Volume ! - La revue des musiques populaires

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <script type="text/javascript">document.documentElement.className = 'js';</script> <meta http-equiv="Content-type" content="text/html; charset=utf-8" /> <meta http-equiv="Content-language" content="fr" /> <title>Volume ! - La revue des musiques populaires</title> <meta name="url" content="http://journals.openedition.org/volume" /> <link rel="icon" type="image/png" href="https://static.openedition.org/journals/images/favicon.png" /> <meta name="generator" content="Lodel 1.0" /> <meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no"> <link rel="schema.DC" href="http://purl.org/dc/elements/1.1/" /> <link rel="schema.MARCREL" href="http://www.loc.gov/loc.terms/relators/"/> <meta name="DC.type" content="Text" /> <meta name="DC.format" content="text/html" /> <meta name="DC.identifier" scheme="URI" content="http://journals.openedition.org/volume" /> <meta name="DC.identifier" scheme="ISSN" content="1950-568X" /> <meta name="DC.title" content="Volume ! - La revue des musiques populaires" /> <meta name="DC.publisher" content="Éditions Mélanie Seteun" /> <meta name="DC.language" scheme="RFC3066" content="fr" /> <meta name="keywords" content="musiques populaires, popular music studies, musique, cultural studies, sociologie de l'art, sociologie de la culture, cultural sociology, aesthetics, esthétique, histoire culturelle, cultural history, new musicology, nouvelle musicologie, musicologie, sciences politiques, ethnomusicology, ethnomusicology" /> <meta name="DC.subject" content="musiques populaires, popular music studies, musique, cultural studies, sociologie de l'art, sociologie de la culture, cultural sociology, aesthetics, esthétique, histoire culturelle, cultural history, new musicology, nouvelle musicologie, musicologie, sciences politiques, ethnomusicology, ethnomusicology" /> <meta name="description" content="Revue consacrée à l'étude pluridisciplinaire des musiques populaires / Multidisciplinary journal dedicated to the study of popular music" /> <meta name="DC.description" content="Revue consacrée à l'étude pluridisciplinaire des musiques populaires / Multidisciplinary journal dedicated to the study of popular music" /> <meta name="DC.type" content="Collection" /> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/11839"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/12272"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/11850"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/11905"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/12277"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/11935"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/11950"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/11969"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/11982"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/12024"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/12040"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/12060"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/12077"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/12037"/> <meta name="DC.relation.hasPart" scheme="URI" content="http://journals.openedition.org/volume/12099"/> <meta name="DC.description.tableOfContents" content="Pourquoi le genre ? Pourquoi maintenant ? -- Why Genre? Why Now? -- « Sans même qu’ils s’en soient rendu compte » -- Juin 1982 – Quand le disco devient dance -- June 1982, When Disco Became Dance -- La citationalité, la tradition et le problème des origines -- Taxonomies du métal -- Donjons &amp; synthétiseurs : le dungeon synth, émergence d’un genre musical sur YouTube et Bandcamp -- Explorer la circulation de la catégorie « musiques urbaines » à la fin des années 2010 en France -- Le rock progressif (1969-1976) et la scène indie montréalaise (1997-2021) : influence stylistique et filiation artistique -- Dan Sicko, Techno Rebels. Les pionniers de la techno de Détroit -- James Leonard Mitchell, Luk Thung, la musique la plus populaire de Thaïlande -- Baptiste Brévart &amp; Guillaume Ettlinger, Wednesdays at A’s -- Colloque international « Musiques en Asie : trajectoires artistiques, industries et scènes musicales » -- Volume 20-2"/> <meta name="twitter:card" content="summary" /> <meta property="og:type" content="article" /> <meta name="twitter:site" content="@OpenEditionActu" /> <meta property="og:url" content="http://journals.openedition.org/volume" /> <meta property="og:title" content="Volume ! - La revue des musiques populaires" /> <meta property="og:description" content="Revue consacrée à l'étude pluridisciplinaire des musiques populaires / Multidisciplinary journal dedicated to the study of popular music" /> <meta property="og:image" content="https://www.openedition.org/docannexe/image/9173/vignette_volume_openedition.png" /> <link rel="alternate" type="application/rss+xml" title="Volume !, Numéros" href="backend?format=rssnumeros" /> <link rel="alternate" type="application/rss+xml" title="Volume !, Documents" href="backend?format=rssdocuments" /> <link rel="stylesheet" type="text/css" href="css/common.css" media="screen" /> <link rel="stylesheet" type="text/css" href="css/base.css" media="screen" /> <link rel="stylesheet" type="text/css" href="https://static.openedition.org/openbarre_/styles/main.css?date=2020-09-01" /> <link rel="stylesheet" type="text/css" href="css/print.css" media="print" /> </head> <body id="index" class="default ltr"> <div id="access"><a href="#nav">Navigation</a> – <a href="http://journals.openedition.org/volume/?page=map">Plan du site</a></div> <div id="outerHeader"> <div id="header"> <h1 id="siteName" class="ltr"> <a title="Accueil" href="http://journals.openedition.org/volume"><span>Volume !</span><img src="custom/sitename.png" alt="Volume !" /></a> </h1> <p id="siteBaseline"> La revue des musiques populaires </p> </div> </div> <div id="ob-breadcrumb" class="ob-breadcrumb-wwwrevuesorg"> <p class="container"><a class="home" href="index.html">Accueil</a></p> </div> <div id="outerWrapper"> <div id="wrapper"> <div id="toolbox"> <form id="search" action="https://search.openedition.org/results" method="get"> <p> <input type="text" id="q" name="q" value="Recherche" /> <input name="s" type="hidden" value="Volume !" /> <input name="pf" type="hidden" value="OJ" /> <button type="submit" title="Chercher">Chercher</button> </p> </form> </div> <div id="content" class="withSyndication"> <div id="main"> <div id="homeSummary"> <h1 id="publiTitle"><span class="text">Dernier numéro en ligne</span><br /><a href="11819"><span class="number">20 : 2<span class="period"> | 2023</span></span><br /><span class="title" dir="">La fin des genres musicaux ?</span></a></h1> <div id="publiSubtitle">Catégoriser les musiques populaires</div> <div id="publiAltertitle"> <div lang="en">The End of Music Genres? Categorizing Popular Music</div> </div> <div id="publiDirector">Sous la direction de <strong>Vanessa <span class="familyName">Blais-Tremblay</span> et David <span class="familyName">Brackett</span></strong></div> <div id="publiInformation"><img alt="Volume ! La fin des genres musicaux ? Couverture" src="docannexe/file/11830/couverture_20_2-small250.jpg" /><br /><a href="11830">Informations sur cette image</a></div> <div id="publiIntroduction"> <div class="tabMenu clearLeft"><a href="#intro-11819-fr" hreflang="fr" class="active">Français</a> <a href="#intro-11819-en" hreflang="en">English</a> </div> <div id="intro-11819-fr" class="tabContent ltr" lang="fr" xml:lang="fr"> <p>Tandis que des discours médiatiques annoncent « la fin des genres musicaux », le sens commun perçoit le genre comme une catégorisation imposée, restreignant la liberté des artistes et des auditeur·ices. À l’encontre de cette idée préconçue, ce numéro de <em>Volume ! </em>propose d’emprunter une approche historiciste des genres musicaux. Précédés d’une traduction en français de l’introduction de Categorizing Sound, les 6 articles ici réunis abordent la formation et le développement de genres comme le disco et la dance, la musique traditionnelle, le metal, le dungeon synth, les musiques urbaines, l’indie et le rock progressif. Dans son ensemble, le numéro souligne comment le concept de genre musical se révèle un puissant outil pour analyser les relations étroites du son et des significations sociales que porte la musique.