CINXE.COM

<!DOCTYPE html> <html class="client-nojs vector-feature-language-in-header-enabled vector-feature-language-in-main-page-header-disabled vector-feature-sticky-header-disabled vector-feature-page-tools-pinned-disabled vector-feature-toc-pinned-clientpref-1 vector-feature-main-menu-pinned-disabled vector-feature-limited-width-clientpref-1 vector-feature-limited-width-content-enabled vector-feature-custom-font-size-clientpref-1 vector-feature-appearance-pinned-clientpref-1 vector-feature-night-mode-enabled skin-theme-clientpref-day vector-toc-available" lang="en" dir="ltr"> <head> <meta charset="UTF-8"> <title>The Lovin' Spoonful - Wikipedia</title> <script>(function(){var className="client-js vector-feature-language-in-header-enabled vector-feature-language-in-main-page-header-disabled vector-feature-sticky-header-disabled vector-feature-page-tools-pinned-disabled vector-feature-toc-pinned-clientpref-1 vector-feature-main-menu-pinned-disabled vector-feature-limited-width-clientpref-1 vector-feature-limited-width-content-enabled vector-feature-custom-font-size-clientpref-1 vector-feature-appearance-pinned-clientpref-1 vector-feature-night-mode-enabled skin-theme-clientpref-day vector-toc-available";var cookie=document.cookie.match(/(?:^|; )enwikimwclientpreferences=([^;]+)/);if(cookie){cookie[1].split('%2C').forEach(function(pref){className=className.replace(new RegExp('(^| )'+pref.replace(/-clientpref-\w+$|[^\w-]+/g,'')+'-clientpref-\\w+( |$)'),'$1'+pref+'$2');});}document.documentElement.className=className;}());RLCONF={"wgBreakFrames":false,"wgSeparatorTransformTable":["",""],"wgDigitTransformTable":["",""],"wgDefaultDateFormat":"dmy", "wgMonthNames":["","January","February","March","April","May","June","July","August","September","October","November","December"],"wgRequestId":"35099ed5-0a98-445f-ad21-c5adef5a5892","wgCanonicalNamespace":"","wgCanonicalSpecialPageName":false,"wgNamespaceNumber":0,"wgPageName":"The_Lovin'_Spoonful","wgTitle":"The Lovin' Spoonful","wgCurRevisionId":1258953315,"wgRevisionId":1258953315,"wgArticleId":169642,"wgIsArticle":true,"wgIsRedirect":false,"wgAction":"view","wgUserName":null,"wgUserGroups":["*"],"wgCategories":["Pages using the EasyTimeline extension","Good articles","Articles with short description","Short description is different from Wikidata","Use American English from August 2023","All Wikipedia articles written in American English","Use mdy dates from May 2017","Articles with hCards","Articles with hAudio microformats","CS1 Swedish-language sources (sv)","The Lovin' Spoonful","American pop music groups","Folk rock groups from New York (state)","Kama Sutra Records artists", "Musical groups from New York City","Musical groups established in 1964","Musical groups disestablished in 1968","Musical groups reestablished in 1991","Musical quartets from New York (state)"],"wgPageViewLanguage":"en","wgPageContentLanguage":"en","wgPageContentModel":"wikitext","wgRelevantPageName":"The_Lovin'_Spoonful","wgRelevantArticleId":169642,"wgIsProbablyEditable":true,"wgRelevantPageIsProbablyEditable":true,"wgRestrictionEdit":[],"wgRestrictionMove":[],"wgRedirectedFrom":"Lovin'_Spoonful","wgNoticeProject":"wikipedia","wgCiteReferencePreviewsActive":false,"wgFlaggedRevsParams":{"tags":{"status":{"levels":1}}},"wgMediaViewerOnClick":true,"wgMediaViewerEnabledByDefault":true,"wgPopupsFlags":0,"wgVisualEditor":{"pageLanguageCode":"en","pageLanguageDir":"ltr","pageVariantFallbacks":"en"},"wgMFDisplayWikibaseDescriptions":{"search":true,"watchlist":true,"tagline":false,"nearby":true},"wgWMESchemaEditAttemptStepOversample":false,"wgWMEPageLength":200000, "wgInternalRedirectTargetUrl":"/wiki/The_Lovin%27_Spoonful","wgRelatedArticlesCompat":[],"wgCentralAuthMobileDomain":false,"wgEditSubmitButtonLabelPublish":true,"wgULSPosition":"interlanguage","wgULSisCompactLinksEnabled":false,"wgVector2022LanguageInHeader":true,"wgULSisLanguageSelectorEmpty":false,"wgWikibaseItemId":"Q1053608","wgCheckUserClientHintsHeadersJsApi":["brands","architecture","bitness","fullVersionList","mobile","model","platform","platformVersion"],"GEHomepageSuggestedEditsEnableTopics":true,"wgGETopicsMatchModeEnabled":false,"wgGEStructuredTaskRejectionReasonTextInputEnabled":false,"wgGELevelingUpEnabledForUser":false};RLSTATE={"ext.globalCssJs.user.styles":"ready","site.styles":"ready","user.styles":"ready","ext.globalCssJs.user":"ready","user":"ready","user.options":"loading","ext.cite.styles":"ready","ext.timeline.styles":"ready","ext.tmh.player.styles":"ready","skins.vector.search.codex.styles":"ready","skins.vector.styles":"ready","skins.vector.icons":"ready", "jquery.makeCollapsible.styles":"ready","ext.wikimediamessages.styles":"ready","ext.visualEditor.desktopArticleTarget.noscript":"ready","ext.uls.interlanguage":"ready","wikibase.client.init":"ready","ext.wikimediaBadges":"ready"};RLPAGEMODULES=["mediawiki.action.view.redirect","ext.cite.ux-enhancements","mediawiki.page.media","ext.tmh.player","ext.scribunto.logs","site","mediawiki.page.ready","jquery.makeCollapsible","mediawiki.toc","skins.vector.js","ext.centralNotice.geoIP","ext.centralNotice.startUp","ext.gadget.ReferenceTooltips","ext.gadget.switcher","ext.urlShortener.toolbar","ext.centralauth.centralautologin","mmv.bootstrap","ext.popups","ext.visualEditor.desktopArticleTarget.init","ext.visualEditor.targetLoader","ext.echo.centralauth","ext.eventLogging","ext.wikimediaEvents","ext.navigationTiming","ext.uls.interface","ext.cx.eventlogging.campaigns","ext.cx.uls.quick.actions","wikibase.client.vector-2022","ext.checkUser.clientHints","ext.growthExperiments.SuggestedEditSession", "wikibase.sidebar.tracking"];</script> <script>(RLQ=window.RLQ||[]).push(function(){mw.loader.impl(function(){return["user.options@12s5i",function($,jQuery,require,module){mw.user.tokens.set({"patrolToken":"+\\","watchToken":"+\\","csrfToken":"+\\"}); }];});});</script> <link rel="stylesheet" href="/w/load.php?lang=en&modules=ext.cite.styles%7Cext.timeline.styles%7Cext.tmh.player.styles%7Cext.uls.interlanguage%7Cext.visualEditor.desktopArticleTarget.noscript%7Cext.wikimediaBadges%7Cext.wikimediamessages.styles%7Cjquery.makeCollapsible.styles%7Cskins.vector.icons%2Cstyles%7Cskins.vector.search.codex.styles%7Cwikibase.client.init&only=styles&skin=vector-2022"> <script async="" src="/w/load.php?lang=en&modules=startup&only=scripts&raw=1&skin=vector-2022"></script> <meta name="ResourceLoaderDynamicStyles" content=""> <link rel="stylesheet" href="/w/load.php?lang=en&modules=site.styles&only=styles&skin=vector-2022"> <meta name="generator" content="MediaWiki 1.44.0-wmf.4"> <meta name="referrer" content="origin"> <meta name="referrer" content="origin-when-cross-origin"> <meta name="robots" content="max-image-preview:standard"> <meta name="format-detection" content="telephone=no"> <meta property="og:image" content="https://upload.wikimedia.org/wikipedia/commons/b/b8/Lovin_Spoonful_1965.jpg"> <meta property="og:image:width" content="1200"> <meta property="og:image:height" content="1747"> <meta property="og:image" content="https://upload.wikimedia.org/wikipedia/commons/b/b8/Lovin_Spoonful_1965.jpg"> <meta property="og:image:width" content="800"> <meta property="og:image:height" content="1165"> <meta property="og:image:width" content="640"> <meta property="og:image:height" content="932"> <meta name="viewport" content="width=1120"> <meta property="og:title" content="The Lovin' Spoonful - Wikipedia"> <meta property="og:type" content="website"> <link rel="preconnect" href="//upload.wikimedia.org"> <link rel="alternate" media="only screen and (max-width: 640px)" href="//en.m.wikipedia.org/wiki/The_Lovin%27_Spoonful"> <link rel="alternate" type="application/x-wiki" title="Edit this page" href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit"> <link rel="apple-touch-icon" href="/static/apple-touch/wikipedia.png"> <link rel="icon" href="/static/favicon/wikipedia.ico"> <link rel="search" type="application/opensearchdescription+xml" href="/w/rest.php/v1/search" title="Wikipedia (en)"> <link rel="EditURI" type="application/rsd+xml" href="//en.wikipedia.org/w/api.php?action=rsd"> <link rel="canonical" href="https://en.wikipedia.org/wiki/The_Lovin%27_Spoonful"> <link rel="license" href="https://creativecommons.org/licenses/by-sa/4.0/deed.en"> <link rel="alternate" type="application/atom+xml" title="Wikipedia Atom feed" href="/w/index.php?title=Special:RecentChanges&feed=atom"> <link rel="dns-prefetch" href="//meta.wikimedia.org" /> <link rel="dns-prefetch" href="//login.wikimedia.org"> </head> <body class="skin--responsive skin-vector skin-vector-search-vue mediawiki ltr sitedir-ltr mw-hide-empty-elt ns-0 ns-subject mw-editable page-The_Lovin_Spoonful rootpage-The_Lovin_Spoonful skin-vector-2022 action-view"><a class="mw-jump-link" href="#bodyContent">Jump to content</a> <div class="vector-header-container"> <header class="vector-header mw-header"> <div class="vector-header-start"> <nav class="vector-main-menu-landmark" aria-label="Site"> <div id="vector-main-menu-dropdown" class="vector-dropdown vector-main-menu-dropdown vector-button-flush-left vector-button-flush-right" > <input type="checkbox" id="vector-main-menu-dropdown-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-main-menu-dropdown" class="vector-dropdown-checkbox " aria-label="Main menu" > <label id="vector-main-menu-dropdown-label" for="vector-main-menu-dropdown-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Main menu </label> <div class="vector-dropdown-content"> <div id="vector-main-menu-unpinned-container" class="vector-unpinned-container"> <div id="vector-main-menu" class="vector-main-menu vector-pinnable-element"> <div class="vector-pinnable-header vector-main-menu-pinnable-header vector-pinnable-header-unpinned" data-feature-name="main-menu-pinned" data-pinnable-element-id="vector-main-menu" data-pinned-container-id="vector-main-menu-pinned-container" data-unpinned-container-id="vector-main-menu-unpinned-container" > <div class="vector-pinnable-header-label">Main menu</div> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-pin-button" data-event-name="pinnable-header.vector-main-menu.pin">move to sidebar</button> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-main-menu.unpin">hide</button> </div> <div id="p-navigation" class="vector-menu mw-portlet mw-portlet-navigation" > <div class="vector-menu-heading"> Navigation </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="n-mainpage-description" class="mw-list-item"><a href="/wiki/Main_Page" title="Visit the main page [z]" accesskey="z">Main page</a></li><li id="n-contents" class="mw-list-item"><a href="/wiki/Wikipedia:Contents" title="Guides to browsing Wikipedia">Contents</a></li><li id="n-currentevents" class="mw-list-item"><a href="/wiki/Portal:Current_events" title="Articles related to current events">Current events</a></li><li id="n-randompage" class="mw-list-item"><a href="/wiki/Special:Random" title="Visit a randomly selected article [x]" accesskey="x">Random article</a></li><li id="n-aboutsite" class="mw-list-item"><a href="/wiki/Wikipedia:About" title="Learn about Wikipedia and how it works">About Wikipedia</a></li><li id="n-contactpage" class="mw-list-item"><a href="//en.wikipedia.org/wiki/Wikipedia:Contact_us" title="How to contact Wikipedia">Contact us</a></li> </ul> </div> </div> <div id="p-interaction" class="vector-menu mw-portlet mw-portlet-interaction" > <div class="vector-menu-heading"> Contribute </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="n-help" class="mw-list-item"><a href="/wiki/Help:Contents" title="Guidance on how to use and edit Wikipedia">Help</a></li><li id="n-introduction" class="mw-list-item"><a href="/wiki/Help:Introduction" title="Learn how to edit Wikipedia">Learn to edit</a></li><li id="n-portal" class="mw-list-item"><a href="/wiki/Wikipedia:Community_portal" title="The hub for editors">Community portal</a></li><li id="n-recentchanges" class="mw-list-item"><a href="/wiki/Special:RecentChanges" title="A list of recent changes to Wikipedia [r]" accesskey="r">Recent changes</a></li><li id="n-upload" class="mw-list-item"><a href="/wiki/Wikipedia:File_upload_wizard" title="Add images or other media for use on Wikipedia">Upload file</a></li> </ul> </div> </div> </div> </div> </div> </div> </nav> <a href="/wiki/Main_Page" class="mw-logo"> <img class="mw-logo-icon" src="/static/images/icons/wikipedia.png" alt="" aria-hidden="true" height="50" width="50"> <img class="mw-logo-wordmark" alt="Wikipedia" src="/static/images/mobile/copyright/wikipedia-wordmark-en.svg" style="width: 7.5em; height: 1.125em;"> <img class="mw-logo-tagline" alt="The Free Encyclopedia" src="/static/images/mobile/copyright/wikipedia-tagline-en.svg" width="117" height="13" style="width: 7.3125em; height: 0.8125em;"> </a> </div> <div class="vector-header-end"> <div id="p-search" role="search" class="vector-search-box-vue vector-search-box-collapses vector-search-box-show-thumbnail vector-search-box-auto-expand-width vector-search-box"> <a href="/wiki/Special:Search" class="cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only search-toggle" title="Search Wikipedia [f]" accesskey="f"> Search </a> <div class="vector-typeahead-search-container"> <div class="cdx-typeahead-search cdx-typeahead-search--show-thumbnail cdx-typeahead-search--auto-expand-width"> <form action="/w/index.php" id="searchform" class="cdx-search-input cdx-search-input--has-end-button"> <div id="simpleSearch" class="cdx-search-input__input-wrapper" data-search-loc="header-moved"> <div class="cdx-text-input cdx-text-input--has-start-icon"> <input class="cdx-text-input__input" type="search" name="search" placeholder="Search Wikipedia" aria-label="Search Wikipedia" autocapitalize="sentences" title="Search Wikipedia [f]" accesskey="f" id="searchInput" > </div> <input type="hidden" name="title" value="Special:Search"> </div> <button class="cdx-button cdx-search-input__end-button">Search</button> </form> </div> </div> </div> <nav class="vector-user-links vector-user-links-wide" aria-label="Personal tools"> <div class="vector-user-links-main"> <div id="p-vector-user-menu-preferences" class="vector-menu mw-portlet emptyPortlet" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> </ul> </div> </div> <div id="p-vector-user-menu-userpage" class="vector-menu mw-portlet emptyPortlet" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> </ul> </div> </div> <nav class="vector-appearance-landmark" aria-label="Appearance"> <div id="vector-appearance-dropdown" class="vector-dropdown " title="Change the appearance of the page's font size, width, and color" > <input type="checkbox" id="vector-appearance-dropdown-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-appearance-dropdown" class="vector-dropdown-checkbox " aria-label="Appearance" > <label id="vector-appearance-dropdown-label" for="vector-appearance-dropdown-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Appearance </label> <div class="vector-dropdown-content"> <div id="vector-appearance-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <div id="p-vector-user-menu-notifications" class="vector-menu mw-portlet emptyPortlet" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> </ul> </div> </div> <div id="p-vector-user-menu-overflow" class="vector-menu mw-portlet" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="pt-sitesupport-2" class="user-links-collapsible-item mw-list-item user-links-collapsible-item"><a data-mw="interface" href="https://donate.wikimedia.org/wiki/Special:FundraiserRedirector?utm_source=donate&utm_medium=sidebar&utm_campaign=C13_en.wikipedia.org&uselang=en" class="">Donate</a> </li> <li id="pt-createaccount-2" class="user-links-collapsible-item mw-list-item user-links-collapsible-item"><a data-mw="interface" href="/w/index.php?title=Special:CreateAccount&returnto=The+Lovin%27+Spoonful" title="You are encouraged to create an account and log in; however, it is not mandatory" class="">Create account</a> </li> <li id="pt-login-2" class="user-links-collapsible-item mw-list-item user-links-collapsible-item"><a data-mw="interface" href="/w/index.php?title=Special:UserLogin&returnto=The+Lovin%27+Spoonful" title="You're encouraged to log in; however, it's not mandatory. [o]" accesskey="o" class="">Log in</a> </li> </ul> </div> </div> </div> <div id="vector-user-links-dropdown" class="vector-dropdown vector-user-menu vector-button-flush-right vector-user-menu-logged-out" title="Log in and more options" > <input type="checkbox" id="vector-user-links-dropdown-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-user-links-dropdown" class="vector-dropdown-checkbox " aria-label="Personal tools" > <label id="vector-user-links-dropdown-label" for="vector-user-links-dropdown-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Personal tools </label> <div class="vector-dropdown-content"> <div id="p-personal" class="vector-menu mw-portlet mw-portlet-personal user-links-collapsible-item" title="User menu" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="pt-sitesupport" class="user-links-collapsible-item mw-list-item"><a href="https://donate.wikimedia.org/wiki/Special:FundraiserRedirector?utm_source=donate&utm_medium=sidebar&utm_campaign=C13_en.wikipedia.org&uselang=en">Donate</a></li><li id="pt-createaccount" class="user-links-collapsible-item mw-list-item"><a href="/w/index.php?title=Special:CreateAccount&returnto=The+Lovin%27+Spoonful" title="You are encouraged to create an account and log in; however, it is not mandatory"> Create account</a></li><li id="pt-login" class="user-links-collapsible-item mw-list-item"><a href="/w/index.php?title=Special:UserLogin&returnto=The+Lovin%27+Spoonful" title="You're encouraged to log in; however, it's not mandatory. [o]" accesskey="o"> Log in</a></li> </ul> </div> </div> <div id="p-user-menu-anon-editor" class="vector-menu mw-portlet mw-portlet-user-menu-anon-editor" > <div class="vector-menu-heading"> Pages for logged out editors <a href="/wiki/Help:Introduction" aria-label="Learn more about editing">learn more</a> </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="pt-anoncontribs" class="mw-list-item"><a href="/wiki/Special:MyContributions" title="A list of edits made from this IP address [y]" accesskey="y">Contributions</a></li><li id="pt-anontalk" class="mw-list-item"><a href="/wiki/Special:MyTalk" title="Discussion about edits from this IP address [n]" accesskey="n">Talk</a></li> </ul> </div> </div> </div> </div> </nav> </div> </header> </div> <div class="mw-page-container"> <div class="mw-page-container-inner"> <div class="vector-sitenotice-container"> <div id="siteNotice"></div> </div> <div class="vector-column-start"> <div class="vector-main-menu-container"> <div id="mw-navigation"> <nav id="mw-panel" class="vector-main-menu-landmark" aria-label="Site"> <div id="vector-main-menu-pinned-container" class="vector-pinned-container"> </div> </nav> </div> </div> <div class="vector-sticky-pinned-container"> <nav id="mw-panel-toc" aria-label="Contents" data-event-name="ui.sidebar-toc" class="mw-table-of-contents-container vector-toc-landmark"> <div id="vector-toc-pinned-container" class="vector-pinned-container"> <div id="vector-toc" class="vector-toc vector-pinnable-element"> <div class="vector-pinnable-header vector-toc-pinnable-header vector-pinnable-header-pinned" data-feature-name="toc-pinned" data-pinnable-element-id="vector-toc" > <h2 class="vector-pinnable-header-label">Contents</h2> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-pin-button" data-event-name="pinnable-header.vector-toc.pin">move to sidebar</button> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-toc.unpin">hide</button> </div> <ul class="vector-toc-contents" id="mw-panel-toc-list"> <li id="toc-mw-content-text" class="vector-toc-list-item vector-toc-level-1"> <a href="#" class="vector-toc-link"> <div class="vector-toc-text">(Top)</div> </a> </li> <li id="toc-History" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#History"> <div class="vector-toc-text"> 1 History </div> </a> <button aria-controls="toc-History-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle History subsection </button> <ul id="toc-History-sublist" class="vector-toc-list"> <li id="toc-1964–1965:_Formation" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1964–1965:_Formation"> <div class="vector-toc-text"> 1.1 1964–1965: Formation </div> </a> <ul id="toc-1964–1965:_Formation-sublist" class="vector-toc-list"> <li id="toc-Folk_music_antecedents" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Folk_music_antecedents"> <div class="vector-toc-text"> 1.1.1 Folk music antecedents </div> </a> <ul id="toc-Folk_music_antecedents-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Earliest_lineup" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Earliest_lineup"> <div class="vector-toc-text"> 1.1.2 Earliest lineup </div> </a> <ul id="toc-Earliest_lineup-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-First_live_dates" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#First_live_dates"> <div class="vector-toc-text"> 1.1.3 First live dates </div> </a> <ul id="toc-First_live_dates-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Folk_rock" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Folk_rock"> <div class="vector-toc-text"> 1.1.4 Folk rock </div> </a> <ul id="toc-Folk_rock-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"Do_You_Believe_in_Magic",_Kama_Sutra" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Do_You_Believe_in_Magic",_Kama_Sutra"> <div class="vector-toc-text"> 1.1.5 "Do You Believe in Magic", Kama Sutra </div> </a> <ul id="toc-"Do_You_Believe_in_Magic",_Kama_Sutra-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1965–1966:_American_popularity" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1965–1966:_American_popularity"> <div class="vector-toc-text"> 1.2 1965–1966: American popularity </div> </a> <ul id="toc-1965–1966:_American_popularity-sublist" class="vector-toc-list"> <li id="toc-Touring,_debut_album" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Touring,_debut_album"> <div class="vector-toc-text"> 1.2.1 Touring, debut album </div> </a> <ul id="toc-Touring,_debut_album-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Daydream" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Daydream"> <div class="vector-toc-text"> 1.2.2 Daydream </div> </a> <ul id="toc-Daydream-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1966:_International_popularity" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1966:_International_popularity"> <div class="vector-toc-text"> 1.3 1966: International popularity </div> </a> <ul id="toc-1966:_International_popularity-sublist" class="vector-toc-list"> <li id="toc-What's_Up,_Tiger_Lily?_soundtrack;_European_tour" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#What's_Up,_Tiger_Lily?_soundtrack;_European_tour"> <div class="vector-toc-text"> 1.3.1 What's Up, Tiger Lily? soundtrack; European tour </div> </a> <ul id="toc-What's_Up,_Tiger_Lily?_soundtrack;_European_tour-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Marijuana_bust" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Marijuana_bust"> <div class="vector-toc-text"> 1.3.2 Marijuana bust </div> </a> <ul id="toc-Marijuana_bust-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"Summer_in_the_City",_Hums_of_the_Lovin'_Spoonful" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Summer_in_the_City",_Hums_of_the_Lovin'_Spoonful"> <div class="vector-toc-text"> 1.3.3 "Summer in the City", Hums of the Lovin' Spoonful </div> </a> <ul id="toc-"Summer_in_the_City",_Hums_of_the_Lovin'_Spoonful-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1967–1968:_Diminished_success" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1967–1968:_Diminished_success"> <div class="vector-toc-text"> 1.4 1967–1968: Diminished success </div> </a> <ul id="toc-1967–1968:_Diminished_success-sublist" class="vector-toc-list"> <li id="toc-You're_a_Big_Boy_Now_soundtrack;_Yanovsky_and_Jacobsen_fired" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#You're_a_Big_Boy_Now_soundtrack;_Yanovsky_and_Jacobsen_fired"> <div class="vector-toc-text"> 1.4.1 You're a Big Boy Now soundtrack; Yanovsky and Jacobsen fired </div> </a> <ul id="toc-You're_a_Big_Boy_Now_soundtrack;_Yanovsky_and_Jacobsen_fired-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Yester_hired,_Everything_Playing" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Yester_hired,_Everything_Playing"> <div class="vector-toc-text"> 1.4.2 Yester hired, Everything Playing </div> </a> <ul id="toc-Yester_hired,_Everything_Playing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sebastian_departs,_Revelation:_Revolution_'69" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Sebastian_departs,_Revelation:_Revolution_'69"> <div class="vector-toc-text"> 1.4.3 Sebastian departs, Revelation: Revolution '69 </div> </a> <ul id="toc-Sebastian_departs,_Revelation:_Revolution_'69-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1968–present:_After_the_breakup" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1968–present:_After_the_breakup"> <div class="vector-toc-text"> 1.5 1968–present: After the breakup </div> </a> <ul id="toc-1968–present:_After_the_breakup-sublist" class="vector-toc-list"> <li id="toc-John_Sebastian" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#John_Sebastian"> <div class="vector-toc-text"> 1.5.1 John Sebastian </div> </a> <ul id="toc-John_Sebastian-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Zal_Yanovsky" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Zal_Yanovsky"> <div class="vector-toc-text"> 1.5.2 Zal Yanovsky </div> </a> <ul id="toc-Zal_Yanovsky-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Steve_Boone,_Joe_Butler_and_reunions" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Steve_Boone,_Joe_Butler_and_reunions"> <div class="vector-toc-text"> 1.5.3 Steve Boone, Joe Butler and reunions </div> </a> <ul id="toc-Steve_Boone,_Joe_Butler_and_reunions-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </li> <li id="toc-Musical_style_and_development" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Musical_style_and_development"> <div class="vector-toc-text"> 2 Musical style and development </div> </a> <button aria-controls="toc-Musical_style_and_development-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Musical style and development subsection </button> <ul id="toc-Musical_style_and_development-sublist" class="vector-toc-list"> <li id="toc-Songwriting" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Songwriting"> <div class="vector-toc-text"> 2.1 Songwriting </div> </a> <ul id="toc-Songwriting-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Instrumentation" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Instrumentation"> <div class="vector-toc-text"> 2.2 Instrumentation </div> </a> <ul id="toc-Instrumentation-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Image" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Image"> <div class="vector-toc-text"> 2.3 Image </div> </a> <ul id="toc-Image-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Members" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Members"> <div class="vector-toc-text"> 3 Members </div> </a> <button aria-controls="toc-Members-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Members subsection </button> <ul id="toc-Members-sublist" class="vector-toc-list"> <li id="toc-Membership_timeline" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Membership_timeline"> <div class="vector-toc-text"> 3.1 Membership timeline </div> </a> <ul id="toc-Membership_timeline-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Discography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Discography"> <div class="vector-toc-text"> 4 Discography </div> </a> <ul id="toc-Discography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> 5 Notes </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> 6 References </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sources" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Sources"> <div class="vector-toc-text"> 7 Sources </div> </a> <button aria-controls="toc-Sources-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Sources subsection </button> <ul id="toc-Sources-sublist" class="vector-toc-list"> <li id="toc-Books" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Books"> <div class="vector-toc-text"> 7.1 Books </div> </a> <ul id="toc-Books-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Liner_notes" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Liner_notes"> <div class="vector-toc-text"> 7.2 Liner notes </div> </a> <ul id="toc-Liner_notes-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 8 External links </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Toggle the table of contents </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading">The Lovin' Spoonful</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 25 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-25" aria-hidden="true" > 25 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D9%84%D8%A7%D9%88%DB%8C%D9%86_%D8%A7%D8%B3%D9%BE%D9%88%D9%86%D9%81%D9%88%D9%84" title="لاوین اسپونفول – South Azerbaijani" lang="azb" hreflang="azb" data-title="لاوین اسپونفول" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target">تۆرکجه</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%9B%D1%8A%D0%B2%D0%B8%D0%BD_%D0%A1%D0%BF%D1%83%D0%BD%D1%84%D1%83%D0%BB" title="Лъвин Спунфул – Bulgarian" lang="bg" hreflang="bg" data-title="Лъвин Спунфул" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Czech" lang="cs" hreflang="cs" data-title="The Lovin' Spoonful" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Danish" lang="da" hreflang="da" data-title="The Lovin' Spoonful" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/The_Lovin%E2%80%99_Spoonful" title="The Lovin’ Spoonful – German" lang="de" hreflang="de" data-title="The Lovin’ Spoonful" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Spanish" lang="es" hreflang="es" data-title="The Lovin' Spoonful" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D9%84%D8%A7%D9%88%DB%8C%D9%86_%D8%A7%D8%B3%D9%BE%D9%88%D9%86%D9%81%D9%88%D9%84" title="لاوین اسپونفول – Persian" lang="fa" hreflang="fa" data-title="لاوین اسپونفول" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – French" lang="fr" hreflang="fr" data-title="The Lovin' Spoonful" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EB%9F%AC%EB%B9%99_%EC%8A%A4%ED%91%BC%ED%92%80" title="러빙 스푼풀 – Korean" lang="ko" hreflang="ko" data-title="러빙 스푼풀" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Italian" lang="it" hreflang="it" data-title="The Lovin' Spoonful" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Hebrew" lang="he" hreflang="he" data-title="The Lovin' Spoonful" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/The_Lovin%E2%80%99_Spoonful" title="The Lovin’ Spoonful – Hungarian" lang="hu" hreflang="hu" data-title="The Lovin’ Spoonful" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%B0%D8%A7_%D9%84%D9%88%D9%81%D9%8A%D9%86_%D8%B3%D8%A8%D9%88%D9%86%D9%81%D9%88%D9%84" title="ذا لوفين سبونفول – Egyptian Arabic" lang="arz" hreflang="arz" data-title="ذا لوفين سبونفول" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Dutch" lang="nl" hreflang="nl" data-title="The Lovin' Spoonful" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%A9%E3%83%B4%E3%82%A3%E3%83%B3%E3%83%BB%E3%82%B9%E3%83%97%E3%83%BC%E3%83%B3%E3%83%95%E3%83%AB" title="ラヴィン・スプーンフル – Japanese" lang="ja" hreflang="ja" data-title="ラヴィン・スプーンフル" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/The_Lovin%E2%80%99_Spoonful" title="The Lovin’ Spoonful – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="The Lovin’ Spoonful" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="The Lovin' Spoonful" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target">Norsk nynorsk</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/The_Lovin%E2%80%99_Spoonful" title="The Lovin’ Spoonful – Polish" lang="pl" hreflang="pl" data-title="The Lovin’ Spoonful" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Portuguese" lang="pt" hreflang="pt" data-title="The Lovin' Spoonful" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/The_Lovin%E2%80%99_Spoonful" title="The Lovin’ Spoonful – Russian" lang="ru" hreflang="ru" data-title="The Lovin’ Spoonful" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Simple English" lang="en-simple" hreflang="en-simple" data-title="The Lovin' Spoonful" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Serbo-Croatian" lang="sh" hreflang="sh" data-title="The Lovin' Spoonful" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target">Srpskohrvatski / српскохрватски</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/The_Lovin%E2%80%99_Spoonful" title="The Lovin’ Spoonful – Finnish" lang="fi" hreflang="fi" data-title="The Lovin’ Spoonful" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Swedish" lang="sv" hreflang="sv" data-title="The Lovin' Spoonful" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/The_Lovin%27_Spoonful" title="The Lovin' Spoonful – Ukrainian" lang="uk" hreflang="uk" data-title="The Lovin' Spoonful" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target">Українська</a></li> </ul> <div class="after-portlet after-portlet-lang"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q1053608#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> <div class="vector-page-toolbar-container"> <div id="left-navigation"> <nav aria-label="Namespaces"> <div id="p-associated-pages" class="vector-menu vector-menu-tabs mw-portlet mw-portlet-associated-pages" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="ca-nstab-main" class="selected vector-tab-noicon mw-list-item"><a href="/wiki/The_Lovin%27_Spoonful" title="View the content page [c]" accesskey="c">Article</a></li><li id="ca-talk" class="vector-tab-noicon mw-list-item"><a href="/wiki/Talk:The_Lovin%27_Spoonful" rel="discussion" title="Discuss improvements to the content page [t]" accesskey="t">Talk</a></li> </ul> </div> </div> <div id="vector-variants-dropdown" class="vector-dropdown emptyPortlet" > <input type="checkbox" id="vector-variants-dropdown-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-variants-dropdown" class="vector-dropdown-checkbox " aria-label="Change language variant" > <label id="vector-variants-dropdown-label" for="vector-variants-dropdown-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet" aria-hidden="true" >English </label> <div class="vector-dropdown-content"> <div id="p-variants" class="vector-menu mw-portlet mw-portlet-variants emptyPortlet" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> </ul> </div> </div> </div> </div> </nav> </div> <div id="right-navigation" class="vector-collapsible"> <nav aria-label="Views"> <div id="p-views" class="vector-menu vector-menu-tabs mw-portlet mw-portlet-views" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="ca-view" class="selected vector-tab-noicon mw-list-item"><a href="/wiki/The_Lovin%27_Spoonful">Read</a></li><li id="ca-edit" class="vector-tab-noicon mw-list-item"><a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit" title="Edit this page [e]" accesskey="e">Edit</a></li><li id="ca-history" class="vector-tab-noicon mw-list-item"><a href="/w/index.php?title=The_Lovin%27_Spoonful&action=history" title="Past revisions of this page [h]" accesskey="h">View history</a></li> </ul> </div> </div> </nav> <nav class="vector-page-tools-landmark" aria-label="Page tools"> <div id="vector-page-tools-dropdown" class="vector-dropdown vector-page-tools-dropdown" > <input type="checkbox" id="vector-page-tools-dropdown-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-tools-dropdown" class="vector-dropdown-checkbox " aria-label="Tools" > <label id="vector-page-tools-dropdown-label" for="vector-page-tools-dropdown-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet" aria-hidden="true" >Tools </label> <div class="vector-dropdown-content"> <div id="vector-page-tools-unpinned-container" class="vector-unpinned-container"> <div id="vector-page-tools" class="vector-page-tools vector-pinnable-element"> <div class="vector-pinnable-header vector-page-tools-pinnable-header vector-pinnable-header-unpinned" data-feature-name="page-tools-pinned" data-pinnable-element-id="vector-page-tools" data-pinned-container-id="vector-page-tools-pinned-container" data-unpinned-container-id="vector-page-tools-unpinned-container" > <div class="vector-pinnable-header-label">Tools</div> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-pin-button" data-event-name="pinnable-header.vector-page-tools.pin">move to sidebar</button> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-page-tools.unpin">hide</button> </div> <div id="p-cactions" class="vector-menu mw-portlet mw-portlet-cactions emptyPortlet vector-has-collapsible-items" title="More options" > <div class="vector-menu-heading"> Actions </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="ca-more-view" class="selected vector-more-collapsible-item mw-list-item"><a href="/wiki/The_Lovin%27_Spoonful">Read</a></li><li id="ca-more-edit" class="vector-more-collapsible-item mw-list-item"><a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit" title="Edit this page [e]" accesskey="e">Edit</a></li><li id="ca-more-history" class="vector-more-collapsible-item mw-list-item"><a href="/w/index.php?title=The_Lovin%27_Spoonful&action=history">View history</a></li> </ul> </div> </div> <div id="p-tb" class="vector-menu mw-portlet mw-portlet-tb" > <div class="vector-menu-heading"> General </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="t-whatlinkshere" class="mw-list-item"><a href="/wiki/Special:WhatLinksHere/The_Lovin%27_Spoonful" title="List of all English Wikipedia pages containing links to this page [j]" accesskey="j">What links here</a></li><li id="t-recentchangeslinked" class="mw-list-item"><a href="/wiki/Special:RecentChangesLinked/The_Lovin%27_Spoonful" rel="nofollow" title="Recent changes in pages linked from this page [k]" accesskey="k">Related changes</a></li><li id="t-upload" class="mw-list-item"><a href="/wiki/Wikipedia:File_Upload_Wizard" title="Upload files [u]" accesskey="u">Upload file</a></li><li id="t-specialpages" class="mw-list-item"><a href="/wiki/Special:SpecialPages" title="A list of all special pages [q]" accesskey="q">Special pages</a></li><li id="t-permalink" class="mw-list-item"><a href="/w/index.php?title=The_Lovin%27_Spoonful&oldid=1258953315" title="Permanent link to this revision of this page">Permanent link</a></li><li id="t-info" class="mw-list-item"><a href="/w/index.php?title=The_Lovin%27_Spoonful&action=info" title="More information about this page">Page information</a></li><li id="t-cite" class="mw-list-item"><a href="/w/index.php?title=Special:CiteThisPage&page=The_Lovin%27_Spoonful&id=1258953315&wpFormIdentifier=titleform" title="Information on how to cite this page">Cite this page</a></li><li id="t-urlshortener" class="mw-list-item"><a href="/w/index.php?title=Special:UrlShortener&url=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FThe_Lovin%2527_Spoonful">Get shortened URL</a></li><li id="t-urlshortener-qrcode" class="mw-list-item"><a href="/w/index.php?title=Special:QrCode&url=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FThe_Lovin%2527_Spoonful">Download QR code</a></li> </ul> </div> </div> <div id="p-coll-print_export" class="vector-menu mw-portlet mw-portlet-coll-print_export" > <div class="vector-menu-heading"> Print/export </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="coll-download-as-rl" class="mw-list-item"><a href="/w/index.php?title=Special:DownloadAsPdf&page=The_Lovin%27_Spoonful&action=show-download-screen" title="Download this page as a PDF file">Download as PDF</a></li><li id="t-print" class="mw-list-item"><a href="/w/index.php?title=The_Lovin%27_Spoonful&printable=yes" title="Printable version of this page [p]" accesskey="p">Printable version</a></li> </ul> </div> </div> <div id="p-wikibase-otherprojects" class="vector-menu mw-portlet mw-portlet-wikibase-otherprojects" > <div class="vector-menu-heading"> In other projects </div> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="wb-otherproject-link wb-otherproject-commons mw-list-item"><a href="https://commons.wikimedia.org/wiki/Category:The_Lovin%27_Spoonful" hreflang="en">Wikimedia Commons</a></li><li id="t-wikibase" class="wb-otherproject-link wb-otherproject-wikibase-dataitem mw-list-item"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q1053608" title="Structured data on this page hosted by Wikidata [g]" accesskey="g">Wikidata item</a></li> </ul> </div> </div> </div> </div> </div> </div> </nav> </div> </div> </div> <div class="vector-column-end"> <div class="vector-sticky-pinned-container"> <nav class="vector-page-tools-landmark" aria-label="Page tools"> <div id="vector-page-tools-pinned-container" class="vector-pinned-container"> </div> </nav> <nav class="vector-appearance-landmark" aria-label="Appearance"> <div id="vector-appearance-pinned-container" class="vector-pinned-container"> <div id="vector-appearance" class="vector-appearance vector-pinnable-element"> <div class="vector-pinnable-header vector-appearance-pinnable-header vector-pinnable-header-pinned" data-feature-name="appearance-pinned" data-pinnable-element-id="vector-appearance" data-pinned-container-id="vector-appearance-pinned-container" data-unpinned-container-id="vector-appearance-unpinned-container" > <div class="vector-pinnable-header-label">Appearance</div> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-pin-button" data-event-name="pinnable-header.vector-appearance.pin">move to sidebar</button> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-appearance.unpin">hide</button> </div> </div> </div> </nav> </div> </div> <div id="bodyContent" class="vector-body" aria-labelledby="firstHeading" data-mw-ve-target-container> <div class="vector-body-before-content"> <div class="mw-indicators"> <div id="mw-indicator-good-star" class="mw-indicator"><div class="mw-parser-output"><a href="/wiki/Wikipedia:Good_articles*" title="This is a good article. Click here for more information."><img alt="This is a good article. Click here for more information." src="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/19px-Symbol_support_vote.svg.png" decoding="async" width="19" height="20" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/29px-Symbol_support_vote.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/39px-Symbol_support_vote.svg.png 2x" data-file-width="180" data-file-height="185" /></a></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle">(Redirected from <a href="/w/index.php?title=Lovin%27_Spoonful&redirect=no" class="mw-redirect" title="Lovin' Spoonful">Lovin' Spoonful</a>)</div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"> <div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">American folk-rock band (1964–1968)</div> <style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard plainlist"><tbody><tr><th colspan="2" class="infobox-above" style="color: #202122;background-color: #b0c4de; font-size: 125%;"><div class="fn org">The Lovin' Spoonful</div></th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Lovin_Spoonful_1965.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Lovin_Spoonful_1965.jpg/220px-Lovin_Spoonful_1965.jpg" decoding="async" width="220" height="320" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Lovin_Spoonful_1965.jpg/330px-Lovin_Spoonful_1965.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/b/b8/Lovin_Spoonful_1965.jpg 2x" data-file-width="373" data-file-height="543" /></a><div class="infobox-caption"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"><ul><li>The Lovin' Spoonful in 1965</li><li>Clockwise from bottom right: <a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a>, <a href="/wiki/Zal_Yanovsky" title="Zal Yanovsky">Zal Yanovsky</a>, <a href="/wiki/Joe_Butler" title="Joe Butler">Joe Butler</a> and <a href="/wiki/Steve_Boone" title="Steve Boone">Steve Boone</a></li></ul></div></div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de">Background information</th></tr><tr><th scope="row" class="infobox-label">Origin</th><td class="infobox-data"><a href="/wiki/Greenwich_Village" title="Greenwich Village">Greenwich Village</a>, New York City, U.S.</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"><ul><li><a href="/wiki/Folk_rock" title="Folk rock">Folk rock</a></li><li><a href="/wiki/Pop_music" title="Pop music">pop</a></li><li><a href="/wiki/Rock_music" title="Rock music">rock</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Discography</th><td class="infobox-data"><a href="/wiki/The_Lovin%27_Spoonful_discography" title="The Lovin' Spoonful discography">Albums and singles</a></td></tr><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"><ul><li>1964–1968</li><li>1991–present</li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"><ul><li><a href="/wiki/Kama_Sutra_Records" title="Kama Sutra Records">Kama Sutra</a></li><li><a href="/wiki/Buddah_Records" title="Buddah Records">Buddah</a></li><li><a href="/wiki/Elektra_Records" title="Elektra Records">Elektra</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Spinoff of</th><td class="infobox-data"><a href="/wiki/The_Mugwumps_(band)" title="The Mugwumps (band)">The Mugwumps</a></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Members</th><td class="infobox-data"> <ul><li><a href="/wiki/Steve_Boone" title="Steve Boone">Steve Boone</a></li> <li>(see <a href="#Members">§ Members</a> for touring members)</li></ul> </td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Past members</th><td class="infobox-data"> <ul><li><a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a></li> <li><a href="/wiki/Zal_Yanovsky" title="Zal Yanovsky">Zal Yanovsky</a></li> <li>Jan Carl</li> <li><a href="/wiki/Joe_Butler" title="Joe Butler">Joe Butler</a></li> <li><a href="/wiki/Jerry_Yester" title="Jerry Yester">Jerry Yester</a></li></ul> </td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><a rel="nofollow" class="external text" href="http://lovinspoonful.band">lovinspoonful.band</a></td></tr></tbody></table> The Lovin' Spoonful is an American <a href="/wiki/Folk-rock" class="mw-redirect" title="Folk-rock">folk-rock</a> band formed in <a href="/wiki/Greenwich_Village" title="Greenwich Village">Greenwich Village</a>, New York City, in 1964. The band were among the most popular groups in the United States for a short period in the mid-1960s and their music and image influenced many of the contemporary rock acts of their era. Beginning in July 1965 with their debut single "<a href="/wiki/Do_You_Believe_in_Magic_(song)" title="Do You Believe in Magic (song)">Do You Believe in Magic</a>", the band had seven consecutive singles reach the Top Ten of the U.S. charts in the eighteen months that followed, including the number-two hits "<a href="/wiki/Daydream_(The_Lovin%27_Spoonful_song)" title="Daydream (The Lovin' Spoonful song)">Daydream</a>" and "<a href="/wiki/Did_You_Ever_Have_to_Make_Up_Your_Mind%3F" title="Did You Ever Have to Make Up Your Mind?">Did You Ever Have to Make Up Your Mind?</a>" and the chart-topping "<a href="/wiki/Summer_in_the_City_(song)" title="Summer in the City (song)">Summer in the City</a>". Led by their primary songwriter <a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a>, the Lovin' Spoonful took their earliest influences from <a href="/wiki/Jug_band" title="Jug band">jug band</a> and <a href="/wiki/Blues" title="Blues">blues</a> music, reworking them into a <a href="/wiki/Popular_music" title="Popular music">popular music</a> format. In 1965, the band helped pioneer the development of the musical genre of folk rock. By 1966, the group were "one of the most highly regarded American bands",<a href="#cite_note-1">[1]</a> and they were the year's third-best-selling singles act in the U.S., after <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> and <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">the Rolling Stones</a>. As <a href="/wiki/Psychedelic_music" title="Psychedelic music">psychedelia</a> expanded in popularity in 1967, the Spoonful struggled to transition their approach and saw diminished sales before disbanding in 1968. Before they founded the Lovin' Spoonful, Sebastian (guitar, harmonica, <a href="/wiki/Autoharp" title="Autoharp">autoharp</a>, vocals) and <a href="/wiki/Zal_Yanovsky" title="Zal Yanovsky">Zal Yanovsky</a> (guitar, vocals) were active in Greenwich Village's <a href="/wiki/American_folk_music_revival" title="American folk music revival">folk-music scene</a>. Aiming to create an "electric jug band",<a href="#cite_note-FOOTNOTEFletcher2009214-2">[2]</a> they recruited the local rock musicians <a href="/wiki/Steve_Boone" title="Steve Boone">Steve Boone</a> (bass guitar) and <a href="/wiki/Joe_Butler" title="Joe Butler">Joe Butler</a> (drums, vocals). The four-piece lineup honed their sound at New York nightclubs before they began recording for <a href="/wiki/Kama_Sutra_Records" title="Kama Sutra Records">Kama Sutra Records</a> with the producer <a href="/wiki/Erik_Jacobsen" title="Erik Jacobsen">Erik Jacobsen</a>. In May 1966, at the height of the band's success, <a href="/wiki/The_Lovin%27_Spoonful%27s_drug_bust" title="The Lovin' Spoonful's drug bust">Yanovsky and Boone were arrested</a> for marijuana possession in San Francisco. The pair revealed their drug source to authorities to avoid Yanovsky being deported to his native Canada, an action which generated tensions within the group. Due to disagreements over their artistic direction, the band fired Yanovsky in May 1967, replacing him with <a href="/wiki/Jerry_Yester" title="Jerry Yester">Jerry Yester</a>, and Yanovsky commenced a brief and commercially unsuccessful solo career. The original iteration of the Spoonful last publicly performed in June 1968, after which time Sebastian departed the group and pursued a briefly successful solo career. The band dissolved later that year. In 2000, the Lovin' Spoonful were inducted into the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a>, an occasion that saw Sebastian, Yanovsky, Boone and Butler perform together for the last time. Yanovsky died of a heart attack two years later. Sebastian has remained active as a solo act, and Boone, Butler and Yester began touring under the name the Lovin' Spoonful in 1991. <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History">History</h2>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=1" title="Edit section: History">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="1964–1965:_Formation">1964–1965: Formation</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=2" title="Edit section: 1964–1965: Formation">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id="Folk_music_antecedents">Folk music antecedents</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=3" title="Edit section: Folk music antecedents">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatleft" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> The first time I heard <a href="/wiki/Zal_Yanovsky" title="Zal Yanovsky">Zal [Yanovsky]</a> was at <a href="/wiki/Cass_Elliot" title="Cass Elliot">Cass Elliot</a>'s house. Cass was forever the Jewish matchmaker, she was matching up boys to play in bands like a house afire. And she had us nailed as, "Oh, these guys have to work together."<a href="#cite_note-Shiner_Sebastian-3">[3]</a> </blockquote> <cite class="right-aligned" style="">– <a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a>, 2012</cite> </div> The co-founders of the Lovin' Spoonful – <a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a> and <a href="/wiki/Zal_Yanovsky" title="Zal Yanovsky">Zal Yanovsky</a> – met on February 9, 1964, at the apartment of <a href="/wiki/Cass_Elliot" title="Cass Elliot">Cass Elliot</a>, a mutual friend and fellow musician.<a href="#cite_note-4">[4]</a><a href="#cite_note-7">[nb 1]</a> Elliot was holding a party that night to watch the English rock band <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> make their American television debut on <a href="/wiki/The_Ed_Sullivan_Show" title="The Ed Sullivan Show">The Ed Sullivan Show</a>.<a href="#cite_note-8">[7]</a> Elliot, Sebastian and Yanovsky were all active in the <a href="/wiki/American_folk_music_revival" title="American folk music revival">folk-music scene</a> in <a href="/wiki/Greenwich_Village" title="Greenwich Village">Greenwich Village</a>, a neighborhood in New York City,<a href="#cite_note-FOOTNOTEBronson2003205-9">[8]</a> and the three were greatly influenced by the Beatles' performance; Sebastian later reflected, "It affected us heavily ... us [meaning] my specific generation".<a href="#cite_note-FOOTNOTEBarone2022168-10">[9]</a> Later that night, Elliot encouraged Sebastian and Yanovsky to play guitars,<a href="#cite_note-FOOTNOTEBronson2003205-9">[8]</a> and Sebastian remembered discovering they had "a tremendous affinity" for one another.<a href="#cite_note-FOOTNOTEFiegel2005114-11">[10]</a> Sebastian, the son of the classical <a href="/wiki/Harmonica" title="Harmonica">harmonica</a> player <a href="/wiki/John_Sebastian_(classical_harmonica_player)" title="John Sebastian (classical harmonica player)">John Sebastian Sr.</a>, grew up in a Village apartment which neighbored <a href="/wiki/Washington_Square_Park" title="Washington Square Park">Washington Square Park</a>.<a href="#cite_note-FOOTNOTEFletcher2009157-12">[11]</a> The younger Sebastian often went to the park to play music,<a href="#cite_note-FOOTNOTEFletcher2009157-12">[11]</a><a href="#cite_note-FOOTNOTEPetrus2015294-13">[12]</a> and he also played in rock bands as a teenager at his <a href="/wiki/College-preparatory_school" title="College-preparatory school">prep school</a> in <a href="/wiki/New_Jersey" title="New Jersey">New Jersey</a>.