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class="profile-avatar u-positionAbsolute" alt="Mario Torelli" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/2735690/8971646/10010826/s200_mario.torelli.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Mario Torelli</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://lincei.academia.edu/">Accademia Nazionale dei Lincei</a>, <a class="u-tcGrayDarker" href="https://lincei.academia.edu/Departments/Classe_di_Scienze_morali_storiche_e_filologiche/Documents">Classe di Scienze morali, storiche e filologiche</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" 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href="https://unina.academia.edu/SalvatoreCerasuolo">Salvatore Cerasuolo</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universit脿 degli Studi di Napoli "Federico II"</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://unisi.academia.edu/GiuseppePucci"><img class="profile-avatar u-positionAbsolute" alt="Giuseppe Pucci" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/239416/95344/1042194/s200_giuseppe.pucci.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unisi.academia.edu/GiuseppePucci">Giuseppe Pucci</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">University of Siena / Universit脿 di 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class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unicatt.academia.edu/FrancescoTarantini">Francesco Tarantini</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universit脿 Cattolica del Sacro Cuore (Catholic University of the Sacred Heart)</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://unipi.academia.edu/GianfrancoAgosti"><img class="profile-avatar u-positionAbsolute" alt="Gianfranco Agosti" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/430481/255245/301670/s200_gianfranco.agosti.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unipi.academia.edu/GianfrancoAgosti">Gianfranco Agosti</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universit脿 di Pisa</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/MashaScarabelli"><img class="profile-avatar u-positionAbsolute" alt="Maria Scarabelli" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/43573610/11642218/12981767/s200_masha.scarabelli.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/MashaScarabelli">Maria Scarabelli</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://polito.academia.edu/SergioPace"><img class="profile-avatar u-positionAbsolute" alt="Sergio Pace" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/1825243/622062/29365834/s200_sergio.pace.jpeg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://polito.academia.edu/SergioPace">Sergio Pace</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Politecnico di Torino</p></div></div></ul></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="2735690" href="https://www.academia.edu/Documents/in/Classical_Archaeology"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://lincei.academia.edu/MTorelli","location":"/MTorelli","scheme":"https","host":"lincei.academia.edu","port":null,"pathname":"/MTorelli","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Classical Archaeology"]}" data-trace="false" data-dom-id="Pill-react-component-88c557c1-2960-4189-8212-69ba2a113d49"></div> <div id="Pill-react-component-88c557c1-2960-4189-8212-69ba2a113d49"></div> </a></div></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>32</span> <span class="ds2-5-body-sm-bold">Papers</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Events" data-toggle="tab" href="#events" role="tab" title="Events"><span>1</span> <span class="ds2-5-body-sm-bold">Events</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>1</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Conference-Presentations" data-toggle="tab" href="#conferencepresentations" role="tab" title="Conference Presentations"><span>1</span> <span class="ds2-5-body-sm-bold">Conference Presentations</span></a></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Mario Torelli</h3></div><div class="js-work-strip profile--work_container" data-work-id="24235539"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235539/P_Licinius_Priscus_Iuventianus_e_la_ricostruzione_antonina_del_Palaimonion_di_Istmia"><img alt="Research paper thumbnail of P. Licinius Priscus Iuventianus e la ricostruzione antonina del "Palaimonion" di Istmia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235539/P_Licinius_Priscus_Iuventianus_e_la_ricostruzione_antonina_del_Palaimonion_di_Istmia">P. Licinius Priscus Iuventianus e la ricostruzione antonina del "Palaimonion" di Istmia</a></div><div class="wp-workCard_item"><span>Dialectica Historica Y Compromiso Social Vol 1 2010 Isbn 978 84 7956 0683 Pags 555 582</span><span>, 2010</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235539"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235539"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235539; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235539]").text(description); $(".js-view-count[data-work-id=24235539]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235539; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235539']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235539]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235539,"title":"P. 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In May and June 1983, the Kelsey Museu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... date, not far from the foundation of the Roman colony. 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In May and June 1982, the Soprintendenza Ar-cheologica di Salerno, the Kelsey Museum of Ar-ch...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... In May and June 1982, the Soprintendenza Ar-cheologica di Salerno, the Kelsey Museum of Ar-chaeology of the University of Michigan, and the In-stitute of Archaeology of the University of Perugia re-sumed excavation at the extramural sanctuary in the &amp;amp;amp;quot;localitai Santa Venera ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235532"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235532"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235532; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235532]").text(description); $(".js-view-count[data-work-id=24235532]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235532; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235532']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235532]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235532,"title":"Excavations at Paestum 1982","internal_url":"https://www.academia.edu/24235532/Excavations_at_Paestum_1982","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235531"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235531/The_Teraflop_parallel_computer_APEmille"><img alt="Research paper thumbnail of The Teraflop parallel computer APEmille" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235531/The_Teraflop_parallel_computer_APEmille">The Teraflop parallel computer APEmille</a></div><div class="wp-workCard_item"><span>Lecture Notes in Computer Science</span><span>, 1997</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Abstract APEmille is a SIMD parallel processor under development at the Italian National Institut...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Abstract APEmille is a SIMD parallel processor under development at the Italian National Institute for Nuclear Physics (INFN). It is the third machine of the APE family, following Ape and Ape100. APEmille is well suited for Lattice QCD applications, climate modelling, neural ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235531"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235531"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235531; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235531]").text(description); 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Antiquit茅</span><span>, 2014</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235529"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235529"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235529; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235529]").text(description); $(".js-view-count[data-work-id=24235529]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235529; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235529']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235529]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235529,"title":"Conclusioni","internal_url":"https://www.academia.edu/24235529/Conclusioni","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235528"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235528/Lavinio_e_Roma_Riti_iniziatici_e_matrimonio_tra_archeologia_e_storia"><img alt="Research paper thumbnail of Lavinio e Roma. 