""><i class="arrow right"></i></button></div></div></div></section><div class="news-carousel relative mt-10 mb-10"><style> .news-carousel .flickity-slider { transition: transform 0.3s linear; } .news-carousel .flickity-button { display: none; background-color: #fff; height: 60px; width: 60px; z-index: 10; } .news-carousel .flickity-button-icon { fill: black; } .news-carousel .flickity-prev-next-button .flickity-button-icon { left: 15%; } .news-carousel .flickity-viewport::before, .news-carousel .flickity-viewport::after { content: &quot;&quot;; background-color: #fff; opacity: 0.7; position: absolute; height: 100%; width: 24px; z-index: 1; } .news-carousel .flickity-viewport::before { top: 0; left: 0; visibility:hidden; } .news-carousel .flickity-viewport::after { top: 0; right: 0; } .news-carousel .flickity-button:disabled { display: none; } @media (min-width: 940px) { .news-carousel .flickity-viewport::before, .news-carousel .flickity-viewport::after { width: 87px; } .news-carousel .flickity-button { display: block; } } @media (max-width: 640px) { .carousel-title { max-width: 360px; margin-left: 0px; margin-right: 0px; } </style><div class="w-full flex flex-col md:flex-row items-center justify-between pl-4 pr-4 mb-7 md-xl:pl-20"><h3 class="text-[#666] font-galaxy-polaris text-xl md-xl:text-2xl carousel-title "><span class="font-semibold">Rod Stewart</span> <span>News</span></h3><p class="text-predominant-color uppercase font-bold font-galaxy-polaris text-sm tracking-wider"><a href="/search/rod stewart?search_type=news">View All News</a></p></div><div class="news-carousel h-full overflow-x absolute"></div></div><div id="Rod Stewart-detail" class="bg-faint-gray-background pl-4 pr-4 pt-70px pb-70px md-xl:pl-20 md-xl:pr-20"><h2 class="text-24 leading-48px opacity-60">All GRAMMY Awards and Nominations for <span class="font-bold">Rod Stewart</span></h2><div class="mt-36px"><div class="bg-white border-t border-r border-l border-gray-border "><div class="flex"><button class="cursor-pointer outline-none focus:outline-none w-full"><div class="flex items-center justify-between mx-18px md-xl:mx-60px border-b border-faint-gray"><h2 class="text-16 leading-24px md-xl:text-24 md-xl:leading-48px py-30px font-bold ">53rd Annual GRAMMY Awards</h2><img src="https://i8.amplience.net/i/naras/awards-collapse-arrow" alt=""/></div></button></div><div class=""><div class="md-xl:flex px-18px md-xl:px-60px"><div class="mt-36px"><h2 class="text-14 md-xl:text-20 leading-24px opacity-60 font-bold">Nominations</h2><div class="mt-20px md-xl:mt-38px flex flex-wrap justify-between"><div class="flex max-w-370px w-full pb-30px"><img class="w-80px h-80px mr-20px" src="https://naras.a.bigcontent.io/v1/static/artist_default_200x200" alt=""/><div class=""><h4 class="text-14 md-xl:text-16 leading-24px mb-4px opacity-60 font-bold">Traditional Pop Vocal Album</h4><h4 class="text-18 md-xl:text-16 leading-24px font-bold">Fly Me To The Moon…The Great American Songbook: Volume V</h4></div></div></div></div></div><div class="md-xl:flex justify-end px-18px md-xl:px-60px pb-36px md-xl:pb-25px"><a href="/awards/53rd-annual-grammy-awards"><h3 class="text-14 md-xl:text-18 leading-48px text-predominant-color font-bold uppercase">More from the 53rd Awards</h3></a></div></div></div><div class="bg-faint-gray-background border-t border-r border-l border-gray-border "><div class="flex"><button class="cursor-pointer outline-none focus:outline-none w-full"><div class="flex items-center justify-between mx-18px md-xl:mx-60px "><h2 class="text-16 leading-24px md-xl:text-24 md-xl:leading-48px py-30px font-bold opacity-60">48th Annual GRAMMY Awards</h2><img src="https://i8.amplience.net/i/naras/awards-expand-arrow" alt=""/></div></button></div></div><div class="bg-faint-gray-background border-t border-r border-l border-gray-border "><div class="flex"><button class="cursor-pointer outline-none focus:outline-none w-full"><div class="flex items-center justify-between mx-18px 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show"}],"canonicalUrl":"https://grammy.com","_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"disableRobots":false},"tags":["GRAMMYs"],"isAdHidden":false,"backToTop":false,"isProtectedPage":false,"hero":{"_meta":{"schema":"https://therecordingacademy.com/content/content-hero","name":"Homepage Content Hero","deliveryId":"f0f44720-f291-4093-860f-c9f08e09633d"},"lgContent":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Living Legends: Chaka Khan On Being An \"Immortal Queen,\" Finding Her Voice In Jazz \u0026 Musical Autonomy","deliveryId":"b2faff18-f314-47d8-9087-0b40936643a5","deliveryKey":"news/chaka-khan-living-legends-interview"},"articleCategory":["interview"],"contributors":[{"id":"7c960874-96ae-4ecd-8d8b-4590419b6d20","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: Chaka Khan body 1","deliveryId":"5bb09b12-94fb-4b0d-b982-7da1b1b13a40"},"bodyText":{"richText":"You'd be hard pressed to find a period in the last 50 years when [\u003cspan\u003eChaka Khan\u003c/span\u003e](https://www.grammy.com/artists/chaka-khan/12106) \u003cspan\u003ewasn't the reigning queen of funk. The 10-time GRAMMY winner and 22-time nominee is almost synonymous with the genre through her work as a solo act and with\u003c/span\u003e [\u003cspan\u003eRufus\u003c/span\u003e](https://grammy.com/artists/rufus/8514)\u003cspan\u003e, which together span six decades of soulful music.\u003c/span\u003e\n\n\u003cspan\u003eBut Khan hates to be put in a box. \u003c/span\u003e\n\n\u003cspan\u003e\"I can sing anything, and I have sung some of everything except for Chinese music,\" the singer tells GRAMMY.com from her home in Georgia. \"But I can do that too if somebody gave me the proper pronunciation.\"\u003c/span\u003e\n\n\u003cspan\u003eAt this point in her career, Chaka Khan is less interested in revisiting her catalog of R\u0026amp;B classics — though she certainly will, and has, for \u003c/span\u003e[\u003cspan\u003eNPR's Tiny Desk\u003c/span\u003e](https://www.youtube.com/watch?v=Gse1LKXuV2M)\u003cspan\u003e and at recent Hollywood Bowl performances and this summer's \u003c/span\u003e[\u003cspan\u003eFool In Love festival\u003c/span\u003e](https://www.grammy.com/news/fool-in-love-festival-2024-los-angeles-soul-playlist)\u003cspan\u003e — and more focused on new sounds, interesting collaborations, and finding new meaning in her lesser-known works. Earlier this year, she featured on two singles from \u003c/span\u003e[\u003cspan\u003eSia\u003c/span\u003e](https://grammy.com/artists/sia/15372)\u003cspan\u003e (including the fitting \u003c/span\u003e[\u003cspan\u003e\"Immortal Queen\u003c/span\u003e\u003cspan\u003e\"\u003c/span\u003e](https://www.youtube.com/watch?v=xOTxsh7pLpg)\u003cspan\u003e) and on amillionsons' \u003c/span\u003e[\u003cspan\u003e\"Misti Blu Two\"\u003c/span\u003e](https://www.youtube.com/watch?v=TAym__4ZzlM)\u003cspan\u003e; in June, she \u003c/span\u003e[\u003cspan\u003ecurated London's Meltdown Festival\u003c/span\u003e](https://www.southbankcentre.co.uk/press/meltdown-2024-chaka-khan-announced-as-festival-curator-as-icon-celebrates-50-years-of-music/)\u003cspan\u003e, and, shortly, she'll release another \u003c/span\u003e[\u003cspan\u003efragrance\u003c/span\u003e](https://chakakhan.com/fragrance/)\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eThat Chaka Khan has the drive and stamina to continue creating should be unsurprising to anyone who has heard the high-range wallop of her voice. Over 22 albums, the singer has given the world indelible earworms and empowering anthems — from the wah-wah goodness of \"Tell Me Something Good\" with Rufus, to the stake-in-the-ground cry of \"I'm Every Woman\" and the burning \"Ain't Nobody.\" Along the way, she earned praise from \u003c/span\u003e[\u003cspan\u003ePrince\u003c/span\u003e](https://grammy.com/artists/prince/5675)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMiles Davis\u003c/span\u003e](https://grammy.com/artists/miles-davis/11305)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eQuincy Jones\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan\u003e and others; in 2023, she was inducted into the Rock and Roll Hall Of Fame.\u003c/span\u003e\n\n\u003cspan\u003eAdding to her list of bonafides, Khan is a memorist and ordained minister. Her story, told through song, is a ministry to an audience of Chaka-Khangregants.\u003c/span\u003e\n\n\u003cspan\u003e\"Even I don't have all the answers, but if I just give my honest truth, my honest opinion, with love, people can tell if you're lying or flying. They can tell if you're loving,\" she says. \"When I'm singing, I am giving love. That's my pulpit.\"\u003c/span\u003e\n\n\u003cspan\u003eChaka Khan spoke with GRAMMY.com about keeping things fresh, her favorite releases that weren't radio hits, and the superstars she hopes to collaborate with.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Living Legends: Chaka Khan - Through The FIre","deliveryId":"6bf1e3fc-fcdd-41d6-8b96-a17078cf3f68"},"videoUrl":"https://www.youtube.com/watch?v=TjWmw-8-OEk"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: Chaka Khan body 2","deliveryId":"7b2c0750-69c6-4779-a229-f7b8f11008f1"},"bodyText":{"richText":"**I'd love to take it all the way back to Chicago. How did growing up in Chicago influence your musical appetite and  interest?**\n\n\u003cspan\u003eIt had a huge effect on me. Chicago has a very rich culture; I met and jammed with, and got to really get an understanding of people from all over the world. Meeting people that I think I ordinarily would not have met in Boise, Idaho.\u003c/span\u003e\n\n**\u003cspan\u003eWere there any artists in particular that you recall meeting or listening to that really lit a fire in your belly?\u003c/span\u003e**\n\n\u003cspan\u003eWell, I grew up listening to what my parents played. My mother loved opera, my dad was a jazz aficionado, and they both loved both things as well. I wouldn't get to hear a lot of Top 10 songs unless we were going to a family gathering or something and there were teenagers there. That's when I got to hear a lot of\u003c/span\u003e [\u003cspan\u003eAretha Franklin\u003c/span\u003e](https://grammy.com/artists/aretha-franklin/11503) \u003cspan\u003eor\u003c/span\u003e [\u003cspan\u003eGladys Knight and the Pips\u003c/span\u003e](https://grammy.com/artists/gladys-knight-and-pips/3593)\u003cspan\u003e, people like that.\u003c/span\u003e\n\n\u003cspan\u003eI took dance — modern, and jazz and ballet — growing up, and my mother was an instructor in that area. They also were great artists; they painted murals on all the walls in the house, and it made us feel like we were in a castle the whole time. We never knew that we didn't have a lot of money. It looked like we were in a castle. It was a very rich experience, my growing up.\u003c/span\u003e\n\n\u003cspan\u003e\\[My mom\\] knew that I loved to sing. She used to love to sing. We'd all sing together in my house on Saturday mornings when we were cleaning up. It was not that novel a thing for us as a family. We're very driven by music.\u003c/span\u003e\n\n**\u003cspan\u003eIs there a song that you put out either with Rufus or as a solo artist that you remember being particularly excited about? One that you felt represented your life growing up?\u003c/span\u003e**\n\n[\u003cspan\u003ePeggy Lee\u003c/span\u003e](https://grammy.com/artists/peggy-lee/4211) \u003cspan\u003ecovered a song called \"Is That All There Is?\" I covered that about 10 years ago on one of my jazz-type offerings. I was always honored to be able to sing that, and my dad especially was very proud. He was the proudest of what I was doing when I would sing songs that he introduced to me, and most of that was jazz.\u003c/span\u003e\n\n\u003cspan\u003eHe bore witness to a great many things. When I did my first jazz album,\u003c/span\u003e *\u003cspan\u003eEchoes of an Era\u003c/span\u003e*\u003cspan\u003e, with all those great musicians that I grew up listening to, I didn't really know them like he did. It was his love, and he got to hear me with these great musicians. He often asked me, \"Do you know who that is you're with?\" I said, \"Yeah, I know who it is.\" \\[\u003c/span\u003e*\u003cspan\u003eChuckles.\u003c/span\u003e*\u003cspan\u003e\\]\u003c/span\u003e\n\n**\u003cspan\u003eYour catalog is so massive and you have so many songs that are now classics, it's a little hard to pick a place to start. Off the top of your mind, do you have a memory that makes you smile? Something that you reflect on from time to time and you're like, \u003c/span\u003e*\u003cspan\u003eDamn, that was a really good song\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e**\n\n\u003cspan\u003eWhen Miles Davis and I became friends and we did some stuff together, that is a high point in my career for real.\u003c/span\u003e\n\n\u003cspan\u003eHe was just the greatest trumpeter that there was for me. I loved him. I loved his playing when I was young, and even more as I grew up listening to him. I did finally meet him, when I moved to New York — I lived there for 20 years — and we became really tight friends. He's one of the couple of men that I truly, truly miss. He and Prince, I miss a great deal.\u003c/span\u003e\n\n**\u003cspan\u003eI can imagine that both of them were each forces of nature.\u003c/span\u003e**\n\n\u003cspan\u003eYes, they were.\u003c/span\u003e\n\n**\u003cspan\u003eHow did you meet Miles Davis?\u003c/span\u003e**\n\n\u003cspan\u003eA girlfriend of mine knew him as a friend, so at a barbecue in his backyard on the Upper West Side. She brought me along and he was as stoked to see me as I was to see him. It was really beautiful. He\u003c/span\u003e [\u003cspan\u003eplayed on some stuff on\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_kKxuAeFPq1XTL-59PbPlR7jt0rq-qxVZA\u0026si=eoy2FJxm1lWCUdrR) *[\u003cspan\u003eCK\u003c/span\u003e](https://youtube.com/playlist?list=OLAK5uy_kKxuAeFPq1XTL-59PbPlR7jt0rq-qxVZA\u0026si=eoy2FJxm1lWCUdrR)*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003ePrince and I did some songs together, things together too. I don't remember exactly what the titles were, but I know that he did one CD with me when\u003c/span\u003e [\u003cspan\u003eArif Mardin\u003c/span\u003e](https://grammy.com/artists/arif-mardin/12984) \u003cspan\u003ewas my producer. We asked him to please come on and play on a couple of numbers, and he wanted to play on every number. It got to be so deep that I said, \"Arif, look, just let him play on everything.\" And so we let him play on everything. We ended up using more stuff than we had anticipated.\u003c/span\u003e\n\n\u003cspan\u003eHe really enjoyed himself doing that, and I really enjoyed having him work with me as well. It was one of the biggest things that could ever happen to me. He definitely put something unique on everything he touched. The fact that he chose to sprinkle some of the magic with me just validated my whole existence in a way. It really did.\u003c/span\u003e\n\n**\u003cspan\u003eRead more: \u003c/span\u003e**[\u003cspan\u003eWatch Chaka Khan Win A GRAMMY in 1985 For \"I Feel For You\" | GRAMMY Rewind\u003c/span\u003e](https://www.grammy.com/series-or-collection/grammy-rewind-grammys/27th-annual-grammy-awards-best-rb-vocal-performance-female)\n\n**\u003cspan\u003eI can't even imagine what a sign-off that would be. But to get back to your early work: When you were recording classics with Rufus like \"Tell Me Something Good,\" did you know that they would be so lasting? What was the vibe like when you were putting them together?\u003c/span\u003e**\n\n\u003cspan\u003eI don't think I would've had anything to do with that one, but whoever the producer was always knew what was going to be a hit or what wasn't. I sang quite a few songs that I didn't really like that much, but when they said, \"Oh you got to sing, this is going to be a hit,\" I did them. Even though I didn't care for some of the stuff as much as they did, I saw something in it worth giving it a go. Anyway, that happens in this business. Not so much anymore.\u003c/span\u003e\n\n**\u003cspan\u003eYou feel like there's more autonomy today?\u003c/span\u003e**\n\n\u003cspan\u003eAbsolutely. You don't even have to go into a studio to record an album anymore, so you don't need all those hangers-on, producers.\u003c/span\u003e\n\n**\u003cspan\u003eDo you feel like today at this stage in your career, you have more freedom to do what you want, and more authentic output?\u003c/span\u003e**\n\n\u003cspan\u003eAbsolutely. I made it so. I've just insisted upon a lot of things in my career, what songs I will sing and what songs I absolutely will not sing. I'm not with a label anymore that tells me, \"You have to put this on the album. It's going to really be a big hit.\" I don't hear that crap anymore. I sing what I\u003c/span\u003e *\u003cspan\u003elove\u003c/span\u003e* \u003cspan\u003eto sing; that's what makes it magic.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Living Legends: Chaka Khan - Like Sugar","deliveryId":"6d0e018e-accc-4b5f-9990-35f6941c40da"},"videoUrl":"https://www.youtube.com/watch?v=RecY5iZn6B0"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: Chaka Khan body 3","deliveryId":"804c79e2-6bd7-48b0-acf3-453225bc1810"},"bodyText":{"richText":"**\u003cspan\u003eYeah, no doubt. I've interviewed a lot of stars and legends who have sung the same songs for 50 years, 60 years. Some people love to sing these songs forever, some people are tired of it. Where do you fall on that spectrum? I imagine it might be different for different projects.\u003c/span\u003e**\n\n\u003cspan\u003eA little further back in the day when I was a little more vocal about it on stage, I used to say, \"If you want to hear so-and-so, go home and put on the CD please.\" I actually said that. And I'm sure I made a lot of people pissed off. Some people do understand, but most don't. They don't get it. That 50 years of repetition, it's like working at the post office, so it's stamping all day long.\u003c/span\u003e\n\n**\u003cspan\u003eWith that in mind, how do you keep things feeling fresh for yourself? How do you stay inspired, both when it comes to performing your legendary catalog and creating new music?\u003c/span\u003e**\n\n\u003cspan\u003eWell, I just really try as hard as I possibly can, and I do, and I put in songs that I love to sing. I've just actually begun doing that. Not too long ago, just saying, \u003c/span\u003e*\u003cspan\u003eI'm just not going to sing certain songs that do not bring\u003c/span\u003e*\u003cspan\u003e me \u003c/span\u003e*\u003cspan\u003ejoy\u003c/span\u003e*\u003cspan\u003e. And it seems to be working.\u003c/span\u003e\n\n**\u003cspan\u003eWell, you have a lot to choose from! You recently performed \"I'm Every Woman\" with\u003c/span\u003e [\u003cspan\u003eSheila E\u003c/span\u003e](https://grammy.com/artists/sheila-e/2014) \u003cspan\u003eat the American Music Awards 50th Anniversary Special and the single was\u003c/span\u003e [\u003cspan\u003ecertified gold\u003c/span\u003e](https://ratedrnb.com/2024/10/chaka-khan-im-every-woman-gets-riaa-certified/) \u003cspan\u003ein 2024. I'm curious if the meaning and the feeling of performing that song has changed or evolved for you at all over 45 years.\u003c/span\u003e**\n\n\u003cspan\u003eWell, that song has a lot of meaningful stuff, and I do celebrate women, and so the meaningfulness of that song is awesome. What the song is about and the fact that I get all the women to sing that, they sing along with me, it gives this song its magic and it keeps it rather fresh.