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term="Fehenberger Lorenz"/><category term="Felisaz Georges"/><category term="Fella Lucia"/><category term="Feltesse-Ocsombre Hélène"/><category term="Fenoyer Marinette"/><category term="Fer Victoria"/><category term="Ferlito Rosetta"/><category term="Ferluga Vida"/><category term="Fernández Guido"/><category term="Ferracuti Aldo"/><category term="Ferrani Cesira"/><category term="Ferrara Arturo"/><category term="Ferraris C."/><category term="Ferraris Ines-Maria"/><category term="Ferraris Teresina"/><category term="Ferrauto Augusto"/><category term="Ferretti Paolo"/><category term="Ferroni Luigi"/><category term="Ferval"/><category term="Feuge-Gleiss Emilie"/><category term="Fidesser Hans"/><category term="Figner Nikolai"/><category term="Figoriti Emilia"/><category term="Figuerola Manuel"/><category term="Finelli Benvenuto"/><category term="Finzi-Magrini Giuseppina"/><category term="Fischer-Ferry Leone"/><category term="Fischer-Niemann Carl"/><category term="Fitziu Anna"/><category term="Flamini Giuseppe"/><category term="Flanagan Willis James"/><category term="Fleischer Arthur"/><category term="Fleischer-Edel Katharina"/><category term="Floria Carmen"/><category term="Florjański Władysław"/><category term="Folco Bottaro Constantino"/><category term="Folescu Gheorghe"/><category term="Folgar Tino"/><category term="Fons Luisa"/><category term="Fontaine Charles"/><category term="Forest Frank"/><category term="Forgeur Ernest"/><category term="Formichi Cesare"/><category term="Formisano Ciro"/><category term="Forsell John"/><category term="Fort Luigi"/><category term="Forti Helena"/><category term="Forti Victor"/><category term="Fossetta Nicolò"/><category term="Fouchy Pierre"/><category term="Fouché Guy"/><category term="Fournets René"/><category term="Francell Fernand"/><category term="Franceschini Arturo"/><category term="Franchi Franca"/><category term="Franchi Nazzareno"/><category term="Franci Benvenuto"/><category term="Francillo-Kaufmann Hedwig 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CDR"/><category term="GERMAN TENOR JOSEF SCHÖFFEL (1881-1952) CDR"/><category term="GERMAN TENOR JULIUS LIEBAN (1857-1940) CDR"/><category term="GERMAN TENOR KARL MEISTER (1875-1945) CDR"/><category term="GERMAN TENOR KARL ZIEGLER (1886-1944) CDR"/><category term="GERMAN TENOR PAUL KÖTTER (1898-1974) CDR"/><category term="GIOVANNI MARTINELLI THE COMPLETE RECORDINGS 6 CDR"/><category term="GISELLA GROSZ WELTE-MIGNON PIANO ROLLS CDR"/><category term="GIUSEPPE BORGATTI THE COMPLETE RECORDINGS CDR"/><category term="GREAT PIANISTS PLAYS FOR WELTE-MIGNON PIANO ROLLS ULTRA RARE! 100 CDR"/><category term="GREEK TENOR NICOLA FILACURIDI (1920-2009) CDR"/><category term="GREEK TENOR THANOS FERENTINOS (1919-1993) CDR"/><category term="GREEK TENOR ZANNIS KAMBANIS (1908-1992) CDR"/><category term="Gabbi Adalgisa"/><category term="Gabor Arnold"/><category term="Gabrielesco Gregorio"/><category term="Gadski Johanna"/><category term="Gafni Miklos (Tenor) (Tiszacsege"/><category term="Gailhard Pierre"/><category term="Galan Ramona"/><category term="Galand Alfred"/><category term="Galbiero Gerolamo"/><category term="Galeffi Carlo (Baritone) (Malamocco 4 June 1884 – Roma 22 September 1961)"/><category term="Galeotti Oddo"/><category term="Gall Yvonne"/><category term="Galli Amleto"/><category term="Gallos Hermann"/><category term="Galperni Adamo"/><category term="Galvany Maria"/><category term="Gambardella Antonio"/><category term="Gandolfi Ettore"/><category term="Garavaglia Lina"/><category term="Garavello Augusto (Agostino)"/><category term="Garbin Edoardo"/><category term="Garcia Augusta"/><category term="Garcia Josè"/><category term="Garcia Rubio Carmen"/><category term="García Juan"/><category term="García Romero José"/><category term="Garelli Nina"/><category term="Gargiulo Assunta"/><category term="Garguilo Francesco"/><category term="Garibaldi Luisa"/><category term="Garrison Mabel"/><category term="Garrison Max"/><category term="Garrone Nelda"/><category term="Garulli Alfonso"/><category term="Garuti Giuseppe"/><category term="Gasparri Galileo"/><category term="Gatti Gabriella"/><category term="Gaudenzi Giuseppe"/><category term="Gaudin André"/><category term="Gauley Marie-Thérèse"/><category term="Gauthier Éva"/><category term="Gautier Jules"/><category term="Gay Maria"/><category term="Geisse-Winkel Nicola"/><category term="Gelli Antonio"/><category term="Genin Georges"/><category term="Geninatti M."/><category term="Gennari Oreste"/><category term="Gentile Maria"/><category term="Gentilini Amerigo"/><category term="Genzardi Giovanni"/><category term="Georgesco Moga"/><category term="Georgewsky Arnoldo"/><category term="Gerlach-Rusnack Rudolf"/><category term="Gerville-Réache Jeanne"/><category term="Ghasne Alexis"/><category term="Gherlinzoni Edgardo"/><category term="Ghirardini Emilio"/><category term="Giacchero Alessandro"/><category term="Giacomelli Ida"/><category term="Giacomello Anita"/><category term="Giana 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Rosa"/><category term="Grüning Wilhelm"/><category term="Grąbczewski Wiktor"/><category term="Guerrieri Olga"/><category term="Guglielmetti Anna-Maria"/><category term="Guicciardi Vincenzo"/><category term="Guillamat Paul"/><category term="Guillon-Brasseur"/><category term="Guiraudon Julia"/><category term="Gulbranson Ellen"/><category term="Guszalewicz Alice"/><category term="Guszalewicz Eugene"/><category term="Gutheil-Schoder Marie"/><category term="Guyla Jeanne"/><category term="Guénot Louis"/><category term="Gábor József"/><category term="Génio Marcel"/><category term="Günther Carl"/><category term="Günther-Braun Walter"/><category term="HINA SPANI THE COMPLETE HMV RECORDINGS CDR"/><category term="HUGO POPPER WELTE-MIGNON PIANO ROLLS CDR"/><category term="HUNGARIAN VIOLINIST ALFRED INDIG CDR"/><category term="Haberl Benno"/><category term="Habich Eduard"/><category term="Hackett Charles"/><category term="Hadwiger Alois"/><category term="Hafgren-Waag Lilly"/><category term="Haller 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term="Hoffmann Baptist (Baritone) (Garitz 1864 - Garitz 1937)"/><category term="Homer Louise"/><category term="Horvat Anka"/><category term="Hoza Štefan"/><category term="Hrzic Drago"/><category term="Huc-Santana André"/><category term="Huguet Giuseppina"/><category term="Hungary 1923. 05. 28 – Queens"/><category term="Hunold Erich"/><category term="Hutt Robert"/><category term="Hybbinette Samuel"/><category term="Hyde Walter"/><category term="Héglon Meyriane"/><category term="Høeberg Albert"/><category term="Hübner Roman"/><category term="IGNACY JAN PADEREWSKI WELTE-MIGNON PIANO ROLLS VOL. 2 CDR"/><category term="IGNAZ FRIEDMAN DUO-ART PIANO ROLLS VOL. 2 CDR"/><category term="IMPERIAL RUSSIAN OPERA SINGERS SINGS WAGNER CD"/><category term="ITALIAN BARITONE ALFREDO COSTA (1874-1913) VOL. 1 CDR"/><category term="ITALIAN BARITONE ALFREDO COSTA (1874-1913) VOL. 2 CDR"/><category term="ITALIAN BARITONE ANAFESTO ROSSI (1883-1933) CDR"/><category term="ITALIAN BARITONE ANGELO PILOTTO 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(1874-1916) CDR"/><category term="ITALIAN BARITONE ROBERTO JANNI CDR"/><category term="ITALIAN BARITONE TIESTE WILMANT (1859-1937) CDR"/><category term="ITALIAN BARITONE TOMMASO MEDICA CDR"/><category term="ITALIAN BASS GAUDIO MANSUETO (1873-1941) CDR"/><category term="ITALIAN BASS MARIO SPOTO CDR"/><category term="ITALIAN BASS PIETRO FRIGGI CDR"/><category term="ITALIAN CONTRALTO GUERRINA FABBRI THE COMPLETE RECORDINGS CDR"/><category term="ITALIAN MEZZO-SOPRANO ANNA GRAMEGNA (1880-1965) CDR"/><category term="ITALIAN MEZZO-SOPRANO BICE LUCCHINI CDR"/><category term="ITALIAN MEZZO-SOPRANO ELENA LUCCI CDR"/><category term="ITALIAN MEZZO-SOPRANO ELISA MATTIUZZI (1859-1938) CDR"/><category term="ITALIAN MEZZO-SOPRANO EMMA LONGHI CDR"/><category term="ITALIAN MEZZO-SOPRANO EMMA ZACCARIA CDR"/><category term="ITALIAN MEZZO-SOPRANO EUGENIA LOPEZ NUÑES (1883-1946) CDR"/><category term="ITALIAN MEZZO-SOPRANO GIULIA MARTINENGO (1875-1959) CDR"/><category term="ITALIAN MEZZO-SOPRANO LINA LANZA (1898-1974) CDR"/><category term="ITALIAN MEZZO-SOPRANO LINA TOMEZZOLI CDR"/><category term="ITALIAN SOPRANO ADALGISA BALDI (1879-1945) CDR"/><category term="ITALIAN SOPRANO AMELIA ARMOLLI CDR"/><category term="ITALIAN SOPRANO AMELIA CANUTI BILLI CDR"/><category term="ITALIAN SOPRANO AMELIA KAROLA (1875-1925) CDR"/><category term="ITALIAN SOPRANO ANGELICA PANDOLFINI THE COMPLETE RECORDINGS CDR"/><category term="ITALIAN SOPRANO ANITA BARBARANI CDR"/><category term="ITALIAN SOPRANO BRUNA DRAGONI (1897-1962) CDR"/><category term="ITALIAN SOPRANO ELVIRA GALASSI DI LORENZO (1883-1954) CDR"/><category term="ITALIAN SOPRANO EMMA GIANSONE CDR"/><category term="ITALIAN SOPRANO EMMA VECLA (1877-1972) CDR"/><category term="ITALIAN SOPRANO FRANCISCA SOLARI (1881-1969) CDR"/><category term="ITALIAN SOPRANO GIORGINA CAPRILE (1877-1951) CDR"/><category term="ITALIAN SOPRANO GIULIETTA WERMEZ THE COMPLETE ZONOPHONE RECORDINGS CDR"/><category term="ITALIAN SOPRANO INES CITTI LIPPI (1870-1917) 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CDR"/><category term="ITALIAN SOPRANO OLGA SIMZIS CDR"/><category term="ITALIAN SOPRANO ROSINA ZOTTI (1883-1973) CDR"/><category term="ITALIAN SOPRANO SERAFINA SCALFARO CDR"/><category term="ITALIAN SOPRANO TINA DESANA (1885-1979) CDR"/><category term="ITALIAN SOPRANO ULDERICA PERSICHINI CDR"/><category term="ITALIAN SOPRANO ZORAIDE SARZANINI CDR"/><category term="ITALIAN TENOR ALESSANDRO DOLCI (1890-1954) CDR"/><category term="ITALIAN TENOR ALESSANDRO RAVAZZOLO (1870-1948) CDR"/><category term="ITALIAN TENOR ALESSANDRO SCALABRINI CDR"/><category term="ITALIAN TENOR ALFREDO BRAGLIA CDR"/><category term="ITALIAN TENOR ALFREDO CANTARELLI CDR"/><category term="ITALIAN TENOR ALFREDO TEDESCHI (1882-1957) CDR"/><category term="ITALIAN TENOR ALMERICO STAMPANONI CDR"/><category term="ITALIAN TENOR ANTONIO FASSINO (1874-1913) CDR"/><category term="ITALIAN TENOR ARISTIDE MOLTENI CDR"/><category term="ITALIAN TENOR ATTILIO BARBIERI (1896-1967) CDR"/><category term="ITALIAN TENOR AUGUSTO BARBAINI 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Carl"/><category term="KARL JÖRN 1903-1905 G&amp;T RECORDINGS CDR"/><category term="KARL JÖRN 1903-1905 ZONOPHONE RECORDINGS CDR"/><category term="KARL JÖRN 1904-1916 EDISON RECORDINGS CDR"/><category term="KARL JÖRN 1906-1909 G&amp;T RECORDINGS 2 CDR"/><category term="KARL JÖRN 1910-1911 GRAMOPHONE RECORDINGS CDR"/><category term="KARL JÖRN 1913-1914 GRAMOPHONE RECORDINGS CDR"/><category term="KARL JÖRN 1915-1917 COLUMBIA RECORDINGS CDR"/><category term="Kachenovsky Alexander"/><category term="Kaisin Franz"/><category term="Kaktins Adolf"/><category term="Kalenberg Josef"/><category term="Kamionsky Oscar"/><category term="Kanshin Aleksei"/><category term="Karakash Mikhail"/><category term="Karavya Vladimir"/><category term="Karenzin Alexander"/><category term="Karle Theo"/><category term="Karzhevin Nikolai"/><category term="Kaschmann Giuseppe"/><category term="Kaschowska Felicie"/><category term="Kastorsky Vladimir"/><category term="Katulskaya Elena"/><category term="Kaufmann 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Giuseppe"/><category term="Labia Fausta"/><category term="Labia Maria"/><category term="Labinsky Andrey"/><category term="Lafarge Emmanuel"/><category term="Lafargue Marie"/><category term="Laffitte Leon"/><category term="Lafont Julien"/><category term="Lagares Rafael"/><category term="Lahnemann Otto"/><category term="Laholm Eyvind"/><category term="Lais Maria"/><category term="Lamont Forrest"/><category term="Lamy Pierre"/><category term="Landi Bruno"/><category term="Landouzy Lise"/><category term="Lang Karl"/><category term="Langendorff Frieda"/><category term="Lankow Edward"/><category term="Lantéri Paul"/><category term="Lanzirotti Carmelo"/><category term="Lanzoni Agostino"/><category term="Lapelletrie René"/><category term="Lapeyrette Ketty"/><category term="Lappas Ulysses"/><category term="Lara Pietro"/><category term="Larsén-Todsen Nanny"/><category term="Lassalle Jean"/><category term="Lassalle Robert"/><category term="Latorre Francisco"/><category term="Lattuada 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08)"/><category term="Ney Dávid"/><category term="Nezhdanova Antonina"/><category term="Nicolaus Max"/><category term="Nicoletti Kormann Luigi"/><category term="Niggemeier Heinrich"/><category term="Nikitina Galina"/><category term="Nirès"/><category term="Nissen Helge"/><category term="Nivette Juste"/><category term="Noble Dennis"/><category term="Noldi Helene"/><category term="Noort Henk"/><category term="Norbert Karl"/><category term="Noré Georges"/><category term="Nosilova Yulia"/><category term="Notariello Antonio"/><category term="Noto Giuseppe"/><category term="Noté Jean"/><category term="Nougaro Pierre"/><category term="Noval Thorkild"/><category term="Novelli Giovanni"/><category term="Novelli Virginia"/><category term="Nucelly (Nucelli) Louis"/><category term="Nugnez Emanuel (Manuel Nuñez)"/><category term="Nuibo (Augustin) Francisco"/><category term="Nyblom Sven"/><category term="Nyström-Strandberg Ebba"/><category term="Nørby Einar"/><category term="O&#39;Mara 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He was educated at home in Melbourne by his mother. He studied piano with Louis Pabst in that city and later went to Frankfurt, where he attended the conservatory. He achieved a reputation as a brilliant concert pianist beginning in London in 1901. In 1906 Grainger became a friend of Edvard Grieg, under whose influence he began collecting and recording English folk songs by means of wax-cylinder phonographs. He settled in the United States in 1914, performing for a few years with a U.S. Army band. Grainger was deeply affected by the suicide of his mother in 1922. He returned to Australia alone in 1924 and toured there as a pianist in 1926 and again in 1934–35. In 1932–33 he was head of the music department of New York University. In 1935 he founded the Grainger Museum at Melbourne, a museum of Australian music where much of his own work and some of his artifacts are preserved. Grainger was heavily influenced by English folk music, which he arranged for keyboard instruments, chamber ensembles, and both solo voice and chorus. He is probably best remembered for Country Gardens and for the orchestral work Molly on the Shore. Other orchestral works are Shepherd’s Hey and Mock Morris. In his chamber works, notably the two Hill Songs for 23 and 24 solo instruments, he experimented with novel rhythmic and structural forms.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Grieg Cadenza from 1st movement of Concerto in A minor Op 16 Gramophone (8394e) 5070 1908&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Liszt Hungarian Rhapsody No 12 2nd half Gramophone (2467f) 05503 1908&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Stanford-Grainger A March-Jig ‘Maguire’s Kick from Four Irish Dances Gramophone (8393e) 5509 1908&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Grainger Shepherd’s Hey ak18043e 5581 HMV 1914&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Grainger Mock Morris al80331 05558 HMV 1914&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Debussy Pour Le Piano – 3. Toccata In C Sharp Minor al80341 05554 HMV 1914&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Handel-Grainger Water Music – Hornpipe Columbia 81588-4 30010-D 1924&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gluck-Brahms Gavotte from Iphigenie en Aulide Columbia 33001-D 81299-2&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Chopin Waltz In A Flat, Op. 42 Columbia A6027 49281 1917&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Chopin 24 Preludes, Op. 28 – #17 In A Flat Allegretto Columbia A6060 49441 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Chopin 24 Preludes, Op. 28 – #17 In A Flat Allegretto(1) Columbia A6060 49441 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Chopin Polonaise In A Flat, Op. 53 (Abridged) Columbia A6027 49296 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Chopin Scherzo #2 In B Flat Minor, Op. 31 (Abridged) Columbia 30019-D, 30019-D, 81582, 81583 1924&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Schumann Fantasiestu¨cke, piano, op. 12. Nr. 3, Warum Columbia 30010-D 81587 1924&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Liszt Rhapsodies hongroises. No 2 Columbia A6000 49243 1917&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Liszt Rhapsodies hongroises. No 12 Part I, Part II Columbia A6161 49750, A6161 49751 1920&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Liszt Rhapsodies hongroises. No 15 Rakoczy march Columbia Unpubl., 98033 1922&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Liszt Polonaises, piano, no. 2, E major Part I, Part II Columbia A6205, A6205, 98000, 98001 1921&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Fantasie über ungarische Volksmelodien Liszt Part I, Part II Columbia A6115 49561, A6115 49562 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Liebesträume, piano. Nr. 3 (Liszt) Columbia A6217 49999 1921&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Lieder, op. 49. Wiegenlied (Brahms) Columbia A3685 80487 1922&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Valse in A-flat Op. 39 No. 45 (Brahms) Columbia A6145 49749 1920&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Juba dance (Dett) Columbia A6145 49749 1920&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Turkey in the straw (Guion) Columbia A3381 79715 1921&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Woodland sketches To a water lily (MacDowell) Columbia 30006-D 81298 1923&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Voices of spring, op. 32, No. 3 Rustle of spring (Sinding) Columbia 33026-D 81324 1923&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Polnische Tänze, op. 2. No. 1 (Scharwenka) Columbia A6128 49639 1919&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Paraphrase on Tchaikovsky’s Flower-waltz (Greinger) Columbia A6192 49295 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Paraphrase on Tchaikovsky’s Flower-waltz (Greinger) Columbia L-1386 49295 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Children’s corner Golliwogg’s cake-walk (Debussy) Columbia 183-M 81323 1923&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Wedding day at Troldhaugen (Grieg) Columbia A6192 49929 1921&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Norwegian bridal procession (Grieg) Columbia L1386 49249 1917&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Norwegian bridal procession (Grieg) Columbia A6217 49933 1921&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;To the springtime (Grieg) Columbia A6128 49640 1919&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;One more day, my John (Sailor’s chanty) (Grieg) Columbia A6128 49640 1919&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Spoon River American folk song (arr. Greinger) Columbia A3685 80488 1922&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Molly on the shore (Greinger) Columbia A6145 49748 1920&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Country gardens (Greinger) Columbia A6060 49442 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Shepherd’s hey (Greinger) Columbia A6060 49442 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Country gardens (Greinger) Columbia A6060 49442 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Shepherd’s hey (Greinger) Columbia A6060 49442 1918&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;The gum-suckers march (Greinger) Columbia A3381 79716 1921&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Toccata and fugue in D minor for organ (1st half), (Completion) (Bach-Busoni-Tausig-Greinger) Columbia 68003-D W98743, 68003-D, W98744 1931&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Prelude and fugue in A minor for organ (Bach-Liszt) Part 1, Part 2, Part 3 Columbia 68004-D, 68004-D, 68005-D, W98745, W98746, W98747 1931&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Fantasia and fugue in G minor for organ (Bach-Liszt) Part 1, Part 2, Part 3 Columbia 68005-D, 68005-D, 68006-D, W98747, W98748, W98749 1931&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 2 in G minor (Schumann)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;So rasch wie möglich&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Andantino (Getragen)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Scherzo (Sehr rasch und markiert)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rondo (Presto)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Columbia W98353, W98354, W98355, W98356, 67509/10 1927&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Etudes symphoniques Op. 13 (Schumann)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Theme Andante&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Variation I Un poco più vivo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Variation II&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Etude III Vivace&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Variation III&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Variation IV&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Variation V&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Variation VI Allegro molto&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Variation VII&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Etude IX Presto possibile&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Variation VIII&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Variation IX&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Finale Allegro brillante&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Columbia W98507, W98508, W98540, W98541, W98542, 64506/8-D 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Romance in F-sharp major (Schumann) Columbia 67508-D W98543 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Liebestraum (Liszt) Columbia 7134-M W98357 1927&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 2 in B-flat minor Op. 35 (Chopin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Grave; Doppio movimento&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Scherzo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Marcia funebre&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Presto&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Columbia W98593, W98594, W98595, W98596, W98597, 67603/5-D 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 3 in B minor Op. 58 (Chopin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Allegro maestoso&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Scherzo Molto vivace&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Largo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Finale Presto non tanto&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Columbia W98177, W98178, W98179, W98180, W98181, W98182, 67158/60-D 1925&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Prelude Op. 28. No. 17 (Chopin) Columbia L1805 W98249 1926&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Etude Op. 25. No. 10 (Chopin) Columbia 67605-D W98598 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Etude Op. 25. No. 12 (Chopin) Columbia 7109-M W98245 1926&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Waltz in A flat major (Brahms) Columbia 7109-M W98245 1926&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Wedding day at Troldhaugen (Grieg) Columbia 7150-M W98359 1927&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;To spring (Grieg) Columbia 7150-M W98358 1927&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;One more day, my John (Grieg) Columbia 7150-M W98358 1927&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Claire de lune (Debussy) Columbia 7124-M W98246 1926&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Toccata, C-sharp minor (Debussy) Columbia 7124-M W98248 1926&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sheep and goat walkin’ to the pasture (Bach) Columbia 7134-M W98251 1926&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gigue from Partita No. 1 in B flat major (Bach) Columbia 7134-M W98251 1926&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 3 in F minor Op. 5 (Brahms)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Allegro Maestoso&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Andante Espressivo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Scherzo Allegro energico&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Intermezzo Andante molto&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Finale Allegro moderato ma rubato&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Columbia W98217- W98224, 67813/6-D 1926&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Cradle song (Brahms) Columbia 2057-M W144206 1927&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ramble on Bach’s aria, “Sheep may graze in safety” (Grainger) Columbia 68006-D W98750 1931&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ramble on love (Grainger) Part I, Part II Columbia 1898-D, 1898-D, W147871, W147872 1929&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Molly on the shore (Grainger) Columbia 2057-M W144246 1927&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Country gardens (Grainger) Columbia 154-M W144205 1927&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Shepherd’s hey (Grainger) Columbia 154-M W144204 1927&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Jutish medley Part I, Part II (Grainger) Columbia 50129-D, 50129-D, W98613, W98614 1929&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Molly on the shore (Grainger) Decca 24158 72821 1945&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Irish tune from County Derry (Grainger) Decca 24158 73055 1945&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Country gardens (Grainger) Decca 24159 73071 1945&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;One more day, my John (Grainger) Decca 24159 73071 1945&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Juba dance Excerpt from In the Bottoms (Dett) Decca 24159 73059 1945&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Prelude: Night from In the Bottoms (Dett) Decca 24159 73059 1945&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Lento from Pierrot Pieces (Scott) Decca 24160 72807 1945&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Danse negre (Scott) Decca 24160 73059 1945&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Cherry Ripe (Scott) Decca 24160 73059 1945&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;5661 DUO-ART GRAINGER – Shepherd’s Hey (British Folk-Music Settings – No. 4)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;5666 DUO-ART GRAINGER – Colonial Song – from “Sentimentals”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;5712 DUO-ART GRAINGER – Sussex Mummers’ Christmas Carol (British Folk Music Sets)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;5735 DUO-ART GRAINGER – Walking Tune&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;5838 DUO-ART GRAINGER – March-Jig Maguire’s Kick (Four Irish Dances)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6030 DUO-ART GRAINGER – One More Day, My John (Sea Chanty Settings – No. 1)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6059 DUO-ART GRAINGER – “In a Nutshell” Suite – No. 4 Gum-Suckers’ March&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6072 DUO-ART GRAINGER – “In a Nutshell” Suite – No. 3 Gay, but Wistful&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6117 DUO-ART STANFORD-GRAINGER – Reel (4 Irish Dances – No. 4)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6149 DUO-ART GRAINGER – Country Gardens (British Folk Settings – No. 22)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6284 DUO-ART GRAINGER – Molly on the Shore&amp;nbsp; (British Folk Settings)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6368 DUO-ART GRAINGER – Children’s March.&amp;nbsp; Arr. Two Pianos&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6409 DUO-ART DEBUSSY – Suite “Pour le piano” – No. 3 Toccata&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6444 DUO-ART TRAD.-GUION -Turkey in the Straw (Cowboys and Old Fiddlers’ Breakdown) Percy Grainger&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6522 DUO-ART&amp;nbsp; GRIEG -”Peer Gynt”, Op. 46, No. 1 Morning Mood&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6522 DUO-ART GRIEG -”Peer Gynt”, Op. 46, No. 3 Anitra’s Dance&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6530 DUO-ART GRIEG – “Peer Gynt”, Op. 46, No. 4 Hall of Mountain King&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6530 DUO-ART GRIEG – “Peer Gynt”, Op. 46, Nos. 2 Aase’s Death&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6572 DUO-ART STANFORD-GRAINGER – 4 Irish Dances, Op. 79, No. 3 Leprechaun’s Dance&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6617 DUO-ART TRAD.-GRAINGER – Spoon River (American Folk Settings – No. l)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6798 DUO-ART The Nutcracker Suite, Op. 71a; II. a. March&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6798 DUO-ART The Nutcracker Suite, Op. 71a; II. b. Dance of the Sugar Plum Fairy&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6798 DUO-ART The Nutcracker Suite, Op. 71a; II. c. Russian Dance&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6810 DUO-ART The Nutcracker Suite, Op. 71a; II. d. Arab Dance&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6810 DUO-ART&amp;nbsp; The Nutcracker Suite, Op. 71a; II. e. Chinese Dance&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6810 DUO-ART&amp;nbsp; The Nutcracker Suite, Op. 71a; II. f. Dance of the Flutes&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6824 DUO-ART GRAINGER – Zanzibar Boat Song&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6859, 6868 DUO-ART&amp;nbsp; SCHUMANN – Symphonic Etudes, Op. 13. Part I, Part II&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;6931 DUO-ART FAURE-GRAINGER – Nell, Op. 18, No. 1 “Free SettingsFavorite Melodies”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7083 DUO-ART GUION-GRAINGER – Sheep and Goat “Walkin to the Pasture”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7217 DUO-ART SCOTT – Lotus Land, Op. 47, No. l&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7252 DUO-ART SCOTT – “Two Pierrot Pieces”, Op. 35, No. 1 Lento&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7274 DUO-ART GRAINGER – Jutish Medley – “Danish Folk Settings” – No. 8&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7377 DUO-ART GRIEG – Norweigan Folk Songs in D Major, Op. 66; I. Kulok&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7377 DUO-ART GRIEG – Norweigan Folk Songs in G Minor, Op. 66; II. Brurelat&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7377 DUO-ART GRIEG – Norweigan Folk Songs, Op. 66; X. Morgo ska du fa gifte deg&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7377 DUO-ART GRIEG – Norweigan Folk Songs, Op. 66; XIV. I Ola dalom, I Ola-kjonn&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7377 DUO-ART GRIEG – Norweigan Folk Songs, Op. 66; XVI. Ho vesle Astrid var&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7377 DUO-ART GRIEG – Norweigan Folk Songs, Op. 66; XVIII. Jeg gar I tusen tanker&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;HAZLTJ5KB7F4J&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;AUSTRALIAN PIANIST PERCY GRAINGER (1882-1961) 8 CDR&quot;/&gt; AUSTRALIAN PIANIST PERCY GRAINGER (1882-1961) 8 CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 120$&quot;&gt; PRICE: 120$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 30$&quot;&gt; SHIPPING COST: 30$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/4800247035785654421/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/australian-pianist-percy-grainger-1882.