<a href="#cite_note-FOOTNOTEUnterberger200228-14">[13]</a> He became a multi-instrumentalist, being proficient on guitar, harmonica, piano and the <a href="/wiki/Autoharp" title="Autoharp">autoharp</a>.<a href="#cite_note-FOOTNOTEPetrus2015294-13">[12]</a> Beginning in the early 1960s, he worked as a <a href="/wiki/Studio_musician" class="mw-redirect" title="Studio musician">studio musician</a>.<a href="#cite_note-FOOTNOTEUnterberger200275-15">[14]</a> <style data-mw-deduplicate="TemplateStyles:r1237032888/mw-parser-output/.tmulti">.mw-parser-output .tmulti .multiimageinner{display:flex;flex-direction:column}.mw-parser-output .tmulti .trow{display:flex;flex-direction:row;clear:left;flex-wrap:wrap;width:100%;box-sizing:border-box}.mw-parser-output .tmulti .tsingle{margin:1px;float:left}.mw-parser-output .tmulti .theader{clear:both;font-weight:bold;text-align:center;align-self:center;background-color:transparent;width:100%}.mw-parser-output .tmulti .thumbcaption{background-color:transparent}.mw-parser-output .tmulti .text-align-left{text-align:left}.mw-parser-output .tmulti .text-align-right{text-align:right}.mw-parser-output .tmulti .text-align-center{text-align:center}@media all and (max-width:720px){.mw-parser-output .tmulti .thumbinner{width:100%!important;box-sizing:border-box;max-width:none!important;align-items:center}.mw-parser-output .tmulti .trow{justify-content:center}.mw-parser-output .tmulti .tsingle{float:none!important;max-width:100%!important;box-sizing:border-box;text-align:center}.mw-parser-output .tmulti .tsingle .thumbcaption{text-align:left}.mw-parser-output .tmulti .trow>.thumbcaption{text-align:center}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .tmulti .multiimageinner img{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .tmulti .multiimageinner img{background-color:white}}</style><div class="thumb tmulti tright"><div class="thumbinner multiimageinner" style="width:254px;max-width:254px"><div class="trow"><div class="tsingle" style="width:252px;max-width:252px"><div class="thumbimage"><a href="/wiki/File:Washington_square_park.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/da/Washington_square_park.jpg/250px-Washington_square_park.jpg" decoding="async" width="250" height="188" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/da/Washington_square_park.jpg/375px-Washington_square_park.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/da/Washington_square_park.jpg/500px-Washington_square_park.jpg 2x" data-file-width="1940" data-file-height="1455" /></a></div></div></div><div class="trow"><div class="tsingle" style="width:252px;max-width:252px"><div class="thumbimage"><a href="/wiki/File:Sights_and_People_of_NYC_(2482153930).jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/04/Sights_and_People_of_NYC_%282482153930%29.jpg/250px-Sights_and_People_of_NYC_%282482153930%29.jpg" decoding="async" width="250" height="141" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/04/Sights_and_People_of_NYC_%282482153930%29.jpg/375px-Sights_and_People_of_NYC_%282482153930%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/04/Sights_and_People_of_NYC_%282482153930%29.jpg/500px-Sights_and_People_of_NYC_%282482153930%29.jpg 2x" data-file-width="1400" data-file-height="787" /></a></div></div></div><div class="trow" style="display:flex"><div class="thumbcaption">Top: <a href="/wiki/Washington_Square_Park" title="Washington Square Park">Washington Square Park</a>, 2006 Bottom: <a href="/wiki/MacDougal_Street" title="MacDougal Street">MacDougal Street</a>, 2008 The Lovin' Spoonful emerged from New York City's <a href="/wiki/American_folk_music_revival" title="American folk music revival">folk-music scene</a> in <a href="/wiki/Greenwich_Village" title="Greenwich Village">Greenwich Village</a>.</div></div></div></div> Yanovsky grew up in <a href="/wiki/Downsview" title="Downsview">Downsview</a>, a suburb of Toronto, Canada, and he was enmeshed as a guitar player in the city's folk-music scene, which centered on the <a href="/wiki/Yorkville,_Toronto" title="Yorkville, Toronto">Yorkville</a> neighborhood.<a href="#cite_note-FOOTNOTEBunch2017343-16">[15]</a> <a href="/wiki/Denny_Doherty" title="Denny Doherty">Denny Doherty</a>, another musician active in Yorkville,<a href="#cite_note-FOOTNOTEBunch2017343-16">[15]</a> invited Yanovsky to join his folk group, <a href="/wiki/The_Halifax_Three" title="The Halifax Three">the Halifax Three</a>, which later relocated to Greenwich Village.<a href="#cite_note-FOOTNOTEMersereau2015chap._4-17">[16]</a> After the Halifax Three broke up in June 1964,<a href="#cite_note-FOOTNOTEReesCrampton1991316-18">[17]</a> Elliot recruited Yanovsky and Doherty to join her own group, <a href="/wiki/The_Mugwumps_(band)" title="The Mugwumps (band)">the Mugwumps</a>.<a href="#cite_note-FOOTNOTEUnterberger200272–73-19">[18]</a> That same year, Sebastian briefly played with another New York folk group, the <a href="/wiki/Even_Dozen_Jug_Band" title="Even Dozen Jug Band">Even Dozen Jug Band</a>, before he was also recruited into the Mugwumps to play harmonica.<a href="#cite_note-FOOTNOTEUnterberger200275,_123-20">[19]</a><a href="#cite_note-24">[nb 2]</a> Sebastian later remembered becoming enamoured with Yanovsky: "[He] amused the hell out of me. He inhaled and exhaled people and conversation and jokes and theater. He was this kind of cultural weathervane – and people gathered around him."<a href="#cite_note-FOOTNOTEFletcher2009214-2">[2]</a> During live performances with the Mugwumps, rather than playing folk songs straight through, Yanovsky and Sebastian often improvised off of one another on guitar and harmonica, respectively.<a href="#cite_note-FOOTNOTEFletcher2009214-2">[2]</a> After the Mugwumps dissolved in late 1964, Sebastian and Yanovsky began planning to form their own group,<a href="#cite_note-FOOTNOTEUnterberger200275,_123-20">[19]</a><a href="#cite_note-FOOTNOTEBooneMoss201445-25">[23]</a> which they envisioned as an electric <a href="/wiki/Jug_band" title="Jug band">jug band</a>.<a href="#cite_note-FOOTNOTEFletcher2009214-2">[2]</a><a href="#cite_note-26">[nb 3]</a> Sebastian recalled: "Yanovsky and I were both aware of the fact that this commercial folk music model was about to change again, that the four-man band that actually played their own instruments and wrote their own songs was the thing."<a href="#cite_note-FOOTNOTEFletcher2009214-2">[2]</a> Yanovsky contacted <a href="/wiki/Bob_Cavallo" title="Bob Cavallo">Bob Cavallo</a>, the former manager of the Halifax Three and the Mugwumps, who agreed to manage Sebastian and Yanovsky's group even though they had not yet performed publicly, had no songs and did not yet have a band name.<a href="#cite_note-FOOTNOTEBooneMoss201445–48-27">[24]</a> In 1964, Sebastian lived in an apartment on Prince Street in <a href="/wiki/Little_Italy,_Manhattan" title="Little Italy, Manhattan">Little Italy</a>, a Manhattan neighborhood south of Greenwich Village. That year, <a href="/wiki/Erik_Jacobsen" title="Erik Jacobsen">Erik Jacobsen</a>, the former banjo player of the bluegrass band <a href="/wiki/Knob_Lick_Upper_10,000" class="mw-redirect" title="Knob Lick Upper 10,000">Knob Lick Upper 10,000</a>, moved into the apartment next door,<a href="#cite_note-FOOTNOTEFletcher2009212-28">[25]</a> and the two soon bonded over their shared interests of smoking marijuana and listening to eclectic music.<a href="#cite_note-FOOTNOTEFletcher2009212-28">[25]</a><a href="#cite_note-FOOTNOTEUnterberger200269–70-29">[26]</a> Like Sebastian, Jacobsen had been affected by the new sound of the Beatles; he later recalled that while touring in early 1964, he listened to the group for the first time on a <a href="/wiki/Jukebox" title="Jukebox">jukebox</a>: "I decided, kind of then and there I think, that I was gonna quit the Knob Lick Upper 10,000, and go to New York City, and produced electric folk music."<a href="#cite_note-FOOTNOTEFletcher2009212-28">[25]</a> As part of his effort to switch focus towards production, Jacobsen recorded <a href="/wiki/Demo_(music)" title="Demo (music)">demos</a> for musicians in the Village,<a href="#cite_note-FOOTNOTEFletcher2009213-30">[27]</a> including Sebastian's compositions "Warm Baby" and "Rooty-Toot".<a href="#cite_note-FOOTNOTEUnterberger200270-31">[28]</a><a href="#cite_note-33">[nb 4]</a> <div class="mw-heading mw-heading4"><h4 id="Earliest_lineup">Earliest lineup</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=4" title="Edit section: Earliest lineup">edit</a>]</div> From 1962 to 1964, <a href="/wiki/Steve_Boone" title="Steve Boone">Steve Boone</a> played bass guitar in several <a href="/wiki/Long_Island" title="Long Island">Long Island</a> rock bands with the drummer <a href="/wiki/Joe_Butler" title="Joe Butler">Joe Butler</a>.<a href="#cite_note-FOOTNOTEUnterberger2002123-34">[30]</a> They both played in the Kingsmen, a band led by Boone's brother, Skip, before Boone quit in mid-1964 to spend time visiting Europe. Skip and Butler changed the band's name to the Sellouts and moved to Greenwich Village, holding a residency at <a href="/wiki/Trude_Heller%27s" title="Trude Heller's">Trude Heller's</a> club as one of the neighborhood's earliest rock groups.<a href="#cite_note-FOOTNOTEBooneMoss201411–15,_23–24,_32-35">[31]</a> In December 1964,<a href="#cite_note-FOOTNOTEUnterberger2002123-34">[30]</a> at the insistence of Butler, Boone went to the Village Music Hall, a small music club on West 3rd Street in Greenwich Village.<a href="#cite_note-FOOTNOTEBooneMoss201434–35-36">[32]</a> There, he met Sebastian and Yanovsky,<a href="#cite_note-FOOTNOTEBooneMoss201436-37">[33]</a> and though he had no background in folk music,<a href="#cite_note-FOOTNOTEUnterberger2003123-38">[34]</a> Boone soon bonded with the two over their shared musical influences, including <a href="/wiki/Elvis_Presley" title="Elvis Presley">Elvis Presley</a>, <a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a>, <a href="/wiki/The_Everly_Brothers" title="The Everly Brothers">the Everly Brothers</a>, <a href="/wiki/Buddy_Holly" title="Buddy Holly">Buddy Holly</a>, <a href="/wiki/Motown" title="Motown">Motown</a>, the Beatles and other <a href="/wiki/British_Invasion" title="British Invasion">British Invasion</a> acts.<a href="#cite_note-FOOTNOTEBooneMoss201436-37">[33]</a> Sebastian played him his composition "<a href="/wiki/Good_Time_Music" title="Good Time Music">Good Time Music</a>" – the lyrics of which derided early 1960s <a href="/wiki/Rock_and_roll" title="Rock and roll">rock and roll</a> while extolling the Beatles and other new music – and the three musicians <a href="/wiki/Jam_session" title="Jam session">jammed</a> different Chuck Berry and R&B numbers.<a href="#cite_note-FOOTNOTEBooneMoss201435–38-39">[35]</a> Sebastian invited Boone to Jacobsen's apartment afterwards, where Boone met Jacobsen as well as <a href="/wiki/Jerry_Yester" title="Jerry Yester">Jerry Yester</a> of the <a href="/wiki/Modern_Folk_Quartet" title="Modern Folk Quartet">Modern Folk Quartet</a>, a local folk music group.<a href="#cite_note-FOOTNOTEBooneMoss201439-40">[36]</a> That week, Boone attended Sebastian's performance at a Greenwich Village club.<a href="#cite_note-FOOTNOTEBooneMoss201439–41-41">[37]</a> Sebastian's show, made up of a quickly assembled group of Fred Neil, <a href="/wiki/Tim_Hardin" title="Tim Hardin">Tim Hardin</a>, <a href="/wiki/Buzzy_Linhart" title="Buzzy Linhart">Buzzy Linhart</a> and <a href="/wiki/Felix_Pappalardi" title="Felix Pappalardi">Felix Pappalardi</a>, greatly impressed Boone,<a href="#cite_note-FOOTNOTEBooneMoss201439–41-41">[37]</a><a href="#cite_note-FOOTNOTEUnterberger2002124-42">[38]</a> who later remembered it as "one of the most significant nights in my musical life."<a href="#cite_note-FOOTNOTEUnterberger2002124-42">[38]</a> He also recalled: "I was stunned. I had never heard such power in a folk group before."<a href="#cite_note-FOOTNOTEUnterberger2002124-42">[38]</a> The performance motivated Boone to enter the Greenwich Village folk scene and join Sebastian and Yanovsky's group.<a href="#cite_note-FOOTNOTEUnterberger2002124-42">[38]</a> The band was still in need of a drummer, and Boone suggested Jan Buchner, a part-timer with the Kingsmen who came at the recommendation of both Skip and Butler.<a href="#cite_note-FOOTNOTEBooneMoss201448-43">[39]</a> Buchner, who went by the stagename Jan Carl, was the manager of the Bull's Head Inn, a small inn located in <a href="/wiki/Bridgehampton,_New_York" title="Bridgehampton, New York">Bridgehampton</a> on Long Island, and which he offered as a rehearsal space during the inn's winter closure. The band rehearsed at the Bull's Head for several weeks in December 1964 and January 1965, and they also played at local bars in Bridgehampton at night.<a href="#cite_note-FOOTNOTEBooneMoss201448–51-44">[40]</a> In late 1964 and early 1965, to keep earning money before his new band had earned a contract, Sebastian continued performing as a studio musician on other artists' recordings.<a href="#cite_note-FOOTNOTEBooneMoss201447-45">[41]</a> In this period, he played harmonica on <a href="/wiki/Progressive_folk" title="Progressive folk">progressive folk</a> records for several acts, including <a href="/wiki/Fred_Neil" title="Fred Neil">Fred Neil</a>, <a href="/wiki/Jesse_Colin_Young" title="Jesse Colin Young">Jesse Colin Young</a> and <a href="/wiki/Judy_Collins" title="Judy Collins">Judy Collins</a>.<a href="#cite_note-FOOTNOTEUnterberger200275-15">[14]</a><a href="#cite_note-46">[nb 5]</a> In January 1965,<a href="#cite_note-FOOTNOTEHeylin2021297-47">[42]</a> the musician <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> asked Sebastian to play bass guitar on his newest album, <a href="/wiki/Bringing_It_All_Back_Home" title="Bringing It All Back Home">Bringing It All Back Home</a>.<a href="#cite_note-FOOTNOTEBooneMoss201453-48">[43]</a> The album's first day of sessions, January 13, featured only Dylan on an acoustic guitar and, for a few tracks, Sebastian playing bass guitar, but none of the recordings were used on the final album.<a href="#cite_note-FOOTNOTEHeylin199665-49">[44]</a><a href="#cite_note-OB-50">[45]</a><a href="#cite_note-52">[nb 6]</a> Dylan returned the next day to re-record much of the material, rearranging the songs attempted the day before so they instead featured an electric backing.<a href="#cite_note-FOOTNOTEHeylin199666-53">[47]</a> Dylan invited Sebastian to return for a separate session held that evening,<a href="#cite_note-FOOTNOTEHeylin199666-53">[47]</a> in which they recorded a remake of the song "<a href="/wiki/Subterranean_Homesick_Blues" title="Subterranean Homesick Blues">Subterranean Homesick Blues</a>".<a href="#cite_note-OB-50">[45]</a> Boone – one of the few people Sebastian knew with a car and driver's license – offered to drive him to the session.<a href="#cite_note-FOOTNOTEUnterberger2002110-54">[48]</a><a href="#cite_note-FOOTNOTEBooneMoss201451-55">[49]</a> Sebastian was not a trained bass player and, after struggling to play the part, he suggested that Boone play instead,<a href="#cite_note-FOOTNOTEUnterberger2002109–110-56">[50]</a><a href="#cite_note-FOOTNOTEBooneMoss201451–54-57">[51]</a> but neither musician's contributions ended up on the final album.<a href="#cite_note-FOOTNOTEHeylin199665–66-58">[52]</a><a href="#cite_note-59">[nb 7]</a> <div class="mw-heading mw-heading4"><h4 id="First_live_dates">First live dates</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=5" title="Edit section: First live dates">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> We were still trying to come up with a name when I ran into <a href="/wiki/Fritz_Richmond" title="Fritz Richmond">Fritz Richmond</a>, a friend and musician. I asked him for suggestions. Fritz asked what we sounded like. I said a cross between <a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a> and <a href="/wiki/Mississippi_John_Hurt" title="Mississippi John Hurt">Mississippi John Hurt</a>. Fritz suggested the Lovin' Spoonful, a line from Hurt's 1963 song "Coffee Blues." The name was perfect.<a href="#cite_note-60">[53]</a> </blockquote> <cite class="right-aligned" style="">– John Sebastian, 2016</cite> </div> In early 1965, in preparation for their first public performances, Sebastian, Yanovsky, Boone and Carl continued rehearsing at the Bull's Head, while Sebastian and Yanovsky searched for a group name.<a href="#cite_note-FOOTNOTEBooneMoss201454–55-61">[54]</a> <a href="/wiki/Fritz_Richmond" title="Fritz Richmond">Fritz Richmond</a>, the <a href="/wiki/Washtub_bass" title="Washtub bass">washtub bass</a> player for the <a href="/wiki/Jim_Kweskin_Jug_Band" class="mw-redirect" title="Jim Kweskin Jug Band">Jim Kweskin Jug Band</a>, suggested to Sebastian the name the Lovin' Spoonful,<a href="#cite_note-FOOTNOTEBooneMoss201454–55-61">[54]</a><a href="#cite_note-FOOTNOTEVon_SchmidtRooney1994246-62">[55]</a> a reference to the lyrics of the song "Coffee Blues" by the country blues musician <a href="/wiki/Mississippi_John_Hurt" title="Mississippi John Hurt">Mississippi John Hurt</a>,<a href="#cite_note-FOOTNOTEMyers201774-63">[56]</a> with whom Sebastian had previously worked.<a href="#cite_note-FOOTNOTEUnterberger2002124-42">[38]</a> Sebastian and Yanovsky were enthusiastic about the suggestion and adopted it as the band's name.<a href="#cite_note-FOOTNOTEBooneMoss201455-64">[57]</a> Joe Marra, the owner of Greenwich Village's Night Owl Cafe, knew Sebastian from his time backing other artists at the club, and Marra offered to book the Lovin' Spoonful at the venue.<a href="#cite_note-FOOTNOTEBooneMoss201454-65">[58]</a> The Night Owl was formerly an after-hours bowling alley at <a href="/wiki/3rd_Street_(Manhattan)" class="mw-redirect" title="3rd Street (Manhattan)">West 3rd</a> and <a href="/wiki/MacDougal_Street" title="MacDougal Street">MacDougal Streets</a>, which Marra had recently converted into a 125-person capacity coffeehouse and restaurant for folk music acts.<a href="#cite_note-FOOTNOTEFletcher2009215–216-66">[59]</a> The band made their first live performances in late January 1965 at the Night Owl, holding a two-week residency.<a href="#cite_note-FOOTNOTEFletcher2009214-2">[2]</a> One show, which Jacobsen recorded on a tape recorder, featured a mixture of Sebastian's originals ("Good Time Music" and "Didn't Want to Have to Do It"), folk songs ("Wild About My Lovin'" and "My Gal") and rock and roll ("<a href="/wiki/(Get_Your_Kicks_on)_Route_66" title="(Get Your Kicks on) Route 66">Route 66</a>", "<a href="/wiki/Alley_Oop_(song)" title="Alley Oop (song)">Alley Oop</a>" and "<a href="/wiki/Almost_Grown_(song)" title="Almost Grown (song)">Almost Grown</a>").<a href="#cite_note-FOOTNOTEBooneMoss201457–59-67">[60]</a><a href="#cite_note-69">[nb 8]</a> The band received a mixed reception, due in part to their loud playing style in the small venue.<a href="#cite_note-FOOTNOTEBooneMoss201457–59-67">[60]</a> Marra was unimpressed and returned to booking folk acts.<a href="#cite_note-FOOTNOTEFletcher2009215-70">[62]</a> Cavallo and Jacobsen recommended rehearsals and that the band replace Carl as drummer. Carl, who was six years older than his bandmates, clashed with them in terms of appearance and playing style, and he was subsequently fired by the band's management.<a href="#cite_note-FOOTNOTEBooneMoss201457–59-67">[60]</a> <div style="clear:both;" class=""></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:The_original_Hotel_Albert,_40_East_11th_Street_(2)_(cropped)_(cropped).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e1/The_original_Hotel_Albert%2C_40_East_11th_Street_%282%29_%28cropped%29_%28cropped%29.jpg/220px-The_original_Hotel_Albert%2C_40_East_11th_Street_%282%29_%28cropped%29_%28cropped%29.jpg" decoding="async" width="220" height="219" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e1/The_original_Hotel_Albert%2C_40_East_11th_Street_%282%29_%28cropped%29_%28cropped%29.jpg/330px-The_original_Hotel_Albert%2C_40_East_11th_Street_%282%29_%28cropped%29_%28cropped%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e1/The_original_Hotel_Albert%2C_40_East_11th_Street_%282%29_%28cropped%29_%28cropped%29.jpg/440px-The_original_Hotel_Albert%2C_40_East_11th_Street_%282%29_%28cropped%29_%28cropped%29.jpg 2x" data-file-width="3034" data-file-height="3024" /></a><figcaption>The band rehearsed for weeks in early 1965 in the dilapidated basement of <a href="/wiki/Greenwich_Village" title="Greenwich Village">Greenwich Village</a>'s <a href="/wiki/Hotel_Albert_(New_York,_New_York)" class="mw-redirect" title="Hotel Albert (New York, New York)">Hotel Albert</a> (pictured 2023). <a href="/wiki/Joe_Butler" title="Joe Butler">Joe Butler</a> later said, "It inspired us, because it made us frightened of poverty".<a href="#cite_note-FOOTNOTEJackson2015135-71">[63]</a><a href="#cite_note-72">[64]</a></figcaption></figure> Having fired Carl, the Lovin' Spoonful could no longer play at the Bull's Head and were in need of a new rehearsal space.<a href="#cite_note-FOOTNOTEBooneMoss201460,_62-73">[65]</a> The band had little money and had been living with Elliot in her Village apartment at the <a href="/wiki/Hotel_Albert_(New_York,_New_York)" class="mw-redirect" title="Hotel Albert (New York, New York)">Hotel Albert</a>.<a href="#cite_note-FOOTNOTEBooneMoss201446–47-74">[66]</a> The Albert was frequented by many local folk musicians, and the building's proprietors allowed musicians staying there to rehearse in its basement, a decaying space with standing pools of water, chipping walls and a bug infestation.<a href="#cite_note-FOOTNOTEBooneMoss201447,_60,_62-75">[67]</a> While at the Albert, the band befriended one of the building's permanent residents, Butchie Webber, who often fed them meals. Though the two were not romantic, Webber married Sebastian, so as to prevent him from being drafted into fighting in the <a href="/wiki/Vietnam_War" title="Vietnam War">Vietnam War</a>.<a href="#cite_note-FOOTNOTEBooneMoss201462,_151-76">[68]</a> Butler, who still played drums for the Sellouts, auditioned for the Lovin' Spoonful in the Albert's basement. He impressed the others when he broke a drumstick but continued performing by hitting the cymbal with his hand, cutting it in the process. The band were inspired by Butler's energy and hired him as their drummer.<a href="#cite_note-FOOTNOTEUnterberger2002124-42">[38]</a><a href="#cite_note-FOOTNOTEBooneMoss201460–61-77">[69]</a> While waiting to be signed to a record label, the Lovin' Spoonful played at night clubs on MacDougal Street in Greenwich Village, including <a href="/wiki/Cafe_Wha%3F" title="Cafe Wha?">Cafe Wha?</a> and Café Bizarre.<a href="#cite_note-78">[70]</a> The band held a brief residency at Café Bizarre,<a href="#cite_note-FOOTNOTEBooneMoss201465–66-79">[71]</a> playing several sets a night for six days a week,<a href="#cite_note-FOOTNOTEFletcher2009215-70">[62]</a> leading Sebastian to later reflect, "We learned more at that crappy little club than almost any other gig."<a href="#cite_note-FOOTNOTEFletcher2009216-80">[72]</a> Marra had been especially critical of the band's earlier performances at the Night Owl, but he was impressed by the band's newly professional approach,<a href="#cite_note-FOOTNOTEBooneMoss201465–66-79">[71]</a> and in May of 1965, he offered for the band to return to performing at the Night Owl.<a href="#cite_note-FOOTNOTEFletcher2009216-80">[72]</a> The Lovin' Spoonful shared their bill at the club with two other electric groups whom Marra booked, <a href="/wiki/Danny_Kalb" title="Danny Kalb">Danny Kalb</a>'s band <a href="/wiki/The_Blues_Project" title="The Blues Project">the Blues Project</a> and the Modern Folk Quartet,<a href="#cite_note-FOOTNOTEFletcher2009216-80">[72]</a><a href="#cite_note-FOOTNOTEUnterberger2005-81">[73]</a> the latter of which Sebastian sometimes filled in for on drums.<a href="#cite_note-FOOTNOTEColbyFitzpatrick200290-82">[74]</a> The Night Owl's triple-bill was immediately successful,<a href="#cite_note-FOOTNOTEFletcher2009216-80">[72]</a> and other established acts sometimes came to watch, including members of the American band <a href="/wiki/The_Byrds" title="The Byrds">the Byrds</a> and <a href="/wiki/Mary_Travers" title="Mary Travers">Mary Travers</a> of the folk-trio <a href="/wiki/Peter,_Paul_and_Mary" title="Peter, Paul and Mary">Peter, Paul and Mary</a>.<a href="#cite_note-FOOTNOTEBooneMoss201473-83">[75]</a> Around the time he began booking electric acts, Marra moved the venue's stage towards the front street-facing window to draw in passers-by,<a href="#cite_note-FOOTNOTEFletcher2009216-80">[72]</a> and he printed a large color photo of the Lovin' Spoonful and placed it in the club's window, which helped elevate the band's local popularity.<a href="#cite_note-FOOTNOTEBooneMoss201465–66-79">[71]</a> <div style="clear:left;" class=""></div> <div class="mw-heading mw-heading4"><h4 id="Folk_rock">Folk rock</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=6" title="Edit section: Folk rock">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:The_Lovin%27_Spoonful_KRLA_Beat_Oct_9,_1965.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/22/The_Lovin%27_Spoonful_KRLA_Beat_Oct_9%2C_1965.jpg/220px-The_Lovin%27_Spoonful_KRLA_Beat_Oct_9%2C_1965.jpg" decoding="async" width="220" height="115" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/22/The_Lovin%27_Spoonful_KRLA_Beat_Oct_9%2C_1965.jpg/330px-The_Lovin%27_Spoonful_KRLA_Beat_Oct_9%2C_1965.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/22/The_Lovin%27_Spoonful_KRLA_Beat_Oct_9%2C_1965.jpg/440px-The_Lovin%27_Spoonful_KRLA_Beat_Oct_9%2C_1965.jpg 2x" data-file-width="1128" data-file-height="590" /></a><figcaption>The Lovin' Spoonful performing live, 1965</figcaption></figure> On June 7 and 8, 1965,<a href="#cite_note-84">[76]</a> the Lovin' Spoonful performed at <a href="/wiki/Club_47" class="mw-redirect" title="Club 47">Club 47</a>, a folk music club in <a href="/wiki/Cambridge,_Massachusetts" title="Cambridge, Massachusetts">Cambridge, Massachusetts</a>.<a href="#cite_note-FOOTNOTEVon_SchmidtRooney1994247-85">[77]</a><a href="#cite_note-FOOTNOTEBooneMoss201477-86">[78]</a> Boone remembered feeling hesitant to perform at a club known strictly for folk music,<a href="#cite_note-FOOTNOTEBooneMoss201477-86">[78]</a> but Sebastian recalled that he and Yanovsky were immediately enthusiastic at the prospect of challenging folk enthusiasts: "Did we want to kill in that room! ... We were going to be face to face with the folkies at last."<a href="#cite_note-FOOTNOTEVon_SchmidtRooney1994247-85">[77]</a> The band played at the venue at the suggestion of Fritz Richmond,<a href="#cite_note-FOOTNOTEBooneMoss201477-86">[78]</a> who encouraged the group by pointing to Bob Dylan's recent transition to electrified rock,<a href="#cite_note-FOOTNOTEBooneMoss201477-86">[78]</a> first heard three months earlier with the release of "<a href="/wiki/Subterranean_Homesick_Blues" title="Subterranean Homesick Blues">Subterranean Homesick Blues</a>",<a href="#cite_note-FOOTNOTEUnterberger2002126-87">[79]</a> and the newfound popularity of the Byrds,<a href="#cite_note-FOOTNOTEBooneMoss201477-86">[78]</a> whose <a href="/wiki/Folk_rock" title="Folk rock">folk rock</a> cover of Dylan's song "<a href="/wiki/Mr._Tambourine_Man" title="Mr. Tambourine Man">Mr. Tambourine Man</a>" reached number one in North America that month.<a href="#cite_note-FOOTNOTEUnterberger2002135–136-88">[80]</a><a href="#cite_note-FOOTNOTEEinarson200561,_65-89">[81]</a> The term "folk rock" had been coined in the June 12 issue of the American music magazine <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a> by the journalist Eliot Siegel, who used the term principally to describe the music of the Byrds.<a href="#cite_note-FOOTNOTEJackson2015129-90">[82]</a> Siegel also counted "the Living Spoonfull" [<a href="/wiki/Sic" title="Sic">sic</a>] as an act working in the New York area with "a folk-rock sound", even though the group had not yet released a record.<a href="#cite_note-FOOTNOTEJackson2015129-90">[82]</a><a href="#cite_note-91">[83]</a><a href="#cite_note-93">[nb 9]</a> The Lovin' Spoonful performed two sets at Club 47 and initially received a mixed reception; many folk fans walked out of the first set due to the band's loud sound.<a href="#cite_note-FOOTNOTEBooneMoss201478-94">[85]</a> Sebastian recalled a moment from the first set: <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote">[A woman] carefully [got my] and Zally's attention, points out toward the amplifier, and puts her fingers in her ears. And Zally gave her his broadest and most affectionate smile, and turned his amplifier up as loud as he could. That was a real transition.<a href="#cite_note-FOOTNOTEUnterberger2002164-95">[86]</a></blockquote> During the second set, the band received a warm response from the remaining crowd.<a href="#cite_note-FOOTNOTEBooneMoss201478-94">[85]</a> In retrospect, the author <a href="/wiki/Richie_Unterberger" title="Richie Unterberger">Richie Unterberger</a> describes the Lovin' Spoonful's appearance as a "watershed" moment in the history of folk rock.<a href="#cite_note-FOOTNOTEUnterberger2002164-95">[86]</a> The rock journalist <a href="/wiki/Paul_Williams_(journalist)" title="Paul Williams (journalist)">Paul Williams</a> attended the shows, and his review of the performances for the magazine Folkin' Around marked his earliest work as a music writer.<a href="#cite_note-FOOTNOTEWilliams2002120-96">[87]</a> Williams later reflected, "For a band like that to come to Club 47 was revolutionary, in terms of Cambridge['s] holier-than-thou purist attitude about folk music."<a href="#cite_note-FOOTNOTEUnterberger2002164-95">[86]</a> <div class="mw-heading mw-heading4"><h4 id=""Do_You_Believe_in_Magic",_Kama_Sutra">"Do You Believe in Magic", Kama Sutra</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=7" title="Edit section: "Do You Believe in Magic", Kama Sutra">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1096940132">.mw-parser-output .listen .side-box-text{line-height:1.1em}.mw-parser-output .listen-plain{border:none;background:transparent}.mw-parser-output .listen-embedded{width:100%;margin:0;border-width:1px 0 0 0;background:transparent}.mw-parser-output .listen-header{padding:2px}.mw-parser-output .listen-embedded .listen-header{padding:2px 0}.mw-parser-output .listen-file-header{padding:4px 0}.mw-parser-output .listen .description{padding-top:2px}.mw-parser-output .listen .mw-tmh-player{max-width:100%}@media(max-width:719px){.mw-parser-output .listen{clear:both}}@media(min-width:720px){.mw-parser-output .listen:not(.listen-noimage){width:320px}.mw-parser-output .listen-left{overflow:visible;float:left}.mw-parser-output .listen-center{float:none;margin-left:auto;margin-right:auto}}</style><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:%22Do_You_Believe_in_Magic%22_by_the_Lovin%27_Spoonful.mp3" title="File:"Do You Believe in Magic" by the Lovin' Spoonful.mp3">The beginning of "Do You Believe in Magic"</a></div> <div><audio id="mwe_player_0" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="13" data-mwtitle=""Do_You_Believe_in_Magic"_by_the_Lovin'_Spoonful.mp3" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/1/11/%22Do_You_Believe_in_Magic%22_by_the_Lovin%27_Spoonful.mp3" type="audio/mpeg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/1/11/%22Do_You_Believe_in_Magic%22_by_the_Lovin%27_Spoonful.mp3/%22Do_You_Believe_in_Magic%22_by_the_Lovin%27_Spoonful.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><track src="/w/api.php?action=timedtext&title=File%3A%22Do_You_Believe_in_Magic%22_by_the_Lovin%27_Spoonful.mp3&lang=en&trackformat=vtt" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr" /></audio></div> <div class="description">A lyrical celebration of the Spoonful's changing audience,<a href="#cite_note-FOOTNOTEJackson2015136-97">[88]</a><a href="#cite_note-FOOTNOTEBarone2022200-98">[89]</a> "Do You Believe in Magic" was one of the first <a href="/wiki/Folk-rock" class="mw-redirect" title="Folk-rock">folk-rock</a> hits.<a href="#cite_note-FOOTNOTEUnterberger2002173-99">[90]</a> The song blends influences from <a href="/wiki/Motown_sound" class="mw-redirect" title="Motown sound">Motown</a>, <a href="/wiki/Jug_band" title="Jug band">jug band</a> and <a href="/wiki/Contemporary_folk_music" title="Contemporary folk music">folk music</a>.<a href="#cite_note-FOOTNOTEUnterberger2002173-99">[90]</a></div></div></div></div> <div class="side-box-abovebelow"><hr />Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> Early in the Lovin' Spoonful's May residency at the Night Owl,<a href="#cite_note-FOOTNOTEFletcher2009216-80">[72]</a> Sebastian wrote a new song, "<a href="/wiki/Do_You_Believe_in_Magic_(song)" title="Do You Believe in Magic (song)">Do You Believe in Magic</a>", which explored the transformative power of music.<a href="#cite_note-FOOTNOTEBooneMoss201462–63-100">[91]</a> His initial inspiration came during one of the band's performances, in which he and Yanovsky noticed a sixteen-year-old girl dancing among the audience.<a href="#cite_note-FOOTNOTEFletcher2009216–217-101">[92]</a><a href="#cite_note-FOOTNOTEJackson2015136-97">[88]</a> The girl stood in contrast to the older <a href="/wiki/Beatnik" title="Beatnik">beatnik</a> crowd who typically attended folk performances,<a href="#cite_note-FOOTNOTEJackson2015136-97">[88]</a> and Sebastian recalled that "[she was] dancing like we danced – and not like the last generation danced".<a href="#cite_note-FOOTNOTEFletcher2009216-80">[72]</a> He also remembered: "Zal and I just elbowed each other the entire night, because to us, that young girl symbolized the fact that our audience was changing, that maybe they had finally found us."<a href="#cite_note-FOOTNOTEJackson2015136-97">[88]</a> Sebastian composed the song the following night,<a href="#cite_note-FOOTNOTEFletcher2009216–217-101">[92]</a><a href="#cite_note-FOOTNOTEJackson2015136-97">[88]</a> and the band worked together at the Albert to finish its arrangement.<a href="#cite_note-FOOTNOTEBooneMoss201463-102">[93]</a> The Lovin' Spoonful was enthusiastic about "Do You Believe in Magic" and hoped to record a <a href="/wiki/Demo_(music)" title="Demo (music)">demo</a> of the song to flog to record companies.<a href="#cite_note-FOOTNOTEBooneMoss201463-102">[93]</a> In June 1965,<a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a> Jacobsen fronted a session with his own money at <a href="/wiki/Bell_Sound_Studios" title="Bell Sound Studios">Bell Sound Studios</a> in New York, where the band recorded "Do You Believe in Magic" and several other songs.<a href="#cite_note-FOOTNOTEBooneMoss201463-102">[93]</a><a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a><a href="#cite_note-104">[nb 10]</a> Jacobsen invited Yester to participate in the session, adding both piano and backing vocals,<a href="#cite_note-FOOTNOTEBooneMoss201464-105">[95]</a> and the session musician <a href="/wiki/Gary_Chester" title="Gary Chester">Gary Chester</a> played tambourine.<a href="#cite_note-106">[96]</a> Jacobsen and Cavallo brought an <a href="/wiki/Acetate_disc" title="Acetate disc">acetate disc</a> of the demo to numerous record labels, all of which turned down an opportunity to sign the band.<a href="#cite_note-FOOTNOTEBooneMoss201464-105">[95]</a><a href="#cite_note-FOOTNOTEUnterberger2002173-99">[90]</a> After attending one of the Lovin' Spoonful's performances at the Night Owl,<a href="#cite_note-FOOTNOTEBooneMoss201466–67-107">[97]</a> <a href="/wiki/Phil_Spector" title="Phil Spector">Phil Spector</a>, a well-known producer, listened to an acetate of "Do You Believe in Magic" and considered signing the band to his label, <a href="/wiki/Philles_Records" title="Philles Records">Philles Records</a>.<a href="#cite_note-FOOTNOTERibowsky1989194-108">[98]</a> Recollections differ as to who turned whom down,<a href="#cite_note-111">[nb 11]</a> but subsequent authors suggest that in writing their own music and possessing a defined sound, the Lovin' Spoonful differed greatly from the acts with which Spector normally worked.<a href="#cite_note-FOOTNOTEHoskyns199699-109">[99]</a><a href="#cite_note-FOOTNOTERibowsky1989195-112">[101]</a> <a href="/wiki/Elektra_Records" title="Elektra Records">Elektra Records</a> approached the Lovin' Spoonful and offered to sign them.<a href="#cite_note-FOOTNOTEBooneMoss201467-110">[100]</a><a href="#cite_note-FOOTNOTEUnterberger2002125-113">[102]</a> Elektra regularly produced acts from Greenwich Village, including the Even Dozen Jug Band and <a href="/wiki/The_Paul_Butterfield_Blues_Band" title="The Paul Butterfield Blues Band">the Paul Butterfield Blues Band</a>. The label's offer would have allowed the Lovin' Spoonful to retain Jacobsen as their producer and Cavallo as their manager, but the band worried that Elektra had not been successful at issuing singles in the pop market,<a href="#cite_note-FOOTNOTEBooneMoss201466–67-107">[97]</a> and that they would not be clearly identified as a rock act if they signed at a folk-oriented label.<a href="#cite_note-FOOTNOTEUnterberger2002125-113">[102]</a> Cavallo approached <a href="/wiki/Paul_Rothchild" class="mw-redirect" title="Paul Rothchild">Paul Rothchild</a> and <a href="/wiki/Jac_Holzman" title="Jac Holzman">Jac Holzman</a> of Elektra and said the band needed an advance of $10,000 before they could sign (equivalent to US$97,000 in 2023).<a href="#cite_note-FOOTNOTEHolzmanDaws2000124-114">[103]</a><a href="#cite_note-inflation-US-115">[104]</a> Holzman initially refused due to the large figure, but he soon changed his mind and offered the band a deal, by which point they had signed elsewhere.<a href="#cite_note-FOOTNOTEHolzmanDaws2000124-114">[103]</a> The band instead signed a side-deal with Elektra,<a href="#cite_note-FOOTNOTEBooneMoss201467-110">[100]</a> which had them record four songs, including Sebastian's song "Good Time Music".<a href="#cite_note-FOOTNOTEUnterberger2002125-113">[102]</a> Jacobsen later said that the band offered the songs to Elektra out of guilt, since "We had kind of hung [Holzman] out to dry just a little bit ... [so we] allowed him to have those sides.<a href="#cite_note-FOOTNOTEUnterberger2002125-113">[102]</a> The label later included the four songs on the compilation album <a href="/wiki/What%27s_Shakin%27" title="What's Shakin'">What's Shakin'</a>, released the following year.<a href="#cite_note-FOOTNOTEUnterberger2002125-113">[102]</a><a href="#cite_note-FOOTNOTEBooneMoss201470-116">[105]</a> The Lovin' Spoonful signed with Koppelman-Rubin, an entertainment company,<a href="#cite_note-FOOTNOTEBooneMoss201471-117">[106]</a> who signed the band to <a href="/wiki/Kama_Sutra_Records" title="Kama Sutra Records">Kama Sutra Records</a> in June 1965.<a href="#cite_note-FOOTNOTEHelander1999237-118">[107]</a> As part of the deal, <a href="/wiki/MGM_Records" title="MGM Records">MGM Records</a> distributed the records, which Kama Sutra released for Koppelman-Rubin.<a href="#cite_note-FOOTNOTEBooneMoss201471-117">[106]</a> The arrangement's format of multiple <a href="/wiki/Intermediary" title="Intermediary">middlemen</a> left little in profits for the band.<a href="#cite_note-FOOTNOTEHolzmanDaws2000124-114">[103]</a><a href="#cite_note-FOOTNOTEBooneMoss201471-117">[106]</a> Sebastian later said that not signing with Elektra was "the worst decision I ever made in my life".<a href="#cite_note-FOOTNOTEHoughton2010173-119">[108]</a> Kama Sutra saw no need to re-record Jacobsen's original demo of the Lovin' Spoonful performing "Do You Believe in Magic", and the label pressed copies to be the band's debut single.<a href="#cite_note-FOOTNOTEBooneMoss201471-117">[106]</a> The label issued it in the U.S. on July 20, 1965,<a href="#cite_note-FOOTNOTEJackson2015xvii-120">[109]</a><a href="#cite_note-FOOTNOTEBarone2022200-98">[89]</a> and it debuted on the <a href="/wiki/Billboard_Hot_100" title="Billboard Hot 100">Billboard Hot 100</a> a month later,<a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a> remaining on the chart for thirteen weeks and peaking in October at number nine.<a href="#cite_note-Billboard_chart_history-121">[110]</a> <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading3"><h3 id="1965–1966:_American_popularity">1965–1966: American popularity</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=8" title="Edit section: 1965–1966: American popularity">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id="Touring,_debut_album">Touring, debut album</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=9" title="Edit section: Touring, debut album">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:The_Lovin%27_Spoonful,_1965_(2).png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a2/The_Lovin%27_Spoonful%2C_1965_%282%29.png/220px-The_Lovin%27_Spoonful%2C_1965_%282%29.png" decoding="async" width="220" height="192" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a2/The_Lovin%27_Spoonful%2C_1965_%282%29.png/330px-The_Lovin%27_Spoonful%2C_1965_%282%29.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a2/The_Lovin%27_Spoonful%2C_1965_%282%29.png/440px-The_Lovin%27_Spoonful%2C_1965_%282%29.png 2x" data-file-width="539" data-file-height="470" /></a><figcaption>The Lovin' Spoonful in a promotional photograph taken by <a href="/wiki/Henry_Diltz" title="Henry Diltz">Henry Diltz</a>, 1965</figcaption></figure> The release of "Do You Believe in Magic" in July 1965 propelled the Lovin' Spoonful to nationwide fame in the U.S. within weeks.<a href="#cite_note-Mix-122">[111]</a> The band made their American television debut on the <a href="/wiki/WPLG" title="WPLG">channel 10</a> show of the Miami disc jockey <a href="/wiki/Rick_Shaw_(radio)" title="Rick Shaw (radio)">Rick Shaw</a>, and they also taped appearances for the TV programs <a href="/wiki/American_Bandstand" title="American Bandstand">American Bandstand</a>, <a href="/wiki/The_Merv_Griffin_Show" title="The Merv Griffin Show">The Merv Griffin Show</a> and <a href="/wiki/The_Lloyd_Thaxton_Show" class="mw-redirect" title="The Lloyd Thaxton Show">The Lloyd Thaxton Show</a>.<a href="#cite_note-FOOTNOTEBooneMoss201480–84-123">[112]</a> In conjunction with the release of the single, the band's management made plans for their first series of serious live dates outside of New York City.<a href="#cite_note-FOOTNOTEBooneMoss201471-117">[106]</a> Beginning in August, the band toured the <a href="/wiki/West_Coast_of_the_United_States" title="West Coast of the United States">West Coast of the United States</a>.<a href="#cite_note-FOOTNOTEBooneMoss201481–84-124">[113]</a> In San Francisco, the band held a four-week residency at <a href="/w/index.php?title=Mother%27s_Nightclub&action=edit&redlink=1" class="new" title="Mother's Nightclub (page does not exist)">Mother's Nightclub</a>,<a href="#cite_note-FOOTNOTEMiles200530-125">[114]</a> and on August 7,<a href="#cite_note-126">[115]</a> they performed in-front of 35,000 at the <a href="/wiki/Rose_Bowl_(stadium)" title="Rose Bowl (stadium)">Rose Bowl</a> in <a href="/wiki/Pasadena,_California" title="Pasadena, California">Pasadena, California</a>, as one of several support acts for the English pop group <a href="/wiki/Herman%27s_Hermits" title="Herman's Hermits">Herman's Hermits</a>, alongside <a href="/wiki/The_Turtles" title="The Turtles">the Turtles</a> and <a href="/wiki/The_Bobby_Fuller_Four" title="The Bobby Fuller Four">the Bobby Fuller Four</a>.<a href="#cite_note-FOOTNOTEBooneMoss201484-127">[116]</a> In Los Angeles, the Spoonful played at several clubs on <a href="/wiki/Sunset_Strip" title="Sunset Strip">Sunset Strip</a>, including <a href="/wiki/Ciro%27s" title="Ciro's">Ciro's</a>, the <a href="/wiki/Whisky_a_Go_Go" title="Whisky a Go Go">Whisky a Go Go</a><a href="#cite_note-FOOTNOTEHoskyns199690-128">[117]</a> and <a href="/wiki/The_Crescendo_(music_venue)" title="The Crescendo (music venue)">The Crescendo</a> (later renamed <a href="/w/index.php?title=The_Trip_(night_club)&action=edit&redlink=1" class="new" title="The Trip (night club) (page does not exist)">The Trip</a>).<a href="#cite_note-Mix-122">[111]</a><a href="#cite_note-FOOTNOTEBooneMoss201481–84-124">[113]</a> The Lovin' Spoonful returned to the West Coast in October 1965. They appeared for a week at San Francisco's <a href="/wiki/Hungry_i" class="mw-redirect" title="Hungry i">hungry i</a> nightclub,<a href="#cite_note-129">[118]</a><a href="#cite_note-130">[119]</a> one of the most prominent clubs in America's folk-music scene,<a href="#cite_note-FOOTNOTEUnterberger200238-131">[120]</a> and on October 24, they headlined a dance party at the <a href="/w/index.php?title=Longshoreman%27s_Union_Hall&action=edit&redlink=1" class="new" title="Longshoreman's Union Hall (page does not exist)">Longshoreman's Union Hall</a> in the city's <a href="/wiki/Fisherman%27s_Wharf,_San_Francisco" title="Fisherman's Wharf, San Francisco">Fisherman's Wharf</a> neighborhood.<a href="#cite_note-Gleason_5/15/66-132">[121]</a><a href="#cite_note-133">[122]</a> Organized by the concert-production collective <a href="/wiki/Family_Dog_Productions" class="mw-redirect" title="Family Dog Productions">Family Dog Productions</a>, the event combined rock music with light shows and <a href="/wiki/Psychedelic_drugs" class="mw-redirect" title="Psychedelic drugs">psychedelic drugs</a>,<a href="#cite_note-FOOTNOTEGould2007347-134">[123]</a> and it marked one of the earliest events in the emerging <a href="/wiki/San_Francisco_sound" title="San Francisco sound">San Francisco scene</a>;<a href="#cite_note-FOOTNOTEJackson2015240–243-135">[124]</a><a href="#cite_note-FOOTNOTEUnterberger200361-136">[125]</a> Jacobsen reflected, "That whole idea of going and listening to music and <a href="/wiki/Getting_high" class="mw-redirect" title="Getting high">getting high</a> started there".<a href="#cite_note-FOOTNOTEUnterberger200361-136">[125]</a> In attendance at the Longshoreman's show were members of the <a href="/wiki/Grateful_Dead" title="Grateful Dead">Grateful Dead</a>,<a href="#cite_note-FOOTNOTEJackson2015244–245-137">[126]</a> an acoustic-folk group, who were inspired by the Lovin' Spoonful's performance to similarly "go electric" in their style.<a href="#cite_note-FOOTNOTEMiles2009232-138">[127]</a> Amid their touring schedule, the Lovin' Spoonful recorded tracks for their debut album, <a href="/wiki/Do_You_Believe_in_Magic_(album)" title="Do You Believe in Magic (album)">Do You Believe in Magic</a>.<a href="#cite_note-FOOTNOTEBooneMoss201487-139">[128]</a><a href="#cite_note-141">[nb 12]</a> The band recorded thirteen songs across several sessions between June and September 1965, mostly at Bell Sound in New York, and they also recorded at RCA Studios in <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Hollywood, Los Angeles</a>. The band's focus was on recording as quickly as possible, and a majority of the songs were jug band and blues covers taken from their typical live set list.<a href="#cite_note-FOOTNOTEBooneMoss201487–89-142">[130]</a> The album's five original compositions were all credited to Sebastian, including "<a href="/wiki/Did_You_Ever_Have_to_Make_Up_Your_Mind%3F" title="Did You Ever Have to Make Up Your Mind?">Did You Ever Have to Make Up Your Mind?</a>",<a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a> which he based on a experience as a child at summer camp when he fell in love with twin sisters.<a href="#cite_note-FOOTNOTEBooneMoss201488-143">[131]</a> Pointing to the success of the Beatles and the Byrds, the Lovin' Spoonful's label encouraged the band to trade lead vocal responsibilities;<a href="#cite_note-FOOTNOTEBooneMoss201478-94">[85]</a> on Do You Believe in Magic, Sebastian sings lead on most songs, but Butler also sings twice ("<a href="/wiki/You_Baby_(song)" title="You Baby (song)">You Baby</a>" and "The Other Side of This Life") as does Yanovsky ("Blues in the Bottle", "On the Road Again" and the unreleased "<a href="/wiki/Alley_Oop_(song)" title="Alley Oop (song)">Alley Oop</a>").<a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a> The album first went on sale on October 23, 1965, when the band held an autograph session in <a href="/wiki/Pleasant_Hill,_California" title="Pleasant Hill, California">Pleasant Hill, California</a>,<a href="#cite_note-144">[132]</a> and Kama Sutra issued the album nationwide in November.<a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a> It debuted on the <a href="/wiki/Billboard_200" title="Billboard 200">Billboard Top LPs</a> chart on December 4,<a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a> and it initially ran on the chart for 19 weeks, peaking in February 1966 at number 71.<a href="#cite_note-145">[133]</a> By late 1965, the Lovin' Spoonful had made appearances on the most popular American television variety shows, including <a href="/wiki/Where_the_Action_Is" title="Where the Action Is">Where the Action Is</a>, <a href="/wiki/Shindig!" title="Shindig!">Shindig!</a> and <a href="/wiki/Hullabaloo_(TV_series)" title="Hullabaloo (TV series)">Hullabaloo</a>.<a href="#cite_note-FOOTNOTEBooneMoss201491-146">[134]</a> Executives from <a href="/wiki/NBC" title="NBC">NBC</a> approached Cavallo and offered the band the opportunity to star in their own television series, <a href="/wiki/The_Monkees_(TV_series)" title="The Monkees (TV series)">The Monkees</a>.<a href="#cite_note-FOOTNOTEBooneMoss201491-146">[134]</a><a href="#cite_note-FOOTNOTEHartman2012158-147">[135]</a> The executives <a href="/wiki/Bob_Rafelson" title="Bob Rafelson">Bob Rafelson</a> and <a href="/wiki/Bert_Schneider" title="Bert Schneider">Bert Schneider</a> met with the band in Manhattan and explained their idea for a comedy sitcom about a band seeking to make it big, styled similarly to the Beatles' 1964 film, <a href="/wiki/A_Hard_Day%27s_Night_(film)" title="A Hard Day's Night (film)">A Hard Day's Night</a>. Though excited at the prospect of being propelled quickly to a national audience, the band were unenthusiastic at the idea of having to change their name to <a href="/wiki/The_Monkees" title="The Monkees">The Monkees</a> and were worried that their ability to create and play their own music would be limited by the venture. They declined the offer.<a href="#cite_note-FOOTNOTEBooneMoss201491–93-148">[136]</a> Rafelson later said that the Lovin' Spoonful was the only existing group considered for the show before they began auditioning individual actors and musicians in September 1965.<a href="#cite_note-FOOTNOTESandoval200523,_26-149">[137]</a> <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading4"><h4 id="Daydream">Daydream</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=10" title="Edit section: Daydream">edit</a>]</div> In November 1965, the Lovin' Spoonful embarked on a 19-day package-tour with the American girl group <a href="/wiki/The_Supremes" title="The Supremes">the Supremes</a>.<a href="#cite_note-FOOTNOTEBooneMoss201496-150">[138]</a><a href="#cite_note-Lewis-151">[139]</a> The acts performed at colleges across the southern U.S.,<a href="#cite_note-Lewis-151">[139]</a> beginning in <a href="/wiki/Lafayette,_Louisiana" title="Lafayette, Louisiana">Lafayette, Louisiana</a>, on November 10.<a href="#cite_note-152">[140]</a><a href="#cite_note-FOOTNOTEBooneMoss201498-153">[141]</a> Both acts traveled by bus and partied together, along with members of the Supremes' backing band,<a href="#cite_note-FOOTNOTEDiken2002-154">[142]</a> <a href="/wiki/The_Funk_Brothers" title="The Funk Brothers">the Funk Brothers</a>, billed as the <a href="/wiki/Earl_Van_Dyke" title="Earl Van Dyke">Earl Van Dyke</a> Orchestra.<a href="#cite_note-FOOTNOTEBooneMoss201496,_98-155">[143]</a> The Lovin' Spoonful generally enjoyed the tour but found it physically exhausting. Sebastian additionally missed his girlfriend, Loretta "Lorey" Kaye.<a href="#cite_note-FOOTNOTEBooneMoss2014101-156">[144]</a> Near the tour's end, in an effort to raise his own spirits, he composed "<a href="/wiki/Daydream_(The_Lovin%27_Spoonful_song)" title="Daydream (The Lovin' Spoonful song)">Daydream</a>" while riding on the bus through North Carolina,<a href="#cite_note-FOOTNOTEBooneMoss2014101-156">[144]</a> drawing inspiration from the Supremes' 1964 singles "<a href="/wiki/Baby_Love" title="Baby Love">Baby Love</a>" and "<a href="/wiki/Where_Did_Our_Love_Go" title="Where Did Our Love Go">Where Did Our Love Go</a>".<a href="#cite_note-FOOTNOTEDiken2002-154">[142]</a> A stop in <a href="/wiki/Savannah,_Georgia" title="Savannah, Georgia">Savannah, Georgia</a> inspired the beginnings of "Jug Band Music",<a href="#cite_note-FOOTNOTEBooneMoss2014101-156">[144]</a> which Boone later said "recalled pleasant visions of the tour" for him and his bandmates.<a href="#cite_note-FOOTNOTEDiken2002-154">[142]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:The_Lovin%27_Spoonful.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/The_Lovin%27_Spoonful.png/220px-The_Lovin%27_Spoonful.png" decoding="async" width="220" height="153" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/The_Lovin%27_Spoonful.png/330px-The_Lovin%27_Spoonful.