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Jewish art music movement - Wikipedia

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<div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"><span class="mw-redirectedfrom">(Redirected from <a href="/w/index.php?title=Jewish_art_music&amp;redirect=no" class="mw-redirect" title="Jewish art music">Jewish art music</a>)</span></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><style data-mw-deduplicate="TemplateStyles:r1251242444">.mw-parser-output .ambox{border:1px solid #a2a9b1;border-left:10px solid #36c;background-color:#fbfbfb;box-sizing:border-box}.mw-parser-output .ambox+link+.ambox,.mw-parser-output .ambox+link+style+.ambox,.mw-parser-output .ambox+link+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+style+.ambox,.mw-parser-output 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data-mw-deduplicate="TemplateStyles:r1214851843">.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important}}</style><div class="hidden-begin mw-collapsible mw-collapsed" style="font-size:100%; padding: 0px;"><div class="hidden-title skin-nightmode-reset-color" style="text-align:center; padding-right: 3em; font-weight: normal; text-align: left">You can help <b>expand this article with text translated from <a href="https://he.wikipedia.org/wiki/%D7%94%D7%97%D7%91%D7%A8%D7%94_%D7%9C%D7%9E%D7%95%D7%96%D7%99%D7%A7%D7%94_%D7%A2%D7%9E%D7%9E%D7%99%D7%AA_%D7%99%D7%94%D7%95%D7%93%D7%99%D7%AA" class="extiw" title="he:החברה למוזיקה עממית יהודית">the corresponding article</a> in Hebrew</b>. &#32;<i><small>(June 2015)</small></i> <small>Click [show] for important translation instructions.</small></div><div class="hidden-content mw-collapsible-content" style=""> <ul><li class="mw-empty-elt"></li> <li>Machine translation, like <a rel="nofollow" class="external text" href="https://deepl.com">DeepL</a> or <a rel="nofollow" class="external text" href="https://translate.google.com/">Google Translate</a>, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.</li> <li>Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.</li> <li>You <b>must</b> provide <a href="/wiki/Wikipedia:Copying_within_Wikipedia" title="Wikipedia:Copying within Wikipedia">copyright attribution</a> in the <a href="/wiki/Help:Edit_summary" title="Help:Edit summary">edit summary</a> accompanying your translation by providing an <a href="/wiki/Help:Interlanguage_links" title="Help:Interlanguage links">interlanguage link</a> to the source of your translation. A model attribution edit summary is <code>Content in this edit is translated from the existing Hebrew Wikipedia article at [[:he:החברה למוזיקה עממית יהודית]]; see its history for attribution.</code></li> <li>You may also add the template <code>{{Translated|he|החברה למוזיקה עממית יהודית}}</code> to the <a href="/wiki/Talk:Jewish_art_music_movement" title="Talk:Jewish art music movement">talk page</a>.</li> <li>For more guidance, see <a href="/wiki/Wikipedia:Translation" title="Wikipedia:Translation">Wikipedia:Translation</a>.</li></ul></div></div></div></td></tr></tbody></table> <p>The <b>Jewish art music movement</b> began at the end of the 19th century in Russia, with a group of Russian Jewish classical composers dedicated to preserving Jewish folk music and creating a new, characteristically Jewish genre of classical music. The music it produced used Western classical elements, featuring the rich chromatic harmonies of Russian late Romantic music, but with melodic, rhythmic and textual content taken from traditional Jewish folk or liturgical music. The group founded the <a href="/wiki/St._Petersburg" class="mw-redirect" title="St. Petersburg">St. Petersburg</a> Society for <a href="/wiki/Secular_Jewish_music" title="Secular Jewish music">Jewish Folk Music</a>, a movement that spread to Moscow, Poland, Austria, and later Palestine and the United States. Although the original society existed formally for only 10 years (from 1908 to 1918), its impact on the course of Jewish music was profound. The society, and the art music movement it fostered, inspired a new interest in the music of <a href="/wiki/Eastern_Europe" title="Eastern Europe">Eastern European</a> <a