</p> </div> <div id="intro-11819-en" class="tabContent hidden ltr" lang="en" xml:lang="en"> <p>Recent journalistic discourses have announced “the end of music genres”, while common sense tends to perceive the latter as imposed categories, restricting the freedom of both artists and audiences In contrast with such preconceived ideas, this special issue of <em>Volume !</em> draws on a historicist approach the phenomenon to discuss the formation and development of music genres such as disco and dance, traditional music, heavy metal, dungeon synth, urban music, indie and progressive rock. Overall, the different papers pinpoint the powerful tool the concept of music genre can be to analyse the interconnection of musical sound and music's social meanings.</p> </div> <div id="ndlr"> <h2>Notes de la rédaction</h2> <div> <p>La revue <em>Volume ! </em>est soutenue par l’IRMÉCCEN (EA 7546), Université Paris 3 Sorbonne Nouvelle.<br /><br />Le Programme des chaires de recherche du Canada du Conseil de recherches en sciences humaines du Canada (CRSH) a contribué au financement des traductions de ce numéro.</p> </div> </div> </div> <ul class="summary"> <li class="publications even"> <h2 class="section"> <span class="text">Dossier</span> </h2> <div class="altertitle"> <div lang="en">Special Issue</div> </div> <ul class="summary"> <li class="publications even"> <h3 class="section"> <span class="text">Introduction</span> </h3> <ul class="summary"> <li class="textes even"> <div class="author"> <strong>David <span class="familyName">Brackett</span></strong></div> <div class="title"><a href="11839" xml:lang="fr" lang="fr" hreflang="fr" dir="">Pourquoi le genre ? Pourquoi maintenant ?</a> <span class="fullText"> [Texte intégral] </span></div> <div class="title traduction"><a href="12272" xml:lang="en" lang="en" hreflang="en" dir="">Why Genre? Why Now?</a> <span class="fullText"> [Texte intégral | traduction] </span></div> </li> </ul> </li> <li class="textes odd"> <div class="author"> <strong>David <span class="familyName">Brackett</span></strong></div> <div class="title"><a href="11850" xml:lang="fr" lang="fr" hreflang="fr" dir=""><span xml:lang="fr" lang="fr">« Sans même qu’ils s’en soient rendu compte »</span></a> <span class="fullText"> [Résumé | Accès restreint] </span></div> <div class="subtitle"><span xml:lang="fr" lang="fr">Catégoriser le son dans les musiques populaires</span></div> <div class="altertitle" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span class="theme">«They Never Even Knew»: Categorizing Sound in Popular Music</span></span></div> </li> <li class="textes even"> <div class="author"> <strong>Mimi <span class="familyName">Haddon</span></strong></div> <div class="title"><a href="11905" xml:lang="fr" lang="fr" hreflang="fr" dir=""><span xml:lang="fr" lang="fr">Juin 1982 – Quand le disco devient </span><em><span xml:lang="fr" lang="fr">dance</span></em></a> <span class="fullText"> [Résumé | Accès restreint] </span></div> <div class="subtitle"><span xml:lang="fr" lang="fr">Instabilité générique, sophistication dépouillée et jeux de jeunes filles</span></div> <div class="title traduction"><a href="12277" xml:lang="en" lang="en" hreflang="en" dir="">June 1982, When Disco Became Dance</a> <span class="fullText"> [Résumé | Accès restreint | traduction] </span></div> <div class="subtitle">Generic Instability, Empty Sophistication, and Girls’ Games</div> </li> <li class="textes odd"> <div class="author"> <strong>Laura <span class="familyName">Risk</span></strong></div> <div class="title"><a href="11935" xml:lang="fr" lang="fr" hreflang="fr" dir=""><span xml:lang="fr" lang="fr">L</span><span xml:lang="fr" lang="fr">a citationalité, la tradition et le problème des origines</span></a> <span class="fullText"> [Résumé | Accès restreint] </span></div> <div class="subtitle"><span xml:lang="fr" lang="fr">Regard sur les veillées publiques et le «</span><span xml:lang="fr" lang="fr"> </span><span xml:lang="fr" lang="fr">tradinationalisme</span><span xml:lang="fr" lang="fr"> </span><span xml:lang="fr" lang="fr">» dans le Québec du début du </span><span xml:lang="fr" lang="fr" style="font-variant:small-caps;">xx</span><sup><span xml:lang="fr" lang="fr">e</span></sup><span xml:lang="fr" lang="fr"> siècle</span></div> <div class="altertitle" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span class="theme">Citationality, Tradition, and the Problem of Origins: Parsing Public </span><span class="theme"><em>Veillées</em></span><span class="theme"> and “Tradinationalism” in Early Twentieth-Century Quebec</span></span></div> </li> <li class="textes even"> <div class="author"> <strong>Eric <span class="familyName">Smialek</span></strong></div> <div class="title"><a href="11950" xml:lang="fr" lang="fr" hreflang="fr" dir=""><span xml:lang="fr" lang="fr">Taxonomies du métal</span></a> <span class="fullText"> [Résumé | Accès restreint] </span></div> <div class="subtitle"><span xml:lang="fr" lang="fr">Les univers parallèles d’un genre</span></div> <div class="altertitle" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span class="theme">Metal Taxonomies: Parallel Universes of a Genre</span></span></div> </li> <li class="textes odd"> <div class="author"> <strong>Iulia <span class="familyName">Dima</span> et Baptiste <span class="familyName">Pilo</span></strong></div> <div class="title"><a href="11969" xml:lang="fr" lang="fr" hreflang="fr" dir="">Donjons & synthétiseurs : le dungeon synth, émergence d’un genre musical sur YouTube et Bandcamp</a> <span class="fullText"> [Résumé | Accès restreint] </span></div> <div class="altertitle" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span class="theme">Dungeons & Synthesizers: Dungeon Synth, the Rise of a Musical Genre on YouTube and Bandcamp</span></span></div> </li> <li class="textes even"> <div class="author"> <strong>Claire <span class="familyName">Lesacher</span></strong></div> <div class="title"><a href="11982" xml:lang="fr" lang="fr" hreflang="fr" dir="">Explorer la circulation de la catégorie « musiques urbaines » à la fin des années 2010 en France</a> <span class="fullText"> [Résumé | Accès restreint] </span></div> <div class="subtitle">Une approche interactionniste et discursive, à l’aune des rapports sociaux</div> <div class="altertitle" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span class="theme">The Circulation of “Urban Contemporary Music” During the Late 2010s in France: An Interactionist and Discursive Approach in the Light of Power Relationships</span></span></div> </li> <li class="textes odd"> <div class="author"> <strong>Bruno <span class="familyName">Coulombe</span></strong></div> <div class="title"><a href="12024" xml:lang="fr" lang="fr" hreflang="fr" dir="">Le rock progressif (1969-1976) et la scène <em>indie</em> montréalaise (1997-2021) : influence stylistique et filiation artistique</a> <span class="fullText"> [Résumé | Accès restreint] </span></div> <div class="altertitle" xml:lang="en" lang="en"><span xml:lang="en" lang="en">Progressive Rock (1969-1976) and the Montreal Indie Scene (1997-2021): Stylistic Influence and Artistic Filiation</span></div> </li> </ul> </li> <li class="publications odd"> <h2 class="section"> <span class="text">Hors-dossier</span> </h2> <div class="altertitle"> <div lang="en">Varia</div> </div> <ul class="summary"> <li class="publications even"> <h3 class="section"> <span class="text">Notes de lecture</span> </h3> <div class="altertitle"> <div lang="en">Book reviews</div> </div> <ul class="summary"> <li class="textes even"> <div class="author"> <strong>Frédéric <span class="familyName">Trottier-Pistien</span></strong></div> <div class="title"><a href="12040" xml:lang="fr" lang="fr" hreflang="fr" dir="">Dan <span style="font-variant:small-caps;">Sicko</span>, <em>Techno Rebels. Les pionniers de