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4800247035785654421'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4800247035785654421'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/australian-pianist-percy-grainger-1882.html' title='AUSTRALIAN PIANIST PERCY GRAINGER (1882-1961) 8 CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeLXdsFHkARuIQ_aCP7SCb6zASrs61pjsxnnME0R7uqwo26CPhvy9qhISqz8ESGJwXdQ9FU0qqti9jWbeZbEZXrtzTXyfZ_ttJBZSgmGuLnpx3Rl5ZOLKi4vkQ31WQ_OH097uyZYdzV6wAeYU90KX_m8pZGHWcHwJ9YjkrdQmCgYPLIISIgoSKvlUbHH4/s72-c/PERCY%20GRAINGER.webp" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-4027221607072505420</id><published>2025-02-24T21:05:00.001+04:00</published><updated>2025-02-24T21:14:05.052+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="AUSTRALIAN PIANIST WILLIAM MURDOCH (1888-1942) 5 CDR"/><title type='text'>AUSTRALIAN PIANIST WILLIAM MURDOCH (1888-1942) 5 CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA03W-FpTmN_9MDHAxegolnyRLORMRlXMGVh7W01lunCvcJN4pVbZIX3RMuNq_xIcuLvJr8BUR5G02LNTKSy-pMvA0JpEsATl_dcLU3AnQhSqEuBES7mkzTN19LLUL5WbYkApNbRsmTRvoXPvkDSi9PlwroJAHuaJ5oRqo_8xFM4wnvB1TznO-hUVf_Sg/s745/WILLIAM%20MURDOCH.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;745&quot; data-original-width=&quot;654&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA03W-FpTmN_9MDHAxegolnyRLORMRlXMGVh7W01lunCvcJN4pVbZIX3RMuNq_xIcuLvJr8BUR5G02LNTKSy-pMvA0JpEsATl_dcLU3AnQhSqEuBES7mkzTN19LLUL5WbYkApNbRsmTRvoXPvkDSi9PlwroJAHuaJ5oRqo_8xFM4wnvB1TznO-hUVf_Sg/s320/WILLIAM%20MURDOCH.jpg&quot; width=&quot;281&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;WILLIAM MURDOCH (FEBRUARY 10, 1888 – SANDHURST (BENDIGO), VICTORIA, AUSTRALIA – SEPTEMBER 9, 1942 – HOLMBURY ST MARY, SURREY, ENGLAND)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He was born at Sandhurst (now Bendigo, Victoria), the son of Andrew Murdoch, an engineer, and his wife Annie, née Esler. At 11 years of age William began piano lessons and soon won several solo competitions. In 1903 he was awarded the first Bendigo Austral Scholarship. This entitled him to three years’ tuition at the University of Melbourne Conservatorium of Music, where he continued his studies under William Adolphus Laver, later Ormond Professor of Music. In 1906 Murdoch won the (Sir William John) Clarke Scholarship, which entitled him to three years’ tuition at the Royal College of Music, London. As the scholarship was not large enough to fully provide for the young man, it was agreed that he should receive the balance of his Austral Scholarship, and a further amount was raised from a concert and subscriptions at Bendigo. Murdoch spent four happy years at the London college and made great progress, under the guidance of Danish pianist and teacher, Frits Hartvigson. Murdoch’s first public recital at London towards the end of 1910 was very successful, and in 1912 he toured Australia with Louise Kirkby Lunn. He remained there in 1913 and toured with Dame Clara Butt and Kennerley Rumford. He was now a fine player with a sparkling technique, especially successful in his interpretation of the work of Chopin and Debussy. He toured the US and Canada during 1914, and for some time was with the band of the Grenadier Guards in France during the war. On 5 August 1915 Murdoch married Ellen Josephine Tuckfield in London. Murdoch gave recitals in Scandinavia in 1918 and in the following year began his long association with the violinist Albert Sammons, which developed into the formation of the “Chamber Music Players”. These two with Lionel Tertis and Lauri Kennedy did some remarkable ensemble playing. In 1919 he participated in the premieres of Sir Edward Elgar’s Violin Sonata in E minor and Piano Quintet in A minor. Murdoch’s first wife, Ellen Josephine Tuckfield, died; he subsequently married divorcee Dorothy Violet Lang, née Mascall, on 21 March 1921, and after she divorced him, married Antonia Dorothea Meek, née Simon, on 25 November 1925. Murdoch contributed the article on “Pianoforte Music from 1880” to A Dictionary of Modern Music and Musicians, published in 1924, and in 1929 he again visited Australia and toured with Harold Williams. In 1933 Murdoch published a volume on Brahms, in which he analysed all his work for the piano, and in 1934 appeared Chopin: His Life, an interesting record which made use of much new material. He had intended to include a comprehensive study of Chopin’s works in a later volume, but this had not appeared when Murdoch died at Holmbury St Mary, Surrey, on 9 September 1942. Murdoch left a widow, two sons and two daughters.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3 Marches militaires, Op. 51, D. 733- No. 1 in D Major (Schubert-Tausig) Columbia 9273 WAX 2599, WAX 2600&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3 Romanzen, Op. 28 No. 2 in F-Sharp Minor (Schumann) Columbia L2159 WAX 2612&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4 Piezas españolas (Excerpts) No. 2, Cubana (de Falla) Columbia L1707 WAX 1164&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4 Piezas españolas (Excerpts) No. 4, Andaluza (de Falla) Columbia D1549 WA 2614&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;10 Preludes, Op. 23- No. 5 in G Minor (Rachmaninoff) Columbia DX244 CAX 5614&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;12 Lieder von Franz Schubert, S. 558 No. 9, Ständchen von Shakespeare (After Schubert’s D. 889) Columbia D1549 WA 2843&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;13 Preludes, Op. 32 No. 12 in G-Sharp Minor (Rachmaninoff) Columbia 5167 WRA&amp;nbsp; 5279&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;16 Waltzes, Op. 39 No. 15 in A-Flat Major (Version for Solo Piano) (Brahms) Columbia 9274 WAX 2592&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ballade No. 3 in A-Flat Major, Op. 47 (Chopin) Columbia L 1952 WAX 2620, WAX 2621&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Berceuse in D-Flat Major, Op. 57 (Chopin) Columbia L2159 WAX 1444&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Dew Fairies (Dunhill) Columbia 4948 WA 7489&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Etudes, Op. 25- No. 1 in A-Flat Major ‘Aeolian Harp’ (Chopin) Columbia D1567 WA 2844&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Grandes études de Paganini, S. 141 No. 3, La campanella (After Paganini’s Op. 7) (Paganini-Liszt) Columbia DB8171 WA 10358, WA 10359&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Humoresques de concert, Op. 14 No. 1, Minuet in G Major (Paderewski) Columbia 9372 WAX 2594&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Hungarian Rhapsody No. 12 in C-Sharp Minor, S. 244 (Liszt) Columbia 9282 WAX 2597, WAX 2598&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Iberia, B. 47, Book 1- No. 2, El puerto (Albeniz) Columbia L1707 WAX 1166&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Intermezzo in E flat Op. 117, No. 1 (Brahms) Decca K. 698 GA. 5347 A&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Kuolema, Op. 44- II. Valse triste (Arr. for Piano Solo) (Sibelius) Columbia DX314 WAX 6226&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Le bal poudre, Op. 54 (Morgan) Columbia 4946 WA 7478&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Legend (Markham Lee) Columbia 4948 WA 7475&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Liebesträume, S. 541 No. 3, Oh Lieb, so lang du lieben kannst (After S. 298) (Liszt) Columbia 9274 WAX 2602&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Miniature Scherzo (Carse) Columbia 4949 WA 7488&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Morceaux de fantaisie, Op. 3 II. Prelude in C-Sharp Minor ‘The Bells of Moscow’ (Rachmaninoff) Columbia L1815 WAX 1445&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Morceaux de fantaisie, Op. 3 II. Prelude in C-Sharp Minor ‘The Bells of Moscow’ (Rachmaninoff) Columbia DX244 CAX 5613&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Nocturne Op 27, No. 1 in C sharp Minor (Chopin) K. 691 GA. 5330 B&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonatina III. Rondo Ritmico, non troppo allegro (Ireland) Columbia 4944 7485&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Preludes, Book 1, L. 117 No. 5, Les collines d’Anacapri (Debussy) Columbia D1535 WA 2616&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Preludes, Book 1, L. 117 No. 12, Minstrels (Debussy) Columbia 5167 WRA 5278&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Preludes, Book 2, L. 123 No. 5, Bruyères&amp;nbsp; (Debussy) Columbia D1535 WA 2615&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Primrose Mount (Dyson) Columbia 4945 WA 7486&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Reverie in B Major, Op. 86 (Bowen) Columbia 4944 WA 7479, WA 7485&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rhapsody in E flat Op. 119, No. 4 (Brahms) Decca K. 698 GA. 5346 A&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Scenes of Country Life, Op. 19 No. 2, Norwegian Bridal Procession (Grieg) Columbia DX314 WAX6229&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Serenata (Swinstead) Columbia 4946 WA 7477&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Songs Without Words No. 22 in F Major and No. 47 in A Major (Mendelssohn) Decca K. 691 GA. 5329 A&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Songs Without Words, Book 3, Op. 38 No. 6 in A-Flat Major, MWV U 119 ‘Duetto’ (Mendelssohn) Columbia 9372 WAX 2591&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Songs Without Words, Book 5, Op. 62 No. 6 in A Major, MWV U 161 ‘Spring Song’ (Mendelssohn) Columbia 9274 WAX 2592&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sun and Shade (Walthew) Columbia 4949 WA 7476&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;The Harmonious Blacksmith (Handel) Decca K. 682 GA. 4988 A&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;The Rambling Sailor (Rowley) Columbia 4947 WA 7569&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Wachet auf, ruft uns die Stimme, BWV 645 (Arr. F. Busoni for Piano Solo) (Bach – Busoni) Columbia L1815 WAX 1165&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Waltz in G-Flat Major Op. 70, No.1 and Waltz in D-Flat Major Op. 64, No. 1 (Chopin) Decca K. 682 GA. 4989 B&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Waltzes, Op. 34- No. 3 in F Major (Chopin) Columbia D1567 WA2845&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata, Op.82, I. Allegro Risoluto (Elgar) with Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata, Op.82, II. Romance Andante (Elgar) with Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata, Op.82, III. Allegro non troppo (Elgar) with Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Columbia LX 8163-LX 8165 (matrices: CAX 7421-6)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Bourrée, Op.12 (Elgar) with Albert Sammons (violin) Columbia 9484 WAX 1889&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 8 in C Minor, Op. 13 ‘Pathétique’ I. Grave – Allegro di molto e con brio&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 8 in C Minor, Op. 13 ‘Pathétique’ II. Adagio cantabile&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 8 in C Minor, Op. 13 ‘Pathétique’ III. Rondo. Allegro&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Columbia L1849/L1850, WRAX 2014, 2015, 2016, 2017&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 23 in F Minor, Op. 57 ‘Appassionata’ I. Allegro assai&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 23 in F Minor, Op. 57 ‘Appassionata’ II. Andante con moto&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No. 23 in F Minor, Op. 57 ‘Appassionata’ III. Allegro ma non troppo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Columbia L1906/8 WAX 2367, 2368, 2369, 2370, 2375, 2376&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sonata No. 2 in A minor (Ireland) Part 1 Allegro with Albert Sammons (violin)Columbia AX81 L 1322&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sonata No. 2 in A minor (Ireland) Part 2 Poco lento quasi Adagio Albert Sammons (violin) Columbia AX82 L 1322&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sonata No. 2 in A minor (Ireland) Part 3 Poco lento quasi Adagio Part 2 Albert Sammons (violin)Columbia AX83 L 1323&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sonata No. 2 in A minor (Ireland) Part 4 Moderato con brio Albert Sammons (violin)Columbia AX 84 L 1323&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio In B Flat Major, Op. 97, Archduke (Beethoven) with Arthur Catterall (violin) Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Part 1 Pezzo Elegiaco with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1942 AX2311&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Part 2 Pezzo Elegiaco with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1942 AX2312&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Part 3 Pezzo Elegiaco with Arthur Catterall (violin) and Albert Sammons (violin)Columbia L1943 WRAX2313&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Part 4 Pezzo Elegiaco with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1943 AX2314&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Part 5 Pezzo Elegiaco concluded with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1944 AX2315&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Tema con variazione Part 1 with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1944 AX2316&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Tema con variazione Part 2 with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1945 AX2317&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Tema con variazione Part 3 with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1945 AX2318&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Tema con variazione Part 4 with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1946 AX2319&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Tema con variazione Part 5 with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1946 AX2320&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Tema con variazione Part 6 with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1947 AX2321&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trio No. 2 Op. 50 (Tchaikovsky) Tema con variazione Part 7 concluded with Arthur Catterall (violin) and Albert Sammons (violin) Columbia L1947 AX2322&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata in A (Franck) First movement, pt. 1 pt. 2 Columbia 67136-D through 67138-D AX229 AX230 AX231 AX232 AX233 AX234 AX413 AX414&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata in A (Franck) Second movement, pt. 1 pt. 2 Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata in A (Franck) Third movement, pt. 1 pt. 2 Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata in A (Franck) Fourth movement, pt. 1 pt. 2 Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata No. 2 in G, Op. 13 (Grieg) First movement (Lento dolorosa; Allegro vivace), part 1…First movement, part 2 with Albert Sammons (violin) Columbia AX 936, AX 937&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata No. 2 in G, Op. 13 (Grieg) Second movement (Allegretto tranquillo), part 1 with Albert Sammons (violin) Columbia AX 934&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata No. 2 in G, Op. 13 (Grieg) Second movement, part 2 with Albert Sammons (violin) Columbia AX 935&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata No. 2 in G, Op. 13 (Grieg) Third movement (Allegro animato), part 1 with Albert Sammons (violin) Columbia AX 938&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata No. 2 in G, Op. 13 (Grieg) Third movement, part 2 with Albert Sammons (violin) Columbia AX 939&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata No. 3 in D minor, Op. 108 (Brahms) First movement (Allegro), part 1 part 2 with Albert Sammons (violin) Columbia L 1535 through 1537 AX 223 through&amp;nbsp; AX 228&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata No. 3 in D minor, Op. 108 (Brahms) Second movement (Adagio) with Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata No. 3 in D minor, Op. 108 (Brahms) Third movement (Un poco presto) with Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Violin Sonata No. 3 in D minor, Op. 108 (Brahms) Fourth movement (Presto agitato), part 1 Fourth movement, part 2 with Albert Sammons (violin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Columbia L 1535-1537, Matrix nrs.:&amp;nbsp; AX 223-1; 224-1; 225-1; 226-1; 227-1; 228-1, Recorded: 1923/11/18&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; 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style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyKDNDQ0yLEXGLIUZU2_Rb3hD7QyOs0wG30j_jBIAjYz_2IStEJgpchocipZ4QXFkTMxejZrb2m-wA3xGjQUSHuFoj9akaFJ3zy0fp2pu-eCgiinRsg62AORdoH9KnRRsOZi2PaEIaY1oKQYOQWNbcu06NoLijNJopQQ5bAg5hPRVwbina20EIdtZu-Y/s462/BARITONE%20JOS%C3%89%20TORRES%20OVANDO%20(1892-1936).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;462&quot; data-original-width=&quot;416&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyKDNDQ0yLEXGLIUZU2_Rb3hD7QyOs0wG30j_jBIAjYz_2IStEJgpchocipZ4QXFkTMxejZrb2m-wA3xGjQUSHuFoj9akaFJ3zy0fp2pu-eCgiinRsg62AORdoH9KnRRsOZi2PaEIaY1oKQYOQWNbcu06NoLijNJopQQ5bAg5hPRVwbina20EIdtZu-Y/s320/BARITONE%20JOS%C3%89%20TORRES%20OVANDO%20(1892-1936).jpg&quot; width=&quot;288&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;JOSÉ TORRES OVANDO (MEXICO CITY, MEXICO, 1892 – MEXICO CITY, MEXICO, 1936)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He studied with José G. Aragón and José E. Pierson before perfecting his vocal technique in Italy. A versatile performer, he was a member of the Popular Opera Company and received critical acclaim for his appearances at the National Theatre, where he performed alongside noted artists such as Luisa Larraza, Beatriz Franco, Soledad Goyzueta, and Luisa Tetrazzini.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In 1899, he participated in the Mexican premiere of Puccini’s Le villi, singing the role of “Guillaume” at the Renacimiento Theatre. He also took part in the premieres of El rey poeta (1901) and Nicolás Bravo (1910). His extensive repertoire encompassed not only opera but also operetta and zarzuela, showcasing his adaptability and wide-ranging talent.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Carmen (Bizet) Canción del torero Victor 99065 S-335&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Chin chun chan (Luis Jordá) Danza (w. Señoritas Perez) Victor 98062 61-Z&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Dicen que no Danza mexicana Victor 98061 20-Z&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;El pobre Valbuena (Valverde-Torregrosa) Habanera El ponpón (w. Señoritas Perez) Victor 98092 97-Z&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;La gran vía (Chueca) Jota de las 3 ratas (w. Gil &amp;amp; Hermosa) Victor 62031-B 71-Z&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;La tempestad (Chapi) Ya el trueno apagado Victor 62018-A 80-Z&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Lima de octubre (Martinez) Danza Columbia C2618 13854&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Marina (Arrieta) Brindisi (w. Gil) Victor 62278-A 12-Z&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Marina (Arrieta) No sabes tú que yo tenía (w. Millanes &amp;amp; López) Columbia C 1156&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Marina (Arrieta) Teresa no está, Es traidor aquél rostro (w. López, Carlota Millanes &amp;amp; Flores, spoken) Columbia C1158&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Pérjura (Miguel Lerdo de Tejada) Victor 62277-A 19-Z&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Pobre alma mia (Berrueco) Danza Columbia C312 13592&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Si tu me amaras (Denza) Romanza Victor 98053 123-Z&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Tristezas (Caballero) Edison 18505&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;CRQ4EBMNE7EUE&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;MEXICAN BARITONE JOSÉ TORRES OVANDO (1892-1936) CDR&quot;/&gt; 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style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtrfhENMD6pPo9fJCGAHdlYfhgYN3hpBPlU5Mae8u1-Z0TVxUmyRYF15wiogOaYpF48OhIoagQDnL6Hy6vj99DVmlQcBtDxhyphenhyphenljGCboGn3ZkT3mgY0buZMAbaLPIZfeietPA_iUfcYGPQfWL3tlk6EcAydkW1KSfYLwWlCzxd8Bl0x3Osar6Nr3Cd34Vg/s1499/Mathilde%20Marchesi.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1499&quot; data-original-width=&quot;1004&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtrfhENMD6pPo9fJCGAHdlYfhgYN3hpBPlU5Mae8u1-Z0TVxUmyRYF15wiogOaYpF48OhIoagQDnL6Hy6vj99DVmlQcBtDxhyphenhyphenljGCboGn3ZkT3mgY0buZMAbaLPIZfeietPA_iUfcYGPQfWL3tlk6EcAydkW1KSfYLwWlCzxd8Bl0x3Osar6Nr3Cd34Vg/s320/Mathilde%20Marchesi.jpg&quot; width=&quot;214&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;MATHILDE MARCHESI (NÉE GRAUMANN; FRANKFURT, GERMANY, 24 MARCH, 1821 – LONDON, UNITED KINGDOM, 17 NOVEMBER, 1913)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mathilde Graumann was born in Frankfurt. Her aunt was the pianist Dorothea von Ertmann (née Graumann). In her adolescence, her family fortunes failed, so she travelled at the age of 22 to Vienna to study voice. Thereafter she went to Paris and studied with Manuel García II, who was to have the foremost influence on her. She made her debut as a singer in 1844, and had a short career in opera and recital. Her voice, however, was only adequate, so she moved to teaching in 1849. In 1852, she married Italian baritone Salvatore Marchesi (pseudonym of Salvatore de Castrone della Rajata) (d. 1908).&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;It was in this field that she would become famous. She taught at the conservatory in Cologne and, in the 1870s at the Vienna Conservatory, where she tutored Marie Fillunger among others. In 1881 she opened her own school on the Rue Jouffroy-d’Abbans in Paris, where she was to remain for most of her life. Ultimately, she was best known as the vocal teacher of a number of great singers. The most famous among them is perhaps Nellie Melba, but she also trained such illustrious singers as Emma Calvé, Frances Alda, Ellen Gulbranson, Gertrude Auld Thomas, Selma Kurz, Maikki Järnefelt, and Emma Eames. Marchesi died in London in 1913. The mother of Joan Sutherland was taught by a pupil of Marchesi.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Marchesi was clearly committed to the bel canto style of singing. Despite this, she did not particularly identify herself as a bel canto teacher. She asserted that there were only two styles of singing: “the good…and the bad” and argued that a properly trained vocalist could sing the old bel canto style just as easily as the then newer, more dramatic style.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;She was generally an advocate of a naturalistic style of singing: she called for a fairly instinctive method of breathing and argued against the “smiling” mouth position that many teachers of her day preferred. She was particularly concerned with vocal registration, calling it “the Alpha and Omega of the formation and development of the female voice, the touchstone of all singing methods, old and new.” She also repeatedly expressed disdain for the teachers of her day who offered methods that they asserted would fully develop the voice in only a year or two. Instead, she felt that vocal training was best approached at a slow and deliberate pace.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Two of the most distinctive features of her teachings were her “analytical method” and her insistence on very short practice times for beginners. Her “analytical method” placed great importance on intellectually understanding both the technical and the aesthetic nature of everything sung, from grand arias to simple vocal exercises. She argued that rote practice without understanding was ultimately harmful to the artistic use of the voice. Most distinctively, though, she insisted on very short practice times for beginners, as little as five minutes at a stretch three or four times a day for absolute beginners. Of course, as the voice matured those times could and should be expanded.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Blanche Marchesi In Mai (Goldschmidt) 43754 4136h G&amp;amp;T, Berlin 1906&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Blanche Marchesi Dido and Aeneas (Purcell): When I am laid in eath JH9 TTP853 HMV, London 1936&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Blanche Marchesi Hercules (Händel): My father! JG41 TPX5376 HMV, London 1937-12-21&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Yvonne de Tréville Lakmé (Delibes): Air des clochettes 82334 4979 Edison, New York&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Yvonne de Tréville Manon Lescaut (Auber): Eclat de rire BA 28248 Edison, New York&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Evelyn Scotney Blue Danube Waltz (Strauss) A-0213 10581 Vocalion, USA 1922-12?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Evelyn Scotney Barbiere di Siviglia (Rossini): Una voce poco fa A-0214 10594 Vocalion, USA 1922-12?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Evelyn Scotney Don Giovanni (Mozart): Non mi dir D1119 2-053267 HMV, London 1926-07-16&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Evelyn Scotney Don Giovanni (Mozart): Mi tradi D1119 2-053268 HMV, London 1926-07-16&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Blanche Arral Perle du Brésil (David) Charmant oiseau rr IRCC 112-A&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Blanche Arral Lombardi (Verdi) Quella ivressebonheur supreme (Polonaise) Victor 74146 C6906-1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Blanche Arral Roméo et Juliette (Gounod) Je veux vivre (Valse) Victor 74151 C6904-1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mary von Ernst Lucia di Lammermoor (Donizetti): Schwör als Gattin mir ewige Treue 02103 856A Vox, Berlin 1922-12?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mary von Ernst Contes d’Hoffmann (Offenbach): Sie entfloh, die Taube so minnig 02103 857A Vox, Berlin 1922-12?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Helene Noldi-Alberti Lustige Witwe (Lehár): Vilia song 31688 B4929 Victor, 1907-11-14&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Helene Noldi-Alberti Stabat Mater (Rossini): Inflammatus 31694 C4943 Victor, 1907-11-21&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Helene Noldi-Alberti Faust (Gounod): Jewel song 5356 B4945 Victor, 1907-11-21&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sigrid Arnoldson Carmen (Bizet): Près des remparts de Séville 33609 1285r G&amp;amp;T, Berlin 1906-06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sigrid Arnoldson Traviata (Verdi): Ah, fors’è lui 53467 1298r G&amp;amp;T, Berlin 1906-06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sigrid Arnoldson Faust (Gounod): Air des bijoux 33613 1295r G&amp;amp;T, Berlin 1906-06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ellen Gulbranson Om dagen vid mitt arbete (trad) 17215 Pathé, Kristiania 1914-06-12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ellen Gulbranson Ack Wermeland du sköna (trad) 17216 Pathé, Kristiania 1914-06-12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ellen Gulbranson En svane (Grieg) 17227 Pathé, Kristiania 1914-06-12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ellen Gulbranson Vær hilset I damer (Grieg) 17228 Pathé, Kristiania 1914-06-12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Bessie Abott Lakmé (Delibes): Où va la jeune hindoue 88084 C4232 Victor, New York 1907-02-01&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Bessie Abott Zauberflöte (Mozart): Gli angui d’inferno 88051 C4231 Victor, New York 1907-02-01&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Bessie Abott Roméo et Juliette (Gounod): Je veux vivre 87007 B4305 Victor, New York 1907-03-13&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Bessie Abott Mignon (Thomas): Io son Titania 88171 C6237 Victor, Camden NJ 1908-05-27&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Nina Friede Roméo et Juliette (Gounod): Air of the page 35088 Columbia, St Petersburg 1903?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Avrelia-Cecilia Dobrovolskaya Rigoletto (Verdi): E il sol dell’anima with Karenzin as Ivanov X-64244 Zonophone, Moscow 1908&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Avrelia-Cecilia Dobrovolskaya Traviata (Verdi): Brindisi with Karenzin as Ivanov &amp;amp; chorus X-64246 Zonophone, Moscow 1908&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Avrelia-Cecilia Dobrovolskaya Nero (Rubinstein): Cradle song as Volskaya, with Ratmirova X-64443 Zonophone, Moscow 1908&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Maikki Pakarinen-Järnefelt Meine Liebe ist grün (Brahms) 43379 638d G&amp;amp;T, Stockholm 1904-10?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Elizabeth Parkina La Fée aux Chansons (Bemberg) 03088 666c G&amp;amp;T, London 1906-06-02&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Elizabeth Parkina The little grey linnet (Willeby) 3583 6289b G&amp;amp;T, London 1904-11-30&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Elizabeth Parkina La serenata (Tosti) 3659 8225b G&amp;amp;T, London 1906-06-02&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Karen Oderwald–Lander Naar du synger i Aftenstund (Sérénade) (Gounod) 116021 KP22 Odeon, København 1912&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Karen Oderwald–Lander La Folletta (Marchesi) 116022 KP23 Odeon, København 1912&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Felice Lyne Voci di primavera (J Strauss) A5686 37160 Columbia, New York 1915-02-25&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Frances Saville Contes d’Hoffmann (Offenbach): Puppenarie 43240 951x G&amp;amp;T, Wien 1902&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; 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style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK7uRFw6kYLz2MS-eKrZQm_KdeP93eQzBXPWmgresrPi5qnsGfqSaLL3zVAb6bOunTLeX4pCE8cGRLx6RUc_0sWHEm17CvB6WCifbslW16Nb_c2O1_OttOM4-zK2XSmnuIrg3yqYiY-BYOf19S0EI3eGybck6iUW3qZjSoLD_Ps7k0QEKAaF0Cel-jXtU/s658/PHOTO%20(6).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;658&quot; data-original-width=&quot;498&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK7uRFw6kYLz2MS-eKrZQm_KdeP93eQzBXPWmgresrPi5qnsGfqSaLL3zVAb6bOunTLeX4pCE8cGRLx6RUc_0sWHEm17CvB6WCifbslW16Nb_c2O1_OttOM4-zK2XSmnuIrg3yqYiY-BYOf19S0EI3eGybck6iUW3qZjSoLD_Ps7k0QEKAaF0Cel-jXtU/s320/PHOTO%20(6).jpg&quot; width=&quot;242&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;LELIO CASINI (PISA, 1865 – VOLTERRA, 22 OCTOBER, 1910)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He studied singing at the Conservatorio Pacini in Lucca under the guidance of Angeloni. He made his debut in 1886 at the Teatro Nuovo in Toscana as Renato in Un Ballo in Maschera. On November 27, 1897, he appeared at the Teatro Lirico in Milan as Baldassare in the premiere of F. Cilea’s L’Arlesiana. After retiring from the stage, he founded a singing school in Milan. Among his notable pupils were baritones Titta Ruffo, Emilio Ghirardini, Amleto Barbieri, and tenor Giuseppe Taccani.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Anafesto Rossi Tabarro (Puccini): Scorri, fume eterno! 