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font-size: large;">Libremente inspirado en <i>Lyrisches Intermezzo</i> de Heinrich Heine (Schumann adapt贸 los poemas a las necesidades de la m煤sica, reordenando y alterando algunos textos), <i>Dichterliebe </i>(Los amores del poeta) se puede considerar tanto como un ciclo de canciones como un 谩lbum, una galer铆a de cuadros cada uno de ellos un microcosmos aut贸nomo que ocupa pocos minutos en consumarse en tensi贸n, conflicto o resoluci贸n, idea 茅sta cara al Romanticismo temprano.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Los <i>lieder </i>de Schumann ocupan un lugar transicional entre lo vocal y lo pian铆stico, una suerte de extensi贸n de su temprana creaci贸n para teclado. El piano provee mayoritariamente la melod铆a, con extensos postudios que glosan los poemas y “<i>dan voz a pensamientos y sentimientos que las palabras s贸lo decoran</i>” (Schumann <i>dixit</i>): A la presencia del amor como declaraci贸n y queja, como resignaci贸n a favor del ser amado, se une un peculiar sarcasmo en forma de reproche. Repentinas disonancias y tensi贸n arm贸nica subliman una pasi贸n que es subrayada en el texto. El contraste din谩mico entre caracter铆sticas opuestas acent煤a la iron铆a y prende una incierta atm贸sfera de deseo.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"><span style="font-family: georgia;"><a href="magnet:?xt=urn:btih:2B49280A7EE27D3261D6B841ACDE6F624F176073">168 lossless recordings of Schumann Dichterliebe (Magnet link)</a><br /></span></p><p style="text-align: center;"><a href="https://1337x.to/torrent/6157877/Schumann-Dichterliebe-168-lossless-recordings/" target="_blank">Link to the torrent file</a><br /></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>1. Im wundersch枚nen Monat Mai </b>[En el maravilloso mes de mayo]: La estructura de este <i>lied </i>se encuentra radicalmente fuera de la ortodoxia. La ausencia de definici贸n tonal pespuntea un suspense continuo que deja la armon铆a irresoluta. El poder del pasaje inicial (construido con arpegios de car谩cter casi improvisatorio) radica en el hecho que implica la t贸nica pero jam谩s la alcanza (relaci贸n con objeto de deseo -Clara- y su ausencia). Este anhelo, que desestabiliza la clave y fragmenta la canci贸n, puede ser escuchado en la imprecisa superposici贸n de la melod铆a (compases 5 al 12) en las l铆neas vocal e instrumental; tambi茅n reemerge al final de cada estrofa. El trazo vocal es sencillo, ascendiendo y descendiendo por grados cercanos, en una ondulaci贸n crom谩tica que favorece el buen despliegue de las palabras. Al piano la melod铆a explicita la tensi贸n en los grandes intervalos.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Comenzamos con un registro de los denominados hist贸ricos, plano, con un suave soplido de fondo y abundantes saturaciones. Charles Panzera posee una asombrosa belleza de timbre baritonal, tenue y c谩lida, una personal铆sma articulaci贸n que suena espont谩nea, evitando la hip茅rbole, y un inmenso abanico de colores con los que retratar, convincente en su intimidad y comprensi贸n, el coraz贸n de cada canci贸n (apertura de la n潞 8). A veces se producen desajustes entre voz y piano debido al abundante e imaginativo empleo del <i>rubato </i>de Alfred Cortot; quiz谩 al oyente actual le resulte contrario al pulso natural de la m煤sica. Flexibilidad m谩gica del fraseo, la fantas铆a convertida en cl谩sico (Warner, 1935).</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrlowSP6X5WX43gRvW-kISnCHI9EiDV_fuZhRcyK3Ffc_8_86lnEPV1FW0hG_2IF72XSRZWX7fph1AhMQtcn_6xwTwedHpCQ4T6vA3qWIpZe1WQEg1GtSxgNkm1J3d4Ob379kqIfO6zvvntxEMEFzBE6XwVMZ7HUQ3iN8ZxQQE0wE8u40eQtDUJqCedmU/s1200/Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrlowSP6X5WX43gRvW-kISnCHI9EiDV_fuZhRcyK3Ffc_8_86lnEPV1FW0hG_2IF72XSRZWX7fph1AhMQtcn_6xwTwedHpCQ4T6vA3qWIpZe1WQEg1GtSxgNkm1J3d4Ob379kqIfO6zvvntxEMEFzBE6XwVMZ7HUQ3iN8ZxQQE0wE8u40eQtDUJqCedmU/s320/Cover.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>2. Aus meinen Tr盲nen sprie脽en</b> [De mis l谩grimas brotan]: Su concisi贸n y aparente simplicidad encubren la complejidad de su armaz贸n, con una ins贸lita progresi贸n arm贸nica. Las flores brotan de las l谩grimas, los suspiros se convierten en un coro de ruise帽ores, y el Poeta habla directamente a la amada. Su presentaci贸n deja al oyente en una incertidumbre que queda sin dirimir y en torno a la cual gira todo el poema y su escenario. Las incompletas cadencias vocales, culminadas en el piano cada par de versos, realzan la indeterminaci贸n y la congoja. El final es conmovedor, la voz hace la pregunta, el piano susurra la respuesta.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">En el poeta de Fritz Wunderlich (DG, 1965) sobresale la atractiva frescura de su voz juvenil, con aquel candor propio que fue siempre marca de la casa. Expresividad sin esfuerzo, respiraci贸n f谩cil, suavidad del <i>legato</i>, incandescencia del timbre y sentimiento interior, canta la mayor铆a de las piezas en su clave original. A destacar el ligero y apasionado vibrato de la canci贸n n潞 1, donde sin embargo escatima la intolerable nostalgia; en la n潞 3 observa muy levemente el <i>ritardando </i>a mitad de canci贸n, y en la n潞 6 es mon贸tonamente ligero. Muy bien en la anhelante n潞 5 y en la llameante n潞 7 (cumbre insuperada en el la agudo), en la interiorizaci贸n de la n潞 10, en la jovialidad de la n潞 11, o en el denuedo de la n潞 12. El piano de Hubert Giesen se amustia literal y poco imaginativo, perezoso en ag贸gicas, dejando pasar los refinamientos de los a茅reos pentagramas, como en el trivial postludio final.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_dBj-1h_uYPWakiU7get5g9o0TSDEJ7FDVNF-PO_2SaL26RIWN2SlNYEQDlfeRl1_g0trnKJA3tAToWICAWBiqKZW5XYSgwzjukWGljEi7dWSNAJRrHShzrp_THhsasEgUM8Mkt7HEkOJHf0XzH1cKl6TdcXzamWs9yj4Y8ocJ0O6eZC6-2-h_OgBjvI/s720/cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_dBj-1h_uYPWakiU7get5g9o0TSDEJ7FDVNF-PO_2SaL26RIWN2SlNYEQDlfeRl1_g0trnKJA3tAToWICAWBiqKZW5XYSgwzjukWGljEi7dWSNAJRrHShzrp_THhsasEgUM8Mkt7HEkOJHf0XzH1cKl6TdcXzamWs9yj4Y8ocJ0O6eZC6-2-h_OgBjvI/s320/cover.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>3. Die Rose, die Lilie, die Taube, die Sonne</b> [La rosa, el lirio, la paloma, el sol]: De extrema brevedad es el exhuberante idilio correspondido. Dos estrofas, dos modos, dos ritmos, dos sentimientos que se oponen y se complementan, que se buscan y que se encuentran. Schumann combina la euforia con un contorno vocal sil谩bico, pegadizo y alegre que es en cierto modo bastante dif铆cil de cantar, requiriendo una dicci贸n exigente de la rauda iteraci贸n de palabras y un 谩gil control de la respiraci贸n, que debe tomarse fugazmente entre semicorcheas. Los dos 煤ltimos acordes <i>staccato</i> confirman la firmeza del postludio, que demanda que el pianista mantenga un ritmo constante con la mano izquierda para enaltecer los acordes a destiempo.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Dietrich Fischer-Dieskau ha sido ampliamente reconocido como el m谩s dotado int茅rprete de <i>lieder </i>de su (y probablemente de cualquier) 茅poca. Su curiosidad, inteligencia, su vasta paleta de colores empujaron el <i>lied </i>a nuevos niveles de comprensi贸n e intensidad. Acaso en 1965 (Deutsche Grammophon) est茅 en su plenitud vocal, 铆ntimo, esponjoso, inmediato y ardiente. Soberbio en la caricia de su timbre baritonal, la transparencia de la pronunciaci贸n, la amplitud din谩mica. Bellamente calculados <i>ritardandi </i>en las canciones n潞 3 (que pod铆a entonar en una sola exhalaci贸n tabaquista) y 6 (donde deja el coraz贸n helado). Como contrapartida(s) el intermitente sobre茅nfasis verbal, la acentuaci贸n de las palabras estrat茅gicas, la generalizada caracterizaci贸n de los modos mayor y menor para la esperanza y desesperanza. La contribuci贸n de J枚rg Demus fluye suelta y llana, con un punto de <i>rubato </i>po茅tico como en las n潞 1 (atenci贸n al pedal) y 10. En 1975 (DG) el timbre es m谩s tenoril e inevitablemente menos rico y vigoroso que en anteriores registros. Tambi茅n es m谩s comedido en la din谩mica. La orfebrer铆a roza un inestable manierismo que puede ser irritante: matiza, teatraliza, exalta, sobreact煤a; su energ铆a a veces amenaza destruir el friable encantamiento shumanniano (el posterior registro con Brendel ya es peligrosamente cercano a la autocaricatura). Excelente el piano de Christoph Eschenbach, claro y evocativo, complementando m谩s que acompa帽ando, al mismo nivel ideal de realizaci贸n art铆stica.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvYib1_zgJNRoFNTje0qEHxCTuYoWeO03MDOPNLNNH9PHzTs9VmlpbZrCpfQuRT-KA-FJfI0wob-_6NuGQRXl70m04Y1QqBBwzltOw80SfuKbvkNklJ9fFth5sSPFACKqgjanzY2ronmC43ymMMp-ezn8jb0pWQsa2_xjLZ9gE2oNxEW8OP3Af3xEnrKE/s1200/Dieskau.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvYib1_zgJNRoFNTje0qEHxCTuYoWeO03MDOPNLNNH9PHzTs9VmlpbZrCpfQuRT-KA-FJfI0wob-_6NuGQRXl70m04Y1QqBBwzltOw80SfuKbvkNklJ9fFth5sSPFACKqgjanzY2ronmC43ymMMp-ezn8jb0pWQsa2_xjLZ9gE2oNxEW8OP3Af3xEnrKE/w640-h320/Dieskau.jpg" width="640" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>4. Wenn ich in deine Augen seh</b> [Cuando veo tus ojos]: La descripci贸n que hace Heine de los distintos niveles de intimidad (desde una simple mirada, pasando por un beso, hasta recostarse sobre el pecho de la amada -Schumann coloca h谩bilmente cada uno de los sustantivos en el tiempo muerto cadencial al final de la frase-) avanza lineal hacia un punto culminante en el singular comp谩s n潞 13 donde la llamativa s茅ptima disminuida aparece al nombrar la persona amada, y la palabra "<i>sprichst</i>" (dices) ralentiza el ritmo sil谩bico mientras el piano asaetea con un arpegio descendente. Adem谩s de la resoluci贸n arm贸nica, Schumann marca <i>ritardando </i>sobre “<i>liebe</i>” (amor), contribuyendo al realce ret贸rico del c. 14, cuando el dolor torna en ternura. El postludio llora un desvanecimiento gradual basado en cambios de registro descendentes.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Peter Schreier (Berlin Classics, 1972) es un tenor l铆rico, con el extremo brillante, que oscurece el color por abajo (como en la n潞 7, si bien pugna al l铆mite de su extensi贸n) y hace un vivaz uso de la din谩mica para ampliar su expresi贸n, alcanzando el drama en ocasiones. La pronunciaci贸n es serena y precisa, el particular tono lacio y susurrante fluyendo por el <i>legato </i>inextingible y comunicativo. Si en la n潞 2 solfea al <i>tempo </i>m谩s lento posible (muy apropiado), en la n潞 6 esta laxitud es pesante. El piano vaporoso de Norman Shetler mana <i>cantabile </i>en las n潞 8 y 12. El m谩s brioso y variado Christoph Eschenbach impulsa en 1988 (Teldec) una voz que nunca fue la m谩s potente, bonita o sensual (las caracter铆sticas vocales teut贸nicas e), pero que todav铆a mantiene el control de la respiraci贸n, la gracilidad de respuesta, la astucia (el temprano reconocimiento de la p茅rdida en “<i>ich liebe dich</i>” son ya palabras vac铆as en la n潞 4), o el convincente martirio de la n潞 13.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6vnus_1ER4uI9iworGjy4mb15Znv9MyT1J9Bd0a40XXBP4xVF3bd3oufgEfX4gRVnHiBYM8NyMSF3v_5giGy1pZG2SgS-4kvKV6qSEnIUUYxAf5dN5tvpnTycy99CtEkmztv-N64PfOBihHs-4Po5URwByt9IWj39U0TONT1vN_2CW-8J4AeJ8-QD06A/s1200/Schreier.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6vnus_1ER4uI9iworGjy4mb15Znv9MyT1J9Bd0a40XXBP4xVF3bd3oufgEfX4gRVnHiBYM8NyMSF3v_5giGy1pZG2SgS-4kvKV6qSEnIUUYxAf5dN5tvpnTycy99CtEkmztv-N64PfOBihHs-4Po5URwByt9IWj39U0TONT1vN_2CW-8J4AeJ8-QD06A/w640-h320/Schreier.jpg" width="640" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>5. Ich will meine Seele tauchen</b> [Debo sumergir mi alma]: Si las cuatro primeras canciones mantienen un tono de felicidad (filtrada por la memoria), en las cuatro segundas se instala la desesperaci贸n. A partir de la indicaci贸n expresiva <i>leise </i>(tranquilo, con un matiz privado) el ritmo de vals envuelve las dos estrofas. Este <i>lied</i> podr铆a considerarse un tr铆o con un perfil vocal (excepcionalmente dulce, casi siempre en pasos de un semitono) y una composici贸n independiente en el piano con su propia silueta mel贸dica y su significativa organizaci贸n arm贸nica, confirmada por un extendido postludio (primero de muchos como piezas casi independientes) cuyas crom谩ticas rupturas comentan el fr谩gil estado emocional del protagonista.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Jose Van Dam dicta un poeta vociferante y aristocr谩tico, decepcionado por la vida (ya no joven, acaso nunca lo fue), comandando su timbre rasposo de troll de las cavernas, arrastrando la pronunciaci贸n de las erres. Glorioso cuando se pide poder铆o o notas graves. Son canciones lentas, sombr铆as, con la muerte acechando, en las que en ocasiones irrumpe un destello de luz y color: La preciosa (y amanerada) conclusi贸n del <i>lied </i>inicial, suavizando el 铆mpetu sobre la palabra “<i>verlangen</i>” (deseos), en lugar de confesar sobre el <i>crescendo</i>; en la n潞 6 canta la primera estrofa con notas recias y oscuras para luego aportar luminosidad a las siguientes, apoyado en un flexible pianismo; en la n潞 7 modifica constantemente el volumen 茅pico de su voz para terminar con un suntuoso “<i>nicht</i>” que deja desvanecerse poco a poco; y en la n潞 10 llora sobre “<i>tr盲nen</i>” gracias a una <i>mezza-voce</i> tr茅mula y sensible. Las trasposiciones necesarias para la tesitura de bajo-bar铆tono conllevan tambi茅n la severidad al piano de Dalton Baldwin, met谩lico y clangoroso (Forlane, 1988).</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtOnnop1R5_d69Ljui7zaLm2_QPWjmI7E51681n_RThGaJd5kOqJjn-IDjWGcEoQusngeqGyrZ-byEeYio_BIdkkWz0VR6lGfUh5hO6Dh4bZiPjAk3CIU3jiCzNBFRo0PIuF2l6Lqm6bBezZDtKLpwuOJlj2SverNk_yCWdjOvhC106SwdIgoDhb14OGM/s1417/front.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="1417" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtOnnop1R5_d69Ljui7zaLm2_QPWjmI7E51681n_RThGaJd5kOqJjn-IDjWGcEoQusngeqGyrZ-byEeYio_BIdkkWz0VR6lGfUh5hO6Dh4bZiPjAk3CIU3jiCzNBFRo0PIuF2l6Lqm6bBezZDtKLpwuOJlj2SverNk_yCWdjOvhC106SwdIgoDhb14OGM/s320/front.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>6. Im Rhein, im heiligen Strome</b> [En el sagrado Rin]: El canto parte de un novedoso rango grave, y tiene pocas suspensiones y apoyaturas, doblando meramente las figuraciones del piano. Peculiar y definida progresi贸n arm贸nica, remembrada por un majestuoso coral de octavas de falsa solemnidad, con un implacable ritmo que parodia la obertura francesa. Palabras serias y umbr铆as encajan con la arquitectura g贸tica de la canci贸n: La sorpresa en el 煤ltimo verso, estrepitosa y blasfema, nos obliga a repensar el poema desde el principio ya que Heine rebaja la imagener铆a religiosa al compararla con la amada (la nostalgia da lugar a la idealizaci贸n). El piano recurre a un tropo estil铆stico reconocible en el largo postludio que tilda la mauler铆a de farsa ir贸nica.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">La colaboraci贸n entre el tenor Christoph Pr茅gardien y el pianista Andreas Staier representa un primer ejemplo (DHM, 1993) de enfoque historicista conjunto, cimentado en sondear y flexibilizar cada fluctuaci贸n del texto. T铆mbrica arg茅ntea, sin gran volumen pero s贸lida en todo el rango (mezclando resonancia de cabeza, falsete y voz de pecho), con una tesitura grave que le acerca a lo baritonal. El fraseo se entrega callado e inquietante, como un reservorio de resiliencia: Quejumbroso en la n潞 8, donde las relucientes semicorcheas son el m谩gico sonido de la naturaleza, conmueve en la figura dolidamente incisa en la n潞 12 y en la irrealidad del vac铆o adormecido en la n潞 13. Pr茅gardien demuestra una escrupulosa atenci贸n a las din谩micas y marcas, un encuadre comedido de los retardos y rubatos, y un parvo vibrato que le permite jugar con las consonancias y disonancias del piano. Staier es sobrio y discreto en su amaderado instrumento vien茅s (c.1825), texturiza diferenciadamente las canciones (la diamantina estratificaci贸n en la n潞 4), y emplea v铆vidos ejemplos de efectos de pedal decimon贸nicos (final de la n潞 15). En un instrumento moderno las instrucciones parecen contradictorias, pero en el fortepiano tienen todo el sentido: Notas individuales cortas y reticentes dentro de una bruma general de sonido (el flujo pujante de semicorcheas en la n潞 9). Austero en la asincron铆a de las manos y en la rotura de los acordes.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje1EE2kMB82zdwlC4zohI3PTlk3yBvo-uVaaLa_-q-n03t1e01r-SfDNpIdPyDOONrL0-i8JFK9uFaUrQIMeHjy6t_EtA2AU6D4WRVA-ZhsW7Tw-nW-8fjNsZc4HcZRsCkCODrbaRa44J_uKKO_1sjfiwfK1TIJ0sfdBj4JaiJ8mQQUQwjS-heeFPaht8/s599/Pr%C3%A9gardien-Staier.