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class="vector-toc-numb">2</span> <span>Roman period</span> </div> </a> <ul id="toc-Roman_period-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Medieval_Serbian_art" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Medieval_Serbian_art"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Medieval Serbian art</span> </div> </a> <button aria-controls="toc-Medieval_Serbian_art-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Medieval Serbian art subsection</span> </button> <ul id="toc-Medieval_Serbian_art-sublist" class="vector-toc-list"> <li id="toc-Fresco_paintings" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Fresco_paintings"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Fresco paintings</span> </div> </a> <ul id="toc-Fresco_paintings-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-16th_and_17th_centuries" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#16th_and_17th_centuries"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>16th and 17th centuries</span> </div> </a> <ul id="toc-16th_and_17th_centuries-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Baroque_(18th_century)" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Baroque_(18th_century)"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Baroque (18th century)</span> </div> </a> <ul id="toc-Baroque_(18th_century)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-19th-century_painting_and_drawing" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#19th-century_painting_and_drawing"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>19th-century painting and drawing</span> </div> </a> <ul id="toc-19th-century_painting_and_drawing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Applied_art_and_design" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Applied_art_and_design"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Applied art and design</span> </div> </a> <ul id="toc-Applied_art_and_design-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Modern_visual_arts" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Modern_visual_arts"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Modern visual arts</span> </div> </a> <ul id="toc-Modern_visual_arts-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Contemporary_art" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Contemporary_art"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Contemporary art</span> </div> </a> <ul id="toc-Contemporary_art-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Performance_art" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Performance_art"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>Performance art</span> </div> </a> <ul id="toc-Performance_art-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> <span class="vector-toc-numb">13</span> <span>Further reading</span> </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">14</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Serbian art</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 14 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-14" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">14 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A7%D9%84%D9%81%D9%86_%D8%A7%D9%84%D8%B5%D8%B1%D8%A8%D9%8A" title="الفن الصربي – Arabic" lang="ar" hreflang="ar" data-title="الفن الصربي" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-ba mw-list-item"><a href="https://ba.wikipedia.org/wiki/%D0%A1%D0%B5%D1%80%D0%B1_%D1%81%D3%99%D0%BD%D2%93%D3%99%D1%82%D0%B5" title="Серб сәнғәте – Bashkir" lang="ba" hreflang="ba" data-title="Серб сәнғәте" data-language-autonym="Башҡортса" data-language-local-name="Bashkir" class="interlanguage-link-target"><span>Башҡортса</span></a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%A1%D0%B5%D1%80%D0%B1%D1%81%D0%BA%D0%B0%D0%B5_%D0%BC%D0%B0%D1%81%D1%82%D0%B0%D1%86%D1%82%D0%B2%D0%B0" title="Сербскае мастацтва – Belarusian" lang="be" hreflang="be" data-title="Сербскае мастацтва" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target"><span>Беларуская</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%A3%CE%B5%CF%81%CE%B2%CE%B9%CE%BA%CE%AE_%CF%84%CE%AD%CF%87%CE%BD%CE%B7" title="Σερβική τέχνη – Greek" lang="el" hreflang="el" data-title="Σερβική τέχνη" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Arte_de_Serbia" title="Arte de Serbia – Spanish" lang="es" hreflang="es" data-title="Arte de Serbia" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D5%8D%D5%A5%D6%80%D5%A2%D5%A1%D5%AF%D5%A1%D5%B6_%D5%A1%D6%80%D5%BE%D5%A5%D5%BD%D5%BF" title="Սերբական արվեստ – Armenian" lang="hy" hreflang="hy" data-title="Սերբական արվեստ" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Arte_serba" title="Arte serba – Italian" lang="it" hreflang="it" data-title="Arte serba" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%A1%E1%83%94%E1%83%A0%E1%83%91%E1%83%A3%E1%83%9A%E1%83%98_%E1%83%AE%E1%83%94%E1%83%9A%E1%83%9D%E1%83%95%E1%83%9C%E1%83%94%E1%83%91%E1%83%90" title="სერბული ხელოვნება – Georgian" lang="ka" hreflang="ka" data-title="სერბული ხელოვნება" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%A1%D1%80%D0%BF%D1%81%D0%BA%D0%B0_%D1%83%D0%BC%D0%B5%D1%82%D0%BD%D0%BE%D1%81%D1%82" title="Српска уметност – Macedonian" lang="mk" hreflang="mk" data-title="Српска уметност" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-pa mw-list-item"><a href="https://pa.wikipedia.org/wiki/%E0%A8%B8%E0%A8%B0%E0%A8%AC%E0%A9%80%E0%A8%86%E0%A8%88_%E0%A8%95%E0%A8%B2%E0%A8%BE" title="ਸਰਬੀਆਈ ਕਲਾ – Punjabi" lang="pa" hreflang="pa" data-title="ਸਰਬੀਆਈ ਕਲਾ" data-language-autonym="ਪੰਜਾਬੀ" data-language-local-name="Punjabi" class="interlanguage-link-target"><span>ਪੰਜਾਬੀ</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%A1%D0%B5%D1%80%D0%B1%D1%81%D0%BA%D0%BE%D0%B5_%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%BE" title="Сербское искусство – Russian" lang="ru" hreflang="ru" data-title="Сербское искусство" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/Arti_serb" title="Arti serb – Albanian" lang="sq" hreflang="sq" data-title="Arti serb" data-language-autonym="Shqip" data-language-local-name="Albanian" class="interlanguage-link-target"><span>Shqip</span></a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%A1%D1%80%D0%BF%D1%81%D0%BA%D0%B0_%D1%83%D0%BC%D0%B5%D1%82%D0%BD%D0%BE%D1%81%D1%82" title="Српска уметност – Serbian" lang="sr" hreflang="sr" data-title="Српска уметност" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target"><span>Српски / srpski</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%A1%D0%B5%D1%80%D0%B1%D1%81%D1%8C%D0%BA%D0%B5_%D0%BC%D0%B8%D1%81%D1%82%D0%B5%D1%86%D1%82%D0%B2%D0%BE" title="Сербське мистецтво – Ukrainian" lang="uk" hreflang="uk" data-title="Сербське мистецтво" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q3624159#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> <div class="vector-page-toolbar-container"> <div id="left-navigation"> <nav aria-label="Namespaces"> <div id="p-associated-pages" class="vector-menu vector-menu-tabs mw-portlet mw-portlet-associated-pages" > <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li id="ca-nstab-main" class="selected vector-tab-noicon mw-list-item"><a href="/wiki/Serbian_art" title="View the content page [c]" accesskey="c"><span>Article</span></a></li><li id="ca-talk" class="vector-tab-noicon mw-list-item"><a href="/wiki/Talk:Serbian_art" rel="discussion" title="Discuss improvements to the 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id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><p class="mw-empty-elt"> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Beli_andjeo2.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Beli_andjeo2.jpg/220px-Beli_andjeo2.jpg" decoding="async" width="220" height="192" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Beli_andjeo2.jpg/330px-Beli_andjeo2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/88/Beli_andjeo2.jpg/440px-Beli_andjeo2.jpg 2x" data-file-width="569" data-file-height="497" /></a><figcaption>The <a href="/wiki/White_Angel" title="White Angel">White Angel</a> fresco from <a href="/wiki/Mile%C5%A1eva_Monastery" title="Mileševa Monastery">Mileševa Monastery</a> (1235)</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Manastir_Visoki_De%C4%8Dani_(%D0%9C%D0%B0%D0%BD%D0%B0%D1%81%D1%82%D0%B8%D1%80_%D0%92%D0%B8%D1%81%D0%BE%D0%BA%D0%B8_%D0%94%D0%B5%D1%87%D0%B0%D0%BD%D0%B8)_-_by_Pudelek..jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Manastir_Visoki_De%C4%8Dani_%28%D0%9C%D0%B0%D0%BD%D0%B0%D1%81%D1%82%D0%B8%D1%80_%D0%92%D0%B8%D1%81%D0%BE%D0%BA%D0%B8_%D0%94%D0%B5%D1%87%D0%B0%D0%BD%D0%B8%29_-_by_Pudelek..jpg/220px-Manastir_Visoki_De%C4%8Dani_%28%D0%9C%D0%B0%D0%BD%D0%B0%D1%81%D1%82%D0%B8%D1%80_%D0%92%D0%B8%D1%81%D0%BE%D0%BA%D0%B8_%D0%94%D0%B5%D1%87%D0%B0%D0%BD%D0%B8%29_-_by_Pudelek..jpg" decoding="async" width="220" height="176" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Manastir_Visoki_De%C4%8Dani_%28%D0%9C%D0%B0%D0%BD%D0%B0%D1%81%D1%82%D0%B8%D1%80_%D0%92%D0%B8%D1%81%D0%BE%D0%BA%D0%B8_%D0%94%D0%B5%D1%87%D0%B0%D0%BD%D0%B8%29_-_by_Pudelek..jpg/330px-Manastir_Visoki_De%C4%8Dani_%28%D0%9C%D0%B0%D0%BD%D0%B0%D1%81%D1%82%D0%B8%D1%80_%D0%92%D0%B8%D1%81%D0%BE%D0%BA%D0%B8_%D0%94%D0%B5%D1%87%D0%B0%D0%BD%D0%B8%29_-_by_Pudelek..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Manastir_Visoki_De%C4%8Dani_%28%D0%9C%D0%B0%D0%BD%D0%B0%D1%81%D1%82%D0%B8%D1%80_%D0%92%D0%B8%D1%81%D0%BE%D0%BA%D0%B8_%D0%94%D0%B5%D1%87%D0%B0%D0%BD%D0%B8%29_-_by_Pudelek..jpg/440px-Manastir_Visoki_De%C4%8Dani_%28%D0%9C%D0%B0%D0%BD%D0%B0%D1%81%D1%82%D0%B8%D1%80_%D0%92%D0%B8%D1%81%D0%BE%D0%BA%D0%B8_%D0%94%D0%B5%D1%87%D0%B0%D0%BD%D0%B8%29_-_by_Pudelek..jpg 2x" data-file-width="2337" data-file-height="1869" /></a><figcaption>Serbian Orthodox <a href="/wiki/Visoki_De%C4%8Dani" title="Visoki Dečani">Monastery of Dečani</a>, built in the 14th century, UNESCO World Heritage Site</figcaption></figure> <p><b>Serbian art</b> refers to the <a href="/wiki/Visual_arts" title="Visual arts">visual arts</a> of the <a href="/wiki/Serbs" title="Serbs">Serbs</a> and their nation-state <a href="/wiki/Serbia" title="Serbia">Serbia</a>. The medieval heritage includes <a href="/wiki/Byzantine_art" title="Byzantine art">Byzantine art</a>, preserved in architecture, frescos and icons of the many Serbian Orthodox monasteries. In the early modern period, Serbian visual arts began to be influenced by Western art, culminating in the <a href="/wiki/Habsburg_monarchy" title="Habsburg monarchy">Habsburg monarchy</a> in the late 18th century. The beginning of modern Serbian art is placed in the 19th century. Many Serbian monuments and works of art have been lost forever due to various wars and peacetime marginalizations.<sup id="cite_ref-Kadijević_2017_1-0" class="reference"><a href="#cite_note-Kadijević_2017-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Prehistory">Prehistory</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=1" title="Edit section: Prehistory"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline 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class="mw-image-border" typeof="mw:File"><a href="/wiki/File:Flag_of_Serbia.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Flag_of_Serbia.svg/110px-Flag_of_Serbia.svg.png" decoding="async" width="110" height="73" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Flag_of_Serbia.svg/165px-Flag_of_Serbia.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Flag_of_Serbia.svg/220px-Flag_of_Serbia.svg.png 2x" data-file-width="1350" data-file-height="900" /></a></span></td></tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/History_of_Serbia" title="History of Serbia">History</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Serbia_in_the_Middle_Ages" title="Serbia in the Middle Ages">Middle Ages</a></li> <li><a href="/wiki/List_of_Serbian_monarchs" title="List of Serbian monarchs">Monarchs</a></li></ul></div></div></td> </tr><tr><th class="sidebar-heading" style="font-size:105%;line-height:1.6;"> <a href="/wiki/Ethnic_groups_in_Serbia" class="mw-redirect" title="Ethnic groups in Serbia">People</a></th></tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Languages_of_Serbia" title="Languages of Serbia">Languages</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Serbian_language" title="Serbian language">Serbian language</a></li> <li><a href="/wiki/Old_Church_Slavonic" title="Old Church Slavonic">Old Serbian</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: 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title="Festivals of Serbia">Festivals</a></th></tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Religion_in_Serbia" title="Religion in Serbia">Religion</a></div></div><div class="sidebar-list-content mw-collapsible-content"><div class="excerpt-block"><div class="excerpt"> <ul><li><a href="/wiki/Christianity_in_Serbia" title="Christianity in Serbia">Christianity</a> <ul><li><a href="/wiki/Serbian_Orthodox_Church" title="Serbian Orthodox Church">Serbian Orthodox Church</a></li> <li><a href="/wiki/Patriarch_of_the_Serbian_Orthodox_Church" class="mw-redirect" title="Patriarch of the Serbian Orthodox Church">Patriarch</a></li> <li><a href="/wiki/Roman_Catholicism_in_Serbia" class="mw-redirect" title="Roman Catholicism in Serbia">Roman Catholicism</a></li></ul></li> <li><a href="/wiki/Protestantism_in_Serbia" title="Protestantism in 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href="/wiki/Category:Serbian_painters" title="Category:Serbian painters">Painters (category)</a></li> <li><a href="/wiki/Category:Serbian_sculptors" title="Category:Serbian sculptors">Sculptors (category)</a></li> <li><a href="/wiki/Serbian_heraldry" title="Serbian heraldry">Heraldry</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Literature_of_Serbia" class="mw-redirect" title="Literature of Serbia">Literature</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Serbian_comics" title="Serbian comics">Comics</a></li> <li><a href="/wiki/Serbian_epic_poetry" title="Serbian epic poetry">Epic poetry</a></li> <li><a href="/wiki/Category:Serbian_writers" title="Category:Serbian writers">Writers (category)</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Music_of_Serbia" title="Music of Serbia">Music</a> and performing arts</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Serbian_dances" title="Serbian dances">Dances</a></li> <li><a href="/wiki/Category:Theatres_in_Serbia" title="Category:Theatres in Serbia">Theatres (category)</a></li> <li><a href="/wiki/Category:Serbian_actors" title="Category:Serbian actors">Actors (category)</a></li> <li><a href="/wiki/Category:Serbian_composers" title="Category:Serbian composers">Composers (category)</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Media_in_Serbia" 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class="sidebar-below"> <ul><li><span class="nowrap"><span class="mw-image-border noviewer" typeof="mw:File"><span><img alt="flag" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Flag_of_Serbia.svg/16px-Flag_of_Serbia.svg.png" decoding="async" width="16" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Flag_of_Serbia.svg/24px-Flag_of_Serbia.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Flag_of_Serbia.svg/32px-Flag_of_Serbia.svg.png 2x" data-file-width="1350" data-file-height="900" /></span></span> </span><a href="/wiki/Portal:Serbia" title="Portal:Serbia">Serbia portal</a></li></ul></td></tr><tr><td class="sidebar-navbar"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output 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navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Culture_of_Serbia" title="Template:Culture of Serbia"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Culture_of_Serbia" title="Template talk:Culture of Serbia"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Culture_of_Serbia" title="Special:EditPage/Template:Culture of Serbia"><abbr title="Edit this template">e</abbr></a></li></ul></div></td></tr></tbody></table> <p>Currently, Europe's oldest known civilization was discovered in <a href="/wiki/Serbia" title="Serbia">Serbia</a>, namely <a href="/wiki/Lepenski_Vir" title="Lepenski Vir">Lepenski Vir</a> and <a href="/wiki/Vin%C4%8Da_culture" title="Vinča culture">Vinča culture</a>. In Serbia, <a href="/wiki/Archaeological_Sites_of_Exceptional_Importance_(Serbia)" class="mw-redirect" title="Archaeological Sites of Exceptional Importance (Serbia)">Archaeological Sites of Exceptional Importance (Serbia)</a> are numerous and have the highest level of state protection under the Law on Cultural Heritage. See: <a href="/wiki/Prehistoric_sites_in_Serbia" title="Prehistoric sites in Serbia">Prehistoric sites in Serbia</a> and <a href="/wiki/Prehistory_of_Southeastern_Europe" class="mw-redirect" title="Prehistory of Southeastern Europe">Prehistory of Southeastern Europe</a> for artifacts and sculpture found at the archeological sites of Lepenski Vir. </p> <div class="mw-heading mw-heading2"><h2 id="Roman_period">Roman period</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=2" title="Edit section: Roman period"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Geographically Serbia was always part of the <a href="/wiki/Roman_Empire" title="Roman Empire">Roman Empire</a> whether it was ruled from <a href="/wiki/Rome" title="Rome">Rome</a> or from <a href="/wiki/Byzantium" title="Byzantium">Byzantium</a>. The Roman ruins are found throughout the <a href="/wiki/Balkan_Peninsula" class="mw-redirect" title="Balkan Peninsula">Balkan Peninsula</a>. </p> <div class="mw-heading mw-heading2"><h2 id="Medieval_Serbian_art">Medieval Serbian art</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=3" title="Edit section: Medieval Serbian art"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul class="gallery mw-gallery-traditional center"> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 180px;"><span typeof="mw:File"><a href="/wiki/File:%D0%A2%D0%BA%D0%B0%D0%BD%D1%8C_%D1%81%D0%B8%D0%BD%D1%8F%D1%8F.