The Very Air: Pibroch ca. 1964 | Pipe Majors John Burgess & John MacLellan with Calum Johnston

<!DOCTYPE html> <html xmlns:og="http://opengraphprotocol.org/schema/" xmlns:fb="http://www.facebook.com/2008/fbml" lang="en"> <head> <title>The Very Air: Pibroch ca. 1964 | Pipe Majors John Burgess & John MacLellan with Calum Johnston | Canary Records</title> <meta name="description" content=" The Very Air: Pibroch ca. 1964 by Pipe Majors John Burgess &amp; John MacLellan with Calum Johnston, released 12 September 2024 1. John MacLellan - Clan Campbell&#39;s Gathering (Cruinneachadh Sil Diarmaid) 2. John Burgess; sung by Calum Johnston - Black Donald&#39;s March (Piobaireachd Dhomhnuill Duibh) 3. John Burgess; sung by Calum Johnston - The Old Men of the Shells (Bobaich Dhubha nan Sligean) 4. John Burgess - Lament for Viscount Dundee (Cumha Chlaibhers) 5. John MacLellan - Lament for Padruig Og (Cumha Padruig Oig) 6. John MacLellan - The Battle of the Pass of Crieff (Cath Bealach Chraoibhe) 7. John MacLellan - The Old Woman&#39;s Lullaby (Cronan na Caillich sa Bheinn Bhric) “Able, accurate playing which includes, among other things, correct score, correct time, absence of ‘screams’ or stops, pure tone, harmony, ease, precision of execution by arm and finger — these are after all but the rudimentary essentials attainable by the average piper of intelligence and diligence. […] Piobaireachd is much more. There is the manner of expressing the message, the pouring forth of the spirit of the composition, the difference between mechanical facility of rendering and the living, vibrating note, the difference between even artistic technique and the tenderness of a cherished memory.” -Col. Alexander Fraser, 1924 Bagpipes were introduced to Britain by the Romans as martial instruments nearly two thousand years ago, derived by the Romans from instruments thousands of years older and originating thousands of miles further east. The pipe music played in Scotland by the 16th century, and over the 17th and 18th centuries when the ceòl mòr (great music) repertoire came into full flower was apparently derived from earlier traditions performed on harp and violin. The MacCrimmon family’s contributions for almost two hundred years (the mid-16th to mid-18th centuries) as composers and pedagogues of piping employed by the aristocracy of the MacLeod clan in that era was likened by the scholar R.L.C. Campbell to the work of the Bach family. The music went into decline in the aftermath of the 1745 Jacobite Rising during the second half of the 18th century when a number of emblematic features of Scottish culture were banned. Piping was actively revived during the 19th century by charitable organizations and fraternal brotherhoods, and a significant body of literature on the music was published. The first President of the Piobaireachd Society Major General Charles Simeon Thomason (b. 1833; d. July 1911) published a systematized anthology of 275 ceòl mòr tunes in 1900, laying a foundation for much of what developed in the century that followed him. Pipers were widely employed in British military campaigns of the late 19th and early 20th centuries. Their mortality rate was high. In World War I, the 16th Canadian Scottish Battalion had 17 pipers in 1915; by the end of 1918, three survived. The shorter-form ceòl beag (light music) repertoire of dances and marches and the ceòl meadhonach (middle music) of slow airs were suited to the three-minutes-per-side duration of the 78rpm format, although pibroch melodies were recorded commercially by William C. Ross as early as 1910-11. (Ross was performing pibroch on Scottish radio by 1926.) But the necessarily and mesmerically long durations needed in piobaireachd performance to work through its structure of variations were not captured on disc recording until the 1960s. These performances supervised by the aforementioned R.L.C. Campbell and published in the U.K., and Canada in 1964 of two of the greatest performers of the 20th century are apparently earliest and have remained out of print for six decades. They are, in part, documents of a larger and longer succession of waves of serious study of Scottish culture, highland culture in particular, which had been subject to discrimination and suppression for a century. Pipe Major John MacLellen was quoted in 1953 as saying that at the time were only 300 really good pipers in the world. (In 1967, he was quoted as giving the number as “only about 40.”) The efforts of those involved in this group of recordings and others of their time have significantly increased that number seventy years later. Coincident with the release of these albums was the initial exposure for many Americans to Scottish pipe music under traumatic circumstances. The broadcast of the funeral of the assassinated President John F. Kennedy in late November 1963 included the nine-piece USAF Black Watch pipe band performing the “Mist Covered Mountains.” It was intensely emotional and not at all pleasant, and some of those associations have lingered in the States. Nonetheless, the spread of piping continued globally. The Glaswegian piper Seamus MacNeill said in the early 1960s, “It’s curious that such a primitive instrument should flourish in modern times and that it should have such peculiar effects on people who hear it.” The physicality of the sound in the body, stimulating the nervous and adrenal systems in ways that remain mysterious, and in the space surrounding the listener in a miasma of phasing harmonics is at once glandular and cosmic — the peanut butter and chocolate so much of the best music. Or, in more genteel terms, as an unnamed Scottish journalist described listening to a MacCrimmons composition at an outdoor piping competition at a meeting in the Outer Hebrides in August 1927: “…a ‘heavy tune,’ long and testing throughout and full of music that uplifts the heart. It was, we can doubt not, composed under conditions similar to those under which it was played today, when the sigh of the waves, the soft rush of the wind, the silent music of the very air slumbering at her instrument, together produced that rhythm or harmony which is itself the secret of all music, of all happiness.” ===== John D. Burgess (b. Aberdeen, March 11, 1934; d. June 29, 2005) began to learn pipes from his father at the age of four and was studying under the venerated Pipe Major William C. Ross (b. 1878; d. 1966) at the Army School at Edinburgh Castle by the age of six. A prodigy, Burgess won the Highland Society of London&#39;s gold medals for his pibroch playing at the age of 16 in 1950 at both the Argyleshire Gathering and Northern Meeting. He toured the U.S. and Canada with Willie Ross in April 1952 before joining the Queen’s Own Cameron Highlanders infantry regiment as a piper and the Edinburgh City Police where he was the pipe major. He taught in the Territorial Army at Inverness. He retired from competitive piping around 1979, becoming a teacher and judge of the instrument. He was awarded an MBE in 1988. John A. MacLellan (b. Dunfermline, July 1921; d. April 1991) attended the Benedictine Fort August Abbey School in Inverness-shire as a boy. He began studying pipes under his father and by age 8 was performing publically. In 1936 he joined the Queen’s Own Cameron Highlanders as a piper. “I joined the Army when I was 15 to learn to play the pipes properly,” he said. At 19 years old, he was Pipe Major of the 9th Battalion. He graduated from William C. Ross’s Pipe Major course with a distinguished certificate and then studied piobaireachd for six weeks under John MacDonald. He served in Germany, Egypt, and Gibraltar. From 1947 through the mid-60s he won a string of awards including an MBE in 1963. With the great Seamus MacNeill of the College of Piping, Glasgow, and the dancer James MacKenzie, he performed in North America in 1953 at which time he met with and demonstrated the coel mor’s structure for the classical violinist Yehudi Menuhin, who is reported to have responded “Amazing! Impossible!” In 1959 he took over Willie Ross’s position teaching piping at Edinburgh Castle and published six books of music in the 1960s and ’70s. From 1964-68, he recorded himself performing 120 pieces from his repertoire on a tape recorder at Edinburgh Castle. (They are available to listen to here: https://www.pipesdrums.com/all-castle-recordings/ ) He and his wife Bunty published International Piper magazine from 1978 to ’81 and was a very