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class="vector-toc-link" href="#Selected_essays_and_talks"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.5</span> <span>Selected essays and talks</span> </div> </a> <ul id="toc-Selected_essays_and_talks-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Interviews_with_Palmer" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Interviews_with_Palmer"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.6</span> <span>Interviews with Palmer</span> </div> </a> <ul id="toc-Interviews_with_Palmer-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Others_on_Palmer" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Others_on_Palmer"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.7</span> <span>Others on Palmer</span> </div> </a> <ul id="toc-Others_on_Palmer-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item 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class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Michael Palmer (poet)</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. 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1943)</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">For other people named Michael Palmer, see <a href="/wiki/Michael_Palmer_(disambiguation)" class="mw-redirect mw-disambig" title="Michael Palmer (disambiguation)">Michael Palmer (disambiguation)</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div style="display:inline;" class="fn">Michael Palmer</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Michael_Palmer_5998.jpg" class="mw-file-description" title="Reading at Lannan Poetry Series (March 2015)"><img alt="Reading at Lannan Poetry Series (March 2015)" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/81/Michael_Palmer_5998.jpg/220px-Michael_Palmer_5998.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/81/Michael_Palmer_5998.jpg/330px-Michael_Palmer_5998.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/81/Michael_Palmer_5998.jpg/440px-Michael_Palmer_5998.jpg 2x" data-file-width="1600" data-file-height="1200" /></a></span><div class="infobox-caption" style="line-height:1.4em;">Reading at Lannan Poetry Series (March 2015)</div></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Born</th><td class="infobox-data" style="line-height:1.4em;"><span style="display:none"> (<span class="bday">1943-05-11</span>) </span>May 11, 1943<span class="noprint ForceAgeToShow"> (age 81)</span><br /><a href="/wiki/Manhattan,_New_York" class="mw-redirect" title="Manhattan, New York">Manhattan, New York</a>, <a href="/wiki/United_States" title="United States">U.S.</a></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Occupation</th><td class="infobox-data role" style="line-height:1.4em;"><a href="/wiki/Poet" title="Poet">Poet</a>, <a href="/wiki/Translator" class="mw-redirect" title="Translator">translator</a></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Genre</th><td class="infobox-data category" style="line-height:1.4em;">poetry, prose, "analytic lyric"</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Literary movement</th><td class="infobox-data" style="line-height:1.4em;"><a href="/wiki/Postmodern" class="mw-redirect" title="Postmodern">postmodern</a>, Language poetry</td></tr></tbody></table> <p><b>Michael Palmer</b> (born May 11, 1943) is an <a href="/wiki/United_States_poetry" class="mw-redirect" title="United States poetry">American poet</a> and <a href="/wiki/Translator" class="mw-redirect" title="Translator">translator</a>. He attended <a href="/wiki/Harvard_University" title="Harvard University">Harvard University</a>, where he earned a BA in French and an MA in Comparative Literature.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> He has worked extensively with <a href="/wiki/Contemporary_dance" title="Contemporary dance">Contemporary dance</a> since the 1970s and has collaborated with many <a href="/wiki/Composers" class="mw-redirect" title="Composers">composers</a> and <a href="/wiki/Visual_arts" title="Visual arts">visual artists</a>. Palmer has lived in San Francisco since 1969. </p><p>Palmer is the 2006 recipient of the <a href="/wiki/Wallace_Stevens_Award" class="mw-redirect" title="Wallace Stevens Award">Wallace Stevens Award</a> from the <a href="/wiki/Academy_of_American_Poets" title="Academy of American Poets">Academy of American Poets</a>. This award recognizes outstanding and proven mastery in the art of poetry.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>note 1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Beginnings">Beginnings</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=1" title="Edit section: Beginnings"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Michael Palmer began actively pursuing a career in poetry during the 1960s. Two events in the early sixties seem decisive to his development as a poet. </p><p>First, Palmer attended the Vancouver Poetry Conference in 1963. This July–August 1963 Poetry Conference in <a href="/wiki/Vancouver,_British_Columbia" class="mw-redirect" title="Vancouver, British Columbia">Vancouver, British Columbia</a> spanned three weeks and involved about sixty people who had registered for a program of discussions, workshops, lectures, and readings designed by <a href="/wiki/Warren_Tallman" title="Warren Tallman">Warren Tallman</a> and <a href="/wiki/Robert_Creeley" title="Robert Creeley">Robert Creeley</a> as a summer course at the University of B.C.<sup id="cite_ref-slought.org_4-0" class="reference"><a href="#cite_note-slought.org-4"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> There Palmer met writers and artists who would leave a mark on his own developing sense of a poetics, especially <a href="/wiki/Robert_Duncan_(poet)" title="Robert Duncan (poet)">Robert Duncan</a>, Robert Creeley, and <a href="/wiki/Clark_Coolidge" title="Clark Coolidge">Clark Coolidge</a>, with whom he formed lifelong friendships. It was a landmark moment as Robert Creeley observed: </p> <blockquote> <p>“The Vancouver Poetry Conference brought together for the first time, a decisive company of then disregarded poets such as <a href="/wiki/Denise_Levertov" title="Denise Levertov">Denise Levertov</a>, <a href="/wiki/Charles_Olson" title="Charles Olson">Charles Olson</a>, <a href="/wiki/Allen_Ginsberg" title="Allen Ginsberg">Allen Ginsberg</a>, Robert Duncan, <a href="/wiki/Margaret_Avison" title="Margaret Avison">Margaret Avison</a>, <a href="/wiki/Philip_Whalen" title="Philip Whalen">Philip Whalen</a>... together with as yet unrecognised younger poets of that time, Michael Palmer, Clark Coolidge and many more.”<sup id="cite_ref-slought.org_4-1" class="reference"><a href="#cite_note-slought.org-4"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> </blockquote> <p>The second decisive event in Palmer’s early career as a poet began with the editing of the journal <i>Joglars</i> alongside fellow poet Clark Coolidge.<sup id="cite_ref-auto1_6-0" class="reference"><a href="#cite_note-auto1-6"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> <i>Joglars</i> (Providence, Rhode Island) numbered just three issues in all, published between 1964 and 1966, but it extended Palmer’s correspondence with fellow poets begun in Vancouver. The first issue appeared in Spring 1964 and included poems by <a href="/wiki/Gary_Snyder" title="Gary Snyder">Gary Snyder</a>, <a href="/wiki/Michael_McClure" title="Michael McClure">Michael McClure</a>, <a href="/wiki/Fielding_Dawson" title="Fielding Dawson">Fielding Dawson</a>, <a href="/wiki/Jonathan_Williams_(poet)" title="Jonathan Williams (poet)">Jonathan Williams</a>, <a href="/wiki/Lorine_Niedecker" title="Lorine Niedecker">Lorine Niedecker</a>, <a href="/wiki/Robert_Kelly_(poet)" title="Robert Kelly (poet)">Robert Kelly</a>, and <a href="/wiki/Louis_Zukofsky" title="Louis Zukofsky">Louis Zukofsky</a>. Palmer published five of his own poems in the second number of <i>Joglars</i>, an issue that included work by <a href="/wiki/Larry_Eigner" title="Larry Eigner">Larry Eigner</a>, <a href="/wiki/Stan_Brakhage" title="Stan Brakhage">Stan Brakhage</a>, <a href="/wiki/Russell_Edson" title="Russell Edson">Russell Edson</a>, and <a href="/wiki/Jackson_Mac_Low" title="Jackson Mac Low">Jackson Mac Low</a>.