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e9/The_Lovin%27_Spoonful.png/440px-The_Lovin%27_Spoonful.png 2x" data-file-width="1098" data-file-height="762" /></a><figcaption>The Lovin' Spoonful performing for <a href="/wiki/The_Big_T.N.T._Show" title="The Big T.N.T. Show">The Big T.N.T. Show</a>, November 1965</figcaption></figure> At the conclusion of their tour with the Supremes, the Lovin' Spoonful departed directly for Los Angeles, having been invited by Phil Spector to appear in the concert film <a href="/wiki/The_Big_T.N.T._Show" title="The Big T.N.T. Show">The Big T.N.T. Show</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014102-157">[145]</a> After filming on 29–30 November,<a href="#cite_note-FOOTNOTEHjort200873-158">[146]</a> the band remained in Los Angeles to do several weeks of a residency at the Trip, a short-lived nightclub on <a href="/wiki/Sunset_Boulevard" title="Sunset Boulevard">Sunset Boulevard</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014102-157">[145]</a> During their stay, the band befriended a local fashion designer, <a href="/w/index.php?title=Jeannie_Franklyn&action=edit&redlink=1" class="new" title="Jeannie Franklyn (page does not exist)">Jeannie Franklyn</a>, who subsequently designed custom-clothing for Yanovsky.<a href="#cite_note-FOOTNOTEBooneMoss2014103–104-159">[147]</a> They also struck up a friendship with <a href="/wiki/David_Crosby" title="David Crosby">David Crosby</a>, the rhythm guitarist of the Byrds.<a href="#cite_note-FOOTNOTEBooneMoss2014103-160">[148]</a> Crosby had spoken favorably of the Lovin' Spoonful in interviews as early as August, often promising reporters that they would be the next big group.<a href="#cite_note-FOOTNOTEHjort200852-161">[149]</a><a href="#cite_note-FOOTNOTERogan1997175–176-162">[150]</a> Both he and his bandmate <a href="/wiki/Roger_McGuinn" title="Roger McGuinn">Jim McGuinn</a> had been familiar with Sebastian and Yanovsky since their earlier years playing folk with Cass Elliot, and the Lovin' Spoonful, the Byrds and the Mamas & the Papas remained on close terms in the mid-1960s.<a href="#cite_note-FOOTNOTERogan1997175–176-162">[150]</a><a href="#cite_note-165">[nb 13]</a> Amid their busy TV and live-date schedule, the Lovin' Spoonful recorded most of their second album <a href="/wiki/Daydream_(The_Lovin%27_Spoonful_album)" title="Daydream (The Lovin' Spoonful album)">Daydream</a> in four days, from December 13 to 16, at <a href="/wiki/Bell_Sound_Studios" title="Bell Sound Studios">Bell Sound Studios</a> in New York City.<a href="#cite_note-FOOTNOTEBooneMoss2014104-166">[153]</a> Some songs for the album were recorded in November, including "<a href="/wiki/You_Didn%27t_Have_to_Be_So_Nice" title="You Didn't Have to Be So Nice">You Didn't Have to Be So Nice</a>", and additional sessions took place at <a href="/wiki/CBS_Studio_Building" title="CBS Studio Building">Columbia Studios</a> in New York City and RCA Studios in <a href="/wiki/Hollywood,_California" class="mw-redirect" title="Hollywood, California">Hollywood, California</a>.<a href="#cite_note-FOOTNOTEDiken2002-154">[142]</a> Boone began "You Didn't Have to Be So Nice" as a verse and a basic melodic figure, and Sebastian collaborated with him to complete the song.<a href="#cite_note-FOOTNOTEBooneMoss201489–90-167">[154]</a> Kama Sutra issued the song as a non-album single on November 13,<a href="#cite_note-FOOTNOTEJackson2015xx-168">[155]</a> and it peaked at number ten on the Billboard Hot 100 in January 1966.<a href="#cite_note-Billboard_chart_history-121">[110]</a><a href="#cite_note-FOOTNOTEDiken2002-154">[142]</a> The sessions for Daydream came ten weeks after the band finished their first album, and the band had had little time to rehearse new material. Owing to the constraints, they recorded some Sebastian compositions which Jacobsen had rejected for inclusion on their debut album, including "Didn't Want to Have to Do It" and "Warm Baby".<a href="#cite_note-FOOTNOTEBooneMoss2014104–105-169">[156]</a> While Do You Believe in Magic contained just five original compositions, eleven out of twelve tracks on Daydream were original. Kama Sutra released the album in March 1966 and it reached number ten on the Billboard Top LPs chart, making it the band's best performing studio album.<a href="#cite_note-FOOTNOTEDiken2002-154">[142]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Daydream_Billboard_advertisement.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/58/Daydream_Billboard_advertisement.png/220px-Daydream_Billboard_advertisement.png" decoding="async" width="220" height="302" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/58/Daydream_Billboard_advertisement.png/330px-Daydream_Billboard_advertisement.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/58/Daydream_Billboard_advertisement.png/440px-Daydream_Billboard_advertisement.png 2x" data-file-width="1239" data-file-height="1700" /></a><figcaption><a href="/wiki/Kama_Sutra_Records" title="Kama Sutra Records">Kama Sutra Records</a>' trade ad for the "<a href="/wiki/Daydream_(The_Lovin%27_Spoonful_song)" title="Daydream (The Lovin' Spoonful song)">Daydream</a>" single fueled press speculation that the band's name alluded to drug use.</figcaption></figure> Of the songs recorded for Daydream, Sebastian and Yanovsky hoped that their joint composition "It's Not Time Now" would be issued as a single, but Kama Sutra denied the request out of fear that it was a <a href="/wiki/Protest_song" title="Protest song">protest song</a>.<a href="#cite_note-NME_May_20,_1966-170">[157]</a> The label instead issued "<a href="/wiki/Daydream_(The_Lovin%27_Spoonful_song)" title="Daydream (The Lovin' Spoonful song)">Daydream</a>" in February 1966.<a href="#cite_note-FOOTNOTESavage2015555-171">[158]</a> The song's release fueled speculation from the press and public about a link between the band and drug use,<a href="#cite_note-FOOTNOTEBooneMoss2014111–112-172">[159]</a><a href="#cite_note-FOOTNOTEUnterberger2002263-173">[160]</a> as the press had often incorrectly speculated that the Lovin' Spoonful alluded to the spoon used in injecting <a href="/wiki/Heroin" title="Heroin">heroin</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014111-174">[161]</a> The increased speculation was partly driven by the lyrics' use of the term "dream", which by 1966 was sometimes used to connote the experience of taking <a href="/wiki/Psychedelic_drug" title="Psychedelic drug">psychedelic drugs</a>.<a href="#cite_note-FOOTNOTESavage2015143-175">[162]</a> Additionally, a trade ad in Billboard accompanying the single's release made several drug allusions, drawing the ire of the band, who had regularly sought to distance themselves from drug associations.<a href="#cite_note-FOOTNOTEBooneMoss2014111–112-172">[159]</a> "Daydream" remained on the Hot 100 for twelve weeks, peaking at number two for two weeks in mid-April.<a href="#cite_note-Billboard_chart_history-121">[110]</a> The single was kept from the top spot on Billboard's chart by <a href="/wiki/The_Righteous_Brothers" title="The Righteous Brothers">the Righteous Brothers</a>' song "<a href="/wiki/(You%27re_My)_Soul_and_Inspiration" title="(You're My) Soul and Inspiration">(You're My) Soul and Inspiration</a>",<a href="#cite_note-176">[163]</a> but it reached number one on <a href="/wiki/Cashbox_(magazine)" title="Cashbox (magazine)">Cash Box</a> magazine's chart and also reached the top spot in Canada.<a href="#cite_note-177">[164]</a><a href="#cite_note-178">[165]</a> The song's success expanded the Lovin' Spoonful's popularity such that they were often able to headline their concerts rather than perform as a support act.<a href="#cite_note-FOOTNOTEBooneMoss2014110-179">[166]</a> When the band toured the American South with <a href="/wiki/The_Beach_Boys" title="The Beach Boys">the Beach Boys</a> from April 1 to 9, 1966,<a href="#cite_note-FOOTNOTEBadman2004124–126-180">[167]</a> the two groups alternated top billing.<a href="#cite_note-FOOTNOTEBooneMoss2014110–111-181">[168]</a><a href="#cite_note-186">[nb 14]</a> <div class="mw-heading mw-heading3"><h3 id="1966:_International_popularity">1966: International popularity</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=11" title="Edit section: 1966: International popularity">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id="What's_Up,_Tiger_Lily?_soundtrack;_European_tour">What's Up, Tiger Lily? soundtrack; European tour</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=12" title="Edit section: What's Up, Tiger Lily? soundtrack; European tour">edit</a>]</div> Though the Lovin' Spoonful had achieved quick success in North America, they remained generally unknown in the U.K.<a href="#cite_note-FOOTNOTEBooneMoss2014112-187">[173]</a><a href="#cite_note-Alan_Jones-188">[174]</a> None of their singles had charted in the country.<a href="#cite_note-UK_charts-189">[175]</a><a href="#cite_note-195">[nb 15]</a> To expand the band's popularity to an international audience, their management organized several live- and TV-dates in England and Sweden for April 1966.<a href="#cite_note-FOOTNOTEBooneMoss2014112-187">[173]</a> Only days before the Lovin' Spoonful was set to depart to Europe, they were approached to provide a soundtrack for <a href="/wiki/What%27s_Up,_Tiger_Lily%3F" title="What's Up, Tiger Lily?">What's Up, Tiger Lily?</a>, the directorial debut of the comedian <a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a>,<a href="#cite_note-FOOTNOTEBooneMoss2014113-196">[181]</a> who knew the band from his work at clubs in Greenwich Village.<a href="#cite_note-FOOTNOTEColbyFitzpatrick200280-197">[182]</a> The band recorded the soundtrack in two days, April 11 and 12, at <a href="/wiki/National_Video_Center" title="National Video Center">National Recording Studios</a> in New York City,<a href="#cite_note-198">[183]</a><a href="#cite_note-Runcorn_Guardian-199">[184]</a> and they made a brief appearance in the film.<a href="#cite_note-FOOTNOTELee201518–19-200">[185]</a> The film was a commercial disappointment and received mixed reviews.<a href="#cite_note-FOOTNOTEBarone2022251-201">[186]</a> Issued in August 1966,<a href="#cite_note-FOOTNOTEAnon.1990-202">[187]</a> the soundtrack album reached number 126 on the Billboard LPs chart.<a href="#cite_note-Billboard_chart_history-121">[110]</a> Jacobsen later criticized the project as a "goofball album" which distracted the band and stalled their progress.<a href="#cite_note-FOOTNOTEBarone2022251-201">[186]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:The_Lovin%27_Spoonful,_KRLA_Beat_6-18-66.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ec/The_Lovin%27_Spoonful%2C_KRLA_Beat_6-18-66.png/220px-The_Lovin%27_Spoonful%2C_KRLA_Beat_6-18-66.png" decoding="async" width="220" height="259" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ec/The_Lovin%27_Spoonful%2C_KRLA_Beat_6-18-66.png/330px-The_Lovin%27_Spoonful%2C_KRLA_Beat_6-18-66.png 1.5x, //upload.wikimedia.org/wikipedia/commons/e/ec/The_Lovin%27_Spoonful%2C_KRLA_Beat_6-18-66.png 2x" data-file-width="391" data-file-height="461" /></a><figcaption>The Lovin' Spoonful in a 1966 promotional photograph</figcaption></figure> On April 12,<a href="#cite_note-203">[188]</a> the Lovin' Spoonful arrived at <a href="/wiki/Heathrow_Airport" title="Heathrow Airport">Heathrow Airport</a> to begin their ten-day tour of England and Sweden.<a href="#cite_note-Runcorn_Guardian-199">[184]</a><a href="#cite_note-Alan_Jones-188">[174]</a> Problems which arose during negotiations with the <a href="/wiki/Musicians%27_Union_(United_Kingdom)" title="Musicians' Union (United Kingdom)">British Musicians' Union</a> forced the band to limit the number of appearances they made in Britain.<a href="#cite_note-204">[189]</a> In the tour's first week, the band played concerts in <a href="/wiki/Birmingham" title="Birmingham">Birmingham</a> and <a href="/wiki/Manchester" title="Manchester">Manchester</a>, appeared on the television programs <a href="/wiki/Top_of_the_Pops" title="Top of the Pops">Top of the Pops</a>, <a href="/wiki/Ready_Steady_Go!" title="Ready Steady Go!">Ready Steady Go!</a> and <a href="/wiki/Thank_Your_Lucky_Stars_(TV_series)" title="Thank Your Lucky Stars (TV series)">Thank Your Lucky Stars</a>, played on <a href="/wiki/BBC_Radio" title="BBC Radio">BBC Radio</a> and attended a party at the London home of the Irish socialite <a href="/wiki/Tara_Browne" title="Tara Browne">Tara Browne</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014116–117-205">[190]</a> The band's time in England allowed them to interact with many of Britain's top musicians.<a href="#cite_note-FOOTNOTEBooneMoss2014116–118-206">[191]</a> On April 18, they performed an invite-only show at the <a href="/wiki/Marquee_Club" title="Marquee Club">Marquee Club</a> on Wardour Street, Soho, central London.<a href="#cite_note-FOOTNOTEBooneMoss2014117-207">[192]</a><a href="#cite_note-FOOTNOTEHinman200482-208">[193]</a> Several of Britain's top performers were in attendance,<a href="#cite_note-FOOTNOTEBooneMoss2014117-207">[192]</a> including <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a>, <a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a>,<a href="#cite_note-FOOTNOTEMiles2001229-209">[194]</a> <a href="/wiki/Ray_Davies" title="Ray Davies">Ray Davies</a>,<a href="#cite_note-210">[195]</a> <a href="/wiki/Brian_Jones" title="Brian Jones">Brian Jones</a>, <a href="/wiki/Steve_Winwood" title="Steve Winwood">Steve Winwood</a>, <a href="/wiki/Spencer_Davis" title="Spencer Davis">Spencer Davis</a> and <a href="/wiki/Eric_Clapton" title="Eric Clapton">Eric Clapton</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014117-207">[192]</a> The band were warmly received,<a href="#cite_note-FOOTNOTEBooneMoss2014118-211">[196]</a><a href="#cite_note-FOOTNOTETurner2016204-212">[197]</a> and Lennon and Harrison joined them afterwards into the morning at <a href="/wiki/The_May_Fair_Hotel" title="The May Fair Hotel">The May Fair Hotel</a> in <a href="/wiki/Piccadilly" title="Piccadilly">Piccadilly</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014118-211">[196]</a> The next night, following their performance at the Blaises Club in <a href="/wiki/Kensington" title="Kensington">Kensington</a>, the band befriended Jones as well.<a href="#cite_note-FOOTNOTEBooneMoss2014118-211">[196]</a> After flying to <a href="/wiki/Stockholm" title="Stockholm">Stockholm</a> to perform on Swedish television, the Lovin' Spoonful proceeded to Ireland to attend the 21st-birthday celebration of Browne on April 23.<a href="#cite_note-FOOTNOTEBooneMoss2014116,_118–119-213">[198]</a> Browne, who then regarded the Lovin' Spoonful as his favorite band,<a href="#cite_note-FOOTNOTETinniswood2021chap._14-214">[199]</a> delayed his party by seven weeks in order to coincide with the band's touring and recording schedule.<a href="#cite_note-FOOTNOTEHoward2017248–249-215">[200]</a> Browne flew the band to Ireland at his own expense to perform a private show,<a href="#cite_note-FOOTNOTESheaRodriguez2007446-216">[201]</a><a href="#cite_note-FOOTNOTESavage2015135-217">[202]</a> paying them US$10,000 for the performance (equivalent to US$94,000 in 2023).<a href="#cite_note-FOOTNOTEHoward2017249-218">[203]</a><a href="#cite_note-inflation-US-115">[104]</a> Held at the <a href="/wiki/Luggala" title="Luggala">Luggala</a> Estate, a <a href="/wiki/Gothic_Revival_architecture" title="Gothic Revival architecture">Gothic Revival</a> house in the <a href="/wiki/Wicklow_Mountains" title="Wicklow Mountains">Wicklow Mountains</a>, the party was attended by many prominent <a href="/wiki/Swinging_London" class="mw-redirect" title="Swinging London">Swinging London</a> figures, including members of <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">the Rolling Stones</a>, <a href="/wiki/Peter_Bardens" title="Peter Bardens">Peter Bardens</a>, <a href="/wiki/Anita_Pallenberg" title="Anita Pallenberg">Anita Pallenberg</a>,<a href="#cite_note-FOOTNOTESavage2015135-217">[202]</a> <a href="/wiki/Chrissie_Shrimpton" title="Chrissie Shrimpton">Chrissie Shrimpton</a>, <a href="/wiki/John_Paul_Getty_Jr." title="John Paul Getty Jr.">John Paul Getty Jr.</a>, <a href="/wiki/Rupert_Lycett_Green" title="Rupert Lycett Green">Rupert Lycett Green</a><a href="#cite_note-FOOTNOTETinniswood2021chap._14-214">[199]</a> and <a href="/wiki/Mike_McCartney" title="Mike McCartney">Mike McCartney</a>.<a href="#cite_note-FOOTNOTEHoward2017249-218">[203]</a> Butler recalled that the band's performance was likely substandard, since they were all drunk and high on marijuana.<a href="#cite_note-FOOTNOTEHoward2017249-218">[203]</a> Several guests also partook in the drug <a href="/wiki/LSD" title="LSD">LSD</a>,<a href="#cite_note-FOOTNOTESavage2015135–136-219">[204]</a> including Butler,<a href="#cite_note-FOOTNOTETinniswood2021chap._14-214">[199]</a> and the Lovin' Spoonful stayed overnight.<a href="#cite_note-FOOTNOTEBooneMoss2014119-220">[205]</a> The Lovin' Spoonful returned to the U.S. in the last of week of April. The band's morale was high following the tour, particularly after they had been treated as equals by contemporary performers whom they held in high regard.<a href="#cite_note-FOOTNOTEBooneMoss2014119–120-221">[206]</a> "Daydream" became a major international hit.<a href="#cite_note-FOOTNOTERogan2015274-222">[207]</a> By mid-May, it had reached number two on all of the major British singles charts and number one on the Swedish <a href="/wiki/Kv%C3%A4llstoppen" class="mw-redirect" title="Kvällstoppen">Kvällstoppen</a> chart.<a href="#cite_note-UK_charts-189">[175]</a><a href="#cite_note-223">[208]</a><a href="#cite_note-FOOTNOTEHallberg1993271-224">[209]</a> <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading4"><h4 id="Marijuana_bust">Marijuana bust</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=13" title="Edit section: Marijuana bust">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/The_Lovin%27_Spoonful%27s_drug_bust" title="The Lovin' Spoonful's drug bust">The Lovin' Spoonful's drug bust</a></div> On May 20, 1966, Boone and Yanovsky were arrested in San Francisco for possessing marijuana, then an illegal drug. Police discovered the marijuana after pulling the pair over and searching their vehicle.<a href="#cite_note-FOOTNOTEBooneMoss2014121–126-225">[210]</a> Boone and Yanovsky spent the night in jail before being bailed out the following morning by the Lovin' Spoonful's road manager, Rich Chiaro.<a href="#cite_note-FOOTNOTEBooneMoss2014127–128-226">[211]</a> Cavallo and Charley Koppelman flew out to meet the band to begin managing the situation, and they hired <a href="/wiki/Melvin_Belli" title="Melvin Belli">Melvin Belli</a> to be their attorney. Sebastian and Butler were not immediately informed of the nature of the bust, and the band's May 21 performance at the <a href="/wiki/University_of_California,_Berkeley" title="University of California, Berkeley">University of California, Berkeley</a>'s <a href="/wiki/Hearst_Greek_Theatre" title="Hearst Greek Theatre">Greek Theatre</a> went forward as normal.<a href="#cite_note-FOOTNOTEBooneMoss2014129–131-227">[212]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> We were the first big rock band to get busted for weed. There was no playbook in effect. The record company, the management company – they didn't have an operating procedure for what you do, especially if one of your members has an immigration issue.<a href="#cite_note-Unterberger_interview-68">[61]</a> </blockquote> <cite class="right-aligned" style="">– <a href="/wiki/Steve_Boone" title="Steve Boone">Steve Boone</a>, 2018</cite> </div> At a meeting with San Francisco police and the <a href="/wiki/San_Francisco_District_Attorney%27s_Office" title="San Francisco District Attorney's Office">District Attorney</a>, Yanovsky was threatened with deportation back to his native Canada.<a href="#cite_note-FOOTNOTEBooneMoss2014130–131-228">[213]</a> Belli expressed that Yanovsky and Boone were unlikely to win on the merits of their case and that their only way to avoid charges was to cooperate with authorities.<a href="#cite_note-FOOTNOTEBooneMoss2014131–132-229">[214]</a> The two initially balked at the idea, but they relented to avoid Yanovsky being deported, something they expected would lead to a breakup of the band.<a href="#cite_note-FOOTNOTEBooneMoss2014132-230">[215]</a> Yanovsky and Boone cooperated with authorities to name their drug source,<a href="#cite_note-FOOTNOTEUnterberger200361-136">[125]</a> directing an undercover operative to their source at local party.<a href="#cite_note-FOOTNOTEBooneMoss2014135–137-231">[216]</a> In exchange, all charges were dropped, their arrest records were expunged, the two did not need to appear in court and there was no publicity related to their arrest.<a href="#cite_note-FOOTNOTEBooneMoss2014134-232">[217]</a> Their drug source was in turn arrested and served a brief jail sentence.<a href="#cite_note-FOOTNOTEUnterberger200361-136">[125]</a> After the drug case went to court in December 1966, knowledge of Yanovsky and Boone's bust became more widespread.<a href="#cite_note-FOOTNOTESavage2015518-233">[218]</a> The <a href="/wiki/Underground_press#North_America" title="Underground press">underground press</a> was especially critical of the band.<a href="#cite_note-FOOTNOTEUnterberger200361-136">[125]</a> By early 1967, the Lovin' Spoonful's shows on the West Coast were sometimes picketed by members of the <a href="/wiki/Counterculture_of_the_1960s" title="Counterculture of the 1960s">'60s counterculture</a>. Protesters carried signs which accused the band of being "<a href="/wiki/Informant" title="Informant">finks</a>" and traitors to the movement, and they encouraged fans to boycott the band and burn their records.<a href="#cite_note-FOOTNOTEBooneMoss2014178–180-234">[219]</a> The public revelations of the drug bust added to tensions between Sebastian and Butler on the one hand, and Yanovsky and Boone on the other.<a href="#cite_note-FOOTNOTEBooneMoss2014173-235">[220]</a> Boone later suggested that the boycott hurt the band's commercial performance,<a href="#cite_note-FOOTNOTEBooneMoss2014178–180,_187–189-236">[221]</a> but the author Richie Unterberger suggests that the effects have likely been overestimated by other authors, since "most of the people who bought Spoonful records were average teenage Americans, not hippies".<a href="#cite_note-AllMusic_bio-237">[222]</a> In an article recounting the June 1967 <a href="/wiki/Monterey_International_Pop_Festival" title="Monterey International Pop Festival">Monterey International Pop Festival</a>, the author Michael Lydon suggested that the Lovin' Spoonful was unable to appear at the festival due to complications related to the drug bust.<a href="#cite_note-238">[223]</a> <div class="mw-heading mw-heading4"><h4 id=""Summer_in_the_City",_Hums_of_the_Lovin'_Spoonful">"Summer in the City", Hums of the Lovin' Spoonful</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=14" title="Edit section: "Summer in the City", Hums of the Lovin' Spoonful">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:%22Summer_in_the_City%22_by_the_Lovin%27_Spoonful_1966.mp3" title="File:"Summer in the City" by the Lovin' Spoonful 1966.mp3">The end of the first bridge of "Summer in the City"</a></div> <div><audio id="mwe_player_1" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="17" data-mwtitle=""Summer_in_the_City"_by_the_Lovin'_Spoonful_1966.mp3" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/b/b0/%22Summer_in_the_City%22_by_the_Lovin%27_Spoonful_1966.mp3" type="audio/mpeg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/b/b0/%22Summer_in_the_City%22_by_the_Lovin%27_Spoonful_1966.mp3/%22Summer_in_the_City%22_by_the_Lovin%27_Spoonful_1966.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /></audio></div> <div class="description">The Lovin' Spoonful's only number one record, "<a href="/wiki/Summer_in_the_City_(song)" title="Summer in the City (song)">Summer in the City</a>" features a harder rock style than the band's previous output.<a href="#cite_note-AllMusic_SitC-239">[224]</a></div></div></div></div> <div class="side-box-abovebelow"><hr />Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> After having recorded two albums in the second-half of 1965, the Lovin' Spoonful was stretched for new material in March 1966 when they began sessions for a new single.<a href="#cite_note-Summer_in_the_City_UNCUT-240">[225]</a> While searching for inspiration, Sebastian recalled a song composed and informally recorded by his fourteen-year-old brother, Mark.<a href="#cite_note-Summer_in_the_City_UNCUT-240">[225]</a><a href="#cite_note-nytimes-241">[226]</a> Sebastian reworked the lyrics and melody of his younger brother's composition into "<a href="/wiki/Summer_in_the_City_(song)" title="Summer in the City (song)">Summer in the City</a>", and he also incorporated contributions from Boone and the session musician <a href="/wiki/Artie_Schroeck" title="Artie Schroeck">Artie Schroeck</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014141-242">[227]</a> Kama Sutra did not issue "Summer in the City" immediately but instead repurposed "Did You Ever Have to Make Up Your Mind?" for release as a single.<a href="#cite_note-FOOTNOTEBooneMoss2014139,_141-243">[228]</a><a href="#cite_note-248">[nb 16]</a> Issued in April,<a href="#cite_note-FOOTNOTESavage2015556-249">[233]</a> "Did You Ever Have to Make Up Your Mind?" reached number two on the Billboard Hot 100 in June,<a href="#cite_note-Billboard_chart_history-121">[110]</a> making it the band's fourth top ten single in America and their second top two record in a row.<a href="#cite_note-FOOTNOTEBooneMoss2014139-250">[234]</a><a href="#cite_note-254">[nb 17]</a> That same month, Do You Believe in Magic re-entered the Top LPs chart,<a href="#cite_note-255">[238]</a> peaking in August at number 32 after spending 16 more weeks on the chart.<a href="#cite_note-Billboard_chart_history-121">[110]</a> "Summer in the City" was released as a single on July 4, 1966.<a href="#cite_note-FOOTNOTEBooneMoss2014141-242">[227]</a><a href="#cite_note-FOOTNOTEBarone2022249-256">[239]</a> On August 13,<a href="#cite_note-FOOTNOTESavage2015283-257">[240]</a> it overtook <a href="/wiki/The_Troggs" title="The Troggs">the Troggs</a>' "<a href="/wiki/Wild_Thing_(The_Troggs_song)" title="Wild Thing (The Troggs song)">Wild Thing</a>"<a href="#cite_note-FOOTNOTEBooneMoss2014144-258">[241]</a> to become the Lovin' Spoonful's first and only number one single in the U.S.<a href="#cite_note-FOOTNOTERodriguez201275-259">[242]</a> It held the position for three weeks, becoming what the author <a href="/wiki/Jon_Savage" title="Jon Savage">Jon Savage</a> terms the "American song of the summer".<a href="#cite_note-FOOTNOTESavage2015283-257">[240]</a> The song also topped Cash Box and <a href="/wiki/Record_World" title="Record World">Record World</a>'s charts,<a href="#cite_note-260">[243]</a><a href="#cite_note-261">[244]</a> and it was number one in Canada.<a href="#cite_note-262">[245]</a> The musicologist <a href="/wiki/Ian_MacDonald" title="Ian MacDonald">Ian MacDonald</a> characterizes the song as a "cutting-edge pop [record]" and one of many "futuristic singles" to appear in 1966, representative of a time period when recorded songs began to employ sounds and effects difficult or impossible to recreate during a live performance; when the Lovin' Spoonful played the song in concert, Sebastian was unable to both sing and play the piano part simultaneously, and Butler instead performed lead vocal duties.<a href="#cite_note-FOOTNOTEMacDonald2007202n3,_214n1-263">[246]</a> After "Daydream" reached number two in the U.K.,<a href="#cite_note-UK_charts-189">[175]</a> expectations were similarly high for "Summer in the City", but it failed to enter the top five of the British charts;<a href="#cite_note-FOOTNOTEWilliams200269-264">[247]</a> it instead peaked at number eight on the <a href="/wiki/UK_Singles_Chart" class="mw-redirect" title="UK Singles Chart">Record Retailer chart</a>.<a href="#cite_note-UK_charts-189">[175]</a> Coincident with the single's release, the band announced plans for a second tour of Britain and continental Europe, to be held over two weeks in September and October with the English singer <a href="/wiki/Dusty_Springfield" title="Dusty Springfield">Dusty Springfield</a>.<a href="#cite_note-265">[248]</a><a href="#cite_note-266">[249]</a><a href="#cite_note-Spoonful-Springfield_tour-267">[250]</a> Only weeks before it began, the band withdrew from the tour.<a href="#cite_note-268">[251]</a><a href="#cite_note-Spoonful-Springfield_tour-267">[250]</a><a href="#cite_note-269">[252]</a><a href="#cite_note-273">[nb 18]</a> As they announced their withdrawal, the band announced plans to return to Britain in April 1967 for a three-week tour.<a href="#cite_note-274">[256]</a> In July 1966,<a href="#cite_note-FOOTNOTEUnterberger2003265–266-275">[257]</a> the Lovin' Spoonful played to a crowd of 65,000 at that year's <a href="/wiki/Newport_Folk_Festival" title="Newport Folk Festival">Newport Folk Festival</a> in <a href="/wiki/Rhode_Island" title="Rhode Island">Rhode Island</a>.<a href="#cite_note-FOOTNOTELenhoffRobertson2019126-276">[258]</a> <a href="/wiki/Electric_Dylan_controversy" title="Electric Dylan controversy">Bob Dylan had generated controversy</a> at the previous year's festival when he performed a set of electric rock,<a href="#cite_note-FOOTNOTELenhoffRobertson2019126-276">[258]</a><a href="#cite_note-FOOTNOTEUnterberger2003266-277">[259]</a> but at the 1966 festival, the Lovin' Spoonful and several other electric bands appeared, including <a href="/wiki/Howlin%27_Wolf" title="Howlin' Wolf">Howlin' Wolf</a>, <a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a> and <a href="/wiki/The_Blues_Project" title="The Blues Project">the Blues Project</a>.<a href="#cite_note-FOOTNOTEWald2015298-278">[260]</a> The Lovin' Spoonful was well received and received no pushback over their appearance.<a href="#cite_note-FOOTNOTELenhoffRobertson2019126-276">[258]</a><a href="#cite_note-FOOTNOTEUnterberger2003266-277">[259]</a> In an article recounting the festival for <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>, the critic <a href="/wiki/Robert_Shelton_(critic)" title="Robert Shelton (critic)">Robert Shelton</a> suggested that the band's warm reception "reflected the growing acceptance of folk-rock and other amalgamations of contemporary folk songs with electric instruments".<a href="#cite_note-FOOTNOTEUnterberger2003266-277">[259]</a><a href="#cite_note-279">[261]</a> Sessions for the Lovin' Spoonful's third studio album, later released as <a href="/wiki/Hums_of_the_Lovin%27_Spoonful" title="Hums of the Lovin' Spoonful">Hums of the Lovin' Spoonful</a>,<a href="#cite_note-FOOTNOTEBooneMoss2014144-258">[241]</a> were originally booked for <a href="/wiki/Columbia_Records#Studio_A" title="Columbia Records">Columbia Records' 7th Avenue studio</a> in New York from August 16 to September 23, 1966.<a href="#cite_note-FOOTNOTEWilliams200269-264">[247]</a> Recording was delayed after Columbia booked its own artists at the studio.<a href="#cite_note-FOOTNOTEWilliams200269-264">[247]</a> When time allowed them a break from touring, the Lovin' Spoonful recorded the album across several sessions in New York City at Bell Sound and the 7th Avenue studio, with work also done in Los Angeles.<a href="#cite_note-FOOTNOTEDiken2003-280">[262]</a> For the first time on one of the band's albums, it consisted of only original material.<a href="#cite_note-FOOTNOTEBooneMoss2014145-281">[263]</a> <a href="/wiki/Henry_Diltz" title="Henry Diltz">Henry Diltz</a>, a member of the Modern Folk Quartet, contributed clarinet to "Bes' Friends" and took the pictures which adorned the LP's sleeve.<a href="#cite_note-FOOTNOTEDiken2003-280">[262]</a> The album was released in November 1966,<a href="#cite_note-FOOTNOTEZimmermanZimmerman2004113-282">[264]</a> and it reached number 14 on the Billboard LPs chart.<a href="#cite_note-Billboard_chart_history-121">[110]</a> Preorders for the album were diminished after a disappointing reaction accompanied the August release of the What's Up, Tiger Lily? soundtrack album.<a href="#cite_note-283">[265]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:%22Nashville_Cats%22_Cash_Box_advertisement.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/be/%22Nashville_Cats%22_Cash_Box_advertisement.jpg/220px-%22Nashville_Cats%22_Cash_Box_advertisement.jpg" decoding="async" width="220" height="311" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/be/%22Nashville_Cats%22_Cash_Box_advertisement.jpg/330px-%22Nashville_Cats%22_Cash_Box_advertisement.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/be/%22Nashville_Cats%22_Cash_Box_advertisement.jpg/440px-%22Nashville_Cats%22_Cash_Box_advertisement.jpg 2x" data-file-width="674" data-file-height="952" /></a><figcaption>A trade ad for "<a href="/wiki/Nashville_Cats" title="Nashville Cats">Nashville Cats</a>", the Lovin' Spoonful's seventh and final single to reach the US Top Ten</figcaption></figure> In addition to the already released "Summer in the City", the sessions for Hums of the Lovin' Spoonful produced the song "<a href="/wiki/Rain_on_the_Roof_(song)" title="Rain on the Roof (song)">Rain on the Roof</a>".<a href="#cite_note-FOOTNOTEBooneMoss2014147–148-284">[266]</a> The possibility of releasing the song as a single generated disagreement among the members of the Lovin' Spoonful.<a href="#cite_note-FOOTNOTEDiken2003-280">[262]</a><a href="#cite_note-FOOTNOTEBooneMoss2014148–149-285">[267]</a> "Summer in the City" featured a harder sound than their previous output,<a href="#cite_note-FOOTNOTESavage2015284-286">[268]</a><a href="#cite_note-AllMusic_SitC-239">[224]</a> and it had attracted new fans to the group after it reached number one on the Billboard Hot 100 chart in August.<a href="#cite_note-FOOTNOTEBooneMoss2014149-287">[269]</a><a href="#cite_note-Billboard_chart_history-121">[110]</a> Both Boone and Butler worried that returning to a softer sound with "Rain on the Roof" would potentially alienate the band's new fans,<a href="#cite_note-FOOTNOTEBooneMoss2014149-287">[269]</a><a href="#cite_note-Summer_in_the_City_UNCUT-240">[225]</a> but Sebastian countered that the band ought to avoid releasing consecutive singles which sounded too similar, also contending that "Rain on the Roof" would add another dimension to their sound.<a href="#cite_note-FOOTNOTEBooneMoss2014149-287">[269]</a> Issued as a single in October,<a href="#cite_note-FOOTNOTESavage2015561-288">[270]</a><a href="#cite_note-FOOTNOTERodriguez2012252-289">[271]</a> "Rain on the Roof" remained on the Hot 100 for ten weeks and peaked at number ten, making it the Lovin' Spoonful's sixth consecutive single to reach the top ten.<a href="#cite_note-Billboard_chart_history-121">[110]</a> The song also continued the band's success in Europe, charting in several European countries.<a href="#cite_note-FOOTNOTEDiken2003-280">[262]</a> Another song from Hums of the Lovin' Spoonful, the country-tinged "<a href="/wiki/Nashville_Cats" title="Nashville Cats">Nashville Cats</a>", was issued as a single in December.<a href="#cite_note-FOOTNOTEAnon.1990-202">[187]</a> It reached number eight on the Hot 100, but despite the band's hopes, it failed to crossover into the country market.<a href="#cite_note-FOOTNOTEDiken2003-280">[262]</a> The single's B-side, "Full Measure", a Boone-Sebastian collaboration, received strong airplay in California and the <a href="/wiki/Southwestern_United_States" title="Southwestern United States">Southwestern United States</a>, helping it reach number 87 on the Hot 100 chart.<a href="#cite_note-FOOTNOTEDiken2003-280">[262]</a><a href="#cite_note-FOOTNOTEBooneMoss2014147–148-284">[266]</a> In <a href="/wiki/KRLA_Beat" title="KRLA Beat">KRLA Beat</a>, the local publication of the <a href="/wiki/Southern_Californian" class="mw-redirect" title="Southern Californian">Southern Californian</a> radio station <a href="/wiki/KWVE_(AM)" title="KWVE (AM)">KRLA</a>, "Full Measure" reached as high as number seven on the station's chart.<a href="#cite_note-290">[272]</a> In 1966, the Lovin' Spoonful had five Top Ten singles, making it the band's most successful year to date.<a href="#cite_note-FOOTNOTEUnterberger2002185,_212-291">[273]</a> The end-of-year issue for <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a> magazine ranked the Lovin' Spoonful as the third best performing singles artist of the year, after the Beatles and <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">the Rolling Stones</a>.<a href="#cite_note-FOOTNOTESavage2015544–545-292">[274]</a><a href="#cite_note-1966_Top_Artists-293">[275]</a> In the magazine's list of the <a href="/wiki/Billboard_Year-End_Hot_100_singles_of_1966" title="Billboard Year-End Hot 100 singles of 1966">top records of the year</a>, it placed "Summer in the City", "Daydream" and "Did You Ever Have to Make Up Your Mind" at numbers 35, 38 and 48, respectively.<a href="#cite_note-1966_Top_Records-294">[276]</a><a href="#cite_note-295">[nb 19]</a> <div class="mw-heading mw-heading3"><h3 id="1967–1968:_Diminished_success">1967–1968: Diminished success</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=15" title="Edit section: 1967–1968: Diminished success">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id="You're_a_Big_Boy_Now_soundtrack;_Yanovsky_and_Jacobsen_fired">You're a Big Boy Now soundtrack; Yanovsky and Jacobsen fired</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=16" title="Edit section: You're a Big Boy Now soundtrack; Yanovsky and Jacobsen fired">edit</a>]</div> In mid-October 1966, the Lovin' Spoonful recorded <a href="/wiki/You%27re_a_Big_Boy_Now_(album)" title="You're a Big Boy Now (album)">a soundtrack album</a> for the 1966 film <a href="/wiki/You%27re_a_Big_Boy_Now" title="You're a Big Boy Now">You're a Big Boy Now</a>. The film served as the master's thesis of the director <a href="/wiki/Francis_Ford_Coppola" title="Francis Ford Coppola">Francis Ford Coppola</a>, who was then attending <a href="/wiki/UCLA_Film_School" class="mw-redirect" title="UCLA Film School">UCLA Film School</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014163–164-296">[277]</a> After meeting with Coppola in September to discuss the project,<a href="#cite_note-FOOTNOTEMyers201775-297">[278]</a> Sebastian wrote the songs on his own before presenting them to the musician <a href="/wiki/Artie_Schroeck" title="Artie Schroeck">Artie Schroeck</a>, who arranged the compositions for an orchestra.<a href="#cite_note-FOOTNOTEBooneMoss2014163–164-296">[277]</a> After Butler struggled with the drum part, the session musician <a href="/wiki/Bill_LaVorgna" title="Bill LaVorgna">Bill LaVorgna</a> played in his place.<a href="#cite_note-FOOTNOTEMyers201777-298">[279]</a> <a href="/wiki/David_%22Fathead%22_Newman" title="David "Fathead" Newman">David "Fathead" Newman</a> played saxophone during the sessions and <a href="/wiki/Clark_Terry" title="Clark Terry">Clark Terry</a> played <a href="/wiki/Fl%C3%BCgelhorn" class="mw-redirect" title="Flügelhorn">flügelhorn</a>.<a href="#cite_note-FOOTNOTEMyers201777-298">[279]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> [Not working with the Spoonful anymore] was fine by me, because we had kind of run our course. We were falling apart.<a href="#cite_note-FOOTNOTEUnterberger200361-136">[125]</a> </blockquote> <cite class="right-aligned" style="">– <a href="/wiki/Erik_Jacobsen" title="Erik Jacobsen">Erik Jacobsen</a>, 2003</cite> </div> During the editing of You're a Big Boy Now, Coppola used the Mamas & the Papas' 1966 single "<a href="/wiki/Monday,_Monday" title="Monday, Monday">Monday, Monday</a>" as <a href="/wiki/Temp_music" class="mw-redirect" title="Temp music">temp music</a> for one sequence in the film, for which Sebastian wrote "<a href="/wiki/Darling_Be_Home_Soon" title="Darling Be Home Soon">Darling Be Home Soon</a>".<a href="#cite_note-FOOTNOTEMyers201775–76-299">[280]</a> Sebastian's composition flips a genre convention by describing a male subject waiting for a female to return home.<a href="#cite_note-FOOTNOTEMyers201776-300">[281]</a><a href="#cite_note-FOOTNOTEBooneMoss2014164-301">[282]</a> The Spoonful recorded the song in one night, but Sebastian's original vocal track was subsequently wiped. Sebastian later attributed the loss to an accident on the part of an engineer, saying that what is heard on the final recording "is me, a half hour after learning that my original vocal track had been erased". He added: "You can even hear my voice quiver a little at the end. That was me thinking about the vocal we lost and wanting to kill someone."<a href="#cite_note-FOOTNOTEMyers201777-298">[279]</a> Boone instead suggests that Jacobsen deliberately erased Sebastian's vocal after finding it substandard; Boone recalled that the event marked the angriest he had ever seen Sebastian. Jacobsen was soon fired from working with the band, and Boone suggests that the vocal-erasure "probably played a major role" in Jacobsen's departure.<a href="#cite_note-FOOTNOTEBooneMoss2014163–164-296">[277]</a> The lack of collaboration on You're a Big Boy Now led to consternation from Sebastian's bandmates, especially Yanovsky, whose playing style often relied on improvisation.<a href="#cite_note-FOOTNOTEBooneMoss2014163–164-296">[277]</a> Yanovsky especially disliked the soundtrack album's lead single, "Darling Be Home Soon", which was issued in early 1967.<a href="#cite_note-FOOTNOTEBooneMoss2014170-302">[283]</a><a href="#cite_note-FOOTNOTEMyers201774-63">[56]</a> When the Spoonful appeared on <a href="/wiki/The_Ed_Sullivan_Show" title="The Ed Sullivan Show">The Ed Sullivan Show</a> in January to promote the release, Yanovsky <a href="/wiki/Overacting" title="Overacting">mugged</a> for the camera, miming the lyrics and bouncing up-and-down with a rubber-toad figurine attached to his guitar.<a href="#cite_note-FOOTNOTEBooneMoss2014170-302">[283]</a><a href="#cite_note-FOOTNOTEUnterberger200361-136">[125]</a> The appearance led to laughter from the audience and anger from Sebastian.<a href="#cite_note-FOOTNOTEBooneMoss2014170-302">[283]</a> "Darling Be Home Soon" peaked at number fifteen,<a href="#cite_note-FOOTNOTEMyers201774-63">[56]</a><a href="#cite_note-FOOTNOTEBooneMoss2014170-302">[283]</a> a major disappointment compared to the band's earlier releases and their first single which failed to reach the Top Ten.<a href="#cite_note-FOOTNOTEBooneMoss2014170-302">[283]</a> Also disappointing was the release of the You're a Big Boy Now soundtrack, which peaked at number 160 on the Billboard Top LPs chart in May 1967.<a href="#cite_note-Billboard_chart_history-121">[110]</a><a href="#cite_note-FOOTNOTEBooneMoss2014173-235">[220]</a> The album's sales were hampered by the release in March of the band's first greatest hits compilation, <a href="/wiki/The_Best_of_The_Lovin%27_Spoonful" class="mw-redirect" title="The Best of The Lovin' Spoonful">The Best of The Lovin' Spoonful</a>,<a href="#cite_note-FOOTNOTEBooneMoss2014173-235">[220]</a> which reached number three and became the band's best selling album.<a href="#cite_note-Billboard_chart_history-121">[110]</a><a href="#cite_note-FOOTNOTEBooneMoss2014173-235">[220]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> I wanted us to go back [to the clubs] and try to recapture that sort of energy ... I had told John [Sebastian] that I thought his songwriting [had] really gone down the toilet and I thought that ... it was time for him to get back into the "risk element".<a href="#cite_note-Rock_Family_Trees-5">[5]</a> </blockquote> <cite class="right-aligned" style="">– <a href="/wiki/Zal_Yanovsky" title="Zal Yanovsky">Zal Yanovsky</a>, 1998</cite> </div> From late 1966 into early 1967, Sebastian's bandmates felt he was exerting excessive control over the band's direction.<a href="#cite_note-FOOTNOTEUnterberger200361-136">[125]</a><a href="#cite_note-FOOTNOTEBooneMoss2014165-303">[284]</a> Boone recalled that the relationship between Sebastian and Yanovsky became especially stilted, since Yanovsky often rebelled rather than articulate his concerns directly.<a href="#cite_note-FOOTNOTEBooneMoss2014165–166-304">[285]</a> Further agitating the situation, when Koppelman and Rubin renegotiated the band's distribution deal between Kama Sutra and MGM in late 1966, though the band received an increase in pay, the label added a "key-man clause" which specified that the band would only exist if Sebastian was a member.<a href="#cite_note-FOOTNOTEBooneMoss2014167–168-305">[286]</a><a href="#cite_note-307">[nb 20]</a> In May 1967, Sebastian convened a meeting with Butler and Boone to discuss the band's future. Sebastian expressed frustration with Yanovsky's increasingly erratic public behavior and his derogatory treatment of his bandmates. Sebastian concluded that either Yanovsky should be fired, or else he was prepared to leave the band.<a href="#cite_note-FOOTNOTEBooneMoss2014174–175-308">[288]</a> Butler, who had never gotten along with Yanovsky<a href="#cite_note-FOOTNOTEUnterberger2003124-309">[289]</a> and was increasingly the target of Yanovsky's insults, agreed with Sebastian.<a href="#cite_note-FOOTNOTEBooneMoss2014175-310">[290]</a> In a subsequent group meeting at Sebastian's apartment, the band informed Yanovsky that he had been fired.<a href="#cite_note-FOOTNOTEBooneMoss2014175–176-311">[291]</a> He agreed to continue performing the rest of the group's scheduled dates,<a href="#cite_note-FOOTNOTEBooneMoss2014175–176-311">[291]</a> but rumors circulated throughout June that the band was breaking up.<a href="#cite_note-312">[292]</a> He last performed with the Spoonful on June 24, 1967, at the <a href="/wiki/Forest_Hills_Music_Festival" class="mw-redirect" title="Forest Hills Music Festival">Forest Hills Music Festival</a> in <a href="/wiki/Queens" title="Queens">Queens</a>, New York.<a href="#cite_note-FOOTNOTEBooneMoss2014176-313">[293]</a><a href="#cite_note-FOOTNOTEReesCrampton1991317-314">[294]</a><a href="#cite_note-FHMF-315">[295]</a> <div class="mw-heading mw-heading4"><h4 id="Yester_hired,_Everything_Playing">Yester hired, Everything Playing</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=17" title="Edit section: Yester hired, Everything Playing">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:The_Lovin_Spoonful_1968.png" class="mw-file-description"><img alt="Refer to caption" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/40/The_Lovin_Spoonful_1968.png/220px-The_Lovin_Spoonful_1968.png" decoding="async" width="220" height="309" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/40/The_Lovin_Spoonful_1968.png/330px-The_Lovin_Spoonful_1968.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/40/The_Lovin_Spoonful_1968.png/440px-The_Lovin_Spoonful_1968.png 2x" data-file-width="885" data-file-height="1244" /></a><figcaption>The Lovin' Spoonful with Yanovsky's replacement, <a href="/wiki/Jerry_Yester" title="Jerry Yester">Jerry Yester</a> (left), <abbr title="circa">c.</abbr> 1967–68</figcaption></figure> The Lovin' Spoonful hired Jerry Yester to replace Yanovsky on lead guitar duties. Following the May 1967 meeting in which Yanovsky was fired, Sebastian suggested hiring Yester, and no other replacement was considered. Yester had been close to the band and Jacobsen for years, having contributed to the recording of "Do You Believe in Magic".<a href="#cite_note-FOOTNOTEBooneMoss2014178-316">[296]</a> Since mid-1966, when Yester's band the Modern Folk Quartet disbanded,<a href="#cite_note-317">[297]</a> he had been working as a session musician and producer in Los Angeles.<a href="#cite_note-FOOTNOTEBooneMoss2014178–179-318">[298]</a><a href="#cite_note-319">[nb 21]</a> In early June 1967, he rehearsed with the Lovin' Spoonful at Sebastian's home in <a href="/wiki/East_Quogue,_New_York" title="East Quogue, New York">East Quogue, New York</a>, and he debuted with the band on June 30 at the <a href="/wiki/Veterans_Memorial_Coliseum_(Portland,_Oregon)" title="Veterans Memorial Coliseum (Portland, Oregon)">Memorial Coliseum</a> in <a href="/wiki/Portland,_Oregon" title="Portland, Oregon">Portland, Oregon</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014178–179-318">[298]</a> The Lovin' Spoonful reconvened in August 1967 to begin sessions for their next album, <a href="/wiki/Everything_Playing" title="Everything Playing">Everything Playing</a>. In need of a producer after Jacobsen's firing, the band initially hoped to work with <a href="/wiki/Roy_Halee" title="Roy Halee">Roy Halee</a>, who had worked as <a href="/wiki/Audio_engineer" title="Audio engineer">engineer</a> on the band's earlier recordings, but his continued employment with <a href="/wiki/Columbia_Records" title="Columbia Records">Columbia Records</a> prevented the collaboration. Koppelman-Rubin instead suggested <a href="/wiki/Joe_Wissert" title="Joe Wissert">Joe Wissert</a>, a Philadelphia-based producer who had recently worked with <a href="/wiki/The_Turtles" title="The Turtles">the Turtles</a> on their 1967 singles, "<a href="/wiki/Happy_Together_(song)" title="Happy Together (song)">Happy Together</a>" and "<a href="/wiki/She%27d_Rather_Be_with_Me" title="She'd Rather Be with Me">She'd Rather Be with Me</a>". On Wissert's recommendation, the band moved from Columbia's recording studios to Mira Sound Studios, a new facility in New York City which made use of an AMPEX MM-1000, the industry's first <a href="/wiki/Multitrack_recording" title="Multitrack recording">16-track recorder</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014180–181-320">[299]</a> The band struggled to manage the more complicated recording equipment, a situation worsened when Wissert stopped attending sessions, forcing Yester to produce in his place.<a href="#cite_note-FOOTNOTEBooneMoss2014186–187-321">[300]</a> Like other folk-rock acts, the Lovin' Spoonful struggled to modify their musical approach as the new genre of <a href="/wiki/Psychedelic_music" title="Psychedelic music">psychedelia</a> expanded in popularity in 1967.<a href="#cite_note-FOOTNOTEUnterberger200361-136">[125]</a> The sessions for Everything Today yielded three singles, all three of which continued the band's downward commercial performance when they failed to place in the Top Ten.<a href="#cite_note-FOOTNOTEBooneMoss2014182,_189-322">[301]</a> "Six O'Clock", which had been recorded at Columbia before Jacobsen and Yanovsky were fired, was released in April 1967 and peaked at number 18.<a href="#cite_note-FOOTNOTEBooneMoss2014182-323">[302]</a> On the album's next single, "She Is Still a Mystery", Yester arranged an orchestral accompaniment, which included <a href="/wiki/String_section" title="String section">strings</a> and <a href="/wiki/Woodwind_section" title="Woodwind section">woodwinds</a> played by members of the <a href="/wiki/New_York_Philharmonic" title="New York Philharmonic">New York Philharmonic</a> and <a href="/wiki/Horn_section" title="Horn section">horns</a> from <a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a>' touring band.<a href="#cite_note-FOOTNOTEBooneMoss2014182-323">[302]</a> Following the single's release in October,<a href="#cite_note-FOOTNOTEAnon.1990-202">[187]</a> it reached number 27.<a href="#cite_note-Billboard_chart_history-121">[110]</a><a href="#cite_note-FOOTNOTEBooneMoss2014182-323">[302]</a> Everything Playing was issued in December 1967,<a href="#cite_note-FOOTNOTEAnon.1990-202">[187]</a> but received negative reviews from critics and peaked at number 118 in the U.S. after spending seven weeks on the album chart.<a href="#cite_note-FOOTNOTEBooneMoss2014187-324">[303]</a> The album track "Younger Generation" was originally intended for release as a single – a trade ad in Billboard promised it would be "the most talked-about track of 1968" – but its release never followed.<a href="#cite_note-FOOTNOTEBooneMoss2014183-325">[304]</a> Instead, "Money" was issued as a single in January 1968,<a href="#cite_note-FOOTNOTEHill2003-326">[305]</a> and it peaked at number 48.<a href="#cite_note-FOOTNOTEBooneMoss2014189-327">[306]</a> <div class="mw-heading mw-heading4"><h4 id="Sebastian_departs,_Revelation:_Revolution_'69">Sebastian departs, Revelation: Revolution '69</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=18" title="Edit section: Sebastian departs, Revelation: Revolution '69">edit</a>]</div> After the major commercial disappointments of Everything Playing and "Money" in early 1968, Sebastian announced to his bandmates that, following the Lovin' Spoonful's next three months of scheduled tour dates, he planned to leave the group.<a href="#cite_note-FOOTNOTEBooneMoss2014189–190-328">[307]</a> He last publicly performed with the band on June 20, 1968, in <a href="/wiki/Richmond,_Virginia" title="Richmond, Virginia">Richmond, Virginia</a>,<a href="#cite_note-FOOTNOTEBooneMoss2014192-329">[308]</a> and his departure was made public in September.<a href="#cite_note-Johnson-330">[309]</a><a href="#cite_note-331">[310]</a> By December, the British music magazine <a href="/wiki/Disc_(magazine)" title="Disc (magazine)">Disc and Music Echo</a> reported that the Lovin' Spoonful had split up.<a href="#cite_note-FOOTNOTEHjort2008197-332">[311]</a> Sebastian later summed up the band's career as "two glorious years and a tedious one".<a href="#cite_note-FOOTNOTENixon2003615-333">[312]</a> Following Sebastian's departure, the remaining members of the band had little contact with one another. Butler received permission from the label to record and produce an album under the Lovin' Spoonful's name. Released in late 1968, <a href="/wiki/Revelation:_Revolution_%2769" title="Revelation: Revolution '69">Revelation: Revolution '69</a> featured neither Boone nor Yester, but is credited to "The Lovin' Spoonful featuring Joe Butler".