href="/wiki/History_of_the_Jews_in_Europe" title="History of the Jews in Europe">Jewry</a> throughout Europe and America. It laid the foundations for the Jewish music and <a href="/wiki/Klezmer_revival" class="mw-redirect" title="Klezmer revival">Klezmer revival</a> in the United States, and was a key influence in the development of <a href="/wiki/Music_of_Israel" title="Music of Israel">Israeli folk and classical music</a>. </p><p>With the outbreak of <a href="/wiki/World_War_I" title="World War I">World War I</a> and the rise of Communism in Russia, most of the composers active in the Jewish art music movement fled Eastern Europe, finding their way to Palestine or America. There, they became leaders of the Jewish musical communities, composing for both the synagogue and the concert hall. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Origins">Origins</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jewish_art_music_movement&amp;action=edit&amp;section=1" title="Edit section: Origins"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The interest in Jewish national music coincided with the nationalist trends in music throughout Eastern Europe. In Russia, composers led by <a href="/wiki/Rimsky-Korsakov" class="mw-redirect" title="Rimsky-Korsakov">Rimsky-Korsakov</a>, were composing new works based on Russian folk themes. In Hungary, <a href="/wiki/Zolt%C3%A1n_Kod%C3%A1ly" title="Zoltán Kodály">Zoltán Kodály</a> and later <a href="/wiki/B%C3%A9la_Bart%C3%B3k" title="Béla Bartók">Béla Bartók</a> undertook a massive project of recording and cataloging folk melodies, and incorporating them into their compositions. Other composers such as <a href="/wiki/Anton%C3%ADn_Dvo%C5%99%C3%A1k" title="Antonín Dvořák">Antonín Dvořák</a> and <a href="/wiki/Leo%C5%A1_Jan%C3%A1%C4%8Dek" title="Leoš Janáček">Leoš Janáček</a> were increasingly seeking a uniquely national sound in their work. "Europe was impelled by the Romantic tendency to establish in musical matters the national boundaries more and more sharply," wrote Alfred Einstein. "The collecting and sifting of old traditional melodic treasures ... formed the basis for a creative art-music."<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> </p><p>Parallel with this trend toward national music styles was an awakening of nationalist sentiment among the <a href="/wiki/History_of_the_Jews_in_Russia_and_the_Soviet_Union" class="mw-redirect" title="History of the Jews in Russia and the Soviet Union">Jews of Russia</a> and Eastern Europe. Long subjected to severe restrictions on their lives, outbursts of violent antisemitic pogroms, and forced concentration in a segregated region of Russia called the <a href="/wiki/Pale_of_Settlement" title="Pale of Settlement">Pale of Settlement</a>,<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> Russian Jewry developed an intense nationalist identity during the 1880s onward. This identity gave rise to a number of political movements - the <a href="/wiki/Zionism" title="Zionism">Zionist movement</a>, which advocated emigration from Russia to Palestine, and the <a href="/wiki/General_Jewish_Labour_Bund_in_Lithuania,_Poland_and_Russia" class="mw-redirect" title="General Jewish Labour Bund in Lithuania, Poland and Russia">Bund</a>, which sought cultural equality and autonomy within Russia. There was a flowering of Yiddish literature, with authors like <a href="/wiki/Sholem_Aleichem" title="Sholem Aleichem">Sholem Aleichem</a>, <a href="/wiki/Mendele_Mocher_Sforim" title="Mendele Mocher Sforim">Mendele Mocher Sforim</a> and others. A <a href="/wiki/Yiddish_theatre" title="Yiddish theatre">Yiddish theater</a> movement started, and numerous Yiddish newspapers and periodicals were published. </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Joseph_Achron.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/97/Joseph_Achron.jpg/200px-Joseph_Achron.jpg" decoding="async" width="200" height="278" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/97/Joseph_Achron.jpg/300px-Joseph_Achron.