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hover:font-medium pb-[5px] current-link border-b-[1px]">Act</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://www.recordingacademy.com/about/artificial-intelligence" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">Artificial Intelligence</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://www.recordingacademy.com/membership" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">MEMBERSHIP</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/membership/governance">Governance</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/producers-engineers-wing">Producers & Engineers Wing</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/songwriters-composers-wing">Songwriters & Composers Wing</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/membership/grammy-u">GRAMMY U</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/login/?language=en_US">Membership Login</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/?language=en_US">Join Membership</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/awards" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Awards</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://grammy.com/awards" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/GRAMMYS_2025_HERO_6?fmt=auto&w=500" width="525" alt="Graphic featuring graphics for the 2025 GRAMMYs"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY AWARD SHOWS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://naras.a.bigcontent.io/v1/static/67thAwards_PressList_11072024">67th GRAMMY Nominations: Full List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs: See The Full Nominees List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://live.grammy.com/">Watch: 2025 GRAMMY Nominations In Full</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://qrco.de/bdyS50">2025 GRAMMY Nominations Announcement Schedule</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/awards/67th-annual-grammy-awards-2024">67th Annual GRAMMY Awards (2024)</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://amazon.com/grammys">GRAMMY Shop</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">MUSIC GENRES</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com#" target="_self" class="font-bold border-solid text-[10px] pb-[5px] border-black ">SPECIAL MERIT AWARDS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/lifetime-achievement-awards">Lifetime Achievement Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/trustee-awards">Trustees Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/technical-awards">Technical GRAMMY Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/music-educator-award">Music Educator Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/hall-of-fame-award">GRAMMY Hall Of Fame</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/legends">GRAMMY Legend Award</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards/best-song-for-social-change-award" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">HARRY BELAFONTE BEST SONG FOR SOCIAL CHANGE AWARD</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">GRAMMY AWARDS PROCESS</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/voting-process">Voting Process</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/rules-guidelines">Rules and Guidelines</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://naras.a.bigcontent.io/v1/static/67_Grammy_Gold_Quick_Reference">GRAMMY Categories</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/awards-updates">Awards Process Updates</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/voting-and-solicitation-guidelines">Voting & Solicitation Guidelines</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards/faq" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">GRAMMY AWARDS FAQ & HELP</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/grammy-participation-certificates">GRAMMY Participation Certificates</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/awards/grammy-nominee-stickers">GRAMMY Nominee Stickers</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards/media-company-registration-and-online-entry-process-oep" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">ARTIST/RECORD LABEL/MEDIA REGISTRATION (OEP)</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/news" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">News</a></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/videos" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Videos</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/videos" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-03_1644x925?fmt=auto&w=500" width="525" alt="Image of GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/videos" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY ORIGINAL SERIES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammys-red-carpet-flashback-videos">GRAMMY Red Carpet Flashback</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-great-performances">GRAMMY Great Performances</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-rewind-grammys">GRAMMY Rewind</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/global-spin-grammys">Global Spin</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/it-goes-to-11-videos-grammys">It Goes To 11</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/reimagined-grammys">ReImagined</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/where-do-you-keep-your-grammy">Where Do You Keep Your GRAMMY?</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/positive-vibes-only-grammys">Positive Vibes Only</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/press-play-grammys">Press Play</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/for-the-record-grammys">For The Record</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/behind-the-boards-grammys">Behind The Board</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/herbal-tea-white-sofas-grammys">Herbal Tea & White Sofas</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] 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class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-04_1644x925?fmt=auto&w=500" width="525" alt="A close-up graphic of a GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">ALL MUSIC GENRES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/pop">Pop</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] 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uppercase"><li class="flex flex-full items-center "><span class="w-[161px] md-xl:w-[120px] text-11">RECORDING ACADEMY</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/RecordingAcad" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img 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result="hardAlpha"></feColorMatrix><feOffset dy="2"></feOffset><feGaussianBlur stdDeviation="5.5"></feGaussianBlur><feColorMatrix type="matrix" values="0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0.5 0"></feColorMatrix><feBlend mode="normal" in2="BackgroundImageFix" result="effect1_dropShadow"></feBlend><feBlend mode="normal" in="SourceGraphic" in2="effect1_dropShadow" result="shape"></feBlend></filter></defs></svg><div class="video-desc flex flex-col"><p class="text-black line-clamp-2">MC Abdul Delivers Sharp Bars In A Studio Performance Of "Through My Eyes" | Global Spin</p><div class="watch-now md-xl:flex justify-between items-center"><p class="text-sm text-[#808080] whitespace-nowrap">02m 20s</p><div class="flex w-full md-xl:justify-end gap-3 items-center pt-5 pb-5 md-xl:pl-0"><p class="font-bold text-base md-xl:text-lg text-predominant-color">WATCH NOW</p><svg width="42" height="42" viewBox="0 0 42 42" fill="none" xmlns="http://www.w3.org/2000/svg" class="hidden md-xl:block"><path 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dy="2"></feOffset><feGaussianBlur stdDeviation="5.5"></feGaussianBlur><feColorMatrix type="matrix" values="0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0.5 0"></feColorMatrix><feBlend mode="normal" in2="BackgroundImageFix" result="effect1_dropShadow"></feBlend><feBlend mode="normal" in="SourceGraphic" in2="effect1_dropShadow" result="shape"></feBlend></filter></defs></svg><div class="video-desc flex flex-col"><p class="text-black line-clamp-2">Nasty C On How His Apollo Interface Unlocks Studio-Level Sound On The Go | It Goes To 11</p><div class="watch-now md-xl:flex justify-between items-center"><p class="text-sm text-[#808080] whitespace-nowrap">01m 53s</p><div class="flex w-full md-xl:justify-end gap-3 items-center pt-5 pb-5 md-xl:pl-0"><p class="font-bold text-base md-xl:text-lg text-predominant-color">WATCH NOW</p><svg width="42" height="42" viewBox="0 0 42 42" fill="none" xmlns="http://www.w3.org/2000/svg" class="hidden md-xl:block"><path d="M41.0001 21C41.0001 32.0504 32.0875 41 21.1036 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fill="#B69859"></path></svg></div></div></div></a><a title="Celebrating Karol G's Record-Breaking Impact | Run The World" href="/series-or-collection/run-world/karol-g-rise-career-grammys" class="embla__slide bg-[#fff] w-[190px] md-xl:w-[340px] md-xl:origin-bottom md-xl:transform md-xl:transition md-xl:motion-reduce:transform-none md-xl:hover:scale-110 md-xl:hover:z-10 md-xl:duration-500 md-xl:hover:border md-xl:hover:border-[#cccccc]"><img class="w-full h-[106px] md-xl:h-[193px] object-cover" src="https://nomad-content.grammy.com/pmc/39/5d/6c/395d6c20-36c8-4d76-a8b7-dc4b64234b99/screenshots/PreviewImage-00-00-31.017.jpg" alt="Celebrating Karol G's Record-Breaking Impact | Run The World"/><svg class="video-icon absolute top-1 right-1" width="38" height="46" viewBox="0 0 38 46" fill="none" xmlns="http://www.w3.org/2000/svg"><g filter="url(#filter0_d)"><path fill-rule="evenodd" clip-rule="evenodd" d="M11 9V21V33L18.9994 26.9989L27 21L18.9994 15L11 9Z" fill="white"></path></g><defs><filter id="filter0_d" x="0" y="0" width="38" height="46" filterUnits="userSpaceOnUse" color-interpolation-filters="sRGB"><feFlood flood-opacity="0" result="BackgroundImageFix"></feFlood><feColorMatrix in="SourceAlpha" type="matrix" values="0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 127 0" result="hardAlpha"></feColorMatrix><feOffset dy="2"></feOffset><feGaussianBlur stdDeviation="5.5"></feGaussianBlur><feColorMatrix type="matrix" values="0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0.5 0"></feColorMatrix><feBlend mode="normal" in2="BackgroundImageFix" result="effect1_dropShadow"></feBlend><feBlend mode="normal" in="SourceGraphic" in2="effect1_dropShadow" result="shape"></feBlend></filter></defs></svg><div class="video-desc flex flex-col"><p class="text-black line-clamp-2">Celebrating Karol G's Record-Breaking Impact | Run The World</p><div class="watch-now md-xl:flex justify-between items-center"><p class="text-sm text-[#808080] whitespace-nowrap">01m 02s</p><div 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0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 127 0" result="hardAlpha"></feColorMatrix><feOffset dy="2"></feOffset><feGaussianBlur stdDeviation="5.5"></feGaussianBlur><feColorMatrix type="matrix" values="0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0.5 0"></feColorMatrix><feBlend mode="normal" in2="BackgroundImageFix" result="effect1_dropShadow"></feBlend><feBlend mode="normal" in="SourceGraphic" in2="effect1_dropShadow" result="shape"></feBlend></filter></defs></svg><div class="video-desc flex flex-col"><p class="text-black line-clamp-2">Donna Summer Wins Best Female R&B Vocal Performance For "Last Dance" At The 1979 GRAMMYs | GRAMMY Rewind</p><div class="watch-now md-xl:flex justify-between items-center"><p class="text-sm text-[#808080] whitespace-nowrap">00m 52s</p><div class="flex w-full md-xl:justify-end gap-3 items-center pt-5 pb-5 md-xl:pl-0"><p class="font-bold text-base md-xl:text-lg text-predominant-color">WATCH NOW</p><svg width="42" height="42" viewBox="0 0 42 42" fill="none" 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padding-left: 5rem; } } .embla__viewport.is-draggable { cursor: move; cursor: grab; } .embla__viewport.is-dragging { cursor: grabbing; } .embla__container { display: flex; user-select: none; position: relative; -webkit-touch-callout: none; -khtml-user-select: none; -webkit-tap-highlight-color: transparent; margin-left: -16px; } .awards-carousel .embla__slide { position: relative; padding-left: 16px; min-width: 220px; } .awards-carousel .is-active { min-width: 700px; } .embla__slide__inner { position: relative; overflow: hidden; } .embla__button { top: calc(50% - 30px); width: 60px; height: 60px; border-radius: 100%; background-color: #f7f7f7; z-index: 1; } .embla__button:disabled { cursor: default; opacity: 0; } </style><div class="relative bg-faint-gray-background"><div class="awards-carousel"><div class="awards-carousel-title pt-[66px] px-[16px] md-xl:px-[88px] font-galaxy-polaris text-[24px] leading-[48px]">GRAMMY Awards Time Capsule</div><div class="embla"><div class="hidden absolute top-0 left-0 h-full w-[90px] bg-[#fff] bg-opacity-70 z-[2] flex justify-center items-center"><button class="hidden embla__button" disabled=""><</button></div><div class="hidden absolute top-0 right-0 h-full w-[90px] bg-[#fff] bg-opacity-70 z-[2] flex justify-center items-center"><button class="hidden embla__button " disabled="">></button></div><div class="embla__viewport"><div class="embla__container"><div class="embla__slide is-active"><div class="embla__slide__inner"><div class="max-w-[700px] w-full"><a href="awards/66th-annual-grammy-awards-2023"><div class=" w-full"><div class="w-full pt-[56.25%] relative"><img class="absolute top-0 left-0 w-full h-full object-cover" src="https://i8.amplience.net/i/naras/2024-grammys-poster-art-66th-grammy-awards?fmt=auto&w=700" alt="66th Annual GRAMMY Awards"/></div><div class="mt-[26px] text-[16px] md-xl:text-[20px] leading-[28px]">66th Annual GRAMMY Awards</div></div></a></div></div></div><div class="embla__slide "><div class="embla__slide__inner"><div class="max-w-[220px] w-full"><a href="awards/65th-annual-grammy-awards-2022"><div class=" w-full"><div class="w-full pt-[133%] relative"><img class="absolute top-0 left-0 w-full h-full object-cover" src="https://i8.amplience.net/i/naras/GRAMMY.com%20Assets_Show%20Poster_640x853%20(3)?fmt=auto&w=220" alt="65th Annual GRAMMY Awards"/></div><div class="mt-[26px] text-[16px] md-xl:text-[20px] leading-[28px]">65th Annual GRAMMY Awards</div></div></a></div></div></div><div class="embla__slide "><div class="embla__slide__inner"><div class="max-w-[220px] w-full"><a href="awards/64th-annual-grammy-awards-2021"><div class=" w-full"><div class="w-full pt-[133%] relative"><img class="absolute top-0 left-0 w-full h-full object-cover" src="https://i8.amplience.net/i/naras/64thposter?fmt=auto&w=220" alt="64th Annual GRAMMY Awards"/></div><div class="mt-[26px] text-[16px] md-xl:text-[20px] leading-[28px]">64th Annual GRAMMY Awards</div></div></a></div></div></div><div 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GRAMMY Awards</div></div></a></div></div></div><div class="embla__slide "><div class="embla__slide__inner"><div class="max-w-[220px] w-full"><a href="awards/57th-annual-grammy-awards"><div class=" w-full"><div class="w-full pt-[133%] relative"><img class="absolute top-0 left-0 w-full h-full object-cover" src="https://i8.amplience.net/i/naras/57th_cover?fmt=auto&w=220" alt="57th Annual GRAMMY Awards"/></div><div class="mt-[26px] text-[16px] md-xl:text-[20px] leading-[28px]">57th Annual GRAMMY Awards</div></div></a></div></div></div><div class="embla__slide "><div class="embla__slide__inner"><div class="max-w-[220px] w-full"><a href="awards/56th-annual-grammy-awards"><div class=" w-full"><div class="w-full pt-[133%] relative"><img class="absolute top-0 left-0 w-full h-full object-cover" src="https://i8.amplience.net/i/naras/56gr_poster_final?fmt=auto&w=220" alt="56th Annual GRAMMY Awards"/></div><div class="mt-[26px] text-[16px] md-xl:text-[20px] leading-[28px]">56th Annual GRAMMY Awards</div></div></a></div></div></div><div class="embla__slide "><div class="embla__slide__inner"><div class="max-w-[220px] w-full"><a href="awards/55th-annual-grammy-awards"><div class=" w-full"><div class="w-full pt-[133%] relative"><img class="absolute top-0 left-0 w-full h-full object-cover" src="https://i8.amplience.net/i/naras/55th_poster?fmt=auto&w=220" alt="55th Annual GRAMMY Awards"/></div><div class="mt-[26px] text-[16px] md-xl:text-[20px] leading-[28px]">55th Annual GRAMMY Awards</div></div></a></div></div></div></div></div></div></div></div><div class="awards-row flex flex-col bg-faint-gray-background md-xl:flex-row md-xl:justify-around md-xl:py-[45px] md-xl:items-start md-xl:px-[5rem]"><style> .awards-row .prose { max-width: 100%; } </style><div class="mb-[45px] px-[16px] md-xl:px-0"><div class="simple-content-card max-w-none md-xl:max-w-[458px] md-xl:min-w-0 box-border"><div class="text-[24px] leading-[48px] font-galaxy-polaris mb-[20px]">Explore the GRAMMY Awards</div><div class="text-[24px] leading-[36px] "><p><em>As the only peer-recognized music award, the GRAMMY is the music industry’s highest honor. We’re counting on you in the music community to continue that legacy by participating in the process.</em></p> </div></div><div class="hidden md-xl:block border-b border-[#d7d7d7] my-[45px]"></div><div class="hidden md-xl:block"><div class="simple-content-card max-w-none md-xl:max-w-[458px] md-xl:min-w-0 box-border"><div class="text-[24px] leading-[48px] font-galaxy-polaris mb-[20px]">How it Works</div><div class="text-[20px] leading-[28px] mb-[24px]"><p><span class="s1">We’re not leaving it to you to figure it out alone. Here, you’ll find important information about everything from online entry to the voting process itself.</span></p> </div><a class="text-[12px] px-[20px] py-[10px] leading-[38px] box-border bg-predominant-color rounded-[50px] text-white" href="https://www.recordingacademy.com/awards">LEARN MORE</a></div></div></div><div class="md-xl:mx-[24px] px-[16px]"></div><div class="border-b border-t my-[45px] py-[45px] px-[16px] border-[#d8d8d8] md-xl:hidden"><div class="simple-content-card max-w-none md-xl:max-w-[458px] md-xl:min-w-0 box-border"><div class="text-[24px] leading-[48px] font-galaxy-polaris mb-[20px]">How it Works</div><div class="text-[20px] leading-[28px] mb-[24px]"><p><span class="s1">We’re not leaving it to you to figure it out alone. Here, you’ll find important information about everything from online entry to the voting process itself.</span></p> </div><a class="text-[12px] px-[20px] py-[10px] leading-[38px] box-border bg-predominant-color rounded-[50px] text-white" href="https://www.recordingacademy.com/awards">LEARN MORE</a></div></div><div class="relative px-[16px] mb-[45px] md-xl:px-0 md-xl:my-0"><div class="bg-faint-gray-background md-xl:static"><div class="w-full flex md-xl:max-w-[464px] "><style> .body-text { max-width: inherit; } .body-text strong > a { font-weight: 600; } </style><div class="prose body-text "><h2 id="67th-annual-grammy-awards-key-dates">67th ANNUAL GRAMMY AWARDS: KEY DATES</h2> <table> <thead> <tr> <th>September 16, 2023 – August 30, 2024</th> <th>Product Eligibility Period For Entries</th> </tr> </thead> <tbody><tr> <td>July 8, 2024 – August 23, 2024</td> <td>Media Company Registration</td> </tr> <tr> <td>July 17, 2024 – August 30, 2024</td> <td>Online Entry Process (OEP) Access Period</td> </tr> <tr> <td>October 4, 2024 - October 15, 2024</td> <td>First Round Voting</td> </tr> <tr> <td>November 8, 2024</td> <td>Nominees Announced for the 67th Annual GRAMMY Awards</td> </tr> <tr> <td>December 12, 2024 - January 3, 2025</td> <td>Final Round Voting</td> </tr> <tr> <td>February 2, 2025</td> <td>67th Annual GRAMMY Awards Show Date/Telecast</td> </tr> </tbody></table> </div></div></div></div></div><div class="flex flex-col xl:flex-row mx-auto max-w-[1414px] items-center xl:items-end px-[8px]"><div class="xl:flex"><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">MusiCares<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/2021-musicares-health-wellness-survey-editorial-hero.png.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-custom-red border border-custom-red font-bold border-[#b69859] max-h-[282px] uppercase">MUSIC'S LEADING CHARITY</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">MusiCares provides critical health and welfare services to the humans behind the music.</div><a href="https://www.musicares.org/donations"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-custom-red rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">SUPPORT OUR CAUSE</div></a></div></div></div><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">The Recording Academy<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/grammy.com_images-04.png.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-predominant-color border border-predominant-color font-bold border-[#b69859] max-h-[282px] uppercase">HELPING MUSIC AND ITS MAKERS THRIVE</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">We are dedicated to celebrating, honoring and sustaining music's past, present and future.</div><a href="https://recordingacademy.com/"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-predominant-color rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">LEARN MORE</div></a></div></div></div></div><div class="md-xl:px-[20px] pt-[40px] pillar-row-ad-container"></div></div><div class="flex flex-col xl:flex-row-reverse mx-auto max-w-[1414px] items-center xl:items-end px-[8px]"><div class="xl:flex"><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">Advocacy<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/521243764.jpg.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-predominant-color border border-predominant-color font-bold border-[#b69859] max-h-[282px] uppercase">REPRESENTING MUSIC'S CREATORS</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">We fight tirelessly to champion creators’ rights, elevating important policy issues impacting music.</div><a href="https://recordingacademy.com/advocacy"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-predominant-color rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">ACT NOW</div></a></div></div></div><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">Membership<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/2022-grammys-awards-nominations-casbah_general_18_1920x1080.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-predominant-color border border-predominant-color font-bold border-[#b69859] max-h-[282px] uppercase">REPRESENTING THE MUSIC COMMUNITY</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">We represent musicians, songwriters, producers, engineers, and other industry professionals.</div><a href="https://www.recordingacademy.com/membership"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-predominant-color rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">JOIN NOW</div></a></div></div></div></div><div class="md-xl:px-[20px] pt-[40px] pillar-row-ad-container"></div></div><div class="flex flex-col xl:flex-row mx-auto max-w-[1414px] items-center xl:items-end px-[8px]"><div class="xl:flex"><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">Latin Recording Academy<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/latin_grammy_tile_logo.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-predominant-color border border-predominant-color font-bold border-[#b69859] max-h-[282px] uppercase">THE GLOBAL AUTHORITY ON LATIN MUSIC</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">An international nonprofit dedicated to celebrating Latin music and its creators worldwide.</div><a href="https://www.latingrammy.com/en"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-predominant-color rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">LEARN MORE</div></a></div></div></div><div class="max-w-[520px] w-full flex flex-col px-[8px] relative mb-5"><div class="font-galaxy-polaris font-bold text-[24px] leading-[48px] ">GRAMMY Museum<span class="text-[8px] invisible">®</span></div><img src="https://cdn.media.amplience.net/i/naras/GRAMMY-Museum-Front-Entrance.webp?h=285" class="aspect-16-9 object-cover max-h-[285px] w-full"/><div class="layout-v2 mt-4 "><div class="text-center py-[20px] text-predominant-color border border-predominant-color font-bold border-[#b69859] max-h-[282px] uppercase">CELEBRATING THE HISTORY OF MUSIC</div><div class="flex flex-col px-[32px] py-[42px] pb-[40px] border-l border-r border-b border-[#b69859]"><div class="text-[24px] leading-[36px] font-galaxy-polaris text-center line-clamp-3">A nonprofit organization dedicated to understanding and exploring the history and significance of music.</div><a href="https://grammymuseum.org/"><div class="text-center py-[15px] px-[30px] w-[fit-content] mx-auto text-[#FFF] bg-predominant-color rounded-[100px] text-[14px] cursor-pointer font-bold mt-[24px]">VISIT NOW</div></a></div></div></div></div><div class="md-xl:px-[20px] pt-[40px] pillar-row-ad-container"></div></div><style global="true" jsx="true"> .partner-carousel-container { border-top: 1px solid #ccc; margin: 50px auto; } .sponsor .flickity-page-dots .dot { background: #fff !important; width: 19px !important; height: 19px !important; border: 2px solid #666 !important; } .sponsor .flickity-page-dots .dot.is-selected { background: #b69859 !important; border-color: #b69859 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A video projection shows the Argentine star on the run, suitcase in hand, with gun-waving agents chasing after her. Cue Peluso's entrance to the stage: her most ambitious live performance has begun.\u003c/span\u003e\n\n\u003cspan\u003eWith a mob-style aesthetic infused with a distinctly Argentine twist, the GRASA Tour combines 1970s-style cinematography with thrilling choreography. The set culminates with Peluso opening her suitcase to reveal her treasured GRASA mayonnaise, which she then smothers on a milanesa (thinly sliced meat coated in breadcrumbs, an Argentine favorite). Tongue-in-cheek, humorous yet sultry, the show is a fitting presentation of \u003c/span\u003e*[\u003cspan\u003eGRASA\u003c/span\u003e](https://www.grammy.com/news/nathy-peluso-interview-new-album-grasa-videos)*[\u003cspan\u003e’s storyline\u003c/span\u003e](https://www.grammy.com/news/nathy-peluso-interview-new-album-grasa-videos)\u003cspan\u003e, which is about cherishing your special sauce — loving yourself for who you are.\u003c/span\u003e\n\n\u003cspan\u003eSince its May 2024 release, \u003c/span\u003e*\u003cspan\u003eGRASA\u003c/span\u003e* \u003cspan\u003ehas \u003c/span\u003e[\u003cspan\u003etaken Peluso's career to new heights\u003c/span\u003e](https://www.grammy.com/news/bizarrap-essential-bzrp-sessions-snow-tha-product-arcangel-shakira-nathy-peluso-videos)\u003cspan\u003e. Along with earning the singer/songwriter three Latin GRAMMYs and her second GRAMMY nomination, the album's world tour includes her first headline shows in North America and massive festival slots, including an epic homecoming in Buenos Aires. \u003c/span\u003e\n\n**Read More:** [Nathy Peluso Is 'Grasa': How Hard-Earned Lessons, The Mafia \u0026amp; A Lost Album Led To Her Most Vulnerable Work](https://www.grammy.com/news/nathy-peluso-interview-new-album-grasa-videos)\n\n\u003cspan\u003e\"This tour across the United States has been a dream, an incredible and transformative experience,\" Peluso tells GRAMMY.com. \"It's so exciting to take your music around the world, and even more so to feel the audience enjoy every show so much. \u003c/span\u003e\n\n\u003cspan\u003e\"I felt very loved, my audience is amazing, and I think they really connected with the project,\" the five-time Latin GRAMMY winner continues. \"I wanted to bring a well-thought-out show that would connect with people in every city, and I think we achieved that… This tour \\[has\\] reaffirmed to me that when you do things genuinely and with heart, people feel it, no matter where you are. Long live GRASA, my friends!\"\u003c/span\u003e\n\n\u003cspan\u003eAs\u003c/span\u003e \u003cspan\u003ePeluso prepares to take\u003c/span\u003e *\u003cspan\u003eGRASA\u003c/span\u003e* \u003cspan\u003eto Mexico for two shows in April and on the European festival circuit this summer, she shares some of her favorite photos from all five of her first-ever U.S. shows and her monumental return to Argentina. Below, check out onstage and backstage shots, with captions written by the singer herself.\u003c/span\u003e\n\n### Miami, Fl. | The Fillmore Miami Beach\n\nMiami was the first stop, and I felt it in my whole body. It was also the first time I performed \"EROTIKA\" live. We had just released it a few hours earlier, and it was insane to see how the crowd was already dancing to it, even singing along with me. It was the best possible way to kick things off, surrounded by dear friends who came to support me. And the Fillmore was fabulous. (Photos: INDIVIDUA, Courtesy of Nathy Peluso)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - Miami 1","deliveryId":"a8372315-18dd-4c2e-ad65-5ef24b82c722"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Miami-1-INDIVIDUA","id":"8269a105-fca6-4f9d-ba6b-52534fc0fff5","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - Miami 1","shortTitle":"Nathy Peluso Tour Diary - Miami 1","imgAlt":"Nathy Peluso Tour Diary - Miami 1","imgTitle":"Nathy Peluso Tour Diary - Miami 1","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - Miami 2","deliveryId":"bba65247-0e1f-4d69-8c9c-c08946f9413b"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Miami-2-Courtesy-of-Nathy-Peluso","id":"cd97f071-dfd0-4118-a28d-d04db520d197","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - Miami 2","shortTitle":"Nathy Peluso Tour Diary - Miami 2","imgAlt":"Nathy Peluso Tour Diary - Miami 2","imgTitle":"Nathy Peluso Tour Diary - Miami 2","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Nathy Peluso Tour Diary - Washington DC blurb","deliveryId":"822ac115-dfe5-466c-a9bc-c03c0b271c31"},"bodyText":{"richText":"### \u003cspan\u003eWashington, D.C. | 9:30 Club\u003c/span\u003e\n\n\u003cspan\u003eWashington is a city I love, I find it beautiful and elegant. I first came here to record my \\[NPR\\] Tiny Desk \\[episode\\], and I also had the honor of performing my salsa track \"La Presa\" at the Hispanic Heritage Awards. Coming back to play a sold-out show here was truly special. (Photo: INDIVIDUA)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - Washington DC","deliveryId":"08fca317-5f00-45cf-8b24-8b7dda39d45b"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Washington-1-INDIVIDUA","id":"440a895b-cd3d-483d-8be4-e9501a4ac657","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - Washington DC","shortTitle":"Nathy Peluso Tour Diary - Washington DC","imgAlt":"Nathy Peluso Tour Diary - Washington DC","imgTitle":"Nathy Peluso Tour Diary - Washington DC","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Nathy Peluso Tour Diary - New York blurb","deliveryId":"7f8179e7-59f2-48d5-b95d-92e24704de80"},"bodyText":{"richText":"### **\u003cspan\u003eBrooklyn, N.Y. | Brooklyn Paramount\u003c/span\u003e**\n\n\u003cspan\u003eThe Brooklyn Paramount is such a special place, straight out of a movie. The show was an incredible sold-out event. The crowd was\u003c/span\u003e *\u003cspan\u003eall in\u003c/span\u003e*\u003cspan\u003e, they even threw wigs at me! Hahaha.