<a href="#cite_note-FOOTNOTEBooneMoss2014192,_195–196-334">[313]</a> The album did not chart,<a href="#cite_note-Billboard_chart_history-121">[110]</a> and it is generally omitted from lists of the Lovin' Spoonful's discography.<a href="#cite_note-FOOTNOTEBooneMoss2014196-335">[314]</a> The album's first single, the <a href="/wiki/John_Stewart_(musician)" title="John Stewart (musician)">John Stewart</a>-penned "Never Going Back", was recorded in Los Angeles at <a href="/wiki/Sunset_Sound_Recorders" title="Sunset Sound Recorders">Sunset Sound Recorders</a> before Sebastian departed the group, but he did not play on the recording. It was issued in July 1968 and reached number 73.<a href="#cite_note-FOOTNOTEBooneMoss2014191-336">[315]</a> <div class="mw-heading mw-heading3"><h3 id="1968–present:_After_the_breakup">1968–present: After the breakup</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=19" title="Edit section: 1968–present: After the breakup">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id="John_Sebastian">John Sebastian</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=20" title="Edit section: John Sebastian">edit</a>]</div> Following the dissolution of the Lovin' Spoonful, Sebastian was the only former member whose music career initially appeared promising.<a href="#cite_note-FOOTNOTEBooneMoss2014196,_255-337">[316]</a> Splitting time between New York City and Los Angeles, his first major project after leaving the band was composing the lyrics and music for the <a href="/wiki/Broadway_theatre" title="Broadway theatre">Broadway</a> show <a href="/wiki/Jimmy_Shine" title="Jimmy Shine">Jimmy Shine</a>,<a href="#cite_note-FOOTNOTEShea2023343-338">[317]</a> which ran from December 1968 to April 1969.<a href="#cite_note-FOOTNOTEPollock200994–95-339">[318]</a> In late 1968, he signed with <a href="/wiki/Warner_Records" title="Warner Records">Warner Records</a> and he recorded a solo album, <a href="/wiki/John_B._Sebastian_(album)" title="John B. Sebastian (album)">John B. Sebastian</a>, which reached number 20 on the Billboard Top LPs & Tape chart.<a href="#cite_note-FOOTNOTEUnterberger2006a-340">[319]</a><a href="#cite_note-343">[nb 22]</a> Guest appearances on the album were made by future members of <a href="/wiki/Crosby,_Stills_%26_Nash" class="mw-redirect" title="Crosby, Stills & Nash">Crosby, Stills & Nash</a>, a folk-rock <a href="/wiki/Supergroup_(music)" title="Supergroup (music)">supergroup</a>.<a href="#cite_note-FOOTNOTEUnterberger2006a-340">[319]</a> Sebastian was offered a position in the band, but he declined,<a href="#cite_note-FOOTNOTEUnterberger2003206–207-344">[322]</a><a href="#cite_note-FOOTNOTEBooneMoss2014207-345">[323]</a> expressing his desire in a contemporary interview to focus on his solo career rather than joining a new group.<a href="#cite_note-FOOTNOTEHjort2008197-332">[311]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:2-JohnSebastianErikJacobsenZalYanovsky-Feb1974_4x6_300dpi.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/2-JohnSebastianErikJacobsenZalYanovsky-Feb1974_4x6_300dpi.jpg/290px-2-JohnSebastianErikJacobsenZalYanovsky-Feb1974_4x6_300dpi.jpg" decoding="async" width="290" height="194" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/2-JohnSebastianErikJacobsenZalYanovsky-Feb1974_4x6_300dpi.jpg/435px-2-JohnSebastianErikJacobsenZalYanovsky-Feb1974_4x6_300dpi.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/69/2-JohnSebastianErikJacobsenZalYanovsky-Feb1974_4x6_300dpi.jpg/580px-2-JohnSebastianErikJacobsenZalYanovsky-Feb1974_4x6_300dpi.jpg 2x" data-file-width="1800" data-file-height="1207" /></a><figcaption>Sebastian, Jacobsen and Yanovsky in 1974</figcaption></figure> In the decade after he left the Spoonful, Sebastian was active in the concert and festival circuit, and he typically played around 100 shows a year.<a href="#cite_note-FOOTNOTEHelander1999237-118">[107]</a> He made an impromptu appearance at the <a href="/wiki/Woodstock" title="Woodstock">Woodstock</a> festival in August 1969, in which he played the Spoonful's songs "Darling Be Home Soon" and "Younger Generation".<a href="#cite_note-FOOTNOTEUnterberger2003278-346">[324]</a> Despite his initial successes, Sebastian struggled as a songwriter for most of the 1970s.<a href="#cite_note-FOOTNOTEUnterberger2003290-347">[325]</a><a href="#cite_note-FOOTNOTEBooneMoss2014255-348">[326]</a> His 1974 album <a href="/wiki/Tarzana_Kid" title="Tarzana Kid">Tarzana Kid</a> did not chart, but it was produced by Erik Jacobsen, marking the first time the two collaborated since their falling out years earlier.<a href="#cite_note-FOOTNOTEReesCrampton1991317-314">[294]</a><a href="#cite_note-FOOTNOTEUnterberger2006c-349">[327]</a> After his first five singles were commercial failures, Sebastian's label planned to drop him;<a href="#cite_note-FOOTNOTEReesCrampton1991317-314">[294]</a> he achieved a number one hit in 1976 with "<a href="/wiki/Welcome_Back_(John_Sebastian_song)" title="Welcome Back (John Sebastian song)">Welcome Back</a>", the theme song for the TV show <a href="/wiki/Welcome_Back,_Kotter" title="Welcome Back, Kotter">Welcome Back, Kotter</a>, but he was unable to translate it into continued success.<a href="#cite_note-FOOTNOTEBooneMoss2014255-348">[326]</a> <div class="mw-heading mw-heading4"><h4 id="Zal_Yanovsky">Zal Yanovsky</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=21" title="Edit section: Zal Yanovsky">edit</a>]</div> After leaving the Spoonful, Yanovsky signed as a solo act with <a href="/wiki/Buddha_Records" class="mw-redirect" title="Buddha Records">Buddha Records</a>, and he continued to be managed by Cavallo.<a href="#cite_note-350">[328]</a> In September 1967, Buddha issued his debut single, "As Long As You're Here",<a href="#cite_note-351">[329]</a><a href="#cite_note-352">[330]</a> which reached number 101 on Billboard's <a href="/wiki/Bubbling_Under_the_Hot_100" class="mw-redirect" title="Bubbling Under the Hot 100">Bubbling Under the Hot 100</a> chart the following month.<a href="#cite_note-353">[331]</a> In late 1967, he began recording his first solo album, Alive and Well in Argentina, which was released in April 1968.<a href="#cite_note-FOOTNOTEChildsMarch1999222-354">[332]</a> The album received little critical or commercial attention,<a href="#cite_note-Canadian_Encyclopedia-355">[333]</a> but it spawned a partnership between Yanovsky and his replacement in the Spoonful, Jerry Yester, who produced the album.<a href="#cite_note-FOOTNOTEBooneMoss2014196-335">[314]</a><a href="#cite_note-FOOTNOTEChildsMarch1999222-354">[332]</a> The two formed "Hair Shirt Productions", which produced recordings in Los Angeles for <a href="/wiki/Pat_Boone" title="Pat Boone">Pat Boone</a>, <a href="/wiki/Tim_Buckley" title="Tim Buckley">Tim Buckley</a> and the Fifth Avenue Band.<a href="#cite_note-FOOTNOTEChildsMarch1999222-354">[332]</a> Yanovsky played in <a href="/wiki/Kris_Kristofferson" title="Kris Kristofferson">Kris Kristofferson</a>'s band on a 1970 European tour,<a href="#cite_note-Canadian_Encyclopedia-355">[333]</a> including a performance at <a href="/wiki/Isle_of_Wight_Festival_1970" title="Isle of Wight Festival 1970">that year's Isle of Wight Festival</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014219-356">[334]</a> Sebastian was performing at the festival as a solo act, and Yanovsky joined him on stage during the former's set for several songs.<a href="#cite_note-FOOTNOTEBooneMoss2014219-356">[334]</a> Yanovsky subsequently exited the music business and moved back to Canada, opening the restaurant <a href="/wiki/Chez_Piggy" title="Chez Piggy">Chez Piggy</a> in 1979 with his wife in <a href="/wiki/Kingston,_Ontario" title="Kingston, Ontario">Kingston, Ontario</a>.<a href="#cite_note-Canadian_Encyclopedia-355">[333]</a> <div class="mw-heading mw-heading4"><h4 id="Steve_Boone,_Joe_Butler_and_reunions">Steve Boone, Joe Butler and reunions</h4>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=22" title="Edit section: Steve Boone, Joe Butler and reunions">edit</a>]</div> In 1969, Boone attempted to record a solo album, but the project dissolved. That same year, he produced an album for the Virginia-based folk group the Oxpetals, after which he left the music business.<a href="#cite_note-FOOTNOTEBooneMoss2014196–205-357">[335]</a> Butler pivoted to Broadway acting,<a href="#cite_note-FOOTNOTEHoffmann2016270-358">[336]</a> and he performed in the rock musical <a href="/wiki/Hair_(musical)" title="Hair (musical)">Hair</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014219-356">[334]</a> He also worked as a sound editor in Hollywood,<a href="#cite_note-FOOTNOTEHoffmann2016270-358">[336]</a> but by later in the 1970s he was no longer active in music and instead drove a taxi cab.<a href="#cite_note-FOOTNOTEBooneMoss2014256-359">[337]</a> Sebastian resisted subsequent efforts to reform the Lovin' Spoonful,<a href="#cite_note-FOOTNOTENixon2003615-333">[312]</a> and the original members of the band only reunited twice.<a href="#cite_note-FOOTNOTEBooneMoss2014255–257,_281-360">[338]</a> In late 1979, at the invitation of the musician <a href="/wiki/Paul_Simon" title="Paul Simon">Paul Simon</a>, the band appeared in his 1980 film <a href="/wiki/One-Trick_Pony_(film)" title="One-Trick Pony (film)">One-Trick Pony</a> in a concert sequence which featured several 1960s acts.<a href="#cite_note-FOOTNOTEBooneMoss2014255–257-361">[339]</a> The band did not see each other again until March 2000, when the four original members were inducted into the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a> in Cleveland.<a href="#cite_note-FOOTNOTEBooneMoss2014281-362">[340]</a> Yanovsky died of a heart attack two years later.<a href="#cite_note-363">[341]</a> Butler, Boone and Yester began touring under the name the Lovin' Spoonful in 1991,<a href="#cite_note-FOOTNOTEHelander1999237-118">[107]</a> a venture opposed by both Sebastian and Yanovsky.<a href="#cite_note-FOOTNOTEBooneMoss2014288–291-364">[342]</a> Augmented by a group of touring musicians,<a href="#cite_note-FOOTNOTEBooneMoss2014288–289,_293-365">[343]</a> the group released a live album, <a href="/wiki/Live_at_the_Hotel_Seville" title="Live at the Hotel Seville">Live at the Hotel Seville</a>, in 1999.<a href="#cite_note-AllMusic_bio-237">[222]</a> Sebastian has since reunited with Boone and Butler once, joining them onstage in 2020 during a benefit concert.<a href="#cite_note-366">[344]</a> <div class="mw-heading mw-heading2"><h2 id="Musical_style_and_development">Musical style and development</h2>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=23" title="Edit section: Musical style and development">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Songwriting">Songwriting</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=24" title="Edit section: Songwriting">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> We're the group that cries out not to be labeled. I think that if you've heard our [first] album, you know that we make a lot of different sounds, so that no one specific sound could really be characterized a what we "sound like."<a href="#cite_note-KRLA_1/15/66-367">[345]</a> </blockquote> <cite class="right-aligned" style="">– John Sebastian, 1965</cite> </div> Led by their primary songwriter John Sebastian, the Lovin' Spoonful took their earliest influences from <a href="/wiki/Blues" title="Blues">blues</a> and jug band music.<a href="#cite_note-FOOTNOTEWallenfeldt2012100-368">[346]</a><a href="#cite_note-FOOTNOTEEinarsonFuray200495-369">[347]</a> The band's music blended influences from folk, blues, country and rock music,<a href="#cite_note-FOOTNOTEHelander1999236-370">[348]</a><a href="#cite_note-FOOTNOTEDoggett2001113-371">[349]</a> updating traditional American music into a modern popular music format.<a href="#cite_note-372">[350]</a> Sebastian later said that the music of the Jim Kweskin Jug Band was particularly influential on the band, and that the Spoonful "redid several of their tunes with only a minimal electric difference".<a href="#cite_note-FOOTNOTEUnterberger2002175-373">[351]</a><a href="#cite_note-375">[nb 23]</a> Sebastian's songwriting drew from American pop, rock and folk,<a href="#cite_note-FOOTNOTEUnterberger2002174-376">[353]</a> and he named Motown music and the <a href="/wiki/Holland%E2%80%93Dozier%E2%80%93Holland" title="Holland–Dozier–Holland">Holland–Dozier–Holland</a> songwriting team as among his biggest influences.<a href="#cite_note-Documentary-377">[354]</a><a href="#cite_note-378">[nb 24]</a> He also named his friend and fellow folk musician <a href="/wiki/Fred_Neil" title="Fred Neil">Fred Neil</a> as influential on him, particularly Neil's "effortless" style, in which a lyric "sound[s] like it just fell out of your mouth, like you hadn't really labored over it".<a href="#cite_note-FOOTNOTEUnterberger2002175-373">[351]</a> The Spoonful's debut album featured covers of the <a href="/wiki/Jim_Kweskin" title="Jim Kweskin">Jim Kweskin Jug Band</a>, Fred Neil, the folk group <a href="/wiki/The_Holy_Modal_Rounders" title="The Holy Modal Rounders">the Holy Modal Rounders</a>, the 1920s blues musician <a href="/wiki/Henry_Thomas_(blues_musician)" title="Henry Thomas (blues musician)">Henry Thomas</a> and the girl group <a href="/wiki/The_Ronettes" title="The Ronettes">the Ronettes</a>.<a href="#cite_note-FOOTNOTEBooneMoss201487–88-379">[355]</a> The Spoonful's sound was influential on contemporary musical acts,<a href="#cite_note-FOOTNOTESavage2015143-175">[162]</a> including bands like the Beatles, the Beach Boys, <a href="/wiki/The_Kinks" title="The Kinks">the Kinks</a>, <a href="/wiki/Buffalo_Springfield" title="Buffalo Springfield">Buffalo Springfield</a> and the <a href="/wiki/Grateful_Dead" title="Grateful Dead">Grateful Dead</a>.<a href="#cite_note-380">[356]</a><a href="#cite_note-385">[nb 25]</a> The Spoonful were among the first acts to be described as <a href="/wiki/Folk_rock" title="Folk rock">folk rock</a>, a term coined in June 1965<a href="#cite_note-FOOTNOTEJackson2015129-90">[82]</a> to describe music which joined elements of rock-and-roll and folk-music.<a href="#cite_note-386">[361]</a><a href="#cite_note-387">[nb 26]</a> They were among the main instigators of the folk-rock movement in New York City and became the most successful folk-rock band from the <a href="/wiki/East_Coast_of_the_United_States" title="East Coast of the United States">U.S. East Coast</a>.<a href="#cite_note-388">[362]</a> In contrast to the <a href="/wiki/Protest_song" title="Protest song">protest songs</a> for which folk had been known, the Lovin' Spoonful focused on optimistic, feel-good music.<a href="#cite_note-FOOTNOTEUnterberger2003173-389">[363]</a> The band often termed their sound "good-time music",<a href="#cite_note-FOOTNOTEHelander1999236-370">[348]</a> a phrase which originally described jug band music.<a href="#cite_note-Documentary-377">[354]</a> Sebastian hoped it could serve as an alternative to "folk rock" – a term he thought "just didn't say it all"<a href="#cite_note-Documentary-377">[354]</a> – and he used it in his early composition "Good Time Music", which the author Richie Unterberger writes served as "a sort of manifesto of the group's optimism in its jaunty rhythm and celebration of the return of good time music to the radio".<a href="#cite_note-FOOTNOTEUnterberger2003125-390">[364]</a> <div class="mw-heading mw-heading3"><h3 id="Instrumentation">Instrumentation</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=25" title="Edit section: Instrumentation">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Autoharp_today.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Autoharp_today.jpg/110px-Autoharp_today.jpg" decoding="async" width="110" height="240" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Autoharp_today.jpg/165px-Autoharp_today.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Autoharp_today.jpg/220px-Autoharp_today.jpg 2x" data-file-width="832" data-file-height="1819" /></a><figcaption>The Lovin' Spoonful made prominent use of the <a href="/wiki/Autoharp" title="Autoharp">autoharp</a>, an instrument mostly associated with <a href="/wiki/Folk_music" title="Folk music">folk music</a>.</figcaption></figure> The Lovin' Spoonful played on their own recordings and were against the use of studio musicians.<a href="#cite_note-391">[365]</a> The band sought to avoid being typecast and aimed to sound different with each single.<a href="#cite_note-FOOTNOTEBooneMoss2014149-287">[269]</a><a href="#cite_note-KRLA_1/15/66-367">[345]</a> As part of their efforts, the group incorporated a variety of instruments on their recordings,<a href="#cite_note-FOOTNOTEUnterberger2002174-376">[353]</a> including <a href="/wiki/Bass_marimba" class="mw-redirect" title="Bass marimba">bass marimba</a>, <a href="/wiki/Chimes" class="mw-redirect" title="Chimes">chimes</a>, <a href="/wiki/Irish_harp" class="mw-redirect" title="Irish harp">Irish harp</a> and <a href="/wiki/Hohner" title="Hohner">Hohner</a> <a href="/wiki/Keytar" title="Keytar">Tubon</a>, as well as <a href="/wiki/Resonator_guitar" title="Resonator guitar">resonator</a>, <a href="/wiki/Pedal_steel_guitar" title="Pedal steel guitar">pedal steel</a> and open-tuned <a href="/wiki/Twelve-string_guitar" title="Twelve-string guitar">twelve-string guitars</a>.<a href="#cite_note-392">[366]</a> The band's music prominently featured the autoharp,<a href="#cite_note-FOOTNOTEUnterberger2002174-376">[353]</a> a stringed instrument with buttons which, when depressed, produce preset combinations of chords, leaving it typically used as rhythm instrument.<a href="#cite_note-FOOTNOTEEverett200945-393">[367]</a> The instrument was mostly associated with folk music,<a href="#cite_note-AllMusic_DYBiM_song-394">[368]</a> but few folk-rock or rock acts had employed it.<a href="#cite_note-FOOTNOTEUnterberger2002173-99">[90]</a> Sebastian amplified his autoharp by affixing a <a href="/wiki/Ukulele" title="Ukulele">ukulele</a> <a href="/wiki/Contact_microphone" title="Contact microphone">contact microphone</a> onto the back of it and then plugging it into an amplifier,<a href="#cite_note-FOOTNOTEBooneMoss201463-102">[93]</a><a href="#cite_note-FOOTNOTEUnterberger2002173-99">[90]</a> a technique he developed in the rehearsal room before the band's first recording session.<a href="#cite_note-Shiner_Sebastian-3">[3]</a> To generate more <a href="/wiki/Bass_(sound)" title="Bass (sound)">bottom end</a>, the band added piano underneath,<a href="#cite_note-Shiner_Sebastian-3">[3]</a> which Sebastian later said "create[d] the effect of a huge autoharp".<a href="#cite_note-Mix-122">[111]</a> Despite their origins in folk music, Sebastian and Yanovsky were early fans of rock and roll. The two each played electric before acoustic guitars, and they enjoyed listening to the guitarists <a href="/wiki/Duane_Eddy" title="Duane Eddy">Duane Eddy</a> and <a href="/wiki/Link_Wray" title="Link Wray">Link Wray</a>.<a href="#cite_note-FOOTNOTEKruth201520-395">[369]</a> Sebastian recalled that when the two first met, he was shocked by Yanovsky's "all over the place" guitar playing, which he thought drew from the pianist <a href="/wiki/Floyd_Cramer" title="Floyd Cramer">Floyd Cramer</a> and the blues guitarist <a href="/wiki/Elmore_James" title="Elmore James">Elmore James</a> simultaneously.<a href="#cite_note-Shiner_Sebastian-3">[3]</a><a href="#cite_note-396">[nb 27]</a> He recalled that Yanovsky, by contrast, later admitted to being intimidated by Sebastian's clean playing, but that this became a guide to the pair's work together, where he provided a foundation onto which Yanovsky could "come in and throw flowers".<a href="#cite_note-Shiner_Sebastian-3">[3]</a> Yanovsky's playing relied heavily on improvisation,<a href="#cite_note-FOOTNOTEBooneMoss2014163–164-296">[277]</a> and he often drew from country music, leading the commentator <a href="/wiki/Peter_Doggett" title="Peter Doggett">Peter Doggett</a> to describe him as "the missing link between fifties <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a> and sixties folk-rock".<a href="#cite_note-FOOTNOTEDoggett200141-397">[370]</a> Sebastian played a 1957 sunburst <a href="/wiki/Gibson_Les_Paul" title="Gibson Les Paul">Gibson Les Paul</a> electric guitar in live performances and on the band's recordings,<a href="#cite_note-398">[371]</a><a href="#cite_note-FOOTNOTELawrence2008246-399">[372]</a> and he used a <a href="/wiki/Gibson_Brands" class="mw-redirect" title="Gibson Brands">Heritage Gibson</a> as his main acoustic guitar.<a href="#cite_note-FOOTNOTEBooneMoss2014102-157">[145]</a><a href="#cite_note-401">[nb 28]</a> Yanovsky's main guitar was a <a href="/wiki/Guild_Guitar_Company" title="Guild Guitar Company">Guild</a> Thunderbird,<a href="#cite_note-FOOTNOTESimons2004100-402">[374]</a><a href="#cite_note-Hit_Parader_11/67-403">[375]</a> which he bought from <a href="/wiki/Manny%27s_Music" title="Manny's Music">Manny's Music</a> in <a href="/wiki/Midtown_Manhattan" title="Midtown Manhattan">Midtown Manhattan</a> around 1964.<a href="#cite_note-FOOTNOTESimons2004100-402">[374]</a> Soon after recording "Do You Believe in Magic" in June 1965, he replaced the guitar's original Guild <a href="/wiki/Pickup_(music_technology)" title="Pickup (music technology)">pickups</a> with <a href="/wiki/Humbucker" title="Humbucker">humbuckers</a>, which he thought "weren't quite as warm the originals, but they aged nicely".<a href="#cite_note-404">[376]</a> He also sometimes played a <a href="/wiki/Fender_Esquire" title="Fender Esquire">Fender Esquire</a>.<a href="#cite_note-Hit_Parader_11/67-403">[375]</a> He favored a <a href="/wiki/Fender_Super_Reverb" title="Fender Super Reverb">Fender Super Reverb</a> as his standard amplifier, which he later said managed to add extra bottom end while also being loud.<a href="#cite_note-FOOTNOTESimons2004100-402">[374]</a> <div class="mw-heading mw-heading3"><h3 id="Image">Image</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=26" title="Edit section: Image">edit</a>]</div> The Lovin' Spoonful's image was influential on their contemporaries.<a href="#cite_note-FOOTNOTESavage2015143-175">[162]</a> The band's stage act was both eccentric and extroverted,<a href="#cite_note-FOOTNOTEHelander1999236-370">[348]</a> driven by Yanovsky, who Jacobsen later said "invented the hole-y jeans, falling apart T-shirts, crazy rock guitar antics on stage, the whole subsequent thing of rock 'n' roll guitar[ists] being wild, crazy individualists".<a href="#cite_note-FOOTNOTEUnterberger2002174-376">[353]</a> The author <a href="/wiki/Bob_Stanley_(musician)" title="Bob Stanley (musician)">Bob Stanley</a> later described the band's look as a clash between that of the <a href="/wiki/Beatniks" class="mw-redirect" title="Beatniks">Beatniks</a> and the Beatles,<a href="#cite_note-FOOTNOTEStanley2015124-405">[377]</a> and the American men's fashion magazine <a href="/wiki/Esquire_(magazine)" title="Esquire (magazine)">Esquire</a> produced a fashion spread of the band in its June 1966 issue, detailing how the group sported "<a href="/wiki/Mod_(subculture)" title="Mod (subculture)">mod</a> gear", but from New York's <a href="/wiki/Seventh_Avenue_(Manhattan)" title="Seventh Avenue (Manhattan)">Seventh Avenue</a> rather than London's <a href="/wiki/Carnaby_Street" title="Carnaby Street">Carnaby Street</a>.<a href="#cite_note-FOOTNOTEHill201897-406">[378]</a> The group wore clothes with stripes and spots,<a href="#cite_note-FOOTNOTEStanley2015124-405">[377]</a> stripes having been popularized by <a href="/wiki/Brian_Jones" title="Brian Jones">Brian Jones</a>.<a href="#cite_note-Guitar_World-407">[379]</a> Sebastian often wore <a href="/wiki/Denim" title="Denim">denim</a><a href="#cite_note-FOOTNOTEStanley2015124-405">[377]</a> and <a href="/wiki/Windsor_glasses" title="Windsor glasses">granny glasses</a>,<a href="#cite_note-FOOTNOTESavage2015143-175">[162]</a> the latter of which he adopted from <a href="/wiki/Fritz_Richmond" title="Fritz Richmond">Fritz Richmond</a>,<a href="#cite_note-FOOTNOTEBooneMoss201477-86">[78]</a> and which John Lennon subsequently adopted in September 1966.<a href="#cite_note-FOOTNOTESavage2015318-408">[380]</a><a href="#cite_note-FOOTNOTEMiles2001244-409">[381]</a> After the band met the fashion designer Jeannie Franklyn in December 1965 on the Sunset Strip, Franklyn designed custom-clothing for Yanovsky.<a href="#cite_note-FOOTNOTEBooneMoss2014103–104-159">[147]</a> Yanovsky is generally recognized as the first rock musician to wear <a href="/wiki/Cowboy_hat" title="Cowboy hat">cowboy hats</a> and fringed <a href="/wiki/Buckskins" title="Buckskins">buckskin</a> jackets,<a href="#cite_note-Guitar_World-407">[379]</a> and his wardrobe also consisted of <a href="/wiki/Fur_coats" class="mw-redirect" title="Fur coats">fur coats</a>,<a href="#cite_note-FOOTNOTESavage2015143-175">[162]</a> mod ties, <a href="/wiki/Corduroy" title="Corduroy">corduroy</a> jackets, vests and <a href="/wiki/Boutonni%C3%A8re" title="Boutonnière">boutonnières</a>.<a href="#cite_note-Guitar_World-407">[379]</a> <div class="mw-heading mw-heading2"><h2 id="Members">Members</h2>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=27" title="Edit section: Members">edit</a>]</div> Current members<a href="#cite_note-412">[nb 29]</a> <ul><li><a href="/wiki/Steve_Boone" title="Steve Boone">Steve Boone</a> – bass guitar, keyboards (1964–1968, 1991–present)<a href="#cite_note-PennLIVE-413">[384]</a></li></ul> Past members <ul><li><a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a> – vocals, guitar, harmonica, <a href="/wiki/Autoharp" title="Autoharp">autoharp</a>, keyboards (1964–1968)</li> <li><a href="/wiki/Zal_Yanovsky" title="Zal Yanovsky">Zal Yanovsky</a> – vocals, guitar (1964–1967; died 2002)</li> <li>Jan Carl – drums (1964–1965)</li> <li><a href="/wiki/Joe_Butler" title="Joe Butler">Joe Butler</a> – vocals, drums (1965–1968, 1991–2023)<a href="#cite_note-27East-411">[383]</a><a href="#cite_note-414">[385]</a><a href="#cite_note-PennLIVE-413">[384]</a></li> <li><a href="/wiki/Jerry_Yester" title="Jerry Yester">Jerry Yester</a> – guitar (1967–1968, 1991–2017)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Membership_timeline">Membership timeline</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=28" title="Edit section: Membership timeline">edit</a>]</div> <div class="timeline-wrapper"><map name="timeline_lgvqe12g6r2abhj0dx1zosi1ezvuba2"></map><img usemap="#timeline_lgvqe12g6r2abhj0dx1zosi1ezvuba2" src="//upload.wikimedia.org/wikipedia/en/timeline/lgvqe12g6r2abhj0dx1zosi1ezvuba2.png" /></div> <div class="mw-heading mw-heading2"><h2 id="Discography">Discography</h2>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=29" title="Edit section: Discography">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/The_Lovin%27_Spoonful_discography" title="The Lovin' Spoonful discography">The Lovin' Spoonful discography</a></div> Studio albums <ul><li><a href="/wiki/Do_You_Believe_in_Magic_(album)" title="Do You Believe in Magic (album)">Do You Believe in Magic</a> (1965)</li> <li><a href="/wiki/Daydream_(The_Lovin%27_Spoonful_album)" title="Daydream (The Lovin' Spoonful album)">Daydream</a> (1966)</li> <li><a href="/wiki/Hums_of_the_Lovin%27_Spoonful" title="Hums of the Lovin' Spoonful">Hums of the Lovin' Spoonful</a> (1966)</li> <li><a href="/wiki/Everything_Playing" title="Everything Playing">Everything Playing</a> (1967)</li> <li><a href="/wiki/Revelation:_Revolution_%2769" title="Revelation: Revolution '69">Revelation: Revolution '69</a> (1968)</li></ul> Soundtrack albums <ul><li><a href="/wiki/What%27s_Up,_Tiger_Lily%3F#Soundtrack_album" title="What's Up, Tiger Lily?">What's Up, Tiger Lily?</a> (1966)</li> <li><a href="/wiki/You%27re_a_Big_Boy_Now_(album)" title="You're a Big Boy Now (album)">You're a Big Boy Now</a> (1967)</li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=30" title="Edit section: Notes">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-7"><a href="#cite_ref-7">^</a> Sebastian typically identifies the night at Elliot's apartment as his first time meeting Yanovsky.<a href="#cite_note-Rock_Family_Trees-5">[5]</a> He has also recalled they "actually met once before", adding that it was the night at Elliot's apartment in which the two first played music together and the first time they became acquainted in "a very low-key setting".<a href="#cite_note-FOOTNOTEFiegel2005113–114-6">[6]</a> </li> <li id="cite_note-24"><a href="#cite_ref-24">^</a> <a href="/wiki/Warner_Bros._Records" class="mw-redirect" title="Warner Bros. Records">Warner Bros. Records</a> signed the Mugwumps in August 1964.<a href="#cite_note-21">[20]</a> They recorded an album of material later that month,<a href="#cite_note-NoDepression-22">[21]</a> but Sebastian joined the group too late to have contributed.<a href="#cite_note-FOOTNOTEUnterberger200275-15">[14]</a> The group released one single in 1964, and Warner Bros. released the rest of their recorded material in 1967, after its former members had become famous.<a href="#cite_note-FOOTNOTEUnterberger200273–74-23">[22]</a> </li> <li id="cite_note-26"><a href="#cite_ref-26">^</a> Elliott and Doherty went on to form <a href="/wiki/The_Mamas_%26_the_Papas" title="The Mamas & the Papas">the Mamas & the Papas</a>.<a href="#cite_note-FOOTNOTEBronson2003205-9">[8]</a> </li> <li id="cite_note-33"><a href="#cite_ref-33">^</a> Both of Sebastian's demos featured experimentation and exotic instruments, including African drums, bongo drums and a <a href="/wiki/Sitar" title="Sitar">sitar</a>. Jerry Yester recalled playing on "Warm Baby" with other local folk musicians, including Jesse Colin Young and <a href="/wiki/Sticks_Evans" title="Sticks Evans">Sticks Evans</a>.<a href="#cite_note-FOOTNOTEUnterberger200270-31">[28]</a> Both demos went unissued, but the Lovin' Spoonful rerecorded "Warm Baby" for Daydream and Sebastian included "Rooty-Toot" on his 1971 live album Cheapo-Cheapo Productions Presents Real Live.<a href="#cite_note-FOOTNOTEUnterberger200270-31">[28]</a><a href="#cite_note-FOOTNOTEUnterberger2006b-32">[29]</a> </li> <li id="cite_note-46"><a href="#cite_ref-46">^</a> Sebastian played harmonica on <a href="/wiki/Vince_Martin_(singer)" title="Vince Martin (singer)">Vince Martin</a> and Neil's 1964 album Tear Down the Walls and on several 1965 albums, including Neil's <a href="/wiki/Bleecker_%26_MacDougal" title="Bleecker & MacDougal">Bleecker & MacDougal</a>, Young's <a href="/w/index.php?title=Young_Blood_(Jesse_Colin_Young_album)&action=edit&redlink=1" class="new" title="Young Blood (Jesse Colin Young album) (page does not exist)">Young Blood</a> and Collins's <a href="/wiki/Fifth_Album" title="Fifth Album">Fifth Album</a>.<a href="#cite_note-FOOTNOTEUnterberger200275,_123-20">[19]</a> </li> <li id="cite_note-52"><a href="#cite_ref-52">^</a> According to the Dylan researcher <a href="/wiki/Olof_Bj%C3%B6rner" title="Olof Björner">Olof Björner</a>, Sebastian played bass on unused takes of "<a href="/wiki/Love_Minus_Zero/No_Limit" title="Love Minus Zero/No Limit">Love Minus Zero/No Limit</a>" and "<a href="/wiki/She_Belongs_To_Me" class="mw-redirect" title="She Belongs To Me">She Belongs To Me</a>" and harmonica on "<a href="/wiki/Outlaw_Blues" title="Outlaw Blues">Outlaw Blues</a>".<a href="#cite_note-OB-50">[45]</a> The recordings were officially released on the 2015 album <a href="/wiki/The_Bootleg_Series_Vol._12:_The_Cutting_Edge_1965%E2%80%931966" title="The Bootleg Series Vol. 12: The Cutting Edge 1965–1966">The Cutting Edge 1965–1966</a>.<a href="#cite_note-FOOTNOTEFlanaganWilentz2015-51">[46]</a> </li> <li id="cite_note-59"><a href="#cite_ref-59">^</a> Later authors have sometimes doubted that there was an evening session on the 14th,<a href="#cite_note-FOOTNOTEHeylin2021297-47">[42]</a><a href="#cite_note-FOOTNOTEUnterberger2002110-54">[48]</a> but <a href="/wiki/American_Federation_of_Musicians" title="American Federation of Musicians">AFM</a> records indicate Sebastian and Boone were present for a three-hour session.<a href="#cite_note-FOOTNOTEHeylin2021297-47">[42]</a> The pair are in photographs of the session taken by the photographer Daniel Kramer.<a href="#cite_note-FOOTNOTEHeylin2021297-47">[42]</a> </li> <li id="cite_note-69"><a href="#cite_ref-69">^</a> Decades later, the recording was considered for release on CD as Live at the Night Owl, but Sebastian rejected the idea. The recording has since circulated as a <a href="/wiki/Bootleg_recording" title="Bootleg recording">bootleg</a>.<a href="#cite_note-Unterberger_interview-68">[61]</a> </li> <li id="cite_note-93"><a href="#cite_ref-93">^</a> Boone later reflected that he and his bandmates had mixed feelings about the success of the Byrds, something they found encouraging but also disappointing because it meant that another group had beaten them in breaking the new folk-rock sound into the charts.<a href="#cite_note-FOOTNOTEBooneMoss201473–74-92">[84]</a> </li> <li id="cite_note-104"><a href="#cite_ref-104">^</a> Which other songs were on the demo is disputed.<a href="#cite_note-FOOTNOTEBooneMoss201463-102">[93]</a><a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a> Boone and the journalist Ben Edmonds each write it was "Wild About My Lovin'" and an electric arrangement "Younger Girl",<a href="#cite_note-FOOTNOTEBooneMoss201463-102">[93]</a><a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a> but Jacobsen suggested it only included "On the Road Again".<a href="#cite_note-FOOTNOTEBooneMoss201463-102">[93]</a> </li> <li id="cite_note-111"><a href="#cite_ref-111">^</a> Henry Diltz of the Modern Folk Quartet later said, "The word was that [Spector] really wanted the Lovin' Spoonful, but he couldn't get them",<a href="#cite_note-FOOTNOTEHoskyns199699-109">[99]</a> and Sebastian said in a 1966 interview that the band turned Spector down "because we didn't want to be swallowed up under his name".<a href="#cite_note-FOOTNOTEUnterberger2002124-42">[38]</a> In his autobiography, Boone instead said "I don't think we turned [Spector] down flat ... but we decided to play hard-to-get for a little while longer".<a href="#cite_note-FOOTNOTEBooneMoss201467-110">[100]</a> The producer <a href="/wiki/Vini_Poncia" title="Vini Poncia">Vini Poncia</a> recalled that Spector "was considering them but passed on it".<a href="#cite_note-FOOTNOTERibowsky1989194-108">[98]</a> </li> <li id="cite_note-141"><a href="#cite_ref-141">^</a> Around this time, the band also performed as uncredited studio musicians on <a href="/wiki/Sonny_%26_Cher" title="Sonny & Cher">Sonny & Cher</a>'s single "<a href="/wiki/But_You%27re_Mine" title="But You're Mine">But You're Mine</a>",<a href="#cite_note-FOOTNOTEEdmonds2002-103">[94]</a> released in late 1965.<a href="#cite_note-140">[129]</a> </li> <li id="cite_note-165"><a href="#cite_ref-165">^</a> The Mamas & the Papas later chronicled the origins of the three groups in their single "<a href="/wiki/Creeque_Alley" title="Creeque Alley">Creeque Alley</a>",<a href="#cite_note-FOOTNOTELeonard2014136-163">[151]</a> which reached number five in the U.S. in June 1967.<a href="#cite_note-164">[152]</a> </li> <li id="cite_note-186"><a href="#cite_ref-186">^</a> <a href="/wiki/Brian_Wilson" title="Brian Wilson">Brian Wilson</a> stopped regularly touring with the Beach Boys in December 1964,<a href="#cite_note-FOOTNOTEBadman200475-182">[169]</a> but he saw the Lovin' Spoonful perform at The Trip.<a href="#cite_note-FOOTNOTEPriore200745,_49-183">[170]</a> Wilson later said that "a John Sebastian song I had been listening to" inspired his song "<a href="/wiki/God_Only_Knows" title="God Only Knows">God Only Knows</a>",<a href="#cite_note-FOOTNOTEWilsonGold1991138-184">[171]</a> which the biographer Mark Dillon connects to "You Didn't Have to Be So Nice".<a href="#cite_note-FOOTNOTEDillon2012112-185">[172]</a> </li> <li id="cite_note-195"><a href="#cite_ref-195">^</a> "Do You Believe in Magic" was issued in the U.K. on October 1, 1965,<a href="#cite_note-190">[176]</a> but its performance was hindered by the release of a similar-sounding cover by an English band, the Pack.<a href="#cite_note-191">[177]</a><a href="#cite_note-192">[178]</a><a href="#cite_note-193">[179]</a> Another English band, the Boston Crabs, covered "You Didn't Have to Be So Nice" around the time the original was issued in the U.K. in January 1966.<a href="#cite_note-194">[180]</a> </li> <li id="cite_note-248"><a href="#cite_ref-248">^</a> <a href="/wiki/Quality_Records" title="Quality Records">Quality Records</a> released "Did You Ever Have to Make Up Your Mind?" as a single in December 1965 in select Canadian cities to test its potential performance in the American market.<a href="#cite_note-244">[229]</a><a href="#cite_note-Music_Capitals-245">[230]</a> It initially reached number ten in Canada in February 1966,<a href="#cite_note-246">[231]</a> reaching number six that July after it was issued across the country.<a href="#cite_note-Canada-247">[232]</a> </li> <li id="cite_note-254"><a href="#cite_ref-254">^</a> <a href="/wiki/Quality_Records" title="Quality Records">Quality Records</a> issued "Jug Band Music" as a single exclusively in Canada,<a href="#cite_note-251">[235]</a> where it reached number two in June 1966.<a href="#cite_note-RPM_Canada-252">[236]</a> "Bald Headed Lena" reached number one on Sweden's <a href="/wiki/Tio_i_Topp" title="Tio i Topp">Tio i Topp</a> chart that July.<a href="#cite_note-FOOTNOTEHallbergHenningsson2012450-253">[237]</a> </li> <li id="cite_note-273"><a href="#cite_ref-273">^</a> Paul Williams wrote that the Lovin' Spoonful opted to delay their appearance after "Summer in the City" failed to enter the top five in the U.K.<a href="#cite_note-FOOTNOTEWilliams200269-264">[247]</a> Asked for comment by <a href="/wiki/Disc_(magazine)" title="Disc (magazine)">Disc and Music Echo</a> magazine, the talent manager <a href="/wiki/Tito_Burns" title="Tito Burns">Tito Burns</a> said that negotiations for the Spoonful's appearance broke down over "a terrible misunderstanding".<a href="#cite_note-270">[253]</a> Dan Moriarty, the band's publicist,<a href="#cite_note-FOOTNOTEBooneMoss201479,_115-271">[254]</a> told Disc that the band had to delay the tour after sessions for their album Hums were delayed.<a href="#cite_note-272">[255]</a> </li> <li id="cite_note-295"><a href="#cite_ref-295">^</a> The only other groups to have at least three singles on the list were the Beach Boys (three), <a href="/wiki/Paul_Revere_%26_the_Raiders" title="Paul Revere & the Raiders">Paul Revere & the Raiders</a> (three) and the Beatles (four).<a href="#cite_note-1966_Top_Records-294">[276]</a> </li> <li id="cite_note-307"><a href="#cite_ref-307">^</a> A July 1967 article in <a href="/wiki/The_Wichita_Beacon" class="mw-redirect" title="The Wichita Beacon">The Wichita Beacon</a> reported that the Spoonful's new contract with Kama Sutra ran until 1975 and had the band's compensation at seven figures.<a href="#cite_note-306">[287]</a> </li> <li id="cite_note-319"><a href="#cite_ref-319">^</a> Yester contributed to the Monkees' 1967 album <a href="/wiki/Headquarters_(The_Monkees_album)" title="Headquarters (The Monkees album)">Headquarters</a>, and he produced <a href="/wiki/The_Association" title="The Association">the Association</a>'s 1966 album <a href="/wiki/Renaissance_(The_Association_album)" title="Renaissance (The Association album)">Renaissance</a> and <a href="/wiki/Tim_Buckley" title="Tim Buckley">Tim Buckley</a>'s 1967 album <a href="/wiki/Goodbye_and_Hello_(Tim_Buckley_album)" title="Goodbye and Hello (Tim Buckley album)">Goodbye and Hello</a>.<a href="#cite_note-FOOTNOTEBooneMoss2014178–179-318">[298]</a> </li> <li id="cite_note-343"><a href="#cite_ref-343">^</a> MGM claimed that they owned the rights to the album due to their contract with the Lovin' Spoonful,<a href="#cite_note-FOOTNOTEUnterberger2003203-341">[320]</a> and the label hoped to issue it under the band's name.<a href="#cite_note-FOOTNOTEPollock200994-342">[321]</a> The ensuing contract dispute delayed the album's release by over a year, until January 1970.<a href="#cite_note-FOOTNOTEUnterberger2003203-341">[320]</a><a href="#cite_note-FOOTNOTEUnterberger2006a-340">[319]</a> Both labels issued copies of the LP with unique artwork.<a href="#cite_note-FOOTNOTEUnterberger2003203-341">[320]</a> </li> <li id="cite_note-375"><a href="#cite_ref-375">^</a> Songs like "Daydream" and "Younger Girl" were heavily indebted to the jug band style,<a href="#cite_note-AllMusic_D_song-374">[352]</a> the latter of which featured a reworking of the melody of the 1930 song "Prison Wall Blues" by <a href="/wiki/Gus_Cannon" title="Gus Cannon">Gus Cannon</a>'s Jug Stompers.<a href="#cite_note-FOOTNOTEJackson2015136-97">[88]</a> </li> <li id="cite_note-378"><a href="#cite_ref-378">^</a> Sebastian wrote "Do You Believe in Magic" by speeding up the chords of the 1963 pop song "<a href="/wiki/Heat_Wave_(1963_song)" title="Heat Wave (1963 song)">Heat Wave</a>" by <a href="/wiki/Martha_and_the_Vandellas" title="Martha and the Vandellas">Martha and the Vandellas</a>, and he wrote "Daydream" by rearranging the Supremes' 1964 singles "<a href="/wiki/Baby_Love" title="Baby Love">Baby Love</a>" and "<a href="/wiki/Where_Did_Our_Love_Go" title="Where Did Our Love Go">Where Did Our Love Go</a>".<a href="#cite_note-Documentary-377">[354]</a> </li> <li id="cite_note-385"><a href="#cite_ref-385">^</a> In 1966, "You Didn't Have to Be So Nice" inspired in part the Beach Boys' "God Only Knows",<a href="#cite_note-FOOTNOTEDillon2012112-185">[172]</a> and "Daydream" inspired "<a href="/wiki/Good_Day_Sunshine" title="Good Day Sunshine">Good Day Sunshine</a>" by the Beatles and "<a href="/wiki/Sunny_Afternoon" title="Sunny Afternoon">Sunny Afternoon</a>" by the Kinks.<a href="#cite_note-FOOTNOTEMiles1997288-381">[357]</a><a href="#cite_note-FOOTNOTEJackson2015137-382">[358]</a> The author <a href="/wiki/Domenic_Priore" title="Domenic Priore">Domenic Priore</a> writes that Buffalo Springfield drew from the Lovin' Spoonful's sound, "particularly in terms of their guitar tone".<a href="#cite_note-FOOTNOTEPriore2015237-383">[359]</a> A live performance by the Lovin' Spoonful in October 1965<a href="#cite_note-FOOTNOTEJackson2015240–245-384">[360]</a> inspired the Grateful Dead to transition from folk music to an electric style.<a href="#cite_note-FOOTNOTEMiles2009232-138">[127]</a> </li> <li id="cite_note-387"><a href="#cite_ref-387">^</a> The earliest known use of folk-rock was in an article by the journalist Eliot Tiegel, which appeared as a cover story in the June 12, 1965, issue of <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a> magazine. Tiegel principally used the term to describe the music of <a href="/wiki/The_Byrds" title="The Byrds">the Byrds</a>, but also the Lovin' Spoonful, <a href="/wiki/Sonny_%26_Cher" title="Sonny & Cher">Sonny & Cher</a>, <a href="/wiki/Rising_Sons" title="Rising Sons">Rising Sons</a>, <a href="/wiki/Jackie_DeShannon" title="Jackie DeShannon">Jackie DeShannon</a> and <a href="/wiki/Billy_J._Kramer" title="Billy J. Kramer">Billy J. Kramer</a>.<a href="#cite_note-FOOTNOTEJackson2015129-90">[82]</a> </li> <li id="cite_note-396"><a href="#cite_ref-396">^</a> Sebastian considered Yanovsky's use of <a href="/wiki/Inversion_(music)" title="Inversion (music)">inversions</a> as coming from Cramer more than any particular guitarist. He also counted the pianist <a href="/wiki/Huey_%22Piano%22_Smith" title="Huey "Piano" Smith">Huey "Piano" Smith</a> as another of Yanovsky's major influences.<a href="#cite_note-Documentary-377">[354]</a> </li> <li id="cite_note-401"><a href="#cite_ref-401">^</a> In 1966, Sebastian gave his Les Paul to <a href="/wiki/Rick_Derringer" title="Rick Derringer">Rick Derringer</a> of <a href="/wiki/The_McCoys" title="The McCoys">the McCoys</a>. Derringer refinished the guitar red and later traded it at <a href="/wiki/Dan_Armstrong_Guitars" class="mw-redirect" title="Dan Armstrong Guitars">Dan Armstrong Guitars</a> in Greenwich Village. <a href="/wiki/Eric_Clapton" title="Eric Clapton">Eric Clapton</a> bought the guitar and, in August 1968, gifted it to <a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a>, who later named it "<a href="/wiki/Lucy_(George_Harrison_guitar)" title="Lucy (George Harrison guitar)">Lucy</a>".<a href="#cite_note-FOOTNOTEBabiuk2002225-400">[373]</a> </li> <li id="cite_note-412"><a href="#cite_ref-412">^</a> The touring iteration of the Lovin' Spoonful, first assembled by Butler, Boone and Yester in 1991,<a href="#cite_note-FOOTNOTEHelander1999237-118">[107]</a> has been augmented by various touring musicians.<a href="#cite_note-FOOTNOTEBooneMoss2014288–289,_293-365">[343]</a> Among those who have played with the band are Mike Arturi, Phil Smith, Randy Chance, David Jayco, John Marrella, <a href="/wiki/Jim_Yester" title="Jim Yester">Jim Yester</a>, Lena Yester,<a href="#cite_note-FOOTNOTEBooneMoss2014293–294-410">[382]</a> Jeff Alan Ross, Bill Cinque and Rob Bonfiglio.<a href="#cite_note-27East-411">[383]</a> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=31" title="Edit section: References">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width" style="column-width: 20em;"> <ol class="references"> <li id="cite_note-1"><a href="#cite_ref-1">^</a> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFO'Grady1979" class="citation journal cs1">O'Grady, Terence J. (1979). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/3395757">"A Rock Retrospective"</a>. Music Educators Journal. 66 (4): 34–107. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F3395757">10.2307/3395757</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0027-4321">0027-4321</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/3395757">3395757</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:192057162">192057162</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Music+Educators+Journal&rft.atitle=A+Rock+Retrospective&rft.volume=66&rft.issue=4&rft.pages=34-107&rft.date=1979&rft.issn=0027-4321&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A192057162%23id-name%3DS2CID&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F3395757%23id-name%3DJSTOR&rft_id=info%3Adoi%2F10.2307%2F3395757&rft.aulast=O%27Grady&rft.aufirst=Terence+J.&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F3395757&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEFletcher2009214-2">^ <a href="#cite_ref-FOOTNOTEFletcher2009214_2-0">a</a> <a href="#cite_ref-FOOTNOTEFletcher2009214_2-1">b</a> <a href="#cite_ref-FOOTNOTEFletcher2009214_2-2">c</a> <a href="#cite_ref-FOOTNOTEFletcher2009214_2-3">d</a> <a href="#cite_ref-FOOTNOTEFletcher2009214_2-4">e</a> <a href="#cite_ref-FOOTNOTEFletcher2009214_2-5">f</a> <a href="#CITEREFFletcher2009">Fletcher 2009</a>, p. 214. </li> <li id="cite_note-Shiner_Sebastian-3">^ <a href="#cite_ref-Shiner_Sebastian_3-0">a</a> <a href="#cite_ref-Shiner_Sebastian_3-1">b</a> <a href="#cite_ref-Shiner_Sebastian_3-2">c</a> <a href="#cite_ref-Shiner_Sebastian_3-3">d</a> <a href="#cite_ref-Shiner_Sebastian_3-4">e</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShiner" class="citation web cs1"><a href="/wiki/Lewis_Shiner" title="Lewis Shiner">Shiner, Lewis</a>. <a rel="nofollow" class="external text" href="https://fictionliberationfront.net/john_sebastian.html">"John Sebastian Interview"</a>. Fiction Liberation Front. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221112105813/https://fictionliberationfront.net/john_sebastian.html">Archived</a> from the original on November 12, 2022. Retrieved October 13, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Fiction+Liberation+Front&rft.atitle=John+Sebastian+Interview&rft.aulast=Shiner&rft.aufirst=Lewis&rft_id=https%3A%2F%2Ffictionliberationfront.net%2Fjohn_sebastian.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-4"><a href="#cite_ref-4">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 75 and <a href="#CITEREFCourrier2008">Courrier 2008</a>, p. 75: (met the night the Beatles debuted on Ed Sullivan); <a href="#CITEREFMiles2001">Miles 2001</a>, pp. 131–132: (February 9, 1964). </li> <li id="cite_note-Rock_Family_Trees-5">^ <a href="#cite_ref-Rock_Family_Trees_5-0">a</a> <a href="#cite_ref-Rock_Family_Trees_5-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHanly1998" class="citation episode cs1">Hanly, Francis (director) (September 4, 1998). "California Dreamin'". <a href="/wiki/Rock_Family_Trees" class="mw-redirect" title="Rock Family Trees">Rock Family Trees</a>. Season 2. Episode 1. Event occurs at 2:50–3:04, 30:05–30:22, 31:40–32:00. <a href="/wiki/BBC_Television" title="BBC Television">BBC Television</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Rock+Family+Trees&rft.series=Season+2.+Episode+1&rft.date=1998-09-04&rft.aulast=Hanly&rft.aufirst=Francis+%28director%29&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEFiegel2005113–114-6"><a href="#cite_ref-FOOTNOTEFiegel2005113–114_6-0">^</a> <a href="#CITEREFFiegel2005">Fiegel 2005</a>, pp. 113–114. </li> <li id="cite_note-8"><a href="#cite_ref-8">^</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 63; <a href="#CITEREFMersereau2015">Mersereau 2015</a>, chap. 5. </li> <li id="cite_note-FOOTNOTEBronson2003205-9">^ <a href="#cite_ref-FOOTNOTEBronson2003205_9-0">a</a> <a href="#cite_ref-FOOTNOTEBronson2003205_9-1">b</a> <a href="#cite_ref-FOOTNOTEBronson2003205_9-2">c</a> <a href="#CITEREFBronson2003">Bronson 2003</a>, p. 205. </li> <li id="cite_note-FOOTNOTEBarone2022168-10"><a href="#cite_ref-FOOTNOTEBarone2022168_10-0">^</a> <a href="#CITEREFBarone2022">Barone 2022</a>, p. 168. </li> <li id="cite_note-FOOTNOTEFiegel2005114-11"><a href="#cite_ref-FOOTNOTEFiegel2005114_11-0">^</a> <a href="#CITEREFFiegel2005">Fiegel 2005</a>, p. 114. </li> <li id="cite_note-FOOTNOTEFletcher2009157-12">^ <a href="#cite_ref-FOOTNOTEFletcher2009157_12-0">a</a> <a href="#cite_ref-FOOTNOTEFletcher2009157_12-1">b</a> <a href="#CITEREFFletcher2009">Fletcher 2009</a>, p. 157. </li> <li id="cite_note-FOOTNOTEPetrus2015294-13">^ <a href="#cite_ref-FOOTNOTEPetrus2015294_13-0">a</a> <a href="#cite_ref-FOOTNOTEPetrus2015294_13-1">b</a> <a href="#CITEREFPetrus2015">Petrus 2015</a>, p. 294. </li> <li id="cite_note-FOOTNOTEUnterberger200228-14"><a href="#cite_ref-FOOTNOTEUnterberger200228_14-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 28. </li> <li id="cite_note-FOOTNOTEUnterberger200275-15">^ <a href="#cite_ref-FOOTNOTEUnterberger200275_15-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger200275_15-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger200275_15-2">c</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 75. </li> <li id="cite_note-FOOTNOTEBunch2017343-16">^ <a href="#cite_ref-FOOTNOTEBunch2017343_16-0">a</a> <a href="#cite_ref-FOOTNOTEBunch2017343_16-1">b</a> <a href="#CITEREFBunch2017">Bunch 2017</a>, p. 343. </li> <li id="cite_note-FOOTNOTEMersereau2015chap._4-17"><a href="#cite_ref-FOOTNOTEMersereau2015chap._4_17-0">^</a> <a href="#CITEREFMersereau2015">Mersereau 2015</a>, chap. 4. </li> <li id="cite_note-FOOTNOTEReesCrampton1991316-18"><a href="#cite_ref-FOOTNOTEReesCrampton1991316_18-0">^</a> <a href="#CITEREFReesCrampton1991">Rees & Crampton 1991</a>, p. 316. </li> <li id="cite_note-FOOTNOTEUnterberger200272–73-19"><a href="#cite_ref-FOOTNOTEUnterberger200272–73_19-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, pp. 72–73. </li> <li id="cite_note-FOOTNOTEUnterberger200275,_123-20">^ <a href="#cite_ref-FOOTNOTEUnterberger200275,_123_20-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger200275,_123_20-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger200275,_123_20-2">c</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, pp. 75, 123. </li> <li id="cite_note-21"><a href="#cite_ref-21">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=VUUEAAAAMBAJ&pg=PA8">"u.t."</a> <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. August 22, 1964. p. 8 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=u.t.&rft.pages=8&rft.date=1964-08-22&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DVUUEAAAAMBAJ%26pg%3DPA8&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-NoDepression-22"><a href="#cite_ref-NoDepression_22-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon." class="citation web cs1">Anon. <a rel="nofollow" class="external text" href="https://www.nodepression.com/album-reviews/mugwumps-self-titled/">"Mugwumps – Self-Titled"</a>. <a href="/wiki/No_Depression_(magazine)" title="No Depression (magazine)">No Depression</a>. Retrieved May 6, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=No+Depression&rft.atitle=Mugwumps+%E2%80%93+Self-Titled&rft.au=Anon.