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Rachel Barton Pine - Wikipedia

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<span>Career</span> </div> </a> <ul id="toc-Career-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Rachel_Barton_Pine_Foundation" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Rachel_Barton_Pine_Foundation"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Rachel Barton Pine Foundation</span> </div> </a> <ul id="toc-Rachel_Barton_Pine_Foundation-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Metra_accident" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Metra_accident"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Metra accident</span> </div> </a> <ul id="toc-Metra_accident-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Personal_life" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Personal_life"> <div 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class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard plainlist"><tbody><tr><th colspan="2" class="infobox-above" style="color: #202122;background-color: #b0c4de; font-size: 125%;"><div class="fn">Rachel Barton Pine</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Violinist_Rachel_Barton_Pine.jpg" class="mw-file-description" title="Pine performing at the Phillips Collection in Washington D.C. in 2011"><img alt="Pine performing at the Phillips Collection in Washington D.C. in 2011" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Violinist_Rachel_Barton_Pine.jpg/220px-Violinist_Rachel_Barton_Pine.jpg" decoding="async" width="220" height="346" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Violinist_Rachel_Barton_Pine.jpg/330px-Violinist_Rachel_Barton_Pine.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/89/Violinist_Rachel_Barton_Pine.jpg/440px-Violinist_Rachel_Barton_Pine.jpg 2x" data-file-width="2116" data-file-height="3326" /></a></span><div class="infobox-caption">Pine performing at the Phillips Collection in Washington D.C. in 2011</div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de">Background information</th></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Birth name</span></th><td class="infobox-data nickname">Rachel Elizabeth Barton</td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><span style="display:none"> (<span class="bday">1974-10-11</span>) </span>October 11, 1974<span class="noprint ForceAgeToShow"> (age&#160;50)</span><br /><a href="/wiki/Chicago" title="Chicago">Chicago</a>, Illinois, U.S.</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><a href="/wiki/Classical_music" title="Classical music">Classical</a>, <a href="/wiki/Baroque_music" title="Baroque music">baroque</a>, <a href="/wiki/Heavy_metal_music" title="Heavy metal music">heavy metal</a></td></tr><tr><th scope="row" class="infobox-label">Occupation</th><td class="infobox-data role">Violinist<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Years active</span></th><td class="infobox-data">1981–present</td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><span class="url"><a rel="nofollow" class="external text" href="http://rachelbartonpine.com">rachelbartonpine<wbr />.com</a></span></td></tr></tbody></table><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Musical artist</div> <p><b>Rachel Barton Pine</b> (born <b>Rachel Elizabeth Barton</b>, October 11, 1974) is an American <a href="/wiki/Violin" title="Violin">violinist</a>. She debuted with the <a href="/wiki/Chicago_Symphony_Orchestra" title="Chicago Symphony Orchestra">Chicago Symphony</a> at age 10, and was the first American and youngest ever gold medal winner of the <a href="/wiki/International_Johann_Sebastian_Bach_Competition" title="International Johann Sebastian Bach Competition">International Johann Sebastian Bach Competition</a>.<sup id="cite_ref-Plain_Dealer_2-0" class="reference"><a href="#cite_note-Plain_Dealer-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> <i><a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a></i> wrote that she "displays a power and confidence that puts her in the top echelon."<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pine tours worldwide as a soloist with prestigious orchestras, has an active recording career, and has run the Rachel Barton Pine Foundation since 2001, which provides services and funding to promote <a href="/wiki/Classical_music" title="Classical music">classical music</a> education and performances.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Early_life">Early life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rachel_Barton_Pine&amp;action=edit&amp;section=1" title="Edit section: Early life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Pine was born in <a href="/wiki/Chicago" title="Chicago">Chicago</a>, and began playing the violin at age 3 after being inspired by the example of older girls playing at her church. She debuted with the Chicago String Ensemble at age 7, and with the Chicago Symphony under the baton of <a href="/wiki/Erich_Leinsdorf" title="Erich Leinsdorf">Erich Leinsdorf</a> at age 10. Her passion for violin compelled her to practice 4 or 5 hours a day as a second grader, prompting her elementary school principal to encourage her parents to begin home schooling,<sup id="cite_ref-Crocker2015_5-0" class="reference"><a href="#cite_note-Crocker2015-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> which allowed her to focus on her music, practicing 8 hours a day. Her principal teachers were <a href="/wiki/Roland_and_Almita_Vamos" title="Roland and Almita Vamos">Roland and Almita Vamos</a> of the <a href="/wiki/Music_Institute_of_Chicago" title="Music Institute of Chicago">Music Institute of Chicago</a>. At age 14, she began taking paid gigs playing at weddings and in orchestras, which allowed her to contribute significantly to her family's income as they experienced financial difficulties. Explaining how she managed, she says, "I put on a lot of makeup and pretended I was older than I was."<sup id="cite_ref-ViolinSstudent.com_6-0" class="reference"><a href="#cite_note-ViolinSstudent.com-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p><p>She attained notable success in a number of violin competitions, including winning the 1992 <a href="/wiki/Johann_Sebastian_Bach_International_Competition" class="mw-redirect" title="Johann Sebastian Bach International Competition">Johann Sebastian Bach International Competition</a> in <a href="/wiki/Leipzig" title="Leipzig">Leipzig</a>, Germany.<sup id="cite_ref-Plain_Dealer_2-1" class="reference"><a href="#cite_note-Plain_Dealer-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> She also earned 2nd prizes in the <a href="/wiki/J%C3%B3zsef_Szigeti" class="mw-redirect" title="József Szigeti">József Szigeti</a> Violin Competition (1992) and the <a href="/wiki/International_Fritz_Kreisler_Competition" title="International Fritz Kreisler Competition">International Fritz Kreisler Competition</a> (1992), as well as awards from the <a href="/wiki/Montreal_International_Musical_Competition" title="Montreal International Musical Competition">Montreal International Musical Competition</a> (1991), the <a href="/wiki/Paganini_Competition" title="Paganini Competition">Paganini Competition</a> (1993), and the <a href="/wiki/Queen_Elisabeth_Music_Competition" class="mw-redirect" title="Queen Elisabeth Music Competition">Queen Elisabeth Music Competition</a> (1993).<sup id="cite_ref-Story_7-0" class="reference"><a href="#cite_note-Story-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Awards_8-0" class="reference"><a href="#cite_note-Awards-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Career">Career</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rachel_Barton_Pine&amp;action=edit&amp;section=2" title="Edit section: Career"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Pine has appeared as a soloist with orchestras around the world including the Chicago, <a href="/wiki/Montreal_Symphony_Orchestra" title="Montreal Symphony Orchestra">Montreal</a>, <a href="/wiki/Atlanta_Symphony_Orchestra" title="Atlanta Symphony Orchestra">Atlanta</a>, <a href="/wiki/Budapest_Symphony_Orchestra" title="Budapest Symphony Orchestra">Budapest</a>, <a href="/wiki/San_Diego_Symphony" title="San Diego Symphony">San Diego</a>, <a href="/wiki/Baltimore_Symphony_Orchestra" title="Baltimore Symphony Orchestra">Baltimore</a>, <a href="/wiki/St._Louis_Symphony" class="mw-redirect" title="St. Louis Symphony">St. Louis</a>, <a href="/wiki/Vienna_Symphony" title="Vienna Symphony">Vienna</a>, <a href="/wiki/New_Zealand_Symphony_Orchestra" title="New Zealand Symphony Orchestra">New Zealand</a>, <a href="/wiki/Iceland_Symphony_Orchestra" title="Iceland Symphony Orchestra">Iceland</a> and <a href="/wiki/Dallas_Symphony_Orchestra" title="Dallas Symphony Orchestra">Dallas</a> symphonies; the <a href="/wiki/Buffalo_Philharmonic_Orchestra" title="Buffalo Philharmonic Orchestra">Buffalo</a>, <a href="/wiki/Rochester_Philharmonic_Orchestra" title="Rochester Philharmonic Orchestra">Rochester</a>, <a href="/wiki/Royal_Philharmonic_Orchestra" title="Royal Philharmonic Orchestra">Royal</a>, <a href="/wiki/Calgary_Philharmonic_Orchestra" title="Calgary Philharmonic Orchestra">Calgary</a>, <a href="/wiki/Russian_Philharmonic_Orchestra" title="Russian Philharmonic Orchestra">Russian</a> and <a href="/wiki/New_Mexico_Symphony_Orchestra" title="New Mexico Symphony Orchestra">New Mexico</a> philharmonics, the <a href="/wiki/Philadelphia_Orchestra" title="Philadelphia Orchestra">Philadelphia</a>, <a href="/wiki/Louisville_Orchestra" title="Louisville Orchestra">Louisville</a>, <a href="/wiki/Royal_Scottish_National_Orchestra" title="Royal Scottish National Orchestra">Royal Scottish</a> and <a href="/wiki/Belgian_National_Orchestra" title="Belgian National Orchestra">Belgian National</a> orchestras; the <a href="/wiki/Mozarteum_Orchestra_Salzburg" title="Mozarteum Orchestra Salzburg">Mozarteum</a>, <a href="/wiki/Scottish_Chamber_Orchestra" title="Scottish Chamber Orchestra">Scottish</a> and <a href="/wiki/Israel_Chamber_Orchestra" title="Israel Chamber Orchestra">Israel</a> chamber orchestras, and the <a href="/wiki/Netherlands_Radio_Chamber_Philharmonic" title="Netherlands Radio Chamber Philharmonic">Netherlands Radio Chamber Philharmonic</a>. She has performed under conductors such as <a href="/wiki/Charles_Dutoit" title="Charles Dutoit">Charles Dutoit</a>, <a href="/wiki/John_Nelson_(conductor)" title="John Nelson (conductor)">John Nelson</a>, <a href="/wiki/Zubin_Mehta" title="Zubin Mehta">Zubin Mehta</a>, Erich Leinsdorf, <a href="/wiki/Neeme_J%C3%A4rvi" title="Neeme