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u-tcGrayDarkest">Università degli Studi di Napoli "Federico II"</span></a></span><h1 class="u-m0x u-fw300 u-fs24 u-displayInline">DIARC</h1></div><div class="u-floatRight u-mt1x"></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline"><li class="u-floatLeft u-pr5x u-mr5x u-borderColorGrayLight u-borderRight1"><a href="https://unina.academia.edu/"><span><i class="fa fa-arrow-left"></i>  All Departments</span></a></li><li class="u-floatLeft active"><a href="https://unina.academia.edu/Departments/DIARC/Documents">40 Papers</a></li><li class="u-floatLeft"><a href="https://unina.academia.edu/Departments/DIARC">10 Researchers</a></li></ul></div></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="u-ph0x"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div 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Pagliano","profile_url":"https://unina.academia.edu/AlessandraPagliano","photo":"https://0.academia-photos.com/5440120/2389621/2782303/s65_alessandra.pagliano.jpg"}],"research_interests":[{"id":1333,"name":"Directing","url":"https://www.academia.edu/Documents/in/Directing","nofollow":false},{"id":6526,"name":"Scenography","url":"https://www.academia.edu/Documents/in/Scenography","nofollow":false},{"id":19590,"name":"Acting","url":"https://www.academia.edu/Documents/in/Acting","nofollow":false},{"id":20719,"name":"Interpretation","url":"https://www.academia.edu/Documents/in/Interpretation","nofollow":false},{"id":29102,"name":"Theatre","url":"https://www.academia.edu/Documents/in/Theatre"},{"id":186273,"name":"Scenery","url":"https://www.academia.edu/Documents/in/Scenery"}],"publication_year":null,"publication_year_with_fallback":null,"paper_rank":null,"all_time_views":219,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7056798 coauthored" data-work_id="7056798" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7056798/L_Veronese_A_Spinosa_M_Falcone_and_M_Villani_Rural_Architecture_in_Sorrento_Amalfitan_Coast_Constructive_Tradition_and_Prospect_for_Preservation_">L. Veronese, A. Spinosa, M. Falcone, and M. Villani, "Rural Architecture in Sorrento-Amalfitan Coast. Constructive Tradition and Prospect for Preservation"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Throughout a journey in Spain during 1930, Le Corbusier was impressed by the local spontaneous architecture, whose volumetric and geometrical lines merged later in his design production. Since that time, the rural architecture has been... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7056798" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Throughout a journey in Spain during 1930, Le Corbusier was impressed by the local spontaneous architecture, whose volumetric and geometrical lines merged later in his design production. Since that time, the rural architecture has been object of several studies to inquire the inseparable relationship that links it to the landscape. Within the Parthenopean framework, particular importance has the knowledge and preservation of spontaneous architecture within an environment of great landscaping value as the Sorrento-Amalfi coast, which is also characterized by a rich heritage of rural buildings that retain recurring forms. The local type of construction, forged by centuries of experience in the manufacture of local materials, the geographical location and the climatic conditions have led to a progressive definition of recurring planimetric distributions and spaces linked to the relationship of form and function. Since 1936, during the Sixth Triennale of Milano a section was dedicated to the Italian rural architecture minded by Giuseppe Pagano. Roberto Pane -inspirer of the Venice Charter of Restoration of 1964 -presented a photographic exhibition on rural architecture in Campania. Subsequently, in the essay Sorrento and the coast (1955), he highlighted the issues involved in the conservation and protection of anthropical environment of Sorrento's peninsula, where architectural peculiarity characterize the Mediterranean environment merging with it. The paper intends to focalize the importance of knowledge of this popular heritage to recognize the principal peculiarity, the constructive technics and materials and the recurring problems in order to identify the best techniques for their transmission to the future.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7056798" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4b3db399a3db7c69c1a10bbd9196ceda" rel="nofollow" data-download="{"attachment_id":33709224,"asset_id":7056798,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33709224/download_file?st=MTczNDAyNDAyMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-7056798">+1</span><div class="hidden js-additional-users-7056798"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/LuigiVeronese">Luigi Veronese</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-7056798'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-7056798').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_7056798 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="7056798"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7056798; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7056798]").text(description); $(".js-view-count-work_7056798").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7056798").removeClass('hidden') })</script></div></li></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7133394" data-work_id="7133394" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7133394/Il_paesaggio_dell_entroterra_cilentano_Evoluzione_e_prospettive_per_la_conservazione">Il paesaggio dell’entroterra cilentano. Evoluzione e prospettive per la conservazione</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Cilento is constituted by a complex and diversity type of landscapes, a wealth of historical and architectural as well as landscape and pristine environment. The difficulty of crossing, represented by the communication routes that... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7133394" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Cilento is constituted by a complex and diversity type of landscapes, a wealth of historical and <br />architectural as well as landscape and pristine environment. The difficulty of crossing, represented by <br />the communication routes that unravel between the hills and the curved coast, and the establishment <br />of the National Park of Cilento and Vallo di Diano, has meant that this region has been able to <br />maintain its integrity. This area offers a different opportunity of case studies of preservation, ranging <br />from abandoned villages to the coastal landscape. The paper aims to focusng on the issue area of <br />Cilento, often been overlooked in research field in favor of the coastal strip. It’s just inland, where <br />vernacular traditions still persist, which are the most recognizable characters of the villages, <br />characterized by its peculiar and distinctive morphological buoyancy that represent the matrices of the <br />local architectures. The paper aims to bring out the evolution and the changes that occurred in these <br />landscapes over the last two centuries, through a perspective that seeks knowledge for the <br />preservation of a unique heritage which today is highly at risk because of the progressive depopulation <br />that for the past two decades has hit the area, increasing growth of the coastal areas.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7133394" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2c522874d9a2fa438b3ff1448e0d6b51" rel="nofollow" data-download="{"attachment_id":33771438,"asset_id":7133394,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33771438/download_file?st=MTczNDAyNDAyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_7133394 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7133394"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7133394, container: ".js-paper-rank-work_7133394", }); 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$(".js-view-count[data-work-id=7133394]").text(description); $(".js-view-count-work_7133394").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7133394").