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(window.nzzDebugPiano) { console.log('##piano## pianoUpdateSalutation forceReload, because of source PIANOID'); } window.location.reload(); } } if (window.nzzDebugPiano) { console.log('##piano## pianoUpdateSalutation'); } let accountSalutation = null; if (field && field.value) { accountSalutation = field.value; } /* Determine values for new custom field for TEM (here called "salutation_text_TEM") */ let salutation_text_TEM = ''; if (accountSalutation === "[\"female\"]") { salutation_text_TEM = "Sehr geehrte Frau"; } else if (accountSalutation === "[\"male\"]") { salutation_text_TEM = "Sehr geehrter Herr"; } /* Update custom field with new value */ fetch(config.handlerUrl + new URLSearchParams({ aid: window.tp.aid, uid: data.uid, /* replace correct form ID and custom field ID */ form_id: config.salutationForm.formName, custom_fields: JSON.stringify({ salutation_text_TEM: salutation_text_TEM }) }), { method: 'POST', headers: { 'Authorization': window.tp.pianoId.getToken(), 'Content-Type': 'application/json; charset=UTF-8' } }).then(() => { if (window.nzzDebugPiano) { console.log(`##piano## salutation_text_TEM updated to ${salutation_text_TEM}`); } if (window.localStorage) { window.localStorage.setItem(`nzz-salutation`, data.uid); } }).catch(e => { if (window.nzzDebugPiano) { console.log(`##piano## salutation_text_TEM error: ${e}`); } }).finally(() => { if (forceReload) { if (window.nzzDebugPiano) { console.log('##piano## pianoUpdateSalutation forceReload, because of source PIANOID'); } window.location.reload(); } });}; ((bT, clientCountryPreference, config) => { let tags = []; if (bT && bT.standard) { Object.keys(bT.standard).forEach(key => { tags.push([`set${key}`, bT.standard[key]]); }); } if (bT && bT.custom) { Object.keys(bT.custom).forEach(key => { tags.push(['setCustomVariable', key, bT.custom[key]]); }); } return function pianoMain() { if (!window.tp) { window.tp = window.tp || []; window.digitalData = window.digitalData || {}; window.digitalData.user = [{ profile: [{ attributes: { piano: { clientCountryCode: clientCountryPreference || 'CH' } }, profileInfo: { profileID: '', gender: '', userHash: '4defa01e671ab8c019597a9b2cc3d662' } }] }]; /* Set Application ID */ if (window.nzzDebugPiano) { console.log('%c ##piano## :VERSION V43', 'background: yellow;color:black'); } window.tp.push(['setAid', config.aid]); if (config.dmpSiteId) { window.tp.push(['setCxenseSiteId', config.dmpSiteId]); } /* Is application in sandbox */ window.tp.push(['setSandbox', config.isSandbox === 'true']); /* Does application use Piano ID? */ if (config.isSandbox === 'false') { window.tp.push(['setPianoIdUrl', 'https://id-eu.piano.io']); window.tp.push(['setEndpoint', 'https://buy-eu.piano.io/api/v3']); } else { window.tp.push(['setPianoIdUrl', 'https://sandbox.piano.io']); window.tp.push(['setEndpoint', 'https://sandbox.tinypass.com/api/v3']); } window.tp.push(['setUseTinypassAccounts', false]); window.tp.push(['setUsePianoIdUserProvider', true]); /* gift article */ try { const urlParams = new URLSearchParams(window.location.search); if (urlParams.has('gift_created') && new Date(urlParams.get('gift_created') / 1 * 1000) > Date.now() - 7 * 24 * 60 * 60 * 1000) { window.tp.push(['setCustomVariable', 'shared_article_valid', 'true']); } } catch (e) { console.log(e); } /* Execute when the page is first loaded */ if (window.nzzDebugPiano) { console.log('%c set tags', 'background: yellow;color:black'); } tags.forEach(function (tag) { window.tp.push(tag); }); window.tp.push(['init', function () { if (window.nzzDebugPiano) { console.log('%c init piano', 'background: green;color:yellow'); } window.nzzPianoLoaded = true; window.tp.push(['addHandler', 'registrationSuccess', data => { if (window.nzzDebugPiano) { console.log('##piano## registrationSuccess:'); } fetch(config.handlerUrl + new URLSearchParams({ aid: window.tp.aid, uid: data.user.sub, form_id: config.RSEvent.formName, custom_fields: JSON.stringify(config.RSEvent.params) }), { method: 'POST', headers: { 'Authorization': data.token, 'Content-Type': 'application/json; charset=UTF-8' } }); }]); window.tp.push(['addHandler', 'loginSuccess', callbackData => { if (window.nzzDebugPiano) { console.log('##piano## loginSuccess in init', callbackData.source); } window.tp.pianoId.loadExtendedUser({ extendedUserLoaded: function (data) { if (window.nzzDebugPiano) { console.log('##piano## extendedUserLoaded for salutation', data); } let salutationField = null; const customFieldValues = data.custom_field_values; if (customFieldValues && customFieldValues.length > 0) { for (const field of customFieldValues) { if (field.field_name === "account_salutation") { salutationField = field; } } } let forceReload = false; if (callbackData.source == "PIANOID") { forceReload = true; } pianoUpdateSalutation(config, data, salutationField, forceReload); }, formName: 'salutation_form' }); }]); window.tp.push(['addHandler', 'checkoutCustomEvent', event => { if (window.nzzDebugPiano) { console.log('##piano## onCheckoutExternalEvent'); } const params = JSON.parse(event.params.params); if (event.eventName === 'purchaseCustom' && params.pmId == 'inbas') { if (window.nzzDebugPiano) { console.log('##piano## onCheckoutExternalEvent: Invoice payments'); } fetch(config.handlerUrl + new URLSearchParams({ aid: window.tp.aid, uid: window.tp.pianoId.getUser().uid, form_id: config.CEEvent.formName, custom_fields: JSON.stringify(config.CEEvent.params) }), { method: 'POST', headers: { 'Authorization': window.tp.pianoId.getToken(), 'Content-Type': 'application/json; charset=UTF-8' } }); } else if (event.eventName == 'purchaseCustom' && params.pmId == 'inbaf') { if (window.nzzDebugPiano) { console.log('##piano## onCheckoutExternalEvent: inbaf'); } fetch(config.handlerUrl + new URLSearchParams({ aid: window.tp.aid, uid: window.tp.pianoId.getUser().uid, form_id: config.CEEventInbaf.formName, custom_fields: JSON.stringify(config.CEEventInbaf.params) }), { method: 'POST', headers: { 'Authorization': window.tp.pianoId.getToken(), 'Content-Type': 'application/json; charset=UTF-8' } }); } }]); window.tp.push(['addHandler', 'checkoutClose', event => { if (event && event.state == "checkoutCompleted") { window.location.reload(); } if (window.nzzPianoCompleteUpgradePurchase && event && event.state == "close") { window.nzzPianoCompleteUpgradePurchase = false; window.location.reload(); } }]); window.tp.push(['addHandler', 'externalCheckoutComplete', event => { /* Default behavior is to refresh the page on successful checkout */ if (event && event.state == "checkoutCompleted") { location.reload(); } }]); window.tp.push(['addHandler', 'customEvent', event => { if (window.nzzDebugPiano) { console.log(`##piano## customEvent: ${event.eventName}`); } if (event.eventName === 'terms-accepted') { fetch(config.handlerUrl + new URLSearchParams({ aid: window.tp.aid, uid: window.tp.pianoId.getUser().uid, form_id: config.CETermsAccepted.formName, custom_fields: JSON.stringify(config.CETermsAccepted.params) }), { method: 'POST', headers: { 'Authorization': window.tp.pianoId.getToken(), 'Content-Type': 'application/json; charset=UTF-8' } }).then(() => { if (window.nzzDebugPiano) { console.log('##piano## customEvent triggered: fetch done'); } }).catch(err => console.log(err)); window.tp.offer.close(); } if (window.nzzDebugPiano) { console.log(`##piano## customEvent triggered3: ${event.eventName}`); } }]); window.tp.push(['addHandler', 'showOffer', offerParams => { if (window.digitalData && window.digitalData.component && typeof window.digitalData.component.push == 'function') { window.digitalData.component.push({ componentInfo: { componentID: offerParams.offerId, componentName: offerParams.offerId }, category: { primaryCategory: 'offer', componentType: 'offer' }, attributes: { pianoComposerExperienceId: offerParams.experienceId } }); } if (window.digitalData && window.digitalData.event && 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nzz-icons--right"><path pid="0" d="M6 15l6-6 6 6" fill="none" stroke="#000" stroke-linecap="round" stroke-linejoin="round"/></svg></button></div> </div></div> </div></div> </div> <div id="page" class="nzz-page-transition" style="opacity:1;"> <div><section class="container container--page"> <div id="contdoc-1at8jucfp0-1632104" never="" class="elementwrap"><section data-source-element="Container-Exclusive" data-nzz-tid="container-exclusive" data-nzz-container="" id="" content="" is-new-line-child="true" class="pageelement pageelement--container--exclusive no-color-scheme"><div class="pageelement__inner"> <div class="widget__row widget__row--no-child-last"><div data-nzz-tid="widget-2of3" data-source-element-widget="Widget-2/3-Breite" id="id-doc-1cmkoo0d11" content="" pagetype="Page" componenttype="widget--2of3" class="widget--2of3"> <article data-source-element-widget="" class="teaser--article teaser--2of3 "><div id="id-ld_1879068" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="1" class="teaser teaser__layout--longformstandard teaser--size-2of3">    <div flag-item="[object Object]" flag-size="2of3" class="poster poster--2of3 poster--2of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/wynton-marsalis-jazz-ist-eine-demokratische-musik-ld.1879068" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-2of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="«Über kulturelle Aneignung zu sprechen, ist eine Möglichkeit, die Zeit zu verschwenden», sagt Wynton Marsalis. (Piper Ferguson)" src="https://img.nzz.ch/2025/04/07/06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=5486,3086,x634,y0" loading="eager" srcset="https://img.nzz.ch/2025/04/07/06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=720&height=405&fit=bounds&quality=75&auto=webp&crop=5486,3086,x634,y0 720w, https://img.nzz.ch/2025/04/07/06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=1440&height=810&fit=bounds&quality=75&auto=webp&crop=5486,3086,x634,y0 1440w, https://img.nzz.ch/2025/04/07/06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=635&height=357&fit=bounds&quality=75&auto=webp&crop=5486,3085,x634,y0 635w, https://img.nzz.ch/2025/04/07/06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=1270&height=714&fit=bounds&quality=75&auto=webp&crop=5486,3085,x634,y0 1270w, https://img.nzz.ch/2025/04/07/06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=479&height=269&fit=bounds&quality=75&auto=webp&crop=5486,3081,x634,y0 479w, https://img.nzz.ch/2025/04/07/06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=958&height=538&fit=bounds&quality=75&auto=webp&crop=5486,3081,x634,y0 958w, https://img.nzz.ch/2025/04/07/06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=5486,3086,x634,y0 380w, https://img.nzz.ch/2025/04/07/06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=5486,3086,x634,y0 760w" width="5486" height="3086" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--2of3"><a href="/feuilleton/wynton-marsalis-jazz-ist-eine-demokratische-musik-ld.1879068" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">  <div class="teaser__flag teaser__flag--colored teaser__flag--2of3 teaser__flag--2of3-longformstandard"><span class="teaser__flag--text"> Interview </span>   </div> <h2 class="teaser__title teaser__title--2of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name first">Wynton Marsalis: «Wenn nun schwarze Musiker destruktive Ideen transportieren, werden sie vom weissen Publikum immer unterstützt»</span></h2>  <div class="teaser__lead teaser__lead--2of3 teaser__lead--longformstandard">Er zählt zu den Koryphäen der amerikanischen Musikszene. Nicht selten aber hat der Komponist und Jazztrompeter Wynton Marsalis irritiert durch seinen Traditionalismus. Dabei ging es ihm stets um Demokratie und Humanismus, wie er im Gespräch erklärt.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--2of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Ueli Bernays</span> <time datetime="2025-04-09T03:30:00.000Z" class="metainfo__item metainfo__item--date">09.04.2025</time>  <span data-tooltip="Lesezeit 6 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>6 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t0j8vu0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1879493" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="2" class="teaser teaser__layout--regular teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/die-historiker-peter-hoeres-und-benjamin-hasselhorn-sind-von-der-universitaet-wuerzburg-umfaenglich-rehabilitiert-worden-ld.1879493" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Die Julius-Maximilians-Universität zu Würzburg macht seit einigen Wochen Schlagzeilen. (Imago / Harald Dostal)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/09/b2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=3474,1960,x0,y185 319w, https://img.nzz.ch/2025/04/09/b2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=3474,1960,x0,y185 638w, https://img.nzz.ch/2025/04/09/b2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=3484,1957,x0,y185 292w, https://img.nzz.ch/2025/04/09/b2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=3484,1957,x0,y185 584w, https://img.nzz.ch/2025/04/09/b2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=3484,1953,x0,y185 223w, https://img.nzz.ch/2025/04/09/b2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=3484,1953,x0,y185 446w, https://img.nzz.ch/2025/04/09/b2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=3484,1960,x0,y185 380w, https://img.nzz.ch/2025/04/09/b2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=3484,1960,x0,y185 760w" width="3484" height="1960" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/die-historiker-peter-hoeres-und-benjamin-hasselhorn-sind-von-der-universitaet-wuerzburg-umfaenglich-rehabilitiert-worden-ld.1879493" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--regular teaser__title--0">  <span class="teaser__title-name">Die Historiker Peter Hoeres und Benjamin Hasselhorn sind von der Universität Würzburg umfänglich rehabilitiert worden</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--regular">Gegen die konservativen Historiker waren von linken Studenten schwere Vorwürfe erhoben worden. Nach einer Prüfung stellte sich die Universität jetzt hinter ihre Wissenschafter.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--regular"><div class="metainfo__main metainfo__main--regular"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Oliver Maksan, Berlin</span> <time datetime="2025-04-09T10:03:07.442Z" class="metainfo__item metainfo__item--date">09.04.2025</time>  <span data-tooltip="Lesezeit 3 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>3 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--regular ">  </div></div> </div></div> </article> </div></div><div class="widget__row widget__row--no-child-last"><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t0livt0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1879021" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="3" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/milo-rau-kampagne-kunstfreiheit-im-visier-rechter-angriffe-ld.1879021" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="«Entzauberte Wahrnehmung»: Gesche Joost vom Goethe-Institut, die Moderatorin Carolin Emcke und der Theaterregisseur Milo Rau erörtern die Gegenwart. (Gianmarco Bresadola)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/07/4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=3141,1772,x100,y278 319w, https://img.nzz.ch/2025/04/07/4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=3141,1772,x100,y278 638w, https://img.nzz.ch/2025/04/07/4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=3149,1769,x100,y278 292w, https://img.nzz.ch/2025/04/07/4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=3149,1769,x100,y278 584w, https://img.nzz.ch/2025/04/07/4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=3149,1766,x100,y278 223w, https://img.nzz.ch/2025/04/07/4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=3149,1766,x100,y278 446w, https://img.nzz.ch/2025/04/07/4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=3149,1772,x100,y278 380w, https://img.nzz.ch/2025/04/07/4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=3149,1772,x100,y278 760w" width="3149" height="1772" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/milo-rau-kampagne-kunstfreiheit-im-visier-rechter-angriffe-ld.1879021" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">«Es ist gut möglich, dass wir die Nächsten sind» – Milo Rau ruft zum Widerstand gegen die «rechten Kulturfeinde» auf</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--longformstandard">An der Berliner Schaubühne wurde über die Kunstfreiheit diskutiert, die man bedroht sieht. Dabei war viel von einem neuen Faschismus die Rede. Der Schweizer Theaterregisseur Milo Rau verteidigt den Begriff.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Birgit Schmid, Berlin</span> <time datetime="2025-04-09T03:30:00.000Z" class="metainfo__item metainfo__item--date">09.04.2025</time>  <span data-tooltip="Lesezeit 5 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>5 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t0lhhg0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1878628" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="4" class="teaser teaser__layout--regular teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/wie-die-gen-z-altert-ld.1878628" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="«Ich weigere mich, mich für mein Erwachsenwerden zu entschuldigen», sagt die 21-jährige Millie Bobby Brown. (Neil Mockford / GC Images / Getty)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/04/1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=5447,3073,x0,y999 319w, https://img.nzz.ch/2025/04/04/1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=5447,3073,x0,y999 638w, https://img.nzz.ch/2025/04/04/1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=5464,3069,x0,y999 292w, https://img.nzz.ch/2025/04/04/1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=5464,3069,x0,y999 584w, https://img.nzz.ch/2025/04/04/1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=5464,3063,x0,y999 223w, https://img.nzz.ch/2025/04/04/1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=5464,3063,x0,y999 446w, https://img.nzz.ch/2025/04/04/1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=5464,3073,x0,y999 380w, https://img.nzz.ch/2025/04/04/1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=5464,3073,x0,y999 760w" width="5464" height="3073" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/wie-die-gen-z-altert-ld.1878628" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--regular teaser__title--0">  <span class="teaser__title-name">Die Gen Z stand für Jugendlichkeit und Erneuerung. Jetzt soll sie plötzlich alt aussehen</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--regular">Millie Bobby Brown wehrt sich gegen Online-Kommentare, sie sehe mit Anfang 20 aus wie 40. Die Schauspielerin ist nicht die erste, die sich vorwerfen lassen muss, sie sehe älter aus, als sie ist.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--regular"><div class="metainfo__main metainfo__main--regular"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Lucia Grassi</span> <time datetime="2025-04-09T03:30:00.000Z" class="metainfo__item metainfo__item--date">09.04.2025</time>  <span data-tooltip="Lesezeit 6 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>6 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--regular ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t0lg080" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1879264" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="5" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/emmanuel-carrere-ueber-philip-k-dick-ld.1879264" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Philip K.