Järvi">Neeme Järvi</a>, <a href="/wiki/Marin_Alsop" title="Marin Alsop">Marin Alsop</a>, <a href="/wiki/Semyon_Mayevich_Bychkov" class="mw-redirect" title="Semyon Mayevich Bychkov">Semyon Bychkov</a>, <a href="/wiki/Pl%C3%A1cido_Domingo" title="Plácido Domingo">Plácido Domingo</a>, and <a href="/wiki/Jos%C3%A9_Serebrier" title="José Serebrier">José Serebrier</a>, and with artists including <a href="/wiki/Daniel_Barenboim" title="Daniel Barenboim">Daniel Barenboim</a>, <a href="/wiki/Christoph_Eschenbach" title="Christoph Eschenbach">Christoph Eschenbach</a>, <a href="/wiki/Christopher_O%27Reilly" title="Christopher O&#39;Reilly">Christopher O'Reilly</a>, <a href="/wiki/Mark_O%27Connor" title="Mark O&#39;Connor">Mark O'Connor</a>, and <a href="/wiki/William_Warfield" title="William Warfield">William Warfield</a>. </p><p>Her festival appearances include <a href="/wiki/Marlboro_Music_School_and_Festival" title="Marlboro Music School and Festival">Marlboro</a>, <a href="/wiki/Ravinia_Park" class="mw-redirect" title="Ravinia Park">Ravinia</a>, <a href="/wiki/Denis_Brott#Montreal_Chamber_Music_Festival" title="Denis Brott">Montreal</a>, <a href="/wiki/Wolf_Trap_National_Park_for_the_Performing_Arts" title="Wolf Trap National Park for the Performing Arts">Wolf Trap</a>, <a href="/wiki/Bravo_veil" class="mw-redirect" title="Bravo veil">Vail</a>, Davos, and <a href="/wiki/Salzburg" title="Salzburg">Salzburg</a>'s Mozartwoche at the invitation of <a href="/wiki/Franz_Welser-M%C3%B6st" title="Franz Welser-Möst">Franz Welser-Möst</a>. </p><p>Her premieres of pieces by living composers include "Rush" for solo violin by <a href="/wiki/Augusta_Read_Thomas" title="Augusta Read Thomas">Augusta Read Thomas</a>,<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Mohammed_Fairouz" title="Mohammed Fairouz">Mohammed Fairouz</a>'s "Native Informant" Sonata for Solo Violin and "Al-Andalus" Violin Concerto, and the Panamanian premiere of Panamanian composer <a href="/wiki/Roque_Cordero" title="Roque Cordero">Roque Cordero</a>'s 1962 Violin Concerto. In April 2017, Pine performed solo violin with the Phoenix Symphony under the baton of Tito Munoz debuting the Violin Concerto, "Dependent Arising" by Earl Maneein (b. 1976). Her "American Partitas" is a recital program of suites of dance movements composed for Pine by <a href="/wiki/Bruce_Molsky" title="Bruce Molsky">Bruce Molsky</a>, <a href="/wiki/Darol_Anger" title="Darol Anger">Darol Anger</a>, <a href="/wiki/Billy_Childs" title="Billy Childs">Billy Childs</a>, and <a href="/wiki/Daniel_Bernard_Roumain" title="Daniel Bernard Roumain">Daniel Bernard Roumain</a> written in response to the Bach Partitas for solo violin paired with their Bach counterparts.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> </p><p>In addition to her mixed recital programs, Pine has regularly given single evening performances of the six Bach Sonatas and Partitas,<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> the 24 Paganini Caprices,<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> and the complete Brahms Sonatas. </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Rachel_Barton_Pine_from_Earthen_Grave.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/64/Rachel_Barton_Pine_from_Earthen_Grave.jpg/220px-Rachel_Barton_Pine_from_Earthen_Grave.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/64/Rachel_Barton_Pine_from_Earthen_Grave.jpg/330px-Rachel_Barton_Pine_from_Earthen_Grave.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/64/Rachel_Barton_Pine_from_Earthen_Grave.jpg/440px-Rachel_Barton_Pine_from_Earthen_Grave.jpg 2x" data-file-width="1024" data-file-height="768" /></a><figcaption>Pine performing in 2008</figcaption></figure> <p>In 2015, Pine released her debut Avie Records recording Mozart: Complete Violin Concertos with one of her "musical heroes" conductor Sir Neville Marriner and The Academy of St Martin in the Fields.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> Pine grew up listening to Sir Neville and The Academy of St Martin in the Fields' recordings and their performance on the Amadeus movie soundtrack. Studying Mozart's operas she gained an appreciation for the drama, playfulness and flirtation of his violin concertos featured on the new album.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> The recording also contains Mozart's Sinfonia Concertante, recorded with violist Matthew Lipman, a 2015 Avery Fisher Career Grant recipient.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pine started exploring esteemed violin concertos and the concertos that inspired them with Brahms and Joachim Violin Concertos, recorded with the Chicago Symphony Orchestra and conductor Carlos Kalmar in 2002.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> Her 2008 Beethoven &amp; Clement Violin Concertos, recorded with The Royal Philharmonic and conducted by Serebrier, offered the world premiere recording of Clement's D major Violin Concerto.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> </p><p>Her 2013 recording with pianist Matthew Hagle, Violin Lullabies, debuted at number one on the Billboard classical chart.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> Pine's recording of Violin Concertos by Black Composers of the 18th and 19th Centuries was nominated for a National Public Radio Heritage Award.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup> </p><p><a href="/wiki/Carl_Fischer_Music" title="Carl Fischer Music">Carl Fischer Music</a> recently<sup class="noprint Inline-Template" style="white-space:nowrap;">&#91;<i><a href="/wiki/Wikipedia:Manual_of_Style/Dates_and_numbers#Chronological_items" title="Wikipedia:Manual of Style/Dates and numbers"><span title="The time period mentioned near this tag is ambiguous. (February 2024)">when?</span></a></i>&#93;</sup> published a <a href="/wiki/Sheet_music" title="Sheet music">sheet music</a> book of <a href="/wiki/Cadenza" title="Cadenza">cadenzas</a> and virtuosic <a href="/wiki/Encore_(concert)" class="mw-redirect" title="Encore (concert)">encore</a> pieces composed by Pine, as well as her arrangements of other works for violin and piano, as part of its Masters Collection. Pine became the first living composer and first woman to be so honored.<sup id="cite_ref-Carl_Fischer_20-0" class="reference"><a href="#cite_note-Carl_Fischer-20"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup> Pine has also edited a 4-volume collection of compositions associated with America's pioneering female solo violinist <a href="/wiki/Maud_Powell" title="Maud Powell">Maud Powell</a>,<sup id="cite_ref-Maud_Powell_21-0" class="reference"><a href="#cite_note-Maud_Powell-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Maud_Powell_Favorites_22-0" class="reference"><a href="#cite_note-Maud_Powell_Favorites-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> many of which she has also recorded.<sup id="cite_ref-Powell_23-0" class="reference"><a href="#cite_note-Powell-23"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup> In 2014. Pine helped to accept a posthumous Lifetime Achievement Grammy Award on behalf of Maud Powell, after successfully campaigning the Recording Academy for the honor.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> </p><p>Her musical interests extend well beyond <a href="/wiki/Classical_period_(music)" title="Classical period (music)">classical</a> to <a href="/wiki/Baroque_music" title="Baroque music">baroque</a>, <a href="/wiki/Folk_music" title="Folk music">folk</a>, <a href="/wiki/Celtic_music" title="Celtic music">Celtic</a>, <a href="/wiki/Rock_music" title="Rock music">rock</a>, and <a href="/wiki/Jazz" title="Jazz">jazz</a>. She regularly instructs at <a href="/wiki/Mark_O%27Connor" title="Mark O&#39;Connor">Mark O'Connor</a>'s annual summer fiddle camp, and in 2004 she released a CD in collaboration with <a href="/wiki/Scottish_fiddling" title="Scottish fiddling">Scottish fiddler</a> <a href="/wiki/Alasdair_Fraser" title="Alasdair Fraser">Alasdair Fraser</a>. She has also served as faculty at the <a href="/wiki/Mark_Wood_(violinist)" title="Mark Wood (violinist)">Mark Wood</a> Rock Orchestra Camp. </p><p>Pine performs chamber music as part of Trio Settecento with <a href="/wiki/David_Schrader" title="David Schrader">David Schrader</a> and John Mark Rozendaal, and with the Jupiter Chamber Players. In 2015, Trio Settecento released Veracini's Complete Sonate Accademiche for Violin and Continuo.<sup id="cite_ref-Sonate_Accademiche_25-0" class="reference"><a href="#cite_note-Sonate_Accademiche-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> The Trio's Grand Tour collection of four CDs on Cedille Records takes listeners on a country-by-country of the European Baroque. </p><p>Her principal instrument is the 1742 'ex-<a href="/wiki/Antonio_Bazzini" title="Antonio Bazzini">Bazzini</a>, <a href="/wiki/Maria_Soldat-R%C3%B6ger" class="mw-redirect" title="Maria Soldat-Röger">Soldat</a>' violin of <a href="/wiki/Giuseppe_Guarneri" title="Giuseppe Guarneri">Guarneri del Gesu</a>. For seventeenth- and eighteenth-century pieces, she has often used an unaltered 1770 instrument of <a href="/wiki/Gagliano_Family_of_Luthiers" class="mw-redirect" title="Gagliano Family of Luthiers">Nicolò Gagliano I</a>.<sup id="cite_ref-Violins_26-0" class="reference"><a href="#cite_note-Violins-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> </p><p>Her taste in rock runs to <a href="/wiki/Heavy_metal_music" title="Heavy metal music">heavy metal</a>, with <a href="/wiki/AC/DC" title="AC/DC">AC/DC</a>, <a href="/wiki/Anthrax_(American_band)" title="Anthrax (American band)">Anthrax</a>, <a href="/wiki/Black_Sabbath" title="Black Sabbath">Black Sabbath</a>, <a href="/wiki/Led_Zeppelin" title="Led Zeppelin">Led Zeppelin</a>, <a href="/wiki/Megadeth" title="Megadeth">Megadeth</a>, <a href="/wiki/Metallica" title="Metallica">Metallica</a>, <a href="/wiki/Mot%C3%B6rhead" title="Motörhead">Motörhead</a>, <a href="/wiki/Pantera" title="Pantera">Pantera</a>, <a href="/wiki/Slayer" title="Slayer">Slayer</a>, and <a href="/wiki/Van_Halen" title="Van Halen">Van Halen</a> being among her favorites.<sup id="cite_ref-Story_7-1" class="reference"><a href="#cite_note-Story-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Chamber_2011_27-0" class="reference"><a href="#cite_note-Chamber_2011-27"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup> She has met and played with a number of these groups. In 1997, she released a heavy-metal-inspired recording. "In practicing and preparing those songs, I discovered that a lot of the heavy metal I'd been listening to was some of the most sophisticated compositionally of all rock music, and very inspired by classical music," Pine has said, "Then all these people in ripped jeans started coming to my concerts."