An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach

<!DOCTYPE html> <html lang="en"> <head> <meta charset="utf-8" /> <title>An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach</title>  <link rel="shortcut icon" type="image/ico" href="./data/ira/coversheet/favicon.ico" />  <meta name="viewport" content="width=device-width, maximum-scale=1, initial-scale=1, user-scalable=0" />   <meta name="keywords" content="Mural,Wall Painting,Valiasr Square,Sociology of Art,Pierre Bourdieu" /> <meta name="description" content="Introduction: As per Pierre Bourdieu's sociology of art, the wall paintings or the murals in Valiasr Square can be seen as a display of the role and significance of art in society and culture. These murals are not only considered as pieces of art but also as a means of communication and social interaction. Emphasizing the social role of art, Bourdieu believes that art is not only a creative act but also plays an important role in influencing societies and cultures. From this viewpoint, the wall paintings of Valiasr Square can act as a means to communicate with society and convey social, cultural, and artistic messages to the audience. Bourdieu is also concerned with the effects of power in society and believes that art can act as a means of confronting incompatible social and political powers. Therefore, the murals of Valiasr Square can be used as a public space for discussing and criticizing social and political issues. According to Bourdieu's analysis, the wall paintings of Valiasr Square in Tehran can act as a context for discussion and opinion exchange, which affects social behavior and attitudes in society. Also, these wall paintings may be known as a mirror to reflect society's issues and an opportunity to express different identities and opinions in the public space of citizens.Research Problem: After the revolution, the art field was reorganized in the country, and its connections with other fields and social spheres developed over time. Within this new field, artists and mural painters worked to build political, cultural, material, and artistic values, aiming to occupy a significant social space and adapt to changes. These specific features led to changes in the art of painting after the revolution (Zangi et al., 2011: 86). Sociology, on the other hand, is the scientific study of societies, social life, and the examination of the laws governing societies. The current research aims to examine wall paintings from a sociological perspective, focusing on their social impacts, communicative potential, and action potential rather than their physical definition. This article analyzes the murals in Valiasr Square based on Pierre Bourdieu's theory. The upcoming research will focus on the sociological study and analysis of these murals, aiming to understand how they represent social, cultural, economic, and symbolic relationships at national and international levels.Methodology: The upcoming research is descriptive-analytical in nature and method. The writer has used the findings from the research background to address the research questions. The information was collected from the library, including articles, books, and scientific documents, as well as from the global Internet network. Due to the large volume of murals in Valiasr Square, the author will selectively examine ten of them. Therefore, a non-probability sampling strategy will be used.Results: The artist is influenced by the conditions, events, and atmosphere of society through interactions with their surroundings. An analysis of the murals in Valiasr Square demonstrates the abundance of social, cultural, economic, and symbolic elements that display authority, solidarity, unity, and more. The artists have created insightful murals by incorporating these elements. Many of these wall paintings convey a significant cultural statement on an international level. In addition to utilizing social, cultural, and lleconomic values, the creators have employed symbolic worthiness through allegorization to enhance the impact on the audience. The subjects depicted in the Valiasr murals often reflect the conditions and events in national and international society.Valiasr Square is one of the most important squares in Tehran, famous for its historical and cultural significance. The wall paintings of this square play an important role in representing social, cultural, economic, and symbolic relations. They serve as a means of communication with society, drawing attention to social and cultural issues and conveying various messages, including social, cultural, artistic, and political