&nbsp;Dick, geboren 1928 und gestorben 1982, brachte albtraumhafte Dystopien zu Papier. (Frank Ronan)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/08/f07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=784,442,x0,y247 319w, https://img.nzz.ch/2025/04/08/f07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=784,442,x0,y247 638w, https://img.nzz.ch/2025/04/08/f07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=785,441,x0,y247 292w, https://img.nzz.ch/2025/04/08/f07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=785,441,x0,y247 584w, https://img.nzz.ch/2025/04/08/f07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=785,441,x0,y247 223w, https://img.nzz.ch/2025/04/08/f07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=785,441,x0,y247 446w, https://img.nzz.ch/2025/04/08/f07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=785,442,x0,y247 380w, https://img.nzz.ch/2025/04/08/f07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=785,442,x0,y247 760w" width="785" height="442" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/emmanuel-carrere-ueber-philip-k-dick-ld.1879264" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">«Er wollte gerne Gott lieben, doch mehr noch fürchtete er den Teufel», schreibt Emmanuel Carrère über den psychedelischen Autor Philip K. Dick</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--longformstandard">1993 schrieb der französische Autor das Buch «Ich lebe und ihr seid tot. Die Parallelwelten des Philip K. Dick». Genau zum richtigen Zeitpunkt wurde es jetzt auf Deutsch übersetzt: Ein Buch wie ein wilder Trip – und die Droge heisst Amerika.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Paul Jandl</span> <time datetime="2025-04-09T03:30:00.000Z" class="metainfo__item metainfo__item--date">09.04.2025</time>  <span data-tooltip="Lesezeit 5 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>5 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div></div><div class="widget__row widget__row--no-child-last"><div id="id-doc-1f8t0ku9k0" content="" pagetype="Page" componenttype="widget--list-notpaged" class="widget--list-notpaged widget--2of3"><div data-nzz-referrer="containerWidgetHeadTitle" data-nzz-tid="widget-title" class="widget__title"> <a href="http://www.nzz.ch/feuilleton/aktuell" class="widget__title-link">Neu im Ressort<svg class="widget__titleicon" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 24 24" width="16px" height="16px"><path fill="none" stroke="#000" stroke-linecap="round" stroke-linejoin="round" d="M4.5 12h15M12 4.5l7.5 7.5-7.5 7.5"/></svg></a></div> <article data-source-element-widget="" class="teaser--article teaser--paginated "><div id="id-ld_1877930" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="6" class="teaser teaser__layout--regular teaser--size-paginated">    <div flag-item="[object Object]" flag-size="paginated" class="poster poster--paginated poster--paginated-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/die-menschen-in-russland-haetten-ihre-sprache-verloren-sagt-sergei-lebedew-sein-sammelband-nein-gibt-ihnen-eine-stimme-ld.1877930" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-paginated"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Haltung zurückgewinnen: Sergei Lebedew, 2023 in Berlin. (Marzena Skubatz / Laif)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/03/dec64c62-1741-449e-951d-dc7fe7a7cd3d.jpeg?width=240&height=135&fit=bounds&quality=75&auto=webp&crop=7762,4366,x0,y651 240w, https://img.nzz.ch/2025/04/03/dec64c62-1741-449e-951d-dc7fe7a7cd3d.jpeg?width=480&height=270&fit=bounds&quality=75&auto=webp&crop=7762,4366,x0,y651 480w, https://img.nzz.ch/2025/04/03/dec64c62-1741-449e-951d-dc7fe7a7cd3d.jpeg?width=200&height=113&fit=bounds&quality=75&auto=webp&crop=7728,4366,x0,y651 200w, https://img.nzz.ch/2025/04/03/dec64c62-1741-449e-951d-dc7fe7a7cd3d.jpeg?width=400&height=226&fit=bounds&quality=75&auto=webp&crop=7728,4366,x0,y651 400w" width="7762" height="4366" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--paginated"><a href="/feuilleton/die-menschen-in-russland-haetten-ihre-sprache-verloren-sagt-sergei-lebedew-sein-sammelband-nein-gibt-ihnen-eine-stimme-ld.1877930" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--paginated teaser__title--regular teaser__title--0">  <span class="teaser__title-name">Die Menschen in Russland hätten ihre Sprache verloren, sagt Sergei Lebedew. Sein Sammelband «Nein!» gibt ihnen eine Stimme</span></h2>  <div class="teaser__lead teaser__lead--paginated teaser__lead--regular">Schon vor dem Beginn der Invasion der Ukraine wurde die kritische russische Intelligenzia vom Putin-Regime drangsaliert, seit dem 24. Februar 2022 steht sie unter Schock.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--paginated metainfo--regular"><div class="metainfo__main metainfo__main--regular"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Ulrich M. Schmid</span> <time datetime="2025-04-09T03:30:00.000Z" class="metainfo__item metainfo__item--date">09.04.2025</time>  <span data-tooltip="Lesezeit 3 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>3 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--regular ">  </div></div> </div></div> </article><article data-source-element-widget="" class="teaser--article teaser--paginated "><div id="id-ld_1879092" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="7" class="teaser teaser__layout--longformstandard teaser--size-paginated">    <div flag-item="[object Object]" flag-size="paginated" class="poster poster--paginated poster--paginated-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/wie-eine-chinesische-version-von-sisyphos-jia-zhangke-erzaehlt-in-seinen-filmen-von-menschen-die-aus-einer-situation-fliehen-wollen-aber-staendig-zurueckgestossen-werden-ld.1879092" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-paginated"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Schillernde Traurigkeit: Zhao Tao spielt in «Caught by the Tides» eine junge Frau, die nach ihrer früheren Liebe sucht. (PD)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/08/50eb4262-7f08-4a9d-826e-04678239ece4.jpeg?width=240&height=135&fit=bounds&quality=75&auto=webp&crop=2667,1500,x333,y0 240w, https://img.nzz.ch/2025/04/08/50eb4262-7f08-4a9d-826e-04678239ece4.jpeg?width=480&height=270&fit=bounds&quality=75&auto=webp&crop=2667,1500,x333,y0 480w, https://img.nzz.ch/2025/04/08/50eb4262-7f08-4a9d-826e-04678239ece4.jpeg?width=200&height=113&fit=bounds&quality=75&auto=webp&crop=2655,1500,x333,y0 200w, https://img.nzz.ch/2025/04/08/50eb4262-7f08-4a9d-826e-04678239ece4.jpeg?width=400&height=226&fit=bounds&quality=75&auto=webp&crop=2655,1500,x333,y0 400w" width="2667" height="1500" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--paginated"><a href="/feuilleton/wie-eine-chinesische-version-von-sisyphos-jia-zhangke-erzaehlt-in-seinen-filmen-von-menschen-die-aus-einer-situation-fliehen-wollen-aber-staendig-zurueckgestossen-werden-ld.1879092" data-nzz-referrer="teaserLink" ordinal-number="2" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--paginated teaser__title--longformstandard teaser__title--1">  <span class="teaser__title-name">Wie eine chinesische Version von Sisyphos: Jia Zhangke erzählt in seinen Filmen von Menschen, die aus einer Situation fliehen wollen, aber ständig zurückgestossen werden</span></h2>  <div class="teaser__lead teaser__lead--paginated teaser__lead--longformstandard">In «Caught by the Tides» hat der Regisseur Reste aus seinen alten Filmen neu montiert. Entstanden ist ein faszinierendes Werk.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--paginated metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Patrick Holzapfel</span> <time datetime="2025-04-09T03:30:00.000Z" class="metainfo__item metainfo__item--date">09.04.2025</time>  <span data-tooltip="Lesezeit 3 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>3 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article><article data-source-element-widget="" class="teaser--article teaser--paginated "><div id="id-ld_1877604" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="8" class="teaser teaser__layout--longformstandard teaser--size-paginated">    <div flag-item="[object Object]" flag-size="paginated" class="poster poster--paginated poster--paginated-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/peter-handke-debuetierte-vor-sechzig-jahren-im-interview-erinnert-er-sich-ld.1877604" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-paginated"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="«Ich hasse Nationen», sagt Peter Handke. «Im Wort ‹Nation› ist keine Erotik mehr drin, nur noch Gewalt.» (Julien De Rosa / EPA)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2022/11/30/090a2a0b-3d1e-4329-8913-ce34cb103385.jpeg?width=240&height=135&fit=bounds&quality=75&auto=webp&crop=1984,1116,x0,y215 240w, https://img.nzz.ch/2022/11/30/090a2a0b-3d1e-4329-8913-ce34cb103385.jpeg?width=480&height=270&fit=bounds&quality=75&auto=webp&crop=1984,1116,x0,y215 480w, https://img.nzz.ch/2022/11/30/090a2a0b-3d1e-4329-8913-ce34cb103385.jpeg?width=200&height=113&fit=bounds&quality=75&auto=webp&crop=1976,1116,x0,y215 200w, https://img.nzz.ch/2022/11/30/090a2a0b-3d1e-4329-8913-ce34cb103385.jpeg?width=400&height=226&fit=bounds&quality=75&auto=webp&crop=1976,1116,x0,y215 400w" width="1984" height="1116" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--paginated"><a href="/feuilleton/peter-handke-debuetierte-vor-sechzig-jahren-im-interview-erinnert-er-sich-ld.1877604" data-nzz-referrer="teaserLink" ordinal-number="3" class="teaser__link"><div class="teaser__wrapper">  <div class="teaser__flag teaser__flag--colored teaser__flag--paginated teaser__flag--paginated-longformstandard"><span class="teaser__flag--text"> Interview </span>   </div> <h2 class="teaser__title teaser__title--paginated teaser__title--longformstandard teaser__title--2">  <span class="teaser__title-name">Peter Handke: «Das Sterben ist eine Prüfung. Ob ich die bestehen kann?»</span></h2>  <div class="teaser__lead teaser__lead--paginated teaser__lead--longformstandard">Vor sechzig Jahren begann Peter Handke noch nicht 23-jährig seine schriftstellerische Karriere. «Das war gewaltig», sagt er im Gespräch. Heute sei er manchmal in seiner Kneipe unter lauter Alten der Älteste.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--paginated metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Roman Bucheli</span> <time datetime="2025-04-08T03:30:00.000Z" class="metainfo__item metainfo__item--date">08.04.2025</time>  <span data-tooltip="Lesezeit 13 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>13 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article><article data-source-element-widget="" class="teaser--article teaser--paginated "><div id="id-ld_1877866" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="9" class="teaser teaser__layout--longformstandard teaser--size-paginated">    <div flag-item="[object Object]" flag-size="paginated" class="poster poster--paginated poster--paginated-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/die-frauen-waren-am-wichtigsten-in-seinem-schaffen-die-groesste-empathie-empfand-egon-schiele-aber-fuer-die-russischen-soldaten-ld.1877866" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-paginated"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Egon Schiele: «Liegender weiblicher Akt», 1917, Kohle, Gouache auf Papier. (Moravian Gallery, Brno)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/04/9b407e1d-38b8-4ebe-a833-7e2991b987f9.jpeg?width=240&height=135&fit=bounds&quality=75&auto=webp&crop=2000,1125,x0,y612 240w, https://img.nzz.ch/2025/04/04/9b407e1d-38b8-4ebe-a833-7e2991b987f9.jpeg?width=480&height=270&fit=bounds&quality=75&auto=webp&crop=2000,1125,x0,y612 480w, https://img.nzz.ch/2025/04/04/9b407e1d-38b8-4ebe-a833-7e2991b987f9.jpeg?width=200&height=113&fit=bounds&quality=75&auto=webp&crop=1992,1125,x0,y612 200w, https://img.nzz.ch/2025/04/04/9b407e1d-38b8-4ebe-a833-7e2991b987f9.jpeg?width=400&height=226&fit=bounds&quality=75&auto=webp&crop=1992,1125,x0,y612 400w" width="2000" height="1125" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--paginated"><a href="/feuilleton/die-frauen-waren-am-wichtigsten-in-seinem-schaffen-die-groesste-empathie-empfand-egon-schiele-aber-fuer-die-russischen-soldaten-ld.1877866" data-nzz-referrer="teaserLink" ordinal-number="4" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--paginated teaser__title--longformstandard teaser__title--3">  <span class="teaser__title-name">Die Frauen waren am wichtigsten in seinem Schaffen. Die grösste Empathie empfand Egon Schiele aber für die russischen Soldaten.</span></h2>  <div class="teaser__lead teaser__lead--paginated teaser__lead--longformstandard">In seiner kurzen Künstlerkarriere entwickelte sich der österreichische Maler vom selbstbezogenen Exzentriker zum einfühlsamen Visionär.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--paginated metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Philipp Meier</span> <time datetime="2025-04-08T03:30:00.000Z" class="metainfo__item metainfo__item--date">08.04.2025</time>  <span data-tooltip="Lesezeit 6 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>6 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article><article data-source-element-widget="" class="teaser--article teaser--paginated "><div id="id-ld_1879061" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="10" class="teaser teaser__layout--longformstandard teaser--size-paginated">    <div flag-item="[object Object]" flag-size="paginated" class="poster poster--paginated poster--paginated-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/war-es-richtig-omri-boehm-einzuladen-die-gedenkrede-im-kz-buchenwald-zu-halten-nein-es-war-eine-provokation-gegenueber-den-juedischen-trauernden-ld.1879061" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-paginated"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Omri Boehms nicht gehaltene Buchenwald-Rede ist ein kluger Text, passend an jedem beliebigen Tag und Ort. Nur nicht zum Gedenken in Buchenwald. (Christian Charisius / DPA / Keystone)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/07/86da8047-fd97-4f86-94d0-59a9ee674c9f.jpeg?width=240&height=135&fit=bounds&quality=75&auto=webp&crop=6418,3610,x0,y64 240w, https://img.nzz.ch/2025/04/07/86da8047-fd97-4f86-94d0-59a9ee674c9f.jpeg?width=480&height=270&fit=bounds&quality=75&auto=webp&crop=6418,3610,x0,y64 480w, https://img.nzz.ch/2025/04/07/86da8047-fd97-4f86-94d0-59a9ee674c9f.jpeg?width=200&height=113&fit=bounds&quality=75&auto=webp&crop=6390,3610,x0,y64 200w, https://img.nzz.ch/2025/04/07/86da8047-fd97-4f86-94d0-59a9ee674c9f.jpeg?width=400&height=226&fit=bounds&quality=75&auto=webp&crop=6390,3610,x0,y64 400w" width="6418" height="3610" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--paginated"><a href="/feuilleton/war-es-richtig-omri-boehm-einzuladen-die-gedenkrede-im-kz-buchenwald-zu-halten-nein-es-war-eine-provokation-gegenueber-den-juedischen-trauernden-ld.1879061" data-nzz-referrer="teaserLink" ordinal-number="5" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--paginated teaser__title--longformstandard teaser__title--4">  <span class="teaser__title-name">War es richtig, Omri Boehm einzuladen, die Gedenkrede im KZ Buchenwald zu halten? Nein! Es war eine Provokation gegenüber den jüdischen Trauernden</span></h2>  <div class="teaser__lead teaser__lead--paginated teaser__lead--longformstandard">Die KZ-Gedenkstätte begeht die Gedenkstunde ohne den Philosophen Omri Boehm. Besser so. Das Versagen der deutschen Gedenkkultur bleibt aber offensichtlich.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--paginated metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Michael Wolffsohn</span> <time datetime="2025-04-07T13:37:52.657Z" class="metainfo__item metainfo__item--date">07.04.2025</time>  <span data-tooltip="Lesezeit 4 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>4 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article><article data-source-element-widget="" class="teaser--article teaser--paginated "><div id="id-ld_1878457" data-nzz-tid="teaser" data-nzz-cid="doc-1at8jucfp0" data-nzz-cp="1" data-nzz-ct="" data-nzz-pic="11" class="teaser teaser__layout--longformstandard teaser--size-paginated">    <div flag-item="[object Object]" flag-size="paginated" class="poster poster--paginated poster--paginated-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/spass-kultur-techno-ausstellung-im-zuercher-landesmuseum-ld.1878457" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-paginated"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="1992 zieht der erste Techno-Umzug mit etwa tausend Teilnehmenden durch die Zürcher Innenstadt. Die Veranstaltung wird als politische «Demonstration für Liebe, Friede, Freiheit, Grosszügigkeit und Toleranz» bewilligt. (Thomas Eugster)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/03/46095b51-baef-49d8-8c1c-48dd6f573f21.jpeg?width=240&height=135&fit=bounds&quality=75&auto=webp&crop=5000,2812,x0,y492 240w, https://img.nzz.ch/2025/04/03/46095b51-baef-49d8-8c1c-48dd6f573f21.jpeg?width=480&height=270&fit=bounds&quality=75&auto=webp&crop=5000,2812,x0,y492 480w, https://img.nzz.ch/2025/04/03/46095b51-baef-49d8-8c1c-48dd6f573f21.jpeg?width=200&height=113&fit=bounds&quality=75&auto=webp&crop=4977,2812,x0,y492 200w, https://img.nzz.ch/2025/04/03/46095b51-baef-49d8-8c1c-48dd6f573f21.jpeg?width=400&height=226&fit=bounds&quality=75&auto=webp&crop=4977,2812,x0,y492 400w" width="5000" height="2812" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--paginated"><a href="/feuilleton/spass-kultur-techno-ausstellung-im-zuercher-landesmuseum-ld.1878457" data-nzz-referrer="teaserLink" ordinal-number="6" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--paginated teaser__title--longformstandard teaser__title--5">  <span class="teaser__title-name">Techno ist museumsreif: Die musikalische Feier der Gegenwart hat eine bewegte Geschichte</span></h2>  <div class="teaser__lead teaser__lead--paginated teaser__lead--longformstandard">Zuerst war der Rhythmus der Maschinen, bevor in leerstehenden Industriehallen harte Beats ertönten und eine neue Jugendkultur definierten. 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(Martin Valentin Menke / WDR)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/02/d6929cc1-c796-4d27-af49-3c935b48821e.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=4121,2325,x0,y167 319w, https://img.nzz.ch/2025/04/02/d6929cc1-c796-4d27-af49-3c935b48821e.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=4121,2325,x0,y167 638w, https://img.nzz.ch/2025/04/02/d6929cc1-c796-4d27-af49-3c935b48821e.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=4134,2322,x0,y167 292w, https://img.nzz.ch/2025/04/02/d6929cc1-c796-4d27-af49-3c935b48821e.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=4134,2322,x0,y167 584w, https://img.nzz.ch/2025/04/02/d6929cc1-c796-4d27-af49-3c935b48821e.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=4134,2318,x0,y167 223w, https://img.nzz.ch/2025/04/02/d6929cc1-c796-4d27-af49-3c935b48821e.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=4134,2318,x0,y167 446w, https://img.nzz.ch/2025/04/02/d6929cc1-c796-4d27-af49-3c935b48821e.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=4134,2325,x0,y167 380w, https://img.nzz.ch/2025/04/02/d6929cc1-c796-4d27-af49-3c935b48821e.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=4134,2325,x0,y167 760w" width="4134" height="2325" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/tatort-aus-muenster-ld.1878219" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--regular teaser__title--0">  <span class="teaser__title-name">Wer die Zimmerbörse an der Uni verwaltet, lebt gefährlich: Im «Tatort» aus Münster schrecken Studenten bei der WG-Suche offenbar nicht einmal vor Mord zurück</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--regular">Eine Erstsemesterin campt im Zelt vor dem Hauptgebäude. Und auch Kommissar Thiel macht die Wohnungsnot zu schaffen. Ist er deshalb so müde?