active teacher through the U.K., U.S., Canada, Australia, New Zealand, and South Africa in the 1970s and ‘80s. Calum Johnston (b. Glen near Castlebay, Barra 1891; d. Barra, December 4, 1973) grew up in a Gaelic-speaking household on a treeless island of the Outer Hebrides as the second-youngest of seven children. From the age of fourteen, he trained as a draughtsman in Manchester where he later became secretary of the city’s Piper’s Association. He worked for an electrical engineering firm in Edinburgh where he was again very involved in the piping community and where he was first recorded by Alan Lomax in 1951. He and his sister Annie, a schoolteacher in Castlebay, were significant sources for folklorists looking into Gaelic Scottish traditional music and culture. His inclusion preceding two of the performances on this album was apparently intended by the session producer R.L.C. Lorimer as a way of demonstrating the music’s connection to folkloric antiquity. Johnston died while piping in the funeral procession of the writer Sir Compton MacKenzie in hard winds and cold rain at the age of 82. Robert Lewis Campbell “Robin” Lorimer (b. Glasgow Sept. 7, 1918; d. Aug. 22, 1996) was the only child of Classics scholar William Laughton Lorimer (b. Strathmartine 1885; d. 1967). His mother died when he was young. Educated at the public boarding Shrewsbury School and then at Balliol College at Oxford University, he served in WWII as an anti-tank gunner before settling in Edinburgh in 1947 where he began his career as an editor first for Thomas Nelson and then for Oliver and Boyd. His own Southside imprint published Scottish poetry and published his father’s translation of The New Testament in Scots. He began to take a scholarly interest in the early written sources on piobaireachd in the 1940s. ===== Brief summaries of Lorimer’s 1964 notes on the tunes with reference to early 2000s notes by Dr. William Donaldson: Clan Campbell’s Gathering Titled the Battle of Doirneag in a manuscript by Angus Mackay ca. 1826-40. “Nothing is known about its origin,” according to Lorimer. Black Donald’s March Known in the late 18th and early 19th centuries as Maclean’s Gathering and Camerons’ Gathering. Donaldson points out that it was mentioned in Sir Walter Scott’s mention of it in his “Pibroch of Donuil Dubh” making it one of the first melodies to become famous outside Scotland. Its association with the 1431 Battle of Inverlochy and the first chief of the Clan Cameron Donald Dubh may be specious. https://www.pipesdrums.com/core/docengines/95E71319F4484EC9913E96C6B427F2C4.pdf The Old Men of the Shells Whisky was in the past drunk from scallop or clam shells. Dr. Donaldson points out a source that associates the tune with a battle between the Mackenzies of Kintail and the Macdonalds of Skye but clarifies that the details of that source seem to confuse two events that took place two hundred years apart from one another. https://www.pipesdrums.com/core/docengines/BE469F86117F444B92C490BD5F374A2D.pdf Lament for Viscount Dundee The titular viscount, John Graham of Claverhouse, was killed at the Battle of Killiecrankie on July 27, 1689, in which the Jacobites were victorious in a battle to restore James VII to the throne, but the viscount died of a gunshot wound. The tune is notable and anomalous in its use of all nine tones of the chanter. Lament for Padruig Og Composed by the blind piper Iain Dall Mackay (b. Gairloch, Ross-shire 1666; d. 1754) who had been the star pupil at the MacCrimmon College and composed at least 24 pibrochs among many other tunes. Mackay composed the piece after having heard that his teacher Padruig Og MacCrimmon was dead. The news turned out to be false. When Mackay went to visit MacCrimmons, Mackay played the tune without mentioning its title or its origin. When Maccrimmons asked where he’d learned it, Mackay reluctantly revealed the circumstances of its composition, MacCrimmons replied “So now it seems I must learn by own lament!” https://www.pipesdrums.com/core/docengines/FDFD1EB9B3EF4E8A87D6BE10CC2E92CA.pdf The Battle of the Pass of Crieff Lorimer says that the skirmish of the title was over the taxation of whiskey and took place in 1730 but that it’s not known how the tune is related to the event. Donaldson points out that there isn’t a pass within 20 miles of Crieff. The tune is known by several other names and is related to several other pieces. https://www.pipesdrums.com/core/docengines/489681D3F398433ABBFFC35768475E2C.pdf The Old Woman’s Lullaby Apparently composed late in life by an itinerant tailor named Ailean Dall MacDougall (b. 1797) based on a folk song starting with the line “It’s better to be born out of wedlock than to be married.” Its title in Gaelic refers to the deer-herding hag goddess Cailleach whose cult was still in practice in one place according to Lorimer when he wrote his notes. He was inclined to think of this as an indication of pre-Christian origins embedded in the tune, something 20th-century folklorists were always looking for. 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class="view-collection" data-test="submenu-item-view-collection">view collection</div> </a> </li> <li class="submenu-item"><a href=""><span data-test="submenu-item-purchases">purchases</span></a></li>  <li class="ui-widget-content ui-menu-divider first"></li>   <li class="menu-switch ui-menu-item submenu-item ui-state-disabled" data-bind="visible: !showLinkedBands()"> <span data-bind="attr: {href: loggedInBand().trackpipeLocalUrl() + '/artists?from=menubar_artist_dropdown'}, text: loggedInLabelMemberBandsCountStr()"></span> </li> <ol class="label-artist-menu no-pro-badges ui-state-disabled ui-menu-item" data-bind="visible: !showLinkedBands()" data-test="label-artists"> <input type="text" class="artist-filter-text" data-test="artist-filter-text" data-bind="textInput: labelMemberBandsSearchTerm, visible: loggedInLabelMemberBands().length > 10" placeholder="Search all artists">  <li class="label-member-band submenu-item" data-bind="template: { 'name': 'band-menuitem-template-options' }"></li>   <li class="no-results submenu-item">no results</li>  </ol> <li class="ui-widget-content ui-menu-divider" data-bind="visible: !showLinkedBands()"></li>    <ol class="linked-accounts-wrapper"> <li class="menu-switch ui-menu-item submenu-item linked-accounts-menu ui-state-disabled" data-bind="click: () => showLinkedBands(!showLinkedBands())" data-test="linked-accounts-header"> <span data-bind="text: loggedInLinkedBandsCountStr()"></span><div data-bind="css: { 'arrow-down': showLinkedBands(), 'arrow-right' : !showLinkedBands() }"></div> </li> <ol class="linked-accounts-menu-content" data-bind="visible: showLinkedBands()" data-test="linked-accounts">  <li class="submenu-item" data-bind="template: { 'name': 'band-menuitem-template' }, css: { 'hidden': ($data.id == $root.artistsMenu.loggedInBand().id) }"></li>  </ol> </ol> <li class="ui-widget-content ui-menu-divider"></li>   <ol class="all-user-option"> <li class="submenu-item"><a href="https://bandcamp.com/settings?from=menubar" data-test="submenu-item-settings">settings</a></li> <li class="submenu-item"><a href="https://get.bandcamp.help" data-test="submenu-item-help">help</a></li> <li class="submenu-item"><a class="logout-action" href="https://bandcamp.com/logout" data-test="submenu-item-logout">log out</a></li> </ol> </ol> </ul> </li>   <li data-bind="visible: hasCart" class="menubar-item hoverable cart-wrapper hidden-while-loading svg-icon" data-test="mb-cart"> <a href="https://bandcamp.com/cart" data-bind="click: goCart" title="cart"> <svg width="26" height="26" class="menubar-cart-icon"> <use xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="#menubar-cart-icon"></use> <text data-bind="text: numCartItemsDisplay" x="15" y="12" dominant-baseline="middle" text-anchor="middle"> </text> </svg> </a> </li> <li class="menubar-item hoverable " data-test="mb-signup"> <a class="all-signup-link"> sign up </a> </li> <li class="menubar-item hoverable " data-test="mb-login"> <a href="https://bandcamp.com/login?from=menubar" class="login-link"> log in </a> </li>  </ul> </div> <div class='corp-banners'> </div>  <script type="text/html" id="band-menuitem-template"> <a class="menu-artistitem" data-bind="css: {'is-pro': isPro()}, attr: {href: $root.artistsMenu.isPageBand(id) ? '' : trackpipeLocalUrl()}" > <span class="menu-artistpic">  <img data-bind="src_image: {image_id: photo(), format: 