ones. Situated in the heart of Tehran, the murals in Valiasr Square have a significant impact on the social and cultural fabric of the city and the country. They also symbolize Tehran and Iran on the international stage and contribute to promoting the cultural and historical identity of the region.Conclusion: Nowadays, murals serve as a medium for competing for economic, cultural, social, and symbolic influence. The research describes the different types of values involved, focusing on their impact on the wall paintings of Valiasr Square. The cultural representation of these wall paintings is influenced by current political and cultural attitudes that oppose Western and non-Iranian culture (Modernism). While economic values did not play a significant role in creating the Valiasr Square mural, the competition was centered on acquiring social, cultural, and symbolic values. These values are rooted in the ideals of the Islamic Revolution, defense of the Islamic homeland, and the importance of family. Therefore, it is reasonable to expect that symbolic, cultural, and social values have the largest impact on the murals." /> <meta name="title" content="An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach" /> <meta name="googlebot" content="NOODP" /> <meta name="citation_title" content="An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach" /> <meta name="citation_author" content="Rasoulipour, Somayeh" /> <meta name="citation_author_institution" content="Ph.D. Student in Art Research, Faculty of Art, Shahed University, Tehran, Iran" /> <meta name="citation_author" content="Ghazizadeh, Khashayar" /> <meta name="citation_author_institution" content="Associate Professor, Faculty of Arts, Shahed University, Tehran, Iran" /> <meta name="citation_abstract" content="Introduction: As per Pierre Bourdieu's sociology of art, the wall paintings or the murals in Valiasr Square can be seen as a display of the role and significance of art in society and culture. These murals are not only considered as pieces of art but also as a means of communication and social interaction. Emphasizing the social role of art, Bourdieu believes that art is not only a creative act but also plays an important role in influencing societies and cultures. From this viewpoint, the wall paintings of Valiasr Square can act as a means to communicate with society and convey social, cultural, and artistic messages to the audience. Bourdieu is also concerned with the effects of power in society and believes that art can act as a means of confronting incompatible social and political powers. Therefore, the murals of Valiasr Square can be used as a public space for discussing and criticizing social and political issues. According to Bourdieu's analysis, the wall paintings of Valiasr Square in Tehran can act as a context for discussion and opinion exchange, which affects social behavior and attitudes in society. Also, these wall paintings may be known as a mirror to reflect society's issues and an opportunity to express different identities and opinions in the public space of citizens.Research Problem: After the revolution, the art field was reorganized in the country, and its connections with other fields and social spheres developed over time. Within this new field, artists and mural painters worked to build political, cultural, material, and artistic values, aiming to occupy a significant social space and adapt to changes. These specific features led to changes in the art of painting after the revolution (Zangi et al., 2011: 86). Sociology, on the other hand, is the scientific study of societies, social life, and the examination of the laws governing societies. The current research aims to examine wall paintings from a sociological perspective, focusing on their social impacts, communicative potential, and action potential rather than their physical definition. This article analyzes the murals in Valiasr Square based on Pierre Bourdieu's theory. The upcoming research will focus on the sociological study and analysis of these murals, aiming to understand how they represent social, cultural, economic, and symbolic relationships at national and international levels.Methodology: The upcoming research is descriptive-analytical in nature and method. The writer has used the findings from the research background to address the research questions. The information was collected from the library, including articles, books, and scientific documents, as well as from the global Internet network. Due to the large volume of murals in Valiasr Square, the author will selectively examine ten of