</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--regular"><div class="metainfo__main metainfo__main--regular"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Pamela Jahn</span> <time datetime="2025-04-06T03:30:00.000Z" class="metainfo__item metainfo__item--date">06.04.2025</time>  <span data-tooltip="Lesezeit 3 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>3 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--regular ">  </div></div> </div></div> </article> </div></div><div class="widget__row widget__row--no-child-last"><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t0sbl60" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1878531" data-nzz-tid="teaser" data-nzz-cid="doc-1edovpckt0" data-nzz-cp="3" data-nzz-ct="Kino, Fernsehen, Streaming" data-nzz-pic="3" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/taugt-ein-beatles-schauspieler-als-neuer-james-bond-ld.1878531" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Ein sehr vorteilhafter Beatles-Cast: Harris Dickinson, Paul Mescal, Barry Keoghan und Joseph Quinn (von links). (Sony)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/03/be547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=1914,1080,x0,y645 319w, https://img.nzz.ch/2025/04/03/be547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=1914,1080,x0,y645 638w, https://img.nzz.ch/2025/04/03/be547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=1920,1079,x0,y645 292w, https://img.nzz.ch/2025/04/03/be547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=1920,1079,x0,y645 584w, https://img.nzz.ch/2025/04/03/be547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=1920,1077,x0,y645 223w, https://img.nzz.ch/2025/04/03/be547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=1920,1077,x0,y645 446w, https://img.nzz.ch/2025/04/03/be547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=1920,1080,x0,y645 380w, https://img.nzz.ch/2025/04/03/be547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=1920,1080,x0,y645 760w" width="1920" height="1080" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/taugt-ein-beatles-schauspieler-als-neuer-james-bond-ld.1878531" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">Welcher Beatle wird der neue Bond?</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--longformstandard">Die Schauspieler, die im geplanten Blockbuster die Beatles spielen, stehen fest. Fragt sich, ob nicht einer von ihnen auch der neue James Bond wird. Denn die Berührungspunkte zwischen den Pop-Kultur-Phänomenen sind verrückt.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Andreas Scheiner</span> <time datetime="2025-04-03T11:07:23.975Z" class="metainfo__item metainfo__item--date">03.04.2025</time>  <span data-tooltip="Lesezeit 4 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>4 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t0sacf0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1845638" data-nzz-tid="teaser" data-nzz-cid="doc-1edovpckt0" data-nzz-cp="3" data-nzz-ct="Kino, Fernsehen, Streaming" data-nzz-pic="4" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/val-kilmer-der-wingman-aus-top-gun-ist-tot-ld.1845638" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="«Wenn es eine Auszeichnung für den unbesungensten Hauptdarsteller seiner Generation gibt, Kilmer hätte sie verdient», sagte der tonangebende Kritiker Roger Ebert. (Mark Humphrey / AP)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/02/aec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=5168,2916,x0,y270 319w, https://img.nzz.ch/2025/04/02/aec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=5168,2916,x0,y270 638w, https://img.nzz.ch/2025/04/02/aec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=5184,2912,x0,y270 292w, https://img.nzz.ch/2025/04/02/aec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=5184,2912,x0,y270 584w, https://img.nzz.ch/2025/04/02/aec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=5184,2906,x0,y270 223w, https://img.nzz.ch/2025/04/02/aec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=5184,2906,x0,y270 446w, https://img.nzz.ch/2025/04/02/aec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=5184,2916,x0,y270 380w, https://img.nzz.ch/2025/04/02/aec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=5184,2916,x0,y270 760w" width="5184" height="2916" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/val-kilmer-der-wingman-aus-top-gun-ist-tot-ld.1845638" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">Val Kilmer, der «wingman» aus «Top Gun», ist tot</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--longformstandard">Er war intensiv, besessen und hochbegabt. Wann immer ein Filmstar mit Ecken und Kanten gefragt war, rief Hollywood bei ihm an. Nun ist der an Kehlkopfkrebs erkrankte Val Kilmer 65-jährig gestorben.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Marion Löhndorf</span> <time datetime="2025-04-02T05:52:37.899Z" class="metainfo__item metainfo__item--date">02.04.2025</time>  <span data-tooltip="Lesezeit 5 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>5 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t0s91n0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1877454" data-nzz-tid="teaser" data-nzz-cid="doc-1edovpckt0" data-nzz-cp="3" data-nzz-ct="Kino, Fernsehen, Streaming" data-nzz-pic="5" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/der-preis-fuer-tilda-swinton-war-extrem-ungeschickt-sagt-martin-moszkowicz-ld.1877454" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Täterfilme seien fast immer erfolgreicher als Opferfilme, sagt der Filmproduzent Martin Moszkowicz. (Karin Hofer / NZZ)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/03/31/068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=2168,1223,x184,y1079 319w, https://img.nzz.ch/2025/03/31/068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=2168,1223,x184,y1079 638w, https://img.nzz.ch/2025/03/31/068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=2174,1222,x184,y1079 292w, https://img.nzz.ch/2025/03/31/068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=2174,1222,x184,y1079 584w, https://img.nzz.ch/2025/03/31/068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=2174,1219,x184,y1079 223w, https://img.nzz.ch/2025/03/31/068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=2174,1219,x184,y1079 446w, https://img.nzz.ch/2025/03/31/068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=2174,1223,x184,y1079 380w, https://img.nzz.ch/2025/03/31/068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=2174,1223,x184,y1079 760w" width="2174" height="1223" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/der-preis-fuer-tilda-swinton-war-extrem-ungeschickt-sagt-martin-moszkowicz-ld.1877454" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">  <div class="teaser__flag teaser__flag--colored teaser__flag--1of3 teaser__flag--1of3-longformstandard"><span class="teaser__flag--text"> Interview </span>   </div> <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">«Ein Nazi-Film, in dem die Judenvernichtung nicht vorkommt? Ich finde das falsch», sagt Martin Moszkowicz über «Der Untergang» oder «The Zone of Interest»</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--longformstandard">Der erfolgreichste deutsche Filmproduzent stösst sich auch an Tilda Swinton, die an der Berlinale Werbung für BDS machen durfte. Als Sohn eines Auschwitz-Überlebenden äussert sich Moszkowicz deutlich über die Israel-Verachtung in der Branche.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Andreas Scheiner (Interview), Karin Hofer (Bilder)</span> <time datetime="2025-04-01T03:30:00.000Z" class="metainfo__item metainfo__item--date">01.04.2025</time>  <span data-tooltip="Lesezeit 8 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>8 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div></div></div></section></div><div id="contdoc-1asjvi4na0-1632104" never="" class="elementwrap"><section data-source-element="Container-Exclusive" data-nzz-tid="container-exclusive" data-nzz-container="" id="" content="" is-new-line-child="true" class="pageelement pageelement--container--exclusive no-color-scheme"><div class="pageelement__inner"><div class="container container--headline"> <div class="container__content"><div class="container__info container__info--tagless"><h2 data-nzz-referrer="containerHeadTitle" data-nzz-tid="container-title" class="container__header-title container__header-title--black"><a href="http://www.nzz.ch/feuilleton/musik" data-nzz-tid="headline-title" class="container__header-link">Musik<svg class="container__header-icon" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 24 24" width="16px" height="16px"><path fill="none" stroke="#000" stroke-linecap="round" stroke-linejoin="round" d="M4.5 12h15M12 4.5l7.5 7.5-7.5 7.5"/></svg></a></h2> </div> </div></div> <div class="widget__row widget__row--no-child-last"><div data-nzz-tid="widget-2of3" data-source-element-widget="Widget-2/3-Breite" id="id-doc-1f8t0uoop0" content="" pagetype="Page" componenttype="widget--2of3" class="widget--2of3"> <article data-source-element-widget="" class="teaser--article teaser--2of3 "><div id="id-ld_1878448" data-nzz-tid="teaser" data-nzz-cid="doc-1asjvi4na0" data-nzz-cp="4" data-nzz-ct="Musik" data-nzz-pic="1" class="teaser teaser__layout--regular teaser--size-2of3">    <div flag-item="[object Object]" flag-size="2of3" class="poster poster--2of3 poster--2of3-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/elton-john-brandi-carlile-ein-album-im-duett-ld.1878448" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-2of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Dank Brandi Carlile hat Elton John zurück auf die Bühne gefunden. (Peggy Sirota / Universal)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/03/d3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?width=720&height=405&fit=bounds&quality=75&auto=webp&crop=1200,675,x0,y0 720w, https://img.nzz.ch/2025/04/03/d3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?width=1440&height=810&fit=bounds&quality=75&auto=webp&crop=1200,675,x0,y0 1440w, https://img.nzz.ch/2025/04/03/d3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?width=635&height=357&fit=bounds&quality=75&auto=webp&crop=1200,675,x0,y0 635w, https://img.nzz.ch/2025/04/03/d3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?width=1270&height=714&fit=bounds&quality=75&auto=webp&crop=1200,675,x0,y0 1270w, https://img.nzz.ch/2025/04/03/d3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?width=479&height=269&fit=bounds&quality=75&auto=webp&crop=1200,674,x0,y0 479w, https://img.nzz.ch/2025/04/03/d3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?width=958&height=538&fit=bounds&quality=75&auto=webp&crop=1200,674,x0,y0 958w, https://img.nzz.ch/2025/04/03/d3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=1200,675,x0,y0 380w, https://img.nzz.ch/2025/04/03/d3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=1200,675,x0,y0 760w" width="1200" height="675" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--2of3"><a href="/feuilleton/elton-john-brandi-carlile-ein-album-im-duett-ld.1878448" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--2of3 teaser__title--regular teaser__title--0">  <span class="teaser__title-name">Nichts mit Ruhestand: Elton Johns Duette mit Brandi Carlile</span></h2>  <div class="teaser__lead teaser__lead--2of3 teaser__lead--regular">In zwanzig Tagen haben der britische Superstar und die amerikanische Country-Sängerin zusammen ein Album aufgenommen. Beide zeigen sich dabei von ihrer besten Seite.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--2of3 metainfo--regular"><div class="metainfo__main metainfo__main--regular"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Hanspeter Künzler</span> <time datetime="2025-04-07T03:30:00.000Z" class="metainfo__item metainfo__item--date">07.04.2025</time>  <span data-tooltip="Lesezeit 4 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>4 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--regular ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t0uj100" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1876906" data-nzz-tid="teaser" data-nzz-cid="doc-1asjvi4na0" data-nzz-cp="4" data-nzz-ct="Musik" data-nzz-pic="2" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/eric-clapton-80-ikone-der-britischen-blues-rockszene-ld.1876906" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Eric Clapton zählt zu den grössten Gitarristen aller Zeiten – auch bei der Anzahl Abstürzen und Comebacks ist er führend. Bild: 1967. (Govert De Roos / Avalon / Imago)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/03/28/450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=1689,953,x0,y352 319w, https://img.nzz.ch/2025/03/28/450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=1689,953,x0,y352 638w, https://img.nzz.ch/2025/03/28/450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=1695,952,x0,y352 292w, https://img.nzz.ch/2025/03/28/450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=1695,952,x0,y352 584w, https://img.nzz.ch/2025/03/28/450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=1695,951,x0,y352 223w, https://img.nzz.ch/2025/03/28/450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=1695,951,x0,y352 446w, https://img.nzz.ch/2025/03/28/450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=1695,953,x0,y352 380w, https://img.nzz.ch/2025/03/28/450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=1695,953,x0,y352 760w" width="1695" height="953" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/eric-clapton-80-ikone-der-britischen-blues-rockszene-ld.1876906" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">Eric Clapton wird achtzig: Der Sänger und Gitarrist hat die Welt begeistert mit seiner Musik. Und irritiert durch seine Launen und Abstürze</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--longformstandard">Er hat die britische Blues- und Rockszene mitgeprägt. Am 30. März feiert Eric Clapton seinen 80. Geburtstag.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Viola Schenz</span> <time datetime="2025-03-30T03:30:00.000Z" class="metainfo__item metainfo__item--date">30.03.2025</time>  <span data-tooltip="Lesezeit 4 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>4 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div></div><div class="widget__row widget__row--no-child-last"><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1eko3jplt1" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1877605" data-nzz-tid="teaser" data-nzz-cid="doc-1asjvi4na0" data-nzz-cp="4" data-nzz-ct="Musik" data-nzz-pic="3" class="teaser teaser__layout--regular teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/jetzt-neu-alles-wie-frueher-in-golden-years-besingt-tocotronic-eben-die-goldenen-jahre-die-sind-vielleicht-laengst-vorbei-ld.1877605" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Tocotronic hatte in den neunziger Jahren für jeden elegante Merksätze parat: Rick McPhail (setzt die aktuelle Tour wegen Krankheit aus), Arne Zank, Dirk von Lowtzow, Jan Müller (von links). (PD)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/03/29/f31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=6163,3477,x716,y1798 319w, https://img.nzz.ch/2025/03/29/f31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=6163,3477,x716,y1798 638w, https://img.nzz.ch/2025/03/29/f31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=6182,3473,x716,y1798 292w, https://img.nzz.ch/2025/03/29/f31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=6182,3473,x716,y1798 584w, https://img.nzz.ch/2025/03/29/f31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=6182,3466,x716,y1798 223w, https://img.nzz.ch/2025/03/29/f31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=6182,3466,x716,y1798 446w, https://img.nzz.ch/2025/03/29/f31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=6182,3477,x716,y1798 380w, https://img.nzz.ch/2025/03/29/f31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=6182,3477,x716,y1798 760w" width="6182" height="3477" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/jetzt-neu-alles-wie-frueher-in-golden-years-besingt-tocotronic-eben-die-goldenen-jahre-die-sind-vielleicht-laengst-vorbei-ld.1877605" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--regular teaser__title--0">  <span class="teaser__title-name">Jetzt neu! Alles wie früher! In «Golden Years» besingt Tocotronic – eben: die goldenen Jahre. Die sind vielleicht längst vorbei</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--regular"><div class="metainfo__main metainfo__main--regular"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Rahel Zingg</span> <time datetime="2025-03-29T14:00:00.000Z" class="metainfo__item metainfo__item--date">29.03.2025</time>  <span data-tooltip="Lesezeit 3 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>3 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--regular ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1eko3jplu0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1877074" data-nzz-tid="teaser" data-nzz-cid="doc-1asjvi4na0" data-nzz-cp="4" data-nzz-ct="Musik" data-nzz-pic="4" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/sabrina-carpenter-erholung-dank-unbeschwerter-popmusik-ld.1877074" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Sabrina Carpenter beglückt das Konzertpublikum mit erfrischenden Sounds und frivolen Posen. (Dana Jacobs / Wire Image / Getty)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/03/25/767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=4690,2646,x655,y571 319w, https://img.nzz.ch/2025/03/25/767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=4690,2646,x655,y571 638w, https://img.nzz.ch/2025/03/25/767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=4704,2642,x655,y571 292w, https://img.nzz.ch/2025/03/25/767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=4704,2642,x655,y571 584w, https://img.nzz.ch/2025/03/25/767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=4704,2637,x655,y571 223w, https://img.nzz.ch/2025/03/25/767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=4704,2637,x655,y571 446w, https://img.nzz.ch/2025/03/25/767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=4704,2646,x655,y571 380w, https://img.nzz.ch/2025/03/25/767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=4704,2646,x655,y571 760w" width="4704" height="2646" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/sabrina-carpenter-erholung-dank-unbeschwerter-popmusik-ld.1877074" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">Sabrina Carpenters Konzert in Zürich ist ausverkauft. Sie macht Pop-Songs, so unbeschwert wie Ferien am Meer</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Ueli Bernays</span> <time datetime="2025-03-27T04:30:00.000Z" class="metainfo__item metainfo__item--date">27.03.2025</time>  <span data-tooltip="Lesezeit 4 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>4 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1eko3jplu1" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1876847" data-nzz-tid="teaser" data-nzz-cid="doc-1asjvi4na0" data-nzz-cp="4" data-nzz-ct="Musik" data-nzz-pic="5" class="teaser teaser__layout--regular teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/berner-mundartsaenger-edb-songs-zwischen-provokation-und-melancholie-ld.1876847" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Edb singt Bärndüütsch so, als wäre es eine Weltsprache. 