'art_embedded_player'}">   <div class="no-image-placeholder"></div>  </span> <span data-bind="text: name()" class="menu-bandname menu-text"></span> <span data-bind="visible: isPro()" class="menubar-badge-pro round3">PRO</span> </a> </script> <script type="text/html" id="band-menuitem-template-options"> <a data-bind="attr: {href: trackpipeLocalUrl()}" class="menu-artistitem"> <span class="menu-artistpic">  <img data-bind="src_image: {image_id: photo(), format: 'art_embedded_player'}">   <div class="no-image-placeholder"></div>  </span> <span data-bind="text: name()" class="menu-bandname menu-text"></span> <span class="show-more" data-bind="visible: $root.artistsMenu.bmgr.bandByID(id) || $root.artistsMenu.lmgr.isMemberBandAuthed(id), click: () => $root.artistsMenu.setActiveLabelMemberBand(id)">•••</span> </a>  <div class="label-artist-menu-links ui-menu-item"> <span data-bind="visible: $root.artistsMenu.bmgr.bandByID(id) || $root.artistsMenu.lmgr.isMemberBandAuthed(id)"> <a data-bind=" attr: {href: 'https://bandcamp.com/profile?from=menubar&id=' + id}" > <span class="menu-text">edit profile</span> </a> <a data-bind=" attr: {href: 'https://bandcamp.com/tools?from=menubar&id=' + id}" > <span class="menu-text">tools<span> </a>  <a data-bind="click: $root.artistsMenu.launchPageDesign.bind($data)"><span class="menu-text">page design</span></a>   <a data-bind="attr: { href: 'https://bandcamp.com/subscriptions?band_id=' + id + '&from=menubar'}"><span class="menu-text">subscription</span></a>   <a data-bind="attr: { href: trackpipeLocalUrl() + '/' + serviceUrlFragment() + '?from=menubar'}"><span data-bind="text: serviceName()" class="menu-text">subscription</span></a>  </span> </div>  <span class="show-less" data-bind="visible: $root.artistsMenu.activeLabelMemberBand() == id && ($root.artistsMenu.bmgr.bandByID(id) || $root.artistsMenu.lmgr.isMemberBandAuthed(id)), click: () => $root.artistsMenu.setActiveLabelMemberBand(id)">show less</span> </script>  <script type="text/html" id="band-parentlabel-template"> <div data-bind="css: {'artist-listing-with-links': $parent.columns() > 1}"> <a class="menu-artistitem" data-bind="attr: {href: trackpipeUrlHttps()}">  <span class="menu-artistpic"> <img data-bind="src_image: {image_id: photo(), format: 'bio_navbar'}"> </span> <span data-bind="text: name()" class="menu-bandname"></span>    <img class="photo" data-bind="src_image: {image_id: photo(), format: 'fan_bio_thumb_small'}">   <div class="photo none"></div>   </a> <div class="infobox"> <p class="name"><a data-bind="attr: {href: trackpipeUrl()}, text: name()"></a></p> <p class="actions"> <a data-bind="attr: {href: 'https://bandcamp.com/profile?from=menubar&id=' + id}">profile</a> · <a data-bind="attr: {href: 'https://bandcamp.com/tools?from=menubar&id=' + id}">tools</a> · <a data-bind="attr: {href: trackpipeLocalUrl() + '/stats?from=menubar'}">stats</a> </p> </div> </div> </script> </div> </div> <div class="bannercontainer"> </div> <div class="corpbanner newsletter-invite-banner" style="display: none;"> <span class="tell-us-what-you-like">Get fresh music recommendations delivered to your inbox every Friday.</span> <svg class="dismiss" width="18" height="18" viewBox="0 0 24 24"><use xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="#material-close"></use></svg> </div> <div class="corpbanner tos-update"> <div class="text"> We’ve updated our <a class="tos-update-link" target="_blank" href="/terms_of_use">Terms of Use</a>. You can review the changes <a class="tos-update-link" target="_blank" href="/terms_of_use">here</a>. </div> <div class="text text-phone"> We’ve updated our <a class="tos-update-link" target="_blank" href="/terms_of_use">Terms of Use</a>. You can review the changes <a class="tos-update-link" target="_blank" href="/terms_of_use">here</a>. </div> <a class="dismiss-banner" href="#"> <span class="ui-icon dismiss-icon"></span> </a> </div>  <div id="centerWrapper" > <div id="propOpenWrapper"> <h4 style="font-family: sans-serif; background-color: yellow; max-width: 50em; margin: 1em auto; padding: 0.5em; text-align: center;"> Sorry, Bandcamp no longer supports the version of Internet Explorer that you're using (7.0).<br> Please <a href="http://windows.microsoft.com/ie">upgrade your browser</a> to the latest version and try again. </h4> <div id="pgBd" class="yui-skin-sam"> <style type="text/css" id="custom-design-rules-style" data-design="{"bg_color":"000000","text_color":"191919","secondary_text_color":"858585","link_color":"060CF5","body_color":"FFFFFF","hd_ft_color":"848484","navbar_bg_color":"FAF6D6","invert_iconography":null,"tile_bg":null,"bg_halign":"l","bg_image_id":null,"bg_file_name":null,"defaultbg":false,"bg_fixed":null,"bg_behavior":"r"}"> #propOpenWrapper { background: none transparent; } #pgBd { background: #FFFFFF; color: #191919; } a.custom-color, .custom-link-color, #trackInfo a:not(.notSkinnable), #trackInfo .buy-link, #tagArea a, #rightColumn a, #name-section a, #indexpage a, .editable-grid a, .featured-grid a, #band-navbar a, #live-ticket-item a.themeable, #live-ticket-item .buy-link, #live-ticket-item .more-merch a, #merch-item p a, #merch-item .buy a, #merch-item .more-merch a, button.order_package_link.buy-link, h4.ft.compound-button.send-as-gift, .share-collect-controls a, .share-collect-controls button, .follow-unfollow, .follow-unfollow div, .collected-by a, .subscribe a, .sub a, .video-list a, .sub .main a, .subwelcome a, .artists-grid-name a, .featured-grid-name, .label-welcome .buttons a.new, .themed .label-band-selector a.themeable, .tralbum-tags a, button.join-live-event.live-event.live-event-stream-button { color: #060CF5; } #trackInfo .g-button:not(.send-as-gift):not([disabled]), #merch-item .g-button:not(.send-as-gift):not([disabled]) { background-color: #060CF5; border-color: #060CF5; color: #FFFFFF; } #trackInfo .g-button.send-as-gift:not([disabled]), #merch-item .g-button.send-as-gift:not([disabled]) { color: #060CF5; border-color: rgba(34, 34, 34, 0.32); } .themed .label-band-selector .bands-menu { border: 1px solid #000000; } .themed .label-band-selector .bands-menu, .themed .label-band-selector .bands-menu .menu-artistpic { background: #FFFFFF; } .label-welcome h2, .label-welcome p { color: #191919; } .label-welcome .buttons a.new { box-shadow: 2px 2px #060CF5; } .label-welcome .buttons a.existing { box-shadow: 2px 2px #191919; } #live-ticket-item .buy, #live-ticket-item .included-tralbum-info a { color: #060CF5; } #live-calendar-icon-stroke, #live-clock-icon-stroke { stroke: #191919; } .campaign-custom-header #customHeader { background-color: #; } .primaryText, #discography a.primaryText, #trackInfo a.title_link, .label-welcome .buttons a.existing { color: #191919; } .secondaryText { color: #858585; } #band-navbar a:hover { border-color: #060CF5; } #band-navbar a.active { color: #191919; border-color: #191919; } .themed .label-band-selector .label { color: #858585; } .themed .label-band-selector .tabs > li { border-color: #858585; } .themed .label-band-selector a.selected { color: #191919; } .themed .label-band-selector .caret { fill: #060CF5; } .themed .label-band-selector .selected .caret { fill: #191919; } #trackInfo a.notable { color: red; /* overrides above */ } #band-navbar { background-color: #FAF6D6; } body { background: #000000; background-position: left top; background-repeat: repeat; background-image: none; } body.has-menubar { background-position: left 53px; } body.has-top-banner { background-position: left 40px; } body.has-menubar.has-top-banner { background-position: left 88px; } body.has-corpbanner2 { background-position: left calc(48px - 1px); } body.has-menubar.has-corpbanner2 { background-position: left calc(53px + 48px - 1px); } #pgHd, .lang-picker-content { background-color: #848484; } .just-icon { color: #FFFFFF; } .just-icon-bg { border-right-color: #191919; } .collected-by .ellipsis-text { color: #060CF5; } .collected-by .ellipsis-bg { background-color: #060CF5; } button.subtop, button.subbot, button.custom-color { background: #060CF5; color: #FFFFFF; } .sub .includeditems .item a { color: #191919; } .sub .post-message-link { background-color: rgba(6, 12, 245, 0.2); color: #060CF5; } .sub ul.tierslist li.tier { border-color: rgba(6, 12, 245, 0.2); } .sub button.tierbutton .spacer { background-color: #FFFFFF; } ol.sub-navbar li.active, .invertIconography ol.sub-navbar li.active { background-color: #FFFFFF; } ol.sub-navbar a { color: #060CF5; } .post-subscribe .button-background { background-color: rgba(6, 12, 245, 0.2); color: #060CF5; } .post-subscribe .band-link-color, .post-subscribe .message-text button, .post-subscribe .new-feed-stories button, .post-subscribe .new-feed-stories-floater button { color: #060CF5; } .post-subscribe .new-feed-stories-floater button { background-color: #FFFFFF; } .buyFullDiscography .art .art-thumb { background-color: #FFFFFF; } .collected-by .loading { color: #191919; } /* Styles for 05-2019 tralbum page tests -- temporary only */ .artist-support { border: 2px solid #060CF5; } .artist-support__bg { background-color: #060CF5; } /* community page styles */ </style> <style> </style> <div id="customHeaderWrapper"> <div id="customHeader"> <div class="desktop-header"> <a href="/" referrerpolicy="strict-origin-when-cross-origin"><img src="https://f4.bcbits.com/img/0005506828_100.png" width="975" height="180"></a> </div> </div> <div class="band-navbar-wrapper flex"> <ol id="band-navbar"> <li> <a href="/music" class="primaryText active"> music </a> </li> <li> <a href="/merch" > merch </a> </li> <li> <a href="/subscribe" > subscribe </a> </li> </ol> </div> <div class="bannercontainer"> </div> </div> <div class="trackView leftMiddleColumns has-art" data-tooltips="{"tooltips":[],"dash_seen":null}"> <div id="name-section" > <h2 class="trackTitle"> The Very Air: Pibroch ca. 1964 </h2> <h3 style="margin:0px;">by <span> <a href="https://canary-records.bandcamp.com">Pipe Majors John Burgess & John MacLellan with Calum Johnston</a> </span> </h3> </div> <div class="middleColumn"> <div id="tralbumArt"> <a class="popupImage" href="https://f4.bcbits.com/img/a1422116715_10.jpg"> <img src="https://f4.bcbits.com/img/a1422116715_16.jpg"> </a> </div> <div class="share-panel-wrapper-desktop signup-tooltip-parent" data-tooltip-id="x"></div> <div class="collected-by tralbum collectors"> <div class="message"> supported by </div> <div class="deets populated"> <div class="no-writing"> <a class="fan pic" href="https://bandcamp.com/allisoncameron?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0020580628_50.jpg" style="display: inline-block;"/> <div class="name">allisoncameron</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0020580628_42.jpg" alt="allisoncameron thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/great_barrier_reefer?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0020540507_50.jpg" style="display: inline-block;"/> <div class="name">great_barrier_reefer</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0020540507_42.jpg" alt="great_barrier_reefer thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/shoober420?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0037555545_50.jpg" style="display: inline-block;"/> <div class="name">shoober420</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0037555545_42.jpg" alt="shoober420 thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/michaelleahy?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0004449598_50.jpg" style="display: inline-block;"/> <div class="name">Rickity Kricket</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0004449598_42.jpg" alt="Rickity Kricket thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/bohemiansquare?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0013799166_50.jpg" style="display: inline-block;"/> <div class="name">Bohemian Square</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0013799166_42.jpg" alt="Bohemian Square thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/broadbottomsheik?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0020691035_50.jpg" style="display: inline-block;"/> <div class="name">broadbottomsheik</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0020691035_42.jpg" alt="broadbottomsheik thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/cust71?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0016140814_50.jpg" style="display: inline-block;"/> <div class="name">Lee Goettl</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0016140814_42.jpg" alt="Lee Goettl thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/marklimacher?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0025003115_50.jpg" style="display: inline-block;"/> <div class="name">Mark Limacher</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0025003115_42.jpg" alt="Mark Limacher thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/ttrager?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0019426300_50.jpg" style="display: inline-block;"/> <div class="name">ttrager</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0019426300_42.jpg" alt="ttrager thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/wwwww2?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0016347319_50.jpg" style="display: inline-block;"/> <div class="name">wwwww2</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0016347319_42.jpg" alt="wwwww2 thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/gez?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0037030424_50.jpg" style="display: inline-block;"/> <div class="name">Gez Richmond</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0037030424_42.jpg" alt="Gez Richmond thumbnail"/> </a> <a class="fan pic" href="https://bandcamp.com/bulldog_jones?from=fanthanks"> <div class="tooltip"> <div class="round3"> <img class="grid lazy" src="/img/0.gif" data-original="https://f4.bcbits.com/img/0009593371_50.jpg" style="display: inline-block;"/> <div class="name">bulldog jones</div> </div> </div> <img class="thumb" src="https://f4.bcbits.com/img/0009593371_42.jpg" alt="bulldog jones thumbnail"/> </a> <a class="fan 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display: none; background-image:url(https://f4.bcbits.com/img/a0210847373_3.jpg);"></a> <a class="more-button" data-bind="click: expandCoverArt"> <div class="count">165</div> <div class="releases">releases</div> </a> </div> <div class="bd"> <p>Get <strong>all 165 Canary Records releases</strong> available on Bandcamp and save <strong>75%</strong>.</p> <p>Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of <a href="/album/the-broken-wine-glass-serbian-croatian-bosnian-independent-78rpm-discs-from-michigan-illinois-ca-1940-50">The Broken Wine Glass: Serbian-Croatian-Bosnian Independent 78rpm Discs from Michigan & Illinois ca. 1940-50</a>, <a href="/album/romane-gila-1958-71-field-recordings-of-roma-songs-from-slovakia-eastern-czechia-northern-hungary">Romane Gil'a: 1958-71 Field Recordings of Roma Songs from Slovakia, Eastern Czechia & Northern Hungary</a>, <a href="/album/miners-dance-lithuanian-coal-miners-bands-from-schuylkill-county-pennsylvania-april-1928-march-1933">Miner's Dance: Lithuanian Coal Miner's Bands from Schuylkill County, Pennsylvania, April 1928 - March 1933</a>, <a href="/album/resia-valley-string-band-music-from-eastern-alpine-italian-villages-ca-1978">Resia Valley: String-Band Music from Eastern Alpine Italian Villages ca. 1978</a>, <a href="/album/complete-recordings-of-the-macedonian-band-of-fort-wayne-indiana-ca-late-1940s">Complete Recordings of the Macedonian Band of Fort Wayne, Indiana ca. late 1940s</a>, <a href="/album/stop-dear-serbian-folk-music-in-chicago-ca-1948">Stop, Dear: Serbian Folk Music in Chicago ca. 1948</a>, <a href="/album/in-new-york-on-broadway-sept-1926-nov-1928">In New York on Broadway: Sept. 1926 & Nov. 1928</a>, <a href="/album/n-ker-ov-na-ra-nj-gjamc">Në Kerçovë Na Ra Një Gjamcë</a>, <span class="buy-full-more-text"> <a href="/music">and 157 more.</a> </span>  <span style="display: none;" data-bind="visible: $data"> <a data-bind="attr: {href: page_url}, text: title"></a>, and , . </span>  <p>Excludes <a href="https://canary-records.bandcamp.com/subscribe" > subscriber-only</a> releases.