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p>For those who attended the Vancouver Conference or learned about it later on, it was apparent that second-generation modernist poet Charles Olson was exerting a significant influence on the emerging generation of artists and poets (the so-called third-generation modernists) who came to prominence in the 1950s and 1960s, and included the <a href="/wiki/The_New_American_Poetry_1945-1960" class="mw-redirect" title="The New American Poetry 1945-1960">New American poets</a>. The latter poets, such as Robert Creeley, Robert Duncan, and Denise Levertov would have an impact on the new generation of artists emerging in the 1970s, which included Palmer.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Says Palmer: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>“...before meeting that group of poets in 1963 at the Vancouver Poetry Conference, I had begun to read them intensely, and they proposed alternatives to the poets I was encountering at that time at <a href="/wiki/Harvard_University" title="Harvard University">Harvard</a>, the confessional poets, whose work was grounded to a greater or lesser degree in <a href="/wiki/New_Criticism" title="New Criticism">New Criticism</a>, at least those were their mentors. The <a href="/wiki/Confessional_poet" class="mw-redirect" title="Confessional poet">confessional poets</a> struck me as people absolutely lusting for fame, all of them, and they were all trying to write great lines.”<sup id="cite_ref-rivercity_9-0" class="reference"><a href="#cite_note-rivercity-9"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading2"><h2 id="Work_and_recognition">Work and recognition</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=2" title="Edit section: Work and recognition"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Palmer is the author of fourteen full-length books of poetry, beginning in 1972 with <i>Blake's Newton</i> and most recently in 2021 with <i>Little Elegies for Sister Satan</i>. Other notable collections include <i>Company of Moths</i> (2005) (shortlisted for the 2006 Canadian <a href="/wiki/Griffin_Poetry_Prize" title="Griffin Poetry Prize">Griffin Poetry Prize</a>), <i>The Promises of Glass</i> (2000), <i>At Passages</i> (1996), <i>Sun</i> (1988), and <i>Notes for Echo Lake</i> (1981). </p><p>A prose work, <i>The Danish Notebook,</i> was published in 1999. In the spring of 2007, a chapbook, <i>The Counter-Sky</i> (with translations by Koichiro Yamauchi), was published by Meltemia Press of Japan, to coincide with the Tokyo Poetry and Dance Festival. Palmer’s work has appeared in literary magazines such as <i>Boundary 2, Berkeley Poetry Review, Sulfur, Conjunctions, Grand Street</i> and <i>O-blek</i>. </p> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:9.13.09AntoonPalmerBanksByLuigiNovi.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/06/9.13.09AntoonPalmerBanksByLuigiNovi.jpg/220px-9.13.09AntoonPalmerBanksByLuigiNovi.jpg" decoding="async" width="220" height="242" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/06/9.13.09AntoonPalmerBanksByLuigiNovi.jpg/330px-9.13.09AntoonPalmerBanksByLuigiNovi.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/06/9.13.09AntoonPalmerBanksByLuigiNovi.jpg/440px-9.13.09AntoonPalmerBanksByLuigiNovi.jpg 2x" data-file-width="664" data-file-height="731" /></a><figcaption> Palmer (center) at the 2009 <a href="/wiki/Brooklyn_Book_Festival" title="Brooklyn Book Festival">Brooklyn Book Festival</a></figcaption></figure> <p>Besides the 2006 Wallace Stevens Award, Michael Palmer's honors include two grants from the Literature Program of the <a href="/wiki/National_Endowment_for_the_Arts" title="National Endowment for the Arts">National Endowment for the Arts</a>. In 1989-90 he was a <a href="/wiki/Guggenheim_Fellow" class="mw-redirect" title="Guggenheim Fellow">Guggenheim Fellow</a>. During the years 1992–1994 he held a <a href="/wiki/Lila_Wallace-Reader%27s_Digest_Fund" class="mw-redirect" title="Lila Wallace-Reader's Digest Fund">Lila Wallace-Reader's Digest Fund</a> Writer's Award. From 1999 to 2004, he served as a Chancellor of the <a href="/wiki/Academy_of_American_Poets" title="Academy of American Poets">Academy of American Poets</a>. <sup id="cite_ref-auto1_6-1" class="reference"><a href="#cite_note-auto1-6"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> In the spring of 2001 he received the <a href="/wiki/Shelley_Memorial_Award" title="Shelley Memorial Award">Shelly Memorial Prize</a> Prize from the Poetry Society of America. </p><p>Since he seems to explore the nature of <a href="/wiki/Language" title="Language">language</a> and its relation to human consciousness and perception, Palmer is often associated with the <a href="/wiki/Language_poets" title="Language poets">Language poets</a>. Of this particular association, Palmer comments in an interview: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>”It goes back to an organic period when I had a closer association with some of those writers than I do now, when we were a generation in San Francisco with lots of poetic and theoretical energy and desperately trying to escape from the assumptions of poetic production that were largely dominant in our culture. My own hesitancy comes when you try to create, let's say, a fixed theoretical matrix and begin to work from an ideology of prohibitions about expressivity and the self — there I depart quite dramatically from a few of the Language Poets.”<sup id="cite_ref-jubilat+quote_10-0" class="reference"><a href="#cite_note-jubilat+quote-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading2"><h2 id="Themes_and_writing_style">Themes and writing style</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=3" title="Edit section: Themes and writing style"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div><p> Introducing Palmer for a reading in 1996, Brighde Mullins noted that his poetics is both “situated yet active.” Likewise, Palmer himself speaks of the poem on the page as signaling a "site of passages": <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"></p><blockquote class="templatequote"><p>"The space of the page is taken as a site in itself, a <a href="/wiki/Syntactical" class="mw-redirect" title="Syntactical">syntactical</a> and visual space to be expressively exploited, as was the case with the Black Mountain poets, as well as writers such as <a href="/wiki/Frank_O%27Hara" title="Frank O'Hara">Frank O'Hara</a>, perhaps partly in response to gestural abstract painting."<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup></p></blockquote><p> Elsewhere, Palmer observes that "in our reading we have to rediscover the radical nature of the poem" and search for "the essential place of <a href="/wiki/Lyric_poetry" title="Lyric poetry">lyric poetry</a>" as we delve "beneath it to its relationship with language".