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class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1878 painting by Mary Cassatt</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent" style="width: 22em; line-height: 1.4em; text-align: left;"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-weight: bold; font-style: italic">In the Loge</th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Mary_Stevenson_Cassatt_-_In_the_Loge_-_Google_Art_Project.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Mary_Stevenson_Cassatt_-_In_the_Loge_-_Google_Art_Project.jpg/270px-Mary_Stevenson_Cassatt_-_In_the_Loge_-_Google_Art_Project.jpg" decoding="async" width="270" height="336" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Mary_Stevenson_Cassatt_-_In_the_Loge_-_Google_Art_Project.jpg/405px-Mary_Stevenson_Cassatt_-_In_the_Loge_-_Google_Art_Project.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/87/Mary_Stevenson_Cassatt_-_In_the_Loge_-_Google_Art_Project.jpg/540px-Mary_Stevenson_Cassatt_-_In_the_Loge_-_Google_Art_Project.jpg 2x" data-file-width="3959" data-file-height="4921" /></a></span></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Artist</th><td class="infobox-data attendee"><a href="/wiki/Mary_Cassatt" title="Mary Cassatt">Mary Cassatt</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Year</th><td class="infobox-data">1878</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Medium</th><td class="infobox-data category"><a href="/wiki/Oil_painting" title="Oil painting">Oil on canvas</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Dimensions</th><td class="infobox-data">81 cm × 66 cm (32 in × 26 in)</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Location</th><td class="infobox-data"><a href="/wiki/Museum_of_Fine_Arts,_Boston" title="Museum of Fine Arts, Boston">Museum of Fine Arts</a>, <a href="/wiki/Boston" title="Boston">Boston</a></td></tr></tbody></table> <p><i><b>In the Loge</b></i>, also known as <i><b>At the Opera</b></i>, is an 1878 <a href="/wiki/Impressionist" class="mw-redirect" title="Impressionist">Impressionist</a> painting by the American artist <a href="/wiki/Mary_Cassatt" title="Mary Cassatt">Mary Cassatt</a>. The <a href="/wiki/Oil_painting" title="Oil painting">oil-on-canvas</a> painting is currently in the Museum of Fine Arts, Boston, which also holds a preliminary drawing for the work.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The painting displays a <a href="/wiki/Bourgeoisie" title="Bourgeoisie">bourgeois</a> woman at the opera house looking through her opera glasses, while a man in the background looks at her.<sup id="cite_ref-:0_2-0" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> The woman's costume and fan make clear her upper class status.<sup id="cite_ref-:0_2-1" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Art historians see the painting as commentary on the role of gender, looking, and power in the social spaces of the nineteenth century.<sup id="cite_ref-:0_2-2" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:3_3-0" class="reference"><a href="#cite_note-:3-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> (A <a href="/wiki/Box_(theatre)" title="Box (theatre)">Loge</a> is another word for a Theatre box.) </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Background">Background</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=1" title="Edit section: Background"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Personal_identity">Personal identity</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=2" title="Edit section: Personal identity"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Cassatt's female subjects are often seen as an extension of her personal life. Cassatt had an early passion for painting and convinced her father to allow her to attend art school at a time when it was unusual for women to do so.<sup id="cite_ref-:0_2-3" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> After her father gave her permission to study at the <a href="/wiki/Pennsylvania_Academy_of_the_Fine_Arts" title="Pennsylvania Academy of the Fine Arts">Pennsylvania Academy of the Fine Arts</a>, she moved to Paris, where she practiced as a painter and exhibited with the Impressionists. The art historian Susan Yeh has argued that Cassatt's female subjects, like Cassatt herself, overcome gender stereotypes and pursue independence.