</p> </div> <div class="listing-purchasable-with-gift-card "> <svg class="icon gift-card-icon-bordered small" width="9px" height="10px" viewBox="0 0 9 10"><use xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="#gift-card-icon"></use></svg> Purchasable with gift card </div> <h4 class="ft compound-button main-button"> <button class="buy-link" type="button" data-bind="click: fullDiscographyBuyDialog" data-test="buy-full-digital-discography" > Buy Digital Discography </button>  <span class="nobreak"> <span class="base-text-color" >$233.56 </span> <span class="buyItemExtra secondaryText">USD</span> <span class="buyItemExtra buyItemNyp secondaryText">or more</span> </span> <span class="base-text-color discount-percentage">(<strong>75% OFF</strong>)</span> </h4> <h4 class="ft compound-button send-as-gift"> <button class="buy-link" type="button" data-bind="click: fullDiscographyGiftDialog" data-test="send-full-digital-discography-as-gift" > Send as Gift </button>  </h4> </li> <li id='collect-item-placeholder'></li> <li class="share-link-container new-share-collect"> <h3><button id="share-link" class="compound-button"><span id="share-link-share">Share</span><span id="share-link-embed"> / Embed</span></button></h3> </li> </ul> <table class="track_list track_table" id="track_table"> <tr class="track_row_view linked" rel="tracknum=1"> <td class="play-col"><a role="button" aria-label="Play John MacLellan - Clan Campbell's Gathering (Cruinneachadh Sil Diarmaid)"><div class="play_status disabled"></div></a></td> <td class="track-number-col"><div class="track_number secondaryText">1.</div></td> <td class="title-col"> <div class="title"> <a href="/track/clan-campbells-gathering-cruinneachadh-sil-diarmaid"><span class="track-title">John MacLellan - Clan Campbell's Gathering (Cruinneachadh Sil Diarmaid)</span></a> <span class="time secondaryText"> 08:04 </span> </div> </td> <td class="info-col"><div class="info_link"><a href="/track/clan-campbells-gathering-cruinneachadh-sil-diarmaid" ></a></div></td> <td class="download-col"> <div class="dl_link"> <a href="/track/clan-campbells-gathering-cruinneachadh-sil-diarmaid?action=download"> buy track </a> </div></td> </tr> <tr class="track_row_view linked" rel="tracknum=2"> <td class="play-col"><a role="button" aria-label="Play John Burgess; sung by Calum Johnston - Black Donald's March (Piobaireachd Dhomhnuill Duibh)"><div class="play_status disabled"></div></a></td> <td class="track-number-col"><div class="track_number secondaryText">2.</div></td> <td class="title-col"> <div class="title"> <a href="/track/black-donalds-march-piobaireachd-dhomhnuill-duibh"><span class="track-title">John Burgess; sung by Calum Johnston - Black Donald's March (Piobaireachd Dhomhnuill Duibh)</span></a> <span class="time secondaryText"> 11:38 </span> </div> </td> <td class="info-col"><div class="info_link"><a href="/track/black-donalds-march-piobaireachd-dhomhnuill-duibh" ></a></div></td> <td class="download-col"> <div class="dl_link"> <a href="/track/black-donalds-march-piobaireachd-dhomhnuill-duibh?action=download"> buy track </a> </div></td> </tr> <tr class="track_row_view linked" rel="tracknum=3"> <td class="play-col"><a role="button" aria-label="Play John Burgess; sung by Calum Johnston - The Old Men of the Shells (Bobaich Dhubha nan Sligean)"><div class="play_status disabled"></div></a></td> <td class="track-number-col"><div class="track_number secondaryText">3.</div></td> <td class="title-col"> <div class="title"> <a href="/track/the-old-men-of-the-shells-bobaich-dhubha-nan-sligean"><span class="track-title">John Burgess; sung by Calum Johnston - The Old Men of the Shells (Bobaich Dhubha nan Sligean)</span></a> <span class="time secondaryText"> 18:22 </span> </div> </td> <td class="info-col"><div class="info_link"><a href="/track/the-old-men-of-the-shells-bobaich-dhubha-nan-sligean" ></a></div></td> <td class="download-col"> <div class="dl_link"> <a href="/track/the-old-men-of-the-shells-bobaich-dhubha-nan-sligean?action=download"> buy track </a> </div></td> </tr> <tr class="track_row_view linked" rel="tracknum=4"> <td class="play-col"><a role="button" aria-label="Play John Burgess - Lament for Viscount Dundee (Cumha Chlaibhers)"><div class="play_status disabled"></div></a></td> <td class="track-number-col"><div class="track_number secondaryText">4.</div></td> <td class="title-col"> <div class="title"> <a href="/track/lament-for-viscount-dundee-cumha-chlaibhers"><span class="track-title">John Burgess - Lament for Viscount Dundee (Cumha Chlaibhers)</span></a> <span class="time secondaryText"> 12:24 </span> </div> </td> <td class="info-col"><div class="info_link"><a href="/track/lament-for-viscount-dundee-cumha-chlaibhers" ></a></div></td> <td class="download-col"> <div class="dl_link"> <a href="/track/lament-for-viscount-dundee-cumha-chlaibhers?action=download"> buy track </a> </div></td> </tr> <tr class="track_row_view linked" rel="tracknum=5"> <td class="play-col"><a role="button" aria-label="Play John MacLellan - Lament for Padruig Og (Cumha Padruig Oig)"><div class="play_status disabled"></div></a></td> <td class="track-number-col"><div class="track_number secondaryText">5.</div></td> <td class="title-col"> <div class="title"> <a href="/track/lament-for-padruig-og-cumha-padruig-oig"><span class="track-title">John MacLellan - Lament for Padruig Og (Cumha Padruig Oig)</span></a> <span class="time secondaryText"> 12:55 </span> </div> </td> <td class="info-col"><div class="info_link"><a href="/track/lament-for-padruig-og-cumha-padruig-oig" ></a></div></td> <td class="download-col"> <div class="dl_link"> <a href="/track/lament-for-padruig-og-cumha-padruig-oig?action=download"> buy track </a> </div></td> </tr> <tr class="track_row_view linked" rel="tracknum=6"> <td class="play-col"><a role="button" aria-label="Play John MacLellan - The Battle of the Pass of Crieff (Cath Bealach Chraoibhe)"><div class="play_status disabled"></div></a></td> <td class="track-number-col"><div class="track_number secondaryText">6.</div></td> <td class="title-col"> <div class="title"> <a href="/track/the-battle-of-the-pass-of-crieff-cath-bealach-chraoibhe"><span class="track-title">John MacLellan - The Battle of the Pass of Crieff (Cath Bealach Chraoibhe)</span></a> <span class="time secondaryText"> 12:45 </span> </div> </td> <td class="info-col"><div class="info_link"><a href="/track/the-battle-of-the-pass-of-crieff-cath-bealach-chraoibhe" ></a></div></td> <td class="download-col"> <div class="dl_link"> <a href="/track/the-battle-of-the-pass-of-crieff-cath-bealach-chraoibhe?action=download"> buy track </a> </div></td> </tr> <tr class="track_row_view linked" rel="tracknum=7"> <td class="play-col"><a role="button" aria-label="Play John MacLellan - The Old Woman's Lullaby (Cronan na Caillich sa Bheinn Bhric)"><div class="play_status disabled"></div></a></td> <td class="track-number-col"><div class="track_number secondaryText">7.</div></td> <td class="title-col"> <div class="title"> <a href="/track/the-old-womans-lullaby-cronan-na-caillich-sa-bheinn-bhric"><span class="track-title">John MacLellan - The Old Woman's Lullaby (Cronan na Caillich sa Bheinn Bhric)</span></a> <span class="time secondaryText"> 07:21 </span> </div> </td> <td class="info-col"><div class="info_link"><a href="/track/the-old-womans-lullaby-cronan-na-caillich-sa-bheinn-bhric" ></a></div></td> <td class="download-col"> <div class="dl_link"> <a href="/track/the-old-womans-lullaby-cronan-na-caillich-sa-bheinn-bhric?action=download"> buy track </a> </div></td> </tr> </table> <h3 class="about-label">about</h3> <div class="tralbumData tralbum-about">“Able, accurate playing which includes, among other things, correct score, correct time, absence of ‘screams’ or stops, pure tone, harmony, ease, precision of execution by arm and finger — these are after all but the rudimentary essentials attainable by the average piper of intelligence and diligence. […] Piobaireachd is much more. There is the manner of expressing the message, the pouring forth of the spirit of the composition, the difference between mechanical facility of rendering and the living, vibrating note, the difference between even artistic technique and the tenderness of a cherished memory.” <br> -Col. Alexander Fraser, 1924 <br> <br> Bagpipes were introduced to Britain by the Romans as martial instruments nearly two thousand years ago, derived by the Romans from instruments thousands of years older and originating thousands of miles further east. The pipe music played in Scotland by the 16th century, and over the 17th and 18th centuries when the ceòl mòr (great music) repertoire came into full flower was apparently derived from earlier traditions performed on harp and violin. The MacCrimmon family’s contributions for almost two hundred years (the mid-16th to mid-18th centuries) as composers and pedagogues of piping employed by the aristocracy of the MacLeod clan in that era was likened by the scholar R.L.C. Campbell to the work of the Bach family. The music went into decline in the aftermath of the 1745 Jacobite Rising during the second half of the 18th century when a number of emblematic features of Scottish culture