\u003c/span\u003e\n\n\u003cspan\u003eIt was a powerful night, one of those shows you never forget. I felt like something happened there that's going to define what's coming next. (Photos: INDIVIDUA)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - NY 1","deliveryId":"e557a7b8-a1db-41ef-99ad-81189f156e72"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"NY-1-INDIVIDUA","id":"13f7c593-1488-45b5-abfe-f8b33aff9ce2","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - NY 1","shortTitle":"Nathy Peluso Tour Diary - NY 1","imgAlt":"Nathy Peluso Tour Diary - NY 1","imgTitle":"Nathy Peluso Tour Diary - NY 1","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - NY 2","deliveryId":"9249395a-0d14-42cd-b744-7621d5a2d8f2"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"NY-2-INDIVIDUA","id":"3a111a9a-8ede-4262-ad90-b2cc6fcb519d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - NY 2","shortTitle":"Nathy Peluso Tour Diary - NY 2","imgAlt":"Nathy Peluso Tour Diary - NY 2","imgTitle":"Nathy Peluso Tour Diary - NY 2","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Nathy Peluso Tour Diary - Chicago blurb","deliveryId":"dcbb92da-dd7a-4445-a353-8fa2cd31a489"},"bodyText":{"richText":"### \u003cspan\u003eChicago, Ill. | The Vic Theatre\u003c/span\u003e\n\n\u003cspan\u003eChicago was pure fire. The crowd's energy grabbed me from the very first song. There was so much emotion in the air, you could feel the connection, the respect, the eagerness to live it fully. (Photos: INDIVIDUA)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - Chicago 1","deliveryId":"6ebe15f7-0f73-4042-9e06-efe572cdf52d"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Chicago-1-INDIVIDUA","id":"aa0d257b-aca9-4578-a64e-28116b17871f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - Chicago 1","shortTitle":"Nathy Peluso Tour Diary - Chicago 1","imgAlt":"Nathy Peluso Tour Diary - Chicago 1","imgTitle":"Nathy Peluso Tour Diary - Chicago 1","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - Chicago 2","deliveryId":"d10b404e-4150-4735-959b-ec55455ea36b"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Chicago-2-INDIVIDUA","id":"ca3980cd-3498-4358-9e25-edf14a85bafc","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - Chicago 2","shortTitle":"Nathy Peluso Tour Diary - Chicago 2","imgAlt":"Nathy Peluso Tour Diary - Chicago 2","imgTitle":"Nathy Peluso Tour Diary - Chicago 2","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Nathy Peluso Tour Diary - LA blurb","deliveryId":"048c332c-d24b-4496-bad6-c59a2f1fe412"},"bodyText":{"richText":"### **\u003cspan\u003eLos Angeles, Calif. | The Novo\u003c/span\u003e**\n\n\u003cspan\u003eLos Angeles was the perfect ending. Wrapping up my first U.S. tour with a sold-out show at The Novo was another blessing. That night I came out in a look...\u003c/span\u003e\n\n\u003cspan\u003eIn the middle of the show, a fan threw a Luis Miguel sarong at me. It was such a random and beautiful moment, haha. But feeling that they know me so well, that we connect so deeply, really gives meaning to everything I do. There was so much connection, so much energy. We closed it all out with full-on GRASA, just the way it had to be. (Photos: Sophia Juliette, Courtesy of Nathy Peluso)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - LA 1","deliveryId":"7390fe41-27a1-4046-9acd-bfd25421eba6"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"LA-1-Sophia-Juliette","id":"0f75f9cd-0d00-41df-b304-8aa27872ed52","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - LA 1","shortTitle":"Nathy Peluso Tour Diary - LA 1","imgAlt":"Nathy Peluso Tour Diary - LA 1","imgTitle":"Nathy Peluso Tour Diary - LA 1","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - LA 2","deliveryId":"97e24335-2894-47a5-887f-c5e611021c0f"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"LA-2-Courtesy-of-Nathy-Peluso","id":"0d0a9823-027f-48f9-b94f-ecf8158c7d4a","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - LA 2","shortTitle":"Nathy Peluso Tour Diary - LA 2","imgAlt":"Nathy Peluso Tour Diary - LA 2","imgTitle":"Nathy Peluso Tour Diary - LA 2","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Nathy Peluso Tour Diary - Argentina blurb","deliveryId":"025cd658-8d2c-4895-9c2d-2a40c326f303"},"bodyText":{"richText":"## \u003cspan\u003eBuenos Aires, Argentina | Lollapalooza Argentina\u003c/span\u003e\n\n\u003cspan\u003eThis show was a very deep moment for me. Coming back home, to my land, and singing \"ENVIDIA\" with all my people was one of the most intense emotions I've ever felt on stage.\u003c/span\u003e\n\n\u003cspan\u003eIt was raining, but the crowd stayed strong, singing \"BUENOS AIRES\" with me under the rain and filling the whole place with an energy that's hard to explain. It was a unique connection, one of those that go through your entire body and stay with you forever. (Photos: Agustín Dusserre)\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - Argentina 1","deliveryId":"364beca4-9a04-42bf-a39d-23eb8ddb6e4f"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Argentina-1-Credit-Agustin-Dusserre","id":"603993b0-4dc4-4335-97bf-55f3a4395502","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - Argentina 1","shortTitle":"Nathy Peluso Tour Diary - Argentina 1","imgAlt":"Nathy Peluso Tour Diary - Argentina 1","imgTitle":"Nathy Peluso Tour Diary - Argentina 1","link":"/"},{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Photo Embed: Nathy Peluso Tour Diary - Argentina 2","deliveryId":"77396ff7-5f29-4602-8e02-cf4900867d73"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Argentina-2-Credit-Agustin-Dusserre","id":"e2325422-808d-403f-bea7-858e5d487688","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":" "},"tags":["Nathy Peluso"],"title":"Nathy Peluso Tour Diary - 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GRAMMYs On The Hill 2025: What You Need To Know","deliveryId":"8b61b59f-7bb3-4c50-8ff9-422568722196"},"bodyText":{"richText":"\u003cspan\u003eThe Biggest Week in Music in Washington D.C. is just around the corner. The Recording Academy’s annual GRAMMYs on the Hill kicks off Tuesday, April 8, with the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMYs on the Hill Awards\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/grammys-hill-2025-honorees-randy-travis-linda-sanchez-ron-estes)\u003cspan\u003e, followed by Advocacy Day on Wednesday, April 9, and the second annual Future Forum on Thursday, April 10.\u003c/span\u003e\n\n\u003cspan\u003eFor over 20 years, the Recording Academy has returned to Washington to honor congressional leaders and music creators who are champions for creators' rights, and to meet with lawmakers to highlight pressing issues facing the music community.\u003c/span\u003e\n\n\u003cspan\u003eThis year, the \u003c/span\u003e[\u003cspan\u003eGRAMMYs on the Hill Awards\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/grammys-hill-2025-honorees-randy-travis-linda-sanchez-ron-estes)\u003cspan\u003e will honor seven-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eRandy Travis\u003c/span\u003e](https://grammy.com/artists/randy-travis/10366)\u003cspan\u003e with the Creators Leadership Award. Despite a life-altering stroke in 2013, Travis has remained a passionate advocate for fair pay and copyright protections for artists. In 2024, \u003c/span\u003e[\u003cspan\u003ehe testified before the House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/house-judiciary-subcommittee-radio-music-copyrights-hearing-randy-travis)\u003cspan\u003e to help spotlight the lack of royalties for artists on terrestrial radio during a hearing titled  \"Radio, Music, and Copyrights: 100 Years of Inequity for Recording Artists.\" \u003c/span\u003e\n\n**\u003cspan\u003eWatch:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eHouse Judiciary Subcommittee Holds \"Radio, Music And Copyrights: 100 Years Of Inequity For Recording Artists\" Hearing\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/house-judiciary-subcommittee-radio-music-copyrights-hearing-randy-travis)\n\n## **\u003cspan\u003ePast Artist Honorees include:\u003c/span\u003e**\n\n* \u003cspan\u003eNine-time GRAMMY winner, \u003c/span\u003e[\u003cspan\u003eSheryl Crow\u003c/span\u003e](https://grammy.com/artists/sheryl-crow/1553)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003e13-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003ePharell Williams\u003c/span\u003e](https://grammy.com/artists/pharrell-williams/7310)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eFive-time GRAMMY-winning duo \u003c/span\u003e[\u003cspan\u003eJimmy Jam\u003c/span\u003e](https://grammy.com/artists/jimmy-jam/3474)\u003cspan\u003e \u0026amp; \u003c/span\u003e[\u003cspan\u003eTerry Lewis\u003c/span\u003e](https://www.grammy.com/artists/terry-lewis/3915)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eFour-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eYolanda Adams\u003c/span\u003e](https://grammy.com/artists/yolanda-adams/105)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eTwo-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eGarth Brooks\u003c/span\u003e](https://grammy.com/artists/garth-brooks/10464)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003e15-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://grammy.com/artists/alicia-keys/12104)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eThree-time GRAMMY-winning group \u003c/span\u003e[\u003cspan\u003eZac Brown Band\u003c/span\u003e](https://grammy.com/artists/zac-brown-band/7739)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eSeven-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eJohn Mayer\u003c/span\u003e](https://grammy.com/artists/john-mayer/14891)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eFour-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eMissy Elliot\u003c/span\u003e](https://grammy.com/artists/missy-misdemeanor-elliott/11451)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eFour-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eKeith Urban\u003c/span\u003e](https://grammy.com/artists/keith-urban/7015)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eThree-time GRAMMY winner \u003c/span\u003e[\u003cspan\u003eGloria Estefan\u003c/span\u003e](https://grammy.com/artists/gloria-estefan/2518)\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eThe 2025 congressional honorees are Representatives \u003c/span\u003e[\u003cspan\u003eRon Estes (R-KS)\u003c/span\u003e](https://estes.house.gov/biography/)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003eLinda Sánchez (D-CA)\u003c/span\u003e](https://lindasanchez.house.gov/about-linda)\u003cspan\u003e, who are being recognized for their leadership and collaborative efforts championing key policies in support of the music community. Together, they reintroduced the bipartisan \u003c/span\u003e[\u003cspan\u003eHelp Independent Tracks Succeed (HITS) Act\u003c/span\u003e](https://www.recordingacademy.com/advocacy/issues-policy/hits-act)\u003cspan\u003e, which would allow independent artists to deduct up to $150,000 in recording costs from their taxes in the year they were incurred, incentivizing creativity and empowering smaller artists. \u003c/span\u003e\n\n\u003cspan\u003eRead more: \u003c/span\u003e[\u003cspan\u003eGRAMMYs On The Hill 2025: How Reps. Linda Sánchez \u0026amp; Ron Estes Are Fighting For Music Creators’ Rights\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/grammys-hill-2025-congressional-honorees-linda-sanchez-ron-estes)\n\n## \u003cspan\u003ePast Lawmaker Honorees include: \u003c/span\u003e\n\n* \u003cspan\u003eThen-Vice President \u003c/span\u003e[\u003cspan\u003eJoe Biden\u003c/span\u003e](https://grammy.com/news/grammys-on-the-hill-awards-to-honor-biden-corker-and-henley)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eSenate Democratic Leader \u003c/span\u003e[\u003cspan\u003eChuck Schumer (D-NY)\u003c/span\u003e](https://grammy.com/news/grammys-hill-2023-honorees-pharrell-williams-chuck-schumer-bill-cassidy)\u003cspan\u003e House Democratic Leader \u003c/span\u003e[\u003cspan\u003eHakeem Jeffries (D-NY) \u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/kevin-mccarthy-hakeem-jeffries-how-academy-honored-house-of-representatives)\n\n* \u003cspan\u003eFormer Speaker of the House \u003c/span\u003e[\u003cspan\u003eNancy Pelosi (D-CA)\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/nancy-pelosi-steps-down-contributions-music-creators-community)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eFormer Speaker of the House \u003c/span\u003e[\u003cspan\u003eKevin McCarthy (R-CA) \u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/grammys-hill-2025-honorees-randy-travis-linda-sanchez-ron-estes)\n\n* \u003cspan\u003eFormer United States Secretary of State \u003c/span\u003e[\u003cspan\u003eHillary Rodham Clinton\u003c/span\u003e](https://grammy.com/artists/hillary-rodham-clinton/12204)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eSenator \u003c/span\u003e[\u003cspan\u003eMarsha Blackburn (R-TN) \u003c/span\u003e](https://www.recordingacademy.com/press-releases/grammys-on-the-hill-advocacy-day-sheryl-crow-john-cornyn-amy-klobuchar)\n\n* \u003cspan\u003eFormer Sen. \u003c/span\u003e[\u003cspan\u003eOrrin Hatch (R-UT)\u003c/span\u003e](https://grammy.com/news/recording-academy-celebrates-senate-passage-music-modernization-act)\u003cspan\u003e \u003c/span\u003e\n\n* \u003cspan\u003eFormer Sen. \u003c/span\u003e[\u003cspan\u003eJohn McCain (R-AZ)\u003c/span\u003e](https://www.grammy.com/news/grammy-hill-2024-guide)\u003cspan\u003e \u003c/span\u003e\n\n\u003cspan\u003eAs this year’s GRAMMYs on the Hill approaches, join us in advocating for a future that prioritizes human artistry. \u003c/span\u003e[\u003cspan\u003eContact your representatives\u003c/span\u003e](https://www.congressweb.com/GRAMMY/96/)\u003cspan\u003e and urge them to support the \u003c/span\u003e[\u003cspan\u003eHITS Act\u003c/span\u003e](https://www.recordingacademy.com/advocacy/issues-policy/hits-act)\u003cspan\u003e, the \u003c/span\u003e[\u003cspan\u003eNO FAKES Act\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/no-fakes-act-introduced-in-the-senate)\u003cspan\u003e, and increased arts funding. \u003c/span\u003e\n\n## \u003cspan\u003eWhat Is GRAMMYs On The Hill?\u003c/span\u003e\n\n\u003cspan\u003eGRAMMYs on the Hill is a three-day event that includes the GRAMMYs on the Hill Awards, Advocacy Day, and the Future Forum. The program brings together music creators and lawmakers to advocate for legislation that strengthens creators' rights and to celebrate individuals and elected officials who have made a lasting impact on the music community.\u003c/span\u003e\n\n\u003cspan\u003eAt the Awards, the Recording Academy honors both a creator and two members of Congress for their advocacy work. During Advocacy Day, GRAMMY winners and nominees join the Academy on Capitol Hill for face-to-face meetings with Members of Congress and lawmakers to share their personal stories and push for change on critical music issues.\u003c/span\u003e\n\n\u003cspan\u003eThe Future Forum, now in its second year, will explore global and local music economies and highlight the importance of cultural exchange and DEI (Diversity, Equity \u0026amp; Inclusion) in music. Panel conversations will explore how to build sustainable and equitable music communities.\u003c/span\u003e\n\n\u003cspan\u003eGet all the details on the events happening during Music's Biggest Week in Washington D.C. — GRAMMYs on the Hill Awards, Advocacy Day, and Future Forum — on the\u003c/span\u003e[\u003cspan\u003e Recording Academy’s Advocacy Page\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news)\u003cspan\u003e. \u003c/span\u003e\n\n## \u003cspan\u003eThis Year's Top Legislative Priorities\u003c/span\u003e\n\n**[\u003cspan\u003eNO FAKES Act\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/no-fakes-act-introduced-in-the-senate)\u003cspan\u003e:\u003c/span\u003e**\u003cspan\u003e The Nurture Originals, Foster Art, and Keep Entertainment Safe (NO FAKES) Act would establish the first-ever federal protections for creators' image, voice, and likeness. The bill would ensure artists maintain control of their digital identity and prevent the unauthorized use of AI-generated deep fakes by setting a national standard that holds  individuals, companies, and platforms accountable.\u003c/span\u003e\n\n**[\u003cspan\u003eHITS Act\u003c/span\u003e](https://www.recordingacademy.com/advocacy/issues-policy/hits-act)\u003cspan\u003e:\u003c/span\u003e**\u003cspan\u003e The Help Independent Tracks Succeed (HITS) Act is a bipartisan bill that would support independent artists and songwriters by allowing them to deduct up to $150,000 in music production costs from their taxes in the year those expenses are incurred. The legislation updates the tax code to treat music production like film, TV, and theater — making it easier and more affordable to create new music.\u003c/span\u003e\n\n## \u003cspan\u003eGet Involved\u003c/span\u003e\n\n\u003cspan\u003eAhead of GRAMMYs On The Hill 2025, join us in advocating for a future that prioritizes human artistry. \u003c/span\u003e[\u003cspan\u003eContact your representatives\u003c/span\u003e](https://www.congressweb.com/GRAMMY/96/ \"https://www.congressweb.com/grammy/96/\")\u003cspan\u003e and urge them to support the \u003c/span\u003e[\u003cspan\u003eHITS Act\u003c/span\u003e](https://www.recordingacademy.com/advocacy/issues-policy/hits-act \"https://www.recordingacademy.com/advocacy/issues-policy/hits-act\")\u003cspan\u003e, the \u003c/span\u003e[\u003cspan\u003eNO FAKES Act\u003c/span\u003e](https://www.recordingacademy.com/advocacy/news/no-fakes-act-introduced-in-the-senate \"https://www.recordingacademy.com/advocacy/news/no-fakes-act-introduced-in-the-senate\")\u003cspan\u003e, and increased arts funding. Download our \u003c/span\u003e[\u003cspan\u003eofficial GRAMMYs On The Hill social media toolkit\u003c/span\u003e](https://start.postn.app/kit/2025-grammys-on-the-hill-social-media-toolkit \"https://start.postn.app/kit/2025-grammys-on-the-hill-social-media-toolkit\")\u003cspan\u003e and join the conversation online.\u003c/span\u003e\u003cspan\u003em to support the HITS Act, the NO FAKES Act, and vital investments in the arts. \u003c/span\u003e\n\n\u003cspan\u003eFollow the Recording Academy’s ongoing efforts and take action by visiting the \u003c/span\u003e[\u003cspan\u003eAdvocacy page\u003c/span\u003e](https://www.recordingacademy.com/advocacy/act)\u003cspan\u003e.\u003c/span\u003e\n\n**Read more:** [GRAMMYs On The Hill 2025 Honorees Announced: Randy Travis, U.S. Representatives Linda Sánchez \u0026amp; Ron Estes](https://www.recordingacademy.com/advocacy/news/grammys-hill-2025-honorees-randy-travis-linda-sanchez-ron-estes)"}}],"hero":{"id":"007a7b12-8474-4fc3-8340-761901d05331","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"What To Know About GRAMMYs On The Hill 2025: Key Bills, Honorees \u0026 How You Can Support Music Creators"},"contentType":"https://therecordingacademy.com/content/photo"},"tags":["GRAMMYs On The Hill","GRAMMYs On The Hill 2025","Randy Travis","Linda Sanchez","Ron Estes","Advocacy","Recording Academy"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"canonicalUrl":"https://www.recordingacademy.com/advocacy/news/grammy-hill-2025-guide"},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1743715532342,"source":"Recording Academy","primaryPillar":"Advocacy","title":"What To Know About GRAMMYs On The Hill 2025: Key Bills, Honorees \u0026 How You Can Support Music Creators","shortTitle":"GRAMMYs On The Hill 2025: What You Need To Know","subHeadline":"Discover how the Recording Academy's GRAMMYs on the Hill returns to Washington, D.C. for a powerful week of music advocacy, celebrating creators and championing the policies that support them.","articleSummary":"Get ready to dive into the heart of music advocacy as the Recording Academy's GRAMMYs on the Hill gears up for a week of impactful events in Washington, D.C., celebrating the intersection of music and politics while advocating for creators' rights and addressing key legislative issues.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"What To Know About GRAMMYs On The Hill 2025: Key Bills, Honorees \u0026 How You Can Support Music Creators","deliveryId":"007a7b12-8474-4fc3-8340-761901d05331"},"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"f3dcdcd0-ec46-4175-b015-f17f84f3b587","name":"grammys_on_the_hill_2025_recording_academy_All_Dates_Hero_1644x925","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"hasGATrackingLink":true,"credit":{"richText":"\u003cspan\u003eGraphic Courtesy of the Recording Academy\u003c/span\u003e"},"tags":["GRAMMYs On The Hill 2025"],"title":"What To Know About GRAMMYs On The Hill 2025: Key Bills, Honorees \u0026 How You Can Support Music Creators","shortTitle":"GRAMMYs On The Hill 2025: What You Need To Know","imgAlt":"GRAMMYs On The Hill 2025: What You Need To Know","link":"/","captionValue":"The Recording Academy's annual GRAMMYs on the Hill 2025 takes place Tuesday, April 8, through Thursday, April 10, in Washington, D.C."},"contributorInfo":{"_meta":{"name":"Nina Frazier","schema":"https://therecordingacademy.com/content/contributor","deliveryKey":"bio/nina-frazier","deliveryId":"c32b59c2-5ff8-4e6b-8749-3bc255787b53"},"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"ff5d1bf3-3199-481f-9b9f-caf587d6c550","name":"nina-frazier-headshot","endpoint":"naras","defaultHost":"cdn.media.amplience.net"},"title":"Nina Frazier","bioValue":"Nina Frazier is a GRAMMY.com contributor. She is a Los Angeles-based content creator who has spent more than a decade working with major media and lifestyle companies in news, fashion, web3, food and luxury markets."}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Living Legends: Classical Producer Judith Sherman Details Her Path To Producer Of The Year \u0026 Why Lifelong Learning Is Essential","deliveryId":"120514da-2599-46bb-97d6-12b291688b34","deliveryKey":"news/judith-sherman-interview-producer-classical-music-grammy-go"},"articleCategory":["interview"],"contributors":[{"id":"fa95ee0f-3d40-4e07-a6f0-8e509a07bee1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: Classical Producer Judith Sherman body 1","deliveryId":"3da39657-0b50-4ab7-a2f4-ba05ef244b85"},"bodyText":{"richText":"[\u003cspan\u003eJudith Sherman\u003c/span\u003e](https://grammy.com/artists/judith-sherman/13929)\u003cspan\u003e remembers winning her first GRAMMY Award in 1994 with something resembling disbelief. That year, inside New York’s Radio City Music Hall, \u003c/span\u003e[\u003cspan\u003eWhitney Houston\u003c/span\u003e](https://grammy.com/artists/whitney-houston/3899)\u003cspan\u003e opened the Ceremony with \"I Will Always Love You\"; \u003c/span\u003e[\u003cspan\u003eU2\u003c/span\u003e](https://grammy.com/artists/u2/7858)\u003cspan\u003e's \u003c/span\u003e[\u003cspan\u003eBono\u003c/span\u003e](https://grammy.com/artists/bono/788)\u003cspan\u003e presented \u003c/span\u003e[\u003cspan\u003eFrank Sinatra\u003c/span\u003e](https://grammy.com/artists/frank-sinatra/6581)\u003cspan\u003e with a GRAMMY Legend Award, and Lifetime Achievement honoree \u003c/span\u003e[\u003cspan\u003eAretha Franklin\u003c/span\u003e](https://grammy.com/artists/aretha-franklin/11503)\u003cspan\u003e sang \"(You Make Me Feel Like) A Natural Woman.\" \u003c/span\u003e\n\n\u003cspan\u003e\"It was just incredible,\" Judith recalls, reflecting on the moment for GRAMMY.com. \"I got to meet \u003c/span\u003e[\u003cspan\u003eMaya Angelou\u003c/span\u003e](https://grammy.com/artists/maya-angelou/391)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003ePeter, Paul and Mary\u003c/span\u003e](https://grammy.com/artists/peter-paul-and-mary/7938)\u003cspan\u003e. And I sat at a table afterward with \\[the members of\\] U2.\" \u003c/span\u003e\n\n\u003cspan\u003eSherman's very presence in that room would have been a complete shock a little more than two decades earlier. Back then, in the mid-'60s, she was a seventh-grade English teacher in West Seneca, New York, trying to figure out her next move as her first marriage was breaking up. \u003c/span\u003e\n\n\u003cspan\u003eThough Sherman didn’t originally set out to be a producer, she was always surrounded by music. Everyone in her family seemed to play something, and no matter where they were, they were singing all the time. \"And I do mean \u003c/span\u003e*\u003cspan\u003eall\u003c/span\u003e*\u003cspan\u003e the time,\" she says. \u003c/span\u003e\n\n\u003cspan\u003eSherman decided to tap into that passion and enrolled in a grad school program at the University of Buffalo as a vocal performance major. \"I wanted to be in the music field, even while I was teaching. I was singing in a chorus and going to a lot of concerts. The draw was always music, I just didn't know what I was going to do. I thought I might be a singer, and I did try composing, which I was really bad at,\" she remembers. \"But, you know, one thing led to another, and as I always tell people, I got here through a series of fortuitous accidents.\"\u003c/span\u003e\n\n\u003cspan\u003eToday, Sherman’s work recording and producing solo and chamber music has earned her 15 GRAMMY Awards (seven of them are for Classical Producer Of The Year). She launched her own production company, Judith Sherman Productions, and has been recognized for her dedication to the classical music community. \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: 2023 Producers \u0026 Engineers Wing Event Recap","deliveryId":"6873c0d2-b0b7-4866-9bdc-87e458b66643"},"brightcoveId":"90553574-28f3-4043-a6ee-6f13334c071c","theme":"Grammy (Gold)","assetId":"90553574-28f3-4043-a6ee-6f13334c071c"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: Classical Producer Judith Sherman body 2","deliveryId":"d97747e4-5d23-4d33-b744-329b4041489c"},"bodyText":{"richText":"\u003cspan\u003eMore recently, she participated in the Recording Academy’s \u003c/span\u003ecreator-to-creator learning platform\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eGRAMMY GO\u003c/span\u003e](https://go.grammy.com/?utm_source=GRMY\u0026utm_medium=article)\u003cspan\u003e, \u003c/span\u003e\u003cspan\u003eproviding her insights in \u003c/span\u003e[\u003cspan\u003eCarolyn Malachi\u003c/span\u003e](https://grammy.com/artists/carolyn-malachi/4651)\u003cspan\u003e’s class, \u003c/span\u003e[\u003cspan\u003eMusic Production: Crafting an Award-Worthy Song\u003c/span\u003e](https://go.grammy.com/courses/how-to-produce-an-award-worthy-song/?utm_source=GRMY\u0026utm_medium=article)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eSherman spoke with GRAMMY.com about her decades-long career and what continues to inspire her as a classical music producer.\u003c/span\u003e\n\n**\u003cspan\u003eHow exactly does one go from teaching English class to becoming a GRAMMY Award-winning producer?\u003c/span\u003e**\n\n\u003cspan\u003eMusic was always a part of my life, but so was language, so I graduated as an English major. When my first marriage ended, I decided that I did want to pursue music, so I managed to get into grad school at the University of Buffalo as a singer. It’s a two-year program, and during that first semester, I needed another course, and there was an electronic music class there. I thought, \u003c/span\u003e*\u003cspan\u003eWell, that sounds interesting\u003c/span\u003e*\u003cspan\u003e, because I’d always loved physics, so I signed up for that and got hooked. \u003c/span\u003e\n\n**\u003cspan\u003eYou were going to school in the early '70s when so many things were changing in regards to sound recording and music technology. What kind of learning environment did that create for you?\u003c/span\u003e**\n\n\u003cspan\u003eAt that time, the music part and the technical part were growing together. \u003c/span\u003e\n\n\u003cspan\u003eMy last two semesters there, I was the TA for the Electronic Music Lab. In those days, if you were going to make a piece of electronic music, you had to record it to tape and overlay it, and so on. So you had to know how to calibrate a tape machine, and if you were going to do that, you might as well start learning about the microphones. I just kept going from there.\u003c/span\u003e\n\n**\u003cspan\u003eAfter graduating, what kind of opportunities led you on the path toward classical production?\u003c/span\u003e**\n\n\u003cspan\u003eI came to New York and worked in a jingle house, and then went on tour singing with \\[contemporary classical composer\\] \u003c/span\u003e[\u003cspan\u003eSteve Reich\u003c/span\u003e](https://grammy.com/artists/steve-reich/15206)\u003cspan\u003e. After that, I found a job with WBAI in 1972. That was a listener-funded radio station, and it was housed in a former church, so the back area with the balcony became a recording studio, and we would have concerts there. \u003c/span\u003e\n\n\u003cspan\u003eWe had two concerts a week, and I learned a lot about my technique very quickly because my mistakes were going to go on the air. It was a musical education for me, because I got to hear so many kinds of music. I recorded small chamber orchestras, but also \u003c/span\u003e[\u003cspan\u003eRavi Shankar\u003c/span\u003e](https://grammy.com/artists/ravi-shankar/6132)\u003cspan\u003e, jazz groups, blues groups, just a little bit of everything. \u003c/span\u003e\n\n**\u003cspan\u003eWho were some of the music figures who shaped your career?\u003c/span\u003e**\n\n\u003cspan\u003eWhen I was leaving WBAI, I managed to get a job as the recording engineer for the Marlboro Music Festival in Vermont. It was started by \u003c/span\u003e[\u003cspan\u003eRudolf Serkin\u003c/span\u003e](https://grammy.com/artists/rudolf-serkin/6124)\u003cspan\u003e and the Busch family of the Busch String Quartet, and they were looking for a recording engineer. Rudolf was a childhood hero of mine, so I really loved that job. \u003c/span\u003e\n\n\u003cspan\u003eMy boss was \u003c/span\u003e[\u003cspan\u003eMischa Schneider\u003c/span\u003e](https://grammy.com/artists/mischa-schneider/6271)\u003cspan\u003e, who had been the cellist for the Budapest String Quartet, and I learned so much from him. Even when he couldn’t see the musicians, sitting in the studio, he would say, \"Why are you using the fourth finger there? You should be using the third finger on that note.\" He could actually \u003c/span\u003e*\u003cspan\u003ehear\u003c/span\u003e*\u003cspan\u003e the difference through the speakers. \u003c/span\u003e\n\n\u003cspan\u003eDuring that time is when I started producing some things. An engineer from Vanguard Records was going to do a classical recording for another label and asked if I wanted to produce it. I had done some pop stuff, some folk music, but I thought, \u003c/span\u003e*\u003cspan\u003eGee, I think I’ve been training for this my whole life.\u003c/span\u003e*\u003cspan\u003e \u003c/span\u003e\n\n**\u003cspan\u003eIt seems like the world of production and music recording is always evolving. How did those changes affect you?\u003c/span\u003e**\n\n\u003cspan\u003eI started producing in the days of analog tape. So I would take things home to an old Ampex tape recorder with stacks of tapes to edit with a razor blade. Later, I ran into another engineer who was editing on a computer. I went and watched him work, and it was very slow, and very cumbersome, but not as cumbersome as editing tape. So when the next generation of that technology came along, I bought one, and that sort of changed everything. \u003c/span\u003e\n\n**\u003cspan\u003eHow do you know when you’ve had a good session?\u003c/span\u003e**\n\n\u003cspan\u003eI’m always happiest at the end of a session, when a musician says, \"Wow, that was so much more fun that I thought it was going to be.\" The idea is to make the sessions as stress-free as possible, because musicians can get a little stressed out about being recorded, but the point is that we're all going in the same direction.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed - GRAMMY GO Launches \"Crafting Award-Worthy Songs\"","deliveryId":"44c31b69-35f4-4466-ae40-ab3e75969aab"},"assetId":"535293e9-5792-4d36-8c24-ba4342f0aa05","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Living Legends: Classical Producer Judith Sherman body 3","deliveryId":"0ccc3c85-1eac-4be3-8006-339274b71f46"},"bodyText":{"richText":"**\u003cspan\u003eYou recently shared some of your expertise in a GRAMMY GO class. What kind of advice would you offer to aspiring producers?\u003c/span\u003e**\n\n\u003cspan\u003eYou have to build a trust with the musicians, and it has to be the kind of trust that goes both ways. So even when I think that we already have it, if a musician says, \"Well gee, I’d really like to do that over again,\" we’ll do it because they might have just had this really magical thought. \u003c/span\u003e\n\n\u003cspan\u003eI listen to them, but I also have to remind them that the way they feel doesn’t always translate to how it sounds. But they have to know that I'm on their side. I want them to sound good. \u003c/span\u003e\n\n**Learn More:** [How The Recording Academy's GRAMMY GO Is Building A Global Online Learning Community \u0026amp; Elevating The Creative Class](https://www.recordingacademy.com/news/recording-academy-grammy-go-global-initiative-online-learning)\n\n**\u003cspan\u003eWhat would you say are the challenges unique to classical music production?