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Riti iniziatici e matrimonio tra archeologia e storia</a></div><div class="wp-workCard_item"><span>American Journal of Archaeology</span><span>, 1987</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235528"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235528"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235528; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235528]").text(description); $(".js-view-count[data-work-id=24235528]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235528; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235528']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235528]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235528,"title":"Lavinio e Roma. Riti iniziatici e matrimonio tra archeologia e storia","internal_url":"https://www.academia.edu/24235528/Lavinio_e_Roma_Riti_iniziatici_e_matrimonio_tra_archeologia_e_storia","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235527"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235527/La_Leggenda_di_Antenore_da_Troia_a_Padova"><img alt="Research paper thumbnail of La Leggenda di Antenore da Troia a Padova" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235527/La_Leggenda_di_Antenore_da_Troia_a_Padova">La Leggenda di Antenore da Troia a Padova</a></div><div class="wp-workCard_item"><span>Phoenix</span><span>, 1987</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235527"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235527"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235527; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235527]").text(description); $(".js-view-count[data-work-id=24235527]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235527; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235527']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235527]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235527,"title":"La Leggenda di Antenore da Troia a Padova","internal_url":"https://www.academia.edu/24235527/La_Leggenda_di_Antenore_da_Troia_a_Padova","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235525"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/24235525/Test_and_performance_of_a_BGO_Compton_suppression_shield_for_GAMMASPHERE"><img alt="Research paper thumbnail of Test and performance of a BGO Compton-suppression shield for GAMMASPHERE" class="work-thumbnail" src="https://attachments.academia-assets.com/44569121/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/24235525/Test_and_performance_of_a_BGO_Compton_suppression_shield_for_GAMMASPHERE">Test and performance of a BGO Compton-suppression shield for GAMMASPHERE</a></div><div class="wp-workCard_item"><span>Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment</span><span>, 1994</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bismuth germanate (BGO) Compton-suppresion shields have been constructed to surround the Ge detec...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bismuth germanate (BGO) Compton-suppresion shields have been constructed to surround the Ge detectors of the GAMMASPHERE array. A shield consists of six hexagonal tapered BGO elements, each coupled to two 1-in. X 1-in . photomultiplier tubes. In addition, a cylindrical BGO detector is placed behind the Ge detector to intercept the forward scattered y-rays . One hundred ten such shields are planned for the GAMMASPHERE array. Procedures for measuring the performance of these shields have been developed. Large (70%) Ge detectors when used with these shields give a peak-to-total ratio of better than 0.60. To date 85 shields have been tested and approved for use in GAMMASPHERE.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ac89c3aa169ff20415b6e9d414531f56" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44569121,"asset_id":24235525,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44569121/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235525"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235525"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235525; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235525]").text(description); $(".js-view-count[data-work-id=24235525]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235525; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235525']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ac89c3aa169ff20415b6e9d414531f56" } } $('.js-work-strip[data-work-id=24235525]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235525,"title":"Test and performance of a BGO Compton-suppression shield for GAMMASPHERE","internal_url":"https://www.academia.edu/24235525/Test_and_performance_of_a_BGO_Compton_suppression_shield_for_GAMMASPHERE","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[{"id":44569121,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44569121/thumbnails/1.jpg","file_name":"Test_and_performance_of_a_BGO_Compton-su20160409-5755-zclkrn.pdf","download_url":"https://www.academia.edu/attachments/44569121/download_file","bulk_download_file_name":"Test_and_performance_of_a_BGO_Compton_su.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44569121/Test_and_performance_of_a_BGO_Compton-su20160409-5755-zclkrn-libre.pdf?1460217712=\u0026response-content-disposition=attachment%3B+filename%3DTest_and_performance_of_a_BGO_Compton_su.pdf\u0026Expires=1740605639\u0026Signature=EJ5XKD7CKDfk3pojo-gKaqe6fkziZLZzfWxTs12QVnjY5wHb5UHAVzivaDKUA5wNi3n9TiQTMkaWMbYNR1JDYCSSrCJGwo5dFHTapZhzMIzt6EYDwfcGMjYubYetUoSIycuS~pqkt-uRHKWzIEwngZrWcVOD9myGAlUFIhn2vapOLOPEuLL6j7GuMFCq63Iq2pfQyTeET0-gHbeJkU7TJlDvgeRFx7BgGuAZEQ-DhqNPltejoI98ytLZbDJL~X9HCo59jOEfaQsAbFlA3KoZEKXnL9NvhIivJPSf1AkfKQpFX0Cp5B6uDBgG5FZ-KHh5RocnOXSGoBjtB0bGLvubrA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235524"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235524/Tota_Italia_Essays_in_the_Cultural_Formation_of_Roman_Italy"><img alt="Research paper thumbnail of Tota Italia. Essays in the Cultural Formation of Roman Italy" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235524/Tota_Italia_Essays_in_the_Cultural_Formation_of_Roman_Italy">Tota Italia. Essays in the Cultural Formation of Roman Italy</a></div><div class="wp-workCard_item"><span>The Journal of Roman Studies</span><span>, 2001</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235524"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235524"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235524; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235524]").text(description); $(".js-view-count[data-work-id=24235524]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235524; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235524']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235524]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235524,"title":"Tota Italia. Essays in the Cultural Formation of Roman Italy","internal_url":"https://www.academia.edu/24235524/Tota_Italia_Essays_in_the_Cultural_Formation_of_Roman_Italy","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235523"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235523/The_Sanctuary_of_Santa_Venera_at_Paestum_I"><img alt="Research paper thumbnail of The Sanctuary of Santa Venera at Paestum I" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235523/The_Sanctuary_of_Santa_Venera_at_Paestum_I">The Sanctuary of Santa Venera at Paestum I</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://lincei.academia.edu/MTorelli">Mario Torelli</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/JohnPedley">John Pedley</a></span></div><div class="wp-workCard_item"><span>The Journal of Roman Studies</span><span>, 1995</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235523; 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Hirrius Fronto Neratius Pansa" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235522/The_Cursus_Honorum_of_M_Hirrius_Fronto_Neratius_Pansa">The Cursus Honorum of M. Hirrius Fronto Neratius Pansa</a></div><div class="wp-workCard_item"><span>Journal of Roman Studies</span><span>, 1968</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... Jerome&amp;amp;#x27;s date of AD 74 for the constitution of the province is certainly wrong, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Jerome&amp;amp;#x27;s date of AD 74 for the constitution of the province is certainly wrong, as may be deduced from the number of governors it had under Vespasian ... 997): this would not, after all, be out of place on a public building.20 The only fixed point in the chronology of Pansa&amp;amp;#x27;s career is ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235522; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235522]").text(description); $(".js-view-count[data-work-id=24235522]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235522; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235522']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235522]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235522,"title":"The Cursus Honorum of M. Hirrius Fronto Neratius Pansa","internal_url":"https://www.academia.edu/24235522/The_Cursus_Honorum_of_M_Hirrius_Fronto_Neratius_Pansa","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235521"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/24235521/The_APE_100_Computer_I_the_Architecture"><img alt="Research paper thumbnail of The APE-100 Computer: (I) the Architecture" class="work-thumbnail" src="https://attachments.academia-assets.com/44569122/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/24235521/The_APE_100_Computer_I_the_Architecture">The APE-100 Computer: (I) the Architecture</a></div><div class="wp-workCard_item"><span>International Journal of High Speed Computing</span><span>, 1993</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">We describe APE-100, a SIMD, modular parallel processor architecture for large scale scienti c co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">We describe APE-100, a SIMD, modular parallel processor architecture for large scale scienti c computations. The largest con guration that will be implemented in the present design will deliver a peak speed of 100 G ops. This performance is, for instance, required for high precision computations in Quantum Chromo Dynamics, for which APE-100 is very well suited.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1905a7ea67c91d07c76f859e4760ae33" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44569122,"asset_id":24235521,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44569122/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235521"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235521"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235521; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="23656780"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/23656780/2008_La_decorazione_parietale_domestica_romano_italica"><img alt="Research paper thumbnail of 2008 - La decorazione parietale domestica romano-italica" class="work-thumbnail" src="https://attachments.academia-assets.com/44065077/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/23656780/2008_La_decorazione_parietale_domestica_romano_italica">2008 - La decorazione parietale domestica romano-italica</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della lux...