152564 Pho5352 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Anafesto Rossi Gianni Schicchi (Puccini): Si corre dal notaio 152565 Pho5353 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Anafesto Rossi Barbiere di Siviglia (Rossini) Largo al factotum 74233 XXPh5351 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Anafesto Rossi Donna, vorei morir (Tosti) 152568 Pho5356 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Anafesto Rossi Falstaff (Verdi) Alfin t’ho colto with Carmen Roccabella 74234 XXPh5350 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Anafesto Rossi La mia canzone (Tosti) 152569 Pho5358 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Amleto Barbieri Tannhäuser (Wagner): O tu bell’astro test, unpub.&amp;nbsp; 44924 Edison cylinders, 1912/1913&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giuseppe Taccani Albatro (Pacchierotti): Romanza di Erik (orch: Pacchierotti) 2-52591 10628b G&amp;amp;T&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giuseppe Taccani Albatro (Pacchierotti): Serenata interna di Erik (orch: Pacchierotti) 2-52590 10629b G&amp;amp;T&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giuseppe Taccani Jana (Virgilio): Sì, dannato morrò (orch: Virgilio) 2-52587 10672b G&amp;amp;T&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Emilio Ghirardini Don Pasquale (Donizetti): Cheti cheti immantinente Part 1 with Salvatore Baccaloni D 5963 B 2255 Columbia, Milano 1928/1929&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Emilio Ghirardini Don Pasquale (Donizetti): Part2 with Salvatore Baccaloni D 5963 B 2256 Columbia, Milano 1928/1929&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Emilio Ghirardini Wally (Catalani): T’amo ben mio D 6114 B 2691 Columbia, Milano 1929&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Narciso Del Ry Rigoletto (Verdi): Questa o quella C2342 11030 Columbia, Milano 1911?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Narciso Del Ry Rigoletto (Verdi): La donna è mobile C2342 11031 Columbia, Milano 1911?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Narciso Del Ry Manon (Massenet): Sogno 11032 Columbia, Milano 1911?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Narciso Del Ry Manon (Massenet): Ah! Dispar vision 11033 Columbia, Milano 1911?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Titta Ruffo Zazà (Leoncavallo): Buona Zazà 4200 Pathé cylinders &amp;amp; discs, Paris 1904?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Titta Ruffo Zazà (Leoncavallo): Zazà, piccola zingara 4201 Pathé cylinders &amp;amp; discs, Paris 1904?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Titta Ruffo Hamlet (Thomas): Brindisi 4202 Pathé cylinders &amp;amp; discs, Paris 1904?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;QHFX7H6K7UW36&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;THE STUDENTS OF LELIO CASINI (1865-1910) CDR&quot;/&gt; 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style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnyICP8CAo5yDid3NndUcM492xBeEyR4u0GdPdYr48g-yIGJOp9KANh8pQmpb4yQyM_t0qaGkyw6tv4ikd-IP_qCE3-x2mIkYzk0jrg1cARXx6cjXakQlvusNJLdk1jHzVOLQy1xdLE5gu5KBdrfjIHnhAoQg7raE6B7QQ_LZCMdiy6sH1Y9eb0UIp3Wc/s2600/JEAN%20DE%20RESZKE.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2600&quot; data-original-width=&quot;2006&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnyICP8CAo5yDid3NndUcM492xBeEyR4u0GdPdYr48g-yIGJOp9KANh8pQmpb4yQyM_t0qaGkyw6tv4ikd-IP_qCE3-x2mIkYzk0jrg1cARXx6cjXakQlvusNJLdk1jHzVOLQy1xdLE5gu5KBdrfjIHnhAoQg7raE6B7QQ_LZCMdiy6sH1Y9eb0UIp3Wc/s320/JEAN%20DE%20RESZKE.jpg&quot; width=&quot;247&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;JEAN DE RESZKE, ALSO SPELLED JAN RETZSKÉ, ORIGINAL NAME JAN MIECZYSLAW, (BORN JAN. 14, 1850, WARSAW, POL., RUSSIAN EMPIRE [NOW IN POLAND]—DIED APRIL 3, 1925, NICE, FR.)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Polish operatic tenor, celebrated for his beautiful voice, phrasing, and enunciation as well as his charm and striking presence. Of a musical family, de Reszke was first taught by his mother, then by vocal coaches in Warsaw and Paris. After an undistinguished early career as a baritone under the name Giovanni di Reschi in Italy, London, and Paris, he retrained as a tenor with Giovanni Sbriglia and in 1879 made an inauspicious debut in Madrid in Giacomo Meyerbeer’s Robert le diable. For the next few years de Reszke concentrated on concert performances, until persuaded to create John the Baptist in the Paris premiere of Jules Massenet’s Hérodiade at the Paris Opéra in 1884. De Reszke’s performance was a triumph, and for the next five years he was the leading tenor of the Paris Opéra, where in 1885 he created Rodrique in Le Cid, written for him by Massenet. He first sang Wagnerian roles in London, as Lohengrin in 1887 and as Walther in Die Meistersinger in 1888. In 1891 he made his American debut in Chicago and was engaged by the Metropolitan Opera in New York City, where he remained until 1901, winning great acclaim in Wagnerian roles, above all as Tristan. In 1902 he withdrew to Paris and teaching, and in 1919 he settled in Nice. He often performed with his brother Edouard and his sister Josephine, both eminent singers.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Johannes Sembach Cavalleria Rusticana (Mascagni): Vivo il vino 3-42959 3904r G&amp;amp;T, Berlin 1903-04/05&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Johannes Sembach Huguenots (Meyerbeer): Plus blanche 3-42968 3905r G&amp;amp;T, Berlin 1903-04/05&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Johannes Sembach Aida (Verdi): Celeste Aida 3-42969 3906r G&amp;amp;T, Berlin 1903-04/05&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Enzo Leliva Meistersinger von Nürnberg (Wagner): Dall’alba tinto 92413 XPh 3707 Fonotipia, Milano 1908-12-01&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Enzo Leliva Pique Dame (Tchaikovsky): Ma se il tuo cuore 92416 XPh 3724 Fonotipia, Milano 1908-12-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Enzo Leliva Ballo in maschera (Verdi): Ma se m’è forza perderti 92411 XPh 3727 Fonotipia, Milano 1908-12-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Maria Wroblenska Attila (Verdi): Allor i forti 110379 Odeon Fonotipia, Milano&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Maria Wroblenska Attila (Verdi): Da te questo 110380 Odeon Fonotipia, Milano&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Leo Slezak Cavalleria Rusticana (Mascagni): O Lola (Siziliana) 42081 1342B G&amp;amp;T, Wien 1901-08?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Leo Slezak Tannhäuser (Wagner): Dir töne Lob 42082 G&amp;amp;T, Wien 1901-08?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Leo Slezak Prophet (Meyerbeer): Pastorale 42755 2449B G&amp;amp;T, Wien 1902-05?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;M. Murray-Davey Meistersinger von Nürnberg (Wagner): Was duftet doch der Flieder A-0245 Vocalion, London 1924/1925&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;M. Murray-Davey Don Carlo (Verdi): Ella giammai m’amò A-0245 Vocalion, London 1924/1925&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giuseppe Bentonelli Werther (Massenet) Perché tremar Columbia CQ 713 WB 4176&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giuseppe Bentonelli Barbiere di Siviglia (Rossini) Ecco ridente in cielo Columbia CQX 16466 wbx 914&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giuseppe Bentonelli Martha (Flotow) M’Appari Columbia CQ 713 wb 4174&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vladimir Rosing Tosca (Puccini): E lucevan le stelle (It) 4-22387 16560b Gramophone, 1912-05&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vladimir Rosing Werther (Massenet): Pourquoi me réveiller?&amp;nbsp; 4-22386 16561b Gramophone, 1912-05&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vladimir Rosing Martha (Flotow): M’appari A-0233 01248 Vocalion, London 1919-07?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vladimir Rosing Roméo et Juliette (Gounod): Ah, lève-toi, soleil A-0233 01849 Vocalion, London 1920-06?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;John Charles Thomas Tannhäuser (Wagner): O du mein holder Abendstern 7605 CRC71822 Victor, New York 1932-02-06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;John Charles Thomas Traviata (Verdi): Di Provenza 7605 CSHQ71825 Victor, New York 1932-05-19&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;John Charles Thomas Hamlet (Thomas): O vin dissipe la tristesse 1639 PBS68698 Victor, Hollywood 1934-01-14&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;John Charles Thomas Hérodiade (Massenet): Vision fugitive 1639 PBS68697 Victor, Hollywood 1934-01-14&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Marguerite Namara Gismonda (Fevrier): Toute blanche Private recording&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rachel Morton Carmen (Bizet): Près des rempart de Séville (Seguidille) E447 (7-33081) HMV, Hayes 1926-04-22&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rachel Morton Carmen (Bizet): Habanera E440 (3-3110) HMV, London 1926-09-13&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rachel Morton Tosca (Puccini): Love and music E440 (3-3109) HMV, London 1926-09-13&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rachel Morton Faust (Gounod): He loves me E447 (3-3108) HMV, London 1926-09-13&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Felice Lyne Voci di primavera (J Strauss) A5686 37160 Columbia, New York 1915-02-25&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vicente Ballester La Alegria del Batallon: Cancion del soldato S 72 82168 Columbia, Spain 1920’s&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vicente Ballester De mi España: Canción RS 70 48438 Columbia, Spain 1920’s&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vicente Ballester El rosario canto religioso 48436 S 69 Columbia, Spain 1920’s&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vicente Ballester La Alegria Que Velve: Romanza 52001 38056 Columbia, Spain 1920’s&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Wiktor Grąbczewski Verbum Nobile (Moniuszko) Aria 22759 1824 B G&amp;amp;T, Warsaw 1901&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Wiktor Grąbczewski Anioł Pasterzom (Koleda) with Adam Ostrowski 1-79664 Favorite, Warsaw 1909&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Felicie Kaschowska Zauberflöte (Mozart): Das klinget so herrlich with Lordmann 14551 Pathé, Berlin 1909?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Felicie Kaschowska Zauberflöte (Mozart): Bei Männern with Lordmann 14553 Pathé, Berlin 1909?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Felicie Kaschowska Tosca (Puccini): Vissi d’arte E. 9564-I Anker&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Felicie Kaschowska L’Elegie (Massenet) E. 9564-II Anker&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Odette Le Fontenay Vous êtes jolie! (Delmet) 69695 B19966 Victor, New York 1917-05-31&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Odette Le Fontenay Stances à Manon (Delmet) 69695 B19967 Victor, New York 1917-05-31&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Odette Le Fontenay Chant hindou (Bemberg) 82125 5702-A Edison, New York 1917-07-20/25&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Odette Le Fontenay Le Nil (Leroux) 82125 BA 28287 Edison, New York 1917-07-20/25&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;May Peterson Norwegian echo song (Bjerregaard-Thrane) 52035 Vocalion (H&amp;amp;D), USA 1918?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;May Peterson Peer Gynt Suite (Grieg): Solvejg’s Song A 70037 Vocalion (H&amp;amp;D), USA 1918?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Alexander Kachenovsky Faust (Gounod): Tu che Fai L’addormentata 505 Artistopia, Kiev&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Alexander Kachenovsky Eugene Onegin (Tchaikovsky): Everyone knows love on earth 504 Artistopia, Kiev&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ernst Svedelius Zauberflöte (Mozart): Aria (O Isis och Osiris) 1-85057 991-o Favorite, Stockholm 1905-12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ernst Svedelius En sangers bøn (Reissiger) 41357 E385 Columbia, Stockholm 1906 (Spring)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ernst Svedelius Morgonsång (Abt) 67882-A Victor 1909-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Eric Marshall Nozze di Figaro (Mozart): Non più andrai C-01085 02994 Vocalion, London 1922-11?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Eric Marshall Du bist wie eine Blume (Schumann) E380 (7-42091) HMV, London 1925-02-26 (ac)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Eric Marshall Die Lotosblume (Schumann) E380 (7-42090) HMV, London 1925-02-26 (ac)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Eric Marshall The heart’s secret (Rachmaninov) E455 (6-2746) HMV, London 1926-12-30&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Erling Krogh Med røde roser (Haarklou) V102 535Am Gramophone, Kristiania 1920-08-09&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Erling Krogh Caro mio ben (Giordani) X1543 Bm443-1 Gramophone, København 1922-05-02&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Maria Janowska Bohème (Puccini): Masn nennt mich jetzt Mimì 19782 387be Polydor, Berlin?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Maria Janowska Tosca (Puccini): Nur der Schönheit 19782 388be Polydor, Berlin?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Maria Janowska Ballo in maschera (Verdi): Der Tod sei mir willkommen 19784 Polydor, Berlin?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Niels Hansen Bohème (Puccini): Saa kold den lille haand er Rxx76546 xxKP56 Odeon, København 1914?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Niels Hansen Lohengrin (Wagner): Graelsfortællingen XX78001 xxKP57 Odeon, København 1914?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Niels Hansen Rigoletto (Verdi): O, I kvinder X116062 KP62 Odeon, København 1914?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Tenna Frederiksen Don Giovanni (Mozart) Rk mig din haand (w. Cornelius) Polyphon S5001 263at&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Tenna Frederiksen Eugen Onegin (Tchaikovsky) Brevscene D1561 100321 Pathé, København 1916&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Tenna Frederiksen Madama Butterfly (Puccini) Over havets flade G&amp;amp;T 083020 253aj&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Tenna Frederiksen Pagliacci (Leoncavallo) Fuglearien G&amp;amp;T 83696 11319b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Andreas Dippel Martha (Flotow): Ach, so fromm B2 Edison cylinders, New York 1906?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Andreas Dippel Königin von Saba (Goldmark): Erzählung B24 Edison cylinders, New York 1906?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Andreas Dippel Lohengrin (Wagner): Lohengrins Abschied B36 Edison cylinders, New York 1906?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Miriam Licette Otello (Verdi): Could I but die now (Venga la morte) with Frank Mullings L1562 AX294 Columbia, London 1924-02-07&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Miriam Licette Don Giovanni (Mozart): Mi tradi 9911 AX 4903 Columbia, London 1924-02-07&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Miriam Licette Don Giovanni (Mozart): Batti, batti 9911 AX 4902 Columbia, London 1924-02-07&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Charles Cahier Prophète (Meyerbeer): Ah! Mon fils 2-083022 M109 HMV, Stockholm 1928-09-20&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Charles Cahier Favorita (Donizetti): O mio Fernando 2-083023 M109 HMV, Stockholm 1928-09-20&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Richard Bonelli Forza del destino (Verdi): Solenne in quest’ora with Mario Chamlee 50142 XE27552-B Brunswick, USA 1928-05-15&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Richard Bonelli Martha (Flotow): Solo, profugo with Mario Chamlee 50142 XE27553-B Brunswick, USA 1928-05-15&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Lucille Marcel Otello (Verdi): Ave Maria A5482 36608 Columbia, New York 1913-02-19&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Eduard Lichtenstein Undine (Lortzing): Vater, Mutter, Schwestern, Brüder X 51697 XB 4605 Odeon&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Antonin Trantoul Tosca (Puccini): Le ciel luisait d’etoiles Private Record&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; 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style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOE2T___51DKmjy4-MVd7meGJWEfxtO05CiVoyKgdsX4LqrhCLXWmVWmw7aSuPQVq39YgwpF5hNAI0eJfyZIp8L6ywg88YYeuP9nKCQqbSZEax66R1avvrbeGGoV9ASbU9cz4QSQsFq2Zi73Aka_yMvaFVc28aqRJbJq2eBzWwBIfIQevUoBmWvT7pVUk/s696/ARTURO%20MELOCCHI.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;696&quot; data-original-width=&quot;566&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOE2T___51DKmjy4-MVd7meGJWEfxtO05CiVoyKgdsX4LqrhCLXWmVWmw7aSuPQVq39YgwpF5hNAI0eJfyZIp8L6ywg88YYeuP9nKCQqbSZEax66R1avvrbeGGoV9ASbU9cz4QSQsFq2Zi73Aka_yMvaFVc28aqRJbJq2eBzWwBIfIQevUoBmWvT7pVUk/s320/ARTURO%20MELOCCHI.jpg&quot; width=&quot;260&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;ARTURO DI GIUSEPPE MELOCCHI (MILAN, ITALY, DECEMBER 9, 1879 – PESARO, ITALY, OCTOBER 25, 1960)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Arturo Melocchi was an Italian baritone and voice teacher who is best known for having been the teacher of dramatic tenor Mario Del Monaco and whose method influenced the voice and technical development of tenor Franco Corelli. Arturo Melocchi was born in Milan. He studied at the Regio Conservatorio di Milano under Giuseppe Gallignani, who was also the director of the Conservatory. On November 13, 1907 Melocchi graduated, receiving his license to be a singer, as well as to become a teacher of singing at any public school in Italy. Melocchi became a teacher of singing at the Conservatory, appointed by Gallignani. In January 1912 he was called to take the title the Chair of Singing at the Liceo Musicale Rossini in Pesaro. He held this position uninterruptedly until 1941. Around 1932 a young Mario Del Monaco—whose voice had been dangerously lightened in his studies with Luisa Melai-Palazzini, destroying its natural emission and timbre—began to consult and take lessons from Melocchi, who reeducated his voice with the appropriate exercises, gradually returning it its power, its breadth and natural ease, and giving it its full homogeneity along the entire range from low B♭ to high D♭. However, not yet satisfied with the progress he had achieved, Del Monaco began to make up and add to his technique, in order to get more from his vocal organs. In 1936, Del Monaco won a prize that gave him the opportunity to study his craft at the Teatro dell’Opera di Roma. This experience, in which he was again assigned inappropriate light repertoire, caused him to lose his voice nearly completely. In 1938, he returned to Pesaro, where he attempted to resume his studies with Melocchi. At first Melocchi did not take Del Monaco back, but at the insistence of Rina Filippini (later Del Monaco’s wife), Melocchi accepted the tenor into his studio, and within six months, Del Monaco’s voice was rebuilt to the state that quickly carried him forward to becoming the greatest dramatic tenor of the mid-20th century. . During the entire period of fascism in Italy, Melocchi was one of only two teachers at the Liceo Rossini who never joined the Fascist Party and refused the Fascist card. Between the time of Melocchi’s suspension and the end of the fascist Italian Social Republic in 1945, he spent three years abroad, teaching singing at a school of music in Hong Kong and at the Shanghai Conservatory of Music. In August 1945, Melocchi himself submitted a lengthy petition to the Ministry of Public Instruction (Arts Division) to allow him to take up his post again at the Liceo Rossini. According to the annals of the school, pleas from students and colleagues—as well as the recent death of tenor and teacher Umberto Macnez—did finally result in his reassignment there from 1947 to 1949.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Edmondo Grandini Faust (Gounod) Dio possente 1-35236 Favorite, Verona&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Edmondo Grandini Don Carlo (Verdi) Morte di Rodrigo 1-35240 Favorite, Verona&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Lohengrin (Wagner):&amp;nbsp; Da voi lontan D 6119 WB 2706 Columbia, Milano 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Lohengrin (Wagner):&amp;nbsp; Merce, merce D 5837 WB 1942 Columbia, Milano 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Lohengrin (Wagner):&amp;nbsp; Cessaro i canti with Maria Zamboni GQX 10271 BX 600 Columbia, Milano 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Lohengrin (Wagner):&amp;nbsp; O ciel quai detti with Maria Zamboni GQX 10271 BX 602 Columbia, Milano 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Traviata (Verdi): Brindisi with Assunta Gargiulo D 5612 B 1250 Columbia, Milano 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Traviata (Verdi): Prendi, quest’e l’immagine with Assunta Gargiulo and Gino Vanelli&amp;nbsp; D 5612 B1251 Columbia, Milano 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Cavalleria Rusticana (Mascagni): O Lola D5625 B1260 Columbia, Milano 1928&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Traviata (Verdi): Dei miei bollenti spiriti D 5836 B 1913 Columbia, Milano 1928-04-26&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Fedora (Giordano): Amor ti vieta D11559 B2695 Columbia, Milano 1928-05-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ettore Parmeggiani Iris (Mascagni):&amp;nbsp; Apri la tua finestra D 5836 B 1913 Columbia, Milano 1928-05-07&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Aldo Bottion Adriana Lecouvreur (Cilea) L’anima ho stanca&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Aldo Bottion Fedora (Giordano) Mia madre, la mia vecchia madre&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Aldo Bottion Giulietta e Romeo (Zandonai) Giulietta, son io&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Aldo Bottion La Forza del Destino (Verdi) La vita è inferno all’infelice… O tu che seno agli angeli&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Aldo Bottion Rigoletto (Verdi) Parmi veder le lagrime&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mario Del Monaco Ernani (Verdi) Come rugiada al cespite&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mario Del Monaco Otello (Verdi) Tu, indietro… Ora e per sempre addio&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mario Del Monaco La Forza del Destino (Verdi) O tu che in seno agli angeli&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mario Del Monaco Aida (Verdi) Se quel guerriero io fossi…Celeste Aida&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mario Del Monaco Rigoletto (Verdi) Questa o quella&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gastone Limarilli La Fanciulla del west (Puccini) Or son sei mesi&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gastone Limarilli Werther (Massenet) Ah non mi ridestar&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gastone Limarilli Andrea Chénier (Giordano) Come un bel di’ di maggio&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gastone Limarilli Bohême (Puccini) Testa adorata&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gastone Limarilli Cavalleria Rusticana (Mascagni) Siciliana&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giorgio Merighi Ernani (Verdi) Come rugiada al cespite&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giorgio Merighi Tosca (Puccini) Recondita armonia&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giorgio Merighi Cavalleria Rusticana (Mascagni) Mamma, quel vino è generoso&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;39LVJZ3JBGGNW&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;THE STUDENTS OF ARTURO MELOCCHI (1879-1960) 2 CDR&quot;/&gt; THE STUDENTS OF ARTURO MELOCCHI (1879-1960) 2 CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 30$&quot;&gt; PRICE: 30$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 20$&quot;&gt; SHIPPING COST: 20$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; 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style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-7YWnOhFlWfsbIYbucLmy8aUjS63zaFsVieXLKp_xCo1gtmorvmbH6gCMSlpWzIanDRPk9Mwife3eJAynVpV2RxTDKZg6m671dijg7gmrnDuPR1W3LSnsbfcpWj36S7zZGG6c0tLo7X07hSzYOb1Yp5ktuYgxLgkcfm7Ft5qgg4419lX6HIZjNLJK94U/s500/GIACOMO%20OREFICE.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;500&quot; data-original-width=&quot;320&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-7YWnOhFlWfsbIYbucLmy8aUjS63zaFsVieXLKp_xCo1gtmorvmbH6gCMSlpWzIanDRPk9Mwife3eJAynVpV2RxTDKZg6m671dijg7gmrnDuPR1W3LSnsbfcpWj36S7zZGG6c0tLo7X07hSzYOb1Yp5ktuYgxLgkcfm7Ft5qgg4419lX6HIZjNLJK94U/s320/GIACOMO%20OREFICE.jpg&quot; width=&quot;205&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;GIACOMO OREFICE (VICENZA, 27 AUGUST, 1865 – MILAN, 22 DECEMBER, 1922)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He was born on 27 August 1865 in Vicenza, which was then part of the Austrian Empire, but was annexed into Italy in the following year. He studied under Alessandro Busi and Luigi Mancinelli at the Liceo Musicale di Bologna, and later became professor of composition at the Milan Conservatory. His students included Andree Aeschlimann Rochat. He died in Milan on 22 December 1922.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;His works include:&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Operas&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;L’oasi (1885)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mariska (1889)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Consuelo (1895, after George Sand’s novel; the title role was created by Cesira Ferrani, who the following year created Mimí in Puccini’s La bohème)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Il gladiatore (1898)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Chopin (1901); Orefice’s most successful work in which he incorporated music by Frédéric Chopin, arranged as arias and duets; it depicts a rather fanciful interpretation of some events in Chopin’s life and the operatic arrangements are not highly regarded (Scott “Record of Singing” Duckworth Press, 1978). Excerpts recorded by the tenors Amadeo Bassi, Enzo Leliva and others c1903 to 1905. At the time also performed in Polish.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Cecilia (1902)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mosè (1905)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Pane altrui (1907)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Radda (1912, after Maxim Gorky’s short story Makar Chudra)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Il castello del sogno (not produced)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ballet&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;La Soubrette (1907)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Orchestral&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Symphony in D minor&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sinfonia del bosco&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Anacreontiche (4 movements: Ad Artemide, A Faune, Ad Eros, A Dionisio)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Concertos&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Cello Concerto&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Chamber&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Riflessi ed ombre (quintet)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Trio&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2 violin sonatas&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;cello sonata&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Preludi del mare&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Quadri di Böcklin&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Crespuscoli&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Miraggi&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Songs&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;various songs.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Arminio Ballistini Trovatore (Verdi): Un istante almen with Carlo Albani and Bianca Besalu 110143 Odeon Fonotipia, Milano 1911?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Angelo Pilotto Madama Butterfly (Puccini): Addio, fiorito asil with Alessandro Valente S 10206 30-614 HMV, Milano 1929-06-04&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Angelo Pilotto Erodiade (Massenet): Vision fuggitiva 168774 b Odeon Fonotipia, Milano 1930&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Angelo Pilotto La Danza (Rossini) Odeon 172199 F 5653&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Italo Righi Briani Otello (Verdi): Niun mi tema D9358 42355 Columbia, Milano 1914?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Italo Righi Briani Otello (Verdi): Dio mi potevi scagliare D9358 42356 Columbia, Milano 1914?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Italo Righi Briani Otello (Verdi): Ora e per sempre addio D9357 42357 Columbia, Milano 1914?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Alberto Caffo Linda di Chamounix (Donizetti): A consolarmi affrettati with Emma Trentini 62090 7021b Victor, USA 1905&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Alberto Caffo Fra Diavolo (Auber): Quell’uom del fiero aspetto with Emma Trentini 54062 7022b G&amp;amp;T, Milano 1905&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Fanny Lotti Otello (Verdi): Già nella notte densa with Francesco Conti 54437 910ah Gramophone, Milano 1910-11-24&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Fanny Lotti Otello (Verdi): Quando narravi with Francesco Conti 054301, 212aj Gramophone, Milano 1910-11-24&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Fanny Lotti Otello (Verdi): Venga la morte with Francesco Conti 054308 213aj Gramophone, Milano 1910-11-24&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Guido Vaccari Walküre (Wagner): Cede il verno ai rai (Winterstürme) 39557 Xph1710 Fonotipia, Milano 1906-03-15&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Guido Vaccari Freischütz (Weber) La finestra s’apre (Durch die Wälder, pt 2) Fonotipia 39524 XPh1709&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Alessandro Ravazzolo Mefistofele (Boito): Folletto, folletto with Oreste Luppi 7000 Odeon, Milano 1905&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Alessandro Ravazzolo Faust (Gounod): Salve dimora 37035 Odeon, Milano 1905&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Alessandro Ravazzolo Traviata (Verdi): Parigi o cara with Elisa Tromben 37058 Odeon, Milano 1905&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vittorio De Goetzen Lucia di Lammermoor (Donizetti): Il pallor funesto with Bianca Mangini 054322 S3364 Gramophone, Milano 1911-06-28&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vittorio De Goetzen Poliuto (Donizetti): La sacrilega parola with Pavoni, Gilberti, Cannetti &amp;amp; chorus 054326 351aj Gramophone, Milano 1911-07-28&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vittorio De Goetzen Luisa Miller (Verdi): Andrem raminghi e poveri 054333 364aj Gramophone, Milano 1911-07-31&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;MUW6DV8VULKWG&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;THE STUDENTS OF GIACOMO OREFICE 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href='http://forgottenoperasingers.blogspot.com/2025/02/the-students-of-giacomo-orefice-1865.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/5311714327021928752'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/5311714327021928752'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/the-students-of-giacomo-orefice-1865.html' title='THE STUDENTS OF GIACOMO OREFICE (1865-1922) CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-7YWnOhFlWfsbIYbucLmy8aUjS63zaFsVieXLKp_xCo1gtmorvmbH6gCMSlpWzIanDRPk9Mwife3eJAynVpV2RxTDKZg6m671dijg7gmrnDuPR1W3LSnsbfcpWj36S7zZGG6c0tLo7X07hSzYOb1Yp5ktuYgxLgkcfm7Ft5qgg4419lX6HIZjNLJK94U/s72-c/GIACOMO%20OREFICE.