were banned. Piping was actively revived during the 19th century by charitable organizations and fraternal brotherhoods, and a significant body of literature on the music was published. The first President of the Piobaireachd Society Major General Charles Simeon Thomason (b. 1833; d. July 1911) published a systematized anthology of 275 ceòl mòr tunes in 1900, laying a foundation for much of what developed in the century that followed him. Pipers were widely employed in British military campaigns of the late 19th and early 20th centuries. Their mortality rate was high. In World War I, the 16th Canadian Scottish Battalion had 17 pipers in 1915; by the end of 1918, three survived. <br> <br> The shorter-form ceòl beag (light music) repertoire of dances and marches and the ceòl meadhonach (middle music) of slow airs were suited to the three-minutes-per-side duration of the 78rpm format, although pibroch melodies were recorded commercially by William C. Ross as early as 1910-11. (Ross was performing pibroch on Scottish radio by 1926.) But the necessarily and mesmerically long durations needed in piobaireachd performance to work through its structure of variations were not captured on disc recording until the 1960s. These performances supervised by the aforementioned R.L.C. Campbell and published in the U.K., and Canada in 1964 of two of the greatest performers of the 20th century are apparently earliest and have remained out of print for six decades. They are, in part, documents of a larger and longer succession of waves of serious study of Scottish culture, highland culture in particular, which had been subject to discrimination and suppression for a century. Pipe Major John MacLellen was quoted in 1953 as saying that at the time were only 300 really good pipers in the world. (In 1967, he was quoted as giving the number as “only about 40.”) The efforts of those involved in this group of recordings and others of their time have significantly increased that number seventy years later. <br> <br> Coincident with the release of these albums was the initial exposure for many Americans to Scottish pipe music under traumatic circumstances. The broadcast of the funeral of the assassinated President John F. Kennedy in late November 1963 included the nine-piece USAF Black Watch pipe band performing the “Mist Covered Mountains.” It was intensely emotional and not at all pleasant, and some of those associations have lingered in the States. Nonetheless, the spread of piping continued globally. The Glaswegian piper Seamus MacNeill said in the early 1960s, “It’s curious that such a primitive instrument should flourish in modern times and that it should have such peculiar effects on people who hear it.” The physicality of the sound in the body, stimulating the nervous and adrenal systems in ways that remain mysterious, and in the space surrounding the listener in a miasma of phasing harmonics is at once glandular and cosmic — the peanut butter and chocolate so much of the best music. Or, in more genteel terms, as an unnamed Scottish journalist described listening to a MacCrimmons composition at an outdoor piping competition at a meeting in the Outer Hebrides in August 1927: <br> <br> “…a ‘heavy tune,’ long and testing throughout and full of music that uplifts the heart. It was, we can doubt not, composed under conditions similar to those under which it was played today, when the sigh of the waves, the soft rush of the wind, the silent music of the very air slumbering at her instrument, together produced that rhythm or harmony which is itself the secret of all music, of all happiness.” <br> <br> ===== <br> <br> John D. Burgess (b. Aberdeen, March 11, 1934; d. June 29, 2005) began to learn pipes from his father at the age of four and was studying under the venerated Pipe Major William C. Ross (b. 1878; d. 1966) at the Army School at Edinburgh Castle by the age of six. A prodigy, Burgess won the Highland Society of London's gold medals for his pibroch playing at the age of 16 in 1950 at both the Argyleshire Gathering and Northern Meeting. He toured the U.S. and Canada with Willie Ross in April 1952 before joining the Queen’s Own Cameron Highlanders infantry regiment as a piper and the Edinburgh City Police where he was the pipe major. He taught in the Territorial Army at Inverness. He retired from competitive piping around 1979, becoming a teacher and judge of the instrument. He was awarded an MBE in 1988. <br> <br> John A. MacLellan (b. Dunfermline, July 1921; d. April 1991) attended the Benedictine Fort August Abbey School in Inverness-shire as a boy. He began studying pipes under his father and by age 8 was performing publically. In 1936 he joined the Queen’s Own Cameron Highlanders as a piper. “I joined the Army when I was 15 to learn to play the pipes properly,” he said. At 19 years old, he was Pipe Major of the 9th Battalion. He graduated from William C. Ross’s Pipe Major course with a distinguished certificate and then studied piobaireachd for six weeks under John MacDonald. He served in Germany, Egypt, and Gibraltar. From 1947 through the mid-60s he won a string of awards including an MBE in 1963. With the great Seamus MacNeill of the College of Piping, Glasgow, and the dancer James MacKenzie, he performed in North America in 1953 at which time he met with and demonstrated the coel mor’s structure for the classical violinist Yehudi Menuhin, who is reported to have responded “Amazing! Impossible!” In 1959 he took over Willie Ross’s position teaching piping at Edinburgh Castle and published six books of music in the 1960s and ’70s. From 1964-68, he recorded himself performing 120 pieces from his repertoire on a tape recorder at Edinburgh Castle. (They are available to listen to here: <a href="https://www.pipesdrums.com/all-castle-recordings/" rel="nofollow ugc" referrerpolicy="strict-origin-when-cross-origin">www.pipesdrums.com/all-castle-recordings/</a> ) He and his wife Bunty published International Piper magazine from 1978 to ’81 and was a very active teacher through the U.K., U.S., Canada, Australia, New Zealand, and South Africa in the 1970s and ‘80s. <br> <br> Calum Johnston (b. Glen near Castlebay, Barra 1891; d. Barra, December 4, 1973) grew up in a Gaelic-speaking household on a treeless island of the Outer Hebrides as the second-youngest of seven children. From the age of fourteen, he trained as a draughtsman in Manchester where he later became secretary of the city’s Piper’s Association. He worked for an electrical engineering firm in Edinburgh where he was again very involved in the piping community and where he was first recorded by Alan Lomax in 1951. He and his sister Annie, a schoolteacher in Castlebay, were significant sources for folklorists looking into Gaelic Scottish traditional music and culture. His inclusion preceding two of the performances on this album was apparently intended by the session producer R.L.C. Lorimer as a way of demonstrating the music’s connection to folkloric antiquity. Johnston died while piping in the funeral procession of the writer Sir Compton MacKenzie in hard winds and cold rain at the age of 82. <br> <br> Robert Lewis Campbell “Robin” Lorimer (b. Glasgow Sept. 7, 1918; d. Aug. 22, 1996) was the only child of Classics scholar William Laughton Lorimer (b. Strathmartine 1885; d. 1967). His mother died when he was young. Educated at the public boarding Shrewsbury School and then at Balliol College at Oxford University, he served in WWII as an anti-tank gunner before settling in Edinburgh in 1947 where he began his career as an editor first for Thomas Nelson and then for Oliver and Boyd. His own Southside imprint published Scottish poetry and published his father’s translation of The New Testament in Scots. He began to take a scholarly interest in the early written sources on piobaireachd in the 1940s. <br> <br> ===== <br> <br> Brief summaries of Lorimer’s 1964 notes on the tunes with reference to early 2000s notes by Dr. William Donaldson: <br> <br> Clan Campbell’s Gathering <br> Titled the Battle of Doirneag in a manuscript by Angus Mackay ca. 1826-40. “Nothing is known about its origin,” according to Lorimer. <br> <br> Black Donald’s March <br> Known in the late 18th and early 19th centuries as Maclean’s Gathering and Camerons’ Gathering. Donaldson points out that it was mentioned in Sir Walter Scott’s mention of it in his “Pibroch of Donuil Dubh” making it one of the first melodies to become