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della luxuria E' ormai consolidata la nozione, peraltro assai chiara agli antichi, dell'effetto distruttivo che la conquista dell'Oriente ellenistico ha avuto sulla cultura, sul costume, sullo stile di vita e, naturalmente, cosa che qui interessa, sulle espressioni artistiche e sul gusto delle classi dominanti del mondo romano-italico. Com'猫 noto, il tradizionale filone storiografico, prevalente sin dalla fine della Repubblica, ha individuato nella luxuria la causa della profonda rivoluzione che ha fatto di Roma una citt脿 compiutamente ellenistica. Se gli antichi attribuivano l'ingresso della luxuria, del lusso smodato, all'oro delle conquiste asiatiche e all'avaritia che ne 猫 derivata, noi moderni leggiamo il cambiamento non in chiave moralistica, bens矛 economico-sociale, facendone la conseguenza del radicale rivolgimento che l'immenso afflusso di risorse conseguente alla conquista ha prodotto nell'economia di Roma e di buona parte dell'Italia dei socii, con effetti che si sono riverberati sull'assetto complessivo delle varie societ脿 della penisola. Non staremo qui a ripercorrere quali siano gli aspetti della cultura dominante definibili come effetti della luxuria e in particolare quelli che toccano da vicino la storia dell'arte: ricordiamo solo che tra le principali novit脿 introdotte tra il 180 e il 150 a.C., momento iniziale della luxuria, vanno annoverati lo sviluppo di tipi edilizi innovativi, di forte impatto sulla normale pratica architettonica e urbanistica, come le porticus e le basilicae, l'ingresso sulla scena delle grandi commesse pubbliche di scultori greci di grido, come Timarchides e Polycles, e l'arrivo a Roma di una lunga schiera di anonimi artigiani, a partire dai pittori, che, assieme a molti altri intellettuali di varia specialit脿, hanno fatto parte del seguito di Emilio Paolo all'indomani della vittoria di Pidna. Nel campo della pittura e della decorazione parietale, il materiale a nostra disposizione, che va dalle tombe dipinte etrusche, campane ed apule ai rari frustuli di pittura monumentale giunti fino a noi, ci descrive l'ambiente romano-italico come particolarmente ricettivo delle scoperte della pittura del Primo Ellenismo tra la fine del IV secolo e gli anni centrali del III secolo a.C.: l'evidente, intuibile primato di Roma su tutta la penisola, tuttavia, non cancella del tutto la vitalit脿 di consolidate ed antiche tradizioni locali, che appaiono ancora in qualche modo in grado di seguire da vicino tutte le principali conquiste formali ellenistiche. E infatti non si pu貌 non dire notevole la recezione romano-italica della tecnica compendiaria, elaborata ad Alessandria negli anni a cavallo tra IV e III secolo a.C., nota in opere del tutto contemporanee sia a Roma con il celebre affresco dell'Esquilino che a Tarquinia con la Tomba dei Festoni, di cui vi ha detto M.Harari, che in Apulia con le tombe dell'acropoli di Monte Sannace: Roma e l'Italia sono perfettamente in linea con la tradizione formale della tecnica elaborata nell'Oriente ellenistico. A differenza di quanto accade in epoca assai pi霉 tarda, l'uso alessandrino pi霉 antico appare rispettoso delle regole di genere: come prova il confronto con il bell'esempio, sia pure di ambiente periferico, della tomba principesca tracia di Kazanlak, quest'uso continua a dipingere i temi " alti " nello stile aulico di tradizione classica fondato sul chiaroscuro e le</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2fd22240914006a5a1e0f21606ff04db" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44065077,"asset_id":23656780,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44065077/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23656780"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23656780"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23656780; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23656780]").text(description); $(".js-view-count[data-work-id=23656780]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23656780; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='23656780']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2fd22240914006a5a1e0f21606ff04db" } } $('.js-work-strip[data-work-id=23656780]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":23656780,"title":"2008 - La decorazione parietale domestica romano-italica","translated_title":"","metadata":{"abstract":"La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della luxuria E' ormai consolidata la nozione, peraltro assai chiara agli antichi, dell'effetto distruttivo che la conquista dell'Oriente ellenistico ha avuto sulla cultura, sul costume, sullo stile di vita e, naturalmente, cosa che qui interessa, sulle espressioni artistiche e sul gusto delle classi dominanti del mondo romano-italico. Com'猫 noto, il tradizionale filone storiografico, prevalente sin dalla fine della Repubblica, ha individuato nella luxuria la causa della profonda rivoluzione che ha fatto di Roma una citt脿 compiutamente ellenistica. Se gli antichi attribuivano l'ingresso della luxuria, del lusso smodato, all'oro delle conquiste asiatiche e all'avaritia che ne 猫 derivata, noi moderni leggiamo il cambiamento non in chiave moralistica, bens矛 economico-sociale, facendone la conseguenza del radicale rivolgimento che l'immenso afflusso di risorse conseguente alla conquista ha prodotto nell'economia di Roma e di buona parte dell'Italia dei socii, con effetti che si sono riverberati sull'assetto complessivo delle varie societ脿 della penisola. Non staremo qui a ripercorrere quali siano gli aspetti della cultura dominante definibili come effetti della luxuria e in particolare quelli che toccano da vicino la storia dell'arte: ricordiamo solo che tra le principali novit脿 introdotte tra il 180 e il 150 a.C., momento iniziale della luxuria, vanno annoverati lo sviluppo di tipi edilizi innovativi, di forte impatto sulla normale pratica architettonica e urbanistica, come le porticus e le basilicae, l'ingresso sulla scena delle grandi commesse pubbliche di scultori greci di grido, come Timarchides e Polycles, e l'arrivo a Roma di una lunga schiera di anonimi artigiani, a partire dai pittori, che, assieme a molti altri intellettuali di varia specialit脿, hanno fatto parte del seguito di Emilio Paolo all'indomani della vittoria di Pidna. Nel campo della pittura e della decorazione parietale, il materiale a nostra disposizione, che va dalle tombe dipinte etrusche, campane ed apule ai rari frustuli di pittura monumentale giunti fino a noi, ci descrive l'ambiente romano-italico come particolarmente ricettivo delle scoperte della pittura del Primo Ellenismo tra la fine del IV secolo e gli anni centrali del III secolo a.C.: l'evidente, intuibile primato di Roma su tutta la penisola, tuttavia, non cancella del tutto la vitalit脿 di consolidate ed antiche tradizioni locali, che appaiono ancora in qualche modo in grado di seguire da vicino tutte le principali conquiste formali ellenistiche. E infatti non si pu貌 non dire notevole la recezione romano-italica della tecnica compendiaria, elaborata ad Alessandria negli anni a cavallo tra IV e III secolo a.C., nota in opere del tutto contemporanee sia a Roma con il celebre affresco dell'Esquilino che a Tarquinia con la Tomba dei Festoni, di cui vi ha detto M.Harari, che in Apulia con le tombe dell'acropoli di Monte Sannace: Roma e l'Italia sono perfettamente in linea con la tradizione formale della tecnica elaborata nell'Oriente ellenistico. A differenza di quanto accade in epoca assai pi霉 tarda, l'uso alessandrino pi霉 antico appare rispettoso delle regole di genere: come prova il confronto con il bell'esempio, sia pure di ambiente periferico, della tomba principesca tracia di Kazanlak, quest'uso continua a dipingere i temi \" alti \" nello stile aulico di tradizione classica fondato sul chiaroscuro e le"},"translated_abstract":"La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della luxuria E' ormai consolidata la nozione, peraltro assai chiara agli antichi, dell'effetto distruttivo che la conquista dell'Oriente ellenistico ha avuto sulla cultura, sul costume, sullo stile di vita e, naturalmente, cosa che qui interessa, sulle espressioni artistiche e sul gusto delle classi dominanti del mondo romano-italico. Com'猫 noto, il tradizionale filone storiografico, prevalente sin dalla fine della Repubblica, ha individuato nella luxuria la causa della profonda rivoluzione che ha fatto di Roma una citt脿 compiutamente ellenistica. Se gli antichi attribuivano l'ingresso della luxuria, del lusso smodato, all'oro delle conquiste asiatiche e all'avaritia che ne 猫 derivata, noi moderni leggiamo il cambiamento non in chiave moralistica, bens矛 economico-sociale, facendone la conseguenza del radicale rivolgimento che l'immenso afflusso di risorse conseguente alla conquista ha prodotto nell'economia di Roma e di buona parte dell'Italia dei socii, con effetti che si sono riverberati sull'assetto complessivo delle varie societ脿 della penisola. Non staremo qui a ripercorrere quali siano gli aspetti della cultura dominante definibili come effetti della luxuria e in particolare quelli che toccano da vicino la storia dell'arte: ricordiamo solo che tra le principali novit脿 introdotte tra il 180 e il 150 a.C., momento iniziale della luxuria, vanno annoverati lo sviluppo di tipi edilizi innovativi, di forte impatto sulla normale pratica architettonica e urbanistica, come le porticus e le basilicae, l'ingresso sulla scena delle grandi commesse pubbliche di scultori greci di grido, come Timarchides e Polycles, e l'arrivo a Roma di una lunga schiera di anonimi artigiani, a partire dai pittori, che, assieme a molti altri intellettuali di varia specialit脿, hanno fatto parte del seguito di Emilio Paolo all'indomani della vittoria di Pidna. Nel campo della pittura e della decorazione parietale, il materiale a nostra disposizione, che va dalle tombe dipinte etrusche, campane ed apule ai rari frustuli di pittura monumentale giunti fino a noi, ci descrive l'ambiente romano-italico come particolarmente ricettivo delle scoperte della pittura del Primo Ellenismo tra la fine del IV secolo e gli anni centrali del III secolo a.C.: l'evidente, intuibile primato di Roma su tutta la penisola, tuttavia, non cancella del tutto la vitalit脿 di consolidate ed antiche tradizioni locali, che appaiono ancora in qualche modo in grado di seguire da vicino tutte le principali conquiste formali ellenistiche. E