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(Universal History Archive / Getty)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/01/28/7157a691-f662-4f79-9902-1c1212b3a006.jpeg?width=242&height=182&fit=bounds&quality=75&auto=webp&crop=5086,3825,x0,y541 242w, https://img.nzz.ch/2025/01/28/7157a691-f662-4f79-9902-1c1212b3a006.jpeg?width=484&height=364&fit=bounds&quality=75&auto=webp&crop=5086,3825,x0,y541 484w" width="5100" height="3825" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--slide"><a href="/feuilleton/in-berlin-wurden-juden-deportiert-im-rheinland-herrschte-schon-frieden-das-ende-des-zweiten-weltkriegs-zog-sich-lange-hin-ld.1868336" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--slide teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">In Berlin wurden Juden deportiert, im Rheinland herrschte schon Frieden: Das Ende des Zweiten Weltkriegs zog sich lange hin</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--slide metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Harald Jähner</span> <time datetime="2025-01-29T04:30:00.000Z" class="metainfo__item metainfo__item--date">29.01.2025</time>  <span data-tooltip="Lesezeit 7 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>7 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article><article data-source-element-widget="" class="swiper-slide teaser--article teaser--slide "><div id="id-ld_1869303" data-nzz-tid="teaser" data-nzz-cid="doc-1im870h1k0" data-nzz-cp="5" data-nzz-ct="80 Jahre Ende des Zweiten Weltkriegs" data-nzz-pic="2" class="teaser teaser__layout--longformstandard teaser--size-slide">    <div flag-item="[object Object]" flag-size="slide" class="poster poster--slide poster--slide-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/international/jalta-der-unausrottbare-mythos-von-der-teilung-europas-ld.1869303" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-slide"><div class="image-placeholder poster__placeholder" style="padding-bottom:75%;"><img alt="Was haben die «Grossen Drei» in Jalta wirklich beschlossen? Der Sowjetdiktator Josef Stalin, der amerikanische Präsident Franklin Roosevelt und der britische Premierminister Winston Churchill (von rechts nach links) während einer Verhandlungspause im Februar 1945. (Corbis/Getty)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/02/03/d1761572-169b-4929-85a6-acb615192390.jpeg?width=242&height=182&fit=bounds&quality=75&auto=webp&crop=3267,2457,x0,y94 242w, https://img.nzz.ch/2025/02/03/d1761572-169b-4929-85a6-acb615192390.jpeg?width=484&height=364&fit=bounds&quality=75&auto=webp&crop=3267,2457,x0,y94 484w" width="3276" height="2457" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--slide"><a href="/international/jalta-der-unausrottbare-mythos-von-der-teilung-europas-ld.1869303" data-nzz-referrer="teaserLink" ordinal-number="2" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--slide teaser__title--longformstandard teaser__title--1">  <span class="teaser__title-name">Der unausrottbare Jalta-Mythos: Nein, die Teilung Europas geht nicht auf Jalta zurück</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--slide metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Andreas Rüesch</span> <time datetime="2025-02-04T04:30:00.000Z" class="metainfo__item metainfo__item--date">04.02.2025</time>  <span data-tooltip="Lesezeit 5 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>5 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article><article data-source-element-widget="" class="swiper-slide teaser--article teaser--slide "><div id="id-ld_1874846" data-nzz-tid="teaser" data-nzz-cid="doc-1im870h1k0" data-nzz-cp="5" data-nzz-ct="80 Jahre Ende des Zweiten Weltkriegs" data-nzz-pic="3" class="teaser teaser__layout--longformstandard teaser--size-slide">    <div flag-item="[object Object]" flag-size="slide" class="poster poster--slide poster--slide-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/vatikan-archive-zeigen-warum-schwieg-papst-pius-xii-zum-holocaust-ld.1874846" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-slide"><div class="image-placeholder poster__placeholder" style="padding-bottom:75%;"><img alt="Ende 1942 wusste man im Vatikan von den Vernichtungslagern in Belzec und Auschwitz: Die Akten über Pius XII. (1876–1958) zeigen, dass der Papst genau im Bild war über das Unrecht der Nazis. (Bettmann / Getty)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/03/11/7d48dbb8-486a-4fa7-a7bf-284fb8d06f95.jpeg?width=242&height=182&fit=bounds&quality=75&auto=webp&crop=2260,1699,x0,y390 242w, https://img.nzz.ch/2025/03/11/7d48dbb8-486a-4fa7-a7bf-284fb8d06f95.jpeg?width=484&height=364&fit=bounds&quality=75&auto=webp&crop=2260,1699,x0,y390 484w" width="2265" height="1699" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--slide"><a href="/feuilleton/vatikan-archive-zeigen-warum-schwieg-papst-pius-xii-zum-holocaust-ld.1874846" data-nzz-referrer="teaserLink" ordinal-number="3" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--slide teaser__title--longformstandard teaser__title--2">  <span class="teaser__title-name">Papst Pius XII. wusste Bescheid über die Shoah – und schwieg: Jetzt zeigen die vatikanischen Archive, weshalb</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--slide metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Hubert Wolf</span> <time datetime="2025-03-16T04:30:00.000Z" class="metainfo__item metainfo__item--date">16.03.2025</time>  <span data-tooltip="Lesezeit 8 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>8 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article><article data-source-element-widget="" class="swiper-slide teaser--article teaser--slide "><div id="id-ld_1867482" data-nzz-tid="teaser" data-nzz-cid="doc-1im870h1k0" data-nzz-cp="5" data-nzz-ct="80 Jahre Ende des Zweiten Weltkriegs" data-nzz-pic="4" class="teaser teaser__layout--longformstandard teaser--size-slide">    <div flag-item="[object Object]" flag-size="slide" class="poster poster--slide poster--slide-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/schweiz/der-holocaust-ueberlebende-der-gegen-die-schweiz-klagte-ld.1867482" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-slide"><div class="image-placeholder poster__placeholder" style="padding-bottom:75%;"><img alt="Geld erhalten, aber trotzdem verloren: Joseph Spring am Prozess vor Bundesgericht in Lausanne vom 21.&nbsp;Januar 2000. (Fabrice Coffrini / Keystone)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/01/22/1929f6c9-6675-4397-aab5-4a4b04618155.jpeg?width=242&height=182&fit=bounds&quality=75&auto=webp&crop=1913,1438,x43,y0 242w, https://img.nzz.ch/2025/01/22/1929f6c9-6675-4397-aab5-4a4b04618155.jpeg?width=484&height=364&fit=bounds&quality=75&auto=webp&crop=1913,1438,x43,y0 484w" width="1917" height="1438" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--slide"><a href="/schweiz/der-holocaust-ueberlebende-der-gegen-die-schweiz-klagte-ld.1867482" data-nzz-referrer="teaserLink" ordinal-number="4" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--slide teaser__title--longformstandard teaser__title--3">  <span class="teaser__title-name">Der Holocaust-Überlebende, der gegen die Schweiz klagte</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--slide metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Marc Tribelhorn</span> <time datetime="2025-01-23T04:30:00.000Z" class="metainfo__item metainfo__item--date">23.01.2025</time>  <span data-tooltip="Lesezeit 4 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>4 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article><article data-source-element-widget="" class="swiper-slide teaser--article teaser--slide "><div id="id-ld_1850195" data-nzz-tid="teaser" data-nzz-cid="doc-1im870h1k0" data-nzz-cp="5" data-nzz-ct="80 Jahre Ende des Zweiten Weltkriegs" data-nzz-pic="5" class="teaser teaser__layout--longformstandard teaser--size-slide">    <div flag-item="[object Object]" flag-size="slide" class="poster poster--slide poster--slide-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/schweiz/auf-den-spuren-der-partisanen-die-an-der-schweizer-grenze-gegen-faschisten-und-die-wehrmacht-kaempften-ld.1850195" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-slide"><div class="image-placeholder poster__placeholder" style="padding-bottom:75%;"><img alt="In Oktobertagen 1944 war die Stimmung in der kleinen Ortschaft Spruga angespannt. Der Zweite Weltkrieg drohte die Schweiz zu erreichen. 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(Fred Ramage / Hulton Archive / Getty)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/03/17/5931e9fc-6872-430d-84b1-cb90fc15f8d0.jpeg?width=242&height=182&fit=bounds&quality=75&auto=webp&crop=5596,4208,x0,y79 242w, https://img.nzz.ch/2025/03/17/5931e9fc-6872-430d-84b1-cb90fc15f8d0.jpeg?width=484&height=364&fit=bounds&quality=75&auto=webp&crop=5596,4208,x0,y79 484w" width="5610" height="4208" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--slide"><a href="/feuilleton/das-fanal-mit-dem-nero-befehl-besiegelte-hitler-den-untergang-der-deutschen-ld.1874843" data-nzz-referrer="teaserLink" ordinal-number="6" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--slide teaser__title--longformstandard teaser__title--5">  <span class="teaser__title-name">Am 19. März 1945 zeigte Hitler, dass er bereit war, die Deutschen mit sich in den Untergang zu reissen</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--slide metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Ulrich Schlie</span> <time datetime="2025-03-12T11:38:06.587Z" class="metainfo__item metainfo__item--date">12.03.2025</time>  <span data-tooltip="Lesezeit 7 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>7 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article><article data-source-element-widget="" class="swiper-slide teaser--article teaser--slide "><div id="id-ld_1555667" data-nzz-tid="teaser" data-nzz-cid="doc-1im870h1k0" data-nzz-cp="5" data-nzz-ct="80 Jahre Ende des Zweiten Weltkriegs" data-nzz-pic="7" class="teaser teaser__layout--longformstandard teaser--size-slide">    <div flag-item="[object Object]" flag-size="slide" class="poster poster--slide poster--slide-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/zweiter-weltkrieg-diese-fuenfzehn-buecher-sollten-sie-kennen-ld.1555667" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-slide"><div class="image-placeholder poster__placeholder" style="padding-bottom:75%;"><img alt="Am «Victory Day» stand das Feiern im Vordergrund, bald darauf erschienen die ersten Bücher über die Grauen des Krieges. 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(Wojciech Pacewicz / EPA)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/04/a053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?width=720&height=405&fit=bounds&quality=75&auto=webp&crop=4096,2304,x0,y423 720w, https://img.nzz.ch/2025/04/04/a053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?width=1440&height=810&fit=bounds&quality=75&auto=webp&crop=4096,2304,x0,y423 1440w, https://img.nzz.ch/2025/04/04/a053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?width=635&height=357&fit=bounds&quality=75&auto=webp&crop=4096,2303,x0,y423 635w, https://img.nzz.ch/2025/04/04/a053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?width=1270&height=714&fit=bounds&quality=75&auto=webp&crop=4096,2303,x0,y423 1270w, https://img.nzz.ch/2025/04/04/a053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?width=479&height=269&fit=bounds&quality=75&auto=webp&crop=4096,2301,x0,y423 479w, https://img.nzz.ch/2025/04/04/a053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?width=958&height=538&fit=bounds&quality=75&auto=webp&crop=4096,2301,x0,y423 958w, https://img.nzz.ch/2025/04/04/a053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=4096,2304,x0,y423 380w, https://img.nzz.ch/2025/04/04/a053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=4096,2304,x0,y423 760w" width="4096" height="2304" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--2of3"><a href="/feuilleton/urszula-honek-ld.1878107" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--2of3 teaser__title--regular teaser__title--0">  <span class="teaser__title-name">«Man muss nehmen, was kommt», sagt eine polnische Dorfbewohnerin. In Urszula Honeks Roman ist das selten etwas Gutes</span></h2>  <div class="teaser__lead teaser__lead--2of3 teaser__lead--regular">«Die weissen Nächte» umfasst dreizehn einzelne Erzählungen aus dem ländlichen Polen. Die Helden sind gequälte Kreaturen, Einsame, Abgehängte und Hoffnungslose. Ein Blick auf die Schattenseite eines Landes.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--2of3 metainfo--regular"><div class="metainfo__main metainfo__main--regular"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Franz Haas</span> <time datetime="2025-04-05T03:30:00.000Z" class="metainfo__item metainfo__item--date">05.04.2025</time>  <span data-tooltip="Lesezeit 4 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>4 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--regular ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t0vtlp0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1878414" data-nzz-tid="teaser" data-nzz-cid="doc-1aga8q4i80" data-nzz-cp="6" data-nzz-ct="Bücher" data-nzz-pic="2" class="teaser teaser__layout--regular teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/antisemitismus-erklaeren-ilka-quindeau-versucht-es-mit-psychoanalyse-ld.1878414" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Die Erinnerung an den Holocaust aufrechtzuerhalten, schützt nicht vor Antisemitismus: Stolperstein auf einer Strasse in Berlin. (Clemens Bilan / EPA)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/03/a74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=5999,3385,x0,y407 319w, https://img.nzz.ch/2025/04/03/a74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=5999,3385,x0,y407 638w, https://img.nzz.ch/2025/04/03/a74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=6018,3380,x0,y407 292w, https://img.nzz.ch/2025/04/03/a74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=6018,3380,x0,y407 584w, https://img.nzz.ch/2025/04/03/a74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=6018,3374,x0,y407 223w, https://img.nzz.ch/2025/04/03/a74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=6018,3374,x0,y407 446w, https://img.nzz.ch/2025/04/03/a74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=6018,3385,x0,y407 380w, https://img.nzz.ch/2025/04/03/a74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=6018,3385,x0,y407 760w" width="6018" height="3385" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/antisemitismus-erklaeren-ilka-quindeau-versucht-es-mit-psychoanalyse-ld.1878414" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--regular teaser__title--0">  <span class="teaser__title-name">Manchmal diene die Kritik an Antisemiten dazu, vom eigenen Antisemitismus abzulenken, sagt Ilka Quindeau</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--regular">Antisemitismus scheint eine anthropologische Konstante zu sein. Auszurotten jedenfalls ist der Hass auf Juden nicht. Aber wie lässt er sich erklären? Ilka Quindeau versucht es mit Psychoanalyse.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--regular"><div class="metainfo__main metainfo__main--regular"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Stefan Müller-Doohm</span> <time datetime="2025-04-06T03:30:00.000Z" class="metainfo__item metainfo__item--date">06.04.2025</time>  <span data-tooltip="Lesezeit 3 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>3 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--regular ">  </div></div> </div></div> </article> </div></div><div class="widget__row widget__row--no-child-last"><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1eg33jo9v0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1876878" data-nzz-tid="teaser" data-nzz-cid="doc-1aga8q4i80" data-nzz-cp="6" data-nzz-ct="Bücher" data-nzz-pic="3" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/selbst-ein-schlechtes-jugoslawien-erschien-ihm-besser-als-kein-jugoslawien-vor-fuenfzig-jahren-starb-ivo-andri-auf-der-hoehe-seines-ruhms-ld.1876878" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Ivo Andrić war 1961 der erste Literaturnobelpreisträger nicht nur Jugoslawiens, sondern auch Südosteuropas überhaupt. (Hermann Schmidli / Photopress-Archiv / Keystone)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/02/aa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=4575,2581,x0,y809 319w, https://img.nzz.ch/2025/04/02/aa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=4575,2581,x0,y809 638w, https://img.nzz.ch/2025/04/02/aa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=4589,2578,x0,y809 292w, https://img.nzz.ch/2025/04/02/aa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=4589,2578,x0,y809 584w, https://img.nzz.ch/2025/04/02/aa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=4589,2573,x0,y809 223w, https://img.nzz.ch/2025/04/02/aa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=4589,2573,x0,y809 446w, https://img.nzz.ch/2025/04/02/aa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=4589,2581,x0,y809 380w, https://img.nzz.ch/2025/04/02/aa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=4589,2581,x0,y809 760w" width="4589" height="2581" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/selbst-ein-schlechtes-jugoslawien-erschien-ihm-besser-als-kein-jugoslawien-vor-fuenfzig-jahren-starb-ivo-andri-auf-der-hoehe-seines-ruhms-ld.1876878" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">Selbst ein schlechtes Jugoslawien erschien ihm besser als kein Jugoslawien – vor fünfzig Jahren starb Ivo Andrić auf der Höhe seines Ruhms</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Ekkehard Kraft</span> <time datetime="2025-04-05T03:30:00.000Z" class="metainfo__item metainfo__item--date">05.04.2025</time>  <span data-tooltip="Lesezeit 6 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>6 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1eg33jn0e0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1878409" data-nzz-tid="teaser" data-nzz-cid="doc-1aga8q4i80" data-nzz-cp="6" data-nzz-ct="Bücher" data-nzz-pic="4" class="teaser teaser__layout--regular teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/nicht-nur-im-westen-kann-man-denken-julian-baggini-treibt-globale-philosophie-ld.1878409" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Der Inbegriff europäischer Philosophie: In Immanuel Kants Werk (1724–1804) kommt das westliche Denken zu sich selbst. Porträt von Johann Christoph Frisch (1738–1815). 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Anmeldung zum Newsletter unter art@nzz.ch.</div></div> </div></div> <div class="widget__row widget__row--no-child-last"><div data-nzz-tid="widget-slider" data-source-element-widget="Widget-Slider" id="id-doc-1hi0ouk540" content="" is-new-line-child="true" class="slider swiper-loading">  <div tabindex="0" class="swiper widget--slider--ssr"><div class="swiper-wrapper"><article data-source-element-widget="" class="swiper-slide teaser--article teaser--slide "><div id="id-ld_1834325" data-nzz-tid="teaser" data-nzz-cid="doc-1hi0otseo0" data-nzz-cp="7" data-nzz-ct="NZZ Art" data-nzz-pic="1" class="teaser teaser__layout--regular teaser--size-slide">    <div flag-item="[object Object]" flag-size="slide" class="poster poster--slide poster--slide-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/nzz-kunst-herausfinden-was-uns-menschen-heute-ausmacht-ld.1834325" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-slide"><div class="image-placeholder poster__placeholder" style="padding-bottom:75%;"><img alt="Stephan Balkenhol beim Gestalten seiner exklusive Kunstedition für die NZZ. 