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-4088590516540253519</id><published>2025-02-24T19:49:00.009+04:00</published><updated>2025-02-24T20:18:13.149+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="THE STUDENTS OF GIOVANNI SBRIGLIA (1832-1916) CDR"/><title type='text'>THE STUDENTS OF GIOVANNI SBRIGLIA (1832-1916) CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfgzwC4Zlxxj0bPDyjwSLhaH6-JHdemjLCbDsf4XudGtjEBHQM0Wh_WxA527M-cng07tgyFNxggJKaHCNfgSh47I4fMZ2NgPvgd45cAMJVWWNLyhhzv-8e3LR-qCyrTC6bxX8D3rIXDUuanz6coJvvj4AQaB3FTuRKHa0DMJ1RQ0Slw-Dp6NVuwzk96_4/s470/GIOVANNI%20SBRIGLIA.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;470&quot; data-original-width=&quot;360&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfgzwC4Zlxxj0bPDyjwSLhaH6-JHdemjLCbDsf4XudGtjEBHQM0Wh_WxA527M-cng07tgyFNxggJKaHCNfgSh47I4fMZ2NgPvgd45cAMJVWWNLyhhzv-8e3LR-qCyrTC6bxX8D3rIXDUuanz6coJvvj4AQaB3FTuRKHa0DMJ1RQ0Slw-Dp6NVuwzk96_4/s320/GIOVANNI%20SBRIGLIA.jpg&quot; width=&quot;245&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;GIOVANNI SBRIGLIA (NAPLES, JUNE 23, 1832 – PARIS, FEBRUARY 20, 1916)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;A native of Naples, Sbriglia attended the city’s music conservatory under Emanuele De Roxas before making his debut, aged 21, at the Teatro San Carlo. He then performed throughout Italy before being engaged by Max Maretzek for New York City’s Academy of Music. Sbriglia appeared, too, in Havana, Cuba and in Mexico, as well as the United States, until 1875, when he settled in Paris to teach.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;During this period, he most notably transformed Jean de Reszke from a baritone into the world’s foremost lyric-dramatic tenor. He also worked with Jean’s soprano sister Josephine and his brother Édouard, a famous bass. Among Sbriglia’s other renowned pupils were the dramatic soprano Lillian Nordica, the basso Pol Plançon, soprano Mena Cleary, the lyric soprano Sybil Sanderson and the tenor Vladimir Rosing. Annie Lippincott, daughter of Grace Greenwood also studied under Sbriglia.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Sbriglia was made a member of the Royal Academy in Florence in 1890; he was also a member of the French Academy. He died in Paris at the age of 83.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Clarence Whitehill Tannhäuser (Wagner): Wohl wüsst’ ich hier sie im Gebet 042196 2814f Gramophone, London 1909-02-12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Clarence Whitehill Walküre (Wagner): Farewell, thou valiant (Wotan’s farewell, pt 1) 3-0782 Cc1523 HMV, London 1922-06-22&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Clarence Whitehill Parsifal (Wagner) Mein Vater HMV&amp;nbsp; 2-042014 DB439&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Aleksander Myszuga Chciałbym umrzeć (Vorrei morire) (Tosti) 222075 1776ae Gramophone, Warsaw -9-10&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Aleksander Myszuga Piosenkę zaśpiewaj mnie moja Sing me a song, my dear (Erazmus Dłuski) 222076 1777ae Gramophone,Warsaw -9-10&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Nikolai Rostovsky Faust (Gounod) Salut demeure chaste et pure 471 Rebikoff and Co.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Nikolai Rostovsky The Queen of Spades (Tchaikovsky): Herman’s aria What is our life 470 Rebikoff and Co.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Nikolai Rostovsky Faust (Gounod): Duo with Vasili Petrov 45339 Beka&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rosalia Chalia Aida (Verdi): O patria mia 9203 Zonophone, New York 1901?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rosalia Chalia Ballo in maschera (Verdi): Ma dall’arrido stelo divulsa 9199 Zonophone, New York 1901?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rosalia Chalia Carmen (Bizet): Air of Micaëla 9134 Zonophone, New York 1901?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ada Adini Aida (Verdi): Grand air 39110 XPh553 Fonotipia, Paris 1904/1905&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ada Adini Trovatore (Verdi): D’amor sull’ali 39112 XPh571 Fonotipia, Paris 1904/1905&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ada Adini Hérodiade (Massenet): Il est doux 39216 XPh580 Fonotipia, Paris 1904/1905&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Riccardo Martin Trovatore (Verdi): Ah! si, ben mio B161 BA 28113 Edison&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Riccardo Martin Cavalleria Rusticana (Mascagni): O Lola B162 BA 28158 Edison&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Riccardo Martin Good-bye (Tosti) Edison Blue Amberol 28167&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vladimir Rosing May Night (Rimsky-Korsakov): Levko’s aria 4-22617 ak16845e HMV, London 1913-07-31&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vladimir Rosing Autumn (Tcherepnin) 4-22618 ak16849e HMV, London 1913-07-31&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Vladimir Rosing Do not believe (Petrov) 4-22613 ak16848e HMV, London 1913-07-31&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; 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style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCUmXki-xqnwjWOmFrsKUAgenUF0y8NUaHp6wDpeJ3CZM-02_zKk4xCXOt2Qkfg38WFqFWqnCEaRxVMUHPYfCAUaSlCn2dla7yKUMVzqKeMbKphWh7yAKRmgDkUZTgmQi4dNBRKUXGy-EGUOYeqYbOAw5zzWeVc_5cMkqxwPUqg2HgEk3RJRWvnMtuXL0/s640/JUAN%20GOULA.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;640&quot; data-original-width=&quot;480&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCUmXki-xqnwjWOmFrsKUAgenUF0y8NUaHp6wDpeJ3CZM-02_zKk4xCXOt2Qkfg38WFqFWqnCEaRxVMUHPYfCAUaSlCn2dla7yKUMVzqKeMbKphWh7yAKRmgDkUZTgmQi4dNBRKUXGy-EGUOYeqYbOAw5zzWeVc_5cMkqxwPUqg2HgEk3RJRWvnMtuXL0/s320/JUAN%20GOULA.jpg&quot; width=&quot;240&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;JOAN GOULA I SOLEY (SAN FELIU DE GUÍXOLS, 29 MARCH, 1843 – BUENOS AIRES, 10 JULY, 1917)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Born in 1843 in the town of Sant Feliu de Guíxols in the province of Girona, he worked in all facets of music. He studied with Nicolau Manent in Barcelona. He held various positions at the Théâtre des Champs-Élysées and the Gran Teatro del Liceu in Barcelona. He worked as a conductor in Palma de Mallorca (1866-1870), where he founded the Orfeón Mallorquín. In 1870 he was hired in Moscow as conductor at the Imperial Theatre in Moscow. He was director of Italian opera in St. Petersburg. He also conducted in Baden and Hamburg. He conducted five concerts of Verdi’s Requiem Mass at the Liceu with 134 teachers and 102 choristers (the first concert was on 22 August 1875, one year after the premiere in Milan of the aforementioned work).&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He moved permanently to Argentina, where he received the consecration of his career. He founded the Buenos Aires Conservatory of Music. He organized a cycle of Spanish opera at the Teatro Colón in Buenos Aires, where he presented Els Pirineus , by Felipe Pedrell , a work that had been premiered in 1902 in Barcelona. He conducted the hymn Gloria a España by Anselmo Clavé at the Casal Catalán in Buenos Aires, among other works.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;As a composer, he wrote the music for the operetta A orillas del mar by Damas Calvet de Budallés and El testamento de un brujo by José Feliú y Codina. His other works include the dance show Clye o El triunfo de Venus (1899) and a cantata dedicated to the Tsar of Russia, Alexander II.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He died in Buenos Aires in 1917.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Isabel Grassot Manon (Massenet): Gavotta 53277 7193F G&amp;amp;T, Barcelona 1902-11?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Isabel Grassot Huguenots (Meyerbeer): Duetto Valentina-Marcello, pt 1 with Andres Perello De Segurola 54030 7232F G&amp;amp;T, Barcelona 1902-11?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Josè Garcia Otello (Verdi): Esultate… Ora e per sempre addio 37173 Xm383 Odeon, Milano 1905/1906&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Josè Garcia Andrea Chénier (Giordano): Improvviso 37280 Xm385 Odeon, Milano 1905/1906&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ramon Blanchart Trovatore (Verdi): Il balen A5208 30457 Columbia, New York 1910-04&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ramon Blanchart Pagliacci (Leoncavallo): Prologo D17521 30424 Columbia, New York 1910-04&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Avelina Carrera Cavalleria Rusticana (Mascagni): Voi lo sapete 92169 XPh3063 Fonotipia, Milano 1908-03-11&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Avelina Carrera Adriana Lecouvreur (Cilea): Io sono l’umile ancella 92320 XPh3114 Fonotipia, Milano 1908-04-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Avelina Carrera Siberia (Giordano): Nel suo amor rianimato 92168 XPh3115 Fonotipia, Milano 1908-04-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Avelina Carrera Adriana Lecouvreur (Cilea): Poveri fiori 92321 XPh3587 Fonotipia, Milano 1908-11-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Francisco Viñas Germania (Franchetti): Studenti udite 52735 Con133R G&amp;amp;T, Milano 1903-10?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Francisco Viñas Aida (Verdi): Celeste Aida 052007 Con520R G&amp;amp;T, Milano 1903-10?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Francisco Viñas Meistersinger von Nurnberg (Wagner): Dall’alba tinto 052008 Con521R G&amp;amp;T, Milano 1903-10?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Francisco Viñas Walkure (Wagner): Canto della primavera 052013 Con522R G&amp;amp;T, Milano 1903-10?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Fulgenzio Abela Marina (Arrieta): Brindisi C468 22512 Columbia, Spain 1906?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Fulgenzio Abela Marina (Arrieta): Feliz morada 22513 Columbia, Spain 1906?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Jose Palet Mefistofele (Boito): Dai campi, dai prati 9-52001 s19823u Gramophone, Barcelona1917-08-22&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Jose Palet Favorita (Donizetti): Una vergine un angelo di Dio 9-52004 s19830u Gramophone, Barcelona1917-08-22&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giovanni (Juan) Valls Trovatore (Verdi): Miserere with Celestina Boninsegna 54056 2179L G&amp;amp;T, Milano 1904-11?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Giovanni (Juan) Valls Aida (Verdi): Fuggiam gli ardori with Celestina Boninsegna 054044 215m G&amp;amp;T, Milano 1904-11?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; 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border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/7011621104242501596/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/the-students-of-juan-goula-1843-1917-cdr.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/7011621104242501596'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/7011621104242501596'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/the-students-of-juan-goula-1843-1917-cdr.html' title='THE STUDENTS OF JUAN GOULA (1843-1917) CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCUmXki-xqnwjWOmFrsKUAgenUF0y8NUaHp6wDpeJ3CZM-02_zKk4xCXOt2Qkfg38WFqFWqnCEaRxVMUHPYfCAUaSlCn2dla7yKUMVzqKeMbKphWh7yAKRmgDkUZTgmQi4dNBRKUXGy-EGUOYeqYbOAw5zzWeVc_5cMkqxwPUqg2HgEk3RJRWvnMtuXL0/s72-c/JUAN%20GOULA.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-8381783383317947344</id><published>2025-02-24T19:46:00.005+04:00</published><updated>2025-02-24T20:20:24.771+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="LEGENDARY HUNGARIAN VIOLINISTS JOSEPH JOACHIM JENŐ HUBAY LEOPOLD AUER CDR"/><title type='text'>LEGENDARY HUNGARIAN VIOLINISTS JOSEPH JOACHIM JENŐ HUBAY LEOPOLD AUER CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIO-2HOlO1HsQ2dySXajmsz1H6XnG6l7IjxbfPO4d7JDc-k_ttHSyLvwxEXaxOhwW7OnaK5d8rfMQl2W69rJ7KSTcNo3SVwVliexxU23JQeF6yko0NJz9K1ongeKGMGVtwVMqTnneCdYsHhVZIaploEwy1u3LYtPRuW8XoqKeMFW2anhlhT0LO-w3j08U/s1004/Jen%C5%91%20Hubay%20(1).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1004&quot; data-original-width=&quot;712&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIO-2HOlO1HsQ2dySXajmsz1H6XnG6l7IjxbfPO4d7JDc-k_ttHSyLvwxEXaxOhwW7OnaK5d8rfMQl2W69rJ7KSTcNo3SVwVliexxU23JQeF6yko0NJz9K1ongeKGMGVtwVMqTnneCdYsHhVZIaploEwy1u3LYtPRuW8XoqKeMFW2anhlhT0LO-w3j08U/s320/Jen%C5%91%20Hubay%20(1).jpg&quot; width=&quot;227&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Joseph Joachim (1831-1907) Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio G&amp;amp;T 047903 204 y 1903&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Joseph Joachim (1831-1907) Violin Partita No. 1 in B Minor, BWV 1002: VII. Tempo di Bourree (Bach) G&amp;amp;T 047904 205 y 1903&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Joseph Joachim (1831-1907) Hungarian Dance No. 1 in G Minor (Brahms) G&amp;amp;T 037904 219i Berlin 27-8-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Joseph Joachim (1831-1907) Hungarian Dance No. 2 in D Minor (Brahms) G&amp;amp;T 037905 217i Berlin 27-8-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Joseph Joachim (1831-1907) Romance in C Major (Joachim) G&amp;amp;T 047906 218 y 27-8-03&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Jenő Hubay (1858-1937) Scenes de la Csarda No. 12, Op. 83, “Pici tubiczam” HMV Cv696,7 AN 442&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Jenő Hubay (1858-1937) Intermezzo HMV AN217 CW 2046&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Jenő Hubay (1858-1937) Air (Bach) HMV AN418 CV 713&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;11. Jenő Hubay (1858-1937) Hullámzó Balaton HMV AM1691 BW 2048/9&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Jenő Hubay (1858-1937) Berceuse (Hubay) HMV AN217 CW 2047&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Jenő Hubay (1858-1937) Larghetto from Flute Sonata in B minor (Op.1/9b) HMV AN418 CV 712&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Leopold Auer (1845-1930) Hungarian dance no. 1 (Brahms) Victor B-24115&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Leopold Auer (1845-1930) Melodie no. 3 (Tchaikovsky-Wilhelmj) Victor C-24114&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;8NL6KX6HD78SG&quot; /&gt; &lt;table&gt; &lt;tr&gt; 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style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnKuxKYzHlvdE3WyAj9R_AmK3DIBDLwrzhPO0EjMsGloIckeGkXV3nJHATDqvkQ155fHklPIXkp1vQCb5bEiSgbffMQtFhZSfQ5WbfMkpzh1LolobEQOCZWFbEEf6QY4DeUh2XA2WjraPAyZKsj6kmwO56cSN-QN7vLtFG2-PoZx_4OS1VotXWNCvsD4s/s600/DANIEL%20MELSA.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;443&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnKuxKYzHlvdE3WyAj9R_AmK3DIBDLwrzhPO0EjMsGloIckeGkXV3nJHATDqvkQ155fHklPIXkp1vQCb5bEiSgbffMQtFhZSfQ5WbfMkpzh1LolobEQOCZWFbEEf6QY4DeUh2XA2WjraPAyZKsj6kmwO56cSN-QN7vLtFG2-PoZx_4OS1VotXWNCvsD4s/s320/DANIEL%20MELSA.jpg&quot; width=&quot;236&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;DANIEL MELSA (WARSAW, POLAND, 1892 – HENDON, LONDON, ENGLAND, 1952)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Daniel Melsa was a Polish-born violin prodigy who rose to international fame in the early 20th century. Born in Warsaw during the Russian Poland era, he demonstrated exceptional talent from a young age, eventually earning recognition as one of the leading violinists of his generation.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In the early 1920s, Melsa embarked on highly successful tours across Australia and Asia, where his performances were met with great acclaim, further solidifying his global reputation. Known for his virtuosic technique and expressive interpretations, Melsa’s career remains a significant chapter in the history of violin performance.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He passed away in Hendon, London, in 1952, leaving behind a legacy celebrated by audiences worldwide.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Gypsy airs (Sarasate) Vocalion 5130-B&lt;/p&gt;&lt;p&gt;Hejre Kati (Hubay) Vocalion 5130-A&lt;/p&gt;&lt;p&gt;Caprice Viennois (Kreisler) Vocalion 533-A&lt;/p&gt;&lt;p&gt;Zapateado (Sarasate) Vocalion 533-B&lt;/p&gt;&lt;p&gt;Tambourin chinois (Kreisler) Vocalion 666&lt;/p&gt;&lt;p&gt;Spanish Dance (De Falla-Kreisler) Vocalion 666&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; 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alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/4110691960780599407/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/polish-violinist-daniel-melsa-1892-1952.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4110691960780599407'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4110691960780599407'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/polish-violinist-daniel-melsa-1892-1952.html' title='POLISH VIOLINIST DANIEL MELSA (1892-1952) CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnKuxKYzHlvdE3WyAj9R_AmK3DIBDLwrzhPO0EjMsGloIckeGkXV3nJHATDqvkQ155fHklPIXkp1vQCb5bEiSgbffMQtFhZSfQ5WbfMkpzh1LolobEQOCZWFbEEf6QY4DeUh2XA2WjraPAyZKsj6kmwO56cSN-QN7vLtFG2-PoZx_4OS1VotXWNCvsD4s/s72-c/DANIEL%20MELSA.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-489677780273059198</id><published>2025-02-24T19:40:00.005+04:00</published><updated>2025-02-24T20:34:11.909+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="RUSSIAN CELLIST DAVID MOGILEVSKY (1893-1961) CDR"/><title type='text'>RUSSIAN CELLIST DAVID MOGILEVSKY (1893-1961) CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMlJySQXA_fedHPg2k0knm9lWNec7_kuhbWTFzp6QUmwXF3jazzvXBUt5-Fw6vdGX-MDEvbHrLz5uuHxo2lRX_xPA2c993f8HTmZls2MnD1ULi4hAg3-fX6ArASdbM3HPq-n5fSQAIjaG97cAFysS4uvRICE68dZSGSTd-5q96FE5NpJR2PSwfFjo6xFg/s1184/DAVID%20MOGILEVSKY.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1184&quot; data-original-width=&quot;800&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMlJySQXA_fedHPg2k0knm9lWNec7_kuhbWTFzp6QUmwXF3jazzvXBUt5-Fw6vdGX-MDEvbHrLz5uuHxo2lRX_xPA2c993f8HTmZls2MnD1ULi4hAg3-fX6ArASdbM3HPq-n5fSQAIjaG97cAFysS4uvRICE68dZSGSTd-5q96FE5NpJR2PSwfFjo6xFg/s320/DAVID%20MOGILEVSKY.jpg&quot; width=&quot;216&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;DAVID MOGILEVSKY (ODESSA, JANUARY&amp;nbsp; 14 (26), 1893 – LENINGRAD, SEPTEMBER 28, 1961)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Early Life and Education&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Born into a teacher’s family, Mogilevsky graduated from the Odessa College of Music in 1910 as a cellist. Financial hardships led him to begin teaching and performing at an early age. He taught cello at the Simferopol branch of the Imperial Russian Musical Society (IRMO) while embarking on his career as a soloist.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Early Career&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mogilevsky served as the soloist-concertmaster of the Moscow Symphony Orchestra under S. A. Koussevitzky and later moved to Baku, where he taught at the Music College of the IRMO and performed with the city symphony orchestra. Returning to Odessa in 1914, he became a soloist-concertmaster for the city opera and symphony orchestra.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In 1917, Mogilevsky completed his studies at the Odessa Conservatory under the tutelage of E. F. Brambilla and A. P. Merk. Soon after, he relocated to Petrograd, winning a prestigious position as concertmaster and soloist with the Philharmonic Symphony Orchestra. He also performed as a soloist with the Mariinsky Theatre Opera and Symphony Orchestra.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Transition to Conducting&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In 1919, Mogilevsky became an accompanist and conductor at the Opera and Ballet Theatre in Yekaterinburg. Between 1920 and 1922, he conducted the opera and symphony orchestra in Perm, producing over 20 operas.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Chamber Music and International Acclaim&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Upon his return to Petrograd in 1922, Mogilevsky joined the A. K. Glazunov String Quartet as its permanent cellist. The ensemble gained fame, touring extensively across the Soviet Union and internationally, visiting France, Belgium, Holland, and Germany from 1929 onward.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Contributions to Music&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mogilevsky collaborated with notable musicians, including Sergei Rachmaninoff and Alexander Glazunov. He made significant contributions to the string quartet repertoire, creating over 50 arrangements of Russian and international works and compiling pedagogical collections.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Teaching and Legacy&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mogilevsky began teaching at the Leningrad State Conservatory in 1938. He became an associate professor in 1940, earning the title “Honored Artist of the RSFSR.” During World War II, he performed for soldiers at the front. From 1949 to 1961, he served as a professor at the Leningrad Conservatory. In 1957, he was once again honored with the title of “Honored Artist of the RSFSR.”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;David Mogilevsky’s contributions as a performer, educator, and arranger left an enduring legacy in Russian classical music. His work enriched the cultural landscape and inspired countless musicians and students.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Andante cantabile (beginning) Gramplasttrest 2499&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Andante cantabile (ending) Gramplasttrest 2500&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Cycle Five Novelettes for String Quartet, Op. 22 (Glasunoff) Mustrust 0891&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Quartet No.5 (Glasunoff) Scherzo Mustrust 0892&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Scherzo (Part 1) Mustrust 893&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Scherzo (Part 2) Mustrust 894&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) String Quartet No.8 Op.59 No.2 Allegretto (Beethoven) Parlophon P.9482-I 2-79516&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) String Quartet in E flat major Canzonetta (Mendelssohn) Parlophon P.9482-II 2-79517&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Honoured Glazunov quartet (Ilya Lukashevsky, Alexander Rushansky, Alexander Ruvkin (?), David Mogilevsky) Musical moment (Schubert) Artel Plastmass 794&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Honoured Glazunov quartet (Ilya Lukashevsky, Alexander Rushansky, Alexander Ruvkin (?), David Mogilevsky) Old Song (Tchaikovsky) Artel Plastmass 797&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Honoured Glazunov quartet (Ilya Lukashevsky, Alexander Rushansky, Alexander Ruvkin (?), David Mogilevsky) Ballet The Swan Lake (Tchaikovsky) Neapolitan Dance Artel Plastmass 807&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Honoured Glazunov quartet (Ilya Lukashevsky, Alexander Rushansky, Alexander Ruvkin (?), David Mogilevsky) Rondo (Mozart) Artel Plastmass 809&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;HPY4AKDF9QRWA&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;RUSSIAN CELLIST DAVID MOGILEVSKY (1893-1961) CDR&quot;/&gt; RUSSIAN CELLIST DAVID MOGILEVSKY (1893-1961) CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10$&quot;&gt; SHIPPING COST: 10$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/489677780273059198/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/russian-cellist-david-mogilevsky-1893.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/489677780273059198'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/489677780273059198'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/russian-cellist-david-mogilevsky-1893.html' title='RUSSIAN CELLIST DAVID MOGILEVSKY (1893-1961) CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMlJySQXA_fedHPg2k0knm9lWNec7_kuhbWTFzp6QUmwXF3jazzvXBUt5-Fw6vdGX-MDEvbHrLz5uuHxo2lRX_xPA2c993f8HTmZls2MnD1ULi4hAg3-fX6ArASdbM3HPq-n5fSQAIjaG97cAFysS4uvRICE68dZSGSTd-5q96FE5NpJR2PSwfFjo6xFg/s72-c/DAVID%20MOGILEVSKY.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-7989948973933338876</id><published>2025-02-24T19:38:00.005+04:00</published><updated>2025-02-24T20:35:08.196+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="RUSSIAN VIOLINIST ALEXANDER PETSCHNIKOFF (1973-1949) CDR"/><title type='text'>RUSSIAN VIOLINIST ALEXANDER PETSCHNIKOFF (1973-1949) CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjprpaKOyfBK4RzgFWgI3figfCCTUxgs2fvWEGeq1Kwy366Oot4kagDp8_DwQPHle_sV38t9_DH4vzzznZKogbUw9M1TgRhrBulEbIB7FW6MtwKM-D9fJKfor7wHmhK2jUtEvP2JgFrqWwq3bUqpfFSc4ih16eET_VQ-HW6TOMLgDBvJeIMKJgSLdFoehE/s2600/Violinist%20Alexander%20Petschnikoff.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2600&quot; data-original-width=&quot;1614&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjprpaKOyfBK4RzgFWgI3figfCCTUxgs2fvWEGeq1Kwy366Oot4kagDp8_DwQPHle_sV38t9_DH4vzzznZKogbUw9M1TgRhrBulEbIB7FW6MtwKM-D9fJKfor7wHmhK2jUtEvP2JgFrqWwq3bUqpfFSc4ih16eET_VQ-HW6TOMLgDBvJeIMKJgSLdFoehE/s320/Violinist%20Alexander%20Petschnikoff.jpg&quot; width=&quot;199&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;ALEXANDER PETSCHNIKOFF (YELETS, 20 JANUARY, 1873 – BUENOS AIRES, 3 NOVEMBER, 1949)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Alexander Petschnikoff was a Russian violinist and a student of Ivan Grzhimali. He graduated from the Moscow Conservatory in 1891 and further honed his skills under the guidance of Joseph Joachim in Berlin.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Petschnikoff began extensive concert tours in Europe and America in 1895, performing on a Stradivarius violin that had previously belonged to Ferdinand Laub (now known as the Laub- Petschnikoff violin).&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;From 1913 to 1921, he served as a professor at the Munich Academy of Music, and in 1927 he began teaching at the Stern Conservatory in Berlin. In 1936, Petschnikoff emigrated and settled in Argentina, where he continued to teach and perform.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He often appeared in duet performances with his wife, violinist Lily Petschnikoff.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Allegro (Nardini) Anker 5005&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Andante Cantabile (Nardini) Anker 5006&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Canzonetta (D’Ambrosio) Anker 5003&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Fantasia appassionata (Vieuxtemps) Anker 5092&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Le Cygne (Saint-Saëns) Anker 5001&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Andante cantabile (beginning) Gramplasttrest 2499&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Andante cantabile (ending) Gramplasttrest 2500&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Cycle Five Novelettes for String Quartet, Op. 22 (Glasunoff) Mustrust 0891&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Quartet No.5 (Glasunoff) Scherzo Mustrust 0892&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Scherzo (Part 1) Mustrust 893&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) Scherzo (Part 2) Mustrust 894&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) String Quartet No.8 Op.59 No.2 Allegretto (Beethoven) Parlophon P.9482-I 2-79516&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Glasunoff Quartett (Ilya Lukashevsky, Alexander Petschnikoff, Aleksandr Ryvkin, David Mogilevsky) String Quartet in E flat major Canzonetta (Mendelssohn) Parlophon P.9482-II 2-79517&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;HR5PBYVACX8QS&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;RUSSIAN VIOLINIST ALEXANDER PETSCHNIKOFF (1973-1949) CDR&quot;/&gt; RUSSIAN VIOLINIST ALEXANDER PETSCHNIKOFF (1973-1949) CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10$&quot;&gt; SHIPPING COST: 10$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/7989948973933338876/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/russian-violinist-alexander.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/7989948973933338876'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/7989948973933338876'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/russian-violinist-alexander.html' title='RUSSIAN VIOLINIST ALEXANDER PETSCHNIKOFF (1973-1949) CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjprpaKOyfBK4RzgFWgI3figfCCTUxgs2fvWEGeq1Kwy366Oot4kagDp8_DwQPHle_sV38t9_DH4vzzznZKogbUw9M1TgRhrBulEbIB7FW6MtwKM-D9fJKfor7wHmhK2jUtEvP2JgFrqWwq3bUqpfFSc4ih16eET_VQ-HW6TOMLgDBvJeIMKJgSLdFoehE/s72-c/Violinist%20Alexander%20Petschnikoff.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-4920642800991145765</id><published>2025-02-24T19:36:00.006+04:00</published><updated>2025-02-24T20:36:14.115+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ITALIAN SOPRANO ULDERICA PERSICHINI CDR"/><title type='text'>ITALIAN SOPRANO ULDERICA PERSICHINI CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMfTYlx852FG0AAaph5MGRRO8kMiXfyQ7jPjOzAVteqpkNiguZmOXpcjiGnBWJwRsMmbZa3ILhf2Vctw0ateTzEGVt0H_eniK7bIMBoiI3q45ObzKuQ0-FfoElZkdKc1SvpUWmxregtspVGHoflyflGDC8gGofrAqnPPtmXlni3livPico0nlcXyp8y54/s1200/2.-Ernani-Verdi-Tutto-sprezzo-che-dErnani-37364-Xm690mb-Odeon-Milano.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1186&quot; data-original-width=&quot;1200&quot; height=&quot;316&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMfTYlx852FG0AAaph5MGRRO8kMiXfyQ7jPjOzAVteqpkNiguZmOXpcjiGnBWJwRsMmbZa3ILhf2Vctw0ateTzEGVt0H_eniK7bIMBoiI3q45ObzKuQ0-FfoElZkdKc1SvpUWmxregtspVGHoflyflGDC8gGofrAqnPPtmXlni3livPico0nlcXyp8y54/s320/2.-Ernani-Verdi-Tutto-sprezzo-che-dErnani-37364-Xm690mb-Odeon-Milano.webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;ULDERICA PERSICHINI&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In 1902, she appeared at the Teatro Metastasio in Reggio in a performance of Puccini’s La Bohème as Mimì, with Ariodante Quarti as Rodolfo and Amleto Pollastri as Marcello. Her husband was the famous Italian painter Giuseppe Rondini.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chronology of some appearances&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;1902 Regio Teatro Metastasio Boheme (Mimi)&lt;/p&gt;&lt;p&gt;1905 Milano Teatro Dal Verme Faust (Margherita)&lt;/p&gt;&lt;p&gt;1906 Narni Teatro Comunale Traviata (Violetta)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Ernani (Verdi) Ernani! Ernani, involami 37357 Xm682 Odeon, Milano 1906-02/03&lt;/p&gt;&lt;p&gt;Ernani (Verdi) Tutto sprezzo che d’Ernani, 37364, Xm690mb Odeon, Milano 1906-02/03&lt;/p&gt;&lt;p&gt;Fra Diavolo (Auber) Grazie al ciel 37358 Xm684 Odeon, Milano 1906-02/03&lt;/p&gt;&lt;p&gt;Manon Lescaut (Puccini) In quelle trine morbide 37354 Xm 648 Odeon, Milano 1906-02/03&lt;/p&gt;&lt;p&gt;Manon Lescaut (Puccini) L’ora o Tirsi 37360 Xm 686 Odeon, Milano 1906-02/03&lt;/p&gt;&lt;p&gt;Mefistofele (Boito) Spunta l’aurora pallida 37361 Xm687 Odeon, Milano 1906-02/03&lt;/p&gt;&lt;p&gt;Tosca (Puccini) Vissi d’arte 37298 Xm 641 Odeon, Milano 1906-02/03&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;GU3V8CAV59QAS&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;ITALIAN SOPRANO ULDERICA PERSICHINI CDR&quot;/&gt; ITALIAN SOPRANO ULDERICA PERSICHINI CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10$&quot;&gt; SHIPPING COST: 10$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/4920642800991145765/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-soprano-ulderica-persichini-cdr.