Calenda - Art et corpor茅it茅

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<meta property="og:image" content="https://calenda.org/images/favicon_150x150.png" /> <meta name="DC.rights" content="https://creativecommons.org/publicdomain/zero/1.0/" /> <meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no"></head> <body> <div id="ob-breadcrumb" class="ob-breadcrumb-calenda"> <div class="container"> <a href="search">Accueil</a><a href=""><span>Art et corpor茅it茅</span></a> </div> </div> <div id="wrapper"> <div id="content"> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script 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octobre 2016 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div id="resume-380933-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: justify;">Ce séminaire, dans un territoire hexagonal mais transnational aussi, examinera, en longue durée, les liens entre les arts et le corps : comment les artistes, autant que les artisans – et l’on entendra particulièrement les plasticiens-<em>designers</em> et les musiciens – sont conditionnés et conditionnent les catégories et modèles d’objets qu’ils imaginent et fabriquent, en fonction de la plasticité des corps ? De quelles manières, selon quels échéanciers et à partir de quels schémas économiques sont produits, édités, diffusés des séries de mobiliers et des corpus d’instruments qui répondent, à la jointure du Beau et de l’Utile, à une exigence artistique, un canon esthétique et un confort social soumis à des variables politiques, culturelles et générationnelles ?</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-380933-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1>Argumentaire</h1> <p style="text-align: justify;">Ce séminaire, porté par l'Ecole des Chartes au sein de<em> PSL Research University</em>, dans un territoire hexagonal mais transnational aussi, examinera, en longue durée, les liens entre les arts et le corps : comment les artistes, autant que les artisans – et l’on entendra particulièrement les plasticiens-designers et les musiciens – sont conditionnés et conditionnent les catégories et modèles d’objets qu’ils imaginent et fabriquent, en fonction de la plasticité des corps ? De quelles manières, selon quels échéanciers et à partir de quels schémas économiques sont produits, édités, diffusés des séries de mobiliers et des corpus d’instruments qui répondent, à la jointure du Beau et de l’Utile, à une exigence artistique, un canon esthétique et un confort social soumis à des variables politiques, culturelles et générationnelles ?</p> <p style="text-align: justify;">L'histoire du corps ne fait-elle pas partie des oubliées ? Le corps évoluant dans son destin biologique, le corps agissant, le corps souffrant, le corps en représentation en constituent autant de chapitres exemplaires. Tel est l'objet du présent séminaire. Il est ici question du corps en rapport avec la création, qu'il en soit l'acteur ou le bénéficiaire.</p> <p style="text-align: justify;">Ce programme de recherche, à l’articulation de l’interprétation et de l’expérience, entend réfléchir au couple Art et Corps dans les effets interactifs qu’ils produisent l’un sur l’autre. Afin d’éviter tout effet de rhétorique et de généralisation étrangère à l’analyse historienne sur corpus, l’étude portera sur deux domaines : le design et la musique. Dans le premier cas, il s’agit d’observer, en longue durée (de 1880 aux années 2010), comment les décorateurs et les designers pensent [ou non] les objets en fonction du corps et du confort qui, dès lors, peut être produit. Dans le second cas, on regardera singulièrement de quelles manières les musiciens font ployer leur corps au son des notes autant que ces dernières – premières sur la portée ou virtuelles sur le web – inventent des postures corporelles à la bordure de l’extase, confortable ou non.</p> <h3 style="text-align: justify;">Informations pratiques</h3> <ul> <li style="text-align: justify;">À qui s'adresse ce séminaire ?