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/97/Joseph_Achron.jpg/400px-Joseph_Achron.jpg 2x" data-file-width="3289" data-file-height="4571" /></a><figcaption>Violinist Joseph Achron</figcaption></figure> <p>In spite of the <a href="/wiki/Pale_of_Settlement" title="Pale of Settlement">restrictions on residency</a> and <a href="/wiki/Jewish_quota" title="Jewish quota">quotas on Jewish students in universities</a>, many Russian Jews enrolled as music students at the <a href="/wiki/Saint_Petersburg_Conservatory" title="Saint Petersburg Conservatory">St. Petersburg</a> and <a href="/wiki/Moscow_Conservatory" title="Moscow Conservatory">Moscow</a> Conservatories. These included violinist <a href="/wiki/Joseph_Achron" title="Joseph Achron">Joseph Achron</a>, composer <a href="/wiki/Mikhail_Gnesin" class="mw-redirect" title="Mikhail Gnesin">Mikhail Gnesin</a>, and others. Many of the great violinists of the last century — <a href="/wiki/Jascha_Heifetz" title="Jascha Heifetz">Jascha Heifetz</a>, <a href="/wiki/Nathan_Milstein" title="Nathan Milstein">Nathan Milstein</a>, <a href="/wiki/Efrem_Zimbalist" title="Efrem Zimbalist">Efrem Zimbalist</a>, <a href="/wiki/Mischa_Elman" title="Mischa Elman">Mischa Elman</a>, to name a few — were Jewish students of <a href="/wiki/Leopold_Auer" title="Leopold Auer">Leopold Auer</a>, who taught at the conservatory. </p><p>While many of these students came from orthodox Jewish backgrounds — Achron, for example, was son of a <a href="/wiki/Cantor" title="Cantor">cantor</a> — their studies of music at the conservatory were strictly of the western classical tradition. However, the rise of nationalism in Russian music also awakened an incipient interest in Jewish music. In 1895, Yiddish writer <a href="/wiki/Isaac_Leib_Peretz" class="mw-redirect" title="Isaac Leib Peretz">Y.L. Peretz</a> started collecting lyrics of Yiddish folksongs.<sup id="cite_ref-Weisser_3-0" class="reference"><a href="#cite_note-Weisser-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup class="reference nowrap"><span title="Page / location: 28">&#58;&#8202;28&#8202;</span></sup> <a href="/wiki/Abraham_Goldfaden" title="Abraham Goldfaden">Abraham Goldfaden</a>, founder of the Yiddish theater in Russia, incorporated many folksongs and folk style music in his productions.<sup id="cite_ref-Weisser_3-1" class="reference"><a href="#cite_note-Weisser-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> In 1898, two Jewish historians, <a href="/wiki/Saul_M._Ginsburg" title="Saul M. Ginsburg">Saul Ginsburg</a> and Pesach Marek, embarked on the first effort to create an anthology of Jewish folk music.<sup id="cite_ref-Weisser_3-2" class="reference"><a href="#cite_note-Weisser-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup class="reference nowrap"><span title="Page / location: 26">&#58;&#8202;26&#8202;</span></sup> </p><p>The main catalyzer of the movement for national Jewish music, however, was <a href="/wiki/Joel_Engel_(composer)" title="Joel Engel (composer)">Joel Engel</a>. Engel, composer and music critic, was born outside the Pale of Jewish settlement, and was a completely assimilated Russian.<sup id="cite_ref-Weinberg_4-0" class="reference"><a href="#cite_note-Weinberg-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup><sup class="reference nowrap"><span title="Page / location: 33">&#58;&#8202;33&#8202;</span></sup> A meeting with the Russian nationalist critic <a href="/wiki/Vladimir_Stasov" title="Vladimir Stasov">Vladimir Stasov</a> inspired Engel to seek his Jewish roots. "(Stasov's) words struck Engel's imagination like lightning, and the Jew awoke in him,"<sup id="cite_ref-Weinberg_4-1" class="reference"><a href="#cite_note-Weinberg-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> wrote Engel's friend and fellow composer <a href="/wiki/Jacob_Weinberg" title="Jacob Weinberg">Jacob Weinberg</a>, a Russian-Jewish composer and concert pianist (1879-1956) who joined the Moscow branch of the Society of Jewish Folk Music. Weinberg eventually migrated to Palestine where he wrote the first Hebrew opera, "The Pioneers" (<a href="/wiki/HeHalutz" title="HeHalutz">Hechalutz</a>) in 1924. Engel set out to study the folk music of the Jews of the Russian <a href="/wiki/Shtetl" title="Shtetl">shtetls</a>, spending the summer of 1897 traveling throughout the Pale, listening to and notating <a href="/wiki/Yiddish_song" title="Yiddish song">Yiddish songs</a>. In 1900, he issued an album of ten Jewish songs, and presented a lecture concert of Jewish folk music.