\u003c/span\u003e**\n\n\u003cspan\u003eFor the most part, we want to capture the performance as it was. With a lot of pop music, the song is being created in layers. With classical music, it’s mostly done live. All of the musicians are in the same room performing together. Everything is being done at the same place, at the same time, and those little balances and tweaks are things the musicians have to create live. \u003c/span\u003e\n\n\u003cspan\u003eIt varies whether you’re recording a chamber group, or a solo pianist, or a string quartet. With a string quartet, for example, everyone is exposed. You can hear everything each of them are doing, so if anybody loses focus for a second, that take will need to be edited. It takes a lot of concentration from everybody to be listening to everyone else around them. \u003c/span\u003e\n\n**\u003cspan\u003eDo you remember winning your first GRAMMY at the 36th GRAMMY Awards?\u003c/span\u003e**\n\n\u003cspan\u003eI was in tears because at that time, I was married to \u003c/span\u003e[\u003cspan\u003eMax Wilcox\u003c/span\u003e](https://grammy.com/artists/max-wilcox/10488)\u003cspan\u003e, who was a very-well known producer. I just figured in those days that you had to work for a label in order to get a GRAMMY and I had never worked for a label. I've always been freelance, so I was shocked. \u003c/span\u003e\n\n\u003cspan\u003eI was euphoric just getting that nomination, and I certainly didn't think I would win, so when \\[clarinetist \u003c/span\u003e[\u003cspan\u003eRichard Stoltzman\u003c/span\u003e](https://grammy.com/artists/richard-stoltzman/10246)\u003cspan\u003e\\] presented the award and said my name? Well, this happens every time I hear my name \\[at the GRAMMYs\\], but I just completely forget who I am, and the only thing I can think is, d\u003c/span\u003e*\u003cspan\u003eon’t trip.\u003c/span\u003e*\u003cspan\u003e It’s thrilling every time. \u003c/span\u003e\n\n**\u003cspan\u003eWhat keeps you excited and engaged when it comes to your job?\u003c/span\u003e**\n\n\u003cspan\u003eI like it because I learn so much music. When I go into a session, I have to know the music well, and by the time I’m finished editing, I know it intimately. I get to learn so much, and I don't have to practice \\[\u003c/span\u003e*\u003cspan\u003eLaughs.\u003c/span\u003e*\u003cspan\u003e\\] That's a limiting factor for musicians. They can't be learning a new piece every week, because they’ve got to be able to perform it. I don't have that problem.\u003c/span\u003e\n\n**\u003cspan\u003eWhat’s ahead for you? Are there still items left on your bucket list?\u003c/span\u003e**\n\n\u003cspan\u003eFor 50 years now, I have wanted to do a recording of the three \u003c/span\u003e[\u003cspan\u003eBenjamin Britten\u003c/span\u003e](https://grammy.com/artists/benjamin-britten/4152)\u003cspan\u003e quartets, and I'm going to get to do that next year finally. That’ll be with the Calidore String Quartet next year, which is the 50th anniversary of Britten’s death. \u003c/span\u003e\n\n**\u003cspan\u003eWhat is it like to operate in the world of classical music? How different is it from other genres?\u003c/span\u003e**\n\n\u003cspan\u003eWe all sort of root for each other because there are so few classical recording producers, maybe just 40 of us in the world, and there are very, very few labels who underwrite the recording of classical music. \u003c/span\u003e\n\n**\u003cspan\u003eLooking back on your career, how do you see your impact on the world of classical music?\u003c/span\u003e**\n\n\u003cspan\u003eYou know, I recently went to a concert of a string quartet that I've been recording, and they said, \"At our rehearsals, we'll get to arguing about something, and we’ll say, ‘Would Judy approve?’\" So I know I have had an impact on the musicians that I've worked with. I know that my work is not going to save the world, but at the same time, I also know that it has made a lot of people’s lives richer — both the musicians and the listeners — and that’s all I can really ask for.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"73b1cc55-7c26-4712-b04f-34dc5c4516d8","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Living Legends: Classical Producer Judith Sherman hero"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Classical"],"tags":["Judith Sherman","GRAMMY GO","Music Education","Classical","Producer of the year","Living 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Abdul's freestyles have already earned more than 100 million views across social platforms — a testament to both his talent and the urgency of his voice. For more episodes of \u003c/span\u003e**[\u003cspan\u003eGlobal Spin\u003c/span\u003e](https://grammy.com/series-or-collection/global-spin-grammys)**\u003cspan\u003e, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["Rap","World Music"],"tags":["MC Abdul","Global Spin","Rap","Hip Hop"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"canonicalUrl":"https://grammy.com/series-or-collection/global-spin-grammys/mc-abdul-through-my-eyes-performance","_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1743693171419,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"MC Abdul Delivers Sharp Bars In A Studio Performance Of \"Through My Eyes\" | Global Spin","shortTitle":"Palestinian Rapper MC Abdul's \"Through My 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Of Alicia Keys\u003c/span\u003e*\u003cspan\u003e. The acclaimed project helped the star earn three GRAMMYs that night, including Best Female R\u0026amp;B Vocal Performance for \"If I Ain’t Got You\" and Best R\u0026amp;B Song for \"You Don’t Know My Name.\" (She also took home a fourth, for \u003c/span\u003eBest R\u0026amp;B Performance By A Duo Or Group With Vocals for her **[Usher](https://www.grammy.com/artists/usher/16167)** collaboration, \"My Boo.\")"},"body":{"richText":"\u003cspan\u003eThe award marked a heartfelt moment for Keys, who thanked her longtime collaborators \u003c/span\u003e**[\u003cspan\u003eKerry \"Krucial\" Brothers\u003c/span\u003e](https://grammy.com/artists/kerry-krucial-brothers/11752)**\u003cspan\u003e and \u003c/span\u003e**[\u003cspan\u003eJeff Robinson\u003c/span\u003e](https://grammy.com/artists/jeff-robinson/243503)**\u003cspan\u003e, as well as \u003c/span\u003e**[\u003cspan\u003eClive Davis\u003c/span\u003e](https://grammy.com/artists/clive-davis/2689)**\u003cspan\u003e and her fans. \"This album means so much to me,\" she said onstage. \"But it wouldn't be anything without the people that hold me down every single day.\" For more unforgettable \u003c/span\u003e**[\u003cspan\u003eGRAMMY Rewind\u003c/span\u003e](https://www.grammy.com/series-or-collection/grammy-rewind-grammys/)**\u003cspan\u003e moments, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["R\u0026B"],"tags":["Alicia Keys","GRAMMY Rewind","2005 GRAMMYs","R\u0026B"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"canonicalUrl":"https://grammy.com/series-or-collection/grammy-rewind-grammys/alicia-keys-wins-best-rb-album-diary-of-alicia-keys"},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1743183123138,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Alicia Keys Wins Best R\u0026B Album For 'The Diary Of Alicia Keys' In 2005 | GRAMMY Rewind","shortTitle":"Alicia Keys Wins Best R\u0026B Album At 2005 GRAMMYs","videoCategory":"series","videoType":"episode","linkToSeriesCollection":"series-or-collection/grammy-rewind-grammys","image":{"poster":"https://nomad-content.grammy.com/pmc/ae/dd/05/aedd057f-e4c5-49a0-be24-5da24e005828/screenshots/PreviewImage-00-00-55.706.jpg"},"duration":"111411"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"COMA-CHI Fuses Tradition \u0026 Hip-Hop In A Captivating Performance Of \"Iyasaka\" | Global Spin","deliveryKey":"videos/coma-chi-iyasaka-performance","deliveryId":"60c677dc-482f-4da3-8d3b-eb0b019e4872"},"video":{"videoPlatformSource":"Nomad","assetId":"f8630f50-0a3d-4867-83f8-b95815bb2435"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"553b1226-3fdc-41cc-a223-b468691f85fd","name":"global-spin-Series_Artwork_GlobalSpin_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"alt":"Global Spin series logo"},"summary":{"richText":"\u003cspan\u003eSinger and rapper COMA-CHI delivers a powerful performance of her song \"Iyasaka,\" filmed at NEOLD Private House in Japan. Surrounded by traditional feudal-era architecture, the pioneering artist channels her roots through a mix of hip-hop, soul and traditional Japanese sounds.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eA standout from her latest album, 2024's \u003c/span\u003e*\u003cspan\u003eOTO\u003c/span\u003e*\u003cspan\u003e, \"Iyasaka\" exemplifies COMA-CHI's self-defined \"Japanese Fusion\" style — a genre-blurring blend of ancestral instruments and contemporary style. An independent artist and founder of her own label, Queen's Room, COMA-CHI pushes creative boundaries while amplifying the beauty of Japanese tradition on the global stage. For more episodes of \u003c/span\u003e**[\u003cspan\u003eGlobal Spin\u003c/span\u003e](https://grammy.com/series-or-collection/global-spin-grammys)**\u003cspan\u003e, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["World Music","Rap"],"tags":["COMA-CHI","Global Spin","Japanese","Hip-Hop","Soul","Traditional Japanese Music","Women's History Month"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1743090203285,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"COMA-CHI Fuses Tradition \u0026 Hip-Hop In A Captivating Performance Of \"Iyasaka\" | Global Spin","shortTitle":"COMA-CHI Fuses Tradition \u0026 Hip-Hop On \"Iyasaka\"","videoCategory":"performances","videoType":"episode","linkToSeriesCollection":"series-or-collection/global-spin-grammys","image":{"poster":"https://nomad-content.grammy.com/pmc/f8/63/0f/f8630f50-0a3d-4867-83f8-b95815bb2435/screenshots/PreviewImage-00-01-32.166.jpg"},"duration":"184333"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Nasty C On How His Apollo Interface Unlocks Studio-Level Sound On The Go | It Goes To 11","deliveryKey":"videos/nasty-c-interview-favorite-gear-apollo-interface","deliveryId":"f0285a1e-12fb-42b7-812f-c72123f1753a"},"video":{"videoPlatformSource":"Nomad","assetId":"1a098330-4197-4552-b837-ff8321a4d960"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"0516bdb1-98eb-4879-a3fe-dc8010f9187a","name":"It-Goes-To-11-Series_Badge_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"alt":"It Goes to 11 series logo"},"summary":{"richText":"\u003cspan\u003eFor South African rapper and producer Nasty C, the Apollo Twin audio interface is a game-changer. Known for his versatility across hip-hop, Afrobeats and R\u0026amp;B, he uses the device both in the studio and on stage, bringing consistency to his sound wherever he goes.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003e\"If you're a person like me who performs with, like, a lot of the studio effects in the vocal chain like, compression, EQ, auto tune, reverb, delay, you can have that same sound everywhere you go consistently, which is really, really dope,\" he says. Plus, with room and mic simulation plugins, he can easily recreate professional studio sound even while recording from home. For more episodes of \u003c/span\u003e**[\u003cspan\u003eIt Goes To 11\u003c/span\u003e](https://www.grammy.com/series-or-collection/it-goes-to-11-videos-grammys)**\u003cspan\u003e, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["Rap","World Music"],"tags":["Nasty C","It Goes To 11","Afrobeats","Hip-Hop"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"canonicalUrl":"https://grammy.com/series-or-collection/it-goes-to-11-videos-grammys/nasty-c-interview-favorite-gear-apollo-interface","_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1742997658960,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Nasty C On How His Apollo Interface Unlocks Studio-Level Sound On The Go | It Goes To 11","shortTitle":"Nasty C Reveals His Favorite Piece Of Gear","videoCategory":"series","videoType":"episode","linkToSeriesCollection":"series-or-collection/it-goes-to-11-videos-grammys","image":{"poster":"https://nomad-content.grammy.com/pmc/1a/09/83/1a098330-4197-4552-b837-ff8321a4d960/screenshots/PreviewImage-00-00-56.720.jpg"},"duration":"113440"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Mai Anna Offers A Smooth, Soulful Take On Norah Jones' \"Don't Know Why\" | ReImagined","deliveryKey":"videos/mai-anna-covers-norah-jones-dont-know-why","deliveryId":"75d05937-e96c-4d99-8377-f38d58fe8b7b"},"video":{"videoPlatformSource":"Nomad","assetId":"68b7e2ba-f3c3-4ef0-bd8b-602820f7dd6e"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"970bf15e-1913-42f8-acfd-5cc065107f37","name":"ReImagined_Series_Badge_New_2023","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"alt":"ReImagined series logo"},"summary":{"richText":"\u003cspan\u003eRising singer/songwriter Mai Anna brings her warmth and style to \u003c/span\u003e**[\u003cspan\u003eNorah Jones\u003c/span\u003e](https://grammy.com/artists/norah-jones/13227)**\u003cspan\u003e' beloved classic \"Don't Know Why.\" Joined by musician Solomon Fox on piano, she reinterprets the gentle ballad with rich vocals and understated charm.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003e\"Don't Know Why\" won Record Of The Year at the \u003c/span\u003e**[\u003cspan\u003e2003 GRAMMYs\u003c/span\u003e](https://grammy.com/awards/45th-annual-grammy-awards)**\u003cspan\u003e, where Jones swept all five of her nominated Categories, including Album Of The Year for her debut album, \u003c/span\u003e*\u003cspan\u003eCome Away With Me\u003c/span\u003e*\u003cspan\u003e, and Best New Artist. Mai Anna's smooth delivery and intimate approach pays homage to the iconic track while adding her own delicate touch. For more \u003c/span\u003e**[\u003cspan\u003eReImagined \u003c/span\u003e](https://grammy.com/series-or-collection/reimagined-grammys)**\u003cspan\u003ecovers, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["Jazz"],"tags":["Mai Anna","Norah Jones","Solomon Fox","ReImagined","R\u0026B","Soul","Jazz"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"canonicalUrl":"https://www.grammy.com/series-or-collection/reimagined-grammys/mai-anna-covers-norah-jones-dont-know-why","_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1742916639517,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Mai Anna Offers A Smooth, Soulful Take On Norah Jones' \"Don't Know Why\" | ReImagined","shortTitle":"Mai Anna Covers Norah Jones' \"Don't Know Why\"","videoCategory":"performances","linkToSeriesCollection":"series-or-collection/reimagined-grammys","image":{"poster":"https://nomad-content.grammy.com/pmc/68/b7/e2/68b7e2ba-f3c3-4ef0-bd8b-602820f7dd6e/screenshots/PreviewImage-00-01-48.838.jpg"},"duration":"217676"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Celebrating Karol G's Record-Breaking Impact | Run The World","deliveryKey":"videos/karol-g-rise-career-grammys","deliveryId":"fbf883f7-2c3b-473b-aa16-a29ebdf2f788"},"video":{"videoPlatformSource":"Nomad","assetId":"395d6c20-36c8-4d76-a8b7-dc4b64234b99"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"c250b148-0e86-43d9-801e-07988f4fa536","name":"Run-The-World-Collection-Badge","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"alt":"Run The World series logo"},"summary":{"richText":"\u003cspan\u003eSix-time Latin GRAMMY winner \u003c/span\u003e**[\u003cspan\u003eKarol G\u003c/span\u003e](https://grammy.com/artists/KAROL-G/38087)**\u003cspan\u003e has had a history-making rise to superstardom, including being the first woman to win Best Mùsic Urbana Album at the \u003c/span\u003e**[\u003cspan\u003e2024 GRAMMYs\u003c/span\u003e](https://grammy.com/news/2024-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e. And as the founder of the Con Cora Foundation, the Colombian singer has made it her mission to uplift women while becoming one of Latin music's biggest stars.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eRevisit how she's pushed Latin music forward — from signing her first record deal as a teenager to becoming the first woman to top the Billboard 200 with a Spanish-language album. For more episodes of \u003c/span\u003e**[\u003cspan\u003eRun The World\u003c/span\u003e](https://grammy.com/series-or-collection/run-world/)**\u003cspan\u003e, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["Latin"],"tags":["Karol G","Women's History Month","Run The World","Latin GRAMMYs","Latin Music","2024 GRAMMYs"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"canonicalUrl":"https://grammy.com/series-or-collection/run-world/karol-g-career-grammys-records"},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1742831579772,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Celebrating Karol G's Record-Breaking Impact | Run The World","shortTitle":"Celebrating Karol G's Record-Breaking Impact","videoCategory":"series","videoType":"episode","linkToSeriesCollection":"series-or-collection/run-world","image":{"poster":"https://nomad-content.grammy.com/pmc/39/5d/6c/395d6c20-36c8-4d76-a8b7-dc4b64234b99/screenshots/PreviewImage-00-00-31.017.jpg"},"duration":"62033"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Donna Summer Wins Best Female R\u0026B Vocal Performance For \"Last Dance\" At The 1979 GRAMMYs | GRAMMY Rewind","deliveryKey":"videos/21st-annual-grammy-awards-best-rb-vocal-performance-female","deliveryId":"6ec3d9fd-c51d-4602-a349-5bd534f1fb32"},"video":{"title":"Donna Summer Wins Best R\u0026B Vocal Performance, Female","brightcoveId":"6068681940001","videoPlatformSource":"Nomad","assetId":"925aa8fa-49ad-45fd-93bd-89a7c0acf1c3"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"fa33af0b-c97c-465d-9b10-43d46c077d7d","name":"grammy-rewind-Series_Artwork_GrammyRewind_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"alt":"GRAMMY Rewind series logo"},"summary":{"richText":"\u003cspan\u003eAt the \u003c/span\u003e[\u003cspan\u003e1\u003c/span\u003e](https://grammy.com/awards/21st-annual-grammy-awards)**[\u003cspan\u003e979 GRAMMYs\u003c/span\u003e](https://grammy.com/awards/21st-annual-grammy-awards)**\u003cspan\u003e, disco icon \u003c/span\u003e**[\u003cspan\u003eDonna Summer\u003c/span\u003e](https://www.grammy.com/artists/donna-summer/14046)**\u003cspan\u003e took home her first GRAMMY, winning Best Female R\u0026amp;B Vocal Performance for \"Last Dance.\" The glittering single, written by Paul Jabara for the film \u003c/span\u003e*\u003cspan\u003eThank God It’s Friday\u003c/span\u003e*\u003cspan\u003e, became one of Summer’s signature hits.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eWatch as Summer, radiant in a black and gold gown, accepts the award from \u003c/span\u003e**[\u003cspan\u003eDionne Warwick\u003c/span\u003e](https://grammy.com/artists/dionne-warwick/14250)**\u003cspan\u003e and \u003c/span\u003e**[\u003cspan\u003eQuincy Jones\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)**\u003cspan\u003e, thanking Jabara for first introducing her to the song and having her first sing it in a bathroom in Puerto Rico. Over her legendary career, Summer earned 18 GRAMMY nominations and five wins. For more memorable \u003c/span\u003e**[\u003cspan\u003eGRAMMY Rewind\u003c/span\u003e](https://www.grammy.com/series-or-collection/grammy-rewind-grammys)**\u003cspan\u003e moments, visit \u003c/span\u003e**[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["R\u0026B"],"tags":["Donna Summer","Best Female R\u0026B Vocal Performance","1979 GRAMMY Awards","GRAMMY Rewind"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"canonicalUrl":"https://grammy.com/series-or-collection/grammy-rewind-grammys/21st-annual-grammy-awards-best-rb-vocal-performance-female"},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1742570436866,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Donna Summer Wins Best Female R\u0026B Vocal Performance For \"Last Dance\" At The 1979 GRAMMYs | GRAMMY Rewind","shortTitle":"Donna Summer's \"Last Dance\" Wins In 1979","videoCategory":"others","videoType":"episode","linkToSeriesCollection":"series-or-collection/grammy-rewind-grammys","image":{"poster":"https://nomad-content.grammy.com/pmc/92/5a/a8/925aa8fa-49ad-45fd-93bd-89a7c0acf1c3/screenshots/PreviewImage-00-00-26.477.jpg"},"duration":"52953"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Immasoul Honors Her Roots With A Soulful Performance Of \"Confiésalo\" | Global Spin","deliveryKey":"videos/immasoul-confiesalo-performance","deliveryId":"be5ee36c-b87e-40cf-9405-16af03496c05"},"video":{"videoPlatformSource":"Nomad","assetId":"d698e43e-ed1c-4b58-afc8-0f4d5bcc4942"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"553b1226-3fdc-41cc-a223-b468691f85fd","name":"global-spin-Series_Artwork_GlobalSpin_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"alt":"Global Spin series logo"},"summary":{"richText":"\u003cspan\u003eBorn in Chetumal, Quintana Roo, Mexico, singer/songwriter Immasoul often celebrates her culture-blending upbringing through her music — and she does just that in her single \"Confiésalo.\" She delivers a heartfelt performance of the song, letting her smooth, soulful vocals shine as she blends contemporary R\u0026amp;B with Caribbean rhythms.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eOn her upcoming album,\u003c/span\u003e *\u003cspan\u003ePistola\u003c/span\u003e*\u003cspan\u003e, Immasoul explores themes of personal growth, resilience and creative freedom. “Through all the tracks, you will hear the sounds and influences of a Mexican who had the opportunity to explore sounds and collaborate with producers from Puerto Rico, Venezuela, and the Dominican Republic,” she shared in a press release. For more episodes of\u003c/span\u003e **[\u003cspan\u003eGlobal Spin\u003c/span\u003e](https://grammy.com/series-or-collection/global-spin-grammys)**\u003cspan\u003e, visit\u003c/span\u003e **[\u003cspan\u003eGRAMMY.com/videos\u003c/span\u003e](http://grammy.com/videos)**\u003cspan\u003e.\u003c/span\u003e"},"contentGenre":["Latin"],"tags":["Immasoul","Global Spin","R\u0026B","Latin Music","Soul","Women's History Month"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"},"canonicalUrl":"https://grammy.com/series-or-collection/global-spin-grammys/immasoul-confiesalo-performance"},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1742482612791,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Immasoul Honors Her Roots With A Soulful Performance Of \"Confiésalo\" | Global Spin","shortTitle":"Immasoul Honors Her Roots On Soulful \"Confiésalo\"","videoCategory":"performances","videoType":"episode","linkToSeriesCollection":"series-or-collection/global-spin-grammys","image":{"poster":"https://nomad-content.grammy.com/pmc/d6/98/e4/d698e43e-ed1c-4b58-afc8-0f4d5bcc4942/screenshots/PreviewImage-00-01-28.854.jpg"},"duration":"177708"},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Skylar Simone On How ProTools Improves Her Sessions \u0026 Creative Flow | It Goes To 11","deliveryKey":"videos/skylar-simone-interview-favorite-gear-protools","deliveryId":"45a6c055-1f18-4293-b35c-2dbcd160355b"},"video":{"videoPlatformSource":"Nomad","assetId":"f4d0c98f-7e18-4fc0-83d2-64fe80ec77f5"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"0516bdb1-98eb-4879-a3fe-dc8010f9187a","name":"It-Goes-To-11-Series_Badge_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/jpeg"},"alt":"It Goes to 11 series logo"},"summary":{"richText":"\u003cspan\u003eFor singer/songwriter and producer Skylar Simone, ProTools is more than just recording software — it's her creative lifeline. After feeling limited in studio sessions early in her career, she taught herself the program during the pandemic, determined to gain full control over her sound.\u003c/span\u003e"},"body":{"richText":"\u003cspan\u003eFrom her simple home studio setup — complete with a laptop, Apollo interface, and closet-turned-vocal booth — Simone crafts tracks that channel mood and atmosphere. \"I love to turn the lights down and zone out in my little closet studio,\" she shares. But with all that inspiration flowing, she’s learned an important lesson: save often. \"Too many times I forgot to press save and lost the entire session. 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights","slidesFromServer":[{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","deliveryKey":"news/2025-grammys-nominations-full-winners-nominees-list","deliveryId":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"d3d25692-bf75-446d-83de-381f7b1d68a5"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n***\u003cspan\u003eEditor’s Note:\u003c/span\u003e** \u003cspan\u003eUpdated Sunday, Feb. 2, 2025, to reflect winners from the 2025 GRAMMYs, officially known as the\u003c/span\u003e [\u003cspan\u003e67th GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards/67th-annual-grammy-awards-2024)\u003cspan\u003e.\u003c/span\u003e*\n\n\u003cspan\u003eFrom \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e's](https://www.grammy.com/artists/beyonce-knowles/12474) *\u003cspan\u003eCowboy Carter\u003c/span\u003e*\u003cspan\u003e making history, \u003c/span\u003e**[\u003cspan\u003ewinning her first Album Of The Year award\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys)**\u003cspan\u003e and becoming the \u003c/span\u003e**[\u003cspan\u003efirst Black woman\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)**\u003cspan\u003e to ever take home a golden gramophone in the Best Country Album, to \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e's](https://www.grammy.com/artists/kendrick-lamar/17949) “Not Like Us” sweeping in all five categories he was nominated in, the 2025 GRAMMYs were a monumental show that showcases why GRAMMY Sunday is Music's Biggest Night. Aside from notable award wins, electrifying performances from artists like [Doechii](https://www.grammy.com/artists/doechii/57882) and [Chappell Roan](https://www.grammy.com/artists/chappell-roan/56864) rattled Crypto.com Arena and entirely transformed the energy in the room.\n\n\u003cspan\u003eThe Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on every GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which went into effect immediately at the 2025 GRAMMYs. All these changes were designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the full list of winners and nominees at the 2025 GRAMMYs below.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist \u003c/span\u003e\n\n“**Now and Then”** - The Beatles\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish \u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar - \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé \u003c/span\u003e\u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii - **WINNER**\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\\\n\\\n*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"_meta":{"name":"2025 GRAMMYs Full Nomination List","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"ec9eba9c-c548-4113-89c9-981abf385da7","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738563281705,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","shortTitle":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","subHeadline":"The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. 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Having already collected the GRAMMY for Best Country Album — \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003ethe first Black woman to do so\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)\u003cspan class=\"NormalTextRun SCXW185981080 BCX4\"\u003e — earlier in the evening, she gave a concise, yet gracious acceptance speech.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"eb5d20c3-70a9-4e35-88db-998317a225da"},"assetId":"4daba1a8-bb73-4dba-ac24-ce119c95907c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"4f75f658-923d-499a-8320-564fb04afc14"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I’d like to thank and acknowledge and praise all the firefighters keeping us safe,\" she began, mentioning the Los Angeles County Fire Department members that presented the award.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I just feel very full and very honored,\" she continued. \"It’s been many years, and I just want to thank the GRAMMYs, every songwriter, every collaborator, every producer, all the hard work.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e2025 GRAMMYs: See The Full Winners \u0026amp; Nominees List (UPDATING LIVE)\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé then dedicated the award to Linda Martell, a country music singer who became the first Black woman to play at the Grand Ole Opry in Nashville. Martell’s story was a theme of \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, which attempted to restore a Black presence in a genre historically dominated by white artists.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"I want to dedicate this to Mrs. Martell, and I hope we just keep pushing forward, opening doors. God bless y’all.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé has been nominated for Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year six \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003etimes, but\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e had yet to win until now. Her pursuit of the award was even commented on by host \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTrevor Noah\u003c/span\u003e](https://grammy.com/artists/trevor-noah/251934)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\"She had 99 nominations, and now Album \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW192339285 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e Year is one,\" he joked, referencing her husband Shawn \"\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e\" Carter’s song \"99 Problems\" as well as her 99 career GRAMMY nominations.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé was nominated in the Category alongside \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eAndré 3000\u003c/span\u003e](https://grammy.com/artists/andre-3000-benjamin/73)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCharli xcx\u003c/span\u003e](https://grammy.com/artists/charli-xcx/18360)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e. In addition to her win for Best Country Album, she also received the Best Country Duo/Group Performance for \"II MOST WANTED,\" her collaboration with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384)\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003e, at the Premiere Ceremony earlier in the day.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eBeyoncé had also announced a concert tour behind \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003eCOWBOY CARTER\u003c/span\u003e* \u003cspan class=\"NormalTextRun SCXW192339285 BCX4\"\u003ethe day before the GRAMMYs ceremony; the announcement was postponed from January due to the Los Angeles wildfires.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Album Of The Year For '[TK]'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Album of the year","Beyoncé","Cowboy Carter","Beyonce Knowles"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738561199923,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"Beyoncé Wins Her First Album Of The Year GRAMMY","subHeadline":"Beyoncé finally took home the coveted GRAMMY for 'COWBOY CARTER' after six nominations in the Category.","articleSummary":"Beyoncé takes home the GRAMMY for Album Of The Year at the 2025 GRAMMYs, winning over fellow nominees André 3000, Sabrina Carpenter, Charli xcx, Jacob Collier, Billie Eilish, Chappell Roan, and Taylor Swift","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","deliveryId":"c7ecad0d-37cb-482a-8295-cf317a6a3c9d"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce_album_of_the_year_2025_grammys_acceptance_speech_KW1_3645_2aLIT2tw","id":"58f6a26f-1465-47fc-81c5-005e89bd26bd","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","shortTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","imgAlt":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","imgTitle":"2025 GRAMMYs: Beyoncé Wins First Album Of The Year Award For 'COWBOY CARTER'","link":"/","captionValue":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","captionSummary":"Beyoncé accepts the GRAMMY for Album of the Year for 'COWBOY CARTER' onstage during the 2025 GRAMMYs on Feb. 2, 2025, in Los Angeles.","poi":{"isImage":true,"alpha":false,"width":4072,"height":2715,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43442443847656,"y":0.10383552379822}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year Win","deliveryKey":"news/kendrick-lamar-not-like-us-wins-song-of-the-year-2025-grammys","deliveryId":"45283c99-3e68-4e29-bf8a-9171b085e210"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Song Of The Year - 2025 GRAMMYs","deliveryId":"7713dd78-7a63-4662-abed-2b562ec08176"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eImmediately after winning Record Of The Year,\u003c/span\u003e [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) \u003cspan\u003eand his collaborators reemerged from backstage at the 2025 GRAMMYs to collect the trophy for Song Of The Year.