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"><div id="id-ld_1764877" data-nzz-tid="teaser" data-nzz-cid="doc-1hi0otseo0" data-nzz-cp="7" data-nzz-ct="NZZ Art" data-nzz-pic="3" class="teaser teaser__layout--regular teaser--size-slide">    <div flag-item="[object Object]" flag-size="slide" class="poster poster--slide poster--slide-regular"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/nzz-kunstedition-fuer-katharina-grosse-kann-alles-zum-bildtraeger-werden-ld.1764877" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-slide"><div class="image-placeholder poster__placeholder" style="padding-bottom:75%;"><img alt="«Mich interessiert seit langem das Übriggebliebene, der «Abfall», das indirekt Entstandene beim Malen» - Katharina Grosse, 2022. (Aman Shakya / SCAD)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2023/11/09/2a73cd31-6dc8-4b16-9c89-73433c226c54.jpeg?width=242&height=182&fit=bounds&quality=75&auto=webp&crop=3351,2520,x0,y963 242w, https://img.nzz.ch/2023/11/09/2a73cd31-6dc8-4b16-9c89-73433c226c54.jpeg?width=484&height=364&fit=bounds&quality=75&auto=webp&crop=3351,2520,x0,y963 484w" width="3360" height="2520" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--slide"><a href="/feuilleton/nzz-kunstedition-fuer-katharina-grosse-kann-alles-zum-bildtraeger-werden-ld.1764877" data-nzz-referrer="teaserLink" ordinal-number="3" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--slide teaser__title--regular teaser__title--2">  <span class="teaser__title-name">Die Welt als eine Choreografie in Farben</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--slide metainfo--regular"><div class="metainfo__main metainfo__main--regular"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Angelika Affentranger-Kirchrath</span> <time datetime="2023-11-11T04:30:00.000Z" class="metainfo__item metainfo__item--date">11.11.2023</time>  <span data-tooltip="Lesezeit 8 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>8 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--regular ">  </div></div> </div></div> </article><article data-source-element-widget="" class="swiper-slide teaser--article teaser--slide "><div id="id-ld_1758195" data-nzz-tid="teaser" data-nzz-cid="doc-1hi0otseo0" data-nzz-cp="7" data-nzz-ct="NZZ Art" data-nzz-pic="4" class="teaser teaser__layout--longformstandard teaser--size-slide">    <div flag-item="[object Object]" flag-size="slide" class="poster poster--slide poster--slide-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/nzz-kunstedition-renee-levi-und-marcel-schmid-praesentieren-das-glaswerk-linga-ld.1758195" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-slide"><div class="image-placeholder poster__placeholder" style="padding-bottom:75%;"><img alt="Im Werk «Linga» verschmelzen das Eigene und das Kollektive zu einem neuen Symbol: Renée Levi in ihrem Studio. (GINA FOLLY)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2023/09/27/73790e1e-a4f0-4e10-91e0-638429b4b96d.jpeg?width=242&height=182&fit=bounds&quality=75&auto=webp&crop=2217,1667,x139,y0 242w, https://img.nzz.ch/2023/09/27/73790e1e-a4f0-4e10-91e0-638429b4b96d.jpeg?width=484&height=364&fit=bounds&quality=75&auto=webp&crop=2217,1667,x139,y0 484w" width="2223" height="1667" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--slide"><a href="/feuilleton/nzz-kunstedition-renee-levi-und-marcel-schmid-praesentieren-das-glaswerk-linga-ld.1758195" data-nzz-referrer="teaserLink" ordinal-number="4" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--slide teaser__title--longformstandard teaser__title--3">  <span class="teaser__title-name">NZZ-Kunstedition: die Fragilität der Zeichen</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--slide metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Susanna Koeberle</span> <time datetime="2023-09-30T03:30:00.000Z" class="metainfo__item metainfo__item--date">30.09.2023</time>  <span data-tooltip="Lesezeit 5 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>5 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div>  <div class="swiper-button swiper-button-prev"></div> <div class="swiper-button swiper-button-next"></div></div> </div></div></div></section></div><div id="contdoc-1aflq4nra0-1632104" never="" class="elementwrap"><section data-source-element="Container-Exclusive" data-nzz-tid="container-exclusive" data-nzz-container="" id="" content="" is-new-line-child="true" class="pageelement pageelement--container--exclusive no-color-scheme"><div class="pageelement__inner"><div class="container container--headline"> <div class="container__content"><div class="container__info container__info--tagless"><h2 data-nzz-referrer="containerHeadTitle" data-nzz-tid="container-title" class="container__header-title container__header-title--black"><a href="/feuilleton/kunst_architektur" data-nzz-tid="headline-title" class="container__header-link">Kunst, Architektur, Fotografie<svg class="container__header-icon" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 24 24" width="16px" height="16px"><path fill="none" stroke="#000" stroke-linecap="round" stroke-linejoin="round" d="M4.5 12h15M12 4.5l7.5 7.5-7.5 7.5"/></svg></a></h2> </div> </div></div> <div class="widget__row widget__row--no-child-last"><div data-nzz-tid="widget-2of3" data-source-element-widget="Widget-2/3-Breite" id="id-doc-1cmkoo0d118" content="" pagetype="Page" componenttype="widget--2of3" class="widget--2of3"> <article data-source-element-widget="" class="teaser--article teaser--2of3 "><div id="id-ld_1871923" data-nzz-tid="teaser" data-nzz-cid="doc-1aflq4nra0" data-nzz-cp="8" data-nzz-ct="Kunst, Architektur, Fotografie" data-nzz-pic="1" class="teaser teaser__layout--longformstandard teaser--size-2of3">    <div flag-item="[object Object]" flag-size="2of3" class="poster poster--2of3 poster--2of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/er-wurde-im-krieg-getoetet-man-warf-ihn-zu-den-anderen-toten-mit-zerfetztem-brustkorb-wachte-ernst-neiswestny-auf-und-erschuf-sich-selbst-als-zaehen-russischen-bildhauer-ld.1871923" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-2of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Ernst Neiswestny starb zum letzten Mal am 9.&nbsp;August 2016 im Alter von 91 Jahren. Er hat bereits Erfahrung mit der Auferstehung. Aufnahme aus den 1960er Jahren. (Imago)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/02/7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?width=720&height=405&fit=bounds&quality=75&auto=webp&crop=2994,1684,x0,y727 720w, https://img.nzz.ch/2025/04/02/7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?width=1440&height=810&fit=bounds&quality=75&auto=webp&crop=2994,1684,x0,y727 1440w, https://img.nzz.ch/2025/04/02/7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?width=635&height=357&fit=bounds&quality=75&auto=webp&crop=2994,1684,x0,y727 635w, https://img.nzz.ch/2025/04/02/7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?width=1270&height=714&fit=bounds&quality=75&auto=webp&crop=2994,1684,x0,y727 1270w, https://img.nzz.ch/2025/04/02/7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?width=479&height=269&fit=bounds&quality=75&auto=webp&crop=2994,1682,x0,y727 479w, https://img.nzz.ch/2025/04/02/7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?width=958&height=538&fit=bounds&quality=75&auto=webp&crop=2994,1682,x0,y727 958w, https://img.nzz.ch/2025/04/02/7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=2994,1684,x0,y727 380w, https://img.nzz.ch/2025/04/02/7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=2994,1684,x0,y727 760w" width="2994" height="1684" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--2of3"><a href="/feuilleton/er-wurde-im-krieg-getoetet-man-warf-ihn-zu-den-anderen-toten-mit-zerfetztem-brustkorb-wachte-ernst-neiswestny-auf-und-erschuf-sich-selbst-als-zaehen-russischen-bildhauer-ld.1871923" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--2of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">Er wurde im Krieg getötet, man warf ihn zu den anderen Toten. Mit zerfetztem Brustkorb wachte Ernst Neiswestny auf – und erschuf sich selbst als zähen russischen Bildhauer</span></h2>  <div class="teaser__lead teaser__lead--2of3 teaser__lead--longformstandard">Seine erstaunlichste Skulptur ist sein eigenes Leben. Am 9. April wäre der Künstler hundert Jahre alt geworden.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--2of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Michail Schischkin</span> <time datetime="2025-04-06T03:30:00.000Z" class="metainfo__item metainfo__item--date">06.04.2025</time>  <span data-tooltip="Lesezeit 7 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>7 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1cmkoo0d120" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1871634" data-nzz-tid="teaser" data-nzz-cid="doc-1aflq4nra0" data-nzz-cp="8" data-nzz-ct="Kunst, Architektur, Fotografie" data-nzz-pic="2" class="teaser teaser__layout--longformvisual teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformvisual"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/roman-signer-er-hat-sich-immer-gegen-den-strom-des-kunstbetriebs-gestellt-ld.1871634" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="«In Appenzell sagten sie regelmässig: ‹Du Spinner, du gingest besser arbeiten.›» Roman Signer, 2025." src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/03/26/c289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=4319,2437,x0,y1644 319w, https://img.nzz.ch/2025/03/26/c289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=4319,2437,x0,y1644 638w, https://img.nzz.ch/2025/03/26/c289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=4333,2434,x0,y1644 292w, https://img.nzz.ch/2025/03/26/c289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=4333,2434,x0,y1644 584w, https://img.nzz.ch/2025/03/26/c289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=4333,2429,x0,y1644 223w, https://img.nzz.ch/2025/03/26/c289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=4333,2429,x0,y1644 446w, https://img.nzz.ch/2025/03/26/c289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=4333,2437,x0,y1644 380w, https://img.nzz.ch/2025/03/26/c289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=4333,2437,x0,y1644 760w" width="4333" height="2437" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/roman-signer-er-hat-sich-immer-gegen-den-strom-des-kunstbetriebs-gestellt-ld.1871634" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">  <div class="teaser__flag teaser__flag--colored teaser__flag--1of3 teaser__flag--1of3-longformvisual"><span class="teaser__flag--text"> Interview </span>   </div> <h2 class="teaser__title teaser__title--1of3 teaser__title--longformvisual teaser__title--0">  <span class="teaser__title-name">Roman Signer: «Ich wusste, dass ich in der Kunst ein Querschläger war, ich stand quer zum Fluss»</span></h2>  <div class="teaser__lead teaser__lead--1of3 teaser__lead--longformvisual">Der Künstler Roman Signer ist ein poetischer Feuerwerker, dem die Polizei immer wieder auf den Fersen war. Im Interview schildert er, warum sich seine Mutter für ihn geschämt hatte und wie stolz sie heute wäre, wenn sie sehen könnte, wie weit er es gebracht hat.</div> </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformvisual"><div class="metainfo__main metainfo__main--longformvisual"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Roman Bucheli (Text), Annick Ramp (Bilder)</span> <time datetime="2025-04-04T03:30:00.000Z" class="metainfo__item metainfo__item--date">04.04.2025</time>  <span data-tooltip="Lesezeit 14 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>14 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformvisual ">  </div></div> </div></div> </article> </div></div><div class="widget__row widget__row--no-child-last"><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t125ag0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1873638" data-nzz-tid="teaser" data-nzz-cid="doc-1aflq4nra0" data-nzz-cp="8" data-nzz-ct="Kunst, Architektur, Fotografie" data-nzz-pic="3" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/das-besondere-der-gebaeude-von-annabelle-selldorf-wird-erst-spuerbar-wenn-man-etwas-zeit-in-ihnen-verbringt-ld.1873638" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Die Fassade der Frick Collection an der East 70th Street in New York. (Nicholas Venezia)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/03/52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=2492,1406,x0,y0 319w, https://img.nzz.ch/2025/04/03/52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=2492,1406,x0,y0 638w, https://img.nzz.ch/2025/04/03/52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=2500,1405,x0,y0 292w, https://img.nzz.ch/2025/04/03/52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=2500,1405,x0,y0 584w, https://img.nzz.ch/2025/04/03/52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=2500,1402,x0,y0 223w, https://img.nzz.ch/2025/04/03/52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=2500,1402,x0,y0 446w, https://img.nzz.ch/2025/04/03/52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=2500,1406,x0,y0 380w, https://img.nzz.ch/2025/04/03/52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=2500,1406,x0,y0 760w" width="2500" height="1406" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/das-besondere-der-gebaeude-von-annabelle-selldorf-wird-erst-spuerbar-wenn-man-etwas-zeit-in-ihnen-verbringt-ld.1873638" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">Annabelle Selldorf ist die Philosophin unter den Architekten</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Laura Helena Wurth</span> <time datetime="2025-04-03T03:30:00.000Z" class="metainfo__item metainfo__item--date">03.04.2025</time>  <span data-tooltip="Lesezeit 6 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>6 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t1241v0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1874308" data-nzz-tid="teaser" data-nzz-cid="doc-1aflq4nra0" data-nzz-cp="8" data-nzz-ct="Kunst, Architektur, Fotografie" data-nzz-pic="4" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/ein-haus-ist-auch-eine-torte-hans-hollein-war-der-joseph-beuys-des-bauens-ld.1874308" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Hans Hollein: «Stadtgebilde über Wien», 1960, Fotomontage. (© Private Archive Hollein / Centre Pompidou, MNAM-CCI/Georges Meguerditchian/Dist. GrandPalaisRmn)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/04/01/288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=3027,1708,x1014,y709 319w, https://img.nzz.ch/2025/04/01/288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=3027,1708,x1014,y709 638w, https://img.nzz.ch/2025/04/01/288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=3037,1706,x1014,y709 292w, https://img.nzz.ch/2025/04/01/288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=3037,1706,x1014,y709 584w, https://img.nzz.ch/2025/04/01/288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=3037,1703,x1014,y709 223w, https://img.nzz.ch/2025/04/01/288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=3037,1703,x1014,y709 446w, https://img.nzz.ch/2025/04/01/288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=3037,1708,x1014,y709 380w, https://img.nzz.ch/2025/04/01/288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=3037,1708,x1014,y709 760w" width="3037" height="1708" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/ein-haus-ist-auch-eine-torte-hans-hollein-war-der-joseph-beuys-des-bauens-ld.1874308" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">Ein Haus ist auch eine Torte: Hinter der extravaganten Architektur von Hans Hollein steckt viel Kunst</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Ulf Meyer, Paris</span> <time datetime="2025-04-02T03:30:00.000Z" class="metainfo__item metainfo__item--date">02.04.2025</time>  <span data-tooltip="Lesezeit 5 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>5 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div><div data-nzz-tid="widget-1of3" data-source-element-widget="Widget-1/3-Breite" id="id-doc-1f8t11ekl0" content="" pagetype="Page" componenttype="widget--1of3" class="widget--1of3"> <article data-source-element-widget="" class="teaser--article teaser--1of3 "><div id="id-ld_1876863" data-nzz-tid="teaser" data-nzz-cid="doc-1aflq4nra0" data-nzz-cp="8" data-nzz-ct="Kunst, Architektur, Fotografie" data-nzz-pic="5" class="teaser teaser__layout--longformstandard teaser--size-1of3">    <div flag-item="[object Object]" flag-size="1of3" class="poster poster--1of3 poster--1of3-longformstandard"><figure class="poster__figure poster__figure--image"><a href="/feuilleton/das-schwindelerregende-blau-des-buendner-himmels-das-kunstmuseum-chur-schaut-zurueck-und-in-die-zukunft-ld.1876863" data-nzz-referrer="teaserLink" class="teaser__link teaser__link--poster teaser__link--poster-1of3"><div class="image-placeholder poster__placeholder" style="padding-bottom:56.25%;"><img alt="Rémy Zauggs Gemälde «Hell-Blau» von 1972/73 neben einer Büste von Alberto Giacometti. (Bündner Kunstmuseum Chur / © Prolitteris)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" loading="lazy" srcset="https://img.nzz.ch/2025/03/31/ba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?width=319&height=180&fit=bounds&quality=75&auto=webp&crop=8231,4644,x0,y621 319w, https://img.nzz.ch/2025/03/31/ba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?width=638&height=360&fit=bounds&quality=75&auto=webp&crop=8231,4644,x0,y621 638w, https://img.nzz.ch/2025/03/31/ba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?width=292&height=164&fit=bounds&quality=75&auto=webp&crop=8256,4637,x0,y621 292w, https://img.nzz.ch/2025/03/31/ba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?width=584&height=328&fit=bounds&quality=75&auto=webp&crop=8256,4637,x0,y621 584w, https://img.nzz.ch/2025/03/31/ba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?width=223&height=125&fit=bounds&quality=75&auto=webp&crop=8256,4628,x0,y621 223w, https://img.nzz.ch/2025/03/31/ba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?width=446&height=250&fit=bounds&quality=75&auto=webp&crop=8256,4628,x0,y621 446w, https://img.nzz.ch/2025/03/31/ba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?width=380&height=214&fit=bounds&quality=75&auto=webp&crop=8256,4644,x0,y621 380w, https://img.nzz.ch/2025/03/31/ba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?width=760&height=427&fit=bounds&quality=75&auto=webp&crop=8256,4644,x0,y621 760w" width="8256" height="4644" class="image-placeholder__image poster__image">    </div></a></figure></div>  <div class="teaser__content teaser__content--1of3"><a href="/feuilleton/das-schwindelerregende-blau-des-buendner-himmels-das-kunstmuseum-chur-schaut-zurueck-und-in-die-zukunft-ld.1876863" data-nzz-referrer="teaserLink" ordinal-number="1" class="teaser__link"><div class="teaser__wrapper">   <h2 class="teaser__title teaser__title--1of3 teaser__title--longformstandard teaser__title--0">  <span class="teaser__title-name">Das schwindelerregende Blau des Bündner Himmels – das Kunstmuseum Chur schaut zurück und in die Zukunft</span></h2>   </div>  </a> <div bookmark-type="article" bookmark-sub-type="teaser" class="metainfo metainfo--1of3 metainfo--longformstandard"><div class="metainfo__main metainfo__main--longformstandard"> <div class="metainfo__wrapper"> <span class="metainfo__item metainfo__item--author">Philipp Meier</span> <time datetime="2025-04-01T03:30:00.000Z" class="metainfo__item metainfo__item--date">01.04.2025</time>  <span data-tooltip="Lesezeit 5 min" class="metainfo__item metainfo__item--reading-time"><svg version="1.1" viewBox="0 0 24 24" class="reading-time__icon nzz-icons--small nzz-icons--icon nzz-icons--fill"><path stroke="currentColor" fill="none" pid="0" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round" d="M11.77 7.39v5.62l3.8 1.32"/><circle stroke="currentColor" fill="none" pid="1" cx="12" cy="12" r="8.5" fill="none" stroke="#000" stroke-linecap="round" _stroke-linejoin="round"/></svg> <span>5 min</span></span> </div> </div> <div class="metainfo__actions metainfo__actions--longformstandard ">  </div></div> </div></div> </article> </div></div></div></section></div><div id="contdoc-1aflq6ed50-1632104" never="" class="elementwrap"><section data-source-element="Container-Exclusive" data-nzz-tid="container-exclusive" data-nzz-container="" id="" content="" is-new-line-child="true" class="pageelement pageelement--container--exclusive no-color-scheme"><div class="pageelement__inner"><div class="container container--headline"> <div class="container__content"><div class="container__info container__info--tagless"><h2 data-nzz-referrer="containerHeadTitle" data-nzz-tid="container-title" class="container__header-title container__header-title--black"><a href="/feuilleton/buehne" data-nzz-tid="headline-title" class="container__header-link">Bühne<svg class="container__header-icon" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 24 24" width="16px" 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Jetzt soll sie plötzlich alt aussehen.",embeds:{images:[{author:gA,caption:gJ,origins:[{identifier:"2168027344",name:k}],url:gI},{author:"Tiziano Da Silva-Pierre \u002F Bestimage \u002F Imago",caption:"Kylie Jenner wurde 2024 für ihr Aussehen kritisiert, nachdem Bilder von ihr während der Paris Fashion Week im Internet kursiert hatten.",origins:[{identifier:"2168026751",name:k}],url:"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F1e67c459-9ebf-4c90-bfbe-da5116705baf.jpeg?width=1024&quality=75&auto=webp"},{author:"Darren Gerrish \u002F WireImage \u002F Getty",caption:"Einige behaupten, dass Styling-Trends wie die «Old Money»-Ästhetik dazu beitrügen, dass Angehörige der Generation Z reifer aussähen.",origins:[{identifier:"2168141963",name:k}],url:"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002Fb9dd4b87-8df0-466a-b07e-bba37e7eb686.jpeg?width=1024&quality=75&auto=webp"}],q_embeds:[],videos:[]},breadcrumbs:[{path:m,name:l}],teaserCaption:gJ,documentId:"1878628",product:z,editorialScore:j,containerId:N,containerPosition:i,positionInContainer:j,containers:[{containerId:N,containerTitle:b,editorialScore:j,containerPosition:i,positionInContainer:j}]}}]},"widget-title-icon":G},containers:{widgets:[]}},{component:K,identifier:L,id:"doc-1f8t0lg080",content:{list:{params:{count:i,layout:M,listId:aS,offset:j,styles:b,isExclusive:c},service:E,articles:[{metadata:{contentTypeGroup:o,teaserAuthor:gK,firstTitle:gL,significantUpdate:a,teaserGallery:{images:[],style:b},language:{groupId:"GOuyid5cbZMD",locale:n},title:gL,seoTitle:"Emmanuel Carrère schrieb über Philip K. 