infatti non si pu貌 non dire notevole la recezione romano-italica della tecnica compendiaria, elaborata ad Alessandria negli anni a cavallo tra IV e III secolo a.C., nota in opere del tutto contemporanee sia a Roma con il celebre affresco dell'Esquilino che a Tarquinia con la Tomba dei Festoni, di cui vi ha detto M.Harari, che in Apulia con le tombe dell'acropoli di Monte Sannace: Roma e l'Italia sono perfettamente in linea con la tradizione formale della tecnica elaborata nell'Oriente ellenistico. A differenza di quanto accade in epoca assai pi霉 tarda, l'uso alessandrino pi霉 antico appare rispettoso delle regole di genere: come prova il confronto con il bell'esempio, sia pure di ambiente periferico, della tomba principesca tracia di Kazanlak, quest'uso continua a dipingere i temi \" alti \" nello stile aulico di tradizione classica fondato sul chiaroscuro e le","internal_url":"https://www.academia.edu/23656780/2008_La_decorazione_parietale_domestica_romano_italica","translated_internal_url":"","created_at":"2016-03-24T05:50:52.167-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":2735690,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":17905484,"work_id":23656780,"tagging_user_id":2735690,"tagged_user_id":99464,"co_author_invite_id":4097943,"email":"f***i@tiscali.it","affiliation":"University of Perugia","display_order":0,"name":"Francesco Marcattili","title":"2008 - La decorazione parietale domestica romano-italica"}],"downloadable_attachments":[{"id":44065077,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44065077/thumbnails/1.jpg","file_name":"2008_La_decorazione_parietale_domestica_roman.pdf","download_url":"https://www.academia.edu/attachments/44065077/download_file","bulk_download_file_name":"2008_La_decorazione_parietale_domestica.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44065077/2008_La_decorazione_parietale_domestica_roman-libre.pdf?1458823920=\u0026response-content-disposition=attachment%3B+filename%3D2008_La_decorazione_parietale_domestica.pdf\u0026Expires=1738788359\u0026Signature=BymmwaL3pI~7XxCtnOh0-Zmqo1OX-zaTyMzCHHn1tTF99dWtNY9NWj37YSthxFRSA2uKXPkV-oM6bSRVWEHhz6cxa3XcYzI2lM1gP5U5rjbSUdh6VRFX532VpC0eGGCa5PiaVsfLJY-mfehWwxnNVj8khjHn1R7v8fHbvHlJlM1vcN4yr71T8UqCdEIc8eeGqZfw-YwczNHZ8A4dCuZGuLVvW9PvoZTCjylcFE2TbnnW9K3t2y~ldPW5iLTDEehOTwUgY4MHNpvktcwn791Ay3yRdbqwQ8nOCmARjpiwD3Xh44pIQy1vJui8XrAhC2iRClCdW~j40fG2lLbh3QFv6A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"2008_La_decorazione_parietale_domestica_romano_italica","translated_slug":"","page_count":16,"language":"it","content_type":"Work","summary":"La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della luxuria E' ormai consolidata la nozione, peraltro assai chiara agli antichi, dell'effetto distruttivo che la conquista dell'Oriente ellenistico ha avuto sulla cultura, sul costume, sullo stile di vita e, naturalmente, cosa che qui interessa, sulle espressioni artistiche e sul gusto delle classi dominanti del mondo romano-italico. Com'猫 noto, il tradizionale filone storiografico, prevalente sin dalla fine della Repubblica, ha individuato nella luxuria la causa della profonda rivoluzione che ha fatto di Roma una citt脿 compiutamente ellenistica. Se gli antichi attribuivano l'ingresso della luxuria, del lusso smodato, all'oro delle conquiste asiatiche e all'avaritia che ne 猫 derivata, noi moderni leggiamo il cambiamento non in chiave moralistica, bens矛 economico-sociale, facendone la conseguenza del radicale rivolgimento che l'immenso afflusso di risorse conseguente alla conquista ha prodotto nell'economia di Roma e di buona parte dell'Italia dei socii, con effetti che si sono riverberati sull'assetto complessivo delle varie societ脿 della penisola. Non staremo qui a ripercorrere quali siano gli aspetti della cultura dominante definibili come effetti della luxuria e in particolare quelli che toccano da vicino la storia dell'arte: ricordiamo solo che tra le principali novit脿 introdotte tra il 180 e il 150 a.C., momento iniziale della luxuria, vanno annoverati lo sviluppo di tipi edilizi innovativi, di forte impatto sulla normale pratica architettonica e urbanistica, come le porticus e le basilicae, l'ingresso sulla scena delle grandi commesse pubbliche di scultori greci di grido, come Timarchides e Polycles, e l'arrivo a Roma di una lunga schiera di anonimi artigiani, a partire dai pittori, che, assieme a molti altri intellettuali di varia specialit脿, hanno fatto parte del seguito di Emilio Paolo all'indomani della vittoria di Pidna. Nel campo della pittura e della decorazione parietale, il materiale a nostra disposizione, che va dalle tombe dipinte etrusche, campane ed apule ai rari frustuli di pittura monumentale giunti fino a noi, ci descrive l'ambiente romano-italico come particolarmente ricettivo delle scoperte della pittura del Primo Ellenismo tra la fine del IV secolo e gli anni centrali del III secolo a.C.: l'evidente, intuibile primato di Roma su tutta la penisola, tuttavia, non cancella del tutto la vitalit脿 di consolidate ed antiche tradizioni locali, che appaiono ancora in qualche modo in grado di seguire da vicino tutte le principali conquiste formali ellenistiche. E infatti non si pu貌 non dire notevole la recezione romano-italica della tecnica compendiaria, elaborata ad Alessandria negli anni a cavallo tra IV e III secolo a.C., nota in opere del tutto contemporanee sia a Roma con il celebre affresco dell'Esquilino che a Tarquinia con la Tomba dei Festoni, di cui vi ha detto M.Harari, che in Apulia con le tombe dell'acropoli di Monte Sannace: Roma e l'Italia sono perfettamente in linea con la tradizione formale della tecnica elaborata nell'Oriente ellenistico. A differenza di quanto accade in epoca assai pi霉 tarda, l'uso alessandrino pi霉 antico appare rispettoso delle regole di genere: come prova il confronto con il bell'esempio, sia pure di ambiente periferico, della tomba principesca tracia di Kazanlak, quest'uso continua a dipingere i temi \" alti \" nello stile aulico di tradizione classica fondato sul chiaroscuro e le","owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[{"id":44065077,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44065077/thumbnails/1.jpg","file_name":"2008_La_decorazione_parietale_domestica_roman.pdf","download_url":"https://www.academia.edu/attachments/44065077/download_file","bulk_download_file_name":"2008_La_decorazione_parietale_domestica.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44065077/2008_La_decorazione_parietale_domestica_roman-libre.pdf?1458823920=\u0026response-content-disposition=attachment%3B+filename%3D2008_La_decorazione_parietale_domestica.pdf\u0026Expires=1738788359\u0026Signature=BymmwaL3pI~7XxCtnOh0-Zmqo1OX-zaTyMzCHHn1tTF99dWtNY9NWj37YSthxFRSA2uKXPkV-oM6bSRVWEHhz6cxa3XcYzI2lM1gP5U5rjbSUdh6VRFX532VpC0eGGCa5PiaVsfLJY-mfehWwxnNVj8khjHn1R7v8fHbvHlJlM1vcN4yr71T8UqCdEIc8eeGqZfw-YwczNHZ8A4dCuZGuLVvW9PvoZTCjylcFE2TbnnW9K3t2y~ldPW5iLTDEehOTwUgY4MHNpvktcwn791Ay3yRdbqwQ8nOCmARjpiwD3Xh44pIQy1vJui8XrAhC2iRClCdW~j40fG2lLbh3QFv6A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); 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Licinius Priscus Iuventianus e la ricostruzione antonina del "Palaimonion" di Istmia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235539/P_Licinius_Priscus_Iuventianus_e_la_ricostruzione_antonina_del_Palaimonion_di_Istmia">P. Licinius Priscus Iuventianus e la ricostruzione antonina del "Palaimonion" di Istmia</a></div><div class="wp-workCard_item"><span>Dialectica Historica Y Compromiso Social Vol 1 2010 Isbn 978 84 7956 0683 Pags 555 582</span><span>, 2010</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235539"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235539"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235539; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235539]").text(description); $(".js-view-count[data-work-id=24235539]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235539; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235539']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235539]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235539,"title":"P. 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In May and June 1983, the Kelsey Museu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... date, not far from the foundation of the Roman colony. In May and June 1983, the Kelsey Museum of Ar-chaeology of The University of Michigan and the In-stitute of Archaeology of The University of Perugia continued excavations ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235534"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235534"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235534; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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In May and June 1982, the Soprintendenza Ar-cheologica di Salerno, the Kelsey Museum of Ar-ch...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... In May and June 1982, the Soprintendenza Ar-cheologica di Salerno, the Kelsey Museum of Ar-chaeology of the University of Michigan, and the In-stitute of Archaeology of the University of Perugia re-sumed excavation at the extramural sanctuary in the &amp;amp;amp;quot;localitai Santa Venera ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235532"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235532"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235532; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235532]").text(description); $(".js-view-count[data-work-id=24235532]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235532; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235532']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235532]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235532,"title":"Excavations at Paestum 1982","internal_url":"https://www.academia.edu/24235532/Excavations_at_Paestum_1982","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235531"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235531/The_Teraflop_parallel_computer_APEmille"><img alt="Research paper thumbnail of The Teraflop parallel computer APEmille" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235531/The_Teraflop_parallel_computer_APEmille">The Teraflop parallel computer APEmille</a></div><div class="wp-workCard_item"><span>Lecture Notes in Computer Science</span><span>, 1997</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Abstract APEmille is a SIMD parallel processor under development at the Italian National Institut...