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4920642800991145765'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4920642800991145765'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-soprano-ulderica-persichini-cdr.html' title='ITALIAN SOPRANO ULDERICA PERSICHINI CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMfTYlx852FG0AAaph5MGRRO8kMiXfyQ7jPjOzAVteqpkNiguZmOXpcjiGnBWJwRsMmbZa3ILhf2Vctw0ateTzEGVt0H_eniK7bIMBoiI3q45ObzKuQ0-FfoElZkdKc1SvpUWmxregtspVGHoflyflGDC8gGofrAqnPPtmXlni3livPico0nlcXyp8y54/s72-c/2.-Ernani-Verdi-Tutto-sprezzo-che-dErnani-37364-Xm690mb-Odeon-Milano.webp" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-1639526115934037181</id><published>2025-02-24T19:34:00.005+04:00</published><updated>2025-02-24T20:37:15.202+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ITALIAN TENOR ATTILIO BARBIERI (1896-1967) CDR"/><title type='text'>ITALIAN TENOR ATTILIO BARBIERI (1896-1967) CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVPNLYmi4lk_GL0Xy5lDx-XX4-enfSIIb-VjpFZ6XyfGGX-dAavabm5hvssn0R7B7IuRCpXKSAgwxPtWR3_NFo4w77YONA_YJGWpMiQIMl4oOmqopGK1UHKxkRzPk0gxJR47yUz_UOnrpMzeSB-dlZHC1jllgYhvf8tHrmBLdHYcEPwcAsn_kSaIbRA48/s707/ATTILIO%20BARBIERI.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;707&quot; data-original-width=&quot;521&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVPNLYmi4lk_GL0Xy5lDx-XX4-enfSIIb-VjpFZ6XyfGGX-dAavabm5hvssn0R7B7IuRCpXKSAgwxPtWR3_NFo4w77YONA_YJGWpMiQIMl4oOmqopGK1UHKxkRzPk0gxJR47yUz_UOnrpMzeSB-dlZHC1jllgYhvf8tHrmBLdHYcEPwcAsn_kSaIbRA48/s320/ATTILIO%20BARBIERI.jpg&quot; width=&quot;236&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;ATTILIO BARBIERI (PARMA, 26/05/1896 – MILAN, 23/06/1967)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He was an artisan of the chisel and a member of the Choral Euterpe. A patron, the industrialist Richard Barilla, supported his studies in singing—initially with Annibale Pizzarelli, then with the tenor Giuseppe Borgatti, and finally with Amilcare Zanella. Despite the high hopes Borgatti had for him, true fame never materialized.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In August 1926, he performed in a concert organized by Borgatti’s school at the Teatro di Colorno. A week later, he sang under Renzo Martini’s direction as Turiddu in Cavalleria Rusticana at the Teatro Politeama Reinach in Parma, where he reprised the role the following spring. On April 26, 1927, he participated in a concert with Borgatti at the Grand Hall of the Liceo Musicale in Bologna.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In October 1927, he appeared at the Teatro Dal Verme in Milan in Mascagni’s Isabeau. Shortly after, he performed in Asti as Radamès in Aida. In 1928, he achieved success in Aida and Il Trovatore at the Teatro Miramare in Tripoli.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;During the 1928–29 season at the Teatro Regio di Parma, a string of Radamès singers faltered—Giuseppe Radaelli, Antonino Trantoul, and Francesco Merli all withdrew. For the final two performances, the manager turned to Attilio Barbieri. It was his moment of glory. However, his career subsequently continued on smaller stages.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chronology of some appearances&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;1926 Parma Politeama Reinach Cavalleria rusticana (Turiddu)&lt;/p&gt;&lt;p&gt;1927 Parma Politeama Reinach Cavalleria rusticana (Turiddu)&lt;/p&gt;&lt;p&gt;1927 Bologna Concert Gande Sala of the Liceo Musicale&lt;/p&gt;&lt;p&gt;1927 Milan Teatro Dal Verme Isabeau (Folco)&lt;/p&gt;&lt;p&gt;1927 Asti Teatro Alfieri Aida (Radames)&lt;/p&gt;&lt;p&gt;1928 Tripoli Miramare Aida (Radames)&lt;/p&gt;&lt;p&gt;1928 Tripoli Teatro Miramare Trovatore (Manrico)&lt;/p&gt;&lt;p&gt;1929 Parma Teatro Regio Aida (Radames)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Odeon Fonotipia, Milano 1928-06-15&lt;/p&gt;&lt;p&gt;Cavalleria Rusticana (Mascagni): Addio alla madre 120154 XXPh 6312&lt;/p&gt;&lt;p&gt;Otello (Verdi): Ora e per sempre addio 168198 Pho 6313&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Odeon Fonotipia, Milano 1929-12-10&lt;/p&gt;&lt;p&gt;Piccolo Marat (Mascagni): Comprendi quello with Mazza 172098 Xxpho 6517&lt;/p&gt;&lt;p&gt;Piccolo Marat (Mascagni): Va nella tua stanzetta with Mazza 172098 XXpho&amp;nbsp; 6514&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Odeon Fonotipia, Milano 1929-12-11&lt;/p&gt;&lt;p&gt;Isabeau (Mascagni): I tuoi occhi with Tina Poli Randaccio 172104 XXPho 6523&lt;/p&gt;&lt;p&gt;Isabeau (Mascagni): Ch’to fugga with Tina Poli Randaccio 172104 XXPho 6522&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Odeon Fonotipia, Milano 1929-12-12&lt;/p&gt;&lt;p&gt;Isabeau (Mascagni): Il sogno e Dio 168394 Pho 6528&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Odeon Fonotipia, Milano 1929-12-14&lt;/p&gt;&lt;p&gt;Isabeau (Mascagni): L’occhio e cieco 168394 Pho 6532&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;SPLPBAVXJSLXY&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;ITALIAN TENOR ATTILIO BARBIERI (1896-1967) CDR&quot;/&gt; ITALIAN TENOR ATTILIO BARBIERI (1896-1967) CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10$&quot;&gt; SHIPPING COST: 10$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/1639526115934037181/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-tenor-attilio-barbieri-1896.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/1639526115934037181'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/1639526115934037181'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-tenor-attilio-barbieri-1896.html' title='ITALIAN TENOR ATTILIO BARBIERI (1896-1967) CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVPNLYmi4lk_GL0Xy5lDx-XX4-enfSIIb-VjpFZ6XyfGGX-dAavabm5hvssn0R7B7IuRCpXKSAgwxPtWR3_NFo4w77YONA_YJGWpMiQIMl4oOmqopGK1UHKxkRzPk0gxJR47yUz_UOnrpMzeSB-dlZHC1jllgYhvf8tHrmBLdHYcEPwcAsn_kSaIbRA48/s72-c/ATTILIO%20BARBIERI.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-7987765030490555932</id><published>2025-02-24T19:31:00.007+04:00</published><updated>2025-02-24T20:38:03.743+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="HUNGARIAN VIOLINIST ALFRED INDIG CDR"/><title type='text'>HUNGARIAN VIOLINIST ALFRED INDIG CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMlPKX0iI_Skbh3fIWF_e_erSrdflsqHibU8dH1ZUlQ5ZmgR1YyRqDV1FL-aMa4ar0r6pflo_9Fo4Y9tGTux1wagfsxBAiQCJZxEI9DsHG0gqAwqJZPX22xeLYwyhyyz2rgIFygt5fwDSElPa-LxE4opiQduK-qaFlJWwhbN_xPsm5eR4XPesgwfhX5Qw/s1200/HUNGARIAN-VIOLINIST-ALFRED-INDIG.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;909&quot; data-original-width=&quot;1200&quot; height=&quot;242&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMlPKX0iI_Skbh3fIWF_e_erSrdflsqHibU8dH1ZUlQ5ZmgR1YyRqDV1FL-aMa4ar0r6pflo_9Fo4Y9tGTux1wagfsxBAiQCJZxEI9DsHG0gqAwqJZPX22xeLYwyhyyz2rgIFygt5fwDSElPa-LxE4opiQduK-qaFlJWwhbN_xPsm5eR4XPesgwfhX5Qw/s320/HUNGARIAN-VIOLINIST-ALFRED-INDIG.webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;ALFRED INDIG (BRAȘOV, ROMANIA, 18 SEPTEMBER, 1892 – ?)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Alfred Indig was a student of Jenő Hubay at the Budapest Academy of Music and, from 1917 to 1921, served as the second violinist in the Budapest String Quartet. In 1920, he performed as a soloist with the Royal Concertgebouw Orchestra, and in 1922, he married Betty Polak in Amsterdam.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In 1931, Alfred became the concertmaster of the Berlin Philharmonic. However, he fled Germany in 1933 and was known to be in Paris by 1934. While in Paris, he formed his own string quartet, the “Quatuor Indig” or “Indig Quartet,” which was active from 1934 until around 1938, frequently appearing on radio and performing in concerts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In the late 1940s, Alfred joined the Lener Quartet.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In the autumn of 1946, he invited Ferenc Ákos, István Deák (violist), and János Starker—who had recently emigrated and were staying in Paris—to Cannes with the promise of string quartet concerts in Germany. The attempt was unsuccessful.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;After World War II, from February 1948 for a brief period—until Jenő Léner’s death—he served as the second violinist in Léner’s “new” quartet during their interrupted South American tour.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;By the 1950s, from 1951 to at least 1956, he was once again performing with his own string quartet.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Aida (Verdi) Fantaisie Columbia D 17138 FX 5&lt;/p&gt;&lt;p&gt;Bohème (Puccini) Fantasy Columbia D 17130&lt;/p&gt;&lt;p&gt;Cavalleria Rusticana (Mascagni) Fantasy Columbia D 17130&lt;/p&gt;&lt;p&gt;Jota Navarra Op. 22 No. 2 (Sarasate)&lt;/p&gt;&lt;p&gt;Les Millions d’Arlequin (Drigo) Sérénade&lt;/p&gt;&lt;p&gt;Paljas (Leoncavallo) Fantaisie Columbia ‎D 17138 FX 2&lt;/p&gt;&lt;p&gt;Traviata (Verdi) Fantasy Columbia D 17129 75670&lt;/p&gt;&lt;p&gt;Trovatore (Verdi) Fantasy Columbia D 17129&lt;/p&gt;&lt;p&gt;Waltz Op. 64 No. 2 (Chopin)&lt;/p&gt;&lt;p&gt;Zigeunerweisen (Sarasate) Columbia D 17117&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;ZQZ69CVRMKHHC&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;HUNGARIAN VIOLINIST ALFRED INDIG CDR&quot;/&gt; HUNGARIAN VIOLINIST ALFRED INDIG CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10$&quot;&gt; SHIPPING COST: 10$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/7987765030490555932/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/hungarian-violinist-alfred-indig-cdr.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/7987765030490555932'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/7987765030490555932'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/hungarian-violinist-alfred-indig-cdr.html' title='HUNGARIAN VIOLINIST ALFRED INDIG CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMlPKX0iI_Skbh3fIWF_e_erSrdflsqHibU8dH1ZUlQ5ZmgR1YyRqDV1FL-aMa4ar0r6pflo_9Fo4Y9tGTux1wagfsxBAiQCJZxEI9DsHG0gqAwqJZPX22xeLYwyhyyz2rgIFygt5fwDSElPa-LxE4opiQduK-qaFlJWwhbN_xPsm5eR4XPesgwfhX5Qw/s72-c/HUNGARIAN-VIOLINIST-ALFRED-INDIG.webp" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-2031233768297966603</id><published>2025-02-24T19:29:00.007+04:00</published><updated>2025-02-24T20:39:00.051+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ITALIAN SOPRANO LUCIA CRESTANI THE COMPLETE RECORDINGS CDR"/><title type='text'>ITALIAN SOPRANO LUCIA CRESTANI THE COMPLETE RECORDINGS CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUmmjKIgEtaNeXarOiOG3NQn4iygRncAlTVIHIt0jNn5GAzPgygb_K7EnS44e9xQil9FXxjEGi-CQ5IxJFUXPbn5RlBhypBsIcoXaLK-L3T5xui1d7OPqAufdERyMB2b-xuciK8fttqpH1aAV2SnejQr-QJRGp5cKt27RYXx250mCTNNxJyLVz_2s5GHE/s650/Soprano%20Lucia%20Crestani.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;650&quot; data-original-width=&quot;610&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUmmjKIgEtaNeXarOiOG3NQn4iygRncAlTVIHIt0jNn5GAzPgygb_K7EnS44e9xQil9FXxjEGi-CQ5IxJFUXPbn5RlBhypBsIcoXaLK-L3T5xui1d7OPqAufdERyMB2b-xuciK8fttqpH1aAV2SnejQr-QJRGp5cKt27RYXx250mCTNNxJyLVz_2s5GHE/s320/Soprano%20Lucia%20Crestani.jpg&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;LUCIA CRESTANI (VERONA, 21 FEBRUARY OR 21 JANUARY, 1886 – FERRARA, JUNE, 1972)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;She was a pupil of the renowned pedagogue Vittorio Gelich and made her operatic debut in 1904 at the Teatro Carignano in Turin as Aida. By 1905, she had already performed at La Scala in Milan in Catalani’s Loreley. Her career continued with significant performances at major Italian opera houses, including the Teatro Massimo in Palermo (1906, as Stephana in Siberia), Teatro Regio in Parma (1907, as Aida), Teatro Comunale in Bologna (1908, as Aida), Teatro La Fenice in Venice (1908), and the Teatro Liceo in Barcelona (1910, as Aida).&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Internationally, she graced stages such as the Teatro Coliseo in Buenos Aires (1907) and the Teatro Kedivhiale in Cairo (1910). In 1913, she toured North America with the Western Metropolitan Opera Company.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Her career flourished during and after World War I, with performances in major Italian venues. In 1924, she appeared at the Teatro Filarmonico in Verona in Verdi’s Requiem.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Following her performance career, she transitioned into teaching, first in Verona and later, starting in 1934, in Ferrara.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chronology of some appearances&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;1903 Torino Teatro Vittorio Emanuele Aida (Aida)&lt;/p&gt;&lt;p&gt;1905 Modena Teatro Municipale Germania (Ricke)&lt;/p&gt;&lt;p&gt;1907 Parma Teatro Regio Aida (Aida)&lt;/p&gt;&lt;p&gt;1909 Cento Teatro Sociale Wally (Wally)&lt;/p&gt;&lt;p&gt;1913 Madrid Teatro Reale Franco Cacciatore (Agata)&lt;/p&gt;&lt;p&gt;1916 Palermo Teatro Massimo Fanciulla del West (Minnie)&lt;/p&gt;&lt;p&gt;1919 Verona Teatro Ristori Fanciulla del West (Minnie)&lt;/p&gt;&lt;p&gt;1924 Vicenza Teatro Verdi Requiem di G. Verdi&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Ballo in maschera (Verdi) Ma dall’arrido stelo divulsa 053066 526c G&amp;amp;T, Milano 1905&lt;/p&gt;&lt;p&gt;Ballo in maschera (Verdi) Morrò, ma prima in grazia 53409 7296b G&amp;amp;T, Milano 1905&lt;/p&gt;&lt;p&gt;Forza del destino (Verdi) Pace, pace, mio Dio 53408 7295b G&amp;amp;T, Milano 1905&lt;/p&gt;&lt;p&gt;Trovatore (Verdi) D’amor sull’ali 53411 7298b G&amp;amp;T, Milano 1905&lt;/p&gt;&lt;p&gt;Trovatore (Verdi) Tacea la notte placida 53410 7297b G&amp;amp;T, Milano 1905&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;YTHXHSTTL6SJJ&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;ITALIAN SOPRANO LUCIA CRESTANI THE COMPLETE RECORDINGS CDR&quot;/&gt; ITALIAN SOPRANO LUCIA CRESTANI THE COMPLETE RECORDINGS CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10$&quot;&gt; SHIPPING COST: 10$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/2031233768297966603/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-soprano-lucia-crestani-complete.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/2031233768297966603'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/2031233768297966603'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-soprano-lucia-crestani-complete.html' title='ITALIAN SOPRANO LUCIA CRESTANI THE COMPLETE RECORDINGS CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUmmjKIgEtaNeXarOiOG3NQn4iygRncAlTVIHIt0jNn5GAzPgygb_K7EnS44e9xQil9FXxjEGi-CQ5IxJFUXPbn5RlBhypBsIcoXaLK-L3T5xui1d7OPqAufdERyMB2b-xuciK8fttqpH1aAV2SnejQr-QJRGp5cKt27RYXx250mCTNNxJyLVz_2s5GHE/s72-c/Soprano%20Lucia%20Crestani.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-2857441409216757937</id><published>2025-02-24T19:27:00.006+04:00</published><updated>2025-02-24T20:39:58.762+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="POLISH SOPRANO MARIA WROBLEWSKA CDR"/><title type='text'>POLISH SOPRANO MARIA WROBLEWSKA (WROBLENSKA) CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigb6Ut_kzNmOrigS-JO-TE40PV5oGCYkXZwzxRWMKAWQ5OMQPZMtCH_ndWjPoNHA2csxYU7kJO6JmgqigHU9qhEm0EeZ0yG8f53ZJEbABRnYd1JODDUYem7nPn0o2kJ6eyDOqwPEsFHZ_R3QFTXD_TK_3OErUVFlnWwlKbAyCU3-a4pzAKC2Tg8HerDrs/s355/Wroblenska%20Maria224.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;355&quot; data-original-width=&quot;244&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigb6Ut_kzNmOrigS-JO-TE40PV5oGCYkXZwzxRWMKAWQ5OMQPZMtCH_ndWjPoNHA2csxYU7kJO6JmgqigHU9qhEm0EeZ0yG8f53ZJEbABRnYd1JODDUYem7nPn0o2kJ6eyDOqwPEsFHZ_R3QFTXD_TK_3OErUVFlnWwlKbAyCU3-a4pzAKC2Tg8HerDrs/s320/Wroblenska%20Maria224.jpg&quot; width=&quot;220&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;MARIA WROBLEWSKA&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;She studied singing with Edouard De Reszke, the celebrated bass and brother of tenor Jean De Reszke. Her early performances were in her native Warsaw, where she appeared in recitals and operatic productions, including Aida and Cavalleria Rusticana. She later pursued further vocal training in Italy under the guidance of pedagogue Caviani.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In 1912, she made her professional operatic debut at the Teatro Civico in Schio, performing in Verdi’s Il Trovatore.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chronology of some appearances&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;1912 Schio Teatro Sociale Trovatore (Leonora)&lt;/p&gt;&lt;p&gt;1914 Milano Teatro Dal Verme Ballo in maschera (Amelia)&lt;/p&gt;&lt;p&gt;1916 Milano Teatro Dal Verme Crepuscolo degli dei (Brunilde)&lt;/p&gt;&lt;p&gt;1918 Milano Teatro Lirico Gioconda (Gioconda)&lt;/p&gt;&lt;p&gt;1921 Roma Teatro Dell’Opera Fanciulla del West (Minnie)&lt;/p&gt;&lt;p&gt;1923 Milano Teatro Dal Verme Gioconda (Gioconda)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Africaine (Meyerbeer): Di te più bella immagine (w. Zampieri) 82392 Odeon Fonotipia, Milano&lt;/p&gt;&lt;p&gt;Africaine (Meyerbeer): O mia Selika (w. Zampieri) 82393 Odeon Fonotipia, Milano&lt;/p&gt;&lt;p&gt;Attila (Verdi) Allor i forti 110379 Odeon Fonotipia, Milano&lt;/p&gt;&lt;p&gt;Attila (Verdi) Da te questo 110380 Odeon Fonotipia, Milano&lt;/p&gt;&lt;p&gt;Cavalleria Rusticana (Mascagni) Voi lo sapete 42398 Beka&lt;/p&gt;&lt;p&gt;Don Giovanni (Mozart) Or sai chi l’onore 42411 Beka&lt;/p&gt;&lt;p&gt;Norma (Bellini) Casta diva 42412 Beka&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;CGF6SRNHCPXZ8&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;POLISH SOPRANO MARIA WROBLEWSKA (WROBLENSKA) CDR&quot;/&gt; POLISH SOPRANO MARIA WROBLEWSKA (WROBLENSKA) CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10$&quot;&gt; SHIPPING COST: 10$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/2857441409216757937/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/polish-soprano-maria-wroblewska.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/2857441409216757937'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/2857441409216757937'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/polish-soprano-maria-wroblewska.html' title='POLISH SOPRANO MARIA WROBLEWSKA (WROBLENSKA) CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigb6Ut_kzNmOrigS-JO-TE40PV5oGCYkXZwzxRWMKAWQ5OMQPZMtCH_ndWjPoNHA2csxYU7kJO6JmgqigHU9qhEm0EeZ0yG8f53ZJEbABRnYd1JODDUYem7nPn0o2kJ6eyDOqwPEsFHZ_R3QFTXD_TK_3OErUVFlnWwlKbAyCU3-a4pzAKC2Tg8HerDrs/s72-c/Wroblenska%20Maria224.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-4198564395941893887</id><published>2025-02-24T19:24:00.007+04:00</published><updated>2025-02-24T20:40:53.111+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ITALIAN MEZZO-SOPRANO BICE LUCCHINI CDR"/><title type='text'>ITALIAN MEZZO-SOPRANO BICE LUCCHINI CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCbuO6NJxoNM7seDeYFLK9dKj6TAFvdmwMFQ0rek5nLssc4vzCjaUL3DjoqPFJyZMbPp92ubufLeaFxYa_8PDaZFz76-Q2sMHaYje1bWtxhqrm03yUgD8ZSPvYEKqgZWcqYSKNsG4ywzsQSsbbNkX-OK_gbfuEy2EGpa9aFOmmqnxbMmzK1MvMpCIVWcw/s1633/BICE-LUCCHINI.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1633&quot; data-original-width=&quot;1212&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCbuO6NJxoNM7seDeYFLK9dKj6TAFvdmwMFQ0rek5nLssc4vzCjaUL3DjoqPFJyZMbPp92ubufLeaFxYa_8PDaZFz76-Q2sMHaYje1bWtxhqrm03yUgD8ZSPvYEKqgZWcqYSKNsG4ywzsQSsbbNkX-OK_gbfuEy2EGpa9aFOmmqnxbMmzK1MvMpCIVWcw/s320/BICE-LUCCHINI.webp&quot; width=&quot;238&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;BICE LUCCHINI (TRIESTE ? – ?)&lt;/b&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;She made her debut as a soprano in 1899 at the Teatro del Casinò in Mentone, performing the role of Oscar in Verdi’s Un Ballo in Maschera. Around 1905, she transitioned to exclusively performing mezzo-soprano roles, marking a significant shift in her vocal repertoire.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chronology of some appearances&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;1899 Trieste Politeama Rossetti Cavalleria Rusticana (Santuzza)&lt;/p&gt;&lt;p&gt;1901 Empoli Teatro Salvini Attila (Viclinda)&lt;/p&gt;&lt;p&gt;1903 Foggia Teatro Dauno Norma (Norma)&lt;/p&gt;&lt;p&gt;1906 Genova Politeama Genovese Fedora (Olga)&lt;/p&gt;&lt;p&gt;1908 Genova Teatro Paganini Adriana Lecouvreur (Principessa)&lt;/p&gt;&lt;p&gt;1910 Suzzara Teatro Sociale Forza del destino (Preziosilla)&lt;/p&gt;&lt;p&gt;1912 Marsala Teatro Garibaldi Ballo in Maschera (Ulrica)&lt;/p&gt;&lt;p&gt;1914 Reggio Emilia Teatro Municipale Ballo in Maschera (Ulrica)&lt;/p&gt;&lt;p&gt;1916 Milano Teatro Dal Verme Concerto&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Aida (Verdi) Rivedrai le foreste imbalsamate (w. Fossetta) 10136 Beka&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Educande di Sorrento (Usiglio) Un bacio rendimi (w. Baldassarri) C2370 10890 Columbia&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ernani (Verdi) Da quel dì (w. Fossetta) 10121 Beka&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Faust (Gounod): Scena del giardino, pt 1 (w. de Neri, Vannuccini &amp;amp; Carrara) 110283 Odeon, Milano 1911?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Faust (Gounod): Scena del giardino, pt 2 (w. de Neri, Vannuccini &amp;amp; Carrara) 110284 Odeon, Milano 1911?&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;I Granatieri (Valente) Nell’ebbrezza (w. Baldassarri) D9223 10892-1 Columbia, Milano 1909&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Linda di Chamounix (Donizetti) Per sua pietà 42170 Beka, Milano 1909/1910&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rigoletto (Verdi) Quartetto (w. Cassani, Bersellini &amp;amp; Tortorici) 42169 Beka, Milano 1909/1910&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Trovatore (Verdi) Ai nostri monti (w. Martinez-Patti) D4207 10822 Columbia, Milano 1909&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;2P8BP2UXBY8JC&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;ITALIAN MEZZO-SOPRANO BICE LUCCHINI CDR&quot;/&gt; ITALIAN MEZZO-SOPRANO BICE LUCCHINI CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10$&quot;&gt; SHIPPING COST: 10$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/4198564395941893887/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-mezzo-soprano-bice-lucchini-cdr.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4198564395941893887'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4198564395941893887'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-mezzo-soprano-bice-lucchini-cdr.html' title='ITALIAN MEZZO-SOPRANO BICE LUCCHINI CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCbuO6NJxoNM7seDeYFLK9dKj6TAFvdmwMFQ0rek5nLssc4vzCjaUL3DjoqPFJyZMbPp92ubufLeaFxYa_8PDaZFz76-Q2sMHaYje1bWtxhqrm03yUgD8ZSPvYEKqgZWcqYSKNsG4ywzsQSsbbNkX-OK_gbfuEy2EGpa9aFOmmqnxbMmzK1MvMpCIVWcw/s72-c/BICE-LUCCHINI.webp" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-8370793739003991061</id><published>2025-02-24T19:21:00.002+04:00</published><updated>2025-02-24T20:42:06.983+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ITALIAN TENOR FILIPPO D’OTTAVI THE COMPLETE RECORDINGS CDR"/><title type='text'>ITALIAN TENOR FILIPPO D’OTTAVI THE COMPLETE RECORDINGS CDR</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw42GIRV4VFa7030HXSiAb0nzYFwuK9JaMLltq03gGgFnKmr2wD7hwrjAF8cr6DZ2-HsG8aU_n7-XzQiaGHtKnCY0QbPUrZLKYhc6849mOujVNTGG06fgUq01Qb-_X0dqLeHu_8cC3oFYxX5udON_LNB16edUhakg1ewck0eLWLJyTfMlK7dUNXsuhwXc/s313/D&#39;Ottavi%20Filippo%20negli%20anni%20del%20successo.gif&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;313&quot; data-original-width=&quot;301&quot; height=&quot;313&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw42GIRV4VFa7030HXSiAb0nzYFwuK9JaMLltq03gGgFnKmr2wD7hwrjAF8cr6DZ2-HsG8aU_n7-XzQiaGHtKnCY0QbPUrZLKYhc6849mOujVNTGG06fgUq01Qb-_X0dqLeHu_8cC3oFYxX5udON_LNB16edUhakg1ewck0eLWLJyTfMlK7dUNXsuhwXc/s1600/D&#39;Ottavi%20Filippo%20negli%20anni%20del%20successo.gif&quot; width=&quot;301&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;FILIPPO D’OTTAVI&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In 1903, he achieved great success performing as Manrico in Verdi’s Il Trovatore and as Raoul in Meyerbeer’s Gli Ugonotti at the Teatro Tivoli in Barcelona. In 1906, as a member of the touring Lombardi Opera Company, he appeared as Radames in Verdi’s Aida at San Francisco’s Central Theater, sharing the stage with the renowned soprano Ester Adaberto and baritone Angelo Antola.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chronology of some appearances&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;1899 Potenza Teatro Stabile Cavalleria Rusticana (Turiddu)&lt;/p&gt;&lt;p&gt;1901 Pisa Teatro Verdi Ballo in Maschera (Riccardo)&lt;/p&gt;&lt;p&gt;1903 Valencia Teatro Principal Faust (Faust)&lt;/p&gt;&lt;p&gt;1906 San Louis Potosi Teatro Colon Stagione Compagnia Lambardi&lt;/p&gt;&lt;p&gt;1909 Buenos Ayres Politeama Argentino Ernani (Ernani)&lt;/p&gt;&lt;p&gt;1910 Caracas Teatro Municipal Aida (Radames)&lt;/p&gt;&lt;p&gt;1912 Como Teatro Sociale Aida (Radames)&lt;/p&gt;&lt;p&gt;1914 Mahon Teatro Principal Aida (Radames)&lt;/p&gt;&lt;p&gt;1924 Trieste Politeama Rossetti Forza del Destino (Comprimario)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Phonodisc Mondial, Milano 1908&lt;/p&gt;&lt;p&gt;Ernani (Verdi): Solingo, errante e misero 21&lt;/p&gt;&lt;p&gt;Ernani (Verdi): Mercè diletti amici 22&lt;/p&gt;&lt;p&gt;Forza del destino (Verdi): La vita inferno all’infelice 27&lt;/p&gt;&lt;p&gt;Forza del destino (Verdi): O tu che in seno agli angeli 28&lt;/p&gt;&lt;p&gt;Trovatore (Verdi): Di quella pira 29&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;MDJUMDP56G4AA&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;ITALIAN TENOR FILIPPO D’OTTAVI THE COMPLETE RECORDINGS CDR&quot;/&gt; ITALIAN TENOR FILIPPO D’OTTAVI THE COMPLETE RECORDINGS CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10$&quot;&gt; SHIPPING COST: 10$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/8370793739003991061/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-tenor-filippo-dottavi-complete.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/8370793739003991061'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/8370793739003991061'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-tenor-filippo-dottavi-complete.html' title='ITALIAN TENOR FILIPPO D’OTTAVI THE COMPLETE RECORDINGS CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw42GIRV4VFa7030HXSiAb0nzYFwuK9JaMLltq03gGgFnKmr2wD7hwrjAF8cr6DZ2-HsG8aU_n7-XzQiaGHtKnCY0QbPUrZLKYhc6849mOujVNTGG06fgUq01Qb-_X0dqLeHu_8cC3oFYxX5udON_LNB16edUhakg1ewck0eLWLJyTfMlK7dUNXsuhwXc/s72-c/D&#39;Ottavi%20Filippo%20negli%20anni%20del%20successo.gif" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-5863235880622923440</id><published>2025-02-24T13:16:00.004+04:00</published><updated>2025-02-24T13:16:37.856+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="GREAT PIANISTS PLAYS FOR WELTE-MIGNON PIANO ROLLS ULTRA RARE! 100 CDR"/><title type='text'>GREAT PIANISTS PLAYS FOR WELTE-MIGNON PIANO ROLLS ULTRA RARE! 100 CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivj0X0Z09ZOfAlAOzEF9RZPcIXCQZOsBaw4JwIvZPZivw1R0tOiNdTP2efBv6zivtD0-dGq5ALtAucL_U75eg5FMjs9dzlGwBl0V_9ActoPv8ngZvXlovESanvdLI1c53ZLbBV3tKyWxxWF_T84pKdQgqcFAEDehBKhIQFnBaBcElXEJByimDaBJsUGX8/s800/PHOTO.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;598&quot; data-original-width=&quot;800&quot; height=&quot;239&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivj0X0Z09ZOfAlAOzEF9RZPcIXCQZOsBaw4JwIvZPZivw1R0tOiNdTP2efBv6zivtD0-dGq5ALtAucL_U75eg5FMjs9dzlGwBl0V_9ActoPv8ngZvXlovESanvdLI1c53ZLbBV3tKyWxxWF_T84pKdQgqcFAEDehBKhIQFnBaBcElXEJByimDaBJsUGX8/s320/PHOTO.