<sup id="cite_ref-jubilat_12-0" class="reference"><a href="#cite_note-jubilat-12"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Here Palmer confronts not only the problem of subjectivity and public address, but the specific agency of poetry and its relationship with the political: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"></p><blockquote class="templatequote"><p>"The implicit...question has always concerned the human and social justification for this strange thing, poetry, when it is not directly driven by the political or by some other, equally other evident purpose [...] Whereas the significant artistic thrust has always been toward artistic independence <b>within</b> the world, not <b>from</b> it."<sup id="cite_ref-jubilat_12-1" class="reference"><a href="#cite_note-jubilat-12"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>If poetry and literature is, as Ezra Pound observed, "news that stays news,"<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> in his own work Palmer also wants to account for a subterranean or “counter-tradition”. He invokes the latter as a way to “think against” the prevailing <a href="/wiki/Doxa" title="Doxa">doxa</a>, and to have access to an 'alternative tradition' that slips under the radar of the Academy but exerts an underground influence. </p> <table class="toccolours" style="float: center; margin-left: 2em; margin-right: 1em; font-size: 90%; background:#c6dbf7; width:30em; max-width: 40%;" cellspacing="5"> <tbody><tr> <td style="text-align: left;"> <dl><dd><i>And the poem, from its homeless home</i>,</dd> <dd><i>writes of blindsight and silence</i></dd></dl> </td></tr> <tr> <td style="text-align: right;">from the poem "Night Gardening", <i>Company of Moths</i> (2005) </td></tr></tbody></table> <p>Palmer has repeatedly stated, in interviews and talks over the years, that the situation for the poet and/or the poem is <a href="/wiki/Paradox" title="Paradox">parodoxical</a>: a seeing which is blind, a "nothing you can see", an "active waiting", "purposive, <i>sometimes</i> a music", or a "nowhere" that is "now / here".<sup id="cite_ref-auto_14-0" class="reference"><a href="#cite_note-auto-14"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> For Palmer, poetry can "interrogate the radical and violent instability of our moment, asking where is the location of culture, where the site of self, selves, among others" (as Palmer has characterized the poetry of <a href="/wiki/Myung_Mi_Kim" title="Myung Mi Kim">Myung Mi Kim</a>). </p> <div class="mw-heading mw-heading2"><h2 id="Critical_reception">Critical reception</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=4" title="Edit section: Critical reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Michael Palmer's poetry has been described variously as abstract, intimate, elegant, hermetic, allusive, personal, political, speculative, and inaccessible.<sup id="cite_ref-smallpresstraffic_15-0" class="reference"><a href="#cite_note-smallpresstraffic-15"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>note 2<span class="cite-bracket">]</span></a></sup> </p> <table class="toccolours" style="float:right; margin-left:2em; margin-right:1em; font-size:90%; background:#r8dbf0; width:30em; max-width:40%;" cellspacing="5"> <tbody><tr> <td style="text-align: left;"> <dl><dd>"How does the human break down so completely that the only alternative we have is to impose massive destruction and then...massive suffering among civilian populations?"</dd></dl> </td></tr> <tr> <td style="text-align: right;"><b>Michael Palmer</b><sup id="cite_ref-jubilat_12-2" class="reference"><a href="#cite_note-jubilat-12"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </td></tr></tbody></table> <p>While some reviewers or readers may value Palmer's work as an "extension of <a href="/wiki/Modernism" title="Modernism">modernism</a>",<sup id="cite_ref-smallpresstraffic_15-1" class="reference"><a href="#cite_note-smallpresstraffic-15"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> some criticize Palmer's work as discordant: an <i>interruption of our composure</i> (to invoke Robert Duncan's phrase).<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p><p>As for the modernist project, its legacy is something Palmer both resists and embraces. Palmer is candid about the towering figures of early modernism, the great inventors of the period, those who MAKE IT NEW (i.e., <a href="/wiki/Yeats" class="mw-redirect" title="Yeats">Yeats</a>, <a href="/wiki/T._S._Eliot" title="T. S. Eliot">Eliot</a> and <a href="/wiki/Ezra_Pound" title="Ezra Pound">Pound</a>).<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> But Palmer clearly states that there remains “something quite harrowing inscribed at the heart of modernism.”<sup id="cite_ref-jubilat+modernism_20-0" class="reference"><a href="#cite_note-jubilat+modernism-20"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>note 3<span class="cite-bracket">]</span></a></sup> </p><p>Palmer’s concern is “to maintain or at least continue the search for an ethics of the I/Thou."<sup id="cite_ref-jubilat+modernism_20-1" class="reference"><a href="#cite_note-jubilat+modernism-20"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> The poet must suffer 'loss', embrace disturbance and paradox, agonizing over what cannot be accounted for. Palmer will admit into his work that "essential errancy of discovery in the poem" that would not be a “unified narrative explanation of the self,” but would allow for “cloaked meaning and necessary semantic indirection.”<sup id="cite_ref-jubilat+modernism_20-2" class="reference"><a href="#cite_note-jubilat+modernism-20"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Collaborations">Collaborations</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=5" title="Edit section: Collaborations"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Perhaps similar to Olson's and Duncan’s impact on their generation, Palmer's influence remains singular and palpable, if difficult to measure. For many decades now, Palmer has worked collaboratively in the fields of dance, translation, teaching, and the visual arts. </p><p>Palmer has published translations from French, Russian, and Brazilian Portuguese. He edited and helped translate <i>Nothing The Sun Could Not Explain: Twenty Contemporary Brazilian Poets</i>. With Michael Molnar and John High, Palmer helped edit and translate a volume of poetry by the Russian poet <a href="/wiki/Alexei_Parshchikov" title="Alexei Parshchikov">Alexei Parshchikov</a>, <i>Blue Vitriol</i> (Avec Books, 1994). And he translated "Theory of Tables" (1994), a book written by <a href="/wiki/Emmanuel_Hocquard" title="Emmanuel Hocquard">Emmanuel Hocquard</a>, a project that grew out of Hocquard's translations of Palmer's "Baudelaire Series" into French. Palmer has written many <a href="/wiki/Radio_plays" class="mw-redirect" title="Radio plays">radio plays</a> and works of <a href="/wiki/Criticism" title="Criticism">criticism</a>. </p><p>He has participated in multiple <a href="/wiki/Collaboration" title="Collaboration">collaborations</a> with a wide range of painters. These include the German painter <a href="/wiki/Gerhard_Richter" title="Gerhard Richter">Gerhard Richter</a>, Italian painter <a href="/wiki/Sandro_Chia" title="Sandro Chia">Sandro Chia</a> and French painter <a href="/w/index.php?title=Mica%C3%ABla_Henich&action=edit&redlink=1" class="new" title="Micaëla Henich (page does not exist)">Micaëla Henich</a>.