<sup id="cite_ref-:0_2-4" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Impressionism">Impressionism</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=3" title="Edit section: Impressionism"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Cassatt was introduced to Impressionism by <a href="/wiki/Edgar_Degas" title="Edgar Degas">Edgar Degas</a>. Impressionist painters often painted social settings such as cafes, popular boulevards, and opera houses.<sup id="cite_ref-:1_4-0" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> This new movement satisfied Cassatt's desire to make art that was relevant to modern life.<sup id="cite_ref-:2_5-0" class="reference"><a href="#cite_note-:2-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Like other Impressionist painters, Cassatt used loose brushstrokes to capture fleeting moments in time. Cassatt was empowered by the Impressionists to choose her own subject matter, ignoring the historical genres favored by the <a href="/wiki/Acad%C3%A9mie_royale_de_peinture_et_de_sculpture" title="Académie royale de peinture et de sculpture">French Academy</a>.<sup id="cite_ref-:0_2-5" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="The_Opera_House">The Opera House</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=4" title="Edit section: The Opera House"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>In the Loge</i> takes place in an elevated floor of an opera house. During the 19th century, the opera house was not only a place to watch a performance, but also a social gathering where high-class and bourgeois people would mingle.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> It served as one of the only social settings that women could freely attend. Cassatt's choice of setting for <i>In the Loge</i> has been interpreted by scholars as a means of highlighting the growing agency of women in nineteenth-century society.<sup id="cite_ref-:1_4-1" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Similar_paintings">Similar paintings</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=5" title="Edit section: Similar paintings"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mary Cassatt produced several other paintings depicting scenes in the opera house, such as <i>The Loge</i> and <i><a href="/wiki/Woman_with_a_Pearl_Necklace_in_a_Loge" title="Woman with a Pearl Necklace in a Loge">Woman with a Pearl Necklace in a Loge</a></i>. <a href="/wiki/Pierre-Auguste_Renoir" title="Pierre-Auguste Renoir">Pierre Auguste Renoir</a> also depicted a similar subject in <i><a href="/wiki/La_Loge" title="La Loge">La Loge</a></i> <i>(The Theatre Box)</i>, but his approach to the subject differs from Cassatt's.<sup id="cite_ref-:3_3-1" class="reference"><a href="#cite_note-:3-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> While Renoir paints his female subjects in order to display their physical features, Cassatt gives her female subject a more active role.<sup id="cite_ref-:2_5-1" class="reference"><a href="#cite_note-:2-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <ul class="gallery mw-gallery-traditional"> <li class="gallerybox" style="width: 200px"> <div class="thumb" style="width: 195px; height: 230px;"><span typeof="mw:File"><a href="/wiki/File:Cassat_-_The_Loge_NGA.jpg" class="mw-file-description" title="The Loge, Mary Cassatt"><img alt="The Loge, Mary Cassatt" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Cassat_-_The_Loge_NGA.jpg/158px-Cassat_-_The_Loge_NGA.jpg" decoding="async" width="158" height="200" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Cassat_-_The_Loge_NGA.jpg/237px-Cassat_-_The_Loge_NGA.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/31/Cassat_-_The_Loge_NGA.jpg/317px-Cassat_-_The_Loge_NGA.jpg 2x" data-file-width="16785" data-file-height="21201" /></a></span></div> <div class="gallerytext"><i>The Loge</i>, Mary Cassatt</div> </li> <li class="gallerybox" style="width: 200px"> <div class="thumb" style="width: 195px; height: 230px;"><span typeof="mw:File"><a href="/wiki/File:Mary_Cassatt_-_Woman_with_a_Pearl_Necklace.jpg" class="mw-file-description" title="Woman with a Pearl Necklace, Mary Cassatt"><img alt="Woman with a Pearl Necklace, Mary Cassatt" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Mary_Cassatt_-_Woman_with_a_Pearl_Necklace.jpg/145px-Mary_Cassatt_-_Woman_with_a_Pearl_Necklace.jpg" decoding="async" width="145" height="200" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Mary_Cassatt_-_Woman_with_a_Pearl_Necklace.jpg/217px-Mary_Cassatt_-_Woman_with_a_Pearl_Necklace.