%D0%9F%D0%B0%D1%80%D0%B0_%D0%BF%D1%82%D0%B8%D1%86_%D0%B8_%D0%B3%D1%80%D0%B8%D1%84%D1%84%D0%B8%D0%BD%D0%BE%D0%B2_%D0%B2_%D0%BA%D1%80%D1%83%D0%B3%D0%B0%D1%85.jpg" class="mw-file-description" title="Serbian silk, c. 1330"><img alt="Serbian silk, c. 1330" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5e/%D0%A2%D0%BA%D0%B0%D0%BD%D1%8C_%D1%81%D0%B8%D0%BD%D1%8F%D1%8F.%D0%9F%D0%B0%D1%80%D0%B0_%D0%BF%D1%82%D0%B8%D1%86_%D0%B8_%D0%B3%D1%80%D0%B8%D1%84%D1%84%D0%B8%D0%BD%D0%BE%D0%B2_%D0%B2_%D0%BA%D1%80%D1%83%D0%B3%D0%B0%D1%85.jpg/108px-%D0%A2%D0%BA%D0%B0%D0%BD%D1%8C_%D1%81%D0%B8%D0%BD%D1%8F%D1%8F.%D0%9F%D0%B0%D1%80%D0%B0_%D0%BF%D1%82%D0%B8%D1%86_%D0%B8_%D0%B3%D1%80%D0%B8%D1%84%D1%84%D0%B8%D0%BD%D0%BE%D0%B2_%D0%B2_%D0%BA%D1%80%D1%83%D0%B3%D0%B0%D1%85.jpg" decoding="async" width="108" height="150" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5e/%D0%A2%D0%BA%D0%B0%D0%BD%D1%8C_%D1%81%D0%B8%D0%BD%D1%8F%D1%8F.%D0%9F%D0%B0%D1%80%D0%B0_%D0%BF%D1%82%D0%B8%D1%86_%D0%B8_%D0%B3%D1%80%D0%B8%D1%84%D1%84%D0%B8%D0%BD%D0%BE%D0%B2_%D0%B2_%D0%BA%D1%80%D1%83%D0%B3%D0%B0%D1%85.jpg/162px-%D0%A2%D0%BA%D0%B0%D0%BD%D1%8C_%D1%81%D0%B8%D0%BD%D1%8F%D1%8F.%D0%9F%D0%B0%D1%80%D0%B0_%D0%BF%D1%82%D0%B8%D1%86_%D0%B8_%D0%B3%D1%80%D0%B8%D1%84%D1%84%D0%B8%D0%BD%D0%BE%D0%B2_%D0%B2_%D0%BA%D1%80%D1%83%D0%B3%D0%B0%D1%85.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5e/%D0%A2%D0%BA%D0%B0%D0%BD%D1%8C_%D1%81%D0%B8%D0%BD%D1%8F%D1%8F.%D0%9F%D0%B0%D1%80%D0%B0_%D0%BF%D1%82%D0%B8%D1%86_%D0%B8_%D0%B3%D1%80%D0%B8%D1%84%D1%84%D0%B8%D0%BD%D0%BE%D0%B2_%D0%B2_%D0%BA%D1%80%D1%83%D0%B3%D0%B0%D1%85.jpg/216px-%D0%A2%D0%BA%D0%B0%D0%BD%D1%8C_%D1%81%D0%B8%D0%BD%D1%8F%D1%8F.%D0%9F%D0%B0%D1%80%D0%B0_%D0%BF%D1%82%D0%B8%D1%86_%D0%B8_%D0%B3%D1%80%D0%B8%D1%84%D1%84%D0%B8%D0%BD%D0%BE%D0%B2_%D0%B2_%D0%BA%D1%80%D1%83%D0%B3%D0%B0%D1%85.jpg 2x" data-file-width="1457" data-file-height="2020" /></a></span></div> <div class="gallerytext">Serbian silk, c. 1330</div> </li> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 180px;"><span typeof="mw:File"><a href="/wiki/File:VergineTricherusa.jpg" class="mw-file-description" title="Bogorodica Trojeručica, the 14th century"><img alt="Bogorodica Trojeručica, the 14th century" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/VergineTricherusa.jpg/119px-VergineTricherusa.jpg" decoding="async" width="119" height="150" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/VergineTricherusa.jpg/178px-VergineTricherusa.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/95/VergineTricherusa.jpg/237px-VergineTricherusa.jpg 2x" data-file-width="300" data-file-height="379" /></a></span></div> <div class="gallerytext"><i><a href="/wiki/Bogorodica_Trojeru%C4%8Dica" class="mw-redirect" title="Bogorodica Trojeručica">Bogorodica Trojeručica</a></i>, the 14th century</div> </li> <li class="gallerybox" style="width: 185px"> <div class="thumb" style="width: 180px; height: 180px;"><span typeof="mw:File"><a href="/wiki/File:Praise_to_Prince_Lazar.jpg" class="mw-file-description" title="Praise to King Lazar, Serbian weaving in the Middle Ages"><img alt="Praise to King Lazar, Serbian weaving in the Middle Ages" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/26/Praise_to_Prince_Lazar.jpg/113px-Praise_to_Prince_Lazar.jpg" decoding="async" width="113" height="150" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/26/Praise_to_Prince_Lazar.jpg/169px-Praise_to_Prince_Lazar.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/26/Praise_to_Prince_Lazar.jpg/226px-Praise_to_Prince_Lazar.jpg 2x" data-file-width="452" data-file-height="600" /></a></span></div> <div class="gallerytext"><i>Praise to <a href="/wiki/Lazar_of_Serbia" title="Lazar of Serbia">King Lazar</a></i>, Serbian weaving in the Middle Ages</div> </li> </ul> <p>We know little of the lives of the painters, craftsmen (<a href="/wiki/Engravers" class="mw-redirect" title="Engravers">engravers</a>, <a href="/wiki/Goldsmith" title="Goldsmith">goldsmiths</a>, <a href="/wiki/Woodcarver" class="mw-redirect" title="Woodcarver">woodcarvers</a>), builder/architects of medieval Serbia, of their studies, their schools, and their commissions. Slowly, however, we're beginning to learn. But in the course of centuries experience in painting frescoes, miniatures, icons and the <a href="/wiki/Iconostasis" title="Iconostasis">iconostasis</a>, there undoubtedly arose arts and crafts workshops where a younger generation of painters and skilled craftsmen could learn the techniques of the masters. </p><p>Church architecture developed under the patronage of the medieval Serbian state. The most distinctive piece of medieval Serbian architecture was the <a href="/wiki/Studenica_monastery" class="mw-redirect" title="Studenica monastery">Studenica monastery</a> founded by <a href="/wiki/Stefan_Nemanja" title="Stefan Nemanja">Stefan Nemanja</a>, the founder of the <a href="/wiki/Nemanji%C4%87_dynasty" title="Nemanjić dynasty">Nemanjić dynasty</a> in 1166. This monastery also featured significant works of art including its Byzantine style <a href="/wiki/Fresco" title="Fresco">fresco</a> paintings. Its church also features extensive sculptures based on Psalms and the <a href="/wiki/Dormition_of_the_Theotokos" class="mw-redirect" title="Dormition of the Theotokos">Dormition of the Theotokos</a>. UNESCO added this monastery to its list of World Cultural Heritage sites in 1986. It was the model for other monasteries at <a href="/wiki/Mile%C5%A1eva_monastery" class="mw-redirect" title="Mileševa monastery">Mileševa</a>, <a href="/wiki/Sopo%C4%87ani" title="Sopoćani">Sopoćani</a> and the <a href="/wiki/Visoki_De%C4%8Dani" title="Visoki Dečani">Visoki Dečani</a>. The influence of Byzantine art became more influential after the capture of <a href="/wiki/Constantinople" title="Constantinople">Constantinople</a> in 1204 in the <a href="/wiki/Fourth_Crusade" title="Fourth Crusade">Fourth Crusade</a> when many Greek artists fled to Serbia. Their influence can be seen at the Church of the Ascension at <a href="/wiki/Mile%C5%A1eva" class="mw-redirect" title="Mileševa">Mileševa</a> as well as in the wall paintings at the Church of the Holy Apostles at <a href="/wiki/Pe%C4%87" class="mw-redirect" title="Peć">Peć</a> and at the Sopoćani Monastery. <a href="/wiki/Icons" class="mw-redirect" title="Icons">Icons</a> and <a href="/wiki/Frescoes" class="mw-redirect" title="Frescoes">frescoes</a> also formed a significant part of church art. At that time in <a href="/wiki/Ra%C5%A1ka_(region)" title="Raška (region)">Raška</a>, <a href="/wiki/Stefan_Vladislav" title="Stefan Vladislav">Stefan Vladislav</a> who founded at Mileševa a monastery and a church where three of his court painters -- Demetrius, George and Theodore -- worked on wall painting free from the strict canon law tradition.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> The influence of Byzantine architecture reached its <a href="/wiki/Serbian_Orthodox_Church#Serbo-Byzantine_Style" title="Serbian Orthodox Church">peak</a> after 1300 including the rebuilding of the <a href="/wiki/Our_Lady_of_Ljevi%C5%A1" title="Our Lady of Ljeviš">Our Lady of Ljeviš</a> (ca. 1306–1307) and <a href="/wiki/St._George" class="mw-redirect" title="St. George">St. George</a> at <a href="/wiki/Staro_Nagori%C4%8Dane" title="Staro Nagoričane">Staro Nagoričane</a> as well as the <a href="/wiki/Gra%C4%8Danica_monastery" class="mw-redirect" title="Gračanica monastery">Gračanica monastery</a>. Church decorative paintings and religious arts and crafts also developed further in the period. The most noteworthy painters at the time were <a href="/wiki/Michael_Astrapas_and_Eutychios" title="Michael Astrapas and Eutychios">Michael Astrapas and Eutychios</a> (fl. 1294-1317), Grigorije (1333), Jovan Teorijan (fl. 1345-1350), Monk Markarije (fl. 1366-1378) and before them, Deacon Jovan (fl. 1266-1271), Rufin (fl. 1271)<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Studenica_raspece.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Studenica_raspece.jpg/220px-Studenica_raspece.jpg" decoding="async" width="220" height="250" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Studenica_raspece.jpg/330px-Studenica_raspece.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/27/Studenica_raspece.jpg/440px-Studenica_raspece.jpg 2x" data-file-width="761" data-file-height="866" /></a><figcaption>The <i>Crucifixion</i>, fresco in <a href="/wiki/Studenica_monastery" class="mw-redirect" title="Studenica monastery">Studenica monastery</a></figcaption></figure> <p>Icon of the Holy Virgin <a href="/wiki/Pelagonitissa" title="Pelagonitissa">Pelagonitissa</a>, dating from 1421, is considered one of the last outstanding achievements of icon painting, a representation of the then still-living Byzantine iconography. Its author <a href="/w/index.php?title=Makarije_Zograf&action=edit&redlink=1" class="new" title="Makarije Zograf (page does not exist)">Makarije Zograf</a> (1380-1422) worked on the icon in the Church of Transfiguration in the monastery of the village <a href="/wiki/Zrze" title="Zrze">Zrze</a>, near <a href="/wiki/Prilep" title="Prilep">Prilep</a>, and many other Serbian monasteries during the fifteenth century. Makarije Zograf and his brother <a href="/wiki/Metropolitan_Jovan_Zograf" title="Metropolitan Jovan Zograf">Metropolitan Jovan Zograf</a> (1380-1422) cared for the monastery endowment until it was transferred to Constantine, the village head (<i>kmet</i>).<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Also, there was Aleksije (fl. 1350), Hieromonk Grigorije (1380-1420), Monk Joanikije (fl. 1410), but many did not sign their works, but they are not difficult to identify because of their unrivalled quality that cannot be mistaken from another school. </p><p>The <a href="/wiki/Visoki_De%C4%8Dani_monastery" class="mw-redirect" title="Visoki Dečani monastery">Visoki Dečani monastery</a> in <a href="/wiki/Metohija" title="Metohija">Metohija</a> was built between 1330 and 1350. Unlike other Serbian monasteries of the period, it was built with <a href="/wiki/Romanesque_architecture" title="Romanesque architecture">Romanesque</a> features by master-builders under the monk <a href="/wiki/Vitus_of_Kotor" title="Vitus of Kotor">Vitus of Kotor</a>. Its frescoes feature 1000 portraits portraying all of the major themes of the New Testament. The cathedral features <a href="/wiki/Iconostasis" title="Iconostasis">iconostasis</a>, <a href="/wiki/Hegumen" title="Hegumen">hegumen's</a> throne and carved royal sarcophagus. In 2004, UNESCO listed the Dečani Monastery on the World Heritage List.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>There was a further spate of church building as the Serbian state contracted to the Morava basin in the late 14th century. Prince <a href="/wiki/Stefan_Lazarevi%C4%87" title="Stefan Lazarević">Stefan Lazarević</a> was a poet and patron of the arts who founded the church at <a href="/wiki/Manasija_monastery" class="mw-redirect" title="Manasija monastery">Resava</a> at <a href="/wiki/Morava_rivers,_Serbia" class="mw-redirect" title="Morava rivers, Serbia">Morava</a> with the wall paintings having a theme of parables of Christ with the people portrayed wearing feudal Serbian costumes. </p><p>Manuscripts were another significant feature of Serbian medieval art. <i>Miroslav's Gospel</i> features lavish calligraphy and miniatures and is a significant artwork as well as a notable work of literature. The <a href="/wiki/Chludov_Psalter" title="Chludov Psalter">Chludov Psalter</a> dating from the 14th century is beautifully decorated and was probably owned by a high-ranking noble. Serbian princes were well known in the 15th century for supporting manuscripts employing <a href="/wiki/Scribe" title="Scribe">scribes</a> and artists to create manuscripts besides icons and frescoes. <a href="/wiki/Lovro_Dobri%C4%8Devi%C4%87" title="Lovro Dobričević">Lovro Dobričević</a> (1420-1478) of <a href="/wiki/Kotor" title="Kotor">Kotor</a> was a Venetian painter of Serbian origin, though Roman Catholic by confession, who first started to paint in the Serbian Orthodox <a href="/wiki/Savina_Monastery,_Montenegro" class="mw-redirect" title="Savina Monastery, Montenegro">Savina Monastery</a> in Zeta and <a href="/wiki/Serbian_Despotate" title="Serbian Despotate">Serbian Despotate</a> (now <a href="/wiki/Montenegro" title="Montenegro">Montenegro</a>) in the mid-15th century.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p>Later in 19th century, Serbian medieval art was used as inspiration for notable architect <a href="/wiki/Andrey_Damyanov" title="Andrey Damyanov">Andrey Damyanov</a> who, between 1835 and 1878, along the <a href="/wiki/Vardar" title="Vardar">Vardar</a> and <a href="/wiki/Morava_Valley" title="Morava Valley">Morava Valleys</a> and Bosnia, built around 40 churches and other buildings.<sup id="cite_ref-balkanologie_7-0" class="reference"><a href="#cite_note-balkanologie-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Adapting to the social demand of its Serbian sponsors, Damyanov combined simultaneously traditional elements of the 15th century Morava school with Occidental baroque elements found North of Sava river.<sup id="cite_ref-balkanologie_7-1" class="reference"><a href="#cite_note-balkanologie-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>Thanks are due to field scientist and academic <a href="/wiki/Gabriel_Millet" title="Gabriel Millet">Gabriel Millet</a> who was the first to bring Serbian art to the attention of the West in 1919,<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> along with Serbian-American scientist <a href="/wiki/Michael_Pupin" class="mw-redirect" title="Michael Pupin">Michael Pupin</a>, who gathered an international team of scholars and public figures to support the preservation of architectural heritage during and after the <a href="/wiki/Great_War" class="mw-redirect" title="Great War">Great War</a>. In 1918, Sir <a href="/wiki/Thomas_Graham_Jackson" title="Thomas Graham Jackson">Thomas Graham Jackson</a>, in Pupin's "Serbian Orthodox Church" on the medieval Serbian churches, refuted the notion that Serbian art was nothing more than a branch of <a href="/wiki/Byzantine_art" title="Byzantine art">Byzantine art</a> and showed that Serbian art had an original character of its own.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>A large number of artistically worthy icons was made in this period. </p> <div class="mw-heading mw-heading3"><h3 id="Fresco_paintings">Fresco paintings</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=4" title="Edit section: Fresco paintings"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Uspenje_presvete_Bogorodice_-_Sopocani.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/16/Uspenje_presvete_Bogorodice_-_Sopocani.jpg/220px-Uspenje_presvete_Bogorodice_-_Sopocani.jpg" decoding="async" width="220" height="122" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/16/Uspenje_presvete_Bogorodice_-_Sopocani.jpg/330px-Uspenje_presvete_Bogorodice_-_Sopocani.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/16/Uspenje_presvete_Bogorodice_-_Sopocani.jpg/440px-Uspenje_presvete_Bogorodice_-_Sopocani.jpg 2x" data-file-width="850" data-file-height="471" /></a><figcaption><i>The Dormition of the Virgin</i> in <a href="/wiki/Sopo%C4%87ani_monastery" class="mw-redirect" title="Sopoćani monastery">Sopoćani monastery</a></figcaption></figure> <p>Orthodox fresco painting represents the peak of Serbian medieval art. Its birth went in line with the creation and development of medieval Serbian state, but unlike Serbian state it didn't cease to exist during the Ottoman occupation. While Serbian architecture has seen mixed influences of both <a href="/wiki/Byzantine" class="mw-redirect" title="Byzantine">Byzantine</a> and <a href="/wiki/Medieval_Italy" class="mw-redirect" title="Medieval Italy">medieval Italian states</a>, fresco and icon painting remained deeply rooted in solely eastern byzantine tradition. </p><p>Frescos were being painted under the patronage of Serbian rulers, as the highest form of religious decorative form. Following the political expansion and military growth, the 13th and 14th century are marked as the period when the biggest amount of newly built or existing sanctuaries have been decorated, mostly by unknown artists. Studenica monastery has been built in 1196 under the patronage of <a href="/wiki/Stefan_Nemanja" title="Stefan Nemanja">Stefan Nemanja</a>, the founder of <a href="/wiki/Nemanji%C4%87_dynasty" title="Nemanjić dynasty">Nemanjić dynasty</a>, and ever since it enjoyed the care of Stefan's descendants as the <i>archi-model</i>. Its most representative fresco, <i>The Crucifixion</i>, was made twelve years later, in 1208, on the blue background brought into contrast with golden-yellow of Christ's bare crucified body. In the second half of 14th century an unknown artist painted monumental <i>The Dormition of the Virgin</i> in Sopoćani monastery, which remained the supreme achievement of byzantine painting tradition. </p><p>However, the most famous Serbian medieval fresco is the <i>Myrrhbearers</i> (or the "White Angel")<sup id="cite_ref-Art_in_the_middle_ages_11-0" class="reference"><a href="#cite_note-Art_in_the_middle_ages-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> from the <a href="/wiki/Mile%C5%A1eva_monastery" class="mw-redirect" title="Mileševa monastery">Mileševa monastery</a>, painted in 1235, on the southern wall of the church. It depicts <a href="/wiki/Archangel_Gabriel" class="mw-redirect" title="Archangel Gabriel">Archangel Gabriel</a> sitting on Christ's grave. The identity of its author is unknown. In the 16th century, the <i>White Angel</i> was over-painted with another fresco, and so was hidden until the 20th century when the fresco was restored.