\u003c/span\u003e\n\n\u003cspan\u003eLamar was speechless and \"starstruck\" after taking the golden gramophone from presenter \u003c/span\u003e[\u003cspan\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan\u003e, herself a 13-time GRAMMY nominee. His speech shouted out pioneering west coast rap artists like G Malone, Problem, and Maestro as well as his former labelmates Schoolboy Q, Ab-Soul, and Jay Rock. \u003c/span\u003e\n\n\u003cspan\u003e\"This is what it’s about man, because at the end of the day, nothing is more powerful than rap music,\" he said. \"We are the culture, it’s gonna always stay here and live forever.\" \u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Song Of The Year acceptance speech 2025 GRAMMYs","deliveryId":"3b36c40f-6900-473c-bb38-95df58227252"},"assetId":"015cd164-d17c-4159-82a6-5ffd50e4f877","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Kendrick Lamar Sweeps The 2025 GRAMMYs With Song Of The Year body 2","deliveryId":"4fbbf385-e30b-4d82-9770-890ce822071a"},"bodyText":{"richText":"\u003cspan\u003eHe also encouraged younger rappers to stay true to the culture of hip-hop. \"I just hope you respect the artform, that’s all. Respect the artform, it’ll get you where you need to go.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\u003cspan\u003eCompleting a sweep of his categories, the song had also won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. It was the song’s producer \u003c/span\u003e[\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar)\u003cspan\u003e that summed up the situation best: \u003c/span\u003e\n\n\u003cspan\u003e\"Somebody get the broom out!\" \u003c/span\u003e\n\n\u003cspan\u003eLamar was nominated for Song Of The Year alongside\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eLady Gaga\u003c/span\u003e](https://grammy.com/artists/lady-gaga/3611) \u003cspan\u003e\u0026amp;\u003c/span\u003e [\u003cspan\u003eBruno Mars\u003c/span\u003e](https://grammy.com/artists/bruno-mars/5082)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) \u003cspan\u003efor the award. He dedicated his win for Record Of The Year to the city of Los Angeles.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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[Donate now](https://grammy.com/firerelief).*\n\nAfter winning Best New Artist at the 2025 GRAMMYs, \u003cspan\u003eChappell Roan\u003c/span\u003e used her platform to advocate for a livable wage for musicians.\n\nTaking the golden gramophone after her \u003cspan\u003eperformance of \"Pink Pony Club,\"\u003c/span\u003e the first-time GRAMMY winner used her speech to ask record companies to pay their artists fairly, a cause that got a huge applause from the crowd at Crypto.com Arena.\n\n\"I told myself, if I ever won a GRAMMY, and I got to stand up here in front of the most powerful people in music, I would demand that labels and the industry profiting millions of dollars off artists would offer a living wage and healthcare, especially to developing artists,\" she said.\n\nThe six-time nominee got even more personal, describing her own struggles after being dropped from her label."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"6d2f6396-60e3-4c2b-8840-3aa93a9622bf"},"assetId":"96f93e93-8edb-4a9d-a30e-358ffef1f019","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Chappell Roan Wins Best New Artist, Calls On Labels To Do Better","deliveryId":"37e2891a-601e-4ea5-bead-cded046921ca"},"bodyText":{"richText":"\"I was signed as a minor, \\[and\\] when I got dropped I had zero job experience under my belt. And like most people I had a difficult time finding a job during the pandemic and could not afford health insurance,\" she said. \"It was so devastating to feel so committed to my art and feel so betrayed by the system. I was so dehumanized not to have health insurance.\"\n\nShe ended her speech by asking, \"Labels, we got you, but do you got us?\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\nRoan was nominated alongside \u003cspan\u003eBenson Boone\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eDoechii\u003c/span\u003e, \u003cspan\u003eKhruangbin\u003c/span\u003e, \u003cspan\u003eRaye\u003c/span\u003e, \u003cspan\u003eShaboozey\u003c/span\u003e, and \u003cspan\u003eTeddy Swims\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eVictoria Monét\u003c/span\u003e.\n\nThe artist, who named herself after her Papa Chappell, was nominated for five additional awards, including Album Of The Year for *Chappel Roan The Rise and Fall of a Midwest Princess* and Song Of The Year and Record Of The Year for \"Good Luck, Babe!\" Her producer \u003cspan\u003eDan Nigro won Producer Of The Year (Non-Classical)\u003c/span\u003e at the Premiere Ceremony earlier in the day."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"4254ed74-5b2b-4cc6-9a68-7bc1cb8313bf"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nLike her GRAMMY-nominated album, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e may be *Short n’ Sweet*, but the pint-sized – and newly GRAMMY-winning – pop star went big for her GRAMMYs debut. In one of the first performances at the 2025 GRAMMYs, Carpenter delivered a glamorous live performance of her smash hits \"Espresso\" and \"Please Please Please.\"\n\nCarpenter began with a comedic jazzy rendition of \"Espresso\" before changing from a sparkling, tuxedo-inspired dress into the sugary original itself while showing off her tap skills in the process. From there, the Best New Artist nominee suavely transitioned into \"Please Please Please\" and its country twang before returning to \"Espresso\" just as quickly for her finale.\n\nThe dazzling, drenched-in-blue display was something of a victory lap for the summer-dominating \"Espresso,\" for which Carpenter won Best Pop Solo Performance earlier at the Premiere Ceremony. Shortly after her performance, *Short n’ Sweet* won the GRAMMY Award for [Best Pop Vocal Album](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/sabrina-carpenter-album-wins-best-pop-vocal-album-2025-grammys)."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad: Sabrina Carpenter - 2025 GRAMMYs","deliveryId":"ff3f8767-6044-4559-992e-d0f7a2e53c24"},"assetId":"b6a4b827-4f50-4520-ae5c-9dfd1d23ed4b","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"a2cb7b40-6a15-487e-a1ca-fe577d0ac5ae"},"bodyText":{"richText":"Released in April 2024, \"Espresso\" earned Carpenter her first Top 10 single on the Billboard Hot 100, while \"Please Please Please\" topped the Billboard Hot 100. The accolades kept stacking with the August release of another single, \"Taste,\" which debuted on the Hot 100 at No. 2. \n\nAccording to *\u003cspan\u003eBillboard\u003c/span\u003e*, \"As the tracks mark Carpenter’s first three top five Hot 100 hits, she \\[became\\] only the second act — and first soloist — ever to chart her first three top five hits in the region simultaneously,\" something last achieved by \u003cspan\u003ethe Beatles\u003c/span\u003e in 1964. So while *Short n’ Sweet* may have been Carpenter’s sixth album and a decade into her musical career, its success established her as a pop force. \"This album doing what it’s done is so fulfilling to me because I’m just being myself with bigger hair.\"\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[How Sabrina Carpenter Became A GRAMMY-Winning Pop Queen: Tracing Her Journey To 'Short N' Sweet'](https://www.grammy.com/news/sabrina-carpenter-short-n-sweet-new-album-career)\n\nThe singer’s rapid ascent happened just as much off-stage, too, having started the year guesting on multiple dates of Swift's epic [\u003cspan\u003eEras Tour\u003c/span\u003e](https://www.grammy.com/news/taylor-swift-eras-tour-records-movie-disney-plus-stream). In April, she made her Coachella debut, and following the album’s release, she embarked on her first arena tour and produced and starred in a Netflix holiday special, *A Nonsense Christmas with Sabrina Carpenter*. Next month, the tour heads overseas to Europe."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"97ea21bc-70e3-408f-a191-9af6ada372e8","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["Sabrina Carpenter","2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738547645755,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Sabrina Carpenter Celebrates Her 2025 GRAMMYs Wins With A Performance of \"Espresso\" \u0026 \"Please Please Please\"","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","subHeadline":"From comedic and quirky to country-inflected pop, the newly GRAMMY-winning artist dazzled with a medley of her hit 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Shortly after her performance, Sabrina Carpenter won Best Pop Vocal Album for 'Short N' Sweet.'","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Sabrina Carpenter Performs On The GRAMMY Stage","deliveryId":"97ea21bc-70e3-408f-a191-9af6ada372e8"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"sabrina-carpenter-2025-grammys-performance","id":"40db6722-cfb2-490e-b682-5829f1065fbf","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo:Kevin Winter/Getty Images for The Recording Academy"},"tags":["Sabrina Carpenter","2025 GRAMMYs"],"title":"Sabrina Carpenter Performs At The 2025 GRAMMYs","shortTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgAlt":"Sabrina Carpenter Performs At The 2025 GRAMMYs","imgTitle":"Sabrina Carpenter Performs At The 2025 GRAMMYs","link":"/","captionValue":"Sabrina Carpenter performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3816,"height":2656,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","deliveryKey":"news/the-weeknd-2025-grammys-performance","deliveryId":"b16f5422-83c5-467c-90d0-c62625dbfc80"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b18f692b-99d1-49cf-ad7d-95cf10f76102"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - The Weeknd performs at 2025 GRAMMYs","deliveryId":"48d0dce2-1f52-462f-b065-351a4083e36c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nAt the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), global superstar [The Weeknd](https://www.grammy.com/artists/The-Weeknd/24884) made his highly anticipated return to the GRAMMY stage after a three-year boycott, marking a turning point for the Recording Academy.\n\nHis performance, a rousing medley of \"Cry For Me\" and \"Timeless,\" came after his widely public decision to step away from submitting any of his music in 2021 stemming from concerns over a lack of transparency and fairness in the awards process. Now, following the Academy's sweeping reforms and a massive overhaul of its voting body, and initiatives to promote inclusivity, The Weeknd's return signals a new era of accountability and integrity for the GRAMMYs."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"The Weeknd Playboy Caarti 2025 GRAMMYs Performance","deliveryId":"5dd5d20f-4c10-4f41-90e2-7ef11094f8b2"},"assetId":"1c249a70-f716-4ad0-9017-4df69b615503","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - The Weeknd Makes Triumphant Return To GRAMMYs Stage","deliveryId":"d3a7d49c-3bc1-4f0a-953e-f7bcc91cfb49"},"bodyText":{"richText":"Moments before the surprise performance, Recording Academy [CEO Harvey Mason jr.](https://grammy.com/artists/harvey-mason-jr/4668) touched on the organization's changes that have helped lead to the monumental moment.\n\n\"Criticism is ok. I heard him, and I felt his conviction. What we all want is an organization dedicated to the well-being of all music makers, and one that reflects the entire music community, for now, and for future generations,\" Mason jr. said. \"So over the past few years, we've listened. We've acted. And, we've changed. We've launched initiatives like the Black Music Collective, Women in the Mix, Academy Proud, and others. We have completely re-made our membership, adding more than 3,000 women voting members. The GRAMMY electorate is now younger, nearly 40 percent people of color, and 66 percent of our members are new since we started our transformation. This year, the 13,000 voting members of the Academy nominated their peers and voted for the winners that you're seeing on this stage tonight. It's a system rooted in fairness, integrity, and the principle that every voice in our community matters. Now, charting a new course is never easy, there is still work to be done… but I firmly believe we’re on the right path.\n\n\"As we've seen tonight, music is a powerful force for good in the world,\" he continued. \"It heals us... it unites us. And we need that in this city right now. With that in mind, on a truly special night, what better way to bring us together, than this next artist. Someone who has seen the work this Academy has put in. I am so honored to leave you with a sentence, that I wasn't sure, would ever be said on the GRAMMY stage again: My friends, my fellow music makers, please join me in welcoming *back*, none other than, four-time GRAMMY-winning artist, and global superstar, The Weeknd.\"\n\nPerched among a slew of dancers with strobe lights blaring, The Weeknd delivered dynamic renditions of \"Cry For Me\" and \"Timeless,\" the latter featuring collaborator Playboi Carti. Both of the songs are singles from The Weeknd's new album, *Hurry Up Tomorrow*, which was just released on Jan. 31."}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"8af0c7d6-08a8-42f4-9f76-987a5565eb06","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["2025 GRAMMYs","the Weeknd"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738552010890,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: The Weeknd Makes Triumphant Return To GRAMMY Stage","shortTitle":"2025 GRAMMYs: The Weeknd's Triumphant Return","subHeadline":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","articleSummary":"In a special surprise performance, the four-time GRAMMY winner celebrated his new album and his first GRAMMY appearance since 2017.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: The Weeknd Performs On The GRAMMY Stage","deliveryId":"8af0c7d6-08a8-42f4-9f76-987a5565eb06"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"The-Weeknd-2025-GRAMMYs-GettyImages-2197328083","id":"488d4204-87bf-4f56-b465-424b5a4a478f","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Amy Sussman/Getty Images"},"tags":["2025 GRAMMYs","The Weeknd"],"title":"The Weeknd Performs At The 2025 GRAMMYs","shortTitle":"The Weeknd Performs At The 2025 GRAMMYs","imgAlt":"The Weeknd Performs At The 2025 GRAMMYs","imgTitle":"The Weeknd Performs At The 2025 GRAMMYs","link":"/","captionValue":"The Weeknd performs at The 2025 GRAMMYs.","captionSummary":"The Weeknd performs at The 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.55117881774902,"y":0.30696554576859}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Lady Gaga \u0026 Bruno Mars Perform \"California Dreamin'\"","deliveryKey":"news/lady-gaga-bruno-mars-perform-die-with-a-smile-2025-grammys","deliveryId":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"b038568e-2104-4c4f-b68d-3ce07bdd99d1"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Lady Gaga And Bruno Mars Perform body 1","deliveryId":"99d7d62a-070b-4d37-a5e9-36d9ed9a4d25"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eLady Gaga\u003c/span\u003e and \u003cspan\u003eBruno Mars\u003c/span\u003e brought another solemn and beautiful moment to the 2025 GRAMMYs with their own tribute to Los Angeles.\n\nFollowing a video revealing the widespread devastation of the L.A. wildfires, the pair appeared onstage to perform \"California Dreamin’\" (originally recorded by \u003cspan\u003eBarry McGuire\u003c/span\u003e but made famous by\u003cspan\u003e the Mamas \u0026amp; The Papas\u003c/span\u003e). With Gaga draped in a sheer, flower-embroidered maxi dress and Mars in a tan suit and straw hat, they embodied the laidback and melancholy dreaminess of the 1965 classic.\n\nGaga and Mars are both twice nominated this year for their duet \"Die With A Smile,\" for Best Pop Duo/Group Performance and \u003cspan\u003eSong Of The Year, winning in the former category\u003c/span\u003e. Over the years, they have amassed 28 golden gramophones between them, including three for Best Pop Duo/Group Performance — Gaga for \"Shallow\" with \u003cspan\u003eBradley Cooper\u003c/span\u003e in 2019 and \"Rain On Me\" with \u003cspan\u003eAriana Grande\u003c/span\u003e in 2021, and Mars for \"Uptown Funk\" with \u003cspan\u003eMark Ronson\u003c/span\u003e in 2016 — and one for Song Of The Year, Mars for \"That's What I Like\" in 2018.\n\nGaga and Mars wrote and produced \"Die With A Smile\" with regular Mars collaborators \u003cspan\u003eDernst \"D'Mile\" Emile II\u003c/span\u003e and \u003cspan\u003eAndrew Wyatt\u003c/span\u003e. \"I remember feeling that it was a song people needed to hear,\" Gaga told the *\u003cspan\u003eL.A. Times\u003c/span\u003e*. \"I write music all the time, and sometimes you feel like you're creating something that some people might like. But there are other times when you work on something, and you just know it's going to speak deeply to all kinds of people. I knew it immediately.\"\n\nShe was spot on. In addition to the song dominating Billboard's Global 200 upon its August release, \"Die With A Smile\" is currently atop the Billboard Hot 100 for its fourth total and consecutive week.\n\nFor both stars, the song is merely a starting point of momentum for 2025. Gaga, who shared \"Disease\" in October and a new single [\"Abracadabra\"](https://www.youtube.com/watch?v=vBynw9Isr28\u0026feature=youtu.be) just minutes after her duet, will be releasing her latest album, *Mayhem,* on March 7. In April, she'll headline Coachella. Meanwhile, Mars has been continuing his collaborative streak. His team-up with \u003cspan\u003eBLACKPINK\u003c/span\u003e member \u003cspan\u003eROSÉ\u003c/span\u003e, \"APT.,\" just surpassed 1 billion views on YouTube, and last month, he kicked off the new year with the Sexxy Red collab \"Fat Juicy \u0026amp; Wet.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nArguably one of the biggest hits of 2024, \"Pink Pony Club\" and \u003cspan\u003eChappell Roan\u003c/span\u003e have rightfully earned massive praise and accolades — ones the size of the massive pony that stood on stage during her performance at the \u003cspan\u003e2025 GRAMMYs\u003c/span\u003e.\n\nThanks to the astonishing success of her debut album, *\u003cspan\u003eThe Rise and Fall of a Midwest Princess\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003eRoan is being celebrated at this year’s ceremony in some of the night’s most-coveted Categories, including Album Of The Year, Record Of The Year, Song Of The Year, and Best New Artist. Shortly after her performance, Roan won the golden gramophone for Best New Artist.\n\n\u003cspan\u003eThough it took a little while for \u003c/span\u003e*\u003cspan\u003eThe Rise\u003c/span\u003e*\u003cspan\u003e to get into the cultural zeitgeist, Roan's GRAMMYs debut showcased just how essential she has already become to the pop world. \u003c/span\u003eThe crowd in the Crypto.com Arena — including artists such as \u003cspan\u003eAlicia Keys\u003c/span\u003e and \u003cspan\u003eJanelle Monáe\u003c/span\u003e —\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003erose to their feet, much like the\u003cspan\u003e massive festival crowds\u003c/span\u003e Roan has performed for recently. Their dancing was only topped by the immaculately choreographed crowd of rodeo clowns miming in unison, matching the artistry of the moment."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Chappell Roan 2025 GRAMMYs Performance","deliveryId":"e27532f1-8620-4be5-bbc7-617cf42bf12e"},"assetId":"646d6e07-583e-4a05-b0b5-e9e6c75c4459","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Chappell Roan 2025 GRAMMYs performance","deliveryId":"ac9ae659-c5ce-4c86-9e96-1881eb6dd5ae"},"bodyText":{"richText":"Prior to taking the stage, Roan welcomed the audience into her story, for those very few not aware of her meteoric rise. Her story of growing up queer in Missouri and longing for a larger world, not to mention finding a home in Los Angeles, rang especially powerfully this evening.\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eChappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop \"Femininomenon\"\u003c/span\u003e](https://www.grammy.com/news/chappell-roan-big-year-interview-coachella-performance)\n\nWearing a black and gold rhinestone-adorned corset with black leather gloves, and a black bedazzled cowboy hat, Roan kept things hot, her copper hair flowing across the stage, elegantly soaring into the song as if she were inviting audiences to an exciting new world we’ve never seen before. Holding her hand, the audience sang along: \"I know you wanted me to stay/ But I can’t ignore the crazy visions of me in L.A.\"\n\nDuring her introduction, good friend \u003cspan\u003eOlivia Rodrigo\u003c/span\u003e noted that Roan has come a long way from working in a nearby donut shop in L.A.'s Highland Park. And with this powerful, sincere performance, Roan is sure to reach even more dazzling heights in the future."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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Stage","deliveryId":"991cae20-378a-427a-ac2a-e498ab297fcd"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eCharli xcx\u003c/span\u003e](https://www.grammy.com/artists/charli-xcx/18360) \u003cspan\u003eturned Crypto.com Arena into a rave at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a wild live performance of \"Von dutch\" and \"Guess\" from her GRAMMY-winning album\u003c/span\u003e *[\u003cspan\u003ebrat\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-explainer-ag-cook-finn-keane-george-daniel-roundtable)*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eMaking her entrance from the parking area in a fur coat and lingerie, Charli debuted onstage at Music's Biggest Night with her it-girls in tow. The space transformed into a makeshift rave while she sang \"Von dutch,\" which \u003c/span\u003e[\u003cspan\u003ewon the GRAMMY for\u003c/span\u003e Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys)\u003cspan\u003e earlier in the night — giving new meaning to her lyrical declaration: \"It's so obvious, I'm your number one.\" \u003c/span\u003e\n\n\u003cspan\u003eThe British star then took the afterparty onstage, performing the suggestive \u003c/span\u003e[\u003cspan\u003eBillie Eilish\u003c/span\u003e](https://grammy.com/artists/billie-eilish/251741)\u003cspan\u003e collab \"Guess\" among a sea of writhing limbs, booming bass, and flying undergarments.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Body 1: Charli xcx 2025 GRAMMYs Performance: \"Von dutch\" \u0026 \"Guess\"","deliveryId":"176df206-bf2f-4881-84b5-12faed65c87b"},"assetId":"7f9a2135-55df-4708-be56-b596083c5a4c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Charli xcx Performs On The GRAMMY Stage","deliveryId":"48d4e31e-727f-4721-9d79-21143a96a6e6"},"bodyText":{"richText":"\u003cspan\u003eCharlie walked into the 67th Annual GRAMMY Awards as one of the night's most-nominated artists, earning eight nominations in total. She ended the night with three wins, including \u003c/span\u003e[Best Dance Pop Recording](https://www.grammy.com/videos/Charli-xcx-Von-dutch-wins-best-pop-dance-recording-2025-grammys) (“Von dutch”), [Best Dance/Electronic Album](https://www.grammy.com/music-genre/dance-electronic-music) (*BRAT*)and [Best Recording Package](https://www.grammy.com/series-or-collection/2025-grammys-67th-annual-grammy-awards-videos/charli-xcx-brat-best-recording-package-backstage-interview-2025-grammys) (*BRAT*).\n\n\u003cspan\u003eCharli's performance served as a triumphant return to the GRAMMYs, as she was last nominated in 2015 for her hit \u003c/span\u003e[\u003cspan\u003eIggy Azalea\u003c/span\u003e](https://grammy.com/artists/iggy-azalea/18298)\u003cspan\u003e collaboration, \"Fancy.\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eCharli XCX's Road To 'Brat': How Her New Album Celebrates Unabashed Confidence \u0026amp; Eccentricity\u003c/span\u003e](https://www.grammy.com/news/charli-xcx-brat-songs-albums-myspace-hyperpop)\n\n\u003cspan\u003eCharli's GRAMMY appearance also encapsulated how \u003c/span\u003e*\u003cspan\u003ebrat\u003c/span\u003e*\u003cspan\u003e took the singer into a new stratosphere in 2024. Her celebrated Brat Summer turned into an entire Brat year, kicking off with a Boiler Room event (aptly titled PARTYGIRL) last February. Charli's big year spawned a viral TikTok dance, a collaboration-stacked remix album (\u003c/span\u003e*\u003cspan\u003ebrat and it's completely different but also still brat\u003c/span\u003e*\u003cspan\u003e), an arena tour with \u003c/span\u003e[\u003cspan\u003eTroye Sivan\u003c/span\u003e](https://grammy.com/artists/troye-sivan/54138)\u003cspan\u003e, and a double-duty host and musical guest spot on \"Saturday Night Live.\" \u003c/span\u003e\n\n\u003cspan\u003eStill, like the 24-hour party girl she is, Charli's not yet done. In April, she's due to perform at Coachella, and she will kick off her first solo U.S. arena tour. She also reportedly has a film in the works, as announced by\u003c/span\u003e *[\u003cspan\u003eVariety\u003c/span\u003e](https://variety.com/2025/film/news/charli-xcx-a24-movie-the-moment-original-idea-1236283554/)*\u003cspan\u003e, which states she's \"teaming up with A24 to produce and star in a new movie called\u003c/span\u003e *\u003cspan\u003eThe Moment\u003c/span\u003e*\u003cspan\u003e, based on her own original idea.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 2025 GRAMMYs (Automatic/Latest News)","deliveryId":"ec19861e-02d0-4418-93fc-24ce1b4683af"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["2025 GRAMMYs"]},"title":"More 2025 GRAMMYs News"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Charli xcx performance","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Dance/Electronic","Pop"],"tags":["Charli xcx","2025 GRAMMYs","Dance Electronic Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738560199791,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs With A Performance Of \"Von Dutch\" \u0026 \"Guess\"","shortTitle":"Charli XCX Brings 'Brat' To The 2025 GRAMMYs","subHeadline":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","articleSummary":"The British star was one of 2025 GRAMMYs' most-nominated artists and brought the Ceremony to a close with her performance-turned-rave that was oh-so-brat.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Charli xcx performance","deliveryId":"9ce521a2-9c92-4bba-a276-1a1fa4489a0b"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"charli-xcx-2025-grammys-performance","id":"49c9f240-10f4-4ada-88f7-68c493b8fc5b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy)"},"tags":["Charli xcx","2025 GRAMMYs"],"title":"Charli xcx performs at the 2025 GRAMMYs","shortTitle":"Charli xcx performs at the 2025 GRAMMYs","imgAlt":"Charli XCX performs onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"Charli xcx performs at the 2025 GRAMMYs","link":"/","captionValue":"Charli xcx performing at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":3407,"height":2271,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","deliveryKey":"news/kendrick-lamar-not-like-us-wins-record-of-the-year-2025-grammys","deliveryId":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"45c67c65-75f9-45bd-9de3-bbe4473509cc"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Record Of The Year - 2025 GRAMMYs","deliveryId":"b3c885e7-5c39-48df-8d56-f5f33d5d1666"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nOn a GRAMMY night overflowing with support for an ailing Los Angeles, one of its proudest native sons has taken home the golden gramophone for Record Of The Year.\n\nA beaming [\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://grammy.com/artists/kendrick-lamar/17949) ascended the stage to collect his trophy for \"Not Like Us,\" the blistering diss track that topped the charts and became an unofficial anthem for L.A., and dedicated the win to the city itself.\n\n\"We gon’ dedicate this one to the city,\" he said, naming his hometown of Compton, as well as Watts, Long Beach, Inglewood, and a smattering of other neighborhoods and cities. \"I can’t give enough thanks to these places that I rolled around since high school, and most importantly the people and the families out in Palisades and Altadena. This is a true testament that we will continue to restore this city.\"\n\nLamar, whose music is heavily associated with Los Angeles and its culture, also mentioned the passing of his aunt, who died the day before the GRAMMYs ceremony.\n\n\"She probably watching from up there, make sure y’all got y’all best smiles on, make her feel good.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Kendrick Lamar Wins Record Of The Year: 2025 GRAMMYs","deliveryId":"d7b5efba-1e31-47f3-ad2d-0d6c81f63099"},"assetId":"532dbfb8-d8df-4028-b7ca-561da50a3801","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles body 1","deliveryId":"a0b58a8e-dfbd-4490-a432-634d450498a4"},"bodyText":{"richText":"\"Not Like Us,\" which served as the dramatic climax of a diss battle between Lamar and [\u003cspan\u003eDrake\u003c/span\u003e](https://grammy.com/artists/drake/12370) last year, had already won three GRAMMY Awards earlier in the day for Best Rap Performance, Best Rap Song, and Best Music Video during the Premiere Ceremony. [\u003cspan\u003eMustard\u003c/span\u003e](https://grammy.com/news/mustard-interview-producer-of-the-year-2025-grammys-kendrick-lamar), the song’s producer, collected all three trophies and accompanied Lamar onstage at Crypto.com Arena.\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\n\n[\u003cspan\u003e2025 GRAMMY Nominations: See The Full Nominees List\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\n\n\"I ain’t got nothing to say but WEST SIDE!\" he declared after Lamar had finished speaking.\n\nLamar was nominated for Record Of The Year alongside \u003cspan\u003ethe Beatles\u003c/span\u003e, \u003cspan\u003eBeyoncé\u003c/span\u003e, \u003cspan\u003eSabrina Carpenter\u003c/span\u003e, \u003cspan\u003eCharli xcx\u003c/span\u003e, \u003cspan\u003eBillie Eilish\u003c/span\u003e, \u003cspan\u003eChappell Roan\u003c/span\u003e, and \u003cspan\u003eTaylor Swift\u003c/span\u003e for the award. It was given out by last year’s winner, \u003cspan\u003eMiley Cyrus\u003c/span\u003e. A 57-time GRAMMY nominee, his previous wins include Best Rap Album for *To Pimp A Butterfly* and Best Rap Song and Best Rap Performance for \"Alright.\""}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: [ARTIST NAME] Wins Record Of The Year For \"[TK]\"","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"bd611e5d-0a99-44d7-bb1c-50d592b9fb6e","contentType":"https://therecordingacademy.com/content/photo"},"tags":["2025 GRAMMYs","Record Of The Year"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738557985375,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Kendrick Lamar Dedicates Record Of The Year Win To Los Angeles","shortTitle":"Kendrick Lamar Wins Record Of The Year","subHeadline":"\"We will continue to restore this city\" the rapper declared; the city embraced \"Not Like Us\" as an unofficial anthem last year.","articleSummary":"Kendrick Lamar won his first 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[Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eShakira\u003c/span\u003e](https://grammy.com/artists/shakira/17393) \u003cspan\u003eshowed why\u003c/span\u003e [\u003cspan\u003eshe's Latin music royalty\u003c/span\u003e](https://www.grammy.com/news/10-essential-shakira-songs-that-prove-superstar-status) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, where she delivered a performance of one of her earliest hits, 1998's \"Ojos Así,\" followed by her viral Bizarrap collaboration, \"Shakira: Bzrp Music Sessions, Vol. 53\" from her GRAMMY-winning album\u003c/span\u003e *\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"cb93e03a-483f-4c6a-8691-8e9fb8ffc876"},"assetId":"0accf71c-6edf-4976-977f-19ca758cbb17","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","deliveryId":"94edcaf8-e5ab-49be-8854-40685277169f"},"bodyText":{"richText":"\u003cspan\u003eThe performance — her first on the GRAMMYs stage since 2007 — punctuated a triumphant moment for the Colombian superstar, who shortly before the occasion won her fourth career GRAMMY. Bathed in dim, warm light and smoke, Shakira began with a stripped-back version of \"Ojos Así\" that went heavy on drums while showing off her sensual belly-dancing. Following a short dance break, she launched into her \"Bzrp Music Sessions,\" bringing the she-wolf energy of\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ethrough its self-confident bars and cheeky yet scathing disses.