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="599" data-original-width="597" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje1EE2kMB82zdwlC4zohI3PTlk3yBvo-uVaaLa_-q-n03t1e01r-SfDNpIdPyDOONrL0-i8JFK9uFaUrQIMeHjy6t_EtA2AU6D4WRVA-ZhsW7Tw-nW-8fjNsZc4HcZRsCkCODrbaRa44J_uKKO_1sjfiwfK1TIJ0sfdBj4JaiJ8mQQUQwjS-heeFPaht8/s320/Pr%C3%A9gardien-Staier.jpg" width="319" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>7. Ich grolle nicht </b>[No guardo rencor]: Su fuerza dram谩tica descansa en la evoluci贸n arm贸nica, mesurada pero continua, con una sucesi贸n solapada de acordes de s茅ptima (cc. 5-9 y 23-29). Schumann emplea la palabra "<i>herz</i>" (coraz贸n) como una especie de estribillo po茅tico (aparece cinco veces en un proceso acumulativo tonal y din谩mico, separadas por distancias progresivamente menores), preparando el punto culminante en el c. 27 y la posterior resoluci贸n, un punto de inflexi贸n decisivo ya que la ruptura entre el protagonista y su amada se completa aqu铆, con la tesitura m谩s alta en todo el ciclo. La estampa vocal repite los acentos pesados creando una tensi贸n l煤gubre que se perenniza por la incesante trepidaci贸n del piano.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">El fornido bar铆tono Thomas Quasthoff (RCA, 1992) ofrenda una ampl铆sima extensi贸n, con facilidad para unos graves caliginosos y de tonalidad cavernosa (n潞 6), aunque su metal flojea en las alturas (n潞 5). Su dicc铆on es n铆tida (poco 谩gil en la n潞 3) y expresiva (a veces sobreextiende las vocales empa帽ando la afinaci贸n), el <i>legato </i>terso y firme (n潞 1), impecable la atenci贸n al texto. El timbre se afelpa meloso, contundente y sincero, pero peca de escaso volumen tr谩gico y limitada distinci贸n del car谩cter espec铆fico de cada canci贸n, convirti茅ndose en un narrador prosaico m谩s que part铆cipe de la desdicha. El piano de Roberto Szidon ataca arrollador (n潞 5), en茅rgico (n潞 6), rotundo (n潞 8). </span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYpQyr6V1I8q1RHFDZJH5I-POmgIMFj8pYFonnK80K3clmFeMZ1JiYMh1O8Rn5bf2VoYdhqiSU_jQqloBUfVxiSZdGS2fo7mItTb5kEi_iJGgFiOXnzuFU2i2gW4_A4f217Ra-tn_Nxdt3LOgqYGwLjW1z1BNok3lq457j8Zqz2u_rU0MhGVxA3Ir75xU/s1500/Quastoff-Szidon.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1432" data-original-width="1500" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYpQyr6V1I8q1RHFDZJH5I-POmgIMFj8pYFonnK80K3clmFeMZ1JiYMh1O8Rn5bf2VoYdhqiSU_jQqloBUfVxiSZdGS2fo7mItTb5kEi_iJGgFiOXnzuFU2i2gW4_A4f217Ra-tn_Nxdt3LOgqYGwLjW1z1BNok3lq457j8Zqz2u_rU0MhGVxA3Ir75xU/s320/Quastoff-Szidon.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>8. Und w眉脽ten's die Blumen, die kleinen</b> [Si las florecillas supieran]: Se divide en cuatro estrofas en las que Schumann utiliza <i>tremolandi </i>descendentes para representar el tenue canto de los ruise帽ores, las estrellas que caen del cielo y la quebradiza condici贸n del poeta. Este acompa帽amiento ingr谩vido y su armon铆a difusa se prolongan hasta la enga帽osa cadencia herida por el repentino cese de las fusas y la articulaci贸n <i>staccata </i>en el piano sobre la palabra “<i>zerrissen</i>” (destroz贸), incluso con una suspensi贸n d谩ndole un 茅nfasis repetido (cc. 30-32). Schumann rompe ferozmente a acordes dram谩ticos y un agitado postludio, que ilustra un cambio de humor repentino, incluso podr铆a decirse que violento.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">El grato timbre baritonal alto de Wolfgang Holzmair hipnotiza en su cremoso <i>legato </i>(Philips, 1994) y plantea un poeta opuesto al de Dieskau: Gentil, tranquilo, con un hilo de voz aterciopelada y sensible, cual meditaci贸n personal, la vocalizaci贸n clara y luminosa. Las primeras canciones est谩n envueltas en delicadeza y ternura, dosificando pasi贸n y sensualidad (n潞 3 y 4). Puede verse impelido por el texto a declamar, pero r谩pidamente se enrolla sobre s铆 mismo, aten煤a la insurreci贸n y busca el silencio (la n潞 7 es tr谩gica y cautelosa al mismo tiempo). Imogen Cooper comparte este rasgo interiorizado y dolido (por ejemplo en la canci贸n n潞 1, de queda din谩mica), aunque a veces demuestra un apasionado balance de intensidad y atenci贸n (en la n潞 12 destacando la melod铆a superior en la mano derecha mientras toca las notas medias mansamente).</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGJnlgOLQo6eF69cFrQ0h-R2DqFUuhYMiIpX4mSyOcTayHBkQXo8Ej7t_K7A0cNybU69RJZgtDRoSOa37tpsGowoZ7A9ysg13q8t6DEdVFwdemAaSvARjwglMyqEMCF3g6aXHee92VkYEnk59ZIMb_ZaE9BMYRz8FQaaxpmzM4nqX1PmU0_N2-mGRqiH4/s1396/Holzmair-Cooper.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1388" data-original-width="1396" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGJnlgOLQo6eF69cFrQ0h-R2DqFUuhYMiIpX4mSyOcTayHBkQXo8Ej7t_K7A0cNybU69RJZgtDRoSOa37tpsGowoZ7A9ysg13q8t6DEdVFwdemAaSvARjwglMyqEMCF3g6aXHee92VkYEnk59ZIMb_ZaE9BMYRz8FQaaxpmzM4nqX1PmU0_N2-mGRqiH4/s320/Holzmair-Cooper.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>9. Das ist ein Fl枚ten und Geigen</b> [Las flautas y violines suenan]: Su texto presenta una descripci贸n casi indiferente de la boda de la amada con otro hombre. El ruidoso baile nupcial se narra en un burdo vals en el piano, la mano derecha en vertiginosas semicorcheas en <i>legato</i>, la izquierda percusivamente saltarina, pero el abatimiento del enamorado hace que el j煤bilo caiga en sus o铆dos en tono menor. Un largo postludio de diecinueve compases perpet煤a un torbellino aparentemente ajeno a la angustiosa situaci贸n.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Si se contempla una visi贸n refinada y asimilada del dolor, Ian Bostridge (EMI, 1997) tiene el instrumento adecuado: Tenor l铆rico de voz nasal con una estrecha paleta de color, maneja un maravilloso y continuo <i>legato</i>, y utiliza selectivamente el vibrato como medio de expresi贸n (en la canci贸n n潞 6 ilumina el descubrimiento de las flores y los 谩ngeles). Su pronunciaci贸n germana puede mejorar (quiz谩s). Terror, inmediatez, tanto a trav茅s de la poes铆a como de la m煤sica (estupenda la din谩mica en cada verso en el primer <i>lied</i>, respirando el aire primaveral). Bostridge pinta musicalmente usando la dicci贸n como paleta en la cual degrada los colores, nunca enunciando dos veces de la misma manera: la rabia contenida en la n潞 7, la sugerente vulnerabilidad en la n潞 8, disfrazando su voz triste y p谩lida en la n潞 12, filtrando melancol铆a y tristeza en forma de canto privado y casi inaudible en la n潞 13. Discreto, l铆quido y sensitivo acompa帽amiento debido a Julius Drake, capaz tambi茅n de pulsaciones s铆smicas (n潞 6). </span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4Lq4TAx40aTQC8OPUiAwnZrDF_ZLK8wWLqewrlw9P5EYoQKbHJxcxVq_28ASsJOYtsBv23dqfbCjNOgGin4iQHCwog_IovphfZaV3a1LkNER-5cLCsO10CTCnOw_XazVkF8fmSQvJFBYt28FaBe3FthkD9Sa7rtP36U_x0Rq0vn1cNTSJPnLrOrCScqw/s600/Pages%20from%20Booklet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4Lq4TAx40aTQC8OPUiAwnZrDF_ZLK8wWLqewrlw9P5EYoQKbHJxcxVq_28ASsJOYtsBv23dqfbCjNOgGin4iQHCwog_IovphfZaV3a1LkNER-5cLCsO10CTCnOw_XazVkF8fmSQvJFBYt28FaBe3FthkD9Sa7rtP36U_x0Rq0vn1cNTSJPnLrOrCScqw/s320/Pages%20from%20Booklet.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>10. H枚r' ich das Liedchen klingen</b> [Escucho el sonido de la cantinela]: El preludio introduce la caracter铆stica ambig眉edad r铆tmica de Schumann. Las armon铆as sencillas y el <i>tempo </i>lento crean un ambiente introspectivo, sugerido por la direcci贸n de los arpegios del piano, pero la melod铆a superior mantiene la inestabilidad mediante livianas suspensiones. La abatida voz entra tarde, repitiendo embebida la canci贸n que la amada cantaba: Resuena a su alrededor, habla y se desvanece. En el postludio, casi una pieza en s铆 misma, con varios niveles de textura simult谩neos, los ecos de la melod铆a se pierden en canon (cc. 21, 23 y 24), como l谩grimas en la lluvia.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">El bar铆tono l铆rico Christopher Maltman (Hyperion, 2000) es capaz de vocalizar muchas de las canciones en la clave original, perfecto en las notas altas (sonoro y confiado en el la agudo en <i>forte </i>en la n潞 7), muy variado en su t铆mbrica, de dicci贸n cristalina y minucioso detallismo: En la canci贸n n潞 3 equilibra cuidadosamente arrebato, agilidad y gracia; rotundo, es capaz de finalizar melanc贸licamente tierno la n潞 6; algunas retenciones (de silencios, de cadencias, de vocales largas) se asoman al precipicio y rompen la articulaci贸n inercial (n潞 8) y el <i>legato </i>no es perfecto en ocasiones. Un reservado Graham Johnson al piano pastorea la voz, modula m铆sticamente en la n潞 6, rememora ca煤sticamente los residuos de la banda local en la n潞 9, y en la canci贸n final concibe silencios estruendosos.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijFtGVbfFdB0zhcjDEVOkyv2c8ybKz_GUnAloDIfqyHB61exhRw_bFZDFozGaoWIl6C8yZOg2ci3tmpHQvDlEJOwdHk5PqDbLgtHdNnzg4AhdEqLEqHnGdM_kUQ-gkDkLmCvBPGwUY4Zb3EH4Qs4CTn8YWo4KKbOIJBPNnknOVbZ7dFQbENTzRsPkeYrY/s600/034571131054.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijFtGVbfFdB0zhcjDEVOkyv2c8ybKz_GUnAloDIfqyHB61exhRw_bFZDFozGaoWIl6C8yZOg2ci3tmpHQvDlEJOwdHk5PqDbLgtHdNnzg4AhdEqLEqHnGdM_kUQ-gkDkLmCvBPGwUY4Zb3EH4Qs4CTn8YWo4KKbOIJBPNnknOVbZ7dFQbENTzRsPkeYrY/s320/034571131054.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>11. Ein J眉ngling liebt ein M盲dchen</b> [Un joven amaba a una muchacha]: Refiere la vieja historia de amor falaz, ambientada con m煤sica alegre en un repentino modo mayor y m茅trica sencilla que imita una canci贸n popular. Las numerosas disonancias y el patr贸n de acompa帽amiento n铆tido sirven para establecer la referencia sem谩ntica y preparatoria del efecto tr谩gico. Tras el punto 谩lgido vocal (cc. 18-20) y arm贸nico (maximizado bajo los dram谩ticos cc. 22 y ss.), se desata una tempestuosa progresi贸n (a partir del c. 25) que culmina sobre la palabra “<i>bricht</i>” (destroza, c. 32) coloreando el sentido de la frase en <i>ritardando</i>. Schumann a帽ade un extenso postludio que confirma esta resoluci贸n ir贸nica con una serie de gestos de opereta: acordes martilleados, ligados, s铆ncopas y saltos. </span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">En esta noci贸n de no distorsionar innecesariamente la curva mel贸dica matizando cada s铆laba encontramos asimismo la adecuada voz ligera de Werner G眉ra (Harmonia Mundi, 2002): Elegante y apuesta, espont谩nea y perfectamente controlada, de timbre deliciosamente pl谩cido, muy matizado psicol贸gicamente el texto en los lieder n潞 7, 9, y 11 (donde hace un perfecto relato). Su so帽ador <i>legato </i>(una n潞 13 narc贸tica), siendo un punto fuerte, no es comparable al de Wunderlich. A veces elige <i>tempi </i>tan pausados que adolecen de una cierta p茅rdida de tensi贸n (n潞 5). A lamentar el escaso desarrollo de la amplitud din谩mica, la modestia en agudos (n潞 7) y el magro dramatismo para las 煤ltimas canciones. Cuidadosas intervenciones al piano que algunos tachar谩n de pol茅micas, como cuando Jan Schultsz aterciopela las escalas descedentes del postludio en el lent铆simo <i>lied </i>n潞 10.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFyce5KQsIcEsWgx6gMr6PvjaWZLoWbh2XO0z4yp3GqqHmt-9o29fkho8x-77KMIyVjXX4s9Vw_sdB0RVA5fZMZ6p52qgn0OFjonead5AEhyTJxonO1c3-Qf9J9oW_qFh2uxBASonTgmP4QZ-D0C_M46elLa7JpXb4x9b8gxi0CiDDZ7CSRQ82uj0IW-o/s599/R-14749090-1580832239-9469.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="592" data-original-width="599" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFyce5KQsIcEsWgx6gMr6PvjaWZLoWbh2XO0z4yp3GqqHmt-9o29fkho8x-77KMIyVjXX4s9Vw_sdB0RVA5fZMZ6p52qgn0OFjonead5AEhyTJxonO1c3-Qf9J9oW_qFh2uxBASonTgmP4QZ-D0C_M46elLa7JpXb4x9b8gxi0CiDDZ7CSRQ82uj0IW-o/s320/R-14749090-1580832239-9469.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>12. Am leuchtenden Sommermorgen</b> [En una brillante ma帽ana veraniega]: Ofrece una parodia sarc谩stica de la t铆pica balada: una apertura folcl贸rica en m茅trica compuesta, un porte vocal robusto e interludios de piano recurrentes. Los arpegios descendentes representan la compadecida presencia de las flores y crean un paisaje para la voz del amante mientras vaga por el jard铆n. Schumann induce una dolorosa ruptura tonal en los cc. 9-10 para representar la p茅rdida de voz del poeta y utiliza un inusual acorde crom谩tico en el c. 16 para encumbrar la nueva emoci贸n (el perd贸n), con una din谩mica <i>pianissimo </i>y un <i>tempo </i>m谩s lento. El postludio (contrastante e inequ铆vocamente sobreactuado, con nueve suspensiones) pasa a clave mayor mitigando la amargura del texto.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">El bar铆tono Christian Gerhaher posee una voz vers谩til y matizada, de cuidada uniformidad, intachables <i>legato</i>, control del vibrato y de la gama din谩mica (los fortes sin asperezas), inmaculada dicci贸n en la que cada vocal y cada consonante est谩n minuciosamente elaboradas, especialmente la exquisitamente dibujada erre. Su interpretaci贸n es profunda e 铆ntima, casi musitada, y deja una impresi贸n perdurable de dolor en cierto modo gozoso. La familiaridad alqu铆mica (y casi vitalicia) con Gerold Huber permite que cada acento ag贸gico, cada cambio r铆tmico y cada giro del fraseo parezcan surgir de la pareja como un pensamiento 煤nico. El toque prudente y l铆mpido al piano (la transparencia y regularidad de las semicorcheas, los aparentemente inocentes cambios arm贸nicos) contribuye a la atm贸sfera camer铆stica. La b煤squeda de una narraci贸n evolutiva en el ciclo se va jalonando de momentos emotivos: La innovadora n潞 7 comienza en <i>mezzo-forte</i>, con verdadera cualidad parlante, para construir de forma gradual, captando la rabia innata a la vez que transmite el pesar por la necesidad de su desaf铆o; el melanc贸lico baile de fondo en la n潞 9, casi vacilante; el exquisito empleo del pedal en la n潞 10 que permite discernir qu茅 notas superiores en los arpegios han de estirarse y cu谩les no; el 谩nimo sepulcral en el musitado <i>recitativo secco</i> de la n潞 13; la ingeniosa observaci贸n de las corcheas graves bajo los acordes sostenidos en la n潞 15; la aterradora vivacidad del lied final (RCA, 2004).</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6IcYoLAYpOLLBNiQ7FRLyh9BC6LYJ0IcyKmzAhY_UQqW2j3PXakseY5a1WgVLkNdGvu_pRAGIRVxQO-taiKU-Vy4kq_JHeCrPngLxU-qVfyMhC7KPo1QDgMhwAoRVhZf9vp3vthFC9-doJlMnFRGo9pSs9ZHeM-qw2ICvwNh7hRDfpU9xx7kP8y9rTwU/s1500/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1490" data-original-width="1500" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6IcYoLAYpOLLBNiQ7FRLyh9BC6LYJ0IcyKmzAhY_UQqW2j3PXakseY5a1WgVLkNdGvu_pRAGIRVxQO-taiKU-Vy4kq_JHeCrPngLxU-qVfyMhC7KPo1QDgMhwAoRVhZf9vp3vthFC9-doJlMnFRGo9pSs9ZHeM-qw2ICvwNh7hRDfpU9xx7kP8y9rTwU/s320/front.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>13. Ich hab' im Traum geweinet </b>[He llorado en sue帽os]: Se distingue del resto del ciclo por su 谩rida textura (la inusual ausencia inicial de soporte pian铆stico, con articulaciones separadas y silencios), su remota tonalidad y su inconsolable melancol铆a. Schumann presenta un modelo lineal con tres estados on铆ricos progresivos: La m煤sica de las estrofas primera (la muerte de la amada <i>en futuro</i>) y segunda (su rechazo del protagonista <i>en presente</i>) presenta un di谩logo entre voz y teclado en el que aquella, casi recitada, narra cada sue帽o mientras el piano comenta espor谩dicamente con acordes graves; la tercera estrofa comienza con una introducci贸n armonizada (cc. 23-25), previa a la entrada simult谩nea de voz e instrumento (su amor perdurable por 茅l, <i>un recuerdo de lo irrevocablemente pasado</i>). Este contraste articulatorio alcanza su punto 谩lgido cuando el re bemol se tonifica en el c. 29, y sobre ”<i>thr盲nenfluth</i>” (torrente de l谩grimas, c. 32-33), la palabra que encarna la imaginer铆a nuclear del poema. La enf谩tica disonancia local y un <i>sforzando </i>subrayan la aflicci贸n del protagonista al despertar de este tercer sue帽o.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Gerald Finley (Hyperion, 2007) es un bar铆tono heroico de metal carnoso y flexible, d煤ctil en volumen. Desoladoramente resignado y abstraido al comienzo (el paso procesional, casi let谩rgico, pone a prueba lo certero y articulado de su lenguaje en la n潞 1), lacerante en el murmurado “<i>te amo</i>” en la tranquila n潞 4, acaba la n潞 6 con desconsuelo sard贸nico; corpulento y casi histri贸nico en la siguiente, aligera el tono en la n潞 8, dando elegancia a los burlescos “<i>zerrisen</i>”. Luego oscila entre la enso帽aci贸n adormecida (una n潞 12 apenas respirada) y la autodramatizaci贸n 谩cida, funesta, triste y aut茅nticamente heinesiana (verso conclusivo <i>sottovoce </i>de la n潞 14), para acabar en un <i>lied </i>final siniestro. Julius Drake forja un pianismo silente y consciente, alerta a su mano izquierda, que da profundidad hier谩tica a los acordes catedralicios de la n潞 6, sin seguir <i>tempi </i>o din谩micas tradicionales (como en el glacial arranque de la n潞 11).</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmgw0nqgFjMQZF1ij2oO5iwsTLhvuPCDa-ZKW2hM2OiDV-zUDixBW0PHHYa8Qw7jEeR78GVVH_wU_QtsnmA2WvObBvsawCPwEUySIrDCg3QS5NmcgND1WsZwwZjNEEQ1z-ug7XIB-w7_UVm4yOsTnPtSybjQJtXQiCnk8qm41nq5jdkGSa_bqXychx5mg/s1200/cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmgw0nqgFjMQZF1ij2oO5iwsTLhvuPCDa-ZKW2hM2OiDV-zUDixBW0PHHYa8Qw7jEeR78GVVH_wU_QtsnmA2WvObBvsawCPwEUySIrDCg3QS5NmcgND1WsZwwZjNEEQ1z-ug7XIB-w7_UVm4yOsTnPtSybjQJtXQiCnk8qm41nq5jdkGSa_bqXychx5mg/s320/cover.