<sup id="cite_ref-novosti-mileseva_12-0" class="reference"><a href="#cite_note-novosti-mileseva-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> This fresco was sent as a message in the first <a href="/wiki/Satellite_television" title="Satellite television">satellite broadcast</a> signal from <a href="/wiki/Europe" title="Europe">Europe</a> to <a href="/wiki/United_States" title="United States">America</a> after the <a href="/wiki/Cuban_Missile_Crisis" title="Cuban Missile Crisis">Cuban Missile Crisis</a>, as a <a href="/wiki/Symbol" title="Symbol">symbol</a> of <a href="/wiki/Peace" title="Peace">peace</a> and <a href="/wiki/Civilization" title="Civilization">civilization</a>.<sup id="cite_ref-prijepolje_13-0" class="reference"><a href="#cite_note-prijepolje-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> Later, the same signal, containing the White Angel, was transmitted to space in an attempt to communicate with <a href="/wiki/Extraterrestrial_life" title="Extraterrestrial life">extraterrestrial life</a> forms.<sup id="cite_ref-52vikenda_14-0" class="reference"><a href="#cite_note-52vikenda-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p><p>Another notable mention is the fresco of Serbian queen <a href="/wiki/Simonida" title="Simonida">Simonida</a>, in <a href="/wiki/Gra%C4%8Danica_monastery" class="mw-redirect" title="Gračanica monastery">Gračanica monastery</a>, today located on the disputed territory of <a href="/wiki/Kosovo" title="Kosovo">Kosovo</a>. Born as Simonis Palaiologina, she was a daughter of the Byzantine Emperor <a href="/wiki/Andronikos_II_Palaiologos" title="Andronikos II Palaiologos">Andronikos II Palaiologos</a> (r. 1282–1328) and <a href="/wiki/Irene_of_Montferrat" title="Irene of Montferrat">Irene of Montferrat</a>, and the fourth wife of Serbian king <a href="/wiki/Stefan_Milutin" title="Stefan Milutin">Stefan Milutin</a> (r. 1282–1321). Two celebrated Serbian poems were inspired by the beauty of the fresco. Two dark stains on the places where the queen's eyes were supposed to have created a common belief that her eyes were being <i>carved out</i> by <a href="/wiki/Albanian_people" class="mw-redirect" title="Albanian people">Albanians</a>, hence the well-known strophe by <a href="/wiki/Milan_Raki%C4%87" title="Milan Rakić">Milan Rakić</a>: </p> <blockquote><div class="poem"> <p>Your eyes were gouged out, oh beautiful image, <br /> On a pilaster at the approach of night, <br /> Knowing that no one would witness the pillage,<br /> An Albanian’s knife robbed you of your sight.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p> </div></blockquote> <p>However, between 1971 and 1976, during the conservation works in the monastery, it was discovered that for centuries the queen's eyes were lying under what actually was (unsuccessfully intentionally damaged) grey layer. Once the patches were removed, <i>Simonida</i> was shown to media with light-blue eyes.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="16th_and_17th_centuries">16th and 17th centuries</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=5" title="Edit section: 16th and 17th centuries"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:St._Nicholas_by_Andrija_Rai%C4%8Devi%C4%87.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a5/St._Nicholas_by_Andrija_Rai%C4%8Devi%C4%87.jpg/150px-St._Nicholas_by_Andrija_Rai%C4%8Devi%C4%87.jpg" decoding="async" width="150" height="226" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a5/St._Nicholas_by_Andrija_Rai%C4%8Devi%C4%87.jpg/225px-St._Nicholas_by_Andrija_Rai%C4%8Devi%C4%87.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a5/St._Nicholas_by_Andrija_Rai%C4%8Devi%C4%87.jpg/300px-St._Nicholas_by_Andrija_Rai%C4%8Devi%C4%87.jpg 2x" data-file-width="400" data-file-height="602" /></a><figcaption>Icon of <a href="/wiki/Saint_Nicholas" title="Saint Nicholas">Saint Nicholas</a>, tempera on wood, by <a href="/wiki/Andrija_Rai%C4%8Devi%C4%87" title="Andrija Raičević">Andrija Raičević</a>, 1641</figcaption></figure> <p>The Ottoman conquest of Serbia during the 15th century had a negative impact on the visual arts. The Serbs became part of the <a href="/wiki/Rum_Millet" class="mw-redirect" title="Rum Millet">Rum Millet</a> (Christian community), and were regarded as a lower class (<a href="/wiki/Rayah" title="Rayah">rayah</a>). The Serbian nobility was not integrated into the Ottoman state system, and the Ottoman government abolished the church. As the nobility and church were the main sources of patronage for architects and artists, the early modern period is considered an artistically less productive period in Serbian art. Despite the general trend, notable monuments were built. There was some resumption of artistic endeavor after the restoration of the Serbian Patriarchate in 1557. <a href="/wiki/Zograf_Longin" title="Zograf Longin">Zograf Longin</a> (1530-1600) and <a href="/wiki/Georgije_Mitrofanovi%C4%87" title="Georgije Mitrofanović">Georgije Mitrofanović</a> were the leading painters of the late 16th and early 17th century, along with <a href="/w/index.php?title=Zograf_Jovan&action=edit&redlink=1" class="new" title="Zograf Jovan (page does not exist)">Zograf Jovan</a>, <a href="/wiki/Andrija_Rai%C4%8Devi%C4%87" title="Andrija Raičević">Andrija Raičević</a>, <a href="/wiki/Zograf_Radul" title="Zograf Radul">Zograf Radul</a>, <a href="/wiki/Sava_Krabulevi%C4%87" title="Sava Krabulević">Sava Krabulević</a>, <a href="/wiki/Kozma_Damjanovi%C4%87" title="Kozma Damjanović">Kozma Damjanović</a>, <a href="/wiki/Tripo_Kokolja" title="Tripo Kokolja">Tripo Kokolja</a>, <a href="/w/index.php?title=Zograf_Dimitrije&action=edit&redlink=1" class="new" title="Zograf Dimitrije (page does not exist)">Zograf Dimitrije</a>, <a href="/wiki/Strahinja_of_Budimlje" title="Strahinja of Budimlje">Strahinja of Budimlje</a>, <a href="/w/index.php?title=Kyr_Georgije&action=edit&redlink=1" class="new" title="Kyr Georgije (page does not exist)">Kyr Georgije</a> and <a href="/wiki/Kyr_Kozma" title="Kyr Kozma">Kyr Kozma</a>. Mitrofanović's work on the church at the <a href="/wiki/Mora%C4%8Da_Monastery" class="mw-redirect" title="Morača Monastery">Morača Monastery</a> is considered one of his best. Among the icon painters working in the Byzantine tradition in Slavonia were <a href="/w/index.php?title=Nikola_Klisur&action=edit&redlink=1" class="new" title="Nikola Klisur (page does not exist)">Nikola Klisur</a> (mid-17th century)<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/Ostoja_Mrkojevi%C4%87" title="Ostoja Mrkojević">Ostoja Mrkojević</a> in the late 17th century.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Baroque_(18th_century)"><span id="Baroque_.2818th_century.29"></span><a href="/wiki/Baroque" title="Baroque">Baroque</a> (18th century)</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=6" title="Edit section: Baroque (18th century)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Knez_Lazar_(Orfelinov_bakrorez).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/00/Knez_Lazar_%28Orfelinov_bakrorez%29.jpg/220px-Knez_Lazar_%28Orfelinov_bakrorez%29.jpg" decoding="async" width="220" height="300" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/00/Knez_Lazar_%28Orfelinov_bakrorez%29.jpg/330px-Knez_Lazar_%28Orfelinov_bakrorez%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/00/Knez_Lazar_%28Orfelinov_bakrorez%29.jpg/440px-Knez_Lazar_%28Orfelinov_bakrorez%29.jpg 2x" data-file-width="600" data-file-height="817" /></a><figcaption><i>Saint Lazar, Serbian Great Prince,</i> a copperplate by <a href="/wiki/Zaharije_Orfelin" title="Zaharije Orfelin">Zaharije Orfelin</a>, 1773</figcaption></figure> <p>Traditional Serbian art was beginning to show some Baroque influences at the end of the 18th century as shown in the works of Nikola Nešković, Teodor Kračun, and Jakov Orfelin. Painting of the early Baroque did not create a homogeneous group of painters. It developed under the Russian-Ukrainian and Southern Balkan basis and the influences that had slowly arrived from Western European art centers. The first generation of Baroque painters nourished on the learnings of the Russian painters <a href="/wiki/Vasilije_Romanovich_and_Jov_Vasilijevich" title="Vasilije Romanovich and Jov Vasilijevich">Vasilije Romanovich and Jov Vasilijevich</a>, then the trainee of the Kiev Academy of painting, <a href="/wiki/Dimitrije_Ba%C4%8Devi%C4%87" title="Dimitrije Bačević">Dimitrije Bačević</a>, <a href="/wiki/Vasa_Ostoji%C4%87" title="Vasa Ostojić">Vasa Ostojić</a>, <a href="/wiki/Joakim_Markovi%C4%87" title="Joakim Marković">Joakim Marković</a>, <a href="/wiki/Jovan_Popovi%C4%87_(artist)" class="mw-redirect" title="Jovan Popović (artist)">Jovan Popović</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://sr.wikipedia.org/wiki/%D0%88%D0%BE%D0%B2%D0%B0%D0%BD_%D0%9F%D0%BE%D0%BF%D0%BE%D0%B2%D0%B8%D1%9B_(%D1%81%D0%BB%D0%B8%D0%BA%D0%B0%D1%80)" class="extiw" title="sr:Јован Поповић (сликар)">sr</a>]</span>, <a href="/wiki/Amvrosije_Jankovi%C4%87" title="Amvrosije Janković">Amvrosije Janković</a>, <a href="/wiki/Dimitrije_Popovi%C4%87" title="Dimitrije Popović">Dimitrije Popović</a>, <a href="/wiki/Teodor_Stefanov_Gologlavac" title="Teodor Stefanov Gologlavac">Teodor Stefanov Gologlavac</a>, <a href="/wiki/Had%C5%BEi-Ruvim" title="Hadži-Ruvim">Hadži-Ruvim</a> Nenadović, and <a href="/wiki/Stefan_Tenecki" title="Stefan Tenecki">Stefan Tenecki</a>.<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> The work of Balkan icon painters in the <a href="/wiki/Habsburg_monarchy" title="Habsburg monarchy">Habsburg monarchy</a> throughout the 18th century. Teodor Simonov (born in Moschopolis) worked for the Serbian Orthodox <a href="/wiki/Metropolitanate_of_Karlovci" title="Metropolitanate of Karlovci">Metropolitanate of Karlovci</a> during the eighth decade of the 18th century. Simonov painted the walls of the church monastery in Stolni Beograd, today's <a href="/wiki/Sz%C3%A9kesfeh%C3%A9rv%C3%A1r" title="Székesfehérvár">Székesfehérvár</a> in Hungary. The works of <a href="/wiki/Jovan_%C4%8Cetirevi%C4%87_Grabovan" class="mw-redirect" title="Jovan Četirević Grabovan">Jovan Četirević Grabovan</a> who completed part of his education in <a href="/wiki/Russian_Empire" title="Russian Empire">Imperial Russia</a>, and returned to the <a href="/wiki/Habsburg_monarchy" title="Habsburg monarchy">Habsburg monarchy</a> to settle in <a href="/wiki/Osijek" title="Osijek">Osijek</a> in <a href="/wiki/Slavonia" title="Slavonia">Slavonia</a> where he developed a rich icon-painting activity. The works of others who also came originally from southern parts of the Balkans (once known as <a href="/wiki/Old_Serbia" title="Old Serbia">Old Serbia</a>) such as <a href="/wiki/Hristofor_%C5%BDefarovi%C4%87" title="Hristofor Žefarović">Hristofor Žefarović</a> and <a href="/wiki/Janko_Halkozovi%C4%87" title="Janko Halkozović">Janko Halkozović</a>, created in the spirit of the Levant Baroque, relying on the transferred experience of Italian Renaissance art and the Byzantine tradition, which resulted in a distinctive model of Baroque icons. The originator of the more direct rotation on Central European models was Joakim Marković, whose work is linked to the first portraits and <a href="/wiki/Still_life" title="Still life">Still lifes</a>, and in church painting of historical compositions and heraldic depictions.<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p><p>High Baroque art was reflected in the firmer cultural orientation towards Vienna, as well as church and school reforms. The changes are visible in the works of <a href="/wiki/Teodor_Kra%C4%8Dun" title="Teodor Kračun">Teodor Kračun</a> who in his work represents a significant step towards understanding the actual Central European art. The retrospective Orthodox heritage confronted the emphasized emotionality and the movement as a fundamental element of artistic expression. Scenes are placed in the real world, Christ and Mary are depicted according to the rules of the secular ruler iconography and rely on graphic templates from popular illustrated Bibles. The group of representatives of the High Baroque include <a href="/wiki/Mojsije_Suboti%C4%87" title="Mojsije Subotić">Mojsije Subotić</a>, <a href="/wiki/Grigorije_Davidovi%C4%87-Ob%C5%A1i%C4%87" title="Grigorije Davidović-Obšić">Grigorije Davidović-Obšić</a>, <a href="/wiki/Grigorije_Jezdimirovi%C4%87" title="Grigorije Jezdimirović">Grigorije Jezdimirović</a> and <a href="/wiki/Lazar_Serdanovi%C4%87" title="Lazar Serdanović">Lazar Serdanović</a>.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p><p>The emergence and development of Late Baroque painting had been determined by the cultural and political changes of the time of Joseph II. Conceptual changes in the era of enlightened and learned man - the Enlightenment - marked the last decade of the 18th century. The learned artist, traveling the European capitals of Art, accepts and implements the ideas of the Enlightenment reforms. Among the artists who took Serbian painting of Central European Late Baroque formulation, <a href="/wiki/Jakov_Orfelin" title="Jakov Orfelin">Jakov Orfelin</a> and <a href="/wiki/Teodor_Ili%C4%87_%C4%8Ce%C5%A1ljar" title="Teodor Ilić Češljar">Teodor Ilić Češljar</a> stand out. They are joined by master woodcarvers Marko Gavrilović and his sons, <a href="/wiki/Arsenije_and_Aksentije_Markovi%C4%87" title="Arsenije and Aksentije Marković">Arsenije and Aksentije Marković</a> and <a href="/wiki/Marko_Vujatovi%C4%87" title="Marko Vujatović">Marko Vujatović</a>. Neoclassicism as the style of the new era, based on the ideas of the Enlightenment, would not jeopardize the ruling Late Baroque conception in the first decades of the next century. Such a sequence is identified in the works of painters <a href="/wiki/Stefan_Gavrilovi%C4%87" title="Stefan Gavrilović">Stefan Gavrilović</a>, <a href="/wiki/Jovan_Isailovi%C4%87" title="Jovan Isailović">Jovan Isailović</a> Sr., <a href="/wiki/Georgije_Mi%C5%A1kovi%C4%87" title="Georgije Mišković">Georgije Mišković</a> and Mihajlo Živković.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>Among the important painters were <a href="/wiki/Nikola_Ne%C5%A1kovi%C4%87" title="Nikola Nešković">Nikola Nešković</a>, <a href="/wiki/Teodor_Kra%C4%8Dun" title="Teodor Kračun">Teodor Kračun</a>, <a href="/wiki/Teodor_Ili%C4%87_%C4%8Ce%C5%A1ljar" title="Teodor Ilić Češljar">Teodor Ilić Češljar</a>, <a href="/wiki/Pavel_%C4%90urkovi%C4%87" title="Pavel Đurković">Pavel Đurković</a>, <a href="/wiki/Dimitrije_Ba%C4%8Devi%C4%87" title="Dimitrije Bačević">Dimitrije Bačević</a>, <a href="/wiki/Georgije_Bakalovi%C4%87" title="Georgije Bakalović">Georgije Bakalović</a>, <a href="/wiki/Stefan_Gavrilovi%C4%87" title="Stefan Gavrilović">Stefan Gavrilović</a>, <a href="/wiki/Jovan_%C4%8Cetirevi%C4%87_Grabovan" class="mw-redirect" title="Jovan Četirević Grabovan">Jovan Četirević Grabovan</a>, <a href="/wiki/Jovan_Pa%C4%8Di%C4%87" title="Jovan Pačić">Jovan Pačić</a>, <a href="/wiki/Janja_Moler" title="Janja Moler">Jovan Stergević</a> and others. </p> <div class="mw-heading mw-heading2"><h2 id="19th-century_painting_and_drawing">19th-century painting and drawing</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=7" title="Edit section: 19th-century painting and drawing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Pirot_kilim_interior_design_Ethnographical_museum.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/df/Pirot_kilim_interior_design_Ethnographical_museum.JPG/220px-Pirot_kilim_interior_design_Ethnographical_museum.JPG" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/df/Pirot_kilim_interior_design_Ethnographical_museum.JPG/330px-Pirot_kilim_interior_design_Ethnographical_museum.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/df/Pirot_kilim_interior_design_Ethnographical_museum.JPG/440px-Pirot_kilim_interior_design_Ethnographical_museum.JPG 2x" data-file-width="3024" data-file-height="4032" /></a><figcaption><a href="/wiki/Pirot_carpet" title="Pirot carpet">Pirot kilim</a> & traditional Serbian costumes (<a href="/wiki/Ethnographic_Museum,_Belgrade" title="Ethnographic Museum, Belgrade">Ethnographic Museum</a>)</figcaption></figure> <dl><dt>Religious art</dt></dl> <p>Printed magazines with engravings became a popular method of communicating through art, of both religious and irreligious themes. The printing of engravings of figures of prominent Serbian rulers fitted in the ideas of continuity of Serbian statehood. Monasteries on Fruška Gora and other ones in the <a href="/wiki/Metropolitanate_of_Karlovci" title="Metropolitanate of Karlovci">Metropolitanate of Karlovci</a> issued engraved magazines in which protector saints with monasteries were represented.