<sup id="cite_ref-Crocker2015_5-1" class="reference"><a href="#cite_note-Crocker2015-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p><p>In February 2009, she joined the <a href="/wiki/Thrash_metal" title="Thrash metal">thrash</a>/<a href="/wiki/Doom_metal" title="Doom metal">doom metal</a> band <a href="/wiki/Earthen_Grave" title="Earthen Grave">Earthen Grave</a>, where she performs on a six-string <a href="/wiki/Mark_Wood_(violinist)#Luthier" title="Mark Wood (violinist)">Viper</a> <a href="/wiki/Electric_violin" title="Electric violin">electric violin</a>. The band has shared the stage with metal bands such as <a href="/wiki/Pentagram_(band)" title="Pentagram (band)">Pentagram</a>, <a href="/wiki/Black_Label_Society" title="Black Label Society">Black Label Society</a>, <a href="/wiki/Mayhem_(band)" title="Mayhem (band)">Mayhem</a>, and <a href="/wiki/Nachtmystium" title="Nachtmystium">Nachtmystium</a>. The group released an EP, <i>Dismal Times</i>.<sup id="cite_ref-Dismal_28-0" class="reference"><a href="#cite_note-Dismal-28"><span class="cite-bracket">&#91;</span>28<span class="cite-bracket">&#93;</span></a></sup> Doommantia.com proclaimed that Earthen Grave has "all the songwriting capabilities to make one of the best albums ever."<sup id="cite_ref-Doommantia_29-0" class="reference"><a href="#cite_note-Doommantia-29"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup> and HellrideMusic.com said "If the doom gods are with us, this band will stay around and continue to produce the kind of unique, powerful and thoughtful music contained on <i>Dismal Times</i>."<sup id="cite_ref-Hellride_30-0" class="reference"><a href="#cite_note-Hellride-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> Pine credits her experience playing in a rock band with improving her emotional rapport with her audiences.<sup id="cite_ref-IM_31-0" class="reference"><a href="#cite_note-IM-31"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup> </p><p>Pine often brings a new twist to her coaching sessions with chamber music and youth orchestras, by incorporating orchestral versions of rock pieces into her sessions. For example, Pine offered the world premiere of her own arrangement of Metallica's "<a href="/wiki/Master_of_Puppets_(song)" title="Master of Puppets (song)">Master of Puppets</a>" with the McHenry County Youth Symphony (Crystal Lake, IL) in November 2009. In May 2015, she premiered her "Shredding with the Symphony" program with the Lafayette Symphony, which features music from Shostakovich, Bruch, Beethoven, Vivaldi, Sibelius, and Paganini as well as Van Halen, AC/DC, Black Sabbath, Rush, Nirvana, Metallica and Led Zeppelin.<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">&#91;</span>32<span class="cite-bracket">&#93;</span></a></sup> </p><p><a href="/wiki/Bill_McGlaughlin" title="Bill McGlaughlin">Bill McGlaughlin</a> called her a "musical <a href="/wiki/Pac-Man" title="Pac-Man">Pac-Man</a>" for her ability to take in and perform so many different kinds of music.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup> She has often performed at schools and on rock music radio stations in an effort to interest younger audiences in classical music. </p><p>Pine was inducted as an honorary member of <a href="/wiki/Sigma_Alpha_Iota" title="Sigma Alpha Iota">Sigma Alpha Iota</a> in 2003.<sup id="cite_ref-Awards_8-1" class="reference"><a href="#cite_note-Awards-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> She performed at the music fraternity's 45th national convention during summer 2009 in Chicago. </p><p>On July 11, 2010, Pine gave a three-part performance at Chicago's <a href="/wiki/Millennium_Park" title="Millennium Park">Millennium Park</a> as part of the Great Performers of Illinois celebration. After initially performing on baroque violin with Trio Settecento, she soloed in the <a href="/wiki/Violin_Concerto_(Tchaikovsky)" title="Violin Concerto (Tchaikovsky)">Tchaikovsky Violin Concerto</a> with the <a href="/wiki/Bloomington,_Illinois#Arts_and_theatre" title="Bloomington, Illinois">Illinois Symphony Orchestra</a> and then switched gears again to perform in black leather on her electric violin with Earthen Grave. In conjunction with the event, she received the 2010 Great Performer of Illinois award.<sup id="cite_ref-Millennium_34-0" class="reference"><a href="#cite_note-Millennium-34"><span class="cite-bracket">&#91;</span>34<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-WBEZ_35-0" class="reference"><a href="#cite_note-WBEZ-35"><span class="cite-bracket">&#91;</span>35<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2010, Pine participated in a tribute album titled <i>Mister Bolin's Late Night Revival</i>, a compilation of 17 previously unreleased tracks written by guitar legend <a href="/wiki/Tommy_Bolin" title="Tommy Bolin">Tommy Bolin</a> prior to his death in 1976. The CD includes other artists such as <a href="/wiki/HiFi_Superstar" title="HiFi Superstar">HiFi Superstar</a>, <a href="/wiki/Doogie_White" title="Doogie White">Doogie White</a>, <a href="/wiki/Eric_Martin_(singer)" class="mw-redirect" title="Eric Martin (singer)">Eric Martin</a>, <a href="/wiki/Troy_Luccketta" class="mw-redirect" title="Troy Luccketta">Troy Luccketta</a>, <a href="/wiki/Jeff_Pilson" title="Jeff Pilson">Jeff Pilson</a>, <a href="/wiki/Randy_Jackson_(Zebra)" title="Randy Jackson (Zebra)">Randy Jackson</a>, <a href="/wiki/Rex_Carroll" title="Rex Carroll">Rex Carroll</a>, <a href="/wiki/Derek_St._Holmes" title="Derek St. Holmes">Derek St. Holmes</a>, <a href="/wiki/Kimberley_Dahme" title="Kimberley Dahme">Kimberley Dahme</a>, and <a href="/wiki/The_77s" title="The 77s">The 77's</a>. A percentage of the proceeds from this project will benefit the Jackson Recovery Centers.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Rachel_Barton_Pine_Foundation">Rachel Barton Pine Foundation</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rachel_Barton_Pine&amp;action=edit&amp;section=3" title="Edit section: Rachel Barton Pine Foundation"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Pine started a <a href="/wiki/Foundation_(nonprofit_organization)" class="mw-redirect" title="Foundation (nonprofit organization)">foundation</a> in 2001 to promote the study and appreciation of <a href="/wiki/Classical_music" title="Classical music">classical music</a>, including <a href="/wiki/Strings_(music)" class="mw-redirect" title="Strings (music)">string music</a> by <a href="/wiki/List_of_composers_of_African_descent" title="List of composers of African descent">black composers</a> such as <a href="/wiki/Jessie_Montgomery" title="Jessie Montgomery">Jessie Montgomery</a>, <a href="/wiki/Edward_W._Hardy" title="Edward W. Hardy">Edward W. Hardy</a>, <a href="/wiki/Coleridge-Taylor_Perkinson" title="Coleridge-Taylor Perkinson">Coleridge-Taylor Perkinson</a> and <a href="/wiki/Wynton_Marsalis" title="Wynton Marsalis">Wynton Marsalis</a>.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup> It prepares music curricula on black composers, loans high-quality instruments to deserving young musicians, and provides grants to cover incidental expenses (such as for supplemental lessons, accompanists, sheet music, travel, competition entrance fees, instrument repair, and audition recordings) of students and young professional musicians. Another program, Global HeartStrings, is dedicated to supporting aspiring classical musicians from <a href="/wiki/Developing_country" title="Developing country">developing countries</a>.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup> In this effort, Barton Pine has been aided by a younger sister, Hannah Barton, also a violinist.<sup id="cite_ref-hannahbartonviolin_39-0" class="reference"><a href="#cite_note-hannahbartonviolin-39"><span class="cite-bracket">&#91;</span>39<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2006, after being nominated by Chicago Mayor <a href="/wiki/Richard_M._Daley" title="Richard M. Daley">Richard M. Daley</a>, Barton Pine received the <a href="/wiki/Studs_Terkel" title="Studs Terkel">Studs Terkel</a> Humanities Service Award for her work through the foundation.<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">&#91;</span>40<span class="cite-bracket">&#93;</span></a></sup> She has also been given the 2012 Karl Haas Prize for Music Education for this work and her other education-related efforts.<sup id="cite_ref-Haas_Award_41-0" class="reference"><a href="#cite_note-Haas_Award-41"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup> </p><p>A <a href="/wiki/Stradivarius" title="Stradivarius">Stradivarius</a> <a href="/wiki/List_of_Stradivarius_instruments#Violins" title="List of Stradivarius instruments">violin</a>, the '<a href="/wiki/John_Hungerford_Arkwright" title="John Hungerford Arkwright">Arkwright</a> Lady Rebecca Sylvan', was donated to the foundation by Joseph Sylvan in 2015.<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">&#91;</span>42<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">&#91;</span>43<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Metra_accident">Metra accident</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rachel_Barton_Pine&amp;action=edit&amp;section=4" title="Edit section: Metra accident"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>On January 16, 1995, Pine was severely injured in a train accident in the Chicago suburb of <a href="/wiki/Winnetka,_Illinois" title="Winnetka, Illinois">Winnetka</a>, where she taught violin lessons.<sup id="cite_ref-Plain_Dealer_2-2" class="reference"><a href="#cite_note-Plain_Dealer-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-People_44-0" class="reference"><a href="#cite_note-People-44"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-PBS_2008_45-0" class="reference"><a href="#cite_note-PBS_2008-45"><span class="cite-bracket">&#91;</span>45<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Parent2013_46-0" class="reference"><a href="#cite_note-Parent2013-46"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Straight2013_47-0" class="reference"><a href="#cite_note-Straight2013-47"><span class="cite-bracket">&#91;</span>47<span class="cite-bracket">&#93;</span></a></sup> As she was exiting a <a href="/wiki/Metra" title="Metra">Metra</a> commuter train with her violin over her shoulder, the doors closed on the strap to her case, pinning her left shoulder to the train. The doors, which were controlled remotely and had no safety sensors, failed to reopen, and she was dragged 366 feet (112 meters) by the train before being pulled underneath and run over, severing one leg and mangling the other. Pine was saved by the prompt application of <a href="/wiki/Emergency_tourniquet" title="Emergency tourniquet">tourniquets</a> by several passengers who disembarked from the train after pulling its <a href="/wiki/Emergency_brake_(train)" title="Emergency brake (train)">emergency brake</a> handles.