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Mary_Cassatt_-_Woman_with_a_Pearl_Necklace.jpg/290px-Mary_Cassatt_-_Woman_with_a_Pearl_Necklace.jpg 2x" data-file-width="4126" data-file-height="5688" /></a></span></div> <div class="gallerytext"><i><a href="/wiki/Woman_with_a_Pearl_Necklace_in_a_Loge" title="Woman with a Pearl Necklace in a Loge">Woman with a Pearl Necklace</a></i>, Mary Cassatt</div> </li> <li class="gallerybox" style="width: 200px"> <div class="thumb" style="width: 195px; height: 230px;"><span typeof="mw:File"><a href="/wiki/File:Pierre-Auguste_Renoir,_La_Loge,_Courtauld_Gallery.jpg" class="mw-file-description" title="La Loge, Pierre-Auguste Renoir"><img alt="La Loge, Pierre-Auguste Renoir" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/71/Pierre-Auguste_Renoir%2C_La_Loge%2C_Courtauld_Gallery.jpg/161px-Pierre-Auguste_Renoir%2C_La_Loge%2C_Courtauld_Gallery.jpg" decoding="async" width="161" height="200" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/71/Pierre-Auguste_Renoir%2C_La_Loge%2C_Courtauld_Gallery.jpg/242px-Pierre-Auguste_Renoir%2C_La_Loge%2C_Courtauld_Gallery.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/71/Pierre-Auguste_Renoir%2C_La_Loge%2C_Courtauld_Gallery.jpg/322px-Pierre-Auguste_Renoir%2C_La_Loge%2C_Courtauld_Gallery.jpg 2x" data-file-width="1590" data-file-height="1974" /></a></span></div> <div class="gallerytext"><i><a href="/wiki/La_Loge" title="La Loge">La Loge</a></i>, Pierre-Auguste Renoir</div> </li> </ul> <div class="mw-heading mw-heading2"><h2 id="Feminism">Feminism</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=6" title="Edit section: Feminism"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Women were almost exclusively the subject for Cassatt's paintings and she became known for her representation of females.<sup id="cite_ref-:0_2-6" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p><p>While femininity during the nineteenth century was frequently associated with domestic space, Cassatt sometimes depicted the movement of women into public space, capturing the evolution of gender norms.<sup id="cite_ref-:3_3-2" class="reference"><a href="#cite_note-:3-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Though permitted, it was a risk for a woman's reputation to enter spaces like an opera house.<sup id="cite_ref-:3_3-3" class="reference"><a href="#cite_note-:3-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Cassatt engaged with this modern reality by painting women in the few public spaces that were accessible to them.<sup id="cite_ref-:3_3-4" class="reference"><a href="#cite_note-:3-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Body_language">Body language</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=7" title="Edit section: Body language"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In <i>In the Loge</i>, the woman is seen sitting up straight, taking up most of the foreground of the image.<sup id="cite_ref-:4_7-0" class="reference"><a href="#cite_note-:4-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Her elbow rests against the railing as she holds up her opera glasses. Her body language is confident, suggesting power. Her facial expression is alert, demonstrating her curiosity.<sup id="cite_ref-:0_2-7" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> The woman may be aware of the man staring at her, yet does not let that distract from what she is watching.<sup id="cite_ref-:4_7-1" class="reference"><a href="#cite_note-:4-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Power_of_the_gaze">Power of the gaze</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=8" title="Edit section: Power of the gaze"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The woman continues to actively look through her glasses despite the man in her side view.<sup id="cite_ref-:3_3-5" class="reference"><a href="#cite_note-:3-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Refusing to look in his direction, the female protagonist is asserting her independence in the space.<sup id="cite_ref-:3_3-6" class="reference"><a href="#cite_note-:3-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> The two figures looking through their opera glasses reflects the broader dynamics of gender in public space. </p><p>The audience also plays a unique role in the painting. As one looks at the painting, one stares at the woman, much like the man in the back.