<sup id="cite_ref-Weisser_3-3" class="reference"><a href="#cite_note-Weisser-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup class="reference nowrap"><span title="Page / location: 31">&#58;&#8202;31&#8202;</span></sup> </p> <div class="mw-heading mw-heading2"><h2 id="The_St._Petersburg_Society_for_Jewish_Folk_Music">The St. Petersburg Society for Jewish Folk Music</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jewish_art_music_movement&amp;action=edit&amp;section=2" title="Edit section: The St. Petersburg Society for Jewish Folk Music"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Petersburg_Society_Publication.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/df/Petersburg_Society_Publication.jpg/400px-Petersburg_Society_Publication.jpg" decoding="async" width="400" height="533" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/df/Petersburg_Society_Publication.jpg/600px-Petersburg_Society_Publication.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/df/Petersburg_Society_Publication.jpg/800px-Petersburg_Society_Publication.jpg 2x" data-file-width="1194" data-file-height="1590" /></a><figcaption>A composition by H. Kopit, published by the Society. The cover sheet shows the logo that appeared on the Society's publications: a star of David enclosing a harp, flanked by a winged lion and a deer, recalling the Biblical verse "Strong as a lion, quick as a deer."</figcaption></figure> <p>In 1908, Engel and a group of like-minded musicians from the Petersburg conservatory, (including <a href="/wiki/Lazare_Saminsky" title="Lazare Saminsky">Lazare Saminsky</a>), founded the "St. Petersburg Society for Jewish Folk Music." The objectives of the society were to develop Jewish music "by collecting folksongs ... and supporting Jewish composers," and to publish compositions and research on Jewish music.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p><p>The society produced concerts, primarily of arrangements of folk melodies for various ensembles, and published arrangements and original compositions by its members. These included the composers <a href="/wiki/Solomon_Rosowsky" title="Solomon Rosowsky">Solomon Rosowsky</a>, <a href="/wiki/Alexander_Krein" title="Alexander Krein">Alexander Krein</a>, <a href="/wiki/Lyubov_Streicher" title="Lyubov Streicher">Lyubov Streicher</a>,<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Mikhail_Gnessin" title="Mikhail Gnessin">Mikhail Gnessin</a>, and the violinist <a href="/wiki/Joseph_Achron" title="Joseph Achron">Joseph Achron</a>. </p><p>With the growing nationalist and Zionist sentiment among the Jewish population, these concerts were received enthusiastically. In a concert in the Ukrainian city of <a href="/wiki/Vinnytsia" title="Vinnytsia">Vinnytsia</a>, for example, "the artists were met at the train and paraded through the Jewish part of the city with great ceremony and enthusiasm," recollected the local cantor.<sup id="cite_ref-Weisser_3-4" class="reference"><a href="#cite_note-Weisser-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup class="reference nowrap"><span title="Page / location: 48">&#58;&#8202;48&#8202;</span></sup> Among the artists performing in these concerts were violinists <a href="/wiki/Jascha_Heifetz" title="Jascha Heifetz">Jascha Heifetz</a> and <a href="/wiki/Efrem_Zimbalist" title="Efrem Zimbalist">Efrem Zimbalist</a>, cellist <a href="/wiki/Joseph_Press" title="Joseph Press">Joseph Press</a> and the bass <a href="/wiki/Feodor_Chaliapin" title="Feodor Chaliapin">Feodor Chaliapin</a>. </p><p>In 1912, the society sponsored an expedition that included the Yiddish musician and educator <a href="/wiki/Sussman_Kisselgoff" class="mw-redirect" title="Sussman Kisselgoff">Sussman Kisselgoff</a>, to record Jewish folk music using the newly invented Edison <a href="/wiki/Phonograph" title="Phonograph">phonograph</a>. The group recorded more than 1000 <a href="/wiki/Phonograph_cylinder" title="Phonograph cylinder">wax cylinders</a>. The collection is preserved