&rft_id=https%3A%2F%2Fwww.nodepression.com%2Falbum-reviews%2Fmugwumps-self-titled%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEUnterberger200273–74-23"><a href="#cite_ref-FOOTNOTEUnterberger200273–74_23-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, pp. 73–74. </li> <li id="cite_note-FOOTNOTEBooneMoss201445-25"><a href="#cite_ref-FOOTNOTEBooneMoss201445_25-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 45. </li> <li id="cite_note-FOOTNOTEBooneMoss201445–48-27"><a href="#cite_ref-FOOTNOTEBooneMoss201445–48_27-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 45–48. </li> <li id="cite_note-FOOTNOTEFletcher2009212-28">^ <a href="#cite_ref-FOOTNOTEFletcher2009212_28-0">a</a> <a href="#cite_ref-FOOTNOTEFletcher2009212_28-1">b</a> <a href="#cite_ref-FOOTNOTEFletcher2009212_28-2">c</a> <a href="#CITEREFFletcher2009">Fletcher 2009</a>, p. 212. </li> <li id="cite_note-FOOTNOTEUnterberger200269–70-29"><a href="#cite_ref-FOOTNOTEUnterberger200269–70_29-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, pp. 69–70. </li> <li id="cite_note-FOOTNOTEFletcher2009213-30"><a href="#cite_ref-FOOTNOTEFletcher2009213_30-0">^</a> <a href="#CITEREFFletcher2009">Fletcher 2009</a>, p. 213. </li> <li id="cite_note-FOOTNOTEUnterberger200270-31">^ <a href="#cite_ref-FOOTNOTEUnterberger200270_31-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger200270_31-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger200270_31-2">c</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 70. </li> <li id="cite_note-FOOTNOTEUnterberger2006b-32"><a href="#cite_ref-FOOTNOTEUnterberger2006b_32-0">^</a> <a href="#CITEREFUnterberger2006b">Unterberger 2006b</a>. </li> <li id="cite_note-FOOTNOTEUnterberger2002123-34">^ <a href="#cite_ref-FOOTNOTEUnterberger2002123_34-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2002123_34-1">b</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 123. </li> <li id="cite_note-FOOTNOTEBooneMoss201411–15,_23–24,_32-35"><a href="#cite_ref-FOOTNOTEBooneMoss201411–15,_23–24,_32_35-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 11–15, 23–24, 32. </li> <li id="cite_note-FOOTNOTEBooneMoss201434–35-36"><a href="#cite_ref-FOOTNOTEBooneMoss201434–35_36-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 34–35. </li> <li id="cite_note-FOOTNOTEBooneMoss201436-37">^ <a href="#cite_ref-FOOTNOTEBooneMoss201436_37-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201436_37-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 36. </li> <li id="cite_note-FOOTNOTEUnterberger2003123-38"><a href="#cite_ref-FOOTNOTEUnterberger2003123_38-0">^</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 123. </li> <li id="cite_note-FOOTNOTEBooneMoss201435–38-39"><a href="#cite_ref-FOOTNOTEBooneMoss201435–38_39-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 35–38. </li> <li id="cite_note-FOOTNOTEBooneMoss201439-40"><a href="#cite_ref-FOOTNOTEBooneMoss201439_40-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 39. </li> <li id="cite_note-FOOTNOTEBooneMoss201439–41-41">^ <a href="#cite_ref-FOOTNOTEBooneMoss201439–41_41-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201439–41_41-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 39–41. </li> <li id="cite_note-FOOTNOTEUnterberger2002124-42">^ <a href="#cite_ref-FOOTNOTEUnterberger2002124_42-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2002124_42-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger2002124_42-2">c</a> <a href="#cite_ref-FOOTNOTEUnterberger2002124_42-3">d</a> <a href="#cite_ref-FOOTNOTEUnterberger2002124_42-4">e</a> <a href="#cite_ref-FOOTNOTEUnterberger2002124_42-5">f</a> <a href="#cite_ref-FOOTNOTEUnterberger2002124_42-6">g</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 124. </li> <li id="cite_note-FOOTNOTEBooneMoss201448-43"><a href="#cite_ref-FOOTNOTEBooneMoss201448_43-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 48. </li> <li id="cite_note-FOOTNOTEBooneMoss201448–51-44"><a href="#cite_ref-FOOTNOTEBooneMoss201448–51_44-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 48–51. </li> <li id="cite_note-FOOTNOTEBooneMoss201447-45"><a href="#cite_ref-FOOTNOTEBooneMoss201447_45-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 47. </li> <li id="cite_note-FOOTNOTEHeylin2021297-47">^ <a href="#cite_ref-FOOTNOTEHeylin2021297_47-0">a</a> <a href="#cite_ref-FOOTNOTEHeylin2021297_47-1">b</a> <a href="#cite_ref-FOOTNOTEHeylin2021297_47-2">c</a> <a href="#cite_ref-FOOTNOTEHeylin2021297_47-3">d</a> <a href="#CITEREFHeylin2021">Heylin 2021</a>, p. 297. </li> <li id="cite_note-FOOTNOTEBooneMoss201453-48"><a href="#cite_ref-FOOTNOTEBooneMoss201453_48-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 53. </li> <li id="cite_note-FOOTNOTEHeylin199665-49"><a href="#cite_ref-FOOTNOTEHeylin199665_49-0">^</a> <a href="#CITEREFHeylin1996">Heylin 1996</a>, p. 65. </li> <li id="cite_note-OB-50">^ <a href="#cite_ref-OB_50-0">a</a> <a href="#cite_ref-OB_50-1">b</a> <a href="#cite_ref-OB_50-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBjörner" class="citation web cs1"><a href="/wiki/Olof_Bj%C3%B6rner" title="Olof Björner">Björner, Olof</a>. <a rel="nofollow" class="external text" href="https://www.bjorner.com/DSN00785%20(65).htm">"Still On The Road: 1965 Concerts, Interviews & Recording Sessions"</a>. About Bob. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220822153419/https://www.bjorner.com/DSN00785%20%2865%29.htm">Archived</a> from the original on August 22, 2022. Retrieved September 8, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=About+Bob&rft.atitle=Still+On+The+Road%3A+1965+Concerts%2C+Interviews+%26+Recording+Sessions&rft.aulast=Bj%C3%B6rner&rft.aufirst=Olof&rft_id=https%3A%2F%2Fwww.bjorner.com%2FDSN00785%2520%2865%29.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEFlanaganWilentz2015-51"><a href="#cite_ref-FOOTNOTEFlanaganWilentz2015_51-0">^</a> <a href="#CITEREFFlanaganWilentz2015">Flanagan & Wilentz 2015</a>. </li> <li id="cite_note-FOOTNOTEHeylin199666-53">^ <a href="#cite_ref-FOOTNOTEHeylin199666_53-0">a</a> <a href="#cite_ref-FOOTNOTEHeylin199666_53-1">b</a> <a href="#CITEREFHeylin1996">Heylin 1996</a>, p. 66. </li> <li id="cite_note-FOOTNOTEUnterberger2002110-54">^ <a href="#cite_ref-FOOTNOTEUnterberger2002110_54-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2002110_54-1">b</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 110. </li> <li id="cite_note-FOOTNOTEBooneMoss201451-55"><a href="#cite_ref-FOOTNOTEBooneMoss201451_55-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 51. </li> <li id="cite_note-FOOTNOTEUnterberger2002109–110-56"><a href="#cite_ref-FOOTNOTEUnterberger2002109–110_56-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, pp. 109–110. </li> <li id="cite_note-FOOTNOTEBooneMoss201451–54-57"><a href="#cite_ref-FOOTNOTEBooneMoss201451–54_57-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 51–54. </li> <li id="cite_note-FOOTNOTEHeylin199665–66-58"><a href="#cite_ref-FOOTNOTEHeylin199665–66_58-0">^</a> <a href="#CITEREFHeylin1996">Heylin 1996</a>, pp. 65–66. </li> <li id="cite_note-60"><a href="#cite_ref-60">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a href="/wiki/Marc_Myers" title="Marc Myers">Myers, Marc</a> (December 28, 2016). <a rel="nofollow" class="external text" href="https://www.wsj.com/articles/the-story-behind-darling-be-home-soon-by-the-lovin-spoonfuls-john-sebastian-1482957136">"The Story Behind 'Darling Be Home Soon' by the Lovin' Spoonful's John Sebastian"</a>. <a href="/wiki/Wall_Street_Journal" class="mw-redirect" title="Wall Street Journal">Wall Street Journal</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Wall+Street+Journal&rft.atitle=The+Story+Behind+%27Darling+Be+Home+Soon%27+by+the+Lovin%27+Spoonful%27s+John+Sebastian&rft.date=2016-12-28&rft.aulast=Myers&rft.aufirst=Marc&rft_id=https%3A%2F%2Fwww.wsj.com%2Farticles%2Fthe-story-behind-darling-be-home-soon-by-the-lovin-spoonfuls-john-sebastian-1482957136&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201454–55-61">^ <a href="#cite_ref-FOOTNOTEBooneMoss201454–55_61-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201454–55_61-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 54–55. </li> <li id="cite_note-FOOTNOTEVon_SchmidtRooney1994246-62"><a href="#cite_ref-FOOTNOTEVon_SchmidtRooney1994246_62-0">^</a> <a href="#CITEREFVon_SchmidtRooney1994">Von Schmidt & Rooney 1994</a>, p. 246. </li> <li id="cite_note-FOOTNOTEMyers201774-63">^ <a href="#cite_ref-FOOTNOTEMyers201774_63-0">a</a> <a href="#cite_ref-FOOTNOTEMyers201774_63-1">b</a> <a href="#cite_ref-FOOTNOTEMyers201774_63-2">c</a> <a href="#CITEREFMyers2017">Myers 2017</a>, p. 74. </li> <li id="cite_note-FOOTNOTEBooneMoss201455-64"><a href="#cite_ref-FOOTNOTEBooneMoss201455_64-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 55. </li> <li id="cite_note-FOOTNOTEBooneMoss201454-65"><a href="#cite_ref-FOOTNOTEBooneMoss201454_65-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 54. </li> <li id="cite_note-FOOTNOTEFletcher2009215–216-66"><a href="#cite_ref-FOOTNOTEFletcher2009215–216_66-0">^</a> <a href="#CITEREFFletcher2009">Fletcher 2009</a>, pp. 215–216. </li> <li id="cite_note-FOOTNOTEBooneMoss201457–59-67">^ <a href="#cite_ref-FOOTNOTEBooneMoss201457–59_67-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201457–59_67-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss201457–59_67-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 57–59. </li> <li id="cite_note-Unterberger_interview-68">^ <a href="#cite_ref-Unterberger_interview_68-0">a</a> <a href="#cite_ref-Unterberger_interview_68-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger2018" class="citation web cs1"><a href="/wiki/Richie_Unterberger" title="Richie Unterberger">Unterberger, Richie</a> (May 3, 2018). <a rel="nofollow" class="external text" href="https://pleasekillme.com/lovin-spoonful-steve-boone-interview/">"The Lovin' Spoonful's Steve Boone Opens Up About the Infamous Pot Bust that Broke Up the Band"</a>. PleaseKillMe. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221127091756/https://pleasekillme.com/lovin-spoonful-steve-boone-interview/">Archived</a> from the original on November 27, 2022. Retrieved March 11, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=PleaseKillMe&rft.atitle=The+Lovin%27+Spoonful%27s+Steve+Boone+Opens+Up+About+the+Infamous+Pot+Bust+that+Broke+Up+the+Band&rft.date=2018-05-03&rft.aulast=Unterberger&rft.aufirst=Richie&rft_id=https%3A%2F%2Fpleasekillme.com%2Flovin-spoonful-steve-boone-interview%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEFletcher2009215-70">^ <a href="#cite_ref-FOOTNOTEFletcher2009215_70-0">a</a> <a href="#cite_ref-FOOTNOTEFletcher2009215_70-1">b</a> <a href="#CITEREFFletcher2009">Fletcher 2009</a>, p. 215. </li> <li id="cite_note-FOOTNOTEJackson2015135-71"><a href="#cite_ref-FOOTNOTEJackson2015135_71-0">^</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, p. 135. </li> <li id="cite_note-72"><a href="#cite_ref-72">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoxon1968" class="citation magazine cs1">Roxon, Lillian (May 1968). "The Lovin' Spoonful: Do You Believe in Magic". <a href="/wiki/Eye_(magazine)" title="Eye (magazine)">Eye</a>. pp. 32–33.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Eye&rft.atitle=The+Lovin%27+Spoonful%3A+Do+You+Believe+in+Magic&rft.pages=32-33&rft.date=1968-05&rft.aulast=Roxon&rft.aufirst=Lillian&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201460,_62-73"><a href="#cite_ref-FOOTNOTEBooneMoss201460,_62_73-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 60, 62. </li> <li id="cite_note-FOOTNOTEBooneMoss201446–47-74"><a href="#cite_ref-FOOTNOTEBooneMoss201446–47_74-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 46–47. </li> <li id="cite_note-FOOTNOTEBooneMoss201447,_60,_62-75"><a href="#cite_ref-FOOTNOTEBooneMoss201447,_60,_62_75-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 47, 60, 62. </li> <li id="cite_note-FOOTNOTEBooneMoss201462,_151-76"><a href="#cite_ref-FOOTNOTEBooneMoss201462,_151_76-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 62, 151. </li> <li id="cite_note-FOOTNOTEBooneMoss201460–61-77"><a href="#cite_ref-FOOTNOTEBooneMoss201460–61_77-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 60–61. </li> <li id="cite_note-78"><a href="#cite_ref-78">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 65–66 (waiting, Café Bizarre); <a href="#CITEREFFletcher2009">Fletcher 2009</a>, p. 215: (MacDougal); <a href="#CITEREFEinarson2005">Einarson 2005</a>, p. 63: (Cafe Wha?). </li> <li id="cite_note-FOOTNOTEBooneMoss201465–66-79">^ <a href="#cite_ref-FOOTNOTEBooneMoss201465–66_79-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201465–66_79-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss201465–66_79-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 65–66. </li> <li id="cite_note-FOOTNOTEFletcher2009216-80">^ <a href="#cite_ref-FOOTNOTEFletcher2009216_80-0">a</a> <a href="#cite_ref-FOOTNOTEFletcher2009216_80-1">b</a> <a href="#cite_ref-FOOTNOTEFletcher2009216_80-2">c</a> <a href="#cite_ref-FOOTNOTEFletcher2009216_80-3">d</a> <a href="#cite_ref-FOOTNOTEFletcher2009216_80-4">e</a> <a href="#cite_ref-FOOTNOTEFletcher2009216_80-5">f</a> <a href="#cite_ref-FOOTNOTEFletcher2009216_80-6">g</a> <a href="#CITEREFFletcher2009">Fletcher 2009</a>, p. 216. </li> <li id="cite_note-FOOTNOTEUnterberger2005-81"><a href="#cite_ref-FOOTNOTEUnterberger2005_81-0">^</a> <a href="#CITEREFUnterberger2005">Unterberger 2005</a>. </li> <li id="cite_note-FOOTNOTEColbyFitzpatrick200290-82"><a href="#cite_ref-FOOTNOTEColbyFitzpatrick200290_82-0">^</a> <a href="#CITEREFColbyFitzpatrick2002">Colby & Fitzpatrick 2002</a>, p. 90. </li> <li id="cite_note-FOOTNOTEBooneMoss201473-83"><a href="#cite_ref-FOOTNOTEBooneMoss201473_83-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 73. </li> <li id="cite_note-84"><a href="#cite_ref-84">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://credo.library.umass.edu/view/full/mums1014-v04-n08-i001">"... And Coffee Too"</a>. The Broadside. Vol. 4, no. 8. June 9, 1965. pp. 12–13 – via <a href="/wiki/UMass_Amherst" class="mw-redirect" title="UMass Amherst">UMass Amherst</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Broadside&rft.atitle=...%3Cspan+class%3D%22nowrap%22%3E+%3C%2Fspan%3EAnd+Coffee+Too&rft.volume=4&rft.issue=8&rft.pages=12-13&rft.date=1965-06-09&rft_id=https%3A%2F%2Fcredo.library.umass.edu%2Fview%2Ffull%2Fmums1014-v04-n08-i001&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEVon_SchmidtRooney1994247-85">^ <a href="#cite_ref-FOOTNOTEVon_SchmidtRooney1994247_85-0">a</a> <a href="#cite_ref-FOOTNOTEVon_SchmidtRooney1994247_85-1">b</a> <a href="#CITEREFVon_SchmidtRooney1994">Von Schmidt & Rooney 1994</a>, p. 247. </li> <li id="cite_note-FOOTNOTEBooneMoss201477-86">^ <a href="#cite_ref-FOOTNOTEBooneMoss201477_86-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201477_86-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss201477_86-2">c</a> <a href="#cite_ref-FOOTNOTEBooneMoss201477_86-3">d</a> <a href="#cite_ref-FOOTNOTEBooneMoss201477_86-4">e</a> <a href="#cite_ref-FOOTNOTEBooneMoss201477_86-5">f</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 77. </li> <li id="cite_note-FOOTNOTEUnterberger2002126-87"><a href="#cite_ref-FOOTNOTEUnterberger2002126_87-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 126. </li> <li id="cite_note-FOOTNOTEUnterberger2002135–136-88"><a href="#cite_ref-FOOTNOTEUnterberger2002135–136_88-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, pp. 135–136. </li> <li id="cite_note-FOOTNOTEEinarson200561,_65-89"><a href="#cite_ref-FOOTNOTEEinarson200561,_65_89-0">^</a> <a href="#CITEREFEinarson2005">Einarson 2005</a>, pp. 61, 65. </li> <li id="cite_note-FOOTNOTEJackson2015129-90">^ <a href="#cite_ref-FOOTNOTEJackson2015129_90-0">a</a> <a href="#cite_ref-FOOTNOTEJackson2015129_90-1">b</a> <a href="#cite_ref-FOOTNOTEJackson2015129_90-2">c</a> <a href="#cite_ref-FOOTNOTEJackson2015129_90-3">d</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, p. 129. </li> <li id="cite_note-91"><a href="#cite_ref-91">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTiegel1965" class="citation magazine cs1">Tiegel, Elliot (June 12, 1965). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=qCgEAAAAMBAJ&pg=PA1">"Folkswinging Wave On – Courtesy of Rock Groups"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. pp. 1, 10 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Folkswinging+Wave+On+%E2%80%93+Courtesy+of+Rock+Groups&rft.pages=1%2C+10&rft.date=1965-06-12&rft.aulast=Tiegel&rft.aufirst=Elliot&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DqCgEAAAAMBAJ%26pg%3DPA1&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201473–74-92"><a href="#cite_ref-FOOTNOTEBooneMoss201473–74_92-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 73–74. </li> <li id="cite_note-FOOTNOTEBooneMoss201478-94">^ <a href="#cite_ref-FOOTNOTEBooneMoss201478_94-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201478_94-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss201478_94-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 78. </li> <li id="cite_note-FOOTNOTEUnterberger2002164-95">^ <a href="#cite_ref-FOOTNOTEUnterberger2002164_95-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2002164_95-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger2002164_95-2">c</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 164. </li> <li id="cite_note-FOOTNOTEWilliams2002120-96"><a href="#cite_ref-FOOTNOTEWilliams2002120_96-0">^</a> <a href="#CITEREFWilliams2002">Williams 2002</a>, p. 120. </li> <li id="cite_note-FOOTNOTEJackson2015136-97">^ <a href="#cite_ref-FOOTNOTEJackson2015136_97-0">a</a> <a href="#cite_ref-FOOTNOTEJackson2015136_97-1">b</a> <a href="#cite_ref-FOOTNOTEJackson2015136_97-2">c</a> <a href="#cite_ref-FOOTNOTEJackson2015136_97-3">d</a> <a href="#cite_ref-FOOTNOTEJackson2015136_97-4">e</a> <a href="#cite_ref-FOOTNOTEJackson2015136_97-5">f</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, p. 136. </li> <li id="cite_note-FOOTNOTEBarone2022200-98">^ <a href="#cite_ref-FOOTNOTEBarone2022200_98-0">a</a> <a href="#cite_ref-FOOTNOTEBarone2022200_98-1">b</a> <a href="#CITEREFBarone2022">Barone 2022</a>, p. 200. </li> <li id="cite_note-FOOTNOTEUnterberger2002173-99">^ <a href="#cite_ref-FOOTNOTEUnterberger2002173_99-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2002173_99-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger2002173_99-2">c</a> <a href="#cite_ref-FOOTNOTEUnterberger2002173_99-3">d</a> <a href="#cite_ref-FOOTNOTEUnterberger2002173_99-4">e</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 173. </li> <li id="cite_note-FOOTNOTEBooneMoss201462–63-100"><a href="#cite_ref-FOOTNOTEBooneMoss201462–63_100-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 62–63. </li> <li id="cite_note-FOOTNOTEFletcher2009216–217-101">^ <a href="#cite_ref-FOOTNOTEFletcher2009216–217_101-0">a</a> <a href="#cite_ref-FOOTNOTEFletcher2009216–217_101-1">b</a> <a href="#CITEREFFletcher2009">Fletcher 2009</a>, pp. 216–217. </li> <li id="cite_note-FOOTNOTEBooneMoss201463-102">^ <a href="#cite_ref-FOOTNOTEBooneMoss201463_102-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201463_102-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss201463_102-2">c</a> <a href="#cite_ref-FOOTNOTEBooneMoss201463_102-3">d</a> <a href="#cite_ref-FOOTNOTEBooneMoss201463_102-4">e</a> <a href="#cite_ref-FOOTNOTEBooneMoss201463_102-5">f</a> <a href="#cite_ref-FOOTNOTEBooneMoss201463_102-6">g</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 63. </li> <li id="cite_note-FOOTNOTEEdmonds2002-103">^ <a href="#cite_ref-FOOTNOTEEdmonds2002_103-0">a</a> <a href="#cite_ref-FOOTNOTEEdmonds2002_103-1">b</a> <a href="#cite_ref-FOOTNOTEEdmonds2002_103-2">c</a> <a href="#cite_ref-FOOTNOTEEdmonds2002_103-3">d</a> <a href="#cite_ref-FOOTNOTEEdmonds2002_103-4">e</a> <a href="#cite_ref-FOOTNOTEEdmonds2002_103-5">f</a> <a href="#cite_ref-FOOTNOTEEdmonds2002_103-6">g</a> <a href="#cite_ref-FOOTNOTEEdmonds2002_103-7">h</a> <a href="#cite_ref-FOOTNOTEEdmonds2002_103-8">i</a> <a href="#cite_ref-FOOTNOTEEdmonds2002_103-9">j</a> <a href="#CITEREFEdmonds2002">Edmonds 2002</a>. </li> <li id="cite_note-FOOTNOTEBooneMoss201464-105">^ <a href="#cite_ref-FOOTNOTEBooneMoss201464_105-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201464_105-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 64. </li> <li id="cite_note-106"><a href="#cite_ref-106">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBosso2021" class="citation web cs1">Bosso, Joe (June 7, 2021). <a rel="nofollow" class="external text" href="https://www.guitarplayer.com/players/john-sebastian-my-career-in-five-songs">"John Sebastian: My Career in Five Songs"</a>. <a href="/wiki/Guitar_Player" title="Guitar Player">Guitar Player</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230205043358/https://www.guitarplayer.com/players/john-sebastian-my-career-in-five-songs">Archived</a> from the original on February 5, 2023. <q>The recording came together quickly. It didn't hurt that [session drummer] Gary Chester, who happened to be in the building, played tambourine on the track. He kept us from speeding up.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Guitar+Player&rft.atitle=John+Sebastian%3A+My+Career+in+Five+Songs&rft.date=2021-06-07&rft.aulast=Bosso&rft.aufirst=Joe&rft_id=https%3A%2F%2Fwww.guitarplayer.com%2Fplayers%2Fjohn-sebastian-my-career-in-five-songs&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201466–67-107">^ <a href="#cite_ref-FOOTNOTEBooneMoss201466–67_107-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201466–67_107-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 66–67. </li> <li id="cite_note-FOOTNOTERibowsky1989194-108">^ <a href="#cite_ref-FOOTNOTERibowsky1989194_108-0">a</a> <a href="#cite_ref-FOOTNOTERibowsky1989194_108-1">b</a> <a href="#CITEREFRibowsky1989">Ribowsky 1989</a>, p. 194. </li> <li id="cite_note-FOOTNOTEHoskyns199699-109">^ <a href="#cite_ref-FOOTNOTEHoskyns199699_109-0">a</a> <a href="#cite_ref-FOOTNOTEHoskyns199699_109-1">b</a> <a href="#CITEREFHoskyns1996">Hoskyns 1996</a>, p. 99. </li> <li id="cite_note-FOOTNOTEBooneMoss201467-110">^ <a href="#cite_ref-FOOTNOTEBooneMoss201467_110-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201467_110-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss201467_110-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 67. </li> <li id="cite_note-FOOTNOTERibowsky1989195-112"><a href="#cite_ref-FOOTNOTERibowsky1989195_112-0">^</a> <a href="#CITEREFRibowsky1989">Ribowsky 1989</a>, p. 195. </li> <li id="cite_note-FOOTNOTEUnterberger2002125-113">^ <a href="#cite_ref-FOOTNOTEUnterberger2002125_113-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2002125_113-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger2002125_113-2">c</a> <a href="#cite_ref-FOOTNOTEUnterberger2002125_113-3">d</a> <a href="#cite_ref-FOOTNOTEUnterberger2002125_113-4">e</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 125. </li> <li id="cite_note-FOOTNOTEHolzmanDaws2000124-114">^ <a href="#cite_ref-FOOTNOTEHolzmanDaws2000124_114-0">a</a> <a href="#cite_ref-FOOTNOTEHolzmanDaws2000124_114-1">b</a> <a href="#cite_ref-FOOTNOTEHolzmanDaws2000124_114-2">c</a> <a href="#CITEREFHolzmanDaws2000">Holzman & Daws 2000</a>, p. 124. </li> <li id="cite_note-inflation-US-115">^ <a href="#cite_ref-inflation-US_115-0">a</a> <a href="#cite_ref-inflation-US_115-1">b</a> 1634–1699: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCusker1997" class="citation book cs1"><a href="/wiki/John_J._McCusker" title="John J. McCusker">McCusker, J. J.</a> (1997). <a rel="nofollow" class="external text" href="https://www.americanantiquarian.org/proceedings/44525121.pdf">How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda</a> (PDF). <a href="/wiki/American_Antiquarian_Society" title="American Antiquarian Society">American Antiquarian Society</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=How+Much+Is+That+in+Real+Money%3F+A+Historical+Price+Index+for+Use+as+a+Deflator+of+Money+Values+in+the+Economy+of+the+United+States%3A+Addenda+et+Corrigenda&rft.pub=American+Antiquarian+Society&rft.date=1997&rft.aulast=McCusker&rft.aufirst=J.+J.&rft_id=https%3A%2F%2Fwww.americanantiquarian.org%2Fproceedings%2F44525121.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> 1700–1799: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCusker1992" class="citation book cs1"><a href="/wiki/John_J._McCusker" title="John J. McCusker">McCusker, J. J.</a> (1992). <a rel="nofollow" class="external text" href="https://www.americanantiquarian.org/proceedings/44517778.pdf">How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States</a> (PDF). <a href="/wiki/American_Antiquarian_Society" title="American Antiquarian Society">American Antiquarian Society</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=How+Much+Is+That+in+Real+Money%3F+A+Historical+Price+Index+for+Use+as+a+Deflator+of+Money+Values+in+the+Economy+of+the+United+States&rft.pub=American+Antiquarian+Society&rft.date=1992&rft.aulast=McCusker&rft.aufirst=J.+J.&rft_id=https%3A%2F%2Fwww.americanantiquarian.org%2Fproceedings%2F44517778.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> 1800–present: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFederal_Reserve_Bank_of_Minneapolis" class="citation web cs1">Federal Reserve Bank of Minneapolis. <a rel="nofollow" class="external text" href="https://www.minneapolisfed.org/about-us/monetary-policy/inflation-calculator/consumer-price-index-1800-">"Consumer Price Index (estimate) 1800–"</a>. Retrieved February 29, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Consumer+Price+Index+%28estimate%29+1800%E2%80%93&rft.au=Federal+Reserve+Bank+of+Minneapolis&rft_id=https%3A%2F%2Fwww.minneapolisfed.org%2Fabout-us%2Fmonetary-policy%2Finflation-calculator%2Fconsumer-price-index-1800-&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201470-116"><a href="#cite_ref-FOOTNOTEBooneMoss201470_116-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 70. </li> <li id="cite_note-FOOTNOTEBooneMoss201471-117">^ <a href="#cite_ref-FOOTNOTEBooneMoss201471_117-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201471_117-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss201471_117-2">c</a> <a href="#cite_ref-FOOTNOTEBooneMoss201471_117-3">d</a> <a href="#cite_ref-FOOTNOTEBooneMoss201471_117-4">e</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 71. </li> <li id="cite_note-FOOTNOTEHelander1999237-118">^ <a href="#cite_ref-FOOTNOTEHelander1999237_118-0">a</a> <a href="#cite_ref-FOOTNOTEHelander1999237_118-1">b</a> <a href="#cite_ref-FOOTNOTEHelander1999237_118-2">c</a> <a href="#cite_ref-FOOTNOTEHelander1999237_118-3">d</a> <a href="#CITEREFHelander1999">Helander 1999</a>, p. 237. </li> <li id="cite_note-FOOTNOTEHoughton2010173-119"><a href="#cite_ref-FOOTNOTEHoughton2010173_119-0">^</a> <a href="#CITEREFHoughton2010">Houghton 2010</a>, p. 173. </li> <li id="cite_note-FOOTNOTEJackson2015xvii-120"><a href="#cite_ref-FOOTNOTEJackson2015xvii_120-0">^</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, p. xvii. </li> <li id="cite_note-Billboard_chart_history-121">^ <a href="#cite_ref-Billboard_chart_history_121-0">a</a> <a href="#cite_ref-Billboard_chart_history_121-1">b</a> <a href="#cite_ref-Billboard_chart_history_121-2">c</a> <a href="#cite_ref-Billboard_chart_history_121-3">d</a> <a href="#cite_ref-Billboard_chart_history_121-4">e</a> <a href="#cite_ref-Billboard_chart_history_121-5">f</a> <a href="#cite_ref-Billboard_chart_history_121-6">g</a> <a href="#cite_ref-Billboard_chart_history_121-7">h</a> <a href="#cite_ref-Billboard_chart_history_121-8">i</a> <a href="#cite_ref-Billboard_chart_history_121-9">j</a> <a href="#cite_ref-Billboard_chart_history_121-10">k</a> <a href="#cite_ref-Billboard_chart_history_121-11">l</a> <a href="#cite_ref-Billboard_chart_history_121-12">m</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.billboard.com/artist/the-lovin-spoonful/chart-history/hsi/">"The Lovin' Spoonful Chart History (Hot 100)"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221121215619/https://www.billboard.com/artist/the-lovin-spoonful/chart-history/hsi/">Archived</a> from the original on November 21, 2022. Retrieved March 11, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=The+Lovin%27+Spoonful+Chart+History+%28Hot+100%29&rft_id=https%3A%2F%2Fwww.billboard.com%2Fartist%2Fthe-lovin-spoonful%2Fchart-history%2Fhsi%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-Mix-122">^ <a href="#cite_ref-Mix_122-0">a</a> <a href="#cite_ref-Mix_122-1">b</a> <a href="#cite_ref-Mix_122-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEskow2008" class="citation web cs1">Eskow, Gary (August 1, 2008). <a rel="nofollow" class="external text" href="https://www.mixonline.com/recording/classic-tracks-lovin-spoonfuls-do-you-believe-magic-366002">"Classic Tracks: The Lovin' Spoonful's "Do You Believe in Magic""</a>. <a href="/wiki/Mix_(magazine)" title="Mix (magazine)">Mix</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220520085538/https://www.mixonline.com/recording/classic-tracks-lovin-spoonfuls-do-you-believe-magic-366002">Archived</a> from the original on May 20, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Mix&rft.atitle=Classic+Tracks%3A+The+Lovin%27+Spoonful%27s+%22Do+You+Believe+in+Magic%22&rft.date=2008-08-01&rft.aulast=Eskow&rft.aufirst=Gary&rft_id=https%3A%2F%2Fwww.mixonline.com%2Frecording%2Fclassic-tracks-lovin-spoonfuls-do-you-believe-magic-366002&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201480–84-123"><a href="#cite_ref-FOOTNOTEBooneMoss201480–84_123-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 80–84. </li> <li id="cite_note-FOOTNOTEBooneMoss201481–84-124">^ <a href="#cite_ref-FOOTNOTEBooneMoss201481–84_124-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201481–84_124-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 81–84. </li> <li id="cite_note-FOOTNOTEMiles200530-125"><a href="#cite_ref-FOOTNOTEMiles200530_125-0">^</a> <a href="#CITEREFMiles2005">Miles 2005</a>, p. 30. </li> <li id="cite_note-126"><a href="#cite_ref-126">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Sternfield, Aaron (August 14, 1965). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=rigEAAAAMBAJ&pg=PA12">"People and Places"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. p. 12 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=People+and+Places&rft.pages=12&rft.date=1965-08-14&rft.aulast=Sternfield&rft.aufirst=Aaron&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DrigEAAAAMBAJ%26pg%3DPA12&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201484-127"><a href="#cite_ref-FOOTNOTEBooneMoss201484_127-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 84. </li> <li id="cite_note-FOOTNOTEHoskyns199690-128"><a href="#cite_ref-FOOTNOTEHoskyns199690_128-0">^</a> <a href="#CITEREFHoskyns1996">Hoskyns 1996</a>, p. 90. </li> <li id="cite_note-129"><a href="#cite_ref-129">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilson1965" class="citation news cs1">Wilson, Russ (October 21, 1965). <a rel="nofollow" class="external text" href="https://newspapers.com/image/354613638/?match=1&clipping_id=148098114">"A 'Spoonful of Pain in Folk-Song"</a>. <a href="/wiki/Oakland_Tribune" title="Oakland Tribune">Oakland Tribune</a>. p. 22-F – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Oakland+Tribune&rft.atitle=A+%27Spoonful+of+Pain+in+Folk-Song&rft.pages=22-F&rft.date=1965-10-21&rft.aulast=Wilson&rft.aufirst=Russ&rft_id=https%3A%2F%2Fnewspapers.com%2Fimage%2F354613638%2F%3Fmatch%3D1%26clipping_id%3D148098114&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-130"><a href="#cite_ref-130">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1965" class="citation news cs1">Anon. (October 18, 1965). <a rel="nofollow" class="external text" href="https://newspapers.com/image/458408293/?match=1&clipping_id=148097780">"Today's Lively Arts"</a>. <a href="/wiki/The_San_Francisco_Examiner" class="mw-redirect" title="The San Francisco Examiner">The San Francisco Examiner</a>. p. 34 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>. <q>The Lovin' Spoonful ... opening tonight for a one-week run at the hungry i.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+San+Francisco+Examiner&rft.atitle=Today%27s+Lively+Arts&rft.pages=34&rft.date=1965-10-18&rft.au=Anon.&rft_id=https%3A%2F%2Fnewspapers.com%2Fimage%2F458408293%2F%3Fmatch%3D1%26clipping_id%3D148097780&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEUnterberger200238-131"><a href="#cite_ref-FOOTNOTEUnterberger200238_131-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 38. </li> <li id="cite_note-Gleason_5/15/66-132"><a href="#cite_ref-Gleason_5/15/66_132-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGleason1966" class="citation news cs1"><a href="/wiki/Ralph_Gleason" class="mw-redirect" title="Ralph Gleason">Gleason, Ralph J.</a> (May 15, 1966). <a rel="nofollow" class="external text" href="https://www.newspapers.com/article/the-san-francisco-examiner-john-sebastia/96860815/">"'Spoonful' Fans Kept Following"</a>. <a href="/wiki/The_San_Francisco_Examiner" class="mw-redirect" title="The San Francisco Examiner">The San Francisco Examiner</a>. p. 37 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+San+Francisco+Examiner&rft.atitle=%27Spoonful%27+Fans+Kept+Following&rft.pages=37&rft.date=1966-05-15&rft.aulast=Gleason&rft.aufirst=Ralph+J.&rft_id=https%3A%2F%2Fwww.newspapers.com%2Farticle%2Fthe-san-francisco-examiner-john-sebastia%2F96860815%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-133"><a href="#cite_ref-133">^</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, pp. 240–243; <a href="#CITEREFSelvin1995">Selvin 1995</a>, pp. 35–36. </li> <li id="cite_note-FOOTNOTEGould2007347-134"><a href="#cite_ref-FOOTNOTEGould2007347_134-0">^</a> <a href="#CITEREFGould2007">Gould 2007</a>, p. 347. </li> <li id="cite_note-FOOTNOTEJackson2015240–243-135"><a href="#cite_ref-FOOTNOTEJackson2015240–243_135-0">^</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, pp. 240–243. </li> <li id="cite_note-FOOTNOTEUnterberger200361-136">^ <a href="#cite_ref-FOOTNOTEUnterberger200361_136-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger200361_136-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger200361_136-2">c</a> <a href="#cite_ref-FOOTNOTEUnterberger200361_136-3">d</a> <a href="#cite_ref-FOOTNOTEUnterberger200361_136-4">e</a> <a href="#cite_ref-FOOTNOTEUnterberger200361_136-5">f</a> <a href="#cite_ref-FOOTNOTEUnterberger200361_136-6">g</a> <a href="#cite_ref-FOOTNOTEUnterberger200361_136-7">h</a> <a href="#cite_ref-FOOTNOTEUnterberger200361_136-8">i</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 61. </li> <li id="cite_note-FOOTNOTEJackson2015244–245-137"><a href="#cite_ref-FOOTNOTEJackson2015244–245_137-0">^</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, pp. 244–245. </li> <li id="cite_note-FOOTNOTEMiles2009232-138">^ <a href="#cite_ref-FOOTNOTEMiles2009232_138-0">a</a> <a href="#cite_ref-FOOTNOTEMiles2009232_138-1">b</a> <a href="#CITEREFMiles2009">Miles 2009</a>, p. 232. </li> <li id="cite_note-FOOTNOTEBooneMoss201487-139"><a href="#cite_ref-FOOTNOTEBooneMoss201487_139-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 87. </li> <li id="cite_note-140"><a href="#cite_ref-140">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=HSkEAAAAMBAJ&pg=PA42">"Breakout Singles"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. October 9, 1965. p. 42 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Breakout+Singles&rft.pages=42&rft.date=1965-10-09&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DHSkEAAAAMBAJ%26pg%3DPA42&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201487–89-142"><a href="#cite_ref-FOOTNOTEBooneMoss201487–89_142-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 87–89. </li> <li id="cite_note-FOOTNOTEBooneMoss201488-143"><a href="#cite_ref-FOOTNOTEBooneMoss201488_143-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 88. </li> <li id="cite_note-144"><a href="#cite_ref-144">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1965" class="citation news cs1">Anon. (October 22, 1965). <a rel="nofollow" class="external text" href="https://newspapers.com/article/contra-costa-times-autorama-begins-today/148098435/">"Autorama Begins Today at Store"</a>. <a href="/wiki/Contra_Costa_Times" class="mw-redirect" title="Contra Costa Times">Contra Costa Times</a>. p. 10 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>. <q>The Lovin' Spoonful ... will be at the Autorama ... on Saturday [October 23] to sign autographs. Their first L.P. album, 'Do You Believe in Magic' will be on sale for the first time at the Autorama.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Contra+Costa+Times&rft.atitle=Autorama+Begins+Today+at+Store&rft.pages=10&rft.date=1965-10-22&rft.au=Anon.&rft_id=https%3A%2F%2Fnewspapers.com%2Farticle%2Fcontra-costa-times-autorama-begins-today%2F148098435%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-145"><a href="#cite_ref-145">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist" style="display:inline;"><ul style="display:inline;"><li style="margin-bottom:.5em; display:block;;display:inline; margin:0;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Billboard Top LP's". <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. April 9, 1966. p. 40.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Billboard+Top+LP%27s&rft.pages=40&rft.date=1966-04-09&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> (19 weeks).</li><li style="margin-bottom:.5em; display:block;;margin-top:.5em;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Billboard Top LP's". <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. February 19, 1966. p. 31.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Billboard+Top+LP%27s&rft.pages=31&rft.date=1966-02-19&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> (number 71).</li></ul></div> </li> <li id="cite_note-FOOTNOTEBooneMoss201491-146">^ <a href="#cite_ref-FOOTNOTEBooneMoss201491_146-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss201491_146-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 91. </li> <li id="cite_note-FOOTNOTEHartman2012158-147"><a href="#cite_ref-FOOTNOTEHartman2012158_147-0">^</a> <a href="#CITEREFHartman2012">Hartman 2012</a>, p. 158. </li> <li id="cite_note-FOOTNOTEBooneMoss201491–93-148"><a href="#cite_ref-FOOTNOTEBooneMoss201491–93_148-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 91–93. </li> <li id="cite_note-FOOTNOTESandoval200523,_26-149"><a href="#cite_ref-FOOTNOTESandoval200523,_26_149-0">^</a> <a href="#CITEREFSandoval2005">Sandoval 2005</a>, pp. 23, 26. </li> <li id="cite_note-FOOTNOTEBooneMoss201496-150"><a href="#cite_ref-FOOTNOTEBooneMoss201496_150-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 96. </li> <li id="cite_note-Lewis-151">^ <a href="#cite_ref-Lewis_151-0">a</a> <a href="#cite_ref-Lewis_151-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLewis1966" class="citation news cs1">Lewis, Dan (September 18, 1966). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/122654443/lovin-spoonful-make-hit-with-peers-in-p/">"Lovin' Spoonful Make Hit With Peers in Pop Music"</a>. <a href="/wiki/Fort_Worth_Star-Telegram" title="Fort Worth Star-Telegram">Fort Worth Star-Telegram</a>. p. 5-G – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Fort+Worth+Star-Telegram&rft.atitle=Lovin%27+Spoonful+Make+Hit+With+Peers+in+Pop+Music&rft.pages=5-G&rft.date=1966-09-18&rft.aulast=Lewis&rft.aufirst=Dan&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F122654443%2Flovin-spoonful-make-hit-with-peers-in-p%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-152"><a href="#cite_ref-152">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">Anon. (November 5, 1965). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/122657365/lovin-spoonful-to-appear-here/">"'Lovin' Spoonful' To Appear Here"</a>. <a href="/wiki/The_Daily_Advertiser_(Lafayette,_Louisiana)" title="The Daily Advertiser (Lafayette, Louisiana)">The Daily Advertiser</a>. p. 21 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Daily+Advertiser&rft.atitle=%27Lovin%27+Spoonful%27+To+Appear+Here&rft.pages=21&rft.date=1965-11-05&rft.au=Anon.&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F122657365%2Flovin-spoonful-to-appear-here%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201498-153"><a href="#cite_ref-FOOTNOTEBooneMoss201498_153-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 98. </li> <li id="cite_note-FOOTNOTEDiken2002-154">^ <a href="#cite_ref-FOOTNOTEDiken2002_154-0">a</a> <a href="#cite_ref-FOOTNOTEDiken2002_154-1">b</a> <a href="#cite_ref-FOOTNOTEDiken2002_154-2">c</a> <a href="#cite_ref-FOOTNOTEDiken2002_154-3">d</a> <a href="#cite_ref-FOOTNOTEDiken2002_154-4">e</a> <a href="#cite_ref-FOOTNOTEDiken2002_154-5">f</a> <a href="#CITEREFDiken2002">Diken 2002</a>. </li> <li id="cite_note-FOOTNOTEBooneMoss201496,_98-155"><a href="#cite_ref-FOOTNOTEBooneMoss201496,_98_155-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 96, 98. </li> <li id="cite_note-FOOTNOTEBooneMoss2014101-156">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014101_156-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014101_156-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014101_156-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 101. </li> <li id="cite_note-FOOTNOTEBooneMoss2014102-157">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014102_157-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014102_157-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014102_157-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 102. </li> <li id="cite_note-FOOTNOTEHjort200873-158"><a href="#cite_ref-FOOTNOTEHjort200873_158-0">^</a> <a href="#CITEREFHjort2008">Hjort 2008</a>, p. 73. </li> <li id="cite_note-FOOTNOTEBooneMoss2014103–104-159">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014103–104_159-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014103–104_159-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 103–104. </li> <li id="cite_note-FOOTNOTEBooneMoss2014103-160"><a href="#cite_ref-FOOTNOTEBooneMoss2014103_160-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 103. </li> <li id="cite_note-FOOTNOTEHjort200852-161"><a href="#cite_ref-FOOTNOTEHjort200852_161-0">^</a> <a href="#CITEREFHjort2008">Hjort 2008</a>, p. 52. </li> <li id="cite_note-FOOTNOTERogan1997175–176-162">^ <a href="#cite_ref-FOOTNOTERogan1997175–176_162-0">a</a> <a href="#cite_ref-FOOTNOTERogan1997175–176_162-1">b</a> <a href="#CITEREFRogan1997">Rogan 1997</a>, pp. 175–176. </li> <li id="cite_note-FOOTNOTELeonard2014136-163"><a href="#cite_ref-FOOTNOTELeonard2014136_163-0">^</a> <a href="#CITEREFLeonard2014">Leonard 2014</a>, p. 136. </li> <li id="cite_note-164"><a href="#cite_ref-164">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.billboard.com/artist/the-mamas-&-the-papas/chart-history/hsi/">"The Mamas & the Papas Chart History (Hot 100)"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20231007234837/https://www.billboard.com/artist/the-mamas-&-the-papas/chart-history/hsi/">Archived</a> from the original on October 7, 2023. Retrieved October 7, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=The+Mamas+%26+the+Papas+Chart+History+%28Hot+100%29&rft_id=https%3A%2F%2Fwww.billboard.com%2Fartist%2Fthe-mamas-%26-the-papas%2Fchart-history%2Fhsi%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014104-166"><a href="#cite_ref-FOOTNOTEBooneMoss2014104_166-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 104. </li> <li id="cite_note-FOOTNOTEBooneMoss201489–90-167"><a href="#cite_ref-FOOTNOTEBooneMoss201489–90_167-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 89–90. </li> <li id="cite_note-FOOTNOTEJackson2015xx-168"><a href="#cite_ref-FOOTNOTEJackson2015xx_168-0">^</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, p. xx. </li> <li id="cite_note-FOOTNOTEBooneMoss2014104–105-169"><a href="#cite_ref-FOOTNOTEBooneMoss2014104–105_169-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 104–105. </li> <li id="cite_note-NME_May_20,_1966-170"><a href="#cite_ref-NME_May_20,_1966_170-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKing1966" class="citation magazine cs1">King, John (May 20, 1966). "Simplicity is Secret of Spoonful's Disc Success says Zal". <a href="/wiki/New_Musical_Express" class="mw-redirect" title="New Musical Express">New Musical Express</a>. p. 3.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+Musical+Express&rft.atitle=Simplicity+is+Secret+of+Spoonful%27s+Disc+Success+says+Zal&rft.pages=3&rft.date=1966-05-20&rft.aulast=King&rft.aufirst=John&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTESavage2015555-171"><a href="#cite_ref-FOOTNOTESavage2015555_171-0">^</a> <a href="#CITEREFSavage2015">Savage 2015</a>, p. 555. </li> <li id="cite_note-FOOTNOTEBooneMoss2014111–112-172">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014111–112_172-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014111–112_172-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 111–112. </li> <li id="cite_note-FOOTNOTEUnterberger2002263-173"><a href="#cite_ref-FOOTNOTEUnterberger2002263_173-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 263. </li> <li id="cite_note-FOOTNOTEBooneMoss2014111-174"><a href="#cite_ref-FOOTNOTEBooneMoss2014111_174-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 111. </li> <li id="cite_note-FOOTNOTESavage2015143-175">^ <a href="#cite_ref-FOOTNOTESavage2015143_175-0">a</a> <a href="#cite_ref-FOOTNOTESavage2015143_175-1">b</a> <a href="#cite_ref-FOOTNOTESavage2015143_175-2">c</a> <a href="#cite_ref-FOOTNOTESavage2015143_175-3">d</a> <a href="#cite_ref-FOOTNOTESavage2015143_175-4">e</a> <a href="#CITEREFSavage2015">Savage 2015</a>, p. 143. </li> <li id="cite_note-176"><a href="#cite_ref-176">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=IkUEAAAAMBAJ">"Billboard Hot 100"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. April 9, 1966. p. 24 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Billboard+Hot+100&rft.pages=24&rft.date=1966-04-09&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DIkUEAAAAMBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-177"><a href="#cite_ref-177">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"100 Top Pops (Week of April 9)". <a href="/wiki/Cashbox_(magazine)" title="Cashbox (magazine)">Cash Box</a>. April 9, 1966. p. 4.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Cash+Box&rft.atitle=100+Top+Pops+%28Week+of+April+9%29&rft.pages=4&rft.date=1966-04-09&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-178"><a href="#cite_ref-178">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/item.aspx?IdNumber=2832&">"RPM 100 (April 18, 1966)"</a>. <a href="/wiki/Library_and_Archives_Canada" title="Library and Archives Canada">Library and Archives Canada</a>. July 17, 2013. Retrieved April 17, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=RPM+100+%28April+18%2C+1966%29&rft.pub=Library+and+Archives+Canada&rft.date=2013-07-17&rft_id=https%3A%2F%2Fwww.bac-lac.gc.ca%2Feng%2Fdiscover%2Ffilms-videos-sound-recordings%2Frpm%2FPages%2Fitem.aspx%3FIdNumber%3D2832%26&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014110-179"><a href="#cite_ref-FOOTNOTEBooneMoss2014110_179-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 110. </li> <li id="cite_note-FOOTNOTEBadman2004124–126-180"><a href="#cite_ref-FOOTNOTEBadman2004124–126_180-0">^</a> <a href="#CITEREFBadman2004">Badman 2004</a>, pp. 124–126. </li> <li id="cite_note-FOOTNOTEBooneMoss2014110–111-181"><a href="#cite_ref-FOOTNOTEBooneMoss2014110–111_181-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 110–111. </li> <li id="cite_note-FOOTNOTEBadman200475-182"><a href="#cite_ref-FOOTNOTEBadman200475_182-0">^</a> <a href="#CITEREFBadman2004">Badman 2004</a>, p. 75. </li> <li id="cite_note-FOOTNOTEPriore200745,_49-183"><a href="#cite_ref-FOOTNOTEPriore200745,_49_183-0">^</a> <a href="#CITEREFPriore2007">Priore 2007</a>, pp. 45, 49. </li> <li id="cite_note-FOOTNOTEWilsonGold1991138-184"><a href="#cite_ref-FOOTNOTEWilsonGold1991138_184-0">^</a> <a href="#CITEREFWilsonGold1991">Wilson & Gold 1991</a>, p. 138. </li> <li id="cite_note-FOOTNOTEDillon2012112-185">^ <a href="#cite_ref-FOOTNOTEDillon2012112_185-0">a</a> <a href="#cite_ref-FOOTNOTEDillon2012112_185-1">b</a> <a href="#CITEREFDillon2012">Dillon 2012</a>, p. 112. </li> <li id="cite_note-FOOTNOTEBooneMoss2014112-187">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014112_187-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014112_187-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 112. </li> <li id="cite_note-Alan_Jones-188">^ <a href="#cite_ref-Alan_Jones_188-0">a</a> <a href="#cite_ref-Alan_Jones_188-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJones1966" class="citation news cs1">Jones, Alan (May 2, 1966). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/121235459/sweet-music-from-the-lovin-spoonful/">"Sweet Music from the Lovin' Spoonful"</a>. <a href="/wiki/Lincolnshire_Echo" title="Lincolnshire Echo">Lincolnshire Echo</a>. p. 4 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Lincolnshire+Echo&rft.atitle=Sweet+Music+from+the+Lovin%27+Spoonful&rft.pages=4&rft.date=1966-05-02&rft.aulast=Jones&rft.aufirst=Alan&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F121235459%2Fsweet-music-from-the-lovin-spoonful%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-UK_charts-189">^ <a href="#cite_ref-UK_charts_189-0">a</a> <a href="#cite_ref-UK_charts_189-1">b</a> <a href="#cite_ref-UK_charts_189-2">c</a> <a href="#cite_ref-UK_charts_189-3">d</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.officialcharts.com/artist/12420/lovin-spoonful/">"Lovin' Spoonful"</a>. <a href="/wiki/Official_Charts_Company" title="Official Charts Company">Official Charts Company</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220816014342/https://www.officialcharts.com/artist/12420/lovin-spoonful/">Archived</a> from the original on August 16, 2022. Retrieved March 19, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Lovin%27+Spoonful&rft.pub=Official+Charts+Company&rft_id=https%3A%2F%2Fwww.officialcharts.com%2Fartist%2F12420%2Flovin-spoonful%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-190"><a href="#cite_ref-190">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFValentine1965" class="citation magazine cs1"><a href="/wiki/Penny_Valentine" title="Penny Valentine">Valentine, Penny</a> (October 2, 1965). "Penny Picks Your Pops: Searchers' sound gets tiresome". <a href="/wiki/Disc_(magazine)" title="Disc (magazine)">Disc and Music Echo</a>. p. 11. <q>Do You Believe in Magic (Pye Int.) ... Out tomorrow [Friday, October 1, 1965].</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Disc+and+Music+Echo&rft.atitle=Penny+Picks+Your+Pops%3A+Searchers%27+sound+gets+tiresome&rft.pages=11&rft.date=1965-10-02&rft.aulast=Valentine&rft.aufirst=Penny&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-191"><a href="#cite_ref-191">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1965" class="citation news cs1">Anon. (October 30, 1965). <a rel="nofollow" class="external text" href="https://www.newspapers.com/article/whitstable-times-record-review-this-gro/137684146/">"Record Review: This Group Won't Need Magic"</a>. Whitstable Times. p. 3 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>. <q>Sales [of 'Do You Believe in Magic'] are being affected by a near-copy turned out by another group ...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Whitstable+Times&rft.atitle=Record+Review%3A+This+Group+Won%27t+Need+Magic&rft.pages=3&rft.date=1965-10-30&rft.au=Anon.&rft_id=https%3A%2F%2Fwww.newspapers.com%2Farticle%2Fwhitstable-times-record-review-this-gro%2F137684146%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-192"><a href="#cite_ref-192">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDisker1965" class="citation news cs1">Disker (September 25, 1965). <a rel="nofollow" class="external text" href="https://www.newspapers.com/article/liverpool-echo-off-the-record-still-mor/137684007/">"Off the Record: Still More New Names"</a>. <a href="/wiki/Liverpool_Echo" title="Liverpool Echo">Liverpool Echo</a>. p. 4 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Liverpool+Echo&rft.atitle=Off+the+Record%3A+Still+More+New+Names&rft.pages=4&rft.date=1965-09-25&rft.au=Disker&rft_id=https%3A%2F%2Fwww.newspapers.com%2Farticle%2Fliverpool-echo-off-the-record-still-mor%2F137684007%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-193"><a href="#cite_ref-193">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1965" class="citation news cs1">Anon. (October 19, 1965). <a rel="nofollow" class="external text" href="https://www.newspapers.com/article/liverpool-echo-paul-still-no-1-in-ameri/137685499/">"Paul Still No. 1 in America"</a>. <a href="/wiki/Liverpool_Echo" title="Liverpool Echo">Liverpool Echo</a>. p. 13 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Liverpool+Echo&rft.atitle=Paul+Still+No.+1+in+America&rft.pages=13&rft.date=1965-10-19&rft.au=Anon.&rft_id=https%3A%2F%2Fwww.newspapers.com%2Farticle%2Fliverpool-echo-paul-still-no-1-in-ameri%2F137685499%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-194"><a href="#cite_ref-194">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFarmer1966" class="citation news cs1">Farmer, Bob (January 31, 1966). <a rel="nofollow" class="external text" href="https://newspapers.com/article/lincolnshire-echo-in-the-groove-mark-le/137686266/">"In the Groove: Mark Leeman May Yet Be 'A Name'"</a>. Lincolnshire Echo. p. 4 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Lincolnshire+Echo&rft.atitle=In+the+Groove%3A+Mark+Leeman+May+Yet+Be+%27A+Name%27&rft.pages=4&rft.date=1966-01-31&rft.aulast=Farmer&rft.aufirst=Bob&rft_id=https%3A%2F%2Fnewspapers.com%2Farticle%2Flincolnshire-echo-in-the-groove-mark-le%2F137686266%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014113-196"><a href="#cite_ref-FOOTNOTEBooneMoss2014113_196-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 113. </li> <li id="cite_note-FOOTNOTEColbyFitzpatrick200280-197"><a href="#cite_ref-FOOTNOTEColbyFitzpatrick200280_197-0">^</a> <a href="#CITEREFColbyFitzpatrick2002">Colby & Fitzpatrick 2002</a>, p. 80. </li> <li id="cite_note-198"><a href="#cite_ref-198">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 113; <a href="#CITEREFMoriarty1966">Moriarty 1966</a>. </li> <li id="cite_note-Runcorn_Guardian-199">^ <a href="#cite_ref-Runcorn_Guardian_199-0">a</a> <a href="#cite_ref-Runcorn_Guardian_199-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation news cs1">Anon. (April 7, 1966). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/121230444/news-of-the-pops-for-ready-steady-go/">"News of the Pops: For 'Ready, Steady Go'"</a>. The Runcorn Guardian. p. 6 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Runcorn+Guardian&rft.atitle=News+of+the+Pops%3A+For+%27Ready%2C+Steady+Go%27&rft.pages=6&rft.date=1966-04-07&rft.au=Anon.&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F121230444%2Fnews-of-the-pops-for-ready-steady-go%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTELee201518–19-200"><a href="#cite_ref-FOOTNOTELee201518–19_200-0">^</a> <a href="#CITEREFLee2015">Lee 2015</a>, pp. 18–19. </li> <li id="cite_note-FOOTNOTEBarone2022251-201">^ <a href="#cite_ref-FOOTNOTEBarone2022251_201-0">a</a> <a href="#cite_ref-FOOTNOTEBarone2022251_201-1">b</a> <a href="#CITEREFBarone2022">Barone 2022</a>, p. 251. </li> <li id="cite_note-FOOTNOTEAnon.1990-202">^ <a href="#cite_ref-FOOTNOTEAnon.1990_202-0">a</a> <a href="#cite_ref-FOOTNOTEAnon.1990_202-1">b</a> <a href="#cite_ref-FOOTNOTEAnon.1990_202-2">c</a> <a href="#cite_ref-FOOTNOTEAnon.1990_202-3">d</a> <a href="#CITEREFAnon.1990">Anon. 1990</a>. </li> <li id="cite_note-203"><a href="#cite_ref-203">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (April 16, 1966). "Spoonful here". <a href="/wiki/Melody_Maker" title="Melody Maker">Melody Maker</a>. p. 4. <q>The Lovin' Spoonful arrived in Britain on Tuesday – one day earlier than expected ...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Melody+Maker&rft.atitle=Spoonful+here&rft.pages=4&rft.date=1966-04-16&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-204"><a href="#cite_ref-204">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (May 14, 1966). "'Daydream' boys back in August". <a href="/wiki/Disc_(magazine)" title="Disc (magazine)">Disc and Music Echo</a>. p. 5.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Disc+and+Music+Echo&rft.atitle=%27Daydream%27+boys+back+in+August&rft.pages=5&rft.date=1966-05-14&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014116–117-205"><a href="#cite_ref-FOOTNOTEBooneMoss2014116–117_205-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 116–117. </li> <li id="cite_note-FOOTNOTEBooneMoss2014116–118-206"><a href="#cite_ref-FOOTNOTEBooneMoss2014116–118_206-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 116–118. </li> <li id="cite_note-FOOTNOTEBooneMoss2014117-207">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014117_207-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014117_207-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014117_207-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 117. </li> <li id="cite_note-FOOTNOTEHinman200482-208"><a href="#cite_ref-FOOTNOTEHinman200482_208-0">^</a> <a href="#CITEREFHinman2004">Hinman 2004</a>, p. 82. </li> <li id="cite_note-FOOTNOTEMiles2001229-209"><a href="#cite_ref-FOOTNOTEMiles2001229_209-0">^</a> <a href="#CITEREFMiles2001">Miles 2001</a>, p. 229. </li> <li id="cite_note-210"><a href="#cite_ref-210">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWelch1966" class="citation magazine cs1"><a href="/wiki/Chris_Welch" title="Chris Welch">Welch, Chris</a> (April 30, 1966). <a rel="nofollow" class="external text" href="https://www.rocksbackpages.com/Library/Article/knocking-down-a-myth">"Knocking Down a Myth"</a>. <a href="/wiki/Melody_Maker" title="Melody Maker">Melody Maker</a>. p. 9 – via <a href="/wiki/Rock%27s_Backpages" title="Rock's Backpages">Rock's Backpages</a>. <q>I saw the Lovin' Spoonful and they were nice and easy.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Melody+Maker&rft.atitle=Knocking+Down+a+Myth&rft.pages=9&rft.date=1966-04-30&rft.aulast=Welch&rft.aufirst=Chris&rft_id=https%3A%2F%2Fwww.rocksbackpages.com%2FLibrary%2FArticle%2Fknocking-down-a-myth&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014118-211">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014118_211-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014118_211-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014118_211-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 118. </li> <li id="cite_note-FOOTNOTETurner2016204-212"><a href="#cite_ref-FOOTNOTETurner2016204_212-0">^</a> <a href="#CITEREFTurner2016">Turner 2016</a>, p. 204. </li> <li id="cite_note-FOOTNOTEBooneMoss2014116,_118–119-213"><a href="#cite_ref-FOOTNOTEBooneMoss2014116,_118–119_213-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 116, 118–119. </li> <li id="cite_note-FOOTNOTETinniswood2021chap._14-214">^ <a href="#cite_ref-FOOTNOTETinniswood2021chap._14_214-0">a</a> <a href="#cite_ref-FOOTNOTETinniswood2021chap._14_214-1">b</a> <a href="#cite_ref-FOOTNOTETinniswood2021chap._14_214-2">c</a> <a href="#CITEREFTinniswood2021">Tinniswood 2021</a>, chap. 14. </li> <li id="cite_note-FOOTNOTEHoward2017248–249-215"><a href="#cite_ref-FOOTNOTEHoward2017248–249_215-0">^</a> <a href="#CITEREFHoward2017">Howard 2017</a>, pp. 248–249. </li> <li id="cite_note-FOOTNOTESheaRodriguez2007446-216"><a href="#cite_ref-FOOTNOTESheaRodriguez2007446_216-0">^</a> <a href="#CITEREFSheaRodriguez2007">Shea & Rodriguez 2007</a>, p. 446. </li> <li id="cite_note-FOOTNOTESavage2015135-217">^ <a href="#cite_ref-FOOTNOTESavage2015135_217-0">a</a> <a href="#cite_ref-FOOTNOTESavage2015135_217-1">b</a> <a href="#CITEREFSavage2015">Savage 2015</a>, p. 135. </li> <li id="cite_note-FOOTNOTEHoward2017249-218">^ <a href="#cite_ref-FOOTNOTEHoward2017249_218-0">a</a> <a href="#cite_ref-FOOTNOTEHoward2017249_218-1">b</a> <a href="#cite_ref-FOOTNOTEHoward2017249_218-2">c</a> <a href="#CITEREFHoward2017">Howard 2017</a>, p. 249. </li> <li id="cite_note-FOOTNOTESavage2015135–136-219"><a href="#cite_ref-FOOTNOTESavage2015135–136_219-0">^</a> <a href="#CITEREFSavage2015">Savage 2015</a>, pp. 135–136. </li> <li id="cite_note-FOOTNOTEBooneMoss2014119-220"><a href="#cite_ref-FOOTNOTEBooneMoss2014119_220-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 119. </li> <li id="cite_note-FOOTNOTEBooneMoss2014119–120-221"><a href="#cite_ref-FOOTNOTEBooneMoss2014119–120_221-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 119–120. </li> <li id="cite_note-FOOTNOTERogan2015274-222"><a href="#cite_ref-FOOTNOTERogan2015274_222-0">^</a> <a href="#CITEREFRogan2015">Rogan 2015</a>, p. 274. </li> <li id="cite_note-223"><a href="#cite_ref-223">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist" style="display:inline;"><ul style="display:inline;"><li style="margin-bottom:.5em; display:block;;display:inline; margin:0;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"NME Top Thirty". <a href="/wiki/New_Musical_Express" class="mw-redirect" title="New Musical Express">New Musical Express</a>. May 13, 1966. p. 5.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+Musical+Express&rft.atitle=NME+Top+Thirty&rft.pages=5&rft.date=1966-05-13&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li><li style="margin-bottom:.5em; display:block;;margin-top:.5em;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Melody Maker Pop 50". <a href="/wiki/Melody_Maker" title="Melody Maker">Melody Maker</a>. May 14, 1966. p. 2.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Melody+Maker&rft.atitle=Melody+Maker+Pop+50&rft.pages=2&rft.date=1966-05-14&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li><li style="margin-bottom:.5em; display:block;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Top 50". <a href="/wiki/Disc_and_Music_Echo" class="mw-redirect" title="Disc and Music Echo">Disc and Music Echo</a>. May 14, 1966. p. 3.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Disc+and+Music+Echo&rft.atitle=Top+50&rft.pages=3&rft.date=1966-05-14&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li></ul></div> </li> <li id="cite_note-FOOTNOTEHallberg1993271-224"><a href="#cite_ref-FOOTNOTEHallberg1993271_224-0">^</a> <a href="#CITEREFHallberg1993">Hallberg 1993</a>, p. 271. </li> <li id="cite_note-FOOTNOTEBooneMoss2014121–126-225"><a href="#cite_ref-FOOTNOTEBooneMoss2014121–126_225-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 121–126. </li> <li id="cite_note-FOOTNOTEBooneMoss2014127–128-226"><a href="#cite_ref-FOOTNOTEBooneMoss2014127–128_226-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 127–128. </li> <li id="cite_note-FOOTNOTEBooneMoss2014129–131-227"><a href="#cite_ref-FOOTNOTEBooneMoss2014129–131_227-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 129–131. </li> <li id="cite_note-FOOTNOTEBooneMoss2014130–131-228"><a href="#cite_ref-FOOTNOTEBooneMoss2014130–131_228-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 130–131. </li> <li id="cite_note-FOOTNOTEBooneMoss2014131–132-229"><a href="#cite_ref-FOOTNOTEBooneMoss2014131–132_229-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 131–132. </li> <li id="cite_note-FOOTNOTEBooneMoss2014132-230"><a href="#cite_ref-FOOTNOTEBooneMoss2014132_230-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 132. </li> <li id="cite_note-FOOTNOTEBooneMoss2014135–137-231"><a href="#cite_ref-FOOTNOTEBooneMoss2014135–137_231-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 135–137. </li> <li id="cite_note-FOOTNOTEBooneMoss2014134-232"><a href="#cite_ref-FOOTNOTEBooneMoss2014134_232-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 134. </li> <li id="cite_note-FOOTNOTESavage2015518-233"><a href="#cite_ref-FOOTNOTESavage2015518_233-0">^</a> <a href="#CITEREFSavage2015">Savage 2015</a>, p. 518. </li> <li id="cite_note-FOOTNOTEBooneMoss2014178–180-234"><a href="#cite_ref-FOOTNOTEBooneMoss2014178–180_234-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 178–180. </li> <li id="cite_note-FOOTNOTEBooneMoss2014173-235">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014173_235-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014173_235-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014173_235-2">c</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014173_235-3">d</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 173. </li> <li id="cite_note-FOOTNOTEBooneMoss2014178–180,_187–189-236"><a href="#cite_ref-FOOTNOTEBooneMoss2014178–180,_187–189_236-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 178–180, 187–189. </li> <li id="cite_note-AllMusic_bio-237">^ <a href="#cite_ref-AllMusic_bio_237-0">a</a> <a href="#cite_ref-AllMusic_bio_237-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger" class="citation web cs1"><a href="/wiki/Richie_Unterberger" title="Richie Unterberger">Unterberger, Richie</a>. <a rel="nofollow" class="external text" href="https://www.allmusic.com/artist/the-lovin-spoonful-mn0000052900/biography">"The Lovin' Spoonful biography"</a>. <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230514131315/https://www.allmusic.com/artist/the-lovin-spoonful-mn0000052900/biography">Archived</a> from the original on May 14, 2023. Retrieved August 2, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Lovin%27+Spoonful+biography&rft.pub=AllMusic&rft.aulast=Unterberger&rft.aufirst=Richie&rft_id=https%3A%2F%2Fwww.allmusic.com%2Fartist%2Fthe-lovin-spoonful-mn0000052900%2Fbiography&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-238"><a href="#cite_ref-238">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLydon2009" class="citation web cs1">Lydon, Michael (September 22, 2009). <a rel="nofollow" class="external text" href="https://www.criterion.com/current/posts/231-monterey-pop-the-first-rock-festival">"Monterey Pop: The First Rock Festival"</a>. <a href="/wiki/The_Criterion_Collection" title="The Criterion Collection">The Criterion Collection</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Criterion+Collection&rft.atitle=Monterey+Pop%3A+The+First+Rock+Festival&rft.date=2009-09-22&rft.aulast=Lydon&rft.aufirst=Michael&rft_id=https%3A%2F%2Fwww.criterion.com%2Fcurrent%2Fposts%2F231-monterey-pop-the-first-rock-festival&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> Originally written in 1967 for Newsweek magazine, whose editors reduced it from 43 to 10 paragraphs. Printed in full in the 2003 book Flashbacks <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-96644-3" title="Special:BookSources/978-0-415-96644-3">978-0-415-96644-3</a>. </li> <li id="cite_note-AllMusic_SitC-239">^ <a href="#cite_ref-AllMusic_SitC_239-0">a</a> <a href="#cite_ref-AllMusic_SitC_239-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger" class="citation web cs1"><a href="/wiki/Richie_Unterberger" title="Richie Unterberger">Unterberger, Richie</a>. <a rel="nofollow" class="external text" href="https://www.allmusic.com/song/summer-in-the-city-mt0013293678">"Summer in the City – The Lovin' Spoonful"</a>. <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210811073122/https://www.allmusic.com/song/summer-in-the-city-mt0013293678">Archived</a> from the original on August 11, 2021. Retrieved February 27, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Summer+in+the+City+%E2%80%93+The+Lovin%27+Spoonful&rft.pub=AllMusic&rft.aulast=Unterberger&rft.aufirst=Richie&rft_id=https%3A%2F%2Fwww.allmusic.com%2Fsong%2Fsummer-in-the-city-mt0013293678&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-Summer_in_the_City_UNCUT-240">^ <a href="#cite_ref-Summer_in_the_City_UNCUT_240-0">a</a> <a href="#cite_ref-Summer_in_the_City_UNCUT_240-1">b</a> <a href="#cite_ref-Summer_in_the_City_UNCUT_240-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRichards2021" class="citation magazine cs1">Richards, Sam (September 2021). Bonner, Michael (ed.). <a rel="nofollow" class="external text" href="https://archive.org/details/uncut-september-2021/page/92/">"The Making of ... Summer in the City by The Lovin' Spoonful"</a>. <a href="/wiki/Uncut_(magazine)" title="Uncut (magazine)">UNCUT</a>. No. 292. pp. 92–94.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=UNCUT&rft.atitle=The+Making+of%3Cspan+class%3D%22nowrap%22%3E+%3C%2Fspan%3E...+Summer+in+the+City+by+The+Lovin%27+Spoonful&rft.issue=292&rft.pages=92-94&rft.date=2021-09&rft.aulast=Richards&rft.aufirst=Sam&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Funcut-september-2021%2Fpage%2F92%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-nytimes-241"><a href="#cite_ref-nytimes_241-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBesonen2018" class="citation news cs1">Besonen, Julie (August 9, 2018). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2018/08/09/nyregion/summer-in-the-city-lovin-spoonful-soundtrack-for-city-summer.html">"How 'Summer in the City' Became the Soundtrack for Every City Summer"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210601194710/https://www.nytimes.com/2018/08/09/nyregion/summer-in-the-city-lovin-spoonful-soundtrack-for-city-summer.html">Archived</a> from the original on June 1, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=How+%27Summer+in+the+City%27+Became+the+Soundtrack+for+Every+City+Summer&rft.date=2018-08-09&rft.aulast=Besonen&rft.aufirst=Julie&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2018%2F08%2F09%2Fnyregion%2Fsummer-in-the-city-lovin-spoonful-soundtrack-for-city-summer.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014141-242">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014141_242-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014141_242-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 141. </li> <li id="cite_note-FOOTNOTEBooneMoss2014139,_141-243"><a href="#cite_ref-FOOTNOTEBooneMoss2014139,_141_243-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 139, 141. </li> <li id="cite_note-244"><a href="#cite_ref-244">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (May 23, 1966). "Chris Montez – Top Seller for Quality Records". <a href="/wiki/RPM_(magazine)" title="RPM (magazine)">RPM</a>. p. 7.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=RPM&rft.atitle=Chris+Montez+%E2%80%93+Top+Seller+for+Quality+Records&rft.pages=7&rft.date=1966-05-23&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-Music_Capitals-245"><a href="#cite_ref-Music_Capitals_245-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (January 15, 1966). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=7SgEAAAAMBAJ&pg=PA28">"Music Capitals of the World"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. p. 28 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Music+Capitals+of+the+World&rft.pages=28&rft.date=1966-01-15&rft.au=Anon.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D7SgEAAAAMBAJ%26pg%3DPA28&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-246"><a href="#cite_ref-246">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/item.aspx?IdNumber=9265&">"RPM 100 (February 21, 1966)"</a>. <a href="/wiki/Library_and_Archives_Canada" title="Library and Archives Canada">Library and Archives Canada</a>. July 17, 2013. Retrieved April 13, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=RPM+100+%28February+21%2C+1966%29&rft.pub=Library+and+Archives+Canada&rft.date=2013-07-17&rft_id=https%3A%2F%2Fwww.bac-lac.gc.ca%2Feng%2Fdiscover%2Ffilms-videos-sound-recordings%2Frpm%2FPages%2Fitem.aspx%3FIdNumber%3D9265%26&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-Canada-247"><a href="#cite_ref-Canada_247-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/item.aspx?IdNumber=2819&">"RPM 100 (July 11, 1966)"</a>. <a href="/wiki/Library_and_Archives_Canada" title="Library and Archives Canada">Library and Archives Canada</a>. July 17, 2013. Retrieved April 17, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=RPM+100+%28July+11%2C+1966%29&rft.pub=Library+and+Archives+Canada&rft.date=2013-07-17&rft_id=https%3A%2F%2Fwww.bac-lac.gc.ca%2Feng%2Fdiscover%2Ffilms-videos-sound-recordings%2Frpm%2FPages%2Fitem.aspx%3FIdNumber%3D2819%26&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTESavage2015556-249"><a href="#cite_ref-FOOTNOTESavage2015556_249-0">^</a> <a href="#CITEREFSavage2015">Savage 2015</a>, p. 556. </li> <li id="cite_note-FOOTNOTEBooneMoss2014139-250"><a href="#cite_ref-FOOTNOTEBooneMoss2014139_250-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 139. </li> <li id="cite_note-251"><a href="#cite_ref-251">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (May 21, 1966). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=8SgEAAAAMBAJ&pg=PA41">"International News Reports: Canada"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. p. 41 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>. <q>After breaking the Lovin' Spoonful's 'Did You Ever Have to Make Up Your Mind' in Canada prior to its release in the U.S. ... Quality Records has another Canadian exclusive from Kama Sutra with the Lovin' Spoonful's 'Jug Band Music,' ...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=International+News+Reports%3A+Canada&rft.pages=41&rft.date=1966-05-21&rft.au=Anon.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D8SgEAAAAMBAJ%26pg%3DPA41&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-RPM_Canada-252"><a href="#cite_ref-RPM_Canada_252-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/item.aspx?IdNumber=2920&">"RPM 100 (June 27, 1966)"</a>. <a href="/wiki/Library_and_Archives_Canada" title="Library and Archives Canada">Library and Archives Canada</a>. July 17, 2013. Retrieved April 14, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=RPM+100+%28June+27%2C+1966%29&rft.pub=Library+and+Archives+Canada&rft.date=2013-07-17&rft_id=https%3A%2F%2Fwww.bac-lac.gc.ca%2Feng%2Fdiscover%2Ffilms-videos-sound-recordings%2Frpm%2FPages%2Fitem.aspx%3FIdNumber%3D2920%26&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEHallbergHenningsson2012450-253"><a href="#cite_ref-FOOTNOTEHallbergHenningsson2012450_253-0">^</a> <a href="#CITEREFHallbergHenningsson2012">Hallberg & Henningsson 2012</a>, p. 450. </li> <li id="cite_note-255"><a href="#cite_ref-255">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Billboard Top LP's". <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. June 11, 1966. p. 42.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Billboard+Top+LP%27s&rft.pages=42&rft.date=1966-06-11&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBarone2022249-256"><a href="#cite_ref-FOOTNOTEBarone2022249_256-0">^</a> <a href="#CITEREFBarone2022">Barone 2022</a>, p. 249. </li> <li id="cite_note-FOOTNOTESavage2015283-257">^ <a href="#cite_ref-FOOTNOTESavage2015283_257-0">a</a> <a href="#cite_ref-FOOTNOTESavage2015283_257-1">b</a> <a href="#CITEREFSavage2015">Savage 2015</a>, p. 283. </li> <li id="cite_note-FOOTNOTEBooneMoss2014144-258">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014144_258-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014144_258-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 144. </li> <li id="cite_note-FOOTNOTERodriguez201275-259"><a href="#cite_ref-FOOTNOTERodriguez201275_259-0">^</a> <a href="#CITEREFRodriguez2012">Rodriguez 2012</a>, p. 75. </li> <li id="cite_note-260"><a href="#cite_ref-260">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Cash Box Top 100 – Week of August 20, 1966". <a href="/wiki/Cashbox_(magazine)" title="Cashbox (magazine)">Cash Box</a>. August 20, 1966. p. 4.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Cash+Box&rft.atitle=Cash+Box+Top+100+%E2%80%93+Week+of+August+20%2C+1966&rft.pages=4&rft.date=1966-08-20&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-261"><a href="#cite_ref-261">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Record World 100 Top Pops – Week of August 20, 1966". <a href="/wiki/Record_World" title="Record World">Record World</a>. August 20, 1966. p. 19.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Record+World&rft.atitle=Record+World+100+Top+Pops+%E2%80%93+Week+of+August+20%2C+1966&rft.pages=19&rft.date=1966-08-20&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-262"><a href="#cite_ref-262">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/item.aspx?IdNumber=2825&">"RPM 100 (August 22, 1966)"</a>. <a href="/wiki/RPM_(magazine)" title="RPM (magazine)">RPM</a>. July 17, 2013. Retrieved September 23, 2023 – via <a href="/wiki/Library_and_Archives_Canada" title="Library and Archives Canada">Library and Archives Canada</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=RPM&rft.atitle=RPM+100+%28August+22%2C+1966%29&rft.date=2013-07-17&rft_id=https%3A%2F%2Fwww.bac-lac.gc.ca%2Feng%2Fdiscover%2Ffilms-videos-sound-recordings%2Frpm%2FPages%2Fitem.aspx%3FIdNumber%3D2825%26&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMacDonald2007202n3,_214n1-263"><a href="#cite_ref-FOOTNOTEMacDonald2007202n3,_214n1_263-0">^</a> <a href="#CITEREFMacDonald2007">MacDonald 2007</a>, pp. 202n3, 214n1. </li> <li id="cite_note-FOOTNOTEWilliams200269-264">^ <a href="#cite_ref-FOOTNOTEWilliams200269_264-0">a</a> <a href="#cite_ref-FOOTNOTEWilliams200269_264-1">b</a> <a href="#cite_ref-FOOTNOTEWilliams200269_264-2">c</a> <a href="#cite_ref-FOOTNOTEWilliams200269_264-3">d</a> <a href="#CITEREFWilliams2002">Williams 2002</a>, p. 69. </li> <li id="cite_note-265"><a href="#cite_ref-265">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (July 2, 1966). "Lovin' Spoonful sign for October tour". <a href="/wiki/Melody_Maker" title="Melody Maker">Melody Maker</a>. p. 5.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Melody+Maker&rft.atitle=Lovin%27+Spoonful+sign+for+October+tour&rft.pages=5&rft.date=1966-07-02&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-266"><a href="#cite_ref-266">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (July 16, 1966). "Dusty, Spoon Tour". <a href="/wiki/Melody_Maker" title="Melody Maker">Melody Maker</a>. p. 6. <q>Dusty Springfield and the Lovin' Spoonful are to tour Britain for two weeks at the end of September [1966]. ... The tour will probably open at the Finsbury Park Empire on September 27 and will play major concert dates.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Melody+Maker&rft.atitle=Dusty%2C+Spoon+Tour&rft.pages=6&rft.date=1966-07-16&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-Spoonful-Springfield_tour-267">^ <a href="#cite_ref-Spoonful-Springfield_tour_267-0">a</a> <a href="#cite_ref-Spoonful-Springfield_tour_267-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (September 24, 1966). "International Section: Great Britain". <a href="/wiki/Cashbox_(magazine)" title="Cashbox (magazine)">Cash Box</a>. p. 60. <q>[The] Spanish group Los Bravos [are] replacing the Lovin' Spoonful on Dusty Springfield's autumn British tour ...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Cash+Box&rft.atitle=International+Section%3A+Great+Britain&rft.pages=60&rft.date=1966-09-24&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-268"><a href="#cite_ref-268">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (October 8, 1966). "'Shame about the Spoonful'". <a href="/wiki/Disc_(magazine)" title="Disc (magazine)">Disc and Music Echo</a>. p. 8.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Disc+and+Music+Echo&rft.atitle=%27Shame+about+the+Spoonful%27&rft.pages=8&rft.date=1966-10-08&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-269"><a href="#cite_ref-269">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (October 8, 1966). "Vaudevilles Replace Bravos". <a href="/wiki/Record_Mirror" title="Record Mirror">Record Mirror</a>. p. 4. <q>The New Vaudeville Band have replaced Los Bravos on the Dusty Springfield–Alan Price Set tour. ... Before the tour began, the Lovin' Spoonful said they would not appear and Los Bravos were signed to take their place.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Record+Mirror&rft.atitle=Vaudevilles+Replace+Bravos&rft.pages=4&rft.date=1966-10-08&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-270"><a href="#cite_ref-270">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (November 19, 1966). "Big US Groups to Tour Here: Spoonful due in May". <a href="/wiki/Disc_(magazine)" title="Disc (magazine)">Disc and Music Echo</a>. p. 5.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Disc+and+Music+Echo&rft.atitle=Big+US+Groups+to+Tour+Here%3A+Spoonful+due+in+May&rft.pages=5&rft.date=1966-11-19&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201479,_115-271"><a href="#cite_ref-FOOTNOTEBooneMoss201479,_115_271-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 79, 115. </li> <li id="cite_note-272"><a href="#cite_ref-272">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (September 17, 1966). "Lovin' Spoonful – why we didn't come to Britain". <a href="/wiki/Disc_(magazine)" title="Disc (magazine)">Disc and Music Echo</a>. p. 7.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Disc+and+Music+Echo&rft.atitle=Lovin%27+Spoonful+%E2%80%93+why+we+didn%27t+come+to+Britain&rft.pages=7&rft.date=1966-09-17&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-274"><a href="#cite_ref-274">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (September 17, 1966). "Spoonful Tour Here in April". <a href="/wiki/Disc_(magazine)" title="Disc (magazine)">Disc and Music Echo</a>. p. 4.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Disc+and+Music+Echo&rft.atitle=Spoonful+Tour+Here+in+April&rft.pages=4&rft.date=1966-09-17&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEUnterberger2003265–266-275"><a href="#cite_ref-FOOTNOTEUnterberger2003265–266_275-0">^</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, pp. 265–266. </li> <li id="cite_note-FOOTNOTELenhoffRobertson2019126-276">^ <a href="#cite_ref-FOOTNOTELenhoffRobertson2019126_276-0">a</a> <a href="#cite_ref-FOOTNOTELenhoffRobertson2019126_276-1">b</a> <a href="#cite_ref-FOOTNOTELenhoffRobertson2019126_276-2">c</a> <a href="#CITEREFLenhoffRobertson2019">Lenhoff & Robertson 2019</a>, p. 126. </li> <li id="cite_note-FOOTNOTEUnterberger2003266-277">^ <a href="#cite_ref-FOOTNOTEUnterberger2003266_277-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2003266_277-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger2003266_277-2">c</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 266. </li> <li id="cite_note-FOOTNOTEWald2015298-278"><a href="#cite_ref-FOOTNOTEWald2015298_278-0">^</a> <a href="#CITEREFWald2015">Wald 2015</a>, p. 298. </li> <li id="cite_note-279"><a href="#cite_ref-279">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShelton1966" class="citation news cs1"><a href="/wiki/Robert_Shelton_(critic)" title="Robert Shelton (critic)">Shelton, Robert</a> (July 25, 1966). <a rel="nofollow" class="external text" href="https://nyti.ms/47suqlM">"A Fare-Thee-Well for Newport Sing: 6th Folk Festival Ends, But All Did Not Go Smoothly"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. p. L23 – via <a href="/wiki/TimesMachine" class="mw-redirect" title="TimesMachine">TimesMachine</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=A+Fare-Thee-Well+for+Newport+Sing%3A+6th+Folk+Festival+Ends%2C+But+All+Did+Not+Go+Smoothly&rft.pages=L23&rft.date=1966-07-25&rft.aulast=Shelton&rft.aufirst=Robert&rft_id=https%3A%2F%2Fnyti.ms%2F47suqlM&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEDiken2003-280">^ <a href="#cite_ref-FOOTNOTEDiken2003_280-0">a</a> <a href="#cite_ref-FOOTNOTEDiken2003_280-1">b</a> <a href="#cite_ref-FOOTNOTEDiken2003_280-2">c</a> <a href="#cite_ref-FOOTNOTEDiken2003_280-3">d</a> <a href="#cite_ref-FOOTNOTEDiken2003_280-4">e</a> <a href="#cite_ref-FOOTNOTEDiken2003_280-5">f</a> <a href="#CITEREFDiken2003">Diken 2003</a>. </li> <li id="cite_note-FOOTNOTEBooneMoss2014145-281"><a href="#cite_ref-FOOTNOTEBooneMoss2014145_281-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 145. </li> <li id="cite_note-FOOTNOTEZimmermanZimmerman2004113-282"><a href="#cite_ref-FOOTNOTEZimmermanZimmerman2004113_282-0">^</a> <a href="#CITEREFZimmermanZimmerman2004">Zimmerman & Zimmerman 2004</a>, p. 113. </li> <li id="cite_note-283"><a href="#cite_ref-283">^</a> <a href="#CITEREFBarone2022">Barone 2022</a>, p. 251: (diminished preorders, disappointing reaction); <a href="#CITEREFAnon.1990">Anon. 1990</a>: (August 1966). </li> <li id="cite_note-FOOTNOTEBooneMoss2014147–148-284">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014147–148_284-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014147–148_284-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 147–148. </li> <li id="cite_note-FOOTNOTEBooneMoss2014148–149-285"><a href="#cite_ref-FOOTNOTEBooneMoss2014148–149_285-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 148–149. </li> <li id="cite_note-FOOTNOTESavage2015284-286"><a href="#cite_ref-FOOTNOTESavage2015284_286-0">^</a> <a href="#CITEREFSavage2015">Savage 2015</a>, p. 284. </li> <li id="cite_note-FOOTNOTEBooneMoss2014149-287">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014149_287-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014149_287-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014149_287-2">c</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014149_287-3">d</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 149. </li> <li id="cite_note-FOOTNOTESavage2015561-288"><a href="#cite_ref-FOOTNOTESavage2015561_288-0">^</a> <a href="#CITEREFSavage2015">Savage 2015</a>, p. 561. </li> <li id="cite_note-FOOTNOTERodriguez2012252-289"><a href="#cite_ref-FOOTNOTERodriguez2012252_289-0">^</a> <a href="#CITEREFRodriguez2012">Rodriguez 2012</a>, p. 252. </li> <li id="cite_note-290"><a href="#cite_ref-290">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1966" class="citation magazine cs1">Anon. (December 31, 1966). <a rel="nofollow" class="external text" href="http://krlabeat.sakionline.net/issue/31dec66.pdf">"What a Crazy World"</a> (PDF). <a href="/wiki/KRLA_Beat" title="KRLA Beat">KRLA Beat</a>. p. 8.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=KRLA+Beat&rft.atitle=What+a+Crazy+World&rft.pages=8&rft.date=1966-12-31&rft.au=Anon.&rft_id=http%3A%2F%2Fkrlabeat.sakionline.net%2Fissue%2F31dec66.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEUnterberger2002185,_212-291"><a href="#cite_ref-FOOTNOTEUnterberger2002185,_212_291-0">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, pp. 185, 212. </li> <li id="cite_note-FOOTNOTESavage2015544–545-292"><a href="#cite_ref-FOOTNOTESavage2015544–545_292-0">^</a> <a href="#CITEREFSavage2015">Savage 2015</a>, pp. 544–545. </li> <li id="cite_note-1966_Top_Artists-293"><a href="#cite_ref-1966_Top_Artists_293-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Top Singles Artists of 1966". <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. December 24, 1966. pp. 14, 18–19.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Top+Singles+Artists+of+1966&rft.pages=14%2C+18-19&rft.date=1966-12-24&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-1966_Top_Records-294">^ <a href="#cite_ref-1966_Top_Records_294-0">a</a> <a href="#cite_ref-1966_Top_Records_294-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=hSIEAAAAMBAJ">"Top Records of 1966"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. December 24, 1966. p. 34 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Top+Records+of+1966&rft.pages=34&rft.date=1966-12-24&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DhSIEAAAAMBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014163–164-296">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014163–164_296-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014163–164_296-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014163–164_296-2">c</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014163–164_296-3">d</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014163–164_296-4">e</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 163–164. </li> <li id="cite_note-FOOTNOTEMyers201775-297"><a href="#cite_ref-FOOTNOTEMyers201775_297-0">^</a> <a href="#CITEREFMyers2017">Myers 2017</a>, p. 75. </li> <li id="cite_note-FOOTNOTEMyers201777-298">^ <a href="#cite_ref-FOOTNOTEMyers201777_298-0">a</a> <a href="#cite_ref-FOOTNOTEMyers201777_298-1">b</a> <a href="#cite_ref-FOOTNOTEMyers201777_298-2">c</a> <a href="#CITEREFMyers2017">Myers 2017</a>, p. 77. </li> <li id="cite_note-FOOTNOTEMyers201775–76-299"><a href="#cite_ref-FOOTNOTEMyers201775–76_299-0">^</a> <a href="#CITEREFMyers2017">Myers 2017</a>, pp. 75–76. </li> <li id="cite_note-FOOTNOTEMyers201776-300"><a href="#cite_ref-FOOTNOTEMyers201776_300-0">^</a> <a href="#CITEREFMyers2017">Myers 2017</a>, p. 76. </li> <li id="cite_note-FOOTNOTEBooneMoss2014164-301"><a href="#cite_ref-FOOTNOTEBooneMoss2014164_301-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 164. </li> <li id="cite_note-FOOTNOTEBooneMoss2014170-302">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014170_302-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014170_302-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014170_302-2">c</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014170_302-3">d</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014170_302-4">e</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 170. </li> <li id="cite_note-FOOTNOTEBooneMoss2014165-303"><a href="#cite_ref-FOOTNOTEBooneMoss2014165_303-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 165. </li> <li id="cite_note-FOOTNOTEBooneMoss2014165–166-304"><a href="#cite_ref-FOOTNOTEBooneMoss2014165–166_304-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 165–166. </li> <li id="cite_note-FOOTNOTEBooneMoss2014167–168-305"><a href="#cite_ref-FOOTNOTEBooneMoss2014167–168_305-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 167–168. </li> <li id="cite_note-306"><a href="#cite_ref-306">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFH.I.M._KLEO_Good_Guy1967" class="citation news cs1">H.I.M. KLEO Good Guy (July 12, 1967). "Peach Blight". <a href="/wiki/The_Wichita_Beacon" class="mw-redirect" title="The Wichita Beacon">The Wichita Beacon</a>. p. 8B.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Wichita+Beacon&rft.atitle=Peach+Blight&rft.pages=8B&rft.date=1967-07-12&rft.au=H.I.M.+KLEO+Good+Guy&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014174–175-308"><a href="#cite_ref-FOOTNOTEBooneMoss2014174–175_308-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 174–175. </li> <li id="cite_note-FOOTNOTEUnterberger2003124-309"><a href="#cite_ref-FOOTNOTEUnterberger2003124_309-0">^</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 124. </li> <li id="cite_note-FOOTNOTEBooneMoss2014175-310"><a href="#cite_ref-FOOTNOTEBooneMoss2014175_310-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 175. </li> <li id="cite_note-FOOTNOTEBooneMoss2014175–176-311">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014175–176_311-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014175–176_311-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 175–176. </li> <li id="cite_note-312"><a href="#cite_ref-312">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1967" class="citation magazine cs1">Anon. (July 1, 1967). "Zal quits Spoonful – new boy in". <a href="/wiki/Disc_and_Music_Echo" class="mw-redirect" title="Disc and Music Echo">Disc and Music Echo</a>. p. 4.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Disc+and+Music+Echo&rft.atitle=Zal+quits+Spoonful+%E2%80%93+new+boy+in&rft.pages=4&rft.date=1967-07-01&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014176-313"><a href="#cite_ref-FOOTNOTEBooneMoss2014176_313-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 176. </li> <li id="cite_note-FOOTNOTEReesCrampton1991317-314">^ <a href="#cite_ref-FOOTNOTEReesCrampton1991317_314-0">a</a> <a href="#cite_ref-FOOTNOTEReesCrampton1991317_314-1">b</a> <a href="#cite_ref-FOOTNOTEReesCrampton1991317_314-2">c</a> <a href="#CITEREFReesCrampton1991">Rees & Crampton 1991</a>, p. 317. </li> <li id="cite_note-FHMF-315"><a href="#cite_ref-FHMF_315-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilson1967" class="citation news cs1"><a href="/wiki/John_S._Wilson_(music_critic)" title="John S. Wilson (music critic)">Wilson, John S.</a> (June 26, 1967). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1967/06/26/archives/lovin-spoonful-at-forest-hills-opening-festival-concert-is-last-for.html">"Lovin' Spoonful at Forest Hills: Opening Festival Concert Is Last for Guitarist"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. p. 36 – via <a href="/wiki/TimesMachine" class="mw-redirect" title="TimesMachine">TimesMachine</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Lovin%27+Spoonful+at+Forest+Hills%3A+Opening+Festival+Concert+Is+Last+for+Guitarist&rft.pages=36&rft.date=1967-06-26&rft.aulast=Wilson&rft.aufirst=John+S.&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1967%2F06%2F26%2Farchives%2Flovin-spoonful-at-forest-hills-opening-festival-concert-is-last-for.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014178-316"><a href="#cite_ref-FOOTNOTEBooneMoss2014178_316-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 178. </li> <li id="cite_note-317"><a href="#cite_ref-317">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFisk1966" class="citation magazine cs1">Fisk, Thermon (July 9, 1966). "Gene Clark: 'You Have to Hear It and See Yourself'". <a href="/wiki/KRLA_Beat" title="KRLA Beat">KRLA Beat</a>. p. 3. <q>[I]n the pop world recently ... [s]everal groups have been affected by break-ups ... among these ... [are] the MFQ – who are now completely defunct as a group ...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=KRLA+Beat&rft.atitle=Gene+Clark%3A+%27You+Have+to+Hear+It+and+See+Yourself%27&rft.pages=3&rft.date=1966-07-09&rft.aulast=Fisk&rft.aufirst=Thermon&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014178–179-318">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014178–179_318-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014178–179_318-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014178–179_318-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 178–179. </li> <li id="cite_note-FOOTNOTEBooneMoss2014180–181-320"><a href="#cite_ref-FOOTNOTEBooneMoss2014180–181_320-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 180–181. </li> <li id="cite_note-FOOTNOTEBooneMoss2014186–187-321"><a href="#cite_ref-FOOTNOTEBooneMoss2014186–187_321-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 186–187. </li> <li id="cite_note-FOOTNOTEBooneMoss2014182,_189-322"><a href="#cite_ref-FOOTNOTEBooneMoss2014182,_189_322-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 182, 189. </li> <li id="cite_note-FOOTNOTEBooneMoss2014182-323">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014182_323-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014182_323-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014182_323-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 182. </li> <li id="cite_note-FOOTNOTEBooneMoss2014187-324"><a href="#cite_ref-FOOTNOTEBooneMoss2014187_324-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 187. </li> <li id="cite_note-FOOTNOTEBooneMoss2014183-325"><a href="#cite_ref-FOOTNOTEBooneMoss2014183_325-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 183. </li> <li id="cite_note-FOOTNOTEHill2003-326"><a href="#cite_ref-FOOTNOTEHill2003_326-0">^</a> <a href="#CITEREFHill2003">Hill 2003</a>. </li> <li id="cite_note-FOOTNOTEBooneMoss2014189-327"><a href="#cite_ref-FOOTNOTEBooneMoss2014189_327-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 189. </li> <li id="cite_note-FOOTNOTEBooneMoss2014189–190-328"><a href="#cite_ref-FOOTNOTEBooneMoss2014189–190_328-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 189–190. </li> <li id="cite_note-FOOTNOTEBooneMoss2014192-329"><a href="#cite_ref-FOOTNOTEBooneMoss2014192_329-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 192. </li> <li id="cite_note-Johnson-330"><a href="#cite_ref-Johnson_330-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">Johnson, Pete (September 30, 1968). <a rel="nofollow" class="external text" href="https://www.newspapers.com/clip/96867524/john-sebastian/">"Spoonful of Talent Out on His Own"</a>. <a href="/wiki/The_Los_Angeles_Times" class="mw-redirect" title="The Los Angeles Times">The Los Angeles Times</a>. p. IV-18 – via <a href="/wiki/Newspapers.com" class="mw-redirect" title="Newspapers.com">Newspapers.com</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Los+Angeles+Times&rft.atitle=Spoonful+of+Talent+Out+on+His+Own&rft.pages=IV-18&rft.date=1968-09-30&rft.aulast=Johnson&rft.aufirst=Pete&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fclip%2F96867524%2Fjohn-sebastian%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-331"><a href="#cite_ref-331">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1968" class="citation magazine cs1">Anon. (September 7, 1968). "Executive Turntable". <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. pp. 6, 86.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Executive+Turntable&rft.pages=6%2C+86&rft.date=1968-09-07&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEHjort2008197-332">^ <a href="#cite_ref-FOOTNOTEHjort2008197_332-0">a</a> <a href="#cite_ref-FOOTNOTEHjort2008197_332-1">b</a> <a href="#CITEREFHjort2008">Hjort 2008</a>, p. 197. </li> <li id="cite_note-FOOTNOTENixon2003615-333">^ <a href="#cite_ref-FOOTNOTENixon2003615_333-0">a</a> <a href="#cite_ref-FOOTNOTENixon2003615_333-1">b</a> <a href="#CITEREFNixon2003">Nixon 2003</a>, p. 615. </li> <li id="cite_note-FOOTNOTEBooneMoss2014192,_195–196-334"><a href="#cite_ref-FOOTNOTEBooneMoss2014192,_195–196_334-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 192, 195–196. </li> <li id="cite_note-FOOTNOTEBooneMoss2014196-335">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014196_335-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014196_335-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 196. </li> <li id="cite_note-FOOTNOTEBooneMoss2014191-336"><a href="#cite_ref-FOOTNOTEBooneMoss2014191_336-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 191. </li> <li id="cite_note-FOOTNOTEBooneMoss2014196,_255-337"><a href="#cite_ref-FOOTNOTEBooneMoss2014196,_255_337-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 196, 255. </li> <li id="cite_note-FOOTNOTEShea2023343-338"><a href="#cite_ref-FOOTNOTEShea2023343_338-0">^</a> <a href="#CITEREFShea2023">Shea 2023</a>, p. 343. </li> <li id="cite_note-FOOTNOTEPollock200994–95-339"><a href="#cite_ref-FOOTNOTEPollock200994–95_339-0">^</a> <a href="#CITEREFPollock2009">Pollock 2009</a>, pp. 94–95. </li> <li id="cite_note-FOOTNOTEUnterberger2006a-340">^ <a href="#cite_ref-FOOTNOTEUnterberger2006a_340-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2006a_340-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger2006a_340-2">c</a> <a href="#CITEREFUnterberger2006a">Unterberger 2006a</a>. </li> <li id="cite_note-FOOTNOTEUnterberger2003203-341">^ <a href="#cite_ref-FOOTNOTEUnterberger2003203_341-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2003203_341-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger2003203_341-2">c</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 203. </li> <li id="cite_note-FOOTNOTEPollock200994-342"><a href="#cite_ref-FOOTNOTEPollock200994_342-0">^</a> <a href="#CITEREFPollock2009">Pollock 2009</a>, p. 94. </li> <li id="cite_note-FOOTNOTEUnterberger2003206–207-344"><a href="#cite_ref-FOOTNOTEUnterberger2003206–207_344-0">^</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, pp. 206–207. </li> <li id="cite_note-FOOTNOTEBooneMoss2014207-345"><a href="#cite_ref-FOOTNOTEBooneMoss2014207_345-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 207. </li> <li id="cite_note-FOOTNOTEUnterberger2003278-346"><a href="#cite_ref-FOOTNOTEUnterberger2003278_346-0">^</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 278. </li> <li id="cite_note-FOOTNOTEUnterberger2003290-347"><a href="#cite_ref-FOOTNOTEUnterberger2003290_347-0">^</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 290. </li> <li id="cite_note-FOOTNOTEBooneMoss2014255-348">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014255_348-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014255_348-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 255. </li> <li id="cite_note-FOOTNOTEUnterberger2006c-349"><a href="#cite_ref-FOOTNOTEUnterberger2006c_349-0">^</a> <a href="#CITEREFUnterberger2006c">Unterberger 2006c</a>. </li> <li id="cite_note-350"><a href="#cite_ref-350">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1967" class="citation magazine cs1">Anon. (September 23, 1967). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=XCgEAAAAMBAJ&pg=PA8">"Zal Yanovsky"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. p. 8 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Zal+Yanovsky&rft.pages=8&rft.date=1967-09-23&rft.au=Anon.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DXCgEAAAAMBAJ%26pg%3DPA8&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-351"><a href="#cite_ref-351">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBillboard_Review_Panel1967" class="citation magazine cs1">Billboard Review Panel (September 23, 1967). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=XCgEAAAAMBAJ&pg=PA18">"Spotlight Singles"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. p. 18 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Spotlight+Singles&rft.pages=18&rft.date=1967-09-23&rft.au=%27%27Billboard%27%27+Review+Panel&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DXCgEAAAAMBAJ%26pg%3DPA18&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-352"><a href="#cite_ref-352">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1967" class="citation magazine cs1">Anon. (September 30, 1967). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=WygEAAAAMBAJ&pg=PA1">"Zalman (Zally) Yanovsky advertisement"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. p. 1 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Zalman+%28Zally%29+Yanovsky+advertisement&rft.pages=1&rft.date=1967-09-30&rft.au=Anon.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DWygEAAAAMBAJ%26pg%3DPA1&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-353"><a href="#cite_ref-353">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=VCgEAAAAMBAJ&pg=PA41">"Bubbling Under the Hot 100"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. October 28, 1967. p. 41 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Bubbling+Under+the+Hot+100&rft.pages=41&rft.date=1967-10-28&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DVCgEAAAAMBAJ%26pg%3DPA41&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEChildsMarch1999222-354">^ <a href="#cite_ref-FOOTNOTEChildsMarch1999222_354-0">a</a> <a href="#cite_ref-FOOTNOTEChildsMarch1999222_354-1">b</a> <a href="#cite_ref-FOOTNOTEChildsMarch1999222_354-2">c</a> <a href="#CITEREFChildsMarch1999">Childs & March 1999</a>, p. 222. </li> <li id="cite_note-Canadian_Encyclopedia-355">^ <a href="#cite_ref-Canadian_Encyclopedia_355-0">a</a> <a href="#cite_ref-Canadian_Encyclopedia_355-1">b</a> <a href="#cite_ref-Canadian_Encyclopedia_355-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcPherson" class="citation web cs1">McPherson, David. <a rel="nofollow" class="external text" href="https://www.thecanadianencyclopedia.ca/en/article/zal-yanovsky">"Zal Yanovsky"</a>. <a href="/wiki/The_Canadian_Encyclopedia" title="The Canadian Encyclopedia">The Canadian Encyclopedia</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230802183104/https://www.thecanadianencyclopedia.ca/en/article/zal-yanovsky">Archived</a> from the original on August 2, 2023. Retrieved August 2, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Canadian+Encyclopedia&rft.atitle=Zal+Yanovsky&rft.aulast=McPherson&rft.aufirst=David&rft_id=https%3A%2F%2Fwww.thecanadianencyclopedia.ca%2Fen%2Farticle%2Fzal-yanovsky&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014219-356">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014219_356-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014219_356-1">b</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014219_356-2">c</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 219. </li> <li id="cite_note-FOOTNOTEBooneMoss2014196–205-357"><a href="#cite_ref-FOOTNOTEBooneMoss2014196–205_357-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 196–205. </li> <li id="cite_note-FOOTNOTEHoffmann2016270-358">^ <a href="#cite_ref-FOOTNOTEHoffmann2016270_358-0">a</a> <a href="#cite_ref-FOOTNOTEHoffmann2016270_358-1">b</a> <a href="#CITEREFHoffmann2016">Hoffmann 2016</a>, p. 270. </li> <li id="cite_note-FOOTNOTEBooneMoss2014256-359"><a href="#cite_ref-FOOTNOTEBooneMoss2014256_359-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 256. </li> <li id="cite_note-FOOTNOTEBooneMoss2014255–257,_281-360"><a href="#cite_ref-FOOTNOTEBooneMoss2014255–257,_281_360-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 255–257, 281. </li> <li id="cite_note-FOOTNOTEBooneMoss2014255–257-361"><a href="#cite_ref-FOOTNOTEBooneMoss2014255–257_361-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 255–257. </li> <li id="cite_note-FOOTNOTEBooneMoss2014281-362"><a href="#cite_ref-FOOTNOTEBooneMoss2014281_362-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 281. </li> <li id="cite_note-363"><a href="#cite_ref-363">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKeepnews2002" class="citation news cs1">Keepnews, Peter (December 17, 2002). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2002/12/17/arts/zal-yanovsky-57-guitarist-with-lovin-spoonful-in-60-s.html">"Zal Yanovsky, 57, Guitarist With Lovin' Spoonful in 60's"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230528061858/https://www.nytimes.com/2002/12/17/arts/zal-yanovsky-57-guitarist-with-lovin-spoonful-in-60-s.html">Archived</a> from the original on May 28, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Zal+Yanovsky%2C+57%2C+Guitarist+With+Lovin%27+Spoonful+in+60%27s&rft.date=2002-12-17&rft.aulast=Keepnews&rft.aufirst=Peter&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2002%2F12%2F17%2Farts%2Fzal-yanovsky-57-guitarist-with-lovin-spoonful-in-60-s.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss2014288–291-364"><a href="#cite_ref-FOOTNOTEBooneMoss2014288–291_364-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 288–291. </li> <li id="cite_note-FOOTNOTEBooneMoss2014288–289,_293-365">^ <a href="#cite_ref-FOOTNOTEBooneMoss2014288–289,_293_365-0">a</a> <a href="#cite_ref-FOOTNOTEBooneMoss2014288–289,_293_365-1">b</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 288–289, 293. </li> <li id="cite_note-366"><a href="#cite_ref-366">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKreps2020" class="citation magazine cs1">Kreps, Daniel (March 1, 2020). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/lovin-spoonful-reunite-benefit-concert-960233/">"See Lovin' Spoonful Members Reunite Onstage for First Time in 20 Years"</a>. <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230607161030/https://www.rollingstone.com/music/music-news/lovin-spoonful-reunite-benefit-concert-960233/">Archived</a> from the original on June 7, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=See+Lovin%27+Spoonful+Members+Reunite+Onstage+for+First+Time+in+20+Years&rft.date=2020-03-01&rft.aulast=Kreps&rft.aufirst=Daniel&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Flovin-spoonful-reunite-benefit-concert-960233%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-KRLA_1/15/66-367">^ <a href="#cite_ref-KRLA_1/15/66_367-0">a</a> <a href="#cite_ref-KRLA_1/15/66_367-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEden1966" class="citation magazine cs1">Eden (January 15, 1966). "Spoonful of Lovin' Words". <a href="/wiki/KRLA_Beat" title="KRLA Beat">KRLA Beat</a>. p. 16.