<sup id="cite_ref-:2_5-2" class="reference"><a href="#cite_note-:2-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Commissioning">Commissioning</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=9" title="Edit section: Commissioning"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>In the Loge</i> was one of Cassatt's first pieces to be presented in the United States, when it was exhibited in Boston in 1878.<sup id="cite_ref-:2_5-3" class="reference"><a href="#cite_note-:2-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> The work remained in the possession of the artist's family until 1893 or 1894, when Cassatt sold it to Martin, Camentron, and Company in Paris.<sup id="cite_ref-:2_5-4" class="reference"><a href="#cite_note-:2-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> The painting entered the <a href="/wiki/Museum_of_Fine_Arts,_Boston" title="Museum of Fine Arts, Boston">Museum of Fine Arts, Boston</a> in 1910.<sup id="cite_ref-:2_5-5" class="reference"><a href="#cite_note-:2-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=10" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/List_of_works_by_Mary_Cassatt" title="List of works by Mary Cassatt">List of works by Mary Cassatt</a></li> <li><i><a href="/wiki/Portrait_of_a_Lady_on_Fire" title="Portrait of a Lady on Fire">Portrait of a Lady on Fire</a></i></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=In_the_Loge&action=edit&section=11" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://collections.mfa.org/objects/273912">"Drawing for In the Loge, Museum of Fine Arts, Boston"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Drawing+for+In+the+Loge%2C+Museum+of+Fine+Arts%2C+Boston&rft_id=https%3A%2F%2Fcollections.mfa.org%2Fobjects%2F273912&rfr_id=info%3Asid%2Fen.wikipedia.org%3AIn+the+Loge" class="Z3988"></span></span> </li> <li id="cite_note-:0-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:0_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:0_2-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:0_2-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:0_2-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:0_2-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:0_2-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFYeh1976" class="citation journal cs1">Yeh, Susan Fillin (1976). <span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://www.jstor.org/stable/776228">"Mary Cassatt's Images of Women"</a></span>. <i>Art Journal</i>. <b>35</b> (4): <span class="nowrap">359–</span>363. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F776228">10.2307/776228</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0004-3249">0004-3249</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/776228">776228</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Art+Journal&rft.atitle=Mary+Cassatt%27s+Images+of+Women&rft.volume=35&rft.issue=4&rft.pages=%3Cspan+class%3D%22nowrap%22%3E359-%3C%2Fspan%3E363&rft.date=1976&rft.issn=0004-3249&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F776228%23id-name%3DJSTOR&rft_id=info%3Adoi%2F10.2307%2F776228&rft.aulast=Yeh&rft.aufirst=Susan+Fillin&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F776228&rfr_id=info%3Asid%2Fen.wikipedia.org%3AIn+the+Loge" class="Z3988"></span></span> </li> <li id="cite_note-:3-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-:3_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:3_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:3_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:3_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:3_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:3_3-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:3_3-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPollock1988" class="citation book cs1">Pollock, Griselda (1988). <a rel="nofollow" class="external text" href="http://www.columbia.edu/itc/barnard/arthist/wolff/pdfs/week3_pollock.pdf">"Chapter 13: Modernity and the Spaces of Femininity"</a> <span class="cs1-format">(PDF)</span>. <a rel="nofollow" class="external text" href="https://books.google.com/books?id=XXSIo0jGC88C"><i>Vision and Difference: Femininity, Feminism and the Histories of Art</i></a>. London and New York: Routledge. pp. 70–127 [121–135 in the linked-to copy]. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0415007214" title="Special:BookSources/978-0415007214"><bdi>978-0415007214</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/17106755">17106755</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Chapter+13%3A+Modernity+and+the+Spaces+of+Femininity&rft.btitle=Vision+and+Difference%3A+Femininity%2C+Feminism+and+the+Histories+of+Art&rft.place=London+and+New+York&rft.pages=70-127+121-135+in+the+linked-to+copy&rft.pub=Routledge&rft.date=1988&rft_id=info%3Aoclcnum%2F17106755&rft.isbn=978-0415007214&rft.aulast=Pollock&rft.aufirst=Griselda&rft_id=http%3A%2F%2Fwww.columbia.edu%2Fitc%2Fbarnard%2Farthist%2Fwolff%2Fpdfs%2Fweek3_pollock.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AIn+the+Loge" class="Z3988"></span></span> </li> <li id="cite_note-:1-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLeppert2015" class="citation book cs1">Leppert, Richard (2015). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.1525/j.ctt19632sc"><i>Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film</i></a> (1 ed.). University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-28737-2" title="Special:BookSources/978-0-520-28737-2"><bdi>978-0-520-28737-2</bdi></a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.1525/j.ctt19632sc">10.1525/j.ctt19632sc</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Aesthetic+Technologies+of+Modernity%2C+Subjectivity%2C+and+Nature%3A+Opera%2C+Orchestra%2C+Phonograph%2C+Film&rft.edition=1&rft.pub=University+of+California+Press&rft.date=2015&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.1525%2Fj.ctt19632sc%23id-name%3DJSTOR&rft.isbn=978-0-520-28737-2&rft.aulast=Leppert&rft.aufirst=Richard&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.1525%2Fj.ctt19632sc&rfr_id=info%3Asid%2Fen.wikipedia.org%3AIn+the+Loge" class="Z3988"></span></span> </li> <li id="cite_note-:2-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-:2_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:2_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:2_5-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:2_5-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:2_5-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:2_5-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://collections.mfa.org/objects/31365">"In the Loge, Museum of Fine Arts, Boston"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=In+the+Loge%2C+Museum+of+Fine+Arts%2C+Boston&rft_id=https%3A%2F%2Fcollections.mfa.org%2Fobjects%2F31365&rfr_id=info%3Asid%2Fen.wikipedia.org%3AIn+the+Loge" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.khanacademy.org/humanities/becoming-modern/avant-garde-france/impressionism/v/mary-cassatt-in-the-loge-1878">"Cassatt, In the Loge (video) | Impressionism"</a>. Khan Academy<span class="reference-accessdate">. Retrieved <span class="nowrap">November 23,</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Cassatt%2C+In+the+Loge+%28video%29+%7C+Impressionism&rft.pub=Khan+Academy&rft_id=https%3A%2F%2Fwww.khanacademy.org%2Fhumanities%2Fbecoming-modern%2Favant-garde-france%2Fimpressionism%2Fv%2Fmary-cassatt-in-the-loge-1878&rfr_id=info%3Asid%2Fen.wikipedia.org%3AIn+the+Loge" class="Z3988"></span></span> </li> <li id="cite_note-:4-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-:4_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:4_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLorenz2003" class="citation book cs1 cs1-prop-long-vol">Lorenz, Dagmar (2003). <a rel="nofollow" class="external text" href="http://worldcat.org/oclc/1055583432"><i>A Companion to the Works of Arthur Schnitzler</i></a>. Vol. The Power of the Gaze. Camden House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-57113-213-9" title="Special:BookSources/1-57113-213-9"><bdi>1-57113-213-9</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/1055583432">1055583432</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Companion+to+the+Works+of+Arthur+Schnitzler&rft.pub=Camden+House&rft.date=2003&rft_id=info%3Aoclcnum%2F1055583432&rft.isbn=1-57113-213-9&rft.aulast=Lorenz&rft.aufirst=Dagmar&rft_id=http%3A%2F%2Fworldcat.org%2Foclc%2F1055583432&rfr_id=info%3Asid%2Fen.wikipedia.org%3AIn+the+Loge" class="Z3988"></span></span> </li> </ol></div></div> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output 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abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Mary_Cassatt" title="Template:Mary Cassatt"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Mary_Cassatt" title="Template talk:Mary Cassatt"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Mary_Cassatt" title="Special:EditPage/Template:Mary