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7133394"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2132" href="https://www.academia.edu/Documents/in/Cultural_Heritage">Cultural Heritage</a>, <script data-card-contents-for-ri="2132" type="text/json">{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6519" href="https://www.academia.edu/Documents/in/Cultural_Landscapes">Cultural Landscapes</a><script data-card-contents-for-ri="6519" type="text/json">{"id":6519,"name":"Cultural Landscapes","url":"https://www.academia.edu/Documents/in/Cultural_Landscapes","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7133394]'), work: {"id":7133394,"title":"Il paesaggio dell’entroterra cilentano. Evoluzione e prospettive per la conservazione","created_at":"2014-05-22T23:10:39.356-07:00","owner_id":9077719,"url":"https://www.academia.edu/7133394/Il_paesaggio_dell_entroterra_cilentano_Evoluzione_e_prospettive_per_la_conservazione","slug":"Il_paesaggio_dell_entroterra_cilentano_Evoluzione_e_prospettive_per_la_conservazione","dom_id":"work_7133394","summary":"Cilento is constituted by a complex and diversity type of landscapes, a wealth of historical and\r\narchitectural as well as landscape and pristine environment. The difficulty of crossing, represented by\r\nthe communication routes that unravel between the hills and the curved coast, and the establishment\r\nof the National Park of Cilento and Vallo di Diano, has meant that this region has been able to\r\nmaintain its integrity. This area offers a different opportunity of case studies of preservation, ranging\r\nfrom abandoned villages to the coastal landscape. The paper aims to focusng on the issue area of\r\nCilento, often been overlooked in research field in favor of the coastal strip. It’s just inland, where\r\nvernacular traditions still persist, which are the most recognizable characters of the villages,\r\ncharacterized by its peculiar and distinctive morphological buoyancy that represent the matrices of the\r\nlocal architectures. The paper aims to bring out the evolution and the changes that occurred in these\r\nlandscapes over the last two centuries, through a perspective that seeks knowledge for the\r\npreservation of a unique heritage which today is highly at risk because of the progressive depopulation\r\nthat for the past two decades has hit the area, increasing growth of the coastal areas.","publication":"in Città mediterranee in trasformazione. Identità e immagine del paesaggio urbano tra Sette e Novecento, Atti del VI Convegno Internazionale di Studi CIRICE 2014, (Napoli, 13-15 marzo 2014), Edizioni Scientifiche italiane, Napoli 2014, pp. 979-987, ISBN 9788849528145","publication_with_fallback":"in Città mediterranee in trasformazione. Identità e immagine del paesaggio urbano tra Sette e Novecento, Atti del VI Convegno Internazionale di Studi CIRICE 2014, (Napoli, 13-15 marzo 2014), Edizioni Scientifiche italiane, Napoli 2014, pp. 979-987, ISBN 9788849528145","downloadable_attachments":[{"id":33771438,"asset_id":7133394,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/33771438/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/33771438/Cirice-libre.pdf?1400825681=\u0026response-content-disposition=attachment%3B+filename%3DIl_paesaggio_dell_entroterra_cilentano_E.pdf\u0026Expires=1733753571\u0026Signature=f4TJOFGoREJpbr4lmz1rwkczPCu6D95FlrQIGmYI~8t~eyxCSkVP4LTuGRIkLjop47m4Ogvxl1stIyZ1Fvxlmtagi9LrqapgZTM7GvAjfH7c3GfjOA1pz2W3IW~6AOLEeVeZIqZImlhIgVBxyJMYebXq3beijznHmoe7jBv7lqNMXpjBxN~oMAzbYIrKdxst1488ll80CSbXUds3UFuFo301E37s5dts~Y9adoKgRb~6MVwE3xLkoVN~sw5QdR1jtRQ0~BDMrIq6qmqVPHM5tSJ0idlUn9UJMaOroIAWbd4r13sRYL~mmdevMW95PVY6V5A4Cc0yESX0tTFZJIRWkw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/33771438/download_file?st=MTczNDAyNDAyMSw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/33771438/mini_magick20220707-10959-4bc4gl.png?1657222211"}],"downloadable_attachments_with_full_thumbnails":[{"id":33771438,"asset_id":7133394,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/33771438/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/33771438/Cirice-libre.pdf?1400825681=\u0026response-content-disposition=attachment%3B+filename%3DIl_paesaggio_dell_entroterra_cilentano_E.pdf\u0026Expires=1733753571\u0026Signature=f4TJOFGoREJpbr4lmz1rwkczPCu6D95FlrQIGmYI~8t~eyxCSkVP4LTuGRIkLjop47m4Ogvxl1stIyZ1Fvxlmtagi9LrqapgZTM7GvAjfH7c3GfjOA1pz2W3IW~6AOLEeVeZIqZImlhIgVBxyJMYebXq3beijznHmoe7jBv7lqNMXpjBxN~oMAzbYIrKdxst1488ll80CSbXUds3UFuFo301E37s5dts~Y9adoKgRb~6MVwE3xLkoVN~sw5QdR1jtRQ0~BDMrIq6qmqVPHM5tSJ0idlUn9UJMaOroIAWbd4r13sRYL~mmdevMW95PVY6V5A4Cc0yESX0tTFZJIRWkw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/33771438/download_file?st=MTczNDAyNDAyMSw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/33771438/mini_magick20220707-10959-4bc4gl.png?1657222211"}],"has_pdf":true,"has_fulltext":true,"page_count":22,"ordered_authors":[{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}],"research_interests":[{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage","nofollow":false},{"id":6519,"name":"Cultural Landscapes","url":"https://www.academia.edu/Documents/in/Cultural_Landscapes","nofollow":false}],"publication_year":2014,"publication_year_with_fallback":2014,"paper_rank":null,"all_time_views":636,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7133625" data-work_id="7133625" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7133625/THE_DEVELOPMENT_OF_PORTUAL_CITY_BETWEEN_OLD_AND_NEW_PORTUAL_ARCHITECTURE_THE_OLD_PORT_AND_THE_NEW_PORT_OF_MARINA_D_ARECHI_IN_SALERNO">THE DEVELOPMENT OF PORTUAL CITY BETWEEN OLD AND NEW PORTUAL ARCHITECTURE. THE OLD PORT AND THE NEW PORT OF MARINA D’ARECHI IN SALERNO</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The paper wants to analyze, through the study of the shape and evolution of Salerno’s historical port, the possibilities of development and growth of the city characterized by the construction of new touristic port of Marina d’ Arechi.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7133625" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The paper wants to analyze, through the study of the shape and evolution of <br />Salerno’s historical port, the possibilities of development and growth of the city <br />characterized by the construction of new touristic port of Marina d’ Arechi. Moreover, <br />comparing the configuration of the historical port from the beginning of the ‘900 at <br />today, with the new architecture of the Port of Marina d' Arechi, the paper intend to <br />analyze the relationship between old and new architecture port, and how these <br />architecture relating to the city. <br />Despite being a city overlooking the sea historically, Salerno has made this <br />resources for tourism development and economic reason. From an old adage that "if <br />Salerno could have the port Naples would be dead", it’s possible to understands the <br />unspoken high potential of the city. <br />The coastline and the current trading port built in the early '900 in a broader plan to <br />redesign the city's urban, did not ensure economic growth in the years that could be <br />create through the use of port resources. <br />The ongoing construction of the new touristic port of Marina Arechi - Port Village , <br />located in the south of Salerno, between the Amalfitan Coast and the Cilento ’s <br />Coast, could open important setting for the touristic and economical growth of the <br />city.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7133625" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0ebd5ffbc5e03ddd96293235553fe9d3" rel="nofollow" data-download="{"attachment_id":33771540,"asset_id":7133625,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33771540/download_file?st=MTczNDAyNDAyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_7133625 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7133625"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7133625, container: ".js-paper-rank-work_7133625", }); });</script></li><li class="js-percentile-work_7133625 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7133625; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_7133625"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_7133625 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="7133625"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7133625; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7133625]").text(description); $(".js-view-count-work_7133625").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7133625").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7133625"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="7725" href="https://www.academia.edu/Documents/in/Urban_Studies">Urban Studies</a>, <script data-card-contents-for-ri="7725" type="text/json">{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="61995" href="https://www.academia.edu/Documents/in/Cultural_Heritage_and_Preservation">Cultural Heritage and Preservation</a><script data-card-contents-for-ri="61995" type="text/json">{"id":61995,"name":"Cultural Heritage and Preservation","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_and_Preservation","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7133625]'), work: {"id":7133625,"title":"THE DEVELOPMENT OF PORTUAL CITY BETWEEN OLD AND NEW PORTUAL ARCHITECTURE. THE OLD PORT AND THE NEW PORT OF MARINA D’ARECHI IN SALERNO","created_at":"2014-05-22T23:26:20.048-07:00","owner_id":9077719,"url":"https://www.academia.edu/7133625/THE_DEVELOPMENT_OF_PORTUAL_CITY_BETWEEN_OLD_AND_NEW_PORTUAL_ARCHITECTURE_THE_OLD_PORT_AND_THE_NEW_PORT_OF_MARINA_D_ARECHI_IN_SALERNO","slug":"THE_DEVELOPMENT_OF_PORTUAL_CITY_BETWEEN_OLD_AND_NEW_PORTUAL_ARCHITECTURE_THE_OLD_PORT_AND_THE_NEW_PORT_OF_MARINA_D_ARECHI_IN_SALERNO","dom_id":"work_7133625","summary":"The paper wants to analyze, through the study of the shape and evolution of\r\nSalerno’s historical port, the possibilities of development and growth of the city\r\ncharacterized by the construction of new touristic port of Marina d’ Arechi. Moreover,\r\ncomparing the configuration of the historical port from the beginning of the ‘900 at\r\ntoday, with the new architecture of the Port of Marina d' Arechi, the paper intend to\r\nanalyze the relationship between old and new architecture port, and how these\r\narchitecture relating to the city.