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;(Will be shipped on a USB)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ALEXANDER LASZLO WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3316 WELTE-MIGNON SCHUBERT – Symphony No. 8, b “Unfinished” D. 759 – 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3328 WELTE-MIGNONTCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 1st mvt. Part 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3329 WELTE-MIGNON TCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 1st mvt. Part 2&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3330 WELTE-MIGNON TCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3331 WELTE-MIGNON TCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3332 WELTE-MIGNON TCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 4th mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3335 WELTE-MIGNON WAGNER – Overture to the Opera “Rienzi”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ANNA YESIPOVA WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1075 WELTE-MIGNON SCHUMANN – Variations on a Theme by Clara Wieck, Op. 5, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1076 WELTE-MIGNON CHOPIN – Barcarolle, Op. 60, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1077 WELTE-MIGNON CHOPIN – Prelude, Op. 28, No. 17, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1078 WELTE-MIGNON CHOPIN – Mazurka, Op. 33, No. 4, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1083 WELTE-MIGNON VERDI-LISZT – Paraphrase on Themes from the Opera “Rigoletto”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1084 WELTE-MIGNON BELLINI-THALBERG – Fantasie on Themes from Opera”La Sonnambula”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ARTUR LEMBA THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1990 GLAZOUNOV-BLUMENFELD – Grande Concert Waltz, Op. 47, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2156 GLAZOUNOV – Piano Sonata No. 2, Op. 75, e lst mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2157 GLAZOUNOV – Piano Sonata No. 2, Op. 75, e 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2158 GLAZOUNOV – Piano Sonata No. 2, Op. 75, e 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;BERNHARD STAVENHAGEN WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1031 WELTE-MIGNON LISZT- Légende #1 St. Francis of Assisi Preaching to the Birds&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1032 WELTE-MIGNON LISZT- Légende #2 St. Francis of Paul Walking on the Water&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1033 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 12, c# (As played by Liszt)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1034 WELTE-MIGNON LISZT – “Paganini” Etude – No. 5 La chasse (The Hunt)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1035 WELTE-MIGNON CHOPIN-LISZT – “Polish Songs”, Op. 74, No. 5 My Joys&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1036 WELTE-MIGNON CHOPIN – Prelude, Op. 28, No. 15, Db “Raindrop”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1039 WELTE-MIGNON CHOPIN – Waltz, Op. 69, No. 1, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CARL REINECKE THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;168 WELTE-MIGNON SCHUMANN – “Fantasiestücke”, Op. 12, No. 3 Warum (Why)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;181 WELTE-MIGNON MOZART – Piano Sonata, K. 333, Bb 2nd mvt&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;182 WELTE-MIGNON MOZART – Piano Sonata, K. 331, A 3rd mvt. “Rondo à la Turque”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;184 WELTE-MIGNON BEETHOVEN – Ecossaisen (Scottish Dances), Eb, WoO 86&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;204 WELTE-MIGNON REINECKE – Gondoliera, Op. 86, No. 3&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;219 WELTE-MIGNON REINECKE – Prelude to&amp;nbsp; Act V of the Opera “King Manfred”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;237 WELTE-MIGNON MOZART – Piano Concerto No. 26 in D Major, K. 537, Coronation II. Larghetto&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CARL WENDLING WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;375 WELTE-MIGNON SINDING – Frühlingsrauschen (Rustle of Spring) Op. 32, No. 3, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;376 WELTE-MIGNON WAGNER-LISZT – Elsa’s Bridal Procession from the Opera “Lohengrin”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;377 WELTE-MIGNON SCHUETT – Etude mignonne, Op. 16, No. 1, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;378 WELTE-MIGNON GRIEG – Wedding Day at Troldhaugen, Op. 65, No. 6 “Lyric Pieces”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;379 WELTE-MIGNON GRIEG – Berceuse (Cradle Song) Op. 38, No. 1, g “Lyric Pieces”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;424 WELTE-MIGNON RAFF – La fileuse (The Spinner) Op. 157, No. 2, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CARLO ZECCHI THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 4065 D. SCARLATTI – Keyboard Sonata, A&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 4066 D. SCARLATTI – Gigue, G&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4067 WELTE-MIGNON ALALEONA – “La Citta Fiorita” (The Flower City) Biancospina&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4068 WELTE-MIGNON BAJARDI – Ballata (Ballad) c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4069 WELTE-MIGNON PIZZETTI – Le quai du Port de Famagouste from the ballet “La Pisanella”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4070 WELTE-MIGNON CASTELNUOVO-TEDESCO – Rhapsodia Viennese (Viennese Waltz)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4071 WELTE-MIGNON GASCO – La Danzatrici di Jodhpur&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4072 WELTE-MIGNON CASELLA – Deux contrastes Grazioso et Anti-Grazioso&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4073 WELTE-MIGNON D’AVICO – Notturno (Nocturne), E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4074 WELTE-MIGNON STRAVINSKY – Petrouchka – ballet – Nos. l, Danse russe; 2, Chez Petrouchka&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4075 WELTE-MIGNON STRAVINSKY – Petrouchka – ballet – Nos. 3, La semaine grasse&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CLOTILDE KLEEBERG WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;449 WELTE-MIGNON MOSZKOWSKI – Liebeswalzer (Love-Waltz) Op. 57, No. 5&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;451 WELTE-MIGNON SAINT-SAENS – Valse mignonne, Op. 104, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;454 WELTE-MIGNON CHOPIN – Etude, Op. 10, No. 8, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;455 WELTE-MIGNON CHOPIN – Impromptu No. 1, Op. 29, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;457 WELTE-MIGNON BEETHOVEN – Variations on an Original Theme, Op. 34, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;458 WELTE-MIGNON MENDELSSOHN – Duetto, Op. 38, No. 6, Ab (Songs w o Words)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CORNELIUS RÜBNER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3019 WELTE-MIGNON WAGNER-RYBNER – Paraphrase on Themes from Opera “Die Meistersinger”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3021 WELTE-MIGNON WAGNER-RYBNER – Siegfried’s Funeral March from”Götterdämmerung”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3022 WELTE-MIGNON WAGNER-RYBNER – Paraphrase onThemes from Opera”Tristan und Isolde”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3023 WELTE-MIGNON WAGNER-RYBNER – Wotan’s Farewell; Magic Fire Music&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ERNST VON DOHNANYI THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 489 SCHUBERT – Piano Sonata, Op. 42, a 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 490 SCHUBERT – Piano Sonata, Op. 42, a 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 491 LISZT – Consolation No. 3, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 492 LISZT – Hungarian Rhapsody No. 15, a “Rakoczy March”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 493 BACH – Organ Fantasia and Fugue on the name B-A-C-H&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 494 LISZT – Hungarian Rhapsody No. 13, a&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 495 BEETHOVEN – Piano Sonata, Op. 78, F#&amp;nbsp; &amp;nbsp;lst mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 496 SCHUBERT-LISZT – Soireés de Viennes (Vienna Evenings) No. 4, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 497 BRAHMS – Capriccio, Op. 76, No. 2, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 498 CHOPIN – Waltz, Op. 64, No. 2, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 500 DOHNANYI – Gavotte and Musette&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 501 SCHUMANN – Romance, Op. 28, No. 2, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 502 DOHNANYI – Capriccio, Op. 2, No. 4, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;EUGEN D’ALBERT WELTE-MIGNON PIANO ROLLS 2 CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;412 WELTE-MIGNON SCHUBERT-LISZT – Soireés de Viennes (Vienna Evenings) No. 1, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;414 WELTE-MIGNON D’ALBERT – Scherzo, Op. 16, No. 2, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;415 WELTE-MIGNON LISZT – Liebestraum (Nocturne) No. 3, Ab O, Lieb! (Oh, Love)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;416 WELTE-MIGNON D’ALBERT – Ballade, f, from the Opera “Tieflan d”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;419 WELTE-MIGNON CHOPIN – Polonaise, Op. 53, Ab “Heroic”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;420 WELTE-MIGNON CHOPIN – Nocturne, Op. 9, No. 3, B&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;422 WELTE-MIGNON SCHUBERT – Impromptu, Op. 90, No. 3, G&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2959 WELTE-MIGNON D’ALBERT – Potpourri from the Opera “Flauto Solo”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2961 WELTE-MIGNON D’ALBERT – Scenes from the Opera “Tieflan d”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2964 WELTE-MIGNON BACH-D’ALBERT – Passacaglia, c , S. 582&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2971 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 90, e 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2971 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 90, e lst mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2977 WELTE-MIGNON CHOPIN – Ballade No. 2, Op. 38, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2979 WELTE-MIGNON CHOPIN – Nocturne, Op. 9, No. 1, b-b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2983 WELTE-MIGNON GRIEG – Ballade, Op. 24, g (Variations on a Norwegian Folk Song)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2986 WELTE-MIGNON LISZT – Valse Impromptu, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2987 WELTE-MIGNON LISZT – Piano Sonata, b lst mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2988 WELTE-MIGNON LISZT – Piano Sonata, b 2nd and 3rd mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2990 WELTE-MIGNON SAINT-SAENS – Etude en forme de valse, Op. 52, No. 6&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2991 WELTE-MIGNON SAINT-SAENS – Danse macabre, Op. 40&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2993 WELTE-MIGNON SINDING – Six Pieces, Op. 32, No. l Marche grotesque, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;EUGENIE ADAM-BENARD WELTE-MIGNON PIANO ROLLS 2 CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;BIZET – Carmen’s Song from the Opera “Carmen” 137&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;BIZET- Don José’s Aria &amp;amp; Duet from Act II of the Opera”Carmen” 163&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CHOPIN – Mazurka, Op. 67, No. 4, a 120&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CHOPIN – Nocturne, Op. 9, No. 2,&amp;nbsp; Eb 83&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;GOUNOD – Prelude to the Opera “Faust” 57&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;GOUNOD-LISZT – Waltz from the Opera “Faust” 26&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HANDEL – Harmonious Blacksmith – Air with Variations 10&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HANDEL – Ombra mai fu – Largo from the Opera “Serse” 76&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;LEONCAVALLO – Prologue to the Opera “Pagliacci” 106&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;LISZT – Liebestraum (Nocturne) No. 3, Ab O, Lieb! (Oh, Love) 104&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;MENDELSSOHN- Folk Song, Op. 53, No. 6, A (Songs w&amp;nbsp; o Words) 40&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;SCHUMANN – Piano Concerto, Op. 54, a – lst mvt. 28&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WAGNER – Prelude to the Opera”Lohengrin” 122&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WAGNER – Schwanenlied (Swan Song) from Opera “Lohengrin” 118&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WAGNER – To the Evening Star from the Opera”Tannhäuser” 144&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WAGNER-RAFF – Fantasie, Op. 61, No. 3 on Opera”Tannhäuser” 138&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WEBER – La Gaieté – Rondo brillante, Op. 62 134&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;FANNIE BLOOMFIELD ZEISLER WELTE-MIGNON PIANO ROLLS 2 CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Croquis et silhouettes Op. 87, No. 4 (Schütt) Welte-Mignon 2597&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Dance of the blessed spirits from Orfeo (Gluck-Sgambati) Welte-Mignon 1461&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gondoliera Op.41 (Moszkowski) Welte-Mignon 1469&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Juggleress Op.52 No.4 (Moszkowski) Welte-Mignon 6963&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Love-Waltz Op.57 No. 5 (Moszkowski) Welte-Mignon 6979&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Nocturne C Minor Op. 48 No 1 (Chopin) Welte-Mignon 6960&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Nocturne in C Sharp Minor Op.27 No.1 (Chopin) Welte-Mignon 6978&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Nocturne In D Flat Major Op.27 No.2 (Chopin) Welte-Mignon 7002&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No.2 Op.35 In B Flat Minor- 1st Movement – Grave…Doppio Movim&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No.2 Op.35 In B Flat Minor- 2nd Movement – Scherzo Welte-Mignon&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No.2 Op.35 In B Flat Minor- 3rd Movement – Lento; Marche Funebr&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Piano Sonata No.2 Op.35 In B Flat Minor- 4th Movement Welte-Mignon 2589&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Scherzo in B Flat Minor Op.31 (Chopin) Welte-Mignon 1464&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Serenade Op. 28. (Brockway) Welte-Mignon 6961&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Toccata &amp;amp; Fugue in D Minor (Bach-Tausig) Welte-Mignon 2593&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;FANNY DAVIES WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1772 WELTE-MIGNON SCHUMANN -”Kinderscenen” (Childhood Scenes) Op. 15, Nos. 1-6&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1773 WELTE-MIGNON BRAHMS – Intermezzo, Op. 116, No. 4, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1773 WELTE-MIGNON SCHUMANN -”Kinderscenen” (Childhood Scenes) Op. 15, Nos. 7-13&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1774 WELTE-MIGNON BRAHMS – Intermezzo, Op. 119, No. 2, e&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1777 WELTE-MIGNON GHEYN Prelude, Coucou (Carillon)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;19. FERRUCCIO BUSONI THE COMPLETE WELTE-MIGNON PIANO ROLLS 2 CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;439 WELTE-MIGNON BACH-BUSONI – Chorale-Prelude “Rejoice, Beloved Christians”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;440 WELTE-MIGNON CHOPIN – Polonaise, Op. 53, Ab “Heroic”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;441 WELTE-MIGNON CHOPIN – Nocturne, Op. 15, No. 2, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;442 WELTE-MIGNON DONIZETT-LISZT – Valse-Caprice on Motives from “Lucia di Lammermoor”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;443 WELTE-MIGNON BEETHOVEN-LISZT – Adeläide, Op. 46&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;444 WELTE-MIGNON LISZT-BUSONI – “Paganini” Etude No. 3, g# La Campanella&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;445 WELTE-MIGNON VERDI-LISZT – Paraphrase on Themes from the Opera “Rigoletto”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;446 WELTE-MIGNON SCHUBERT-LISZT – Hungarian March&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1319 WELTE-MIGNON CHOPIN – Prelude, Op. 28, No. 15, Db “Raindrop”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1320 WELTE-MIGNON LISZT – Polonaise No. 2, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1321 WELTE-MIGNON LISZT-BUSONI – Fantasie on Themes from Bellini’s “Norma”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1322 WELTE-MIGNON BEETHOVEN-LISZT- Fantasie on “The Ruins of Athens” Op. 113&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1323 WELTE-MIGNON MOZART-LISZT- Reminiscences on Themes from “Don Giovanni”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;FREDERIC LAMOND WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;560 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” lst mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;561 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;562 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;563 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 111, c lst mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;564 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 111, c 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;568 WELTE-MIGNON CHOPIN – Waltz, Op. 70, No. 1, Gb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;569 WELTE-MIGNON LISZT – Un Sospiro (A Sigh) – Grande Concert Etude No. 3, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;570 WELTE-MIGNON LISZT – Liebestraum (Nocturne) No. 3, Ab O, Lieb! (Oh, Love)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;GEORG ALFRED SCHUMANN WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;731 WELTE-MIGNON BACH -” Italian” Concerto, F S. 9712nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;733 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 26, Ab&amp;nbsp; &amp;nbsp;1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;735 WELTE-MIGNON MOZART – Rondo, K. 511, a&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;738 WELTE-MIGNON LISZT- Waldesrauschen (Forest Murmurs) Concert Etude #1, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HANS HAASS WELTE-MIGNON PIANO ROLLS 2 CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;801 WELTE-MIGNON F. COUPERIN – La precieuse (The Beloved One)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3802 WELTE-MIGNON F. COUPERIN – Chanson Louis XVIII; Pavane&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3991 WELTE-MIGNON KORNGOLD – Pierrot’s Dance Song from the Opera “Die Tote Stadt” (Dead City)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3994 WELTE-MIGNON VON SUPPE – Overture to the Operetta “Die schöne Galathea”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4028 WELTE-MIGNON GOMEZ – Fantasie on Themes from the Opera “Il Guarany”as Hans Häuser&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4171 WELTE-MIGNON FREITAS-BRANCO – ”Tres Pecas”No. 2&amp;nbsp; Preludio (Prelude) as Hans Häuser&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4172 WELTE-MIGNON FREITAS-BRANCO – Aquella Moca as Hans Häuser&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4173 WELTE-MIGNON D’OLIVERA – Fado Sepulveda as Hans Häuser&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;5667 WELTE-MIGNON BERLIN – All alone Waltz&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;5728 WELTE-MIGNON FALL – Was machst du mit dem Knie, lieber Hans&amp;nbsp; paso doble&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3430 WELTE-MIGNON TOSELLI – Rimpianto (Serenade) Op. 6, Eb as Hans Häuser&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3445 WELTE-MIGNON J. STRAUSS, JR. – Kaiserwalzer (Emperor Waltzes), Op. 473&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3447 WELTE-MIGNON ZIEHRER – Wiener Madl’n (Vienna Girls) – Waltzes, Op. 38&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3450 WELTE-MIGNON DVORAK – Slavonic Dance, Op. 46, No. 4,&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3452 WELTE-MIGNON MEYER-HELMUND – Zauberlied F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3465 WELTE-MIGNON WALDTEUFEL – The Skaters – Waltzes&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3472 WELTE-MIGNON J. STRAUSS, JR. – Wo die Citrönen blühn (Where the Citrons Bloom) – Waltzes&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3643 WELTE-MIGNON HAASS – Phantom, One-Step.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3790 WELTE-MIGNON TRAD.-GRAINGER – Shepherd’s Hey (British Folk Settings, No. 4)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3791 WELTE-MIGNON TRAD.-GRAINGER – Irish Tune from County Derry (British Folk Sets, No. 6)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3800 WELTE-MIGNON BACH – Prelude and Fugue, d (WTC, Book 11, No. 6, d, S. 875)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HERBERT FRYER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1324 WELTE-MIGNON DVORAK – Humoresque, Op. 101, No. 7, Gb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1326 WELTE-MIGNON BEETHOVEN – Menuett, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1328 WELTE-MIGNON CHOPIN- Preludes, Op. 28, No. 6, b; No. 11, B&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1574 WELTE-MIGNON MACDOWELL – “Sea Pieces”, Op. 55, #2: From Wandering Iceberg; 3: A.D.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1575 WELTE-MIGNON MACDOWELL – “Sea Pieces”, Op. 55, Nos. 4: Starlight; 5: Song&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1582 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 2, No. 1, f 1st &amp;amp; 2nd mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1583 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 2, No. 1, f 3rd &amp;amp; 4th mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1586 WELTE-MIGNON MOZART – Eine kleine Gigue, K. 574, G&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HUBERT FLOHR WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3348 WELTE-MIGNON BRAHMS – Scherzo, Op. 4, eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3351 WELTE-MIGNON MENDELSSOHN – Overture to “A Midsummer Night’s Dream” Op. 17&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3352 WELTE-MIGNON WEBER – Overture to the Opera “Preciosa”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3356 WELTE-MIGNON SIBELIUS -”Finlandia”, Op. 26, No. 7&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3357 WELTE-MIGNON RAFF – Cachoucha, Caprice, Op. 79, c&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3359 WELTE-MIGNON FLOHR – Lenz, Lied Op. 19, 5&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;IGNACY JAN PADEREWSKI WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1246 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 27, No. 2, c#”Moonlight” 1 mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1246 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 27, No. 2, c#”Moonlight” 2 mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1247 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 27, No. 2, c# “Moonlight” 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1248 WELTE-MIGNON SCHUBERT – Impromptu, Op. 142, No. 3, Bb “Rosamunde”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1249 WELTE-MIGNON CHOPIN – Ballade No. 3, Ab, Op. 47&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1251 WELTE-MIGNON CHOPIN – Mazurka, Op. 24, No. 4, b-b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1253 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 9, Gb “Butterfly”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1254 WELTE-MIGNON CHOPIN – Etude, Op. 10, No. 3, E “Tristesse”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1255 WELTE-MIGNON CHOPIN – Nocturne, Op. 37, No. 2, G&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1256 WELTE-MIGNON CHOPIN – Polonaise, Op. 53, Ab “Heroic”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1257 WELTE-MIGNON CHOPIN – Waltz, Op. 64, No. 2, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1259 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 10, E “Preludio”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1260 WELTE-MIGNON SCHUBERT-LISZT – Die Erlkönig (The Erl-King) Op. 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1261 WELTE-MIGNON SCHUBERT-LISZT – Hark, Hark! the Lark!&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;JOSÉ VIANNA DA MOTTA WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;715 WELTE-MIGNON SCHUBERT-LISZT – March, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;717 WELTE-MIGNON WEBER – Polacca Brillante, Op. 72, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;719 WELTE-MIGNON CHOPIN Scherzo E-Dur, op. 54 (Chopin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;721 WELTE-MIGNON St. Francis Legend Nr. 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;JOSEF LHEVINNE WELTE-MIGNON PIANO ROLLS 2 CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1296 WELTE-MIGNON DE SCHLOZER – Etude de concert, Op. 1, No. 1,&amp;nbsp; Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1297 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 10, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1298 WELTE-MIGNON GODARD – En route (On the Way) Op. 107, No. 12, Bb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1299 WELTE-MIGNON MENDELSSOHN – Characterstucke, Op. 7, No. 7,&amp;nbsp; E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1300 WELTE-MIGNON SCRIABIN – Etude, Op. 9, No. 2,&amp;nbsp; Db (For the Left Hand Alone)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1301 WELTE-MIGNON SCHUMANN – Toccata, Op. 7,&amp;nbsp; C&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1302 WELTE-MIGNON LISZT – Die Lorelei (The Loreley)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1303 WELTE-MIGNON GLUCK-BRAHMS – Gavotte from the Opera “Iphigenie en Aulide”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1304 WELTE-MIGNON A. RUBINSTEIN – Le bal (The Ball), Fantasie, Op. 14, No. 6&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1305 WELTE-MIGNON J. STRAUSS, JR.-SCHULZ-EVLER – “Blue Danube” Arabesques&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2430 WELTE-MIGNON CZERNY – Octave-Study, Op. 740, No. 5&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2431 WELTE-MIGNON A. RUBINSTEIN – Kamennoi-Ostrow, Op. 10, No. 22, f# Reve angelique&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2433 WELTE-MIGNON SGAMBATI -Vecchio minuetto, Op. 18, No. 2, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2434 WELTE-MIGNON BEETHOVEN-SAINT-SAENS – Chorus of Dervishes from “Ruins&amp;nbsp; Athens&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2435 WELTE-MIGNON MOSZKOWSKI – Dance Form Pieces, Op. 17, No. 2, G Menuett&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2437 WELTE-MIGNON A. RUBINSTEIN – “Album de Peterhof”, Op. 79, No. 9, D Prelude&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2438 WELTE-MIGNON CHOPIN – Mazurka, Op. 33, No. 2, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2439 WELTE-MIGNON WEBER – Piano Sonata No. 1, Op. 24, C 4th mvt. “Perpetual Motion”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2440 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 12, c “Arpeggios”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2441 WELTE-MIGNON MEYERBEER-LISZT – Fantasie on Themes from Opera “Robert le Diable”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4060 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Part Two&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4061 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Part One&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2436 WELTE-MIGNON A. RUBINSTEIN – Barcarolle No. 6, Op. 104, No. 4, c&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;JOSEF PEMBAUR WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3264 WELTE-MIGNON BRAHMS – Ballade, Op. 10, No. 1, d&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3265 WELTE-MIGNON BRAHMS – Ballade, Op. 10, No. 2, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3266 WELTE-MIGNON BRAHMS – Ballade, Op. 10, No. 3, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3267 WELTE-MIGNON BRAHMS – Ballade, Op. 10, No. 4, B&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;JOZEF SLIWINSKI WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 550 CHOPIN – Nocturne, Op. 62, No. 2, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 551 CHOPIN – Impromptu No. 2, Op. 36, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 552 CHOPIN – Impromptu No. 3, Op. 51, Gb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 553 ROSSINI-LISZT – “Soireés musicales”, No. 10: La Serenata&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 554 SCHUBERT-LISZT – Margaret at the Spinning Wheel&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 557 TCHAIKOVSKY – Piano Sonata, Op. 37, G 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 558 TCHAIKOVSKY – Piano Sonata, Op. 37, G 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 598 ROSSINI-LISZT – Soireés de Viennes (Vienna Evenings): No. 7, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;KÄTHE HEINEMANN WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3842 WELTE-MIGNON KORNGOLD – Fairy Tales, Op. 3, Nos. 5, 6 and 7&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3851 WELTE-MIGNON TCHAIKOVSKY – Piano Concerto No. 1, Op. 23, b-b 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3852 WELTE-MIGNON TCHAIKOVSKY – Piano Concerto No. 1, Op. 23, b-b 2nd &amp;amp; 3rd mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3853 WELTE-MIGNON THOMAS – Polonaise from the Opera “Mignon”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;KONSTANTIN IGUMNOV WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2061 RACHMANINOFF – Prelude, Op. 23, No. 1, f#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2062 RACHMANINOFF – Prelude, Op. 23, No. 6, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2063 SCRIABIN – Sonata-Fantasie, Op. 19, No. 2, g#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2064 BRAHMS – Intermezzo, Op. 118, No. 6, eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;LAURA DANZIGER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2456 WELTE-MIGNON LISZT – Gondoliera (Anneés – 2nd Yr. – Italy, Venezia e Napoli, No. 1)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2457 WELTE-MIGNON A. RUBINSTEIN – “Kamennoi-Ostrow” Op.10, #22, f# Rêve Angelique&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3556 WELTE-MIGNON OFFENBACH-MOSZKOWSKI – Barcarolle from “The Tales of Hoffmann”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3558 WELTE-MIGNON PIERNE – Serenade, Op. 7, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3744 WELTE-MIGNON MOSZKOWSKI – Près du berceau (By the Cradle) Op. 58, No. 3&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3745 WELTE-MIGNON SCHUETT – Romance, Op. 38, No. 2, Gb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;LEFF POUISHNOFF WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1959 WELTE-MIGNON RACHMANINOFF – “Fantasy Pieces”, Op. 3, No. 4, f# Polichinelle&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7000 WELTE-MIGNON ALBENIZ-GODOWSKY – Tango in D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7013 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 9, Gb “Butterfly”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7033 WELTE-MIGNON DELIBES-DOHNANYI – Flower Waltz from the ballet “Naila”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7049 WELTE-MIGNON MENDELSSOHN – Rondo Capriccioso, Op. 14, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7123 WELTE-MIGNON SCHUBERT-GODOWSKY – Moment Musical, Op. 94, No. 3, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7487 WELTE-MIGNON POUISHNOFF – Petite valse; Musical Box (Une tabatière à musique)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7542 WELTE-MIGNON POULENC – Mouvements perpetuels, Nos. 1, 2 and 3&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7580 WELTE-MIGNON SCRIABIN – Désir, Op. 57, No. l; Caresse dansée, Op. 57, No. 2&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;LUCIEN WURMSER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;702 WELTE-MIGNON MOZART – Pastorale variée, Bb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;703 WELTE-MIGNON CHOPIN – Berceuse (Cradle Song) Op. 57, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;704 WELTE-MIGNON CHOPIN – Waltz, Op. 64, No. 2, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;709 WELTE-MIGNON GRIEG – Album Leaf, Op. 28, No. 