them. Therefore, a non-probability sampling strategy will be used.Results: The artist is influenced by the conditions, events, and atmosphere of society through interactions with their surroundings. An analysis of the murals in Valiasr Square demonstrates the abundance of social, cultural, economic, and symbolic elements that display authority, solidarity, unity, and more. The artists have created insightful murals by incorporating these elements. Many of these wall paintings convey a significant cultural statement on an international level. In addition to utilizing social, cultural, and lleconomic values, the creators have employed symbolic worthiness through allegorization to enhance the impact on the audience. The subjects depicted in the Valiasr murals often reflect the conditions and events in national and international society.Valiasr Square is one of the most important squares in Tehran, famous for its historical and cultural significance. The wall paintings of this square play an important role in representing social, cultural, economic, and symbolic relations. They serve as a means of communication with society, drawing attention to social and cultural issues and conveying various messages, including social, cultural, artistic, and political ones. Situated in the heart of Tehran, the murals in Valiasr Square have a significant impact on the social and cultural fabric of the city and the country. They also symbolize Tehran and Iran on the international stage and contribute to promoting the cultural and historical identity of the region.Conclusion: Nowadays, murals serve as a medium for competing for economic, cultural, social, and symbolic influence. The research describes the different types of values involved, focusing on their impact on the wall paintings of Valiasr Square. The cultural representation of these wall paintings is influenced by current political and cultural attitudes that oppose Western and non-Iranian culture (Modernism). While economic values did not play a significant role in creating the Valiasr Square mural, the competition was centered on acquiring social, cultural, and symbolic values. These values are rooted in the ideals of the Islamic Revolution, defense of the Islamic homeland, and the importance of family. Therefore, it is reasonable to expect that symbolic, cultural, and social values have the largest impact on the murals." /> <meta name="citation_id" content="7940" /> <meta name="citation_publication_date" content="2024/08/17" /> <meta name="citation_date" content="2024-08-17" /> <meta name="citation_journal_title" content="Interdisciplinary Researches of Art" /> <meta name="citation_issn" content="3060-7043" /> <meta name="citation_volume" content="2" /> <meta name="citation_issue" content="1" /> <meta name="citation_firstpage" content="159" /> <meta name="citation_lastpage" content="176" /> <meta name="citation_publisher" content="University of Guilan" /> <meta name="citation_doi" content="10.22124/ira.2024.28015.1023" /> <meta name="DC.Identifier" content="10.22124/ira.2024.28015.1023" /> <meta name="citation_abstract_html_url" content="https://ira.guilan.ac.ir/article_7940_en.html" /> <meta name="citation_pdf_url" content="https://ira.guilan.ac.ir/article_7940_66cd39a390f43d046ca706e6c70e2f7d.pdf" /> <meta name="DC.Title" content="An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach" /> <meta name="DC.Source" content="Interdisciplinary Researches of Art" /> <meta name="DC.Date" content="17/08/2024" /> <meta name="DC.Date.issued" content="2024-08-17" /> <meta name="DC.Format" content="application/pdf" /> <meta name="DC.Contributor" content="Rasoulipour, Somayeh" /> <meta name="DC.Contributor" content="Ghazizadeh, Khashayar" /> <meta name="og:title" content="An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach" /> <meta name="og:description" content="Introduction: As per Pierre Bourdieu's sociology of art, the wall paintings or the murals in Valiasr Square can be seen as a display of the role and significance of art in society and culture. These murals are not only considered as pieces of art but also as a means of communication and social interaction. Emphasizing the social role of art, Bourdieu believes that art is not only a creative act but also plays an important role in influencing societies and cultures. From this viewpoint, the wall paintings of Valiasr Square can act as a means to communicate with society and convey social, cultural, and artistic messages to the audience. Bourdieu is also concerned with the effects of power in society and believes that art can act as a means of confronting