\r\nDespite being a city overlooking the sea historically, Salerno has made this\r\nresources for tourism development and economic reason. From an old adage that \"if\r\nSalerno could have the port Naples would be dead\", it’s possible to understands the\r\nunspoken high potential of the city.\r\nThe coastline and the current trading port built in the early '900 in a broader plan to\r\nredesign the city's urban, did not ensure economic growth in the years that could be\r\ncreate through the use of port resources.\r\nThe ongoing construction of the new touristic port of Marina Arechi - Port Village ,\r\nlocated in the south of Salerno, between the Amalfitan Coast and the Cilento ’s\r\nCoast, could open important setting for the touristic and economical growth of the\r\ncity.","publication":"The development of portual city between old and new portual architecture. The old port and the new port of Marina d’Arechi in Salerno, in BDC, Atti del convegno “Port Cities as Hotspots of Creative and Sustainable Local Development”, Napoli 1–2 Settembre 2012, ISSN 1121-2918","publication_with_fallback":"The development of portual city between old and new portual architecture. 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Il ruolo di B.M. Apollonj Ghetti</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La volontà del regime fascista di recuperare e valorizzare le testimonianze materiali delle epoche d’oro romane rendendo visibile la magnificenza della tradizione architettonica italiana attraverso pratiche di “isolamento” e “liberazione”... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9689018" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La volontà del regime fascista di recuperare e valorizzare le testimonianze materiali delle epoche d’oro romane rendendo visibile la magnificenza della tradizione architettonica italiana attraverso pratiche di “isolamento” e “liberazione” che consentissero ai monumenti di “troneggiare nella necessaria solitudine”, portò archeologi, restauratori dei monumenti e storici dell’architettura a confrontarsi con “parole” e “fatti” su questi temi. <br />All’interno di questo clima culturale, il contributo proposto mira ad evidenziare, attraverso i progetti redatti dall’architetto Bruno Maria Apollonj Ghetti in occasione delle Mostre di sistemazioni urbanistiche tenutesi presso il centro di Studi di Storia dell’architettura, l’importanza assunta dall’Ente, fondato da Gustavo Giovannoni nel 1939, nel favorire il confronto ed il dibattito critico sui temi della città storica. <br />I progetti proposti (Progetto di liberazione del Portico di Ottavia e delle sue adiacenze, Progetto per la liberazione della visuale di Palazzo Farnese dal Lungotevere, Sistemazione di un tratto di Porta Pinciana e per la strada pedonale di collegamento con Trinità dei Monti,Progetto di isolamento del Palazzo di Montevecchio,Progetto per la sistemazione di Piazza Aracoeli, Progetto per la sistemazione dell’area dei Fiorentini, Progetto per la sistemazione di via del Nazzareno), redatti dall’allievo ed assistente di Gustavo Giovannoni, oltre ad assumere un valore conoscitivo e descrittivo di parti della città storica e quindi in alcuni casi un concreto esempio di passaggio da una condizione di “invisibilità” di parti Roma ad una condizione di “visibilità”, rappresentano una concreta estrinsecazione del rapporto tra le teorie sviluppate all’interno dell’associazione e le effettive proposte progettuali di intervento sull’assetto urbano.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9689018" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6e029434ce6e7d96993ba0ae0e867e6f" rel="nofollow" data-download="{"attachment_id":35881426,"asset_id":9689018,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35881426/download_file?st=MTczNDAyNDAyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_9689018 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9689018"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9689018, container: ".js-paper-rank-work_9689018", }); 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Evoluzione e prospettive per la conservazione</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Cilento is constituted by a complex and diversity type of landscapes, a wealth of historical and architectural as well as landscape and pristine environment. The difficulty of crossing, represented by the communication routes that unravel... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10357993" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Cilento is constituted by a complex and diversity type of landscapes, a wealth of historical and architectural as well as landscape and pristine environment. The difficulty of crossing, represented by the communication routes that unravel between the hills and the curved coast, and the establishment of the National Park of Cilento and Vallo di Diano, has meant that this region has been able to <br />maintain its integrity. This area offers a different opportunity of case studies of preservation, ranging from abandoned villages to the coastal landscape. The paper aims to focusng on the issue area of Cilento, often been overlooked in research field in favor of the coastal strip. It’s just inland, where vernacular traditions still persist, which are the most recognizable characters of the villages, characterized by its peculiar and distinctive morphological buoyancy that represent the matrices of the local architectures. The paper aims to bring out the evolution and the changes that occurred in these landscapes over the last two centuries, through a perspective that seeks knowledge for the preservation of a unique heritage which today is highly at risk because of the progressive depopulation that for the past two decades has hit the area, increasing growth of the coastal areas.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10357993" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="04d723727eee3ff84582d796d8bfa8e1" rel="nofollow" data-download="{"attachment_id":39054961,"asset_id":10357993,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39054961/download_file?st=MTczNDAyNDAyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4654417" href="https://unina.academia.edu/httpwwwiconografiacittaeuropeauninait">Research Centre on the Iconography of the European City</a><script data-card-contents-for-user="4654417" type="text/json">{"id":4654417,"first_name":"Research Centre","last_name":"on the Iconography of the European City","domain_name":"unina","page_name":"httpwwwiconografiacittaeuropeauninait","display_name":"Research Centre on the Iconography of the European City","profile_url":"https://unina.academia.edu/httpwwwiconografiacittaeuropeauninait","photo":"https://0.academia-photos.com/4654417/1952995/2309264/s65_research_centre.on_the_iconography_of_the_european_city.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-10357993">+1</span><div class="hidden js-additional-users-10357993"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-10357993'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-10357993').html(); 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The paper aims to focusng on the issue area of Cilento, often been overlooked in research field in favor of the coastal strip. It’s just inland, where vernacular traditions still persist, which are the most recognizable characters of the villages, characterized by its peculiar and distinctive morphological buoyancy that represent the matrices of the local architectures. The paper aims to bring out the evolution and the changes that occurred in these landscapes over the last two centuries, through a perspective that seeks knowledge for the preservation of a unique heritage which today is highly at risk because of the progressive depopulation that for the past two decades has hit the area, increasing growth of the coastal areas.","publication":"Città mediterranee in trasformazione. Identità e immagine del paesaggio urbano tra Sette e Novecento, edited by C. de Seta and A. Buccaro (Naples, 2014): 979-987.","publication_with_fallback":"Città mediterranee in trasformazione. 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THE FACADES RESTORATION OF SAN BIAGIO DEI LIBRAI AND SAN GENNARO ALL’OLMO CHURCHES IN THE HISTORICAL CENTER OF NAPLES.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Located in the heart of the greek-Roman plant of the historical center of Naples, one the most interesting Unesco site in Italy, the churches of San Biagio dei Librai and San Gennaro all' Olmo represents both for their artistic features... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_19910244" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Located in the heart of the greek-Roman plant of the historical center of Naples, one the most interesting Unesco site in Italy, the churches of San Biagio dei Librai and San Gennaro all' Olmo represents both for their artistic features and for historical events, two of the most interesting religious buildings of the ancient center of the city.