\u003c/span\u003e\n\n**\u003cspan\u003eWhat was it like performing with Sheila E? Have you performed with her before? Are you friendly?\u003c/span\u003e**\n\n\u003cspan\u003eYeah. We tried to work on a project together years ago. We never did finish. \\[\u003c/span\u003e*\u003cspan\u003eChuckles\u003c/span\u003e*\u003cspan\u003e.\\] She's really a beautiful person.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Living Legends: Chaka Khan - Im Every Woman w Sheila E","deliveryId":"a2e981c3-39c5-4fc7-a2fb-afdc9328e61b"},"videoUrl":"https://www.youtube.com/watch?v=hacU6X0opvs"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: Chaka Khan body 4","deliveryId":"d4009a51-c2f5-4577-a0cb-b48eccd5c7d0"},"bodyText":{"richText":"**\u003cspan\u003eYou are a 10-time GRAMMY winner and 22-time nominee. Do any of those accolades mean anything special to you? Was there any award that you recall winning that was particularly meaningful?\u003c/span\u003e**\n\n\u003cspan\u003eI'm sorry, I can't say that there actually was. I had not too long ago just looked at what the GRAMMYs were for, and they were all about R\u0026amp;B.\u003c/span\u003e\n\n**\u003cspan\u003eAnd did you feel that that was limiting to your artistry?\u003c/span\u003e**\n\n\u003cspan\u003eYes. I can sing anything, and I have sung some of everything except for Chinese music, but I can do that too if somebody gave me the proper pronunciation. I've sung almost every kind of song. If I'm going to get credit for something, I'd like to get credit for something unique and something that's not done by everyone.\u003c/span\u003e\n\n**\u003cspan\u003eWhat have you yet to do that you want to do? I hear you're working on new music…\u003c/span\u003e**\n\n\u003cspan\u003eI am! I've sung every kind of music that there is. I've sung country music with Rufus, and I've sung country music almost up until recently. It just was no big deal to me until it became such a \u003c/span\u003e*\u003cspan\u003ebig deal\u003c/span\u003e*\u003cspan\u003e that Black people were singing country music. It's ridiculous. \\[\u003c/span\u003e*\u003cspan\u003eLaughs\u003c/span\u003e*\u003cspan\u003e.\\] I was a bit miffed about that, that there was not a recognition there for that. That would've been nice, especially with the climate as it is. There's \u003c/span\u003e*\u003cspan\u003eso man\u003c/span\u003e*\u003cspan\u003ey artists that have done country music.\u003c/span\u003e\n\n\u003cspan\u003eI just hate being boxed in one category. \u003c/span\u003e\n\n**\u003cspan\u003eSo is your new music going to have country on it, and other genres?\u003c/span\u003e**\n\n\u003cspan\u003eWell, right now, Sia and I are doing work together, and what a genius that girl is. My god. I just couldn't understand how she was singing my heart with her vocals. She just knows me in a way, and I said, \"Why do you know so much about my innards?\" She said, \"Well, I grew up listening to you. You were my titty milk.\" \u003c/span\u003e\n\n\u003cspan\u003eAnd it became clear: You can get to really know a person, or certain aspects about a person, if you've listened to them enough. I feel that way about \u003c/span\u003e[\u003cspan\u003eBillie Holiday\u003c/span\u003e](https://grammy.com/artists/billie-holiday/11866)\u003cspan\u003e. I know her in an intimate way and have an understanding of where she was at and why she felt the way she did and what happened with her life. I understand, too, because I've been where she is.\u003c/span\u003e\n\n\u003cspan\u003eThe songs you heard are the ones that are on her CD. Now \u003c/span\u003e*\u003cspan\u003emy\u003c/span\u003e* \u003cspan\u003estuff that we're still working on and it's soon to be out. Real soon, we have a single coming out.\u003c/span\u003e\n\n**\u003cspan\u003eI got to say, I wouldn't have necessarily thought to put you all together, but I love to hear a cool collaboration. Who would you love to collaborate with in the future?\u003c/span\u003e**\n\n[\u003cspan\u003eJustin Timberlake\u003c/span\u003e](https://grammy.com/artists/justin-timberlake/15478)\u003cspan\u003e; I think we'd do a fine duet. \\[And\\] \u003c/span\u003e[\u003cspan\u003eBruno Mars\u003c/span\u003e](https://www.grammy.com/artists/bruno-mars/5082)\u003cspan\u003e. I'm looking forward to doing a duet now with a guy where he and I could make real, true magic together.\u003c/span\u003e\n\n\u003cspan\u003eAt my new upcoming shows, I'm going to incorporate younger people. Like \u003c/span\u003e[\u003cspan\u003eHiatus Kaiyote\u003c/span\u003e](https://grammy.com/artists/hiatus-kaiyote/18210)\u003cspan\u003e — \\[singer/guitarist Nai Palm\\] is playing a Flying V, singing her ass off, and two or three other guys, one on keyboard, one on bass and the other on drums…. If you just listen to her music, that's all you really need to know. She's an amazing artist.\u003c/span\u003e\n\n**\u003cspan\u003eBack to your own work, are there any songs, albums or collabs that you are really proud of and you don't get to speak about much?\u003c/span\u003e**\n\n\u003cspan\u003eWhen I did \u003c/span\u003e[\u003cspan\u003e\"Be Bop Medley\"\u003c/span\u003e](https://www.youtube.com/watch?v=MK9U5bdQzuY)\u003cspan\u003e \\[on 1982's\u003c/span\u003e *\u003cspan\u003eChaka Khan\u003c/span\u003e*\u003cspan\u003e with\\] \u003c/span\u003e[\u003cspan\u003eDizzy Gillespie\u003c/span\u003e](https://grammy.com/artists/dizzy-gillespie/16741)\u003cspan\u003e,  \u003c/span\u003e[\u003cspan\u003eChick Corea\u003c/span\u003e](https://grammy.com/artists/chick-corea/9341)\u003cspan\u003e. I did an album of Chick Corea. People don't know this stuff.\u003c/span\u003e\n\n\u003cspan\u003eAnd the classic stuff I did with \u003c/span\u003e[\u003cspan\u003eJeremy Lubbock\u003c/span\u003e](https://grammy.com/artists/jeremy-lubbock/4277)\u003cspan\u003e. There's one song called \"How Many Lives To Go\" that I just became able to sing. The words are so intense and honest, I cried during rehearsals; I couldn't get through it. And rarely do I come across something that powerful. \\[It's on Lubbock's 2006 album\\] \u003c/span\u003e*\u003cspan\u003eAwakening\u003c/span\u003e*\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003ePlease listen to the words. It was the first time I ever sang without a drummer or a click track. It was freestyle. I just followed his baton with the whole orchestra in this old church in England. It was just magically musical. It was probably one of the most amazing things that I've accomplished.\u003c/span\u003e\n\n\u003cspan\u003e\\[Singing the song for the first time\\] was unique, difficult and beautiful. It was so real that I could hardly say the words. \\[Lubbock\\] was a genius. Right now, that song, this world, this universe needs to hear. It says, \"When darkness falls and only madness reigns/ Will no one hear the voice that cries in vain?/ How many lives to go before it's over?\" There's another line that says, \"No light, no hope, nothing but dark despair/ and empty words are not enough to wear.\" It's just singing a prayer so love will show the heart of man which way to go.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Living Legends: Chaka Khan - How Many More Lives To Go","deliveryId":"444f4428-1c26-448a-aed7-dd25b43fed17"},"videoUrl":"https://www.youtube.com/watch?v=hk40ldVYETI"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: Chaka Khan body 5","deliveryId":"983c6afe-b97e-4c79-9fef-503943f6c9c5"},"bodyText":{"richText":"**\u003cspan\u003eWe are certainly in very fraught times, and I think that music — it sounds so cheesy, but music is an enormous unifier and can kind of cross lines in a positive way, right?\u003c/span\u003e**\n\n\u003cspan\u003eYes. The problem is there are people who will profit and who will make sure certain messages are not being heard by the masses. I'm going to have to do it. I finally got it down, I can now sing it on stage without crying.\u003c/span\u003e\n\n\u003cspan\u003eWhen you hear it on the record, on the CD, you'll hear it. You'll hear the pain. And when I get on stage, I'm looking forward to singing it. I truly, truly, truly am. I sang it at the Hollywood Bowl.\u003c/span\u003e\n\n**\u003cspan\u003eI read in the\u003c/span\u003e *[\u003cspan\u003eL.A. Times\u003c/span\u003e](https://www.latimes.com/entertainment-arts/music/story/2024-07-26/chaka-khan-hollywood-bowl-and-fool-in-love-headliner-on-missing-her-friend-prince-rehab-in-your-60s-and-dumb-men-in-music)* \u003cspan\u003ethat your recent musical output is more introspective, and some of it's about having more confidence to go for your dreams and for your goals. I'd love to know a little bit more about what has led you to this particular point and if there's a song that reflects that feeling.\u003c/span\u003e**\n\n\u003cspan\u003eWell, I'm growing up. Every day, more and more I'm growing up and I'm becoming stronger and give less of an F about a lot of things.\u003c/span\u003e\n\n\u003cspan\u003eBut I care more about stuff than I don't. And I have to do this. I have to get this off of me. There's a message I'm communicating. \\[Sia and I\\] also have some pretty amazing messages in the song that we're doing. They're not tearjerkers, they're different types of songs, but they are just as beautiful. And the words, they're very telling and honest and just clever.\u003c/span\u003e\n\n**\u003cspan\u003eYour voice has such radiant power. Is there anything specific that you do to maintain your voice? How do you take care of yourself?\u003c/span\u003e**\n\n\u003cspan\u003eSleep and more sleep. As much sleep as is humanly possible. \\[I also like to do\\] as much of nothing as possible. I have two wonderful dogs who keep me plenty busy as well, but the good kind of busy. I do some fishing in my lake.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: R\u0026B","deliveryId":"73acfff5-ebf1-4f8c-983a-827067863145"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["R\u0026B"],"contentGenre":"R\u0026B"},"title":"More R\u0026B News"}],"hero":{"id":"b7e53521-0cfc-43a2-a2c5-0346fa34921a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Living Legends: Chaka Khan hero"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["R\u0026B","Pop"],"tags":["Chaka Khan","Sheila E.","Prince","Sia","Justin Timberlake","Miles Davis","Hiatus Kaiyote"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1732289157213,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Living Legends: Chaka Khan On Being An \"Immortal Queen,\" Finding Her Voice In Jazz \u0026 Musical Autonomy","shortTitle":"Living Legends: Chaka Khan On Musical Autonomy","subHeadline":"Everywoman Chaka Khan discusses her lengthy career — from her chart-topping classics and deep cuts, to her collaborations and upcoming releases.","articleSummary":"You'd be hard pressed to find a period in the last 50 years when Chaka Khan wasn't the reigning queen of funk. The 10-time GRAMMY winner and 22-time nominee discusses her work as a solo act and with Rufus, as well as her recent collaborations with Sia."},"mdContent":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"New Music Friday: Listen To New Releases From Kendrick Lamar, ROSÉ, Twenty One Pilots \u0026 More","deliveryId":"d39336c4-45e0-48af-b5f6-814f4e9fc8c7","deliveryKey":"news/new-music-friday-kendrick-lamar-album-songs-rose-twenty-one-pilots-listen"},"articleCategory":["news"],"contributors":[{"id":"6fd65823-e6d5-4190-ad15-8b47c01be74d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - NMF 11/22","deliveryId":"0ef40d24-9a7e-4937-b05c-666d3975b767"},"bodyText":{"richText":"\u003cspan\u003eIt may almost be time for holiday music to go on repeat, but there's a tidal wave of new tracks and projects to dig into as Thanksgiving draws near.\u003c/span\u003e\n\n\u003cspan\u003ePerhaps the most unexpected release on Nov. 22 came from \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e, who surprise-dropped his sixth album, \u003c/span\u003e*\u003cspan\u003eGNX\u003c/span\u003e*\u003cspan\u003e. And arguably the most anticipated album coincides with its equally anticipated movie, as the film adaptation of \u003c/span\u003e*[\u003cspan\u003eWicked\u003c/span\u003e](https://grammy.com/news/ariana-grande-wicked-movie-glinda-the-good-witch-broadway-theater-kid-journey)*\u003cspan\u003e and its soundtrack finally unveil \u003c/span\u003e[\u003cspan\u003eCynthia Erivo\u003c/span\u003e](https://grammy.com/artists/cynthia-erivo/19682)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eAriana Grande\u003c/span\u003e](https://grammy.com/artists/ariana-grande/18441)\u003cspan\u003e's takes on \"Defying Gravity,\" \"Popular\" and more. \u003c/span\u003e\n\n\u003cspan\u003eMeanwhile, far from Oz, \u003c/span\u003e[\u003cspan\u003eMarilyn Manson\u003c/span\u003e](https://grammy.com/artists/marilyn-manson/4297)\u003cspan\u003e returns with his 12th studio album, \u003c/span\u003e*\u003cspan\u003eOne Assassination Under God — Chapter 1\u003c/span\u003e*\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eIce Cube\u003c/span\u003e](https://grammy.com/bio/ice-cube)\u003cspan\u003e drops \u003c/span\u003e*\u003cspan\u003eMan\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003eDown\u003c/span\u003e*\u003cspan\u003e, his first body of work in almost six years. Plus, \u003c/span\u003e[\u003cspan\u003eGreyboy All-Stars\u003c/span\u003e]( linktr.ee/greyboyallstars)\u003cspan\u003e reach back into their history for \u003c/span\u003e*\u003cspan\u003eGrab Bag: 2007-2023\u003c/span\u003e*\u003cspan\u003e and nonprofit Red Hot unveils their compilation album \u003c/span\u003e*\u003cspan\u003eTRANSA\u003c/span\u003e*\u003cspan\u003e featuring songs by \u003c/span\u003e[\u003cspan\u003eSade\u003c/span\u003e](https://grammy.com/artists/sade/8051)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSam Smith\u003c/span\u003e](https://grammy.com/artists/sam-smith/18713)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eAndré 3000\u003c/span\u003e](https://grammy.com/artists/andre-3000-benjamin/73)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003ePerfume Genius\u003c/span\u003e](https://grammy.com/artists/perfume-genius/52051)\u003cspan\u003e and more.\u003c/span\u003e\n\n\u003cspan\u003eOn the new song front, \u003c/span\u003e[\u003cspan\u003eThe Ting Tings\u003c/span\u003e](https://grammy.com/artists/ting-tings/10716)\u003cspan\u003e announce their latest album \u003c/span\u003e*\u003cspan\u003eHOME\u003c/span\u003e*\u003cspan\u003e with dual singles \"Danced On The Wire\" and \"Down,\" \u003c/span\u003e[\u003cspan\u003eLil Nas X\u003c/span\u003e](https://grammy.com/artists/montero-lamar-hill/251875)\u003cspan\u003e unveils the urging “need dat boy,” \u003c/span\u003e[\u003cspan\u003eMaluma\u003c/span\u003e](https://grammy.com/artists/maluma/251895)\u003cspan\u003e teases his +Pretty +Dirty era with \"Cosas Pendientes,\" \u003c/span\u003e[\u003cspan\u003eTyla\u003c/span\u003e](https://grammy.com/artists/tyla/54172)\u003cspan\u003e strips things down for “Tears,” \u003c/span\u003e[\u003cspan\u003eMiguel\u003c/span\u003e](https://grammy.com/artists/miguel/4571)\u003cspan\u003e delivers another sultry jam with \"Always Time,\"and James Arthur shows off vocal fireworks with \"ADHD.\" There's even a handful of collaborations to enjoy: \u003c/span\u003e[\u003cspan\u003eNicki Minaj\u003c/span\u003e](https://grammy.com/artists/nicki-minaj/4579)\u003cspan\u003e and Juice WRLD's “Arctic Tundra,” \u003c/span\u003e[\u003cspan\u003eOneRepublic\u003c/span\u003e](https://grammy.com/artists/onerepublic/17690)\u003cspan\u003e's new version of “Hurt” with \u003c/span\u003e[\u003cspan\u003eJelly Roll\u003c/span\u003e](https://grammy.com/artists/jelly-roll/54236)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eKane Brown\u003c/span\u003e](https://grammy.com/news/kane-brown-different-man-new-album-interview-tour-drunk-or-dreaming)\u003cspan\u003e's “Body Talk” with his wife Katelyn, and tourmates Vincent Mason and Gavin Adcock's \"Almost Gone.\" \u003c/span\u003e\n\n\u003cspan\u003eBelow, dive into 10 other new releases including exciting offerings from\u003c/span\u003e [\u003cspan\u003eSnoop Dogg\u003c/span\u003e](https://grammy.com/artists/calvin-broadus/14274) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eDr. Dre\u003c/span\u003e](https://grammy.com/artists/dr-dre/2199)\u003cspan\u003e, ROSÉ,\u003c/span\u003e \u003cspan\u003eManuel Turizo and more.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Kendrick Lamar GNX [WITH TITLE]","deliveryId":"9d7af86d-b64a-4160-9aac-795e369f71aa"},"videoUrl":"https://youtube.com/playlist?list=PLjB_8hSS2lEPSOivtbvDDugFuCeqC4_xm\u0026si=s326Cdq9FMrj5iTU","videoTitle":"Kendrick Lamar, 'GNX'"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - NMF 11/22","deliveryId":"6e4a9bd6-8621-45e6-8dfb-f47cbe33af05"},"bodyText":{"richText":"[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) \u003cspan\u003ecaused quite a stir Friday afternoon by surprise-releasing his sixth album,\u003c/span\u003e *\u003cspan\u003eGNX\u003c/span\u003e*\u003cspan\u003e. The 12-track LP is a bold, clear-eyed distillation of Lamar's meteoric talents and status as one of rap's greatest living poets.\u003c/span\u003e\n\n\u003cspan\u003e\"I never lost who I am for a rap image/ Here's motivation, if you wonder how I did it,\" the Pulitzer Prize winner states on bombastic opener \"wacced out murals\" over sinister production by \u003c/span\u003e[\u003cspan\u003eJack Antonoff\u003c/span\u003e](https://grammy.com/artists/jack-antonoff/248)\u003cspan\u003e, frequent collaborator \u003c/span\u003e[\u003cspan\u003eSounwave\u003c/span\u003e](https://grammy.com/artists/sounwave/18126)\u003cspan\u003e and others.\u003c/span\u003e\n\n\u003cspan\u003eElsewhere, the unapologetic refrain of \"I deserve it all\" anchors Lamar's thoughts on \"man at the garden,\" while\u003c/span\u003e [\u003cspan\u003eSZA\u003c/span\u003e](https://grammy.com/artists/Solana-Rowe/32514) \u003cspan\u003emakes two uncredited guest appearances on standouts \"luther\" and sumptuous closer \"gloria.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Snoop Dogg \u0026 Dr. Dre Outta Da Blue [WITH TITLE]","deliveryId":"fbe6b45f-e190-4719-9295-5262c0cb3d61"},"videoUrl":"https://youtu.be/JUPLv48_exc","videoTitle":"Snoop Dogg \u0026 Dr. Dre — \"Outta Da Blue\" feat. Alus"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - NMF 11/22","deliveryId":"a6ae5025-3352-49fa-9033-a4052dcb1ff1"},"bodyText":{"richText":"\u003cspan\u003eSnoop Dogg and Dr. Dre are officially \"back in business.\" At least that's what the former proclaims at the top of \"Outta Da Blue,\" the second single off his upcoming LP\u003c/span\u003e *\u003cspan\u003eMissionary\u003c/span\u003e* \u003cspan\u003e— though there's no question the duo have been virtually running the hip-hop game together ever since Snoop hopped on Dre's debut solo single, \"Deep Cover,\" all the way back in 1992.\u003c/span\u003e\n\n\u003cspan\u003eRemarkably, though, the new album will somehow mark only the second body of work the 2022 Super Bowl halftime show co-headliners have ever completed together (after Snoop's smash 1993 debut \u003c/span\u003e*\u003cspan\u003eDoggystyle\u003c/span\u003e*\u003cspan\u003e) when it drops on Dec. 13. \u003c/span\u003e\n\n\u003cspan\u003eWith Dre behind the boards, Snoop trades witty verses with his longtime partner in crime on the track, all over a clever cacophony of jangling samples including Schoolly D's 1986 single \"Saturday Night\" and Alus recreating the hook of M.I.A.'s 2007 hit \"Paper Planes\" on the chorus. The result is nothing short of a certified banger that leaves Dre accurately declaring, \"Said Snoop couldn't get much higher, but I beg to differ.