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> <sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>note 4<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Dance">Dance</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=6" title="Edit section: Dance"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Since the 1970s, Palmer has collaborated on over a dozen dance works with <a href="/wiki/Margaret_Jenkins" title="Margaret Jenkins">Margaret Jenkins</a> and her Dance Company. Early dance scenarios in which Palmer participated include <i>Interferences</i>, 1975; <i>Equal Time</i>, 1976; <i>No One but Whitington</i>, 1978; <i>Red, Yellow, Blue</i>, 1980, <i>Straight Words</i>, 1980; <i>Versions by Turns</i>, 1980; <i>Cortland Set</i>, 1982; and <i>First Figure</i>, 1984.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> A noteworthy example of a Jenkins/Palmer collaboration might be <i>The Gates (Far Away Near)</i>, an evening-length dance work in which Palmer worked with not only Ms. Jenkins, but also Paul Dresher and Rinde Eckert. This was performed in September 1993 in the San Francisco Bay Area and in July 1994 at New York's <a href="/wiki/Lincoln_Center" title="Lincoln Center">Lincoln Center</a>. </p><p>Another recent collaboration with Jenkins resulted in "Danger Orange", a 45-minute outdoor site-specific performance, presented in October 2004 before the presidential elections. The color orange metaphorically references the national alert systems that are in place that evoke the sense of danger.[see also:<a href="/wiki/Homeland_Security_Advisory_System" title="Homeland Security Advisory System">Homeland Security Advisory System</a>] </p> <div class="mw-heading mw-heading3"><h3 id="Painters_and_visual_artists">Painters and visual artists</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=7" title="Edit section: Painters and visual artists"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Similar to his friendship with Robert Duncan and the painter <a href="/wiki/Jess_Collins" title="Jess Collins">Jess Collins</a>, Palmer's work with painter <a href="/wiki/Irving_Petlin" title="Irving Petlin">Irving Petlin</a> is important. </p><p>Palmer has also worked with painter and <a href="/wiki/Visual_artist" class="mw-redirect" title="Visual artist">visual artist</a> <a href="/w/index.php?title=Augusta_Talbot&action=edit&redlink=1" class="new" title="Augusta Talbot (page does not exist)">Augusta Talbot</a>, and curated her exhibition at the CUE Art Foundation (March 17 -April 23, 2005)<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Talbot, in turn, provided the cover art for Palmer’s collection <i>The Company of Moths</i> (2005) and for <i>Thread</i> (2006). When asked how collaboration has pushed or shaped the boundaries of his work, Palmer responded: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>“One was that, when I was using language — but even when I wasn't, when I was simply envisioning a structure, for example — I was working with the idea of actual space. Over time, my own language took on a certain physicality or gestural character that it hadn't had as strongly in the earliest work. Margy (Margaret Jenkins) and I would often work with language as <a href="/wiki/Gesture" title="Gesture">gesture</a> and gesture as language---we would cross these two media, have them join at some <a href="https://en.wiktionary.org/wiki/nexus" class="extiw" title="wikt:nexus">nexus</a>. And inevitably then, as I brought certain characteristics of my work to dance, and to dance structure and gesture, it started crossing over into my work. It added space to the poems.<sup id="cite_ref-jubilat_12-3" class="reference"><a href="#cite_note-jubilat-12"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>These are not one-off collaborations for Palmer: they are on-going. It may be that <a href="/wiki/Friendship" title="Friendship">friendship</a> via collaboration becomes part of what <a href="/wiki/Jack_Spicer" title="Jack Spicer">Jack Spicer</a> terms a "composition of the real.” And that might articulate a place for, and even spaces where, both the "poetic imaginary" is constituted and a possible social space is envisioned. </p> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=8" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Poetry">Poetry</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=9" title="Edit section: Poetry"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>Plan of the City of O</i>, Barn Dreams Press (Boston, Massachusetts), 1971.</li> <li><i>Blake's Newton</i>, <a href="/wiki/Black_Sparrow_Press" title="Black Sparrow Press">Black Sparrow Press</a> (Santa Barbara, California), 1972.</li> <li><i>C's Songs</i>, Sand Dollar Books (Berkeley, California), 1973.</li> <li><i>Six Poems</i>, Black Sparrow Press (Santa Barbara, California), 1973.</li> <li><i>The Circular Gates</i>, Black Sparrow Press (Santa Barbara, California), 1974.</li> <li>(Translator, with Geoffrey Young) <a href="/wiki/Vicente_Huidobro" title="Vicente Huidobro">Vicente Huidobro</a>, <i>Relativity of Spring: 13 Poems</i>, Sand Dollar Books (Berkeley, California), 1976.</li> <li><i>Without Music</i>, Black Sparrow Press (Santa Barbara, California), 1977.</li> <li><i>Alogon</i>, Tuumba Press (Berkeley, California), 1980.</li> <li><i>Notes for Echo Lake</i>, North Point Press (Berkeley, California), 1981.</li> <li>(Translator) Alain Tanner and <a href="/wiki/John_Berger" title="John Berger">John Berger</a>, <i>Jonah Who Will Be 25 in the Year 2000</i>, North Atlantic Books (Berkeley, California), 1983.</li> <li><i>First Figure</i>, North Point Press (Berkeley, California), 1984.</li> <li><i>Sun</i>, North Point Press (Berkeley, California), 1988.</li> <li><i>At Passages</i>, <a href="/wiki/New_Directions_Publishing" title="New Directions Publishing">New Directions</a> (New York, New York), 1995.</li> <li><i>The Lion Bridge: Selected Poems, 1972-1995</i>, New Directions (New York, New York), 1998.</li> <li><i>The Promises of Glass</i>, New Directions (New York, New York), 2000.</li> <li><i>Codes Appearing: Poems, 1979-1988</i>, New Directions (New York, New York), 2001. <i>Notes for Echo Lake</i>, <i>First Figure</i>, and <i>Sun</i> together in one volume. <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8112-1470-4" title="Special:BookSources/978-0-8112-1470-4">978-0-8112-1470-4</a></li> <li>(With Régis Bonvicino) <i>Cadenciando-um-ning, um samba, para o outro: poemas, traduções, diálogos</i>, Atelieì Editorial (Cotia, Brazil), 2001.</li> <li><i>Company of Moths</i>, New Directions (New York, New York), 2005. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8112-1623-4" title="Special:BookSources/978-0-8112-1623-4">978-0-8112-1623-4</a></li> <li><i>Aygi Cycle </i>, Druksel (Ghent, Belgium), 2009 (chapbook with 10 new poems, inspired by the Russian poet Gennadiy Aygi.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup></li> <li>(With <a href="/w/index.php?title=Jan_Lauwereyns&action=edit&redlink=1" class="new" title="Jan Lauwereyns (page does not exist)">Jan Lauwereyns</a>) <i>Truths of Stone</i>, Druksel (Ghent, Belgium), 2010.</li> <li><i>Thread</i>, New Directions (New York, New York), 2011. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8112-1921-1" title="Special:BookSources/978-0-8112-1921-1">978-0-8112-1921-1</a></li> <li><i>The Laughter of the Sphinx</i>, New Directions (New York, New York), 2016. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8112-2554-0" title="Special:BookSources/978-0-8112-2554-0">978-0-8112-2554-0</a> <sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>note 5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup></li> <li><i>Little Elegies for Sister Satan</i>. New Directions (New York, New York), 2021. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780811230896" title="Special:BookSources/9780811230896">9780811230896</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Other">Other</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=10" title="Edit section: Other"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>Idem 1-4</i> (radio plays), 1979.</li> <li>(Editor) <i>Code of Signals: Recent Writings in Poetics</i>, North Atlantic Books (Berkeley, California), 1983.<sup id="cite_ref-auto_14-1" class="reference"><a href="#cite_note-auto-14"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup></li> <li><i>The Danish Notebook</i>, Avec Books (Penngrove, California), 1999 — prose/memoir</li> <li><i>Active Boundaries: Selected Essays and Talks</i>, New Directions (New York, New York), 2008. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8112-1754-X" title="Special:BookSources/0-8112-1754-X">0-8112-1754-X</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Palmer_sites_and_exhibits">Palmer sites and exhibits</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=11" title="Edit section: Palmer sites and exhibits"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.poets.org/poet.php/prmPID/98">Exhibit at The Academy of American Poets</a> includes links to on-line poems by Palmer not listed below</li> <li><a rel="nofollow" class="external text" href="http://www.english.uiuc.edu/maps/poets/m_r/palmer/palmer.htm">Modern American Poetry site</a></li> <li><a rel="nofollow" class="external text" href="http://www.literaturfestival.com/bios1_3_6_772.html">Author Page at <i>Internationales Literatufestival Berlin</i> site</a> (in English) Palmer was a guest of the ILB (<i>Internationales Literatufestival Berlin</i>/ Germany) in 2001 and 2005.</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070928111129/http://www.literaryhistory.com/20thC/Palmer.htm">An internet bibliography for Michael Palmer</a> from LiteraryHistory.com</li></ul> <div class="mw-heading mw-heading3"><h3 id="Poems">Poems</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=12" title="Edit section: Poems"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.jacketmagazine.com/26/palm.html"><i>"Dream of a Language That Speaks"</i></a> a poem from <i>Company of Moths</i> (2005) @ <i><a href="/wiki/Jacket_Magazine" class="mw-redirect" title="Jacket Magazine">Jacket Magazine</a></i> site</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20051028075430/http://www.newamericanwriting.com/21/palmer.htm"><i>"Scale"</i></a> first published in <i>Richter 858</i> (ed. David Breskin, The Shifting Foundation, SF MOMA: <a href="/wiki/San_Francisco_Museum_of_Modern_Art" title="San Francisco Museum of Modern Art">San Francisco Museum of Modern Art</a>); included in <i>Company of Moths</i></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20060322105149/http://www.conjunctions.com/archives/c26-mp.htm"><i>"Autobiography 3"</i> & <i>Autobiography 5</i>"</a> two poems from <i>Conjunctions</i> magazine's on-line archive; included in <i>The Promises of Glass</i> (2000)</li> <li><a rel="nofollow" class="external text" href="http://jacketmagazine.com/33/pieces-of-air.shtml#palmer"><i>To the Title (Are there titles?)</i></a> included in <i>Jacket Magazine 33</i></li> <li><a rel="nofollow" class="external text" href="http://bostonreview.net/BR35.2/palmer.php">four poems from <b>Thread</b></a> from <a href="/wiki/Boston_Review" title="Boston Review">Boston Review</a>'s March/April 2010 issue</li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=DytZO3_PWcI"><span class="plainlinks">Late Night Poetry @ Tony Bilson's Number One: Palmer reads "The Dream of Narcissus"</span></a> on <a href="/wiki/YouTube_video_(identifier)" class="mw-redirect" title="YouTube video (identifier)">YouTube</a> Video of Palmer at the 2010 Sydney (Australia) Writers Festival.</li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=4DKhX8pUeoA"><span class="plainlinks">Michael Palmer reads Mahmoud Darwish's "The Strangers' Picnic"</span></a> on <a href="/wiki/YouTube_video_(identifier)" class="mw-redirect" title="YouTube video (identifier)">YouTube</a> Video of Palmer reading a poem from <a href="/wiki/Mahmoud_Darwish" title="Mahmoud Darwish">Mahmoud Darwish</a>'s collection <i>Unfortunately, It Was Paradise: Selected Poems</i></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20160108083518/http://www.podcasting.es/krcb-fm-wordtemple-podcast-384764/michael-palmer-paul-hoover-with-the-poetry-of-maria-baranda-september-27-2015-episodio-277938353/">Michael Palmer, Paul Hoover with the poetry of Maria Baranda - September 27, 2015</a> – Palmer reads from his book <i>Thread</i> and from his forthcoming collection <i>The Laughter of the Sphinx</i>. He also reads a single poem from his collection <i>The Company of Moths</i>.</li></ul> <div class="mw-heading mw-heading3"><h3 id="Selected_essays_and_talks">Selected essays and talks</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=13" title="Edit section: Selected essays and talks"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.durationpress.com/archives/code/codeofsignals.pdf"><i>Period (senses of duration)</i></a> this is a version of a talk Palmer gave in San Francisco in February 1982. Scroll down to "Table of Contents" to find the Palmer selection. Here it appears in an <a href="/wiki/E-book" class="mw-redirect" title="E-book">e-book</a> representation of <i>Code of Signals</i> (which Palmer edited in 1983, with the subtitle "Recent Writings in Poetics").</li> <li><a rel="nofollow" class="external text" href="http://www.english.uiuc.edu/maps/poets/m_r/palmer/palmeronduncan.htm"><i>On Robert Duncan</i></a> reprint of Palmer's essay <i>"Robert Duncan and Romantic Synthesis"</i></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20060501070353/http://www.writing.upenn.edu/pennsound/x/Palmer.html">Michael Palmer audio-files at PENNsound</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20060511162633/http://www.goldenhandcuffsreview.com/78.html"><i>"On the Sustaining of Culture in Dark Times"</i></a> text of Palmer's keynote address given at the 3rd Annual <i>Sustainable Living Conference</i> at <a href="/wiki/Evergreen_State_College" title="Evergreen State College">Evergreen State College</a> in February 2004</li> <li><a rel="nofollow" class="external text" href="http://jacketmagazine.com/29/palmer-duncan.html"><i>"Ground Work: On Robert Duncan"</i></a> Michael Palmer's "Introduction" to a combined edition of <i>Ground Work: Before the War</i>, and <i>Ground Work II: In the Dark</i>, published by <a href="/wiki/New_Directions_Publishing" title="New Directions Publishing">New Directions</a> in April 2006.