in the <a href="/wiki/Vernadsky_National_Library_of_Ukraine" title="Vernadsky National Library of Ukraine">Vernadsky National Library of Ukraine</a>, in Kyiv. This collection is one of the most important ethnographic resources of Jewish life in Ukraine from that period. Another important endeavour of the society was the publication of a "Song Collection for Jewish Schools and Home." This songbook was a monumental six volumes, and includes, in addition to folksongs collected by Kisselgoff and others, original art songs and a section on cantillation of religious texts. </p> <div class="mw-heading mw-heading2"><h2 id="Jewish_art_music_outside_Russia">Jewish art music outside Russia</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jewish_art_music_movement&amp;action=edit&amp;section=3" title="Edit section: Jewish art music outside Russia"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The success of the society spread throughout Russia, and into eastern and central Europe. In 1913, a branch was founded in <a href="/wiki/Kharkiv" title="Kharkiv">Kharkov</a>, and later in <a href="/wiki/Moscow" title="Moscow">Moscow</a> and <a href="/wiki/Odesa" title="Odesa">Odessa</a>. The advent of World War I and the <a href="/wiki/Russian_Revolution" title="Russian Revolution">Russian Revolution</a> put an end to the formal existence of the society, but its members continued their activities and influence in Russia and abroad. Polish Jewish musicians such as Janot Rotkin, inspired by the society, embarked on their own projects of gathering, arranging, and composing Jewish music. In 1928, the Society for the Promotion of Jewish Music was founded in Vienna.<sup id="cite_ref-musica-judaica_7-0" class="reference"><a href="#cite_note-musica-judaica-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> </p><p>With the onset of the Russian revolution, most of the leading members of the St. Petersburg society left Russia. Joel Engel moved to Berlin in 1922, where he established the Juwal Publishing house. There he republished many of the society's works. Two years later he moved to Palestine, and started Jibneh, which continued the publishing work of Juwal. He died in Israel in 1927. A street in Tel Aviv now bears his name. Lazare Saminsky emigrated to the U.S. in 1920, where he became a leading figure in the promotion of Jewish music. He was music director of the <a href="/wiki/Congregation_Emanu-El_of_New_York" title="Congregation Emanu-El of New York">Temple Emanu-El</a> reform congregation in New York, a position he held until his death, in 1959.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> </p><p>In a similar manner, the lyric basso <a href="/wiki/Sidor_Belarsky" title="Sidor Belarsky">Sidor Belarsky</a> left Russia in 1930 after completing his studies at the St. Petersburg Conservatory and acquired a faculty position at <a href="/wiki/Brigham_Young_University" title="Brigham Young University">Brigham Young University</a> where he continued to pursue scholarly research in to Judaic folk music.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 1932, <a href="/wiki/Miriam_Shomer_Zunser" title="Miriam Shomer Zunser">Miriam Zunser</a>, together with Saminsky, <a href="/wiki/Joseph_Yasser" title="Joseph Yasser">Joseph Yasser</a> and others, founded MAILAMM (known by its Hebrew acronym), an institute for the study and promotion of Jewish music in Palestine and the United States;<sup id="cite_ref-asjm_12-0" class="reference"><a href="#cite_note-asjm-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> it was one of the predecessor organizations to the American Society for Jewish Music, which formed under that name in 1974.