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - ROSÉ number one girl [WITH TITLE]","deliveryId":"dd0d8221-c5bb-41ec-98ca-93bb5761ce77"},"videoUrl":"https://youtu.be/pZ1NdE69VTs","videoTitle":"ROSÉ — \"number one girl\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 4 - NMF 11/22","deliveryId":"c3f0adbc-67cc-4305-b7cb-dc6219134b83"},"bodyText":{"richText":"\u003cspan\u003eFor the second taste of her wildly anticipated debut solo album, ROSÉ expertly pivots from \"APT.,\" the bright, pop-punk-infused earworm featuring\u003c/span\u003e [\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e, to the achingly vulnerable \"number one girl.\"\u003c/span\u003e\n\n\u003cspan\u003eThe BLACKPINK idol lays bare not only her insecurities, but also her ambitions, dreams and need for validation on the spare piano ballad as she pleads for a lover — or perhaps her passionate fandom, also called Number Ones — to \"Tell me I'm that new thing/ Tell me that I'm relevant/ Tell me that I've got a big heart/ And back it up with evidence/ I need it and I don't know why\" on her quest to the top.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e** [\u003cspan\u003eBreaking Down Every Solo Act From BLACKPINK: From Jennie's \"Solo\" To Jisoo's 'Me'\u003c/span\u003e](https://www.grammy.com/news/blackpink-solo-acts-jennie-jisoo-rose-lisa-single-album-born-pink-world-tour)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Nicki Nicole NAIKI [WITH TITLE]","deliveryId":"a648be5b-405b-464f-8f98-ef5ad3b40b76"},"videoUrl":"https://youtube.com/playlist?list=OLAK5uy_kM6YH9ncGYxY8giXoVRclNIpxBXKcOnJk\u0026si=i3YyFUCa9wks4Pgj","videoTitle":"Nicki Nicole — 'NAIKI'"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 5 - NMF 11/22","deliveryId":"2ee275ee-c1e4-49ab-9493-e97d819e3c80"},"bodyText":{"richText":"\u003cspan\u003eNicki Nicole takes the title of her fourth album,\u003c/span\u003e *\u003cspan\u003eNAIKI\u003c/span\u003e*\u003cspan\u003e, from her own nickname — using the studio set to delve deeper into her roots and identity as a Latin trap sensation.\u003c/span\u003e\n\n\u003cspan\u003ePreceded by lead single \"FORTY\" and bouncing follow-up \"SHEITE,\" the 24-year-old's latest full-length also contains collaborations with fellow Argentinians Duki (\"MASCARA\") and KHEA (\"WE LOVE THAT S—\") as well as cuts like \"MONEY MACHINE,\" \"BITCHES\" and closer \"ALH.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - WayV HIGH FIVE [WITH TITLE]","deliveryId":"6ea2474a-664e-45f6-a9a8-312297600254"},"videoUrl":"https://youtu.be/-2fXwtgWYXg","videoTitle":"WayV — \"HIGH FIVE\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 6 - NMF 11/22","deliveryId":"e931cff7-c115-42f8-b0c1-f61449dffff5"},"bodyText":{"richText":"\u003cspan\u003eJust days away from dropping their new EP,\u003c/span\u003e *\u003cspan\u003eFrequency\u003c/span\u003e*\u003cspan\u003e, on Nov. 25, WayV kicked off the week by teasing the release with high-energy single \"HIGH FIVE.\"\u003c/span\u003e\n\n\u003cspan\u003eSans Winwin, who's absent from the project due to scheduling conflicts, the NCT subgroup portray a team of archaeologists with serious rhythm on the tracks's high-concept music video as they sing, \"High five, five/ One and only, drive you crazy/ High five, five/ Heart is bouncing, this powerful shaking/ Soar above me, take me to the top/ I don't ever wanna stop, never get enough.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eBreaking Down The NCT System, From The Rotational NCT U To The Upcoming NCT Tokyo\u003c/span\u003e](https://www.grammy.com/news/nct-members-groups-dream-127-u-dojaejung-tokyo-wayv-k-pop-universe)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Manuel Turizo 201 [WITH TITLE]","deliveryId":"8aea9145-724b-4b2b-987a-e534f5ae66fb"},"videoUrl":"https://youtube.com/playlist?list=OLAK5uy_lbqxLbHunpAJXiZocrg-FQW2qzqaIKacA\u0026si=4p3VCc1gDJnCS0Cp","videoTitle":"Manuel Turizo — '201'"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 7 - NMF 11/22","deliveryId":"b435bec0-36a0-4222-bc7e-4f6b7dc01185"},"bodyText":{"richText":"\u003cspan\u003eOn his fourth album,\u003c/span\u003e *\u003cspan\u003e201\u003c/span\u003e*\u003cspan\u003e, Manuel Turizo draws from disparate genres ranging from rock and country to the Colombian folk of vallenato for a sound entirely his own.\u003c/span\u003e\n\n\u003cspan\u003eHighlight \"Sigueme Besando Así\" sets the tone with its romantic vibes and heartfelt Spanish lyrics, while guest turns by the likes of\u003c/span\u003e [\u003cspan\u003eGrupo Frontera\u003c/span\u003e](https://grammy.com/news/grupo-frontera-jugando-a-que-no-pasa-nada-new-album-interview) \u003cspan\u003e(\"DE LUNES A LUNES\"), Kapo (\"Qué Pecao\"), Yandel (\"Mamasota\"), Elder Dayán Díaz (\"La Ex de mi Amigo\") add distinctive flair from across the thriving Latin and regional Mexican music landscape.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Lila Iké \u0026 Joey Bada$$ Fry Plantain [WITH TITLE]","deliveryId":"79bc24b7-d188-42db-afb0-00287a7329f4"},"videoUrl":"https://youtu.be/NFv1EPx7xfU","videoTitle":"Lila Iké \u0026 Joey Bada$$ — \"Fry Plantain\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 8 - NMF 11/22","deliveryId":"0fc1affd-13c2-4a23-bd23-f70a6763a0bc"},"bodyText":{"richText":"\u003cspan\u003eBack in the spring, Lila Iké tapped Joey Bada$$ to star as the two-timing love interest in the music video for her single \"He Loves Us Both\" with\u003c/span\u003e [\u003cspan\u003eH.E.R.\u003c/span\u003e](https://grammy.com/artists/her/243298) \u003cspan\u003eTurns out playing two sides of a love triangle led to musical harmony for the rising Jamaican star and Brooklyn rapper, and they're collaborating again on follow-up single \"Fry Plantain.\"\u003c/span\u003e\n\n\u003cspan\u003eThis time around, Iké ratchets up the intimacy as she sings about cooking up the beloved Jamaican staple on a lazy Sunday morning with her lover. And Bada$$ adds his own unique flavor to the recipe for domestic bliss with a lusty Johnny Appleseed metaphor that's hard to forget before insisting, \"You like soul food to me, these other girls is Applebees.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Omar Apollo, Trent Reznor and Atticus Ross Te Maldigo [WITH TITLE]","deliveryId":"ee3a5e1a-1f93-484d-8b2b-148a2ea3a473"},"videoUrl":"https://youtu.be/vpVlXGbUZVo","videoTitle":"Omar Apollo, Trent Reznor \u0026 Atticus Ross — \"Te Maldigo\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 9 - NMF 11/22","deliveryId":"8946e5fb-d632-44d1-90cd-82c42215b8e9"},"bodyText":{"richText":"\u003cspan\u003eNot only is\u003c/span\u003e [\u003cspan\u003eOmar Apollo\u003c/span\u003e](https://grammy.com/artists/omar-apollo/51571) \u003cspan\u003emaking his silver screen debut in Luca Guadagnino's\u003c/span\u003e *\u003cspan\u003eQueer\u003c/span\u003e*\u003cspan\u003e, he's also contributing original song \"Te Maldigo\" to the historical drama's soundtrack. The 2023 Best New Artist nominee collaborated with producers\u003c/span\u003e [\u003cspan\u003eTrent Reznor\u003c/span\u003e](https://grammy.com/artists/trent-reznor/5623) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eAtticus Ross\u003c/span\u003e](https://grammy.com/artists/atticus-ross/12261) \u003cspan\u003eon the Spanish-language track, which translates to \"I Curse You\" in English.\u003c/span\u003e\n\n\u003cspan\u003eThe ballad threads the needle as both romantic and utterly devastating as Apollo croons mournful recriminations as his character in the film — a bar singer in 1950s Mexico City who catches the eye of Daniel Craig's wandering expat, William Lee. In the song's Guadagnino-themed music video, the \u003c/span\u003e*[\u003cspan\u003eGod Said No\u003c/span\u003e](https://grammy.com/news/omar-apollo-teo-halm-interview-god-said-no-new-album)*\u003cspan\u003e singer takes center stage with mic in hand, giving viewers a peek into the upcoming movie's lush, atmospheric romance before it premieres in a limited release across the country on Nov. 27.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Nasty C \u0026 Lekaa Beats feat. Tiwa Savage One Time [WITH TITLE]","deliveryId":"b8d48d62-af4d-460e-b689-96050cb2e4c8"},"videoUrl":"https://www.youtube.com/watch?v=HjHY4Bm2AoI","videoTitle":"Nasty C \u0026 Lekaa Beats feat. Tiwa Savage — \"One Time\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 10 - NMF 11/22","deliveryId":"21e0859e-00f7-41cc-b4e4-25c9ae064062"},"bodyText":{"richText":"\u003cspan\u003eNasty C and Lekaa Beats re-up on last month's\u003c/span\u003e *\u003cspan\u003eConfuse The Enemy\u003c/span\u003e* \u003cspan\u003eEP by adding four new tracks to the new deluxe edition, starting with the Tiwa Savage-assisted \"One Time.\"\u003c/span\u003e\n\n\u003cspan\u003eOn the rhythmic collab, Nasty C spins a tale of lust at first sight with a \"motherland girl\" over a Latin-inflected groove. In fact, the South African rapper is so head over heels, he catches himself declaring, \"I'm the gas to her tank/ I'm the flame to her candle/ She's a hit record, I'm the underlying sample.\" For her part, Savage is much more no-nonsense as she handily takes charge of the song's melodic hook and gives her would-be paramour a \"one-time assurance\" that's got a single shot to impress her. \u003c/span\u003e\n\n\u003cspan\u003eOther additions to\u003c/span\u003e *\u003cspan\u003eConfuse The Enemy (Reloaded)\u003c/span\u003e* \u003cspan\u003einclude tropical dance-along \"Pies\" (as in \"Where's my cutie pies?\"), syncopated Blxckie collab \"Assignment\" and closer \"Use \u0026amp; Seduce\" featuring guest vocals by Johannesburg singer/songwriter Nanette.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Twenty One Pilots The Line [WITH TITLE]","deliveryId":"ee05f303-ed81-40fe-aa54-003943ba0500"},"videoUrl":"https://youtu.be/XCz7WUotXs8","videoTitle":"Twenty One Pilots — \"The Line\""},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 11 - NMF 11/22","deliveryId":"e1f01a9a-fc05-4b5a-8425-4846290b4303"},"bodyText":{"richText":"[\u003cspan\u003eTwenty One Pilots\u003c/span\u003e](https://grammy.com/artists/twenty-one-pilots/20162)\u003cspan\u003e' new song \"The Line\" was written specifically for the long-awaited second season of the animated series\u003c/span\u003e *\u003cspan\u003eArcane League of Legends\u003c/span\u003e*\u003cspan\u003e, which will unveil its final episodes on Saturday (Nov. 23) via Netflix.\u003c/span\u003e\n\n\u003cspan\u003ePenned by vocalist \u003c/span\u003e[\u003cspan\u003eTyler Joseph\u003c/span\u003e](https://grammy.com/artists/tyler-joseph/19814)\u003cspan\u003e, the piano-tinged track depicts the story of \u003c/span\u003e*\u003cspan\u003eArcane League of Legends\u003c/span\u003e*\u003cspan\u003e, but also has some parallels to the \u003c/span\u003e[\u003cspan\u003eDema universe\u003c/span\u003e](https://www.grammy.com/news/twenty-one-pilots-clancy-new-album-narrative-videos)\u003cspan\u003e that Twenty One Pilots have delved into in their past four albums.\u003c/span\u003e\n\n\u003cspan\u003eThe emotive anthem joins tracks by Stray Kids, Young Miko and\u003c/span\u003e [\u003cspan\u003eTom Morello\u003c/span\u003e](https://grammy.com/artists/tom-morello/13408) \u003cspan\u003e(\"Come Play\"), Ashnikko (\"Paint The Town Blue\"),\u003c/span\u003e [\u003cspan\u003eLinkin Park\u003c/span\u003e](https://grammy.com/artists/linkin-park/4003)\u003cspan\u003e's\u003c/span\u003e [\u003cspan\u003eMike Shinoda\u003c/span\u003e](https://grammy.com/artists/mike-shinoda/6464) \u003cspan\u003eand\u003c/span\u003e [\u003cspan\u003eEmily Armstrong\u003c/span\u003e](https://www.grammy.com/news/new-music-friday-linkin-park-new-song-album-halsey-megan-thee-stallion-rm) \u003cspan\u003e(\"Heavy Is The Crown\") and more on the official soundtrack for the popular fantasy series as it rockets toward the sure-to-be-epic conclusion of sisters Vi and Jinx's story.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"87256a88-2070-48a1-9e23-190eb513378e","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Hero: NMF 11/22"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","Rap","World Music","Latin"],"tags":["Kendrick Lamar","Snoop Dogg","Dr. Dre","Omar Apollo","Twenty One Pilots"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1732301828806,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"New Music Friday: Listen To New Releases From Kendrick Lamar, ROSÉ, Twenty One Pilots \u0026 More","shortTitle":"Listen To New Music From Kendrick Lamar \u0026 More","subHeadline":"Between highly anticipated releases and thrilling surprise drops, Nov. 22 marks quite the exciting day for new music. Check out new songs and albums from Snoop Dogg and Dr. Dre, Nicki Nicole, Manuel Turizo, and other stars.","articleSummary":"Between highly anticipated releases and thrilling surprise drops, Nov. 22 marks quite the exciting day for new music. Check out new songs and albums from Snoop Dogg and Dr. Dre, Nicki Nicole, Manuel Turizo, and other stars."},"smContent":[{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"How Warren Haynes' Benefit For Victims Of Hurricane Helene Shines A Light On Asheville's Deep Musical Community","deliveryId":"000dc8d3-07af-457d-b638-0cd7144e1d45","deliveryKey":"news/warren-haynes-interview-soulshine-benefit-for-hurricane-relief-concert-asheville"},"articleCategory":["feature"],"contributors":[{"id":"e0a54fd9-2248-4db3-8a0b-bbcc05230d58","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Warren Haynes Talks Nov. 24 Helene Benefit Concert body 1","deliveryId":"5e4266f1-823f-4e0a-8849-23a90b825359"},"bodyText":{"richText":"Nearly two months after Asheville, North Carolina sustained massive damage from Hurricane Helene, wide swaths of the picturesque mountain city remain wrecked and deserted. Lethal remnants of the storm has caked brown mud on now-derelict buildings and vehicles. Massive piles of debris are everywhere, and citizens are still reeling from the losses of property, livelihood and life.\n\n\"I don't think any of us ever thought that this could happen in Asheville,\" says GRAMMY-winning guitarist, songwriter and band leader [Warren Haynes](https://grammy.com/artists/warren-haynes/3126), a native of the Western North Carolina city.\n\nIn response to the devastation, the city’s favorite son has organized a benefit concert, set for Nov. 24 at Madison Square Garden. Billed as Soulshine: A Benefit for Hurricane Relief and Recovery, the concert will feature Haynes’ and [Dave Matthews Band](https://www.grammy.com/artists/dave-matthews-band/14764), plus [Nathaniel Rateliff \u0026amp; the Night Sweats](https://www.nathanielrateliff.com/), [Goose](https://www.goosetheband.com/), and a roster of special guests that includes [Trey Anastasio](https://grammy.com/artists/trey-anastasio/180) of [Phish](https://grammy.com/artists/phish/8037), [Trombone Shorty](https://grammy.com/artists/trombone-shorty/7634), and [Mavis Staples](https://grammy.com/artists/mavis-staples/8064), among others."}},{"_meta":{"schema":"https://therecordingacademy.com/content/tweet-embed","name":"Warren Haynes Talks Nov. 24 Helene Benefit Concert - lineup embed","deliveryId":"d4ec02d7-aa87-48f5-baf4-786f64e12de3"},"tweetId":"1852347061661811143"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Warren Haynes Talks Nov. 24 Helene Benefit Concert body 2","deliveryId":"ed5d5f27-16fb-472d-9965-a53ae4ca8a5f"},"bodyText":{"richText":"**\"It Can’t Happen Here\"**\n\nIt’s important to note that nobody saw this coming. Asheville — one of the hardest-hit locales, but by no means the only one to suffer Helene’s wrath — is nestled in the Blue Ridge Mountains, some 2,200 feet above sea level and more than a four-hour drive from the nearest ocean shore. The mountain city of about 100,000 people has long been a popular destination for creatives and retirees as well as self-identified \"climate refugees\" seeking safety from the effects of climate change. Until recently, tornadoes, hurricanes, and other forms of extreme weather were all but unknown in the region.\n\nThe devastation of Helene — classified as a tropical storm by the time it charted its path northward from Florida, through Georgia and into the heavily wooded mountains of North Carolina — demonstrated that Asheville and its environs are not immune to severe weather and its effects. [Asheville received some 14 inches of rain in a three-day period](https://www.wcnc.com/article/weather/hurricane/helene/helene-death-beyond-100-north-carolina/275-77304c5f-1c83-4159-b47f-8455fdee1f8b) at the end of September; other areas including nearby Yancey County measured more than twice that amount. The storm would eventually be classified as a \"geological event,\" with the North Carolina Geological Survey cataloging [nearly 2,000 landslides](https://spectrumlocalnews.com/nc/charlotte/weather/2024/11/11/helene-landslides-in-western-north-carolina) in the region. As of Nov. 19, the North Carolina Department of Health and Human Services verified [103 Helene-related fatalities in the state](https://www.ncdhhs.gov/assistance/hurricane-helene-recovery-resources/hurricane-helene-storm-related-fatalities), with nearly half of those in Buncombe County, home to Asheville.\n\nThe U.S. Bureau of Labor Statistics released [estimates of Helene’s impact on the state’s economy](https://www.commerce.nc.gov/news/the-lead-feed/what-we-know-about-employment-impact-of-hurricane-helene?utm_source=iContact\u0026utm_medium=email\u0026utm_campaign=lead\u0026utm_content=), citing October job losses of 8,200 in the Asheville metropolitan area alone. With its service- and tourism-based economy, the city found itself especially vulnerable. Even outside of flood areas, destruction of the city’s water system meant that schools, hotels, restaurants and many businesses were forced to close; even if their facilities escaped direct damage from the storm, running water would be unavailable for several weeks. Even as feverish [water line repair work](https://www.ashevillenc.gov/helene/water-services-recovery/) got underway – with critical help from FEMA and the U.S. Army Corps of Engineers – the City of Asheville kept its citizenry under a do-not-drink advisory that was only lifted on Nov. 18, more than 50 days after the storm had passed.\n\nAsheville’s boundaries encompass the confluence of two rivers, the Swannanoa and the French Broad. The banks of those rivers include the city’s Biltmore Village — home to the main entrance of the historic Biltmore Estate — along with the River Arts District, a magnet for art galleries, restaurants, breweries, and other venues and businesses. During the natural disaster, the Swannanoa rose more than 26 feet, sweeping away homes, trees and vehicles, churning muddy water into buildings that often collapsed under the impact.\n\nThe French Broad River measured nearly 25 feet on Sept. 27; more than 23 feet above normal. That meant floodwaters completely engulfed structures some distance from the banks; at one point the river measured more than 1,300 feet wide; on a normal day its width is less than 200 feet.