</li> </ul> <p style="text-align: justify;">Aux  doctorants  issus  en  priorité  des  écoles  doctorales  de  Psl,  et  plus particulièrement de l'ED Sacre, et, dans la mesure des places disponibles, aux étudiants issus d'autres institutions et universités dont les sujets de recherche se rapprochent des thèmes abordés au cours des différentes séances du séminaire. Il est aussi <br />ouvert aux auditeurs libres, dans la limite des places disponibles.</p> <ul> <li>Comment est évalué ce séminaire ?</li> </ul> <p>Pour les doctorants qui intègrent ce séminaire dans leur cursus, l’évaluation consistera en un compte-rendu d’ouvrage en rapport avec le séminaire. L’assiduité sera également prise en compte. Il est aussi possible d'assister au séminaire en auditeur libre, dans la limite des places disponibles.</p> <p><strong>Inscription obligatoire</strong> : envoyer un courriel à recherche@enc-sorbonne.fr<br /><strong>Renseignements</strong> : recherche@enc-sorbonne.fr / 01 55 42 21 54</p> <h1>Programme</h1> <h3>Séance 1. 2 novembre 2016</h3> <ul> <li>Enjeux et perspectives (<strong>Agnès Callu, Jean-Michel Leniaud, Solveig Serre</strong>)</li> </ul> <h3>Séance 2. 16 novembre 2016</h3> <ul> <li>« Corps et créations aux mages : le corps punk » (<strong>Luc Robène</strong>, Université Bordeaux III et Solveig Serre)</li> </ul> <h3>Séance 3. 30 novembre 2016</h3> <ul> <li>« Une épure de la culture rock : le corps du guitariste » (<strong>Luc Robène</strong> et<strong> Solveig Serre</strong>)</li> </ul> <h3>Séance 4. 7 décembre 2016</h3> <ul> <li>« Gestes du corps et geste de la main » (A<strong>gnès Callu</strong> et <strong>Isabelle Barbéris</strong>, Paris I)</li> </ul> <h3>Séance 5. 14 décembre 2016</h3> <ul> <li>« Concerts et scénographie du corps : New Model Army et son public » (<strong>Luc Robène</strong> et <strong>Solveig Serre</strong>)</li> </ul> <h3>Séance 6. 18 janvier 2017</h3> <ul> <li>« Genre de rock, genre de corps : l'expression des identités sexuées dans l'interaction art et corps » (<strong>Solveig Serre</strong>)</li> </ul> <h3>Séance 7. 25 janvier 2017</h3> <ul> <li>« Plasticité des corps : la danse des orifices » (<strong>Agnès Callu</strong> et<strong> Roland Huesca</strong>, Université de Metz)</li> </ul> <h3>Séance 8. 1<sup>er</sup> février 2017</h3> <ul> <li>« Le dessein des objets : vers un design émotionnel » (<strong>Agnès Callu</strong> et <strong>Armand Behar</strong>, ENSCI)</li> </ul> <h3>Séance 9. 8 février 2017</h3> <ul> <li>« Écouter le rock et le vivre avec son corps : l'invention des musiques amplifiées » (<strong>Solveig Serre</strong>)</li> </ul> <h3>Séance 10. 22 février 2017</h3> <ul> <li>« Le corps assis chez Roche-Bobois » (<strong>Agnès Callu</strong> et <strong>Clara Roca</strong>, ENC)</li> </ul> <h3>Séance 11. 1<sup>er</sup> mars 2017</h3> <ul> <li>« Orner le monde : egohistoire d’un designer » (<strong>Agnès Callu</strong> et <strong>Mathieu Lehanneur</strong>)</li> </ul> <h3>Séance 12. 8 mars 2017</h3> <ul> <li>« A la Galerie Neotu : Le Beau, l’Utile, le Corps » (<strong>Agnès Callu</strong>)</li> </ul> <h3>Séance 13. 15 mars 2017</h3> <ul> <li>« L'art est-il violent ? Le corps des foules au miroir des expressions rock » (<strong>Solveig Serre</strong>)</li> </ul> <h3>Séance 14. 22 mars 2017</h3> <ul> <li>« Le baroque et le corps (<strong>Caroline Giron-Panel</strong> et <strong>Solveig Serre</strong>)</li> </ul> <h3>Séance 15. 30 mars 2017</h3> <ul> <li>Filmer l’art et les corps (<strong>Emmanuel Mahé</strong>, ENSALAB et<strong> Virginie Loisel</strong>, plasticienne documentariste)</li> </ul> <h3>Séance 16. 