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;OLGA SAMAROFF WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1472 WELTE-MIGNON CHOPIN- Piano Sonata No. 3, Op. 58, b&amp;nbsp; 1st &amp;amp; 2nd mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1473 WELTE-MIGNON CHOPIN- Piano Sonata No. 3, Op. 58, b&amp;nbsp; 3rd &amp;amp; 4th mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1474 WELTE-MIGNON WAGNER-LISZT – March from the Opera “Tannhäuser”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1476 WELTE-MIGNON BRAHMS – Rhapsody, Op. 79, No. 2,&amp;nbsp; g&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1478 WELTE-MIGNON GRIEG – Piano Concerto, Op. 16, a&amp;nbsp; &amp;nbsp;1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1479 WELTE-MIGNON GRIEG -”Peer Gynt” Op. 46, Nos. 1 Morning Mood; 2 Aase’s Death&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1480 WELTE-MIGNON GRIEG – “Peer Gynt”,Op. 46, Nos. 3 Anitra’s Dance; 4 In the Hall&amp;nbsp; Mountain King&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1481 WELTE-MIGNON FAURE – Impromptu No. 2, Op. 31, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;OTTO NEITZEL WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;681 WELTE-MIGNON BACH – Chromatic Fantasy and Fugue, d S. 903&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;685 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 81, Eb “Les adieux” 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;686 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 81, Eb “Les adieux” 2nd 3rd mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;690 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Nos. 1, 2, 3, 7, 11 &amp;amp; 12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;691 WELTE-MIGNON SCHUMANN – Davidsbündlertänze (David’s League Dances) Nos. 1-18&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;PAUL STRECKER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3863 WELTE-MIGNON LIAPOUNOV – Piano Sonata, Op. 27, f 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3865 WELTE-MIGNON LIAPOUNOV – Piano Sonata, Op. 27, f 3rd and 4th mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3869 WELTE-MIGNON RACHMANINOFF – Piano Sonata No. 2, Op. 36, b-b 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3870 WELTE-MIGNON RACHMANINOFF – Piano Sonata No. 2, Op. 36, b-b 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3871 WELTE-MIGNON RACHMANINOFF – Piano Sonata No. 2, Op. 36, b-b 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;RAOUL PUGNO WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 541 CHABRIER – “Pièces pittorèsques”, No. 10 Scherzo-valse&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 543 LISZT – Hungarian Rhapsody No. 11, a&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 544 BACH – Prelude and Fugue, f (WTC – Book II, No. 12, S. 881)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 545 CHOPIN – Grande Polonaise Brilliante, Op. 22b, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 547 CHOPIN – Fantaisie-Impromptu, Op. 66, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 548 CHOPIN – Nocturne, Op. 15, No. 2, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1307 GRIEG – To Spring, Op. 43, No. 6 “Lyric Pieces”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1308 MOZART – Piano Sonata, K. 576, D 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1311 WEBER – La Gaieté, Rondo, Op. 62, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1315 SCHUMANN – Faschingschwank aus Wien, Op. 26, Nos. 2 &amp;amp; 3&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1316 BACH – “Italian” Concerto, F, S. 971 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;RICHARD EPSTEIN WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2254 WELTE-MIGNON PUCCINI – Selections from the Opera “Madama Butterfly”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2255 WELTE-MIGNON PUCCINI – Selections from the Opera “La Boheme”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2260 WELTE-MIGNON SAINT-SAENS – My Heart at Thy Sweet Voice from “Samson et Dalila”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2261 WELTE-MIGNON Wiener Walzer&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2269 WELTE-MIGNON BEETHOVEN – German Dance No. 1, C&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2902 WELTE-MIGNON J. STRAUSS, JR. – Roses from the South – Waltzes, Op. 388&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2907 WELTE-MIGNON J. STRAUSS, JR. – Morgenblätter (Morning Papers) – Waltzes, Op. 279&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2908 WELTE-MIGNON MASSENET – Selections from the Opera “Manon”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;TERESA CARREÑO THE COMPLETE WELTE-MIGNON PIANO ROLLS 2 CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;367 WELTE-MIGNON Ballade No. 1, Op. 23, g (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;369 WELTE-MIGNON Ballade No. 3, Op. 47, Ab (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;370 WELTE-MIGNON By the Seashore, Concert Etude, Op. 17 (Smetana)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;361 WELTE-MIGNON Fantasia, Op. 17, C (Schumann)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;362 WELTE-MIGNON Fantasia, Op. 17, C (Schumann)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;363 WELTE-MIGNON Fantasia, Op. 17, C (Schumann)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;365 WELTE-MIGNON Hungarian Rhapsody No. 6, Db (Liszt)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;371 WELTE-MIGNON Mi Teresita – Little Waltz, D (Carreño)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;364 WELTE-MIGNON Nocturne, Op. 37, No. 2, G (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;366 WELTE-MIGNON Nocturne, Op. 48, No. 1, c (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;372 WELTE-MIGNON Piano Sonata, Op. 53, C “Waldstein” 1st mvt. (Beethoven)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;373 WELTE-MIGNON Piano Sonata, Op. 53, C “Waldstein” 2nd&amp;nbsp; &amp;amp; 3rd mvts. (Beethoven)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;360 WELTE-MIGNON Soireés de Viennes (Vienna Evenings) No. 6, a (Schubert-Liszt)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;368 WELTE-MIGNON Sonetto 47 del Petrarca, Db (Annees de Pelerinage – 2nd Yr. Italy,, #4) (Liszt)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;THEODOR LESCHETIZKY THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1192 WELTE-MIGNON MOZART – Fantasia, K. 396, c&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1193 WELTE-MIGNON HELLER – Preludes, Op. 81, No. 3, G; No. 10, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1194 WELTE-MIGNON CHOPIN – Nocturne, Op. 27, No. 2, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1195 WELTE-MIGNON CHOPIN – Polonaise, Op. 71, No. 2, Bb (Posthumous)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1196 WELTE-MIGNON LESCHETIZKY – Barcarolle, Op. 39, No. 1, a&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1197 WELTE-MIGNON LESCHETIZKY – La source (The Spring) Etude, Op. 36, No. 4, A&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1198 WELTE-MIGNON LESCHETIZKY – Arabesque, en forme d’étude, Op. 45, No. 1, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1199 WELTE-MIGNON LESCHETIZKY – L’Aveu (The Secret) Op. 31, No. 1, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1200 WELTE-MIGNON LESCHETIZKY – Wellen und Wogen (Waves and Billows) Op. 40, #1,e&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1201 WELTE-MIGNON LESCHETIZKY – Mazurka, Op. 24, No. 2, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1202 WELTE-MIGNON LESCHETIZKY – Canzonetta Toscana, Op. 39, No. 3, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1203 WELTE-MIGNON LESCHETIZKY – Les deux alouettes (Two Larks) Op. 2, No. 1, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;VLADIMIR DE PACHMANN WELTE-MIGNON PIANO ROLLS 2 CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7227 WELTE-MIGNON Ballade In A Flat Major (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7204 WELTE-MIGNON Impromptu In Flat Major Op. 36 (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7244, 7245, 7246 WELTE-MIGNON&amp;nbsp; Italian Concerto In F Major (Bach) 1st 2nd 3rd Movements&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7206 WELTE-MIGNON Mazurka In A Flat Major Op. 50 No. 2 (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1222 WELTE-MIGNON Mazurka in A Minor Op. 67 No. 4 (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1221 WELTE-MIGNON Mazurka In C Major Op. 56 No. 2 (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1220 WELTE-MIGNON Minute Waltz In D Flat Major Op. 64 No. 1 (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1211 WELTE-MIGNON Moment Musical In F Minor Op. 94 No. 3 (Schubert)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7263 WELTE-MIGNON Nocturne In B Minor Op. 32 No. 1 (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7202 WELTE-MIGNON Nocturne in C Sharp Minor Op. 27 No. 1 (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1214 WELTE-MIGNON Prelude In F Major Op. 28 No. 23 (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7201 WELTE-MIGNON Rigoletto Paraphrase (Verdi – Liszt)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1206 WELTE-MIGNON Rondo A La Turk K.331 (Mozart)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1209 WELTE-MIGNON Songs Without Words No. 25 In G Major Op. 62 No. 1 (Mendelssohn)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7209 WELTE-MIGNON Waltz In C Sharp Minor Op. 64 No. 2 (Chopin)&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7228 WELTE-MIGNON Waltz In F Major Op. 34 No. 3 (Chopin)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;VLADIMIR DROZDOV WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1953 WELTE-MIGNON DROZDOV – Marionettentanz (Marionette Dance) D-Dur.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1955 WELTE-MIGNON TCHAIKOVSKY – Meditation, Op. 72, No. 5, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1957 WELTE-MIGNON LIAPOUNOFF – Transcendental Etudes, Op. 11, No. 3 Carillon&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WANDA LANDOWSKA WELTE-MIGNON AND DUO-ART PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;962 WELTE-MIGNON SCHUBERT-LANDOWSKA – Walzerkette (Chain of Waltzes)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;963 WELTE-MIGNON CHOPIN – Waltz, Op. 64, No. 1, Db “Minute”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;964 WELTE-MIGNON CHOPIN – Waltz, Op. 69, No. 2, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;965 WELTE-MIGNON BERLIOZ-LANDOWSKA – Danse des sylphs fr “La Damnation de Faust”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;XAVER SCHARWENKA WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;232 WELTE-MIGNON MENDELSSOHN – Caprice (Fantasie) Op. 16, No. 2, e&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;236 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 90, e&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;239 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 53, f, “Appassionata” lst mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;241 WELTE-MIGNON CHOPIN – Fantaisie, Op. 49, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;242 WELTE-MIGNON CHOPIN – Nocturne, Op. 15, No. 2, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;244 WELTE-MIGNON LISZT – Transcendental Etude – No. 9, Ab Ricordanza (Recollection)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;245 WELTE-MIGNON CHOPIN – Waltz, Op. 42, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;248 WELTE-MIGNON SCHUMANN – Kreisleriana, Op. 16, Nos. 1-8&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;YOLANDA MERO WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;757 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 2, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;762 WELTE-MIGNON TCHAIKOVSKY-LISZT – Polonaise from the Opera “Eugen Onegin”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;763 WELTE-MIGNON VOGRICH – Staccato-Caprice, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;764 WELTE-MIGNON BACH – Prelude and Fugue, b-b (WTC – Book II, No. 22, S. 891)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1828 WELTE-MIGNON DOHNANYI – Rhapsody, Op. 11, No. 3, C&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1829 WELTE-MIGNON HEYMANN – Elfenspiel, Concertstudie für Pianoforte E-Dur Op. 7&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2537 WELTE-MIGNON CHAMINADE – Automne (Autumn) Etude de concert, Op. 35, No. 2&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2538 WELTE-MIGNON CHAMINADE – Elévation, Romance sans paroles, Op. 76, No. 2&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2539 WELTE-MIGNON CHAMINADE – Arléquine (Harlequin) Op. 53, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2540 WELTE-MIGNON CHAMINADE – La lisonjera (The Flatterer) Op. 50&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2541 WELTE-MIGNON CHAMINADE – Les sylvains (The Fauns) Op. 60, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ALEXANDER GLAZUNOV WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1937 WELTE-MIGNON GLAZOUNOV – Prelude, 49, No. 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1938 WELTE-MIGNON GLAZOUNOV – Prelude, Op. 25, No. 1, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1939 WELTE-MIGNON GLAZOUNOV – Piano Sonata No. 1, Op. 74, Bb 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1940 WELTE-MIGNON GLAZOUNOV – Prelude / Romanesca et al. from ballet “Raymonda”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1941 WELTE-MIGNON GLAZOUNOV – Valse fantastique; Hymne from “Raymonda”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1942 WELTE-MIGNON GLAZOUNOV – Entracte; Variation #3 from “Raymonda”, Op. 57&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1944 WELTE-MIGNON GLAZOUNOV – Recitative; Gavotte; etc.from”Ruses d’amour”Op.61&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1945 WELTE-MIGNON GLAZOUNOV – Barcarolle; Baccanale etc. from”The Seasons”Op. 67&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1946 WELTE-MIGNON GLAZOUNOV – Petit adagio from the ballet “The Seasons” Op. 67&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;RICHARD STRAUSS THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1182 WELTE-MIGNON R. STRAUSS – Fragments from the Opera “Salomé”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1183 WELTE-MIGNON R. STRAUSS – Dance of the Seven Veils from the Opera “Salomé”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1184 WELTE-MIGNON R. STRAUSS – “Ein Heldenleben” (A Hero’s Life), Op. 40 Love Scene&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1185 WELTE-MIGNON R. STRAUSS – Love Scene from the Opera “Feuersnot” Op. 50&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1186 WELTE-MIGNON R. STRAUSS – On the Silent Woodland Path, Op. 9, No. 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1187 WELTE-MIGNON R. STRAUSS – By a Lonely Spring, Op. 9, No. 2&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1188 WELTE-MIGNON R. STRAUSS – Intermezzo, Op. 9, No. 3, A&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1189 WELTE-MIGNON R. STRAUSS – Reverie, Op. 9, No. 4&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1190 WELTE-MIGNON R. STRAUSS – Cäcilie, Op. 27, No. 2, C&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1191 WELTE-MIGNON R. STRAUSS – Heimliche Aufforderung, Op. 27, No. 3, B&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;RUDOLF SERKIN WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4182 WELTE-MIGNON SCHUBERT – Piano Sonata, D. 958, c (Posthumous) 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4182 WELTE-MIGNON SCHUBERT – Piano Sonata, D. 958, c (Posthumous) 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4183 WELTE-MIGNON SCHUBERT – Piano Sonata, D. 958, c (Posthumous) 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4183 WELTE-MIGNON SCHUBERT – Piano Sonata, D. 958, c (Posthumous) 4th mvs.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4184 WELTE-MIGNON BACH – “Goldberg” Variations (Aria with 30 Variations), S. 988 Part One&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4185 WELTE-MIGNON BACH – “Goldberg” Variations (Aria with 30 Variations), S. 988 Part Two&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4186 WELTE-MIGNON BACH – “Goldberg” Variations (Aria with 30 Variations), S. 988 Aria da capo&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4186 WELTE-MIGNON BACH – “Goldberg” Variations (Aria with 30 Variations), S. 988 Part Three&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4188 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 11, a “Winter Wind”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4188 WELTE-MIGNON CHOPIN – Etude, Op. 10, No. 4, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4188 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 2, f;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4190 WELTE-MIGNON JOS. STRAUSS-GRUNFELD – “Delirien” Waltzes&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;RUGGERO LEONCAVALLO THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1020 WELTE-MIGNON LEONCAVALLO – Intermezzo from the Opera “I Pagliacci”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1022 WELTE-MIGNON LEONCAVALLO – Prelude to the Opera “I Medici”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1023 WELTE-MIGNON LEONCAVALLO – Musetta’s Waltz Song fr Opera “La Boheme”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1024 WELTE-MIGNON LEONCAVALLO – Romance, a&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1025 WELTE-MIGNON LEONCAVALLO – Au bord du lac (On the Lake Shore)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1026 WELTE-MIGNON LEONCAVALLO – Flirt Waltz&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HUGO POPPER HERMANN MÖHLE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HUGO POPPER WELTE-MIGNON 214 ROSENZWEIG – Sei mir gut, Walzerlied a.d. Operette (Waltz-Song)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HUGO POPPER WELTE-MIGNON 229 EYSLER – Bruder Straubinger Küssen is ka Sünd, Walzer a. d. Operette&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HUGO POPPER WELTE-MIGNON 1053 FOLKSONG O du fröhliche, o du selige. Weihnachtslied (Oh Thou Joyous, Oh Thou Blessed, German Christmas Carol)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HUGO POPPER WELTE-MIGNON 1055 FOLKSONG O Tannenbaum, Weihnachtslied&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HERMANN MÖHLE WELTE-MIGNON 213 GRIEG – Jeg elsker Dig (I Love but Thee) Op. 41, No. 3&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;HERMANN MÖHLE WELTE-MIGNON 231 MENDELSSOHN – Morning Song, Op. 62, No. 4, G (Songs Without Words)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ENGELBERT HUMPERDINCK WILHELM KIENZL FELIX WEINGARTNER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;646 ENGELBERT HUMPERDINCK HUMPERDINCK – Dream Scene from Opera “Hänsel und Gretel”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;647 ENGELBERT HUMPERDINCK HUMPERDINCK- Menuet from the Opera “The Forced Marriage”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;650 ENGELBERT HUMPERDINCK HUMPERDINCK – Rosenringel from the Opera “Königskinder”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;652 FELIX WEINGARTNER BEETHOVEN – Piano Sonata, Op. 109, E 1st and 2nd mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;750 WILHELM KIENZL KIENZL – Kinderreigen from the Opera “Der Evangelimann” Op. 45&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;751 WILHELM KIENZL KIENZL – Blessed are the Martyrs from the Opera “Der Evangelimann”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ARTHUR NIKISCH THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1085 WELTE-MIGNON BRAHMS – Hungarian Dance No. l, g&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1086 WELTE-MIGNON BRAHMS – Hungarian Dance No. 4, f#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1087 WELTE-MIGNON BRAHMS – Hungarian Dance No. 5, f#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1088 WELTE-MIGNON BRAHMS – Hungarian Dance No. 6, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1089 WELTE-MIGNON DELIBES – Valse from the ballet “Coppélia”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CAMILLE SAINT-SAËNS WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;796 WELTE-MIGNON SAINT-SAËNS – Valse nonchalante, Op. 110, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;797 WELTE-MIGNON SAINT-SAËNS – Printemps qui commence from “Samson et Dalila”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;799 WELTE-MIGNON SAINT-SAËNS – Mazurka No. 3, Op. 66, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;800 WELTE-MIGNON SAINT-SAËNS – Rhapsodie d’Auvergne, Op. 73, C&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;801 WELTE-MIGNON SAINT-SAËNS – “Suite Algérienne”, Op. 60, No. 3:&amp;nbsp; Réverie à Blidah&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;802 WELTE-MIGNON SAINT-SAËNS – Gavotte, Op. 90, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;804 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 31, No. 1, G&amp;nbsp; 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;807 WELTE-MIGNON CHOPIN – Nocturne, Op. 15, No. 2, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;FELIX MOTTL THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1345 WELTE-MIGNON WAGNER – Prelude to the Opera “Lohengrin”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1346 WELTE-MIGNON WAGNER – Prelude to the Opera “Parsifal”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1347 WELTE-MIGNON WAGNER – Prelude to the Opera “Tristan und Isolde”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1348 WELTE-MIGNON WAGNER – Elsa’s Bridal Chorus from the Opera “Lohengrin”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1349 WELTE-MIGNON WAGNER – Elsa’s Dream from the Opera “Lohengrin”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1350 WELTE-MIGNON WAGNER – Good Friday Music from the Opera “Parsifal”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1351 WELTE-MIGNON WAGNER – O sink hernieder; Brangänes Warning from Tristan und Isolde”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1352 WELTE-MIGNON WAGNER – Am stillen Herd (By Quiet Hearth) from “Die Meistersinger”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1353 WELTE-MIGNON WAGNER – Quintet from the Opera “Die Meistersinger”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1354 WELTE-MIGNON WAGNER – Transformation Scene; Arrival of the Knights from “Parsifal”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;EMIL PAUR WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2555 WELTE-MIGNON BRAHMS – Intermezzo, Op. 117, No. 2, b-b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2556 WELTE-MIGNON MASSENET – Fantasie on the Meditation from the Opera “Thais”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2557 WELTE-MIGNON DONIZETTI – Fantasie on Themes from the Opera “Lucia di Lammermoor”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2560 WELTE-MIGNON PUCCINI – Fantasie on Themes from the Opera “La Tosca”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2565 WELTE-MIGNON WAGNER – Siegfried’s Funeral March from the Opera “Die Götterdämmerung”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2566 WELTE-MIGNON WAGNER – Waldweben (Forest Murmurs) from the Opera “Siegfried”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2568 WELTE-MIGNON WAGNER – Introduction to Act III of “Tannhäuser” (Pilgrimage)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CLAUDE DEBUSSY THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2733 WELTE-MIGNON DEBUSSY – Children’s Corner, Nos. 1-6&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2734 WELTE-MIGNON DEBUSSY – D’un cahier d’esquisses (From a Book of Sketches) Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2735 WELTE-MIGNON DEBUSSY – Estampes (Prints), No. 2 La soirée dans Grenade&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2736 WELTE-MIGNON DEBUSSY – Valse – la plus que lente (Slower-than-Slow…Waltz)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2738 WELTE-MIGNON DEBUSSY – Préludes, Book I, Nos. 1, 10 and 11&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2739 WELTE-MIGNON DEBUSSY – Préludes, Book I, Nos. 3 and 12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ALEXANDER SCRIABIN THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2067 WELTE-MIGNON SCRIABIN – Preludes, Op. 11, No. 1, C; No. 2, a&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2068 WELTE-MIGNON SCRIABIN – Poème, Op. 32, No. 1, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2069 WELTE-MIGNON SCRIABIN – Preludes, Op. 11, No. 13, Gb; No. 14, eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2071 WELTE-MIGNON SCRIABIN – Désir (Desire) Op. 57, No. 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2072 WELTE-MIGNON SCRIABIN – Prelude, Op. 22, No. 1; Mazurka, Op. 40, No. 2, f#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2073 WELTE-MIGNON SCRIABIN – Etude, Op. 8, No. 12, d# “Pathétique”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;JOSEF HOFMANN WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;662 WELTE-MIGNON WAGNER-LISZT – Overture to the Opera “Tännhauser”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;663 WELTE-MIGNON WAGNER-BRASSIN – Magic Fire Music from the Opera “Die Walküre”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;665 WELTE-MIGNON SCHUBERT-LISZT – Die Erlkönig (The Erl-King) Op. 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;666 WELTE-MIGNON MOSZKOWSKI – Caprice espagñole (Spanish Caprice) Op. 37, a&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;668 WELTE-MIGNON CHOPIN – Nocturne, Op. 27, No. 2, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;669 WELTE-MIGNON CHOPIN – Polonaise, Op. 44, f#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3026 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 101, A lst and 2nd mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3027 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 101, A 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3031 WELTE-MIGNON MENDELSSOHN – Rondo Capriccioso, Op. 14, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;OSSIP GABRILOWITSCH WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;295 WELTE-MIGNON TCHAIKOVSKY – “The Months”, Op. 37a, No. 10, d October&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;296 WELTE-MIGNON RAFF- Rigaudon, Op. 204, No. 3, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;297 WELTE-MIGNON GABRILOWITSCH – Caprice Burlesque, Op. 3, No. 1, Gb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;301 WELTE-MIGNON CHOPIN – Nocturne, Op. 15, No. 1, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ALFRED GRÜNFELD THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;174 WELTE-MIGNON CHOPIN – Nocturne, Op. 48, No. l, c&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;185 WELTE-MIGNON BEETHOVEN – Andante favori, WoO 57, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;187 WELTE-MIGNON SCHUMANN – Novellette, Op. 21, No. l, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;188 WELTE-MIGNON WAGNER-LISZT – Liebestod (Love-Death) from “Tristan und Isolde”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;189 WELTE-MIGNON SCHUBERT-FISCHHOF- Ballet Music, Op. 26 from “Rosamunde”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;190 WELTE-MIGNON GRUNFELD – Valse mignonne, Op. 51, No. 4, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;191 WELTE-MIGNON GRUNFELD – Romance, Op. 42, No. l, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;192 WELTE-MIGNON J. STRAUSS, JR.-GRUNFELD – Voices of Spring – Waltzes, Op. 410&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;193 WELTE-MIGNON GRUNFELD – Dinner Waltz from the Opera “Der Lebemann”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;194 WELTE-MIGNON CHOPIN – Nocturne, Op. 32, No. 1, B&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;197 WELTE-MIGNON VOLKMANN-FISCHHOF – Serenade No. 2 Waltz&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;207 WELTE-MIGNON SCHUMANN – “Fantasiestücke”, Op. 12, No. 1 Des Abends (Evening)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;222 WELTE-MIGNON SCHUBERT – Impromptu, Op. 142, No. 2, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;225 WELTE-MIGNON SCHUMANN – “Kinderscenen”, Op. 15, No. 7 Träumerei (Dreaming)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;243 WELTE-MIGNON GRUNFELD – Romance, Op. 45, No. 1, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;GERMAINE SCHNITZER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;895 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 9, Eb “Pester Karneval”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;899 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 11, a “Winter Wind”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;906 WELTE-MIGNON SAINT-SAENS – Toccata, Op. 111, No. 6, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;RICHARD BUHLIG WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1765 WELTE-MIGNON DEBUSSY – Images, 2nd Series, No. 3 Poissons d’or (Goldfish)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1766 WELTE-MIGNON DEBUSSY – Images, 2nd Series, No. 2: Et la lune descend sur temple / fut&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1767 WELTE-MIGNON DEBUSSY – Images, 1st Series, No.1 Reflets dans l’eau (Reflections Water)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1768 WELTE-MIGNON DEBUSSY – Images, lst Series, No. 2: Hommage à Rameau (Tribute)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1769 WELTE-MIGNON DEBUSSY – Images, 2nd Series, No. 1 Cloches a travers les feuilles&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ARTHUR DE GREEF WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1168 WELTE-MIGNON SCHUMANN – Papillons, Op. 2&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1180 WELTE-MIGNON WAGNER-BRASSIN – Siegmund’s Love Song from Opera “Die Walküre”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1181 WELTE-MIGNON WAGNER-BRASSIN – Entrance into Valhalla from Opera “Das Rheingold”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;EDVARD GRIEG THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1275 WELTE-MIGNON GRIEG – Papillon (Butterfly) Op. 43, No. 1 “Lyric Pieces”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1276 WELTE-MIGNON GRIEG – “From Folk Life”, Op. 19, No. 2 Norwegian Bridal Procession&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1277 WELTE-MIGNON GRIEG – Little Bird, Op. 43, No. 4 “Lyric Pieces”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;CARL FRIEDBERG WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1094 WELTE-MIGNON SCHUBERT – Moment Musical, Op. 94, No. 3, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1095 WELTE-MIGNON BRAHMS – Rhapsody, Op. 79, 2, g&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1096 WELTE-MIGNON BRAHMS – Hungarian Dance No. 2, d&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1097, 1098 WELTE-MIGNON SCHUBERT – Piano Sonata, Bb (Posthumous) D. 960 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1100 WELTE-MIGNON SCHUETT – Scènes du bal – Valse lente, Op. 17, No. 2, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1101 WELTE-MIGNON KOSTLAR Monte Christo, Vals&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ERNEST SCHELLING WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1442 WELTE-MIGNON&amp;nbsp;BEETHOVEN – Piano Sonata, Op. 57, f, “Appassionata” 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1443 WELTE-MIGNON&amp;nbsp;BEETHOVEN – Piano Sonata, Op. 57, f, “Appassionata” 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1445 WELTE-MIGNON&amp;nbsp;CHOPIN – Etude, Op. 10, No. 10, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1446 WELTE-MIGNON&amp;nbsp;CHOPIN – Etude, Op. 25, No. 3, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1447 WELTE-MIGNON&amp;nbsp;CHOPIN – Preludes, Op. 28, Nos. 1, C,&amp;nbsp; 21, Bb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1450 WELTE-MIGNON&amp;nbsp;DEBUSSY – Estampes, No. 2 La soirée dans Grenade (Evening in Granada)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1451 WELTE-MIGNON&amp;nbsp;DEBUSSY – Suite – Pour le piano – No. 3 Toccata&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1453 WELTE-MIGNON&amp;nbsp;SCHELLING – Romance, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;SANDRA DROUCKER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;265 WELTE-MIGNON CHOPIN – Scherzo No. 3, Op. 39, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;266 WELTE-MIGNON CHOPIN – Nocturne, Op. 37, No. 2, G&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;270 WELTE-MIGNON SCHUMANN – Arabesque, Op. 18, C&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;271 WELTE-MIGNON TCHAIKOVSKY – Momento lirico (Lyrical Moment)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;274 WELTE-MIGNON LISZT- Gnomenreigen (Gnomes’ Round Dance) – Concert Etude No. 2, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;LAZZARO UZIELLI THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1118 WELTE-MIGNON MOZART – Fantasia, K. 396, c&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1121 WELTE-MIGNON TRAD.-UZIELLI – Old French Gavotte, c&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1124 WELTE-MIGNON CHOPIN – Waltz, Op. 64, No. 3, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1127 WELTE-MIGNON CHAMINADE – (Air de ballet) Op. 41, Eb: Pierrette&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1133 WELTE-MIGNON GODARD – Gavotte, Op. 16, No. 3, B&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ALFRED HOEHN WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 3290, 3291 BEETHOVEN – Piano Sonata, Op. 7, Eb 1st, 2nd, 3rd and 4th mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 3292, 3293, 3294 BEETHOVEN – Piano Sonata, Op. 106, Bb “Hammerklavier” lst, 2nd, 3rd mvt. &amp;amp; 4th mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 3299 BRAHMS – Piano Sonata No. 3, Op. 5, f 3rd &amp;amp; 4th mvts. “Rückblick”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 3303 RAMEAU – Gavotte with Variations, a&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 3296 BEETHOVEN – Variations and Fugue, Op. 35, Eb “Eroica” Part 11&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ANATOL VON ROESSEL WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;195 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 7, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;234 WELTE-MIGNON RACHMANINOFF – “Fantasy Pieces”, Op. 3, No. 2, c# Prelude&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;304 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 5, e “Héroide-Elégiaque”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;309 WELTE-MIGNON J. STRAUSS, JR.