</li> <li><a rel="nofollow" class="external text" href="http://blogs.lib.berkeley.edu/blogs/whats-new.php/2006/09/30/lunch_poems_reading_by_michael_palmer"><i>Lunch Poems reading</i> by Michael Palmer: Webcast</a> Held on October 5, 2006, in the Morrison Library, <a href="/wiki/University_of_California_at_Berkeley" class="mw-redirect" title="University of California at Berkeley">University of California at Berkeley</a>: webcast online</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070205052026/http://poempresent.uchicago.edu/">"In Company: On Artistic Collaboration and Solitude"</a> This is the title of the lecture/talk that Palmer gave, along with a poetry reading, at the <a href="/wiki/University_of_Chicago" title="University of Chicago">University of Chicago</a> in October 2006. (In audio & video format)</li> <li><a rel="nofollow" class="external text" href="https://archive.org/details/Michael_Palmer_lecture__Bad_to_the_bone__02P009">Bad to the bone: What I learned outside</a> Lecture & Talk given in June 2002, when Palmer taught for a brief stint at the <a href="/wiki/Jack_Kerouac_School_of_Disembodied_Poetics" class="mw-redirect" title="Jack Kerouac School of Disembodied Poetics">Jack Kerouac School of Disembodied Poetics</a> at <a href="/wiki/Naropa_University" title="Naropa University">Naropa</a> in <a href="/wiki/Boulder,_Colorado" title="Boulder, Colorado">Boulder, Colorado</a><sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>note 6<span class="cite-bracket">]</span></a></sup></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070812181523/http://www.sibila.com.br/sIbyl47poeticobligations.html">Poetic Obligations (Talking about Nothing at Temple)</a> This is a talk Palmer gave at <a href="/wiki/Temple_University" title="Temple University">Temple University</a> in February 1999, and was originally published in <a href="/wiki/Fulcrum_(annual)" title="Fulcrum (annual)">Fulcrum: An annual of poetry and aesthetics</a> (Issue 2, 2003).</li> <li><a rel="nofollow" class="external text" href="https://archive.today/20070812181511/http://www.sibila.com.br/sIbyl22michael.html">Poetry and Contingency: Within a Timeless Moment of Barbaric Thought</a> essay/talk originally published in the <a href="/wiki/Chicago_Review" title="Chicago Review">Chicago Review</a> (June, 2003)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Interviews_with_Palmer">Interviews with Palmer</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=14" title="Edit section: Interviews with Palmer"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20050906035400/http://www.iowadsl.net/~jpcraig/palmer_interview.html">The <i>River City Interview</i></a> conducted by Paul Naylor, Lindsay Hill, and J. P. Craig; appeared in 1994.</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20060215132531/http://dfire.org/x1920.xml">An Interview with Michael Palmer</a> by Robert Hicks in 2006</li> <li><a rel="nofollow" class="external text" href="http://www.berkeleydaily.org/text/article.cfm?issue=04-07-06&storyID=23854">Interview at <i>Berkeley Daily Planet</i>: April 7, 2006</a> discusses a reading Palmer & <a href="/wiki/Douglas_Blazek" title="Douglas Blazek">Douglas Blazek</a> gave together at <i>Moe's</i>, a bookstore in Berkeley, California; includes interviews</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20100619225104/http://archjournal.wustl.edu/node/36">Interview with Michael Palmer</a> an interview conducted at <a href="/wiki/Washington_University_in_St._Louis" title="Washington University in St. Louis">Washington University in St. Louis</a> in 2008 by the student editors of "Arch Literary Journal" in conjunction with a talk and reading Palmer gave at the school. Includes an introductory essay by one of the editors, Lawrence Revard, "'What Reading?': Play in Michael Palmer's Poetics"</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.litshow.com/archive/season-07/michael-palmer-interview">"An interview with Michael Palmer"</a>. Litshow.com. 2013-02-13<span class="reference-accessdate">. Retrieved <span class="nowrap">2013-04-23</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=An+interview+with+Michael+Palmer&rft.pub=Litshow.com&rft.date=2013-02-13&rft_id=http%3A%2F%2Fwww.litshow.com%2Farchive%2Fseason-07%2Fmichael-palmer-interview&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading3"><h3 id="Others_on_Palmer">Others on Palmer</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=15" title="Edit section: Others on Palmer"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.mjdc.org/">Margaret Jenkins Dance Company</a> info on both Palmer & his collaborators in their on-going work with Dance</li> <li><a rel="nofollow" class="external text" href="http://www.valpo.edu/english/vpr/rameyreviewpalmer.html">Lauri Ramey:"Michael Palmer: The Lion Bridge"</a> Ramey wrote a doctoral dissertation on Palmer, and here reviews his "Selected Poems"</li> <li><a rel="nofollow" class="external text" href="http://english.chass.ncsu.edu/freeverse/Archives/Spring_2002/reviews/M_Dowdy.html">A Collision of "Possible Worlds"</a> A 2002 review of <i>The Promises of Glass</i> by Michael Dowdy @<i>Free Verse</i> website</li> <li><a rel="nofollow" class="external text" href="http://www.bostonreview.net/BR31.1/obrien.html">A review of <i>Company of Moths</i></a> a book review of Palmer's 2005 collection</li> <li><a rel="nofollow" class="external text" href="http://www.griffinpoetryprize.com/awards-and-poets/shortlists/2006-shortlist/michael-palmer/">Griffin Poetry Prize biography, including audio and video clips</a> Palmer was shortlisted for this prize in 2006</li> <li><a rel="nofollow" class="external text" href="http://www.sfbg.com/entry.php?entry_id=669">Margaret Jenkins Dance Company's "A Slipping Glimpse"</a> 2006 dance piece in collaboration with Tanushree Shankar Dance School & the text by Palmer</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20060623071018/http://hindustantimes.com/news/7752_1705575,004100180004.htm"><i>Cultural camaraderie</i></a> article from Hindustantimes.com on the dance performance <i>A Slipping Glimpse</i>. Article discusses Palmer's collaboration (includes quotes)</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20061216035606/http://www.cca.edu/about/press/2006/mpalmerwr2006">Palmer is Spring 2007 Writer in Residence</a> press release from <a href="/wiki/California_College_of_the_Arts" title="California College of the Arts">California College of the Arts</a></li> <li><a rel="nofollow" class="external text" href="http://www.accessmylibrary.com/coms2/summary_0286-30836917_ITM">Michael Palmer (Six Introductions)</a> a brief essay by <a href="/wiki/Clayton_Eshleman" title="Clayton Eshleman">Clayton Eshleman</a> who edited <i><a href="/wiki/Sulfur_(magazine)" title="Sulfur (magazine)">Sulfur</a></i> magazine, for which Palmer served as a contributing editor.</li> <li><a rel="nofollow" class="external text" href="http://www.villagevoice.com/dance/0742,jowitt,78057,14.html">Hands Across Many Seas: From San Francisco and India, a dance collaboration</a> article by Deborah Jowitt on "A Slipping Glimpse", performed by the Margaret Jenkins Dance Company at the "Danspace Project" at Saint Mark's Church, October 4 through 6, 2007</li> <li><a rel="nofollow" class="external text" href="http://www.raggedsky.com/blog/archives/84">Lyric Persuasions at Poets House</a> <a href="/wiki/Rae_Armantrout" title="Rae Armantrout">Rae Armantrout</a> and <a href="/wiki/Zoketsu_Norman_Fischer" title="Zoketsu Norman Fischer">Zoketsu Norman Fischer</a> discuss Michael Palmer's work as recorded by Vasiliki Katsarou at the <a href="/wiki/Poet%27s_House" class="mw-redirect" title="Poet's House">Poet's House</a> in the Spring of 2010</li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=16" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><a href="/wiki/Robert_Hass" title="Robert Hass">Robert Hass</a>, among those selecting Palmer to receive the award, wrote: "Michael Palmer is the foremost experimental poet of his generation and perhaps of the last several generations. A gorgeous writer who has taken cues from <a href="/wiki/Wallace_Stevens" title="Wallace Stevens">Wallace Stevens</a>, the <a href="/wiki/Black_Mountain_poets" title="Black Mountain poets">Black Mountain poets</a>, <a href="/wiki/John_Ashbery" title="John Ashbery">John Ashbery</a>, <a href="/wiki/French_literature_of_the_20th_century" class="mw-redirect" title="French literature of the 20th century">contemporary French poets</a>, the poetics of <a href="/wiki/Octavio_Paz" title="Octavio Paz">Octavio Paz</a>, and from language poetries. He is one of the most original craftsmen at work in English at the present time. His poetry is at once a dark and comic interrogation of the possibilities of representation in language, but its continuing surprise is its resourcefulness and its sheer beauty." - <a rel="nofollow" class="external text" href="http://www.poets.org/viewmedia.php/prmMID/20808">Press release from poets.org</a></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">"Choose your euphemism for the work of Michael Palmer", writes columnist Anneli Rufus, "who has been busy in the Bay Area these past thirty years, writing and translating poetry and collaborating with painters and choreographers".