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>14. Alln盲chtlich im Traume</b> [Te veo en sue帽os todas las noches]: 脷nica canci贸n que permanece en la misma clave durante toda su duraci贸n, dividida en tres secciones de once compases por dos interludios de piano id茅nticos; las frases torneadas en grupos de cuatro y ocho compases. La voz se limita a doblar la melod铆a pian铆stica (intentado alcanzar una y otra vez algo que est谩 justo fuera de su alcance), casi como un d煤o en el que el poeta cree que la amada siente la misma p茅rdida. El verbo “<i>vergessen</i>” (olvid茅), al final de una frase germana, golpea con toda la fuerza.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Mark Padmore (HM, 2010) es un tenor honesto y maleable, apoyado en vibrato, de centro s贸lido y dulce agudo, y que canta con delicadeza incorp贸rea y paleta reducida. Su <i>Dichterliebe </i>es musicalmente pulido, de melodrama contenido, y cuidadosamente enunciado y coloreado, con una solicitud exquisita en c贸mo cada canci贸n conduce a la siguiente. La cierta zozobra en la tesitura baritonal de la n潞 6 se ve compensada por lo afilado de los ritmos al piano; el destellante cinismo <i>papag茅nico </i>en la n潞 11 se apacigua en la siguiente canci贸n. A veces la voz es casi un instrumento <i>obbligato </i>y Kristian Bezuidenhout domina la escena con un fortepiano Erard de 1837 que brilla cauteloso y cautivador, con car谩cter rico y variado, n铆tida articulaci贸n en las tesituras alta y media a costa de un registro grave algo pastoso, que engulle el protagonismo en los postludios. Su elocuencia diferencia los temperamentos (enfermiza la n潞 9), con colores finamente graduados en todos los registros (deliciosos arpegios en n潞 14 y 15). En la canci贸n final revela la dulzura en la escritura del piano, subvirtiendo la apesadumbrada poes铆a. ¡Ay, catastr贸fica la endeblez vocal en la n潞 10!</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhS19_ulsQJG9DWmUBXe6WdXiQX03SgG_nKHD_SdwXBAEZHLdWwCpJjPzMOd3YkrOCo8IHfzdCbgwOJwwKeildsjSdxvO4YIXDbAShp_cIsRLTjly1eofazdXjWNJ9iKzfQFAwup4oWh6HruY8BwuhyGseZ-hXUMxNbX8C2J7maIGdmYRDdVDQpkyJt7U/s1092/003bfc60.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="977" data-original-width="1092" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhS19_ulsQJG9DWmUBXe6WdXiQX03SgG_nKHD_SdwXBAEZHLdWwCpJjPzMOd3YkrOCo8IHfzdCbgwOJwwKeildsjSdxvO4YIXDbAShp_cIsRLTjly1eofazdXjWNJ9iKzfQFAwup4oWh6HruY8BwuhyGseZ-hXUMxNbX8C2J7maIGdmYRDdVDQpkyJt7U/s320/003bfc60.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>15. Aus alten M盲rchen winkt es </b>[De los antiguos cuentos]: El poeta sue帽a largamente con la utop铆a liberadora de sus angustias. Tras la introducci贸n al piano (cc. 1-9, una feliz melod铆a infantil en ritmo cadencioso), se cuentan las maravillas m铆sticas de este pa铆s de las hadas (cc. 9-65), modulando y realzando la textura para intensificar el sentimiento; la secci贸n clim谩tica, a <i>tempo </i>m谩s lento y con una recapitulaci贸n aumentada, narra su alivio del tormento (cc. 69-84); la ma帽ana hace que el sue帽o se desvanezca, descartando sus fantas铆as rom谩nticas como una ilusi贸n sin sentido (cc. 93-104). Tras una fermata que prolonga el silencio, Schumann recupera al piano un lejano recuerdo de la tierra m谩gica y requiere el pedal hasta el final, lo que proporciona un efecto borroso dentro de la din谩mica tranquila, enlazando arm贸nicamente a la 煤ltima canci贸n.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Julian Pr茅gardien (HM, 2018) parte de una visi贸n retrospectiva (y a帽orada) m谩s que vivida (y sufrida) en el momento. Tenor l铆rico de medios limitados (renuncia al la agudo opcional de la n潞 7), comedido vibrato, sedosa sinceridad, con diversidad temperamental: Las peque帽as notas de adorno (n潞 1), el fervor en la n潞 2 y la dulzura de la n潞 5; la siguiente comienza iracunda para ir diluy茅ndose y amainando en 铆ntima comuni贸n; la tumultuosidad del final de la n潞 8, y la iron铆a de la n潞 9. 脡ric Le Sage emplea un cantar铆n teclado de 1856, encordado en paralelo, de tonos sosegados y plenitud de resonancia en el rango medio y arm贸nicos, que permite hacer muy audible la polifon铆a, aunque la r铆tmica trote algo inhibida, quiz谩 debido a que los graves suenan algo apagados dentro del acotado sonido general. Sus arpegios en la n潞 12 revelan los claroscuros del jard铆n. A destacar el fantasmal efecto de la soprano Sandrine Piau susurrando un espectral “<i>te amo</i>” cuando el texto permite hablar a la amada en la canci贸n n潞 4: ¿La voz interior recordada? ¿So帽ada? ¿Imaginada?</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifIthBU1CglA_t2mHW32KdDs5Yhr1RXIGzJB0aND6mz9D26J4lqV2p8d3S1ldkHWJXRIkXuMGPhEiBiAI9aLLAvnN1fbojQyrHLpKsyeCIZH5ebUBmFpUxcdesg6u39qomP8otKD4YtgFuei0yYsqbBiCw1ayPpJqeV271nnRIDeZLTuRtEyvxuxUQzMM/s1200/front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifIthBU1CglA_t2mHW32KdDs5Yhr1RXIGzJB0aND6mz9D26J4lqV2p8d3S1ldkHWJXRIkXuMGPhEiBiAI9aLLAvnN1fbojQyrHLpKsyeCIZH5ebUBmFpUxcdesg6u39qomP8otKD4YtgFuei0yYsqbBiCw1ayPpJqeV271nnRIDeZLTuRtEyvxuxUQzMM/s320/front.jpg" width="320" /></a></div><br /><span style="font-family: georgia; font-size: large;"><br /></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><b>16. Die alten, b枚sen Lieder</b> [Las viejas, malvadas canciones]: Dirigida directamente al oyente declama su renuncia y desilusi贸n con el romanticismo, reemplazado los elementos naturales con otros materiales e industriales. La introducci贸n pian铆stica cual fanfarria (las octavas recalcadas en <i>ff</i>) anuncia la conclusi贸n y establece el motivo principal del semblante vocal. Schumann desarrolla un elaborado escenario con una marcha f煤nebre (hasta el c. 39) antes de proporcionar el momento de inversi贸n en la 煤ltima estrofa, donde se ilustra el ata煤d sumergi茅ndose en el oc茅ano con su amor y su sufrimiento (cc. 40-43), el contenido retenido hasta la frase postrera, cuando el <i>tempo </i>muda a <i>adagio </i>(c. 48). El largo postludio con cambios de comp谩s, modo y estilo pian铆stico modula la decisi贸n resuelta y desafiante, suavizando el tono de amargura de Heine. Este final reconciliatorio cierra la colecci贸n narrativa reinterpretada del hilo po茅tico y nos deja casi como empezamos, en un recuerdo melanc贸lico de los tiempos felices que nos precedieron.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;">Las grabaciones hist贸ricas asociadas al c铆rculo schumanniano (en segunda generaci贸n, alrededor de 1900 -incluidas en el torrent como <i>bonus</i>-) ofrecen indicios de pr谩cticas expresivas no anotadas para subrayar el texto tales como modificaci贸n del <i>tempo</i>, anticipaci贸n o retraso en las entradas, asincron铆a r铆tmica, etc. que fueron proscritas u olvidadas posteriormente. En imitaci贸n de dichos documentos donde la poes铆a prima, el hablar cantando de Koen van Stade ofrece una nueva perspectiva (Deux-elles, 2021). Tenor menudo, de timbre (voluntariamente) heterog茅neo, su enfoque flexible de las posiciones de la laringe mejora la intimidad del texto (n潞 4, 10 y 12) y aparta el nerviosismo fren茅tico de la n潞 3, pero la pulcritud, precisi贸n y estabilidad del canto acad茅mico quedan relegadas. Neal Peres Da Costa al teclado (r茅plica de un instrumento brahmsiano de 1868 ya descrito <a href="https://ipromesisposi.blogspot.com/2022/01/brahms-piano-quintet-op-34.html" target="_blank">aqu铆</a>) resalta el r谩pido decaimiento del sonido, los cambios de armon铆a tan jazz铆sticos, los acordes rotos en arpegios (bell铆simo el efecto en la n潞 12), la asincron铆a de las manos (tambi茅n en relaci贸n a la voz, como en la n潞 10, donde el piano se aferra con nostalgia a la primera de las cuatro notas de la frase descendente, mientras van Stade pinta una facha vocal casi independiente), suavizando los bordes del ritmo y la textura, y dislocando en un efecto de s铆ncopa o arpegio casi continuos. La exc茅ntrica acentuaci贸n ag贸gica inquieta la n潞 9 y anticipa el cine mudo en la n潞 13. Los postludios se articulan desiguales e irregulares. Contradictoria, incongruente, exasperante. Manejar con cuidado.</span></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: large;"><br /></span></p><p style="text-align: center;"><span style="font-family: georgia; font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBmA0C6_n9ZDuJZoHgIZM4wRANis1u86_7S0ByNM5fco8QUa_um3yzbpr5ff_pImCotOpWYreC8YK_IDy19Os24q_d2KmS3eT-M9I0pzCZ4wnnc-0_0XgQwRewOSLNJOhPqWwVGI7kYMHkPkNwyOvmCUfiNyOwjwuKaFGjbxHuVVdlGrRe3qmiOHZHg-c/s1200/cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBmA0C6_n9ZDuJZoHgIZM4wRANis1u86_7S0ByNM5fco8QUa_um3yzbpr5ff_pImCotOpWYreC8YK_IDy19Os24q_d2KmS3eT-M9I0pzCZ4wnnc-0_0XgQwRewOSLNJOhPqWwVGI7kYMHkPkNwyOvmCUfiNyOwjwuKaFGjbxHuVVdlGrRe3qmiOHZHg-c/s320/cover.jpg" width="320" /></a></span></div><span style="font-family: georgia; font-size: large;"><br /> </span><p></p><div style="text-align: justify;"><br /></div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> Publicado por <span class='fn' itemprop='author' itemscope='itemscope' itemtype='http://schema.org/Person'> <meta content='https://www.blogger.com/profile/09356673178960485145' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/09356673178960485145' rel='author' title='author profile'> <span itemprop='name'>ipromesisposi</span> </a> </span> </span> <span class='post-timestamp'> en <meta content='http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html' itemprop='url'/> <a class='timestamp-link' href='http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2024-07-08T12:24:00+02:00'>12:24</abbr></a> </span> <span class='post-comment-link'> </span> <span class='post-icons'> <span class='item-control blog-admin pid-297713093'> <a href='https://www.blogger.com/post-edit.g?blogID=5357880801358495252&postID=8467243372756603510&from=pencil' title='Editar entrada'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> </div> </div> <div class='post-footer-line post-footer-line-2'> <span class='post-labels'> Etiquetas: <a href='http://ipromesisposi.blogspot.com/search/label/Bostridge' rel='tag'>Bostridge</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Finley' rel='tag'>Finley</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Fischer-Dieskau' rel='tag'>Fischer-Dieskau</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Gerhaher' rel='tag'>Gerhaher</a>, <a href='http://ipromesisposi.blogspot.com/search/label/G%C3%BCra' rel='tag'>G眉ra</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Holzmair' rel='tag'>Holzmair</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Maltman' rel='tag'>Maltman</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Padmore' rel='tag'>Padmore</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Panzera' rel='tag'>Panzera</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Pr%C3%A9gardien' rel='tag'>Pr茅gardien</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Quasthoff' rel='tag'>Quasthoff</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Schreier' rel='tag'>Schreier</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Schumann' rel='tag'>Schumann</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Van%20Dam' rel='tag'>Van Dam</a>, <a href='http://ipromesisposi.blogspot.com/search/label/van%20Stade' rel='tag'>van Stade</a>, <a href='http://ipromesisposi.blogspot.com/search/label/Wunderlich' rel='tag'>Wunderlich</a> </span> </div> <div class='post-footer-line post-footer-line-3'> <span class='post-location'> </span> </div> </div> </div> <div class='comments' id='comments'> <a name='comments'></a> <h4>8 comentarios:</h4> <div class='comments-content'> <script async='async' src='' type='text/javascript'></script> <script type='text/javascript'> (function() { var items = null; 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Muchas gracias por el aporte, como siempre.</p><span class="comment-actions secondary-text"><a class="comment-reply" target="_self" data-comment-id="6223424169914278528">Responder</a><span class="item-control blog-admin blog-admin pid-122058362"><a target="_self" href="https://www.blogger.com/delete-comment.g?blogID=5357880801358495252&postID=6223424169914278528">Eliminar</a></span></span></div><div class="comment-replies"><div id="c6223424169914278528-rt" class="comment-thread inline-thread hidden"><span class="thread-toggle thread-expanded"><span class="thread-arrow"></span><span class="thread-count"><a target="_self">Respuestas</a></span></span><ol id="c6223424169914278528-ra" class="thread-chrome thread-expanded"><div></div><div id="c6223424169914278528-continue" class="continue"><a class="comment-reply" target="_self" data-comment-id="6223424169914278528">Responder</a></div></ol></div></div><div class="comment-replybox-single" id="c6223424169914278528-ce"></div></li><li class="comment" id="c6331906158772586903"><div class="avatar-image-container"><img src="//www.blogger.com/img/blogger_logo_round_35.png" alt=""/></div><div class="comment-block"><div class="comment-header"><cite class="user"><a href="https://www.blogger.com/profile/10386200240379817959" rel="nofollow">FZ</a></cite><span class="icon user "></span><span class="datetime secondary-text"><a rel="nofollow" href="http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html?showComment=1729026366021#c6331906158772586903">15 de octubre de 2024, 23:06</a></span></div><p class="comment-content">I am sorry to submit a trivial request of technical help, i don't know how to manage this very huge link. I am interested in downloading only some of the items but don't know how to split the torrent link, which I put in its entirety on seedr.cc but it is running in a loop for hours. Thank you for your generous offer, I would like to make good use of it</p><span class="comment-actions secondary-text"><a class="comment-reply" target="_self" data-comment-id="6331906158772586903">Responder</a><span class="item-control blog-admin blog-admin pid-2024464673"><a target="_self" href="https://www.blogger.com/delete-comment.g?blogID=5357880801358495252&postID=6331906158772586903">Eliminar</a></span></span></div><div class="comment-replies"><div id="c6331906158772586903-rt" class="comment-thread inline-thread"><span class="thread-toggle thread-expanded"><span class="thread-arrow"></span><span class="thread-count"><a target="_self">Respuestas</a></span></span><ol id="c6331906158772586903-ra" class="thread-chrome thread-expanded"><div><li class="comment" id="c7452001479335845539"><div class="avatar-image-container"><img src="//3.bp.blogspot.com/_nqZ8f14p6KQ/SYwFfajnxwI/AAAAAAAAAAk/BIG5LHBEvAo/S45-s35/1%2Bel%2Bcurioso.jpg" alt=""/></div><div class="comment-block"><div class="comment-header"><cite class="user"><a href="https://www.blogger.com/profile/09356673178960485145" rel="nofollow">ipromesisposi</a></cite><span class="icon user blog-author"></span><span class="datetime secondary-text"><a rel="nofollow" href="http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html?showComment=1729231146124#c7452001479335845539">18 de octubre de 2024, 7:59</a></span></div><p class="comment-content">I have never used an external web (like seedr.cc) to handle torrents. Any client (https://en.wikipedia.org/wiki/Comparison_of_BitTorrent_clients) will allow you to choose files when opening the torrent.