incompatible social and political powers. Therefore, the murals of Valiasr Square can be used as a public space for discussing and criticizing social and political issues. According to Bourdieu's analysis, the wall paintings of Valiasr Square in Tehran can act as a context for discussion and opinion exchange, which affects social behavior and attitudes in society. Also, these wall paintings may be known as a mirror to reflect society's issues and an opportunity to express different identities and opinions in the public space of citizens.Research Problem: After the revolution, the art field was reorganized in the country, and its connections with other fields and social spheres developed over time. Within this new field, artists and mural painters worked to build political, cultural, material, and artistic values, aiming to occupy a significant social space and adapt to changes. These specific features led to changes in the art of painting after the revolution (Zangi et al., 2011: 86). Sociology, on the other hand, is the scientific study of societies, social life, and the examination of the laws governing societies. The current research aims to examine wall paintings from a sociological perspective, focusing on their social impacts, communicative potential, and action potential rather than their physical definition. This article analyzes the murals in Valiasr Square based on Pierre Bourdieu's theory. The upcoming research will focus on the sociological study and analysis of these murals, aiming to understand how they represent social, cultural, economic, and symbolic relationships at national and international levels.Methodology: The upcoming research is descriptive-analytical in nature and method. The writer has used the findings from the research background to address the research questions. The information was collected from the library, including articles, books, and scientific documents, as well as from the global Internet network. Due to the large volume of murals in Valiasr Square, the author will selectively examine ten of them. Therefore, a non-probability sampling strategy will be used.Results: The artist is influenced by the conditions, events, and atmosphere of society through interactions with their surroundings. An analysis of the murals in Valiasr Square demonstrates the abundance of social, cultural, economic, and symbolic elements that display authority, solidarity, unity, and more. The artists have created insightful murals by incorporating these elements. Many of these wall paintings convey a significant cultural statement on an international level. In addition to utilizing social, cultural, and lleconomic values, the creators have employed symbolic worthiness through allegorization to enhance the impact on the audience. The subjects depicted in the Valiasr murals often reflect the conditions and events in national and international society.Valiasr Square is one of the most important squares in Tehran, famous for its historical and cultural significance. The wall paintings of this square play an important role in representing social, cultural, economic, and symbolic relations. They serve as a means of communication with society, drawing attention to social and cultural issues and conveying various messages, including social, cultural, artistic, and political ones. Situated in the heart of Tehran, the murals in Valiasr Square have a significant impact on the social and cultural fabric of the city and the country. They also symbolize Tehran and Iran on the international stage and contribute to promoting the cultural and historical identity of the region.Conclusion: Nowadays, murals serve as a medium for competing for economic, cultural, social, and symbolic influence. The research describes the different types of values involved, focusing on their impact on the wall paintings of Valiasr Square. The cultural representation of these wall paintings is influenced by current political and cultural attitudes that oppose Western and non-Iranian culture (Modernism). While economic values did not play a significant role in creating the Valiasr Square mural, the competition was centered on acquiring social, cultural, and symbolic values. These values are rooted in the ideals of the Islamic Revolution, defense of the Islamic homeland, and the importance of family. Therefore, it is reasonable to expect that symbolic, cultural, and social values have the largest impact on the murals." /> <meta name="og:url" content="https://ira.guilan.ac.ir/article_7940_en.html" />  <link href="./themes/base/front/assets/css/social-icon-font.css" rel="stylesheet" type="text/css" />  <link href="./themes/base/front/assets/plugins/bootstrap/css/bootstrap.min.css?v=0.02" rel="stylesheet" type="text/css" /> <link href="./themes/old/front/assets/css/header.css?v=0.05" rel="stylesheet" type="text/css" /> <link href="./themes/old/front/assets/css/footer.css" rel="stylesheet" type="text/css" /> <link href="./inc/css/essentials.css?v=0.2" rel="stylesheet" type="text/css" /> <link href="./inc/css/cookieconsent.min.css" rel="stylesheet" type="text/css" /> <link href="./inc/css/print.css" rel="stylesheet" type="text/css" media="print"/>  <link href="./themes/base/front/assets/plugins/bootstrap/css/bootstrap-ltr.min.css" rel="stylesheet" type="text/css" /> <link href=" 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target="_blank">An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach</a></span></h1> <div> <div class="margin-bottom-3"> </div> <p class="margin-bottom-3">Document Type : Original Article</p> <p class="padding-0" style="margin:12px -2px 0 -2px"><strong>Authors</strong></p> <ul class="list-inline list-inline-seprator margin-bottom-6 ltr"> <li class="padding-3"> <a href="./?_action=article&au=69110&_au=Somayeh++Rasoulipour&lang=en">Somayeh Rasoulipour</a> <sup class="ltr"><a class=" text-green" href="https://www.orcid.org/0000-0003-2355-8624" data-toggle="tooltip" data-placement="bottom" data-html="true" title="ORCID: 0000-0003-2355-8624" target="_blank"><i class="ai ai-orcid size-13" ></i></a></sup> <sup><a href="#aff1" >1</a></sup> </li> <li class="padding-3"> <a href="./?_action=article&au=66312&_au=Khashayar++Ghazizadeh&lang=en">Khashayar Ghazizadeh</a> <sup><a href="mailto:ghazizadeh@shahed.ac.ir" data-toggle="tooltip" data-placement="bottom" title="Email to Corresponding Author"><i class="fa fa-envelope-o" ></i></a></sup> <sup class="ltr"><a class=" text-green" href="https://www.orcid.org/0009-0001-8845-2786" data-toggle="tooltip" data-placement="bottom" data-html="true" title="ORCID: 0009-0001-8845-2786" target="_blank"><i class="ai ai-orcid size-13" ></i></a></sup> <sup><a href="#aff2" >2</a></sup> </li> </ul> <p class="margin-bottom-3 ltr" id="aff1"> <sup>1</sup> Ph.D. Student in Art Research, Faculty of Art, Shahed University, Tehran, Iran </p> <p class="margin-bottom-3 ltr" id="aff2"> <sup>2</sup> Associate Professor, Faculty of Arts, Shahed University, Tehran, Iran </p> <div class="margin-bottom-3 ltr" id="ar_doi" title="DOI"><i class="ai ai-doi size-25 text-orange"></i> <span dir="ltr">10.22124/ira.2024.28015.1023</span></div> <p style="margin:12px -2px 0 -2px"><strong>Abstract</strong></p> <div class="padding_abstract justify ltr"><strong>Introduction:</strong> As per Pierre Bourdieu's sociology of art, the wall paintings or the murals in Valiasr Square can be seen as a display of the role and significance of art in society and culture. These murals are not only considered as pieces of art but also as a means of communication and social interaction. Emphasizing the social role of art, Bourdieu believes that art is not only a creative act but also plays an important role in influencing societies and cultures. From this viewpoint, the wall paintings of Valiasr Square can act as a means to communicate with society and convey social, cultural, and artistic messages to the audience. Bourdieu is also concerned with the effects of power in society and believes that art can act as a means of confronting incompatible social and political powers. Therefore, the murals of Valiasr Square can be used as a public space for discussing and criticizing social and political issues. According to Bourdieu's analysis, the wall paintings of Valiasr Square in Tehran can act as a context for discussion and opinion exchange, which affects social behavior and attitudes in society. Also, these wall paintings may be known as a mirror to reflect society's issues and an opportunity to express different identities and opinions in the public space of citizens.<br /><strong>Research Problem:</strong> After the revolution, the art field was reorganized in the country, and its connections with other fields and social spheres developed over time. Within this new field, artists and mural painters worked to build political, cultural, material, and artistic values, aiming to occupy a significant social space and adapt to changes. These specific features led to changes in the art of painting after the revolution (Zangi et al., 2011: 86). Sociology, on the other hand, is the scientific study of societies, social life, and the examination of the laws governing societies. The current research aims to examine wall paintings from a sociological perspective, focusing on their social impacts, communicative potential, and action potential rather than their physical definition. This article analyzes the murals in Valiasr Square based on Pierre Bourdieu's theory. The upcoming research will focus on the sociological study and analysis of these murals, aiming to understand how they represent social, cultural, economic, and symbolic relationships at national and international levels.