</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"> Palmer has been quoted as saying that Pound's fascism, Eliot's anti-semitism, and even Yeats' nostalgia lead one to suspect there is something harrowing "inscribed in the heart of modernism"</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text">"Micaëla Henich's collection of 1003 india ink drawings, published under the title "Mille e tre", is accompanied by 5 writer-poet-thinkers who were asked each to write on 200 of the drawings in the series (the last three have no text). They are: <a href="/wiki/Jacques_Derrida" title="Jacques Derrida">Jacques Derrida</a>, <a href="/w/index.php?title=Dominique_Fourcade&action=edit&redlink=1" class="new" title="Dominique Fourcade (page does not exist)">Dominique Fourcade</a>, Michael Palmer, <a href="/wiki/Tom_Raworth" title="Tom Raworth">Tom Raworth</a>, <a href="/wiki/Jacques_Roubaud" title="Jacques Roubaud">Jacques Roubaud</a>. Derrida's appeared in "Mille e tre, cinq: Lignées" (published by William Blake & Co.)</span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">Although it was published in June 2016, various sources had originally reported a release date of 2015. <a href="/wiki/Jerome_Rothenberg" title="Jerome Rothenberg">Jerome Rothenberg</a> noted a 2015 publication by New Directions here: <a rel="nofollow" class="external text" href="http://jacket2.org/commentary/michael-palmer-new-poems-“-laughter-sphinx”-mac-low-tcherepnin-artaud/">Michael Palmer: New poems from 'The Laughter of the Sphinx,' for Mac Low, Tcherepnin, & Artaud</a></span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text">The note on the website indicates that in this lecture, Michael Palmer is exploring translation and its aesthetic implications. The title refers to writers who refuse to submit to an authoritarian poetic or political reality. Palmer discusses <a href="/wiki/Arthur_Rimbaud" title="Arthur Rimbaud">Arthur Rimbaud</a>, <a href="/wiki/Herman_Melville" title="Herman Melville">Herman Melville</a>, <a href="/wiki/St%C3%A9phane_Mallarm%C3%A9" title="Stéphane Mallarmé">Stéphane Mallarmé</a>, <a href="/wiki/Friedrich_H%C3%B6lderlin" title="Friedrich Hölderlin">Friedrich Hölderlin</a>, <a href="/wiki/Octavio_Paz" title="Octavio Paz">Octavio Paz</a> and <a href="/wiki/Paul_Celan" title="Paul Celan">Paul Celan</a>. The lecture concludes with a brief question and answer session.</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=17" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.poetryfoundation.org/learning/poetics-essay.html?id=237884">The Flower of Capital (1979)</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100419102611/http://www.poetryfoundation.org/learning/poetics-essay.html?id=237884">Archived</a> 2010-04-19 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> reprinted at the Poetry Foundation website where it is labeled 'a poetics essay'. Includes a brief bio sketch.</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20100407115543/http://poets.org/viewmedia.php/prmMID/20808">Archived</a> 2010-04-07 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> accessed 30 Aug 2009</span> </li> <li id="cite_note-slought.org-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-slought.org_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-slought.org_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://slought.org/toc/Vancouver1963/">Fred Wah’s recordings of the 1963 Vancouver Poetry Conference</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20070210161029/http://slought.org/toc/Vancouver1963/">Archived</a> 2007-02-10 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>, at Slought Foundation website</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://epc.buffalo.edu/authors/coolidge/chronol.html">"Electronic Poetry Center"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Electronic+Poetry+Center&rft_id=http%3A%2F%2Fepc.buffalo.edu%2Fauthors%2Fcoolidge%2Fchronol.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-auto1-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-auto1_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-auto1_6-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20231004001653/https://nightboat.org/bio/michael-palmer/">"Michael Palmer"</a>. Archived from <a rel="nofollow" class="external text" href="https://nightboat.org/bio/michael-palmer/">the original</a> on 2023-10-04.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Michael+Palmer&rft_id=https%3A%2F%2Fnightboat.org%2Fbio%2Fmichael-palmer%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.oac.cdlib.org/findaid/ark:/13030/kt5v19p056">"Finding Aid for the Joglars Records, 1963-1966"</a>. Oac.cdlib.org. 1939-02-26<span class="reference-accessdate">. Retrieved <span class="nowrap">2011-06-18</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Finding+Aid+for+the+Joglars+Records%2C+1963-1966&rft.pub=Oac.cdlib.org&rft.date=1939-02-26&rft_id=http%3A%2F%2Fwww.oac.cdlib.org%2Ffindaid%2Fark%3A%2F13030%2Fkt5v19p056&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.english.uiuc.edu/maps/poets/m_r/palmer/palmeronduncan.htm">"On Robert Duncan-by Michael Palmer"</a>. English.uiuc.edu<span class="reference-accessdate">. Retrieved <span class="nowrap">2011-06-18</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=On+Robert+Duncan-by+Michael+Palmer&rft.pub=English.uiuc.edu&rft_id=http%3A%2F%2Fwww.english.uiuc.edu%2Fmaps%2Fpoets%2Fm_r%2Fpalmer%2Fpalmeronduncan.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-rivercity-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-rivercity_9-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.iowadsl.net/~jpcraig/palmer_interview.html">The River City Interview with Michael Palmer</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20050906035400/http://www.iowadsl.net/~jpcraig/palmer_interview.html">Archived</a> September 6, 2005, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-jubilat+quote-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-jubilat+quote_10-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20051018161226/http://www.jubilat.org/n1/index.html">Archived</a> 2005-10-18 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://wayback.archive-it.org/all/20090416233238/http://wings.buffalo.edu/AandL/english/pubs/spc/alyric/bell/Sources.htm">"Department of English :: University at Buffalo |"</a>. Wings.buffalo.edu. Archived from <a rel="nofollow" class="external text" href="http://wings.buffalo.edu/AandL/english/pubs/spc/alyric/bell/Sources.htm">the original</a> on 2009-04-16<span class="reference-accessdate">. Retrieved <span class="nowrap">2013-04-23</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Department+of+English+%3A%3A+University+at+Buffalo+%26%23124%3B&rft.pub=Wings.buffalo.edu&rft_id=http%3A%2F%2Fwings.buffalo.edu%2FAandL%2Fenglish%2Fpubs%2Fspc%2Falyric%2Fbell%2FSources.