<sup id="cite_ref-asjm_12-1" class="reference"><a href="#cite_note-asjm-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> </p><p>Solomon Rosowsky moved to Israel, and later to the United States, where he continued composing, teaching and researching Jewish music. </p><p>Jacob Weinberg moved to Israel in 1922 after being persecuted in Odessa by the Bolsheviks. In 1927 his opera "The Pioneers" won first prize in the Sesquicentennial composition contest. With the prize money, he was able to migrate to New York. His religious works were performed in New York City at Temple Emanuel, (where he became a "house composer"), as well as the <a href="/wiki/Park_Avenue_Synagogue" title="Park Avenue Synagogue">Park Avenue Syngagogue</a> and the 92nd St. Y. He joined the music faculty of Hunter College and the (now defunct) NY College of Music. He continued to compose, perform, and teach. His comic opera, "The Pioneers" ("Hechalutz") (1924) was performed in concerts at Carnegie Hall in February, 1941 and again in February, 1947, and in the 1930s at City Center (then called "The Mecca Temple", with its Moorish architecture). It was also performed in Berlin in the 1930s by the Kulturbund, featuring the great soprano <a href="/wiki/Mascha_Benya" title="Mascha Benya">Mascha Benya</a>. Her aria "Song of Solomon" was more recently performed in 1998 by soprano Harolyn Blackwell at Lincoln Center's Avery Fisher Hall in a gala "Salute to Israel's 50th Birthday" concert conducted by Leon Botstein with the <a href="/wiki/American_Symphony_Orchestra" title="American Symphony Orchestra">American Symphony Orchestra</a>. A production of "The Pioneers" is planned for <a href="/wiki/Brooklyn_College" title="Brooklyn College">Brooklyn College</a> in the fall, 2015 to celebrate the opening of their new performing arts center.<sup class="noprint Inline-Template" style="white-space:nowrap;">&#91;<i><a href="/wiki/Wikipedia:Manual_of_Style/Dates_and_numbers#Chronological_items" title="Wikipedia:Manual of Style/Dates and numbers"><span title="The date of the event predicted near this tag has passed. (December 2022)">needs update</span></a></i>&#93;</sup> A concert version of this opera was produced by his granddaughter, Ellen L. Weinberg, in NYC in 2012 and can be seen on YouTube. </p> <div class="mw-heading mw-heading2"><h2 id="Footnotes">Footnotes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jewish_art_music_movement&amp;action=edit&amp;section=4" title="Edit section: Footnotes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">Einstein (1947), p. 332.</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">For a general history of Russian Jewry, see Dubnow (1975).</span> </li> <li id="cite_note-Weisser-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-Weisser_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Weisser_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Weisser_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Weisser_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Weisser_3-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text">Weisser(1987).</span> </li> <li id="cite_note-Weinberg-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-Weinberg_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Weinberg_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="/wiki/Jacob_Weinberg" title="Jacob Weinberg">Jacob Weinberg</a> (1946). (reprinted in Heskes(1998).</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text">Constitution of the Society, reprinted in Weisser(1987), p. 45.</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.milkenarchive.org/artists/view/lazare-saminsky/">"Saminsky, Lazare"</a>. <i>Milken Archive of Jewish Music</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2021-10-28</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Milken+Archive+of+Jewish+Music&amp;rft.atitle=Saminsky%2C+Lazare&amp;rft_id=http%3A%2F%2Fwww.milkenarchive.org%2Fartists%2Fview%2Flazare-saminsky%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AJewish+art+music+movement" class="Z3988"></span></span> </li> <li id="cite_note-musica-judaica-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-musica-judaica_7-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.musica-judaica.com/history.htm.">"History of the New Jewish School in music"</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=History+of+the+New+Jewish+School+in+music&amp;rft_id=http%3A%2F%2Fwww.musica-judaica.com%2Fhistory.htm.