<br />The paper aims to illustrate the conservation project of architectural surfaces of the facades, conducted in 2012, tracing the methodological design process and criteria behind the project, up to the operational phase of execution on site to the results of the restoration.<br />The essay discusses the techniques used in the course of the restoration, the operational methodologies and the main choices made since the first step of investigation in situ on the historic materials (plaster, marble, stone, etc.).<br />Starting from the shared criteria in the field of conservation, such as the material compatibility, the respect of all the historical layers, the preservation of the surface’s values of the monument, the case dealt with an opportunity to experience these principles in operating practice case.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19910244" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="92bbdf998436cf62c5da5171d330b558" rel="nofollow" data-download="{"attachment_id":40911381,"asset_id":19910244,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40911381/download_file?st=MTczNDAyNDAyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_19910244 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19910244"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19910244, container: ".js-paper-rank-work_19910244", }); 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THE FACADES RESTORATION OF SAN BIAGIO DEI LIBRAI AND SAN GENNARO ALL’OLMO CHURCHES IN THE HISTORICAL CENTER OF NAPLES.","created_at":"2015-12-30T08:21:11.365-08:00","owner_id":9077719,"url":"https://www.academia.edu/19910244/THE_CONSERVATION_OF_ARCHITECTURAL_SURFACES_THE_FACADES_RESTORATION_OF_SAN_BIAGIO_DEI_LIBRAI_AND_SAN_GENNARO_ALL_OLMO_CHURCHES_IN_THE_HISTORICAL_CENTER_OF_NAPLES","slug":"THE_CONSERVATION_OF_ARCHITECTURAL_SURFACES_THE_FACADES_RESTORATION_OF_SAN_BIAGIO_DEI_LIBRAI_AND_SAN_GENNARO_ALL_OLMO_CHURCHES_IN_THE_HISTORICAL_CENTER_OF_NAPLES","dom_id":"work_19910244","summary":"Located in the heart of the greek-Roman plant of the historical center of Naples, one the most interesting Unesco site in Italy, the churches of San Biagio dei Librai and San Gennaro all' Olmo represents both for their artistic features and for historical events, two of the most interesting religious buildings of the ancient center of the city.\nThe paper aims to illustrate the conservation project of architectural surfaces of the facades, conducted in 2012, tracing the methodological design process and criteria behind the project, up to the operational phase of execution on site to the results of the restoration.\nThe essay discusses the techniques used in the course of the restoration, the operational methodologies and the main choices made since the first step of investigation in situ on the historic materials (plaster, marble, stone, etc.).\nStarting from the shared criteria in the field of conservation, such as the material compatibility, the respect of all the historical layers, the preservation of the surface’s values of the monument, the case dealt with an opportunity to experience these principles in operating practice case. 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class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35640740/La_Baia_di_Napoli_STRATEGIE_INTEGRATE_PER_LA_CONSERVAZIONE_E_LA_FRUIZIONE_DEL_PAESAGGIO_CULTURALE_a_cura_di">La Baia di Napoli STRATEGIE INTEGRATE PER LA CONSERVAZIONE E LA FRUIZIONE DEL PAESAGGIO CULTURALE a cura di</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">zione in Beni architettonici e del Paesaggio e realizzata con il contributo dell'Università degli Studi di Napoli Federico II.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35640740" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li 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La città palinsesto. Tracce, sguardi e narrazioni sulla complessità dei contesti urbani storici - *DEADLINE estesa al 24 febbraio*</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">IX Convegno internazionale-Napoli, 22-24 ottobre 2020 Call for papers LA CITTÀ PALINSESTO Tracce, sguardi e narrazioni sulla complessità dei contesti urbani storici André Corboz utilizzò il termine palinsesto per proporre un'efficace... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41638207" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">IX Convegno internazionale-Napoli, 22-24 ottobre 2020 Call for papers LA CITTÀ PALINSESTO Tracce, sguardi e narrazioni sulla complessità dei contesti urbani storici André Corboz utilizzò il termine palinsesto per proporre un'efficace metafora (Le territoire comme palimpseste) tra il documento pergamenaceo e la città e/o il territorio su cui l'uomo applica il proprio fare. La pergamena, che dal Medioevo ha tramandato le scritture, era un materiale di grande pregio e veniva più volte riutilizzato, abraso, talvolta invertito e riscritto, pur non perdendo mai la propria 'stratificazione', di cui rimanevano leggibili le tracce. La città e il suo territorio sono come una pergamena, trasformati dall'azione della natura e dell'uomo, e dotati nei secoli di significati differenti in relazione alle società che li modificano, senza però cancellare i segni del tempo, sia naturali sia antropici. Gli studi, che si sono perfezionati nel corso degli anni, sono ancora attuali? La risposta è chiaramente affermativa e i layer che appaiono oggi sovrapponibili nei tessuti urbani e nei loro territori rappresentano per la nostra società un'eredità da non cancellare, ma, anzi, da conoscere ed esaltare. Ci vorremmo interrogare su questo complesso patrimonio di tracce, di immagini, di narrazioni: come siamo arrivati all'attuale complessità urbana? come possiamo descrivere le nostre città? come le vediamo e le rappresentiamo? come possiamo recuperarle e valorizzarle?</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41638207" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="98faabb55df65014b4b8e3f9da64d147" rel="nofollow" data-download="{"attachment_id":62090094,"asset_id":41638207,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62090094/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4654417" href="https://unina.academia.edu/httpwwwiconografiacittaeuropeauninait">Research Centre on the Iconography of the European City</a><script data-card-contents-for-user="4654417" type="text/json">{"id":4654417,"first_name":"Research Centre","last_name":"on the Iconography of the European City","domain_name":"unina","page_name":"httpwwwiconografiacittaeuropeauninait","display_name":"Research Centre on the Iconography of the European City","profile_url":"https://unina.academia.edu/httpwwwiconografiacittaeuropeauninait","photo":"https://0.academia-photos.com/4654417/1952995/2309264/s65_research_centre.on_the_iconography_of_the_european_city.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-41638207">+9</span><div class="hidden js-additional-users-41638207"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/FedericoRausa">Federico Rausa</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unimol.academia.edu/RobertoParisi">Roberto Parisi</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/EmmaMaglio">Emma Maglio</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/francescacapano">francesca capano</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/salvatorediliello">Salvatore Di Liello</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/MassimoVisone">Massimo Visone</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/MariaInesPascariello">Maria Ines Pascariello</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://ppacheco.academia.edu/teresacunhaferreira">teresa cunha ferreira</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-41638207'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-41638207').html(); 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La città palinsesto. Tracce, sguardi e narrazioni sulla complessità dei contesti urbani storici - *DEADLINE estesa al 24 febbraio*","created_at":"2020-01-15T04:02:08.427-08:00","owner_id":4654417,"url":"https://www.academia.edu/41638207/CIRICE_2020_La_citt%C3%A0_palinsesto_Tracce_sguardi_e_narrazioni_sulla_complessit%C3%A0_dei_contesti_urbani_storici_DEADLINE_estesa_al_24_febbraio_","slug":"CIRICE_2020_La_città_palinsesto_Tracce_sguardi_e_narrazioni_sulla_complessità_dei_contesti_urbani_storici_DEADLINE_estesa_al_24_febbraio_","dom_id":"work_41638207","summary":"IX Convegno internazionale-Napoli, 22-24 ottobre 2020 Call for papers LA CITTÀ PALINSESTO Tracce, sguardi e narrazioni sulla complessità dei contesti urbani storici André Corboz utilizzò il termine palinsesto per proporre un'efficace metafora (Le territoire comme palimpseste) tra il documento pergamenaceo e la città e/o il territorio su cui l'uomo applica il proprio fare. La pergamena, che dal Medioevo ha tramandato le scritture, era un materiale di grande pregio e veniva più volte riutilizzato, abraso, talvolta invertito e riscritto, pur non perdendo mai la propria 'stratificazione', di cui rimanevano leggibili le tracce. La città e il suo territorio sono come una pergamena, trasformati dall'azione della natura e dell'uomo, e dotati nei secoli di significati differenti in relazione alle società che li modificano, senza però cancellare i segni del tempo, sia naturali sia antropici. Gli studi, che si sono perfezionati nel corso degli anni, sono ancora attuali? La risposta è chiaramente affermativa e i layer che appaiono oggi sovrapponibili nei tessuti urbani e nei loro territori rappresentano per la nostra società un'eredità da non cancellare, ma, anzi, da conoscere ed esaltare. Ci vorremmo interrogare su questo complesso patrimonio di tracce, di immagini, di narrazioni: come siamo arrivati all'attuale complessità urbana? come possiamo descrivere le nostre città? come le vediamo e le rappresentiamo? come possiamo recuperarle e 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Trasformazioni e permanenze nel castello e nel borgo di Marzano Appio (Caserta)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The village and the castle of Terracorpo in Marzano Appio, located on a hill in the Regional Park of Roccamorfina, represent a paradigmatic case of a minor historic center in process of depopulation, which identifies a potential for... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_96715128" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The village and the castle of Terracorpo in Marzano Appio, located on a hill in the Regional Park of Roccamorfina, represent a paradigmatic case of a minor historic center in process of depopulation, which identifies a potential for resilience and cultural, social and economic revival in its built heritage. Placed within the system of fortifications of Terra di Lavoro, the castle of Marzano, a municipal property, is a strong element of identity, also for the populations that, for work reasons, have had to move away from the town. The research shows the effects of abandonment on the village and the castle on the historic walls and on the structures of other buildings. Through the use of innovative instruments and non-destructive survey techniques – after a phase of historic, iconographic and archive source research – the condition of the historic walls was analyzed and an accurate survey of the cracking pattern of the walls of the castle and of the main buildings of the village was c...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/96715128" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3040144d2f34d4fb4abfac9f19771362" rel="nofollow" data-download="{"attachment_id":98536613,"asset_id":96715128,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/98536613/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_96715128 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="96715128"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 96715128, container: ".js-paper-rank-work_96715128", }); 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L’analisi diretta e la rappresentazione materica del manufatto, che integrano le informazioni desunte dall’iconografia, divengono gli elementi cardine dell’approccio induttivo al palinsesto. Un metodo di ricerca esegetico che, unito ad una restituzione grafica che da conto delle alterazioni e delle patologie di degrado dei materiali, anticipa molti dei successivi metodi, mutuati anche dall’archeologia, impiegati per il progetto di conservazione del patrimonio costruito.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/96715142" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="17005d425a03575cd94d6f6e144d2f21" rel="nofollow" data-download="{"attachment_id":98536583,"asset_id":96715142,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/98536583/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_96715142 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="96715142"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 96715142, container: ".js-paper-rank-work_96715142", }); });</script></li><li class="js-percentile-work_96715142 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 96715142; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_96715142"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_96715142 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="96715142"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96715142; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=96715142]").text(description); $(".js-view-count-work_96715142").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_96715142").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="96715142"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="951" href="https://www.academia.edu/Documents/in/Humanities">Humanities</a>, <script data-card-contents-for-ri="951" type="text/json">{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1236" href="https://www.academia.edu/Documents/in/Art">Art</a><script data-card-contents-for-ri="1236" type="text/json">{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=96715142]'), work: {"id":96715142,"title":"Un rilievo materico ante litteram: il complesso di San Tommaso in Formis a Roma dall’iconografia al restauro","created_at":"2023-02-11T06:39:59.507-08:00","owner_id":9077719,"url":"https://www.academia.edu/96715142/Un_rilievo_materico_ante_litteram_il_complesso_di_San_Tommaso_in_Formis_a_Roma_dall_iconografia_al_restauro","slug":"Un_rilievo_materico_ante_litteram_il_complesso_di_San_Tommaso_in_Formis_a_Roma_dall_iconografia_al_restauro","dom_id":"work_96715142","summary":"Lo studio del complesso di San Tommaso in Formis a Roma, condotto da Bruno Maria Apollonj Ghetti negli anni Cinquanta del Novecento, costituisce un caso, seppur ancora inedito, di fondamentale importanza nell’evoluzione della disciplina del restauro architettonico. L’analisi diretta e la rappresentazione materica del manufatto, che integrano le informazioni desunte dall’iconografia, divengono gli elementi cardine dell’approccio induttivo al palinsesto. Un metodo di ricerca esegetico che, unito ad una restituzione grafica che da conto delle alterazioni e delle patologie di degrado dei materiali, anticipa molti dei successivi metodi, mutuati anche dall’archeologia, impiegati per il progetto di conservazione del patrimonio costruito.","publication":null,"publication_with_fallback":null,"downloadable_attachments":[{"id":98536583,"asset_id":96715142,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/98536583/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/98536583/6009-libre.pdf?1676126749=\u0026response-content-disposition=attachment%3B+filename%3DUn_rilievo_materico_ante_litteram_il_com.pdf\u0026Expires=1733802157\u0026Signature=abJEshlWeBTw-blEYyeuuHu4o5PzZFDq4r4ZZTn69qiZnK~uPQvr1Ctz0NkTubd8C7r9opEQeNZV-bhTHJ8v12QJWIsNjCqey6YP6NZIS2LkBuuTQQbsyYdkoZ0zEedTrw3P2rGQDSpY0pVwUt-K739m8lnfcdRjyuMvcdY5Jtd0AjNfJMbVax3sQKM~aCz8k7Ee~vqxRfXNhyXrw5dxMD3HNOzjqm-FYUYxS85OHJ8PfiYKB2qxIWRM7GmBgIIwRG5VWzekiX9nqaHwxRMNrxOkoWhLwpy40~BL~bXsjnoTy-Hb8onwUONlIK-krW75f9uXkUo9qgX~egGMZeqv0Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/98536583/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/98536583/mini_magick20230211-1-4q9a2m.png?1676126447"}],"downloadable_attachments_with_full_thumbnails":[{"id":98536583,"asset_id":96715142,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/98536583/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/98536583/6009-libre.pdf?1676126749=\u0026response-content-disposition=attachment%3B+filename%3DUn_rilievo_materico_ante_litteram_il_com.pdf\u0026Expires=1733802157\u0026Signature=abJEshlWeBTw-blEYyeuuHu4o5PzZFDq4r4ZZTn69qiZnK~uPQvr1Ctz0NkTubd8C7r9opEQeNZV-bhTHJ8v12QJWIsNjCqey6YP6NZIS2LkBuuTQQbsyYdkoZ0zEedTrw3P2rGQDSpY0pVwUt-K739m8lnfcdRjyuMvcdY5Jtd0AjNfJMbVax3sQKM~aCz8k7Ee~vqxRfXNhyXrw5dxMD3HNOzjqm-FYUYxS85OHJ8PfiYKB2qxIWRM7GmBgIIwRG5VWzekiX9nqaHwxRMNrxOkoWhLwpy40~BL~bXsjnoTy-Hb8onwUONlIK-krW75f9uXkUo9qgX~egGMZeqv0Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/98536583/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/98536583/mini_magick20230211-1-4q9a2m.png?1676126447"}],"has_pdf":true,"has_fulltext":true,"page_count":16,"ordered_authors":[{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}],"research_interests":[{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities","nofollow":false},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art","nofollow":false}],"publication_year":2017,"publication_year_with_fallback":2017,"paper_rank":null,"all_time_views":15,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_114993216" data-work_id="114993216" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/114993216/Post_fata_resurgo_L_edificio_INAIL_di_Messina_Indirizzi_di_metodo_per_il_restauro_di_un_architettura_del_Moderno">Post fata resurgo. L’edificio INAIL di Messina. Indirizzi di metodo per il restauro di un’architettura del Moderno</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The paper illustrate through the case of the of the INAIL building in Messina, the relationship between the general criteria that lead the restoration of the built heritage and direct experiences, highlighting the path of analysis and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_114993216" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The paper illustrate through the case of the of the INAIL building in Messina, the relationship between the general criteria that lead the restoration of the built heritage and direct experiences, highlighting the path of analysis and synthesis that address, from time to time, to the definition of methodological guidelines for conservation.