<br /><strong>Methodology: </strong>The upcoming research is descriptive-analytical in nature and method. The writer has used the findings from the research background to address the research questions. The information was collected from the library, including articles, books, and scientific documents, as well as from the global Internet network. Due to the large volume of murals in Valiasr Square, the author will selectively examine ten of them. Therefore, a non-probability sampling strategy will be used.<br /><strong>Results:</strong> The artist is influenced by the conditions, events, and atmosphere of society through interactions with their surroundings. An analysis of the murals in Valiasr Square demonstrates the abundance of social, cultural, economic, and symbolic elements that display authority, solidarity, unity, and more. The artists have created insightful murals by incorporating these elements. Many of these wall paintings convey a significant cultural statement on an international level. In addition to utilizing social, cultural, and lleconomic values, the creators have employed symbolic worthiness through allegorization to enhance the impact on the audience. The subjects depicted in the Valiasr murals often reflect the conditions and events in national and international society.<br />Valiasr Square is one of the most important squares in Tehran, famous for its historical and cultural significance. The wall paintings of this square play an important role in representing social, cultural, economic, and symbolic relations. They serve as a means of communication with society, drawing attention to social and cultural issues and conveying various messages, including social, cultural, artistic, and political ones. Situated in the heart of Tehran, the murals in Valiasr Square have a significant impact on the social and cultural fabric of the city and the country. They also symbolize Tehran and Iran on the international stage and contribute to promoting the cultural and historical identity of the region.<br /><strong>Conclusion:</strong> Nowadays, murals serve as a medium for competing for economic, cultural, social, and symbolic influence. The research describes the different types of values involved, focusing on their impact on the wall paintings of Valiasr Square. The cultural representation of these wall paintings is influenced by current political and cultural attitudes that oppose Western and non-Iranian culture (Modernism). While economic values did not play a significant role in creating the Valiasr Square mural, the competition was centered on acquiring social, cultural, and symbolic values. These values are rooted in the ideals of the Islamic Revolution, defense of the Islamic homeland, and the importance of family. Therefore, it is reasonable to expect that symbolic, cultural, and social values have the largest impact on the murals.</div> <p class="padding-0" style="margin:12px -2px 0 -2px"><strong>Keywords</strong></p> <ul class="block list-inline list-inline-seprator margin-bottom-6 ltr"> <li class="padding-3"> <a class="tag_a" href="./?_action=article&kw=34972&_kw=Mural&lang=en" >Mural</a> </li> <li class="padding-3"> <a class="tag_a" href="./?_action=article&kw=34973&_kw=Wall+Painting&lang=en" >Wall Painting</a> </li> <li class="padding-3"> <a class="tag_a" href="./?_action=article&kw=34974&_kw=Valiasr+Square&lang=en" >Valiasr Square</a> </li> <li class="padding-3"> <a class="tag_a" href="./?_action=article&kw=34975&_kw=Sociology+of+Art&lang=en" >Sociology of Art</a> </li> <li class="padding-3"> <a class="tag_a" href="./?_action=article&kw=31428&_kw=Pierre+Bourdieu&lang=en" >Pierre Bourdieu</a> </li> </ul> <p class="padding-0" style="margin:12px -2px 0 -2px"><strong>Main Subjects</strong></p> <ul class="block list-inline list-inline-seprator margin-bottom-6"> <li class="padding-3"> <a href="./?_action=article&sb=94&_sb=Sociology+of+Art&lang=en" >Sociology of Art</a> </li> </ul> </div> <hr> <div class="page_break"></div> <div class="panel"> <div class="panel-heading card-header"> <h4 class="panel-title "> <a data-toggle="collapse" data-parent="#accordions" href="#collapsesRef"><i class="fa fa-plus"></i> References</a> </h4> </div> <div id="collapsesRef" class="panel-collapse collapse"> <div class="panel-body justify"> <div class="padding-3 margin-top-3 ltr justify">Bai, M., Vahidian, M. & Mahmoudi Bakhtiari, B. 