\n\nThose parts of the city nearest the rivers, along with nearby Swannanoa, N.C, suffered the [worst destruction](https://www.smithsonianmag.com/smart-news/hurricane-helenes-floodwaters-damaged-80-percent-of-buildings-in-ashevilles-river-arts-district-180985209/#:\\~:text=The%20River%20Arts%20District%20was,the%20Great%20Flood%20of%201916)\u003cspan\u003e; many witnesses have likened the scene to a bombed-out battlefield. The loss of property and livelihood has yet to be fully measured; residents who survived are still in shock, reeling from the physical and emotional effects and after-effects of Helene.\u003c/span\u003e\n\nAs the Commerce Department report emphasized, the numerical measures \"fail to capture much of the individual-level impact of the hurricane… the economy isn’t the only aspect of life affected by the storm.\"\n\n**Local Boy Makes Good**\n\nEven though he makes his home in New York City these days, the tragedy of Helene hit home for [Warren Haynes](https://warrenhaynes.net/). The Asheville-born guitarist and songwriter got his start in that mountain city, and was a regular fixture at Caesar’s Parlor, a local bar with spotty enforcement of the state’s liquor-age laws. But Haynes aspired toward bigger things; by the late ‘70s, he led a popular local band, Ricochet. In 1980, he was recruited by [outlaw country](https://grammy.com/news/listen-to-outlaw-country-playlist-32-honky-tonk-heroes-they-called-us-outlaws-documentary-grammy-museum)\u003cspan\u003e artist David Allan Coe and hit the road. From there it was on to stints with the Nighthawks and then with former \u003c/span\u003e[\u003cspan\u003eAllman Brothers Band guitarist Dickey Betts\u003c/span\u003e](https://grammy.com/news/lifetime-achievement-award-the-allman-brothers-band)\u003cspan\u003e.\u003c/span\u003e\n\nIn 1989, that gig led to a spot in the reactivated [Allman Brothers Band](https://grammy.com/artists/allman-brothers-band/7124), where Haynes took the spot first held by legendary guitarist Duane Allman. Haynes started his own band in the mid ‘90s; popular jam band [Gov’t Mule](https://mule.net/) continues to this day. At the same time, he continued with the ABB until its end in 2014. By that point, Warren Haynes had launched a concurrent and creatively fertile solo career; *Million Voices Whisper*, his third studio album under his own name was released Nov. 1."}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Warren Haynes Talks Nov. 24 Helene Benefit Concert - Million Voices Whisper full album stream","deliveryId":"076377ee-502a-4c6b-a29b-771fea4c8b02"},"videoUrl":"https://youtube.com/playlist?list=OLAK5uy_mD6o18sOX_6b91CbA8y3OAGh6XU0Q--As\u0026si=8UXBxoaWaepoNNPx"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Warren Haynes Talks Nov. 24 Helene Benefit Concert body 3","deliveryId":"a9d603c0-f3e3-427c-9e3f-a194d3917010"},"bodyText":{"richText":"While touring with his various bands, working sessions for and with other artists, and other activities, Haynes maintained strong ties with Asheville. Back in 1988, Haynes organized an informal jam — originally at the now long-gone bar 45 Cherry — so that he and his fellow touring players could reconnect during their December breaks from the road. That recurring event soon became a fundraiser; within a few years it grew to a much larger concert, the all-star [Warren Haynes Presents Christmas Jam](https://www.xmasjam.com/).\n\nOver the years, artists at the nearly-annual benefit have included the [Avett Brothers](https://grammy.com/artists/avett-brothers/8114), Bruce Hornsby, Hot Tuna, [Tedeschi Trucks Band](https://www.grammy.com/artists/tedeschi-trucks-band/7961), [Dave Grohl](https://grammy.com/artists/david-grohl/11637), [the Doobie Brothers](https://grammy.com/artists/doobie-brothers/16310), [Jason Isbell](https://grammy.com/artists/jason-isbell/19091) and scores of others. Since its inception, the Jam has [raised more than $2.8 million for the Asheville and Western N.C. community](https://relix.com/news/detail/warren-haynes-presents-christmas-jam-to-take-year-off-following-hurricane-helene-devastation-in-asheville/) through locally-based not-for-profit organizations. \n\nHaynes still has family in Asheville. His brother Brian, a popular former city council member, owns [Records in the RAD](https://www.recordsintherad.com/), a vinyl record shop in the city’s River Arts District. \"It was partially underwater,\" Haynes says. \"He lost all his inventory, but they managed to save all the original artwork that was on the walls.\"\n\nThat perspective — finding and holding on to bits of good news where one can — has been emblematic of many residents’ response. But when the storm hit, chaos and confusion reigned right alongside with the flooding and outages.\n\n\"I was on tour when it happened,\" Haynes says. \"It was really frustrating, with nobody \\[in Western N.C.\\] having cell service. Thankfully, I was able to get confirmation from my brother that my mother and everybody else in the family was okay.\" Haynes says that the widespread disruption reminded him of the events of Sept. 11, 2001. \"I was in New York when that happened,\" he says. \"My apartment was in the East Village.\" \n\n**Music To The Rescue**\n\nPlans were well underway for the 2024 Christmas Jam — typically held each December at Asheville’s Civic Center — when Helene struck. \"We were close to announcing what the lineup was going to be,\" Haynes says. \"But when the storm hit, obviously everything changed.\" He sensed immediately that at least in the short-to-medium term, continuing to plan a large concert in Asheville wasn’t feasible. \"We decided, ‘Let’s turn this into an opportunity to make the most impact that we can\" to help the victims of Helene.'\"\n\nTo meet that goal, Haynes understood that he’d have to put together a large-scale endeavor, and do it quickly. \n\n\"It all started with reaching out to the [Dave Matthews Band](https://www.grammy.com/artists/dave-matthews-band/14764) camp,\" he says. The DMB already had a pair of concert dates scheduled at the 22,000-seat Madison Square Garden in Manhattan; serendipitously, the night following those shows was open on MSG’s calendar. The group offered to share its onstage equipment backline, solving one of the major logistical challenges associated with planning the quickly-organized benefit concert.\n\nWith his years of experience enlisting fellow musicians to take part in a benefit for a worthy cause, Haynes had little trouble getting commitments from artists to round out the bill for Soulshine: A Benefit. In addition to headliners, the concert will feature [Robert Randolph](https://grammy.com/artists/robert-randolph/5771), Joe Russo, Susan Tedeschi and Derek Trucks in guest appearances.\n\nMatthews’ staff set up the event’s fundraising infrastructure via the Charlottesville, Virginia Area Community Foundation, supporting [Habitat for Humanity’s 2024 Hurricane Recovery Fund](https://www.habitat.org/donate/?link=1608\u0026source_code=DNAW24099189300\u0026askstring=1). In keeping with the on-the-ground and locally directed focus of the fundraising effort, beneficiaries include Always Asheville Fund, Arts AVL, Asheville Area Habitat for Humanity, BeLoved Asheville, MANNA Foodbank, World Central Kitchen, WNC Tip it Forward and other relevant nonprofits. \n\nAt press time, the Soulshine benefit was completely sold out, but Haynes anticipated that outcome from the start. A livestream of the show will broadcast for free via the [Dave Matthews Band’s YouTube page\u003c](https://www.youtube.com/channel/UCQv0bxIpI_K0zmmCBTOttAQ); viewers are encouraged to support relief efforts by donating via a link on that site. \n\nAn event like Soulshine is right in keeping with Warren Haynes’ lifelong connection and commitment to his hometown. \"Asheville is who I am,\" Haynes says. \"It was such a beautiful place to grow up, and it has blossomed into this amazing oasis in the South. I’m more proud than ever to be from there; Asheville has remained dear to my heart, and it always will be.\""}}],"hero":{"id":"d7b5dbf7-e5b2-4111-b71c-2539c7c38608","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Warren Haynes Talks Nov. 24 Helene Benefit Concert hero"},"contentType":"https://therecordingacademy.com/content/photo"},"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1732291215353,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"How Warren Haynes' Benefit For Victims Of Hurricane Helene Shines A Light On Asheville's Deep Musical Community","shortTitle":"Warren Haynes Talks Nov. 24 Helene Benefit Concert","subHeadline":"\"Asheville is who I am,\" says the city's native son.","articleSummary":"Held Nov. 24 at Madison Square Garden, Soulshine: A Benefit for Hurricane Relief and Recovery will feature Warren Haynes and Dave Matthews Band, plus Nathaniel Rateliff \u0026 the Night Sweats, Goose, and a roster of special guests."},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"'Wicked' Composer Stephen Schwartz Details His Journey Down The Yellow Brick Road","deliveryId":"2dee5dce-804f-40ec-8546-8fdce25905f2","deliveryKey":"news/wicked-composer-stephen-schwartz-interview-ariana-grande-cynthia-erivo"},"articleCategory":["interview"],"contributors":[{"id":"c9eadb05-a168-47c8-a32a-bd22ef8ec1a1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Stephen Schwartz's Yellow Brick Road To 'Wicked' body 1","deliveryId":"85533c57-bb30-4ada-8fdb-dab84cb6392a"},"bodyText":{"richText":"Many years we have waited for a gift like\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003eWicked\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eto appear on the silver screen.\u003c/span\u003e\n\n\u003cspan\u003eThe Broadway show and its iconic songs like \"Popular\" and \"Defying Gravity\" might not exist without the persuasion of\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eStephen Schwartz\u003c/span\u003e](https://www.grammy.com/artists/stephen-schwartz/15345)\u003cspan\u003e. The four-time GRAMMY-winning composer was instrumental in transforming Gregory Maguire’s 1995 novel about the Wicked Witch of the West’s pre-Dorothy life into a musical, before a movie. \u003c/span\u003e\n\n\u003cspan\u003eA prequel to 1939’s\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003eThe Wizard of Oz,\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003e\"Wicked\" the musical\u003c/span\u003e](https://www.grammy.com/news/still-wicked-celebrating-15-years-grammy-winning-musical)\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eflew onto Broadway in 2003 starring\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eIdina Menzel\u003c/span\u003e](https://www.grammy.com/news/idina-menzel-interview-new-album-drama-queen-disco-nile-rodgers-wicked)\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eas Elphaba (the Wicked Witch) and Kristin Chenoweth as Glinda (the Good Witch). It earned a GRAMMY Award for Best Musical Theater Album and has become a mega juggernaut in pop culture. Twenty-one years later,\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003eWicked: Part I\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e\u003cspan\u003earrives in movie theaters on Nov.22 starring GRAMMY Award winners\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eCynthia Erivo\u003c/span\u003e](https://grammy.com/artists/cynthia-erivo/19682)\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eas Elphaba and\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eAriana Grande\u003c/span\u003e](https://grammy.com/artists/ariana-grande/18441)\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eas Glinda. The soundtrack will also be released on the same day. \u003c/span\u003e\n\n\u003cspan\u003eSchwartz, who wrote the music and lyrics for\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003eWicked,\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e\u003cspan\u003ewas part of the creative team who helped bring this beloved story to new audiences. \"I am so thrilled with this album for many reasons. Not obviously just the performances of Cynthia and Ariana, but the sound of the orchestra, that incredibly gorgeous, giant orchestra,\" Schwartz tells GRAMMY.com of the 85 musicians who recorded the songs and score at AIR Studios and Abbey Road in London.\u003c/span\u003e\n\n\u003cspan\u003eThe musical has spent over two decades on Broadway, and the film fittingly brings together many Glindas and Elphabas from the stage. Several Broadway actors are background vocalists on the album, which was recorded in part in New York City. \u003c/span\u003e\n\n*\u003cspan\u003eWicked: Part II\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e\u003cspan\u003eis\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eexpected to debut\u003c/span\u003e](https://www.rollingstone.com/tv-movies/tv-movie-news/wicked-part-two-announces-2025-release-date-1235101408/)\u003cspan\u003e \u003c/span\u003e\u003cspan\u003ein theaters on Nov. 21, 2025, with two new songs written by Schwartz — one for each leading lady. Ahead of part one, GRAMMY.com spoke with Schwartz all about revisiting his songs for film, working with Grande and Erivo on their vocal tracks, and the musical differences between the stage and film adaptations of\u003c/span\u003e\u003cspan\u003e \u003c/span\u003e*\u003cspan\u003eWicked.\u003c/span\u003e*"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Stephen Schwartz's Yellow Brick Road To 'Wicked' - Wicked official trailer","deliveryId":"91dd82dd-6f91-4968-8eba-3dc254b948ac"},"videoUrl":"https://www.youtube.com/watch?v=6COmYeLsz4c"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Stephen Schwartz's Yellow Brick Road To 'Wicked' body 2","deliveryId":"9b4c6715-c71c-4462-9e0d-c9a8f9096349"},"bodyText":{"richText":"**\u003cspan\u003eWhat do you think of the film after waiting all these years?\u003c/span\u003e**\n\n\u003cspan\u003eI was really happy with the movie. They were originally trying to make a movie, before I talked them out of that in 1997 and into doing a stage musical. I first heard about the book \u003c/span\u003e*\u003cspan\u003eWicked \\[The Life and Times of the Wicked Witch of the West\\]\u003c/span\u003e*\u003cspan\u003e from a friend, she basically told me the title and the idea. I thought it was a genius inspiration of \\[author\\] Gregory Maguire's to have the idea to make the Wicked Witch of the West the protagonist of a story. I was immediately interested in that concept for a musical. \u003c/span\u003e\n\n\u003cspan\u003eI discovered that the rights had been sold to Universal who were in the process of developing it as a non-musical movie. I worked my way up the Universal food chain to get to Mark Platt, who was running Universal Pictures at the time, and persuaded him not to do it as a movie — at least not right away. I felt it was likely to meet the same fate as the other Oz movie sequels had. I felt it should be a musical, and if it worked as a musical, then someday it could be a musical movie, and here we are, many decades later.\u003c/span\u003e\n\n\u003cspan\u003eI was very lucky because I think it would have been quite unlikely for most heads of a studio to abandon a movie that they were working on and had a bit of an investment in at that point. But when I walked into the office, Mark Platt sang \"Corner of the Sky\" to me. So, I happened to luck into a receptive audience to my idea. \u003c/span\u003e\n\n**\u003cspan\u003eWhat, if any, was your input into casting Ariana Grande and Cynthia Erivo?\u003c/span\u003e**\n\n\u003cspan\u003eWe’ve been lucky with our director, Jon Chu, because he is extremely collaborative. Very often, I think, if you sell your show to the movies, they say, \"Thank you very much. Go away. Maybe we'll invite you to the premiere.\" Here we were very actively involved and part of that was being consulted on casting. \u003c/span\u003e\n\n\u003cspan\u003eJon Chu obviously narrowed down his choices, but sent us some screen tests, which included both Cynthia and Ariana. I was familiar with Cynthia from her stage work, and I knew that she had a world-class voice. Obviously I knew who Ariana was, but I was kind of unprepared for how great and appropriate both of them seemed in their screen tests.\u003c/span\u003e\n\n\u003cspan\u003eHere's a fun fact about Ariana singing. Several years ago, the pop singer Mika \u003c/span\u003e[\u003cspan\u003ereleased a single\u003c/span\u003e](https://www.youtube.com/watch?v=7qqIiG7DTD8)\u003cspan\u003e that was sort of a spin off of \"Popular,\" called \"Popular Song.\" He had a singer with him on that record, and that was Ariana Grande, before she was Ariana Grande. \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eAriana Grande's Road To 'Wicked': How The Pop Star Manifested Her Theater Kid Dreams In The Most Full-Circle Way Possible\u003c/span\u003e](https://www.grammy.com/news/ariana-grande-wicked-movie-glinda-the-good-witch-broadway-theater-kid-journey)\n\n**\u003cspan\u003eOver the years, you had heard both of them sing your songs:\u003c/span\u003e [\u003cspan\u003eCynthia sang \"Thank Goodness\"\u003c/span\u003e](https://www.youtube.com/watch?v=cY6b_Qdg7Eo) \u003cspan\u003ein a PBS special in 2021 and\u003c/span\u003e [\u003cspan\u003eAriana sang \"The Wizard and I\"\u003c/span\u003e](https://www.youtube.com/watch?v=smNKpPMqS24) \u003cspan\u003efor the 15th anniversary of the musical on NBC.\u003c/span\u003e [\u003cspan\u003eThere’s this story\u003c/span\u003e](https://ew.com/cynthia-erivo-glad-ariana-grande-got-wicked-role-not-2-ladies-she-auditioned-with-8742853) \u003cspan\u003eof how Jon M. Chu first got both of them in the room together, you sat at the piano and played \"For Good.\" What do you remember about that night?\u003c/span\u003e**\n\n\u003cspan\u003eThe whole night was so amazing because they were meeting for the first time. Cynthia and Ariana had such instant chemistry; when they sang at the piano, their voices blended so beautifully together. As the composer, the fact that their voices blend so well was obviously a lucky asset. That chemistry shows up in the movie and it's a key to why I think people find the movie so emotionally satisfying. \u003c/span\u003e\n\n**\u003cspan\u003eDid you know you were going to sit at the piano and play that song?\u003c/span\u003e**\n\nThey were like, \"Let's all go inside. And Stephen, why don't you play? Ladies, if you know the words, sing along.\" It was extremely impromptu. Everybody cried, so it was very emotional and exhilarating.\n\n**\u003cspan\u003eOf all the Elphaba and Glindas you've worked with over the years, what was special about working with Ariana and Cynthia?\u003c/span\u003e**\n\n\u003cspan\u003eBoth bring enormous recording skills with them. They can kind of do anything vocally in a recording studio, and they're both extremely game to try things. We would experiment and Cynthia would try various riffs that came out of the performance. Ariana, at first, was a little tentative about her soprano — which she absolutely has and always had — but had never basically shown in public before. Those sessions were really fun, because as they went on and she could hear how well she was doing, it was exciting and fun for her. They both can listen quite objectively to their performances and comment on how to tweak them. \u003c/span\u003e\n\n\u003cspan\u003eThe great advantage of both of them is that, because they are real singers and have sung on a Broadway stage, they could do live performances when filming as well. We were able to inter-cut the live performances with where we had to use pre-record because someone was flying on a broom or floating in a bubble or doing something that didn't allow them to sing live. \u003c/span\u003e\n\n\u003cspan\u003eThe way their voices sounded in the recording studio needed to match how they sounded when they were on a soundstage, and that was tricky. We had a strong technical team and we were very aware going in that we were going to mix and match.