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Abstract APEmille is a SIMD parallel processor under development at the Italian National Institute for Nuclear Physics (INFN). It is the third machine of the APE family, following Ape and Ape100. APEmille is well suited for Lattice QCD applications, climate modelling, neural ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235531"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235531"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235531; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235531]").text(description); 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Antiquit茅</span><span>, 2014</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235529"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235529"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235529; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235529]").text(description); $(".js-view-count[data-work-id=24235529]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235529; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235529']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235529]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235529,"title":"Conclusioni","internal_url":"https://www.academia.edu/24235529/Conclusioni","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235528"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235528/Lavinio_e_Roma_Riti_iniziatici_e_matrimonio_tra_archeologia_e_storia"><img alt="Research paper thumbnail of Lavinio e Roma. Riti iniziatici e matrimonio tra archeologia e storia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235528/Lavinio_e_Roma_Riti_iniziatici_e_matrimonio_tra_archeologia_e_storia">Lavinio e Roma. Riti iniziatici e matrimonio tra archeologia e storia</a></div><div class="wp-workCard_item"><span>American Journal of Archaeology</span><span>, 1987</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235528"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235528"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235528; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235528]").text(description); $(".js-view-count[data-work-id=24235528]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235528; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235528']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235528]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235528,"title":"Lavinio e Roma. Riti iniziatici e matrimonio tra archeologia e storia","internal_url":"https://www.academia.edu/24235528/Lavinio_e_Roma_Riti_iniziatici_e_matrimonio_tra_archeologia_e_storia","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235527"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235527/La_Leggenda_di_Antenore_da_Troia_a_Padova"><img alt="Research paper thumbnail of La Leggenda di Antenore da Troia a Padova" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235527/La_Leggenda_di_Antenore_da_Troia_a_Padova">La Leggenda di Antenore da Troia a Padova</a></div><div class="wp-workCard_item"><span>Phoenix</span><span>, 1987</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235527"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235527"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235527; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235527]").text(description); $(".js-view-count[data-work-id=24235527]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235527; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235527']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235527]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235527,"title":"La Leggenda di Antenore da Troia a Padova","internal_url":"https://www.academia.edu/24235527/La_Leggenda_di_Antenore_da_Troia_a_Padova","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235525"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/24235525/Test_and_performance_of_a_BGO_Compton_suppression_shield_for_GAMMASPHERE"><img alt="Research paper thumbnail of Test and performance of a BGO Compton-suppression shield for GAMMASPHERE" class="work-thumbnail" src="https://attachments.academia-assets.com/44569121/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/24235525/Test_and_performance_of_a_BGO_Compton_suppression_shield_for_GAMMASPHERE">Test and performance of a BGO Compton-suppression shield for GAMMASPHERE</a></div><div class="wp-workCard_item"><span>Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment</span><span>, 1994</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bismuth germanate (BGO) Compton-suppresion shields have been constructed to surround the Ge detec...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bismuth germanate (BGO) Compton-suppresion shields have been constructed to surround the Ge detectors of the GAMMASPHERE array. A shield consists of six hexagonal tapered BGO elements, each coupled to two 1-in. X 1-in . photomultiplier tubes. In addition, a cylindrical BGO detector is placed behind the Ge detector to intercept the forward scattered y-rays . One hundred ten such shields are planned for the GAMMASPHERE array. Procedures for measuring the performance of these shields have been developed. Large (70%) Ge detectors when used with these shields give a peak-to-total ratio of better than 0.60. To date 85 shields have been tested and approved for use in GAMMASPHERE.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ac89c3aa169ff20415b6e9d414531f56" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44569121,"asset_id":24235525,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44569121/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235525"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235525"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235525; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235525]").text(description); $(".js-view-count[data-work-id=24235525]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235525; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235525']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ac89c3aa169ff20415b6e9d414531f56" } } $('.js-work-strip[data-work-id=24235525]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235525,"title":"Test and performance of a BGO Compton-suppression shield for GAMMASPHERE","internal_url":"https://www.academia.edu/24235525/Test_and_performance_of_a_BGO_Compton_suppression_shield_for_GAMMASPHERE","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[{"id":44569121,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44569121/thumbnails/1.jpg","file_name":"Test_and_performance_of_a_BGO_Compton-su20160409-5755-zclkrn.pdf","download_url":"https://www.academia.edu/attachments/44569121/download_file","bulk_download_file_name":"Test_and_performance_of_a_BGO_Compton_su.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44569121/Test_and_performance_of_a_BGO_Compton-su20160409-5755-zclkrn-libre.pdf?1460217712=\u0026response-content-disposition=attachment%3B+filename%3DTest_and_performance_of_a_BGO_Compton_su.pdf\u0026Expires=1740605639\u0026Signature=EJ5XKD7CKDfk3pojo-gKaqe6fkziZLZzfWxTs12QVnjY5wHb5UHAVzivaDKUA5wNi3n9TiQTMkaWMbYNR1JDYCSSrCJGwo5dFHTapZhzMIzt6EYDwfcGMjYubYetUoSIycuS~pqkt-uRHKWzIEwngZrWcVOD9myGAlUFIhn2vapOLOPEuLL6j7GuMFCq63Iq2pfQyTeET0-gHbeJkU7TJlDvgeRFx7BgGuAZEQ-DhqNPltejoI98ytLZbDJL~X9HCo59jOEfaQsAbFlA3KoZEKXnL9NvhIivJPSf1AkfKQpFX0Cp5B6uDBgG5FZ-KHh5RocnOXSGoBjtB0bGLvubrA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235524"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235524/Tota_Italia_Essays_in_the_Cultural_Formation_of_Roman_Italy"><img alt="Research paper thumbnail of Tota Italia. Essays in the Cultural Formation of Roman Italy" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235524/Tota_Italia_Essays_in_the_Cultural_Formation_of_Roman_Italy">Tota Italia. Essays in the Cultural Formation of Roman Italy</a></div><div class="wp-workCard_item"><span>The Journal of Roman Studies</span><span>, 2001</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235524"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235524"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235524; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235524]").text(description); $(".js-view-count[data-work-id=24235524]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235524; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235524']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235524]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235524,"title":"Tota Italia. Essays in the Cultural Formation of Roman Italy","internal_url":"https://www.academia.edu/24235524/Tota_Italia_Essays_in_the_Cultural_Formation_of_Roman_Italy","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235523"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235523/The_Sanctuary_of_Santa_Venera_at_Paestum_I"><img alt="Research paper thumbnail of The Sanctuary of Santa Venera at Paestum I" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235523/The_Sanctuary_of_Santa_Venera_at_Paestum_I">The Sanctuary of Santa Venera at Paestum I</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://lincei.academia.edu/MTorelli">Mario Torelli</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/JohnPedley">John Pedley</a></span></div><div class="wp-workCard_item"><span>The Journal of Roman Studies</span><span>, 1995</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235523; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235523]").text(description); $(".js-view-count[data-work-id=24235523]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235523; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235523']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235523]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235523,"title":"The Sanctuary of Santa Venera at Paestum I","internal_url":"https://www.academia.edu/24235523/The_Sanctuary_of_Santa_Venera_at_Paestum_I","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235522"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/24235522/The_Cursus_Honorum_of_M_Hirrius_Fronto_Neratius_Pansa"><img alt="Research paper thumbnail of The Cursus Honorum of M. Hirrius Fronto Neratius Pansa" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/24235522/The_Cursus_Honorum_of_M_Hirrius_Fronto_Neratius_Pansa">The Cursus Honorum of M. Hirrius Fronto Neratius Pansa</a></div><div class="wp-workCard_item"><span>Journal of Roman Studies</span><span>, 1968</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... Jerome&amp;amp;#x27;s date of AD 74 for the constitution of the province is certainly wrong, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Jerome&amp;amp;#x27;s date of AD 74 for the constitution of the province is certainly wrong, as may be deduced from the number of governors it had under Vespasian ... 