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(2022).  Investigating the effect of internalized cultural capital on the trendency towards modernism in the youth of Khorramabad. Journal of Cultural Management, 16 (57), 145-162. (In Persian) </div> <div class="padding-3 margin-top-3 ltr justify">Zaki, M. A. (2015). Investigating the social capital of women and the social factors affecting it (the case of female students of Payam Noor University of Isfahan). Women and Families Cultural-Educational Journal, 9 (30), 53-78. (In Persian) </div> <div class="padding-3 margin-top-3 ltr justify">Zangi, B. (2016). Narrating Lanscape in Wall Painting. Manzar, 8 (35), 40-49. (In Persian) </div> <div class="padding-3 margin-top-3 ltr justify">Zangi, B. (2021). Examining the mutual effects of the fields of art and religion in contemporary Iranian mural painting with the approach of Pierre Bourdieu's sociology, 9th National Literary Textual Research Conference. 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(In Persian) </div> <div class="padding-3 margin-top-3 ltr justify">URL 1: Moghader- Mehdi (mashreghnews.ir: 2018) </div> <div class="padding-3 margin-top-3 ltr justify">URL 2: Jam-e-Jam newspaper (irna.ir: 2019) </div> <div class="padding-3 margin-top-3 ltr justify">URL 3: https://owjmedia.org</div> </div> </div> </div> </div> </div>   <div class="col-lg-3 col-md-3 col-sm-4"> <div class="panel panel-default my_panel-default margin-bottom-10"> <div class="panel-body ar_info_pnl" id="ar_info_pnl_cover"> <div id="pnl_cover"> <div class="row" > <div class="col-xs-6 col-md-6 nomargin-bottom"> <a href="javascript:loadModal('Interdisciplinary Researches of Art', './data/ira/coversheet/871728727898.png')"> <img src="data/ira/coversheet/871728727898.png" alt="Interdisciplinary Researches of Art" style="width: 100%;"> </a> </div> <div class="col-xs-6 col-md-6 nomargin-bottom"> <h6><a href="./issue_1081_1082.html?lang=en">Volume 2, Issue 1 - Serial Number 2</a><br/>July 2024<div 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class="modal-title" id="myModalLabel">APA</h4> </div>  <div class="modal-body"> <p>Rasoulipour, S., & Ghazizadeh, K. (2024). An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach. <em>Interdisciplinary Researches of Art</em>, <em>2</em>(1), 159-176. doi: 10.22124/ira.2024.28015.1023</p> </div> </div> </div> </div> <div id="cite-mla" class="modal fade" tabindex="-1" role="dialog" aria-labelledby="myModalLabel" aria-hidden="true"> <div class="modal-dialog"> <div class="modal-content">  <div class="modal-header"> <button type="button" class="close" data-dismiss="modal" aria-label="Close"><span aria-hidden="true">×</span></button> <h4 class="modal-title" id="myModalLabel">MLA</h4> </div>  <div class="modal-body"> <p>Somayeh Rasoulipour; Khashayar Ghazizadeh. "An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach". <em>Interdisciplinary Researches of Art</em>, 2, 1, 2024, 159-176. doi: 10.22124/ira.2024.28015.1023</p> </div> </div> </div> </div> <div id="cite-harvard" class="modal fade" tabindex="-1" role="dialog" aria-labelledby="myModalLabel" aria-hidden="true"> <div class="modal-dialog"> <div class="modal-content">  <div class="modal-header"> <button type="button" class="close" data-dismiss="modal" aria-label="Close"><span aria-hidden="true">×</span></button> <h4 class="modal-title" id="myModalLabel">HARVARD</h4> </div>  <div class="modal-body"> <p>Rasoulipour, S., Ghazizadeh, K. (2024). 'An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach', <em>Interdisciplinary Researches of Art</em>, 2(1), pp. 159-176. doi: 10.22124/ira.2024.28015.1023</p> </div> </div> </div> </div> <div id="cite-vancouver" class="modal fade" tabindex="-1" role="dialog" aria-labelledby="myModalLabel" aria-hidden="true"> <div class="modal-dialog"> <div class="modal-content">  <div class="modal-header"> <button type="button" class="close" data-dismiss="modal" aria-label="Close"><span aria-hidden="true">×</span></button> <h4 class="modal-title" id="myModalLabel">VANCOUVER</h4> </div>  <div class="modal-body"> <p>Rasoulipour, S., Ghazizadeh, K. An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach. <em>Interdisciplinary Researches of Art</em>, 2024; 2(1): 159-176. doi: 10.22124/ira.2024.28015.1023</p> </div> </div> </div> </div> </div> </div>   <section class="alternate padding-xxs"> </section>   <div