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> Graphical arts of the 18th century were the first-class documents of the appearance and condition of monastery buildings before photographs. In the last decades of the 18th century, the written word suppressed visual arts as the main communication activity in religious magazines, with graphical arts becoming more and more used in illustrated books.<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p> <dl><dt>Graphical arts</dt></dl> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Michael_Obrenovic_-_foto_van_Anastas_Jovanovic_(1817-1899).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b0/Michael_Obrenovic_-_foto_van_Anastas_Jovanovic_%281817-1899%29.jpg/220px-Michael_Obrenovic_-_foto_van_Anastas_Jovanovic_%281817-1899%29.jpg" decoding="async" width="220" height="212" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b0/Michael_Obrenovic_-_foto_van_Anastas_Jovanovic_%281817-1899%29.jpg/330px-Michael_Obrenovic_-_foto_van_Anastas_Jovanovic_%281817-1899%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b0/Michael_Obrenovic_-_foto_van_Anastas_Jovanovic_%281817-1899%29.jpg/440px-Michael_Obrenovic_-_foto_van_Anastas_Jovanovic_%281817-1899%29.jpg 2x" data-file-width="1650" data-file-height="1590" /></a><figcaption>Photography of Prince <a href="/wiki/Mihailo_Obrenovi%C4%87" class="mw-redirect" title="Mihailo Obrenović">Mihailo Obrenović</a> by <a href="/wiki/Anastas_Jovanovi%C4%87" title="Anastas Jovanović">Anastas Jovanović</a></figcaption></figure> <p>In the first decades of the 19th century a new graphic technique of lithography experience a real boom in the countries of Western Europe. Serbian artists gradually introduced it to the history of national arts in the 19th century. In contrast to modest attempts of scarce individuals, lithography becomes an important branch of Serbian art only with the emergence of <a href="/wiki/Anastas_Jovanovi%C4%87" title="Anastas Jovanović">Anastas Jovanović</a>. Independent printed magazines on religious themes that prevailed in the 18th century became scarcer in the 19th century, only accounting for a part of the graphic production. As a medium very suitable for spreading political ideas, lithography dominates with national-historical themes. Sketch portraits and templates for lithography were dealt with by many Serbian painters: <a href="/wiki/Jovan_Isailovi%C4%87_Jr." title="Jovan Isailović Jr.">Jovan Isailović Jr.</a>, <a href="/wiki/Jovan_Popovi%C4%87_(artist)" class="mw-redirect" title="Jovan Popović (artist)">Jovan Popović</a>, <a href="/wiki/Uro%C5%A1_Kne%C5%BEevi%C4%87" title="Uroš Knežević">Uroš Knežević</a>, <a href="/wiki/Pavle_Simi%C4%87" title="Pavle Simić">Pavle Simić</a>, <a href="/wiki/Pavle_%C4%8Cortanovi%C4%87" title="Pavle Čortanović">Pavle Čortanović</a>, <a href="/wiki/Adam_Stefanovi%C4%87" title="Adam Stefanović">Adam Stefanović</a>, <a href="/wiki/Steva_Todorovi%C4%87" class="mw-redirect" title="Steva Todorović">Steva Todorović</a>, <a href="/wiki/%C4%90or%C4%91e_Krsti%C4%87" title="Đorđe Krstić">Đorđe Krstić</a>, while being technically performed in Pest and Vienna by various lithographers. At the end of the 19th century, popular oleographs appear, as the first reproduction of popular works, most often with motifs from folklife and depictions of historical figures and events.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> </p> <dl><dt>Neoclassicism</dt></dl> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Neoclassicism" title="Neoclassicism">Neoclassicism</a></div> <p>Under the influence of the ides of <a href="/wiki/Age_of_Enlightenment" title="Age of Enlightenment">Enlightenment</a> and <a href="/wiki/Rationalism" title="Rationalism">Rationalism</a>, at the end of the 18th and beginning of 19th century, Serbian art came to leave baroque pictorial poetics and acceptance of the aesthetic ideals of the <a href="/wiki/Vienna_Academy_of_Fine_Arts" class="mw-redirect" title="Vienna Academy of Fine Arts">Vienna Academy of Fine Arts</a>, characterized by <a href="/wiki/Eclecticism" title="Eclecticism">eclecticism</a> of different stylistic expressions, of the late baroque to neo-classical. In addition to religious painting, which was still dominant, the portrait gains increasing importance. Portraits complete the picture of the new society created in that time and point to the idea of a permanent memory of individuals within the family or the wider community. The gallery of characters, in addition to church prelates and priests, senior officers, significant places is taken by eminent members of civil society from the first decades of the 19th century: lawyers, university professors, writers, wealthy merchants, and their wives, the status shown by marked clothing and jewelry. Stylistic features of paintings of that era: a balanced composition, precise modelling, rigorous academic drawing, colour of the reduced register, expressed in the works of <a href="/wiki/Arsenije_Teodorovi%C4%87" title="Arsenije Teodorović">Arsenije Teodorović</a>, <a href="/wiki/Pavel_%C4%90urkovi%C4%87" title="Pavel Đurković">Pavel Đurković</a>, <a href="/wiki/Georgije_Bakalovi%C4%87" title="Georgije Bakalović">Georgije Bakalović</a>, <a href="/wiki/Jeftimije_Popovi%C4%87" title="Jeftimije Popović">Jeftimije Popović</a>, <a href="/wiki/Nikola_Aleksi%C4%87" title="Nikola Aleksić">Nikola Aleksić</a>, <a href="/wiki/Konstantin_Danil" title="Konstantin Danil">Konstantin Danil</a>, <a href="/wiki/Jovan_Isailovi%C4%87_Jr." title="Jovan Isailović Jr.">Jovan Isailović Jr.</a>, <a href="/wiki/Katarina_Ivanovi%C4%87" title="Katarina Ivanović">Katarina Ivanović</a>, <a href="/wiki/Dimitrije_Avramovi%C4%87" title="Dimitrije Avramović">Dimitrije Avramović</a>, and others.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p> <dl><dt>Biedermeier</dt></dl> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Biedermeier" title="Biedermeier">Biedermeier</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Katarina_Ivanovic,_Autoportret_v.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Katarina_Ivanovic%2C_Autoportret_v.jpg/220px-Katarina_Ivanovic%2C_Autoportret_v.jpg" decoding="async" width="220" height="273" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Katarina_Ivanovic%2C_Autoportret_v.jpg/330px-Katarina_Ivanovic%2C_Autoportret_v.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Katarina_Ivanovic%2C_Autoportret_v.jpg/440px-Katarina_Ivanovic%2C_Autoportret_v.jpg 2x" data-file-width="898" data-file-height="1113" /></a><figcaption><i> Self-portrait</i> by Katarina Ivanović, <a href="/wiki/National_Museum_of_Serbia" title="National Museum of Serbia">National Museum of Serbia</a></figcaption></figure> <p>In the 1830s the Serbian art scene is added by a generation of painters who transferred Biedermeier and <a href="/wiki/Nazarene_movement" title="Nazarene movement">Nazarene art</a> programs from Central Europe. As a stylistic expression that deeply permeated the Serbian art at that time, Biedermeier was most suitable for the wide layers of citizens that concerned about themselves, their family and home. In the changed social circumstance in which the middle class had become the bearer of social changes, the family becomes the basic unit of modern society and the main scene of private life. Awareness of family is confirmed and visualized in family portraits, in groups or of some of its members. Family portraits depict the social status of the family, but at the same time, they have a private character and are part of a narrow family cult. In addition to portraits, Biedermeier painting is also focused on the <a href="/wiki/Genre_art" title="Genre art">Genre art</a> and <a href="/wiki/Still_life" title="Still life">Still life</a>. The most important representatives of the Biedermeier expression in Serbian painting are <a href="/wiki/Konstantin_Danil" title="Konstantin Danil">Konstantin Danil</a>, <a href="/wiki/Katarina_Ivanovi%C4%87" title="Katarina Ivanović">Katarina Ivanović</a>, <a href="/wiki/Dimitrije_Avramovi%C4%87" title="Dimitrije Avramović">Dimitrije Avramović</a> and <a href="/wiki/Nikola_Aleksi%C4%87" title="Nikola Aleksić">Nikola Aleksić</a>.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p> <dl><dt>Romanticism</dt></dl> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Romanticism" title="Romanticism">Romanticism</a></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:%D0%A3%D1%81%D1%82%D0%B0%D0%BD%D0%B0%D0%BA_%D0%A6%D1%80%D0%BD%D0%BE%D0%B3%D0%BE%D1%80%D0%B0%D1%86%D0%B0.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e3/%D0%A3%D1%81%D1%82%D0%B0%D0%BD%D0%B0%D0%BA_%D0%A6%D1%80%D0%BD%D0%BE%D0%B3%D0%BE%D1%80%D0%B0%D1%86%D0%B0.jpg/220px-%D0%A3%D1%81%D1%82%D0%B0%D0%BD%D0%B0%D0%BA_%D0%A6%D1%80%D0%BD%D0%BE%D0%B3%D0%BE%D1%80%D0%B0%D1%86%D0%B0.jpg" decoding="async" width="220" height="288" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e3/%D0%A3%D1%81%D1%82%D0%B0%D0%BD%D0%B0%D0%BA_%D0%A6%D1%80%D0%BD%D0%BE%D0%B3%D0%BE%D1%80%D0%B0%D1%86%D0%B0.jpg/330px-%D0%A3%D1%81%D1%82%D0%B0%D0%BD%D0%B0%D0%BA_%D0%A6%D1%80%D0%BD%D0%BE%D0%B3%D0%BE%D1%80%D0%B0%D1%86%D0%B0.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e3/%D0%A3%D1%81%D1%82%D0%B0%D0%BD%D0%B0%D0%BA_%D0%A6%D1%80%D0%BD%D0%BE%D0%B3%D0%BE%D1%80%D0%B0%D1%86%D0%B0.jpg/440px-%D0%A3%D1%81%D1%82%D0%B0%D0%BD%D0%B0%D0%BA_%D0%A6%D1%80%D0%BD%D0%BE%D0%B3%D0%BE%D1%80%D0%B0%D1%86%D0%B0.jpg 2x" data-file-width="600" data-file-height="785" /></a><figcaption><i>Uprising of the Montenegrins</i> by <a href="/wiki/%C4%90ura_Jak%C5%A1i%C4%87" title="Đura Jakšić">Đura Jakšić</a></figcaption></figure> <p>In the mid-19th century Serbian artistic creativity was marked with the reception of content and design of civil works (Biedermeier), but at the same time the development of a program of historicism. For the penetration of Romanticist conceptions, education and stays of Serbian painters in Vienna and Munich, as well as trips to Italy, were crucial. Social and political conditions contributed to the Romantic expression in Serbian art accomplishing its highest achievements in the late 1860s and beginning of 1870s. In stylistic and thematic view, Romanticism brought notable innovations: greater freedom of strokes and composition, warm colours complemented by the play of light and shadow. Most Serbian artists of that period reflected national-historical content in painting compositions, however, the client needs kept iconography and portrait painting popular.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Some examples of notable Romanticist painters include <a href="/wiki/Katarina_Ivanovi%C4%87" title="Katarina Ivanović">Katarina Ivanović</a> (1811–1882), <a href="/wiki/%C4%90ura_Jak%C5%A1i%C4%87" title="Đura Jakšić">Đura Jakšić</a> (1832–1878), <a href="/wiki/Pavle_Simi%C4%87" title="Pavle Simić">Pavle Simić</a> (1818–1876), <a href="/wiki/Novak_Radoni%C4%87" title="Novak Radonić">Novak Radonić</a> (1826–1890), <a href="/wiki/Aksentije_Marodi%C4%87" title="Aksentije Marodić">Aksentije Marodić</a>, <a href="/wiki/%C4%90ura_Jak%C5%A1i%C4%87" title="Đura Jakšić">Đura Jakšić</a>, <a href="/wiki/Steva_Todorovi%C4%87" class="mw-redirect" title="Steva Todorović">Steva Todorović</a> (1832–1925) and the globe-trotting son of <a href="/wiki/Sava_Petrovi%C4%87_(painter)" title="Sava Petrović (painter)">Sava Petrović</a>, <a href="/wiki/Pavel_Petrovi%C4%87" title="Pavel Petrović">Pavel Petrović</a> whose famous work is found in <a href="/wiki/Lima_Art_Museum" title="Lima Art Museum">Lima, Peru</a>. </p> <dl><dt>Historicism</dt></dl> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Historicism_(art)" title="Historicism (art)">Historicism (art)</a></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Paja_Jovanovi%C4%87-Krunisanje_Cara_Du%C5%A1ana.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/8/88/Paja_Jovanovi%C4%87-Krunisanje_Cara_Du%C5%A1ana.jpg/220px-Paja_Jovanovi%C4%87-Krunisanje_Cara_Du%C5%A1ana.jpg" decoding="async" width="220" height="145" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/88/Paja_Jovanovi%C4%87-Krunisanje_Cara_Du%C5%A1ana.jpg/330px-Paja_Jovanovi%C4%87-Krunisanje_Cara_Du%C5%A1ana.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/88/Paja_Jovanovi%C4%87-Krunisanje_Cara_Du%C5%A1ana.jpg/440px-Paja_Jovanovi%C4%87-Krunisanje_Cara_Du%C5%A1ana.jpg 2x" data-file-width="7989" data-file-height="5272" /></a><figcaption><i><a href="/wiki/The_Proclamation_of_Du%C5%A1an%27s_Law_Codex" title="The Proclamation of Dušan's Law Codex">The Proclamation of Dušan's Law Codex</a></i> by <a href="/wiki/Paja_Jovanovi%C4%87" title="Paja Jovanović">Paja Jovanović</a></figcaption></figure> <p>In accordance with the general ideas of Historicism, as the dominant characteristics of the culture of the 19th century in the European context, the top role in the process of constituting national identity was held by events and figures from national history. They represented a representative of the golden age of the nation, which in Serbian culture of the 19th century was equated with the period of the rule of the <a href="/wiki/Nemanji%C4%87_dynasty" title="Nemanjić dynasty">Nemanjić dynasty</a>. The idealization of a glorious past, regardless of whether it was based on real facts or myth, was the main tool in the constitution and the homogenization of the nation. This idealized past was directly at the service of the glorification of the present, which emphasized the idea of rebuilding the former Serbian glory. These ideas are directly reflected in the visual art of the epoch - historical compositions, but also patriotic scenes that illustrate the events of the recent past are gaining more and more importance. They praise the nation through the idealization of events and personalities, becoming at the same time engaged means of communication with the aim to awaken national and patriotic feelings.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Some examples of notable Historicist painters include <a href="/wiki/%C4%90ura_Jak%C5%A1i%C4%87" title="Đura Jakšić">Đura Jakšić</a> (1832–1878) and <a href="/wiki/Pavle_Simi%C4%87" title="Pavle Simić">Pavle Simić</a> (1818–1876). The most productive period of visual arts made following the trends of Historicism in Serbian art was 1848—1878.<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> </p> <dl><dt>Academicism</dt></dl> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Academic_art" title="Academic art">Academic art</a></div> <p>In the last decades of the 19th century, Serbian painters began to stay at Munich as a center of education and its Academy of Fine Arts, which compared to the Viennese, was more <a href="/wiki/Avant_garde" class="mw-redirect" title="Avant garde">avant garde</a> and progressive. However, the larger number of them remained faithful to the Vienna Academy where the education system was still based on constitutional education, traditional practices, and technical skills. The highest level of Academicism in Serbian painting of the late 19th century are portraits of <a href="/wiki/Paja_Jovanovi%C4%87" title="Paja Jovanović">Paja Jovanović</a> (1859–1957) and <a href="/wiki/Uro%C5%A1_Predi%C4%87" title="Uroš Predić">Uroš Predić</a> (1857–1953).<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> </p> <dl><dt>Orientalism</dt></dl> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Orientalism" title="Orientalism">Orientalism</a></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Paja_Jovanovi%C4%87;Ranjeni_Crnogorac_.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/0/07/Paja_Jovanovi%C4%87%3BRanjeni_Crnogorac_.jpg/220px-Paja_Jovanovi%C4%87%3BRanjeni_Crnogorac_.jpg" decoding="async" width="220" height="132" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/0/07/Paja_Jovanovi%C4%87%3BRanjeni_Crnogorac_.jpg/330px-Paja_Jovanovi%C4%87%3BRanjeni_Crnogorac_.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/0/07/Paja_Jovanovi%C4%87%3BRanjeni_Crnogorac_.jpg/440px-Paja_Jovanovi%C4%87%3BRanjeni_Crnogorac_.jpg 2x" data-file-width="7024" data-file-height="4216" /></a><figcaption><i><a href="/wiki/The_Wounded_Montenegrin" title="The Wounded Montenegrin">The Wounded Montenegrin</a></i> by Paja Jovanović won the first-place prize at the <a href="/wiki/Academy_of_Fine_Arts_Vienna" title="Academy of Fine Arts Vienna">Academy of Fine Arts</a>' annual art exhibition in <a href="/wiki/Vienna" title="Vienna">Vienna</a> in 1882.</figcaption></figure> <p>Orientalism indicates interest in Oriental scenes in the visual arts of the 19th century. Napoleon's campaign in Egypt, the conquest of Algeria, as well as travel books and other literary descriptions, encouraged the enthusiasm and imagination of artists. Islamic countries of the Arabian Peninsula and North Africa had become the preferred travel destination for many artists. Scenes of squares, bazaars, harem and various folklore events entered European painting. Orientalism rarely had a purely documentary character and more often depicted the enthusiasm of Europeans for beauty, vividness, and allure of the unknown and exotic world. The wild nature and unusual customs, combined with gorgeous colours and light, had become a great inspiration to European artists. During a long period of education, <a href="/wiki/Paja_Jovanovi%C4%87" title="Paja Jovanović">Paja Jovanović</a>,<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> along with classes at the Vienna Academy of Fine Arts, attended the School of historical painting of <a href="/wiki/Leopold_M%C3%BCller_(painter)" title="Leopold Müller (painter)">Leopold Müller</a>, famous for its oriental motifs. There is no doubt that Miller's crucial lessons determined his painting preference. Noting the increased interest of Europe to the events in the Balkans, he travelled during the holidays to Albania, Montenegro, Dalmatia, Bosnia and Herzegovina, and Serbia gathering sketches and studies of the life of the Balkan peoples. Precisely these themes brought Paja Jovanović worldwide fame and popularity.