\u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eA Life, A Spirit, A Name: 'Pocahontas' Songwriters Reflect On The Disney Animated Classic 25 Years After Its Release\u003c/span\u003e](https://www.grammy.com/news/life-spirit-name-pocahontas-songwriters-reflect-disney-animated-classic-25-years-after)\n\n**\u003cspan\u003eWhat advice did you give them?\u003c/span\u003e**\n\n\u003cspan\u003eJust what I always do, which is to talk about storytelling and to remind them what's happening: \\[Glinda\\] trying to convince \\[Elphaba in \"Popular\"\\] to let her make her over — or with \\[Elphaba in \"Defying Gravity\"\\] — this is the moment where you demand your power.  \u003c/span\u003e\n\n\u003cspan\u003eWith singers like Ariana and Cynthia, who have such great instruments and such virtuosic control of their instruments, I don't have to say things like, \"You're flat\" or \"Sing lighter here,\" or give any kind of technical notes, because they just bring that. It's always about the acting and the storytelling.\u003c/span\u003e\n\n**\u003cspan\u003eHow might the songs sound different in the movie versus the Broadway show? Some of them are much longer.\u003c/span\u003e**\n\n\u003cspan\u003eThe word cinematic keeps coming to mind. There's this huge, magical world that Jon Chu has created and the music needed to have the size to occupy that world. \u003c/span\u003e\n\n\u003cspan\u003eEighty-five musicians \\[working in a recording studio\\] is different from the 23 or so that you can have on Broadway. Songs needed to be adjusted based on the action we’re seeing on the screen. In some cases, things were expanded.\u003c/span\u003e\n\n**\u003cspan\u003eWhat was the thought behind expanding Elphaba and Glinda’s first visit to Emerald City in the song \"One Short Day?\"\u003c/span\u003e**\n\n\u003cspan\u003eWe wanted to show more of how the Wizard \\[\u003c/span\u003e[\u003cspan\u003eJeff Goldblum\u003c/span\u003e](https://grammy.com/news/jeff-goldblum-his-lifelong-passion-jazz-and-his-new-album)\u003cspan\u003e\\] was using propaganda to create a fake image and false history for himself. We had the idea \\[to add it\\] to this show they play \\[for Glinda and Elphaba\\] in Emerald City called \"Wizomania,\" which is briefly done in the Broadway show and kind of a send up to \u003c/span\u003e*\u003cspan\u003eFunny Girl\u003c/span\u003e*\u003cspan\u003e and Jule Styne-type rhymes. \"Wizomania\" is basically perpetuating the myth that there were ancient magical, wise ones in Oz, who set down all their magic in a book, but they put it in a secret language. That book is \u003c/span\u003e*\u003cspan\u003eThe Grimmerie\u003c/span\u003e*\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eWe knew that book was very important to the story of the movie, and so we wanted to go into more depth about it. There was a prophecy that when Oz fell into difficult times, someone would come who would be able to read \u003c/span\u003e*\u003cspan\u003eThe Grimmerie\u003c/span\u003e*\u003cspan\u003e and restore Oz to merriment. They're looking for someone who could actually read this book and actually do some magic to help the Wizard stay in power.\u003c/span\u003e\n\n**\u003cspan\u003eYou also make a cameo at the end of the song as they approach the gates to see the Wizard!\u003c/span\u003e**\n\n\u003cspan\u003eJon Chu said to \\[screenwriter and the musical’s book writer\\] Winnie \\[Holzman\\] and me that we should be in the movie. So we wrote ourselves in. We were just going to be people in the crowd. \u003c/span\u003e\n\n\u003cspan\u003eWhen we first did \"One Short Day,\" I had cut that last line \"The Wizard will see you now!\" — I thought we don't need to do that in the movie, because we'll just see them right there at the palace. And Ariana said, \"If you cut that line, I'm quitting the movie. You have to have ‘The Wizard will see you now!’\"\u003c/span\u003e\n\n\u003cspan\u003eIt wound up being my line. I will say that when I went in for costume and makeup, they gave me two choices of mustaches. I said they had to give me the big mustache because I have to be like Frank Morgan. I have to be the guy \\[from the 1939 film\\] who says, \"Who rang that bell?\"\u003c/span\u003e\n\n**\u003cspan\u003eI think fans would be devastated if that line wasn’t in it\u003c/span\u003e**\u003cspan\u003e. \u003c/span\u003e\n\n\u003cspan\u003eOne of the things that was so good about this team — particularly Jon Chu and Ariana, because she knows the show so well — was that they protected Winnie and me. We said we’ll change whatever we need to change and Jon would say, \"No, you can't change that. You have to keep that.\" \u003c/span\u003e\n\n\u003cspan\u003eGreg Wells, our producer, wanted to refresh the rhythmic feel of \"Popular\" and make it a little more contemporary. Greg came up with something which was really fun, and we played for Ariana. And she said, \"Absolutely not. I want to be Glinda. I don't want people to think that I'm Ariana Grande playing Glinda. If they hear this kind of different rhythm, they're going to think you changed it because of me, and I don't want to do that.\" So then we went back to the original. \u003c/span\u003e\n\n**\u003cspan\u003eDo you think we'll ever see Ariana and Cynthia on Broadway again?\u003c/span\u003e**\n\n\u003cspan\u003eYou might. I don't think right away because they're going to be doing another year of promoting \\[the new film\\]. I could see the circumstances where years from now they're doing\u003c/span\u003e *\u003cspan\u003eGypsy\u003c/span\u003e* \u003cspan\u003eor somebody writes a musical built for one of them. I could definitely see it.\u003c/span\u003e\\*\\*"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"49966046-cb63-4845-826e-0598b99fab6b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Stephen Schwartz's Yellow Brick Road To 'Wicked' hero"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Music for Visual Media","Musical Theater"],"tags":["stephen schwartz","Wicked","Ariana Grande","Cynthia Erivo","Jeff Goldblum","Musical 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For any music lover, GRAMMY Sunday is very much like the Super Bowl or World Series to a sports fanatic. The only difference being, while sports teams typically find out who will be the final competition within a week or two of the showdown, GRAMMY nominations arrive months prior to the big show. The ceremony is arguably a culmination of all of that energy and anticipation. The 60th GRAMMY Awards was no different, as James Corden returned to host the Music's Biggest Night.\u003c/p\u003e\r\n"},"body":{"richText":"For any music lover, GRAMMY Sunday is very much like the Super Bowl or World Series to a sports fanatic.\n\nThe only difference being, while sports teams typically find out who will be the final competition within a week or two of the showdown, GRAMMY nominations arrive months prior to the big show. The ceremony is arguably a culmination of all of that energy and anticipation. The 60th GRAMMY Awards was no different, as James Corden returned to host the Music's Biggest Night.\n\nReturning to Madison Square Garden for the first time in 15 years, the milestone telecast proved to be a celebration that broke down barriers — with the wins, performances, and acceptance speeches showing that the power of music can literally change the world.\n\nOf course, the GRAMMYs' return to the Big Apple was cause enough for excitement. (Cut to [Tony Bennett](/artists/tony-bennett/1073) and [John Legend](/artists/john-legend/16994) singing \"New York, New York\" before presenting Best Rap/Sung Performance). And there was [Bruno Mars](/artists/bruno-mars/5082) netting six wins and nearly doubling his career output to 11 in one fell swoop. But there was plenty of excitement to go around.\n\nWhether you were there, watching on TV or live streaming, here are 12 moments from the 60th GRAMMY Awards that made it a night to remember.\n\n### 1. Kendrick Lamar, U2, Dave Chappelle Open With An Army\n\n[Kendrick Lamar](/artists/kendrick-lamar/17949) has a steady track record of impactful performances on the GRAMMYs, and this time he opened the ceremony with a groundbreaking performance before winning the first award of the evening for Best Rap/Sung Performance (\"LOYALTY.\" with Rihanna). Opening with \"XXX\" before an American flag backdrop and U.S. soldiers marching, the rapper was joined by [U2](/artists/u2/7858)'s Bono and The Edge. A war simulation followed before [Dave Chappelle](/artists/dave-chappelle/187041) hit the stage to punctuate segues in between heated musical vignettes performed by Lamar. It was history in the making, much like everything he touches.\n\n### 2. Lady Gaga's Tearjerker Performance with Mark Ronson\n\n\"This is for love and compassion …even when you can't understand,\" [Lady Gaga](/artists/lady-gaga/3611) uttered before a white piano wrapped in lace as she opened her performance with \"Joanne.\" Mark Ronson assisted on guitar as the acoustic set segued into another moving ballad, \"Million Reasons.\" The emotional performance was poignant, but most importantly showed Gaga's unreal vocal range. It's OK if you shed a tear while watching. We were all cutting onions when it happened.\n\n### 3. James Corden Rapping For Jay-Z\n\nIf you watch \"The Late Late Show With James Corden\" or are tuned into any episode of his \"Carpool Karaoke\" series, you'll know that Corden was the perfect return host for this year's telecast. On the eve of the show, [Jay-Z](/artists/jay-z/9815) was honored at the Pre-GRAMMY Gala and Corden informed the crowd, but began riddling off his knowledge of Jay-Z facts — including Jay’s former apartment address of 560 State Street in Brooklyn. Corden then launched into spitting a few bars for an amused Mr. Carter. \"You call it the Big Apple, I call it the Concrete Jungle where dreams are made of …just something I made up,\" Corden joked.\n\n### 4. Bruno Mars And Cardi B's #TBT Performance Of \"Finesse (Remix)\"\n\nA few weeks back — when the video for Bruno Mars' remix to \"Finesse\" featuring [Cardi B](/artists/cardi-b/186981) hit the internet — we were all bit by the nostalgia bug. The video (directed by Mars himself) was not only a clear nod to the sketch comedy series \"In Living Color,\" but it was also a Polaroid of a bygone era of ‘90s R\u0026amp;B and hip-hop—complete with bright colors. Cardi B donned a legendary Cross Colours bucket hat with Mars dancing onstage like a New Jack Swing-era frontman before a dance-off to House Of Pain’s \"Jump Around.\" It was #ThrowbackThursday on a Sunday night.\n\n### 5. Alessia Cara Claims Best New Artist\n\n\"I've been pretend winning GRAMMYs since I was a kid in the shower,\" [Alessia Cara](/artists/alessia-cara/186976) said with a shaky voice before a towering microphone as she accepted her first GRAMMY. While the Canadian was already considered a strong candidate for the award, the competition was fierce — including [SZA](/artists/Solana-Rowe/32514) and newcomer [Julia Michaels](/artists/julia-michaels/188121). But as Cara continued into her speech, she acknowledged and showed support for her peers, which included her fellow nominees and indie acts. \"Support real music and real artists,\" she said. Then she thanked her fans, because there will be no more pretend GRAMMYs in the shower from now on.\n\n### 6. Luis Fonsi, Daddy Yankee Bring On More \"Despacito\"\n\nOver the course of 2017, the infectious \"Despacito\" hasn't left our brains. [Luis Fonsi](/artists/luis-fonsi/3346) and [Daddy Yankee](/artists/daddy-yankee/9370) hit the stage to perform the diamond-certified single and brought former Miss Universe Zuleyka Rivera in two. Rivera also appeared in the music video, but took center stage to dance amid a mock club scene. \"That is a catchy song. I've never heard that song before,\" Corden deadpanned after the performance.\n\n### 7. \"Subway Carpool Karaoke\"\n\nCorden's viral \"Carpool Karaoke\" series made a cameo during the evening. How could it not? This time, however, it was a special \"Subway Carpool Karaoke,\" featuring Corden, [Sting](/artists/sting/10244) and [Shaggy](/artists/shaggy/10082). The former Police frontman couldn't even get through \"Every Breath You Take\" before being shushed by a construction worker on the train. And Shaggy barely sang \"It Wasn't Me\" before another passenger hushed even Corden. Then a fight broke out on the train and Corden got a bloody nose. It was a dangerous karaoke scene. You had to be there.\n\n### 8. Janelle Monáe Says #TimesUp, Kesha Sings #MeToo\n\nAll one has to do is read the news in recent months to know that injustice to women is no longer an option across industries. As [Janelle Monáe](/artists/janelle-monae/4464) introduced [Kesha](/artists/kesha/187816)'s performance of \"Praying,\" she delivered a powerful speech hooked to the sexual harassment initiative Time's Up. \"We are also daughters, wives, mothers, sisters, humans,\" Monáe told the crowd. \"We come in peace, but we mean business.\" When Kesha hit the stage, her performance was that much more intense, especially understanding all she's been through in the music industry. With [Cyndi Lauper](/artists/cyndi-lauper/4198), Camila Cabello, Bebe Rexha, Julia Michaels, and [Andra Day](/artists/andra-day/18980) joining on background vocals, the performance ended with the women hugging and in tears. They weren't alone.\n\n### 9. Elton John, Miley Cyrus Transcend Generations Onstage\n\n[Elton John](/artists/elton-john/12074)'s \"Tiny Dancer\" is one of those classic songs that can bring you immediately back to a moment or an era (or a movie scene, like that bus ride in Almost Famous). However, tonight a new moment was made with [Miley Cyrus](/artists/miley-cyrus/18384). With John seated at his piano, he opened the song and Cyrus joined to help carry the song home. While the \"Wrecking Ball\" singer is no stranger to classic music — especially given her godmother is [Dolly Parton](/artists/dolly-parton/17205) — this performance was particularly special. Call it onstage chemistry, or call it bridging the gap, but this \"Tiny Dancer\" performance was one for the ages.\n\n### 10. Ben Platt, Patti LuPone Wow With Broadway Style\n\nThis special [Leonard Bernstein](/artists/leonard-bernstein/896)-[Andrew Lloyd Webber](/artists/andrew-lloyd-webber/4044) tribute kicked off properly, as [Ben Platt](/artists/ben-platt/188321) from \"Dear Evan Hansen\" gave the audience a rousing dose of \"Somewhere\" from the former's \"West Side Story.\" But as James Corden could barely stand as he introduced [Patti LuPone](/artists/patti-lupone/5059), we soon found out why. LuPone delivered a riveting rendition of “Don't Cry For Me Argentina\" from Evita. Posted at a podium, just as the musical/movie depicts, she belted like it was her first time singing the song and it was our first time hearing it.\n\n### 11. Logic, Khalid, Alessia Cara Bring Hope \n\nThere's a reason why \"1-800-273-8255\" was nominated for Song Of The Year. The powerful track comes with a real message of suicide prevention. When the trifecta of [Logic](/artists/Sir-Robert-Bryson-Hall-II/32370), [Khalid](/artists/khalid/187821), and Alessia Cara hit the stage to perform the monumental hit single, there was no denying the magic. Performing on opposite stages before an army of survivors in \"You Are Not Alone\" shirts, Logic addressed the crowd and closed the performance with a speech pointing out many societal injustices — from the treatment of women to neighbors from other countries. There are no weak individuals, per Logic, just people waiting to realize the power of their voice.\n\n### 12. Bruno Mars' Magical Evening: 6 For 6\n\nBruno Mars emerged above the stiff competition in Album Of The Year, taking home the final GRAMMY of the evening for 24K Magic. The nod topped off a GRAMMY sweep for the Hawaii native, with Mars winning all six categories for which he was nominated. He also earned R\u0026amp;B Album, Record Of The Year for \"24K Magic,\" Best R\u0026amp;B Performance, Best R\u0026amp;B Song and Song Of The Year for \"That's What I Like.\" As he explained in his Album Of The Year speech, Mars' mission was to spread love and he did just that — even shouting out previous greats like [Babyface](/artists/babyface/985) who paved the way for him."},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"grammy60th","id":"30312ea0-acba-4e90-ac23-ca6248bfd053","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"60th Annual GRAMMY Awards","showYear":2017},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"59th Annual GRAMMY Awards","deliveryId":"26137891-0e4b-4526-b96c-aca3162f80b8","deliveryKey":"awards/59th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"During a period in our nation's history in which people are constantly reminded about the political and social issues that can divide us, the 59th GRAMMY Awards served as a convincing testament to the undeniable unifying power of music.\n\n[Adele](/artists/adele/528), whose voice is a powerful force unto itself, emerged the top winner of the night, taking home five GRAMMYs: Best Pop Vocal Album and Album Of The Year for 25 and Record Of The Year, Song Of The Year and Best Pop Solo Performance for \"Hello.\" The now-15-time winner also made GRAMMY history by becoming the first artist to sweep Record, Album and Song Of The Year twice in her career.\n\nFittingly, it was Adele who ushered in Music's Biggest Night with a mesmerizing performance of her smash \"Hello.\" A stark black backdrop provided a blank canvas over which the British singer/songwriter painted an aural masterpiece, her potent vocals reverberating throughout Los Angeles' Staples Center.\n\nThe mercurial [David Bowie](/artists/david-bowie/4819), who died just days before releasing his album Blackstar on Jan. 8, 2016, won four posthumous GRAMMYs, including Best Alternative Music Album. [Greg Kurstin](/artists/greg-kurstin/9943), Adele's producer and songwriting partner, also won four awards, including Producer Of The Year, Non-Classical.\n\n[Chance The Rapper](/artists/chancelor-bennett/19614) earned three awards, including Best New Artist, making him the first streaming-exclusive artist to win a GRAMMY. \"This is for every indie artist who's been doing this mixtape stuff for a long-a\\*\\* time,\" the Chicagoan said during his acceptance for Best Rap Album for Coloring Book. He punctuated his GRAMMY debut with a feel-good performance medley of \"How Great\" and \"All We Got,\" with his cousin Nicole and 59th GRAMMY winners [Kirk Franklin](/artists/kirk-franklin/9067) and Tamela Mann adding soulful flourishes.\n\nEngineer/mixer [Tom Elmhirst](/artists/tom-elmhirst/2228) also won three GRAMMYs; [Beyoncé](/artists/beyonce-knowles/12474), [Drake](/artists/drake/12370), [Sarah Jarosz](/artists/sarah-jarosz/13600), [John Scofield](/artists/john-scofield/13908), Franklin, and [Hillary Scott \u0026amp; The Scott Family](/artists/hillary-scott-scott-family/20151) were among those winning two awards.\n\nAs presenter Celine Dion so eloquently quoted the legendary [Stevie Wonder](/artists/stevie-wonder/8257), \"Music, at its essence, is what gives us memories.