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Wong","2025-04-08T15:30:00.000Z",32,"2025-04-07T13:37:52.657Z","widget--slider","morpheus.widget--slider","layoutSlider","Marion Löhndorf (mlö)",1373198,"mlö","2025-04-01T15:30:00.000Z","Marion Löhndorf",766,29,4053,47,1389,1563,3984,"Frenetic Films","2025-04-06T15:30:00.000Z",19,"Karin Hofer \u002F NZZ",4128,261,"2025-03-30T03:30:00.000Z",221,4416,"2025-03-27T12:48:25.908Z","2025-01-29T04:30:00.000Z","2025-02-04T04:30:00.000Z",3276,1805,"Der Holocaust-Überlebende, der gegen die Schweiz klagte","Marc Tribelhorn (tri)",1373906,"2025-01-23T04:30:00.000Z","2024-10-08T03:30:00.000Z",5610,1094,"Walter Scheiwiller \u002F Photopress \u002F Keystone",2727,"Hermann Schmidli \u002F Photopress-Archiv \u002F Keystone",4589,"2025-04-04T15:30:00.000Z",6306,"2025-04-03T15:30:00.000Z",57552773,"2023-11-11T04:30:00.000Z","2025-04-02T03:30:00.000Z",1708,1244,"Matthias 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NZZ.ch","https:\u002F\u002Fwww.nzz.ch\u002Fagb","https:\u002F\u002Fabo.nzz.ch\u002Fkampagne\u002F?lp=99002143&trco=20007930-04-24-0103-0029-005317-00000006","\u003Cp\u003EEs ist ein Fehler aufgetreten. Bitte prüfen Sie Ihre Internetverbindung oder versuchen Sie es später erneut.\u003C\u002Fp\u003E","loginexp","ANMELDEN","bellevue","Piper Ferguson","Wynton Marsalis: «Wenn nun schwarze Musiker destruktive Ideen transportieren, werden sie vom weissen Publikum immer unterstützt»","Er zählt zu den Koryphäen der amerikanischen Musikszene. Nicht selten aber hat der Komponist und Jazztrompeter Wynton Marsalis irritiert durch seinen Traditionalismus. Dabei ging es ihm stets um Demokratie und Humanismus, wie er im Gespräch erklärt.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?crop=5486,3086,x634,y0&width=1024&quality=75&auto=webp",3086,1804,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?crop=1804,1804,x2286,y0&width=1024&quality=75&auto=webp",628,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?crop=5487,4115,x628,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?crop=3086,4115,x1695,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F06c861d8-2d42-48ae-a037-98d7313f7978.jpeg?width=1024&quality=75&auto=webp","ld.1879068","«Über kulturelle Aneignung zu sprechen, ist eine Möglichkeit, die Zeit zu verschwenden», sagt Wynton Marsalis.","Imago \u002F Harald Dostal","Die Historiker Peter Hoeres und Benjamin Hasselhorn sind von der Universität Würzburg umfänglich rehabilitiert worden","2025-04-09T10:03:07.442Z",13,"Gegen die konservativen Historiker waren von linken Studenten schwere Vorwürfe erhoben worden. Nach einer Prüfung stellte sich die Universität jetzt hinter ihre Wissenschafter.",3484,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F09\u002Fb2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?crop=3484,1960,x0,y185&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F09\u002Fb2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?crop=2329,2329,x578,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F09\u002Fb2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?crop=3105,2329,x189,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F09\u002Fb2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?crop=1747,2329,x869,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F09\u002Fb2b6b065-25f4-474e-9541-f932a2a0b6f7.jpeg?width=1024&quality=75&auto=webp","Die Julius-Maximilians-Universität zu Würzburg macht seit einigen Wochen Schlagzeilen.","«Es ist gut möglich, dass wir die Nächsten sind» – Milo Rau ruft zum Widerstand gegen die «rechten Kulturfeinde» auf","0f2029a8-98ee-4f24-9790-be8f8998a0b6","Birgit Schmid (bgs)",1371979,"bgs","13288",26,"An der Berliner Schaubühne wurde über die Kunstfreiheit diskutiert, die man bedroht sieht. Dabei war viel von einem neuen Faschismus die Rede. Der Schweizer Theaterregisseur Milo Rau verteidigt den Begriff.",3149,278,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?crop=3149,1772,x100,y278&width=1024&quality=75&auto=webp",728,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?crop=728,728,x2249,y646&width=1024&quality=75&auto=webp",90,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?crop=2801,2100,x405,y90&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F4d22688a-09e4-42d3-9a02-7fe6e91ef4a4.jpeg?crop=874,1166,x2181,y570&width=1024&quality=75&auto=webp",1069,"Neil Mockford \u002F GC Images \u002F Getty","Die Gen Z stand für Jugendlichkeit und Erneuerung. Jetzt soll sie plötzlich alt aussehen","Millie Bobby Brown wehrt sich gegen Online-Kommentare, sie sehe mit Anfang 20 aus wie 40. Die Schauspielerin ist nicht die erste, die sich vorwerfen lassen muss, sie sehe älter aus, als sie ist.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?crop=5464,3073,x0,y999&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?crop=5464,5464,x0,y515&width=1024&quality=75&auto=webp",492,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?crop=5464,4098,x0,y492&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?crop=5464,7285,x0,y509&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F1f6d780b-9ee1-457f-8ede-fde28751e9ed.jpeg?width=1024&quality=75&auto=webp","«Ich weigere mich, mich für mein Erwachsenwerden zu entschuldigen», sagt die 21-jährige Millie Bobby Brown.","Frank Ronan","«Er wollte gerne Gott lieben, doch mehr noch fürchtete er den Teufel», schreibt Emmanuel Carrère über den psychedelischen Autor Philip K. Dick","Paul Jandl (Jdl)",1372784,"Jdl","Paul Jandl",22,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F08\u002Ff07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?crop=785,442,x0,y247&width=1024&quality=75&auto=webp",698,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F08\u002Ff07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?crop=698,698,x0,y16&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F08\u002Ff07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?crop=785,589,x0,y153&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F08\u002Ff07cc9d3-6428-4f68-b4ec-7d4638ce5669.jpeg?crop=750,1000,x0,y0&width=1024&quality=75&auto=webp",1000,"Marzena Skubatz \u002F Laif","Die Menschen in Russland hätten ihre Sprache verloren, sagt Sergei Lebedew. Sein Sammelband «Nein!» gibt ihnen eine Stimme","Ulrich M. Schmid (USm)",1373972,"USm","Ulrich M. Schmid",7762,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fdec64c62-1741-449e-951d-dc7fe7a7cd3d.jpeg?crop=7762,4366,x0,y651&width=1024&quality=75&auto=webp",3232,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fdec64c62-1741-449e-951d-dc7fe7a7cd3d.jpeg?crop=3232,3232,x2298,y709&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fdec64c62-1741-449e-951d-dc7fe7a7cd3d.jpeg?crop=6903,5177,x493,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fdec64c62-1741-449e-951d-dc7fe7a7cd3d.jpeg?crop=3883,5177,x1940,y0&width=1024&quality=75&auto=webp","Haltung zurückgewinnen: Sergei Lebedew, 2023 in Berlin.","Wie eine chinesische Version von Sisyphos: Jia Zhangke erzählt in seinen Filmen von Menschen, die aus einer Situation fliehen wollen, aber ständig zurückgestossen werden","In «Caught by the Tides» hat der Regisseur Reste aus seinen alten Filmen neu montiert. Entstanden ist ein faszinierendes Werk.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F08\u002F50eb4262-7f08-4a9d-826e-04678239ece4.jpeg?crop=2667,1500,x333,y0&width=1024&quality=75&auto=webp",877,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F08\u002F50eb4262-7f08-4a9d-826e-04678239ece4.jpeg?crop=877,877,x1850,y0&width=1024&quality=75&auto=webp",629,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F08\u002F50eb4262-7f08-4a9d-826e-04678239ece4.jpeg?crop=2371,1778,x629,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F08\u002F50eb4262-7f08-4a9d-826e-04678239ece4.jpeg?crop=1500,2000,x1400,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F08\u002F50eb4262-7f08-4a9d-826e-04678239ece4.jpeg?width=1024&quality=75&auto=webp","Julien De Rosa \u002F EPA","Peter Handke: «Das Sterben ist eine Prüfung. Ob ich die bestehen kann?»","Vor sechzig Jahren begann Peter Handke noch nicht 23-jährig seine schriftstellerische Karriere. «Das war gewaltig», sagt er im Gespräch. Heute sei er manchmal in seiner Kneipe unter lauter Alten der Älteste.","https:\u002F\u002Fimg.nzz.ch\u002F2022\u002F11\u002F30\u002F090a2a0b-3d1e-4329-8913-ce34cb103385.jpeg?crop=1984,1116,x0,y215&width=1024&quality=75&auto=webp",1116,979,"https:\u002F\u002Fimg.nzz.ch\u002F2022\u002F11\u002F30\u002F090a2a0b-3d1e-4329-8913-ce34cb103385.jpeg?crop=979,979,x421,y266&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2022\u002F11\u002F30\u002F090a2a0b-3d1e-4329-8913-ce34cb103385.jpeg?crop=1984,1488,x0,y217&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2022\u002F11\u002F30\u002F090a2a0b-3d1e-4329-8913-ce34cb103385.jpeg?crop=1568,2090,x73,y90&width=1024&quality=75&auto=webp","«Ich hasse Nationen», sagt Peter Handke. «Im Wort ‹Nation› ist keine Erotik mehr drin, nur noch Gewalt.»","Moravian Gallery, Brno","Philipp Meier","In seiner kurzen Künstlerkarriere entwickelte sich der österreichische Maler vom selbstbezogenen Exzentriker zum einfühlsamen Visionär.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F9b407e1d-38b8-4ebe-a833-7e2991b987f9.jpeg?crop=2000,1125,x0,y612&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F9b407e1d-38b8-4ebe-a833-7e2991b987f9.jpeg?crop=2000,2000,x0,y540&width=1024&quality=75&auto=webp",600,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F9b407e1d-38b8-4ebe-a833-7e2991b987f9.jpeg?crop=2000,1500,x0,y600&width=1024&quality=75&auto=webp",206,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F9b407e1d-38b8-4ebe-a833-7e2991b987f9.jpeg?crop=2000,2667,x0,y206&width=1024&quality=75&auto=webp","Leopold Museum, Wien","Christian Charisius \u002F DPA \u002F Keystone","War es richtig, Omri Boehm einzuladen, die Gedenkrede im KZ Buchenwald zu halten? Nein! Es war eine Provokation gegenüber den jüdischen Trauernden","Die KZ-Gedenkstätte begeht die Gedenkstunde ohne den Philosophen Omri Boehm. Besser so. Das Versagen der deutschen Gedenkkultur bleibt aber offensichtlich.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F86da8047-fd97-4f86-94d0-59a9ee674c9f.jpeg?crop=6418,3610,x0,y64&width=1024&quality=75&auto=webp",2983,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F86da8047-fd97-4f86-94d0-59a9ee674c9f.jpeg?crop=2983,2983,x1240,y186&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F86da8047-fd97-4f86-94d0-59a9ee674c9f.jpeg?crop=6371,4778,x0,y0&width=1024&quality=75&auto=webp",4778,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F07\u002F86da8047-fd97-4f86-94d0-59a9ee674c9f.jpeg?crop=3583,4778,x1021,y0&width=1024&quality=75&auto=webp",943,"Thomas Eugster","Techno ist museumsreif: Die musikalische Feier der Gegenwart hat eine bewegte Geschichte","Zuerst war der Rhythmus der Maschinen, bevor in leerstehenden Industriehallen harte Beats ertönten und eine neue Jugendkultur definierten. Die Ausstellung «Techno» im Zürcher Landesmuseum hilft, diese Entwicklung nachzuvollziehen.",5000,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002F46095b51-baef-49d8-8c1c-48dd6f573f21.jpeg?crop=5000,2812,x0,y492&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002F46095b51-baef-49d8-8c1c-48dd6f573f21.jpeg?crop=3747,3747,x337,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002F46095b51-baef-49d8-8c1c-48dd6f573f21.jpeg?crop=4996,3747,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002F46095b51-baef-49d8-8c1c-48dd6f573f21.jpeg?crop=2810,3747,x561,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002F46095b51-baef-49d8-8c1c-48dd6f573f21.jpeg?width=1024&quality=75&auto=webp","1992 zieht der erste Techno-Umzug mit etwa tausend Teilnehmenden durch die Zürcher Innenstadt. Die Veranstaltung wird als politische «Demonstration für Liebe, Friede, Freiheit, Grosszügigkeit und Toleranz» bewilligt.",11,"billboard","morpheus.billboard",36,"Eddie Keogh \u002F Getty","Sie wurde an ihrer Universität gemobbt, weil sie auf dem biologischen Geschlecht beharrte. Schliesslich kündigte Kathleen Stock ihre Stelle. Nun aber profitiert die britische Feministin von einer neuen Behörde, die sich für Meinungsfreiheit einsetzt.",3955,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F4e1b99cd-90f6-49ad-af5f-57d4edc80976.jpeg?crop=3955,2225,x0,y205&width=1024&quality=75&auto=webp",1152,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F4e1b99cd-90f6-49ad-af5f-57d4edc80976.jpeg?crop=1152,1152,x1984,y393&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F4e1b99cd-90f6-49ad-af5f-57d4edc80976.jpeg?crop=3943,2957,x0,y0&width=1024&quality=75&auto=webp",2957,390,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F4e1b99cd-90f6-49ad-af5f-57d4edc80976.jpeg?crop=1558,2077,x1984,y390&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F4e1b99cd-90f6-49ad-af5f-57d4edc80976.jpeg?width=1024&quality=75&auto=webp","Kathleen Stock hat am eigenen Leib erfahren, was es heisst, woke Dogmen infrage zu stellen.","Filip Singer \u002F EPA","Ein leerer Stuhl, eine unerfüllte Erwartung und all das, worüber man in Leipzig nicht spricht","2025-03-30T14:30:00.000Z","Die Leipziger Buchmesse geht zu Ende. Für das Gastland Norwegen und die Gastgeberstadt Leipzig war sie ein Erfolg. Doch es gibt Leerstellen, die sich eingebrannt haben.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fa904165d-d340-4a1c-9824-07c6f8578551.jpeg?crop=3000,1687,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fa904165d-d340-4a1c-9824-07c6f8578551.jpeg?crop=2000,2000,x500,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fa904165d-d340-4a1c-9824-07c6f8578551.jpeg?crop=2667,2000,x207,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fa904165d-d340-4a1c-9824-07c6f8578551.jpeg?crop=1500,2000,x750,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fa904165d-d340-4a1c-9824-07c6f8578551.jpeg?width=1024&quality=75&auto=webp","Der Publikumsandrang war gross an der Leipziger Buchmesse. Besonders das Gastland Norwegen zog viele Neugierige an.","Jazzsaxofonist Kamasi Washington: «Donald Trump setzt bewusst auf Einschüchterung und Hass, um Macht zu demonstrieren»","2025-03-25T04:30:00.000Z","Vor zehn Jahren sorgte der Saxofonist Kamasi Washington international für Furore mit seinem Album «The Epic». Seine Prominenz nutzt er seither auch für soziale und politische Projekte. Von Donald Trump fühlt er sich überrumpelt.",3744,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F24\u002Fa33985cc-3274-415b-8b92-c7344963e7a8.jpeg?crop=3328,1872,x254,y1019&width=1024&quality=75&auto=webp",1459,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F24\u002Fa33985cc-3274-415b-8b92-c7344963e7a8.jpeg?crop=1459,1459,x1128,y1006&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F24\u002Fa33985cc-3274-415b-8b92-c7344963e7a8.jpeg?crop=3744,2808,x0,y1093&width=1024&quality=75&auto=webp",2808,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F24\u002Fa33985cc-3274-415b-8b92-c7344963e7a8.jpeg?crop=2773,3698,x520,y982&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F24\u002Fa33985cc-3274-415b-8b92-c7344963e7a8.jpeg?width=1024&quality=75&auto=webp","Kamasi Washington: «Veränderung und Fortschritt brauchen immer ein gewisses Mass an Unerschrockenheit.»","Alle reden vom Krieg. Nur Deutschland macht weiterhin Kita","2025-03-18T04:30:00.000Z",23,"Nach den deutschen Wahlen bleiben viele Fragen offen. Für die weltpolitischen Herausforderungen sind die Parteien schlecht gerüstet.",6077,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F60970f5d-6a43-416d-9e13-bae2a118b660.jpeg?crop=6077,3418,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F60970f5d-6a43-416d-9e13-bae2a118b660.jpeg?crop=2249,2249,x1860,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F60970f5d-6a43-416d-9e13-bae2a118b660.jpeg?crop=5404,4053,x227,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F60970f5d-6a43-416d-9e13-bae2a118b660.jpeg?crop=3040,4053,x1519,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F60970f5d-6a43-416d-9e13-bae2a118b660.jpeg?width=1024&quality=75&auto=webp",1139,"Sie zerplatzen meist schneller, als einem lieb ist – ähnlich ist es mit Illusionen in der Politik: Seifenblasen, erzeugt von einem Strassenkünstler vor dem Brandenburger Tor in Berlin.","Charles Krupa \u002F AP","2025-03-17T04:30:00.000Z","Trump geht gegen die woke Ideologie an Universitäten vor. Die Politologin Tina Kempin Reuter lehrt in Alabama und sagt: Es habe eine Kurskorrektur gebraucht. Nun sorgt sie sich aber um die Forschungsfreiheit. Und um manche Studenten.",2345,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F14\u002F2c3ea2db-ce38-43f4-bb08-31ca8ffa3813.jpeg?crop=2345,1319,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F14\u002F2c3ea2db-ce38-43f4-bb08-31ca8ffa3813.jpeg?crop=1389,1389,x382,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F14\u002F2c3ea2db-ce38-43f4-bb08-31ca8ffa3813.jpeg?crop=2084,1563,x65,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F14\u002F2c3ea2db-ce38-43f4-bb08-31ca8ffa3813.jpeg?crop=1172,1563,x547,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F14\u002F2c3ea2db-ce38-43f4-bb08-31ca8ffa3813.jpeg?width=1024&quality=75&auto=webp",1701,"Einen royalen Musikgeschmack kann jetzt jeder entwickeln – mit der Apple-Playlist von König Charles","2025-03-14T04:30:00.000Z","Eines steht fest: Cool sein will König Charles III. mit seiner Liedersammlung eindeutig nicht. Ihn trieb etwas anderes dazu an, Musikstücke zusammenzutragen, die ihm Freude bereiten.",5568,103,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F13\u002F5b9bc317-e8f8-4538-975e-4995e7092618.jpeg?crop=5568,3132,x0,y103&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F13\u002F5b9bc317-e8f8-4538-975e-4995e7092618.jpeg?crop=3712,3712,x740,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F13\u002F5b9bc317-e8f8-4538-975e-4995e7092618.jpeg?crop=4949,3712,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F13\u002F5b9bc317-e8f8-4538-975e-4995e7092618.jpeg?crop=2784,3712,x1289,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F13\u002F5b9bc317-e8f8-4538-975e-4995e7092618.jpeg?width=1024&quality=75&auto=webp","Siebzehn Songs umfasst die Playlist von König Charles mit dem Titel «The King’s Music Room».","Gianluigi Guercia \u002F AFP via Keystone","«Elon ist gefährlich für Menschen, die faul und nutzlos sind» – in einer ZDF-Dokumentation packt Errol Musk über seinen berühmten Sohn aus","2025-03-11T17:37:01.949Z","Versteht man die Welt eines Menschen erst dann wirklich, wenn man weiss, wer sie ihm als Allererstes erklärt hat? Davon zumindest geht eine neue Dokumentation des ZDF aus – und besucht Elon Musks Vater Errol in Südafrika.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002Fd72d1fdf-68e5-4060-a819-cb11bb17f3bb.jpeg?crop=4480,2520,x0,y2330&width=1024&quality=75&auto=webp",2520,3982,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002Fd72d1fdf-68e5-4060-a819-cb11bb17f3bb.jpeg?crop=3982,3982,x0,y1127&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002Fd72d1fdf-68e5-4060-a819-cb11bb17f3bb.jpeg?crop=4480,3360,x0,y1468&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002Fd72d1fdf-68e5-4060-a819-cb11bb17f3bb.jpeg?crop=4480,5973,x0,y652&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002Fd72d1fdf-68e5-4060-a819-cb11bb17f3bb.jpeg?width=1024&quality=75&auto=webp","«Ich habe kein Mitgefühl für Verlierer», sagt Elon Musks Vater Errol Musk dem ZDF. Hier 2022 in seinem Haus in Südafrika.","Ivo Mijnssen (mij)",1373175,"2025-03-10T04:30:00.000Z",31,"Der berühmteste Autor des Landes füllt mit seinen Lesungen ganze Stadien und meldete sich letztes Jahr freiwillig für die Armee. Nun pendelt er zwischen der Front und seiner Heimatstadt.