Cassatt"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Mary_Cassatt38" style="font-size:114%;margin:0 4em"><a href="/wiki/Mary_Cassatt" title="Mary Cassatt">Mary Cassatt</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Paintings</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/List_of_works_by_Mary_Cassatt" title="List of works by Mary Cassatt">List of works</a></li> <li><i><a href="/wiki/Little_Girl_in_a_Blue_Armchair" title="Little Girl in a Blue Armchair">Little Girl in a Blue Armchair</a></i> (1878)</li> <li><i><a href="/wiki/Lilacs_in_a_Window" title="Lilacs in a Window">Lilacs in a Window</a></i> (1879)</li> <li><i><a href="/wiki/Woman_with_a_Pearl_Necklace_in_a_Loge" title="Woman with a Pearl Necklace in a Loge">Woman with a Pearl Necklace in a Loge</a></i> (1879)</li> <li><i><a href="/wiki/The_Tea" title="The Tea">The Tea</a></i> (1879–1880)</li> <li><i><a href="/wiki/Lydia_Crocheting_in_the_Garden_at_Marly_(Mary_Cassatt)" title="Lydia Crocheting in the Garden at Marly (Mary Cassatt)">Lydia Crocheting in the Garden at Marly</a></i> (1880)</li> <li><i><a class="mw-selflink selflink">In the Loge</a></i> (1880)</li> <li><i><a href="/wiki/The_Cup_of_Tea" title="The Cup of Tea">The Cup of Tea</a></i> (1880–81)</li> <li><i><a href="/wiki/A_Woman_and_a_Girl_Driving" title="A Woman and a Girl Driving">A Woman and a Girl Driving</a></i> (1881)</li> <li><i><a href="/wiki/Lady_at_the_Tea_Table" title="Lady at the Tea Table">Lady at the Tea Table</a></i> (1883–1885)</li> <li><i><a href="/wiki/Girl_Arranging_Her_Hair" title="Girl Arranging Her Hair">Girl Arranging Her Hair</a></i> (1886)</li> <li><i><a href="/wiki/The_Boating_Party" title="The Boating Party">The Boating Party</a></i> (1893)</li> <li><i><a href="/wiki/The_Child%27s_Bath" title="The Child's Bath">The Child's Bath</a></i> (1893)</li> <li><i><a href="/wiki/Mother_and_Child_(Cassatt)" title="Mother and Child (Cassatt)">Mother and Child</a></i> (1898)</li> <li><i><a href="/wiki/Young_Mother_Sewing_(Mary_Cassatt)" title="Young Mother Sewing (Mary Cassatt)">Young Mother Sewing</a></i> (1900)</li> <li><i><a href="/wiki/Woman_with_a_Sunflower" title="Woman with a Sunflower">Woman with a Sunflower</a></i> (1905)</li></ul> </div></td><td class="noviewer navbox-image" rowspan="3" style="width:1px;padding:0 0 0 2px"><div><span typeof="mw:File"><a href="/wiki/File:Mary_Cassatt_-_Portrait_of_the_Artist_-_MMA_1975.319.1.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Mary_Cassatt_-_Portrait_of_the_Artist_-_MMA_1975.319.1.jpg/85px-Mary_Cassatt_-_Portrait_of_the_Artist_-_MMA_1975.319.1.jpg" decoding="async" width="85" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Mary_Cassatt_-_Portrait_of_the_Artist_-_MMA_1975.319.1.jpg/128px-Mary_Cassatt_-_Portrait_of_the_Artist_-_MMA_1975.319.1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Mary_Cassatt_-_Portrait_of_the_Artist_-_MMA_1975.319.1.jpg/170px-Mary_Cassatt_-_Portrait_of_the_Artist_-_MMA_1975.319.1.jpg 2x" data-file-width="1296" data-file-height="1827" /></a></span></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Prints</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Gardner_(Cassatt)_Held_by_His_Mother" title="Gardner (Cassatt) Held by His Mother">Gardner (Cassatt) Held by His Mother</a></i> (c. 1889)</li> <li><i><a href="/wiki/The_Coiffure" title="The Coiffure">The Coiffure</a></i> (1890–1891)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Alexander_Cassatt" title="Alexander Cassatt">Alexander Cassatt</a> (brother)</li> <li><a href="/wiki/SS_Mary_Cassatt" title="SS Mary Cassatt">SS <i>Mary Cassatt</i></a></li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?useformat=desktop&type=1x1&usesul3=0" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=In_the_Loge&oldid=1270900932">https://en.wikipedia.org/w/index.php?title=In_the_Loge&oldid=1270900932</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:1878_paintings" title="Category:1878 paintings">1878 paintings</a></li><li><a href="/wiki/Category:Paintings_by_Mary_Cassatt" title="Category:Paintings by Mary Cassatt">Paintings by Mary Cassatt</a></li><li><a href="/wiki/Category:Paintings_in_the_Museum_of_Fine_Arts,_Boston" title="Category:Paintings in the Museum of Fine Arts, Boston">Paintings in the Museum of Fine Arts, Boston</a></li></ul></div><div id="mw-hidden-catlinks" class="mw-hidden-catlinks mw-hidden-cats-hidden">Hidden categories: <ul><li><a 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