famous outside Scotland. Its association with the 1431 Battle of Inverlochy and the first chief of the Clan Cameron Donald Dubh may be specious. <br> <a href="https://www.pipesdrums.com/core/docengines/95E71319F4484EC9913E96C6B427F2C4.pdf" rel="nofollow ugc" referrerpolicy="strict-origin-when-cross-origin">www.pipesdrums.com/core/docengines/95E71319F4484EC9913E96C6B427F2C4.pdf</a> <br> <br> The Old Men of the Shells <br> Whisky was in the past drunk from scallop or clam shells. Dr. Donaldson points out a source that associates the tune with a battle between the Mackenzies of Kintail and the Macdonalds of Skye but clarifies that the details of that source seem to confuse two events that took place two hundred years apart from one another. <br> <a href="https://www.pipesdrums.com/core/docengines/BE469F86117F444B92C490BD5F374A2D.pdf" rel="nofollow ugc" referrerpolicy="strict-origin-when-cross-origin">www.pipesdrums.com/core/docengines/BE469F86117F444B92C490BD5F374A2D.pdf</a> <br> <br> Lament for Viscount Dundee <br> The titular viscount, John Graham of Claverhouse, was killed at the Battle of Killiecrankie on July 27, 1689, in which the Jacobites were victorious in a battle to restore James VII to the throne, but the viscount died of a gunshot wound. The tune is notable and anomalous in its use of all nine tones of the chanter. <br> <br> Lament for Padruig Og <br> Composed by the blind piper Iain Dall Mackay (b. Gairloch, Ross-shire 1666; d. 1754) who had been the star pupil at the MacCrimmon College and composed at least 24 pibrochs among many other tunes. Mackay composed the piece after having heard that his teacher Padruig Og MacCrimmon was dead. The news turned out to be false. When Mackay went to visit MacCrimmons, Mackay played the tune without mentioning its title or its origin. When Maccrimmons asked where he’d learned it, Mackay reluctantly revealed the circumstances of its composition, MacCrimmons replied “So now it seems I must learn by own lament!” <br> <a href="https://www.pipesdrums.com/core/docengines/FDFD1EB9B3EF4E8A87D6BE10CC2E92CA.pdf" rel="nofollow ugc" referrerpolicy="strict-origin-when-cross-origin">www.pipesdrums.com/core/docengines/FDFD1EB9B3EF4E8A87D6BE10CC2E92CA.pdf</a> <br> <br> The Battle of the Pass of Crieff <br> Lorimer says that the skirmish of the title was over the taxation of whiskey and took place in 1730 but that it’s not known how the tune is related to the event. Donaldson points out that there isn’t a pass within 20 miles of Crieff. The tune is known by several other names and is related to several other pieces. <br> <a href="https://www.pipesdrums.com/core/docengines/489681D3F398433ABBFFC35768475E2C.pdf" rel="nofollow ugc" referrerpolicy="strict-origin-when-cross-origin">www.pipesdrums.com/core/docengines/489681D3F398433ABBFFC35768475E2C.pdf</a> <br> <br> The Old Woman’s Lullaby <br> Apparently composed late in life by an itinerant tailor named Ailean Dall MacDougall (b. 1797) based on a folk song starting with the line “It’s better to be born out of wedlock than to be married.” Its title in Gaelic refers to the deer-herding hag goddess Cailleach whose cult was still in practice in one place according to Lorimer when he wrote his notes. He was inclined to think of this as an indication of pre-Christian origins embedded in the tune, something 20th-century folklorists were always looking for.</div> <h3 class="credits-label">credits</h3> <div class="tralbumData tralbum-credits"> released September 12, 2024 <br><br>Transfers, restorations, and notes by Ian Nagoski <br> <br> Cover photo: Pipe Major John MacLellan in 1967 in Miami, Florida </div> <h3 class="license-label">license</h3> <div id="license" class="info license"> <span class="cc-icons commercial"></span>all rights reserved </div> </div> </div> <h3 class="tags-label">tags</h3> <div class="tralbumData tralbum-tags tralbum-tags-nu hidden"> <h3><span class="tags-inline-label">Tags</span></h3> <a class="tag" href="https://bandcamp.com/discover/78-rpm?from=tralbum&artist=4013491027" >78 rpm</a> <a class="tag" href="https://bandcamp.com/discover/78rpm?from=tralbum&artist=4013491027" >78rpm</a> <a class="tag" href="https://bandcamp.com/discover/scottish?from=tralbum&artist=4013491027" >scottish</a> <a class="tag" href="https://bandcamp.com/discover/world?from=tralbum&artist=4013491027" >world</a> <a class="tag" href="https://bandcamp.com/discover/bagpipes?from=tralbum&artist=4013491027" >bagpipes</a> <a class="tag" href="https://bandcamp.com/discover/classical?from=tralbum&artist=4013491027" >classical</a> <a class="tag" href="https://bandcamp.com/discover/folk?from=tralbum&artist=4013491027" >folk</a> <a class="tag" href="https://bandcamp.com/discover/immigrant?from=tralbum&artist=4013491027" >immigrant</a> <a class="tag" href="https://bandcamp.com/discover/pibroch?from=tralbum&artist=4013491027" >pibroch</a> <a class="tag" href="https://bandcamp.com/discover/piobaireachd?from=tralbum&artist=4013491027" >piobaireachd</a> <a class="tag" href="https://bandcamp.com/discover/baltimore?from=tralbum&artist=4013491027" >Baltimore</a> </div> </div> <div id="rightColumn" class="rightColumn"> <div 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secondaryText">Baltimore, Maryland</span> </p> <div class="following-actions-wrapper signup-tooltip-parent" data-tooltip-id="b"> <div id="following-actions"> <button type="button" class="follow-unfollow compound-button" style="visibility: hidden;"> <div>placeholder</div> </button> </div> <div class="signup-tooltip-outer follow-tooltip-outer"></div> </div> <div class="signed-out-artists-bio-text"> <p id="bio-text">early 20th century masterpieces (mostly) in languages other than English.<br><span class="lightweightBreak"></span><br>An hour in clamor and a quarter in rheum.</p> </div> <ol id="band-links"> <li><a target="_blank" rel="nofollow ugc me" referrerpolicy="strict-origin-when-cross-origin" href="http://canaryrecords.tumblr.com/">Tumblr</a></li> </ol> <div id="recommended"> <a href="https://bandcamp.com/recommended/canary-records?from=sbarrec">Recommendations</a> </div> </div> <div class="tralbum-tooltip-parent bio-text" data-bind="css: {'show-tooltip': showing}"> <div 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href="/album/the-broken-wine-glass-serbian-croatian-bosnian-independent-78rpm-discs-from-michigan-illinois-ca-1940-50">The Broken Wine Glass: Serbian-Croatian-Bosnian Independent 78rpm Discs from Michigan & Illinois ca. 1940-50</a></div> <div class="trackYear secondaryText">Nov 2024</div> </li> <li> <div> <a class="thumbthumb " href="/album/romane-gila-1958-71-field-recordings-of-roma-songs-from-slovakia-eastern-czechia-northern-hungary"> <img src="https://f4.bcbits.com/img/a0225735164_7.jpg"> </a> </div> <div class="trackTitle"><a href="/album/romane-gila-1958-71-field-recordings-of-roma-songs-from-slovakia-eastern-czechia-northern-hungary">Romane Gil'a: 1958-71 Field Recordings of Roma Songs from Slovakia, Eastern Czechia & Northern Hungary</a></div> <div class="trackYear secondaryText">Nov 2024</div> </li> <li> <div> <a class="thumbthumb " href="/album/miners-dance-lithuanian-coal-miners-bands-from-schuylkill-county-pennsylvania-april-1928-march-1933"> <img src="https://f4.bcbits.com/img/a1891673981_7.jpg"> </a> </div> <div class="trackTitle"><a href="/album/miners-dance-lithuanian-coal-miners-bands-from-schuylkill-county-pennsylvania-april-1928-march-1933">Miner's Dance: Lithuanian Coal Miner's Bands from Schuylkill County, Pennsylvania, April 1928 - March 1933</a></div> <div class="trackYear secondaryText">Nov 2024</div> </li> <li class="gt3"> <div> <a class="thumbthumb " href="/album/resia-valley-string-band-music-from-eastern-alpine-italian-villages-ca-1978"> <img src="https://f4.bcbits.com/img/a3428465431_7.jpg"> </a> </div> <div class="trackTitle"><a href="/album/resia-valley-string-band-music-from-eastern-alpine-italian-villages-ca-1978">Resia Valley: String-Band Music from Eastern Alpine Italian Villages ca. 1978</a></div> <div class="trackYear secondaryText">Oct 2024</div> </li> </ul> <div class="showMore" ><a href="/music">more releases...