class="container"> <footer id="footer"> <div class="scrollup" id="scroll" href="#"><span></span></div> <div class="row"> <div class="col-md-2">  <h4 class="">Explore Journal</h4> <ul class="footer-links list-unstyled"> <li id="fli_home"><a href="./?lang=en">Home</a></li> <li id="fli_about"><a href="./journal/about?lang=en">About Journal</a></li> <li id="fli_Edb"><a href="./journal/editorial.board?lang=en">Editorial Board</a></li> <li id="fli_submit"><a href="./author?lang=en">Submit Manuscript</a></li> <li id="fli_contactus"><a href="./journal/contact.us?lang=en">Contact Us</a></li> <li id="fli_glossary"><a href="./journal/glossary?lang=en">Glossary</a></li> <li id="fli_sitemap"><a href="./sitemap.xml?usr&lang=en">Sitemap</a></li> </ul>  </div> <div class="col-md-3">  <h4 class="">Latest News</h4> <ul class="footer-posts list-unstyled"> </ul>  </div> <div class="col-md-3">  <div></div>  </div> <div class="col-md-4">  <h4 class="">Newsletter Subscription</h4> <p>Subscribe to the journal newsletter and receive the latest news and updates</p> <form class="validate" action="" method="post" data-success="Subscription saved successfully." data-toastr-position="bottom-right"><input type="hidden" name="lang" value="en" /> <input type="hidden" name="_token" value="e4385c86327eb08946559168cc82a2713d0a7a565a2685e3"/> <div class="input-group"> <span class="input-group-addon"><i class="fa fa-envelope"></i></span> <input type="email" id="email" name="email" required="required" class="form-control required sbs_email" placeholder="Enter your Email" oninvalid="this.setCustomValidity('Enter a valid email address.')" oninput="this.setCustomValidity('')"> <span class="input-group-btn"> <button class="btn btn-primary mybtn" type="submit">Subscribe</button> </span> </div> </form>   <div class="margin-top-20"> <a class="noborder" href="https://www.linkedin.com/in/journalofira/" target="_blank" class="social-icon social-icon-border social-facebook pull-left block" data-toggle="tooltip" data-placement="top" title="Linkedin"> <i class="fa fa-linkedin-square" aria-hidden="true"></i> </a> <a class="noborder" href="https://guilan.academia.edu/ira" target="_blank" class="social-icon social-icon-border social-facebook pull-left block" data-toggle="tooltip" data-placement="top" title="Academia"> <i class="ai ai-academia"></i> </a> <a class="noborder" href="./ju.rss?lang=en" class="social-icon social-icon-border social-rss pull-left block" data-toggle="tooltip" data-placement="top" title="Rss"><i class="fa fa-rss-square" aria-hidden="true"></i></a> </div> </div> </div> <div class="copyright" style="position: relative"> <ul class="nomargin list-inline mobile-block"> <li>© Journal Management System. <span id='sp_crt'>Powered by <a target='_blank' href='https://www.sinaweb.net/'>Sinaweb</a></span></li> </ul> </div> </footer> </div>  </div>   <a href="#" id="toTop_old"></a>  <div id="preloader"> <div class="inner"> <span class="loader"></span> </div> </div>  <script type="text/javascript">var plugin_path = './themes/base/front/assets/plugins/';</script> <script type="text/javascript" src="./themes/base/front/assets/js/scripts.js?v=0.08"></script>   <script type="text/javascript"> $('ul.nav li.dropdown').hover(function() { if (window.matchMedia('(max-width: 767px)').matches) return; $(this).find('.dropdown-menu').stop(true, true).delay(200).fadeIn(500); }, function() { if (window.matchMedia('(max-width: 767px)').matches) return; $(this).find('.dropdown-menu').stop(true, true).delay(200).fadeOut(500); }); var btn = $('#toTop_old'); $(window).scroll(function() { if ($(window).scrollTop() > 300) { btn.addClass('show'); } else { btn.removeClass('show'); } }); btn.on('click', function(e) { e.preventDefault(); $('html, body').animate({scrollTop:0}, '300'); }); window.cookieconsent.initialise({ "palette": { "popup": { "background": "#222" }, "button": { "background": "#f1d600" } }, "content": { "message": "This website uses cookies to ensure you get the best experience on our website.", "dismiss": "Got it!", "link": "" } }); </script> </body> </html><div id="actn_modal" class="modal fade" tabindex="-1"> <div id="" class="modal-dialog modal-dialog madal-aw"> <div class="modal-content"> <div class="modal-header"> <button type="button" class="close pull-right" data-dismiss="modal" aria-hidden="true" href="#lost">×</button> <h5 class="modal-title"></h5> </div> <div class="modal-body"></div> <div class="modal-footer"></div> </div> </div> </div>

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An Analysis of Wall Paintings in Valiasr Square Using Pierre Bourdieu's Sociology of Art Approach