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AJewish+art+music+movement" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSlonimsky,_Nicolas2007" class="citation encyclopaedia cs1">Slonimsky, Nicolas (2007). <a rel="nofollow" class="external text" href="http://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/saminsky-lazare">"Saminsky, Lazare"</a>. In <a href="/wiki/Michael_Berenbaum" title="Michael Berenbaum">Berenbaum, Michael</a>; <a href="/wiki/Fred_Skolnik" title="Fred Skolnik">Skolnik, Fred</a> (eds.). <i><a href="/wiki/Encyclopaedia_Judaica" title="Encyclopaedia Judaica">Encyclopaedia Judaica</a></i>. Vol.&#160;17 (2nd&#160;ed.). Detroit: Macmillan Reference. pp.&#160;746–747. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-02-866097-4" title="Special:BookSources/978-0-02-866097-4"><bdi>978-0-02-866097-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Saminsky%2C+Lazare&amp;rft.btitle=Encyclopaedia+Judaica&amp;rft.place=Detroit&amp;rft.pages=746-747&amp;rft.edition=2nd&amp;rft.pub=Macmillan+Reference&amp;rft.date=2007&amp;rft.isbn=978-0-02-866097-4&amp;rft.au=Slonimsky%2C+Nicolas&amp;rft_id=http%3A%2F%2Fwww.encyclopedia.com%2Freligion%2Fencyclopedias-almanacs-transcripts-and-maps%2Fsaminsky-lazare&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AJewish+art+music+movement" class="Z3988"></span> </span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.nps.gov/elis/learn/historyculture/this-month-in-history-february.htm">National Park Service - Ellis island - This Month In History February 8-14 Sidor Belarsky enters Ellis Island in 1930 on nps.gov</a></span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=a5QPa2k2ko8C&amp;dq=Sidor+belarsky&amp;pg=PA121">Children of Ellis Island. Moreno, Barry. Arcadia, 2005 p. 121 Sdior Belarsky on Google Books</a></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://archives.lib.byu.edu/agents/people/2213">Brigham Young University Special Collections - Biography of Sidor Belarsky on lib.byu</a></span> </li> <li id="cite_note-asjm-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-asjm_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-asjm_12-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"<a rel="nofollow" class="external text" href="http://www.jewishmusic-asjm.org/about-us.html">About Us</a>". American Society for Jewish Music. jewishmusic-asjm.org. Retrieved 6 August 2017.</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">Goldstein, Eric L. (March 1, 2009). "<a rel="nofollow" class="external text" href="http://jwa.org/encyclopedia/article/zunser-miriam-shomer">Zunser, Miriam Shomer</a>. <i>Jewish Women in America: an Historical Encyclopedia</i>. Via <i>Jewish Women's Archive</i>. jwa.org. Retrieved 6 August 2017. Print version: Routledge, 1997; vol. 2, pp. 1549-1550.</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">Loeffler, James (October 19, 2010). "<a rel="nofollow" class="external text" href="http://www.yivoencyclopedia.org/article.aspx/Society_for_Jewish_Folk_Music">Society for Jewish Folk Music</a>." <i>YIVO Encyclopedia of Jews in Eastern Europe</i>. yivoencyclopedia.org. Retrieved 6 August 2017.</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jewish_art_music_movement&amp;action=edit&amp;section=5" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEinstein1947" class="citation book cs1"><a href="/wiki/Alfred_Einstein" title="Alfred Einstein">Einstein, Alfred</a> (1947). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/musicinromantice00eins"><i>Music in the Romantic Era</i></a></span>. W.W. Norton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/9780393097337" title="Special:BookSources/9780393097337"><bdi>9780393097337</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Music+in+the+Romantic+Era&amp;rft.pub=W.W.+Norton&amp;rft.date=1947&amp;rft.isbn=9780393097337&amp;rft.aulast=Einstein&amp;rft.aufirst=Alfred&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmusicinromantice00eins&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AJewish+art+music+movement" class="Z3988"></span> </p><p><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDubnow1975" class="citation book cs1">Dubnow, Simon (1975). <i>History of the Jews in Russia and Poland&#160;: from the earliest times until the present day</i>. Ktav Publishing House.