\u003c/span\u003e\n\n\u003cspan\u003eShakira's GRAMMY win for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emarks her third victory for Best Latin Pop Album, having previously won for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eShakira - MTV Unplugged\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2001 — her first-ever GRAMMY win — and more recently, her previous album\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ein 2018.\u003c/span\u003e\n\n\u003cspan\u003eIn the six years since\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eEl Dorado\u003c/span\u003e*\u003cspan\u003e, Shakira underwent a life-changing event with the breakup of her longtime relationship, for which\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres Ya No Lloran\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eserved as a therapeutic outlet. \"Making this body of work has been an alchemical process. While writing each song I was rebuilding myself. While singing them, my tears transformed into diamonds, and my vulnerability into strength,\" she\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003esaid on Instagram\u003c/span\u003e](https://www.instagram.com/p/C3XwGN9Mtuc/?utm_source=ig_embed\u0026ig_rid=8e58be30-c8d1-407b-af1e-7aec1bc05644\u0026img_index=1)\u003cspan\u003e.\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eShakira's Road To 'Las Mujeres Ya No Lloran': How Overcoming A Breakup Opened A New Chapter In Her Artistry\u003c/span\u003e](https://www.grammy.com/news/shakira-road-to-la-mujeres-ya-no-lloran-new-album-videos)\n\n\u003cspan\u003eShakira's triumph was as personal as it was professional. Her\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"Sessions\"\u003c/span\u003e](https://www.youtube.com/watch?v=CocEMWdc7Ck)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith Bizarrap set streaming records, and another,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003e\"TQG\"\u003c/span\u003e](https://www.youtube.com/watch?v=jZGpkLElSu8)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003ewith\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eKarol G\u003c/span\u003e](https://grammy.com/artists/KAROL-G/38087)\u003cspan\u003e, ascended to No. 1 on the Billboard Global 200. Both tracks earned the singer three Latin GRAMMYs in 2023, for\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/shakira-bizarrap-win-song-of-the-year-2023-latin-grammys-acceptance-speech-video-watch)\u003cspan\u003e, Best Pop Song and Best Urban Fusion/Performance.\u003c/span\u003e\n\n\u003cspan\u003eFollowing its March 2024 release,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eLas Mujeres\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003emaintained momentum with two more Latin GRAMMY nominations and a win in the newly created\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eBest Latin Electronic Music Performance\u003c/span\u003e](https://www.grammy.com/news/bizarrap-shakira-win-best-contemporary-electronic-music-performance-bzrp-music-sessions-53-2024-latin-grammys-acceptance-speech-video-watch)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003e(\"Shakira: Bzrp Music Sessions, Vol. 53 \\[Tiësto Remix\\])\"). As a result of its success, Shakira became the first woman with No. 1 albums across four decades on the\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e*\u003cspan\u003eBillboard\u003c/span\u003e*\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan\u003eLatin album charts — a resounding testament to\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan\u003eher longevity\u003c/span\u003e](https://www.grammy.com/news/shakira-albums-awards-facts-womens-history-month-video-run-the-world)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eShakira is continuing her run with new single \"Soltera,\" released this past September, and a forthcoming world tour scheduled to begin later this month.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 Performances","deliveryId":"9d29040a-fc90-4b82-aa3b-4ea224401ec8"},"isChatbotAvailable":false,"slides":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f28b6153-d42b-499c-9166-a4bc43c0e95f"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/slide","id":"a641a720-8512-4139-9da1-8e2f1f2b39fe"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"9ffdb187-8efd-42a9-a11f-b748f1f4ee66"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"45283c99-3e68-4e29-bf8a-9171b085e210"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b5bb1f5a-19ec-4065-8adb-99b575586478"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"776416c7-30cf-47e9-a822-b78220954bd2"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"b16f5422-83c5-467c-90d0-c62625dbfc80"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ea4decf3-1a87-4e8c-8f74-b2407f6fc483"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"eade9017-8601-4f29-b8d3-41a5c4edea6e"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"00db222a-fe5a-40bd-bb0d-af9d5bcff3fb"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"d09cc080-19ec-4475-b0fd-6464ab6e7af0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"ae2daccc-caa3-4e8b-bf71-dcb9c06ad8d0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"f1d9706b-41a6-4527-9cae-6c51445687b0"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"a4b6132c-b134-4983-96b3-c3d1c5b4c683"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"62829624-027d-4e06-8122-2e4cd7ebbf16"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"5883d091-317e-4c7d-9050-0aca8bd935fc"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"fdc355a6-8d7a-4bf9-9ab6-9f26906800d8"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/news-article","id":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"ef15170c-4a53-481a-a973-663715043a14"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/video","id":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"}],"title":"2025 GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Latin"],"tags":["2025 GRAMMYs","Shakira"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738612655680,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Shakira Performs A Belly Dance-Filled Medley Of \"Ojos Asi\" \u0026 \"Bzrp Sessions\"","shortTitle":"Shakira Performs At The 2025 GRAMMYs","subHeadline":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","articleSummary":"On the heels of winning her fourth golden gramophone, the Colombian superstar brought two of her massive hits to the GRAMMY stage — marking her first GRAMMY performance in 18 years.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Shakira Performs On The GRAMMY Stage","deliveryId":"c8d5d9d5-ef14-4c60-8b91-df1436de7fff"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"Shakira-2025-GRAMMYs-GettyImages-2197336575","id":"ecfc5916-86a9-4aba-b1da-4fa4aaf83dce","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: JC Olivera/WireImage"},"tags":["Shakira","2025 GRAMMYs"],"title":"Shakira Performs At The 2025 GRAMMYs","shortTitle":"Shakira Performs At The 2025 GRAMMYs","imgAlt":"Shakira Performs At The 2025 GRAMMYs","imgTitle":"Shakira Performs At The 2025 GRAMMYs","link":"/","captionValue":"Shakira performs at the 2025 GRAMMYs.","captionSummary":"Shakira performs at the 2025 GRAMMYs.","poi":{"isImage":true,"alpha":false,"width":3000,"height":2000,"format":"JPEG","metadata":{"pointOfInterest":{"w":0.125,"h":0.187265917603,"x":0.43720149993896,"y":0.24735022841321}},"status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryKey":"news/best-new-artist-performance-medley-2025-grammys","deliveryId":"f1d9706b-41a6-4527-9cae-6c51445687b0"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"fc97c690-9391-46ce-b48f-ea5f15ed5ba7"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Doechii Performs On The GRAMMY Stage","deliveryId":"3d37cf98-f24d-4db6-b806-548dbcbddc82"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eJust before Chappell Roan was crowned\u003c/span\u003e [\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist) \u003cspan\u003eat the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e, her fellow nominees\u003c/span\u003e [\u003cspan\u003eBenson Boone\u003c/span\u003e](https://grammy.com/artists/benson-boone/57823)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eShaboozey\u003c/span\u003e](https://grammy.com/artists/shaboozey/56863)\u003cspan\u003e, and\u003c/span\u003e [\u003cspan\u003eRAYE\u003c/span\u003e](https://grammy.com/artists/rachel-keen/58098) \u003cspan\u003eperformed a medley of their hit songs on the GRAMMY stage — proving why they all deserved the coveted recognition.\u003c/span\u003e\n\n\u003cspan\u003eAnd it truly was one big medley to rule all medleys! Each artist delivered their\u003c/span\u003e \u003cspan\u003esignature songs, resulting in an epic, genre-blending performance: Boone's catchy pop, Doechii's astonishingly original take on rap, Swims' alt balladry, Shaboozey's record-breaking country stylings, and RAYE's bewildering soul.\u003c/span\u003e\n\n\u003cspan\u003eBoone was up first, starting from his seat on the Crypto.com Arena floor and snaking through the crowd singing the mesmeric beginning to his smash-hit \"Beautiful Things.\" Right at that killer pre-chorus soar, he hurriedly ripped the top of the suit open to reveal a blue sequined jumpsuit, climbing up the stage and across the grand piano for his trademark backflip. It felt as if Boone was cannonballing over an endless abyss, his powerful vocals keeping the whole room afloat.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003eThat jolt of energy lent itself perfectly to the next act, the masterful\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e](https://www.grammy.com/artists/doechii/57882)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003e— who is now a first-time GRAMMY winner, taking home Best Rap Album not long before hitting the stage. The Tampa native was surrounded by an immaculately choreographed group of backing dancers all clad in custom Thom Browne gray uniforms — that is, before it was ripped away, revealing a two-piece white underwear fit with classic red and blue stripes.\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW170504811 BCX4\"\u003eDoechii\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW170504811 BCX4\"\u003epowerfully strutted along a moving walkway, delivering a mix of \"CATFISH\" and \"DENIAL IS A RIVER\" for a performance that spoke volumes.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Doechii) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"391fde00-d9f4-482e-a1a6-c0d59b5b4aeb"},"assetId":"9a6a3d38-44fa-467e-b02f-0ab32a7a27f5","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"4a271df8-4b37-40f8-b0c1-60040848f6bf"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003ePowerhouse vocalist \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003eTeddy Swims\u003c/span\u003e](https://www.grammy.com/artists/teddy-swims/58158)\u003cspan class=\"NormalTextRun SCXW49500894 BCX4\"\u003e kept the awe going, as his voice danced across the mic and commanded the stage for a dynamic rendition of his chart-topping hit, \"Lose Control.\" \"Something's got a hold of me lately,\" he cooed. \"No, I don't know myself anymore.\" That admission echoed through the Crypto.com Arena, Swims looking well in control of his fate for years to come.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003eCelebrating both his first GRAMMY nominations as well as the decade's longest-running No. 1 hit on the Billboard Hot 100,\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e](https://www.grammy.com/artists/shaboozey/56863)\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought his chart-topping smash \"A Bar Song (Tipsy)\" to the GRAMMY stage next. Starting with a snippet of his recent single \"Good News,\" the country and hip-hop experimentalist got the crowd to swell in unison, showcasing a song that feels at once all-American and universally joyful. And with Jennifer Lopez cheering him on, the joy\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW1994920 BCX4\"\u003eShaboozey\u003c/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW1994920 BCX4\"\u003ebrought to the ceremony was palpable.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: (Shaboozey) 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"d69f47bd-96d9-42fb-a673-c8712fb48b10"},"assetId":"aaa36e1e-abe3-45b8-8d80-7fa3643f0893","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs: Benson Boone Best New Artist Medley Performance","deliveryId":"c8c53a1a-14b2-4d19-bc0a-222848e50cd8"},"theme":"Grammy (Gold)","assetId":"1cca596c-e3b6-45db-9d3d-10a79df53c88"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Raye Performs Best New Artist Medley","deliveryId":"62667adf-c955-4b9b-8ab5-19c5ac584275"},"assetId":"046ef96f-b1d7-465e-a641-6d7d590a0d73","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Teddy Swims Performance Best New Artist Medley","deliveryId":"742ff7e6-1689-428f-90f2-cf32a458b94e"},"assetId":"efc6b6c4-ad1e-41a8-8be7-e4411924c56a","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs Khruangbin performance Best New Artist Medley","deliveryId":"c5a78dab-20de-4f05-8c1e-64e947d00d02"},"assetId":"51a71594-bcee-4fa8-8f9e-074341337b7c","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 5: 2025 GRAMMYs: Best New Artist Nominees Doechii, Benson Boone \u0026 More Showcase Their Remarkable Talent","deliveryId":"2a80faeb-b426-44a4-b943-58ebf19c5add"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eThen the angelic voice of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003eRAYE\u003c/span\u003e](https://www.grammy.com/artists/rachel-keen/58098)\u003cspan class=\"NormalTextRun SCXW165445979 BCX4\"\u003e sealed the medley's finale with an impressive old-Hollywood-inspired \"Oscar Winning Tears.\" RAYE's sparkling black dress, the white tux-clad backing band, and the vintage bandstands perfectly complimented her immaculate voice that kept the crowd in a trance. That mystic spell was only broken when she giddily bounced on the stage at the massive roar of approval.\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eRead More:\u003c/span\u003e**\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003e \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW268025665 BCX4\"\u003eMeet The First-Time GRAMMY Nominee: RAYE On Her Long Road To Stardom, Writing Songs With Beyoncé \u0026amp; Her \"Really Beautiful\" Bond With Charli XCX\u003c/span\u003e](https://www.grammy.com/news/raye-my-21st-century-blues-interview-songwriter-2025-grammys)\u003cspan class=\"EOP SCXW268025665 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eWhile they may not have been a part of the medley proper, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eKhruangbin\u003c/span\u003e](https://www.grammy.com/artists/khruangbin/58222)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e offered a majestic rendition of \"May Ninth\" just before their fellow Best New Artist nominees took the stage. It was a fitting transition between the medley showcase and the standout performances given by their other BNA comrades \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eChappell Roan\u003c/span\u003e](https://grammy.com/artists/chappell-roan/56864)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eSabrina Carpenter\u003c/span\u003e](https://grammy.com/artists/sabrina-carpenter/57838)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e.\u003c/span\u003e\u003cspan class=\"EOP SCXW197354953 BCX4\"\u003e \u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e\"That's a tough category right there,\" last year's Best New Artist recipient \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003eVictoria Monét\u003c/span\u003e](https://grammy.com/artists/victoria-monet/287096)\u003cspan class=\"NormalTextRun SCXW197354953 BCX4\"\u003e beamed, just prior to revealing Roan winning the category. Year in and year out, Best New Artist offers some of the most thrilling music of the evening. But being able to showcase such an incredible spectrum of unique, powerful artists emphasized the bright musical future ahead.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"Rewatch the 2025 GRAMMYs Premiere Ceremony in full. Taking place hours before the **[2025 GRAMMY Awards](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** telecast, the Premiere Ceremony is a special presentation in which the majority of the night's GRAMMY Awards are awarded. Featuring a star-studded and uplifting opening number, stellar performances, a roster of influential presenters, and more, the 2025 GRAMMYs Premiere Ceremony is a special event that gives music fans the full GRAMMYs experience. Watch performances from **[Yolanda Adams](https://www.grammy.com/artists/yolanda-adams/105)**, **[Wayne Brady](https://grammy.com/artists/wayne-brady/10452)**, **[Deborah Cox](https://www.grammy.com/artists/deborah-cox/57863)**, **[Béla Fleck](https://www.grammy.com/artists/bela-fleck/11488), [Angélique Kidjo](https://www.grammy.com/artists/angelique-kidjo/9915)**, and **[Muni Long](https://www.grammy.com/artists/Priscilla-Priscilla-Renea-Hamilton/38121)**; acceptance speeches from **[Kacey Musgraves](https://grammy.com/artists/kacey-musgraves/18025)**, **[Mustard](https://www.grammy.com/artists/dijon-mcfarlane/243405)**, and **[Anderson .Paak](https://grammy.com/artists/anderson-paak/19926)**; and many more special GRAMMY moments. \n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\nCity National Bank, the Official Bank of the GRAMMY Awards, is returning for the third consecutive year as the presenting sponsor of the annual GRAMMY Awards Premiere Ceremony."},"body":{"richText":"The 2025 GRAMMYs telecast was reimagined to raise funds to support those impacted by the wildfires in the greater Los Angeles area. The Recording Academy and MusiCares launched a dedicated campaign to support affected music professionals, and we need your help. **[Donate now](https://musicares.org/firerelief)**.\n\n\u003cspan\u003e \u003c/span\u003e \n\u003cspan\u003e \u003c/span\u003e \n\n\n**[Watch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.](https://live.grammy.com/)**\n\n\u003cspan\u003e \u003c/span\u003e \n\n**[See the full 2025 GRAMMYs winners and nominees list.](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\n"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs","2025 GRAMMYs Premiere Ceremony","Kacey Musgraves","Muni Long","Mustard","Anderson .Paak","Wayne Brady"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738976298016,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The 2025 GRAMMYs Premiere Ceremony In Full: Kacey Musgraves, Muni Long, Mustard, Anderson .Paak, Wayne Brady \u0026 More","shortTitle":"Watch The 2025 GRAMMYs Premiere Ceremony In Full","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/3a/99/69/3a9969cd-e63e-4632-b9dc-bcb060e24b18/screenshots/PreviewImage-01-55-10.604.jpg","duration":"13821208"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryKey":"news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter","deliveryId":"62829624-027d-4e06-8122-2e4cd7ebbf16"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"ae2f4831-6adc-4fea-b3a2-145a1fe2f40d"},"bodyText":{"richText":"*Watch highlights from the **[2025 GRAMMYs ](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**on **[live.GRAMMY.com](https://live.grammy.com/)**.*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n[\u003cspan\u003eBeyoncé\u003c/span\u003e](https://grammy.com/artists/beyonce-knowles/12474) made history at the 2025 GRAMMYs, by becoming the first Black woman in GRAMMYs history to take home the award for Best Country Album.\n\nAccepting the award from [\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://grammy.com/artists/taylor-swift/15450), Queen Bey appeared genuinely dumbfounded when her fellow superstar read out her name as the Category’s winner for her 2024 album, *COWBOY CARTER*.\n\n\"Wow, I really was not expecting this,\" the \"TEXAS HOLD ‘EM\" singer said in her acceptance speech, before going on to thank both God and the many country artists she collaborated with on the album.\n\n\"I think sometimes 'genre' is a code word to keep us in our place as artists,\" she continued. \"And I just want to encourage people to do what they’re passionate about, and to stay persistent.\"\n\n**\u003cspan\u003eRead more:\u003c/span\u003e** [\u003cspan\u003eHow Beyoncé Is Honoring Black Music History With 'Cowboy Carter,' \"Texas Hold Em,\" 'Renaissance' \u0026amp; More\u003c/span\u003e](https://www.grammy.com/news/how-beyonce-honors-black-music-history-texas-hold-em-renaissance)\n\nBeyoncé slapped down the concept of genre as a musical limitation with help from pioneering country artist Linda Martell on *COWBOY CARTER*’s panoramic 27 tracks. \"Genres are a funny little concept, aren’t they? Yes, they are,\" the trailblazing Martell, who was the first Black woman to ever play the Grand Ole Opry in 1969, said on the GRAMMY-nominated album cut \"SPAGHETTII.\" \"In theory, they have a simple definition that’s easy to understand/ But in practice, well, some may feel confined.\"\n\nThe five-time Album Of The Year nominee also took aim at doubters questioning whether she \"belonged\" in country music at all on the studio set’s powerful opening thesis \"AMERIICAN REQUIEM.\"\n\n\"The grandbaby of a moonshine man/ Gadsden, Alabama/ Got folk down in Galveston, rooted in Louisiana/ Used to say I spoke ‘Too country’/ And the rejection came, said, ‘I wasn’t country ‘nough’/ Said I wouldn’t saddle up, but/ If that ain’t country, tell me what is?/ Plant my bare feet on solid ground for years/ They don’t, don’t know how hard I had to fight for this/ When I sang my song,\" she sang on the album opener.\n\nWhen the 2025 GRAMMY nominations were announced in November 2024, Beyoncé officially became the most-nominated artist in history when *COWBOY CARTER*’s 11 nods brought her career total to an all-time record of 99 nominations. And ahead of the telecast, she also won her first GRAMMY in the Category for Best Country Duo/Group Performance for *COWBOY CARTER* fan-favorite cut \"II MOST WANTED\" featuring [\u003cspan\u003eMiley Cyrus\u003c/span\u003e](https://grammy.com/artists/miley-cyrus/18384).\n\nJust 24 hours ahead of the GRAMMYs, Beyoncé also sent the BeyHive into a frenzy by teasing her forthcoming *[\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e](https://www.instagram.com/beyonce/)*\u003cspan\u003e Tour 2025\u003c/span\u003e on [\u003cspan\u003esocial media\u003c/span\u003e](https://www.instagram.com/beyonce/). Tour dates are expected to be announced soon."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"7cc50360-e001-449b-924a-35528c132d96"},"assetId":"d3f21d06-dacf-4906-bd27-60307bfcb969","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"821b8cae-0bc5-4d73-af54-c55337c89e93","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Country"],"tags":["2025 GRAMMYs","Beyoncé","Cowboy Carter","Country Music"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738551361029,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé's 'Cowboy Carter' Wins Best Country Album","subHeadline":"Less than 24 hours after announcing her 'COWBOY CARTER' tour, Beyoncé and her album made history on stage at Music's Biggest Night.","articleSummary":"Beyoncé made history at the 2025 GRAMMYs by becoming the first Black woman in the history of the show to take home the award for Best Country Album.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","deliveryId":"821b8cae-0bc5-4d73-af54-c55337c89e93"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"beyonce-2025-grammys-speech","id":"eda15a81-5adb-4a54-b9e7-651b8ed5a068","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Beyoncé","2025 GRAMMYs"],"title":"Beyoncé Becomes First Black Woman To Win GRAMMY For Best Country Album With 'COWBOY CARTER'","shortTitle":"Beyoncé Becomes First Black Woman To Win GRAMMY For 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The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan\u003eColdplay\u003c/span\u003e](https://grammy.com/artists/coldplay/10952)**\u003cspan\u003e’s \u003c/span\u003e**[\u003cspan\u003eChris Martin\u003c/span\u003e](https://grammy.com/artists/chris-martin/4358)**\u003cspan\u003e and \u003c/span\u003e**[\u003cspan\u003eGrace Bowers\u003c/span\u003e](https://grammymuseum.org/event/spotlight-grace-bowers/)**\u003cspan\u003e deliver an emotional performance of \"All My Love\" \u003c/span\u003e\u003cspan\u003eduring the annual \u003c/span\u003e**[\u003cspan\u003eIn Memoriam segment \u003c/span\u003e](https://www.grammy.com/news/2025-grammys-in-memoriam-tribute-chris-martin)**\u003cspan\u003eat the \u003c/span\u003e**[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e, honoring the artists, industry icons, and music legends we recently lost.\u003c/span\u003e Visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e**[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam)**, which honors the **[GRAMMY Award recipients](https://www.grammy.com/awards)** and Special Merit Awards honorees we’ve lost over the years."},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Pop","Alternative"],"tags":["2025 GRAMMYs","Coldplay's Chris Martin","In Memoriam"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561837294,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Coldplay's Chris Martin With Grace Bowers Perform \"All My Love\" In A Moving In Memoriam Tribute | 2025 GRAMMYs Performance","shortTitle":"Chris Martin In Memoriam 2025 GRAMMYs Performance","videoCategory":"performances","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/82/48/c6/8248c6d6-94c9-4e12-8dbe-40ed0b630513/screenshots/PreviewImage-00-02-17.187.jpg","duration":"274374"}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryKey":"news/2025-grammys-in-memoriam-tribute-chris-martin","deliveryId":"98bd3cb8-04c5-4f0c-86e4-3cdfb526e25d"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"7c960874-96ae-4ecd-8d8b-4590419b6d20"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: In Memoriam Performance - 2025 GRAMMYs","deliveryId":"eab37d13-23d8-4892-a25c-adc0162fd350"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\nDuring a moving moment at the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list), [the Recording Academy](https://www.recordingacademy.com/) honored the artists, creators and music professionals who recently passed during a special In Memoriam tribute. GRAMMY-winning vocalist and pianist [Chris Martin](https://www.grammy.com/artists/chris-martin/4358), of [Coldplay](https://www.grammy.com/artists/coldplay/10952), with Grace Bowers, performed an emotional rendition of \"All My Love,\" paying tribute to those who have deeply impacted the musical community."}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"2025 GRAMMYs In Memoriam: Recording Academy Remembers The Music People We've Lost","deliveryId":"c33a4302-e028-4057-8638-0f105d0a832d"},"assetId":"8248c6d6-94c9-4e12-8dbe-40ed0b630513","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: Chris Martin Pays Tribute To Late Icons (In Memoriam) | 2025 GRAMMYs","deliveryId":"6865c51c-ba6f-4a11-95fd-c3cff75ac817"},"bodyText":{"richText":"The below list of names reflects just some of those from the music community we recently lost. As well, visit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years.\n\n^Denotes GRAMMY winner or GRAMMY nominee\n\n\\*Denotes Special Merit Award recipient\n\n\\+Denotes Latin GRAMMY winner or Latin GRAMMY nominee\n\n\\~Denotes Latin Recording Academy Special Award recipient\n\n[Aashish Khan](https://www.grammy.com/artists/aashish-khan/3778)^\n\nAbdou Cherif\n\nAbdul 'Duke' Fakir\\*^\n\nAdam (Haim Cohen)\n\n[Adam Abeshouse](https://www.grammy.com/artists/adam-abeshouse/48)^+\n\nAdam Lewis\n\nAdele Akin Anderson\n\nAdrián Olivares\n\nAgnaldo Rayol\n\nAgnes Buen Garnås\n\nAhmad Nawab\n\nAl Jones\n\nAl Schiltz\n\nAlan Mansfield\n\nAlan Oreman\n\nAlan Shapiro\n\nAlbert Heath\n\nAlcides Lanza\n\nAleksandr Sibirtsev\n\n[Alex Hassilev](https://www.grammy.com/artists/alex-hassilev/3213)^\n\nAlex Riel\n\nAlexander Goehr\n\nAlexander Knaifel\n\nAlfa Anderson\n\nAlfredo Fiorito\n\nAlfredo Garrido\n\nAmaury du Closel\n\n[Amber Kistler](https://www.grammy.com/artists/amber-nelon-kistler/57984)^\n\nAminollah Rashidi\n\nAmjad Parvez\n\nAmund Bjørgen\n\nAnatol Latîşev\n\nAnders Widmark\n\nAnderson Leonardo\n\nAndrei Tropillo\n\nAndrés Vega Delfín\n\nAndrew Turner\n\nAndrius Kulikauskas\n\nAndy Paley\n\nÁngela Álvarez\n\nAngela Bofill\n\n[Angela McCluskey](https://www.grammy.com/artists/angela-mccluskey/4258)^\n\nAnna Nshanyan\n\nAnnie Laura Carmichael Smith\n\nAnthony \"Baby Gap\" Walker\n\nAnthony S. Scarlati\n\nAntonio Cabán Vale\n\nAribert Reimann\n\nÁrni Grétar Jóhannesson\n\nArthur \"Gaps\" Hendrickson\n\nArthur E. Rich\n\nArthur Edghill\n\nArthur Miles\n\nArthur Moreira Lima\n\nArtie Rose\n\nArtt Frank\n\nAshima Bhattacharya\n\nAston Barrett\n\nAugusto M. Seabra\n\nAyla Erduran\n\nAyres Sasaki\n\nB. B. Seaton\n\nBarbara Dane\n\nBarbara Kolb\n\nBarbara Owen\n\nBarry Goldberg\n\nBarry Squire\n\nBeej Chaney\n\nBelén Fernández\n\nBelgacem Bouguenna\n\n[Ben Eldridge](https://www.grammy.com/artists/ben-eldridge/2024)^\n\nBen Lanzarone\n\nBen Manilla\n\nBen Thapa\n\nBen Vaughn\n\nBenedict Chiajulam Ihesiba Jr PKA OG Maco\n\n[Benny Golson](https://www.grammy.com/artists/benny-golson/12762)^\n\n[Bernice Johnson Reagon](https://grammy.com/artists/bernice-johnson-reagon/5450)^\n\nBernie Constantin\n\nBert De Coninck\n\nBert Susanka\n\nBetty Mullican Orr\n\nBetty Veldpaus\n\nBev Paul\n\nBhakta Raj Acharya\n\nBigidagoe\n\nBill Crook\n\n[Bill Holman](https://www.grammy.com/artists/bill-holman/3248)^\n\nBill Kelly\n\n[Billy Edd Wheeler](https://www.grammy.com/artists/billy-edd-wheeler/12818)^\n\n[Billy Sherrill](https://www.grammy.com/artists/billy-sherrill/15365)^\n\nBilly Swann\n\nBjørn Müller\n\nBlake Harrison\n\nBob Bender\n\n[Bob Booker](https://www.grammy.com/artists/bob-booker/10796)^\n\nBob Kuban\n\nBob Lanese\n\n[Bob Newhart](https://www.grammy.com/artists/bob-newhart/15054)^\n\nBob Perkins\n\nBob Rogers\n\nBob Seeley\n\nBob Shaw\n\n[Bobby Hicks](https://www.grammy.com/artists/bobby-hicks/9081)^\n\nBobby Tench\n\nBora Đorđević\n\nBoris Ćiro Gašparac\n\nBrenton Wood\n\nBrother Dege\n\nBrother Marquis\n\nBruce Howe\n\nBruno Pochesci\n\n[Buck White](https://www.grammy.com/artists/buck-white/7348)^\n\nBucky Wilkin\n\nBud Logan\n\nBuzz Cason\n\nBuzz Rabin\n\nByron Janis\n\nC. J. Snare\n\nC.J. Flanigan\n\nCalvin Keys\n\nCandy Devine\n\nCarl Bevan\n\nCarl Helm\n\nCarl Scott\n\nCarl Weathersby\n\nCarlos Paravís\n\nCarmen Pateña\n\n[Casey Benjamin](https://www.grammy.com/artists/casey-benjamin/494)^\n\nCasey Chaos\n\nCat Glover\n\nCat Janice\n\n[Caterina Valente](https://www.grammy.com/artists/caterina-valente/6961)^\n\nCatherine Ribeiro\n\nCayouche\n\nCecilia Gentili\n\nChad Morgan\n\nChalmers Davis\n\nChan Romero\n\nChandra Kumara Kandanarachchi\n\nChanning \"Enchanting\" Larry\n\nCharin Nantanakorn\n\nCharles \"Brit\" Turner\n\nCharles Blackwell\n\nCharles Cross\n\nCharles Dumont\n\nCharles Jones pka Julio Foolio\n\n[Charlie Colin](https://www.grammy.com/artists/charlie-colin/1599)^\n\nCharlie Lennon\n\nChas Banks\n\nChavelita Pinzón\n\nChino XL\n\nCho Min Woong\n\nChon Travis\n\nChris King\n\nChristian Escoudé\n\nChristian Martin Schmidt\n\nChristiane Stefanski\n\nChristof Nel\n\nChristopher Ciccone\n\n[Christopher Stafford](https://www.grammy.com/artists/christopher-stafford/14289)^\n\nChuck Ward\n\nChuck Wentworth\n\nChuy Montana\n\nCindy Charles\n\n[Cissy Houston](https://www.grammy.com/artists/cissy-houston/13569)^\n\nClaire Daly\n\nClaire van Kampen\n\nClarel Betsy\n\nClarence \"Frogman\" Henry\n\n[Claudia Perry](https://www.grammy.com/artists/claudia-perry/11388)^\n\nClaudio Gaitán\n\nClaudio Reyes\n\nCliff Waldron\n\nClorofila\n\n[Colin Chilvers](https://www.grammy.com/artists/colin-chilvers/1298)^\n\nColin Gibb\n\nColin Petersen\n\nConrad Kelly\n\nCorinne Allal\n\nCunnie Williams\n\nCynthia Charles\n\nCynthia Strother\n\nDaddae\n\nDamo Suzuki\n\n[Dan Morgenstern](https://www.grammy.com/artists/dan-morgenstern/9555)^\n\n[Dan Wallin](https://www.grammy.com/artists/dan-wallin/7872)^\n\nDaniel Kramer\n\nDaniel McMahon\n\nDanielle Moore\n\nDanny Carter\n\nDanny Clarke\n\nDario G aka Paul Spencer\n\nDaron Beck\n\nDarshanam Mogilaiah\n\nDaryl Schiff\n\nDashbaldangiin Purevsuren\n\nDave Allison\n\nDave Ferguson\n\n[Dave Loggins](https://www.grammy.com/artists/dave-loggins/4048)^\n\nDave Sweetapple\n\nDavid Davis\n\nDavid Ezell\n\nDavid Kendall\n\nDavid Libert\n\nDavid Lynch\n\nDavid Mallett\n\n[David Sanborn](https://www.grammy.com/artists/david-sanborn/14086)^\n\nDavid Tunley\n\nDavlatmand Kholov\n\nDean Roberts\n\nDebra Byrd\n\nDef Rhymz\n\nDejan Despić\n\nDennis Bryon\n\nDennis Schiavon\n\nDennis Thompson\n\nDequantes Devontay Lamar (Rich Homie Quan)\n\nDerek Boshier\n\nDerrick Cobb\n\nDewayne Pigg\n\nDex Romweber\n\nDiana\n\nDick Allix\n\nDick Asher\n\nDick Johnson\n\nDickey Betts\n\nDickie Rock\n\nDieter Rexroth\n\nDimos Moutsis\n\nDina Mariana\n\nDiva Gray\n\nDJ Clark Kent\n\nDJ Polo\n\nDJ Randall\n\nDJ Unk\n\nDominic Cossa\n\nDon Nix\n\n[Donald Kinsey](https://www.grammy.com/artists/donald-edward-kinsey/287344)^\n\nDonnie K. Smith\n\nDonnie Winters\n\nDottie Leonard Miller\n\nDoug Dagger\n\nDoug Hood\n\nDoug Ingle\n\nDoug Sides\n\nDouglass Fake\n\nDr. Velásquez\n\n[Duane Eddy](https://www.grammy.com/artists/duane-eddy/2018)^\n\nDulce\n\nDuncan Warwick\n\nDušan Grúň\n\nDutty Dior\n\nEarle Wheeler\n\nEberhard Hertel\n\nEd Askew\n\nEd Mann\n\nEdd Griles\n\nEddie Burton\n\nEddie Cheeba\n\nEddie Low\n\nEddie Rosenblatt\n\nEddie Sutton\n\nEdgard Brito\n\nEdgardo Huertas\n\nÉdith Lejet\n\nEgidio Cuadrado\n\nEkaterina Shklyaeva\n\nEl Taiger\n\nElba Cabrera\n\nEleanor Collins\n\nElena Mauti Nunziata\n\nElgar Howarth\n\n[Ella Jenkins](https://www.grammy.com/artists/ella-jenkins/9820)^\\*\n\nElla Mitchell\n\nElliot Ingber\n\nEllisha \"Teapot\" McKinney\n\nEmilia Contessa\n\nEmma Lou Diemer\n\nEmre Tukur\n\nEnrico Musiani\n\nEnriqueta Tarrés\n\nEoin French (Talos)\n\nErasmito Bultron\n\n[Eric Carmen](https://www.grammy.com/artists/eric-carmen/1222)^\n\nÉric Tappy\n\nErik Barrett\n\nErnest Berger\n\nErnest Bryll\n\nErnstalbrecht Stiebler\n\nErv Woolsey\n\nEtsurō Wakakonai\n\nEtterlene DeBarge\n\nEugen Indjic\n\nEugen Šváb\n\nEugene Sârbu\n\nEugene W. Ward\n\nEugene Wolfgramm\n\nEvelyn Thomas\n\nEverett Collins Jr.