la techno de Détroit</em></a> <span class="fullText"> [Texte intégral] </span></div> </li> <li class="textes odd"> <div class="author"> <strong>Édouard <span class="familyName">Degay Delpeuch</span></strong></div> <div class="title"><a href="12060" xml:lang="fr" lang="fr" hreflang="fr" dir="">James Leonard <span style="font-variant:small-caps;">Mitchell</span>, <em>Luk Thung, la musique la plus populaire de Thaïlande</em></a> <span class="fullText"> [Texte intégral] </span></div> </li> <li class="textes even"> <div class="author"> <strong>Philippe <span class="familyName">Birgy</span></strong></div> <div class="title"><a href="12077" xml:lang="fr" lang="fr" hreflang="fr" dir="">Baptiste <span style="font-variant:small-caps;">Brévart</span> & Guillaume <span style="font-variant:small-caps;">Ettlinger</span>, <em>Wednesdays at A’s</em></a> <span class="fullText"> [Texte intégral] </span></div> </li> </ul> </li> <li class="publications odd"> <h3 class="section"> <span class="text">Compte-rendu</span> </h3> <div class="altertitle"> <div lang="en">Conference report</div> </div> <ul class="summary"> <li class="textes even"> <div class="author"> <strong>Grégoire <span class="familyName">Bienvenu</span></strong></div> <div class="title"><a href="12037" xml:lang="fr" lang="fr" hreflang="fr" dir="">Colloque international « Musiques en Asie : trajectoires artistiques, industries et scènes musicales »</a> <span class="fullText"> [Texte intégral] </span></div> </li> </ul> </li> </ul> </li> <li class="annexes"> <h2 class="section"><span class="text">Document annexe</span></h2> <ul class="annexes"> <li class="fichiers"> <li class="fichiers"> <div class="title"><a href="12102?file=1">Télécharger l’ours du numéro</a> <span class="fullText">(application/pdf – 494k)</span></div> </li> </ul> </ul> </div></div> <div id="news"> <h1><span class="text">Actualités</span></h1> <div id="siteNews"> <h2>Appels en cours</h2> <ul> <li><a href="2832">Prix « Premières recherches 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href="https://www.iaspm.net/phd-research-fellows-in-popular-music/">PhD Research Fellows in Popular Music</a></li> <li><a rel="external" class="external" href="http://www.iaspm.net/" title="Toutes les actualités">Accéder au site…</a></li> </ul> <h2>IASPM UK</h2> <ul> <li><a href="https://www.iaspm.org.uk/revisiting-resistance-in-mainstream-music/">Revisiting resistance in mainstream music</a></li> <li><a href="https://www.iaspm.org.uk/digital-futures-for-chinese-music/">Digital Futures for Chinese Music</a></li> <li><a href="https://www.iaspm.org.uk/timbre-and-orchestration-in-popular-song/">Timbre and Orchestration in Popular Song</a></li> <li><a rel="external" class="external" href="http://www.iaspm.org.uk/" title="Toutes les actualités">Accéder au site…</a></li> </ul> <h2>Calenda > Sociologie de la culture</h2> <ul> <li><a href="https://calenda.org/1210316">Faire vivre les monuments : penser les expériences des publics</a></li> <li><a href="https://calenda.org/1207128">Communication et enjeux socio-sécuritaires à l’ère du numérique</a></li> <li><a href="https://calenda.org/1207920">Fans de groupes, de chanteurs & de chanteuses</a></li> <li><a href="https://calenda.org/1207695">Penser environnement(s) et inégalités dans le champ de la famille et de la vie privée</a></li> <li><a href="https://calenda.org/1208547">Méthodes créatives & les enjeux de la sociologie visuelle</a></li> <li><a href="https://calenda.org/1204298">The Art Museum in the Digital Age – 2025</a></li> <li><a href="https://calenda.org/1187584">Ludopédagogie</a></li> <li><a href="https://calenda.org/1203352">Nouveaux territoires des mondes de l’art et de la culture</a></li> <li><a href="https://calenda.org/1202517">Journées d’étude virtuelles sur les jumelages interculturels et les tandems 2025</a></li> <li><a href="https://calenda.org/1202320">Littérature et développement personnel</a></li> <li><a href="https://calenda.org/1202130">Détruire le livre ?</a></li> <li><a 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