997): this would not, after all, be out of place on a public building.20 The only fixed point in the chronology of Pansa&amp;amp;#x27;s career is ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235522; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24235522]").text(description); $(".js-view-count[data-work-id=24235522]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24235522; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24235522']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=24235522]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24235522,"title":"The Cursus Honorum of M. Hirrius Fronto Neratius Pansa","internal_url":"https://www.academia.edu/24235522/The_Cursus_Honorum_of_M_Hirrius_Fronto_Neratius_Pansa","owner_id":2735690,"coauthors_can_edit":true,"owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24235521"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/24235521/The_APE_100_Computer_I_the_Architecture"><img alt="Research paper thumbnail of The APE-100 Computer: (I) the Architecture" class="work-thumbnail" src="https://attachments.academia-assets.com/44569122/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/24235521/The_APE_100_Computer_I_the_Architecture">The APE-100 Computer: (I) the Architecture</a></div><div class="wp-workCard_item"><span>International Journal of High Speed Computing</span><span>, 1993</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">We describe APE-100, a SIMD, modular parallel processor architecture for large scale scienti c co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">We describe APE-100, a SIMD, modular parallel processor architecture for large scale scienti c computations. The largest con guration that will be implemented in the present design will deliver a peak speed of 100 G ops. This performance is, for instance, required for high precision computations in Quantum Chromo Dynamics, for which APE-100 is very well suited.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1905a7ea67c91d07c76f859e4760ae33" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44569122,"asset_id":24235521,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44569122/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24235521"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24235521"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24235521; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="23656780"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/23656780/2008_La_decorazione_parietale_domestica_romano_italica"><img alt="Research paper thumbnail of 2008 - La decorazione parietale domestica romano-italica" class="work-thumbnail" src="https://attachments.academia-assets.com/44065077/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/23656780/2008_La_decorazione_parietale_domestica_romano_italica">2008 - La decorazione parietale domestica romano-italica</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della lux...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della luxuria E' ormai consolidata la nozione, peraltro assai chiara agli antichi, dell'effetto distruttivo che la conquista dell'Oriente ellenistico ha avuto sulla cultura, sul costume, sullo stile di vita e, naturalmente, cosa che qui interessa, sulle espressioni artistiche e sul gusto delle classi dominanti del mondo romano-italico. Com'猫 noto, il tradizionale filone storiografico, prevalente sin dalla fine della Repubblica, ha individuato nella luxuria la causa della profonda rivoluzione che ha fatto di Roma una citt脿 compiutamente ellenistica. Se gli antichi attribuivano l'ingresso della luxuria, del lusso smodato, all'oro delle conquiste asiatiche e all'avaritia che ne 猫 derivata, noi moderni leggiamo il cambiamento non in chiave moralistica, bens矛 economico-sociale, facendone la conseguenza del radicale rivolgimento che l'immenso afflusso di risorse conseguente alla conquista ha prodotto nell'economia di Roma e di buona parte dell'Italia dei socii, con effetti che si sono riverberati sull'assetto complessivo delle varie societ脿 della penisola. Non staremo qui a ripercorrere quali siano gli aspetti della cultura dominante definibili come effetti della luxuria e in particolare quelli che toccano da vicino la storia dell'arte: ricordiamo solo che tra le principali novit脿 introdotte tra il 180 e il 150 a.C., momento iniziale della luxuria, vanno annoverati lo sviluppo di tipi edilizi innovativi, di forte impatto sulla normale pratica architettonica e urbanistica, come le porticus e le basilicae, l'ingresso sulla scena delle grandi commesse pubbliche di scultori greci di grido, come Timarchides e Polycles, e l'arrivo a Roma di una lunga schiera di anonimi artigiani, a partire dai pittori, che, assieme a molti altri intellettuali di varia specialit脿, hanno fatto parte del seguito di Emilio Paolo all'indomani della vittoria di Pidna. Nel campo della pittura e della decorazione parietale, il materiale a nostra disposizione, che va dalle tombe dipinte etrusche, campane ed apule ai rari frustuli di pittura monumentale giunti fino a noi, ci descrive l'ambiente romano-italico come particolarmente ricettivo delle scoperte della pittura del Primo Ellenismo tra la fine del IV secolo e gli anni centrali del III secolo a.C.: l'evidente, intuibile primato di Roma su tutta la penisola, tuttavia, non cancella del tutto la vitalit脿 di consolidate ed antiche tradizioni locali, che appaiono ancora in qualche modo in grado di seguire da vicino tutte le principali conquiste formali ellenistiche. E infatti non si pu貌 non dire notevole la recezione romano-italica della tecnica compendiaria, elaborata ad Alessandria negli anni a cavallo tra IV e III secolo a.C., nota in opere del tutto contemporanee sia a Roma con il celebre affresco dell'Esquilino che a Tarquinia con la Tomba dei Festoni, di cui vi ha detto M.Harari, che in Apulia con le tombe dell'acropoli di Monte Sannace: Roma e l'Italia sono perfettamente in linea con la tradizione formale della tecnica elaborata nell'Oriente ellenistico. A differenza di quanto accade in epoca assai pi霉 tarda, l'uso alessandrino pi霉 antico appare rispettoso delle regole di genere: come prova il confronto con il bell'esempio, sia pure di ambiente periferico, della tomba principesca tracia di Kazanlak, quest'uso continua a dipingere i temi " alti " nello stile aulico di tradizione classica fondato sul chiaroscuro e le</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2fd22240914006a5a1e0f21606ff04db" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":44065077,"asset_id":23656780,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/44065077/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23656780"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23656780"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23656780; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23656780]").text(description); $(".js-view-count[data-work-id=23656780]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23656780; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='23656780']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2fd22240914006a5a1e0f21606ff04db" } } $('.js-work-strip[data-work-id=23656780]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":23656780,"title":"2008 - La decorazione parietale domestica romano-italica","translated_title":"","metadata":{"abstract":"La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della luxuria E' ormai consolidata la nozione, peraltro assai chiara agli antichi, dell'effetto distruttivo che la conquista dell'Oriente ellenistico ha avuto sulla cultura, sul costume, sullo stile di vita e, naturalmente, cosa che qui interessa, sulle espressioni artistiche e sul gusto delle classi dominanti del mondo romano-italico. Com'猫 noto, il tradizionale filone storiografico, prevalente sin dalla fine della Repubblica, ha individuato nella luxuria la causa della profonda rivoluzione che ha fatto di Roma una citt脿 compiutamente ellenistica. Se gli antichi attribuivano l'ingresso della luxuria, del lusso smodato, all'oro delle conquiste asiatiche e all'avaritia che ne 猫 derivata, noi moderni leggiamo il cambiamento non in chiave moralistica, bens矛 economico-sociale, facendone la conseguenza del radicale rivolgimento che l'immenso afflusso di risorse conseguente alla conquista ha prodotto nell'economia di Roma e di buona parte dell'Italia dei socii, con effetti che si sono riverberati sull'assetto complessivo delle varie societ脿 della penisola. Non staremo qui a ripercorrere quali siano gli aspetti della cultura dominante definibili come effetti della luxuria e in particolare quelli che toccano da vicino la storia dell'arte: ricordiamo solo che tra le principali novit脿 introdotte tra il 180 e il 150 a.C., momento iniziale della luxuria, vanno annoverati lo sviluppo di tipi edilizi innovativi, di forte impatto sulla normale pratica architettonica e urbanistica, come le porticus e le basilicae, l'ingresso sulla scena delle grandi commesse pubbliche di scultori greci di grido, come Timarchides e Polycles, e l'arrivo a Roma di una lunga schiera di anonimi artigiani, a partire dai pittori, che, assieme a molti altri intellettuali di varia specialit脿, hanno fatto parte del seguito di Emilio Paolo all'indomani della vittoria di Pidna. Nel campo della pittura e della decorazione