</p><span class="comment-actions secondary-text"><span class="item-control blog-admin blog-admin pid-297713093"><a target="_self" href="https://www.blogger.com/delete-comment.g?blogID=5357880801358495252&postID=7452001479335845539">Eliminar</a></span></span></div><div class="comment-replies"><div id="c7452001479335845539-rt" class="comment-thread inline-thread hidden"><span class="thread-toggle thread-expanded"><span class="thread-arrow"></span><span class="thread-count"><a target="_self">Respuestas</a></span></span><ol id="c7452001479335845539-ra" class="thread-chrome thread-expanded"><div></div><div id="c7452001479335845539-continue" class="continue"><a class="comment-reply" target="_self" data-comment-id="7452001479335845539">Responder</a></div></ol></div></div><div class="comment-replybox-single" id="c7452001479335845539-ce"></div></li></div><div id="c6331906158772586903-continue" class="continue"><a class="comment-reply" target="_self" data-comment-id="6331906158772586903">Responder</a></div></ol></div></div><div class="comment-replybox-single" id="c6331906158772586903-ce"></div></li><li class="comment" id="c5654480814772053715"><div class="avatar-image-container"><img src="//resources.blogblog.com/img/blank.gif" alt=""/></div><div class="comment-block"><div class="comment-header"><cite class="user">quiquefe@gmail.com</cite><span class="icon user "></span><span class="datetime secondary-text"><a rel="nofollow" href="http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html?showComment=1733853818020#c5654480814772053715">10 de diciembre de 2024, 19:03</a></span></div><p class="comment-content">Impresionante tu manera de orientar en la manera de dar a conocer versiones de obras de referencia...con ganas ya de conocer tu aproximaci贸n a la novena de Beethoven!!! </p><span class="comment-actions secondary-text"><a class="comment-reply" target="_self" data-comment-id="5654480814772053715">Responder</a><span class="item-control blog-admin blog-admin pid-122058362"><a target="_self" href="https://www.blogger.com/delete-comment.g?blogID=5357880801358495252&postID=5654480814772053715">Eliminar</a></span></span></div><div class="comment-replies"><div id="c5654480814772053715-rt" class="comment-thread inline-thread"><span class="thread-toggle thread-expanded"><span class="thread-arrow"></span><span class="thread-count"><a target="_self">Respuestas</a></span></span><ol id="c5654480814772053715-ra" class="thread-chrome thread-expanded"><div><li class="comment" id="c3979141948657699249"><div class="avatar-image-container"><img src="//3.bp.blogspot.com/_nqZ8f14p6KQ/SYwFfajnxwI/AAAAAAAAAAk/BIG5LHBEvAo/S45-s35/1%2Bel%2Bcurioso.jpg" alt=""/></div><div class="comment-block"><div class="comment-header"><cite class="user"><a href="https://www.blogger.com/profile/09356673178960485145" rel="nofollow">ipromesisposi</a></cite><span class="icon user blog-author"></span><span class="datetime secondary-text"><a rel="nofollow" href="http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html?showComment=1734087051450#c3979141948657699249">13 de diciembre de 2024, 11:50</a></span></div><p class="comment-content">Muchas gracias por tu comentario, muy amable. Ver茅 cuando puedo retomar las escuchas, este a帽o ha estado dedicado a recuperar y actualizar los torrents, que resultaron difuntos por un fallo catastr贸fico del disco duro.</p><span class="comment-actions secondary-text"><span class="item-control blog-admin blog-admin pid-297713093"><a target="_self" href="https://www.blogger.com/delete-comment.g?blogID=5357880801358495252&postID=3979141948657699249">Eliminar</a></span></span></div><div class="comment-replies"><div id="c3979141948657699249-rt" class="comment-thread inline-thread hidden"><span class="thread-toggle thread-expanded"><span class="thread-arrow"></span><span class="thread-count"><a target="_self">Respuestas</a></span></span><ol id="c3979141948657699249-ra" class="thread-chrome thread-expanded"><div></div><div id="c3979141948657699249-continue" class="continue"><a class="comment-reply" target="_self" data-comment-id="3979141948657699249">Responder</a></div></ol></div></div><div class="comment-replybox-single" id="c3979141948657699249-ce"></div></li></div><div id="c5654480814772053715-continue" class="continue"><a class="comment-reply" target="_self" data-comment-id="5654480814772053715">Responder</a></div></ol></div></div><div class="comment-replybox-single" id="c5654480814772053715-ce"></div></li><li class="comment" id="c5152987527350574237"><div class="avatar-image-container"><img src="//www.blogger.com/img/blogger_logo_round_35.png" alt=""/></div><div class="comment-block"><div class="comment-header"><cite class="user"><a href="https://www.blogger.com/profile/15989610453604906577" rel="nofollow">Gabriel</a></cite><span class="icon user "></span><span class="datetime secondary-text"><a rel="nofollow" href="http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html?showComment=1734939711224#c5152987527350574237">23 de diciembre de 2024, 8:41</a></span></div><p class="comment-content">Esperando con muchas ansias su aporte sobre la Novena de Beethoven. Mil gracias de antemano!</p><span class="comment-actions secondary-text"><a class="comment-reply" target="_self" data-comment-id="5152987527350574237">Responder</a><span class="item-control blog-admin blog-admin pid-1005306876"><a target="_self" href="https://www.blogger.com/delete-comment.g?blogID=5357880801358495252&postID=5152987527350574237">Eliminar</a></span></span></div><div class="comment-replies"><div id="c5152987527350574237-rt" class="comment-thread inline-thread"><span class="thread-toggle thread-expanded"><span class="thread-arrow"></span><span class="thread-count"><a target="_self">Respuestas</a></span></span><ol id="c5152987527350574237-ra" class="thread-chrome thread-expanded"><div><li class="comment" id="c1564979865109542369"><div class="avatar-image-container"><img src="//3.bp.blogspot.com/_nqZ8f14p6KQ/SYwFfajnxwI/AAAAAAAAAAk/BIG5LHBEvAo/S45-s35/1%2Bel%2Bcurioso.jpg" alt=""/></div><div class="comment-block"><div class="comment-header"><cite class="user"><a href="https://www.blogger.com/profile/09356673178960485145" rel="nofollow">ipromesisposi</a></cite><span class="icon user blog-author"></span><span class="datetime secondary-text"><a rel="nofollow" href="http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html?showComment=1735042978631#c1564979865109542369">24 de diciembre de 2024, 13:22</a></span></div><p class="comment-content">Trabajando en ello pero con muchas otras cosas encima de la mesa. </p><span class="comment-actions secondary-text"><span class="item-control blog-admin blog-admin pid-297713093"><a target="_self" href="https://www.blogger.com/delete-comment.g?blogID=5357880801358495252&postID=1564979865109542369">Eliminar</a></span></span></div><div class="comment-replies"><div id="c1564979865109542369-rt" class="comment-thread inline-thread hidden"><span class="thread-toggle thread-expanded"><span class="thread-arrow"></span><span class="thread-count"><a target="_self">Respuestas</a></span></span><ol id="c1564979865109542369-ra" class="thread-chrome thread-expanded"><div></div><div id="c1564979865109542369-continue" class="continue"><a class="comment-reply" target="_self" data-comment-id="1564979865109542369">Responder</a></div></ol></div></div><div class="comment-replybox-single" id="c1564979865109542369-ce"></div></li><li class="comment" id="c8319464100397862372"><div class="avatar-image-container"><img src="//www.blogger.com/img/blogger_logo_round_35.png" alt=""/></div><div class="comment-block"><div class="comment-header"><cite class="user"><a href="https://www.blogger.com/profile/15989610453604906577" rel="nofollow">Gabriel</a></cite><span class="icon user "></span><span class="datetime secondary-text"><a rel="nofollow" href="http://ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html?showComment=1735272815731#c8319464100397862372">27 de diciembre de 2024, 5:13</a></span></div><p class="comment-content">Muchas gracias por todo lo que hace!</p><span class="comment-actions secondary-text"><span class="item-control blog-admin blog-admin pid-1005306876"><a target="_self" href="https://www.blogger.com/delete-comment.g?blogID=5357880801358495252&postID=8319464100397862372">Eliminar</a></span></span></div><div class="comment-replies"><div id="c8319464100397862372-rt" class="comment-thread inline-thread hidden"><span class="thread-toggle thread-expanded"><span class="thread-arrow"></span><span class="thread-count"><a target="_self">Respuestas</a></span></span><ol id="c8319464100397862372-ra" class="thread-chrome thread-expanded"><div></div><div id="c8319464100397862372-continue" class="continue"><a class="comment-reply" target="_self" data-comment-id="8319464100397862372">Responder</a></div></ol></div></div><div class="comment-replybox-single" id="c8319464100397862372-ce"></div></li></div><div id="c5152987527350574237-continue" class="continue"><a class="comment-reply" target="_self" 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= 1; var theName = "Artemis"; ts[theName] = 1; var theName = "Ashkenazy"; ts[theName] = 4; var theName = "Asperen"; ts[theName] = 2; var theName = "Astronio"; ts[theName] = 1; var theName = "Bach CPE"; ts[theName] = 1; var theName = "Bach Js"; ts[theName] = 10; var theName = "Backhaus"; ts[theName] = 1; var theName = "Badura-Skoda"; ts[theName] = 1; var theName = "Baker"; ts[theName] = 1; var theName = "Balestracci"; ts[theName] = 1; var theName = "Banchini"; ts[theName] = 2; var theName = "Barber"; ts[theName] = 1; var theName = "Barbirolli"; ts[theName] = 9; var theName = "Barenboim"; ts[theName] = 8; var theName = "Barshai"; ts[theName] = 2; var theName = "Bart贸k"; ts[theName] = 1; var theName = "Bashmet"; ts[theName] = 1; var theName = "Bates"; ts[theName] = 1; var theName = "Baumgartner"; ts[theName] = 2; var theName = "Beaux Arts Trio"; ts[theName] = 2; var theName = "Beecham"; ts[theName] = 5; var theName = "Beethoven"; ts[theName] = 7; var theName = "Beethoven Quartet"; ts[theName] = 1; var theName = "Belder"; ts[theName] = 1; var theName = "B臎lohl谩vek"; ts[theName] = 1; var theName = "Berglund"; ts[theName] = 1; var theName = "Bernardini"; ts[theName] = 1; var theName = "Bernius"; ts[theName] = 1; var theName = "Bernstein"; ts[theName] = 17; var theName = "Beschi"; ts[theName] = 1; var theName = "Beyer"; ts[theName] = 1; var theName = "Beznosiuk"; ts[theName] = 2; var theName = "Biber"; ts[theName] = 1; var theName = "Bilson"; ts[theName] = 1; var theName = "Biondi"; ts[theName] = 6; var theName = "Blaze"; ts[theName] = 1; var theName = "Blomstedt"; ts[theName] = 2; var theName = "Boer"; ts[theName] = 1; var theName = "B枚hm"; ts[theName] = 3; var theName = "Bolliger"; ts[theName] = 1; var theName = "Boothby"; ts[theName] = 1; var theName = "Borodin Quartet"; ts[theName] = 3; var theName = "Borodin Trio"; ts[theName] = 2; var theName = "Boskovsky"; ts[theName] = 1; var theName = "Bostridge"; ts[theName] = 2; var theName = "Boulanger"; ts[theName] = 2; var theName = "Boulay"; ts[theName] = 1; var theName = "Boulez"; ts[theName] = 10; var theName = "Boult"; ts[theName] = 4; var theName = "Bour"; ts[theName] = 1; var theName = "Bowman"; ts[theName] = 1; var theName = "Brahms"; ts[theName] = 3; var theName = "Braojos"; ts[theName] = 1; var theName = "Brautigam"; ts[theName] = 2; var theName = "Bream"; ts[theName] = 2; var theName = "Brendel"; ts[theName] = 3; var theName = "Britten"; ts[theName] = 1; var theName = "Brodsky Quartet"; ts[theName] = 1; var theName = "Bronfman"; ts[theName] = 1; var theName = "Brown"; ts[theName] = 2; var theName = "Bruck"; ts[theName] = 1; var theName = "Bruckner"; ts[theName] = 1; var theName = "Br眉ggen"; ts[theName] = 6; var theName = "Budapest"; ts[theName] = 1; var theName = "Bull"; ts[theName] = 1; var theName = "Bundies"; ts[theName] = 1; var theName = "Busch"; ts[theName] = 2; var theName = "Busch Quartet"; ts[theName] = 2; var theName = "Butt"; ts[theName] = 1; var theName = "Bylsma"; ts[theName] = 2; var theName = "Byrd"; ts[theName] = 1; var theName = "Cabez贸n"; ts[theName] = 1; var theName = "Caf茅 Zimmermann"; ts[theName] = 1; var theName = "Campbell"; ts[theName] = 1; var theName = "Cape"; ts[theName] = 1; var theName = "Cardin"; ts[theName] = 1; var theName = "Carwood"; ts[theName] = 1; var theName = "Casals"; ts[theName] = 5; var theName = "Cassad贸"; ts[theName] = 1; var theName = "Cave"; ts[theName] = 1; var theName = "Cavina"; ts[theName] = 1; var theName = "Celibidache"; ts[theName] = 15; var theName = "Cera"; ts[theName] = 1; var theName = "Chailly"; ts[theName] = 4; var theName = "Chalabala"; ts[theName] = 1; var theName = "Chance"; ts[theName] = 1; var theName = "Charlston"; ts[theName] = 2; var theName = "Cherkassky"; ts[theName] = 1; var theName = "Chojnacka"; ts[theName] = 1; var theName = "Chopin"; ts[theName] = 1; var theName = "Christie"; ts[theName] = 4; var theName = "Christophers"; ts[theName] = 5; var theName = "Clemencic"; ts[theName] = 1; var theName = "Cleobury"; ts[theName] = 1; var theName = "Cliburn"; ts[theName] = 1; var theName = "Cluytens"; ts[theName] = 3; var theName = "Codax"; ts[theName] = 1; var theName = "Coh毛n-Akenine"; ts[theName] = 1; var theName = "Colell"; ts[theName] = 1; var theName = "Collegium Aureum"; ts[theName] = 1; var theName = "Colomer"; ts[theName] = 1; var theName = "Coppola"; ts[theName] = 2; var theName = "Corelli"; ts[theName] = 1; var theName = "Cortot"; ts[theName] = 2; var theName = "Coudurier"; ts[theName] = 1; var theName = "Couperin"; ts[theName] = 1; var theName = "Crum"; ts[theName] = 1; var theName = "Cu茅nod"; ts[theName] = 1; var theName = "Cummings"; ts[theName] = 1; var theName = "Currentzis"; ts[theName] = 3; var theName = "Curzon"; ts[theName] = 1; var theName = "Daniels"; ts[theName] = 1; var theName = "Dantone"; ts[theName] = 2; var theName = "Dausgaard"; ts[theName] = 2; var theName = "Davis"; ts[theName] = 4; var theName = "de Luc铆a"; ts[theName] = 1; var theName = "de Van"; ts[theName] = 1; var theName = "Debussy"; ts[theName] = 2; var theName = "Della Casa"; ts[theName] = 1; var theName = "Deller"; ts[theName] = 3; var theName = "Dido y Eneas"; ts[theName] = 1; var theName = "Don Giovanni"; ts[theName] = 1; var theName = "Dorati"; ts[theName] = 4; var theName = "Doric Quartet"; ts[theName] = 1; var theName = "Dowland"; ts[theName] = 1; var theName = "Draper"; ts[theName] = 1; var theName = "Du Pr茅"; ts[theName] = 2; var theName = "Dudamel"; ts[theName] = 1; var theName = "Duftschmid"; ts[theName] = 1; var theName = "Duhan"; ts[theName] = 1; var theName = "Dumestre"; ts[theName] = 2; var theName = "Dutoit"; ts[theName] = 3; var theName = "Dvorak"; ts[theName] = 1; var theName = "Dyens"; ts[theName] = 1; var theName = "Eder Quartet"; ts[theName] = 1; var theName = "Egarr"; ts[theName] = 3; var theName = "Elder"; ts[theName] = 1; var theName = "Elgar"; ts[theName] = 1; var theName = "Ellington"; ts[theName] = 1; var theName = "Emerson Quartet"; ts[theName] = 4; var theName = "Engeset"; ts[theName] = 1; var theName = "Ensemble Agaia"; ts[theName] = 1; var theName = "Equilbey"; ts[theName] = 1; var theName = "Eschenbach"; ts[theName] = 1; var theName = "Esfahani"; ts[theName] = 2; var theName = "Eybler Quartet"; ts[theName] = 1; var theName = "Fabre-Garrus"; ts[theName] = 1; var theName = "Fabritiis"; ts[theName] = 1; var theName = "Fandango"; ts[theName] = 1; var theName = "Farr"; ts[theName] = 1; var theName = "Fasolis"; ts[theName] = 4; var theName = "Fassbaender"; ts[theName] = 1; var theName = "Faur茅"; ts[theName] = 1; var theName = "Fern谩ndez"; ts[theName] = 1; var theName = "Ferran"; ts[theName] = 1; var theName = "Feuermann"; ts[theName] = 1; var theName = "Finley"; ts[theName] = 1; var theName = "Fischer"; ts[theName] = 5; var theName = "Fischer-Dieskau"; ts[theName] = 2; var theName = "Fitzwilliam Quartet"; ts[theName] = 2; var theName = "Flagstad"; ts[theName] = 1; var theName = "Fleming"; ts[theName] = 1; var theName = "Flonzaley Quartet"; ts[theName] = 1; var theName = "Florestan Trio"; ts[theName] = 1; var theName = "Foccroulle"; ts[theName] = 1; var theName = "Forck"; ts[theName] = 1; var theName = "Forster"; ts[theName] = 1; var theName = "Foulon"; ts[theName] = 1; var theName = "Fournier"; ts[theName] = 1; var theName = "Fran莽ois"; ts[theName] = 2; var theName = "Fretwork"; ts[theName] = 1; var theName = "Fricsay"; ts[theName] = 3; var theName = "Frisch"; ts[theName] = 2; var theName = "Froment"; ts[theName] = 1; var theName = "Fr眉beck de Burgos"; ts[theName] = 1; var theName = "Furtw盲ngler"; ts[theName] = 9; var theName = "Gabetta"; ts[theName] = 1; var theName = "Galbraith"; ts[theName] = 1; var theName = "Garc铆a Alarc贸n"; ts[theName] = 1; var theName = "Gardiner"; ts[theName] = 15; var theName = "Garrido"; ts[theName] = 1; var theName = "Gergiev"; ts[theName] = 2; var theName = "Gerhaher"; ts[theName] = 1; var theName = "Gieseking"; ts[theName] = 1; var theName = "Gilels"; ts[theName] = 1; var theName = "Giulini"; ts[theName] = 7; var theName = "Glover"; ts[theName] = 1; var theName = "Gluck"; ts[theName] = 1; var theName = "Goebel"; ts[theName] = 7; var theName = "Goerne"; ts[theName] = 1; var theName = "Goetzel"; ts[theName] = 1; var theName = "Golovanov"; ts[theName] = 2; var theName = "Goltz"; ts[theName] = 2; var theName = "Gonz谩lez"; ts[theName] = 1; var theName = "Goode"; ts[theName] = 1; var theName = "Goodman"; ts[theName] = 1; var theName = "Gorecki"; ts[theName] = 1; var theName = "Gottfried"; ts[theName] = 1; var theName = "Gould"; ts[theName] = 3; var theName = "Gracis"; ts[theName] = 1; var theName = "Gr盲sbeck"; ts[theName] = 1; var theName = "Grieg"; ts[theName] = 1; var theName = "Gr眉n"; ts[theName] = 1; var theName = "Guarneri Quartet"; ts[theName] = 1; var theName = "Guerber"; ts[theName] = 2; var theName = "Guest"; ts[theName] = 1; var theName = "Guglielmi"; ts[theName] = 1; var theName = "Gulda"; ts[theName] = 2; var theName = "G眉ra"; ts[theName] = 2; var theName = "Guyot"; ts[theName] = 1; var theName = "Haenchen"; ts[theName] = 1; var theName = "Hagen"; ts[theName] = 1; var theName = "Hagen Quartet"; ts[theName] = 1; var theName = "Haitink"; ts[theName] = 11; var theName = "Haller"; ts[theName] = 1; var theName = "Handel"; ts[theName] = 2; var theName = "Handley"; ts[theName] = 2; var theName = "Hantai"; ts[theName] = 3; var theName = "Harnoncourt"; ts[theName] = 11; var theName = "Harrison"; ts[theName] = 1; var theName = "Haskil"; ts[theName] = 1; var theName = "Haydn"; ts[theName] = 3; var theName = "Hazelzet"; ts[theName] = 1; var theName = "Helbich"; ts[theName] = 1; var theName = "Henderson"; ts[theName] = 1; var theName = "Hengelbrock"; ts[theName] = 1; var theName = "Herbig"; ts[theName] = 1; var theName = "Herreweghe"; ts[theName] = 7; var theName = "Herrmann"; ts[theName] = 1; var theName = "Hewitt"; ts[theName] = 3; var theName = "Hickox"; ts[theName] = 1; var theName = "Higginbottom"; ts[theName] = 1; var theName = "Hill"; ts[theName] = 2; var theName = "Hillier"; ts[theName] = 3; var theName = "Hoeprich"; ts[theName] = 2; var theName = "Hofstetter"; ts[theName] = 1; var theName = "Hogwood"; ts[theName] = 11; var theName = "Hollman"; ts[theName] = 1; var theName = "Holloway"; ts[theName] = 2; var theName = "Hollywood"; ts[theName] = 2; var theName = "Holman"; ts[theName] = 2; var theName = "Holst"; ts[theName] = 1; var theName = "Holzmair"; ts[theName] = 1; var theName = "Horenstein"; ts[theName] = 5; var theName = "Horowitz"; ts[theName] = 3; var theName = "Hotter"; ts[theName] = 1; var theName = "Hough"; ts[theName] = 1; var theName = "Huggett"; ts[theName] = 3; var theName = "Hurford"; ts[theName] = 1; var theName = "H眉sch"; ts[theName] = 1; var theName = "Huss"; ts[theName] = 1; var theName = "I Musici"; ts[theName] = 1; var theName = "Immerseel"; ts[theName] = 6; var theName = "Inbal"; ts[theName] = 2; var theName = "Inghelbrecht"; ts[theName] = 1; var theName = "Ironwood"; ts[theName] = 1; var theName = "Isokoski"; ts[theName] = 1; var theName = "Isserlis"; ts[theName] = 1; var theName = "Italiano"; ts[theName] = 1; var theName = "Jacobs"; ts[theName] = 9; var theName = "Janis"; ts[theName] = 2; var theName = "Janowitz"; ts[theName] = 1; var theName = "Janowski"; ts[theName] = 1; var theName = "Jansons"; ts[theName] = 5; var theName = "Janssens"; ts[theName] = 1; var theName = "J盲rnefeld"; ts[theName] = 1; var theName = "J盲rvi"; ts[theName] = 3; var theName = "Jochum"; ts[theName] = 2; var theName = "Jungh盲nel"; ts[theName] = 1; var theName = "Jurowski"; ts[theName] = 1; var theName = "Kamirski"; ts[theName] = 1; var theName = "Kanka"; ts[theName] = 1; var theName = "Kapp"; ts[theName] = 1; var theName = "Karajan"; ts[theName] = 18; var theName = "Katlewicz"; ts[theName] = 1; var theName = "Kaufmann"; ts[theName] = 1; var theName = "Kell"; ts[theName] = 1; var theName = "Kempf Trio"; ts[theName] = 1; var theName = "Kempff"; ts[theName] = 2; var theName = "Kertesz"; ts[theName] = 1; var theName = "King"; ts[theName] = 5; var theName = "Kirkpatrick"; ts[theName] = 1; var theName = "Kissin"; ts[theName] = 2; var theName = "Kleiber"; ts[theName] = 4; var theName = "Klemperer"; ts[theName] = 11; var theName = "Kletzki"; ts[theName] = 1; var theName = "Knappertsbusch"; ts[theName] = 3; var theName = "Kocsis"; ts[theName] = 1; var theName = "Kondrashin"; ts[theName] = 2; var theName = "Konwitschny"; ts[theName] = 1; var theName = "K贸nya"; ts[theName] = 1; var theName = "Koopman"; ts[theName] = 8; var theName = "Kord"; ts[theName] = 1; var theName = "Koussevitzky"; ts[theName] = 3; var theName = "Krauss"; ts[theName] = 1; var theName = "Krips"; ts[theName] = 2; var theName = "Krivine"; ts[theName] = 1; var theName = "Kubelik"; ts[theName] = 4; var theName = "Kuerti"; ts[theName] = 1; var theName = "Kuijken"; ts[theName] = 8; var theName = "La Gaia Scienza Trio"; ts[theName] = 2; var theName = "Lab猫que"; ts[theName] = 1; var theName = "Lamon"; ts[theName] = 1; var theName = "Landowska"; ts[theName] = 1; var theName = "Lang"; ts[theName] = 1; var theName = "Larrieu"; ts[theName] = 1; var theName = "Lasalle"; ts[theName] = 1; var theName = "Layton"; ts[theName] = 1; var theName = "Lefebure"; ts[theName] = 1; var theName = "Lehmann"; ts[theName] = 2; var theName = "Leinsdorf"; ts[theName] = 1; var theName = "Leipzig Quartet"; ts[theName] = 1; var theName = "Leister"; ts[theName] = 1; var theName = "Leitner"; ts[theName] = 1; var theName = "Lemieux"; ts[theName] = 1; var theName = "Leonhardt"; ts[theName] = 5; var theName = "Leopold Trio"; ts[theName] = 1; var theName = "Leppard"; ts[theName] = 2; var theName = "Les Escapades"; ts[theName] = 1; var theName = "Lesne"; ts[theName] = 3; var theName = "Levi"; ts[theName] = 1; var theName = "Levin"; ts[theName] = 1; var theName = "Levine"; ts[theName] = 4; var theName = "Lewis"; ts[theName] = 1; var theName = "Lindberg"; ts[theName] = 2; var theName = "Linde"; ts[theName] = 1; var theName = "Linden"; ts[theName] = 1; var theName = "Lindsay"; ts[theName] = 3; var theName = "Lipatti"; ts[theName] = 1; var theName = "Lischka"; ts[theName] = 1; var theName = "Lislevand"; ts[theName] = 1; var theName = "London Quartet"; ts[theName] = 2; var theName = "Longhini"; ts[theName] = 1; var theName = "L贸pez-Cobos"; ts[theName] = 2; var theName = "Luks"; ts[theName] = 1; var theName = "Luojalan-Mikkola"; ts[theName] = 1; var theName = "Lupu"; ts[theName] = 2; var theName = "Ma"; ts[theName] = 2; var theName = "Maazel"; ts[theName] = 2; var theName = "Machaut"; ts[theName] = 1; var theName = "Mackenzie-Rogan"; ts[theName] = 1; var theName = "Mackerras"; ts[theName] = 7; var theName = "Magraner"; ts[theName] = 1; var theName = "Mahler"; ts[theName] = 4; var theName = "Maier"; ts[theName] = 2; var theName = "Maletto"; ts[theName] = 1; var theName = "Mallavibarrena"; ts[theName] = 1; var theName = "Mallon"; ts[theName] = 1; var theName = "Maltman"; ts[theName] = 1; var theName = "Mandelring Quartet"; ts[theName] = 1; var theName = "Mandrin"; ts[theName] = 1; var theName = "Manze"; ts[theName] = 3; var theName = "Marais"; ts[theName] = 1; var theName = "Marcon"; ts[theName] = 1; var theName = "Markevitch"; ts[theName] = 1; var theName = "M盲rkl"; ts[theName] = 1; var theName = "Marriner"; ts[theName] = 7; var theName = "Martinon"; ts[theName] = 4; var theName = "Masur"; ts[theName] = 1; var theName = "Mauersberger"; ts[theName] = 1; var theName = "McCreesh"; ts[theName] = 5; var theName = "Mcintosh"; ts[theName] = 1; var theName = "Mehta"; ts[theName] = 2; var theName = "Meneses"; ts[theName] = 1; var theName = "Mengelberg"; ts[theName] = 11; var theName = "Messori"; ts[theName] = 1; var theName = "Meunier"; ts[theName] = 2; var theName = "Meyer"; ts[theName] = 1; var theName = "Michelangeli"; ts[theName] = 3; var theName = "Miller"; ts[theName] = 1; var theName = "Minasi"; ts[theName] = 1; var theName = "Mingardo"; ts[theName] = 1; var theName = "Minkowski"; ts[theName] = 3; var theName = "Mitropoulos"; ts[theName] = 4; var theName = "Moiseiwitsch"; ts[theName] = 1; var theName = "Monks"; ts[theName] = 1; var theName = "Monteux"; ts[theName] = 1; var theName = "Monteverdi"; ts[theName] = 2; var theName = "Moravec"; ts[theName] = 2; var theName = "Moreno"; ts[theName] = 2; var theName = "Mortensen"; ts[theName] = 1; var theName = "Mosa茂ques"; ts[theName] = 3; var theName = "Mozart"; ts[theName] = 8; var theName = "Mravinsky"; ts[theName] = 2; var theName = "M眉llejans"; ts[theName] = 1; var theName = "Muller"; ts[theName] = 1; var theName = "Munch"; ts[theName] = 3; var theName = "M眉nchinger"; ts[theName] = 1; var theName = "Murray"; ts[theName] = 1; var theName = "Mussorgsky"; ts[theName] = 2; var theName = "Muti"; ts[theName] = 1; var theName = "Neidich"; ts[theName] = 1; var theName = "Nelsons"; ts[theName] = 1; var theName = "Nesbitt"; ts[theName] = 1; var theName = "Neumann"; ts[theName] = 2; var theName = "Nikisch"; ts[theName] = 1; var theName = "Niquet"; ts[theName] = 2; var theName = "Norman"; ts[theName] = 1; var theName = "Norrington"; ts[theName] = 3; var theName = "Ockeghem"; ts[theName] = 1; var theName = "Ogg"; ts[theName] = 2; var theName = "Oistrakh Trio"; ts[theName] = 1; var theName = "Olejniczak"; ts[theName] = 1; var theName = "Oliva"; ts[theName] = 1; var theName = "Orff"; ts[theName] = 1; var theName = "Ormandy"; ts[theName] = 1; var theName = "Ortiz"; ts[theName] = 1; var theName = "Ozawa"; ts[theName] = 2; var theName = "Padmore"; ts[theName] = 2; var theName = "Palmer"; ts[theName] = 1; var theName = "Pandolfo"; ts[theName] = 2; var theName = "Panzera"; ts[theName] = 1; var theName = "Pappano"; ts[theName] = 1; var theName = "Paray"; ts[theName] = 2; var theName = "Parrott"; ts[theName] = 5; var theName = "Pavel Haas Quartet"; ts[theName] = 1; var theName = "Pay"; ts[theName] = 1; var theName = "Pears"; ts[theName] = 1; var theName = "Perahia"; ts[theName] = 2; var theName = "P茅r猫s"; ts[theName] = 2; var theName = "Pergolesi"; ts[theName] = 1; var theName = "Perl"; ts[theName] = 2; var theName = "Petrenko"; ts[theName] = 1; var theName = "Petri"; ts[theName] = 1; var theName = "Peyer"; ts[theName] = 2; var theName = "Phantasm"; ts[theName] = 3; var theName = "Phillips"; ts[theName] = 2; var theName = "Pianca"; ts[theName] = 1; var theName = "Pickett"; ts[theName] = 1; var theName = "Pictures at an exhibition"; ts[theName] = 2; var theName = "Pierlot"; ts[theName] = 1; var theName = "Pierot"; ts[theName] = 1; var theName = "Pinnock"; ts[theName] = 9; var theName = "Piovano"; ts[theName] = 1; var theName = "Pletnev"; ts[theName] = 3; var theName = "Pluhar"; ts[theName] = 2; var theName = "Pogorelich"; ts[theName] = 2; var theName = "Pollini"; ts[theName] = 1; var theName = "Pons"; ts[theName] = 1; var theName = "Pr茅gardien"; ts[theName] = 2; var theName = "Preston"; ts[theName] = 1; var theName = "Pretre"; ts[theName] = 1; var theName = "Previn"; ts[theName] = 5; var theName = "Pro Arte Quartet"; ts[theName] = 1; var theName = "Puccini"; ts[theName] = 1; var theName = "Pugno"; ts[theName] = 1; var theName = "Purcell"; ts[theName] = 3; var theName = "Puyana"; ts[theName] = 3; var theName = "Quasthoff"; ts[theName] = 2; var theName = "Queyras"; ts[theName] = 3; var theName = "Rachmaninov"; ts[theName] = 3; var theName = "Rana"; ts[theName] = 1; var theName = "Rannou"; ts[theName] = 1; var theName = "Ratk贸"; ts[theName] = 1; var theName = "Rattle"; ts[theName] = 3; var theName = "Ravel"; ts[theName] = 2; var theName = "Redel"; ts[theName] = 1; var theName = "Reiner"; ts[theName] = 7; var theName = "Rescigno"; ts[theName] = 1; var theName = "Rhorer"; ts[theName] = 1; var theName = "Richter K"; ts[theName] = 4; var theName = "Richter S"; ts[theName] = 5; var theName = "Riha"; ts[theName] = 1; var theName = "Rilling"; ts[theName] = 1; var theName = "Rimsky Korsakov"; ts[theName] = 1; var theName = "Rincontro Quartet"; ts[theName] = 1; var theName = "Rische"; ts[theName] = 1; var theName = "Ristenpart"; ts[theName] = 1; var theName = "Rodrigo"; ts[theName] = 1; var theName = "Rogg"; ts[theName] = 2; var theName = "Romero"; ts[theName] = 1; var theName = "Rondeau"; ts[theName] = 1; var theName = "Rooley"; ts[theName] = 2; var theName = "Rosbaud"; ts[theName] = 1; var theName = "Ross"; ts[theName] = 2; var theName = "Rostropovich"; ts[theName] = 5; var theName = "Rotem"; ts[theName] = 1; var theName = "Roth"; ts[theName] = 3; var theName = "Rousset"; ts[theName] = 2; var theName = "Rowicki"; ts[theName] = 1; var theName = "Rozhdestvensky"; ts[theName] = 1; var theName = "Rubinstein"; ts[theName] = 3; var theName = "Rubio Quartet"; ts[theName] = 1; var theName = "Rudy"; ts[theName] = 1; var theName = "Runnicles"; ts[theName] = 1; var theName = "Ruud"; ts[theName] = 1; var theName = "Rysanov"; ts[theName] = 1; var theName = "Sabata"; ts[theName] = 1; var theName = "Saint-Sa毛ns"; ts[theName] = 1; var theName = "S谩inz de la Maza"; ts[theName] = 1; var theName = "Salomon String Quartet"; ts[theName] = 1; var theName = "Salonen"; ts[theName] = 1; var theName = "Sanderling"; ts[theName] = 2; var theName = "Sardelli"; ts[theName] = 1; var theName = "Sargent"; ts[theName] = 1; var theName = "S谩rk枚zy"; ts[theName] = 1; var theName = "Satoh"; ts[theName] = 1; var theName = "Sauer"; ts[theName] = 1; var theName = "Savall"; ts[theName] = 11; var theName = "Sch盲fer"; ts[theName] = 1; var theName = "Scharrer"; ts[theName] = 1; var theName = "Schatzberger"; ts[theName] = 1; var theName = "Schellenberger"; ts[theName] = 1; var theName = "Schepkin"; ts[theName] = 1; var theName = "Scherchen"; ts[theName] = 1; var theName = "Schiff"; ts[theName] = 4; var theName = "Schippers"; ts[theName] = 1; var theName = "Schnabel"; ts[theName] = 2; var theName = "Scholl"; ts[theName] = 1; var theName = "Schoonderwoerd"; ts[theName] = 1; var theName = "Schornsheim"; ts[theName] = 1; var theName = "Schreier"; ts[theName] = 2; var theName = "Schubert"; ts[theName] = 5; var theName = "Schumann"; ts[theName] = 2; var theName = "Schwarz"; ts[theName] = 1; var theName = "Schwarzkopf"; ts[theName] = 1; var theName = "Serkin"; ts[theName] = 2; var theName = "Shaham"; ts[theName] = 1; var theName = "Shifrin"; ts[theName] = 1; var theName = "Short"; ts[theName] = 1; var theName = "Shostakovich"; ts[theName] = 2; var theName = "Sh眉tz"; ts[theName] = 1; var theName = "Sibelius"; ts[theName] = 1; var theName = "Simonov"; ts[theName] = 1; var theName = "Sinopoli"; ts[theName] = 6; var theName = "Siranossian"; ts[theName] = 1; var theName = "Slatkin"; ts[theName] = 1; var theName = "Smith"; ts[theName] = 2; var theName = "Soc铆as"; ts[theName] = 1; var theName = "Sokolov"; ts[theName] = 1; var theName = "Soler"; ts[theName] = 1; var theName = "S枚llscher"; ts[theName] = 2; var theName = "Solomon"; ts[theName] = 1; var theName = "Solti"; ts[theName] = 5; var theName = "Souzay"; ts[theName] = 1; var theName = "Sp谩nyi"; ts[theName] = 1; var theName = "Sparf"; ts[theName] = 2; var theName = "Spinosi"; ts[theName] = 1; var theName = "St. Petersburg Quartet"; ts[theName] = 1; var theName = "Stabat Mater"; ts[theName] = 1; var theName = "Staier"; ts[theName] = 3; var theName = "Standage"; ts[theName] = 1; var theName = "Starker"; ts[theName] = 1; var theName = "Steen"; ts[theName] = 1; var theName = "Steinberg"; ts[theName] = 1; var theName = "Stejskal"; ts[theName] = 1; var theName = "Stern Trio"; ts[theName] = 1; var theName = "Stevens"; ts[theName] = 1; var theName = "Stokowski"; ts[theName] = 9; var theName = "Storck"; ts[theName] = 1; var theName = "Straram"; ts[theName] = 1; var theName = "Strauss"; ts[theName] = 1; var theName = "Stravinsky"; ts[theName] = 1; var theName = "Stubs"; ts[theName] = 1; var theName = "Studer"; ts[theName] = 1; var theName = "Suihkonen"; ts[theName] = 1; var theName = "Summerly"; ts[theName] = 2; var theName = "Suzuki"; ts[theName] = 3; var theName = "Svetlanov"; ts[theName] = 1; var theName = "Szell"; ts[theName] = 8; var theName = "Tachezi"; ts[theName] = 2; var theName = "Tak谩cs Quartet"; ts[theName] = 2; var theName = "Talich"; ts[theName] = 2; var theName = "Tallis"; ts[theName] = 1; var theName = "T谩trai Quartet"; ts[theName] = 1; var theName = "Tchaikovsky"; ts[theName] = 3; var theName = "Telemann"; ts[theName] = 1; var theName = "Tennstedt"; ts[theName] = 3; var theName = "The Revolutionary Drawing Room"; ts[theName] = 1; var theName = "Thielemann"; ts[theName] = 3; var theName = "Thomson"; ts[theName] = 1; var theName = "Tilson Thomas"; ts[theName] = 2; var theName = "Tipo"; ts[theName] = 1; var theName = "Tokyo"; ts[theName] = 1; var theName = "Tonnesen"; ts[theName] = 1; var theName = "Tosca"; ts[theName] = 1; var theName = "Toscanini"; ts[theName] = 6; var theName = "Tourniaire"; ts[theName] = 1; var theName = "Tureck"; ts[theName] = 1; var theName = "Turner"; ts[theName] = 1; var theName = "Uchida"; ts[theName] = 1; var theName = "Ugorski"; ts[theName] = 1; var theName = "Van Dam"; ts[theName] = 1; var theName = "van Stade"; ts[theName] = 1; var theName = "V盲nsk盲"; ts[theName] = 1; var theName = "Vartolo"; ts[theName] = 2; var theName = "V谩s谩ry"; ts[theName] = 1; var theName = "Vaughan Williams"; ts[theName] = 2; var theName = "V茅gh"; ts[theName] = 1; var theName = "Velardi"; ts[theName] = 1; var theName = "Vellard"; ts[theName] = 1; var theName = "Venzago"; ts[theName] = 2; var theName = "Verbruggen"; ts[theName] = 1; var theName = "Vickers"; ts[theName] = 1; var theName = "Victoria"; ts[theName] = 1; var theName = "Videla"; ts[theName] = 1; var theName = "Vivaldi"; ts[theName] = 2; var theName = "Wagner"; ts[theName] = 1; var theName = "Walcha"; ts[theName] = 1; var theName = "Walhberg"; ts[theName] = 1; var theName = "Walter"; ts[theName] = 8; var theName = "Wand"; ts[theName] = 2; var theName = "Watillon"; ts[theName] = 1; var theName = "Weil"; ts[theName] = 2; var theName = "Weimann"; ts[theName] = 1; var theName = "Weiss"; ts[theName] = 1; var theName = "Wenzinger"; ts[theName] = 3; var theName = "Wickham"; ts[theName] = 1; var theName = "Wild"; ts[theName] = 1; var theName = "Willcocks"; ts[theName] = 2; var theName = "Williams"; ts[theName] = 2; var theName = "Wilson"; ts[theName] = 1; var theName = "Wispelwey"; ts[theName] = 3; var theName = "Wit"; ts[theName] = 1; var theName = "Wunderlich"; ts[theName] = 1; var theName = "Yepes"; ts[theName] = 1; var theName = "Zacharias"; ts[theName] = 2; var theName = "Zander"; ts[theName] = 1; var theName = "Zapico"; ts[theName] = 1; var theName = "Zimerman"; ts[theName] = 2; var theName = "Zinman"; ts[theName] = 1; for (t in ts){ if (!labelCount[ts[t]]){ labelCount[ts[t]] = new Array(ts[t]) } } tz = labelCount.length-1; lc2 = document.getElementById('labelCloud'); ul = document.createElement('ul'); ul.className = 'label-cloud'; for(var t in ts){ for (var i=0;3 > i;i++) { c[i]=s(minColor[i],maxColor[i],ts[t]-ta,tz) } var fs = s(minFontSize,maxFontSize,ts[t]-ta,tz); li = document.createElement('li'); li.style.fontSize = fs+'px'; li.style.lineHeight = '1'; a = document.createElement('a'); a.title = ts[t]+' Posts in '+t; a.style.color = 'rgb('+c[0]+','+c[1]+','+c[2]+')'; a.href = lcBlogURL+'/search/label/'+encodeURIComponent(t); if (lcShowCount){ span = document.createElement('span'); span.innerHTML = '('+ts[t]+') '; span.className = 'label-count'; a.appendChild(document.createTextNode(t)); li.appendChild(a); li.appendChild(span); } else { a.appendChild(document.createTextNode(t)); li.appendChild(a); } ul.appendChild(li); abnk = document.createTextNode(' '); ul.appendChild(abnk); } lc2.appendChild(ul); </script> <noscript> <ul> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Abbado'>Abbado</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ackerman'>Ackerman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Adler'>Adler</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Akademie%20f%C3%BCr%20Alte%20Musik%20Berlin'>Akademie f眉r Alte Musik Berlin</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Alain'>Alain</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Alban%20Berg%20Quartet'>Alban Berg Quartet</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Alessandrini'>Alessandrini</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Allegri'>Allegri</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Alsop'>Alsop</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Altinoglu'>Altinoglu</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Amadeus%20Quartet'>Amadeus Quartet</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ancerl'>Ancerl</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Anders'>Anders</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ansermet'>Ansermet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Antonini'>Antonini</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Argenta'>Argenta</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Argerich'>Argerich</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Arrau'>Arrau</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Artemis'>Artemis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ashkenazy'>Ashkenazy</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Asperen'>Asperen</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Astronio'>Astronio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bach%20CPE'>Bach CPE</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bach%20Js'>Bach Js</a> (10) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Backhaus'>Backhaus</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Badura-Skoda'>Badura-Skoda</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Baker'>Baker</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Balestracci'>Balestracci</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Banchini'>Banchini</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Barber'>Barber</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Barbirolli'>Barbirolli</a> (9) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Barenboim'>Barenboim</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Barshai'>Barshai</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bart%C3%B3k'>Bart贸k</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bashmet'>Bashmet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bates'>Bates</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Baumgartner'>Baumgartner</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beaux%20Arts%20Trio'>Beaux Arts Trio</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beecham'>Beecham</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beethoven'>Beethoven</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beethoven%20Quartet'>Beethoven Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Belder'>Belder</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/B%C4%9Blohl%C3%A1vek'>B臎lohl谩vek</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Berglund'>Berglund</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bernardini'>Bernardini</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bernius'>Bernius</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bernstein'>Bernstein</a> (17) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beschi'>Beschi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beyer'>Beyer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Beznosiuk'>Beznosiuk</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Biber'>Biber</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bilson'>Bilson</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Biondi'>Biondi</a> (6) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Blaze'>Blaze</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Blomstedt'>Blomstedt</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boer'>Boer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/B%C3%B6hm'>B枚hm</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bolliger'>Bolliger</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boothby'>Boothby</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Borodin%20Quartet'>Borodin Quartet</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Borodin%20Trio'>Borodin Trio</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boskovsky'>Boskovsky</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bostridge'>Bostridge</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boulanger'>Boulanger</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boulay'>Boulay</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boulez'>Boulez</a> (10) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Boult'>Boult</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bour'>Bour</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bowman'>Bowman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brahms'>Brahms</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Braojos'>Braojos</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brautigam'>Brautigam</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bream'>Bream</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brendel'>Brendel</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Britten'>Britten</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brodsky%20Quartet'>Brodsky Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bronfman'>Bronfman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Brown'>Brown</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bruck'>Bruck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bruckner'>Bruckner</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Br%C3%BCggen'>Br眉ggen</a> (6) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Budapest'>Budapest</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bull'>Bull</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bundies'>Bundies</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Busch'>Busch</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Busch%20Quartet'>Busch Quartet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Butt'>Butt</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Bylsma'>Bylsma</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Byrd'>Byrd</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cabez%C3%B3n'>Cabez贸n</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Caf%C3%A9%20Zimmermann'>Caf茅 Zimmermann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Campbell'>Campbell</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cape'>Cape</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cardin'>Cardin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Carwood'>Carwood</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Casals'>Casals</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cassad%C3%B3'>Cassad贸</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cave'>Cave</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cavina'>Cavina</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Celibidache'>Celibidache</a> (15) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cera'>Cera</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chailly'>Chailly</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chalabala'>Chalabala</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chance'>Chance</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Charlston'>Charlston</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cherkassky'>Cherkassky</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chojnacka'>Chojnacka</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Chopin'>Chopin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Christie'>Christie</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Christophers'>Christophers</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Clemencic'>Clemencic</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cleobury'>Cleobury</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cliburn'>Cliburn</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cluytens'>Cluytens</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Codax'>Codax</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Coh%C3%ABn-Akenine'>Coh毛n-Akenine</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Colell'>Colell</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Collegium%20Aureum'>Collegium Aureum</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Colomer'>Colomer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Coppola'>Coppola</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Corelli'>Corelli</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cortot'>Cortot</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Coudurier'>Coudurier</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Couperin'>Couperin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Crum'>Crum</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cu%C3%A9nod'>Cu茅nod</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Cummings'>Cummings</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Currentzis'>Currentzis</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Curzon'>Curzon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Daniels'>Daniels</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dantone'>Dantone</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dausgaard'>Dausgaard</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Davis'>Davis</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/de%20Luc%C3%ADa'>de Luc铆a</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/de%20Van'>de Van</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Debussy'>Debussy</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Della%20Casa'>Della Casa</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Deller'>Deller</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dido%20y%20Eneas'>Dido y Eneas</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Don%20Giovanni'>Don Giovanni</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dorati'>Dorati</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Doric%20Quartet'>Doric Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dowland'>Dowland</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Draper'>Draper</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Du%20Pr%C3%A9'>Du Pr茅</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dudamel'>Dudamel</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Duftschmid'>Duftschmid</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Duhan'>Duhan</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dumestre'>Dumestre</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dutoit'>Dutoit</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dvorak'>Dvorak</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Dyens'>Dyens</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Eder%20Quartet'>Eder Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Egarr'>Egarr</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Elder'>Elder</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Elgar'>Elgar</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ellington'>Ellington</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Emerson%20Quartet'>Emerson Quartet</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Engeset'>Engeset</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ensemble%20Agaia'>Ensemble Agaia</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Equilbey'>Equilbey</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Eschenbach'>Eschenbach</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Esfahani'>Esfahani</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Eybler%20Quartet'>Eybler Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fabre-Garrus'>Fabre-Garrus</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fabritiis'>Fabritiis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fandango'>Fandango</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Farr'>Farr</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fasolis'>Fasolis</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fassbaender'>Fassbaender</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Faur%C3%A9'>Faur茅</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fern%C3%A1ndez'>Fern谩ndez</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ferran'>Ferran</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Feuermann'>Feuermann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Finley'>Finley</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fischer'>Fischer</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fischer-Dieskau'>Fischer-Dieskau</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fitzwilliam%20Quartet'>Fitzwilliam Quartet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Flagstad'>Flagstad</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fleming'>Fleming</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Flonzaley%20Quartet'>Flonzaley Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Florestan%20Trio'>Florestan Trio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Foccroulle'>Foccroulle</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Forck'>Forck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Forster'>Forster</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Foulon'>Foulon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fournier'>Fournier</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fran%C3%A7ois'>Fran莽ois</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fretwork'>Fretwork</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fricsay'>Fricsay</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Frisch'>Frisch</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Froment'>Froment</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Fr%C3%BCbeck%20de%20Burgos'>Fr眉beck de Burgos</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Furtw%C3%A4ngler'>Furtw盲ngler</a> (9) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gabetta'>Gabetta</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Galbraith'>Galbraith</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Garc%C3%ADa%20Alarc%C3%B3n'>Garc铆a