\n\nEvin Agassi\n\nFaramarz Aslani\n\n[Fatman Scoop](https://grammy.com/artists/fat-man-scoop/16676)^\n\nFausto Bordalo Dias\n\nFélix Sabal Lecco\n\nFerenc Sánta Jr.\n\nFereydoun Shahbazian\n\nFergie MacDonald\n\nFlorence Warner\n\nFran Boyd\n\nFrances Anne Varallo\n\nFrancesco Petrozzi\n\nFranchino\n\nFrancis ‘Teddy’ Osei\n\nFranco Vaz\n\nFrançoise Garner\n\nFrançoise Hardy\n\nFrank Darcel\n\nFrank Ifield\n\nFrank Robson\n\n[Frank Wakefield](https://www.grammy.com/artists/frank-wakefield/10404)^\n\nFrankie Beverly\n\nFred Noonan\n\nFreddie Salem\n\nFredl Fesl\n\nFredrik Lindgren\n\nFresia Saavedra\n\nFritz Hinz\n\nGaboro\n\nGabriel Cotabiță\n\nGabriel Gonzalez\n\nGabriel Patillo\n\nGabriel Yacoub\n\nGarbis Aprikian\n\nGarry Van Egmond\n\nGarth Hudson\\*\n\nGary Floyd\n\nGary Grant\n\nGary Grier\n\nGary Stroutsos\n\nGavin Creel^\n\nGavin Webb\n\nGene Elders\n\nGeoff Follin\n\nGeoffrey Michaels\n\nGeorg Riedel\n\nGeorge Bohanon\n\nGeorge French\n\nGeorge Nicolescu\n\nGeorge Wilkins\n\nGerardo Guevara\n\nGerri Lynn\n\nGerry Conway\n\nGerry Robinson\n\n[Gerry Weil](https://www.latingrammy.com/en/artists/gerry-weil/42491-01)+\n\nGetachew Kassa\n\nGhigo Agosti\n\nGianfranco Manfredi\n\nGiovanna Marini\n\nGladys de Moctezuma\n\nGogo Theodorou\n\nGökçe Akçelik\n\nGonzalo “Gonzo” Lubel\n\nGöran Fristorp\n\nGraciela Susana\n\nGraeme Naysmith\n\nGreg \"Fritz\" Hinz\n\nGreg Kihn\n\nGreg Lee\n\nGregg Young\n\nGunnar Stubseid\n\nGustavo Mullem\n\nGuy Touvron\n\nGuylaine Guy\n\n[György Pauk](https://www.grammy.com/artists/gyorgy-pauk/13606)^\n\nHaniya Aslam\n\n[Hank Cicalo](https://www.grammy.com/artists/hank-cicalo/10939)^\n\nHans Blum\n\nHans Rotmo\n\nHans van Hemert\n\nHappy Traum\n\n[Harold Meltzer](https://www.grammy.com/artists/harold-meltzer/251913)^\n\nHarry van Hoof\n\nHarry Williams\n\nHarvey Magee\n\nHasina Mumtaz\n\nHasna El-Bacharia\n\nHeikki Silvennoinen\n\nHelena Zeťová\n\n[Henry Fambrough](https://www.grammy.com/artists/henry-fambrough/2165)^\n\nHerb Applin\n\nHerb Robertson\n\nHerbie Flowers\n\nHuang Zhun\n\nHugh Prestwood\n\nHumphrey Campbell\n\nHyun Cheol\n\nIan Amey\n\nIgnatius Jones\n\nİlhan Usmanbaş\n\nImogen Moorsom\n\nInger Lorre\n\nIon Krasnopolsky\n\nIta Beausang\n\nIulian Caranfil\n\nIvica Krajač\n\nJ. J. Jeffrey\n\nJ. Remington Wilde\n\nJ. Saul Kane\n\nJaafar Onn\n\nJaakko Teppo\n\nJack Colwell\n\nJack Hale\n\n[Jack Jones](https://www.grammy.com/artists/jack-jones/16907)^\n\nJack Peck\n\nJack Ponti\n\n[Jack Russell](https://www.grammy.com/artists/jack-russell/9907)^\n\nJackie Avery Sr.\n\nJackie Farry\n\nJackmaster\n\nJacques Barsamian\n\nJade Stice\n\n[James \"Jim\" Robert Mills](https://www.grammy.com/artists/Smilin-Jim-Mills/11621)^\n\nJames Chance\n\n[James Darren](https://www.grammy.com/artists/james-darren/12313)^\n\nJames Earl Jones\n\nJames Leach\n\nJames Progris\n\n[James Whitbourn](https://www.grammy.com/artists/james-whitbourn/7295)^\n\nJan A.P. Kaczmarek\n\nJan Ptaszyn Wróblewski\n\nJanice Brown Stephens\n\nJanis Paige\n\nJános Csányi\n\nJanusz Olejniczak\n\nJaroslav Jeroným Neduha\n\n[Jason Clark](https://www.grammy.com/artists/jason-clark/57849)^\n\nJason Hobdy\n\nJason Parkin\n\n[Jay David Saks](https://www.grammy.com/artists/jay-david-saks/14077)^\n\nJay Jay\n\n[JD Souther](https://www.grammy.com/artists/john-david-souther/6231)^\n\nJean Musy\n\nJean-Marie Aerts\n\nJean-Michel Defaye\n\nJean-Paul Vignon\n\nJean-Philippe Allard\n\nJean-Pierre Bourtayre\n\nJean-Pierre Ferland\n\nJean-Pierre Marty\n\nJeffrey Baena\n\nJeffrey Buntin\n\nJeremy Tepper\n\nJerome\n\nJerry Fuller\n\nJerry Miller (Moby Grape, Jerry Miller Band)\n\nJerry Miller (The Untouchables)\n\nJerzy Artysz\n\nJessica Mbangeni\n\nJewel Brown\n\nJhonny Iskandar\n\nJim Beard\n\n[Jim Gaines](https://www.grammy.com/artists/jim-gaines/2355)^\n\nJim May\n\n[Jim Mills](https://www.grammy.com/artists/Smilin-Jim-Mills/11621)^\n\nJim Rotondi\n\n[Jim Scott](https://www.grammy.com/artists/jim-scott/17380)^\n\nJimmy Carter\n\nJimmy Gilmer\n\nJimmy Hastings\n\nJimmy James\n\nJimmy Van Eaton\n\nJodie Devos\n\n[Joe Bonsall](https://www.grammy.com/artists/joe-bonsall/2045)^\n\nJoe Chambers\n\nJoe Cutajar\n\nJoe Egan\n\nJoe Elmore\n\n[Joe Scaife](https://www.grammy.com/artists/joe-scaife/6778)^\n\nJoe Thomas\n\nJoe Viera\n\nJoey Gardner\n\nJoey Gilmore\n\nJohan Slager\n\nJohn \"Spider\" Koerner\n\nJohn Barbata\n\nJohn Blunt\n\nJohn Earl Hartridge\n\nJohn Hadley\n\nJohn Hawken\n\nJohn Koerner\n\nJohn Lowe\n\n[John Mayall](https://www.grammy.com/artists/john-mayall/11954)^\n\nJohn Pisano\n\nJohn Schweers\n\nJohn Sykes\n\nJohn Titta\n\nJohnny \"Dandy\" Rodríguez\n\nJohnny Canales\n\nJohnny Duhan\n\nJohnny Madsen\n\n[Johnny Neel](https://www.grammy.com/artists/johnny-neel/4786)^\n\nJohnny Thunder\n\nJon Card\n\nJon Wysocki\n\nJonathan Zak\n\nJordi Bonell\n\nJorge Arriagada\n\nJosef Laufer\n\nJozef Ábel\n\nJuan Carlos Salazar\n\nJuana Bacallao\n\nJudi Pulver\n\nJudy Lee\n\nJulie Gordon\n\nJulie Stevens\n\nJulien Terzics\n\nJuris Kulakovs\n\nJustin Seth Riley (BeatKing)\n\nK. G. Jayan\n\nKabir Singh\n\nKaiti Grey\n\nKaj Chydenius\n\nKalevi Kiviniemi\n\nKarar Ali Salem Ramadan aka C.Gambino\n\nKarl Kohn\n\nKarl Wallinger\n\nKaseem \"Ka\" Ryan\n\nKatie Laur\n\nKazuyoshi Akiyama\n\nKeith LeBlanc\n\nKelath Aravindakshan Marar\n\n[Kelly Nelon Clark](https://www.grammy.com/artists/kelly-nelon-clark/57850)^\n\nKen Biddy\n\nKen Page\n\nKen Tobias\n\nKenny Hyslop\n\nKerry \"Fat Man' Hunter\n\n[Kester \"Smitty\" Smith](https://www.grammy.com/artists/kester-smith/58145)^\n\nKevin Joshua \"Rowdy\" Rowsey II\n\nKevin Toney\n\nKevork Mardirossian\n\nKhalid\n\nKim Min-ki\n\n[Kim Richmond](https://www.grammy.com/artists/kim-r-richmond/5628)^\n\nKimberly Elisabeth Cherry\n\nKinky Friedman\n\nKiril Marichkov\n\nKlaus Wolfgang Niemöller\n\nKODA\n\nKoko Ateba\n\nKong Nay\n\nKostas Karousakis\n\n[Kris Kristofferson](https://www.grammy.com/artists/kris-kristofferson/9938)^\\*\n\nLa Castou\n\nLadislav Burlas\n\nLamara Chkonia\n\nLambert Schomaker\n\nLando Bartolini\n\nLani Simmons\n\nLarry Garris\n\nLarry Page\n\nLarry Vallon\n\nLars Martin Myhre\n\nLarysa Jackson\n\nLarysa Jaye\n\nLaurens van Rooyen\n\nLaurie Lindeen\n\nLeah Kunkel\n\nLeif Segerstam\n\nLen Holsclaw\n\nLencho Salazar\n\nLennie De Ice\n\n[Leo Dan](https://www.latingrammy.com/en/awards/lifetime-achievement-awards)\\~\n\nLeShawn \"Chubbie Baby\" Rogers\n\nLía Crucet\n\nLiam Payne\n\nLiana Isakadze\n\nLibby Titus\n\nLichelle Marie Laws pka Bo$$\n\nLilibert\n\nLinda Balgord\n\nLinda LaFlamme\n\nLinda Nolan\n\nLisa Lopez-Galvan\n\nLiu Chia-chang\n\nLiu Yuan\n\nLorenzo Palomo\n\nLou Donaldson\n\nLouis Bozon\n\nĽubomír Stankovský\n\nLucien Francœur\n\nLucine Amara\n\nLucius Banda\n\nLucy Rimmer\n\nLucy-Bleu Knight\n\nLuis María Serra\n\nLuizinho Andanças\n\nLuther Kent\n\nLynford Manning\n\nMakaya Ntshoko\n\nMakoto Shinohara\n\nMalabar Manoharan\n\nMalcolm Holcombe\n\nMalome Vector\n\n[Mandisa](https://www.grammy.com/artists/mandisa/10651)^\n\nManfred Schütz\n\nManju Mehta\n\nMansour Seck\n\nManuela Kemp\n\nMarc Van den Hoof\n\nMarcel Guilloux\n\nMarcel Marnat\n\nMarcelo Yzurieta\n\nMarco Paulo\n\nMarcus Allen\n\nMargarita Voites\n\nMaria Feliciana\n\nMaria Rita Viaggi\n\nMarian Zazeela\n\n[Marianne Faithfull](https://grammy.com/artists/marianne-faithful/9691)^\n\nMaricenne Costa\n\nMarie Goodman Hunter\n\nMario Tessuto\n\nMarius Bațu\n\nMark Germino\n\nMark Gormley\n\nMark Izu\n\n[Mark James](https://www.grammy.com/artists/mark-james/13598)^\n\nMark Moffatt\n\nMark Spiro\n\nMarlos Nobre\n\nMartha Sharp\n\n[Martial Solal](https://www.grammy.com/artists/martial-solal/6375)^\n\nMartin France\n\nMartin Kirkup\n\nMartin Lee\n\n[Martin Mull](https://www.grammy.com/artists/martin-mull/13420)^\n\nMartin Phillipps\n\nMartti Wallén\n\nMarty Gamblin\n\nMarvin Schlachter\n\nMary Martin\n\nMary Sack\n\nMaryvonne Le Dizès\n\nMassimo Cotto\n\nMatthew \"Cola Boyy\" Urango\n\nMatthew Moore\n\nMatti Heinivaho\n\nMaurice El Médiouni\n\nMaurice Williams\n\n[Maurizio Pollini](https://www.grammy.com/artists/maurizio-pollini/5393)^\n\nMax Werner\n\nMC Duke\n\nMélanie Renaud\n\nMelba Montgomery\n\nMelitha Sidabutar\n\nMestre Laurentino\n\nMetin Arolat\n\n[Michael Boder](https://www.grammy.com/artists/michael-boder/915)^\n\n[Michael Corcoran](https://www.grammy.com/artists/michael-corcoran/187091)^\n\n[Michael Cuscuna](https://www.grammy.com/artists/michael-cuscuna/16568)^\n\nMichael Knott\n\nMichael Pennington\n\nMichael Reidy\n\n[Michael Ward](https://www.grammy.com/artists/michael-ward/17543)^\n\nMichel Boyibanda\n\nMichio Mamiya\n\nMick Underwood\n\nMiguel Ángel Gómez Martínez\n\nMihai Amihalachioaie\n\nMiho Nakayama\n\nMike Billard\n\nMike Brewer\n\nMike Jones\n\nMike Martinovich\n\n[Mike Miller](https://www.grammy.com/artists/mike-miller/15546)^\n\nMike Pinder\n\nMike Pinera\n\nMikie Harris\n\nMile Agatonović\n\nMimi Hines\n\nMimis Plessas\n\nMiroslav Bázlik\n\nMiroslav Imrich\n\nMiroslav Švejda\n\nMisia\n\nMissinho\n\nMister Cee\n\nMitzi Gaynor\n\nMoisés Canelo\n\nMojo Nixon\n\nMourad Tsimpou\n\nMuluken Melesse\n\nMuñequita Milly\n\nMusafir Ram Bhardwaj\n\nNaa Amanua\n\nNahim\n\nNancy Harmon\n\nNaomy\n\nNell Smith\n\nNick Gravenites\n\nNicu Covaci\n\nNigel Brooks\n\n[Nikki Giovanni](https://www.grammy.com/artists/nikki-giovanni/8882)^\n\nNikša Gligo\n\nNino Vella\n\nNona Asiah\n\nNora Orlandi\n\nNorah Lee Allen\n\nNorman Carol\n\nNorman Shetler\n\nOdile Bailleux\n\nOldřich Janota\n\nOlle Zetterquist\n\nOllie Olsen\n\n[Omar Geles](https://www.latingrammy.com/en/artists/omar-geles/20469-01)+\n\nOmer Detz\n\nOnyeka Onwenu\n\nOscar Ghiglia\n\nOsmar Milito\n\nOswald d'Andréa\n\nOwsley Manier\n\nOzzy Osment\n\nPacífico Mascarenhas\n\nPaddy Cole\n\nPalle Danielsson\n\nPankaj Udhas\n\nPapa Kojak\n\nPapa Noël Nedule\n\nPark Bo-ram\n\nPascal Danel\n\nPat Collier\n\nPat Lewis\n\nPat Rolfe\n\nPaul Cripple\n\nPaul Di'Anno\n\nPaul Dwayne\n\nPaul Gilmartin\n\nPaul Lovelace\n\nPaul Roper\n\nPaul Spencer\n\nPaul Sperry\n\nPaulo 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Fluid)\n\nPeter Kubik\n\nPeter Schaap\n\nPeter Sinfield\n\nPeter Tiboris\n\n[Peter Yarrow](https://www.grammy.com/artists/peter-yarrow/12911)^\n\nPetr Hannig\n\nPhil Delire\n\n[Phil Lesh](https://grammy.com/news/remembering-phil-lesh-grateful-dead-bassist-co-founder)\\*\n\nPhil Nimmons\n\nPhil Swern\n\nPhil Wiggins\n\nPhilip 'Daddae' Harvey^\n\nPhilip Prendergast\n\nPhilippe McKenzie\n\nPhloen Phromdaen\n\nPinche Peach\n\nPino D'Angiò\n\n[Pooch Tavares](https://www.grammy.com/artists/pooch-tavares/17474)^\n\nPraveen Kumar\n\nPresto\n\nPriya Suriyasena\n\nPuput Novel\n\n[Quincy Jones](https://www.grammy.com/artists/quincy-jones/11020)^\\*\n\nRajeev Taranath\n\nRajko Maksimović\n\nRanch Sironi\n\nRandall Collins\n\nRandy Davidson\n\nRandy Rayburn\n\nRandy Sparks^\n\nRaul Sepper\n\nRay Kirkland\n\nRay St. Germain\n\nRebel Roy Steiner Jr.\n\nReggie \"Saafir\" Gibson\n\nReita\n\nRemo Saraceni\n\nRenato Serio\n\nRenna Kellaway\n\nReuben Jackson\n\nRichard Andrew\n\nRichard Dyer\n\nRichard Horowitz\n\nRichard Macphail\n\nRichard Maloof\n\n[Richard Perry](https://www.grammy.com/artists/richard-perry/13879)^\\*\n\n[Richard Sherman](https://www.grammy.com/artists/richard-m-sherman/6462)^\n\nRichard Tandy\n\n[Rico Wade](https://www.grammy.com/artists/rico-wade/6662)^\n\nRieko Nakagawa\n\nRise Kagona\n\nRita Mckenzie\n\nRob Stone\n\nRobert \"Bob\" D. Fead\n\nRoberta Marrero\n\nRoberto Darvin\n\nRobin George\n\nRobin Guy\n\nRocket Norton\n\nRodessa Barrett Porter\n\nRodger Fox\n\nRoger Palm\n\n[Rohan de Saram](https://www.grammy.com/artists/rohan-de-saram/12327)^\n\nRoli Mosimann\n\nRomualds Kalsons\n\nRon Boutwell\n\nRon Kavana\n\nRon Pateras\n\nRoni Stoneman\n\nRose-Marie\n\nRoy Cape\n\nRoy Carter\n\n[Roy Haynes](https://www.grammy.com/artists/roy-haynes/3195)^\\*\n\nRudolf Jansen\n\nRuss \"Rusty\" Gauthier\n\nRuss North\n\nRuss Wilson\n\n[Russell Malone](https://www.grammy.com/artists/russell-malone/17040)^\n\nRussell Stone\n\nRusty Golden\n\n[Ruth Hesse](https://www.grammy.com/artists/ruth-hesse/3876)^\n\nRyan Whyte Maloney\n\nRylo Huncho\n\nRyszard Poznakowski\n\nS. Atan\n\nSadi Mohammad\n\nŞahlar Quliyev\n\nSakini Ramachandraiah\n\nSalvatore \"Sam\" Cerami\n\nSam Cerami\n\n[Sam Moore](https://www.grammy.com/artists/samuel-moore/14956)^\\*\n\nSandile Ngwenya\n\n[Sandra Crouch](https://www.grammy.com/artists/sandra-crouch/1936)^\n\n[Sandy Posey](https://www.grammy.com/artists/sandy-posey/9775)^\n\nSarah Gibson\n\nSarwar\n\nSayuri\n\nScreamin' Scott Simon\n\n[Seiji Ozawa](https://www.grammy.com/artists/seiji-ozawa/5987)^\n\nSenaka Batagoda\n\nSergei Rudnitsky\n\n[Sérgio Mendes](https://www.grammy.com/artists/sergio-mendes/5010)^+\\~\n\nShafin Ahmed\n\nSharda Sinha\n\nShari Martin\n\n[Shaun Martin](https://www.grammy.com/artists/Shaun-Martin/4357)^\n\nShel Talmy\n\nShifty Shellshock\n\nShinsadong Tiger\n\nShujeo Shyam\n\nSiegfried\n\n[Siegfried Lorenz](https://www.grammy.com/artists/siegfried-lorenz/14848)^\n\nSiegfried Thiele\n\nSigrid Kehl\n\nSilvia Infantas\n\n[Sir Andrew Davis](https://www.grammy.com/artists/andrew-davis/12318)^\n\nSkowa\n\nSlađana Milošević\n\nSlim Dunlap\n\nStanislas Deriemaeker\n\nStanley Booth\n\nStefan Wojtas\n\nStella Greka\n\nStéphane Venne\n\nSteve Alaimo\n\nSteve Albini\n\nSteve Brown\n\nSteve Davislim\n\nSteve Harley\n\nSteve Kaspar\n\nSteve Kille\n\nSteve Lawrence\n\nSteve Lewinson\n\nSteve Lowry\n\nSteve Morse\n\nSteve Nelson\n\nSteve Ostrow\n\nSteve Wright\n\nSteven Tajti\n\nStipica Kalogjera\n\nStoika Milanova\n\nSturgis Nikides\n\nSue Chaloner\n\nSugar Pie DeSanto\n\nSusan Alcorn\n\nSusan Buckner\n\nSusie Tennant\n\nSylvain Augier\n\nSylvain Luc\n\nT. M. Stevens\n\nTakeshi Inomata\n\nTamás Deák\n\nTarek Ali Hassan\n\nTaro Kida\n\nTavinho Paes\n\nTeddy Lasry\n\nTeodor Zgureanu\n\nTeresa Bright\n\nTerje Bjørklund\n\nThabiso Sikwane\n\nThay Floyd\n\nThomas Hertel\n\nTim Cook\n\nTina Rainford\n\n[Tito Jackson](https://www.grammy.com/artists/tito-jackson/11908)^\n\n[Toby Keith](https://www.grammy.com/artists/toby-keith/11658)^\n\nToby Meyers\n\nTom Foote\n\nTom Fowler\n\nTom Johnson\n\nTom Kent\n\nTom Prasada-Rao\n\nTomáš Vendl\n\nTomcraft\n\nTommy Alverson\n\nTommy Cash\n\nTommy Drennan\n\nToni Montano\n\nToni Price\n\nTony Haynes\n\nTony Middleton\n\nTony Tuff\n\nTore Ylwizaker\n\n[Toumani Diabaté](https://www.grammy.com/artists/toumani-diabate/1502)^\n\nTyka Nelson\n\nUma Ramanan\n\nUmberto Marcato\n\nVaja Azarashvili\n\nValentin Petricenco\n\nVanhlupuii\n\nVic Flick\n\nVicki Rhodes\n\nVijay Anand\n\nVincent Bonham\n\nVitalij Kuprij\n\nVladimir Lyovkin\n\nVladimir Turiyansky\n\nVojtěch Havel\n\nVyacheslav Dobrynin\n\nW.C. Clark\n\nWanda Smith\n\n[Wayland Holyfield](https://www.grammy.com/artists/wayland-holyfield/3425)^\n\n[Wayne Bledsoe](https://www.grammy.com/artists/wayne-bledsoe/186871)^\n\nWayne Hobbs\n\nWayne Osmond\n\nWerner Hink\n\nWieteke van Dort\n\nWilhelmenia Wiggins Fernandez\n\nWill Cullen Hart\n\n[Will Jennings](https://www.grammy.com/artists/will-jennings/11004)^\n\nWillem van Kooten\n\nWilliam \"Bill\" Speed\n\nWillie Hona\n\nWilly Quiroga\n\nWinnie Khumalo\n\nWładysław Słowiński\n\nWolfgang Rihm\n\nYevgeny Kungurov\n\nYola Polastri\n\nYuri Borzov\n\n[Zakir Hussain](https://www.grammy.com/artists/zakir-hussain/3379)^\n\nZdeněk Pololáník\n\nZeke Dawson\n\nZoot Money\n\nZulya Kamalova"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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[Donate now](https://grammy.com/firerelief).*\n\n\u003cspan\u003eAmid a historic night at the\u003c/span\u003e [\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e,\u003c/span\u003e [\u003cspan\u003eAlicia Keys\u003c/span\u003e](https://www.grammy.com/artists/alicia-keys/12104) \u003cspan\u003eadded to the remarkable feats when she accepted the Dr. Dre Global Impact Award — becoming the first woman to receive the special honor.\u003c/span\u003e\n\n\u003cspan\u003eAfter a loving introduction by presenter \u003c/span\u003e[\u003cspan\u003eQueen Latifah\u003c/span\u003e](https://www.grammy.com/artists/queen-latifah/5764)\u003cspan\u003e, the \"If I Ain't Got You\" singer delivered a powerful acceptance speech. \"I always had to fight for a certain level of respect as a songwriter, a composer, and especially, a producer,\" Keys began. \u003c/span\u003e\n\n\u003cspan\u003e\"It's strange that we don't think of women as producers like \u003c/span\u003e[\u003cspan\u003eQuincy \\[Jones\\]\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003e\\[Dr.\\] Dre\u003c/span\u003e](https://grammy.com/artists/dr-dre/2199)\u003cspan\u003e or \u003c/span\u003e[\u003cspan\u003eSwizzy\u003c/span\u003e](https://grammy.com/artists/swizz-beatz/7479)\u003cspan\u003e, but female producers have always powered the industry,\" she continued before citing examples in \u003c/span\u003e[\u003cspan\u003ePatrice Rushen\u003c/span\u003e](https://www.grammy.com/artists/patrice-rushen/17346)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eMissy Elliott\u003c/span\u003e](https://www.grammy.com/artists/missy-misdemeanor-elliott/11451)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eLinda Perry\u003c/span\u003e](https://www.grammy.com/artists/linda-perry/5376)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eGrimes\u003c/span\u003e](https://www.grammy.com/news/grimes-non-violent-utopia)\u003cspan\u003e, and \u003c/span\u003e[\u003cspan\u003eSolange Knowles\u003c/span\u003e](https://www.grammy.com/artists/solange/20012)\u003cspan\u003e. \"We stand together, so it's a beautiful feeling to be acknowledged for the thing I always thought people didn't really recognize about me.\"\u003c/span\u003e\n\n\u003cspan\u003eAfter dedicating her Global Impact Award to \"all the ladies that know the magic that they bring to the room,\" the\u003c/span\u003e [\u003cspan\u003eShe Is The Music\u003c/span\u003e](https://sheisthemusic.org/) \u003cspan\u003efounder then turned her speech into a rallying cry for unity amid the current federal administration's efforts to dismantle and demonize diversity, equity and inclusion efforts.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Brightcove Video Player - Alicia Keys receives Global Impact Award","deliveryId":"7da782f3-19cb-4f68-a8df-3c46f8eab602"},"assetId":"4a851fab-559c-4409-80e3-41dc77b35236","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Alicia Keys Receives Global Impact Award","deliveryId":"2da2d9b4-c2ee-4406-84f5-2059b43274cb"},"bodyText":{"richText":"\u003cspan\u003e\"This is not the time to shut down the diversity of voices,\" Keys said. \"We've seen on this stage talented, hard-working people from different backgrounds, with different points of view, and it changes the game. DEI is not a threat, it's a gift — and the more voices, the more powerful the sound.\u003c/span\u003e\n\n\u003cspan\u003e\"When destructive forces try to burn us down, we rise from the ashes like a phoenix. And as you see tonight, music is the unstoppable language that connects us all — it's so beautiful,\" she added in conclusion. \"So let's keep showing up with compassion, with empathy, what I call 'soul care.' Keep opening the doors. 'Dream the world as it ought to be,' as the great Toni Morrison said. So thank you for this massive award, this massive honor.\"\u003c/span\u003e\n\n\u003cspan\u003eKeys earned her first five GRAMMYs more than two decades ago thanks to her 2001 breakout album, \u003c/span\u003e*\u003cspan\u003eSongs in A Minor\u003c/span\u003e*\u003cspan\u003e. She became the biggest winner of the evening at the 2002 GRAMMYs, taking home the golden gramophones for Best New Artist and Best R\u0026amp;B Album, as well as Song Of The Year, Best R\u0026amp;B Song and Best Female R\u0026amp;B Vocal Performance for her debut single, \"Fallin.'\" \u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e**\u003cspan\u003e \u003c/span\u003e[\u003cspan\u003eGRAMMY Rewind: Watch A 'Humbled' Alicia Keys Win Song Of The Year For \"Fallin'\" In 2002\u003c/span\u003e](https://www.grammy.com/news/alicia-keys-grammy-rewind-fallin-song-of-the-year-win-acceptance-speech-video-songs-in-a-minor)\n\n\u003cspan\u003eSince then, she's added 11 more GRAMMYs to her collection in Categories ranging from Best Rap Song and Best Rap/Sung Collaboration (both for 2009's \"Empire State of Mind\" with \u003c/span\u003e[\u003cspan\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan\u003e) to Best Immersive Audio Album (for the 20th anniversary edition of her 2003 sophomore album \u003c/span\u003e*\u003cspan\u003eThe Diary of Alicia Keys\u003c/span\u003e*\u003cspan\u003e).\u003c/span\u003e\n\n\u003cspan\u003eAhead of the telecast, Keys also scored her 17th career win — and added a new Category to her long GRAMMY resume — when the original cast recording of her 2024 \u003c/span\u003e[\u003cspan\u003eTony-winning\u003c/span\u003e](https://www.grammy.com/news/tony-awards-2024-recap-musical-theater-wins-losses)\u003cspan\u003e Broadway musical \"Hell's Kitchen\" took home the trophy for Best Musical Theater Album.\u003c/span\u003e\n\n\u003cspan\u003eThe\u003c/span\u003e [\u003cspan\u003eDr. Dre Global Impact Award\u003c/span\u003e](https://www.grammy.com/news/dr-dre-2023-grammys-global-impact-award-inaugural-recipient) \u003cspan\u003ewas first given out at the 2023 GRAMMYs ceremony, honoring its namesake for his visionary contributions to popular music and culture throughout his decades long career. Last year, Keys' \"Empire State of Mind\" collaborator Jay-Z was\u003c/span\u003e [\u003cspan\u003ehonored\u003c/span\u003e](https://www.grammy.com/news/jay-z-2024-grammys-speech-dr-dre-global-impact-award) \u003cspan\u003ewith the special award with his daughter (and fellow GRAMMY winner)\u003c/span\u003e [\u003cspan\u003eBlue Ivy Carter\u003c/span\u003e](https://www.grammy.com/artists/blue-ivy/292460) \u003cspan\u003eby his side.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"}],"hero":{"_meta":{"name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"id":"85e390c6-71dd-4cbd-9aaa-70b814964b87","contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["R\u0026B"],"tags":["Alicia Keys","2025 GRAMMYs","Global Impact Award","Black Music Collective"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738559697762,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: Alicia Keys Delivers A Powerful Call To Action After Receiving Dr. Dre Global Impact Award","shortTitle":"Alicia Keys Receives Dr. Dre Global Impact Award","subHeadline":"The freshly minted 17-time GRAMMY winner dedicated her history-making honor to the women in the room, also praising the power of diversity.","articleSummary":"The freshly minted 17-time GRAMMY winner became the first woman to receive the special honor. She dedicated her history-making feat to the women in the room and praised the power of diversity.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"Hero: 2025 GRAMMYs: Alicia Keys Honored With The Global Impact Award","deliveryId":"85e390c6-71dd-4cbd-9aaa-70b814964b87"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"alicia-keys-2025-grammys-GIA-speech","id":"b462e3c4-1c89-4ee4-aa92-b3eda6eb8aed","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["Alicia Keys","2025 GRAMMYs"],"title":"Alicia Keys Honored With The Global Impact Award","shortTitle":"Alicia Keys Honored With The Global Impact Award","imgAlt":"Honoree Alicia Keys accepts the Dr. Dre Global Impact Award onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California","imgTitle":"Alicia Keys Honored With The Global Impact Award","link":"/","captionValue":"Alicia Keys onstage at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":4261,"height":2841,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryKey":"news/2025-grammys-quincy-jones-tribute-performance-stevie-wonder-herbie-hancock-janelle-monae","deliveryId":"a568c83d-a1dd-455e-b6d8-9bdee6fac1ec"},"articleCategory":["news"],"contributors":[{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor","id":"6fd65823-e6d5-4190-ad15-8b47c01be74d"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"bdbfbd8d-b0d4-41a5-a6cc-d3d2f2c61b6c"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eThe Recording Academy paid tribute to the life and legacy of \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQuincy Jones\u003c/span\u003e](https://grammy.com/artists/quincy-jones/11020)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e with a special medley during the \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. The legendary producer and composer, a 28-time GRAMMY winner, passed away in November 2024 at the age of 91.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFeaturing a heartfelt introduction from \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eWill Smith\u003c/span\u003e](https://grammy.com/artists/will-smith/7175)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, the dazzling performance featured a myriad of artists who honored the multihyphenate's extensive catalog. The tribute began with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCynthia Erivo\u003c/span\u003e](https://docs.google.com/document/d/1JTEoUQ97cZ-qEXrcBV_xYYAJvNoQkvE1-FFnBCFQ7Fk/edit?tab=t.0)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eHerbie Hancock\u003c/span\u003e](https://grammy.com/artists/herbie-hancock/9477)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e blowing the roof \u003c/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW160280551 BCX4\"\u003eoff of\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e L.A.’s Crypto.com Arena with a jazzy rendition of \"Fly Me to the Moon,\" which Jones famously arranged for \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFrank Sinatra\u003c/span\u003e](https://grammy.com/artists/frank-sinatra/6581)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e’s 1964 rendition accompanied by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eCount Basie\u003c/span\u003e](https://grammy.com/artists/count-basie/332)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e. An instrumental version by\u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Joe Harnell\u003c/span\u003e](https://grammy.com/artists/joe-harnell/3676)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e won a GRAMMY in 1963 for Best Performance \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eBy\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003eAn\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e Orchestra – For Dancing.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eNext, \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW160280551 BCX4\"\u003ecurrent\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e nominee \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eLainey Wilson\u003c/span\u003e](https://www.grammy.com/artists/lainey-wilson/54192)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e was backed by \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eJacob Collier\u003c/span\u003e](https://grammy.com/artists/jacob-collier/19622)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and a live band for \"Let the Good Times Roll.\" Notably, the song earned Jones one of his first two GRAMMY nominations, for Best Arrangement, in 1961. Thirty-four years later, Jones memorably assembled \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eStevie Wonder\u003c/span\u003e](https://grammy.com/artists/stevie-wonder/8257)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRay Charles\u003c/span\u003e](https://grammy.com/artists/ray-charles/10927)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e and \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eBono\u003c/span\u003e](https://grammy.com/artists/bono/788)\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e to cover the song — which was later inducted into the GRAMMY Hall of Fame in 2009 — on his 1995 album \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eQ’s Jook Joint\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eFollowing Wilson’s twangy take on the jump blues classic, Wonder showed off his famous harmonica skills for the 1962 instrumental jazz standard \"Bluesette\" — which closed out Jones’ 1975 LP \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eMellow Madness\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003e — with another assist from Hancock. From Hancock's piano bench, wonder led the entire arena in a sing-along of \"We Are the World.\"\u003c/span\u003e\n\n**\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRead more:\u003c/span\u003e** [\u003cspan class=\"NormalTextRun SCXW160280551 BCX4\"\u003eRemembering Quincy Jones: Musical Pioneer, Inspiration, Activist \u0026amp; Renaissance Man\u003c/span\u003e](https://www.grammy.com/news/remembering-quincy-jones-grammy-winner-pioneer)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Stevie Wonder \u0026 Herbie Hancock Performance | \"Bluesette\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"ef553acc-20c4-44b9-957a-07f1da145e65"},"assetId":"19dc4ba3-f598-4607-894a-ddca6eec7b80","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Cynthia Erivo \u0026 Herbie Hancock Performance | \"Fly Me To The Moon\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"013532c6-32a4-4516-af75-b523743dab23"},"assetId":"e63f4fed-d2ec-4f02-b0ec-7bdaad320860","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/brightcove-video-player","name":"Nomad Embed: Lainey Wilson \u0026 Jacob Collier Performance| \"Let The Good Times Roll\" | Quincy Jones Tribute | 2025 GRAMMYs","deliveryId":"fcbc1916-16be-4bc7-a7cb-20501b01fd0e"},"assetId":"ea8fb4c2-8bb4-42e1-afab-a28a56804c18","theme":"Grammy (Gold)"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: Quincy Jones Honored With Star-Studded Tribute Featuring Stevie Wonder, Janelle Monáe \u0026 Others","deliveryId":"b3c2e4d2-9276-4bdf-bbe0-2da61e0e58c2"},"bodyText":{"richText":"\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"This song fed millions of people in Ethiopia,\" Wonder said to introduce the 1985 charity single — which Jones produced featuring an all-star line-up including \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eLionel Richie\u003c/span\u003e](https://grammy.com/artists/lionel-richie/17291)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eDiana Ross\u003c/span\u003e](https://grammy.com/artists/diana-ross/15248)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eMichael Jackson\u003c/span\u003e](https://grammy.com/artists/michael-jackson/13202)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBilly Joel\u003c/span\u003e](https://grammy.com/artists/billy-joel/12071)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTina Turner\u003c/span\u003e](https://grammy.com/artists/tina-turner/7641)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e, \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBruce Springsteen\u003c/span\u003e](https://grammy.com/artists/bruce-springsteen/6389)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e and many more.