parietale, il materiale a nostra disposizione, che va dalle tombe dipinte etrusche, campane ed apule ai rari frustuli di pittura monumentale giunti fino a noi, ci descrive l'ambiente romano-italico come particolarmente ricettivo delle scoperte della pittura del Primo Ellenismo tra la fine del IV secolo e gli anni centrali del III secolo a.C.: l'evidente, intuibile primato di Roma su tutta la penisola, tuttavia, non cancella del tutto la vitalit脿 di consolidate ed antiche tradizioni locali, che appaiono ancora in qualche modo in grado di seguire da vicino tutte le principali conquiste formali ellenistiche. E infatti non si pu貌 non dire notevole la recezione romano-italica della tecnica compendiaria, elaborata ad Alessandria negli anni a cavallo tra IV e III secolo a.C., nota in opere del tutto contemporanee sia a Roma con il celebre affresco dell'Esquilino che a Tarquinia con la Tomba dei Festoni, di cui vi ha detto M.Harari, che in Apulia con le tombe dell'acropoli di Monte Sannace: Roma e l'Italia sono perfettamente in linea con la tradizione formale della tecnica elaborata nell'Oriente ellenistico. A differenza di quanto accade in epoca assai pi霉 tarda, l'uso alessandrino pi霉 antico appare rispettoso delle regole di genere: come prova il confronto con il bell'esempio, sia pure di ambiente periferico, della tomba principesca tracia di Kazanlak, quest'uso continua a dipingere i temi \" alti \" nello stile aulico di tradizione classica fondato sul chiaroscuro e le"},"translated_abstract":"La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della luxuria E' ormai consolidata la nozione, peraltro assai chiara agli antichi, dell'effetto distruttivo che la conquista dell'Oriente ellenistico ha avuto sulla cultura, sul costume, sullo stile di vita e, naturalmente, cosa che qui interessa, sulle espressioni artistiche e sul gusto delle classi dominanti del mondo romano-italico. Com'猫 noto, il tradizionale filone storiografico, prevalente sin dalla fine della Repubblica, ha individuato nella luxuria la causa della profonda rivoluzione che ha fatto di Roma una citt脿 compiutamente ellenistica. Se gli antichi attribuivano l'ingresso della luxuria, del lusso smodato, all'oro delle conquiste asiatiche e all'avaritia che ne 猫 derivata, noi moderni leggiamo il cambiamento non in chiave moralistica, bens矛 economico-sociale, facendone la conseguenza del radicale rivolgimento che l'immenso afflusso di risorse conseguente alla conquista ha prodotto nell'economia di Roma e di buona parte dell'Italia dei socii, con effetti che si sono riverberati sull'assetto complessivo delle varie societ脿 della penisola. Non staremo qui a ripercorrere quali siano gli aspetti della cultura dominante definibili come effetti della luxuria e in particolare quelli che toccano da vicino la storia dell'arte: ricordiamo solo che tra le principali novit脿 introdotte tra il 180 e il 150 a.C., momento iniziale della luxuria, vanno annoverati lo sviluppo di tipi edilizi innovativi, di forte impatto sulla normale pratica architettonica e urbanistica, come le porticus e le basilicae, l'ingresso sulla scena delle grandi commesse pubbliche di scultori greci di grido, come Timarchides e Polycles, e l'arrivo a Roma di una lunga schiera di anonimi artigiani, a partire dai pittori, che, assieme a molti altri intellettuali di varia specialit脿, hanno fatto parte del seguito di Emilio Paolo all'indomani della vittoria di Pidna. Nel campo della pittura e della decorazione parietale, il materiale a nostra disposizione, che va dalle tombe dipinte etrusche, campane ed apule ai rari frustuli di pittura monumentale giunti fino a noi, ci descrive l'ambiente romano-italico come particolarmente ricettivo delle scoperte della pittura del Primo Ellenismo tra la fine del IV secolo e gli anni centrali del III secolo a.C.: l'evidente, intuibile primato di Roma su tutta la penisola, tuttavia, non cancella del tutto la vitalit脿 di consolidate ed antiche tradizioni locali, che appaiono ancora in qualche modo in grado di seguire da vicino tutte le principali conquiste formali ellenistiche. E infatti non si pu貌 non dire notevole la recezione romano-italica della tecnica compendiaria, elaborata ad Alessandria negli anni a cavallo tra IV e III secolo a.C., nota in opere del tutto contemporanee sia a Roma con il celebre affresco dell'Esquilino che a Tarquinia con la Tomba dei Festoni, di cui vi ha detto M.Harari, che in Apulia con le tombe dell'acropoli di Monte Sannace: Roma e l'Italia sono perfettamente in linea con la tradizione formale della tecnica elaborata nell'Oriente ellenistico. A differenza di quanto accade in epoca assai pi霉 tarda, l'uso alessandrino pi霉 antico appare rispettoso delle regole di genere: come prova il confronto con il bell'esempio, sia pure di ambiente periferico, della tomba principesca tracia di Kazanlak, quest'uso continua a dipingere i temi \" alti \" nello stile aulico di tradizione classica fondato sul chiaroscuro e le","internal_url":"https://www.academia.edu/23656780/2008_La_decorazione_parietale_domestica_romano_italica","translated_internal_url":"","created_at":"2016-03-24T05:50:52.167-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":2735690,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":17905484,"work_id":23656780,"tagging_user_id":2735690,"tagged_user_id":99464,"co_author_invite_id":4097943,"email":"f***i@tiscali.it","affiliation":"University of Perugia","display_order":0,"name":"Francesco Marcattili","title":"2008 - La decorazione parietale domestica romano-italica"}],"downloadable_attachments":[{"id":44065077,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44065077/thumbnails/1.jpg","file_name":"2008_La_decorazione_parietale_domestica_roman.pdf","download_url":"https://www.academia.edu/attachments/44065077/download_file","bulk_download_file_name":"2008_La_decorazione_parietale_domestica.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44065077/2008_La_decorazione_parietale_domestica_roman-libre.pdf?1458823920=\u0026response-content-disposition=attachment%3B+filename%3D2008_La_decorazione_parietale_domestica.pdf\u0026Expires=1738788359\u0026Signature=BymmwaL3pI~7XxCtnOh0-Zmqo1OX-zaTyMzCHHn1tTF99dWtNY9NWj37YSthxFRSA2uKXPkV-oM6bSRVWEHhz6cxa3XcYzI2lM1gP5U5rjbSUdh6VRFX532VpC0eGGCa5PiaVsfLJY-mfehWwxnNVj8khjHn1R7v8fHbvHlJlM1vcN4yr71T8UqCdEIc8eeGqZfw-YwczNHZ8A4dCuZGuLVvW9PvoZTCjylcFE2TbnnW9K3t2y~ldPW5iLTDEehOTwUgY4MHNpvktcwn791Ay3yRdbqwQ8nOCmARjpiwD3Xh44pIQy1vJui8XrAhC2iRClCdW~j40fG2lLbh3QFv6A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"2008_La_decorazione_parietale_domestica_romano_italica","translated_slug":"","page_count":16,"language":"it","content_type":"Work","summary":"La decorazione parietale domestica romano-italica tra fase medio-repubblicana e cultura della luxuria E' ormai consolidata la nozione, peraltro assai chiara agli antichi, dell'effetto distruttivo che la conquista dell'Oriente ellenistico ha avuto sulla cultura, sul costume, sullo stile di vita e, naturalmente, cosa che qui interessa, sulle espressioni artistiche e sul gusto delle classi dominanti del mondo romano-italico. Com'猫 noto, il tradizionale filone storiografico, prevalente sin dalla fine della Repubblica, ha individuato nella luxuria la causa della profonda rivoluzione che ha fatto di Roma una citt脿 compiutamente ellenistica. Se gli antichi attribuivano l'ingresso della luxuria, del lusso smodato, all'oro delle conquiste asiatiche e all'avaritia che ne 猫 derivata, noi moderni leggiamo il cambiamento non in chiave moralistica, bens矛 economico-sociale, facendone la conseguenza del radicale rivolgimento che l'immenso afflusso di risorse conseguente alla conquista ha prodotto nell'economia di Roma e di buona parte dell'Italia dei socii, con effetti che si sono riverberati sull'assetto complessivo delle varie societ脿 della penisola. Non staremo qui a ripercorrere quali siano gli aspetti della cultura dominante definibili come effetti della luxuria e in particolare quelli che toccano da vicino la storia dell'arte: ricordiamo solo che tra le principali novit脿 introdotte tra il 180 e il 150 a.C., momento iniziale della luxuria, vanno annoverati lo sviluppo di tipi edilizi innovativi, di forte impatto sulla normale pratica architettonica e urbanistica, come le porticus e le basilicae, l'ingresso sulla scena delle grandi commesse pubbliche di scultori greci di grido, come Timarchides e Polycles, e l'arrivo a Roma di una lunga schiera di anonimi artigiani, a partire dai pittori, che, assieme a molti altri intellettuali di varia specialit脿, hanno fatto parte del seguito di Emilio Paolo all'indomani della vittoria di Pidna. Nel campo della pittura e della decorazione parietale, il materiale a nostra disposizione, che va dalle tombe dipinte etrusche, campane ed apule ai rari frustuli di pittura monumentale giunti fino a noi, ci descrive l'ambiente romano-italico come particolarmente ricettivo delle scoperte della pittura del Primo Ellenismo tra la fine del IV secolo e gli anni centrali del III secolo a.C.: l'evidente, intuibile primato di Roma su tutta la penisola, tuttavia, non cancella del tutto la vitalit脿 di consolidate ed antiche tradizioni locali, che appaiono ancora in qualche modo in grado di seguire da vicino tutte le principali conquiste formali ellenistiche. E infatti non si pu貌 non dire notevole la recezione romano-italica della tecnica compendiaria, elaborata ad Alessandria negli anni a cavallo tra IV e III secolo a.C., nota in opere del tutto contemporanee sia a Roma con il celebre affresco dell'Esquilino che a Tarquinia con la Tomba dei Festoni, di cui vi ha detto M.Harari, che in Apulia con le tombe dell'acropoli di Monte Sannace: Roma e l'Italia sono perfettamente in linea con la tradizione formale della tecnica elaborata nell'Oriente ellenistico. A differenza di quanto accade in epoca assai pi霉 tarda, l'uso alessandrino pi霉 antico appare rispettoso delle regole di genere: come prova il confronto con il bell'esempio, sia pure di ambiente periferico, della tomba principesca tracia di Kazanlak, quest'uso continua a dipingere i temi \" alti \" nello stile aulico di tradizione classica fondato sul chiaroscuro e le","owner":{"id":2735690,"first_name":"Mario","middle_initials":null,"last_name":"Torelli","page_name":"MTorelli","domain_name":"lincei","created_at":"2012-11-07T00:20:37.452-08:00","display_name":"Mario Torelli","url":"https://lincei.academia.edu/MTorelli"},"attachments":[{"id":44065077,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/44065077/thumbnails/1.jpg","file_name":"2008_La_decorazione_parietale_domestica_roman.pdf","download_url":"https://www.academia.edu/attachments/44065077/download_file","bulk_download_file_name":"2008_La_decorazione_parietale_domestica.