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=KRLA+Beat&rft.atitle=Spoonful+of+Lovin%27+Words&rft.pages=16&rft.date=1966-01-15&rft.au=Eden&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEWallenfeldt2012100-368"><a href="#cite_ref-FOOTNOTEWallenfeldt2012100_368-0">^</a> <a href="#CITEREFWallenfeldt2012">Wallenfeldt 2012</a>, p. 100. </li> <li id="cite_note-FOOTNOTEEinarsonFuray200495-369"><a href="#cite_ref-FOOTNOTEEinarsonFuray200495_369-0">^</a> <a href="#CITEREFEinarsonFuray2004">Einarson & Furay 2004</a>, p. 95. </li> <li id="cite_note-FOOTNOTEHelander1999236-370">^ <a href="#cite_ref-FOOTNOTEHelander1999236_370-0">a</a> <a href="#cite_ref-FOOTNOTEHelander1999236_370-1">b</a> <a href="#cite_ref-FOOTNOTEHelander1999236_370-2">c</a> <a href="#CITEREFHelander1999">Helander 1999</a>, p. 236. </li> <li id="cite_note-FOOTNOTEDoggett2001113-371"><a href="#cite_ref-FOOTNOTEDoggett2001113_371-0">^</a> <a href="#CITEREFDoggett2001">Doggett 2001</a>, p. 113. </li> <li id="cite_note-372"><a href="#cite_ref-372">^</a> <a href="#CITEREFEinarsonFuray2004">Einarson & Furay 2004</a>, p. 95; <a href="#CITEREFSavage2015">Savage 2015</a>, p. 143; <a href="#CITEREFDoggett2001">Doggett 2001</a>, p. 40. </li> <li id="cite_note-FOOTNOTEUnterberger2002175-373">^ <a href="#cite_ref-FOOTNOTEUnterberger2002175_373-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2002175_373-1">b</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 175. </li> <li id="cite_note-AllMusic_D_song-374"><a href="#cite_ref-AllMusic_D_song_374-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger" class="citation web cs1"><a href="/wiki/Richie_Unterberger" title="Richie Unterberger">Unterberger, Richie</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230411001000/https://www.allmusic.com/song/daydream-mt0013242732">"Daydream – The Lovin' Spoonful"</a>. <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>. Archived from <a rel="nofollow" class="external text" href="https://www.allmusic.com/song/daydream-mt0013242732">the original</a> on April 11, 2023. Retrieved April 11, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Daydream+%E2%80%93+The+Lovin%27+Spoonful&rft.pub=AllMusic&rft.aulast=Unterberger&rft.aufirst=Richie&rft_id=https%3A%2F%2Fwww.allmusic.com%2Fsong%2Fdaydream-mt0013242732&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEUnterberger2002174-376">^ <a href="#cite_ref-FOOTNOTEUnterberger2002174_376-0">a</a> <a href="#cite_ref-FOOTNOTEUnterberger2002174_376-1">b</a> <a href="#cite_ref-FOOTNOTEUnterberger2002174_376-2">c</a> <a href="#cite_ref-FOOTNOTEUnterberger2002174_376-3">d</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, p. 174. </li> <li id="cite_note-Documentary-377">^ <a href="#cite_ref-Documentary_377-0">a</a> <a href="#cite_ref-Documentary_377-1">b</a> <a href="#cite_ref-Documentary_377-2">c</a> <a href="#cite_ref-Documentary_377-3">d</a> <a href="#cite_ref-Documentary_377-4">e</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation audio-visual cs1"><a href="/wiki/John_Sebastian" title="John Sebastian">Sebastian, John</a> (director) (2007). Do You Believe in Magic: The Music of John Sebastian and the Lovin' Spoonful (DVD). Standing Room Only. Event occurs at 8:02–9:30, 53:49–54:41, 56:38–57:54. KLT004248.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Do+You+Believe+in+Magic%3A+The+Music+of+John+Sebastian+and+the+Lovin%27+Spoonful&rft.pub=Standing+Room+Only&rft.date=2007&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBooneMoss201487–88-379"><a href="#cite_ref-FOOTNOTEBooneMoss201487–88_379-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 87–88. </li> <li id="cite_note-380"><a href="#cite_ref-380">^</a> <a href="#CITEREFTurner2016">Turner 2016</a>, p. 261, <a href="#CITEREFJackson2015">Jackson 2015</a>, p. 137: (Beatles); <a href="#CITEREFDillon2012">Dillon 2012</a>, pp. 16, 113 (Beach Boys); <a href="#CITEREFHinman2004">Hinman 2004</a>, p. 82: (Kinks); <a href="#CITEREFPriore2015">Priore 2015</a>, p. 237: (Buffalo Springfield); <a href="#CITEREFMiles2009">Miles 2009</a>, p. 232: (Grateful Dead). </li> <li id="cite_note-FOOTNOTEMiles1997288-381"><a href="#cite_ref-FOOTNOTEMiles1997288_381-0">^</a> <a href="#CITEREFMiles1997">Miles 1997</a>, p. 288. </li> <li id="cite_note-FOOTNOTEJackson2015137-382"><a href="#cite_ref-FOOTNOTEJackson2015137_382-0">^</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, p. 137. </li> <li id="cite_note-FOOTNOTEPriore2015237-383"><a href="#cite_ref-FOOTNOTEPriore2015237_383-0">^</a> <a href="#CITEREFPriore2015">Priore 2015</a>, p. 237. </li> <li id="cite_note-FOOTNOTEJackson2015240–245-384"><a href="#cite_ref-FOOTNOTEJackson2015240–245_384-0">^</a> <a href="#CITEREFJackson2015">Jackson 2015</a>, pp. 240–245. </li> <li id="cite_note-386"><a href="#cite_ref-386">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBelz1967" class="citation journal cs1">Belz, Carl I. (1967). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/538626">"Popular Music and the Folk Tradition"</a>. <a href="/wiki/Journal_of_American_Folklore" title="Journal of American Folklore">Journal of American Folklore</a>. 80 (316): 130–142. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F538626">10.2307/538626</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0021-8715">0021-8715</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/538626">538626</a> – via <a href="/wiki/JSTOR" title="JSTOR">JSTOR</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Journal+of+American+Folklore&rft.atitle=Popular+Music+and+the+Folk+Tradition&rft.volume=80&rft.issue=316&rft.pages=130-142&rft.date=1967&rft.issn=0021-8715&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F538626%23id-name%3DJSTOR&rft_id=info%3Adoi%2F10.2307%2F538626&rft.aulast=Belz&rft.aufirst=Carl+I.&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F538626&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-388"><a href="#cite_ref-388">^</a> <a href="#CITEREFHelander1999">Helander 1999</a>, p. 236: "[The Lovin' Spoonful were] one of the prime movers in the New York folk-rock movement of the mid-'60s ..."; <a href="#CITEREFMilward2021">Milward 2021</a>, p. 82: "The Lovin' Spoonful was the most successful folk-rock band from the East Coast." </li> <li id="cite_note-FOOTNOTEUnterberger2003173-389"><a href="#cite_ref-FOOTNOTEUnterberger2003173_389-0">^</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 173. </li> <li id="cite_note-FOOTNOTEUnterberger2003125-390"><a href="#cite_ref-FOOTNOTEUnterberger2003125_390-0">^</a> <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 125. </li> <li id="cite_note-391"><a href="#cite_ref-391">^</a> <a href="#CITEREFUnterberger2002">Unterberger 2002</a>, pp. 174, 224; <a href="#CITEREFUnterberger2003">Unterberger 2003</a>, p. 204; <a href="#CITEREFDillon2012">Dillon 2012</a>, p. 16. </li> <li id="cite_note-392"><a href="#cite_ref-392">^</a> <a href="#CITEREFSimons2004">Simons 2004</a>, p. 100: (bass marimba, resonator, pedal steel guitar, open-tuned 12-string); <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, p. 90: (chimes); <a href="#CITEREFEverett2009">Everett 2009</a>, pp. 46, 74: (Irish harp, Tubon). </li> <li id="cite_note-FOOTNOTEEverett200945-393"><a href="#cite_ref-FOOTNOTEEverett200945_393-0">^</a> <a href="#CITEREFEverett2009">Everett 2009</a>, p. 45. </li> <li id="cite_note-AllMusic_DYBiM_song-394"><a href="#cite_ref-AllMusic_DYBiM_song_394-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger" class="citation web cs1"><a href="/wiki/Richie_Unterberger" title="Richie Unterberger">Unterberger, Richie</a>. <a rel="nofollow" class="external text" href="https://www.allmusic.com/song/do-you-believe-in-magic--mt0013633595">"Do You Believe in Magic? – The Lovin' Spoonful"</a>. <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230411000156/https://www.allmusic.com/song/do-you-believe-in-magic--mt0013633595">Archived</a> from the original on April 11, 2023. Retrieved April 10, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Do+You+Believe+in+Magic%3F+%E2%80%93+The+Lovin%27+Spoonful&rft.pub=AllMusic&rft.aulast=Unterberger&rft.aufirst=Richie&rft_id=https%3A%2F%2Fwww.allmusic.com%2Fsong%2Fdo-you-believe-in-magic--mt0013633595&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTEKruth201520-395"><a href="#cite_ref-FOOTNOTEKruth201520_395-0">^</a> <a href="#CITEREFKruth2015">Kruth 2015</a>, p. 20. </li> <li id="cite_note-FOOTNOTEDoggett200141-397"><a href="#cite_ref-FOOTNOTEDoggett200141_397-0">^</a> <a href="#CITEREFDoggett2001">Doggett 2001</a>, p. 41. </li> <li id="cite_note-398"><a href="#cite_ref-398">^</a> <a href="#CITEREFBabiuk2002">Babiuk 2002</a>, p. 225: "The serial number on the back of the instrument's headstock is not in the correct original typeface and style, but reads 7-8789 which would date the guitar's manufacture to late 1957. Gibson's records indicate that a gold-finished Les Paul with this number was shipped by the company on December 19th 1957. ... [The guitar] had previously been owned by The Lovin' Spoonful's John Sebastian." </li> <li id="cite_note-FOOTNOTELawrence2008246-399"><a href="#cite_ref-FOOTNOTELawrence2008246_399-0">^</a> <a href="#CITEREFLawrence2008">Lawrence 2008</a>, p. 246. </li> <li id="cite_note-FOOTNOTEBabiuk2002225-400"><a href="#cite_ref-FOOTNOTEBabiuk2002225_400-0">^</a> <a href="#CITEREFBabiuk2002">Babiuk 2002</a>, p. 225. </li> <li id="cite_note-FOOTNOTESimons2004100-402">^ <a href="#cite_ref-FOOTNOTESimons2004100_402-0">a</a> <a href="#cite_ref-FOOTNOTESimons2004100_402-1">b</a> <a href="#cite_ref-FOOTNOTESimons2004100_402-2">c</a> <a href="#CITEREFSimons2004">Simons 2004</a>, p. 100. </li> <li id="cite_note-Hit_Parader_11/67-403">^ <a href="#cite_ref-Hit_Parader_11/67_403-0">a</a> <a href="#cite_ref-Hit_Parader_11/67_403-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1967" class="citation magazine cs1">Anon. (November 1967). <a rel="nofollow" class="external text" href="https://archive.org/details/hitparadermagazi26unse_10/">"Zal Yanovsky's Uncertain Future"</a>. <a href="/wiki/Hit_Parader" title="Hit Parader">Hit Parader</a>. pp. 39–41 – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Hit+Parader&rft.atitle=Zal+Yanovsky%27s+Uncertain+Future&rft.pages=39-41&rft.date=1967-11&rft.au=Anon.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fhitparadermagazi26unse_10%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-404"><a href="#cite_ref-404">^</a> <a href="#CITEREFSimons2004">Simons 2004</a>, p. 100: (after recording "Magic", replaced pickups; "weren't quite ..."); <a href="#CITEREFEdmonds2002">Edmonds 2002</a>: (June 1965). </li> <li id="cite_note-FOOTNOTEStanley2015124-405">^ <a href="#cite_ref-FOOTNOTEStanley2015124_405-0">a</a> <a href="#cite_ref-FOOTNOTEStanley2015124_405-1">b</a> <a href="#cite_ref-FOOTNOTEStanley2015124_405-2">c</a> <a href="#CITEREFStanley2015">Stanley 2015</a>, p. 124. </li> <li id="cite_note-FOOTNOTEHill201897-406"><a href="#cite_ref-FOOTNOTEHill201897_406-0">^</a> <a href="#CITEREFHill2018">Hill 2018</a>, p. 97. </li> <li id="cite_note-Guitar_World-407">^ <a href="#cite_ref-Guitar_World_407-0">a</a> <a href="#cite_ref-Guitar_World_407-1">b</a> <a href="#cite_ref-Guitar_World_407-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFdi_Perna2023" class="citation web cs1">di Perna, Alan (July 11, 2023). <a rel="nofollow" class="external text" href="https://www.guitarworld.com/features/the-lovin-spoonful-zal-yanovsky">"The Lovin' Spoonful's Zal Yanovsky is one of the Sixties' most overlooked guitarists – here's how he fearlessly blended genres to forge the 'Americana' guitar sound"</a>. <a href="/wiki/Guitar_World" title="Guitar World">Guitar World</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230718155527/https://www.guitarworld.com/features/the-lovin-spoonful-zal-yanovsky">Archived</a> from the original on July 18, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Guitar+World&rft.atitle=The+Lovin%27+Spoonful%27s+Zal+Yanovsky+is+one+of+the+Sixties%27+most+overlooked+guitarists+%E2%80%93+here%27s+how+he+fearlessly+blended+genres+to+forge+the+%27Americana%27+guitar+sound&rft.date=2023-07-11&rft.aulast=di+Perna&rft.aufirst=Alan&rft_id=https%3A%2F%2Fwww.guitarworld.com%2Ffeatures%2Fthe-lovin-spoonful-zal-yanovsky&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-FOOTNOTESavage2015318-408"><a href="#cite_ref-FOOTNOTESavage2015318_408-0">^</a> <a href="#CITEREFSavage2015">Savage 2015</a>, p. 318. </li> <li id="cite_note-FOOTNOTEMiles2001244-409"><a href="#cite_ref-FOOTNOTEMiles2001244_409-0">^</a> <a href="#CITEREFMiles2001">Miles 2001</a>, p. 244. </li> <li id="cite_note-FOOTNOTEBooneMoss2014293–294-410"><a href="#cite_ref-FOOTNOTEBooneMoss2014293–294_410-0">^</a> <a href="#CITEREFBooneMoss2014">Boone & Moss 2014</a>, pp. 293–294. </li> <li id="cite_note-27East-411">^ <a href="#cite_ref-27East_411-0">a</a> <a href="#cite_ref-27East_411-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHinkle2023" class="citation web cs1">Hinkle, Annette (June 27, 2023). <a rel="nofollow" class="external text" href="https://www.27east.com/arts/the-lovin-spoonfuls-steve-boone-believes-in-magic-on-the-east-end-where-it-all-began-2171549/">"The Lovin' Spoonful's Steve Boone Believes in Magic on the East End, Where It All Began"</a>. 27 East. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240119025614/https://www.27east.com/arts/the-lovin-spoonfuls-steve-boone-believes-in-magic-on-the-east-end-where-it-all-began-2171549/">Archived</a> from the original on January 19, 2024. <q>When The Lovin' Spoonful come to WHBPAC next week, [Steve] Boone will be playing with three new band members ...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=27+East&rft.atitle=The+Lovin%27+Spoonful%27s+Steve+Boone+Believes+in+Magic+on+the+East+End%2C+Where+It+All+Began&rft.date=2023-06-27&rft.aulast=Hinkle&rft.aufirst=Annette&rft_id=https%3A%2F%2Fwww.27east.com%2Farts%2Fthe-lovin-spoonfuls-steve-boone-believes-in-magic-on-the-east-end-where-it-all-began-2171549%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-PennLIVE-413">^ <a href="#cite_ref-PennLIVE_413-0">a</a> <a href="#cite_ref-PennLIVE_413-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKiner2024" class="citation web cs1">Kiner, Deb (September 24, 2024). <a rel="nofollow" class="external text" href="https://www.pennlive.com/live-entertainment/2024/09/do-you-believe-in-magic-the-lovin-spoonful-coming-to-central-pa-next-year.html">"'Do You Believe in Magic?': The Lovin' Spoonful coming to central Pa. next year"</a>. <a href="/wiki/PennLIVE" class="mw-redirect" title="PennLIVE">PennLIVE</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240925172108/https://www.pennlive.com/live-entertainment/2024/09/do-you-believe-in-magic-the-lovin-spoonful-coming-to-central-pa-next-year.html">Archived</a> from the original on September 25, 2024. <q>Today, the band tours with founding member, Steve Boone, and Jeff Alan Ross, Bill Cinque, Rob Bonfiglio and Mike Auturi.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=PennLIVE&rft.atitle=%27Do+You+Believe+in+Magic%3F%27%3A+The+Lovin%27+Spoonful+coming+to+central+Pa.+next+year&rft.date=2024-09-24&rft.aulast=Kiner&rft.aufirst=Deb&rft_id=https%3A%2F%2Fwww.pennlive.com%2Flive-entertainment%2F2024%2F09%2Fdo-you-believe-in-magic-the-lovin-spoonful-coming-to-central-pa-next-year.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> <li id="cite_note-414"><a href="#cite_ref-414">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFButler2023" class="citation web cs1"><a href="/wiki/Yancy_Butler" title="Yancy Butler">Butler, Yancy [@RealYancyButler]</a> (March 4, 2023). <a rel="nofollow" class="external text" href="https://x.com/RealYancyButler/status/1632096849233432578">"... And this time [my father] wasn't touring/working with The Lovin' Spoonful so we actually got to spend some quality time together. ..."</a> (<a href="/wiki/Tweet_(social_media)" title="Tweet (social media)">Tweet</a>). Retrieved May 22, 2024 – via <a href="/wiki/Twitter" title="Twitter">Twitter</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=...%3Cspan+class%3D%22nowrap%22%3E+%3C%2Fspan%3EAnd+this+time+%5Bmy+father%5D+wasn%27t+touring%2Fworking+with+The+Lovin%27+Spoonful+so+we+actually+got+to+spend+some+quality+time+together.%3Cspan+class%3D%22nowrap%22%3E+%3C%2Fspan%3E...&rft.date=2023-03-04&rft.aulast=Butler&rft.aufirst=Yancy&rft_id=https%3A%2F%2Fx.com%2FRealYancyButler%2Fstatus%2F1632096849233432578&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Sources">Sources</h2>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=32" title="Edit section: Sources">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <div class="mw-heading mw-heading3"><h3 id="Books">Books</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=33" title="Edit section: Books">edit</a>]</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBabiuk2002" class="citation book cs1"><a href="/wiki/Andy_Babiuk" title="Andy Babiuk">Babiuk, Andy</a> (2002). Beatles Gear: All the Fab Four's Instruments from Stage to Studio (Second revised ed.). San Francisco, California: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-87930-731-5" title="Special:BookSources/0-87930-731-5"><bdi>0-87930-731-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Beatles+Gear%3A+All+the+Fab+Four%27s+Instruments+from+Stage+to+Studio&rft.place=San+Francisco%2C+California&rft.edition=Second+revised&rft.pub=Backbeat+Books&rft.date=2002&rft.isbn=0-87930-731-5&rft.aulast=Babiuk&rft.aufirst=Andy&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBadman2004" class="citation book cs1">Badman, Keith (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/beachboysdefinit0000badm/">The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio</a>. San Francisco, California: <a href="/wiki/UBM_Technology_Group" title="UBM Technology Group">Backbeat Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-818-6" title="Special:BookSources/978-0-87930-818-6"><bdi>978-0-87930-818-6</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beach+Boys%3A+The+Definitive+Diary+of+America%27s+Greatest+Band%2C+on+Stage+and+in+the+Studio&rft.place=San+Francisco%2C+California&rft.pub=Backbeat+Books&rft.date=2004&rft.isbn=978-0-87930-818-6&rft.aulast=Badman&rft.aufirst=Keith&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbeachboysdefinit0000badm%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarone2022" class="citation book cs1"><a href="/wiki/Richard_Barone" title="Richard Barone">Barone, Richard</a> (2022). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=e991EAAAQBAJ">Music + Revolution: Greenwich Village in the 1960s</a>. Lanham, Maryland: Rowman & Littlefield. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4930-6302-4" title="Special:BookSources/978-1-4930-6302-4"><bdi>978-1-4930-6302-4</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Music+%2B+Revolution%3A+Greenwich+Village+in+the+1960s&rft.place=Lanham%2C+Maryland&rft.pub=Rowman+%26+Littlefield&rft.date=2022&rft.isbn=978-1-4930-6302-4&rft.aulast=Barone&rft.aufirst=Richard&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3De991EAAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBooneMoss2014" class="citation book cs1"><a href="/wiki/Steve_Boone" title="Steve Boone">Boone, Steve</a>; Moss, Tony (2014). <a rel="nofollow" class="external text" href="https://archive.org/details/hotterthanmatchh0000boon/">Hotter Than a Match Head: My Life on the Run with The Lovin' Spoonful</a>. Toronto: <a href="/wiki/ECW_Press" title="ECW Press">ECW Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-77041-193-7" title="Special:BookSources/978-1-77041-193-7"><bdi>978-1-77041-193-7</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hotter+Than+a+Match+Head%3A+My+Life+on+the+Run+with+The+Lovin%27+Spoonful&rft.place=Toronto&rft.pub=ECW+Press&rft.date=2014&rft.isbn=978-1-77041-193-7&rft.aulast=Boone&rft.aufirst=Steve&rft.au=Moss%2C+Tony&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fhotterthanmatchh0000boon%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBronson2003" class="citation book cs1">Bronson, Fred (2003). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=PgGqNrqfrsoC">The Billboard Book of Number One Hits</a>. New York City: Billboard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8230-7677-2" title="Special:BookSources/978-0-8230-7677-2"><bdi>978-0-8230-7677-2</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Billboard+Book+of+Number+One+Hits&rft.place=New+York+City&rft.pub=Billboard+Books&rft.date=2003&rft.isbn=978-0-8230-7677-2&rft.aulast=Bronson&rft.aufirst=Fred&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DPgGqNrqfrsoC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBunch2017" class="citation book cs1">Bunch, Adam (2017). <a rel="nofollow" class="external text" href="https://archive.org/details/torontobookofdea0000bunc/">The Toronto Book of the Dead</a>. Toronto: <a href="/wiki/Dundurn_Press" title="Dundurn Press">Dundurn</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4597-3806-5" title="Special:BookSources/978-1-4597-3806-5"><bdi>978-1-4597-3806-5</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Toronto+Book+of+the+Dead&rft.place=Toronto&rft.pub=Dundurn&rft.date=2017&rft.isbn=978-1-4597-3806-5&rft.aulast=Bunch&rft.aufirst=Adam&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ftorontobookofdea0000bunc%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChildsMarch1999" class="citation book cs1">Childs, Marti Smiley; March, Jeff (1999). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=kHoHAQAAMAAJ">Echoes of the Sixties</a>. New York City: Billboard Books. p. 222. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8230-8316-9" title="Special:BookSources/978-0-8230-8316-9"><bdi>978-0-8230-8316-9</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Echoes+of+the+Sixties&rft.place=New+York+City&rft.pages=222&rft.pub=Billboard+Books&rft.date=1999&rft.isbn=978-0-8230-8316-9&rft.aulast=Childs&rft.aufirst=Marti+Smiley&rft.au=March%2C+Jeff&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DkHoHAQAAMAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFColbyFitzpatrick2002" class="citation book cs1">Colby, Paul; Fitzpatrick, Martin (2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=StUHs_vHMf8C">The Bitter End: Hanging Out at America's Nightclub</a>. New York City: <a href="/wiki/Cooper_Square_Press" class="mw-redirect" title="Cooper Square Press">Cooper Square Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8154-1206-9" title="Special:BookSources/978-0-8154-1206-9"><bdi>978-0-8154-1206-9</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Bitter+End%3A+Hanging+Out+at+America%27s+Nightclub&rft.place=New+York+City&rft.pub=Cooper+Square+Press&rft.date=2002&rft.isbn=978-0-8154-1206-9&rft.aulast=Colby&rft.aufirst=Paul&rft.au=Fitzpatrick%2C+Martin&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DStUHs_vHMf8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCourrier2008" class="citation book cs1"><a href="/wiki/Kevin_Courrier" title="Kevin Courrier">Courrier, Kevin</a> (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=FK9zCgAAQBAJ">Artificial Paradise: The Dark Side of the Beatles' Utopian Dream</a>. Santa Barbara, California: <a href="/wiki/ABC-CLIO" class="mw-redirect" title="ABC-CLIO">ABC-CLIO</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-313-34587-6" title="Special:BookSources/978-0-313-34587-6"><bdi>978-0-313-34587-6</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Artificial+Paradise%3A+The+Dark+Side+of+the+Beatles%27+Utopian+Dream&rft.place=Santa+Barbara%2C+California&rft.pub=ABC-CLIO&rft.date=2008&rft.isbn=978-0-313-34587-6&rft.aulast=Courrier&rft.aufirst=Kevin&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DFK9zCgAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDillon2012" class="citation book cs1">Dillon, Mark (2012). <a rel="nofollow" class="external text" href="https://archive.org/details/fiftysidesofbeac0000dill/">Fifty Sides of the Beach Boys: The Songs That Tell Their Story</a>. Toronto: <a href="/wiki/ECW_Press" title="ECW Press">ECW Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-77090-198-8" title="Special:BookSources/978-1-77090-198-8"><bdi>978-1-77090-198-8</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Fifty+Sides+of+the+Beach+Boys%3A+The+Songs+That+Tell+Their+Story&rft.place=Toronto&rft.pub=ECW+Press&rft.date=2012&rft.isbn=978-1-77090-198-8&rft.aulast=Dillon&rft.aufirst=Mark&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffiftysidesofbeac0000dill%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDoggett2001" class="citation book cs1"><a href="/wiki/Peter_Doggett" title="Peter Doggett">Doggett, Peter</a> (2001). <a rel="nofollow" class="external text" href="https://archive.org/details/areyoureadyforco00dogg">Are You Ready for the Country: Elvis, Dylan, Parsons and the Roots of Country Rock</a>. New York City: <a href="/wiki/Penguin_Books" title="Penguin Books">Penguin Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-14-200016-7" title="Special:BookSources/0-14-200016-7"><bdi>0-14-200016-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Are+You+Ready+for+the+Country%3A+Elvis%2C+Dylan%2C+Parsons+and+the+Roots+of+Country+Rock&rft.place=New+York+City&rft.pub=Penguin+Books&rft.date=2001&rft.isbn=0-14-200016-7&rft.aulast=Doggett&rft.aufirst=Peter&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fareyoureadyforco00dogg&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEinarsonFuray2004" class="citation book cs1"><a href="/wiki/John_Einarson" title="John Einarson">Einarson, John</a>; <a href="/wiki/Richie_Furay" title="Richie Furay">Furay, Richie</a> (2004). For What It's Worth: The Story of Buffalo Springfield (Updated ed.). New York City: Cooper Square Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8154-1281-6" title="Special:BookSources/978-0-8154-1281-6"><bdi>978-0-8154-1281-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=For+What+It%27s+Worth%3A+The+Story+of+Buffalo+Springfield&rft.place=New+York+City&rft.edition=Updated&rft.pub=Cooper+Square+Press&rft.date=2004&rft.isbn=978-0-8154-1281-6&rft.aulast=Einarson&rft.aufirst=John&rft.au=Furay%2C+Richie&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEinarson2005" class="citation book cs1">Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. San Francisco, California: <a href="/wiki/UBM_Technology_Group" title="UBM Technology Group">Backbeat Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-87930-793-5" title="Special:BookSources/0-87930-793-5"><bdi>0-87930-793-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mr.+Tambourine+Man%3A+The+Life+and+Legacy+of+the+Byrds%27+Gene+Clark&rft.place=San+Francisco%2C+California&rft.pub=Backbeat+Books&rft.date=2005&rft.isbn=0-87930-793-5&rft.aulast=Einarson&rft.aufirst=John&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEverett2009" class="citation book cs1"><a href="/wiki/Walter_Everett_(musicologist)" title="Walter Everett (musicologist)">Everett, Walter</a> (2009). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=PH88DwAAQBAJ">The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes"</a>. New York City: <a href="/wiki/Oxford_University_Press" title="Oxford University Press">Oxford University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-531024-5" title="Special:BookSources/978-0-19-531024-5"><bdi>978-0-19-531024-5</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Foundations+of+Rock%3A+From+%22Blue+Suede+Shoes%22+to+%22Suite%3A+Judy+Blue+Eyes%22&rft.place=New+York+City&rft.pub=Oxford+University+Press&rft.date=2009&rft.isbn=978-0-19-531024-5&rft.aulast=Everett&rft.aufirst=Walter&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DPH88DwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFiegel2005" class="citation book cs1">Fiegel, Eddi (2005). <a rel="nofollow" class="external text" href="https://archive.org/details/dreamlittledream0000fieg/">Dream a Little Dream of Me: The Life of 'Mama' Cass Elliot</a>. London: <a href="/wiki/Sidgwick_%26_Jackson" title="Sidgwick & Jackson">Sidgwick & Jackson</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-283-07331-1" title="Special:BookSources/978-0-283-07331-1"><bdi>978-0-283-07331-1</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Dream+a+Little+Dream+of+Me%3A+The+Life+of+%27Mama%27+Cass+Elliot&rft.place=London&rft.pub=Sidgwick+%26+Jackson&rft.date=2005&rft.isbn=978-0-283-07331-1&rft.aulast=Fiegel&rft.aufirst=Eddi&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdreamlittledream0000fieg%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFletcher2009" class="citation book cs1"><a href="/wiki/Tony_Fletcher" title="Tony Fletcher">Fletcher, Tony</a> (2009). <a rel="nofollow" class="external text" href="https://archive.org/details/allhoppedupready00fletc/">All Hopped Up and Ready to Go: Music from the Streets of New York 1927–77</a>. New York City: <a href="/wiki/W.W._Norton" class="mw-redirect" title="W.W. Norton">W.W. Norton</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-33483-8" title="Special:BookSources/978-0-393-33483-8"><bdi>978-0-393-33483-8</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=All+Hopped+Up+and+Ready+to+Go%3A+Music+from+the+Streets+of+New+York+1927%E2%80%9377&rft.place=New+York+City&rft.pub=W.W.+Norton&rft.date=2009&rft.isbn=978-0-393-33483-8&rft.aulast=Fletcher&rft.aufirst=Tony&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fallhoppedupready00fletc%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGould2007" class="citation book cs1">Gould, Jonathan (2007). <a rel="nofollow" class="external text" href="https://archive.org/details/cantbuymelovebea00goul">Can't Buy Me Love: The Beatles, Britain, and America</a>. New York City: <a href="/wiki/Three_Rivers_Press" title="Three Rivers Press">Three Rivers Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-307-35337-5" title="Special:BookSources/978-0-307-35337-5"><bdi>978-0-307-35337-5</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Can%27t+Buy+Me+Love%3A+The+Beatles%2C+Britain%2C+and+America&rft.place=New+York+City&rft.pub=Three+Rivers+Press&rft.date=2007&rft.isbn=978-0-307-35337-5&rft.aulast=Gould&rft.aufirst=Jonathan&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcantbuymelovebea00goul&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHallberg1993" class="citation book cs1">Hallberg, Eric (1993). Eric Hallberg presenterar Kvällstoppen i P3: Sveriges Radios topplista över veckans 20 mest sålda skivor. Drift Musik. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9163021404" title="Special:BookSources/9163021404"><bdi>9163021404</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Eric+Hallberg+presenterar+Kv%C3%A4llstoppen+i+P3%3A+Sveriges+Radios+topplista+%C3%B6ver+veckans+20+mest+s%C3%A5lda+skivor&rft.pub=Drift+Musik&rft.date=1993&rft.isbn=9163021404&rft.aulast=Hallberg&rft.aufirst=Eric&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHallbergHenningsson2012" class="citation book cs1 cs1-prop-foreign-lang-source">Hallberg, Eric; Henningsson, Ulf (2012). Tio i Topp – med de utslagna "på försök" 1961–74 (in Swedish). Premium. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-91-89136-89-2" title="Special:BookSources/978-91-89136-89-2"><bdi>978-91-89136-89-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Tio+i+Topp+%E2%80%93+med+de+utslagna+%22p%C3%A5+f%C3%B6rs%C3%B6k%22+1961%E2%80%9374&rft.pub=Premium&rft.date=2012&rft.isbn=978-91-89136-89-2&rft.aulast=Hallberg&rft.aufirst=Eric&rft.au=Henningsson%2C+Ulf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHartman2012" class="citation book cs1"><a href="/wiki/Kent_Hartman" title="Kent Hartman">Hartman, Kent</a> (2012). <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780312619749/">The Wrecking Crew: The Inside Story of Rock and Roll's Best-Kept Secret</a>. New York City: <a href="/wiki/St._Martin%27s_Press" title="St. Martin's Press">St. Martin's Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-61974-9" title="Special:BookSources/978-0-312-61974-9"><bdi>978-0-312-61974-9</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Wrecking+Crew%3A+The+Inside+Story+of+Rock+and+Roll%27s+Best-Kept+Secret&rft.place=New+York+City&rft.pub=St.+Martin%27s+Press&rft.date=2012&rft.isbn=978-0-312-61974-9&rft.aulast=Hartman&rft.aufirst=Kent&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_9780312619749%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHelander1999" class="citation book cs1">Helander, Brock (1999). <a rel="nofollow" class="external text" href="https://archive.org/details/rockin60speoplew00hela/">The Rockin' 60s: The People Who Made the Music</a>. New York City: <a href="/wiki/Schirmer_Books" class="mw-redirect" title="Schirmer Books">Schirmer Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-02-864873-6" title="Special:BookSources/978-0-02-864873-6"><bdi>978-0-02-864873-6</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Rockin%27+60s%3A+The+People+Who+Made+the+Music&rft.place=New+York+City&rft.pub=Schirmer+Books&rft.date=1999&rft.isbn=978-0-02-864873-6&rft.aulast=Helander&rft.aufirst=Brock&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frockin60speoplew00hela%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin1996" class="citation book cs1"><a href="/wiki/Clinton_Heylin" title="Clinton Heylin">Heylin, Clinton</a> (1996). <a rel="nofollow" class="external text" href="https://archive.org/details/bobdylanlifeinst0000heyl/">Bob Dylan: A Life in Stolen Moments Day by Day, 1941–1995</a>. New York City: <a href="/wiki/Schirmer_Books" class="mw-redirect" title="Schirmer Books">Schirmer Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-02-864676-3" title="Special:BookSources/978-0-02-864676-3"><bdi>978-0-02-864676-3</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bob+Dylan%3A+A+Life+in+Stolen+Moments+Day+by+Day%2C+1941%E2%80%931995&rft.place=New+York+City&rft.pub=Schirmer+Books&rft.date=1996&rft.isbn=978-0-02-864676-3&rft.aulast=Heylin&rft.aufirst=Clinton&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbobdylanlifeinst0000heyl%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeylin2021" class="citation book cs1">Heylin, Clinton (2021). The Double Life of Bob Dylan: A Restless, Hungry Feeling (1941–1966). New York City: <a href="/wiki/Little,_Brown_and_Company" title="Little, Brown and Company">Little, Brown and Company</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-316-53521-2" title="Special:BookSources/978-0-316-53521-2"><bdi>978-0-316-53521-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Double+Life+of+Bob+Dylan%3A+A+Restless%2C+Hungry+Feeling+%281941%E2%80%931966%29&rft.place=New+York+City&rft.pub=Little%2C+Brown+and+Company&rft.date=2021&rft.isbn=978-0-316-53521-2&rft.aulast=Heylin&rft.aufirst=Clinton&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHill2018" class="citation book cs1">Hill, Daniel Delis (2018). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=DO5MDwAAQBAJ">Peacock Revolution: American Masculine Identity and Dress in the Sixties and Seventies</a>. London: <a href="/wiki/Bloomsbury_Publishing" title="Bloomsbury Publishing">Bloomsbury Publishing</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-350-05645-9" title="Special:BookSources/978-1-350-05645-9"><bdi>978-1-350-05645-9</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Peacock+Revolution%3A+American+Masculine+Identity+and+Dress+in+the+Sixties+and+Seventies&rft.place=London&rft.pub=Bloomsbury+Publishing&rft.date=2018&rft.isbn=978-1-350-05645-9&rft.aulast=Hill&rft.aufirst=Daniel+Delis&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DDO5MDwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHinman2004" class="citation book cs1">Hinman, Doug (2004). The Kinks: All Day and All of the Night: Day by Day Concerts, Recordings, and Broadcasts, 1961–1996. San Francisco, California: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-765-3" title="Special:BookSources/978-0-87930-765-3"><bdi>978-0-87930-765-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Kinks%3A+All+Day+and+All+of+the+Night%3A+Day+by+Day+Concerts%2C+Recordings%2C+and+Broadcasts%2C+1961%E2%80%931996&rft.place=San+Francisco%2C+California&rft.pub=Backbeat+Books&rft.date=2004&rft.isbn=978-0-87930-765-3&rft.aulast=Hinman&rft.aufirst=Doug&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHjort2008" class="citation book cs1"><a href="/wiki/Christopher_Hjort" title="Christopher Hjort">Hjort, Christopher</a> (2008). So You Want to Be a Rock 'n' Roll Star: The Byrds Day-by-Day 1965–1973. London: Jawbone Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-906002-15-2" title="Special:BookSources/978-1-906002-15-2"><bdi>978-1-906002-15-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=So+You+Want+to+Be+a+Rock+%27n%27+Roll+Star%3A+The+Byrds+Day-by-Day+1965%E2%80%931973&rft.place=London&rft.pub=Jawbone+Press&rft.date=2008&rft.isbn=978-1-906002-15-2&rft.aulast=Hjort&rft.aufirst=Christopher&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoffmann2016" class="citation book cs1">Hoffmann, Frank (2016). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=PQM3DAAAQBAJ">Chronology of American Popular Music, 1900–2000</a>. Abingdon: <a href="/wiki/Routledge" title="Routledge">Routledge</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-135-86885-7" title="Special:BookSources/978-1-135-86885-7"><bdi>978-1-135-86885-7</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Chronology+of+American+Popular+Music%2C+1900%E2%80%932000&rft.place=Abingdon&rft.pub=Routledge&rft.date=2016&rft.isbn=978-1-135-86885-7&rft.aulast=Hoffmann&rft.aufirst=Frank&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DPQM3DAAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHolzmanDaws2000" class="citation book cs1"><a href="/wiki/Jac_Holzman" title="Jac Holzman">Holzman, Jac</a>; Daws, Gavan (2000). <a rel="nofollow" class="external text" href="https://archive.org/details/followmusiclifeh0000holz/">Follow the Music: The Life and High Times of Elektra Records in the Great Years of American Pop Culture</a>. FirstMedia Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9661221-1-4" title="Special:BookSources/978-0-9661221-1-4"><bdi>978-0-9661221-1-4</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Follow+the+Music%3A+The+Life+and+High+Times+of+Elektra+Records+in+the+Great+Years+of+American+Pop+Culture&rft.pub=FirstMedia+Books&rft.date=2000&rft.isbn=978-0-9661221-1-4&rft.aulast=Holzman&rft.aufirst=Jac&rft.au=Daws%2C+Gavan&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffollowmusiclifeh0000holz%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoskyns1996" class="citation book cs1"><a href="/wiki/Barney_Hoskyns" title="Barney Hoskyns">Hoskyns, Barney</a> (1996). <a rel="nofollow" class="external text" href="https://archive.org/details/waitingforsunstr0000hosk/">Waiting For the Sun: Strange Days, Weird Scenes, and the Sound of Los Angeles</a>. New York City: <a href="/wiki/St._Martin%27s_Press" title="St. Martin's Press">St. Martin's Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-14444-9" title="Special:BookSources/978-0-312-14444-9"><bdi>978-0-312-14444-9</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Waiting+For+the+Sun%3A+Strange+Days%2C+Weird+Scenes%2C+and+the+Sound+of+Los+Angeles&rft.place=New+York+City&rft.pub=St.+Martin%27s+Press&rft.date=1996&rft.isbn=978-0-312-14444-9&rft.aulast=Hoskyns&rft.aufirst=Barney&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fwaitingforsunstr0000hosk%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoward2017" class="citation book cs1">Howard, Paul (2017). I Read the News Today, Oh Boy: The Short and Gilded Life of Tara Browne, the Man Who Inspired the Beatles' Greatest Song. London: <a href="/wiki/Picador_(imprint)" title="Picador (imprint)">Picador</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-5098-0004-9" title="Special:BookSources/978-1-5098-0004-9"><bdi>978-1-5098-0004-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=I+Read+the+News+Today%2C+Oh+Boy%3A+The+Short+and+Gilded+Life+of+Tara+Browne%2C+the+Man+Who+Inspired+the+Beatles%27+Greatest+Song&rft.place=London&rft.pub=Picador&rft.date=2017&rft.isbn=978-1-5098-0004-9&rft.aulast=Howard&rft.aufirst=Paul&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoughton2010" class="citation book cs1">Houghton, Mick (2010). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=9KBL42D_g_8C">Becoming Elektra: The True Story of Jac Holzman's Visionary Record Label</a>. London: Jawbone Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-906002-29-9" title="Special:BookSources/978-1-906002-29-9"><bdi>978-1-906002-29-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Becoming+Elektra%3A+The+True+Story+of+Jac+Holzman%27s+Visionary+Record+Label&rft.place=London&rft.pub=Jawbone+Press&rft.date=2010&rft.isbn=978-1-906002-29-9&rft.aulast=Houghton&rft.aufirst=Mick&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D9KBL42D_g_8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJackson2015" class="citation book cs1">Jackson, Andrew Grant (2015). <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_2901250059627">1965: The Most Revolutionary Year in Music</a>. New York City: <a href="/wiki/Macmillan_Publishers" title="Macmillan Publishers">Macmillan Publishers</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4668-6497-9" title="Special:BookSources/978-1-4668-6497-9"><bdi>978-1-4668-6497-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=1965%3A+The+Most+Revolutionary+Year+in+Music&rft.place=New+York+City&rft.pub=Macmillan+Publishers&rft.date=2015&rft.isbn=978-1-4668-6497-9&rft.aulast=Jackson&rft.aufirst=Andrew+Grant&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_2901250059627&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKruth2015" class="citation book cs1"><a href="/wiki/John_Kruth" title="John Kruth">Kruth, John</a> (2015). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=BNGGDwAAQBAJ">This Bird Has Flown: The Enduring Beauty of Rubber Soul, Fifty Years On</a>. Milwaukee: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61713-573-6" title="Special:BookSources/978-1-61713-573-6"><bdi>978-1-61713-573-6</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=This+Bird+Has+Flown%3A+The+Enduring+Beauty+of+Rubber+Soul%2C+Fifty+Years+On&rft.place=Milwaukee&rft.pub=Backbeat+Books&rft.date=2015&rft.isbn=978-1-61713-573-6&rft.aulast=Kruth&rft.aufirst=John&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DBNGGDwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLawrence2008" class="citation book cs1">Lawrence, Robb (2008). <a rel="nofollow" class="external text" href="https://archive.org/details/earlyyearsoflesp0000lawr/">The Early Years of the Les Paul Legacy: 1915–1963</a>. New York City: <a href="/wiki/Hal_Leonard_Books" class="mw-redirect" title="Hal Leonard Books">Hal Leonard Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-634-04861-6" title="Special:BookSources/978-0-634-04861-6"><bdi>978-0-634-04861-6</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Early+Years+of+the+Les+Paul+Legacy%3A+1915%E2%80%931963&rft.place=New+York+City&rft.pub=Hal+Leonard+Books&rft.date=2008&rft.isbn=978-0-634-04861-6&rft.aulast=Lawrence&rft.aufirst=Robb&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fearlyyearsoflesp0000lawr%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLee2015" class="citation book cs1">Lee, Sander H. (2015). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=aSUkCQAAQBAJ">Woody Allen's Angst: Philosophical Commentaries on His Serious Films</a>. Jefferson, North Carolina: <a href="/wiki/McFarland_%26_Company,_Inc." class="mw-redirect" title="McFarland & Company, Inc.">McFarland & Company, Inc.</a> <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4766-0596-8" title="Special:BookSources/978-1-4766-0596-8"><bdi>978-1-4766-0596-8</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Woody+Allen%27s+Angst%3A+Philosophical+Commentaries+on+His+Serious+Films&rft.place=Jefferson%2C+North+Carolina&rft.pub=McFarland+%26+Company%2C+Inc.&rft.date=2015&rft.isbn=978-1-4766-0596-8&rft.aulast=Lee&rft.aufirst=Sander+H.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DaSUkCQAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLenhoffRobertson2019" class="citation book cs1">Lenhoff, Alan S.; Robertson, David E. (2019). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=d4LCDwAAQBAJ">Classic Keys: Keyboard Sounds That Launched Rock Music</a>. Denton, Texas: <a href="/wiki/University_of_North_Texas_Press" title="University of North Texas Press">University of North Texas Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57441-786-9" title="Special:BookSources/978-1-57441-786-9"><bdi>978-1-57441-786-9</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Classic+Keys%3A+Keyboard+Sounds+That+Launched+Rock+Music&rft.place=Denton%2C+Texas&rft.pub=University+of+North+Texas+Press&rft.date=2019&rft.isbn=978-1-57441-786-9&rft.aulast=Lenhoff&rft.aufirst=Alan+S.&rft.au=Robertson%2C+David+E.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dd4LCDwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLeonard2014" class="citation book cs1">Leonard, Candy (2014). <a rel="nofollow" class="external text" href="https://archive.org/details/beatlenesshowbea0000leon/">Beatleness: How the Beatles and Their Fans Remade the World</a>. New York City: <a href="/wiki/Arcade_Publishing" title="Arcade Publishing">Arcade Publishing</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-62872-417-2" title="Special:BookSources/978-1-62872-417-2"><bdi>978-1-62872-417-2</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Beatleness%3A+How+the+Beatles+and+Their+Fans+Remade+the+World&rft.place=New+York+City&rft.pub=Arcade+Publishing&rft.date=2014&rft.isbn=978-1-62872-417-2&rft.aulast=Leonard&rft.aufirst=Candy&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbeatlenesshowbea0000leon%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMacDonald2007" class="citation book cs1"><a href="/wiki/Ian_MacDonald" title="Ian MacDonald">MacDonald, Ian</a> (2007). <a rel="nofollow" class="external text" href="https://archive.org/details/revolutioninhead0003macd">Revolution in the Head: The Beatles' Records and the Sixties</a> (Third ed.). <a href="/wiki/Chicago_Review_Press" title="Chicago Review Press">Chicago Review Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55652-733-3" title="Special:BookSources/978-1-55652-733-3"><bdi>978-1-55652-733-3</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revolution+in+the+Head%3A+The+Beatles%27+Records+and+the+Sixties&rft.edition=Third&rft.pub=Chicago+Review+Press&rft.date=2007&rft.isbn=978-1-55652-733-3&rft.aulast=MacDonald&rft.aufirst=Ian&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frevolutioninhead0003macd&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMersereau2015" class="citation book cs1">Mersereau, Bob (2015). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=QtCGDwAAQBAJ">The History of Canadian Rock 'n' Roll</a>. Milwaukee, Wisconsin: <a href="/wiki/Backbeat_Books" class="mw-redirect" title="Backbeat Books">Backbeat Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4950-2891-5" title="Special:BookSources/978-1-4950-2891-5"><bdi>978-1-4950-2891-5</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+History+of+Canadian+Rock+%27n%27+Roll&rft.place=Milwaukee%2C+Wisconsin&rft.pub=Backbeat+Books&rft.date=2015&rft.isbn=978-1-4950-2891-5&rft.aulast=Mersereau&rft.aufirst=Bob&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DQtCGDwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiles1997" class="citation book cs1"><a href="/wiki/Barry_Miles" title="Barry Miles">Miles, Barry</a> (1997). <a rel="nofollow" class="external text" href="https://archive.org/details/paulmccartneyman0000mile">Paul McCartney: Many Years from Now</a>. New York City: <a href="/wiki/Henry_Holt_and_Company" title="Henry Holt and Company">Henry Holt</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8050-5249-6" title="Special:BookSources/0-8050-5249-6"><bdi>0-8050-5249-6</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Paul+McCartney%3A+Many+Years+from+Now&rft.place=New+York+City&rft.pub=Henry+Holt&rft.date=1997&rft.isbn=0-8050-5249-6&rft.aulast=Miles&rft.aufirst=Barry&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fpaulmccartneyman0000mile&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiles2001" class="citation book cs1">Miles, Barry (2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=trRB-lo4qR8C">The Beatles Diary Volume 1: The Beatles Years</a>. London: <a href="/wiki/Omnibus_Press" title="Omnibus Press">Omnibus Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7119-8308-3" title="Special:BookSources/978-0-7119-8308-3"><bdi>978-0-7119-8308-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles+Diary+Volume+1%3A+The+Beatles+Years&rft.place=London&rft.pub=Omnibus+Press&rft.date=2001&rft.isbn=978-0-7119-8308-3&rft.aulast=Miles&rft.aufirst=Barry&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DtrRB-lo4qR8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiles2005" class="citation book cs1">Miles, Barry (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=fLulFlbAJGgC">Hippie</a>. New York City: <a href="/wiki/Sterling_Publishing_Company,_Inc." class="mw-redirect" title="Sterling Publishing Company, Inc.">Sterling Publishing Company, Inc.</a> <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4027-2873-0" title="Special:BookSources/978-1-4027-2873-0"><bdi>978-1-4027-2873-0</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hippie&rft.place=New+York+City&rft.pub=Sterling+Publishing+Company%2C+Inc.&rft.date=2005&rft.isbn=978-1-4027-2873-0&rft.aulast=Miles&rft.aufirst=Barry&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DfLulFlbAJGgC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiles2009" class="citation book cs1">Miles, Barry (2009). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=r8xbaIlrUREC">The British Invasion</a>. New York City: <a href="/wiki/Sterling_Publishing_Company,_Inc." class="mw-redirect" title="Sterling Publishing Company, Inc.">Sterling Publishing Company, Inc.</a> <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4027-6976-4" title="Special:BookSources/978-1-4027-6976-4"><bdi>978-1-4027-6976-4</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+British+Invasion&rft.place=New+York+City&rft.pub=Sterling+Publishing+Company%2C+Inc.&rft.date=2009&rft.isbn=978-1-4027-6976-4&rft.aulast=Miles&rft.aufirst=Barry&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dr8xbaIlrUREC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMilward2021" class="citation book cs1">Milward, John (2021). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=g4o0EAAAQBAJ">Americanaland: Where Country & Western Met Rock 'n' Roll</a>. Champaign, Illinois: <a href="/wiki/University_of_Illinois_Press" title="University of Illinois Press">University of Illinois Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-252-05281-1" title="Special:BookSources/978-0-252-05281-1"><bdi>978-0-252-05281-1</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Americanaland%3A+Where+Country+%26+Western+Met+Rock+%27n%27+Roll&rft.place=Champaign%2C+Illinois&rft.pub=University+of+Illinois+Press&rft.date=2021&rft.isbn=978-0-252-05281-1&rft.aulast=Milward&rft.aufirst=John&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dg4o0EAAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMyers2017" class="citation book cs1"><a href="/wiki/Marc_Myers" title="Marc Myers">Myers, Marc</a> (2017). <a rel="nofollow" class="external text" href="https://archive.org/details/anatomyofsongora0000myer_o1v7/">Anatomy of a Song: The Oral History of 45 Iconic Hits That Changed Rock, R&B and Pop</a>. London: <a href="/wiki/Grove_Press" title="Grove Press">Grove Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61185-959-1" title="Special:BookSources/978-1-61185-959-1"><bdi>978-1-61185-959-1</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Anatomy+of+a+Song%3A+The+Oral+History+of+45+Iconic+Hits+That+Changed+Rock%2C+R%26B+and+Pop&rft.place=London&rft.pub=Grove+Press&rft.date=2017&rft.isbn=978-1-61185-959-1&rft.aulast=Myers&rft.aufirst=Marc&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fanatomyofsongora0000myer_o1v7%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNixon2003" class="citation book cs1">Nixon, Neil (2003). <a rel="nofollow" class="external text" href="https://archive.org/details/roughguidetorock0003unse/page/614/">"The Lovin' Spoonful"</a>. In Buckley, Peter (ed.). The Rough Guide to Rock (3rd ed.). London: <a href="/wiki/Rough_Guides" title="Rough Guides">Rough Guides</a>. pp. 614–615. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84353-105-0" title="Special:BookSources/978-1-84353-105-0"><bdi>978-1-84353-105-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Lovin%27+Spoonful&rft.btitle=The+Rough+Guide+to+Rock&rft.place=London&rft.pages=614-615&rft.edition=3rd&rft.pub=Rough+Guides&rft.date=2003&rft.isbn=978-1-84353-105-0&rft.aulast=Nixon&rft.aufirst=Neil&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Froughguidetorock0003unse%2Fpage%2F614%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPetrus2015" class="citation book cs1">Petrus, Stephen (2015). <a rel="nofollow" class="external text" href="https://archive.org/details/folkcitynewyorka0000petr/">Folk City: New York and the American Folk Music Revival</a>. New York City: <a href="/wiki/Oxford_University_Press" title="Oxford University Press">Oxford University Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-023102-6" title="Special:BookSources/978-0-19-023102-6"><bdi>978-0-19-023102-6</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Folk+City%3A+New+York+and+the+American+Folk+Music+Revival&rft.place=New+York+City&rft.pub=Oxford+University+Press&rft.date=2015&rft.isbn=978-0-19-023102-6&rft.aulast=Petrus&rft.aufirst=Stephen&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffolkcitynewyorka0000petr%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPollock2009" class="citation book cs1">Pollock, Bruce (2009). <a rel="nofollow" class="external text" href="https://archive.org/details/bytimewegottowoo0000poll/">By the Time We Got to Woodstock: The Great Rock 'n' Roll Revolution of 1969</a>. New York City: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-979-4" title="Special:BookSources/978-0-87930-979-4"><bdi>978-0-87930-979-4</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=By+the+Time+We+Got+to+Woodstock%3A+The+Great+Rock+%27n%27+Roll+Revolution+of+1969&rft.place=New+York+City&rft.pub=Backbeat+Books&rft.date=2009&rft.isbn=978-0-87930-979-4&rft.aulast=Pollock&rft.aufirst=Bruce&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbytimewegottowoo0000poll%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPriore2007" class="citation book cs1"><a href="/wiki/Domenic_Priore" title="Domenic Priore">Priore, Domenic</a> (2007). <a rel="nofollow" class="external text" href="https://archive.org/details/smilestoryofbria0000prio/">Smile: The Story of Brian Wilson's Lost Masterpiece</a>. London: <a href="/wiki/Bobcat_Books" class="mw-redirect" title="Bobcat Books">Bobcat Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8256-7350-4" title="Special:BookSources/978-0-8256-7350-4"><bdi>978-0-8256-7350-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Smile%3A+The+Story+of+Brian+Wilson%27s+Lost+Masterpiece&rft.place=London&rft.pub=Bobcat+Books&rft.date=2007&rft.isbn=978-0-8256-7350-4&rft.aulast=Priore&rft.aufirst=Domenic&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fsmilestoryofbria0000prio%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPriore2015" class="citation book cs1">Priore, Domenic (2015). Riot on Sunset Strip: Rock'n'Roll's Last Stand in Hollywood (Revised ed.). London: Jawbone Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-908279-90-3" title="Special:BookSources/978-1-908279-90-3"><bdi>978-1-908279-90-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Riot+on+Sunset+Strip%3A+Rock%27n%27Roll%27s+Last+Stand+in+Hollywood&rft.place=London&rft.edition=Revised&rft.pub=Jawbone+Press&rft.date=2015&rft.isbn=978-1-908279-90-3&rft.aulast=Priore&rft.aufirst=Domenic&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReesCrampton1991" class="citation book cs1">Rees, Dafydd; Crampton, Luke (1991). <a rel="nofollow" class="external text" href="https://archive.org/details/rockmoversshaker0000rees/">Rock Movers & Shakers</a>. New York City: <a href="/wiki/Billboard_Books" class="mw-redirect" title="Billboard Books">Billboard Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8230-7609-3" title="Special:BookSources/978-0-8230-7609-3"><bdi>978-0-8230-7609-3</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rock+Movers+%26+Shakers&rft.place=New+York+City&rft.pub=Billboard+Books&rft.date=1991&rft.isbn=978-0-8230-7609-3&rft.aulast=Rees&rft.aufirst=Dafydd&rft.au=Crampton%2C+Luke&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frockmoversshaker0000rees%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRibowsky1989" class="citation book cs1">Ribowsky, Mark (1989). <a rel="nofollow" class="external text" href="https://archive.org/details/hesrebel00ribo/">He's a Rebel: The Truth About Phil Spector – Rock and Roll's Legendary Madman</a>. New York City: <a href="/wiki/E._P._Dutton" title="E. P. Dutton">E. P. Dutton</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-525-24727-2" title="Special:BookSources/978-0-525-24727-2"><bdi>978-0-525-24727-2</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=He%27s+a+Rebel%3A+The+Truth+About+Phil+Spector+%E2%80%93+Rock+and+Roll%27s+Legendary+Madman&rft.place=New+York+City&rft.pub=E.+P.+Dutton&rft.date=1989&rft.isbn=978-0-525-24727-2&rft.aulast=Ribowsky&rft.aufirst=Mark&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fhesrebel00ribo%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRodriguez2012" class="citation book cs1">Rodriguez, Robert (2012). <a rel="nofollow" class="external text" href="https://archive.org/details/revolverhowbeatl0000rodr">Revolver: How the Beatles Re-Imagined Rock 'n' Roll</a>. Montclair, New Jersey: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61713-009-0" title="Special:BookSources/978-1-61713-009-0"><bdi>978-1-61713-009-0</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revolver%3A+How+the+Beatles+Re-Imagined+Rock+%27n%27+Roll&rft.place=Montclair%2C+New+Jersey&rft.pub=Backbeat+Books&rft.date=2012&rft.isbn=978-1-61713-009-0&rft.aulast=Rodriguez&rft.aufirst=Robert&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frevolverhowbeatl0000rodr&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRogan1997" class="citation book cs1"><a href="/wiki/Johnny_Rogan" title="Johnny Rogan">Rogan, Johnny</a> (1997). The Byrds: Timeless Flight Revisited: The Sequel. London: Rogan House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-9529540-1-X" title="Special:BookSources/0-9529540-1-X"><bdi>0-9529540-1-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Byrds%3A+Timeless+Flight+Revisited%3A+The+Sequel&rft.place=London&rft.pub=Rogan+House&rft.date=1997&rft.isbn=0-9529540-1-X&rft.aulast=Rogan&rft.aufirst=Johnny&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRogan2015" class="citation book cs1">Rogan, Johnny (2015). <a rel="nofollow" class="external text" href="https://archive.org/details/raydaviescomplic0000roga">Ray Davies: A Complicated Life</a>. London: <a href="/wiki/The_Bodley_Head" title="The Bodley Head">The Bodley Head</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84792-317-2" title="Special:BookSources/978-1-84792-317-2"><bdi>978-1-84792-317-2</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ray+Davies%3A+A+Complicated+Life&rft.place=London&rft.pub=The+Bodley+Head&rft.date=2015&rft.isbn=978-1-84792-317-2&rft.aulast=Rogan&rft.aufirst=Johnny&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fraydaviescomplic0000roga&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSandoval2005" class="citation book cs1"><a href="/wiki/Andrew_Sandoval" title="Andrew Sandoval">Sandoval, Andrew</a> (2005). <a rel="nofollow" class="external text" href="https://archive.org/details/monkeesdaybydays00andr/">The Monkees: The Day-By-Day Story of the 60s TV Pop Sensation</a>. San Diego, California: <a href="/wiki/Thunder_Bay_Press" title="Thunder Bay Press">Thunder Bay Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59223-372-4" title="Special:BookSources/978-1-59223-372-4"><bdi>978-1-59223-372-4</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Monkees%3A+The+Day-By-Day+Story+of+the+60s+TV+Pop+Sensation&rft.place=San+Diego%2C+California&rft.pub=Thunder+Bay+Press&rft.date=2005&rft.isbn=978-1-59223-372-4&rft.aulast=Sandoval&rft.aufirst=Andrew&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmonkeesdaybydays00andr%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSavage2015" class="citation book cs1"><a href="/wiki/Jon_Savage" title="Jon Savage">Savage, Jon</a> (2015). <a rel="nofollow" class="external text" href="https://archive.org/details/1966yeardecadeex0000sava">1966: The Year the Decade Exploded</a>. London: <a href="/wiki/Faber_%26_Faber" title="Faber & Faber">Faber & Faber</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-571-27762-9" title="Special:BookSources/978-0-571-27762-9"><bdi>978-0-571-27762-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=1966%3A+The+Year+the+Decade+Exploded&rft.place=London&rft.pub=Faber+%26+Faber&rft.date=2015&rft.isbn=978-0-571-27762-9&rft.aulast=Savage&rft.aufirst=Jon&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2F1966yeardecadeex0000sava&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSelvin1995" class="citation book cs1">Selvin, Joel (1995). <a rel="nofollow" class="external text" href="https://archive.org/details/summerofloveinsi00selvi/">Summer of Love: The Inside Story of LSD, Rock & Roll, Free Love and High Times in the Wild West</a>. New York City: <a href="/wiki/Plume_(publisher)" title="Plume (publisher)">Plume</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-452-27407-5" title="Special:BookSources/978-0-452-27407-5"><bdi>978-0-452-27407-5</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Summer+of+Love%3A+The+Inside+Story+of+LSD%2C+Rock+%26+Roll%2C+Free+Love+and+High+Times+in+the+Wild+West&rft.place=New+York+City&rft.pub=Plume&rft.date=1995&rft.isbn=978-0-452-27407-5&rft.aulast=Selvin&rft.aufirst=Joel&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fsummerofloveinsi00selvi%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShea2023" class="citation book cs1">Shea, Scott G. (2023). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=QSi4EAAAQBAJ">All the Leaves Are Brown: How the Mamas & the Papas Came Together and Broke Apart</a>. Lanham, Maryland: <a href="/wiki/Rowman_%26_Littlefield" title="Rowman & Littlefield">Rowman & Littlefield</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4930-7212-5" title="Special:BookSources/978-1-4930-7212-5"><bdi>978-1-4930-7212-5</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=All+the+Leaves+Are+Brown%3A+How+the+Mamas+%26+the+Papas+Came+Together+and+Broke+Apart&rft.place=Lanham%2C+Maryland&rft.pub=Rowman+%26+Littlefield&rft.date=2023&rft.isbn=978-1-4930-7212-5&rft.aulast=Shea&rft.aufirst=Scott+G.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DQSi4EAAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSheaRodriguez2007" class="citation book cs1">Shea, Stuart; Rodriguez, Robert (2007). <a rel="nofollow" class="external text" href="https://archive.org/details/fabfourfaqeveryt0000shea/">Fab Four FAQ: Everything Left to Know About the Beatles ... and More!</a>. New York City: <a href="/wiki/Hal_Leonard" title="Hal Leonard">Hal Leonard</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4234-2138-2" title="Special:BookSources/978-1-4234-2138-2"><bdi>978-1-4234-2138-2</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Fab+Four+FAQ%3A+Everything+Left+to+Know+About+the+Beatles%3Cspan+class%3D%22nowrap%22%3E+%3C%2Fspan%3E...+and+More%21&rft.place=New+York+City&rft.pub=Hal+Leonard&rft.date=2007&rft.isbn=978-1-4234-2138-2&rft.aulast=Shea&rft.aufirst=Stuart&rft.au=Rodriguez%2C+Robert&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffabfourfaqeveryt0000shea%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSimons2004" class="citation book cs1">Simons, David (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/studiostorieshow00simo/">Studio Stories: How the Great New York Records Were Made: From Miles to Madonna, Sinatra to The Ramones</a>. San Francisco, California: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-817-9" title="Special:BookSources/978-0-87930-817-9"><bdi>978-0-87930-817-9</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Studio+Stories%3A+How+the+Great+New+York+Records+Were+Made%3A+From+Miles+to+Madonna%2C+Sinatra+to+The+Ramones&rft.place=San+Francisco%2C+California&rft.pub=Backbeat+Books&rft.date=2004&rft.isbn=978-0-87930-817-9&rft.aulast=Simons&rft.aufirst=David&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fstudiostorieshow00simo%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStanley2015" class="citation book cs1"><a href="/wiki/Bob_Stanley_(musician)" title="Bob Stanley (musician)">Stanley, Bob</a> (2015). <a rel="nofollow" class="external text" href="https://archive.org/details/yeahyeahyeahstor0000stan_z8i7">Yeah Yeah Yeah: The Story of Modern Pop from Bill Haley to Beyoncé</a>. New York City: <a href="/wiki/W._W._Norton_%26_Company" title="W. W. Norton & Company">W. W. Norton & Company</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-35168-2" title="Special:BookSources/978-0-393-35168-2"><bdi>978-0-393-35168-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Yeah+Yeah+Yeah%3A+The+Story+of+Modern+Pop+from+Bill+Haley+to+Beyonc%C3%A9&rft.place=New+York+City&rft.pub=W.+W.+Norton+%26+Company&rft.date=2015&rft.isbn=978-0-393-35168-2&rft.aulast=Stanley&rft.aufirst=Bob&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fyeahyeahyeahstor0000stan_z8i7&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTinniswood2021" class="citation book cs1">Tinniswood, Adrian (2021). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=6wISEAAAQBAJ">Noble Ambitions: The Fall and Rise of the English Country House After World War II</a>. New York City: <a href="/wiki/Basic_Books" title="Basic Books">Basic Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-5416-1799-5" title="Special:BookSources/978-1-5416-1799-5"><bdi>978-1-5416-1799-5</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Noble+Ambitions%3A+The+Fall+and+Rise+of+the+English+Country+House+After+World+War+II&rft.place=New+York+City&rft.pub=Basic+Books&rft.date=2021&rft.isbn=978-1-5416-1799-5&rft.aulast=Tinniswood&rft.aufirst=Adrian&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D6wISEAAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTurner2016" class="citation book cs1"><a href="/wiki/Steve_Turner_(writer)" title="Steve Turner (writer)">Turner, Steve</a> (2016). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=8geICwAAQBAJ">Beatles '66: The Revolutionary Year</a>. New York City: <a href="/wiki/Ecco_Press" title="Ecco Press">Ecco</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-247558-9" title="Special:BookSources/978-0-06-247558-9"><bdi>978-0-06-247558-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Beatles+%2766%3A+The+Revolutionary+Year&rft.place=New+York+City&rft.pub=Ecco&rft.date=2016&rft.isbn=978-0-06-247558-9&rft.aulast=Turner&rft.aufirst=Steve&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D8geICwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger2002" class="citation book cs1"><a href="/wiki/Richie_Unterberger" title="Richie Unterberger">Unterberger, Richie</a> (2002). <a rel="nofollow" class="external text" href="https://archive.org/details/turnturnturn00rich/">Turn! Turn! Turn!: The '60s Folk-Rock Revolution</a>. San Francisco: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-87930-703-X" title="Special:BookSources/0-87930-703-X"><bdi>0-87930-703-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Turn%21+Turn%21+Turn%21%3A+The+%2760s+Folk-Rock+Revolution&rft.place=San+Francisco&rft.pub=Backbeat+Books&rft.date=2002&rft.isbn=0-87930-703-X&rft.aulast=Unterberger&rft.aufirst=Richie&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fturnturnturn00rich%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger2003" class="citation book cs1">Unterberger, Richie (2003). <a rel="nofollow" class="external text" href="https://archive.org/details/eightmileshighfo00sanf">Eight Miles High: Folk-Rock's Flight from Haight-Ashbury to Woodstock</a>. San Francisco: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-87930-743-9" title="Special:BookSources/0-87930-743-9"><bdi>0-87930-743-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Eight+Miles+High%3A+Folk-Rock%27s+Flight+from+Haight-Ashbury+to+Woodstock&rft.place=San+Francisco&rft.pub=Backbeat+Books&rft.date=2003&rft.isbn=0-87930-743-9&rft.aulast=Unterberger&rft.aufirst=Richie&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Feightmileshighfo00sanf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVon_SchmidtRooney1994" class="citation book cs1"><a href="/wiki/Eric_Von_Schmidt" title="Eric Von Schmidt">Von Schmidt, Eric</a>; <a href="/wiki/Jim_Rooney_(music)" title="Jim Rooney (music)">Rooney, Jim</a> (1994). <a rel="nofollow" class="external text" href="https://archive.org/details/babyletmefollowy00vons/">Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years</a>. Amherst, Massachusetts: <a href="/wiki/University_of_Massachusetts_Press" title="University of Massachusetts Press">University of Massachusetts Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87023-925-0" title="Special:BookSources/978-0-87023-925-0"><bdi>978-0-87023-925-0</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Baby%2C+Let+Me+Follow+You+Down%3A+The+Illustrated+Story+of+the+Cambridge+Folk+Years&rft.place=Amherst%2C+Massachusetts&rft.pub=University+of+Massachusetts+Press&rft.date=1994&rft.isbn=978-0-87023-925-0&rft.aulast=Von+Schmidt&rft.aufirst=Eric&rft.au=Rooney%2C+Jim&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbabyletmefollowy00vons%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWallenfeldt2012" class="citation book cs1">Wallenfeldt, Jeff, ed. (2012). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=vfGcAAAAQBAJ">Sounds of Rebellion: Music in the 1960s</a>. New York City: <a href="/wiki/Britannica_Educational_Publishing" class="mw-redirect" title="Britannica Educational Publishing">Britannica Educational Publishing</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61530-913-9" title="Special:BookSources/978-1-61530-913-9"><bdi>978-1-61530-913-9</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sounds+of+Rebellion%3A+Music+in+the+1960s&rft.place=New+York+City&rft.pub=Britannica+Educational+Publishing&rft.date=2012&rft.isbn=978-1-61530-913-9&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvfGcAAAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWald2015" class="citation book cs1"><a href="/wiki/Elijah_Wald" title="Elijah Wald">Wald, Elijah</a> (2015). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=F8HiBAAAQBAJ">Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night that Split the Sixties</a>. New York City: <a href="/wiki/HarperCollins" title="HarperCollins">HarperCollins</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-236670-2" title="Special:BookSources/978-0-06-236670-2"><bdi>978-0-06-236670-2</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Dylan+Goes+Electric%21%3A+Newport%2C+Seeger%2C+Dylan%2C+and+the+Night+that+Split+the+Sixties&rft.place=New+York+City&rft.pub=HarperCollins&rft.date=2015&rft.isbn=978-0-06-236670-2&rft.aulast=Wald&rft.aufirst=Elijah&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DF8HiBAAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilliams2002" class="citation book cs1"><a href="/wiki/Paul_Williams_(journalist)" title="Paul Williams (journalist)">Williams, Paul</a>, ed. (2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=tV-9J-I6oYAC">The Crawdaddy! Book: Writings (and Images) from the Magazine of Rock</a>. Milwaukee, Wisconsin: <a href="/wiki/Hal_Leonard_Corporation" class="mw-redirect" title="Hal Leonard Corporation">Hal Leonard Corporation</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-634-02958-4" title="Special:BookSources/0-634-02958-4"><bdi>0-634-02958-4</bdi></a> – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Crawdaddy%21+Book%3A+Writings+%28and+Images%29+from+the+Magazine+of+Rock&rft.place=Milwaukee%2C+Wisconsin&rft.pub=Hal+Leonard+Corporation&rft.date=2002&rft.isbn=0-634-02958-4&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DtV-9J-I6oYAC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilsonGold1991" class="citation book cs1"><a href="/wiki/Brian_Wilson" title="Brian Wilson">Wilson, Brian</a>; Gold, Todd (1991). <a rel="nofollow" class="external text" href="https://archive.org/details/wouldntitbenicem00wils">Wouldn't It Be Nice: My Own Story</a>. New York City: <a href="/wiki/Harper_Collins" class="mw-redirect" title="Harper Collins">Harper Collins</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-018313-4" title="Special:BookSources/978-0-06-018313-4"><bdi>978-0-06-018313-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Wouldn%27t+It+Be+Nice%3A+My+Own+Story&rft.place=New+York+City&rft.pub=Harper+Collins&rft.date=1991&rft.isbn=978-0-06-018313-4&rft.aulast=Wilson&rft.aufirst=Brian&rft.au=Gold%2C+Todd&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fwouldntitbenicem00wils&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFZimmermanZimmerman2004" class="citation book cs1">Zimmerman, Keith; Zimmerman, Kent (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/singmywayhomevoi00zimm">Sing My Way Home: Voices of the New American Roots Rock</a>. San Francisco, California: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-790-5" title="Special:BookSources/978-0-87930-790-5"><bdi>978-0-87930-790-5</bdi></a> – via the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sing+My+Way+Home%3A+Voices+of+the+New+American+Roots+Rock&rft.place=San+Francisco%2C+California&rft.pub=Backbeat+Books&rft.date=2004&rft.isbn=978-0-87930-790-5&rft.aulast=Zimmerman&rft.aufirst=Keith&rft.au=Zimmerman%2C+Kent&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fsingmywayhomevoi00zimm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li></ul> <div class="mw-heading mw-heading3"><h3 id="Liner_notes">Liner notes</h3>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=34" title="Edit section: Liner notes">edit</a>]</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnon.1990" class="citation AV-media-notes cs1">Anon. (1990). <a href="/wiki/The_Lovin%27_Spoonful_Anthology" title="The Lovin' Spoonful Anthology">Anthology</a> (Liner notes). The Lovin' Spoonful. <a href="/wiki/Rhino_Records" class="mw-redirect" title="Rhino Records">Rhino</a>. R2 70944.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Anthology&rft.pub=Rhino&rft.date=1990&rft.au=Anon.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDiken2002" class="citation AV-media-notes cs1">Diken, Dennis (2002). <a href="/wiki/Daydream_(The_Lovin%27_Spoonful_album)" title="Daydream (The Lovin' Spoonful album)">Daydream</a> (Liner notes). The Lovin' Spoonful. <a href="/wiki/Buddha_Records" class="mw-redirect" title="Buddha Records">Buddha</a>, <a href="/wiki/BMG_Heritage_Records" title="BMG Heritage Records">BMG Heritage</a>. 74465 99731 2.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Daydream&rft.pub=Buddha%2C+BMG+Heritage&rft.date=2002&rft.aulast=Diken&rft.aufirst=Dennis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDiken2003" class="citation AV-media-notes cs1">Diken, Dennis (2003). <a href="/wiki/Hums_of_the_Lovin%27_Spoonful" title="Hums of the Lovin' Spoonful">Hums of the Lovin' Spoonful</a> (Liner notes). The Lovin' Spoonful. <a href="/wiki/Kama_Sutra_Records" title="Kama Sutra Records">Kama Sutra</a>. 74465 99732 2.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Hums+of+the+Lovin%27+Spoonful&rft.pub=Kama+Sutra&rft.date=2003&rft.aulast=Diken&rft.aufirst=Dennis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEdmonds2002" class="citation AV-media-notes cs1">Edmonds, Ben (2002). <a href="/wiki/Do_You_Believe_in_Magic_(album)" title="Do You Believe in Magic (album)">Do You Believe in Magic</a> (Liner notes). The Lovin' Spoonful. <a href="/wiki/Buddha_Records" class="mw-redirect" title="Buddha Records">Buddha</a>, <a href="/wiki/Kama_Sutra_Records" title="Kama Sutra Records">Kama Sutra</a>. 74465 99730 2.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Do+You+Believe+in+Magic&rft.pub=Buddha%2C+Kama+Sutra&rft.date=2002&rft.aulast=Edmonds&rft.aufirst=Ben&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFlanaganWilentz2015" class="citation AV-media-notes cs1">Flanagan, Bill; Wilentz, Sean (2015). <a href="/wiki/The_Bootleg_Series_Vol._12:_The_Cutting_Edge_1965%E2%80%931966" title="The Bootleg Series Vol. 12: The Cutting Edge 1965–1966">The Cutting Edge: 1965–1966</a> (Liner notes). <a href="/wiki/The_Bootleg_Series" class="mw-redirect" title="The Bootleg Series">The Bootleg Series</a>. <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a>. <a href="/wiki/Columbia_Records" title="Columbia Records">Columbia</a>, <a href="/wiki/Legacy_Records" class="mw-redirect" title="Legacy Records">Legacy</a>. 88875124422.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Cutting+Edge%3A+1965%E2%80%931966&rft.series=The+Bootleg+Series&rft.pub=Columbia%2C+Legacy&rft.date=2015&rft.aulast=Flanagan&rft.aufirst=Bill&rft.au=Wilentz%2C+Sean&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHill2003" class="citation AV-media-notes cs1">Hill, Michael (2003). <a href="/wiki/Everything_Playing" title="Everything Playing">Everything Playing</a> (Liner notes). The Lovin' Spoonful. <a href="/wiki/Buddha_Records" class="mw-redirect" title="Buddha Records">Buddha</a>, <a href="/wiki/RCA_Records" title="RCA Records">RCA</a> <a href="/wiki/Kama_Sutra_Records" title="Kama Sutra Records">Kama Sutra</a>. 74465 99733 2.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Everything+Playing&rft.pub=Buddha%2C+RCA+Kama+Sutra&rft.date=2003&rft.aulast=Hill&rft.aufirst=Michael&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoriarty1966" class="citation AV-media-notes cs1">Moriarty, Daniel J. (1966). What's Up, Tiger Lily? (Liner notes). The Lovin' Spoonful. <a href="/wiki/Kama_Sutra_Records" title="Kama Sutra Records">Kama Sutra</a>. KLP 8053.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=What%27s+Up%2C+Tiger+Lily%3F&rft.pub=Kama+Sutra&rft.date=1966&rft.aulast=Moriarty&rft.aufirst=Daniel+J.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger2005" class="citation AV-media-notes cs1">Unterberger, Richie (2005). Changes (Liner notes). <a href="/wiki/The_Modern_Folk_Quartet" class="mw-redirect" title="The Modern Folk Quartet">The Modern Folk Quartet</a>. <a href="/wiki/Collectors%27_Choice_Music" title="Collectors' Choice Music">Collectors' Choice Music</a>. CCM-524.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Changes&rft.pub=Collectors%27+Choice+Music&rft.date=2005&rft.aulast=Unterberger&rft.aufirst=Richie&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger2006a" class="citation AV-media-notes cs1">Unterberger, Richie (2006a). <a href="/wiki/John_B._Sebastian_(album)" title="John B. Sebastian (album)">John B. Sebastian</a> (Liner notes). <a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a>. Collectors' Choice Music. CCM-720.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=John+B.+Sebastian&rft.pub=Collectors%27+Choice+Music&rft.date=2006&rft.aulast=Unterberger&rft.aufirst=Richie&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger2006b" class="citation AV-media-notes cs1">Unterberger, Richie (2006b). Cheapo-Cheapo Productions Presents Real Live (Liner notes). <a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a>. Collectors' Choice Music. CCM-724.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Cheapo-Cheapo+Productions+Presents+Real+Live&rft.pub=Collectors%27+Choice+Music&rft.date=2006&rft.aulast=Unterberger&rft.aufirst=Richie&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUnterberger2006c" class="citation AV-media-notes cs1">Unterberger, Richie (2006c). <a href="/wiki/Tarzana_Kid" title="Tarzana Kid">Tarzana Kid</a> (Liner notes). <a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a>. Collectors' Choice Music. CCM-722.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Tarzana+Kid&rft.pub=Collectors%27+Choice+Music&rft.date=2006&rft.aulast=Unterberger&rft.aufirst=Richie&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Lovin%27+Spoonful" class="Z3988"></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=The_Lovin%27_Spoonful&action=edit&section=35" title="Edit section: External links">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></div> <div class="side-box-text plainlist"><a href="/wiki/Wikimedia_Commons" title="Wikimedia Commons">Wikimedia Commons</a> has media related to: <a href="https://commons.wikimedia.org/wiki/Category:The_Lovin%27_Spoonful" class="extiw" title="commons:Category:The Lovin' Spoonful">The Lovin' Spoonful</a></div></div> </div> <ul><li><a rel="nofollow" class="external text" href="https://www.allmusic.com/artist/p4800">The Lovin' Spoonful</a> at <a href="/wiki/AllMusic_(identifier)" class="mw-redirect" title="AllMusic (identifier)">AllMusic</a></li> <li><a rel="nofollow" class="external text" href="https://www.discogs.com/artist/269100">The Lovin' Spoonful</a> discography at <a href="/wiki/Discogs" title="Discogs">Discogs</a> <a href="https://www.wikidata.org/wiki/Q1053608#P1953" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://archive.org/search?query=the+Lovin'+Spoonful">The Lovin' Spoonful</a> on the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a></li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output .navbox,.mw-parser-output .navbox-subgroup{background-color:#fdfdfd}.mw-parser-output .navbox-list{line-height:1.5em;border-color:#fdfdfd}.mw-parser-output .navbox-list-with-group{text-align:left;border-left-width:2px;border-left-style:solid}.mw-parser-output tr+tr>.navbox-abovebelow,.mw-parser-output tr+tr>.navbox-group,.mw-parser-output tr+tr>.navbox-image,.mw-parser-output tr+tr>.navbox-list{border-top:2px solid #fdfdfd}.mw-parser-output .navbox-title{background-color:#ccf}.mw-parser-output .navbox-abovebelow,.mw-parser-output .navbox-group,.mw-parser-output .navbox-subgroup .navbox-title{background-color:#ddf}.mw-parser-output .navbox-subgroup .navbox-group,.mw-parser-output .navbox-subgroup .navbox-abovebelow{background-color:#e6e6ff}.mw-parser-output .navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style><style data-mw-deduplicate="TemplateStyles:r1256394678">@media screen{.mw-parser-output .navbox-musical-artist-solo .navbox-title{background-color:#f0e68c}.mw-parser-output .navbox-musical-artist-non-vocal .navbox-title{background-color:#f4bf92}.mw-parser-output .navbox-musical-artist-non-perform .navbox-title{background-color:#bfe0bf}.mw-parser-output .navbox-musical-artist-group .navbox-title{background-color:#b0c4de}.mw-parser-output .navbox-musical-artist-cover .navbox-title{background-color:#d8bfd8}.mw-parser-output .navbox-musical-artist-classical .navbox-title{background-color:#b0e0e6}.mw-parser-output .navbox-musical-artist-temp .navbox-title{background-color:#d3d3d3}.mw-parser-output .navbox-musical-artist .navbox-group,.mw-parser-output .navbox-musical-artist .navbox-abovebelow{background-color:var(--background-color-neutral,#eaecf0)}html.skin-theme-clienpref-night .mw-parser-output .navbox-musical-artist .navbox-title{background-color:inherit}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clienpref-os .mw-parser-output .navbox-musical-artist .navbox-title{background-color:inherit}}</style></div><div role="navigation" class="navbox navbox-musical-artist navbox-musical-artist-group" aria-labelledby="The_Lovin&#039;_Spoonful" style="padding:3px"><table class="nowraplinks vcard hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:The_Lovin%27_Spoonful" title="Template:The Lovin' Spoonful"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:The_Lovin%27_Spoonful" title="Template talk:The Lovin' Spoonful"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:The_Lovin%27_Spoonful" title="Special:EditPage/Template:The Lovin' Spoonful"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="The_Lovin&#039;_Spoonful" class="fn org" style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">The Lovin' Spoonful</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a></li> <li><a href="/wiki/Zal_Yanovsky" title="Zal Yanovsky">Zal Yanovsky</a></li> <li> <a href="/wiki/Steve_Boone" title="Steve Boone">Steve Boone</a> </li> <li><a href="/wiki/Joe_Butler" title="Joe Butler">Joe Butler</a></li></ul> <ul><li>Jan Carl</li> <li><a href="/wiki/Jerry_Yester" title="Jerry Yester">Jerry Yester</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Do_You_Believe_in_Magic_(album)" title="Do You Believe in Magic (album)">Do You Believe in Magic</a></li> <li><a href="/wiki/Daydream_(The_Lovin%27_Spoonful_album)" title="Daydream (The Lovin' Spoonful album)">Daydream</a></li> <li><a href="/wiki/Hums_of_the_Lovin%27_Spoonful" title="Hums of the Lovin' Spoonful">Hums of the Lovin' Spoonful</a></li> <li><a href="/wiki/Everything_Playing" title="Everything Playing">Everything Playing</a></li> <li><a href="/wiki/Revelation:_Revolution_%2769" title="Revelation: Revolution '69">Revelation: Revolution '69</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Soundtracks</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/What%27s_Up,_Tiger_Lily%3F#Soundtrack_album" title="What's Up, Tiger Lily?">What's Up, Tiger Lily?</a></li> <li><a href="/wiki/You%27re_a_Big_Boy_Now_(album)" title="You're a Big Boy Now (album)">You're A Big Boy Now</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Compilations</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/What%27s_Shakin%27" title="What's Shakin'">What's Shakin'</a></li> <li><a href="/wiki/The_Best_of_the_Lovin%27_Spoonful" title="The Best of the Lovin' Spoonful">The Best of the Lovin' Spoonful</a></li> <li><a href="/wiki/The_Very_Best_of_the_Lovin%27_Spoonful" title="The Very Best of the Lovin' Spoonful">The Very Best of the Lovin' Spoonful</a></li> <li><a href="/wiki/The_Lovin%27_Spoonful_Anthology" title="The Lovin' Spoonful Anthology">Anthology</a></li> <li><a href="/wiki/The_Lovin%27_Spoonful_Greatest_Hits" title="The Lovin' Spoonful Greatest Hits">Greatest Hits</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Live albums</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Live_at_the_Hotel_Seville" title="Live at the Hotel Seville">Live at the Hotel Seville</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Singles</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Do_You_Believe_in_Magic_(song)" title="Do You Believe in Magic (song)">Do You Believe In Magic</a>"</li> <li>"<a href="/wiki/You_Didn%27t_Have_to_Be_So_Nice" title="You Didn't Have to Be So Nice">You Didn't Have to Be So Nice</a>"</li> <li>"<a href="/wiki/Daydream_(The_Lovin%27_Spoonful_song)" title="Daydream (The Lovin' Spoonful song)">Daydream</a>"</li> <li>"<a href="/wiki/Did_You_Ever_Have_to_Make_Up_Your_Mind%3F" title="Did You Ever Have to Make Up Your Mind?">Did You Ever Have to Make Up Your Mind?</a>"</li> <li>"<a href="/wiki/Summer_in_the_City_(song)" title="Summer in the City (song)">Summer in the City</a>"</li> <li>"<a href="/wiki/Rain_on_the_Roof_(song)" title="Rain on the Roof (song)">Rain on the Roof</a>"</li> <li>"<a href="/wiki/Nashville_Cats" title="Nashville Cats">Nashville Cats</a>"</li> <li>"<a href="/wiki/Darling_Be_Home_Soon" title="Darling Be Home Soon">Darling Be Home Soon</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other songs</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Good_Time_Music" title="Good Time Music">Good Time Music</a>"</li> <li>"<a href="/wiki/Younger_Girl" title="Younger Girl">Younger Girl</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Lovin%27_Spoonful_discography" title="The Lovin' Spoonful discography">Discography</a></li> <li><a href="/wiki/The_Lovin%27_Spoonful%27s_drug_bust" title="The Lovin' Spoonful's drug bust">Drug bust</a></li> <li><a href="/wiki/The_Mugwumps_(band)" title="The Mugwumps (band)">The Mugwumps</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Rock_and_Roll_Hall_of_Fame_–_Class_of_2000" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:2000_Rock_and_Roll_Hall_of_Fame" title="Template:2000 Rock and Roll Hall of Fame"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:2000_Rock_and_Roll_Hall_of_Fame" title="Template talk:2000 Rock and Roll Hall of Fame"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:2000_Rock_and_Roll_Hall_of_Fame" title="Special:EditPage/Template:2000 Rock and Roll Hall of Fame"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Rock_and_Roll_Hall_of_Fame_–_Class_of_2000" style="font-size:114%;margin:0 4em"><a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a> – <a href="/wiki/List_of_Rock_and_Roll_Hall_of_Fame_inductees" title="List of Rock and Roll Hall of Fame inductees">Class of 2000</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Performers</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Eric_Clapton" title="Eric Clapton">Eric Clapton</a></li> <li><a href="/wiki/Earth,_Wind_%26_Fire" title="Earth, Wind & Fire">Earth, Wind & Fire</a> <ul><li><a href="/wiki/Philip_Bailey" title="Philip Bailey">Philip Bailey</a>, <a href="/wiki/Larry_Dunn" title="Larry Dunn">Larry Dunn</a>, <a href="/wiki/Johnny_Graham_(musician)" class="mw-redirect" title="Johnny Graham (musician)">Johnny Graham</a>, <a href="/wiki/Ralph_Johnson_(musician)" title="Ralph Johnson (musician)">Ralph Johnson</a>, <a href="/wiki/Al_McKay" title="Al McKay">Al McKay</a>, <a href="/wiki/Fred_White_(musician)" title="Fred White (musician)">Fred White</a>, <a href="/wiki/Maurice_White" title="Maurice White">Maurice White</a>, <a href="/wiki/Verdine_White" title="Verdine White">Verdine White</a>, <a href="/wiki/Andrew_Woolfolk" title="Andrew Woolfolk">Andrew Woolfolk</a></li></ul></li> <li><a class="mw-selflink selflink">The Lovin' Spoonful</a> <ul><li><a href="/wiki/Steve_Boone" title="Steve Boone">Steve Boone</a>, <a href="/wiki/Joe_Butler" title="Joe Butler">Joe Butler</a>, <a href="/wiki/John_Sebastian" title="John Sebastian">John Sebastian</a>, <a href="/wiki/Zal_Yanovsky" title="Zal Yanovsky">Zal Yanovsky</a></li></ul></li> <li><a href="/wiki/The_Moonglows" title="The Moonglows">The Moonglows</a> <ul><li><a href="/wiki/Prentiss_Barnes" title="Prentiss Barnes">Prentiss Barnes</a>, <a href="/wiki/Harvey_Fuqua" title="Harvey Fuqua">Harvey Fuqua</a>, <a href="/w/index.php?title=Peter_Graves_(musician)&action=edit&redlink=1" class="new" title="Peter Graves (musician) (page does not exist)">Peter Graves</a>, <a href="/w/index.php?title=Billy_Johnson_(musician)&action=edit&redlink=1" class="new" title="Billy Johnson (musician) (page does not exist)">Billy Johnson</a>, <a href="/wiki/Bobby_Lester" class="mw-redirect" title="Bobby Lester">Bobby Lester</a></li></ul></li> <li><a href="/wiki/Bonnie_Raitt" title="Bonnie Raitt">Bonnie Raitt</a></li> <li><a href="/wiki/James_Taylor" title="James Taylor">James Taylor</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Early influences</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Nat_King_Cole" title="Nat King Cole">Nat King Cole</a></li> <li><a href="/wiki/Billie_Holiday" title="Billie Holiday">Billie Holiday</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Non-performers (Ahmet Ertegun Award)</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Clive_Davis" title="Clive Davis">Clive Davis</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Sidemen</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Hal_Blaine" title="Hal Blaine">Hal Blaine</a></li> <li><a href="/wiki/King_Curtis" title="King Curtis">King Curtis</a></li> <li><a href="/wiki/James_Jamerson" title="James Jamerson">James Jamerson</a></li> <li><a href="/wiki/Scotty_Moore" title="Scotty Moore">Scotty Moore</a></li> <li><a href="/wiki/Earl_Palmer" title="Earl Palmer">Earl Palmer</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q1053608#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q1053608#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <a href="https://www.wikidata.org/wiki/Q1053608#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000122431205">ISNI</a></li><li><a rel="nofollow" class="external text" href="https://viaf.org/viaf/128928912">VIAF</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/5079653-7">Germany</a></li><li><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n86855873">United States</a></li><li><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb139047001">France</a></li><li><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb139047001">BnF data</a></li><li><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0095069&CON_LNG=ENG">Czech Republic</a></li><li><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/3029916">Norway</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/abc08d4f-4e3c-4b5a-b1e8-d324cd6a2f92">MusicBrainz</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/1135960">Trove</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.idref.fr/131790870">IdRef</a></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=The_Lovin%27_Spoonful&oldid=1258953315">https://en.wikipedia.org/w/index.php?title=The_Lovin%27_Spoonful&oldid=1258953315</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:The_Lovin%27_Spoonful" title="Category:The Lovin' Spoonful">The Lovin' Spoonful</a></li><li><a href="/wiki/Category:American_pop_music_groups" title="Category:American pop music groups">American pop music groups</a></li><li><a href="/wiki/Category:Folk_rock_groups_from_New_York_(state)" title="Category:Folk rock groups from New York (state)">Folk rock groups from New York (state)</a></li><li><a href="/wiki/Category:Kama_Sutra_Records_artists" title="Category:Kama Sutra Records artists">Kama Sutra Records artists</a></li><li><a href="/wiki/Category:Musical_groups_from_New_York_City" title="Category:Musical groups from New York City">Musical groups from New York City</a></li><li><a href="/wiki/Category:Musical_groups_established_in_1964" title="Category:Musical groups established in 1964">Musical groups established in 1964</a></li><li><a href="/wiki/Category:Musical_groups_disestablished_in_1968" title="Category:Musical groups disestablished in 1968">Musical groups disestablished in 1968</a></li><li><a href="/wiki/Category:Musical_groups_reestablished_in_1991" title="Category:Musical groups reestablished in 1991">Musical groups reestablished in 1991</a></li><li><a href="/wiki/Category:Musical_quartets_from_New_York_(state)" title="Category:Musical quartets from New York (state)">Musical quartets from New York (state)</a></li></ul></div><div id="mw-hidden-catlinks" class="mw-hidden-catlinks mw-hidden-cats-hidden">Hidden categories: <ul><li><a href="/wiki/Category:Pages_using_the_EasyTimeline_extension" title="Category:Pages using the EasyTimeline extension">Pages using the EasyTimeline extension</a></li><li><a href="/wiki/Category:Good_articles" title="Category:Good articles">Good articles</a></li><li><a href="/wiki/Category:Articles_with_short_description" title="Category:Articles with short description">Articles with short description</a></li><li><a href="/wiki/Category:Short_description_is_different_from_Wikidata" title="Category:Short description is different from Wikidata">Short description is different from Wikidata</a></li><li><a href="/wiki/Category:Use_American_English_from_August_2023" title="Category:Use American English from August 2023">Use American English from August 2023</a></li><li><a href="/wiki/Category:All_Wikipedia_articles_written_in_American_English" title="Category:All Wikipedia articles written in American English">All Wikipedia articles written in American English</a></li><li><a href="/wiki/Category:Use_mdy_dates_from_May_2017" title="Category:Use mdy dates from May 2017">Use mdy dates from May 2017</a></li><li><a href="/wiki/Category:Articles_with_hCards" title="Category:Articles with hCards">Articles with hCards</a></li><li><a href="/wiki/Category:Articles_with_hAudio_microformats" title="Category:Articles with hAudio microformats">Articles with hAudio microformats</a></li><li><a href="/wiki/Category:CS1_Swedish-language_sources_(sv)" title="Category:CS1 Swedish-language sources (sv)">CS1 Swedish-language sources (sv)</a></li></ul></div></div> </div> </main> </div> <div class="mw-footer-container"> <footer id="footer" class="mw-footer" > <ul id="footer-info"> <li id="footer-info-lastmod"> This page was last edited on 22 November 2024, at 15:15 (UTC).</li> <li id="footer-info-copyright">Text is available under the <a href="/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License" title="Wikipedia:Text of the Creative Commons Attribution-ShareAlike 4.0 International License">Creative Commons Attribution-ShareAlike 4.0 License</a>; additional terms may apply. By using this site, you agree to the <a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Terms_of_Use" class="extiw" title="foundation:Special:MyLanguage/Policy:Terms of Use">Terms of Use</a> and <a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Privacy_policy" class="extiw" title="foundation:Special:MyLanguage/Policy:Privacy policy">Privacy Policy</a>. Wikipedia® is a registered trademark of the <a rel="nofollow" class="external text" href="https://wikimediafoundation.org/">Wikimedia Foundation, Inc.</a>, a non-profit organization.</li> </ul> <ul id="footer-places"> <li id="footer-places-privacy"><a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Privacy_policy">Privacy policy</a></li> <li id="footer-places-about"><a href="/wiki/Wikipedia:About">About Wikipedia</a></li> <li id="footer-places-disclaimers"><a href="/wiki/Wikipedia:General_disclaimer">Disclaimers</a></li> <li id="footer-places-contact"><a href="//en.wikipedia.org/wiki/Wikipedia:Contact_us">Contact Wikipedia</a></li> <li id="footer-places-wm-codeofconduct"><a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Universal_Code_of_Conduct">Code of Conduct</a></li> <li id="footer-places-developers"><a href="https://developer.wikimedia.org">Developers</a></li> <li id="footer-places-statslink"><a href="https://stats.wikimedia.org/#/en.wikipedia.org">Statistics</a></li> <li id="footer-places-cookiestatement"><a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Cookie_statement">Cookie statement</a></li> <li id="footer-places-mobileview"><a href="//en.m.wikipedia.org/w/index.php?title=The_Lovin%27_Spoonful&mobileaction=toggle_view_mobile" class="noprint stopMobileRedirectToggle">Mobile view</a></li> </ul> <ul id="footer-icons" class="noprint"> <li id="footer-copyrightico"><a href="https://wikimediafoundation.org/" class="cdx-button cdx-button--fake-button cdx-button--size-large cdx-button--fake-button--enabled"><img src="/static/images/footer/wikimedia-button.svg" width="84" height="29" alt="Wikimedia Foundation" loading="lazy"></a></li> <li id="footer-poweredbyico"><a href="https://www.mediawiki.org/" class="cdx-button cdx-button--fake-button cdx-button--size-large cdx-button--fake-button--enabled"><img src="/w/resources/assets/poweredby_mediawiki.svg" alt="Powered by MediaWiki" width="88" height="31" loading="lazy"></a></li> </ul> </footer> </div> </div> </div> <div class="vector-settings" id="p-dock-bottom"> <ul></ul> </div><script>(RLQ=window.RLQ||[]).push(function(){mw.config.set({"wgHostname":"mw-web.codfw.main-f69cdc8f6-dnxpp","wgBackendResponseTime":227,"wgPageParseReport":{"limitreport":{"cputime":"3.739","walltime":"4.040","ppvisitednodes":{"value":45264,"limit":1000000},"postexpandincludesize":{"value":505229,"limit":2097152},"templateargumentsize":{"value":61341,"limit":2097152},"expansiondepth":{"value":21,"limit":100},"expensivefunctioncount":{"value":8,"limit":500},"unstrip-depth":{"value":1,"limit":20},"unstrip-size":{"value":807592,"limit":5000000},"entityaccesscount":{"value":1,"limit":400},"timingprofile":["100.00% 3537.207 1 -total"," 37.82% 1337.847 490 Template:Sfn"," 20.86% 737.731 2 Template:Reflist"," 13.32% 471.092 76 Template:Cite_book"," 6.59% 232.994 48 Template:Cite_magazine"," 4.56% 161.209 516 Template:Main_other"," 4.54% 160.526 29 Template:Refn"," 3.75% 132.470 1 Template:Infobox_musical_artist"," 3.72% 131.457 2 Template:Inflation/fn"," 3.25% 114.896 1 Template:Infobox"]},"scribunto":{"limitreport-timeusage":{"value":"2.240","limit":"10.000"},"limitreport-memusage":{"value":9885457,"limit":52428800},"limitreport-logs":"anchor_id_list = table#1 {\n [\"CITEREFAnon.\"] = 1,\n [\"CITEREFAnon.1965\"] = 4,\n [\"CITEREFAnon.1966\"] = 15,\n [\"CITEREFAnon.1967\"] = 4,\n [\"CITEREFAnon.1968\"] = 1,\n [\"CITEREFAnon.1990\"] = 1,\n [\"CITEREFBabiuk2002\"] = 1,\n [\"CITEREFBadman2004\"] = 1,\n [\"CITEREFBarone2022\"] = 1,\n [\"CITEREFBelz1967\"] = 1,\n [\"CITEREFBesonen2018\"] = 1,\n [\"CITEREFBillboard_Review_Panel1967\"] = 1,\n [\"CITEREFBjörner\"] = 1,\n [\"CITEREFBooneMoss2014\"] = 1,\n [\"CITEREFBosso2021\"] = 1,\n [\"CITEREFBronson2003\"] = 1,\n [\"CITEREFBunch2017\"] = 1,\n [\"CITEREFButler2023\"] = 1,\n [\"CITEREFChildsMarch1999\"] = 1,\n [\"CITEREFColbyFitzpatrick2002\"] = 1,\n [\"CITEREFCourrier2008\"] = 1,\n [\"CITEREFDiken2002\"] = 1,\n [\"CITEREFDiken2003\"] = 1,\n [\"CITEREFDillon2012\"] = 1,\n [\"CITEREFDisker1965\"] = 1,\n [\"CITEREFDoggett2001\"] = 1,\n [\"CITEREFEden1966\"] = 1,\n [\"CITEREFEdmonds2002\"] = 1,\n [\"CITEREFEinarson2005\"] = 1,\n [\"CITEREFEinarsonFuray2004\"] = 1,\n [\"CITEREFEskow2008\"] = 1,\n [\"CITEREFEverett2009\"] = 1,\n [\"CITEREFFarmer1966\"] = 1,\n [\"CITEREFFiegel2005\"] = 1,\n [\"CITEREFFisk1966\"] = 1,\n [\"CITEREFFlanaganWilentz2015\"] = 1,\n [\"CITEREFFletcher2009\"] = 1,\n [\"CITEREFGleason1966\"] = 1,\n [\"CITEREFGould2007\"] = 1,\n [\"CITEREFH.I.M._KLEO_Good_Guy1967\"] = 1,\n [\"CITEREFHallberg1993\"] = 1,\n [\"CITEREFHallbergHenningsson2012\"] = 1,\n [\"CITEREFHanly1998\"] = 1,\n [\"CITEREFHartman2012\"] = 1,\n [\"CITEREFHelander1999\"] = 1,\n [\"CITEREFHeylin1996\"] = 1,\n [\"CITEREFHeylin2021\"] = 1,\n [\"CITEREFHill2003\"] = 1,\n [\"CITEREFHill2018\"] = 1,\n [\"CITEREFHinkle2023\"] = 1,\n [\"CITEREFHinman2004\"] = 1,\n [\"CITEREFHjort2008\"] = 1,\n [\"CITEREFHoffmann2016\"] = 1,\n [\"CITEREFHolzmanDaws2000\"] = 1,\n [\"CITEREFHoskyns1996\"] = 1,\n [\"CITEREFHoughton2010\"] = 1,\n [\"CITEREFHoward2017\"] = 1,\n [\"CITEREFJackson2015\"] = 1,\n [\"CITEREFJones1966\"] = 1,\n [\"CITEREFKeepnews2002\"] = 1,\n [\"CITEREFKiner2024\"] = 1,\n [\"CITEREFKing1966\"] = 1,\n [\"CITEREFKreps2020\"] = 1,\n [\"CITEREFKruth2015\"] = 1,\n [\"CITEREFLawrence2008\"] = 1,\n [\"CITEREFLee2015\"] = 1,\n [\"CITEREFLenhoffRobertson2019\"] = 1,\n [\"CITEREFLeonard2014\"] = 1,\n [\"CITEREFLewis1966\"] = 1,\n [\"CITEREFLydon2009\"] = 1,\n [\"CITEREFMacDonald2007\"] = 1,\n [\"CITEREFMcPherson\"] = 1,\n [\"CITEREFMersereau2015\"] = 1,\n [\"CITEREFMiles1997\"] = 1,\n [\"CITEREFMiles2001\"] = 1,\n [\"CITEREFMiles2005\"] = 1,\n [\"CITEREFMiles2009\"] = 1,\n [\"CITEREFMilward2021\"] = 1,\n [\"CITEREFMoriarty1966\"] = 1,\n [\"CITEREFMyers2017\"] = 1,\n [\"CITEREFNixon2003\"] = 1,\n [\"CITEREFO\u0026#039;Grady1979\"] = 1,\n [\"CITEREFPetrus2015\"] = 1,\n [\"CITEREFPollock2009\"] = 1,\n [\"CITEREFPriore2007\"] = 1,\n [\"CITEREFPriore2015\"] = 1,\n [\"CITEREFReesCrampton1991\"] = 1,\n [\"CITEREFRibowsky1989\"] = 1,\n [\"CITEREFRichards2021\"] = 1,\n [\"CITEREFRodriguez2012\"] = 1,\n [\"CITEREFRogan1997\"] = 1,\n [\"CITEREFRogan2015\"] = 1,\n [\"CITEREFRoxon1968\"] = 1,\n [\"CITEREFSandoval2005\"] = 1,\n [\"CITEREFSavage2015\"] = 1,\n [\"CITEREFSelvin1995\"] = 1,\n [\"CITEREFShea2023\"] = 1,\n [\"CITEREFSheaRodriguez2007\"] = 1,\n [\"CITEREFShelton1966\"] = 1,\n [\"CITEREFShiner\"] = 1,\n [\"CITEREFSimons2004\"] = 1,\n [\"CITEREFStanley2015\"] = 1,\n [\"CITEREFTiegel1965\"] = 1,\n [\"CITEREFTinniswood2021\"] = 1,\n [\"CITEREFTurner2016\"] = 1,\n [\"CITEREFUnterberger\"] = 4,\n [\"CITEREFUnterberger2002\"] = 1,\n [\"CITEREFUnterberger2003\"] = 1,\n [\"CITEREFUnterberger2005\"] = 1,\n [\"CITEREFUnterberger2006a\"] = 1,\n [\"CITEREFUnterberger2006b\"] = 1,\n [\"CITEREFUnterberger2006c\"] = 1,\n [\"CITEREFUnterberger2018\"] = 1,\n [\"CITEREFValentine1965\"] = 1,\n [\"CITEREFVon_SchmidtRooney1994\"] = 1,\n [\"CITEREFWald2015\"] = 1,\n [\"CITEREFWallenfeldt2012\"] = 1,\n [\"CITEREFWelch1966\"] = 1,\n [\"CITEREFWilliams2002\"] = 1,\n [\"CITEREFWilson1965\"] = 1,\n [\"CITEREFWilson1967\"] = 1,\n [\"CITEREFWilsonGold1991\"] = 1,\n [\"CITEREFZimmermanZimmerman2004\"] = 1,\n [\"CITEREFdi_Perna2023\"] = 1,\n}\ntemplate_list = table#1 {\n [\"'\\\"\"] = 2,\n [\"'s\"] = 3,\n [\"2000 Rock and Roll Hall of Fame\"] = 1,\n [\"AllMusic\"] = 1,\n [\"Authority control\"] = 1,\n [\"Circa\"] = 1,\n [\"Cite AV media\"] = 1,\n [\"Cite AV media notes\"] = 11,\n [\"Cite book\"] = 72,\n [\"Cite episode\"] = 1,\n [\"Cite journal\"] = 2,\n [\"Cite magazine\"] = 48,\n [\"Cite news\"] = 16,\n [\"Cite newspaper\"] = 3,\n [\"Cite tweet\"] = 1,\n [\"Cite web\"] = 21,\n [\"Clear\"] = 5,\n [\"Commons and category\"] = 1,\n [\"DEFAULTSORT:Lovin Spoonful\"] = 1,\n [\"Discogs artist\"] = 1,\n [\"Em\"] = 7,\n [\"Good article\"] = 1,\n [\"Harvnb\"] = 34,\n [\"Hlist\"] = 3,\n [\"ISBN\"] = 1,\n [\"Inflation\"] = 2,\n [\"Inflation/fn\"] = 2,\n [\"Infobox musical artist\"] = 1,\n [\"Listen\"] = 2,\n [\"Main\"] = 2,\n [\"Multiple image\"] = 1,\n [\"Multiref2\"] = 2,\n [\"Nbsp\"] = 130,\n [\"Nowrap\"] = 9,\n [\"Quote\"] = 1,\n [\"Quote box\"] = 6,\n [\"Refbegin\"] = 1,\n [\"Refend\"] = 1,\n [\"Reflist\"] = 2,\n [\"Refn\"] = 29,\n [\"Sfn\"] = 490,\n [\"Short description\"] = 1,\n [\"Sic\"] = 1,\n [\"Small\"] = 6,\n [\"The Lovin' Spoonful\"] = 1,\n [\"Ubl\"] = 1,\n [\"Url\"] = 1,\n [\"Use American English\"] = 1,\n [\"Use mdy dates\"] = 1,\n}\narticle_whitelist = table#1 {\n}\n","limitreport-profile":[["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::callParserFunction","680","30.1"],["recursiveClone \u003CmwInit.lua:45\u003E","300","13.3"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::getAllExpandedArguments","200","8.8"],["?","180","8.0"],["dataWrapper \u003Cmw.lua:672\u003E","120","5.3"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::gsub","100","4.4"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::anchorEncode","80","3.5"],["(for generator)","60","2.7"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::sub","60","2.7"],["type","60","2.7"],["[others]","420","18.6"]]},"cachereport":{"origin":"mw-web.codfw.main-f69cdc8f6-rgbsb","timestamp":"20241124000019","ttl":2592000,"transientcontent":false}}});});</script> <script type="application/ld+json">{"@context":"https:\/\/schema.org","@type":"Article","name":"The Lovin' Spoonful","url":"https:\/\/en.wikipedia.org\/wiki\/The_Lovin%27_Spoonful","sameAs":"http:\/\/www.wikidata.org\/entity\/Q1053608","mainEntity":"http:\/\/www.wikidata.org\/entity\/Q1053608","author":{"@type":"Organization","name":"Contributors to Wikimedia projects"},"publisher":{"@type":"Organization","name":"Wikimedia Foundation, Inc.","logo":{"@type":"ImageObject","url":"https:\/\/www.wikimedia.org\/static\/images\/wmf-hor-googpub.png"}},"datePublished":"2003-01-16T05:32:13Z","dateModified":"2024-11-22T15:15:08Z","image":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/b\/b8\/Lovin_Spoonful_1965.jpg","headline":"American band founded in 1965"}</script> </body> </html>