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"You see those people on the screen? You see the people up there?\" Wonder continued as photos flashed from the song’s famed recording session. \"That day, Quincy told us to keep our egos out, and at the door. And we are still the world. And I say to you, we’re still the children, we are still the people who will fight and die for this nation. \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eSo\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e we definitely have to be able to celebrate each other’s cultures all the time. You feel me?\" The anthem by USA for Africa won multiple GRAMMY Awards in 1986, including Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year and Best Pop Performance by a Duo or Group with Vocal.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eBetween musical numbers, Smith then returned to the mic to share the impact Jones left on his life as executive producer of \"The Fresh Prince of Bel-Air.\" \"He said something to me that became the absolute center of how I wanted to have my career, how I wanted to live my life,\" the rapper-turned-actor said. \"He looked right in my face, and he said, ‘It is your job to take care of these people.’ And I’ve done everything I can through my career to try to live up to Quincy’s demand.\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e\"All of Q’s children and all of us who just loved him like he was our father, know this: Quincy Jones always took care of people,\" Smith continued. \"And that’s how he fed the world. Quincy taught us all that life is a feast, and you don’t stop ‘til you get enough.\"\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eFinally, the segment concluded with \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eJanelle Monáe\u003c/span\u003e](https://grammy.com/artists/janelle-monae/4464)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e paying tribute to Jones’ long and fruitful working relationship with Jackson with a performance of \"Don’t Stop \u003c/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW205796115 BCX4\"\u003e'Til\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e You Get Enough.\" After channeling the King of Pop by moonwalking across the stage, the ten-time GRAMMY nominee jumped up on a table in the audience, throwing off her bedazzled suit jacket to reveal a t-shirt emblazoned with \"I \\[Heart\\] QJ.\" (For its part, the suit coat appeared to end up around none other than \u003c/span\u003e[\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eTaylor Swift\u003c/span\u003e](https://www.grammy.com/artists/taylor-swift/15450)\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e’s shoulders by the time Monáe took her final bow.)\u003c/span\u003e\n\n\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003eIn addition to 80 GRAMMY nominations, Jones took home golden gramophones for Producer \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year three times, and both Album and Record \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eOf\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW205796115 BCX4\"\u003eThe\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW205796115 BCX4\"\u003e Year twice. He was also the recipient of the GRAMMY Trustees Award in 1989, the GRAMMY Legend Award in 1991 and was named MusiCares Person of the Year in 1996.\u003c/span\u003e\n\nVisit our\u003cspan class=\"Apple-converted-space\"\u003e \u003c/span\u003e[In Memoriam page](https://www.recordingacademy.com/press-room/in-memoriam), which honors the GRAMMY Award recipients and Special Merit Awards honorees we’ve lost over the years."}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","articleSummary":"Leading lights in music joined together to honor industry legend Quincy Jones, who passed away on Nov. 3 at age 91. The special segment featured songs from the icon's catalog, along with many personal remembrances.","imgData":{"_meta":{"schema":"https://therecordingacademy.com/content/photo","name":"2025 GRAMMYs Pay Tribute To Quincy Jones hero","deliveryId":"b24256db-0c3a-467f-962e-f16b9996b6f6"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"cynthia-erivo-2025-grammys-performance","id":"ac6f4a15-3d5d-4813-81d7-b35397c588b1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"hasGATrackingLink":true,"credit":{"richText":"Photo: Kevin Winter/Getty Images for The Recording Academy"},"tags":["2025 GRAMMYs","Cynthia Erivo"],"title":"2025 GRAMMYs Pay Tribute To Quincy Jones","shortTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","imgAlt":"Cynthia Erivo onstage during the 67th Annual GRAMMY Awards at Crypto.com Arena on February 02, 2025 in Los Angeles, California.","imgTitle":"2025 GRAMMYs Pay Tribute To Quincy Jones","link":"/","captionValue":"Cynthia Erivo performs at the 2025 GRAMMYs","poi":{"isImage":true,"alpha":false,"width":5000,"height":3334,"format":"JPEG","status":"ok"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/doechii-wins-best-rap-album-2025-grammys","deliveryId":"ef15170c-4a53-481a-a973-663715043a14"},"video":{"videoPlatformSource":"Nomad","assetId":"7820fb20-977d-4431-851b-95fd6d76dfea"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eDoechii\u003c/span\u003e](https://grammy.com/artists/doechii/57882)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e delivers an acceptance speech after winning Best Rap Album for \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eAlligator Bites Never Heal\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e at the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e. Other nominees in the category included \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eJ. Cole\u003c/span\u003e](https://www.grammy.com/artists/j-cole/1324)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMight Delete Later\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eCommon\u003c/span\u003e](https://www.grammy.com/artists/common/1332)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp; \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003ePete Rock\u003c/span\u003e](https://www.grammy.com/artists/pete-rock/58112)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Auditorium, Vol. 1\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eEminem\u003c/span\u003e](https://www.grammy.com/artists/eminem/8580)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eThe Death \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eOf \u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eSlim Shady (Coup De \u003c/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW17552852 BCX4\"\u003eGrâce\u003c/span\u003e\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e)\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e), and \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eFuture\u003c/span\u003e](https://grammy.com/artists/future/19716)** \u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e\u0026amp;\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eMetro Boomin\u003c/span\u003e](https://grammy.com/artists/metro-boomin/51984)**\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e (\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003eWe Don't Trust You\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW17552852 BCX4\"\u003e).\u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Rap"],"tags":["2025 GRAMMYs","Rap","Best Rap Album","Doechii"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738352001223,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Doechii Win Best Rap Album For Alligator Bites Never Heal | 2025 GRAMMYs Acceptance Speech","shortTitle":"Doechii Wins Best Rap Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/78/20/fb/7820fb20-977d-4431-851b-95fd6d76dfea/screenshots/PreviewImage-00-01-44.020.jpg","duration":"208041"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch Shakira Win Best Latin Pop Album For Best Latin Pop Album | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/shaikra-wins-best-latin-pop-album-2025-grammys","deliveryId":"1117d0d7-6e4f-4e1a-aac1-59e53fe2f34c"},"video":{"videoPlatformSource":"Nomad","assetId":"a6b6cc8f-3f7f-4521-8fc9-97481bd34993"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. 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Other nominees in the category included \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eFunk Generation\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eAnitta\u003c/span\u003e](https://www.grammy.com/artists/anitta/51568)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eEl Viaje\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eLuis Fonsi\u003c/span\u003e](https://www.grammy.com/artists/luis-fonsi/3346)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eGARCÍA\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKany García\u003c/span\u003e](https://www.grammy.com/artists/kany-garcia/3540)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e), and \u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eORQUÍDEAS\u003c/span\u003e*\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e (\u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003eKali Uchis\u003c/span\u003e](https://www.grammy.com/artists/kali-uchis/188816)**\u003cspan class=\"NormalTextRun SCXW255657922 BCX4\"\u003e). \u003c/span\u003e"},"body":{"richText":"The **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e are raising funds for \u003c/span\u003e**[\u003cspan\u003eMusiCares Fire Relief\u003c/span\u003e](https://grammy.com/firerelief)**\u003cspan\u003e, a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. All money raised will remain in the community and will be used to aid those impacted.\u003c/span\u003e \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eDonate to MusiCares Fire Relief now.\u003c/span\u003e](https://grammy.com/firerelief)** \n \n\u003cspan\u003e \u003c/span\u003e \n \n**[\u003cspan\u003eWatch highlights from the 2025 GRAMMYs, including full GRAMMYs performances.\u003c/span\u003e](https://live.grammy.com/)** "},"contentGenre":["Latin","Pop"],"tags":["2025 GRAMMYs","Best Latin Pop Album","Latin Music","Shakira"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1739229150127,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch Shakira Win Best Latin Pop Album For 'Las Mujeres Ya No Lloran' | 2025 GRAMMYs Acceptance Speech","shortTitle":"Shakira Wins Best Latin Pop Album","videoCategory":"speeches","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/a6/b6/cc/a6b6cc8f-3f7f-4521-8fc9-97481bd34993/screenshots/PreviewImage-00-00-55.372.jpg","duration":"110744"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch SZA Talk About Super Bowl Lix Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","deliveryKey":"videos/sza-2025-grammys-backstage-interview","deliveryId":"c3911fc7-d0bb-4dcd-85a9-132cc0399321"},"video":{"videoPlatformSource":"Nomad","assetId":"7ddd0b6b-36fc-4883-bed5-14c477ffab4c"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. 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The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview","SZA","R\u0026B"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738560215627,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch SZA Talk About Super Bowl LIX Halftime Show, \"Saturn\" Winning Best R\u0026B Song \u0026 Silent Retreat Lessons | 2025 GRAMMYs Backstage Interview","shortTitle":"SZA Backstage Interview | 2025 GRAMMYs","videoCategory":"interview","videoType":"clip","linkToSeriesCollection":"series-or-collection/2025-grammys-67th-annual-grammy-awards-videos","poster":{"poster":"https://nomad-content.grammy.com/pmc/7d/dd/0b/7ddd0b6b-36fc-4883-bed5-14c477ffab4c/screenshots/PreviewImage-00-03-50.013.jpg","duration":"460026"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video","name":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","deliveryKey":"videos/grammys-pay-tribute-to-first-responders-lafd-wildfire-recovery","deliveryId":"c436a7b2-5bc7-4a2a-be4e-4fbc846f8473"},"video":{"videoPlatformSource":"Nomad","assetId":"26e7acc6-4145-4714-a5aa-d04c2d166e30"},"badgeImage":{"image":{"_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"},"id":"5dfcca91-5c78-4c64-b08f-6b33ea249321","name":"2025_grammys_67th_annual_grammy_awards_videos_performances_red_carpet_fashion_acceptance_speeches_behind_scenes_video_collection_key_art_1920x1080","endpoint":"naras","defaultHost":"cdn.media.amplience.net","mimeType":"image/png"},"alt":"Graphic promoting the 2025 GRAMMYs. The words GRAMMY Awards and Collection are written in white against a blue background. A large GRAMMY Award statue is placed against a white-and-blue background."},"summary":{"richText":"\u003cspan\u003eHear what the Los Angeles Fire Department Fire Chief, Anthony Marrone, and Fire Captain Sheila Kelliher Berkoh had to say on stage about wildfire recovery in Los Angeles at the\u003c/span\u003e **[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)**\u003cspan\u003e before presenting Album Of The Year to Beyoncé. \u003c/span\u003e"},"body":{"richText":"*\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eWatch highlights from the\u003c/span\u003e **[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)** \u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eon \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003elive.GRAMMY.com\u003c/span\u003e](https://live.grammy.com/)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. The 2025 GRAMMYs telecast has been reimagined to raise funds to support wildfire relief efforts and aid music professionals impacted by the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003ewildfires in Los Angeles\u003c/span\u003e](https://www.recordingacademy.com/news/la-fire-relief-musicares-recording-academy)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e. Donate to the \u003c/span\u003e**[\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003eRecording Academy's and MusiCares' Los Angeles Fire Relief Effort To Support Music Professionals\u003c/span\u003e](https://www.grammy.com/FireRelief)**\u003cspan class=\"NormalTextRun SCXW105944490 BCX4\"\u003e.\u003c/span\u003e*"},"tags":["2025 GRAMMYs","interview"],"hasGATrackingLink":true,"exclude":false,"isLiveStream":false,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"legacyFields":{"isChatbotAvailable":false,"fbiaPublished":false},"ampliencePublishedDate":1738561042764,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Watch The GRAMMYs Pay Tribute To First Responders \u0026 Hear The From The LAFD Fire Chief | 2025 GRAMMYs Acceptance Speech","shortTitle":"Watch The GRAMMYs Pay Tribute To First 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Awards","deliveryId":"f0778296-f0c6-4007-8d99-72347fbf90c1","deliveryKey":"awards/61st-annual-grammy-awards-2018"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"gramophone_v_01b","id":"52d6e232-6bf4-41e0-989c-794f78ed115d","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"61st Annual GRAMMY Awards","showYear":2018},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"60th Annual GRAMMY Awards","deliveryId":"fc9a4345-fdcd-475e-a7c3-a64caaecfb04","deliveryKey":"awards/60th-annual-grammy-awards-2017"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"summary":{"richText":"\u003cp\u003eFind all the Winners of 2017 Grammys. For any music lover, GRAMMY Sunday is very much like the Super Bowl or World Series to a sports fanatic. The only difference being, while sports teams typically find out who will be the final competition within a week or two of the showdown, GRAMMY nominations arrive months prior to the big show. The ceremony is arguably a culmination of all of that energy and anticipation. The 60th GRAMMY Awards was no different, as James Corden returned to host the Music's Biggest Night.\u003c/p\u003e\r\n"},"body":{"richText":"For any music lover, GRAMMY Sunday is very much like the Super Bowl or World Series to a sports fanatic.\n\nThe only difference being, while sports teams typically find out who will be the final competition within a week or two of the showdown, GRAMMY nominations arrive months prior to the big show. The ceremony is arguably a culmination of all of that energy and anticipation. The 60th GRAMMY Awards was no different, as James Corden returned to host the Music's Biggest Night.\n\nReturning to Madison Square Garden for the first time in 15 years, the milestone telecast proved to be a celebration that broke down barriers — with the wins, performances, and acceptance speeches showing that the power of music can literally change the world.\n\nOf course, the GRAMMYs' return to the Big Apple was cause enough for excitement. (Cut to [Tony Bennett](/artists/tony-bennett/1073) and [John Legend](/artists/john-legend/16994) singing \"New York, New York\" before presenting Best Rap/Sung Performance). And there was [Bruno Mars](/artists/bruno-mars/5082) netting six wins and nearly doubling his career output to 11 in one fell swoop. But there was plenty of excitement to go around.\n\nWhether you were there, watching on TV or live streaming, here are 12 moments from the 60th GRAMMY Awards that made it a night to remember.\n\n### 1. Kendrick Lamar, U2, Dave Chappelle Open With An Army\n\n[Kendrick Lamar](/artists/kendrick-lamar/17949) has a steady track record of impactful performances on the GRAMMYs, and this time he opened the ceremony with a groundbreaking performance before winning the first award of the evening for Best Rap/Sung Performance (\"LOYALTY.\" with Rihanna). Opening with \"XXX\" before an American flag backdrop and U.S. soldiers marching, the rapper was joined by [U2](/artists/u2/7858)'s Bono and The Edge. A war simulation followed before [Dave Chappelle](/artists/dave-chappelle/187041) hit the stage to punctuate segues in between heated musical vignettes performed by Lamar. It was history in the making, much like everything he touches.\n\n### 2. Lady Gaga's Tearjerker Performance with Mark Ronson\n\n\"This is for love and compassion …even when you can't understand,\" [Lady Gaga](/artists/lady-gaga/3611) uttered before a white piano wrapped in lace as she opened her performance with \"Joanne.\" Mark Ronson assisted on guitar as the acoustic set segued into another moving ballad, \"Million Reasons.\" The emotional performance was poignant, but most importantly showed Gaga's unreal vocal range. It's OK if you shed a tear while watching. We were all cutting onions when it happened.\n\n### 3. James Corden Rapping For Jay-Z\n\nIf you watch \"The Late Late Show With James Corden\" or are tuned into any episode of his \"Carpool Karaoke\" series, you'll know that Corden was the perfect return host for this year's telecast. On the eve of the show, [Jay-Z](/artists/jay-z/9815) was honored at the Pre-GRAMMY Gala and Corden informed the crowd, but began riddling off his knowledge of Jay-Z facts — including Jay’s former apartment address of 560 State Street in Brooklyn. Corden then launched into spitting a few bars for an amused Mr. Carter. \"You call it the Big Apple, I call it the Concrete Jungle where dreams are made of …just something I made up,\" Corden joked.\n\n### 4. Bruno Mars And Cardi B's #TBT Performance Of \"Finesse (Remix)\"\n\nA few weeks back — when the video for Bruno Mars' remix to \"Finesse\" featuring [Cardi B](/artists/cardi-b/186981) hit the internet — we were all bit by the nostalgia bug. The video (directed by Mars himself) was not only a clear nod to the sketch comedy series \"In Living Color,\" but it was also a Polaroid of a bygone era of ‘90s R\u0026amp;B and hip-hop—complete with bright colors. Cardi B donned a legendary Cross Colours bucket hat with Mars dancing onstage like a New Jack Swing-era frontman before a dance-off to House Of Pain’s \"Jump Around.\" It was #ThrowbackThursday on a Sunday night.\n\n### 5. Alessia Cara Claims Best New Artist\n\n\"I've been pretend winning GRAMMYs since I was a kid in the shower,\" [Alessia Cara](/artists/alessia-cara/186976) said with a shaky voice before a towering microphone as she accepted her first GRAMMY. While the Canadian was already considered a strong candidate for the award, the competition was fierce — including [SZA](/artists/Solana-Rowe/32514) and newcomer [Julia Michaels](/artists/julia-michaels/188121). But as Cara continued into her speech, she acknowledged and showed support for her peers, which included her fellow nominees and indie acts. \"Support real music and real artists,\" she said. Then she thanked her fans, because there will be no more pretend GRAMMYs in the shower from now on.\n\n### 6. Luis Fonsi, Daddy Yankee Bring On More \"Despacito\"\n\nOver the course of 2017, the infectious \"Despacito\" hasn't left our brains. [Luis Fonsi](/artists/luis-fonsi/3346) and [Daddy Yankee](/artists/daddy-yankee/9370) hit the stage to perform the diamond-certified single and brought former Miss Universe Zuleyka Rivera in two. Rivera also appeared in the music video, but took center stage to dance amid a mock club scene. \"That is a catchy song. I've never heard that song before,\" Corden deadpanned after the performance.\n\n### 7. \"Subway Carpool Karaoke\"\n\nCorden's viral \"Carpool Karaoke\" series made a cameo during the evening. How could it not? This time, however, it was a special \"Subway Carpool Karaoke,\" featuring Corden, [Sting](/artists/sting/10244) and [Shaggy](/artists/shaggy/10082). The former Police frontman couldn't even get through \"Every Breath You Take\" before being shushed by a construction worker on the train. And Shaggy barely sang \"It Wasn't Me\" before another passenger hushed even Corden. Then a fight broke out on the train and Corden got a bloody nose. It was a dangerous karaoke scene. You had to be there.\n\n### 8. Janelle Monáe Says #TimesUp, Kesha Sings #MeToo\n\nAll one has to do is read the news in recent months to know that injustice to women is no longer an option across industries. As [Janelle Monáe](/artists/janelle-monae/4464) introduced [Kesha](/artists/kesha/187816)'s performance of \"Praying,\" she delivered a powerful speech hooked to the sexual harassment initiative Time's Up. \"We are also daughters, wives, mothers, sisters, humans,\" Monáe told the crowd. \"We come in peace, but we mean business.\" When Kesha hit the stage, her performance was that much more intense, especially understanding all she's been through in the music industry. With [Cyndi Lauper](/artists/cyndi-lauper/4198), Camila Cabello, Bebe Rexha, Julia Michaels, and [Andra Day](/artists/andra-day/18980) joining on background vocals, the performance ended with the women hugging and in tears. They weren't alone.\n\n### 9. Elton John, Miley Cyrus Transcend Generations Onstage\n\n[Elton John](/artists/elton-john/12074)'s \"Tiny Dancer\" is one of those classic songs that can bring you immediately back to a moment or an era (or a movie scene, like that bus ride in Almost Famous). However, tonight a new moment was made with [Miley Cyrus](/artists/miley-cyrus/18384). With John seated at his piano, he opened the song and Cyrus joined to help carry the song home. While the \"Wrecking Ball\" singer is no stranger to classic music — especially given her godmother is [Dolly Parton](/artists/dolly-parton/17205) — this performance was particularly special. Call it onstage chemistry, or call it bridging the gap, but this \"Tiny Dancer\" performance was one for the ages.\n\n### 10. Ben Platt, Patti LuPone Wow With Broadway Style\n\nThis special [Leonard Bernstein](/artists/leonard-bernstein/896)-[Andrew Lloyd Webber](/artists/andrew-lloyd-webber/4044) tribute kicked off properly, as [Ben Platt](/artists/ben-platt/188321) from \"Dear Evan Hansen\" gave the audience a rousing dose of \"Somewhere\" from the former's \"West Side Story.\" But as James Corden could barely stand as he introduced [Patti LuPone](/artists/patti-lupone/5059), we soon found out why. LuPone delivered a riveting rendition of “Don't Cry For Me Argentina\" from Evita. Posted at a podium, just as the musical/movie depicts, she belted like it was her first time singing the song and it was our first time hearing it.\n\n### 11. Logic, Khalid, Alessia Cara Bring Hope \n\nThere's a reason why \"1-800-273-8255\" was nominated for Song Of The Year. The powerful track comes with a real message of suicide prevention. When the trifecta of [Logic](/artists/Sir-Robert-Bryson-Hall-II/32370), [Khalid](/artists/khalid/187821), and Alessia Cara hit the stage to perform the monumental hit single, there was no denying the magic. Performing on opposite stages before an army of survivors in \"You Are Not Alone\" shirts, Logic addressed the crowd and closed the performance with a speech pointing out many societal injustices — from the treatment of women to neighbors from other countries. There are no weak individuals, per Logic, just people waiting to realize the power of their voice.\n\n### 12. Bruno Mars' Magical Evening: 6 For 6\n\nBruno Mars emerged above the stiff competition in Album Of The Year, taking home the final GRAMMY of the evening for 24K Magic. The nod topped off a GRAMMY sweep for the Hawaii native, with Mars winning all six categories for which he was nominated. He also earned R\u0026amp;B Album, Record Of The Year for \"24K Magic,\" Best R\u0026amp;B Performance, Best R\u0026amp;B Song and Song Of The Year for \"That's What I Like.\" As he explained in his Album Of The Year speech, Mars' mission was to spread love and he did just that — even shouting out previous greats like [Babyface](/artists/babyface/985) who paved the way for him."},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"grammy60th","id":"30312ea0-acba-4e90-ac23-ca6248bfd053","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"60th Annual GRAMMY Awards","showYear":2017},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"59th Annual GRAMMY Awards","deliveryId":"26137891-0e4b-4526-b96c-aca3162f80b8","deliveryKey":"awards/59th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"During a period in our nation's history in which people are constantly reminded about the political and social issues that can divide us, the 59th GRAMMY Awards served as a convincing testament to the undeniable unifying power of music.\n\n[Adele](/artists/adele/528), whose voice is a powerful force unto itself, emerged the top winner of the night, taking home five GRAMMYs: Best Pop Vocal Album and Album Of The Year for 25 and Record Of The Year, Song Of The Year and Best Pop Solo Performance for \"Hello.\" The now-15-time winner also made GRAMMY history by becoming the first artist to sweep Record, Album and Song Of The Year twice in her career.\n\nFittingly, it was Adele who ushered in Music's Biggest Night with a mesmerizing performance of her smash \"Hello.\" A stark black backdrop provided a blank canvas over which the British singer/songwriter painted an aural masterpiece, her potent vocals reverberating throughout Los Angeles' Staples Center.\n\nThe mercurial [David Bowie](/artists/david-bowie/4819), who died just days before releasing his album Blackstar on Jan. 8, 2016, won four posthumous GRAMMYs, including Best Alternative Music Album. [Greg Kurstin](/artists/greg-kurstin/9943), Adele's producer and songwriting partner, also won four awards, including Producer Of The Year, Non-Classical.\n\n[Chance The Rapper](/artists/chancelor-bennett/19614) earned three awards, including Best New Artist, making him the first streaming-exclusive artist to win a GRAMMY. \"This is for every indie artist who's been doing this mixtape stuff for a long-a\\*\\* time,\" the Chicagoan said during his acceptance for Best Rap Album for Coloring Book. He punctuated his GRAMMY debut with a feel-good performance medley of \"How Great\" and \"All We Got,\" with his cousin Nicole and 59th GRAMMY winners [Kirk Franklin](/artists/kirk-franklin/9067) and Tamela Mann adding soulful flourishes.\n\nEngineer/mixer [Tom Elmhirst](/artists/tom-elmhirst/2228) also won three GRAMMYs; [Beyoncé](/artists/beyonce-knowles/12474), [Drake](/artists/drake/12370), [Sarah Jarosz](/artists/sarah-jarosz/13600), [John Scofield](/artists/john-scofield/13908), Franklin, and [Hillary Scott \u0026amp; The Scott Family](/artists/hillary-scott-scott-family/20151) were among those winning two awards.\n\nAs presenter Celine Dion so eloquently quoted the legendary [Stevie Wonder](/artists/stevie-wonder/8257), \"Music, at its essence, is what gives us memories.\" In addition to crowning recipients in 84 GRAMMY categories, the 59th GRAMMYs created many new memories in the form of signature GRAMMY Moments that spanned several genres.\n\nEqual parts music, theater and spoken word poetry, a golden-clad Beyoncé radiated during her medley of \"Love Drought\" and \"Sandcastles,\" two songs from her Best Urban Contemporary Album-winning opus, Lemonade. The trance-inducing performance, which was themed around the celebration of motherhood, featured her own mother, Tina Knowles, and daughter, [Blue Ivy Carter](/artists/blue-ivy/292460), and closed on a poignant note with the pregnant Beyoncé reciting a line from a Warsan Shire poem: \"If we're going to heal, let it be glorious/1,000 girls raise their arms.\"\n\n[Bruno Mars](/artists/bruno-mars/5082) dazzled with his seductive \"That's What I Like.\" Commanding the stage with aplomb, showcasing graceful dance moves and flaunting his rich tenor, Mars once again proved the breadth of his 24-karat talent.\n\n[Ed Sheeran](/artists/ed-sheeran/6178) turned in arguably the most energy-efficient performance of the evening. Armed with an acoustic guitar, synthesizer and a pedalboard that doubled as a looping device, Sheeran proved a veritable one-man band in multitasking his romantic ode \"Shape Of You.\"\n\n[The Weeknd](/artists/The-Weeknd/24884) teamed with fellow GRAMMY winners [Daft Punk](/artists/daft-punk/8207) for a medley of \"Starboy\" and \"I Feel It Coming.\" The duo's trademark synthesizer soundscapes set the tone for a sci-fi inspired set, with The Weeknd's velvety voice drifting into space.\n\n[Katy Perry](/artists/katy-perry/5726) returned to the GRAMMY stage to debut her brand-new single, \"Chained To The Rhythm,\" with reggae artist Skip Marley. Perry — who wore an armband emblazoned with the word \"Resist\" — earnestly delivered her new socially conscious anthem, which she closed by declaring \"No hate!\"\n\nBest New Artist nominee [Anderson .Paak](/artists/anderson-paak/19926) and rappers Busta Rhymes, Consequence and [A Tribe Called Quest](/artists/tribe-called-quest/10719) joined for a politically charged medley of \"Award Tour,\" \"Movin Backwards\" and \"We The People.\" The latter song, A Tribe Called Quest's anthem addressing topics such as racism, xenophobia, homophobia, and misogyny, proved timely given the recent political climate. A Tribe Called Quest's Q-Tip put an exclamation point on the performance by shouting, \"Resist! Resist! Resist!\"\n\n[Metallica](/artists/metallica/10686) and [Lady Gaga](/artists/lady-gaga/3611) turned the volume up to 10 with a driving performance of the band's \"Moth Into Flame.\" Despite a brief technical glitch with Metallica frontman James Hetfield's mic, the heat generated — stoked by pyrotechnics, headbanging and a stage dive from Gaga — set off a genre-bending explosion.