<br />Into the urban ridesign of Messina sea front, started with the project of the Palazzata won by a group of young architects with the motto post fata resurgo in 1929, the INAIL building, occupies a central position marking the passage between the new curtain and the ancient city. <br />The building, designed by architect Giuseppe Samonà and engineer Guido Viola, was concluded only after the second world war, in 1948, and has undergone recently a redevelopment and renovation plan aimed at the restoration and regulatory updates of the INAIL offices, that still maintain its original function. Into the frame of scientific collaboration aimed at defining methodological guidelines for the restoration of the Messina building, was defined a conservation plan that defined the cultural and technical choices aimed at preserving the authenticity and authorship of the building, interesting example of the modern architecture of twentieth century. <br />The first stage of knowledge, which started from the review of archival documents that detailing the pre and post-war phases of design and implementation of stone coverings and masonry structures, was supported by a diagnostic campaign that allowed to verify directly the variations done during the construction site and the state of conservation of the surfaces of the facades. Following this preliminary data, it was possible to define, in line with the criteria of compatibility and respect of the material and formal integrity, the methodological guidelines for the conservation of the architecture analized, aimed at guarantee its preservation through time.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/114993216" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e1bb10dbcd46cb0c63c4217f4f05d63c" rel="nofollow" data-download="{"attachment_id":111532154,"asset_id":114993216,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/111532154/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_114993216 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="114993216"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 114993216, container: ".js-paper-rank-work_114993216", }); 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$(".js-view-count[data-work-id=114993216]").text(description); $(".js-view-count-work_114993216").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_114993216").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="114993216"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="244151" href="https://www.academia.edu/Documents/in/Conservazione_e_restauro">Conservazione e restauro</a>, <script data-card-contents-for-ri="244151" type="text/json">{"id":244151,"name":"Conservazione e restauro","url":"https://www.academia.edu/Documents/in/Conservazione_e_restauro","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="307359" href="https://www.academia.edu/Documents/in/Restauro">Restauro</a>, <script data-card-contents-for-ri="307359" type="text/json">{"id":307359,"name":"Restauro","url":"https://www.academia.edu/Documents/in/Restauro","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1231906" href="https://www.academia.edu/Documents/in/Restauro_Architettonico">Restauro Architettonico</a><script data-card-contents-for-ri="1231906" type="text/json">{"id":1231906,"name":"Restauro Architettonico","url":"https://www.academia.edu/Documents/in/Restauro_Architettonico","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=114993216]'), work: {"id":114993216,"title":"Post fata resurgo. 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Indirizzi di metodo per il restauro di un’architettura del Moderno","created_at":"2024-02-16T09:07:49.148-08:00","owner_id":9077719,"url":"https://www.academia.edu/114993216/Post_fata_resurgo_L_edificio_INAIL_di_Messina_Indirizzi_di_metodo_per_il_restauro_di_un_architettura_del_Moderno","slug":"Post_fata_resurgo_L_edificio_INAIL_di_Messina_Indirizzi_di_metodo_per_il_restauro_di_un_architettura_del_Moderno","dom_id":"work_114993216","summary":"The paper illustrate through the case of the of the INAIL building in Messina, the relationship between the general criteria that lead the restoration of the built heritage and direct experiences, highlighting the path of analysis and synthesis that address, from time to time, to the definition of methodological guidelines for conservation.\nInto the urban ridesign of Messina sea front, started with the project of the Palazzata won by a group of young architects with the motto post fata resurgo in 1929, the INAIL building, occupies a central position marking the passage between the new curtain and the ancient city. \nThe building, designed by architect Giuseppe Samonà and engineer Guido Viola, was concluded only after the second world war, in 1948, and has undergone recently a redevelopment and renovation plan aimed at the restoration and regulatory updates of the INAIL offices, that still maintain its original function. Into the frame of scientific collaboration aimed at defining methodological guidelines for the restoration of the Messina building, was defined a conservation plan that defined the cultural and technical choices aimed at preserving the authenticity and authorship of the building, interesting example of the modern architecture of twentieth century. \nThe first stage of knowledge, which started from the review of archival documents that detailing the pre and post-war phases of design and implementation of stone coverings and masonry structures, was supported by a diagnostic campaign that allowed to verify directly the variations done during the construction site and the state of conservation of the surfaces of the facades. Following this preliminary data, it was possible to define, in line with the criteria of compatibility and respect of the material and formal integrity, the methodological guidelines for the conservation of the architecture analized, aimed at guarantee its preservation through time.\n","publication":"Restauro dell’architettura. Per un progetto di qualità, coordinamento: S. Della Torre, V. Russo, Sezione 4: Indirizzi di metodo a cura di M. Docci, Quasar, Roma 2024, pp. 842-850.","publication_with_fallback":"Restauro dell’architettura. Per un progetto di qualità, coordinamento: S. Della Torre, V. Russo, Sezione 4: Indirizzi di metodo a cura di M. 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Riforme e utopie sanitarie nell’Italia umbertina, di G. Zucconi,</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/114993335" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2cedf4b141d77bca473fbb030463f781" rel="nofollow" data-download="{"attachment_id":111532239,"asset_id":114993335,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/111532239/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_114993335 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="114993335"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 114993335, container: ".js-paper-rank-work_114993335", }); });</script></li><li class="js-percentile-work_114993335 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 114993335; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_114993335"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_114993335 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="114993335"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114993335; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=114993335]").text(description); $(".js-view-count-work_114993335").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_114993335").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="114993335"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="370003" href="https://www.academia.edu/Documents/in/Restauro_urbano">Restauro urbano</a>, <script data-card-contents-for-ri="370003" type="text/json">{"id":370003,"name":"Restauro urbano","url":"https://www.academia.edu/Documents/in/Restauro_urbano","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2832813" href="https://www.academia.edu/Documents/in/Restauro_architettonico_e_urbano">Restauro architettonico e urbano</a><script data-card-contents-for-ri="2832813" type="text/json">{"id":2832813,"name":"Restauro architettonico e urbano","url":"https://www.academia.edu/Documents/in/Restauro_architettonico_e_urbano","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=114993335]'), work: {"id":114993335,"title":"3)\tRecensione di La città degli igienisti. 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Bauer collection on page 6 Georg Hilker Pompeii, Casa del gruppo dei Vasi di Vetro (wall painting) 1839, gouache on paper Copenhagen, Danish National Art Library on pages 14-15 Pompeii, fountain and edifices close to Porta Ercolano on pages 66-67 Pompeii, Casa dei Vettii wall painting, detail on pages 114-115 Francesco Piranesi, Louis-Jean Desprez The Temple of Isis at Pompeii, 1788 etching, hand-colored with watercolor Cleveland Museum of Art arte'm is a registered trademark of prismi quality management system ISO 9001: 2015 <a href="http://www.arte-m.net" rel="nofollow">www.arte-m.net</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/114993498" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3fd26b62bc77e0cff940384dc10988ed" rel="nofollow" data-download="{"attachment_id":111532335,"asset_id":114993498,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/111532335/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_114993498 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="114993498"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 114993498, container: ".js-paper-rank-work_114993498", }); 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Il cimitero di Al Qarafa al Cairo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">coordinamento editoriale maria sapio redazione paola rivazio art director enrica d'aguanno impaginazione franco grieco rivista semestrale anno V, numeri 8-10 gennaio 2016-giugno 2017 autorizzazione del tribunale di napoli n. 80 del 27... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_114993755" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">coordinamento editoriale maria sapio redazione paola rivazio art director enrica d'aguanno impaginazione franco grieco rivista semestrale anno V, numeri 8-10 gennaio 2016-giugno 2017 autorizzazione del tribunale di napoli n. 80 del 27 dicembre 2012</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/114993755" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="15aeea28cc2e95747b2ccaa691d9e632" rel="nofollow" data-download="{"attachment_id":111532536,"asset_id":114993755,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/111532536/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_114993755 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="114993755"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 114993755, container: ".js-paper-rank-work_114993755", }); 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Maestro e allievo attraverso il fondo dell’Accademia Nazionale di San Luca</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Le immagini che accompagnano l'inizio di ciascun capitolo sono state gentilmente concesse</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/114993838" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ce1131f9b0176bf62b2a90e88f236790" rel="nofollow" data-download="{"attachment_id":111532621,"asset_id":114993838,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/111532621/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_114993838 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="114993838"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 114993838, container: ".js-paper-rank-work_114993838", }); });</script></li><li class="js-percentile-work_114993838 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 114993838; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_114993838"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_114993838 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="114993838"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114993838; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=114993838]").text(description); $(".js-view-count-work_114993838").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_114993838").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="114993838"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="370003" href="https://www.academia.edu/Documents/in/Restauro_urbano">Restauro urbano</a>, <script data-card-contents-for-ri="370003" type="text/json">{"id":370003,"name":"Restauro urbano","url":"https://www.academia.edu/Documents/in/Restauro_urbano","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1565286" href="https://www.academia.edu/Documents/in/Gustavo_Giovannoni">Gustavo Giovannoni</a>, <script data-card-contents-for-ri="1565286" type="text/json">{"id":1565286,"name":"Gustavo Giovannoni","url":"https://www.academia.edu/Documents/in/Gustavo_Giovannoni","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2832813" href="https://www.academia.edu/Documents/in/Restauro_architettonico_e_urbano">Restauro architettonico e urbano</a><script data-card-contents-for-ri="2832813" type="text/json">{"id":2832813,"name":"Restauro architettonico e urbano","url":"https://www.academia.edu/Documents/in/Restauro_architettonico_e_urbano","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=114993838]'), work: {"id":114993838,"title":"Gustavo Giovannoni e Bruno Maria Apollonj Ghetti. 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Conoscenza, costruzione e restauro</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/114993917" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="80f8ebf21c48d89edfd86d347b423682" rel="nofollow" data-download="{"attachment_id":111532682,"asset_id":114993917,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/111532682/download_file?st=MTczNDAyNDAyMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9077719" href="https://unina.academia.edu/mariarosariavillani">mariarosaria villani</a><script data-card-contents-for-user="9077719" type="text/json">{"id":9077719,"first_name":"mariarosaria","last_name":"villani","domain_name":"unina","page_name":"mariarosariavillani","display_name":"mariarosaria villani","profile_url":"https://unina.academia.edu/mariarosariavillani","photo":"https://0.academia-photos.com/9077719/2945586/4140829/s65_mariarosaria.villani.jpg"}</script></span></span></li><li class="js-paper-rank-work_114993917 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="114993917"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 114993917, container: ".js-paper-rank-work_114993917", }); 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Our project proposes an innovative exhibition in situ of some archeological goods... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_13982796" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Even though virtual archaeology has assumed an educational role, in no way it can be compared with the<br />excitement of the visit to an archaeological site.<br />Our project proposes an innovative exhibition in situ of some archeological goods located in Campania. In<br />order to suggestively enrich the emotional impact, we provide a Plexiglas display, based on a visual and<br />perspective effect that overlaps the ruins still visible and reconstructs, "in the eyes of the observer", the<br />original shape of the building.<br />It is a re-composition, in a perspective view, of both real and virtual signs. The transparent panels on which<br />some appropriate perspective drawings are printed from a 3D virtual model, collaborate actively in the<br />unveiling of what have been lost in architecture, in a cognitive process of strong impact, comparable only to<br />the more expensive "augmented reality", that, however, interposes an electronic device between the object<br />and the observer. We allow the visitor to enjoy the architectonic space just by direct vision. The project is a<br />flexible solution to be adapted to several archeological sites. It will provide the observer with an emotional<br />experience, so to communicate, through a multisensory effect, the inner value of the visited sites.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/13982796" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ec62a6b8b27c06e258f4300438c06682" rel="nofollow" data-download="{"attachment_id":38172221,"asset_id":13982796,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38172221/download_file?st=MTczNDAyNDAyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33160909" href="https://independent.academia.edu/AngeloTriggianese">Angelo Triggianese</a><script data-card-contents-for-user="33160909" type="text/json">{"id":33160909,"first_name":"Angelo","last_name":"Triggianese","domain_name":"independent","page_name":"AngeloTriggianese","display_name":"Angelo Triggianese","profile_url":"https://independent.academia.edu/AngeloTriggianese","photo":"/images/s65_no_pic.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-13982796">+2</span><div class="hidden js-additional-users-13982796"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/APagliano">Alessandra Pagliano</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/MarianoMarmo">Mariano Marmo</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-13982796'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-13982796').html(); 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Our project proposes an innovative exhibition in situ of some archeological goods... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_81532974" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Even though virtual archaeology has assumed an educational role, in no way it can be compared with the excitement of the visit to an archaeological site. Our project proposes an innovative exhibition in situ of some archeological goods located in Campania. In order to suggestively enrich the emotional impact, we provide a Plexiglas display, based on a visual and perspective effect that overlaps the ruins still visible and reconstructs, "in the eyes of the observer", the original shape of the building. It is a re-composition, in a perspective view, of both real and virtual signs. The transparent panels on which some appropriate perspective drawings are printed from a 3D virtual model, collaborate actively in the unveiling of what have been lost in architecture, in a cognitive process of strong impact, comparable only to the more expensive "augmented reality", that, however, interposes an electronic device between the object and the observer. We allow the visitor to enjoy the architectonic space just by direct vision. The project is a flexible solution to be adapted to several archeological sites. It will provide the observer with an emotional experience, so to communicate, through a multisensory effect, the inner value of the visited sites.