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F02\u002F28\u002Fe2942db5-1931-41f0-993b-dad37ab554a3.jpeg?crop=5333,3000,x389,y726&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F02\u002F28\u002Fe2942db5-1931-41f0-993b-dad37ab554a3.jpeg?crop=766,766,x2631,y1231&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F02\u002F28\u002Fe2942db5-1931-41f0-993b-dad37ab554a3.jpeg?crop=5312,3984,x387,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F02\u002F28\u002Fe2942db5-1931-41f0-993b-dad37ab554a3.jpeg?crop=2988,3984,x1489,y0&width=1024&quality=75&auto=webp","Eines Tages kehrte er vom Kontrollgang auf dem grönländischen Eis nicht zurück. Ein Kinofilm widmet sich dem verschollenen Glaziologen Konrad Steffen","Einnehmend erinnert «Der Eismann» an den Zürcher, der in der Arktis seine Bestimmung gefunden hat.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Facc6ab53-4e7a-4de1-9204-257e4c76e814.jpeg?crop=3822,2150,x0,y0&width=1024&quality=75&auto=webp",662,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Facc6ab53-4e7a-4de1-9204-257e4c76e814.jpeg?crop=662,662,x653,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Facc6ab53-4e7a-4de1-9204-257e4c76e814.jpeg?crop=2867,2150,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Facc6ab53-4e7a-4de1-9204-257e4c76e814.jpeg?crop=1613,2150,x220,y0&width=1024&quality=75&auto=webp","Konrad Steffen als junger Wilder in der Arktis – Aktivitäten wie Eisbergklettern nicht abgeneigt. Szenenbild aus «Der Eismann».","Martin Valentin Menke \u002F WDR","Wer die Zimmerbörse an der Uni verwaltet, lebt gefährlich: Im «Tatort» aus Münster schrecken Studenten bei der WG-Suche offenbar nicht einmal vor Mord zurück","Tatort Münster: Fürs WG-Zimmer gehen Studenten über Leichen","Eine Erstsemesterin campt im Zelt vor dem Hauptgebäude. Und auch Kommissar Thiel macht die Wohnungsnot zu schaffen. Ist er deshalb so müde?",4134,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fd6929cc1-c796-4d27-af49-3c935b48821e.jpeg?crop=4134,2325,x0,y167&width=1024&quality=75&auto=webp",2147,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fd6929cc1-c796-4d27-af49-3c935b48821e.jpeg?crop=2147,2147,x871,y127&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fd6929cc1-c796-4d27-af49-3c935b48821e.jpeg?crop=3220,2415,x861,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fd6929cc1-c796-4d27-af49-3c935b48821e.jpeg?crop=2038,2717,x911,y0&width=1024&quality=75&auto=webp",2717,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fd6929cc1-c796-4d27-af49-3c935b48821e.jpeg?width=1024&quality=75&auto=webp","Sony","2025-04-03T11:07:23.975Z","Die Schauspieler, die im geplanten Blockbuster die Beatles spielen, stehen fest. Fragt sich, ob nicht einer von ihnen auch der neue James Bond wird. Denn die Berührungspunkte zwischen den Pop-Kultur-Phänomenen sind verrückt.",645,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbe547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?crop=1920,1080,x0,y645&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbe547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?crop=1920,1920,x0,y480&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbe547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?crop=1920,1440,x0,y535&width=1024&quality=75&auto=webp",1707,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbe547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?crop=1707,2276,x101,y593&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbe547bcd-ec89-46c9-87e6-fc4d9d4fa58e.jpeg?width=1024&quality=75&auto=webp",822,"Mark Humphrey \u002F AP","Val Kilmer, der «wingman» aus «Top Gun», ist tot","2025-04-02T05:52:37.899Z","Er war intensiv, besessen und hochbegabt. Wann immer ein Filmstar mit Ecken und Kanten gefragt war, rief Hollywood bei ihm an. Nun ist der an Kehlkopfkrebs erkrankte Val Kilmer 65-jährig gestorben.",5184,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?crop=5184,2916,x0,y270&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?crop=3456,3456,x864,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?crop=4608,3456,x288,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?crop=2592,3456,x1296,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faec39cbb-52c4-4ae1-ba46-b153eb4ce2c1.jpeg?width=1024&quality=75&auto=webp","«Wenn es eine Auszeichnung für den unbesungensten Hauptdarsteller seiner Generation gibt, Kilmer hätte sie verdient», sagte der tonangebende Kritiker Roger Ebert.","«Ein Nazi-Film, in dem die Judenvernichtung nicht vorkommt? Ich finde das falsch», sagt Martin Moszkowicz über «Der Untergang» oder «The Zone of Interest»",57,"Der erfolgreichste deutsche Filmproduzent stösst sich auch an Tilda Swinton, die an der Berlinale Werbung für BDS machen durfte. Als Sohn eines Auschwitz-Überlebenden äussert sich Moszkowicz deutlich über die Israel-Verachtung in der Branche.",184,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?crop=2174,1223,x184,y1079&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?crop=953,953,x684,y1169&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?crop=2174,1631,x184,y943&width=1024&quality=75&auto=webp",183,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?crop=2174,2899,x183,y1183&width=1024&quality=75&auto=webp",2899,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F068f92de-7c6a-4e7e-8ffa-81e67ab9a3e7.jpeg?width=1024&quality=75&auto=webp","Nichts mit Ruhestand: Elton Johns Duette mit Brandi Carlile","In zwanzig Tagen haben der britische Superstar und die amerikanische Country-Sängerin zusammen ein Album aufgenommen. Beide zeigen sich dabei von ihrer besten Seite.",1200,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fd3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?crop=1200,675,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fd3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?crop=800,800,x129,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fd3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?crop=1067,800,x133,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fd3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?crop=600,800,x261,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fd3385106-f4ff-4976-ab7a-297816dde9d5.jpeg?width=1024&quality=75&auto=webp","Govert De Roos \u002F Avalon \u002F Imago","Eric Clapton wird achtzig: Der Sänger und Gitarrist hat die Welt begeistert mit seiner Musik. Und irritiert durch seine Launen und Abstürze","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002F450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?crop=1695,953,x0,y352&width=1024&quality=75&auto=webp",1190,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002F450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?crop=1190,1190,x261,y3&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002F450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?crop=1695,1271,x0,y265&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002F450da8fc-cb11-4659-844d-aa204cf24cd0.jpeg?crop=1260,1680,x221,y0&width=1024&quality=75&auto=webp",1890,"Jetzt neu! Alles wie früher! In «Golden Years» besingt Tocotronic – eben: die goldenen Jahre. Die sind vielleicht längst vorbei","2025-03-29T14:00:00.000Z","Tocotronic macht auf der Konzerttour halt in Zürich und feiert eine über dreissigjährige Karriere. Nach wie vor hadert die Band in ihren Songs mit der Gegenwart. Das gelang ihr in der Vergangenheit jedoch prägnanter.",716,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F29\u002Ff31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?crop=6182,3477,x716,y1798&width=1024&quality=75&auto=webp",1173,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F29\u002Ff31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?crop=4416,4416,x1622,y1173&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F29\u002Ff31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?crop=5888,4416,x721,y1173&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F29\u002Ff31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?crop=4192,5589,x1638,y0&width=1024&quality=75&auto=webp",5589,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F29\u002Ff31163f0-5c68-475e-a806-2279ccb4d84a.jpeg?width=1024&quality=75&auto=webp","Dana Jacobs \u002F Wire Image \u002F Getty","2025-03-27T04:30:00.000Z","In kurzer Zeit ist Sabrina Carpenter zum internationalen Superstar avanciert. Ihren Erfolg verdankt sie weniger ihrer künstlerischen Originalität als dem therapeutischen Effekt ihrer Songs. Ihre Konzerte sind überall ausverkauft. Auch in Zürich.",4704,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F25\u002F767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?crop=4704,2646,x655,y571&width=1024&quality=75&auto=webp",2646,2203,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F25\u002F767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?crop=2203,2203,x1987,y426&width=1024&quality=75&auto=webp",705,440,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F25\u002F767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?crop=4704,3528,x705,y440&width=1024&quality=75&auto=webp",3528,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F25\u002F767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?crop=2646,3528,x1686,y440&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F25\u002F767d2d57-2fd4-4bbe-a5b5-93f9dfbd9fdf.jpeg?width=1024&quality=75&auto=webp","Sabrina Carpenter beglückt das Konzertpublikum mit erfrischenden Sounds und frivolen Posen.","Urs Flüeler \u002F Keystone","Der Berner Mundartsänger Edb ist ein Schweizer Shootingstar mit einer markanten Stimme. Und dem Herzen auf dem Tisch","Der Musiker Edb spart in seinen Pop-Songs nicht mit Emotionen und irritierenden Bildern. Jetzt tritt er am Zürcher Festival M4Music auf.",5204,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F26\u002F796019fc-dff8-4bf8-b98e-2b51275f2ee3.jpeg?crop=5204,2927,x0,y491&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F26\u002F796019fc-dff8-4bf8-b98e-2b51275f2ee3.jpeg?crop=3467,3467,x981,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F26\u002F796019fc-dff8-4bf8-b98e-2b51275f2ee3.jpeg?crop=4623,3467,x483,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F26\u002F796019fc-dff8-4bf8-b98e-2b51275f2ee3.jpeg?crop=2600,3467,x995,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F26\u002F796019fc-dff8-4bf8-b98e-2b51275f2ee3.jpeg?width=1024&quality=75&auto=webp","Edb singt Bärndüütsch so, als wäre es eine Weltsprache.","Universal History Archive \u002F Getty","In Berlin wurden Juden deportiert, im Rheinland herrschte schon Frieden: Das Ende des Zweiten Weltkriegs zog sich lange hin","Das lange Ende des Schreckens: wie der Zweite Weltkrieg endete","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F28\u002F7157a691-f662-4f79-9902-1c1212b3a006.jpeg?crop=5100,2869,x0,y628&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F28\u002F7157a691-f662-4f79-9902-1c1212b3a006.jpeg?crop=5100,5100,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F28\u002F7157a691-f662-4f79-9902-1c1212b3a006.jpeg?crop=5100,3825,x0,y541&width=1024&quality=75&auto=webp",3825,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F28\u002F7157a691-f662-4f79-9902-1c1212b3a006.jpeg?crop=3825,5100,x794,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F28\u002F7157a691-f662-4f79-9902-1c1212b3a006.jpeg?width=1024&quality=75&auto=webp","Corbis\u002FGetty","Der unausrottbare Jalta-Mythos: Nein, die Teilung Europas geht nicht auf Jalta zurück","Vor achtzig Jahren trafen sich die «Grossen Drei» zu Verhandlungen über die Nachkriegsordnung. Was sie damals beschlossen, unterscheidet sich fundamental von der Legende über jene Konferenz, die tief in vielen Köpfen sitzt. Das hat politische Folgen bis heute.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F02\u002F03\u002Fd1761572-169b-4929-85a6-acb615192390.jpeg?crop=3276,1843,x0,y118&width=1024&quality=75&auto=webp",1792,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F02\u002F03\u002Fd1761572-169b-4929-85a6-acb615192390.jpeg?crop=1792,1792,x705,y759&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F02\u002F03\u002Fd1761572-169b-4929-85a6-acb615192390.jpeg?crop=3276,2457,x0,y94&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F02\u002F03\u002Fd1761572-169b-4929-85a6-acb615192390.jpeg?crop=1913,2551,x617,y0&width=1024&quality=75&auto=webp",2551,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F02\u002F03\u002Fd1761572-169b-4929-85a6-acb615192390.jpeg?width=1024&quality=75&auto=webp","Papst Pius XII. wusste Bescheid über die Shoah – und schwieg: Jetzt zeigen die vatikanischen Archive, weshalb","Vatikan-Archive zeigen: Warum schwieg Papst Pius XII. zum Holocaust?","2025-03-16T04:30:00.000Z","Tausende von Menschen baten den Papst im Zweiten Weltkrieg, gegen das Unrecht der Nazis Stellung zu nehmen. Alle wurden mit der gleichen Antwort abgefertigt.",2265,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002F7d48dbb8-486a-4fa7-a7bf-284fb8d06f95.jpeg?crop=2265,1274,x0,y463&width=1024&quality=75&auto=webp",1257,472,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002F7d48dbb8-486a-4fa7-a7bf-284fb8d06f95.jpeg?crop=1257,1257,x533,y472&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002F7d48dbb8-486a-4fa7-a7bf-284fb8d06f95.jpeg?crop=2265,1699,x0,y390&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002F7d48dbb8-486a-4fa7-a7bf-284fb8d06f95.jpeg?crop=2244,2992,x0,y374&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F11\u002F7d48dbb8-486a-4fa7-a7bf-284fb8d06f95.jpeg?width=1024&quality=75&auto=webp","Fabrice Coffrini \u002F Keystone","745a4401-c6d7-4d11-b52c-a734b346f517","tri",5732,"Marc Tribelhorn",2040,20,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F22\u002F1929f6c9-6675-4397-aab5-4a4b04618155.jpeg?crop=2040,1147,x0,y20&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F22\u002F1929f6c9-6675-4397-aab5-4a4b04618155.jpeg?crop=709,709,x890,y66&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F22\u002F1929f6c9-6675-4397-aab5-4a4b04618155.jpeg?crop=1917,1438,x43,y0&width=1024&quality=75&auto=webp",1438,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F22\u002F1929f6c9-6675-4397-aab5-4a4b04618155.jpeg?crop=959,1278,x775,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F01\u002F22\u002F1929f6c9-6675-4397-aab5-4a4b04618155.jpeg?width=1024&quality=75&auto=webp","Auf den Spuren der Partisanen, die an der Schweizer Grenze gegen Faschisten und die Wehrmacht kämpften","https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F09\u002F26\u002Fdb7e36ab-1bb8-4f7d-a2c3-6f50b89a8f49.jpeg?crop=1440,810,x0,y35&width=1024&quality=75&auto=webp",810,"https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F09\u002F26\u002Fdb7e36ab-1bb8-4f7d-a2c3-6f50b89a8f49.jpeg?crop=1097,1097,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F09\u002F26\u002Fdb7e36ab-1bb8-4f7d-a2c3-6f50b89a8f49.jpeg?crop=1440,1080,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F09\u002F26\u002Fdb7e36ab-1bb8-4f7d-a2c3-6f50b89a8f49.jpeg?crop=823,1097,x323,y0&width=1024&quality=75&auto=webp","David Zehnder","Das Fanal: Mit dem «Nero-Befehl» besiegelte Hitler den Untergang der Deutschen","2025-03-12T11:38:06.587Z","Frühling 1945: Der Krieg war für das Deutsche Reich verloren, Hitlers Getreue begannen sich abzusetzen. Die Verlautbarungen des «Führers» schwankten zwischen Fanatismus und Resignation.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F5931e9fc-6872-430d-84b1-cb90fc15f8d0.jpeg?crop=5610,3156,x0,y696&width=1024&quality=75&auto=webp",3619,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F5931e9fc-6872-430d-84b1-cb90fc15f8d0.jpeg?crop=3619,3619,x375,y432&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F5931e9fc-6872-430d-84b1-cb90fc15f8d0.jpeg?crop=5610,4208,x0,y79&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F5931e9fc-6872-430d-84b1-cb90fc15f8d0.jpeg?crop=3435,4580,x563,y0&width=1024&quality=75&auto=webp",4580,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F17\u002F5931e9fc-6872-430d-84b1-cb90fc15f8d0.jpeg?width=1024&quality=75&auto=webp","Ullstein \u002F Getty","Lenny Ignelzi \u002F AP","Claudia Mäder (cmd)",1372177,"Die Gedenkfeierlichkeiten zum Ende des Zweiten Weltkriegs sind vorbei. Aber fertig wird man mit dem Thema nie: Wir stellen Bücher vor, die in den letzten 75 Jahren Debatten auslösten und Reflexionen anstiessen – oder unsere Sicht auf den Krieg bis heute prägen.",4236,"Am «Victory Day» stand das Feiern im Vordergrund, bald darauf erschienen die ersten Bücher über die Grauen des Krieges. Die Skulptur «Unconditional Surrender» wurde 2005 in Anlehnung an eine Fotografie vom 8. Mai 1945 gefertigt.","Walter Studer \u002F Photopress \u002F Keystone","Der Zweite Weltkrieg ist aus – Wie die Schweiz in die Zukunft stolperte","Ende des Zweiten Weltkriegs: Wie die Schweiz 1945 in die Zukunft stolperte","Geschichte","1945 endet der Zweite Weltkrieg. Der Aufbruch in der Schweiz ist zögerlich: Zuerst müssen Altlasten entsorgt werden, dann zieht auch schon der Kalte Krieg auf. Einblicke in eine widersprüchliche Zeit.",3620,99,1510,790,2721,"Landesweit werden am 8. Mai 1945 die Glocken geläutet, hier in einer kleinen Kirche im Aargau.","Wojciech Pacewicz \u002F EPA","«Man muss nehmen, was kommt», sagt eine polnische Dorfbewohnerin. In Urszula Honeks Roman ist das selten etwas Gutes","2025-04-05T15:30:00.000Z","b6df9d49-9445-4997-833d-61d70cecbc1d","Andreas Breitenstein (ABn)",1371769,"ABn","3469","«Die weissen Nächte» umfasst dreizehn einzelne Erzählungen aus dem ländlichen Polen. Die Helden sind gequälte Kreaturen, Einsame, Abgehängte und Hoffnungslose. Ein Blick auf die Schattenseite eines Landes.",4096,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002Fa053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?crop=4096,2304,x0,y423&width=1024&quality=75&auto=webp",2155,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002Fa053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?crop=2155,2155,x1941,y572&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002Fa053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?crop=3636,2727,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002Fa053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?crop=2045,2727,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002Fa053a08e-b140-44e5-81a9-4110f373b2d4.jpeg?width=1024&quality=75&auto=webp","Bei Urszula Honek geht es um Menschen und Hunde und das karge, ländliche Polen.","Manchmal diene die Kritik an Antisemiten dazu, vom eigenen Antisemitismus abzulenken, sagt Ilka Quindeau","Antisemitismus erklären: Ilka Quindeau versucht es mit Psychoanalyse","Antisemitismus scheint eine anthropologische Konstante zu sein. Auszurotten jedenfalls ist der Hass auf Juden nicht. Aber wie lässt er sich erklären? Ilka Quindeau versucht es mit Psychoanalyse.",6018,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fa74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?crop=6018,3385,x0,y407&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fa74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?crop=4014,4014,x361,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fa74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?crop=5352,4014,x443,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fa74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?crop=3011,4014,x1100,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fa74f55cf-92c6-4323-92ca-79d6223c1280.jpeg?width=1024&quality=75&auto=webp","Die Erinnerung an den Holocaust aufrechtzuerhalten, schützt nicht vor Antisemitismus: Stolperstein auf einer Strasse in Berlin.","Selbst ein schlechtes Jugoslawien erschien ihm besser als kein Jugoslawien – vor fünfzig Jahren starb Ivo Andrić auf der Höhe seines Ruhms","Der Schriftsteller, dessen Leben in einmaliger Weise Literatur, Politik und Diplomatie verband, ist im Raume des versunkenen Jugoslawien eine Jahrhundertfigur.