<sup id="cite_ref-People_44-1" class="reference"><a href="#cite_note-People-44"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup> </p><p>She sued Metra and the Chicago and North Western Transportation Company for compensation for her injuries and legal and medical expenses. Metra argued that she made the choice not to extricate her arm from the strap of the violin case due to the value of the instrument, a 400-year-old <a href="/wiki/Amati" title="Amati">Amati</a> valued at around $500,000, and thus she carried most of the blame for her injuries. The jury ruled in Pine's favor.<sup id="cite_ref-PBS_2008_45-1" class="reference"><a href="#cite_note-PBS_2008-45"><span class="cite-bracket">&#91;</span>45<span class="cite-bracket">&#93;</span></a></sup> Metra changed its conductor safety procedures following the incident and made other changes to the trains themselves. </p> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Ticket_to_a_benefit_concert.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Ticket_to_a_benefit_concert.jpeg/159px-Ticket_to_a_benefit_concert.jpeg" decoding="async" width="159" height="73" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Ticket_to_a_benefit_concert.jpeg/239px-Ticket_to_a_benefit_concert.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Ticket_to_a_benefit_concert.jpeg/318px-Ticket_to_a_benefit_concert.jpeg 2x" data-file-width="850" data-file-height="390" /></a><figcaption></figcaption></figure> <p>Daniel Barenboim, the conductor of the Chicago Symphony Orchestra, organized a benefit concert and raised over $75,000 after she was injured.<sup id="cite_ref-People_44-2" class="reference"><a href="#cite_note-People-44"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup> After a two-year hiatus to allow for recovery from her injuries, aided by numerous surgeries and physical therapy, Pine resumed her career.<sup id="cite_ref-Plain_Dealer_2-3" class="reference"><a href="#cite_note-Plain_Dealer-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Personal_life">Personal life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rachel_Barton_Pine&amp;action=edit&amp;section=5" title="Edit section: Personal life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 2004,<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">&#91;</span>48<span class="cite-bracket">&#93;</span></a></sup> Barton married Greg Pine, a health care consulting firm CEO and former <a href="/wiki/Minor_league_baseball" class="mw-redirect" title="Minor league baseball">minor league baseball</a> pitcher.<sup id="cite_ref-Schmelz_49-0" class="reference"><a href="#cite_note-Schmelz-49"><span class="cite-bracket">&#91;</span>49<span class="cite-bracket">&#93;</span></a></sup> They have one daughter, Sylvia, who is also an accomplished violinist and composer, and sometimes performs with her mother. </p> <div class="mw-heading mw-heading2"><h2 id="Discography">Discography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rachel_Barton_Pine&amp;action=edit&amp;section=6" title="Edit section: Discography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>Homage to <a href="/wiki/Pablo_de_Sarasate" title="Pablo de Sarasate">Sarasate</a></i> with <a href="/wiki/Samuel_Sanders" title="Samuel Sanders">Samuel Sanders</a> (piano) – <a href="/wiki/List_of_record_labels_starting_with_D" class="mw-redirect" title="List of record labels starting with D">Dorian Recordings</a>, 1994: DOR-90183<sup id="cite_ref-Sarasate_50-0" class="reference"><a href="#cite_note-Sarasate-50"><span class="cite-bracket">&#91;</span>50<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/George_Frideric_Handel" title="George Frideric Handel">George Frideric Handel</a>: The Sonatas for Violin &amp; <a href="/wiki/Figured_bass" title="Figured bass">Continuo</a></i> with <a href="/wiki/David_Schrader" title="David Schrader">David Schrader</a> (harpsichord) and John Mark Rozendaal (cello) – <a href="/wiki/Cedille_Records" title="Cedille Records">Cedille Records</a>, 1996: CDR 90000 032<sup id="cite_ref-Handel_51-0" class="reference"><a href="#cite_note-Handel-51"><span class="cite-bracket">&#91;</span>51<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Franz_Liszt" title="Franz Liszt">Liszt</a>: Works for Violin and Piano</i> with Thomas Labé (Piano) – Dorian Recordings, 1997: DOR-90251<sup id="cite_ref-Liszt_52-0" class="reference"><a href="#cite_note-Liszt-52"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Violin Concertos by <a href="/wiki/List_of_composers_of_African_descent" title="List of composers of African descent">Black Composers</a> of the 18th and 19th Centuries</i> with the <a href="/wiki/Chicago_Youth_Symphony_Orchestras" title="Chicago Youth Symphony Orchestras">Encore Chamber Orchestra</a>; <a href="/wiki/Daniel_Hege" title="Daniel Hege">Daniel Hege</a>, conductor – Cedille Records, 1997: CDR 90000 035<sup id="cite_ref-African_53-0" class="reference"><a href="#cite_note-African-53"><span class="cite-bracket">&#91;</span>53<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Stringendo: Storming the Citadel</i> with Edgar Gabriel (violin) and <a href="/wiki/Pacifica_Quartet" title="Pacifica Quartet">Brandon Vamos</a> (cello) – Cacophony Records, 1997<sup id="cite_ref-Stringendo_54-0" class="reference"><a href="#cite_note-Stringendo-54"><span class="cite-bracket">&#91;</span>54<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Instrument of the <a href="/wiki/Demon" title="Demon">Devil</a></i> with Patrick Sinozich (piano), David Schrader (harpsichord), John Mark Rozendaal (cello) and <a href="/wiki/John_Bruce_Yeh" title="John Bruce Yeh">John Bruce Yeh</a> (clarinet) – Cedille Records, 1998: CDR 90000 041<sup id="cite_ref-Devil_55-0" class="reference"><a href="#cite_note-Devil-55"><span class="cite-bracket">&#91;</span>55<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Double Play: Twentieth Century <a href="/wiki/Duet_(music)" class="mw-redirect" title="Duet (music)">Duos</a> for Violin and <a href="/wiki/Cello" title="Cello">Cello</a></i> with <a href="/wiki/Wendy_Warner" title="Wendy Warner">Wendy Warner</a> (cello) – Cedille Records, 1998: CDR 90000 047<sup id="cite_ref-Double_56-0" class="reference"><a href="#cite_note-Double-56"><span class="cite-bracket">&#91;</span>56<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Violin_Concerto_(Brahms)" title="Violin Concerto (Brahms)">Brahms</a> and <a href="/wiki/Violin_Concerto_No._2_(Joachim)" title="Violin Concerto No. 2 (Joachim)">Joachim</a> Violin Concertos</i> with the <a href="/wiki/Chicago_Symphony_Orchestra" title="Chicago Symphony Orchestra">Chicago Symphony Orchestra</a>; <a href="/wiki/Carlos_Kalmar" title="Carlos Kalmar">Carlos Kalmar</a>, conductor – Cedille Records, 2002: CDR 90000 068<sup id="cite_ref-Brahms_57-0" class="reference"><a href="#cite_note-Brahms-57"><span class="cite-bracket">&#91;</span>57<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Introduction, Theme, and Variations on "<a href="/wiki/God_Defend_New_Zealand" title="God Defend New Zealand">God Defend New Zealand</a>"</i> – Cacophony Records, 2002<sup id="cite_ref-New_Zealand_58-0" class="reference"><a href="#cite_note-New_Zealand-58"><span class="cite-bracket">&#91;</span>58<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Solo Baroque</i> – Cedille Records, 2004: CDR 90000 078<sup id="cite_ref-Baroque_59-0" class="reference"><a href="#cite_note-Baroque-59"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Scottish_Fantasy" title="Scottish Fantasy">Scottish Fantasies</a> for Violin and Orchestra</i> with <a href="/wiki/Alasdair_Fraser" title="Alasdair Fraser">Alasdair Fraser</a> (fiddle) and the <a href="/wiki/Scottish_Chamber_Orchestra" title="Scottish Chamber Orchestra">Scottish Chamber Orchestra</a>; <a href="/wiki/Alexander_Platt" title="Alexander Platt">Alexander Platt</a>, conductor – Cedille Records, 2004: CDR 90000 083<sup id="cite_ref-Scottish_60-0" class="reference"><a href="#cite_note-Scottish-60"><span class="cite-bracket">&#91;</span>60<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>American <a href="/wiki/Virtuoso" title="Virtuoso">Virtuosa</a>: Tribute to Maud Powell</i> with Matthew Hagle (piano)<sup id="cite_ref-Hagle_61-0" class="reference"><a href="#cite_note-Hagle-61"><span class="cite-bracket">&#91;</span>61<span class="cite-bracket">&#93;</span></a></sup> – Cedille Records, 2006: CDR 90000 097<sup id="cite_ref-Powell_23-1" class="reference"><a href="#cite_note-Powell-23"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>An <a href="/wiki/Music_history_of_Italy#Baroque_era,_16th_–_18th_centuries" title="Music history of Italy">Italian</a> Sojourn</i> by Trio Settecento, with David Schrader (harpsichord) and John Mark Rozendaal (baroque cello) – Cedille Records, 2007: CDR 90000 099<sup id="cite_ref-Italian_62-0" class="reference"><a href="#cite_note-Italian-62"><span class="cite-bracket">&#91;</span>62<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Violin_Concerto_(Beethoven)" title="Violin Concerto (Beethoven)">Beethoven</a> &amp; <a href="/wiki/Franz_Clement" title="Franz Clement">Clement</a> Violin Concertos</i> with the <a href="/wiki/Royal_Philharmonic_Orchestra" title="Royal Philharmonic Orchestra">Royal Philharmonic Orchestra</a>; José Serebrier, conductor – Cedille Records, 2008: CDR 90000 106<sup id="cite_ref-Beethoven_63-0" class="reference"><a href="#cite_note-Beethoven-63"><span class="cite-bracket">&#91;</span>63<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Dismal Times</i> by <a href="/wiki/Earthen_Grave" title="Earthen Grave">Earthen Grave</a>, with Mark Weiner (vocals), Tony Spillman (guitar), Jason Muxlow (guitar), Ron Holzner (bass, vocals), and Scott Davidson (drums) – 2009<sup id="cite_ref-Dismal_28-1" class="reference"><a href="#cite_note-Dismal-28"><span class="cite-bracket">&#91;</span>28<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>A <a href="/wiki/Music_of_Germany#Baroque_period" title="Music of Germany">German</a> Bouquet</i> by Trio Settecento, with David Schrader (harpsichord and organ) and John Mark Rozendaal (viola da gamba and baroque cello) – Cedille Records, 2009: CDR 90000 114<sup id="cite_ref-German_64-0" class="reference"><a