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=History+of+the+Jews+in+Russia+and+Poland+%3A+from+the+earliest+times+until+the+present+day&amp;rft.pub=Ktav+Publishing+House&amp;rft.date=1975&amp;rft.aulast=Dubnow&amp;rft.aufirst=Simon&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AJewish+art+music+movement" class="Z3988"></span> </p><p><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWeisser1983" class="citation book cs1">Weisser, Albert (1983). <i>The Modern Renaissance of Jewish Music</i>. Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-306-76207-2" title="Special:BookSources/0-306-76207-2"><bdi>0-306-76207-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Modern+Renaissance+of+Jewish+Music&amp;rft.pub=Da+Capo+Press&amp;rft.date=1983&amp;rft.isbn=0-306-76207-2&amp;rft.aulast=Weisser&amp;rft.aufirst=Albert&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AJewish+art+music+movement" class="Z3988"></span> </p><p><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWeinberg1946–1947" class="citation journal cs1">Weinberg, Jacob (1946–1947). "Joel Engel, a Pioneer in Jewish Musical Renaissance (Personal Recollections, 1902-1927)". <i>Jewish Music Forum Bulletin</i>. <b>7–8</b>: 33–38.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Jewish+Music+Forum+Bulletin&amp;rft.atitle=Joel+Engel%2C+a+Pioneer+in+Jewish+Musical+Renaissance+%28Personal+Recollections%2C+1902-1927%29&amp;rft.volume=7-8&amp;rft.pages=33-38&amp;rft.date=1946%2F1947&amp;rft.aulast=Weinberg&amp;rft.aufirst=Jacob&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AJewish+art+music+movement" class="Z3988"></span> </p><p><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEpstein2022" class="citation book cs1">Epstein, Joel (2022). "A Yidl Mit a Fidl: The Jews of Russia". <i>Music for the Love of It: Episodes in Amateur Music-Making</i>. Juwal Publications. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-9659278237" title="Special:BookSources/978-9659278237"><bdi>978-9659278237</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=A+Yidl+Mit+a+Fidl%3A+The+Jews+of+Russia&amp;rft.btitle=Music+for+the+Love+of+It%3A+Episodes+in+Amateur+Music-Making&amp;rft.pub=Juwal+Publications&amp;rft.date=2022&amp;rft.isbn=978-9659278237&amp;rft.aulast=Epstein&amp;rft.aufirst=Joel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AJewish+art+music+movement" class="Z3988"></span> </p> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Jewish_art_music_movement&amp;action=edit&amp;section=6" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://intimatemusic.blogspot.com/2011/05/violin-voice-and-jews.html">Songs with violin or viola</a> written by composers of the society.</li> <li><a rel="nofollow" class="external text" href="http://www.musica-judaica.com/history.htm">History</a> of the society and composer biographies.</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110726164539/http://faujsa.fau.edu/jsa/music_album.php?jsa_num=100018&amp;queryWhere=jsa_num&amp;queryValue=100018&amp;select=danto&amp;return=artist_album">Archival recordings</a> of Jewish art songs by Cantor Louis Danto.</li></ul> <!-- NewPP limit report Parsed by mw‐web.eqiad.main‐56895c6b89‐hlh2h Cached time: 20241104201743 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.339 seconds Real time usage: 0.480 seconds Preprocessor visited node count: 2673/1000000 Post‐expand include size: 38719/2097152 bytes Template argument size: 3184/2097152 bytes Highest expansion depth: 20/100 Expensive parser function count: 3/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 30596/5000000 bytes Lua time usage: 0.181/10.000 seconds Lua memory usage: 6244371/52428800 bytes Number of Wikibase entities loaded: 0/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 420.554 1 -total 40.04% 168.391 1 Template:Reflist 26.86% 112.973 1 Template:Expand_Hebrew 25.48% 107.163 2 Template:Cite_web 23.24% 97.722 1 Template:Expand_language 20.99% 88.259 1 Template:Ambox 13.56% 57.037 1 Template:Hidden 12.99% 54.622 1 Template:Needs_update 10.87% 45.735 5 Template:Rp 9.89% 41.599 1 Template:Cite_EJ --> <!-- Saved in parser cache with key enwiki:pcache:idhash:19070481-0!canonical and timestamp 20241104201743 and revision id 1255407456. 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