Alarc贸n</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gardiner'>Gardiner</a> (15) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Garrido'>Garrido</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gergiev'>Gergiev</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gerhaher'>Gerhaher</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gieseking'>Gieseking</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gilels'>Gilels</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Giulini'>Giulini</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Glover'>Glover</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gluck'>Gluck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goebel'>Goebel</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goerne'>Goerne</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goetzel'>Goetzel</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Golovanov'>Golovanov</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goltz'>Goltz</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gonz%C3%A1lez'>Gonz谩lez</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goode'>Goode</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Goodman'>Goodman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gorecki'>Gorecki</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gottfried'>Gottfried</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gould'>Gould</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gracis'>Gracis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gr%C3%A4sbeck'>Gr盲sbeck</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Grieg'>Grieg</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gr%C3%BCn'>Gr眉n</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guarneri%20Quartet'>Guarneri Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guerber'>Guerber</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guest'>Guest</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guglielmi'>Guglielmi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Gulda'>Gulda</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/G%C3%BCra'>G眉ra</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Guyot'>Guyot</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haenchen'>Haenchen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hagen'>Hagen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hagen%20Quartet'>Hagen Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haitink'>Haitink</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haller'>Haller</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Handel'>Handel</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Handley'>Handley</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hantai'>Hantai</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Harnoncourt'>Harnoncourt</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Harrison'>Harrison</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haskil'>Haskil</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Haydn'>Haydn</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hazelzet'>Hazelzet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Helbich'>Helbich</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Henderson'>Henderson</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hengelbrock'>Hengelbrock</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Herbig'>Herbig</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Herreweghe'>Herreweghe</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Herrmann'>Herrmann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hewitt'>Hewitt</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hickox'>Hickox</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Higginbottom'>Higginbottom</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hill'>Hill</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hillier'>Hillier</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hoeprich'>Hoeprich</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hofstetter'>Hofstetter</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hogwood'>Hogwood</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hollman'>Hollman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Holloway'>Holloway</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hollywood'>Hollywood</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Holman'>Holman</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Holst'>Holst</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Holzmair'>Holzmair</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Horenstein'>Horenstein</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Horowitz'>Horowitz</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hotter'>Hotter</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hough'>Hough</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Huggett'>Huggett</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Hurford'>Hurford</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/H%C3%BCsch'>H眉sch</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Huss'>Huss</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/I%20Musici'>I Musici</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Immerseel'>Immerseel</a> (6) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Inbal'>Inbal</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Inghelbrecht'>Inghelbrecht</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ironwood'>Ironwood</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Isokoski'>Isokoski</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Isserlis'>Isserlis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Italiano'>Italiano</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jacobs'>Jacobs</a> (9) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Janis'>Janis</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Janowitz'>Janowitz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Janowski'>Janowski</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jansons'>Jansons</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Janssens'>Janssens</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/J%C3%A4rnefeld'>J盲rnefeld</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/J%C3%A4rvi'>J盲rvi</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jochum'>Jochum</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jungh%C3%A4nel'>Jungh盲nel</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Jurowski'>Jurowski</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kamirski'>Kamirski</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kanka'>Kanka</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kapp'>Kapp</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Karajan'>Karajan</a> (18) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Katlewicz'>Katlewicz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kaufmann'>Kaufmann</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kell'>Kell</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kempf%20Trio'>Kempf Trio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kempff'>Kempff</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kertesz'>Kertesz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/King'>King</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kirkpatrick'>Kirkpatrick</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kissin'>Kissin</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kleiber'>Kleiber</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Klemperer'>Klemperer</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kletzki'>Kletzki</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Knappertsbusch'>Knappertsbusch</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kocsis'>Kocsis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kondrashin'>Kondrashin</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Konwitschny'>Konwitschny</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/K%C3%B3nya'>K贸nya</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Koopman'>Koopman</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kord'>Kord</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Koussevitzky'>Koussevitzky</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Krauss'>Krauss</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Krips'>Krips</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Krivine'>Krivine</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kubelik'>Kubelik</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kuerti'>Kuerti</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Kuijken'>Kuijken</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/La%20Gaia%20Scienza%20Trio'>La Gaia Scienza Trio</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lab%C3%A8que'>Lab猫que</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lamon'>Lamon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Landowska'>Landowska</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lang'>Lang</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Larrieu'>Larrieu</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lasalle'>Lasalle</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Layton'>Layton</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lefebure'>Lefebure</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lehmann'>Lehmann</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leinsdorf'>Leinsdorf</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leipzig%20Quartet'>Leipzig Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leister'>Leister</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leitner'>Leitner</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lemieux'>Lemieux</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leonhardt'>Leonhardt</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leopold%20Trio'>Leopold Trio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Leppard'>Leppard</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Les%20Escapades'>Les Escapades</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lesne'>Lesne</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Levi'>Levi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Levin'>Levin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Levine'>Levine</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lewis'>Lewis</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lindberg'>Lindberg</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Linde'>Linde</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Linden'>Linden</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lindsay'>Lindsay</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lipatti'>Lipatti</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lischka'>Lischka</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lislevand'>Lislevand</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/London%20Quartet'>London Quartet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Longhini'>Longhini</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/L%C3%B3pez-Cobos'>L贸pez-Cobos</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Luks'>Luks</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Luojalan-Mikkola'>Luojalan-Mikkola</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Lupu'>Lupu</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ma'>Ma</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Maazel'>Maazel</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Machaut'>Machaut</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mackenzie-Rogan'>Mackenzie-Rogan</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mackerras'>Mackerras</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Magraner'>Magraner</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mahler'>Mahler</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Maier'>Maier</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Maletto'>Maletto</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mallavibarrena'>Mallavibarrena</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mallon'>Mallon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Maltman'>Maltman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mandelring%20Quartet'>Mandelring Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mandrin'>Mandrin</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Manze'>Manze</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Marais'>Marais</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Marcon'>Marcon</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Markevitch'>Markevitch</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/M%C3%A4rkl'>M盲rkl</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Marriner'>Marriner</a> (7) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Martinon'>Martinon</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Masur'>Masur</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mauersberger'>Mauersberger</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/McCreesh'>McCreesh</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mcintosh'>Mcintosh</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mehta'>Mehta</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Meneses'>Meneses</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mengelberg'>Mengelberg</a> (11) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Messori'>Messori</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Meunier'>Meunier</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Meyer'>Meyer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Michelangeli'>Michelangeli</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Miller'>Miller</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Minasi'>Minasi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mingardo'>Mingardo</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Minkowski'>Minkowski</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mitropoulos'>Mitropoulos</a> (4) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Moiseiwitsch'>Moiseiwitsch</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Monks'>Monks</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Monteux'>Monteux</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Monteverdi'>Monteverdi</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Moravec'>Moravec</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Moreno'>Moreno</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mortensen'>Mortensen</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mosa%C3%AFques'>Mosa茂ques</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mozart'>Mozart</a> (8) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mravinsky'>Mravinsky</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/M%C3%BCllejans'>M眉llejans</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Muller'>Muller</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Munch'>Munch</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/M%C3%BCnchinger'>M眉nchinger</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Murray'>Murray</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Mussorgsky'>Mussorgsky</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Muti'>Muti</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Neidich'>Neidich</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Nelsons'>Nelsons</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Nesbitt'>Nesbitt</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Neumann'>Neumann</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Nikisch'>Nikisch</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Niquet'>Niquet</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Norman'>Norman</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Norrington'>Norrington</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ockeghem'>Ockeghem</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ogg'>Ogg</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Oistrakh%20Trio'>Oistrakh Trio</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Olejniczak'>Olejniczak</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Oliva'>Oliva</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Orff'>Orff</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ormandy'>Ormandy</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ortiz'>Ortiz</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Ozawa'>Ozawa</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Padmore'>Padmore</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Palmer'>Palmer</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pandolfo'>Pandolfo</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Panzera'>Panzera</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pappano'>Pappano</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Paray'>Paray</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Parrott'>Parrott</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pavel%20Haas%20Quartet'>Pavel Haas Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pay'>Pay</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pears'>Pears</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Perahia'>Perahia</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/P%C3%A9r%C3%A8s'>P茅r猫s</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pergolesi'>Pergolesi</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Perl'>Perl</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Petrenko'>Petrenko</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Petri'>Petri</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Peyer'>Peyer</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Phantasm'>Phantasm</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Phillips'>Phillips</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pianca'>Pianca</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pickett'>Pickett</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pictures%20at%20an%20exhibition'>Pictures