href="#cite_note-German-64"><span class="cite-bracket">&#91;</span>64<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Alexander_Glazunov" title="Alexander Glazunov">Glazunov</a>: Complete <a href="/wiki/Violin_Concerto_(Glazunov)" title="Violin Concerto (Glazunov)">Concertos</a></i> with the <a href="/wiki/Russian_National_Orchestra" title="Russian National Orchestra">Russian National Orchestra</a>; José Serebrier, conductor – <a href="/wiki/Warner_Music_Group" title="Warner Music Group">Warner Classics</a>, 2011: 2564 67946-5<sup id="cite_ref-Glazunov_65-0" class="reference"><a href="#cite_note-Glazunov-65"><span class="cite-bracket">&#91;</span>65<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Capricho Latino</i> with <a href="/wiki/H%C3%A9ctor_Elizondo" title="Héctor Elizondo">Héctor Elizondo</a>, narrator – Cedille Records, 2011: CDR 90000 124<sup id="cite_ref-Latino_66-0" class="reference"><a href="#cite_note-Latino-66"><span class="cite-bracket">&#91;</span>66<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>A <a href="/wiki/Music_history_of_France#Baroque_music" title="Music history of France">French</a> Soirée</i> by Trio Settecento, with David Schrader (harpsichord) and John Mark Rozendaal (viola da gamba) – Cedille Records, 2011: CDR 90000 129<sup id="cite_ref-French_67-0" class="reference"><a href="#cite_note-French-67"><span class="cite-bracket">&#91;</span>67<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Xavier_Montsalvatge" title="Xavier Montsalvatge">Xavier Montsalvatge</a>: Canciones und Conciertos</i> with <a href="/wiki/Jenny_Lin" title="Jenny Lin">Jenny Lin</a> (piano), Lucia Duchoňová (<a href="/wiki/Mezzo-soprano" title="Mezzo-soprano">mezzo-soprano</a>), and the <a href="/wiki/NDR_Radiophilharmonie" title="NDR Radiophilharmonie">NDR Radiophilharmonie</a> Hannover; <a href="/wiki/Celso_Antunes" title="Celso Antunes">Celso Antunes</a>, conductor – <a href="/wiki/H%C3%A4nssler_Classic" class="mw-redirect" title="Hänssler Classic">Hänssler Classic</a>, 2012: 098.642.000<sup id="cite_ref-Montsalvatge_68-0" class="reference"><a href="#cite_note-Montsalvatge-68"><span class="cite-bracket">&#91;</span>68<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Earthen Grave</i> by Earthen Grave, with Mark Weiner (vocals), Tony Spillman (guitar), Jason Muxlow (guitar), Ron Holzner (bass, vocals), Scott Davidson (drums) and guest vocalist Kristin Joy Elane – Claude and Elmo Music, 2012: CECD001<sup id="cite_ref-Earthen_69-0" class="reference"><a href="#cite_note-Earthen-69"><span class="cite-bracket">&#91;</span>69<span class="cite-bracket">&#93;</span></a></sup> Reissued with additional tracks by <a href="/wiki/Ripple_Music" title="Ripple Music">Ripple Music</a> (2013)<sup id="cite_ref-Metalunderground2013_70-0" class="reference"><a href="#cite_note-Metalunderground2013-70"><span class="cite-bracket">&#91;</span>70<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>An <a href="/wiki/Baroque_music_of_the_British_Isles" title="Baroque music of the British Isles">English</a> <a href="/wiki/Fantasia_(music)" class="mw-redirect" title="Fantasia (music)">Fancy</a></i> by Trio Settecento, with David Schrader (harpsichord and <a href="/wiki/Positive_organ" title="Positive organ">positiv organ</a>) and John Mark Rozendaal (viola da gamba) – Cedille Records, 2012: CDR 90000 135<sup id="cite_ref-Puccio_2012_71-0" class="reference"><a href="#cite_note-Puccio_2012-71"><span class="cite-bracket">&#91;</span>71<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-English_72-0" class="reference"><a href="#cite_note-English-72"><span class="cite-bracket">&#91;</span>72<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Violin <a href="/wiki/Lullaby" title="Lullaby">Lullabies</a></i> with Matthew Hagle (piano) – Cedille Records, 2013: CDR 90000 139<sup id="cite_ref-Blevins_2013_73-0" class="reference"><a href="#cite_note-Blevins_2013-73"><span class="cite-bracket">&#91;</span>73<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-WQXR_74-0" class="reference"><a href="#cite_note-WQXR-74"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Vernier_2013_75-0" class="reference"><a href="#cite_note-Vernier_2013-75"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Violin_Concerto_(Mendelssohn)" title="Violin Concerto (Mendelssohn)">Mendelssohn</a> &amp; <a href="/wiki/Violin_Concerto_(Schumann)" title="Violin Concerto (Schumann)">Schumann</a> Violin Concertos, <a href="/wiki/Violin_Romance_No._1_(Beethoven)" class="mw-redirect" title="Violin Romance No. 1 (Beethoven)">Beethoven</a> <a href="/wiki/Violin_Romance_No._2_(Beethoven)" class="mw-redirect" title="Violin Romance No. 2 (Beethoven)">Romances</a></i> with the <a href="/wiki/G%C3%B6ttinger_Symphonieorchester" title="Göttinger Symphonieorchester">Göttinger Symphonieorchester</a>; <a href="/w/index.php?title=Christoph-Mathias_Mueller&amp;action=edit&amp;redlink=1" class="new" title="Christoph-Mathias Mueller (page does not exist)">Christoph-Mathias Mueller</a>, conductor; Cedille Records, 2013: CDR 90000 144<sup id="cite_ref-Mendelssohn_76-0" class="reference"><a href="#cite_note-Mendelssohn-76"><span class="cite-bracket">&#91;</span>76<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Fanfare2013_77-0" class="reference"><a href="#cite_note-Fanfare2013-77"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Grand_Tour" title="Grand Tour">Grand Tour</a></i> by Trio Settecento, with David Schrader (harpsichord and organ) and John Mark Rozendaal (viola da gamba and baroque cello) – Cedille Records, 2013: CDR Box 1002<sup id="cite_ref-Tour_78-0" class="reference"><a href="#cite_note-Tour-78"><span class="cite-bracket">&#91;</span>78<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Wolfgang_Amadeus_Mozart" title="Wolfgang Amadeus Mozart">Mozart</a>: <a href="/wiki/Mozart_violin_concertos" class="mw-redirect" title="Mozart violin concertos">Complete Violin Concertos</a>, <a href="/wiki/Sinfonia_Concertante_for_Violin,_Viola_and_Orchestra_(Mozart)" title="Sinfonia Concertante for Violin, Viola and Orchestra (Mozart)">Sinfonia Concertante K364</a></i> with Matthew Lipman (viola) and the <a href="/wiki/Academy_of_St_Martin_in_the_Fields" title="Academy of St Martin in the Fields">Academy of St Martin in the Fields</a>; <a href="/wiki/Sir_Neville_Marriner" class="mw-redirect" title="Sir Neville Marriner">Sir Neville Marriner</a>, conductor – <a href="/wiki/Avie_Records" title="Avie Records">Avie Records</a>, 2015: B00OYKL03<sup id="cite_ref-Mozart_79-0" class="reference"><a href="#cite_note-Mozart-79"><span class="cite-bracket">&#91;</span>79<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Telegraph2015_80-0" class="reference"><a href="#cite_note-Telegraph2015-80"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Francesco_Maria_Veracini" title="Francesco Maria Veracini">Veracini</a>: Complete Sonate Accademiche</i> by Trio Settecento, with David Schrader (harpsichord) and John Mark Rozendaal (cello) – Cedille Records, 2015: CDR 90000 155<sup id="cite_ref-Sonate_Accademiche_25-1" class="reference"><a href="#cite_note-Sonate_Accademiche-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Vernier_2015_81-0" class="reference"><a href="#cite_note-Vernier_2015-81"><span class="cite-bracket">&#91;</span>81<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Antonio_Vivaldi" title="Antonio Vivaldi">Vivaldi</a>: The Complete Viola d'Amore Concertos</i> with Ars Antigua and <a href="/wiki/Hopkinson_Smith" title="Hopkinson Smith">Hopkinson Smith</a> (lute) – Cedille Records, 2015: CDR 90000 159<sup id="cite_ref-Vivaldi_Concertos_82-0" class="reference"><a href="#cite_note-Vivaldi_Concertos-82"><span class="cite-bracket">&#91;</span>82<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Testament: Complete <a href="/wiki/Sonatas_and_partitas_for_solo_violin_(Bach)" class="mw-redirect" title="Sonatas and partitas for solo violin (Bach)">Sonatas and Partitas for Solo Violin</a> by <a href="/wiki/Johann_Sebastian_Bach" title="Johann Sebastian Bach">J. S. Bach</a></i> – Avie Records, 2016: AV2360<sup id="cite_ref-Bach_Partitas_83-0" class="reference"><a href="#cite_note-Bach_Partitas-83"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Thirsty2016_84-0" class="reference"><a href="#cite_note-Thirsty2016-84"><span class="cite-bracket">&#91;</span>84<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Bel_canto" title="Bel canto">Bel Canto</a> <a href="/wiki/Niccol%C3%B2_Paganini" title="Niccolò Paganini">Paganini</a>: <a href="/wiki/24_Caprices_for_Solo_Violin_(Paganini)" title="24 Caprices for Solo Violin (Paganini)">24 Caprices</a> and Other Works for Solo Violin</i> – Avie Records, 2017: AV2374<sup id="cite_ref-Paganini_Caprices_85-0" class="reference"><a href="#cite_note-Paganini_Caprices-85"><span class="cite-bracket">&#91;</span>85<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Lewis_2017_86-0" class="reference"><a href="#cite_note-Lewis_2017-86"><span class="cite-bracket">&#91;</span>86<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Violin_Concerto_(Elgar)" title="Violin Concerto (Elgar)">Elgar</a>, <a href="/wiki/Violin_Concerto_No._1_(Bruch)" title="Violin Concerto No. 1 (Bruch)">Bruch</a> Violin Concertos</i> with the <a href="/wiki/BBC_Symphony_Orchestra" title="BBC Symphony Orchestra">BBC Symphony Orchestra</a>; <a href="/wiki/Andrew_Litton" title="Andrew Litton">Andrew Litton</a>, conductor – Avie Records, 2018: AV2375<sup id="cite_ref-Bruch_Elgar_87-0" class="reference"><a href="#cite_note-Bruch_Elgar-87"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Farach-Colton2018_88-0" class="reference"><a href="#cite_note-Farach-Colton2018-88"><span class="cite-bracket">&#91;</span>88<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Johann_Sebastian_Bach" title="Johann Sebastian Bach">J.S. Bach</a>: The Sonatas for Violin &amp; Harpsichord</i> with <a href="/wiki/Jory_Vinikour" title="Jory Vinikour">Jory Vinikour</a> (harpsichord) – Cedille Records, 2018: CDR 90000 177<sup id="cite_ref-Bach_Harpsichord_89-0" class="reference"><a href="#cite_note-Bach_Harpsichord-89"><span class="cite-bracket">&#91;</span>89<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Sanderson2018_90-0" class="reference"><a href="#cite_note-Sanderson2018-90"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Blues" title="Blues">Blues</a> Dialogues: Music by Black Composers</i> with Matthew Hagle (piano) – Cedille Records, 2018: CDR 90000 182<sup id="cite_ref-Blues_Clague_91-0" class="reference"><a href="#cite_note-Blues_Clague-91"><span class="cite-bracket">&#91;</span>91<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Ritter2018_92-0" class="reference"><a href="#cite_note-Ritter2018-92"><span class="cite-bracket">&#91;</span>92<span class="cite-bracket">&#93;</span></a></sup></li> <li><i><a href="/wiki/Violin_Concerto_(Dvo%C5%99%C3%A1k)" title="Violin Concerto (Dvořák)">Dvořák</a>, <a href="/wiki/Violin_Concerto_(Khachaturian)" title="Violin Concerto (Khachaturian)">Khachaturian</a> Violin Concertos</i> with the <a href="/wiki/Royal_Scottish_National_Orchestra" title="Royal Scottish National Orchestra">Royal Scottish National Orchestra</a>; <a href="/wiki/Teddy_Abrams" title="Teddy Abrams">Teddy Abrams</a>, conductor – Avie Records, 2019: AV2411<sup id="cite_ref-Dvořák_Khachaturian_93-0" class="reference"><a href="#cite_note-Dvořák_Khachaturian-93"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Blumhofer2019_94-0" class="reference"><a href="#cite_note-Blumhofer2019-94"><span class="cite-bracket">&#91;</span>94<span class="cite-bracket">&#93;</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rachel_Barton_Pine&amp;action=edit&amp;section=7" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFPine2010" class="citation web cs1">Pine, Rachel Barton (May 5, 2010). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20101221110344/http://stringsmagazine.com/article/default.aspx?articleid=26255">"A Violin Virtuoso Falls in Love with the Humble Viola d'Amore"</a>. <i>Strings Magazine web site</i>. String Letter Publishing, Inc. Archived from <a rel="nofollow" class="external text" href="http://www.stringsmagazine.com/article/default.aspx?articleid=26255">the original</a> on December 21, 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">May 9,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Strings+Magazine+web+site&amp;rft.atitle=A+Violin+Virtuoso+Falls+in+Love+with+the+Humble+Viola+d%27Amore&amp;rft.date=2010-05-05&amp;rft.aulast=Pine&amp;rft.aufirst=Rachel+Barton&amp;rft_id=http%3A%2F%2Fwww.stringsmagazine.com%2Farticle%2Fdefault.aspx%3Farticleid%3D26255&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Plain_Dealer-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-Plain_Dealer_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Plain_Dealer_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Plain_Dealer_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Plain_Dealer_2-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRosenberg2012" class="citation news cs1">Rosenberg, D. (October 13, 2012). <a rel="nofollow" class="external text" href="http://www.cleveland.com/musicdance/index.ssf/2012/10/violinist_rachel_barton_pine_s.html">"Violinist Rachel Barton Pine, indomitable in face of injury, savors classical and heavy-metal journeys"</a>. <i><a href="/wiki/The_Plain_Dealer" title="The Plain Dealer">The Plain Dealer</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">December 22,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Plain+Dealer&amp;rft.atitle=Violinist+Rachel+Barton+Pine%2C+indomitable+in+face+of+injury%2C+savors+classical+and+heavy-metal+journeys&amp;rft.date=2012-10-13&amp;rft.aulast=Rosenberg&amp;rft.aufirst=D.&amp;rft_id=http%3A%2F%2Fwww.cleveland.com%2Fmusicdance%2Findex.ssf%2F2012%2F10%2Fviolinist_rachel_barton_pine_s.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWein2006" class="citation news cs1">Wein, Gail (February 24, 2006). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/wp-dyn/content/article/2006/02/23/AR2006022302143.html">"A History of Violins"</a>. <i>The Washington Post</i><span class="reference-accessdate">. Retrieved <span class="nowrap">May 26,</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Washington+Post&amp;rft.atitle=A+History+of+Violins&amp;rft.date=2006-02-24&amp;rft.aulast=Wein&amp;rft.aufirst=Gail&amp;rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fwp-dyn%2Fcontent%2Farticle%2F2006%2F02%2F23%2FAR2006022302143.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.rebf.org/">"About"</a>. <i>The Rachel Elizabeth Barton Foundation</i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">March 26,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Walworth+County+Today&amp;rft.atitle=The+baton+is+up+for+Lake+Geneva+Symphony&amp;rft.date=2010-11-10&amp;rft.aulast=Schmelz&amp;rft.aufirst=L.+M.&amp;rft_id=http%3A%2F%2Fwalworthcountytoday.com%2Fnews%2F2010%2Fnov%2F10%2Fbaton-lake-geneva-symphony%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Sarasate-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-Sarasate_50-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOllo" class="citation web cs1">Ollo, Fernando Perez. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160827192330/http://classical.rachelbartonpine.com/rec_notes.php?id=01">"Liner notes essay for <i>Homage to Pablo de Sarasate</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=01">the original</a> on August 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Homage+to+Pablo+de+Sarasate&amp;rft.aulast=Ollo&amp;rft.aufirst=Fernando+Perez&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D01&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Handel-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-Handel_51-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRozendaal" class="citation web cs1">Rozendaal, John Mark. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110715143551/http://classical.rachelbartonpine.com/rec_notes.php?id=02">"Liner notes essay for <i>George Frideric Handel: The Sonatas for Violin &amp; Continuo</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=02">the original</a> on July 15, 2011.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+George+Frideric+Handel%3A+The+Sonatas+for+Violin+%26+Continuo&amp;rft.aulast=Rozendaal&amp;rft.aufirst=John+Mark&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D02&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Liszt-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-Liszt_52-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoward" class="citation web cs1">Howard, Leslie. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160828012714/http://classical.rachelbartonpine.com/rec_notes.php?id=03">"Liner notes essay for <i>Liszt: Works for Violin and Piano</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=03">the original</a> on August 28, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Liszt%3A+Works+for+Violin+and+Piano&amp;rft.aulast=Howard&amp;rft.aufirst=Leslie&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D03&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-African-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-African_53-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClague" class="citation web cs1">Clague, Mark. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160516221741/http://classical.rachelbartonpine.com/rec_notes.php?id=04">"Liner notes essay for <i>Violin Concertos by Black Composers of the 18th and 19th Centuries</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=04">the original</a> on May 16, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Violin+Concertos+by+Black+Composers+of+the+18th+and+19th+Centuries&amp;rft.aulast=Clague&amp;rft.aufirst=Mark&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D04&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Stringendo-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-Stringendo_54-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPine" class="citation web cs1">Pine, Greg. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160828033325/http://classical.rachelbartonpine.com/rec_notes.php?id=05">"Liner notes essay for <i>Stringendo: Storming the Citadel</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=05">the original</a> on August 28, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Stringendo%3A+Storming+the+Citadel&amp;rft.aulast=Pine&amp;rft.aufirst=Greg&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D05&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Devil-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-Devil_55-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSullivan" class="citation web cs1">Sullivan, Todd E. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160828033325/http://classical.rachelbartonpine.com/rec_notes.php?id=06">"Liner notes essay for <i>Instrument of the Devil</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=06">the original</a> on August 28, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Instrument+of+the+Devil&amp;rft.aulast=Sullivan&amp;rft.aufirst=Todd+E&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D06&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Double-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-Double_56-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSullivan" class="citation web cs1">Sullivan, Todd E. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160827171215/http://classical.rachelbartonpine.com/rec_notes.php?id=07">"Liner notes essay for <i>Double Play: Twentieth Century Duos for Violin and Cello</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=07">the original</a> on August 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Double+Play%3A+Twentieth+Century+Duos+for+Violin+and+Cello&amp;rft.aulast=Sullivan&amp;rft.aufirst=Todd+E&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D07&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Brahms-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-Brahms_57-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPine" class="citation web cs1">Pine, Rachel Barton. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090504111335/http://classical.rachelbartonpine.com/rec_notes.php?id=08">"Liner notes essay for <i>Brahms and Joachim Violin Concertos</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=08">the original</a> on May 4, 2009.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Brahms+and+Joachim+Violin+Concertos&amp;rft.aulast=Pine&amp;rft.aufirst=Rachel+Barton&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D08&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-New_Zealand-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-New_Zealand_58-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20160828013510/http://classical.rachelbartonpine.com/rec_notes.php?id=09">"Liner notes for <i>Introduction, Theme, and Variations on "God Defend New Zealand"</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=09">the original</a> on August 28, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+for+Introduction%2C+Theme%2C+and+Variations+on+%22God+Defend+New+Zealand%22&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D09&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Baroque-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-Baroque_59-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPine" class="citation web cs1">Pine, Rachel Barton. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160827164057/http://classical.rachelbartonpine.com/rec_notes.php?id=10">"Liner notes essay for <i>Solo Baroque</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=10">the original</a> on August 27, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Solo+Baroque&amp;rft.aulast=Pine&amp;rft.aufirst=Rachel+Barton&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D10&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Scottish-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-Scottish_60-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPine" class="citation web cs1">Pine, Rachel Barton. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120219083428/http://classical.rachelbartonpine.com/rec_notes.php?id=11">"Liner notes essay for <i>Scottish Fantasies for Violin and Orchestra</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=11">the original</a> on February 19, 2012.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Scottish+Fantasies+for+Violin+and+Orchestra&amp;rft.aulast=Pine&amp;rft.aufirst=Rachel+Barton&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D11&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Hagle-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-Hagle_61-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20161013142008/http://industry.rachelbartonpine.com/bio_pianist.php">"Pianist Matthew Hagle Bio"</a>. <i>RBP industry web site</i>. Archived from <a rel="nofollow" class="external text" href="http://industry.rachelbartonpine.com/bio_pianist.php">the original</a> on October 13, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">March 22,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+industry+web+site&amp;rft.atitle=Pianist+Matthew+Hagle+Bio&amp;rft_id=http%3A%2F%2Findustry.rachelbartonpine.com%2Fbio_pianist.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Italian-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-Italian_62-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRozendaal" class="citation web cs1">Rozendaal, John Mark. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120219083848/http://classical.rachelbartonpine.com/rec_notes.php?id=13">"Liner notes essay for <i>An Italian Sojourn</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=13">the original</a> on February 19, 2012.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+An+Italian+Sojourn&amp;rft.aulast=Rozendaal&amp;rft.aufirst=John+Mark&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D13&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Beethoven-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-Beethoven_63-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrown" class="citation web cs1">Brown, Clive. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110715142456/http://classical.rachelbartonpine.com/rec_notes.php?id=14">"Liner notes essay for <i>Beethoven &amp; Clement Violin Concertos</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=14">the original</a> on July 15, 2011.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Beethoven+%26+Clement+Violin+Concertos&amp;rft.aulast=Brown&amp;rft.aufirst=Clive&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D14&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-German-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-German_64-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRozendaal" class="citation web cs1">Rozendaal, John Mark. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120219083853/http://classical.rachelbartonpine.com/rec_notes.php?id=16">"Liner notes essay for <i>A German Bouquet</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=16">the original</a> on February 19, 2012.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+A+German+Bouquet&amp;rft.aulast=Rozendaal&amp;rft.aufirst=John+Mark&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D16&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Glazunov-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-Glazunov_65-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSerebrier" class="citation web cs1"><a href="/wiki/Jos%C3%A9_Serebrier" title="José Serebrier">Serebrier, José</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160828033331/http://classical.rachelbartonpine.com/rec_notes.php?id=17">"Liner notes essay for <i>Glazunov: Complete Concertos</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=17">the original</a> on August 28, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Glazunov%3A+Complete+Concertos&amp;rft.aulast=Serebrier&amp;rft.aufirst=Jos%C3%A9&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D17&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Latino-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-Latino_66-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarilari" class="citation web cs1">Barilari, Elbio. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160328071051/http://classical.rachelbartonpine.com/rec_notes.php?id=18">"Liner notes essay for <i>Capricho Latino</i>"</a>. <i>RBP online discography</i>. Archived from <a rel="nofollow" class="external text" href="http://classical.rachelbartonpine.com/rec_notes.php?id=18">the original</a> on March 28, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=RBP+online+discography&amp;rft.atitle=Liner+notes+essay+for+Capricho+Latino&amp;rft.aulast=Barilari&amp;rft.aufirst=Elbio&amp;rft_id=http%3A%2F%2Fclassical.rachelbartonpine.com%2Frec_notes.php%3Fid%3D18&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-French-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-French_67-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRozendaal" class="citation web cs1">Rozendaal, John Mark. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120425095000/http://cedillerecords.org/music/product_info.php?cPath=356_368&amp;products_id=1206">"Liner notes essay for <i>A French Soirée</i>"</a>. 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Retrieved <span class="nowrap">May 17,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Doommantia.Com&amp;rft.atitle=Earthen+Grave%27s+New+CD+and+4%2F22+Chicago+Show+...&amp;rft.date=2012-04-09&amp;rft_id=http%3A%2F%2Fwww.doommantia.com%2F2012%2F04%2Fearthen-graves-new-cd-and-422-chicago.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Metalunderground2013-70"><span class="mw-cite-backlink"><b><a href="#cite_ref-Metalunderground2013_70-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.metalunderground.com/news/details.cfm?newsid=90015">"Earthen Grave Signs With Ripple Music, Re-Releasing Self-Titled Album"</a>. Metalunderground.com. March 14, 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">September 27,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Earthen+Grave+Signs+With+Ripple+Music%2C+Re-Releasing+Self-Titled+Album&amp;rft.pub=Metalunderground.com&amp;rft.date=2013-03-14&amp;rft_id=http%3A%2F%2Fwww.metalunderground.com%2Fnews%2Fdetails.cfm%3Fnewsid%3D90015&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Puccio_2012-71"><span class="mw-cite-backlink"><b><a href="#cite_ref-Puccio_2012_71-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPuccio2012" class="citation web cs1">Puccio, J. J. 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Archived from <a rel="nofollow" class="external text" href="http://cedillerecords.org/music/product_info.php?cPath=356_368&amp;products_id=1235">the original</a> on October 23, 2013.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Liner+notes+essay+for+An+English+Fancy&amp;rft.aulast=Rozendaal&amp;rft.aufirst=John+Mark&amp;rft_id=http%3A%2F%2Fcedillerecords.org%2Fmusic%2Fproduct_info.php%3FcPath%3D356_368%26products_id%3D1235&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Blevins_2013-73"><span class="mw-cite-backlink"><b><a href="#cite_ref-Blevins_2013_73-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlevins" class="citation web cs1">Blevins, Pamela. <a rel="nofollow" class="external text" href="http://cedillerecords.org/music/product_info.php?products_id=1275">"Liner notes essay: <i>The Berceuse</i>"</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Liner+notes+essay%3A+The+Berceuse&amp;rft.aulast=Blevins&amp;rft.aufirst=Pamela&amp;rft_id=http%3A%2F%2Fcedillerecords.org%2Fmusic%2Fproduct_info.php%3Fproducts_id%3D1275&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-WQXR-74"><span class="mw-cite-backlink"><b><a href="#cite_ref-WQXR_74-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.wqxr.org/story/282400-lullabies-key-violin-rachel-barton-pine/">"Lullabies in the Key of Violin, from Rachel Barton Pine"</a>. <i>Album of the Week</i>. <a href="/wiki/WQXR-FM" title="WQXR-FM">WQXR-FM</a>. 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Retrieved <span class="nowrap">May 19,</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Naxos+album+reviews&amp;rft.atitle=Reviews+for+Grand+Tour&amp;rft.date=2014-02&amp;rft_id=http%3A%2F%2Fwww.naxos.com%2Freviews%2Freviewslist.asp%3Fcatalogueid%3DCDRBOX1002%26languageid%3DEN&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Mozart-79"><span class="mw-cite-backlink"><b><a href="#cite_ref-Mozart_79-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarton_Pine" class="citation web cs1">Barton Pine, Rachel. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160820073323/http://industry.rachelbartonpine.com/rep_notes_view.php?id=40">"Notes for Mozart Violin Concertos"</a>. Archived from <a rel="nofollow" class="external text" href="http://industry.rachelbartonpine.com/rep_notes_view.php?id=40">the original</a> on August 20, 2016.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Notes+for+Mozart+Violin+Concertos&amp;rft.aulast=Barton+Pine&amp;rft.aufirst=Rachel&amp;rft_id=http%3A%2F%2Findustry.rachelbartonpine.com%2Frep_notes_view.php%3Fid%3D40&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Telegraph2015-80"><span class="mw-cite-backlink"><b><a href="#cite_ref-Telegraph2015_80-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNorris2015" class="citation web cs1">Norris, G. 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Archived from <a rel="nofollow" class="external text" href="http://www.cedillerecords.org/albums/the-complete-viola-damore-concertos">the original</a> on September 5, 2015.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Notes+for+Vivaldi%3A+The+Complete+Viola+d%27Amore+Concertos&amp;rft.aulast=Miller&amp;rft.aufirst=Paul+V.