\" In addition to crowning recipients in 84 GRAMMY categories, the 59th GRAMMYs created many new memories in the form of signature GRAMMY Moments that spanned several genres.\n\nEqual parts music, theater and spoken word poetry, a golden-clad Beyoncé radiated during her medley of \"Love Drought\" and \"Sandcastles,\" two songs from her Best Urban Contemporary Album-winning opus, Lemonade. The trance-inducing performance, which was themed around the celebration of motherhood, featured her own mother, Tina Knowles, and daughter, [Blue Ivy Carter](/artists/blue-ivy/292460), and closed on a poignant note with the pregnant Beyoncé reciting a line from a Warsan Shire poem: \"If we're going to heal, let it be glorious/1,000 girls raise their arms.\"\n\n[Bruno Mars](/artists/bruno-mars/5082) dazzled with his seductive \"That's What I Like.\" Commanding the stage with aplomb, showcasing graceful dance moves and flaunting his rich tenor, Mars once again proved the breadth of his 24-karat talent.\n\n[Ed Sheeran](/artists/ed-sheeran/6178) turned in arguably the most energy-efficient performance of the evening. Armed with an acoustic guitar, synthesizer and a pedalboard that doubled as a looping device, Sheeran proved a veritable one-man band in multitasking his romantic ode \"Shape Of You.\"\n\n[The Weeknd](/artists/The-Weeknd/24884) teamed with fellow GRAMMY winners [Daft Punk](/artists/daft-punk/8207) for a medley of \"Starboy\" and \"I Feel It Coming.\" The duo's trademark synthesizer soundscapes set the tone for a sci-fi inspired set, with The Weeknd's velvety voice drifting into space.\n\n[Katy Perry](/artists/katy-perry/5726) returned to the GRAMMY stage to debut her brand-new single, \"Chained To The Rhythm,\" with reggae artist Skip Marley. Perry — who wore an armband emblazoned with the word \"Resist\" — earnestly delivered her new socially conscious anthem, which she closed by declaring \"No hate!\"\n\nBest New Artist nominee [Anderson .Paak](/artists/anderson-paak/19926) and rappers Busta Rhymes, Consequence and [A Tribe Called Quest](/artists/tribe-called-quest/10719) joined for a politically charged medley of \"Award Tour,\" \"Movin Backwards\" and \"We The People.\" The latter song, A Tribe Called Quest's anthem addressing topics such as racism, xenophobia, homophobia, and misogyny, proved timely given the recent political climate. A Tribe Called Quest's Q-Tip put an exclamation point on the performance by shouting, \"Resist! Resist! Resist!\"\n\n[Metallica](/artists/metallica/10686) and [Lady Gaga](/artists/lady-gaga/3611) turned the volume up to 10 with a driving performance of the band's \"Moth Into Flame.\" Despite a brief technical glitch with Metallica frontman James Hetfield's mic, the heat generated — stoked by pyrotechnics, headbanging and a stage dive from Gaga — set off a genre-bending explosion.\n\n[Keith Urban](/artists/keith-urban/7015) and [Carrie Underwood](/artists/carrie-underwood/10381) went toe-to-toe for their love-affirming duet \"The Fighter.\" GRAMMY-nominated newcomers [Kelsea Ballerini](/artists/kelsea-ballerini/19558) and [Lukas Graham](/artists/lukas-graham/20132) joined together for a seamless mashup of her \"Peter Pan\" and their \"7 Years,\" which was up for Song Of The Year. R\u0026amp;B/soul legend William Bell, who earlier won his first career GRAMMY, teamed with guitar slinger [Gary Clark Jr.](/artists/gary-clark-jr/17798) for a gritty \"Born Under A Bad Sign.\"\n\nFirst-time GRAMMY host James Corden got into the musical act as well. During his opening skit, Corden delivered a free-style rap that name-dropped everyone from President Donald Trump to Drake, Rihanna and Sturgill Simpson. \"The Late Late Show\" host also sped through a hilarious impromptu GRAMMY edition of Carpool Karaoke. Driving a cardboard cutout vehicle, Corden was flanked by [Jennifer Lopez](/artists/jennifer-lopez/14846), [Tim McGraw](/artists/tim-mcgraw/12018), [Faith Hill](/artists/faith-hill/10850), [Keith Urban](/artists/keith-urban/7015), [Ryan Tedder](/artists/ryan-tedder/16130), [John Legend](/artists/john-legend/16994), Blue Ivy, Jason Derulo, and [Neil Diamond](/artists/neil-diamond/2720) for a singalong of the latter's classic \"Sweet Caroline.\"\n\nIn addition to Corden's bits, [Twenty One Pilots](/artists/twenty-one-pilots/20162) provided some unexpected comic relief when they accepted their first career GRAMMY for Best Pop Duo/Group Performance for \"Stressed Out\" in their underwear. Underneath the humor, the duo from Columbus, Ohio, conveyed an important message to musicians of all stripes. \"Anyone from anywhere can do anything,\" said Pilots singer/songwriter Tyler Joseph.\n\nIt was also a night of firsts for breakout country star [Maren Morris](/artists/maren-morris/19894). Not only did she make her GRAMMY performance debut with \"Once\" alongside [Alicia Keys](/artists/alicia-keys/12104), she won her first GRAMMY for Best Country Solo Performance for \"My Church,\" making her the first GRAMMY Camp alumnus to win a GRAMMY.\n\nMusic's Biggest Night also provided moments of reflection in the form of tributes.\n\nAn all-star troupe paid homage to five-time GRAMMY winners the Bee Gees, who will be celebrated this spring via the CBS TV special \"Stayin' Alive: A GRAMMY Salute To The Music Of The Bee Gees.\" [Demi Lovato](/artists/demi-lovato/19851) glided through \"Stayin' Alive\" while [Tori Kelly](/artists/tori-kelly/19120) showcased her impressive singing and guitar chops on \"Tragedy.\" [Little Big Town](/artists/little-big-town/10623) were in perfect harmony for \"How Deep Is Your Love\" and Andra Day bottled the essence of Studio 54 during \"Night Fever.\" The group closed with a vibrant \"Stayin' Alive\" coda, with Barry Gibb looking on in delight.\n\n[Sturgill Simpson](/artists/sturgill-simpson/18703) and the Dap-Kings convened for \"All Around You,\" a song from Simpson's Best Country Album-winning A Sailor's Guide To Earth. During his introduction, Dwight Yoakam lauded the late singer [Sharon Jones](/artists/sharon-jones/18518), who worked with the Dap-Kings throughout her career.\n\nIn recognition of [George Michael](/artists/george-michael/12041), who died Dec. 25, 2016, Adele returned to the stage for a dramatic, orchestrated version of \"Fastlove,\" the final Top 10 hit of Michael's career. The tribute paused abruptly as Adele stopped mid-song, feeling that her performance was not up to par. \"I can't mess this up for him,\" she confided to the audience. Adele reset herself and delivered a moving memorial. The audience obliged with a standing ovation.\n\nMorris Day and the Time did the honors in introducing a special GRAMMY tribute to the late [Prince](/artists/prince/5675). A true showman, Day bobbed and weaved the band through the Time's funky \"Jungle Love\" and \"The Bird.\" Mars then returned to the stage for a regal reimagining of \"Let's Go Crazy.\" Armed with a Purple Rain-inspired suit, makeup and white guitar, Mars channeled vintage '80s-era Prince, right down to his authentic take on the song's spectacular unaccompanied guitar cadenza.\n\nThe In Memoriam segment featured [John Legend](/artists/john-legend/16994) and GRAMMY-winning \"The Color Purple\" cast member [Cynthia Erivo](/artists/cynthia-erivo/19682) delivering a rendition of the Beach Boys' \"God Only Knows,\" which served as a solemn musical prayer to many other individuals the music community lost during the past year.\n\nThe GRAMMY show was also marked by heartfelt, if unexpected, tributes to fellow nominees. In her final acceptance speech of the evening for Album Of The Year, a visibly moved Adele used her platform to acknowledge and thank fellow nominee Beyoncé.\n\n\"My artist of my life is Beyoncé,\" Adele said as a tearful Beyoncé looked on. \"The Lemonade album was just so monumental and so well-thought out and so beautiful and soul-bearing. … All us artists here, we f\\*\\*\\*ing adore you. You are our light.\n\nMusic's Biggest Night beamed into the homes of more than 26 million viewers, representing a 4 percent year-over-year increase and the highest viewership since 2014. The luster extended well after the Sunday telecast, with several winners, nominees and performers benefiting from the GRAMMY Effect.\n\nDigital sales of songs performed on the show saw a 140 percent increase in download sales, with Urban and Underwood's \"The Fighter\" experiencing a 574 percent gain. On-demand streams (audio and video combined) of songs performed rose 30 percent, including Mars' \"That's What I Like\" spiking 99 percent. Adele's 25 returned to the Top 10, rising to No. 6 with a 137 percent sales increase. Combined with the other Album Of The Year nominees (Beyoncé's Lemonade, [Justin Bieber](/artists/justin-bieber/10220)'s Purpose, Drake's Views, and Sturgill Simpson's A Sailor's Guide To Earth), all five albums saw a collective 91 percent increase in equivalent album sales. Following his GRAMMY performance with Perry, Skip Marley became the first member of the Marley family to score a Top 10 hit on the Billboard Hot 100.\n\nMore than just impressive statistics, these sizable GRAMMY Effect gains give additional credence to the 59th GRAMMY Awards telecast remarks of Recording Academy President/CEO Neil Portnow, who during his impassioned speech delivered to the new administration an important unified message on behalf of the music community.\n\n\"The Recording Academy, together with America's music makers, call on the president and Congress to help keep the music playing by updating music laws, protecting music education and renewing America's commitment to the arts,\" said Portnow. \"It's our collective responsibility to preserve what binds us and to ensure that the whole world continues to benefit from one of our most unique \\[and\\] economically and spiritually important assets — and exports: American music.\""},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"grammy-awards-promo-book-aj","id":"51c2e79c-1e46-4a87-b033-4b5af42aab57","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"59th Annual GRAMMY Awards","pdf":"https://naras.a.bigcontent.io/v1/static/recommendations_for_hires_music_production_09_28_18_0","date":"2017-02-12T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2015, through Sept. 30, 2016","showYear":2016},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"58th Annual GRAMMY Awards","deliveryId":"bdb065d4-0dae-4afc-820e-e64b162deb4b","deliveryKey":"awards/58th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"In an era when much of the prevailing cultural dialogue revolves around race relations and personal empowerment, the big winners at the 58th GRAMMY Awards reflected the currency of the times.\n\nWith 11 nominations, Compton, Calif., rapper [Kendrick Lamar](/artists/kendrick-lamar/17949) went into Music's Biggest Night as the most nominated artist since [Michael Jackson](/artists/michael-jackson/13202) and [Babyface](/artists/babyface/985) each scored 12 for 1983 and 1996, respectively. He took five GRAMMYs, including Best Rap Album for To Pimp A Butterfly, and Best Rap Performance and Best Rap Song for \"Alright.\"\n\nLamar's performance of \"The Blacker The Berry\" and \"Alright,\" songs that became unofficial soundtracks for the Black Lives Matter movement, infused the GRAMMYs with the kind of social immediacy at which it excels, whether it's championing marriage equality or honoring late musical icons such as Whitney Houston.\n\n[Alabama Shakes](/artists/alabama-shakes/14656), perhaps fittingly a multiracial band with a multiracial frontwoman, [Brittany Howard](/artists/brittany-howard/3375), won three awards — Best Rock Performance, Best Rock Song and Best Alternative Music Album — all based around their acclaimed sophomore album, Sound \u0026amp; Color. Their performance of \"Don't Wanna Fight,\" introduced with an otherworldly scream by Howard, who looked like a high priestess of rock in a flowing white cape, was a captivating moment from a band that has helped bring back a sense of urgency to rock.\n\n[Taylor Swift](/artists/taylor-swift/15450) took Album Of The Year for 1989 among her three awards. Pointing out she was the first woman to win that award twice, Swift was passionate about giving due credit to the contributions of women during her acceptance speech. Her show-opening performance of \"Out Of The Woods\" proved she's a powerful, self-assured woman.\n\nOther multiple winners included [D'Angelo](/artists/dangelo/1902), [Diplo](/artists/diplo/8548), [Jason Isbell](/artists/jason-isbell/19091), [Maria Schneider](/artists/maria-schneider/6153), [Ed Sheeran](/artists/ed-sheeran/6178), [Skrillex](/artists/skrillex/6363), [Chris Stapleton](/artists/chris-stapleton/15418), and [The Weeknd](/artists/The-Weeknd/24884).\n\nRising up, to paraphrase GRAMMY nominee and performer [Andra Day](/artists/andra-day/18980), was the theme of the night. In addition to Lamar's wins and triumphant performance, there were other noteworthy moments.\n\n\"Glory,\" Common and [John Legend](/artists/john-legend/16994)'s defiant song from Selma, the film about the 1965 Montgomery, Ala., voting rights marches, won for Best Song Written For Visual Media. [Lalah Hathaway](/artists/lalah-hathaway/3123) won in the Best Traditional R\u0026amp;B Performance category for \"Little Ghetto Boy,\" a song about overcoming the consequences of growing up in inner-city poverty that was originally recorded by her father, [Donny Hathaway](/artists/donny-hathaway/2656).   \n\nMexican drummer/composer [Antonio Sanchez](/artists/antonio-sanchez/6087), who won Best Score Soundtrack For Visual Media for Birdman, thanked GRAMMY voters specifically because he had been \"eliminated by another awards show that starts with an 'O' and ends with 'scars.'\" And songwriter [Kendra Foster](/artists/kendra-foster/19024) literally raised a fist and proclaimed \"we're trying to rise up\" when accepting the Best R\u0026amp;B Song award for her, D'Angelo and [Gina Figueroa](/artists/gina-figueroa/19500)'s \"Really Love.\"\n\nIt was also a night of official goodbyes to musical giants, some of whom died within weeks of the GRAMMY telecast.\n\n[Lady Gaga](/artists/lady-gaga/3611)'s tribute to [David Bowie](/artists/david-bowie/4819) was an electrifying appreciation of one of the most influential artists of our time. Bowie — who died Jan. 10 — received a Lifetime Achievement Award from The Recording Academy in 2006, and an appropriate celebration on the GRAMMY telecast with a 10-song medley wrapped by a triumphant version of \"Heroes.\"\n\nThe band synonymous with '70s California rock came together to salute their fallen founding member, [Glenn Frey](/artists/glenn-frey/2410), who died Jan. 18. The Eagles strummed through their first hit, the classic \"Take It Easy,\" teaming with the song's co-writer Jackson Browne (who penned the tune with Frey in the early '70s when they lived in the same Los Angeles apartment building). The ode to letting troubles run off your shoulders and grabbing life while you can was a fitting tribute to a singer, guitarist and man who did just that.\n\nThings revved up a few decibels when the Hollywood Vampires (Alice Cooper, Johnny Depp and Joe Perry joined by Guns N' Roses bassist Duff McKagan and drummer Matt Sorum) lit the funeral pyre for Lemmy Kilmister — hard rock's No. 1 anarchist who died Dec. 28, 2015 — with a short blast of Motörhead's \"Ace Of Spades.\"\n\nAt the other end of the genre and attitude spectrum, [Earth, Wind \u0026amp; Fire](/artists/earth-wind-fire/14550)'s deeply optimistic pan-spiritual leader [Maurice White](/artists/maurice-white/6905), who died Feb. 4, was feted by [Stevie Wonder](/artists/stevie-wonder/8257) and vocal group [Pentatonix](/artists/pentatonix/20140), who performed an a cappella version of the classic \"That's The Way Of The World.\"\n\nFinally, Stapleton, [Gary Clark Jr.](/artists/gary-clark-jr/17798) and Bonnie Raitt paid tribute to one of the most noteworthy bluesmen of all time, B.B. King, who died May 14, 2015. The three artists — performing King's biggest hit, \"The Thrill Is Gone\" — reflected disparate generations and genres, but demonstrated that roots music is a single language often spoken with six strings.\n\nWrapped around these special GRAMMY Moments were additional performances that delivered musical breadth as only the GRAMMYs can.\n\nNew country star and former college footballer [Sam Hunt](/artists/sam-hunt/19085)'s \"Take Your Time\" got an audible via a duet with [Carrie Underwood](/artists/carrie-underwood/10381) and her \"Heartbeat.\"\n\nR\u0026amp;B sensation [The Weeknd](/artists/The-Weeknd/24884) sensitively performed his ballad \"In The Night,\" backed by piano and cello, after teasing his hit \"Can't Feel My Face.\" The vocal triumph scored a standing ovation.\n\nDay was joined by [Ellie Goulding](/artists/ellie-goulding/19043) for one of the night's sweetest melding of voices as they seamlessly brought their respective ballads \"Rise Up\" and \"Love Me Like You Do\" together.\n\n[Lionel Richie](/artists/lionel-richie/17291), the 2016 MusiCares Person of the Year honoree and a true hits king of the '80s, rightly received the royal treatment as Luke Bryan, John Legend, Demi Lovato, [Meghan Trainor](/artists/meghan-trainor/18740), and [Tyrese](/artists/tyrese/17506) came together for a mega-salute capped by the man himself singing his signature \"All Night Long (All Night).\"\n\nRichie collaborator, the late Michael Jackson, was remembered by nominee [Miguel](/artists/miguel/4571), who delivered a smooth version of \"She's Out Of My Life\" backed by the song's original keyboardist Greg Phillinganes.\n\n[Little Big Town](/artists/little-big-town/10623) turned in a contemplative version of \"Girl Crush\" rich in the harmonizing of their four collective voices.\n\nTwo Best New Artist nominees, James Bay and Tori Kelly, joined forces to show off some fresh multiweapon talent as the pair of singer/songwriter/instrumentalists ran emotively through his \"Let It Go\" and her \"Hollow.\"\n\nThe GRAMMYs aired its first-ever live performance from a Broadway stage by bringing the acclaimed musical \"Hamilton\" to a nationwide TV audience. Star/writer Lin-Manuel Miranda and his cast ran through the opening number \"Alexander Hamilton\" before an ecstatic audience at the Richard Rodgers Theatre in New York, providing a taste of its groundbreaking melding of hip-hop and traditional musical theater.\n\nDespite some well-documented technical glitches, Adele's performance became a triumph over adversity, a testament to the fact that great talent will always shine despite the sometimes unexpected travails of live TV. To paraphrase her song \"All I Ask,\" Adele left her heart on the stage to a standing ovation.\n\n[Justin Bieber](/artists/justin-bieber/10220) teamed with EDM stars Skrillex and Diplo — under their Jack Ü moniker — for a rousing take on \"Where Are Ü Now,\" which followed an acoustic solo turn by Bieber, who played his \"Love Yourself.\" As Billboard noted, \"While some previous dance performances have fallen flat in televised awards shows, there was nothing stilted about the energetic ensemble's stage show.\"\n\nAnd on a similarly energetic note, the GRAMMYs concluded with a party thrown by one of the night's winners, Pitbull, who was joined by Travis Barker, Joe Perry, Robin Thicke, and actress Sofia Vergara, who showed off some of her best dance moves.