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> </p> <dl><dt>Realism</dt></dl> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Realism_(art_movement)" title="Realism (art movement)">Realism (art movement)</a></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Merry_brothers_1887.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Merry_brothers_1887.jpg/220px-Merry_brothers_1887.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Merry_brothers_1887.jpg/330px-Merry_brothers_1887.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Merry_brothers_1887.jpg/440px-Merry_brothers_1887.jpg 2x" data-file-width="4092" data-file-height="2735" /></a><figcaption><i><a href="/wiki/Happy_Brothers" title="Happy Brothers">Happy Brothers</a></i> by realist <a href="/wiki/Uro%C5%A1_Predi%C4%87" title="Uroš Predić">Uroš Predić</a></figcaption></figure> <p>In the last decades of the 19th century, with Serbian painters attending the Academy of Fine Arts in Munich, Realism entered the Serbian art scene. In stylistic view, Realists, succeeding the Romantic agitation, brought calm and order in painting. In Serbian painting Realism never took root in the true sense, in the symbiosis of thematics and techniques. Serbian painters, taught artistically to express in a new form, return to be faced with the difficult solvable problems of adapting the conditions of an economically, socially and culturally underdeveloped environment, which was unwilling to accept new social themes which European Realism advocated. Serbian painters, therefore, continue to paint portraits, religious and historical compositions.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> </p> <dl><dt>Symbolism</dt></dl> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Symbolism_(arts)" class="mw-redirect" title="Symbolism (arts)">Symbolism (arts)</a></div> <p>As a formulated artistic phenomenon on a European scale, Symbolism was also present at the Munich art scene, where some Serbian painters were formed. Representatives of Symbolism proclaimed turning of the indirect, associative and suggestive mode of expression. They used mythological symbols, dreams, and imagination as a visual language of the soul. <a href="/wiki/Stevan_Aleksi%C4%87" title="Stevan Aleksić">Stevan Aleksić</a> is the most notable representative of the period.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Applied_art_and_design">Applied art and design</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=8" title="Edit section: Applied art and design"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Pirot_kilim_serbian_rug.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Pirot_kilim_serbian_rug.png/150px-Pirot_kilim_serbian_rug.png" decoding="async" width="150" height="291" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Pirot_kilim_serbian_rug.png/225px-Pirot_kilim_serbian_rug.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/88/Pirot_kilim_serbian_rug.png/300px-Pirot_kilim_serbian_rug.png 2x" data-file-width="1937" data-file-height="3764" /></a><figcaption><a href="/wiki/Pirot_carpet" title="Pirot carpet">Pirot carpet</a> with the ornament Rašićeva ploča</figcaption></figure> <p>In terms of periodization, monuments can be divided into those from the period of the <a href="/wiki/Principality_of_Serbia" title="Principality of Serbia">Principality</a>, period of the <a href="/wiki/Kingdom_of_Serbia" title="Kingdom of Serbia">Kingdom of Serbia</a>, the monuments from the period of the Kingdom of Yugoslavia, as well as those built in the <a href="/wiki/Socialist_Federal_Republic_of_Yugoslavia" title="Socialist Federal Republic of Yugoslavia">Socialist Federal Republic of Yugoslavia</a> and the present-day Republic of Serbia.<sup id="cite_ref-Kadijević_2017_1-1" class="reference"><a href="#cite_note-Kadijević_2017-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>Applied art and design through the centuries have evolved in Serbia through crafts. The wealth of forms, the variety of materials with powerful color schemes and ornamentation folk art represented a strong stimulus for the affirmation of applied art, which in the second half of the 19th century, gets its first artists in Serbia. End of the nineteenth and beginning of the twentieth century were marked by the work of individual personalities, each of them made a significant contribution to the development and the history of applied art in Serbia. These were people of different professions and some of them include: <a href="/wiki/Mihailo_Valtrovi%C4%87" title="Mihailo Valtrović">Mihailo Valtrović</a>, <a href="/wiki/Vladislav_Titelbah" title="Vladislav Titelbah">Vladislav Titelbah</a>, <a href="/wiki/Dragi%C5%A1a_Milutinovi%C4%87" class="mw-redirect" title="Dragiša Milutinović">Dragiša Milutinović</a>, <a href="/wiki/Dragutin_Inkiostri_Medenjak" title="Dragutin Inkiostri Medenjak">Dragutin Inkiostri Medenjak</a>. </p> <div class="mw-heading mw-heading2"><h2 id="Modern_visual_arts">Modern visual arts</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=9" title="Edit section: Modern visual arts"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Nadezda-Petrovic-kosovski-bozuri-Gracanica-1913..jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Nadezda-Petrovic-kosovski-bozuri-Gracanica-1913..jpg/220px-Nadezda-Petrovic-kosovski-bozuri-Gracanica-1913..jpg" decoding="async" width="220" height="168" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Nadezda-Petrovic-kosovski-bozuri-Gracanica-1913..jpg/330px-Nadezda-Petrovic-kosovski-bozuri-Gracanica-1913..jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Nadezda-Petrovic-kosovski-bozuri-Gracanica-1913..jpg/440px-Nadezda-Petrovic-kosovski-bozuri-Gracanica-1913..jpg 2x" data-file-width="960" data-file-height="735" /></a><figcaption><i>Kosovo Peonies – Gračanica</i> (1913) by <a href="/wiki/Nade%C5%BEda_Petrovi%C4%87" title="Nadežda Petrović">Nadežda Petrović</a></figcaption></figure> <p><a href="/wiki/Kiril_Kutlik" title="Kiril Kutlik">Kiril Kutlik</a> set up the first school of art in <a href="/wiki/Serbia" title="Serbia">Serbia</a> in 1895. Many of his students went to study in Western Europe, especially France and Germany and brought back avant-garde styles. <a href="/wiki/Nade%C5%BEda_Petrovi%C4%87" title="Nadežda Petrović">Nadežda Petrović</a> was influenced by <a href="/wiki/Fauvism" title="Fauvism">Fauvism</a> while <a href="/wiki/Sava_%C5%A0umanovi%C4%87" title="Sava Šumanović">Sava Šumanović</a> worked in <a href="/wiki/Cubism" title="Cubism">Cubism</a>. Other well-known artists of the <a href="/wiki/Avant-Garde" class="mw-redirect" title="Avant-Garde">Avant-Garde</a> movement from 1900 to 1918 were: <a href="/wiki/Anastas_Bocari%C4%87" title="Anastas Bocarić">Anastas Bocarić</a>, <a href="/wiki/Steva_Todorovi%C4%87" class="mw-redirect" title="Steva Todorović">Steva Todorović</a>, <a href="/wiki/Paja_Jovanovi%C4%87" title="Paja Jovanović">Paja Jovanović</a>, <a href="/wiki/Marko_Murat" title="Marko Murat">Marko Murat</a>, <a href="/wiki/Beta_Vukanovi%C4%87" title="Beta Vukanović">Beta Vukanović</a>, <a href="/wiki/%C4%90or%C4%91e_Krsti%C4%87" title="Đorđe Krstić">Đorđe Krstić</a>, <a href="/wiki/Pa%C5%A1ko_Vu%C4%8Deti%C4%87" title="Paško Vučetić">Paško Vučetić</a>, <a href="/wiki/Leon_Koen" title="Leon Koen">Leon Koen</a>, <a href="/wiki/Svetislav_Jovanovi%C4%87" title="Svetislav Jovanović">Svetislav Jovanović</a>, <a href="/wiki/%C5%BDivko_Jugovi%C4%87" title="Živko Jugović">Živko Jugović</a>, <a href="/wiki/Vasa_Pomori%C5%A1ac" title="Vasa Pomorišac">Vasa Pomorišac</a>, <a href="/wiki/Adam_Stefanovi%C4%87" title="Adam Stefanović">Adam Stefanović</a> and others. </p><p>After World War I, the <i>Belgrade School of Painting </i>developed in the <a href="/wiki/Belgrade" title="Belgrade">capital</a> with some members such as <a href="/wiki/Milan_Konjovi%C4%87" title="Milan Konjović">Milan Konjović</a> working in a Fauvist manner, while others such as <a href="/wiki/Marko_%C4%8Celebonovi%C4%87" title="Marko Čelebonović">Marko Čelebonović</a> working in a style called <i>Intimisme</i> based on the use of colours. </p><p>Some artists chose to emigrate from the <a href="/wiki/Kingdom_of_Serbia" title="Kingdom of Serbia">Serbia</a> and the <a href="/wiki/Kingdom_of_Yugoslavia" title="Kingdom of Yugoslavia">Yugoslavia</a>. Dragoslav Stoyanovitch (1891-1978) took part in the heyday of <a href="/wiki/Poster_art" class="mw-redirect" title="Poster art">poster art</a> in <a href="/wiki/Paris" title="Paris">Paris</a> in 1910 while <a href="/w/index.php?title=Yovan_Radenkovitch&action=edit&redlink=1" class="new" title="Yovan Radenkovitch (page does not exist)">Yovan Radenkovitch</a> (1901–1979) left <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a> for Paris in the 1930s. Radenkovitch befriended <a href="/wiki/Matisse" class="mw-redirect" title="Matisse">Matisse</a> and <a href="/wiki/Vlaminck" class="mw-redirect" title="Vlaminck">Vlaminck</a> and adopted a style inspired by <a href="/wiki/Fauvism" title="Fauvism">Fauvism</a>, before eventually leaving Europe to work in New York and settled in <a href="/wiki/Waterbury" class="mw-redirect" title="Waterbury">Waterbury</a>, <a href="/wiki/Connecticut" title="Connecticut">Connecticut</a>, where several of his paintings are still kept in <a href="/wiki/Mattatuck_Museum" title="Mattatuck Museum">Mattatuck Museum</a>.Stoyanovitch was one of the early poster designers for the <a href="/wiki/Gaumont_Film_Company" class="mw-redirect" title="Gaumont Film Company">Gaumont Film Company</a> and continued with his prolific painting career long after. His war poster, created in 1916, entitled "Filming with the Troops" hangs at the <a href="/wiki/Imperial_War_Museum" title="Imperial War Museum">Imperial War Museum</a> in <a href="/wiki/London" title="London">London</a>,<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> and others are at the Gaumont Film Company archives. Despite his productive career, Stoyanovitch's contribution to art has been much overlooked. </p><p><a href="/wiki/Socrealism" class="mw-redirect" title="Socrealism">Socrealism</a> was the dominant school after World War II with the rise to power of the <a href="/wiki/Communist_Party_of_Yugoslavia" class="mw-redirect" title="Communist Party of Yugoslavia">Communist Party of Yugoslavia</a> under <a href="/wiki/Josip_Broz_Tito" title="Josip Broz Tito">Josip Broz Tito</a>. However, that period did not last long – during the 1960s, Serbian artists started to break free from the constraints of the Communists led by figures such as <a href="/wiki/Petar_Lubarda" title="Petar Lubarda">Petar Lubarda</a> and <a href="/wiki/Milo_Milunovi%C4%87" title="Milo Milunović">Milo Milunović</a>. The <a href="/w/index.php?title=Mediala_group&action=edit&redlink=1" class="new" title="Mediala group (page does not exist)">Mediala group</a> featuring <a href="/wiki/Vladimir_Veli%C4%8Dkovi%C4%87" title="Vladimir Veličković">Vladimir Veličković</a> was formed in the 1970s to promote <a href="/wiki/Surrealism" title="Surrealism">Surrealist</a> figurative painting. Serbian art was split between those basing their works on the traditions of Serbian work such as frescoes and iconography and those exploring international styles. </p><p><a href="/wiki/Na%C3%AFve_art" title="Naïve art">Naïve art</a> became prominent in the second half of the 20th century, with many notable artists coming from <a href="/wiki/Vojvodina" title="Vojvodina">Vojvodina</a> province.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> Serbian naïve art painters include <a href="/wiki/Du%C5%A1an_Jevtovi%C4%87" title="Dušan Jevtović">Dušan Jevtović</a> and <a href="/wiki/Milosav_Jovanovi%C4%87" title="Milosav Jovanović">Milosav Jovanović</a>. </p><p>The first part of 21st century, with young artists like <a href="/w/index.php?title=Jovanka_Sanijenovic&action=edit&redlink=1" class="new" title="Jovanka Sanijenovic (page does not exist)">Jovanka Sanijenovic</a> or <a href="/wiki/Simonida_Raj%C4%8Devi%C4%87" title="Simonida Rajčević">Simonida Rajčević</a>, marks a predominance of a figurative art linked to realism – a realism "where everything is real and nothing is real – considering contemporary time as needing a return to what is real and concrete, and at the same time social and existential".<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> The <a href="/wiki/Human_Rights_Logo" title="Human Rights Logo">Human Rights Logo</a> was created by Serbian <a href="/wiki/Graphic_designer" title="Graphic designer">graphic designer</a> Predrag Stakić.<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Contemporary_art">Contemporary art</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=10" title="Edit section: Contemporary art"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>At the beginning of the 1980s in Belgrade was established movement "New Image" painting with <a href="/wiki/Milovan_Destil_Markovi%C4%87" title="Milovan Destil Marković">Milovan Destil Marković</a> and Vlasta Volcano Mikić (Žestoki), later followed by (Alter imago group) Nada Alavanja, Tahir Lušić, Vladimir Nikolić and later Mileta Prodanović. </p> <div class="mw-heading mw-heading2"><h2 id="Performance_art">Performance art</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=11" title="Edit section: Performance art"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:ArtistIsPresent.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/50/ArtistIsPresent.jpg/220px-ArtistIsPresent.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/50/ArtistIsPresent.jpg/330px-ArtistIsPresent.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/50/ArtistIsPresent.jpg/440px-ArtistIsPresent.jpg 2x" data-file-width="4752" data-file-height="3168" /></a><figcaption><a href="/wiki/Marina_Abramovi%C4%87" title="Marina Abramović">Marina Abramović</a> performed "The Artist Is Present" at the <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art</a>, in 2010.</figcaption></figure> <p><a href="/wiki/Maga_Magazinovi%C4%87" title="Maga Magazinović">Maga Magazinović</a>, philosopher and choreographer, was one of the most important figures of contemporary physical practice in Serbia before the Second World War. The emancipation of the body in her work was realized through the application of gymnastics, dance and physical education. During the 1960s and 1970s history of the contemporary dance developed in the framework of <a href="/wiki/Performance_art" title="Performance art">performance art</a>, <a href="/wiki/Body_art" title="Body art">body art</a> and <a href="/wiki/Happening" title="Happening">happenings</a>. On the status of the body can meditate in the works of <a href="/wiki/Marina_Abramovi%C4%87" title="Marina Abramović">Marina Abramović</a> and <a href="/wiki/Katalin_Ladik" title="Katalin Ladik">Katalin Ladik</a>. The performance art of the eighties was marked by a specific attitude toward ideology. This attitude is manifested in the work within the context of using utopian socialist iconography. During the '90s performance art was focused on the fight against the regime.<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/Marina_Abramovi%C4%87" title="Marina Abramović">Marina Abramović</a> is the most prominent Serbian performance artist. Active for over three decades, she has been described as the "grandmother of performance art." She pioneered a new notion of identity by bringing in the participation of her observers. Her art focuses on the theme of “confronting pain, blood, and physical limits of the body,” while relying on the extent of these discomforts based on the actions of her audience members.<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p><p>Another performance artists include Gabrijel Savić Ra, <a href="/w/index.php?title=Nela_Antonovi%C4%87&action=edit&redlink=1" class="new" title="Nela Antonović (page does not exist)">Nela Antonović</a>, <a href="/w/index.php?title=Lidija_Antonovi%C4%87&action=edit&redlink=1" class="new" title="Lidija Antonović (page does not exist)">Lidija Antonović</a>, <a href="/w/index.php?title=Predrag_Radovan%C4%8Devi%C4%87&action=edit&redlink=1" class="new" title="Predrag Radovančević (page does not exist)">Predrag Radovančević</a>. </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=12" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Serbian_architectural_styles" class="mw-redirect" title="Serbian architectural styles">Serbian architectural styles</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=13" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width reflist-columns-2"> <ol class="references"> <li id="cite_note-Kadijević_2017-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-Kadijević_2017_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Kadijević_2017_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFKadijević2017" class="citation journal cs1">Kadijević, Aleksandar Đ. 