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/81532974" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="661c9914f8c18e4497f52b34a5cb66db" rel="nofollow" data-download="{"attachment_id":87544068,"asset_id":81532974,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/87544068/download_file?st=MTczNDAyNDAyMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33084404" href="https://unina.academia.edu/MarianoMarmo">Mariano Marmo</a><script data-card-contents-for-user="33084404" type="text/json">{"id":33084404,"first_name":"Mariano","last_name":"Marmo","domain_name":"unina","page_name":"MarianoMarmo","display_name":"Mariano Marmo","profile_url":"https://unina.academia.edu/MarianoMarmo","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_81532974 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="81532974"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 81532974, container: ".js-paper-rank-work_81532974", }); 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Dopo la definizione di... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_23036875" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il processo di programmazione dei fondi europei 2014-20 è in via di conclusione; esso vede coinvolti tutti i livelli istituzionali – l’Europa, gli Stati membri, le Regioni - in un processo interattivo e iterativo. Dopo la definizione di linee guida programmatiche, regolamenti, suggerimenti applicativi della Commissione Europea indirizzati a ciascun Paese, il negoziato sulle risorse finanziarie, la definizione nazionale del processo di programmazione, alcune Regioni hanno già chiuso i loro programmi che sono stati anche approvati dalla Commissione Europea, altre sono in attesa di avere le osservazioni della Commissione per poter procedere alla stesura definitiva propedeutica alla chiusura del negoziato. <br />Una delle peculiarità di questo ciclo programmatorio, è che esso è sostanzialmente concomitante con la riforma Delrio, che implica cambiamenti importanti: nuove forme istituzionali quali le Unioni dei Comuni, e, elemento non secondario, la costituzione delle Aree metropolitane attorno ai principali Comuni italiani. <br />In questo quadro, l’Accordo di partenariato nazionale ha definito un programma territoriale rivolto alle Aree interne del Paese, per il rilancio delle aree a bassa densità demografica, interessate da fenomeni di spopolamento e invecchiamento, con scarsi servizi di base (sanità, istruzione, mobilità). Intorno ad esse saranno mobilitate risorse nazionali ordinarie per il potenziamento dei servizi primari (sanità, istruzione, mobilità) nonchè alcune progettualità legate perlopiù ai programmi finanziati con fondi comunitari.<br />La programmazione 2014-20, inoltre, sembrava definire alcuni elementi innovativi rispetto alle due programmazioni precedenti (cioè i cicli 2000-2006 e 2007-2013).<br />Innanzitutto il processo programmatico e attuativo si è configurato come caratterizzato da un forte presidio nazionale. Ciò ha rappresentato una parziale novità, dato che anche nel ciclo di programmazione 2007-2013, attraverso il Piano di Azione Coesione, sono, in realtà, già state sperimentate forme che potremmo definire di “coprogrammazione” e di “coattuazione” degli interventi tra Stato e Regione.<br />In secondo luogo, è stato richiesto, inizialmente, che i programmi fossero fortemente orientati ai risultati e non dovessero limitarsi ad individuare soltanto obiettivi. I programmi precedenti, infatti, presentavano la tradizionale articolazione per assi e obiettivi; le azioni erano definite una volta approvati i programmi, in fase attuativa. Gli indicatori di risultato si riferivano sempre ad obiettivi generali, situazione che ha determinato grandi difficoltà successive nella fase di popolamento. <br />La scelta tra programmi “generalisti” o dettagliati è un dilemma antico nella storia delle programmazioni dei fondi europei. Nel passato si preferivano programmi ampi e non dettagliati, perché potevano essere declinati in corso di attuazione, e consentivano di essere meno vincolanti nel casi di cambiamenti in corso d’opera. In questo ciclo è stato richiesto, inizialmente, di redigere programmi dettagliati; nei fatti, in seguito, c’è stato un parziale ritorno ad un maggiore generalismo.<br /><br />In terzo luogo, nel ciclo 2014-20 è stato suggerito un approccio plurifondo, anche parziale. La programmazione 2007-2013, com’è noto, si è caratterizzata per l’approccio monofondo: tre programmi, uno per ciascun fondo, tre approcci differenziati. Il programma a valere sulle risorse del Fondo Europeo Agricolo per lo Sviluppo Rurale (FEASR), indirizzato al settore agricolo, è stato maggiormente vincolato ai fabbisogni territoriali e ad indicatori dettagliati per azioni; il programma a valere sulle risorse del Fondo Europeo di Sviluppo Regionale (FESR), orientato alle infrastrutture materiali e immateriali, finanziariamente più impegnativo, ha conservato un approccio per obiettivi; il programma a valere sulle risorse del Fondo Sociale Europeo (FSE) è rimasto vincolato ad obiettivi specifici molto ampi, ad obiettivi operativi sovrapposti e numerosi, ad azioni definite con ritardo e con difficoltà di associazione e di popolamento degli indicatori di realizzazione e risultato. Di fatto, la scelta di programmi monofondo nel 2007-2013 richiede il  potenziamento del coordinamento in sede programmatica e valutativa, e se rende più difficile valutare cosa realmente si è realizzato con i fondi europei. <br />La scelta di un approccio plurifondo può forse consentire la realizzazione di politiche più integrate ed intersettoriali, con evidenti effetti di maggiore efficacia ed efficienza delle politiche. Ma anche un approccio monofondo può trarre vantaggi grazie ad un approccio programmatico e valutativo unitario, attuato in maniera sinergica ed energica.<br />Quarto elemento riflessione è rappresentato da un’ulteriore novità: sono state introdotte, infatti, condizioni minime da rispettare per l’accesso ai fondi, le cosiddette “condizionalità”. Il non rispetto di tali condizioni – che riguarderanno tutti i settori, dall’ambiente alle politiche energetiche, dall’inclusione sociale agli aiuti alle imprese, dall’istruzione alla capacità amministrativa con particolare riferimento alla giustizia, alla sanità, alla scuola - potrebbe comportare blocchi nei trasferimenti delle risorse europee alle Regioni. Molte di queste condizionalità richiedono sforzi in direzione di una riforma soprattutto a livello nazionale. Tali elementi che pure apparivano stringenti in una prima fase programmatica, poi sembrano avere acquisito una veste meno rilevante.<br />Quinto elemento è rappresentato dal tema ricorrente della territorializzazione delle politiche: nei nuovi regolamenti comunitari è prevista l’opzione strategica di politiche territoriali, grazie agli strumenti relativi agli investimenti territoriali integrati o ai programmi per le città, che dovranno coinvolgere nella progettazione e attuazione degli interventi i partenariati locali. Una delle strategie chiave del 2014-20 è rappresentata dalla cosiddetta “smart specialization”, slogan che dovrebbe tradursi in una strategia di riconoscimento delle potenzialità dei territori, nei contesti globali, per elaborare politiche che consentano loro di diventare più competitivi.<br />Ulteriore punto di dibattito è relativo al principio di addizionalità, uno dei principi chiave della politica di coesione: i Fondi strutturali dell’UE dovrebbero essere concepiti come fondi aggiuntivi rispetto ai fondi nazionali e alla spesa pubblica degli Stati membri. A seguito della crisi del debito sovrano nell’eurozona, il governo italiano ha adottato misure consistenti di consolidamento dei conti pubblici, misure che si sono tradotte in tagli nella spesa e nei trasferimenti alle amministrazioni locali. I fondi europei si sono spesso trasformati, così, da fondi aggiuntivi a fondi sostitutivi, con gravi ripercussioni sull’efficacia delle politiche.<br />Purtroppo anche il negoziato europeo sulle risorse finanziarie ha subito molti scossoni e ripensamenti, con conseguenti lungaggini, circostanza che ha reso a lungo ancora più incerto il processo di programmazione. Esso, inoltre, si è svolto in concomitanza alla chiusura dei programmi 2007-2013, chiusura molto impegnativa per le Regioni, ancor di più per quelle impegnate in misure di accelerazione di una spesa a causa dei ritardi accumulati e dei vincoli del patto di stabilità.<br />Come si sta configurando la programmazione regionale tra i fenomeni di cambiamento e quelli di conservazione dello status quo? Si è tenuto conto, nei programmi attualmente in negoziato, delle lezioni che si possono apprendere dai cicli di programmazione precedenti? 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