-GOLDSTEIN – (Thousan d &amp;amp; One Nights, Op. 346)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1045 WELTE-MIGNON SCHUMANN-LISZT – Widmung (Dedication) Op. 25, No. 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WALTER GIESEKING WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3820, 3821 BACH – “Italian” Concerto S.971 1st and 2nd mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3821 BACH – “Italian” Concerto S.971 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3822 BACH – Partiten für Cembalo (Clavierübung I), Allemande, Courante u. Sarabande a. d. Partita I, BWV 825 B-Dur.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3823 BEETHOVEN-GIESEKING-Violin Sonata, Op. 47 “Kreutzer” 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3824 BEETHOVEN-GIESEKING-Violin Sonata, Op. 47 “Kreutzer” 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3826 DEBUSSY – Masques&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3827 DEBUSSY – Images, Series I, No. 2 Hommage à Rameau (Tribute)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3829 LISZT – Hungarian Rhapsody No. 14, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3832 SCHONBERG – Six Little Piano Pieces, Op. 19&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7329 DEBUSSY – Préludes, Book I, Nos. 11 La danse de Puck; 12 Minstrels&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7606 DEBUSSY – Préludes, Book I, No. 1 Danseuses de Delphes&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;IRÈNE ENERI-GORAINOFF WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2000 WELTE-MIGNON MENDELSSOHN – Rondo Capriccioso, Op. 14, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2159 WELTE-MIGNON CHOPIN – Piano Concerto No. 1, e, Op. 11 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2160 WELTE-MIGNON CHOPIN – Piano Concerto No. 1, e, Op. 11 2nd mvt. Romanza&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2161 WELTE-MIGNON CHOPIN – Piano Concerto No. 1, e, Op. 11 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;EGON PETRI WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;514 WELTE-MIGNON LISZT – “Paganini” Etude No. 5, E La chasse (The Hunt)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;518 WELTE-MIGNON LISZT – Les jeux d’eaux à la Villa Este (Anneés&amp;nbsp; Pelèrinage- 3rd Yr. Italy, No. 4)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;520 WELTE-MIGNON ALKAN – Ancient Melody of the Synagogue, Op. 31&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;525 WELTE-MIGNON SCHUMANN – Variations on the name A-B-E-G-G, Op. 1&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;527 WELTE-MIGNON BEETHOVEN – Thirty-Two Variations on an Original Theme, c, WoO 80&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;FRANK MARSHALL WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 4011 ALBENIZ – Pavana-Capricho, Op. 12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 4012 ALBENIZ – “Celebre” Serenata Española&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 4016 ALBENIZ – Preludio, Op. 232, No. 1 from “Cantos de Espana”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 4017 CHAVARRI – Leyenda del Castillo Moro (Legen d of a Moorish Castle)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;TOSTA DI BENICI WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2620 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 7, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2621 WELTE-MIGNON CHOPIN – Etude, Op. 10, No. 5 “Black Key”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2622 WELTE-MIGNON CHOPIN – Prelude, Op. 28, No. 18, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2624 WELTE-MIGNON GRIEG – Erotik, Op. 43, No. 5 “Lyric Pieces”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2627 WELTE-MIGNON KJERULF – Berceuse (Cradle Song), Op. 4&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2630 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 11, a Lento à capriccio&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2632 WELTE-MIGNON SAINT-SAENS – Romance sans paroles (Romance without Words), b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2635 WELTE-MIGNON SIBELIUS – Romance, Op. 24, No. 9, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2637 WELTE-MIGNON SINDING – Frühlingsrauschen (Rustle of Spring) Op. 32, No. 3, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2638 WELTE-MIGNON SINDING – Serenade, Op. 33, No. 4&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;EMIL VON SAUER THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;876 WELTE-MIGNON MOZART-LISZT – Fantasia on Themes from “Don Giovanni”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;877 WELTE-MIGNON LISZT – Transcendental Etudes – No. 4, d Mazeppa&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;879 WELTE-MIGNON CHOPIN – Nocturne, Op. 27, No. 2, Db&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;880 WELTE-MIGNON CHOPIN – Bolero, Op. 19, C&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;881 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 9, Gb “Butterfly”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;882 WELTE-MIGNON MENDELSSOHN-LISZT – On Wings of Song (Auf Flügeln des Gesänges)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;883 WELTE-MIGNON SAUER – Echo de Vienne – Valse de concert, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;885 WELTE-MIGNON SAUER – Concert Etude No. 6, b&amp;nbsp; The Aspen Leaf&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;886 WELTE-MIGNON SAUER – Concert Etude No. 7, E Flammes de mer (Glitter of the Sea)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;EDWIN FISCHER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1837 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1838 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1838 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1839 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 10, No. 3, D 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1839 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 10, No. 3, D2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1840 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 10, No. 3, D 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1840 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 10, No. 3, D 4th mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1841 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 110, Ab 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1841 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 110, Ab 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1842 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 110, Ab 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1842 BEETHOVEN – Piano Sonata, Op. 110, Ab 4th mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1843 WELTE-MIGNON MOZART – Fantasia, K. 396, c&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ELLY NEY THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1105 BEETHOVEN – Piano Sonata, Op. 110, Ab 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1106 HANDEL – Chaconne, G&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1107 CHOPIN – Etude, Op. 25, No. 7, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1108 BRAHMS – Piano Sonata No. 3, Op. 5, f 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1112 LISZT – Hungarian Rhapsody No. 8, f# “Capriccio”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1113 BRAHMS – Romance, Op. 118, No. 5, f&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1114 A. RUBINSTEIN – Gavotte, Op. 38, No. 5, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 1116 DELIBES – Pas de fleurs (Flower Waltz) from the ballet “Naila”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;GOTTFRIED GALSTON WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 587 BRAHMS – Waltzes, Op. 39, Nos. 1, B; 2, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 589 BRAHMS – Waltzes, Op. 39, Nos. 6, A; 11, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 592 BRAHMS – Walzer Op. 39, No. 15 As-Dur &amp;amp; Op. 39, No. 16.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 594 CHOPIN – Etude, Op. 10, No. 12, c “Revolutionary”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;GEORG LIEBLING WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3927 WELTE-MIGNON BEETHOVEN – Piano Concerto No. 5, Op. 73, Eb “Emperor” 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3927 WELTE-MIGNON BEETHOVEN – Piano Concerto No. 5, Op. 73, Eb “Emperor” 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3928 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 4, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3931 WELTE-MIGNON NIEMANN – Playing Waters, Op. 69&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7652 WELTE-MIGNON VARIOUS-LIEBLING – Opera Reminiscences – Series No. 4&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7693 WELTE-MIGNON J. STRAUSS, JR.-LIEBLING – “Strauss Reminiscences”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;7706 WELTE-MIGNON VARIOUS-LIEBLING – Opera Reminiscences – Series No. 5&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;MARK HAMBOURG WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;931 WELTE-MIGNON CHOPIN – Mazurka, Op. 17, No. 4, a&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;934 WELTE-MIGNON A. RUBINSTEIN-Le bal (The Ball)-Valse de concert, Op. 14, No. 4, Ab&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;936 WELTE-MIGNON LISZT – Polonaise No. 2, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;DAVID SCHORR WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2086 SCHUMANN – Schlummerlied (Slumber Song) Op. 124, No. 16, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2088 C.P.E. BACH – Rondo, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 2089 BACH-SAINT-SAENS – Gavotte from the Violin Concerto #2, b 2nd mt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WASSILY SAPELLNIKOFF WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 939 J. STRAUSS,JR. – TAUSIG-Nachtfalter (The Moth) Op. 157, E&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 951 LISZT – Liebestraum (Nocturne) No. 1, Ab “ Hohe Liebe” (Exalted Love)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;WELTE-MIGNON 953 ROSSINI-LISZT – Overture to the Opera “William Tell”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ALEXANDER GOLDENWEISER M. DOULOFF WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ALEXANDER GOLDENWEISER WELTE-MIGNON 2080 MOZART – Piano Sonata, K. 330, C 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ALEXANDER GOLDENWEISER WELTE-MIGNON 2081 SCRIABIN – Mazurka, Op. 40, No. 2, F#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;MIKHAIL DOULOFF WELTE-MIGNON 2016 TCHAIKOVSKY – Fantasie on Themes from the Opera “Eugen Onegin”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;MIKHAIL DOULOFF WELTE-MIGNON 2018&amp;nbsp; &amp;nbsp; &amp;nbsp; GLINKA – Fantasie on Themes from the Opera “A Life for the Tsar”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;BERTHE MARX-GOLDSCHMIDT WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;811 WELTE-MIGNON GLUCK-BRAHMS – Gavotte from Opera “Iphigénie in Aulis”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;814 WELTE-MIGNON SARASATE-GOLDSCHMIDT – Zigeunerweisen (Gypsy Airs)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;GISELLA GROSZ WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1063 WELTE-MIGNON SCHUMANN – Piano Sonata No. 2, Op. 22, g 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1064 WELTE-MIGNON SCHUMANN – Piano Sonata No. 2, Op. 22, g 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;SUZANNE GODENNE WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2919 WELTE-MIGNON CHOPIN – Andante spianato and Grande Polonaise, Op. 22, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2920 WELTE-MIGNON DEBUSSY – “Suite Bergamasque” No. 3: Clair de lune (Moonlight)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2928 WELTE-MIGNON MOSZKOWSKI – Complainte, Op. 87&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;2930 WELTE-MIGNON PUGNO – “Tintements de clochette”: Paysages (Landscapes)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;MAX VON PAUER WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;837 WELTE-MIGNON BEETHOVEN – Andante favori, WoO 57, F&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;839 WELTE-MIGNON MENDELSSOHN – Sadness of Soul, Op. 53, No. 4, F (Songs w / o Words)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;842 WELTE-MIGNON LISZT – Harmonies Poétiques – No. 3: Bénédiction de Dieu dans la solitude&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;844 WELTE-MIGNON LISZT – Transcendental Etudes – No. 11, Db Harmonies du soir&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;TERESITA TAGLIAPIETRA-CARREÑO WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1148 WELTE-MIGNON BRAHMS – Piano Sonata No. 3, Op. 5, f 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;1149 WELTE-MIGNON BRAHMS – Piano Sonata No. 3, Op. 5, f 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;ARTHUR FRIEDHEIM WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;186 WELTE-MIGNON LISZT – “Paganini” Etude No. 2, Eb Octave Study&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;198 WELTE-MIGNON LISZT- Hungarian Rhapsody No. 12, c#&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;214 WELTE-MIGNON LISZT – Ballade No. 2, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;228 WELTE-MIGNON MENDELSSOHN – Sadness of Soul, Op. 53, No. 4, F (Songs w&amp;nbsp; oWords)&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;RAOUL VON KOCZALSKI WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3971 WELTE-MIGNON CLEMENTI – Toccata, Bb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3972 WELTE-MIGNON SCHUMANN-LISZT – Frühlingsnacht (Spring Night) Op. 39, #12&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3974 WELTE-MIGNON CHOPIN – Klavierkonzert No. 2 f-Moll Op. 21, Larghetto 2nd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3976 WELTE-MIGNON CHOPIN – Piano Concerto No. 1, Op. 11, e 1st mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3979 WELTE-MIGNON R. STRAUSS – Piano Sonata, Op. 5, b 1st and 2nd mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3980 WELTE-MIGNON R. STRAUSS – Piano Sonata, Op. 5, b 3rd and 4th mvts.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;LUBKA KOLESSA WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4175 WELTE-MIGNON SCHUBERT – Scherzo No. 1, B; Impromptu, Op. 90, No. 2, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4177 WELTE-MIGNON CHOPIN – Grande valse brillante, Op. 18, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;4178 WELTE-MIGNON CHOPIN – Mazurka, Op. 33, No. 2, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;MICHAEL ZADORA WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;461 WELTE-MIGNON BACH-BUSONI – Toccata, C537&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;469 WELTE-MIGNON MACDOWELL – Hexentanz (Witches’ Dance) Op. 17, No. 2, b&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;470 WELTE-MIGNON CHOPIN – Preludes, Op. 28, Nos. 2, a; 4, e; 9, E; 13, F#; 22, g&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;532 WELTE-MIGNON J. STRAUSS, JR. – TAUSIG-You only live once – Valse-Caprice, Op. 167&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;537 WELTE-MIGNON BUSONI – Balletszene (Ballet Scene) No. 4, Op. 33, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3658 WELTE-MIGNON LISZT – Weihnachtsbaum (Christmas Tree), Nos. 8 and 3&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;3665 WELTE-MIGNON A. RUBINSTEIN – Torch Dance of Brides of Kashmir fr “Feramors”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;TELEMAQUE LAMBRINO WELTE-MIGNON PIANO ROLLS CDR&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;125 WELTE-MIGNON LISZT – “Paganini” Etude No. 3, g#: La Campanella&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;280 WELTE-MIGNON CHOPIN – Etude, Op. 10. No. 11, Eb&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;281 WELTE-MIGNON SCHUBERT-TAUSIG – Marche militaire, Op. 51, No. 1, D&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;282 WELTE-MIGNON CHOPIN – Etudes, Op. 25, No. 8, Db; No. 9, Gb “Butterfly”&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;284 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 31, No. 3, Eb 3rd mvt.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;GEQMTWCG85GGY&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;GREAT PIANISTS PLAYS FOR WELTE-MIGNON PIANO ROLLS ULTRA RARE! &quot;/&gt; GREAT PIANISTS PLAYS FOR WELTE-MIGNON PIANO ROLLS ULTRA RARE! &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 1000$&quot;&gt; PRICE: 1000$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 20$&quot;&gt; SHIPPING COST: 20$ &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/5863235880622923440/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/great-pianists-plays-for-welte-mignon.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/5863235880622923440'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/5863235880622923440'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/great-pianists-plays-for-welte-mignon.html' title='GREAT PIANISTS PLAYS FOR WELTE-MIGNON PIANO ROLLS ULTRA RARE! 100 CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivj0X0Z09ZOfAlAOzEF9RZPcIXCQZOsBaw4JwIvZPZivw1R0tOiNdTP2efBv6zivtD0-dGq5ALtAucL_U75eg5FMjs9dzlGwBl0V_9ActoPv8ngZvXlovESanvdLI1c53ZLbBV3tKyWxxWF_T84pKdQgqcFAEDehBKhIQFnBaBcElXEJByimDaBJsUGX8/s72-c/PHOTO.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-6750373460702817395</id><published>2025-02-24T10:19:00.004+04:00</published><updated>2025-02-24T10:40:25.933+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ITALIAN SOPRANO ZORAIDE SARZANINI CDR"/><title type='text'>ITALIAN SOPRANO ZORAIDE SARZANINI CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggNcmaNXoT63jkkT6B-dcqMuf52stUMwYrXO_KOa3CdTClfWYNpjgskjIcx2m3bNoCplcOcNyVoySKaMfXYMArrUjTBhPpPCpoJXGVQv6RhcNwNTXSGRUvJ75B2rHM7sv7nRBS-bTX2E8z4JTYNOMsAyKyDHqE5rldyG75KCRG1SFHnsh4C7me3uyvUEo/s3764/Soprano%20Zoraide%20Sarzanini.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;3764&quot; data-original-width=&quot;2790&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggNcmaNXoT63jkkT6B-dcqMuf52stUMwYrXO_KOa3CdTClfWYNpjgskjIcx2m3bNoCplcOcNyVoySKaMfXYMArrUjTBhPpPCpoJXGVQv6RhcNwNTXSGRUvJ75B2rHM7sv7nRBS-bTX2E8z4JTYNOMsAyKyDHqE5rldyG75KCRG1SFHnsh4C7me3uyvUEo/s320/Soprano%20Zoraide%20Sarzanini.jpg&quot; width=&quot;237&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;ZORAIDE SARZANINI (CAIRO MONTENOTTE ? – ?)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;She made her debut as Filina in Ambroise Thomas’s Mignon at the Teatro Politeama Reinach in Parma.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chronology of some appearances&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;1907 Parma Politeama Reinach Mignon (Filina)&lt;/p&gt;&lt;p&gt;1909 Bergamo Teatro Donizetti Wally (Walter)&lt;/p&gt;&lt;p&gt;1911 Firenze Politeama Fiorentino Boheme (Musetta)&lt;/p&gt;&lt;p&gt;1913 Chieti Teatro Marruccino Traviata (Violetta)&lt;/p&gt;&lt;p&gt;1914 Messina Teatro Mastroieni Cavalleria Rusticana (Santuzza)&lt;/p&gt;&lt;p&gt;1920 Savona Teatro Chiabrera Manon Lescaut (Manon)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Bohème (Puccini) Mimì è tanto malata with Piero Strazza and Gaetano Prudenza 110083 xM1379 Odeon Fonotipia, Milano 1910/1911&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Bohème (Puccini) O buon Marcello with Gaetano Prudenza 110082 xM1378 Odeon Fonotipia, Milano 1910/1911&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Bohème (Puccini) Valzer di Musetta with Piero Strazza, Renato Meroni, Gaetano Prudenza, Medardo Medosi and Alice Magdala 110001 Odeon Fonotipia, Milano 1910/1911&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gioielli della Madonna (Wolf-Ferrari) Sanno odor d’incenso with Romano Ciaroff-Ciarini 69106 Xph4964 Fonotipia, Milano 16-10-1913&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Wally (Catalani) Ne mai dunque avrò pace 110012 xM1388 Odeon Fonotipia, Milano 1910/1911&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Wally (Catalani) Un dì, verso il Murzoli 37884 xM1385 Odeon Fonotipia, Milano 1910/1911&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;HXCLNNWL3FUJQ&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;ITALIAN SOPRANO ZORAIDE SARZANINI CDR&quot;/&gt; ITALIAN SOPRANO ZORAIDE SARZANINI CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10&quot;&gt; SHIPPING COST: 10 &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/6750373460702817395/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-soprano-zoraide-sarzanini-cdr.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/6750373460702817395'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/6750373460702817395'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-soprano-zoraide-sarzanini-cdr.html' title='ITALIAN SOPRANO ZORAIDE SARZANINI CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggNcmaNXoT63jkkT6B-dcqMuf52stUMwYrXO_KOa3CdTClfWYNpjgskjIcx2m3bNoCplcOcNyVoySKaMfXYMArrUjTBhPpPCpoJXGVQv6RhcNwNTXSGRUvJ75B2rHM7sv7nRBS-bTX2E8z4JTYNOMsAyKyDHqE5rldyG75KCRG1SFHnsh4C7me3uyvUEo/s72-c/Soprano%20Zoraide%20Sarzanini.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-2056164539102421047</id><published>2025-02-24T10:18:00.004+04:00</published><updated>2025-02-24T10:41:28.440+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ITALIAN SOPRANO LAURA MELLERIO CDR"/><title type='text'>ITALIAN SOPRANO LAURA MELLERIO CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtJW07F36PsXGlBcMImIfpPYnoR39qar7Hr3r2sY-6V3BIbD09ZeWQVdYajpTdXwi2LdkZy48C3Cn4yl6Yvg5VC9n_xY0KBHqp-OCPqJL5mT8cnE38dZK01SuLpMr5efCpELzYv7OUXyaRpF2Bz38AMUfBO62EFigsRTmIZB9wWfUiYp3cGWsgVHgyc2I/s336/Mellerio%20Laura.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;336&quot; data-original-width=&quot;230&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtJW07F36PsXGlBcMImIfpPYnoR39qar7Hr3r2sY-6V3BIbD09ZeWQVdYajpTdXwi2LdkZy48C3Cn4yl6Yvg5VC9n_xY0KBHqp-OCPqJL5mT8cnE38dZK01SuLpMr5efCpELzYv7OUXyaRpF2Bz38AMUfBO62EFigsRTmIZB9wWfUiYp3cGWsgVHgyc2I/s320/Mellerio%20Laura.jpg&quot; width=&quot;219&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;LAURA MELLERIO&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;She made her debut in 1905 at the Anfiteatro Minerva in Trieste as part of Pietro Cesari’s Comic Opera Company.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chronology of some appearances&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;1905 Trieste Anfiteatro Minerva Papa’ Martin di A. Cagnoni (Amelia)&lt;/p&gt;&lt;p&gt;1906 Venezia Teatro Rossini&amp;nbsp; &amp;nbsp;Don Pasquale (Norina)&lt;/p&gt;&lt;p&gt;1907 Milano Teatro Dal Verme Figlia del Reggimento (Maria)&lt;/p&gt;&lt;p&gt;1908 Genova Teatro Margherita Don Pasquale (Norina)&lt;/p&gt;&lt;p&gt;1909 Trieste Politeama Rossetti Werther (Sofia)&lt;/p&gt;&lt;p&gt;1919 Cento Teatro Sociale Barbiere di Siviglia (Rosina)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Ballo in maschera (Verdi) Morte di Riccardo (w. De Revers, Badini &amp;amp; Pallini) 2-39026 Favorite, Verona 1909-05/06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Barbiere di Siviglia (Rossini) Dunque io son (w. Badini) 1-39080 Favorite, Verona 1909-05/06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Bohème (Puccini) Mimì è una civetta (w. de Tura &amp;amp; Badini) 054242, 1961c Gramophone, Milano 1909-04-06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Faust (Gounod) Morte di Valentino (w. Badini &amp;amp; de Revers) Favorite, Verona 1909-05/06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mefistofele (Boito) La luna immobile (w. Matroiani &amp;amp; de Revers) 1-39077 Favorite, Verona 1909-05/06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Pêcheurs de perles (Bizet) Non hai compreso (w. Matroiani) 1-39079 Favorite, Verona 1909-05/06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rigoletto (Verdi) Si, vendetta (w. Badini) 54405 13056b Gramophone, Milano 1909-04-06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rigoletto (Verdi) Tutte le feste (w. Badini) 54406 13057b Gramophone, Milano 1909-04-06&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Rigoletto (Verdi) V’ho ingannato (w. Badini) 1-39067 7385-o- Favorite, Milano 1909-05-21&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input name=&quot;cmd&quot; type=&quot;hidden&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input name=&quot;hosted_button_id&quot; type=&quot;hidden&quot; value=&quot;7EBK2V4RX6L4N&quot; /&gt; &lt;table&gt; &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;input name=&quot;on0&quot; type=&quot;hidden&quot; value=&quot;ITALIAN SOPRANO LAURA MELLERIO CDR&quot; /&gt; ITALIAN SOPRANO LAURA MELLERIO CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10&quot;&gt; SHIPPING COST: 10 &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;input name=&quot;currency_code&quot; type=&quot;hidden&quot; value=&quot;USD&quot; /&gt; &lt;input alt=&quot;Buy Now&quot; border=&quot;0&quot; name=&quot;submit&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; type=&quot;image&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/2056164539102421047/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-soprano-laura-mellerio-cdr.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/2056164539102421047'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/2056164539102421047'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-soprano-laura-mellerio-cdr.html' title='ITALIAN SOPRANO LAURA MELLERIO CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtJW07F36PsXGlBcMImIfpPYnoR39qar7Hr3r2sY-6V3BIbD09ZeWQVdYajpTdXwi2LdkZy48C3Cn4yl6Yvg5VC9n_xY0KBHqp-OCPqJL5mT8cnE38dZK01SuLpMr5efCpELzYv7OUXyaRpF2Bz38AMUfBO62EFigsRTmIZB9wWfUiYp3cGWsgVHgyc2I/s72-c/Mellerio%20Laura.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1282847728370844417.post-4869144619540329158</id><published>2025-02-24T10:16:00.005+04:00</published><updated>2025-02-24T10:42:25.237+04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ITALIAN BARITONE ANAFESTO ROSSI (1883-1933) CDR"/><title type='text'>ITALIAN BARITONE ANAFESTO ROSSI (1883-1933) CDR</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSR4AG1Z4eVxznv6JB8vyWFGZNjHScEb9Wst2mrofiNBqilF7k4Tb4nRpTfCKShQicQhkAjx8HyMpYhWrAcYg6F55Ae8qYkpbAQcGKHdjQY-ZJOPlzhdXGOQABvMATTEUCYguBPx2pupeLworn8Sj6QbZVnCjs_RwRGp3w_odb2lT-JSGtt7yd_on_wxE/s2600/Baritone%20Anafesto%20Rossi.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2600&quot; data-original-width=&quot;1946&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSR4AG1Z4eVxznv6JB8vyWFGZNjHScEb9Wst2mrofiNBqilF7k4Tb4nRpTfCKShQicQhkAjx8HyMpYhWrAcYg6F55Ae8qYkpbAQcGKHdjQY-ZJOPlzhdXGOQABvMATTEUCYguBPx2pupeLworn8Sj6QbZVnCjs_RwRGp3w_odb2lT-JSGtt7yd_on_wxE/s320/Baritone%20Anafesto%20Rossi.jpg&quot; width=&quot;240&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;ANAFESTO ROSSI (VENICE, 1883 – LIMBIATE, 1933)&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;He studied at the Liceo Musicale Benedetto Marcello in Venice, graduating in 1902 as a bass. He furthered his training at the Saffo Bellincioni School under Lelio Casini and Schneider. Rossi made his debut in 1906 at the Teatro Sociale in Broni, performing in Verdi’s La Traviata. He retired from the stage in 1926 and later passed away in a mental hospital.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chronology of some appearances&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;1906 Broni Teatro Sociale Traviata (Germont)&lt;/p&gt;&lt;p&gt;1909 Milano Teatro Dal Verme Forza Del destino (Carlo)&lt;/p&gt;&lt;p&gt;1913 Boston Opera House Pagliacci (Tonio)&lt;/p&gt;&lt;p&gt;1915 Sanremo Teatro Del Casinò Manon Lescaut (Lescaut)&lt;/p&gt;&lt;p&gt;1920 Volterra Teatro Persio Flacco Rigoletto (Rigoletto)&lt;/p&gt;&lt;p&gt;1925 Trieste Teatro Verdi Gianni Schicchi (Schicchi)&lt;/p&gt;&lt;p&gt;1926 Cremona Teatro Ponchielli Gianni Schicchi (Schicchi)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;b&gt;TRACKLIST&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Barbiere di Siviglia (Rossini) Largo al factotum 74233 XXPh5351 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Donna, vorei morir (Tosti) 152568 Pho5356 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Falstaff (Verdi) Alfin t’ho colto with Carmen Roccabella 74234 XXPh5350 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Gianni Schicchi (Puccini) Si corre dal notaio 152565 Pho5353 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;La mia canzone (Tosti) 152569 Pho5358 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Tabarro (Puccini) Scorri, fume eterno! 152564 Pho5352 Fonotipia, Milano 1923-06-23&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/p&gt; &lt;form action=&quot;https://www.paypal.com/cgi-bin/webscr&quot; method=&quot;post&quot; target=&quot;_top&quot;&gt; &lt;input type=&quot;hidden&quot; name=&quot;cmd&quot; value=&quot;_s-xclick&quot; /&gt; &lt;input type=&quot;hidden&quot; name=&quot;hosted_button_id&quot; value=&quot;HDHGZTGYGNAXQ&quot; /&gt; &lt;table&gt; &lt;tr&gt; &lt;td&gt; &lt;input type=&quot;hidden&quot; name=&quot;on0&quot; value=&quot;ITALIAN BARITONE ANAFESTO ROSSI (1883-1933) CDR&quot;/&gt; ITALIAN BARITONE ANAFESTO ROSSI (1883-1933) CDR &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;select name=&quot;os0&quot;&gt; &lt;option value=&quot;PRICE: 15$&quot;&gt; PRICE: 15$ &lt;/option&gt; &lt;option value=&quot;SHIPPING COST: 10&quot;&gt; SHIPPING COST: 10 &lt;/option&gt; &lt;/select&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/table&gt; &lt;input type=&quot;hidden&quot; name=&quot;currency_code&quot; value=&quot;USD&quot; /&gt; &lt;input type=&quot;image&quot; src=&quot;https://www.paypalobjects.com/en_US/i/btn/btn_buynowCC_LG.gif&quot; border=&quot;0&quot; name=&quot;submit&quot; title=&quot;PayPal - The safer, easier way to pay online!&quot; alt=&quot;Buy Now&quot; /&gt; &lt;/form&gt;</content><link rel='replies' type='application/atom+xml' href='http://forgottenoperasingers.blogspot.com/feeds/4869144619540329158/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-baritone-anafesto-rossi-1883.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4869144619540329158'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1282847728370844417/posts/default/4869144619540329158'/><link rel='alternate' type='text/html' href='http://forgottenoperasingers.blogspot.com/2025/02/italian-baritone-anafesto-rossi-1883.html' title='ITALIAN BARITONE ANAFESTO ROSSI (1883-1933) CDR'/><author><name>Ashot Arakelyan</name><uri>http://www.blogger.com/profile/18334729826165373343</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib8GmYiYh9PUC7K6Fgt4glvcFC2lUj7-CaUbRN3NsArfUrcJhZq1uPZA4DvGfKTAkxXjwf92ITAUaDZx4bZwMx8jAcLxlLB8HQYPT8w5O3yeIfdkiJ9nOYYhjZgswIQA/s220/Anselmi+Giuseppe+Dormi+pure.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSR4AG1Z4eVxznv6JB8vyWFGZNjHScEb9Wst2mrofiNBqilF7k4Tb4nRpTfCKShQicQhkAjx8HyMpYhWrAcYg6F55Ae8qYkpbAQcGKHdjQY-ZJOPlzhdXGOQABvMATTEUCYguBPx2pupeLworn8Sj6QbZVnCjs_RwRGp3w_odb2lT-JSGtt7yd_on_wxE/s72-c/Baritone%20Anafesto%20Rossi.jpg" height="72" width="72"/><thr:total>0</thr:total></entry></feed>