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"About typology and meaning of the Serbian public architectural monuments (19–20th centuries)". <i>Matica Srpska Journal for Fine Arts</i>. <b>45</b>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Matica+Srpska+Journal+for+Fine+Arts&rft.atitle=About+typology+and+meaning+of+the+Serbian+public+architectural+monuments+%2819%E2%80%9320th+centuries%29&rft.volume=45&rft.date=2017&rft.aulast=Kadijevi%C4%87&rft.aufirst=Aleksandar+%C4%90.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBeckwithKrautheimerĆurčić1986" class="citation book cs1">Beckwith, John; Krautheimer, Richard; Ćurčić, Slobodan (1986). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=1kSpN3Kfgc0C&q=Serbian+court+painters+demetrius%2C+theodore+and+george&pg=PA284"><i>Early Christian and Byzantine Art</i></a>. Yale University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780300052961" title="Special:BookSources/9780300052961"><bdi>9780300052961</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Early+Christian+and+Byzantine+Art&rft.pub=Yale+University+Press&rft.date=1986&rft.isbn=9780300052961&rft.aulast=Beckwith&rft.aufirst=John&rft.au=Krautheimer%2C+Richard&rft.au=%C4%86ur%C4%8Di%C4%87%2C+Slobodan&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D1kSpN3Kfgc0C%26q%3DSerbian%2Bcourt%2Bpainters%2Bdemetrius%252C%2Btheodore%2Band%2Bgeorge%26pg%3DPA284&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.macedonia.co.uk/client/index1.aspx?page=223">"The Cultural History of Macedonia – Art"</a>. <i>www.macedonia.co.uk</i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">19 December</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Manastir+Mile%C5%A1eva+-+crkva+Belog+an%C4%91ela&rft.pub=Ve%C4%8Dernje+novosti&rft.date=2012-08-05&rft_id=http%3A%2F%2Fwww.novosti.rs%2Fvesti%2Fsrbija.73.html%3A391503-Manastir-Mileseva---crkva-Belog-andjela&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-prijepolje-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-prijepolje_13-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-script cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.turizamprijepolje.org.rs/index.php/n-s-ir-il-sh-v-i-b-li-nd"><bdi lang="sr">Манастир Милешева и Бели Анђео</bdi></a> [Mileševa Monastery and the White Angel] (in Serbian). 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Retrieved <span class="nowrap">19 December</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=%D0%9C%D0%B0%D0%BD%D0%B0%D1%81%D1%82%D0%B8%D1%80+%D0%9C%D0%B8%D0%BB%D0%B5%D1%88%D0%B5%D0%B2%D0%B0+%D0%B8+%D0%91%D0%B5%D0%BB%D0%B8+%D0%90%D0%BD%D1%92%D0%B5%D0%BE&rft.pub=Tourist+Organisation+of+Preijepolje&rft_id=http%3A%2F%2Fwww.turizamprijepolje.org.rs%2Findex.php%2Fn-s-ir-il-sh-v-i-b-li-nd&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-52vikenda-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-52vikenda_14-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMihaljčić,_Milena2013" class="citation book cs1 cs1-prop-foreign-lang-source">Mihaljčić, Milena (2013). <a rel="nofollow" class="external text" href="http://www.srbija.travel/download/brosure/52_vikenda_smanjen.pdf"><i>52 vikenda u Srbiji</i></a> [<i>52 Weekends in Serbia</i>] <span class="cs1-format">(PDF)</span> (in Serbian). Belgrade: Tourist Organisation of Serbia. p. 30. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-86-6005-278-2" title="Special:BookSources/978-86-6005-278-2"><bdi>978-86-6005-278-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=52+vikenda+u+Srbiji&rft.place=Belgrade&rft.pages=30&rft.pub=Tourist+Organisation+of+Serbia&rft.date=2013&rft.isbn=978-86-6005-278-2&rft.au=Mihalj%C4%8Di%C4%87%2C+Milena&rft_id=http%3A%2F%2Fwww.srbija.travel%2Fdownload%2Fbrosure%2F52_vikenda_smanjen.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLončar,_R.2012" class="citation web cs1 cs1-prop-foreign-lang-source">Lončar, R. 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Retrieved <span class="nowrap">19 December</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Filaret+zinuo+na+Belog+an%C4%91ela&rft.pub=Vesti+Online&rft.date=2012-11-25&rft.au=Lon%C4%8Dar%2C+R.&rft_id=http%3A%2F%2Fwww.vesti-online.com%2FVesti%2FSrbija%2F272313%2FFilaret-zinuo-na-Belog-andela&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><i>Simonida</i>, Kosara Gavrilović translation.</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.danas.rs/danasrs/drustvo/terazije/ko_je_simonidi_iskopao_oci.14.html?news_id=199228">"Ko je Simonidi iskopao oci"</a> (in Serbian). Danas. 13 September 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">June 9,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Ko+je+Simonidi+iskopao+oci&rft.pub=Danas&rft.date=2010-09-13&rft_id=http%3A%2F%2Fwww.danas.rs%2Fdanasrs%2Fdrustvo%2Fterazije%2Fko_je_simonidi_iskopao_oci.14.html%3Fnews_id%3D199228&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=JEpLAAAAYAAJ&q=nikola+klisur"><i>Зборник Матице српске за ликовне уметности</i></a> (in Russian). 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Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XVIII+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=%D0%A1%D0%9B%D0%98%D0%9A%D0%90%D0%A0%D0%A1%D0%A2%D0%92%D0%9E+%D0%92%D0%98%D0%A1%D0%9E%D0%9A%D0%9E%D0%93+%D0%91%D0%90%D0%A0%D0%9E%D0%9A%D0%90&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Fslikarstvo-visokog-baroka.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/slikarstvo-kasnog-baroka.html">"СЛИКАРСТВО КАСНОГ БАРОКА"</a>. <i>СТАЛНА ПОСТАВКА XVIII ВЕКА</i>. Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XVIII+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=%D0%A1%D0%9B%D0%98%D0%9A%D0%90%D0%A0%D0%A1%D0%A2%D0%92%D0%9E+%D0%9A%D0%90%D0%A1%D0%9D%D0%9E%D0%93+%D0%91%D0%90%D0%A0%D0%9E%D0%9A%D0%90&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Fslikarstvo-kasnog-baroka.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=UIByDQAAQBAJ&q=17th+century+serbian+painters&pg=PA60"><i>Across the Danube: Southeastern Europeans and Their Travelling Identities (17th–19th C.)</i></a>. BRILL. 21 November 2016. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9789004335448" title="Special:BookSources/9789004335448"><bdi>9789004335448</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Across+the+Danube%3A+Southeastern+Europeans+and+Their+Travelling+Identities+%2817th%E2%80%9319th+C.%29&rft.pub=BRILL&rft.date=2016-11-21&rft.isbn=9789004335448&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DUIByDQAAQBAJ%26q%3D17th%2Bcentury%2Bserbian%2Bpainters%26pg%3DPA60&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/religiozno-slikarstvo-19-veka.html">"РЕЛИГИОЗНО СЛИКАРСТВО XIX ВЕКА"</a>. <i>СТАЛНА ПОСТАВКА XIX ВЕКА</i>. Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XIX+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=%D0%A0%D0%95%D0%9B%D0%98%D0%93%D0%98%D0%9E%D0%97%D0%9D%D0%9E+%D0%A1%D0%9B%D0%98%D0%9A%D0%90%D0%A0%D0%A1%D0%A2%D0%92%D0%9E+XIX+%D0%92%D0%95%D0%9A%D0%90&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Freligiozno-slikarstvo-19-veka.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/grafika-19-veka.html">"ГРАФИКА XIX ВЕКА"</a>. <i>СТАЛНА ПОСТАВКА XIX ВЕКА</i>. 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Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XIX+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=%D0%91%D0%98%D0%94%D0%95%D0%A0%D0%9C%D0%90%D0%88%D0%95%D0%A0+-+%D0%9A%D0%9E%D0%9D%D0%A1%D0%A2%D0%90%D0%9D%D0%A2%D0%98%D0%9D+%D0%94%D0%90%D0%9D%D0%98%D0%9B+%D0%98+%D0%9D%D0%98%D0%9A%D0%9E%D0%9B%D0%90+%D0%90%D0%9B%D0%95%D0%9A%D0%A1%D0%98%D0%8B&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Fbidermajer-konstantin-danil-i-nikola-aleksic.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20170407234253/http://www.galerijamaticesrpske.rs/en/biedermeier.html">"Biedermeier Of The 19th Century"</a>. <i>www.galerijamaticesrpske.rs</i>. Archived from <a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/en/biedermeier.html#">the original</a> on 2017-04-07.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.galerijamaticesrpske.rs&rft.atitle=Biedermeier+Of+The+19th+Century&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Fen%2Fbiedermeier.html%23&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/epoha-romantizma.html">"EПОХА РОМАНТИЗМА"</a>. <i>СТАЛНА ПОСТАВКА XIX ВЕКА</i>. Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XIX+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=E%D0%9F%D0%9E%D0%A5%D0%90+%D0%A0%D0%9E%D0%9C%D0%90%D0%9D%D0%A2%D0%98%D0%97%D0%9C%D0%90&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Fepoha-romantizma.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/istorizam.html">"ИСТОРИЗАМ"</a>. <i>СТАЛНА ПОСТАВКА XIX ВЕКА</i>. Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XIX+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=%D0%98%D0%A1%D0%A2%D0%9E%D0%A0%D0%98%D0%97%D0%90%D0%9C&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Fistorizam.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMišić2017" class="citation book cs1">Mišić, Snežana V. (2017). <i>Slikarstvo Đure Jakšića</i>. Belgrade: University of Belgrade. p. 263.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Slikarstvo+%C4%90ure+Jak%C5%A1i%C4%87a&rft.place=Belgrade&rft.pages=263&rft.pub=University+of+Belgrade&rft.date=2017&rft.aulast=Mi%C5%A1i%C4%87&rft.aufirst=Sne%C5%BEana+V.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/akademizam-paja-jovanovic-i-uros-predic.html">"АКАДЕМИЗАМ - ПАЈА ЈОВАНОВИЋ И УРОШ ПРЕДИЋ"</a>. <i>СТАЛНА ПОСТАВКА XIX ВЕКА</i>. Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XIX+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=%D0%90%D0%9A%D0%90%D0%94%D0%95%D0%9C%D0%98%D0%97%D0%90%D0%9C+-+%D0%9F%D0%90%D0%88%D0%90+%D0%88%D0%9E%D0%92%D0%90%D0%9D%D0%9E%D0%92%D0%98%D0%8B+%D0%98+%D0%A3%D0%A0%D0%9E%D0%A8+%D0%9F%D0%A0%D0%95%D0%94%D0%98%D0%8B&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Fakademizam-paja-jovanovic-i-uros-predic.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.ebritic.com/?p=660281">"New £465,000 record for Serbian art in Sotheby's sale"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=New+%C2%A3465%2C000+record+for+Serbian+art+in+Sotheby%27s+sale&rft_id=http%3A%2F%2Fwww.ebritic.com%2F%3Fp%3D660281&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/orijentalizam.html">"ОРИЈЕНТАЛИЗАМ"</a>. <i>СТАЛНА ПОСТАВКА XIX ВЕКА</i>. Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XIX+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=%D0%9E%D0%A0%D0%98%D0%88%D0%95%D0%9D%D0%A2%D0%90%D0%9B%D0%98%D0%97%D0%90%D0%9C&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Forijentalizam.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/realizam-djordje-krstic.html">"РЕАЛИЗАМ - ЂОРЂЕ КРСТИЋ"</a>. <i>СТАЛНА ПОСТАВКА XIX ВЕКА</i>. Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XIX+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=%D0%A0%D0%95%D0%90%D0%9B%D0%98%D0%97%D0%90%D0%9C+-+%D0%82%D0%9E%D0%A0%D0%82%D0%95+%D0%9A%D0%A0%D0%A1%D0%A2%D0%98%D0%8B&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Frealizam-djordje-krstic.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.galerijamaticesrpske.rs/simbolizam-stevan-aleksic.html">"СИМБОЛИЗАМ - СТЕВАН АЛЕКСИЋ"</a>. <i>СТАЛНА ПОСТАВКА XIX ВЕКА</i>. Galerija Matice srpske. 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=%D0%A1%D0%A2%D0%90%D0%9B%D0%9D%D0%90+%D0%9F%D0%9E%D0%A1%D0%A2%D0%90%D0%92%D0%9A%D0%90+XIX+%D0%92%D0%95%D0%9A%D0%90&rft.atitle=%D0%A1%D0%98%D0%9C%D0%91%D0%9E%D0%9B%D0%98%D0%97%D0%90%D0%9C+-+%D0%A1%D0%A2%D0%95%D0%92%D0%90%D0%9D+%D0%90%D0%9B%D0%95%D0%9A%D0%A1%D0%98%D0%8B&rft.date=2015&rft_id=http%3A%2F%2Fwww.galerijamaticesrpske.rs%2Fsimbolizam-stevan-aleksic.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external free" href="https://www.vads.ac.uk/digital/collection/IWMPC/id/1879/">https://www.vads.ac.uk/digital/collection/IWMPC/id/1879/</a> <sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Bare_URLs" title="Wikipedia:Bare URLs"><span title="A full citation is required to prevent link rot. (August 2024)">bare URL</span></a></i>]</sup></span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFДеретић2005" class="citation book cs1">Деретић, Јован (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=zI7pAAAACAAJ&q=kulturna+istorija+Srba"><i>Културна историја Срба: предавања</i></a>. Народна књига. p. 340.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%D0%9A%D1%83%D0%BB%D1%82%D1%83%D1%80%D0%BD%D0%B0+%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%98%D0%B0+%D0%A1%D1%80%D0%B1%D0%B0%3A+%D0%BF%D1%80%D0%B5%D0%B4%D0%B0%D0%B2%D0%B0%D1%9A%D0%B0&rft.pages=340&rft.pub=%D0%9D%D0%B0%D1%80%D0%BE%D0%B4%D0%BD%D0%B0+%D0%BA%D1%9A%D0%B8%D0%B3%D0%B0&rft.date=2005&rft.aulast=%D0%94%D0%B5%D1%80%D0%B5%D1%82%D0%B8%D1%9B&rft.aufirst=%D0%88%D0%BE%D0%B2%D0%B0%D0%BD&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DzI7pAAAACAAJ%26q%3Dkulturna%2Bistorija%2BSrba&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text">Gordana Biba Marković, <i><a rel="nofollow" class="external text" href="http://www.domkulturecacak.org/node/474">XV Prolećni Anale</a></i>. Dom Kulture Čačak, 20 May 2011.</span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.dw-world.de/dw/article/0,,15412732,00.html">"Serbian designer wins competition for a global human rights logo"</a>. <i>Deutsche Welle</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2020-05-11</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Deutsche+Welle&rft.atitle=Serbian+designer+wins+competition+for+a+global+human+rights+logo&rft_id=http%3A%2F%2Fwww.dw-world.de%2Fdw%2Farticle%2F0%2C%2C15412732%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://sveske.ba/en/content/drugost-druge-scene-u-srbiji">Drugost druge scene u Srbiji</a></span> </li> <li id="cite_note-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-43">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDemaria2004" class="citation journal cs1">Demaria, Cristina (August 2004). "The Performative Body of Marina Abramovic". <i>European Journal of Women's Studies</i>. <b>11</b> (3): 295. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1177%2F1350506804044464">10.1177/1350506804044464</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:145363453">145363453</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=European+Journal+of+Women%27s+Studies&rft.atitle=The+Performative+Body+of+Marina+Abramovic&rft.volume=11&rft.issue=3&rft.pages=295&rft.date=2004-08&rft_id=info%3Adoi%2F10.1177%2F1350506804044464&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A145363453%23id-name%3DS2CID&rft.aulast=Demaria&rft.aufirst=Cristina&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=14" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBabić1989" class="citation book cs1">Babić, Gordana (1989). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=KrBIAAAAYAAJ">"Western Medieval and Byzantine Traditions in Serbian Art"</a>. <i>Tradition and Modern Society: A Symposium at the Royal Academy of Letters, History, and Antiquities</i>. Stockholm: Almqvist & Wiksell International. pp. 117–132. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9789174022025" title="Special:BookSources/9789174022025"><bdi>9789174022025</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Western+Medieval+and+Byzantine+Traditions+in+Serbian+Art&rft.btitle=Tradition+and+Modern+Society%3A+A+Symposium+at+the+Royal+Academy+of+Letters%2C+History%2C+and+Antiquities&rft.place=Stockholm&rft.pages=117-132&rft.pub=Almqvist+%26+Wiksell+International&rft.date=1989&rft.isbn=9789174022025&rft.aulast=Babi%C4%87&rft.aufirst=Gordana&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DKrBIAAAAYAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFČanak-MedićTodić2017" class="citation book cs1">Čanak-Medić, Milka; Todić, Branislav (2017). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=91u8vQEACAAJ"><i>The Monastery of the Patriarchate of Peć</i></a>. Novi Sad: Platoneum, Beseda. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788685869839" title="Special:BookSources/9788685869839"><bdi>9788685869839</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Monastery+of+the+Patriarchate+of+Pe%C4%87&rft.place=Novi+Sad&rft.pub=Platoneum%2C+Beseda&rft.date=2017&rft.isbn=9788685869839&rft.aulast=%C4%8Canak-Medi%C4%87&rft.aufirst=Milka&rft.au=Todi%C4%87%2C+Branislav&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D91u8vQEACAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFĆirković2004" class="citation book cs1"><a href="/wiki/Sima_%C4%86irkovi%C4%87" title="Sima Ćirković">Ćirković, Sima</a> (2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=2Wc-DWRzoeIC"><i>The Serbs</i></a>. Malden: Blackwell Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781405142915" title="Special:BookSources/9781405142915"><bdi>9781405142915</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Serbs&rft.place=Malden&rft.pub=Blackwell+Publishing&rft.date=2004&rft.isbn=9781405142915&rft.aulast=%C4%86irkovi%C4%87&rft.aufirst=Sima&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D2Wc-DWRzoeIC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFĆurčić1979" class="citation book cs1">Ćurčić, Slobodan (1979). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=T77qAAAAMAAJ"><i>Gračanica: King Milutin's Church and Its Place in Late Byzantine Architecture</i></a>. Pennsylvania State University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780271002187" title="Special:BookSources/9780271002187"><bdi>9780271002187</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Gra%C4%8Danica%3A+King+Milutin%27s+Church+and+Its+Place+in+Late+Byzantine+Architecture&rft.pub=Pennsylvania+State+University+Press&rft.date=1979&rft.isbn=9780271002187&rft.aulast=%C4%86ur%C4%8Di%C4%87&rft.aufirst=Slobodan&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DT77qAAAAMAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li>Dragojević, Predrag. "The evaluation of old Serbian art during the formation of Serbian art history." Zograf 34 (2010): 153-163.