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?crop=4589,2581,x0,y809&width=1024&quality=75&auto=webp",2547,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?crop=2547,2547,x955,y822&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?crop=4589,3442,x0,y629&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?crop=2443,3257,x998,y690&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Faa540ca7-3c09-44a2-a6dc-48f1e4cfd80e.jpeg?width=1024&quality=75&auto=webp","Ivo Andrić war 1961 der erste Literaturnobelpreisträger nicht nur Jugoslawiens, sondern auch Südosteuropas überhaupt.","Heritage Images \u002F Hulton \u002F Getty","Das westliche Denken sei aus dem Gleichgewicht geraten, sagt Julian Baggini – und versucht die europäische Philosophie neu zu erden","Nicht nur im Westen kann man denken: Julian Baggini treibt globale Philosophie","Philosophie ist keine westliche Angelegenheit. Auch in Asien und Afrika wurden Denksysteme entwickelt. Der britische Bestsellerautor Julian Baggini legt eine globale Geschichte der Philosophie vor. Und verklärt mehr, als er erklärt.","https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F04\u002F18\u002Fef244fd0-8caa-408b-a302-b736d5044840.jpeg?crop=6306,3547,x0,y767&width=1024&quality=75&auto=webp",3499,"https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F04\u002F18\u002Fef244fd0-8caa-408b-a302-b736d5044840.jpeg?crop=3499,3499,x1197,y761&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F04\u002F18\u002Fef244fd0-8caa-408b-a302-b736d5044840.jpeg?crop=6306,4730,x0,y513&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F04\u002F18\u002Fef244fd0-8caa-408b-a302-b736d5044840.jpeg?crop=5732,7643,x208,y0&width=1024&quality=75&auto=webp",7643,"https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F04\u002F18\u002Fef244fd0-8caa-408b-a302-b736d5044840.jpeg?width=1024&quality=75&auto=webp","Der Inbegriff europäischer Philosophie: In Immanuel Kants Werk (1724–1804) kommt das westliche Denken zu sich selbst. Porträt von Johann Christoph Frisch (1738–1815).","Arthur Grimm \u002F Imago","In seinen Tagebüchern war Elias Canetti eine «Giftspritze», wenn es um Kollegen und sogar seine Nächsten ging","Die privaten Aufzeichnungen des Schriftstellers dürften das Bild eines monumental selbstbezogenen, aber auch für den Lauf der Welt sensiblen Schriftstellers bestätigen. Gerade darum wäre es falsch, sie der Öffentlichkeit vorzuenthalten.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F96f529b8-546a-4fa7-b35a-d8c1cfdbc185.jpeg?crop=5079,2857,x0,y1116&width=1024&quality=75&auto=webp",3171,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F96f529b8-546a-4fa7-b35a-d8c1cfdbc185.jpeg?crop=3171,3171,x1012,y665&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F96f529b8-546a-4fa7-b35a-d8c1cfdbc185.jpeg?crop=5079,3809,x0,y660&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F96f529b8-546a-4fa7-b35a-d8c1cfdbc185.jpeg?crop=3386,4515,x944,y564&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002F96f529b8-546a-4fa7-b35a-d8c1cfdbc185.jpeg?width=1024&quality=75&auto=webp","Bislang galten die aggressiven Ausfälle gegen seine Geliebte Iris Murdoch als Höhepunkt der canettischen Schmähkunst.","Fotos: Helge Mundt, courtesy of PArt Foundation","NZZ Kunst: Herausfinden, was uns Menschen heute ausmacht","Stephan Balkenhol ist ein deutscher Bildhauer von Weltrang. Seine Skulpturen laden die Betrachter ein, über sich selbst nachzudenken. Für die NZZ hat er nun eine eigene Kunstedition geschaffen.",720,"https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F06\u002F09\u002Fa294beeb-6888-4101-a316-78c1b622b1b1.jpeg?quality=75&auto=webp","Stephan Balkenhol beim Gestalten seiner exklusive Kunstedition für die NZZ.","Von Kosmosblau bis Sturmlila: Esther Mathis' Edition für NZZ Kunst","2023-12-09T06:04:00.000Z","Esther Mathis ist in den letzten Jahren aufgefallen mit poetischen Werken, in denen oft physikalische Erkenntnisse mitschwingen. Für die NZZ hat sie nun die Farbtöne von Gewitterstürmen in ebenso reduzierten wie reizvollen Objekten gebannt.","Ausstellungsansicht von «Nightshades» in der Livie Gallery","Aman Shakya \u002F SCAD","Für Katharina Grosse kann alles zum Bildträger werden. Sie bemalt nicht nur Leinwände, sondern auch Wände, ganze Räume und Fassaden. Neuerdings nützt sie auch gebogenes und gewalztes Aluminiumblech als «Unterlage» für ihre genauso überlegte wie spontane Malerei in starken Farben.","«Mich interessiert seit langem das Übriggebliebene, der «Abfall», das indirekt Entstandene beim Malen» - Katharina Grosse, 2022.","GINA FOLLY","NZZ-Kunstedition: die Fragilität der Zeichen","2023-09-30T03:30:00.000Z","Auf einem grossen Tisch liegen Materialmuster und Zeichnungen, rundherum wimmelt es von riesigen Leinwänden in leuchtenden und vibrierenden Farben, die teilweise noch auf ihre Fertigstellung warten. Wer das Studio von Renée Levi und ihrem Partner Marcel Schmid besucht, taucht augenblicklich in ein sinnliches künstlerisches Universum ein.",1406,1250,"Im Werk «Linga» verschmelzen das Eigene und das Kollektive zu einem neuen Symbol: Renée Levi in ihrem Studio.","\u002Ffeuilleton\u002Fkunst_architektur","Er wurde im Krieg getötet, man warf ihn zu den anderen Toten. Mit zerfetztem Brustkorb wachte Ernst Neiswestny auf – und erschuf sich selbst als zähen russischen Bildhauer","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?crop=2994,1684,x0,y727&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?crop=2994,2994,x0,y233&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?crop=2994,2246,x0,y206&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?crop=2994,3992,x0,y89&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F7ec1d176-1526-4adc-b68e-af39217ca073.jpeg?width=1024&quality=75&auto=webp","Roman Signer: «Ich wusste, dass ich in der Kunst ein Querschläger war, ich stand quer zum Fluss»","Der Künstler Roman Signer ist ein poetischer Feuerwerker, dem die Polizei immer wieder auf den Fersen war. Im Interview schildert er, warum sich seine Mutter für ihn geschämt hatte und wie stolz sie heute wäre, wenn sie sehen könnte, wie weit er es gebracht hat.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F26\u002Fc289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?crop=4333,2437,x0,y1644&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F26\u002Fc289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?crop=4333,4333,x0,y1603&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F26\u002Fc289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?crop=3043,2283,x695,y1805&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F26\u002Fc289a967-2f51-417e-bf39-b1a2bd08918f.jpeg?crop=3424,4565,x552,y1567&width=1024&quality=75&auto=webp","«In Appenzell sagten sie regelmässig: ‹Du Spinner, du gingest besser arbeiten.›» Roman Signer, 2025.","Bedachtheit und Zurückhaltung: Die deutsche Architektin baut grosse Museen mit wenigen Eingriffen um – zuletzt die Frick Collection in New York.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002F52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?crop=2500,1406,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002F52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?crop=1666,1666,x549,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002F52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?crop=2221,1666,x240,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002F52c92ad2-071e-48aa-a3c1-a19caedd5397.jpeg?crop=1250,1666,x806,y0&width=1024&quality=75&auto=webp","Die Fassade der Frick Collection an der East 70th Street in New York.","Illustration Selldorf Architects","© Private Archive Hollein \u002F Centre Pompidou, MNAM-CCI\u002FGeorges Meguerditchian\u002FDist. GrandPalaisRmn","Das Centre Pompidou in Paris widmet dem grossen Wiener Architekten eine Retrospektive.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F01\u002F288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?crop=3037,1708,x1014,y709&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F01\u002F288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?crop=1708,1708,x1219,y716&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F01\u002F288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?crop=2562,1922,x1206,y505&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F01\u002F288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?crop=1621,2162,x1244,y255&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F01\u002F288d1549-2d64-4973-ab4e-65f59205b5cd.jpeg?width=1024&quality=75&auto=webp","Hans Hollein: «Stadtgebilde über Wien», 1960, Fotomontage.","Das schwindelerregende Blau des Bündner Himmels – das Kunstmuseum Chur schaut zurück und in die Zukunft","Die Jubiläumsausstellung zum 125-jährigen Bestehen zeigt eine klug ausgerichtete Sammlung mit internationalen Positionen und vielen lokalen Bezügen.",8256,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002Fba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?crop=8256,4644,x0,y621&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002Fba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?crop=5504,5504,x278,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002Fba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?crop=7339,5504,x658,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002Fba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?crop=4128,5504,x3938,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F31\u002Fba8baf97-cc74-41a0-95c2-97b65a1067da.jpeg?width=1024&quality=75&auto=webp","\u002Ffeuilleton\u002Fbuehne","Keystone","Mit seinem Kabarett zeigte er die Schwächen des Menschenverstands – und schützte ihn vor Dogmatikern. Cés Keiser gehörte zu den prägendsten Schweizer Kabarettisten.",2917,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbdd15e26-f1de-4d38-b89a-2e4d0168dd85.jpeg?crop=2917,1641,x0,y271&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbdd15e26-f1de-4d38-b89a-2e4d0168dd85.jpeg?crop=1244,1244,x790,y268&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbdd15e26-f1de-4d38-b89a-2e4d0168dd85.jpeg?crop=2362,1772,x103,y221&width=1024&quality=75&auto=webp",769,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbdd15e26-f1de-4d38-b89a-2e4d0168dd85.jpeg?crop=1329,1772,x769,y221&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F03\u002Fbdd15e26-f1de-4d38-b89a-2e4d0168dd85.jpeg?width=1024&quality=75&auto=webp","Die Tücken des Telefons haben César Keiser immer wieder inspiriert (hier 1993 im Zürcher Schauspielhaus).","Maria Baranova-Suzuki","Bernstein und Karajan: Die historische Begegnung zweier Giganten und Rivalen an einer Bar","1988 traf Herbert von Karajan zufällig in Wien auf seinen künstlerischen Antipoden: Leonard Bernstein. Der Streit der beiden berühmten Dirigenten ist nun am Broadway zu sehen.",1900,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fead08806-73a8-4f3d-af70-4197dc7f5207.jpeg?crop=1900,1069,x0,y99&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fead08806-73a8-4f3d-af70-4197dc7f5207.jpeg?crop=1267,1267,x317,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fead08806-73a8-4f3d-af70-4197dc7f5207.jpeg?crop=1689,1267,x105,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fead08806-73a8-4f3d-af70-4197dc7f5207.jpeg?crop=950,1267,x475,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002Fead08806-73a8-4f3d-af70-4197dc7f5207.jpeg?width=1024&quality=75&auto=webp","Lucca Züchner als Herbert von Karajan (l.) und Helen Schneider als Leonard Bernstein in «Last Call».","Die Wiederbelebung der Berliner Volksbühne: Zwischen Wachsfiguren zeigen sich wirkliche Menschen","Christoph Marthaler hat «Wachs oder Wirklichkeit» an der Volksbühne inszeniert, zu deren neuem Intendanten Matthias Lilienthal berufen wurde. Die beiden retten das Berliner Theater aus seiner Lethargie.",2560,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F29a0631d-dcdc-492e-8222-7fa7ae2d468e.jpeg?crop=2560,1440,x0,y0&width=1024&quality=75&auto=webp",1383,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F29a0631d-dcdc-492e-8222-7fa7ae2d468e.jpeg?crop=1383,1383,x245,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F29a0631d-dcdc-492e-8222-7fa7ae2d468e.jpeg?crop=2333,1750,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F29a0631d-dcdc-492e-8222-7fa7ae2d468e.jpeg?crop=1313,1750,x287,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F02\u002F29a0631d-dcdc-492e-8222-7fa7ae2d468e.jpeg?width=1024&quality=75&auto=webp","\u002Ffeuilleton\u002Fmedien","Florian Bachmeier \u002F World Press Photo","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F4144c745-ed33-4b52-b08a-15f72b9fbbac.jpeg?crop=1920,1080,x0,y360&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F4144c745-ed33-4b52-b08a-15f72b9fbbac.jpeg?crop=710,710,x346,y700&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F4144c745-ed33-4b52-b08a-15f72b9fbbac.jpeg?crop=1920,1440,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F4144c745-ed33-4b52-b08a-15f72b9fbbac.jpeg?crop=1080,1440,x183,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F4144c745-ed33-4b52-b08a-15f72b9fbbac.jpeg?width=1024&quality=75&auto=webp","Darf man ukrainische Kinder und russische Soldaten auf eine Stufe stellen? Zwei Auszeichnungen sorgen für Empörung.","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg?crop=1920,1080,x0,y360&width=2048&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg?crop=1920,1080,x0,y360&width=620&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg?crop=1920,1080,x0,y360&width=320&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg?crop=710,710,x610,y455&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg?crop=1707,1280,x213,y160&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg?crop=1080,1440,x627,y0&width=1024&quality=75&auto=webp","0FSQZsv1INTv","2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg",899,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg?crop=899,899,x472,y419&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg?crop=1920,1440,x0,y0&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F04\u002F04\u002F0b653255-fb89-40c1-93a0-ab50944d9ee7.jpeg?crop=1080,1440,x630,y0&width=1024&quality=75&auto=webp","Journalisten, die gleichzeitig Politiker sind, sind rar – das war nicht immer so","c52bffee-9de7-4875-8ce7-6d84ad4e05e6","Lucien Scherrer (lsc)",1373070,"lsc","767722","1968 sassen sechzehn aktive Journalisten im Nationalrat, heute sind es noch zwei. Rückblick auf eine Symbiose.","https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F11\u002F01\u002Ffca61a84-5fb1-4f67-85e8-18af64cd1f93.jpeg?crop=2752,1548,x0,y1323&width=1024&quality=75&auto=webp",1357,"https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F11\u002F01\u002Ffca61a84-5fb1-4f67-85e8-18af64cd1f93.jpeg?crop=1357,1357,x858,y1339&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F11\u002F01\u002Ffca61a84-5fb1-4f67-85e8-18af64cd1f93.jpeg?crop=2752,2064,x0,y1225&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2024\u002F11\u002F01\u002Ffca61a84-5fb1-4f67-85e8-18af64cd1f93.jpeg?crop=2174,2899,x530,y972&width=1024&quality=75&auto=webp","Rebecca Cook \u002F Reuters","2025-03-31T03:30:00.000Z","Candace Owens, Joe Rogan und eben Kanye West und Andrew Tate: In den USA verbreiten Prominente und Publizisten mit Millionenpublikum Verschwörungstheorien.",3195,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fc658950e-6f37-4a08-a1d6-03b9295004dc.jpeg?crop=3195,1797,x0,y116&width=1024&quality=75&auto=webp",1301,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fc658950e-6f37-4a08-a1d6-03b9295004dc.jpeg?crop=1301,1301,x774,y145&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fc658950e-6f37-4a08-a1d6-03b9295004dc.jpeg?crop=3125,2344,x70,y0&width=1024&quality=75&auto=webp",2344,"https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fc658950e-6f37-4a08-a1d6-03b9295004dc.jpeg?crop=1389,1852,x750,y106&width=1024&quality=75&auto=webp","https:\u002F\u002Fimg.nzz.ch\u002F2025\u002F03\u002F28\u002Fc658950e-6f37-4a08-a1d6-03b9295004dc.jpeg?width=1024&quality=75&auto=webp","Die Publizistin Candace Owens fällt wiederholt mit antisemitischen Bemerkungen auf. Bild: 2024 in Detroit.",{},"page",{},"NZZ, Feuilleton","website","https:\u002F\u002Fwww.nzz.ch\u002Ffeuilleton.rss",138008459595436,143694099006529,1592685173,{},"https:\u002F\u002Fwww.facebook.com\u002Fnzz","https:\u002F\u002Fwww.instagram.com\u002Fnzz\u002F","online.redaktion@nzz.ch","2025 Neue Zürcher Zeitung AG, Schweiz","index, follow, noarchive, noodp",{},Array(3),"de-DE","Wed, 09 Apr 2025 23:59:52 GMT",{},"E-Paper","https:\u002F\u002Fepaper.nzz.ch\u002F","https:\u002F\u002Fwww.nzzdomizil.ch\u002F","Newsletter","https:\u002F\u002Fabo.nzz.ch\u002Fnewsletter\u002F","Abonnemente","doc-1crkpi1550","doc-1crkpi1551","doc-1he566fpv0","doc-1crkpig4c0","doc-1crkpisos0","doc-1crkpirrs0","doc-1crkplu010","doc-1crkpiqqc0","doc-1crkpijed0","doc-1crkpipjs0","doc-1crkpimll0","doc-1crkpl4jh0","doc-1crkpio7l0","doc-1crkpl60q0","doc-1crkpl0t20","Quiz","\u002Fquiz","\u002Fdeutschland\u002Fmeinung","Deutschland","\u002Fdeutschland\u002Fpolitik","\u002Fdeutschland\u002Finternational","\u002Fdeutschland\u002Fwirtschaft","\u002Fdeutschland\u002Ftechnologie","\u002Fdeutschland\u002Ffinanzen","\u002Fdeutschland\u002Ffeuilleton","\u002Fdeutschland\u002Fsport","\u002Fdeutschland\u002Fpanorama","\u002Fdeutschland\u002Fgesellschaft","\u002Fdeutschland\u002Fmobilitaet","\u002Fdeutschland\u002Fvisuals","subscription","hideForSubscriber","doc-1crpkub060","doc-1crpkub061","doc-1crpkub02","doc-1crpkub050","doc-1crpkub051","doc-1crpkub052","main","Neuste Artikel","\u002Fneueste-artikel","neueste-artikel","Briefing","\u002Fbriefing","NZZ Pro","\u002Fpro","departments","brand","doc-1has665ma0","Amerika","Leserseite","\u002Fleserseite","extra","https:\u002F\u002Fzeitungsarchiv.nzz.ch","https:\u002F\u002Fwww.nzz.ch\u002Fwetter\u002Fniederschlagsradar","https:\u002F\u002Fwww.nzz.ch\u002Fwetter\u002Fwettervorhersage","https:\u002F\u002Fwww.nzz.ch\u002Fwetter\u002Fwetter-schweiz","https:\u002F\u002Fwww.nzz.ch\u002Fwetter\u002Fwetter-europa","https:\u002F\u002Fwww.nzz.ch\u002Fwetter\u002Fpollenflug","Kostenlose Spiele","https:\u002F\u002Fspiele.nzz.ch\u002F?utm_campaign=startpage&utm_medium=navigation_link&utm_source=nzz_ch","Solitär","https:\u002F\u002Fspiele.nzz.ch\u002Fsolitaire\u002F?utm_campaign=solitaer&utm_medium=navigation_link&utm_source=nzz_ch","Kreuzworträtsel","https:\u002F\u002Fspiele.nzz.ch\u002Fkreuzwortraetsel\u002F?utm_campaign=kreuzwortraetsel&utm_medium=navigation_link&utm_source=nzz_ch","Sudoku","https:\u002F\u002Fspiele.nzz.ch\u002Fsudoku\u002F?utm_campaign=sudoku&utm_medium=navigation_link&utm_source=nzz_ch","Mahjong","https:\u002F\u002Fspiele.nzz.ch\u002Fmahjong\u002F?utm_campaign=mahjong&utm_medium=navigation_link&utm_source=nzz_ch","Street","https:\u002F\u002Fspiele.nzz.ch\u002Fstreet\u002F?utm_campaign=street&utm_medium=navigation_link&utm_source=nzz_ch","SudoKen","https:\u002F\u002Fspiele.nzz.ch\u002Fsudoken\u002F?utm_campaign=sudoken&utm_medium=navigation_link&utm_source=nzz_ch","nzzbrands","NZZ am Sonntag Magazin","\u002Fnzz-am-sonntag-magazin","\u002Ffolio","dossiers","Marktplatz","https:\u002F\u002Fwww.nzz.ch\u002Fmarktplaetze","https:\u002F\u002Fjobs.nzz.ch","Weiterbildung","https:\u002F\u002Fwww.nzz.ch\u002Fmarktplaetze\u002Fweiterbildung-ld.1421453","https:\u002F\u002Fwww.nzzdomizil.ch","Trauerportal","https:\u002F\u002Ftrauer.nzz.ch","contact","https:\u002F\u002Fwww.audienzz.ch\u002Fhome","https:\u002F\u002Fwww.nzz.ch\u002Fimpressum","AGB","AGB und Datenschutz","\u002Fimpressum","\u002Fmeine-nzz\u002Fmerkliste","Login Snackbar","CHDE - Country Switch Snackbar","\u003Cp\u003ESie sehen nun die Ausgabe für Deutschland.\u003C\u002Fp\u003E","DECH - Country Switch Snackbar","\u003Cp\u003ESie sehen nun die Schweizer Ausgabe.\u003C\u002Fp\u003E","\u003Cp\u003ENur für Abonnenten: Abonnieren Sie die NZZ und diskutieren Sie mit.\u003C\u002Fp\u003E","http:\u002F\u002F127.0.0.1:3000","https:\u002F\u002Fenrico.nzz.ch\u002Fv1","https:\u002F\u002Fassets.static-nzz.ch\u002Fnzz\u002F13.6.2","https:\u002F\u002Fcdn.consentmanager.net\u002Fdelivery\u002Fautoblocking\u002F73879c159968.js","\u002Fbenutzerkonto\u002F","Copyright © Neue Zürcher Zeitung AG. 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