5 avril 2017</h3> <ul> <li>« Pierre Boulez, un corps et de la musique » (<strong>Agnès Callu</strong> et <strong>François Meïmoun</strong>, EHESS)</li> </ul> <h1>Coordinateurs scientifiques</h1> <ul> <li>Agnès Callu (École des chartes)</li> <li>Jean-Michel Leniaud (École des chartes)</li> <li>Solveig Serre (École des chartes)</li> </ul> <h4><strong>Agnès Callu</strong></h4> <p style="text-align: justify;">Ancienne élève de l’École nationale des Chartes (thèse publiée sur la Réunion des musées nationaux sous la IIIe République, Prix Lenoir) et de l’Institut national du Patrimoine (INP), Docteur en histoire contemporaine de l’IEP / Sciences Po – Paris (thèse publiée sur le philosophe nietzschéen Gaëtan Picon, Prix Chaix d’Est Ange), Habilitée à diriger des recherches à l’École pratique des hautes études (EPHE) (dossier d’habilitation intitulé « Culture, Médias et Patrimoines : enjeux contemporains »), Agnès Callu est historienne, conservateur du Patrimoine au musée des Arts décoratifs, chargé du Cabinet des Dessins et chercheur associé permanent au CNRS (Institut d’histoire du temps présent, IHTP). Ses recherches portent sur la Culture et la Création contemporaines.</p> <h4>Solveig Serre</h4> <p style="text-align: justify;">Solveig Serre est historienne et musicologue, ancienne élève de l'École nationale des chartes, chargée de recherche au Centre national de la recherche scientifique (Centre d'études supérieures de la Renaissance / Centre de musique baroque de Versailles, UMR 7323) et chargée d'enseignement à l'École polytechnique et à l'université Sorbonne Nouvelle-Paris 3. Ses recherches portent sur l'histoire des institutions culturelles en France (18<sup>e</sup>-21<sup>e </sup>siècles) et sur l'histoire de la scène punk en France depuis 1976.</p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=228">Histoire</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> > <a href="search?primary=fsubject&fsubject=215">Anthropologie culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=241">脡tudes du politique</a> > <a href="search?primary=fsubject&fsubject=243">Histoire politique</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=260">Pens茅e</a> > <a href="search?primary=fsubject&fsubject=263">Sciences cognitives</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=228">Histoire</a> > <a href="search?primary=fsubject&fsubject=235">Histoire sociale</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Salle Molinier de 18h 脿 20h - Ecole des Chartes, 65 rue de Richelieu <br/> Paris, France (75001) </li> </ul> </div> <div id="eventformats"><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>mercredi 02 novembre 2016</li> <li>mercredi 16 novembre 2016</li> <li>mercredi 30 novembre 2016</li> <li>mercredi 07 d茅cembre 2016</li> <li>mercredi 14 d茅cembre 2016</li> <li>mercredi 18 janvier 2017</li> <li>mercredi 25 janvier 2017</li> <li>mercredi 01 f茅vrier 2017</li> <li>mercredi 08 f茅vrier 2017</li> <li>mercredi 22 f茅vrier 2017</li> <li>mercredi 01 mars 2017</li> <li>mercredi 08 mars 2017</li> <li>mercredi 15 mars 2017</li> <li>mercredi 22 mars 2017</li> <li>jeudi 30 mars 2017</li> <li>mercredi 05 avril 2017</li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>art, corps, design, musique</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Agn猫s Callu<br/><em>courriel :</em> agnes [dot] callu [at] ehess [dot] fr<br/></li> <li>Solveig Serre<br/><em>courriel :</em> solveig [dot] serre [at] cnrs [dot] fr<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://www.univ-psl.fr/fr">PSL</a></li> <li><a href="http://www.enc-sorbonne.fr/">Ecole des Chartes</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Agn猫s Callu<br/><em>courriel :</em> agnes [dot] callu [at] ehess [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Art et corpor茅it茅禄, <span class="category">S茅minaire</span>, <em>Calenda</em>, Publi茅 le lundi 24 octobre 2016, <a class="url" href="https://doi.org/10.58079/vzz">https://doi.org/10.58079/vzz</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('380933?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="380933?formatage=print">Imprimer</a> <a id="signaler" 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