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-jubilat-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-jubilat_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-jubilat_12-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-jubilat_12-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-jubilat_12-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20051018161226/http://www.jubilat.org/n1/index.html">"JUBILAT | number 1"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.jubilat.org/n1/index.html">the original</a> on October 18, 2005.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=JUBILAT+%26%23124%3B+number+1&rft_id=http%3A%2F%2Fwww.jubilat.org%2Fn1%2Findex.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://niemanreports.org/articles/poetry-the-news-that-stays-news/">"Poetry: The News that Stays News"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Poetry%3A+The+News+that+Stays+News&rft_id=https%3A%2F%2Fniemanreports.org%2Farticles%2Fpoetry-the-news-that-stays-news%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-auto-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-auto_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-auto_14-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPalmer2020" class="citation journal cs1">Palmer, Michael (December 1, 2020). <a rel="nofollow" class="external text" href="https://journals.openedition.org/sillagescritiques/10437">"Coda: The Open"</a>. <i>Sillages Critiques</i> (29). <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<span class="id-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://doi.org/10.4000%2Fsillagescritiques.10437">10.4000/sillagescritiques.10437</a></span> – via journals.openedition.org.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sillages+Critiques&rft.atitle=Coda%3A+The+Open&rft.issue=29&rft.date=2020-12-01&rft_id=info%3Adoi%2F10.4000%2Fsillagescritiques.10437&rft.aulast=Palmer&rft.aufirst=Michael&rft_id=https%3A%2F%2Fjournals.openedition.org%2Fsillagescritiques%2F10437&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-smallpresstraffic-15"><span class="mw-cite-backlink">^ <a href="#cite_ref-smallpresstraffic_15-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-smallpresstraffic_15-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.sptraffic.org/html/authors/palmer.html">poetry reading at "Small Press Traffic", San Francisco</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20050221014311/http://www.sptraffic.org/html/authors/palmer.html">Archived</a> 2005-02-21 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> introductory remarks made before his reading on December 10, 1999</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.eastbayexpress.com/search/events.php?eventSearch=1&date=2006-11-29">East Bay Express's Events Column (November 29, 2006)</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20061101013103/http://eastbayexpress.com/search/events.php?eventSearch=1&date=2006-11-29">Archived</a> November 1, 2006, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">Robert Duncan, from his "Introduction" to <i>Bending the Bow</i> (New Directions, 1968)</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110708143903/http://www.chicagopostmodernpoetry.com/marjorie.htm">"Chicago Postmodern Poetry Profile and Interview"</a>. Chicagopostmodernpoetry.com. Archived from <a rel="nofollow" class="external text" href="http://www.chicagopostmodernpoetry.com/marjorie.htm">the original</a> on 2011-07-08<span class="reference-accessdate">. Retrieved <span class="nowrap">2011-06-18</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Chicago+Postmodern+Poetry+Profile+and+Interview&rft.pub=Chicagopostmodernpoetry.com&rft_id=http%3A%2F%2Fwww.chicagopostmodernpoetry.com%2Fmarjorie.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-jubilat+modernism-20"><span class="mw-cite-backlink">^ <a href="#cite_ref-jubilat+modernism_20-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-jubilat+modernism_20-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-jubilat+modernism_20-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.jubilat.org/n1/index.html">JUBILAT | number 1</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20051018161226/http://www.jubilat.org/n1/index.html">Archived</a> 2005-10-18 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> (see also article:<a href="/wiki/Modernism" title="Modernism">modernism</a>)</span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.hydra.umn.edu/derrida/coll.html">Collector's Items for fans and adversaries</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20070925063644/http://www.hydra.umn.edu/derrida/coll.html">Archived</a> 2007-09-25 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text">"Biography - Palmer, Michael (1943-)" <i>Contemporary Authors Online</i> (biography) - 2006, Gale Reference Team, Publisher: Thomson Gale</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://cueartfoundation.org/augusta-talbot">"Augusta Talbot"</a>. <i>CUE Art Foundation</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=CUE+Art+Foundation&rft.atitle=Augusta+Talbot&rft_id=https%3A%2F%2Fcueartfoundation.org%2Faugusta-talbot&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.druksel.be/nl/fondsen/palmer/meer.html">"Druksel, een uitgeverij van bibliofiele boeken"</a>. Druksel.be. 2003-11-06<span class="reference-accessdate">. Retrieved <span class="nowrap">2011-06-18</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Druksel%2C+een+uitgeverij+van+bibliofiele+boeken&rft.pub=Druksel.be&rft.date=2003-11-06&rft_id=http%3A%2F%2Fwww.druksel.be%2Fnl%2Ffondsen%2Fpalmer%2Fmeer.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.ndbooks.com/book/the-laughter-of-the-sphinx/">"The Laughter of the Sphinx"</a>. 28 June 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Laughter+of+the+Sphinx&rft.date=2016-06-28&rft_id=http%3A%2F%2Fwww.ndbooks.com%2Fbook%2Fthe-laughter-of-the-sphinx%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHollander2016" class="citation news cs1">Hollander, Benjamin (30 September 2016). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2016/10/02/books/review/poetry-night-etel-adnan-ghostspeaking-peter-boyle.html?_r=0">"Poetry"</a>. <i>The New York Times</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Poetry&rft.date=2016-09-30&rft.aulast=Hollander&rft.aufirst=Benjamin&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2016%2F10%2F02%2Fbooks%2Freview%2Fpoetry-night-etel-adnan-ghostspeaking-peter-boyle.html%3F_r%3D0&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMichael+Palmer+%28poet%29" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Michael_Palmer_(poet)&action=edit&section=18" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid 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href="https://data.bnf.fr/ark:/12148/cb12132450c">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.ndl.go.jp/auth/ndlna/00951777">Japan</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an35407135">Australia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p138469776">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/53379">Norway</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Palmer, Michael, 1943-"><a rel="nofollow" class="external text" href="https://kopkatalogs.lv/F?func=direct&local_base=lnc10&doc_number=000028711&P_CON_LNG=ENG">Latvia</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" 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