at an exhibition</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pierlot'>Pierlot</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pierot'>Pierot</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pinnock'>Pinnock</a> (9) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Piovano'>Piovano</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pletnev'>Pletnev</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pluhar'>Pluhar</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pogorelich'>Pogorelich</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pollini'>Pollini</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pons'>Pons</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pr%C3%A9gardien'>Pr茅gardien</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Preston'>Preston</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pretre'>Pretre</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Previn'>Previn</a> (5) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pro%20Arte%20Quartet'>Pro Arte Quartet</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Puccini'>Puccini</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Pugno'>Pugno</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Purcell'>Purcell</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Puyana'>Puyana</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Quasthoff'>Quasthoff</a> (2) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Queyras'>Queyras</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rachmaninov'>Rachmaninov</a> (3) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rana'>Rana</a> (1) </li> <li> <a href='http://ipromesisposi.blogspot.com/search/label/Rannou'>Rannou</a> (1) </li> <li> <a 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dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/06/'> junio </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2019/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> 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class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/07/'> julio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/02/'> febrero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2018/01/'> enero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/'> 2017 </a> <span class='post-count' dir='ltr'>(5)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/09/'> septiembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2017/03/'> marzo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/'> 2016 </a> <span class='post-count' dir='ltr'>(6)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/12/'> diciembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/07/'> julio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/05/'> mayo </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2016/03/'> marzo </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/'> 2015 </a> <span class='post-count' dir='ltr'>(7)</span> 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</span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/06/'> junio </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/04/'> abril </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2015/02/'> febrero </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/'> 2014 </a> <span class='post-count' dir='ltr'>(5)</span> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/12/'> diciembre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/10/'> octubre </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> ►  </span> </a> <a class='post-count-link' href='http://ipromesisposi.blogspot.com/2014/08/'> agosto </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span 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href='http://laureateconductor.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/a/AVvXsEhUIYuvYm5eXO-XM7QEJCrLODu3liN4r58QmmAHC3Q97wjVnat4y7IfMUPM9hDnY75Nst93cK0svbkOdXPUhYq8vALxxpxFmgzZ2KzfT8eGFhdtLmffyE2uGDlakTbj-Ll7KafkxM3ziSc6zxRS4NBHqFnbjarEum2m4SCR3dnpXl5ma0lI1N0SpLx8s3w=s72-w527-h518-c' width='72'/> </a> </div> <span class='item-title'> <a href='http://laureateconductor.blogspot.com/2025/02/strauss-mendelssohn-mitropoulos.html' target='_blank'> Strauss, Mendelssohn - Mitropoulos </a> </span> - <span class='item-snippet'> Here another long time out of print CD in a new rip. The mid-price "Virtuoso" label didn't have a long life, but in the late 1980s recovered several ... </span> <div class='item-time'> Hace 3 d铆as </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_v5VLAclokYWxQCR7zjU-_5JZ6NTz4ARpzkPVzozFwpyq22udM-de_nVjuxnQGAeRedn0MNP5b6KqykY1NapgUT6qs3vfYCpsoPf4jTE-tQOLVG=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://themusicparlour.blogspot.com/' target='_blank'> The Music Parlour</a> </div> <div class='item-content'> <span class='item-title'> <a href='https://themusicparlour.blogspot.com/2025/02/2448-zubin-mehta-los-angeles-po-varese.html' target='_blank'> </a> </span> - <span class='item-snippet'> </span> <div class='item-time'> Hace 5 d铆as </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_umVdx-B3YdW3auM0cOa82LJxP5gF2iNMOx5f5H14Tf_8h3VmuSb4xVOy4Jd6XoIOCZF6qOdqaLmTLkr-c3OvZSwXlz5hw_s_zHWZu68MgMbmwMb1U=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://classicalmjourney.blogspot.com/' target='_blank'> Magical Journey</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://classicalmjourney.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht2FipZnNgeIr3B4JarGZz_x1Oxt_Raj8iUmn-4ctC1LEVTFBS7NsezxIKOfKdmqMAQMKDDUElmVPyuv5yJ-B9o_IbJcNC8khZOuzRD5OLGBv1qgrNO6nXHBzKUsssTkpeeq5Gh5q1lSJt5zvIyHdBkmJDla_RcPaSWurNK2Y0EpWzz3ioP2sZV55YhPmm/s72-w400-h400-c/cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://classicalmjourney.blogspot.com/2024/05/fazil-say-flute-concerto-bulent-evcil.html' target='_blank'> Fazil Say - Flute Concerto (B眉lent Evcil) </a> </span> - <span class='item-snippet'> *Information* Composer: *Fazil Say* - Concerto for Flute and Orchestra Op. 76 *B眉lent Evcil*, flute Camerata Salzburg Nil Venditti, conductor Date... </span> <div class='item-time'> Hace 9 meses </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vod1O9goWJd7t_4H5eCnYL1cmImQtHJU_cFP3ky0VlrkFYeJZLIzBej5CAGN8vRlFT4Mo6Mc9u-MpBXSztHe47TMJNA4NqTbPdajZ4KBy7pdSJ9aR4Eg=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://ipromesisposiblog.wordpress.com' target='_blank'> ipromesisposi</a> </div> <div class='item-content'> <span class='item-title'> <a href='https://ipromesisposiblog.wordpress.com/2024/03/15/bach-conciertos-de-brandenburgo/' target='_blank'> Bach: Conciertos de Brandenburgo </a> </span> - <span class='item-snippet'> Los Concerts avec plusiers instruments fueron dedicados (y bellamente caligrafiados en un florido franc茅s) por J.S. Bach en 1721 al Margrave de Brandenburg... </span> <div class='item-time'> Hace 11 meses </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_ui0OShxH1rw1hM6PzQtbu7rp-L_C7ezUDAOd5OT55hqxqK8jkT8GCzXhPtwLpsSl4XENM9t8hTBF09QeOPkUATps8GNqt4ie9Gcxrw9f_TQH68DzQ=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://lamusicadermusik.blogspot.com/' target='_blank'> La Guitarra</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://lamusicadermusik.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpn09xmvxmTddT3TR2wZOlCkc5GkYGkLxwX8qx9b5H8n3vTcYjzXYr8baGTLITZQYkdjZq4B3Yfv2553U1U1ozGDMPh064F08vxoc0c8EVccvzYGwbJdiJCjLtW5aTXZJexsQedaa3xw-KGZGX2eW3YBgcOmgk-d0KIwNp8B1B9DYEdTZYm3UqKSZtKg/s72-w640-h640-c/cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://lamusicadermusik.blogspot.com/2023/02/the-leaves-be-green-vida-guitar-quartet.html' target='_blank'> The Leaves Be Green - Vida Guitar Quartet </a> </span> - <span class='item-snippet'> *Ralph Vaughan Williams (1872-1958)* 01 - English Folk Song Suite I. March Seventeen Come Sunday 02 - English Folk Song Suite II. Intermezzo My Bonny Boy ... </span> <div class='item-time'> Hace 2 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_t7UTWDHm-KNqn5mNWhGWfj4AyMA_bHZ-isb3LQjNLci24iuKlTj2vp5Dfz4zgoH9MTa1wD7RZnSgm_pHIUYlmmikCLcBjvSjwF7Ehltvr_f-E=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://intempusmusica.blogspot.com/' target='_blank'> Mvsica Laetitiae Comes Medicina Dolorvm</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://intempusmusica.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1ds2hn5sssHt-SuTEoqHLScr4H7EG9iR9NBr_jQ0GD0BDtjDh7iMmbYTFF8heaE-9ny53l1C0OGYsbpZg1Vza-V1jkRGmvxNAQFVfqNKZbfyJHC7hov9UuTNQ3I7LHdDO9jMv__QD4pr1YSCcj2JUD6lMJpYv4vbXdYXOmF3sOMdgRE0_TkXuU6wClA/s72-w400-h400-c/cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://intempusmusica.blogspot.com/2023/01/german-baroque-oboe-sonatas-benoit.html' target='_blank'> German Baroque Oboe Sonatas - Beno卯t Laurent, Lingua Franca </a> </span> - <span class='item-snippet'> Leer m谩s » </span> <div class='item-time'> Hace 2 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tFLdR8j9XZWJgteyPoJcplsrjSgE7V5v-p1yBIJqULitXXdjXKiuzHGXtECBUXqc0khbORPbRyravyUE3nofjAEtCb9Grkba0iAf6yOOliDS4AwWSDAPGUZA=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://paulmichaelvonganski.wordpress.com' target='_blank'> Paul Michael von Ganski's Record Club</a> </div> <div class='item-content'> <span class='item-title'> <a href='https://paulmichaelvonganski.wordpress.com/2022/06/20/albert-spalding-beethoven/' target='_blank'> Albert Spalding * Beethoven </a> </span> - <span class='item-snippet'> BEETHOVEN – Violin Concerto In D Major Opus 61 I.Allegro Ma Non Troppo II. Larghetto III. Finale, Rondo Albert Spalding, Austrian Symphony Orchestra, Wilhe... </span> <div class='item-time'> Hace 2 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_s-K7ynn8hxUwbPXLMzZNoip1v4ruDeozLD1Pl6jRTA-P7I0YUycZfGvS5jA87bo327ptGaUuMTGZXkXqOhEfoSZm8wcFozYXA1oyPZkx-C4tnpRUE=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://bayreuthclassical.blogspot.com/' target='_blank'> bayreuth's classical music resources</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='http://bayreuthclassical.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://1.bp.blogspot.com/-yQrZgP2uiXI/YQy1RSt4omI/AAAAAAAAC7I/yyOAgIGQAiwCtTFFhOXG03yvdO4K9lzTwCLcBGAsYHQ/s72-c/cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='http://bayreuthclassical.blogspot.com/2021/08/vpo-orchestra-edition-decca-65cd.html' target='_blank'> VPO The orchestra edition DECCA 65CD </a> </span> - <span class='item-snippet'> </span> <div class='item-time'> Hace 3 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_sBjkqf9yyKlAjh-ZyDNVDQtPRYzvKbUcO-VhUKP_xw9SFyHgLjqiZKyp_aDvxhuTCMvc1T0MOh6iOab5xTYxRheCAIbvhhV0HsKvo=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://makdelart.blogspot.com/' target='_blank'> makdelart - classique</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='http://makdelart.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://1.bp.blogspot.com/-ZLixftnHfMo/YAM2Qlb1WmI/AAAAAAAAHyk/IIzceo9MXbYvZZy2Sz_3QygTff9YreuSQCLcBGAsYHQ/s72-c/DG111-ThePiano-box-front.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='http://makdelart.blogspot.com/2021/06/dg-111-piano-legendary-recordings-va.html' target='_blank'> DG 111 THE PIANO. Legendary Recordings (VA, 40CDs) (2015)[boxset] </a> </span> - <span class='item-snippet'> 111 YEARS OF DEUTSCHE GRAMMOPHONTHE PIANO - Legendary Recordings 40CDs boxset Edition: DG 2015 </span> <div class='item-time'> Hace 3 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_skSlbKIzmCQDjvOYB1_hgTF3_Y0LtqDXPDrQ2_ouEA8L_Dnfd17gtnC4omQ7s4ew6ojaLFERIGRrNNE5S9xidpTby4XlOBffGsP_Y=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://juliosbv.blogspot.com/' target='_blank'> Sentidos</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='https://juliosbv.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifzj-IhgnwVMsUqkMt4OXdD93Me8eopQBMhuhBbU3iWRsp0Kq_A1dKFeIblI9sXkUadSAIzolMcmV9errn5uCqVbdfRa8XAA1_h96En9UoMX6RCBjs7D6wkhuerCu9AMNRi1IWP2Qa5Qo7/s72-w400-h393-c/Scriabin+-+Sinf.+n%25C2%25BA+3+-+Golovschin+-+Port.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='https://juliosbv.blogspot.com/2021/05/scriabin-sinfonia-n-3-el-poema-divino.html' target='_blank'> Scriabin. Sinfon铆a n潞 3 "El Poema Divino". El Poema del 脡xtasis. Golovschin. Orquesta Sinf贸nica de Mosc煤. 1995. </a> </span> - <span class='item-snippet'> Queridos amigos retomamos las entregas de las obras sinf贸nicas del grand铆simo genio musical Scriabin. Hoy dejamos dos obras verdaderamente bellas y mu... </span> <div class='item-time'> Hace 3 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_ucApMlZlt_dMslnMqX5HVJLYtqdtGVYCliRtZ76EJUj9BJ48Eq_wRnYPMGnMDQlKJpBTYXUT3XXJyZV9q6R1ZyqgUBgspvALQH3BZyOS7gy8DrMg=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://kammermusikkammer.blogspot.com/' target='_blank'> Kammermusikkammer</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='http://kammermusikkammer.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPPDIFycG6oOaswyBfoKTByI1IyfeUpgwixdAxFO7SRwoOpvxoAbvjxY4mhV2wrlSDDaLnC6BCQEOZdVL8ZUMs6PimG2L_QgnlU7gzIiTXKjDyqCvbwwIL5h6n8pk3MFoZqJ1RquY9Vkc/s72-c/Cover.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='http://kammermusikkammer.blogspot.com/2020/02/pierre-boulez-polyphonie-x-poesie-pour.html' target='_blank'> Pierre Boulez: Polyphonie X | Po茅sie pour pouvoir | Structures II </a> </span> - <span class='item-snippet'> W盲re es nach dem Willen seines Vaters gegangen, w盲re der 1925 in Montbrison an der Loire geborene Pierre Boulez nie Musiker geworden, sondern h盲tte nach ... </span> <div class='item-time'> Hace 5 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tMC6cjmTlN3sWnxD6z25t527B5JoJy0Qk0bR_I2PY6Hrcaf940TDXzCd1c1aYYDjWGE6KdM4qw4Z6SkCYH5Ig93JkODhkLl2cEYA=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://vonworse.blogspot.com/' target='_blank'> Don Eviltor</a> </div> <div class='item-content'> <span class='item-title'> <a href='http://vonworse.blogspot.com/2020/01/turandot-tanto-amore-segreto.html' target='_blank'> Turandot: "Tanto amore segreto" </a> </span> - <span class='item-snippet'> *Cari amici,* No trecho musical de hoje, percebemos que n茫o se pode subestimar o papel de Li霉 em Turandot e cant谩-lo n茫o 茅 uma tarefa f... </span> <div class='item-time'> Hace 5 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: none;'> <div class='blog-icon'> <img data-lateloadsrc='https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_u6Sdoa7LjIC0YxgpAa-Nc7OEVWfP-0FCD8hHDMqaoUnWwwyJLYizgbMMG8Z4G4QW00Aob01Uzsnrp2BK0Q-tqND8rg6fdGP4vvVOA4kw=s16-w16-h16' height='16' width='16'/> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://odeonmusic.blogspot.com/' target='_blank'> Odeon</a> </div> <div class='item-content'> <div class='item-thumbnail'> <a href='http://odeonmusic.blogspot.com/' target='_blank'> <img alt='' border='0' height='72' src='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw1YjBR2_-oe6SdcFSCaiCDmGICqffeTddWWmw2mF2Eh81ThN7nrJZL3oHz7YeR6rnvl3mODUnyTBPa4PsvKKouSP4-LpvoCChWKyWLM8bQjzxLRzLgE6sA1OoVAAlSpJ-5MtAcLNo5C5M/s72-c/front.jpg' width='72'/> </a> </div> <span class='item-title'> <a href='http://odeonmusic.blogspot.com/2015/04/haydn-revisited-music-for-flute-and.html' target='_blank'> 'Haydn revisited' music for Flute and Strings – The Galeazzi Ensemble </a> </span> - <span class='item-snippet'> Joseph Aloys Schmittbauer (1718-1809): Divertimento in A major for flute quartet (published under Haydn's name) Joseph Haydn (1732-1809): Flute quartet i... </span> <div class='item-time'> Hace 9 a帽os </div> </div> </div> <div style='clear: both;'></div> </li> </ul> <div class='show-option'> <span id='BlogList1_show-n' style='display: none;'> <a href='javascript:void(0)' onclick='return false;'> Mostrar 5 </a> </span> <span id='BlogList1_show-all' style='margin-left: 5px;'> <a href='javascript:void(0)' onclick='return false;'> Mostrar todo </a> </span> </div> <div class='clear'></div> </div> </div> </div><div class='widget LinkList' data-version='1' id='LinkList1'> <h2>Links to Lossless music</h2> <div class='widget-content'> <ul> <li><a href='http://intoclassics.net/'>Intoclassics</a></li> <li><a href='http://www.rutracker.org/'>Rutracker</a></li> </ul> <div class='clear'></div> </div> </div></div> </div>  <div class='clear'> </div> </div>  <div id='footer-wrapper'> <div class='footer no-items section' id='footer'></div> </div> </div></div>  <script type="text/javascript" src="https://www.blogger.com/static/v1/widgets/2725212210-widgets.js"></script> <script type='text/javascript'> window['__wavt'] = 'AOuZoY50af3Fo6QPvLG-IrTBGV14kUDiQg:1740644538633';_WidgetManager._Init('//www.blogger.com/rearrange?blogID\x3d5357880801358495252','//ipromesisposi.blogspot.com/2024/07/schumann-dichterliebe-remastered.html','5357880801358495252'); 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