\n\nBetween honoring our musical legacy and recognizing music's power to reflect and impact our cultural legacy, fans truly had a chance to Witness Greatness on the 58th GRAMMYs."},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"58gr_poster_final","id":"068c2a08-da6c-46b1-b4c5-a6c65c1c8eb1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"58th Annual GRAMMY Awards","date":"2016-02-15T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2014, through Sept. 30, 2015","showYear":2015},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"57th Annual GRAMMY Awards","deliveryId":"088a802e-0e04-437a-b471-6f7340b7fc75","deliveryKey":"awards/57th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"summary":{"richText":"\u003cp\u003eSee all GRAMMY award winners and nominees for the 57th GRAMMY Awards, presented in 2014.\u003c/p\u003e\r\n"},"body":{"richText":"\u003cp\u003eEven for the GRAMMY Awards, which takes pride in each unique performance on its world-renowned stage — performances that have collectively come to be known as GRAMMY Moments — the 57th telecast topped expectations. The show featured an impressive 23 performances, many offering teamings that were not only inspired, but resulted in illuminating versions of deeply powerful songs.\u003c/p\u003e\n\n\u003cp\u003eIf you thought \u003ca href=\"/artists/sam-smith/18713\"\u003e\u003cb\u003eSam Smith\u003c/b\u003e\u003c/a\u003e's multiple GRAMMY-winning \"Stay With Me (Darkchild Version)\" was an aching heartbreak of a song, you may have been emotionally drained after\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/mary-j-blige/779\"\u003e\u003cb\u003eMary J. Blige\u003c/b\u003e\u003c/a\u003e joined Smith to add tent-revival urgency.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/katy-perry/5726\"\u003e\u003cb\u003eKaty Perry\u003c/b\u003e\u003c/a\u003e's \"By The Grace Of God\" already defies many of the California gurl's best-known pop hits, but following a personal plea from President Barack Obama to stop domestic violence and the real-life tale of abuse from survivor and activist Brooke Axtell, its unexpected impact brought the house to its feet.\u003cbr /\u003e\n\u003cbr /\u003e\nAnd so went this year's telecast, performance after performance proving that GRAMMY Moments live well beyond the moment of their creation.\u003cbr /\u003e\n\u003cbr /\u003e\nFirst-time GRAMMY performers AC/DC opened the show with fireworks and firepower, with singer Brian Johnson and guitarist Angus Young igniting the stage — and the playfully devil-horned audience ­— with \"Rock Or Bust\" and the classic \"Highway To Hell.\"\u003cbr /\u003e\n\u003cbr /\u003e\nBut it was the next performance of \"Just A Little Bit Of Your Heart\" by \u003ca href=\"/artists/ariana-grande/18441\"\u003e\u003cb\u003eAriana Grande\u003c/b\u003e\u003c/a\u003e that arguably served as the true tone setter of the night, a poignant moment of soul-stirring singing that was as moving as it was entertaining.\u003cbr /\u003e\n\u003cbr /\u003e\nBrits \u003ca href=\"/artists/jessie-j/18501\"\u003e\u003cb\u003eJessie J\u003c/b\u003e\u003c/a\u003e and the ever-vibrant Tom Jones followed with a similarly breathtaking \"You've Lost That Loving Feelin'\" in tribute to the iconic song's co-writers, 2015 Recording Academy Trustees Award recipients Barry Mann and Cynthia Weil.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/miranda-lambert/4851\"\u003e\u003cb\u003eMiranda Lambert\u003c/b\u003e\u003c/a\u003e then interjected a touch of rock-inflected hoedown energy, wheeling out her upbeat \"Little Red Wagon\" with attitude and energy to spare, tapping into her firecracker charisma.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/kanye-west/6900\"\u003e\u003cb\u003eKanye West\u003c/b\u003e\u003c/a\u003e returned to the show's tacit theme of emotional message music with \"Only One.\" Shadowy under a single spotlight, West bared it all with his ode to daughter North West, sung from the perspective of his late mother, and aimed at healing and happiness.\u003cbr /\u003e\n\u003cbr /\u003e\nAn ageless \u003ca href=\"/artists/madonna/5068\"\u003e\u003cb\u003eMadonna\u003c/b\u003e\u003c/a\u003e, still enviably contorting through Pilates-required dance numbers, debuted her new \"Living For Love\" with a bullfighting theme and a matador's determination and finesse.\u003cbr /\u003e\n\u003cbr /\u003e\nPulling out all the stops, \u003ca href=\"/artists/ed-sheeran/6178\"\u003e\u003cb\u003eEd Sheeran\u003c/b\u003e\u003c/a\u003e, \u003ca href=\"/artists/john-mayer/14891\"\u003e\u003cb\u003eJohn Mayer\u003c/b\u003e\u003c/a\u003e, \u003ca href=\"/artists/herbie-hancock/9477\"\u003e\u003cb\u003eHerbie Hancock\u003c/b\u003e\u003c/a\u003e, and Questlove teamed for Sheeran's \"Thinking Out Loud.\" Despite such a group of heavyweights, they retained the song’s graceful rumination on enduring love.\u003cbr /\u003e\n\u003cbr /\u003e\nThe quartet then gave way to Jeff Lynne's ELO. GRAMMY winner Lynne led the band through an ELO signature, \"Evil Woman,\" before joining with Sheeran for a rousing \"Mr. Blue Sky.\"\u003cbr /\u003e\n\u003cbr /\u003e\nAdam Levine reunited with former \"The Voice\" judge Gwen Stefani for \u003ca href=\"/artists/maroon-5/13090\"\u003e\u003cb\u003eMaroon 5\u003c/b\u003e\u003c/a\u003e's ballad \"My Heart Is Open,\" with each bringing their formidable chops to the plea for love.\u003cbr /\u003e\n\u003cbr /\u003e\nLast year, the GRAMMYs brought 33 couples to the stage for a mass musical marriage ceremony. This year, Irish singer/songwriter \u003ca href=\"/grammys/artists/hozier\"\u003e\u003cb\u003eHozier\u003c/b\u003e\u003c/a\u003e took the crowd to church with his GRAMMY-nominated hit. As \"Take Me To Church\" built to its climax, singer\u003cb\u003e \u003c/b\u003e\u003ca href=\"/grammys/artists/annie-lennox\"\u003e\u003cb\u003eAnnie Lennox\u003c/b\u003e\u003c/a\u003e joined to add an exclamation point, then segued into her cover of Screamin' Jay Hawkins' \"I Put A Spell On You,\" as she did just that to the GRAMMY audience.\u003cbr /\u003e\n\u003cbr /\u003e\nBy now, \u003ca href=\"/artists/pharrell-williams/7310\"\u003e\u003cb\u003ePharrell Williams\u003c/b\u003e\u003c/a\u003e has built a cottage industry around his inescapable hit \"Happy.\" For his GRAMMY performance, joined by composer Hans Zimmer on guitar and pianist \u003ca href=\"/artists/lang-lang/14460\"\u003e\u003cb\u003eLang Lang\u003c/b\u003e\u003c/a\u003e's otherworldly finger play, Williams' turned in a dark and satisfying take on the song.\u003cbr /\u003e\n\u003cbr /\u003e\nAfter Perry's stirring \"By The Grace Of God,\"\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/tony-bennett/1073\"\u003e\u003cb\u003eTony Bennett\u003c/b\u003e\u003c/a\u003e and \u003ca href=\"/artists/lady-gaga/3611\"\u003e\u003cb\u003eLady Gaga\u003c/b\u003e\u003c/a\u003e hit the stage like the second coming of ultimate lounge-act couple Louis Prima and Keely Smith. The pair was clearly having authentic fun onstage, at times truly \"Cheek To Cheek.\"\u003cbr /\u003e\n\u003cbr /\u003e\nBacked only by teen harpist Melody Tai,\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/usher/16167\"\u003e\u003cb\u003eUsher\u003c/b\u003e\u003c/a\u003e performed a sweet version of \u003ca href=\"/artists/stevie-wonder/8257\"\u003e\u003cb\u003eStevie Wonder\u003c/b\u003e\u003c/a\u003e's \"Magic\" in anticipation of \"Stevie Wonder: Songs In The Key Of Life — An All-Star GRAMMY Salute,\" a two-hour special that aired on CBS Feb. 16. Truly whetting appetites for that show, Wonder emerged from the shadows at the end of the song for an excitedly received harmonica solo.\u003cbr /\u003e\n\u003cbr /\u003e\nThe GRAMMYs took a trip to Nashville, Tenn., next for \u003ca href=\"/artists/eric-church/10938\"\u003e\u003cb\u003eEric Church\u003c/b\u003e\u003c/a\u003e's \"Give Me Back My Hometown.\" Then it was just left of Nashville for Best New Artist nominee \u003ca href=\"/artists/brandy-clark/17797\"\u003e\u003cb\u003eBrandy Clark\u003c/b\u003e\u003c/a\u003e's teaming with Dwight Yoakam for her \"Hold My Hand,\" to which Yoakam contributed haunting background vocals.\u003cbr /\u003e\n\u003cbr /\u003e\nThe camera then shifted quietly to three silhouetted figures, in what is quickly becoming an iconic pose, for a debut performance of \"FourFiveSeconds,\" \u003ca href=\"/artists/rihanna/5943\"\u003e\u003cb\u003eRihanna\u003c/b\u003e\u003c/a\u003e's new single with \u003ca href=\"/artists/paul-mccartney/4678\"\u003e\u003cb\u003ePaul McCartney\u003c/b\u003e\u003c/a\u003e and West. The trio represented almost unprecedented star power and the song was captivatingly striking in its stark presentation.\u003cbr /\u003e\n\u003cbr /\u003e\nAfter Smith (who emerged as the night's top winner with four GRAMMYs) and Blige's roof-raising performance of \"Stay With Me,\" Colombian singer/songwriter \u003ca href=\"/artists/juanes/9195\"\u003e\u003cb\u003eJuanes\u003c/b\u003e\u003c/a\u003e hit the stage for a performance of his reggae-tinged \"Juntos,\" en español.\u003cbr /\u003e\n\u003cbr /\u003e\nActress Kristen Wiig served as the face of\u003ca href=\"/artists/sia/15372\"\u003e\u003cb\u003e Sia\u003c/b\u003e\u003c/a\u003e for the latter's performance of \"Chandelier,\" miming a comic version of the song's GRAMMY-nominated music video with young dancer Maddie Ziegler, while Sia earnestly sang from a corner of the set, in her customary back-to-the-audience stance.\u003cbr /\u003e\n\u003cbr /\u003e\nAlbum Of The Year winner\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/beck/292\"\u003e\u003cb\u003eBeck\u003c/b\u003e\u003c/a\u003e teamed with \u003ca href=\"/artists/coldplay/10952\"\u003e\u003cb\u003eColdplay\u003c/b\u003e\u003c/a\u003e's Chris Martin for a Crosby, Stills, Nash \u0026amp; Young-inspired version of his acoustic gem \"Heart Is A Drum.\" Though backed only by acoustic instruments, the song's tale of heartbreak and acceptance had an electric impact.\u003cbr /\u003e\n\u003cbr /\u003e\n\"We live in complicated times,\" said Gwyneth Paltrow in introducing \u003ca href=\"/artists/beyonce-knowles/12474\"\u003e\u003cb\u003eBeyoncé\u003c/b\u003e\u003c/a\u003e's take on the gospel standard \"Take My Hand, Precious Lord,\" \"and now more than ever we need understanding and to acknowledge the feelings of others.”\u003cbr /\u003e\n\u003cbr /\u003e\nLooking angelic in a white dress that gave the appearance of wings, Bey took the crowd to church literally, as Hozier had done metaphorically earlier.\u003cbr /\u003e\n\u003cbr /\u003e\nThe 57th GRAMMY Awards closed poignantly with \u003ca href=\"/artists/john-legend/16994\"\u003e\u003cb\u003eJohn Legend\u003c/b\u003e\u003c/a\u003e and \u003ca href=\"/artists/common/1332\"\u003e\u003cb\u003eCommon\u003c/b\u003e\u003c/a\u003e's stunning \u003ci\u003eSelma\u003c/i\u003e theme, \"Glory.\" The performance not only came two weeks prior to their Oscar turn, but taken together with Beyoncé’s preceding tour de force vocal performance, the finale drew a connection in the battle for equal rights from the '60s to the present — capping the night's powerful message about music's ability to stir people to greater awareness and action.\u003cbr /\u003e\n\u003cbr /\u003e\n\u0026nbsp;\u003c/p\u003e"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"57th_cover","id":"8df606b8-ffa7-4994-a2a8-5b178654c651","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"57th Annual GRAMMY Awards","date":"2015-02-08T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2013, through Sept. 30, 2014","showYear":2014},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"56th Annual GRAMMY Awards","deliveryId":"bcc3951c-e58c-4769-8dbe-6f7adf6bcbde","deliveryKey":"awards/56th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":true},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"Reuniting legends, creating unparalleled GRAMMY Moments and giving new artists a global platform are all part of what makes the GRAMMYs a truly unique celebration of music. But this year the GRAMMY stage served as an opportunity to display music's power to unleash \"whoever we are and whoever we dream about being,\" as host [LL Cool J](/artists/ll-cool-j/4008) said in his opening remarks.\n\nFollowing a steamy performance of \"Drunk In Love\" by power couple Beyoncé and Jay Z, Macklemore \u0026amp; Ryan Lewis made their first appearance on the GRAMMY stage to accept the first award of the night for Best New Artist. After catching their collective breath, Macklemore thanked their fans, \"the people that got us on this stage,\" while acknowledging their independent roots.\\\n\n\\\n\n\"We made this album without a record label,\" said Macklemore. \"And we appreciate all the support.\"\n\nThe Seattle rap duo ended their GRAMMY debut on top, garnering a total of four trophies. The duo were later joined by singer/songwriter Mary Lambert and Trombone Shorty for a performance of their GRAMMY-nominated anthem of equality, \"Same Love.\" The performance marked a historic moment for the GRAMMY Awards as Queen Latifah took the stage mid-set to officiate a live marriage ceremony for 33 diverse couples, which was capped with an appearance by Madonna. Madge gave new meaning to the chorus to her \"Open Your Heart,\" proving that while music unleashes independence, it also promotes harmony.\n\n\"When we say music has the power to bring people together at the GRAMMYs, we mean it,\" said Latifah.\n\nFellow GRAMMY newcomer Lorde performed her hit \"Royals,\" which took Song Of The Year and Best Pop Solo Performance. The 17-year-old singer/songwriter was clearly shocked: \"This is the one thing that I did not expect the most about tonight,\" she said while accepting the latter award.\n\nFurther demonstrating music's power to unleash individuality, Hunter Hayes debuted his new single \"Invisible.\" The inspirational piano-driven ballad was colored with several onscreen quotes, including one by John Lennon: \"You don't need anybody to tell you who you are or what you are. You are what you are.\"\n\nCountry singer/songwriter Kacey Musgraves nabbed the first two GRAMMYs of her career for Best Country Song for \"Merry Go 'Round\" with Shane McAnally and Josh Osborne, and Best Country Album for Same Trailer Different Park. Musgraves made her individual mark on the GRAMMYs when she brightened the stage for a performance of \"Follow Your Arrow,\" a song about doing \"whatever you want.\"\n\nOne of the most talked about — and tweeted — performances of the night was the teaming of Imagine Dragons, who won their first GRAMMY for Best Rock Performance for \"Radioactive,\" with rising rapper Kendrick Lamar. On a smoke-filled stage, the collective delivered a colorful mashup of \"Radioactive\" and Lamar's \"m.A.A.d city\" — an appropriate welcome to a new generation of GRAMMY performers.\n\nBut being in with the new does not mean out with the old — or in this case, legendary. Newly minted Lifetime Achievement Award recipient Kris Kristofferson, Willie Nelson and Merle Haggard were accompanied by Blake Shelton for a medley of classics such as \"Okie From Muskogee\" and \"Mamas Don't Let Your Babies Grow Up To Be Cowboys\" that had everyone from Musgraves to Jay Z and Beyoncé swaying in the audience. Daft Punk  and Pharrell Williams — both of whom also topped the winners list with four each, including Album Of The Year for Random Access Memories and a Producer Of The Year, Non-Classical win for Williams — teamed with Nile Rodgers and Stevie Wonder for a mashup of the Chic classic \"Le Freak\" and \"Get Lucky.\" The latter earned Rodgers two of his first three career GRAMMYs for Best Pop Duo/Group Performance and Record Of The Year.\n\nAdditionally, Jay Z and Justin Timberlake won Best Rap/Sung Collaboration for \"Holy Grail,\" which Jay Z accepted on their behalf and dedicated to his daughter Blue Ivy. Bruno Mars took home Best Pop Vocal Album honors for Unorthodox Jukebox, which he dedicated to his late mother Bernadette, who died in June 2013.\n\nOn a satellite stage, 2014 MusiCares Person of the Year honoree Carole King and Sara Bareilles went head-to-head on piano for a performance of Bareilles' \"Brave\" and King's \"Beautiful.\" More all-star collaborations ensued. Robin Thicke joined Chicago to perform the latter's \"Beginnings,\" \"Does Anybody Really Know What Time It Is?\" and \"Saturday In The Park\" and his \"Blurred Lines,\" which earned Thicke his first nominations as an artist. GRAMMY winner Keith Urban and first-time winner Gary Clark Jr. joined for a performance of Urban's \"Cop Car\" that showed off each individual's guitar prowess. Pink made sure no one forgot her high-flying acrobatic skills as she took to the air to perform \"Try\" before Fun.'s Nate Ruess joined to deliver their GRAMMY-nominated hit \"Just Give Me A Reason.\"\n\nThe spotlight was on John Legend as he took a seat behind the piano for a soulful performance of his romantic ballad \"All Of Me,\" which appeared to be dedicated to his new bride, Chrissy Teigen. Taylor Swift went for a no-frills performance, looking glamorous at the piano for her \"All Too Well.\" Meanwhile, fellow singer/songwriter Katy Perry proved she has a dark side, opening encased in a crystal ball for an enchanting performance of her hit single about playing with magic, \"Dark Horse,\" featuring Juicy J.\n\nThough the evening was highlighted by new artists taking home their first GRAMMY gold, as David Grohl remarked while accepting the award for Best Rock Song for \"Cut Me Some Slack\" with Paul McCartney and former Nirvana bandmates Krist Novoselic and Pat Smear, \"If it wasn't for the Beatles, we wouldn't be here.\" Celebrating the 50th anniversary of their U.S. debut on \"The Ed Sullivan Show\" this year, remaining Beatles McCartney and Ringo Starr took the stage, likely reminding some of the younger artists in the audience why they chose their individual paths. After a solo performance by Starr of his chestnut \"Photograph,\" the drummer joined McCartney for the latter's new \"Queenie Eye.\" (Two weeks later, the pair would team again for the successful tribute \"The Beatles: The Night That Changed America — A GRAMMY Salute,\" which celebrated their historic performance on \"The Ed Sullivan Show\" 50 years ago.)\n\nFrom one surprise teaming to another, Metallica took the stage with the GRAMMY Cultural Ambassador to China, pianist Lang Lang. Following an introduction from Oscar winner Jared Leto, who cited Metallica as a \"great rock band who have stayed true to themselves,\" the group delivered a unique performance of their past GRAMMY winner \"One\" that had frontman James Hetfield going guitar-to-piano with Lang Lang. The pianist returned shortly after to pay tribute to the late Van Cliburn during the In Memoriam segment, which also featured Miranda Lambert and Billie Joe Armstrong teaming for a tribute to the late Phil Everly with the Everly Brothers' \"When Will I Be Loved.\"\n\nThe 56th telecast took its final bow with one last memorable GRAMMY Moment that literally rocked. Fleetwood Mac guitar master Lindsey Buckingham and Grohl joined Nine Inch Nails and Queens Of The Stone Age for NIN's \"Copy Of A\" and QOTSA's \"My God Is The Sun.