Islamic Art and Architecture on Religious Buildings of Dagestan, Russia

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style="font-size:.9rem">Islamic Art and Architecture on Religious Buildings of Dagestan, Russia</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Anahita%20Shahrokhi">Anahita Shahrokhi</a>, <a href="https://publications.waset.org/abstracts/search?q=Hamed%20Kazemzadeh"> Hamed Kazemzadeh</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Various issues are included in cultural relations between societies. Art styles along with architectural similarities are by far one of the most noticeable cultural-historic relations. The Dagestan Republic located in the south of Russia Federation in the North Caucasus has had cultural relations with historical Iran since long ago and is considered as a part of the Islamic world. From Sassanid era and Islamic Empire prior to Tsars’ government, such relations had been maintained largely due to Iran and Islam’s political and social dominance over the region. The presence of the Iranians, mostly for business and commerce, is evident through not only written documents but also other cultural elements including architecture and art. Southern Dagestan and northern provinces of Iran, not distant from each other by sea, have a lot of artistic and cultural aspects in common. The architecture used in some structures such as religious centers, Tekie and Saqa Nafars strongly resembles religious centers in the south of Dagestan. The majority of these similarities lie in the wooden carvings, engravings, and paintings of the interior decorations on the pillars, capitals, walls, and ceilings, as well as the similarity of the plans. Such designs were formed in Safavid dynasty first in Mazandaran and later in Dagestan so that this style is currently named Persiski, meaning Persian, in the Dagestan Republic. These similarities indicate the relationship between the artists and educated people from Iran and Dagestan and the Iranians’ role on the religious and cultural development of Dagestan from the 17th and 18th centuries. <iframe src="https://publications.waset.org/abstracts/32087.pdf" style="width:100%; height:400px;" frameborder="0"></iframe> <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=wooden%20works" title="wooden works">wooden works</a>, <a href="https://publications.waset.org/abstracts/search?q=Mazandaran" title=" Mazandaran"> Mazandaran</a>, <a href="https://publications.waset.org/abstracts/search?q=Dagestan" title=" Dagestan"> Dagestan</a>, <a href="https://publications.waset.org/abstracts/search?q=Saqa%20Nafar" title=" Saqa Nafar"> Saqa Nafar</a>, <a href="https://publications.waset.org/abstracts/search?q=ritual%20and%20Islamic%20architecture" title=" ritual and Islamic architecture"> ritual and Islamic architecture</a> </p> <a href="https://publications.waset.org/abstracts/32087/islamic-art-and-architecture-on-religious-buildings-of-dagestan-russia" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/abstracts/32087.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">477</span> </span> </div> </div> </div> </main> <footer> <div id="infolinks" class="pt-3 pb-2"> <div class="container"> <div style="background-color:#f5f5f5;" class="p-3"> <div class="row"> <div class="col-md-2"> <ul class="list-unstyled"> About <li><a href="https://waset.org/page/support">About Us</a></li> <li><a href="https://waset.org/page/support#legal-information">Legal</a></li> <li><a target="_blank" rel="nofollow" href="https://publications.waset.org/static/files/WASET-16th-foundational-anniversary.pdf">WASET celebrates its 16th foundational anniversary</a></li> </ul> 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Islamic Art and Architecture on Religious Buildings of Dagestan, Russia