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/44065077/2008_La_decorazione_parietale_domestica_roman-libre.pdf?1458823920=\u0026response-content-disposition=attachment%3B+filename%3D2008_La_decorazione_parietale_domestica.pdf\u0026Expires=1738788359\u0026Signature=BymmwaL3pI~7XxCtnOh0-Zmqo1OX-zaTyMzCHHn1tTF99dWtNY9NWj37YSthxFRSA2uKXPkV-oM6bSRVWEHhz6cxa3XcYzI2lM1gP5U5rjbSUdh6VRFX532VpC0eGGCa5PiaVsfLJY-mfehWwxnNVj8khjHn1R7v8fHbvHlJlM1vcN4yr71T8UqCdEIc8eeGqZfw-YwczNHZ8A4dCuZGuLVvW9PvoZTCjylcFE2TbnnW9K3t2y~ldPW5iLTDEehOTwUgY4MHNpvktcwn791Ay3yRdbqwQ8nOCmARjpiwD3Xh44pIQy1vJui8XrAhC2iRClCdW~j40fG2lLbh3QFv6A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); 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Insediamenti e territorio tra IV e III secolo a.C.禄" class="work-thumbnail" src="https://attachments.academia-assets.com/51394569/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30962519/Book_launch_Luca_Pulcinelli_LEtruria_meridionale_e_Roma_Insediamenti_e_territorio_tra_IV_e_III_secolo_a_C_">Book launch: Luca Pulcinelli, 芦L'Etruria meridionale e Roma. Insediamenti e territorio tra IV e III secolo a.C.禄</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://beniculturali.academia.edu/LucaPulcinelli">Luca Pulcinelli</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://lincei.academia.edu/MTorelli">Mario Torelli</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Monday 23 January, 18,00 - 19,30 Sainsbury Lecture Theatre, British School at Rome Via Gramsci, 6...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Monday 23 January, 18,00 - 19,30<br />Sainsbury Lecture Theatre, British School at Rome<br />Via Gramsci, 61 - Roma</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a42687bd0a57a744b156c8691d363d38" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51394569,"asset_id":30962519,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51394569/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="30962519"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="30962519"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30962519; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30962519]").text(description); $(".js-view-count[data-work-id=30962519]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30962519; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='30962519']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a42687bd0a57a744b156c8691d363d38" } } $('.js-work-strip[data-work-id=30962519]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":30962519,"title":"Book launch: Luca Pulcinelli, 芦L'Etruria meridionale e Roma. 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Immaginario e ritualit脿 dei pinakes di Locri" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/35722684/Lobolo_di_Persefone_Immaginario_e_ritualit%C3%A0_dei_pinakes_di_Locri">L'obolo di Persefone. Immaginario e ritualit脿 dei pinakes di Locri</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/ElisaMarroni">Elisa Marroni</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://lincei.academia.edu/MTorelli">Mario Torelli</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il volume si articola in tre parti: di queste le prime due sono a firma di Elisa Marroni e la ter...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il volume si articola in tre parti: di queste le prime due sono a firma di Elisa Marroni e la terza di Mario Torelli. La prima parte, dedicata al santuario della Mannella, comprende una storia degli scavi nel sito, la raccolta delle fonti letterarie e delle attestazioni epigrafiche sul culto di Persefone e la de- scrizione del luogo di culto nei suoi aspetti topografici e materiali. La seconda parte, dopo una sinte- tica rassegna sugli studi precedenti, propone una descrizione dei nuovi raggruppamenti dei pinakes e delinea i vari momenti del rituale di transizione delle giovani fanciulle; di ciascun raggruppamento, mentre vengono riassunte sinteticamente le caratteristiche iconografiche dei tipi di cui si compone, viene fornita una stima quantitativa e un calcolo percentuale rispetto al totale ricostruibile della produ- zione; i dati quantitativi sono inoltre raccolti in sei tabelle.<br />La terza parte del volume 猫 dedicata alla lettura delle figurazioni riprodotte sui pinakes come sistema di immagini e alla ricostruzione dei significati profondi in esse espressi. Un鈥檃pprofondita analisi delle iconografie 猫 alla base dell鈥檌ndividuazione e della comprensione del linguaggio simbolico utilizzato dai coroplasti, fino alla ricostruzione dei meccanismi ideologici e cultuali celati dietro l鈥檈laborazione delle stesse iconografie, elementi cruciali ai fini di una corretta ricostruzione del rituale matrimoniale e del ruolo svolto dai pinakes nell鈥檃mbito del culto locrese.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35722684"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35722684"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35722684; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35722684]").text(description); $(".js-view-count[data-work-id=35722684]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35722684; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35722684']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=35722684]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35722684,"title":"L'obolo di Persefone. 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Winckelmann tra storia dell'arte, ideali politici e Altertumswissenschaft" class="work-thumbnail" src="https://attachments.academia-assets.com/59435224/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39297490/PENSIERI_SULLIMITAZIONE_Winckelmann_tra_storia_dellarte_ideali_politici_e_Altertumswissenschaft">PENSIERI SULL'IMITAZIONE. Winckelmann tra storia dell'arte, ideali politici e Altertumswissenschaft</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/GGianotti">Gian Franco Gianotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://lincei.academia.edu/MTorelli">Mario Torelli</a></span></div><div class="wp-workCard_item"><span>Quaderni, 31 - Accademia delle Scienze di Torino</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La collana dei 芦Quaderni禄 nasce nel 1995 per raccogliere la documentazione di attivit脿 accademich...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La collana dei 芦Quaderni禄 nasce nel 1995 per raccogliere la documentazione di attivit脿 accademiche pubbliche (conferenze, atti di convegni o giornate di studio). Nel sito <a href="http://www.accademiadellescienze.it" rel="nofollow">www.accademiadellescienze.it</a> sono disponibili ad accesso aperto i pdf degli ultimi volumi della collana. L'Accademia vende direttamente le proprie pubblicazioni. Per acquistare fascicoli scrivere a <a href="mailto:biblioteca@accademiadellescienze.it" rel="nofollow">biblioteca@accademiadellescienze.it</a> Per contattare la Redazione rivolgersi a <a href="mailto:pubblicazioni@accademiadellescienze.it" rel="nofollow">pubblicazioni@accademiadellescienze.it</a> In copertina: Anton von Maron, Ritratto di Johann Joachim Winckelmann (1768); olio su tela, 136脳99 cm, castello di Weimar. Premessa L'incontro di studio dal titolo 芦Pensieri sull'imitazione. Johann Joachim Winckelmann tra storia dell'arte, ideali politici e Altertumswissenschaft禄猫 stato organizzato dall'Accademia delle Scienze di Torino il 10 maggio 2018. Poco dopo il Consiglio di Presidenza, in data 22 maggio 2018, deliberava di pubblicare in un unico quaderno le relazioni presentate nel corso di quella giornata che si collocava tra le numerose iniziative europee programmate per celebrare il 300掳 anniversario della nascita di Winckelmann (Stendal, 9 dicembre 1717) e il 250掳 della morte (Trieste, 8 giugno 1768). Sulla base della tradizione classica della mimesi, gli Autori ricostruiscono la genesi del filellenismo e della storia dell'arte di Winckelmann, le implicazioni di ordine politico-culturale, le suggestioni euristiche lasciate in eredit脿 alla 芦scienza dell'antichit脿禄 germanica di Otto-e Novecento. Angelica Kaufmann, Ritratto di J.J. Winckelmann, ripreso dal dipinto della stessa Angelica Kaufmann (1764); incisione all'acquaforte, 25,5x19,3 cm, raccolta Piancastelli, Biblioteca Comunale A. Saffi, Forl矛. Acc. Sc. Torino Quaderni, 31 (2019), 5-26 PENSIERI SULL'IMITAZIONE 4 Alcm., fr. 39 Page = fr. 91 Calame. 5 Athen., 390a = Chamael. fr. 24 Wehrli. 6 Dem., fr. 154 Diels-Kranz: 芦Per le scoperte pi霉 importanti siamo stati discepoli degli animali: dei ragni nel tessere e nel rammendare, delle rondini nel costruire le case, degli uccelli canori, del cigno e dell'usignolo, nel canto secondo imitazione禄. 7 Lucr., De rer. nat. 5, 1379 ss.: 芦At liquidas avium voces imitarier ore / ante fuit multo quam levia carmina cantu / concelebrare homines possent aurisque iuvare禄.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e7323d4def74329a3912dd10c8d09b51" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59435224,"asset_id":39297490,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59435224/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39297490"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39297490"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39297490; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39297490]").text(description); $(".js-view-count[data-work-id=39297490]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39297490; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39297490']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e7323d4def74329a3912dd10c8d09b51" } } $('.js-work-strip[data-work-id=39297490]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39297490,"title":"PENSIERI SULL'IMITAZIONE. 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