\""},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"56gr_poster_final","id":"065086cd-67f7-46cc-8f53-70859bfa2e86","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"56th Annual GRAMMY Awards","pdf":"https://www.grammy.com","date":"2014-01-26T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2012, through Sept. 30, 2013","showYear":2013},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"55th Annual GRAMMY Awards","deliveryId":"5d3445d9-1b49-47bc-97a5-138ae6cd8b90","deliveryKey":"awards/55th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"\u003cp\u003eWhile many past GRAMMY telecasts have turned into colorful coronations of artists who enjoyed larger-than-life years (\u003ca href=\"/artists/michael-jackson/13202\" target=\"_blank\"\u003eMichael Jackson\u003c/a\u003e's eight GRAMMYs in 1983, Santana's eight in 1999, \u003ca href=\"/artists/beyonce-knowles/12474\" target=\"_blank\"\u003eBeyoncé\u003c/a\u003e's six in 2009, and \u003ca href=\"/artists/adele/528\" target=\"_blank\"\u003eAdele\u003c/a\u003e's six in 2011), the 55th Annual GRAMMY Awards spread the wealth among a crop of younger artists who set the stage for the century's second decade in music.\u003c/p\u003e\n\n\u003cp\u003eRoots-influenced rockers the \u003ca href=\"/artists/black-keys/8120\" target=\"_blank\"\u003eBlack Keys\u003c/a\u003e won three awards in the Rock Field (and guitarist/singer Dan Auerbach added one more for \u003cstrong\u003eProducer Of The Year, Non-Classical\u003c/strong\u003e.\u003c/p\u003e\n\n\u003cp\u003eRap stalwarts \u003ca href=\"/artists/jay-z/9815\" target=\"_blank\"\u003eJay-Z\u003c/a\u003e and \u003ca href=\"/artists/kanye-west/6900\" target=\"_blank\"\u003eKanye West\u003c/a\u003e won three GRAMMYs each, all for their collaborations on \u003cstrong\u003eBest Rap Performance\u003c/strong\u003e and Best Rap Song\u003c/strong\u003ewinner \"N****s In Paris\" and \u003cstrong\u003eBest Rap/Sung Collaboration\u003c/strong\u003e winner \"No Church In The Wild\" (featuring Frank Ocean and The-Dream).\u003c/p\u003e\n\n\u003cp\u003eThen came more relative newcomers: Skrillex added three GRAMMYs to his three from last year; \u003ca href=\"/artists/gotye/2402\" target=\"_blank\"\u003eGotye\u003c/a\u003e rode \"Somebody That I Used To Know\" (featuring \u003ca href=\"/artists/kimbra/3581\" target=\"_blank\"\u003eKimbra\u003c/a\u003e), which became the most idiosyncratic radio hit of 2012, to three awards, including Record Of The Year; \u003ca href=\"/artists/fun/15812\" target=\"_blank\"\u003eFun.\u003c/a\u003e won their first two GRAMMYs for Song Of The Year for \"We Are Young\" (featuring \u003ca href=\"/artists/janelle-monae/4464\" target=\"_blank\"\u003eJanelle Monáe\u003c/a\u003e) and Best New Artist; and Mumford \u0026amp; Sons, one of the trailblazers for the new wave of acoustic roots artists, won Album Of The Year for Babel.\u003c/p\u003e\n\n\u003cp\u003eSome of the winning artists were so new, they took other winners by surprise.\u003c/p\u003e\n\n\u003cp\u003e\"Miguel, I don't know who the hell you are, but we need to sing together,\" shouted \u003ca href=\"/artists/kelly-clarkson/11249\" target=\"_blank\"\u003eKelly Clarkson\u003c/a\u003e while collecting her Best Pop Vocal Album GRAMMY for Stronger, referring to \u003ca href=\"/artists/miguel/4571\" target=\"_blank\"\u003eMiguel\u003c/a\u003e's brief slow jam of his Best R\u0026amp;B Song winner \"Adorn\" (on which he teamed with Wiz Khalifa). \"That was the sexiest damn thing I've ever seen.\"\u003c/p\u003e\n\n\u003cp\u003eIt was more than a fresh breeze that blew over the 55th GRAMMYs, it was arguably a wind of change.\u003c/p\u003e\n\n\u003cp\u003eStill, the telecast remained music's biggest melting pot, with performances that brought innumerous ingredients to the stew, starting with one that was a virtual stew all on its own. With nose-thumbing clowns, a wheelchair-bound Mephisto and scary puppeteers, \u003ca href=\"/artists/taylor-swift/15450\" target=\"_blank\"\u003eTaylor Swift\u003c/a\u003e turned in the most threatening \"We Are Never Ever Getting Back Together\" ever.\u003c/p\u003e\n\n\u003cp\u003eBritish singer/songwriter \u003ca href=\"/artists/ed-sheeran/6178\" target=\"_blank\"\u003eEd Sheeran\u003c/a\u003e teamed with the head of his management company, \u003ca href=\"/artists/elton-john/12074\" target=\"_blank\"\u003eElton John\u003c/a\u003e, for a strong reading of the former's Song Of The Year-nominated \"The A Team,\" the tale of a homeless addict.\u003c/p\u003e\n\n\u003cp\u003eFun. brought drama to \"Carry On,\" their song of perseverance, in the form of both their anthemic ambition and a rainstorm of real water that drenched their set.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/miranda-lambert/4851\" target=\"_blank\"\u003eMiranda Lambert\u003c/a\u003e and Dierks Bentley, met under a large blue tree for intimate duets of her \"Over You\" and his \"Home.\"\u003c/p\u003e\n\n\u003cp\u003eMumford \u0026amp; Sons gave a jolt to the crowd with their endlessly energetic \"I Will Wait.\" The way they attacked their acoustic guitars would have made Pete Townshend proud.\u003c/p\u003e\n\n\u003cp\u003eBreaking a seven-year hiatus from live music performance, Justin Timberlake hit a sepia-toned stage for a suave medley of his new \"Suit \u0026amp; Tie\" (on which he was joined by Jay-Z) and \"Pusher Love Girl\" from his 2013 album, The 20/20 Experience.\u003c/p\u003e\n\n\u003cp\u003eIn another unique pairing, \u003ca href=\"/artists/maroon-5/13090\" target=\"_blank\"\u003eMaroon 5\u003c/a\u003e and \u003ca href=\"/artists/alicia-keys/12104\" target=\"_self\"\u003eAlicia Keys\u003c/a\u003e teamed for the former's \"Daylight\" and the latter's \"Girl On Fire,\" both songs that kindle with power and emotion.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/rihanna/5943\" target=\"_blank\"\u003eRihanna\u003c/a\u003e was joined by Mikky Ekko for \"Stay,\" a song he co-wrote and on which he is a featured vocalist. With Rihanna in a simple black dress on a no-frills stage, the song's message of passion over logic bore through.\u003c/p\u003e\n\n\u003cp\u003eThe Black Keys wasted no time revving up \"Lonely Boy.\" The rocker, which owes a debt to rockabilly, swamp rock and electric blues, was punctuated by the New Orleans piano of Best Blues Album GRAMMY winner Dr. John and a pinch of Dixieland from the Preservation Hall Jazz Band.\u003c/p\u003e\n\n\u003cp\u003eClarkson returned for a vocal salute to two giant female artists, both of whom received Recording Academy Lifetime Achievement Awards in 2013. First up was \"Tennessee Waltz\" in honor of Patti Page, followed by \"A Natural Woman (You Make Me Feel Like),\" co-written by Carole King.\u003c/p\u003e\n\n\u003cp\u003eThe tributes continued with a nod to Bob Marley, who was the subject of the Best Compilation Soundtrack For Visual Media-nominated Marley. Two of the performers, like Marley, hail from tropical islands: \u003ca href=\"/artists/bruno-mars/5082\" target=\"_blank\"\u003eBruno Mars\u003c/a\u003e from Hawaii and Rihanna from Barbados. Also joining was Sting, whose music with the Police owed a debt to reggae and ska. Mars began with his own \"Locked Out Of Heaven\" followed by the similar-sounding Police chestnut \"Walking On The Moon.\" Rihanna emerged with Ziggy and Damian Marley for their father's \"Could You Be Loved.\"\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/lumineers/14762\" target=\"_blank\"\u003eThe Lumineers \u003c/a\u003eplayed a shortened version of their inescapable hit \"Ho Hey\" before introducing \u003ca href=\"/artists/jack-white/15627\" target=\"_blank\"\u003eJack White\u003c/a\u003e. The latter played \"Love Interruption\" with his all-female band the Peacocks. He then segued into the harder \"Freedom At 21\" with male backers the Buzzards. By the time he finished the tumult, he had thrown and stepped on his guitar, leaving a sonic residue of decaying feedback.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/hunter-hayes/9010\" target=\"_blank\"\u003eHunter Hayes\u003c/a\u003e played a portion of his hit \"Wanted\" solo on piano before bringing out fellow country star \u003ca href=\"/artists/carrie-underwood/10381\" target=\"_blank\"\u003eCarrie Underwood\u003c/a\u003e for a stripped-down version of her Best Country Solo Performance winner \"Blown Away.\" Underwood's awe-inspiring vocals were matched by her billowy dress, which doubled as a projection screen to depict the heartbreak of the song.\u003c/p\u003e\n\n\u003cp\u003eThe 2013 In Memoriam segment was bookended by two memorable tributes. The first featured pianist Chick Corea, bassist Stanley Clarke and sax player Kenny Garrett honoring the late Dave Brubeck with the timeless, and time-challenging, \"Take Five\" along with \"Blue Rondo À La Turk.\"\u003c/p\u003e\n\n\u003cp\u003eFollowing the segment, an all-star cast including Zac Brown, T Bone Burnett, \u003ca href=\"/artists/alabama-shakes/14656\" target=\"_blank\"\u003eAlabama Shakes\u003c/a\u003e' Brittany Howard, Elton John, Mumford \u0026amp; Sons, and Mavis Staples sang a gritty \"The Weight\" in honor of Levon Helm, who sang the original with the Band.\u003c/p\u003e\n\n\u003cp\u003eJuanes added a verse of español to the proceedings with a loving acoustic Spanglish rendition of Elton John's \"Your Song,\" before introducing \u003ca href=\"/artists/frank-ocean/15669\" target=\"_blank\"\u003eFrank Ocean\u003c/a\u003e. The first Best Urban Contemporary Album winner sang his elegiac \"Forrest Gump\" backed by running-sequence footage similar to the film of the same name.\u003c/p\u003e\n\n\u003cp\u003eAfter the show's most somber performance, the 55th GRAMMYs rode out on a burst of old-school rap energy, with GRAMMY host LL Cool J teaming with Chuck D, Travis Barker, Tom Morello, and DJ Z-Trip for his own \"Whaddup\" and a brief tribute to fallen Beastie Boy Adam Yauch with \"No Sleep Till Brooklyn.\"\u003c/p\u003e"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"55th_poster","id":"0dea14f3-90e3-4eeb-8e11-a4b9ef2979c3","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"tags":["55th Annual Grammy Awards"],"title":"55th Annual GRAMMY Awards","date":"2013-02-10T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Year: Oct. 1, 2011, through Sept. 30, 2012","showYear":2012}],"title":"GRAMMY Awards Time Capsule"},{"_meta":{"schema":"https://therecordingacademy.com/content/awards-row","name":"Awards Row","deliveryId":"571e74d9-4519-4ee8-bacf-aecd2b7997d6"},"simpleOne":{"_meta":{"schema":"https://therecordingacademy.com/content/simple-content-card","name":"Simple Content Card: Explore GRAMMY Awards","deliveryId":"10a5ef55-812d-44e2-8434-b5f5987c2161"},"configs":{"paragraphFontSize":"24px"},"title":"Explore the GRAMMY Awards","paragraph":"*As the only peer-recognized music award, the GRAMMY is the music industry’s highest honor. We’re counting on you in the music community to continue that legacy by participating in the process.*"},"simpleTwo":{"_meta":{"schema":"https://therecordingacademy.com/content/simple-content-card","name":"Simple Content Card","deliveryId":"727295e9-639b-4b06-ada8-8c7081e25922"},"configs":{"paragraphFontSize":"20px"},"cta":{"ctaText":"LEARN MORE","url":"https://www.recordingacademy.com/awards"},"title":"How it Works","paragraph":"\u003cspan class=\"s1\"\u003eWe’re not leaving it to you to figure it out alone. Here, you’ll find important information about everything from online entry to the voting process itself.\u003c/span\u003e"},"featuredArticleCard":{"_meta":{"schema":"https://therecordingacademy.com/content/featured-article-card","name":"Featured Article Card: Ant Clemons Sunshine","deliveryId":"b191b64a-ff80-4eae-8ebf-1bc97854fe94"},"cardInfo":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: See The Full Nominations List","deliveryId":"f28b6153-d42b-499c-9166-a4bc43c0e95f","deliveryKey":"news/2025-grammys-nominations-full-winners-nominees-list"},"articleCategory":["news"],"contributors":[{"id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"d3d25692-bf75-446d-83de-381f7b1d68a5"},"bodyText":{"richText":"***\u003cspan\u003eEditor’s Note: \u003c/span\u003e**\u003cspan\u003eUpdated Friday, Nov. 8, to reflect the nominations at the 2025 GRAMMYs, officially known as the 67th GRAMMY Awards.\u003c/span\u003e*\n\n\u003cspan\u003eThe 2025 GRAMMYs season is in full swing. The 2025 GRAMMY nominations have been officially announced, leading up to Music's Biggest Night. See all of the nominations in 94 categories below, including \u003c/span\u003e**[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-record-of-the-year)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eAlbum Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-album-of-the-year)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammy-nominations-song-of-the-year)**\u003cspan\u003e, and \u003c/span\u003e**[\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist)**\u003cspan\u003e below.\u003c/span\u003e\n\n\u003cspan\u003eThe main event: The \u003c/span\u003e[\u003cspan\u003e2025 GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-show-air-date-announced)\u003cspan\u003e, officially known as the 67th GRAMMY Awards, will take place live at Crypto.com Arena in Los Angeles on \u003c/span\u003e**\u003cspan\u003eSunday, Feb.2\u003c/span\u003e**\u003cspan\u003e, broadcasting live on the CBS Television Network and streaming live and on demand on Paramount+. \u003c/span\u003e\n\n\u003cspan\u003eBefore the awards, Final Round Voting will take place from \u003c/span\u003e**\u003cspan\u003eDec. 12, 2024 to Jan. 3, 2025\u003c/span\u003e**\u003cspan\u003e. The Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which will all go into effect immediately at the 2025 GRAMMYs.\u003c/span\u003e\n\n\u003cspan\u003eAll these changes are designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e; read our \u003c/span\u003e[\u003cspan\u003eFirst Round Voting guide for the 2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/how-to-vote-2025-grammys-voting-guide)\u003cspan\u003e; \u003c/span\u003e[\u003cspan\u003eread our FAQ (Frequently Asked Questions) section\u003c/span\u003e](https://www.recordingacademy.com/awards/faq)\u003cspan\u003e; view the \u003c/span\u003e[\u003cspan\u003eofficial GRAMMY Awards Rules and Guidelines\u003c/span\u003e](https://www.grammy.com/awards/rules-guidelines)\u003cspan\u003e; and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eMake sure to come back and tune in on \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2,\u003c/span\u003e**\u003cspan\u003e for the reveal of all the 2025 GRAMMY winners. \u003c/span\u003e\n"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"2025 GRAMMYs: Meet The Nominees","deliveryId":"9d29040a-fc90-4b82-aa3b-4ea224401ec8"},"isChatbotAvailable":false,"slides":[{"id":"f28b6153-d42b-499c-9166-a4bc43c0e95f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"a641a720-8512-4139-9da1-8e2f1f2b39fe","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/slide"},{"id":"c7d0c9bf-ae5a-451b-a66e-044ecab3564c","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"e75d22a2-9287-42f6-84c8-175d26c7204f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"e41552a5-d111-4629-8a85-5233aa8ed099","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"03cf618b-a117-4ffd-926d-f434782bc3c1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"ce340ce9-c8a5-4e64-afd5-3a5b0ce73b81","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"6b489b23-5849-48fb-bbbd-44e2f95d163a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"113c6a33-ccd2-4a9f-9d8a-60333654d5c2","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"912d0ba4-4d99-4a15-a9c0-492974778679","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"add1c226-ade2-4660-b2ea-08ac1f8e18c1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"4f5ca983-3a0a-4aa7-813e-1ebdffed77a2","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"61558099-1759-4ea8-be4e-a14a9dfc45b9","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"f3f9f004-0efa-4224-82a8-7ecf6d484c50","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"9cc515ce-b64b-412c-bad8-17630b84f1d0","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"0f4170fb-d9fd-47e7-851e-9c95a108784d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"853b4791-397b-42a9-8321-06403050179a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"},{"id":"15511342-c98d-4ba7-b28f-80c87611c72e","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article"}],"title":"2025 GRAMMYs: Meet The Nominees"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist.\u003c/span\u003e\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Now and Then\"\u003c/span\u003e** *\u003cspan\u003e–\u003c/span\u003e* \u003cspan\u003eThe Beatles\u003c/span\u003e\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e –  Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar\u003c/span\u003e\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e**  \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar)\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nIan Kirkpatrick, producer; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter)\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** —  The Beatles\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent)\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA)\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge)\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar)\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Meleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast)\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves)\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell)\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists)\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Éru Matsumoto \u0026amp; Chandrika Tandon\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e\n\n\u003cspan\u003eDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Sam Canter \u0026amp; Jamie Rabineau, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; William H. Masterson III, video producer\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx)\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon)\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists)\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists)\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti \u0026amp; Mitch McCarthy, engineers; Joe La Porta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May \u0026amp; Dom Shaw, engineers; Matt Colton, mastering engineer (Peter Gabriel)\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra)\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel)\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman)*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly)\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles  or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter)\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Willow, arranger (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic)\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing)\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"id":"ec9eba9c-c548-4113-89c9-981abf385da7","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"2025 GRAMMYs Full Nomination List"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731082755789,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The OFFICIAL Full Nominations List","shortTitle":"2025 GRAMMYs: See The Full Nominations List","subHeadline":"The 2025 GRAMMY OFFICIAL nominations have been announced. See the full list of nominees in all 94 categories ahead of Music's Biggest Night on Sunday, Feb. 2.","articleSummary":"The 2025 GRAMMY OFFICIAL nominations have been announced. 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