</a></div> </div> <h3 id="contact-help" class="title">contact / help</h3> <p id="contact-tracker-data" data-band-id="4013491027"> <a href="/contact?b=4013491027&n=Canary%20Records" title="Send an email to Canary Records">Contact Canary Records</a> </p> <p><a href="https://bandcamp.com/help/downloading?from=tralbum_downloading" target="_blank">Streaming and <span id="sidebar-contact-label-break"><br></span>Download help</a></p> <p><a href="https://canary-records.bandcamp.com/yum">Redeem code</a></p> <p id="report-account-vm" data-tou-report-params="{"i_type":"a","i_id":3720203515,"a_id":4013491027}"> <a data-bind="click: showDialog"> Report this album or account </a> </p> </div> <div id="collectors-data" 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class="recommendations-container" id="recommendations_container"> <div class="recommendations-content"> <div class="first-row"> <div class="recs-section artist-recs recs-1"> <p class="section-title">Canary Records recommends:</p> <ul class="horizontal"> <li class="recommended-album footer-ar" id="id-2591810885" data-trackid="995923906" data-audiourl="{"mp3-128":"https://bandcamp.com/stream_redirect?enc=mp3-128&track_id=995923906&ts=1732557193&t=47af1d785ab7b65126f90e40affd0889c742492a"}" data-albumtitle="Street Musicians of Yogyakarta" data-albumid="2591810885" data-artist="Various Artists" data-artistid="2468962804" data-from="footer-ar-a3720203515"> <div class="album-art-container"> <img class="album-art" src="https://f4.bcbits.com/img/a2465497771_9.jpg"> <div class="play-button"> <div class="play-icon"></div> </div> </div> <p class="title-and-artist"> <a class="album-link" href="https://mississippirecords.bandcamp.com/album/street-musicians-of-yogyakarta?from=footer-ar-a3720203515"><span class="release-title">Street Musicians of Yogyakarta</span><br><span class="spacer"></span><span class="by-artist">by Various Artists</span></a> </p> <div class="album-details"> <p class="comment"><span class="comment-contents">Partially my doing. </span><span class="comment-author">Canary Records</span></p> <a class="go-to-album album-link" href="https://mississippirecords.bandcamp.com/album/street-musicians-of-yogyakarta?from=footer-ar-a3720203515">go to album</a> </div> </li> </ul> </div> <div class="recs-section bc-recs"> <p class="section-title"> If you like The Very Air: Pibroch ca. 1964, you may also like: </p> <ul class="horizontal"> <li class="recommended-album footer-cc" id="id-3768556397" data-trackid="3361804171" data-audiourl="{"mp3-128":"https://bandcamp.com/stream_redirect?enc=mp3-128&track_id=3361804171&ts=1732557193&t=e9eadbde663b32f64fdcb96c1203a41ed284939d"}" data-albumtitle="Excavated Shellac: An Alternate History of the World's Music" data-albumid="3768556397" data-artist="Various Artists" data-artistid="1246633546" data-from="footer-cc-a3720203515"> <div class="album-art-container"> <img class="album-art" src="https://f4.bcbits.com/img/a1912110327_9.jpg"> <div class="play-button"> <div class="play-icon"></div> </div> </div> <p class="title-and-artist"> <a class="album-link" href="https://dusttodigital.bandcamp.com/album/excavated-shellac-an-alternate-history-of-the-worlds-music?from=footer-cc-a3720203515"><span class="release-title">Excavated Shellac: An Alternate History of the World's Music</span><br><span class="spacer"></span><span class="by-artist">by Various Artists</span></a> </p> <div class="album-details"> <p class="supporters-text">supported by 48 fans who also own “The Very Air: Pibroch ca. 1964”</p> <p class="comment"><span class="comment-contents">Superb! Impossible to choose a single favorite track but I did. </span><span class="comment-author">mihalyka</span></p> <a class="go-to-album album-link" href="https://dusttodigital.bandcamp.com/album/excavated-shellac-an-alternate-history-of-the-worlds-music?from=footer-cc-a3720203515">go to album</a> </div> </li> <li class="recommended-album footer-cc" id="id-926984236" data-trackid="2893116565" data-audiourl="{"mp3-128":"https://bandcamp.com/stream_redirect?enc=mp3-128&track_id=2893116565&ts=1732557193&t=131d91e0a273e93fb3df86b7a1cc705ef36b8d73"}" data-albumtitle="Yaral Sa Doom" data-albumid="926984236" data-artist="Wau Wau Collectif" data-artistid="480050138" data-from="footer-cc-a3720203515"> <div class="album-art-container"> <img class="album-art" src="https://f4.bcbits.com/img/a1511235567_9.jpg"> <div class="play-button"> <div class="play-icon"></div> </div> </div> <p class="title-and-artist"> <a class="album-link" href="https://wauwaucollectif.bandcamp.com/album/yaral-sa-doom?from=footer-cc-a3720203515"><span class="release-title">Yaral Sa Doom</span><br><span class="spacer"></span><span class="by-artist">by Wau Wau Collectif</span></a> </p> <div class="album-details"> <p class="supporters-text">supported by 23 fans who also own “The Very Air: Pibroch ca. 1964”</p> <p class="comment"><span class="comment-contents">Top tracks: Mouhamodou Lo And His Children, Si Tu Savais Juste ......and Legui Legui's flute is just stunning ! </span><span class="comment-author">pigneguy</span></p> <a class="go-to-album album-link" href="https://wauwaucollectif.bandcamp.com/album/yaral-sa-doom?from=footer-cc-a3720203515">go to album</a> </div> </li> <li class="recommended-album footer-cc" id="id-2425378851" data-trackid="1541188837" data-audiourl="{"mp3-128":"https://bandcamp.com/stream_redirect?enc=mp3-128&track_id=1541188837&ts=1732557193&t=a3809dab17e3e51d8d8452e9bdc280a9c412b8cd"}" data-albumtitle="Everywhere at the end of time" data-albumid="2425378851" data-artist="The Caretaker" data-artistid="40764538" data-from="footer-cc-a3720203515"> <div class="album-art-container"> <img class="album-art" src="https://f4.bcbits.com/img/a2383326070_9.jpg"> <div class="play-button"> <div class="play-icon"></div> </div> </div> <p class="title-and-artist"> <a class="album-link" href="https://thecaretaker.bandcamp.com/album/everywhere-at-the-end-of-time?from=footer-cc-a3720203515"><span class="release-title">Everywhere at the end of time</span><br><span class="spacer"></span><span class="by-artist">by The Caretaker</span></a> </p> <div class="album-details"> <p class="supporters-text">supported by 23 fans who also own “The Very Air: Pibroch ca. 1964”</p> <p class="comment"><span class="comment-contents">A horrifying yet beautiful representation of dementia and decay of the human mind. </span><span class="comment-author">Joeygrtgamer</span></p> <a class="go-to-album album-link" href="https://thecaretaker.bandcamp.com/album/everywhere-at-the-end-of-time?from=footer-cc-a3720203515">go to album</a> </div> </li> <li class="recommended-album footer-nn" id="id-1031148784" data-trackid="1036627449" data-audiourl="{"mp3-128":"https://bandcamp.com/stream_redirect?enc=mp3-128&track_id=1036627449&ts=1732557193&t=2301587f6b72ecef87456b46a1f0eacb07d609f3"}" data-albumtitle="Buile" data-albumid="1031148784" data-artist="Roehind" data-artistid="1019234550" data-from="footer-nn-a3720203515"> <div class="album-art-container"> <img class="album-art" src="https://f4.bcbits.com/img/a1614498611_9.jpg"> <div class="play-button"> <div class="play-icon"></div> </div> </div> <p class="title-and-artist"> <a class="album-link" href="https://roehind.bandcamp.com/album/buile?from=footer-nn-a3720203515"><span class="release-title">Buile</span><br><span class="spacer"></span><span class="by-artist">by Roehind</span></a> </p> <div class="album-details"> <p class="comment"><span class="comment-contents">“Buile” uses an electronic backdrop to explore songs old and new from the Celtic tradition. </span><span class="comment-author">Bandcamp New & Notable <span class="date">Oct 23, 2023</span></span></p> <a class="go-to-album album-link" href="https://roehind.bandcamp.com/album/buile?from=footer-nn-a3720203515">go to album</a> </div> </li> <li class="recommended-album footer-bcw" id="id-1363926684" data-trackid="2017636939" data-audiourl="{"mp3-128":"https://bandcamp.com/stream_redirect?enc=mp3-128&track_id=2017636939&ts=1732557193&t=929fd4f6826efffb4780cbc35aac59c133d12388"}" data-albumtitle="Mezcla" data-albumid="1363926684" data-artist="M.A.K.U. Soundsystem" data-artistid="1168457981" data-from="footer-bcw-a3720203515"> <div class="album-art-container"> <img class="album-art" src="https://f4.bcbits.com/img/a2282747796_9.jpg"> <div class="play-button"> <div class="play-icon"></div> </div> </div> <p class="title-and-artist"> <a class="album-link" href="https://maku-soundsystem.bandcamp.com/album/mezcla?from=footer-bcw-a3720203515"><span class="release-title">Mezcla</span><br><span class="spacer"></span><span class="by-artist">by M.A.K.U. 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The Very Air: Pibroch ca. 1964 | Pipe Majors John Burgess & John MacLellan with Calum Johnston | Canary Records