</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFĐorđevićPejić1999" class="citation book cs1">Đorđević, Života; Pejić, Svetlana, eds. (1999). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=e6MtAQAAIAAJ"><i>Cultural Heritage of Kosovo and Metohija</i></a>. Belgrade: Institute for the Protection of Cultural Monuments of the Republic of Serbia. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788680879161" title="Special:BookSources/9788680879161"><bdi>9788680879161</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cultural+Heritage+of+Kosovo+and+Metohija&rft.place=Belgrade&rft.pub=Institute+for+the+Protection+of+Cultural+Monuments+of+the+Republic+of+Serbia&rft.date=1999&rft.isbn=9788680879161&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3De6MtAQAAIAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFĐurić1995" class="citation web cs1">Đurić, Vojislav J. (1995). <a rel="nofollow" class="external text" href="http://www.rastko.rs/isk/vdjuric-medieval_art.html">"Art in the Middle ages"</a>. <i>The history of Serbian Culture</i>. Rastko.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+history+of+Serbian+Culture&rft.atitle=Art+in+the+Middle+ages&rft.date=1995&rft.aulast=%C4%90uri%C4%87&rft.aufirst=Vojislav+J.&rft_id=http%3A%2F%2Fwww.rastko.rs%2Fisk%2Fvdjuric-medieval_art.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFĐurićBabić-Đorđević1997" class="citation book cs1">Đurić, Vojislav J.; Babić-Đorđević, Gordana (1997). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=GyNMAAAAMAAJ"><i>Srpska umetnost u srednjem veku: XIV-XVI vek</i></a>. Srpska književna zadruga. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788637906636" title="Special:BookSources/9788637906636"><bdi>9788637906636</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Srpska+umetnost+u+srednjem+veku%3A+XIV-XVI+vek&rft.pub=Srpska+knji%C5%BEevna+zadruga&rft.date=1997&rft.isbn=9788637906636&rft.aulast=%C4%90uri%C4%87&rft.aufirst=Vojislav+J.&rft.au=Babi%C4%87-%C4%90or%C4%91evi%C4%87%2C+Gordana&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DGyNMAAAAMAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFruht1995" class="citation web cs1">Fruht, Miroslav (1995). <a rel="nofollow" class="external text" href="http://www.rastko.rs/isk/mfruht-applied_art.html">"Design and Applied art"</a>. <i>The history of Serbian Culture</i>. Rastko.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+history+of+Serbian+Culture&rft.atitle=Design+and+Applied+art&rft.date=1995&rft.aulast=Fruht&rft.aufirst=Miroslav&rft_id=http%3A%2F%2Fwww.rastko.rs%2Fisk%2Fmfruht-applied_art.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGavrilović2001" class="citation book cs1">Gavrilović, Zaga (2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=0UBNAAAAYAAJ"><i>Studies in Byzantine and Serbian Medieval Art</i></a>. London: The Pindar Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781899828340" title="Special:BookSources/9781899828340"><bdi>9781899828340</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Studies+in+Byzantine+and+Serbian+Medieval+Art&rft.place=London&rft.pub=The+Pindar+Press&rft.date=2001&rft.isbn=9781899828340&rft.aulast=Gavrilovi%C4%87&rft.aufirst=Zaga&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D0UBNAAAAYAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFIvić1995" class="citation book cs1"><a href="/wiki/Pavle_Ivi%C4%87" title="Pavle Ivić">Ivić, Pavle</a>, ed. (1995). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=7nItAQAAIAAJ"><i>The History of Serbian Culture</i></a>. Edgware: Porthill Publishers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781870732314" title="Special:BookSources/9781870732314"><bdi>9781870732314</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+History+of+Serbian+Culture&rft.place=Edgware&rft.pub=Porthill+Publishers&rft.date=1995&rft.isbn=9781870732314&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D7nItAQAAIAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJanićijević1990" class="citation book cs1">Janićijević, Jovan, ed. (1990). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=7c8yAAAAIAAJ"><i>Serbian Culture Through Centuries: Selected List of Recommended Reading</i></a>. Belgrade: Yugoslav Authors' Agency.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Serbian+Culture+Through+Centuries%3A+Selected+List+of+Recommended+Reading&rft.place=Belgrade&rft.pub=Yugoslav+Authors%27+Agency&rft.date=1990&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D7c8yAAAAIAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJanićijević1998" class="citation book cs1">Janićijević, Jovan, ed. (1998). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=rHYMAQAAMAAJ"><i>The Cultural Treasury of Serbia</i></a>. Belgrade: Idea, Vojnoizdavački zavod, Markt system. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788675470397" title="Special:BookSources/9788675470397"><bdi>9788675470397</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Cultural+Treasury+of+Serbia&rft.place=Belgrade&rft.pub=Idea%2C+Vojnoizdava%C4%8Dki+zavod%2C+Markt+system&rft.date=1998&rft.isbn=9788675470397&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DrHYMAQAAMAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKrstić2003" class="citation book cs1">Krstić, Branislav (2003). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=cm8tAQAAIAAJ"><i>Saving the Cultural Heritage of Serbia and Europe in Kosovo and Metohia</i></a>. Belgrade: Coordination Center of the Federal Government and the Government of the Republic of Serbia for Kosovo and Metohia. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788675560173" title="Special:BookSources/9788675560173"><bdi>9788675560173</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Saving+the+Cultural+Heritage+of+Serbia+and+Europe+in+Kosovo+and+Metohia&rft.place=Belgrade&rft.pub=Coordination+Center+of+the+Federal+Government+and+the+Government+of+the+Republic+of+Serbia+for+Kosovo+and+Metohia&rft.date=2003&rft.isbn=9788675560173&rft.aulast=Krsti%C4%87&rft.aufirst=Branislav&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dcm8tAQAAIAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLjubinković1975" class="citation book cs1">Ljubinković, Radivoje (1975). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=0NnVAAAAMAAJ"><i>The Church of the Apostles in the Patriarchate of Peć</i></a>. Belgrade: Jugoslavija.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Church+of+the+Apostles+in+the+Patriarchate+of+Pe%C4%87&rft.place=Belgrade&rft.pub=Jugoslavija&rft.date=1975&rft.aulast=Ljubinkovi%C4%87&rft.aufirst=Radivoje&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D0NnVAAAAMAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarkovićVojvodić2017" class="citation book cs1">Marković, Miodrag; Vojvodić, Dragan, eds. (2017). <a rel="nofollow" class="external text" href="https://www.academia.edu/34710555"><i>Serbian Artistic Heritage in Kosovo and Metohija: Identity, Significance, Vulnerability</i></a>. Belgrade: Serbian Academy of Sciences and Arts.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Serbian+Artistic+Heritage+in+Kosovo+and+Metohija%3A+Identity%2C+Significance%2C+Vulnerability&rft.place=Belgrade&rft.pub=Serbian+Academy+of+Sciences+and+Arts&rft.date=2017&rft_id=https%3A%2F%2Fwww.academia.edu%2F34710555&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMedaković1989" class="citation book cs1"><a href="/wiki/Dejan_Medakovi%C4%87" title="Dejan Medaković">Medaković, Dejan</a> (1989). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=KrBIAAAAYAAJ">"Die Serbische Kirche und die Kunst im 18. und 19. Jahrhundert"</a>. <i>Tradition and Modern Society: A Symposium at the Royal Academy of Letters, History, and Antiquities</i>. Stockholm: Almqvist & Wiksell International. pp. 133–147. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9789174022025" title="Special:BookSources/9789174022025"><bdi>9789174022025</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Die+Serbische+Kirche+und+die+Kunst+im+18.+und+19.+Jahrhundert&rft.btitle=Tradition+and+Modern+Society%3A+A+Symposium+at+the+Royal+Academy+of+Letters%2C+History%2C+and+Antiquities&rft.place=Stockholm&rft.pages=133-147&rft.pub=Almqvist+%26+Wiksell+International&rft.date=1989&rft.isbn=9789174022025&rft.aulast=Medakovi%C4%87&rft.aufirst=Dejan&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DKrBIAAAAYAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMedaković1995" class="citation web cs1"><a href="/wiki/Dejan_Medakovi%C4%87" title="Dejan Medaković">Medaković, Dejan</a> (1995). <a rel="nofollow" class="external text" href="http://www.rastko.rs/isk/dmedakovic-art_xviii-xix.html">"Art in the Eighteent and Nineteenth centuries"</a>. <i>The history of Serbian Culture</i>. Rastko.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+history+of+Serbian+Culture&rft.atitle=Art+in+the+Eighteent+and+Nineteenth+centuries&rft.date=1995&rft.aulast=Medakovi%C4%87&rft.aufirst=Dejan&rft_id=http%3A%2F%2Fwww.rastko.rs%2Fisk%2Fdmedakovic-art_xviii-xix.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMileusnić1998" class="citation book cs1">Mileusnić, Slobodan (1998). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Xc1WAAAAMAAJ"><i>Medieval Monasteries of Serbia</i></a> (4th ed.). Novi Sad: Prometej. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788676393701" title="Special:BookSources/9788676393701"><bdi>9788676393701</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Medieval+Monasteries+of+Serbia&rft.place=Novi+Sad&rft.edition=4th&rft.pub=Prometej&rft.date=1998&rft.isbn=9788676393701&rft.aulast=Mileusni%C4%87&rft.aufirst=Slobodan&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DXc1WAAAAMAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPantelić2002" class="citation book cs1">Pantelić, Bratislav (2002). <i>The Architecture of Dečani and the Role of Archbishop Danilo II</i>. Wiesbaden: Reichert.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Architecture+of+De%C4%8Dani+and+the+Role+of+Archbishop+Danilo+II&rft.place=Wiesbaden&rft.pub=Reichert&rft.date=2002&rft.aulast=Panteli%C4%87&rft.aufirst=Bratislav&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPeić1994" class="citation book cs1">Peić, Sava (1994). <i>Medieval Serbian Culture</i>. London: Alpine Fine Arts Collection.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Medieval+Serbian+Culture&rft.place=London&rft.pub=Alpine+Fine+Arts+Collection&rft.date=1994&rft.aulast=Pei%C4%87&rft.aufirst=Sava&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPetkovićPeić2013" class="citation book cs1">Petković, Vesna; Peić, Sava (2013). <i>Serbian Medieval Cultural Heritage</i>. Belgrade: Dereta.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Serbian+Medieval+Cultural+Heritage&rft.place=Belgrade&rft.pub=Dereta&rft.date=2013&rft.aulast=Petkovi%C4%87&rft.aufirst=Vesna&rft.au=Pei%C4%87%2C+Sava&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPopovićMarjanović-DušanićPopović2016" class="citation book cs1">Popović, Marko; <a href="/wiki/Smilja_Marjanovi%C4%87-Du%C5%A1ani%C4%87" title="Smilja Marjanović-Dušanić">Marjanović-Dušanić, Smilja</a>; Popović, Danica (2016). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=9wJfvgAACAAJ"><i>Daily Life in Medieval Serbia</i></a>. Belgrade: Clio & Institute for Balkan Studies. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788671025256" title="Special:BookSources/9788671025256"><bdi>9788671025256</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Daily+Life+in+Medieval+Serbia&rft.place=Belgrade&rft.pub=Clio+%26+Institute+for+Balkan+Studies&rft.date=2016&rft.isbn=9788671025256&rft.aulast=Popovi%C4%87&rft.aufirst=Marko&rft.au=Marjanovi%C4%87-Du%C5%A1ani%C4%87%2C+Smilja&rft.au=Popovi%C4%87%2C+Danica&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D9wJfvgAACAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFProtić1995" class="citation web cs1">Protić, Miodrag B. (1995). <a rel="nofollow" class="external text" href="http://www.rastko.rs/isk/mprotic-art_xx_a.html">"Painting in the Twentieth century (The First epoch - 1900-1950)"</a>. <i>The history of Serbian Culture</i>. Rastko.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+history+of+Serbian+Culture&rft.atitle=Painting+in+the+Twentieth+century+%28The+First+epoch+-+1900-1950%29&rft.date=1995&rft.aulast=Proti%C4%87&rft.aufirst=Miodrag+B.&rft_id=http%3A%2F%2Fwww.rastko.rs%2Fisk%2Fmprotic-art_xx_a.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFProtić1995" class="citation web cs1">Protić, Miodrag B. (1995). <a rel="nofollow" class="external text" href="http://www.rastko.rs/isk/mprotic-art_xx_b.html">"Painting in the Twentieth century (The Second Epoch - after 1950)"</a>. <i>The history of Serbian Culture</i>. Rastko.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+history+of+Serbian+Culture&rft.atitle=Painting+in+the+Twentieth+century+%28The+Second+Epoch+-+after+1950%29&rft.date=1995&rft.aulast=Proti%C4%87&rft.aufirst=Miodrag+B.&rft_id=http%3A%2F%2Fwww.rastko.rs%2Fisk%2Fmprotic-art_xx_b.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFProtić1995" class="citation web cs1">Protić, Miodrag B. (1995). <a rel="nofollow" class="external text" href="http://www.rastko.rs/isk/mprotic-sculpture.html">"Painting and sculpture in the twentieth century"</a>. <i>The history of Serbian Culture</i>. Rastko.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+history+of+Serbian+Culture&rft.atitle=Painting+and+sculpture+in+the+twentieth+century&rft.date=1995&rft.aulast=Proti%C4%87&rft.aufirst=Miodrag+B.&rft_id=http%3A%2F%2Fwww.rastko.rs%2Fisk%2Fmprotic-sculpture.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSamardžićDuškov1993" class="citation book cs1"><a href="/wiki/Radovan_Samard%C5%BEi%C4%87" title="Radovan Samardžić">Samardžić, Radovan</a>; Duškov, Milan, eds. (1993). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=O3MtAQAAIAAJ"><i>Serbs in European Civilization</i></a>. Belgrade: Nova, Serbian Academy of Sciences and Arts, Institute for Balkan Studies. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788675830153" title="Special:BookSources/9788675830153"><bdi>9788675830153</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Serbs+in+European+Civilization&rft.place=Belgrade&rft.pub=Nova%2C+Serbian+Academy+of+Sciences+and+Arts%2C+Institute+for+Balkan+Studies&rft.date=1993&rft.isbn=9788675830153&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DO3MtAQAAIAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSmiljković1995" class="citation web cs1">Smiljković, Koviljka (1995). <a rel="nofollow" class="external text" href="http://www.rastko.rs/isk/ksmiljkovic-naive_art.html">"Naive art"</a>. <i>The history of Serbian Culture</i>. Rastko.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+history+of+Serbian+Culture&rft.atitle=Naive+art&rft.date=1995&rft.aulast=Smiljkovi%C4%87&rft.aufirst=Koviljka&rft_id=http%3A%2F%2Fwww.rastko.rs%2Fisk%2Fksmiljkovic-naive_art.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSubotić1998" class="citation book cs1">Subotić, Gojko (1998). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=t49TAAAAMAAJ"><i>Art of Kosovo: The Sacred Land</i></a>. New York: The Monacelli Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781580930062" title="Special:BookSources/9781580930062"><bdi>9781580930062</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Art+of+Kosovo%3A+The+Sacred+Land&rft.place=New+York&rft.pub=The+Monacelli+Press&rft.date=1998&rft.isbn=9781580930062&rft.aulast=Suboti%C4%87&rft.aufirst=Gojko&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dt49TAAAAMAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTodić1999" class="citation book cs1">Todić, Branislav (1999). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NqALAQAAMAAJ"><i>Serbian Medieval Painting: The Age of King Milutin</i></a>. Belgrade: Draganić. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788644102717" title="Special:BookSources/9788644102717"><bdi>9788644102717</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Serbian+Medieval+Painting%3A+The+Age+of+King+Milutin&rft.place=Belgrade&rft.pub=Dragani%C4%87&rft.date=1999&rft.isbn=9788644102717&rft.aulast=Todi%C4%87&rft.aufirst=Branislav&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNqALAQAAMAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTodićČanak-Medić2013" class="citation book cs1">Todić, Branislav; Čanak-Medić, Milka (2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=sWlGjwEACAAJ"><i>The Dečani Monastery</i></a>. Belgrade: Museum in Priština. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9788651916536" title="Special:BookSources/9788651916536"><bdi>9788651916536</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+De%C4%8Dani+Monastery&rft.place=Belgrade&rft.pub=Museum+in+Pri%C5%A1tina&rft.date=2013&rft.isbn=9788651916536&rft.aulast=Todi%C4%87&rft.aufirst=Branislav&rft.au=%C4%8Canak-Medi%C4%87%2C+Milka&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsWlGjwEACAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASerbian+art" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Serbian_art&action=edit&section=15" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.sv-luka.org/ikone/sericins.htm">Sv. Luka: Old Serbian icons</a></li> <li><a rel="nofollow" class="external text" href="http://artoglasi.com/">ART Ads</a></li> <li><a rel="nofollow" class="external text" href="http://www.artgalerija.net">ART Gallery</a></li> <li><a rel="nofollow" class="external text" href="http://prodajaslika.info">Sell Paintings</a></li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 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rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Serbian_souvenirs" title="Template:Serbian souvenirs"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Serbian_souvenirs" title="Template talk:Serbian souvenirs"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Serbian_souvenirs" title="Special:EditPage/Template:Serbian souvenirs"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Serbian_souvenirs,_arts_and_crafts" style="font-size:114%;margin:0 4em"><a href="/wiki/Serbia" title="Serbia">Serbian</a> <a href="/wiki/Souvenirs" class="mw-redirect" title="Souvenirs">souvenirs</a>, <a href="/wiki/Handicraft" title="Handicraft">arts and crafts</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%;line-height:1.2em;"><a href="/wiki/Handicraft" title="Handicraft">Handicrafts</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/w/index.php?title=Serbian_painting&action=edit&redlink=1" class="new" title="Serbian painting (page does not exist)">Serbian painting</a></li> <li><a href="/w/index.php?title=Serbian_icons&action=edit&redlink=1" class="new" title="Serbian icons (page does not exist)">Serbian icons</a></li> <li><a href="/wiki/Pirot_carpet" title="Pirot carpet">Pirot carpet</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;line-height:1.2em;"><a href="/wiki/Clothing" title="Clothing">Clothing</a></th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Serbian_national_costume" class="mw-redirect" title="Serbian national costume">Serbian national costume</a></li> <li><a href="/wiki/%C5%A0ajka%C4%8Da" title="Šajkača">Šajkača</a></li> <li><a href="/wiki/Opanak" title="Opanak">Opanak</a></li> <li><a href="/wiki/%C5%A0ubara" title="Šubara">Šubara</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;line-height:1.2em;"><a href="/wiki/Musical_instrument" title="Musical instrument">Musical<br />instruments</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Gusle" title="Gusle">Gusle</a></li> <li><a href="/wiki/Gaida" class="mw-redirect" title="Gaida">Gajda</a></li> <li><a href="/wiki/Frula" title="Frula">Frula</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;line-height:1.2em;">Other</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Serbian art</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="European_art" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:European_topic" title="Template:European topic"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:European_topic" title="Template talk:European topic"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:European_topic" title="Special:EditPage/Template:European topic"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="European_art" style="font-size:114%;margin:0 4em"><a href="/wiki/European_art" class="mw-redirect" title="European art">European art</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/List_of_sovereign_states" title="List of sovereign states">Sovereign states</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;font-weight:normal;"><a href="/wiki/Member_state_of_the_European_Union" title="Member state of the European Union">European Union</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Austrian_art" class="mw-redirect" title="Austrian art">Austria</a></li> <li><a href="/wiki/Belgian_art" class="mw-redirect" title="Belgian art">Belgium</a></li> <li><a href="/wiki/Bulgarian_art" class="mw-redirect" title="Bulgarian art">Bulgaria</a></li> <li><a href="/wiki/Croatian_art" title="Croatian art">Croatia</a></li> <li><a href="/wiki/Cypriot_art" class="mw-redirect" title="Cypriot art">Cyprus</a></li> <li><a href="/wiki/Czech_art" title="Czech art">Czech Republic</a></li> <li><a href="/wiki/Danish_art" title="Danish art">Denmark</a></li> <li><a href="/wiki/Estonian_art" title="Estonian art">Estonia</a></li> <li><a href="/wiki/Finnish_art" title="Finnish art">Finland</a></li> <li><a href="/wiki/French_art" title="French art">France</a></li> <li><a href="/wiki/German_art" title="German art">Germany</a></li> <li><a href="/wiki/Greek_art" title="Greek art">Greece</a></li> <li><a href="/wiki/Hungarian_art" title="Hungarian art">Hungary</a></li> <li><a href="/wiki/Irish_art" title="Irish art">Republic of Ireland</a></li> <li><a href="/wiki/Italian_art" title="Italian art">Italy</a></li> <li><a href="/wiki/Latvian_art" class="mw-redirect" title="Latvian art">Latvia</a></li> <li><a href="/wiki/Lithuanian_art" class="mw-redirect" title="Lithuanian art">Lithuania</a></li> <li><a href="/wiki/Luxembourg_art" class="mw-redirect" title="Luxembourg art">Luxembourg</a></li> <li><a href="/wiki/Maltese_art" class="mw-redirect" title="Maltese art">Malta</a></li> <li><a href="/wiki/Dutch_art" title="Dutch art">Netherlands</a></li> <li><a href="/wiki/Polish_art" title="Polish art">Poland</a></li> <li><a href="/wiki/Portuguese_art" title="Portuguese art">Portugal</a></li> <li><a href="/wiki/Romanian_art" title="Romanian art">Romania</a></li> <li><a href="/wiki/Slovak_art" class="mw-redirect" title="Slovak art">Slovakia</a></li> <li><a href="/wiki/Slovenian_art" class="mw-redirect" title="Slovenian art">Slovenia</a></li> <li><a href="/wiki/Spanish_art" title="Spanish art">Spain</a></li> <li><a href="/wiki/Swedish_art" title="Swedish art">Sweden</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;font-weight:normal;">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Albanian_art" title="Albanian art">Albania</a></li> <li><a href="/w/index.php?title=Andorran_art&action=edit&redlink=1" class="new" title="Andorran art (page does not exist)">Andorra</a></li> <li><a href="/wiki/Armenian_art" title="Armenian art">Armenia</a></li> <li><a href="/wiki/Azerbaijani_art" title="Azerbaijani art">Azerbaijan</a></li> <li><a href="/wiki/Belarusian_art" class="mw-redirect" title="Belarusian art">Belarus</a></li> <li><a href="/wiki/Bosnia_and_Herzegovina_art" class="mw-redirect" title="Bosnia and Herzegovina art">Bosnia and Herzegovina</a></li> <li><a href="/wiki/Georgian_art" title="Georgian art">Georgia</a></li> <li><a href="/wiki/Icelandic_art" title="Icelandic art">Iceland</a></li> <li><a href="/wiki/Kazakh_art" title="Kazakh art">Kazakhstan</a></li> <li><a href="/w/index.php?title=Liechtensteiner_art&action=edit&redlink=1" class="new" title="Liechtensteiner art (page does not exist)">Liechtenstein</a></li> <li><a href="/w/index.php?title=Moldovan_art&action=edit&redlink=1" class="new" title="Moldovan art (page does not exist)">Moldova</a></li> <li><a href="/w/index.php?title=Mon%C3%A9gasque_art&action=edit&redlink=1" class="new" title="Monégasque art (page does not exist)">Monaco</a></li> <li><a href="/w/index.php?title=Montenegrin_art&action=edit&redlink=1" class="new" title="Montenegrin art (page does not exist)">Montenegro</a></li> <li><a href="/wiki/Art_of_North_Macedonia" class="mw-redirect" title="Art of North Macedonia">North Macedonia</a></li> <li><a href="/wiki/Norwegian_art" title="Norwegian art">Norway</a></li> <li><a href="/wiki/Russian_art" class="mw-redirect" title="Russian art">Russia</a></li> <li><a href="/w/index.php?title=Sammarinese_art&action=edit&redlink=1" class="new" title="Sammarinese art (page does not exist)">San Marino</a></li> <li><a class="mw-selflink selflink">Serbia</a></li> <li><a href="/wiki/Swiss_art" class="mw-redirect" title="Swiss art">Switzerland</a></li> <li><a href="/wiki/Turkish_art" title="Turkish art">Turkey</a></li> <li><a href="/wiki/Ukrainian_art" class="mw-redirect" title="Ukrainian art">Ukraine</a></li> <li><a href="/wiki/British_art" class="mw-redirect" title="British art">United Kingdom</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;"><a href="/wiki/List_of_states_with_limited_recognition" title="List of states with limited recognition">States with limited<br />recognition</a></div></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/w/index.php?title=Abkhaz_art&action=edit&redlink=1" class="new" title="Abkhaz art (page does not exist)">Abkhazia</a></li> <li><a href="/w/index.php?title=Kosovan_art&action=edit&redlink=1" class="new" title="Kosovan art (page does not exist)">Kosovo</a></li> <li><a href="/w/index.php?title=Turkish_Cypriot_art&action=edit&redlink=1" class="new" title="Turkish Cypriot art (page does not exist)">Northern Cyprus</a></li> <li><a href="/w/index.php?title=South_Ossetian_art&action=edit&redlink=1" class="new" title="South Ossetian art (page does not exist)">South Ossetia</a></li> <li><a href="/w/index.php?title=Transnistrian_art&action=edit&redlink=1" class="new" title="Transnistrian art (page does not exist)">Transnistria</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;"><a href="/wiki/Dependent_territory" title="Dependent territory">Dependencies</a> and<br />other territories</div></th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Faroese_art" title="Faroese art">Faroe Islands</a></li> <li><a href="/w/index.php?title=Gibraltarian_art&action=edit&redlink=1" class="new" title="Gibraltarian art (page does not exist)">Gibraltar</a></li> <li><a href="/w/index.php?title=Guernsey_art&action=edit&redlink=1" class="new" title="Guernsey art (page does not exist)">Guernsey</a></li> <li><a href="/w/index.php?title=Manx_art&action=edit&redlink=1" class="new" title="Manx art (page does not exist)">Isle of Man</a></li> <li><a href="/w/index.php?title=Jersey_art&action=edit&redlink=1" class="new" title="Jersey art (page does not exist)">Jersey</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Art_of_Europe" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Art_of_Europe" title="Template:Art of Europe"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Art_of_Europe" title="Template talk:Art of Europe"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Art_of_Europe" title="Special:EditPage/Template:Art of Europe"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Art_of_Europe" style="font-size:114%;margin:0 4em"><a href="/wiki/Art_of_Europe" title="Art of Europe">Art of Europe </a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Sovereign states</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Art_of_Albania" class="mw-redirect" title="Art of Albania">Albania</a></li> <li><a href="/w/index.php?title=Art_of_Andorra&action=edit&redlink=1" class="new" title="Art of Andorra (page does not exist)">Andorra</a></li> <li><a href="/wiki/Art_of_Armenia" class="mw-redirect" title="Art of Armenia">Armenia</a></li> <li><a href="/wiki/Art_of_Austria" class="mw-redirect" title="Art of Austria">Austria</a></li> <li><a href="/wiki/Art_of_Azerbaijan" class="mw-redirect" title="Art of Azerbaijan">Azerbaijan</a></li> <li><a href="/wiki/Art_of_Belarus" class="mw-redirect" title="Art of Belarus">Belarus</a></li> <li><a href="/wiki/Art_of_Belgium" title="Art of Belgium">Belgium</a></li> <li><a href="/wiki/Art_of_Bosnia_and_Herzegovina" class="mw-redirect" title="Art of Bosnia and Herzegovina">Bosnia and Herzegovina</a></li> <li><a href="/wiki/Art_of_Bulgaria" class="mw-redirect" title="Art of Bulgaria">Bulgaria</a></li> <li><a href="/wiki/Art_of_Croatia" class="mw-redirect" title="Art of Croatia">Croatia</a></li> <li><a href="/wiki/Art_of_Cyprus" class="mw-redirect" title="Art of Cyprus">Cyprus</a></li> <li><a href="/wiki/Art_of_the_Czech_Republic" class="mw-redirect" title="Art of the Czech Republic">Czech Republic</a></li> <li><a href="/wiki/Art_of_Denmark" class="mw-redirect" title="Art of Denmark">Denmark</a></li> <li><a href="/wiki/Art_of_Estonia" class="mw-redirect" title="Art of Estonia">Estonia</a></li> <li><a href="/wiki/Art_of_Finland" class="mw-redirect" title="Art of Finland">Finland</a></li> <li><a href="/wiki/Art_of_France" class="mw-redirect" title="Art of France">France</a></li> <li><a href="/wiki/Art_of_Georgia_(country)" class="mw-redirect" title="Art of Georgia (country)">Georgia</a></li> <li><a href="/wiki/Art_of_Germany" class="mw-redirect" title="Art of Germany">Germany</a></li> <li><a href="/wiki/Art_of_Greece" class="mw-redirect" title="Art of Greece">Greece</a></li> <li><a href="/wiki/Art_of_Hungary" class="mw-redirect" title="Art of Hungary">Hungary</a></li> <li><a href="/wiki/Art_of_Iceland" class="mw-redirect" title="Art of Iceland">Iceland</a></li> <li><a href="/wiki/Art_of_the_Republic_of_Ireland" class="mw-redirect" title="Art of the Republic of Ireland">Ireland</a></li> <li class="mw-empty-elt"></li> <li><a href="/wiki/Art_of_Italy" class="mw-redirect" title="Art of Italy">Italy</a></li> <li><a href="/wiki/Art_of_Kazakhstan" class="mw-redirect" title="Art of Kazakhstan">Kazakhstan</a></li> <li><a href="/wiki/Art_of_Latvia" class="mw-redirect" title="Art of Latvia">Latvia</a></li> <li><a href="/w/index.php?title=Art_of_Liechtenstein&action=edit&redlink=1" class="new" title="Art of Liechtenstein (page does not exist)">Liechtenstein</a></li> <li><a href="/wiki/Art_of_Lithuania" class="mw-redirect" title="Art of Lithuania">Lithuania</a></li> <li><a href="/wiki/Art_of_Luxembourg" class="mw-redirect" title="Art of Luxembourg">Luxembourg</a></li> <li><a href="/w/index.php?title=Art_of_Malta&action=edit&redlink=1" class="new" title="Art of Malta (page does not exist)">Malta</a></li> <li><a href="/wiki/Art_of_Moldova" class="mw-redirect" title="Art of Moldova">Moldova</a></li> <li><a href="/w/index.php?title=Art_of_Monaco&action=edit&redlink=1" class="new" title="Art of Monaco (page does not exist)">Monaco</a></li> <li><a href="/wiki/Art_of_Montenegro" class="mw-redirect" title="Art of Montenegro">Montenegro</a></li> <li><a href="/wiki/Art_of_the_Netherlands" class="mw-redirect" title="Art of the Netherlands">Netherlands</a></li> <li><a href="/wiki/Art_of_North_Macedonia" class="mw-redirect" title="Art of North Macedonia">North Macedonia</a></li> <li><a href="/wiki/Art_of_Norway" class="mw-redirect" title="Art of Norway">Norway</a></li> <li><a href="/wiki/Art_of_Poland" class="mw-redirect" title="Art of Poland">Poland</a></li> <li><a href="/wiki/Art_of_Portugal" class="mw-redirect" title="Art of Portugal">Portugal</a></li> <li><a href="/wiki/Art_of_Romania" class="mw-redirect" title="Art of Romania">Romania</a></li> <li><a href="/wiki/Art_of_Russia" class="mw-redirect" title="Art of Russia">Russia</a></li> <li><a href="/w/index.php?title=Art_of_San_Marino&action=edit&redlink=1" class="new" title="Art of San Marino (page does not exist)">San Marino</a></li> <li><a href="/wiki/Art_of_Serbia" class="mw-redirect" title="Art of Serbia">Serbia</a></li> <li><a href="/wiki/Art_of_Slovakia" class="mw-redirect" title="Art of Slovakia">Slovakia</a></li> <li><a href="/wiki/Art_of_Slovenia" title="Art of Slovenia">Slovenia</a></li> <li><a href="/wiki/Art_of_Spain" class="mw-redirect" title="Art of Spain">Spain</a></li> <li><a href="/wiki/Art_of_Sweden" class="mw-redirect" title="Art of Sweden">Sweden</a></li> <li><a href="/wiki/Art_of_Switzerland" class="mw-redirect" title="Art of Switzerland">Switzerland</a></li> <li><a href="/wiki/Art_of_Turkey" class="mw-redirect" title="Art of Turkey">Turkey</a></li> <li><a href="/wiki/Art_of_Ukraine" class="mw-redirect" title="Art of Ukraine">Ukraine</a></li> <li><a href="/wiki/Art_of_the_United_Kingdom" title="Art of the United Kingdom">United Kingdom</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">States with limited<br />recognition</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/w/index.php?title=Art_of_Abkhazia&action=edit&redlink=1" class="new" title="Art of Abkhazia (page does not exist)">Abkhazia</a></li> <li><a href="/wiki/Art_of_Kosovo" class="mw-redirect" title="Art of Kosovo">Kosovo</a></li> <li><a href="/w/index.php?title=Art_of_Northern_Cyprus&action=edit&redlink=1" class="new" title="Art of Northern Cyprus (page does not exist)">Northern Cyprus</a></li> <li><a href="/w/index.php?title=Art_of_South_Ossetia&action=edit&redlink=1" class="new" title="Art of South Ossetia (page does not exist)">South Ossetia</a></li> <li><a href="/w/index.php?title=Art_of_Transnistria&action=edit&redlink=1" class="new" title="Art of Transnistria (page does not exist)">Transnistria</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Dependencies and<br />other entities</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/w/index.php?title=Art_of_%C3%85land&action=edit&redlink=1" class="new" title="Art of Åland (page does not exist)">Åland</a></li> <li><a href="/wiki/Art_of_the_Faroe_Islands" class="mw-redirect" title="Art of the Faroe Islands">Faroe Islands</a></li> <li><a href="/w/index.php?title=Art_of_Gibraltar&action=edit&redlink=1" class="new" title="Art of Gibraltar (page does not exist)">Gibraltar</a></li> <li><a href="/w/index.php?title=Art_of_Guernsey&action=edit&redlink=1" class="new" title="Art of Guernsey (page does not exist)">Guernsey</a></li> <li><a href="/w/index.php?title=Art_of_the_Isle_of_Man&action=edit&redlink=1" class="new" title="Art of the Isle of Man (page does not exist)">Isle of Man</a></li> <li><a href="/w/index.php?title=Art_of_Jersey&action=edit&redlink=1" class="new" title="Art of Jersey (page does not exist)">Jersey</a></li> <li><a href="/w/index.php?title=Art_of_Svalbard&action=edit&redlink=1" class="new" title="Art of Svalbard (page does not 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