&amp;rft_id=http%3A%2F%2Fwww.cedillerecords.org%2Falbums%2Fthe-complete-viola-damore-concertos&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Bach_Partitas-83"><span class="mw-cite-backlink"><b><a href="#cite_ref-Bach_Partitas_83-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20170129094102/http://www.avie-records.com/releases/testament-complete-sonatas-and-partitas-by-j-s-bach/">"Notes for <i>Testament</i>"</a>. January 8, 2016. Archived from <a rel="nofollow" class="external text" href="http://www.avie-records.com/releases/testament-complete-sonatas-and-partitas-by-j-s-bach/">the original</a> on January 29, 2017.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Notes+for+Testament&amp;rft.date=2016-01-08&amp;rft_id=http%3A%2F%2Fwww.avie-records.com%2Freleases%2Ftestament-complete-sonatas-and-partitas-by-j-s-bach%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Thirsty2016-84"><span class="mw-cite-backlink"><b><a href="#cite_ref-Thirsty2016_84-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarton_Pine2016" class="citation web cs1">Barton Pine, R. 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March 22, 2017. Archived from <a rel="nofollow" class="external text" href="http://www.avie-records.com/releases/bel-canto-paganini/">the original</a> on May 20, 2017.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Notes+for+Bel+Canto+Paganini&amp;rft.date=2017-03-22&amp;rft_id=http%3A%2F%2Fwww.avie-records.com%2Freleases%2Fbel-canto-paganini%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Lewis_2017-86"><span class="mw-cite-backlink"><b><a href="#cite_ref-Lewis_2017_86-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLewis2017" class="citation web cs1">Lewis, Leonne (May 25, 2017). <a rel="nofollow" class="external text" href="http://miroirsca.com/cd-notes-b/http://miroirsca.com/2017/8/29/new-post-title-3">"Rachel Barton Pine Plays Paganini Caprices"</a>. <i>Miroirs CA</i><span class="reference-accessdate">. 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January 5, 2018. Archived from <a rel="nofollow" class="external text" href="http://www.avie-records.com/releases/violin-concertos-3/">the original</a> on January 6, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 6,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Notes+for+Violin+Concertos&amp;rft.date=2018-01-05&amp;rft_id=http%3A%2F%2Fwww.avie-records.com%2Freleases%2Fviolin-concertos-3%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Farach-Colton2018-88"><span class="mw-cite-backlink"><b><a href="#cite_ref-Farach-Colton2018_88-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFarach-Colton2018" class="citation web cs1">Farach-Colton, A. 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Bach: The Sonatas for Violin &amp; Harpsichord</i>"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.cedillerecords.org/albums/j-s-bach-the-sonatas-for-violin-harpsichord">the original</a> on May 11, 2018.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Notes+for+J.S.+Bach%3A+The+Sonatas+for+Violin+%26+Harpsichord&amp;rft.date=2018-05-11&amp;rft.aulast=Vinikour&amp;rft.aufirst=Jory&amp;rft_id=http%3A%2F%2Fwww.cedillerecords.org%2Falbums%2Fj-s-bach-the-sonatas-for-violin-harpsichord&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Sanderson2018-90"><span class="mw-cite-backlink"><b><a href="#cite_ref-Sanderson2018_90-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSanderson2018" class="citation web cs1">Sanderson, B. 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Archived from <a rel="nofollow" class="external text" href="http://www.cedillerecords.org/albums/blues-dialogues-music-by-black-composers">the original</a> on December 14, 2018.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Liner+notes+essay%3A+The+Freedom+Call+of+the+Blues&amp;rft.date=2018-12-14&amp;rft.aulast=Clague&amp;rft.aufirst=Mark&amp;rft_id=http%3A%2F%2Fwww.cedillerecords.org%2Falbums%2Fblues-dialogues-music-by-black-composers&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Ritter2018-92"><span class="mw-cite-backlink"><b><a href="#cite_ref-Ritter2018_92-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRitter2018" class="citation web cs1">Ritter, S. (December 1, 2018). <a rel="nofollow" class="external text" href="https://www.audaud.com/blues-dialogues-rachel-barton-pine-violin-with-matthew-hagle-piano-cedille/">"Review"</a>. Audiophile Audition<span class="reference-accessdate">. Retrieved <span class="nowrap">December 14,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Review&amp;rft.pub=Audiophile+Audition&amp;rft.date=2018-12-01&amp;rft.aulast=Ritter&amp;rft.aufirst=S.&amp;rft_id=https%3A%2F%2Fwww.audaud.com%2Fblues-dialogues-rachel-barton-pine-violin-with-matthew-hagle-piano-cedille%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Dvořák_Khachaturian-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-Dvořák_Khachaturian_93-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20191103223213/http://www.avie-records.com/releases/dvorak-khachaturian-violin-concertos/">"Notes for <i>Violin Concertos</i>"</a>. November 1, 2019. Archived from <a rel="nofollow" class="external text" href="http://www.avie-records.com/releases/dvorak-khachaturian-violin-concertos/">the original</a> on November 3, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">November 3,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Notes+for+Violin+Concertos&amp;rft.date=2019-11-01&amp;rft_id=http%3A%2F%2Fwww.avie-records.com%2Freleases%2Fdvorak-khachaturian-violin-concertos%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> <li id="cite_note-Blumhofer2019-94"><span class="mw-cite-backlink"><b><a href="#cite_ref-Blumhofer2019_94-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlumhofer2019" class="citation web cs1">Blumhofer, J. (October 4, 2019). <a rel="nofollow" class="external text" href="https://artsfuse.org/189269/classical-cd-reviews-christian-tetzlaff-plays-beethoven-sibelius-rachel-barton-pine-takes-on-dvorak-khachaturian-and-wagners-siegfried/">"Classical CD Reviews: Rachel Barton Pine takes on Dvorak &amp; Khachaturian"</a>. <i>artsfuse.org</i>. <a href="/wiki/The_Arts_Fuse" title="The Arts Fuse">The Arts Fuse</a><span class="reference-accessdate">. Retrieved <span class="nowrap">December 23,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=artsfuse.org&amp;rft.atitle=Classical+CD+Reviews%3A+Rachel+Barton+Pine+takes+on+Dvorak+%26+Khachaturian&amp;rft.date=2019-10-04&amp;rft.aulast=Blumhofer&amp;rft.aufirst=J.&amp;rft_id=https%3A%2F%2Fartsfuse.org%2F189269%2Fclassical-cd-reviews-christian-tetzlaff-plays-beethoven-sibelius-rachel-barton-pine-takes-on-dvorak-khachaturian-and-wagners-siegfried%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ARachel+Barton+Pine" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rachel_Barton_Pine&amp;action=edit&amp;section=8" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="http://rachelbartonpine.com">Official website</a></span></span></li> <li><a rel="nofollow" class="external text" href="https://rachelbartonpine.com/category/tourdates/">Rachel Barton Pine's tour dates</a></li> <li><a rel="nofollow" class="external text" href="http://rachelbartonpine.libsyn.com/">Rachel Barton Pine's classical music podcast site</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20140101111831/http://violinsrule.libsyn.com/">Rachel Barton Pine's heavy metal podcast site</a></li> <li><a rel="nofollow" class="external text" href="https://www.rbpfoundation.org//">Rachel Barton Pine Foundation</a></li> <li><a rel="nofollow" class="external text" href="https://flickr.com/photos/rachelbartonpine/">Rachel Barton Pine's Flickr photo page</a></li> <li><a rel="nofollow" class="external text" href="http://triosettecento.com/about/">Trio Settecento's web site</a></li> <li><a rel="nofollow" class="external text" href="http://www.violinist.com/blog/RachelBartonPine/">Rachel Barton Pine's blog at Violinist.Com</a></li> <li>Violinist.Com interviews: <a rel="nofollow" class="external text" href="http://www.violinist.com/blog/laurie/20087/8903/">2008-07-29</a>, <a rel="nofollow" class="external text" href="http://www.violinist.com/blog/laurie/20099/10458/">2009-09-08</a>, <a rel="nofollow" class="external text" href="http://www.violinist.com/blog/laurie/201011/11863/">2010-11-30</a></li> <li>Interviews on the <a rel="nofollow" class="external text" href="http://www.violinist.com/blog/laurie/20089/9058/">Beethoven/Clement CD</a> (2008-09-09); <a rel="nofollow" class="external text" href="http://www.violinist.com/blog/laurie/20134/14605/">Violin Lullabies CD</a> (2013-04-25); <a rel="nofollow" class="external text" href="http://www.violinist.com/blog/laurie/201310/15127/">Mendelssohn/Schumann CD</a> (2013-10-23); <a rel="nofollow" class="external text" href="http://www.violinist.com/blog/laurie/20151/16540/">Mozart CD</a> (2015-01-30); <a rel="nofollow" class="external text" href="http://www.violinist.com/blog/laurie/20164/18462/">Bach CD</a> (2016-04-03); <a rel="nofollow" class="external text" href="http://www.violinist.com/blog/laurie/20176/21223/">Paganini CD</a> (2017-06-19)</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output 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href="https://isni.org/isni/0000000083356846">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/119657725">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/1534150/">FAST</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJw4y3FFc9QD8vX44JPbBP">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/134898338">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/no97036274">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb16591426r">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb16591426r">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&amp;local_base=aut&amp;ccl_term=ica=mzk2009517472&amp;CON_LNG=ENG">Czech Republic</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p324112939">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&amp;local_base=NLX10&amp;find_code=UID&amp;request=987007395200705171">Israel</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/786fbccf-559a-4779-b45b-be1a8b90da90">MusicBrainz</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w66t3zwb">SNAC</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.eqiad.main‐5dc468848‐4fr2m Cached time: 20241122143738 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 1.110 seconds Real time usage: 1.343 seconds Preprocessor visited node count: 5407/1000000 Post‐expand include size: 175942/2097152 bytes Template argument size: 2710/2097152 bytes Highest expansion depth: 14/100 Expensive parser 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