\n\n[Keith Urban](/artists/keith-urban/7015) and [Carrie Underwood](/artists/carrie-underwood/10381) went toe-to-toe for their love-affirming duet \"The Fighter.\" GRAMMY-nominated newcomers [Kelsea Ballerini](/artists/kelsea-ballerini/19558) and [Lukas Graham](/artists/lukas-graham/20132) joined together for a seamless mashup of her \"Peter Pan\" and their \"7 Years,\" which was up for Song Of The Year. R\u0026amp;B/soul legend William Bell, who earlier won his first career GRAMMY, teamed with guitar slinger [Gary Clark Jr.](/artists/gary-clark-jr/17798) for a gritty \"Born Under A Bad Sign.\"\n\nFirst-time GRAMMY host James Corden got into the musical act as well. During his opening skit, Corden delivered a free-style rap that name-dropped everyone from President Donald Trump to Drake, Rihanna and Sturgill Simpson. \"The Late Late Show\" host also sped through a hilarious impromptu GRAMMY edition of Carpool Karaoke. Driving a cardboard cutout vehicle, Corden was flanked by [Jennifer Lopez](/artists/jennifer-lopez/14846), [Tim McGraw](/artists/tim-mcgraw/12018), [Faith Hill](/artists/faith-hill/10850), [Keith Urban](/artists/keith-urban/7015), [Ryan Tedder](/artists/ryan-tedder/16130), [John Legend](/artists/john-legend/16994), Blue Ivy, Jason Derulo, and [Neil Diamond](/artists/neil-diamond/2720) for a singalong of the latter's classic \"Sweet Caroline.\"\n\nIn addition to Corden's bits, [Twenty One Pilots](/artists/twenty-one-pilots/20162) provided some unexpected comic relief when they accepted their first career GRAMMY for Best Pop Duo/Group Performance for \"Stressed Out\" in their underwear. Underneath the humor, the duo from Columbus, Ohio, conveyed an important message to musicians of all stripes. \"Anyone from anywhere can do anything,\" said Pilots singer/songwriter Tyler Joseph.\n\nIt was also a night of firsts for breakout country star [Maren Morris](/artists/maren-morris/19894). Not only did she make her GRAMMY performance debut with \"Once\" alongside [Alicia Keys](/artists/alicia-keys/12104), she won her first GRAMMY for Best Country Solo Performance for \"My Church,\" making her the first GRAMMY Camp alumnus to win a GRAMMY.\n\nMusic's Biggest Night also provided moments of reflection in the form of tributes.\n\nAn all-star troupe paid homage to five-time GRAMMY winners the Bee Gees, who will be celebrated this spring via the CBS TV special \"Stayin' Alive: A GRAMMY Salute To The Music Of The Bee Gees.\" [Demi Lovato](/artists/demi-lovato/19851) glided through \"Stayin' Alive\" while [Tori Kelly](/artists/tori-kelly/19120) showcased her impressive singing and guitar chops on \"Tragedy.\" [Little Big Town](/artists/little-big-town/10623) were in perfect harmony for \"How Deep Is Your Love\" and Andra Day bottled the essence of Studio 54 during \"Night Fever.\" The group closed with a vibrant \"Stayin' Alive\" coda, with Barry Gibb looking on in delight.\n\n[Sturgill Simpson](/artists/sturgill-simpson/18703) and the Dap-Kings convened for \"All Around You,\" a song from Simpson's Best Country Album-winning A Sailor's Guide To Earth. During his introduction, Dwight Yoakam lauded the late singer [Sharon Jones](/artists/sharon-jones/18518), who worked with the Dap-Kings throughout her career.\n\nIn recognition of [George Michael](/artists/george-michael/12041), who died Dec. 25, 2016, Adele returned to the stage for a dramatic, orchestrated version of \"Fastlove,\" the final Top 10 hit of Michael's career. The tribute paused abruptly as Adele stopped mid-song, feeling that her performance was not up to par. \"I can't mess this up for him,\" she confided to the audience. Adele reset herself and delivered a moving memorial. The audience obliged with a standing ovation.\n\nMorris Day and the Time did the honors in introducing a special GRAMMY tribute to the late [Prince](/artists/prince/5675). A true showman, Day bobbed and weaved the band through the Time's funky \"Jungle Love\" and \"The Bird.\" Mars then returned to the stage for a regal reimagining of \"Let's Go Crazy.\" Armed with a Purple Rain-inspired suit, makeup and white guitar, Mars channeled vintage '80s-era Prince, right down to his authentic take on the song's spectacular unaccompanied guitar cadenza.\n\nThe In Memoriam segment featured [John Legend](/artists/john-legend/16994) and GRAMMY-winning \"The Color Purple\" cast member [Cynthia Erivo](/artists/cynthia-erivo/19682) delivering a rendition of the Beach Boys' \"God Only Knows,\" which served as a solemn musical prayer to many other individuals the music community lost during the past year.\n\nThe GRAMMY show was also marked by heartfelt, if unexpected, tributes to fellow nominees. In her final acceptance speech of the evening for Album Of The Year, a visibly moved Adele used her platform to acknowledge and thank fellow nominee Beyoncé.\n\n\"My artist of my life is Beyoncé,\" Adele said as a tearful Beyoncé looked on. \"The Lemonade album was just so monumental and so well-thought out and so beautiful and soul-bearing. … All us artists here, we f\\*\\*\\*ing adore you. You are our light.\n\nMusic's Biggest Night beamed into the homes of more than 26 million viewers, representing a 4 percent year-over-year increase and the highest viewership since 2014. The luster extended well after the Sunday telecast, with several winners, nominees and performers benefiting from the GRAMMY Effect.\n\nDigital sales of songs performed on the show saw a 140 percent increase in download sales, with Urban and Underwood's \"The Fighter\" experiencing a 574 percent gain. On-demand streams (audio and video combined) of songs performed rose 30 percent, including Mars' \"That's What I Like\" spiking 99 percent. Adele's 25 returned to the Top 10, rising to No. 6 with a 137 percent sales increase. Combined with the other Album Of The Year nominees (Beyoncé's Lemonade, [Justin Bieber](/artists/justin-bieber/10220)'s Purpose, Drake's Views, and Sturgill Simpson's A Sailor's Guide To Earth), all five albums saw a collective 91 percent increase in equivalent album sales. Following his GRAMMY performance with Perry, Skip Marley became the first member of the Marley family to score a Top 10 hit on the Billboard Hot 100.\n\nMore than just impressive statistics, these sizable GRAMMY Effect gains give additional credence to the 59th GRAMMY Awards telecast remarks of Recording Academy President/CEO Neil Portnow, who during his impassioned speech delivered to the new administration an important unified message on behalf of the music community.\n\n\"The Recording Academy, together with America's music makers, call on the president and Congress to help keep the music playing by updating music laws, protecting music education and renewing America's commitment to the arts,\" said Portnow. \"It's our collective responsibility to preserve what binds us and to ensure that the whole world continues to benefit from one of our most unique \\[and\\] economically and spiritually important assets — and exports: American music.\""},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"grammy-awards-promo-book-aj","id":"51c2e79c-1e46-4a87-b033-4b5af42aab57","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"59th Annual GRAMMY Awards","pdf":"https://naras.a.bigcontent.io/v1/static/recommendations_for_hires_music_production_09_28_18_0","date":"2017-02-12T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2015, through Sept. 30, 2016","showYear":2016},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"58th Annual GRAMMY Awards","deliveryId":"bdb065d4-0dae-4afc-820e-e64b162deb4b","deliveryKey":"awards/58th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"In an era when much of the prevailing cultural dialogue revolves around race relations and personal empowerment, the big winners at the 58th GRAMMY Awards reflected the currency of the times.\n\nWith 11 nominations, Compton, Calif., rapper [Kendrick Lamar](/artists/kendrick-lamar/17949) went into Music's Biggest Night as the most nominated artist since [Michael Jackson](/artists/michael-jackson/13202) and [Babyface](/artists/babyface/985) each scored 12 for 1983 and 1996, respectively. He took five GRAMMYs, including Best Rap Album for To Pimp A Butterfly, and Best Rap Performance and Best Rap Song for \"Alright.\"\n\nLamar's performance of \"The Blacker The Berry\" and \"Alright,\" songs that became unofficial soundtracks for the Black Lives Matter movement, infused the GRAMMYs with the kind of social immediacy at which it excels, whether it's championing marriage equality or honoring late musical icons such as Whitney Houston.\n\n[Alabama Shakes](/artists/alabama-shakes/14656), perhaps fittingly a multiracial band with a multiracial frontwoman, [Brittany Howard](/artists/brittany-howard/3375), won three awards — Best Rock Performance, Best Rock Song and Best Alternative Music Album — all based around their acclaimed sophomore album, Sound \u0026amp; Color. Their performance of \"Don't Wanna Fight,\" introduced with an otherworldly scream by Howard, who looked like a high priestess of rock in a flowing white cape, was a captivating moment from a band that has helped bring back a sense of urgency to rock.\n\n[Taylor Swift](/artists/taylor-swift/15450) took Album Of The Year for 1989 among her three awards. Pointing out she was the first woman to win that award twice, Swift was passionate about giving due credit to the contributions of women during her acceptance speech. Her show-opening performance of \"Out Of The Woods\" proved she's a powerful, self-assured woman.\n\nOther multiple winners included [D'Angelo](/artists/dangelo/1902), [Diplo](/artists/diplo/8548), [Jason Isbell](/artists/jason-isbell/19091), [Maria Schneider](/artists/maria-schneider/6153), [Ed Sheeran](/artists/ed-sheeran/6178), [Skrillex](/artists/skrillex/6363), [Chris Stapleton](/artists/chris-stapleton/15418), and [The Weeknd](/artists/The-Weeknd/24884).\n\nRising up, to paraphrase GRAMMY nominee and performer [Andra Day](/artists/andra-day/18980), was the theme of the night. In addition to Lamar's wins and triumphant performance, there were other noteworthy moments.\n\n\"Glory,\" Common and [John Legend](/artists/john-legend/16994)'s defiant song from Selma, the film about the 1965 Montgomery, Ala., voting rights marches, won for Best Song Written For Visual Media. [Lalah Hathaway](/artists/lalah-hathaway/3123) won in the Best Traditional R\u0026amp;B Performance category for \"Little Ghetto Boy,\" a song about overcoming the consequences of growing up in inner-city poverty that was originally recorded by her father, [Donny Hathaway](/artists/donny-hathaway/2656). \n\nMexican drummer/composer [Antonio Sanchez](/artists/antonio-sanchez/6087), who won Best Score Soundtrack For Visual Media for Birdman, thanked GRAMMY voters specifically because he had been \"eliminated by another awards show that starts with an 'O' and ends with 'scars.'\" And songwriter [Kendra Foster](/artists/kendra-foster/19024) literally raised a fist and proclaimed \"we're trying to rise up\" when accepting the Best R\u0026amp;B Song award for her, D'Angelo and [Gina Figueroa](/artists/gina-figueroa/19500)'s \"Really Love.\"\n\nIt was also a night of official goodbyes to musical giants, some of whom died within weeks of the GRAMMY telecast.\n\n[Lady Gaga](/artists/lady-gaga/3611)'s tribute to [David Bowie](/artists/david-bowie/4819) was an electrifying appreciation of one of the most influential artists of our time. Bowie — who died Jan. 10 — received a Lifetime Achievement Award from The Recording Academy in 2006, and an appropriate celebration on the GRAMMY telecast with a 10-song medley wrapped by a triumphant version of \"Heroes.\"\n\nThe band synonymous with '70s California rock came together to salute their fallen founding member, [Glenn Frey](/artists/glenn-frey/2410), who died Jan. 18. The Eagles strummed through their first hit, the classic \"Take It Easy,\" teaming with the song's co-writer Jackson Browne (who penned the tune with Frey in the early '70s when they lived in the same Los Angeles apartment building). The ode to letting troubles run off your shoulders and grabbing life while you can was a fitting tribute to a singer, guitarist and man who did just that.\n\nThings revved up a few decibels when the Hollywood Vampires (Alice Cooper, Johnny Depp and Joe Perry joined by Guns N' Roses bassist Duff McKagan and drummer Matt Sorum) lit the funeral pyre for Lemmy Kilmister — hard rock's No. 1 anarchist who died Dec. 28, 2015 — with a short blast of Motörhead's \"Ace Of Spades.\"\n\nAt the other end of the genre and attitude spectrum, [Earth, Wind \u0026amp; Fire](/artists/earth-wind-fire/14550)'s deeply optimistic pan-spiritual leader [Maurice White](/artists/maurice-white/6905), who died Feb. 4, was feted by [Stevie Wonder](/artists/stevie-wonder/8257) and vocal group [Pentatonix](/artists/pentatonix/20140), who performed an a cappella version of the classic \"That's The Way Of The World.\"\n\nFinally, Stapleton, [Gary Clark Jr.](/artists/gary-clark-jr/17798) and Bonnie Raitt paid tribute to one of the most noteworthy bluesmen of all time, B.B. King, who died May 14, 2015. The three artists — performing King's biggest hit, \"The Thrill Is Gone\" — reflected disparate generations and genres, but demonstrated that roots music is a single language often spoken with six strings.\n\nWrapped around these special GRAMMY Moments were additional performances that delivered musical breadth as only the GRAMMYs can.\n\nNew country star and former college footballer [Sam Hunt](/artists/sam-hunt/19085)'s \"Take Your Time\" got an audible via a duet with [Carrie Underwood](/artists/carrie-underwood/10381) and her \"Heartbeat.\"\n\nR\u0026amp;B sensation [The Weeknd](/artists/The-Weeknd/24884) sensitively performed his ballad \"In The Night,\" backed by piano and cello, after teasing his hit \"Can't Feel My Face.\" The vocal triumph scored a standing ovation.\n\nDay was joined by [Ellie Goulding](/artists/ellie-goulding/19043) for one of the night's sweetest melding of voices as they seamlessly brought their respective ballads \"Rise Up\" and \"Love Me Like You Do\" together.\n\n[Lionel Richie](/artists/lionel-richie/17291), the 2016 MusiCares Person of the Year honoree and a true hits king of the '80s, rightly received the royal treatment as Luke Bryan, John Legend, Demi Lovato, [Meghan Trainor](/artists/meghan-trainor/18740), and [Tyrese](/artists/tyrese/17506) came together for a mega-salute capped by the man himself singing his signature \"All Night Long (All Night).\"\n\nRichie collaborator, the late Michael Jackson, was remembered by nominee [Miguel](/artists/miguel/4571), who delivered a smooth version of \"She's Out Of My Life\" backed by the song's original keyboardist Greg Phillinganes.\n\n[Little Big Town](/artists/little-big-town/10623) turned in a contemplative version of \"Girl Crush\" rich in the harmonizing of their four collective voices.\n\nTwo Best New Artist nominees, James Bay and Tori Kelly, joined forces to show off some fresh multiweapon talent as the pair of singer/songwriter/instrumentalists ran emotively through his \"Let It Go\" and her \"Hollow.\"\n\nThe GRAMMYs aired its first-ever live performance from a Broadway stage by bringing the acclaimed musical \"Hamilton\" to a nationwide TV audience. Star/writer Lin-Manuel Miranda and his cast ran through the opening number \"Alexander Hamilton\" before an ecstatic audience at the Richard Rodgers Theatre in New York, providing a taste of its groundbreaking melding of hip-hop and traditional musical theater.\n\nDespite some well-documented technical glitches, Adele's performance became a triumph over adversity, a testament to the fact that great talent will always shine despite the sometimes unexpected travails of live TV. To paraphrase her song \"All I Ask,\" Adele left her heart on the stage to a standing ovation.\n\n[Justin Bieber](/artists/justin-bieber/10220) teamed with EDM stars Skrillex and Diplo — under their Jack Ü moniker — for a rousing take on \"Where Are Ü Now,\" which followed an acoustic solo turn by Bieber, who played his \"Love Yourself.\" As Billboard noted, \"While some previous dance performances have fallen flat in televised awards shows, there was nothing stilted about the energetic ensemble's stage show.\"\n\nAnd on a similarly energetic note, the GRAMMYs concluded with a party thrown by one of the night's winners, Pitbull, who was joined by Travis Barker, Joe Perry, Robin Thicke, and actress Sofia Vergara, who showed off some of her best dance moves.\n\nBetween honoring our musical legacy and recognizing music's power to reflect and impact our cultural legacy, fans truly had a chance to Witness Greatness on the 58th GRAMMYs."},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"58gr_poster_final","id":"068c2a08-da6c-46b1-b4c5-a6c65c1c8eb1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"58th Annual GRAMMY Awards","date":"2016-02-15T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2014, through Sept. 30, 2015","showYear":2015},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"57th Annual GRAMMY Awards","deliveryId":"088a802e-0e04-437a-b471-6f7340b7fc75","deliveryKey":"awards/57th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"summary":{"richText":"\u003cp\u003eSee all GRAMMY award winners and nominees for the 57th GRAMMY Awards, presented in 2014.\u003c/p\u003e\r\n"},"body":{"richText":"\u003cp\u003eEven for the GRAMMY Awards, which takes pride in each unique performance on its world-renowned stage — performances that have collectively come to be known as GRAMMY Moments — the 57th telecast topped expectations. The show featured an impressive 23 performances, many offering teamings that were not only inspired, but resulted in illuminating versions of deeply powerful songs.\u003c/p\u003e\n\n\u003cp\u003eIf you thought \u003ca href=\"/artists/sam-smith/18713\"\u003e\u003cb\u003eSam Smith\u003c/b\u003e\u003c/a\u003e's multiple GRAMMY-winning \"Stay With Me (Darkchild Version)\" was an aching heartbreak of a song, you may have been emotionally drained after\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/mary-j-blige/779\"\u003e\u003cb\u003eMary J. Blige\u003c/b\u003e\u003c/a\u003e joined Smith to add tent-revival urgency.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/katy-perry/5726\"\u003e\u003cb\u003eKaty Perry\u003c/b\u003e\u003c/a\u003e's \"By The Grace Of God\" already defies many of the California gurl's best-known pop hits, but following a personal plea from President Barack Obama to stop domestic violence and the real-life tale of abuse from survivor and activist Brooke Axtell, its unexpected impact brought the house to its feet.\u003cbr /\u003e\n\u003cbr /\u003e\nAnd so went this year's telecast, performance after performance proving that GRAMMY Moments live well beyond the moment of their creation.\u003cbr /\u003e\n\u003cbr /\u003e\nFirst-time GRAMMY performers AC/DC opened the show with fireworks and firepower, with singer Brian Johnson and guitarist Angus Young igniting the stage — and the playfully devil-horned audience — with \"Rock Or Bust\" and the classic \"Highway To Hell.\"\u003cbr /\u003e\n\u003cbr /\u003e\nBut it was the next performance of \"Just A Little Bit Of Your Heart\" by \u003ca href=\"/artists/ariana-grande/18441\"\u003e\u003cb\u003eAriana Grande\u003c/b\u003e\u003c/a\u003e that arguably served as the true tone setter of the night, a poignant moment of soul-stirring singing that was as moving as it was entertaining.\u003cbr /\u003e\n\u003cbr /\u003e\nBrits \u003ca href=\"/artists/jessie-j/18501\"\u003e\u003cb\u003eJessie J\u003c/b\u003e\u003c/a\u003e and the ever-vibrant Tom Jones followed with a similarly breathtaking \"You've Lost That Loving Feelin'\" in tribute to the iconic song's co-writers, 2015 Recording Academy Trustees Award recipients Barry Mann and Cynthia Weil.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/miranda-lambert/4851\"\u003e\u003cb\u003eMiranda Lambert\u003c/b\u003e\u003c/a\u003e then interjected a touch of rock-inflected hoedown energy, wheeling out her upbeat \"Little Red Wagon\" with attitude and energy to spare, tapping into her firecracker charisma.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/kanye-west/6900\"\u003e\u003cb\u003eKanye West\u003c/b\u003e\u003c/a\u003e returned to the show's tacit theme of emotional message music with \"Only One.\" Shadowy under a single spotlight, West bared it all with his ode to daughter North West, sung from the perspective of his late mother, and aimed at healing and happiness.\u003cbr /\u003e\n\u003cbr /\u003e\nAn ageless \u003ca href=\"/artists/madonna/5068\"\u003e\u003cb\u003eMadonna\u003c/b\u003e\u003c/a\u003e, still enviably contorting through Pilates-required dance numbers, debuted her new \"Living For Love\" with a bullfighting theme and a matador's determination and finesse.\u003cbr /\u003e\n\u003cbr /\u003e\nPulling out all the stops, \u003ca href=\"/artists/ed-sheeran/6178\"\u003e\u003cb\u003eEd Sheeran\u003c/b\u003e\u003c/a\u003e, \u003ca href=\"/artists/john-mayer/14891\"\u003e\u003cb\u003eJohn Mayer\u003c/b\u003e\u003c/a\u003e, \u003ca href=\"/artists/herbie-hancock/9477\"\u003e\u003cb\u003eHerbie Hancock\u003c/b\u003e\u003c/a\u003e, and Questlove teamed for Sheeran's \"Thinking Out Loud.\" Despite such a group of heavyweights, they retained the song’s graceful rumination on enduring love.\u003cbr /\u003e\n\u003cbr /\u003e\nThe quartet then gave way to Jeff Lynne's ELO. GRAMMY winner Lynne led the band through an ELO signature, \"Evil Woman,\" before joining with Sheeran for a rousing \"Mr. Blue Sky.\"\u003cbr /\u003e\n\u003cbr /\u003e\nAdam Levine reunited with former \"The Voice\" judge Gwen Stefani for \u003ca href=\"/artists/maroon-5/13090\"\u003e\u003cb\u003eMaroon 5\u003c/b\u003e\u003c/a\u003e's ballad \"My Heart Is Open,\" with each bringing their formidable chops to the plea for love.\u003cbr /\u003e\n\u003cbr /\u003e\nLast year, the GRAMMYs brought 33 couples to the stage for a mass musical marriage ceremony. This year, Irish singer/songwriter \u003ca href=\"/grammys/artists/hozier\"\u003e\u003cb\u003eHozier\u003c/b\u003e\u003c/a\u003e took the crowd to church with his GRAMMY-nominated hit. As \"Take Me To Church\" built to its climax, singer\u003cb\u003e \u003c/b\u003e\u003ca href=\"/grammys/artists/annie-lennox\"\u003e\u003cb\u003eAnnie Lennox\u003c/b\u003e\u003c/a\u003e joined to add an exclamation point, then segued into her cover of Screamin' Jay Hawkins' \"I Put A Spell On You,\" as she did just that to the GRAMMY audience.\u003cbr /\u003e\n\u003cbr /\u003e\nBy now, \u003ca href=\"/artists/pharrell-williams/7310\"\u003e\u003cb\u003ePharrell Williams\u003c/b\u003e\u003c/a\u003e has built a cottage industry around his inescapable hit \"Happy.\" For his GRAMMY performance, joined by composer Hans Zimmer on guitar and pianist \u003ca href=\"/artists/lang-lang/14460\"\u003e\u003cb\u003eLang Lang\u003c/b\u003e\u003c/a\u003e's otherworldly finger play, Williams' turned in a dark and satisfying take on the song.\u003cbr /\u003e\n\u003cbr /\u003e\nAfter Perry's stirring \"By The Grace Of God,\"\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/tony-bennett/1073\"\u003e\u003cb\u003eTony Bennett\u003c/b\u003e\u003c/a\u003e and \u003ca href=\"/artists/lady-gaga/3611\"\u003e\u003cb\u003eLady Gaga\u003c/b\u003e\u003c/a\u003e hit the stage like the second coming of ultimate lounge-act couple Louis Prima and Keely Smith. The pair was clearly having authentic fun onstage, at times truly \"Cheek To Cheek.\"\u003cbr /\u003e\n\u003cbr /\u003e\nBacked only by teen harpist Melody Tai,\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/usher/16167\"\u003e\u003cb\u003eUsher\u003c/b\u003e\u003c/a\u003e performed a sweet version of \u003ca href=\"/artists/stevie-wonder/8257\"\u003e\u003cb\u003eStevie Wonder\u003c/b\u003e\u003c/a\u003e's \"Magic\" in anticipation of \"Stevie Wonder: Songs In The Key Of Life — An All-Star GRAMMY Salute,\" a two-hour special that aired on CBS Feb. 16. Truly whetting appetites for that show, Wonder emerged from the shadows at the end of the song for an excitedly received harmonica solo.\u003cbr /\u003e\n\u003cbr /\u003e\nThe GRAMMYs took a trip to Nashville, Tenn., next for \u003ca href=\"/artists/eric-church/10938\"\u003e\u003cb\u003eEric Church\u003c/b\u003e\u003c/a\u003e's \"Give Me Back My Hometown.\" Then it was just left of Nashville for Best New Artist nominee \u003ca href=\"/artists/brandy-clark/17797\"\u003e\u003cb\u003eBrandy Clark\u003c/b\u003e\u003c/a\u003e's teaming with Dwight Yoakam for her \"Hold My Hand,\" to which Yoakam contributed haunting background vocals.\u003cbr /\u003e\n\u003cbr /\u003e\nThe camera then shifted quietly to three silhouetted figures, in what is quickly becoming an iconic pose, for a debut performance of \"FourFiveSeconds,\" \u003ca href=\"/artists/rihanna/5943\"\u003e\u003cb\u003eRihanna\u003c/b\u003e\u003c/a\u003e's new single with \u003ca href=\"/artists/paul-mccartney/4678\"\u003e\u003cb\u003ePaul McCartney\u003c/b\u003e\u003c/a\u003e and West. The trio represented almost unprecedented star power and the song was captivatingly striking in its stark presentation.\u003cbr /\u003e\n\u003cbr /\u003e\nAfter Smith (who emerged as the night's top winner with four GRAMMYs) and Blige's roof-raising performance of \"Stay With Me,\" Colombian singer/songwriter \u003ca href=\"/artists/juanes/9195\"\u003e\u003cb\u003eJuanes\u003c/b\u003e\u003c/a\u003e hit the stage for a performance of his reggae-tinged \"Juntos,\" en español.\u003cbr /\u003e\n\u003cbr /\u003e\nActress Kristen Wiig served as the face of\u003ca href=\"/artists/sia/15372\"\u003e\u003cb\u003e Sia\u003c/b\u003e\u003c/a\u003e for the latter's performance of \"Chandelier,\" miming a comic version of the song's GRAMMY-nominated music video with young dancer Maddie Ziegler, while Sia earnestly sang from a corner of the set, in her customary back-to-the-audience stance.\u003cbr /\u003e\n\u003cbr /\u003e\nAlbum Of The Year winner\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/beck/292\"\u003e\u003cb\u003eBeck\u003c/b\u003e\u003c/a\u003e teamed with \u003ca href=\"/artists/coldplay/10952\"\u003e\u003cb\u003eColdplay\u003c/b\u003e\u003c/a\u003e's Chris Martin for a Crosby, Stills, Nash \u0026amp; Young-inspired version of his acoustic gem \"Heart Is A Drum.\" Though backed only by acoustic instruments, the song's tale of heartbreak and acceptance had an electric impact.\u003cbr /\u003e\n\u003cbr /\u003e\n\"We live in complicated times,\" said Gwyneth Paltrow in introducing \u003ca href=\"/artists/beyonce-knowles/12474\"\u003e\u003cb\u003eBeyoncé\u003c/b\u003e\u003c/a\u003e's take on the gospel standard \"Take My Hand, Precious Lord,\" \"and now more than ever we need understanding and to acknowledge the feelings of others.”\u003cbr /\u003e\n\u003cbr /\u003e\nLooking angelic in a white dress that gave the appearance of wings, Bey took the crowd to church literally, as Hozier had done metaphorically earlier.\u003cbr /\u003e\n\u003cbr /\u003e\nThe 57th GRAMMY Awards closed poignantly with \u003ca href=\"/artists/john-legend/16994\"\u003e\u003cb\u003eJohn Legend\u003c/b\u003e\u003c/a\u003e and \u003ca href=\"/artists/common/1332\"\u003e\u003cb\u003eCommon\u003c/b\u003e\u003c/a\u003e's stunning \u003ci\u003eSelma\u003c/i\u003e theme, \"Glory.\" The performance not only came two weeks prior to their Oscar turn, but taken together with Beyoncé’s preceding tour de force vocal performance, the finale drew a connection in the battle for equal rights from the '60s to the present — capping the night's powerful message about music's ability to stir people to greater awareness and action.\u003cbr /\u003e\n\u003cbr /\u003e\n\u0026nbsp;\u003c/p\u003e"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"57th_cover","id":"8df606b8-ffa7-4994-a2a8-5b178654c651","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"57th Annual GRAMMY Awards","date":"2015-02-08T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2013, through Sept. 30, 2014","showYear":2014},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"56th Annual GRAMMY Awards","deliveryId":"bcc3951c-e58c-4769-8dbe-6f7adf6bcbde","deliveryKey":"awards/56th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":true},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"Reuniting legends, creating unparalleled GRAMMY Moments and giving new artists a global platform are all part of what makes the GRAMMYs a truly unique celebration of music. But this year the GRAMMY stage served as an opportunity to display music's power to unleash \"whoever we are and whoever we dream about being,\" as host [LL Cool J](/artists/ll-cool-j/4008) said in his opening remarks.\n\nFollowing a steamy performance of \"Drunk In Love\" by power couple Beyoncé and Jay Z, Macklemore \u0026amp; Ryan Lewis made their first appearance on the GRAMMY stage to accept the first award of the night for Best New Artist. After catching their collective breath, Macklemore thanked their fans, \"the people that got us on this stage,\" while acknowledging their independent roots.\\\n\n\\\n\n\"We made this album without a record label,\" said Macklemore. \"And we appreciate all the support.\"\n\nThe Seattle rap duo ended their GRAMMY debut on top, garnering a total of four trophies. The duo were later joined by singer/songwriter Mary Lambert and Trombone Shorty for a performance of their GRAMMY-nominated anthem of equality, \"Same Love.\" The performance marked a historic moment for the GRAMMY Awards as Queen Latifah took the stage mid-set to officiate a live marriage ceremony for 33 diverse couples, which was capped with an appearance by Madonna. Madge gave new meaning to the chorus to her \"Open Your Heart,\" proving that while music unleashes independence, it also promotes harmony.\n\n\"When we say music has the power to bring people together at the GRAMMYs, we mean it,\" said Latifah.\n\nFellow GRAMMY newcomer Lorde performed her hit \"Royals,\" which took Song Of The Year and Best Pop Solo Performance. The 17-year-old singer/songwriter was clearly shocked: \"This is the one thing that I did not expect the most about tonight,\" she said while accepting the latter award.\n\nFurther demonstrating music's power to unleash individuality, Hunter Hayes debuted his new single \"Invisible.\" The inspirational piano-driven ballad was colored with several onscreen quotes, including one by John Lennon: \"You don't need anybody to tell you who you are or what you are. You are what you are.\"\n\nCountry singer/songwriter Kacey Musgraves nabbed the first two GRAMMYs of her career for Best Country Song for \"Merry Go 'Round\" with Shane McAnally and Josh Osborne, and Best Country Album for Same Trailer Different Park. Musgraves made her individual mark on the GRAMMYs when she brightened the stage for a performance of \"Follow Your Arrow,\" a song about doing \"whatever you want.\"\n\nOne of the most talked about — and tweeted — performances of the night was the teaming of Imagine Dragons, who won their first GRAMMY for Best Rock Performance for \"Radioactive,\" with rising rapper Kendrick Lamar. On a smoke-filled stage, the collective delivered a colorful mashup of \"Radioactive\" and Lamar's \"m.A.A.d city\" — an appropriate welcome to a new generation of GRAMMY performers.\n\nBut being in with the new does not mean out with the old — or in this case, legendary. Newly minted Lifetime Achievement Award recipient Kris Kristofferson, Willie Nelson and Merle Haggard were accompanied by Blake Shelton for a medley of classics such as \"Okie From Muskogee\" and \"Mamas Don't Let Your Babies Grow Up To Be Cowboys\" that had everyone from Musgraves to Jay Z and Beyoncé swaying in the audience. Daft Punk and Pharrell Williams — both of whom also topped the winners list with four each, including Album Of The Year for Random Access Memories and a Producer Of The Year, Non-Classical win for Williams — teamed with Nile Rodgers and Stevie Wonder for a mashup of the Chic classic \"Le Freak\" and \"Get Lucky.\" The latter earned Rodgers two of his first three career GRAMMYs for Best Pop Duo/Group Performance and Record Of The Year.\n\nAdditionally, Jay Z and Justin Timberlake won Best Rap/Sung Collaboration for \"Holy Grail,\" which Jay Z accepted on their behalf and dedicated to his daughter Blue Ivy. Bruno Mars took home Best Pop Vocal Album honors for Unorthodox Jukebox, which he dedicated to his late mother Bernadette, who died in June 2013.\n\nOn a satellite stage, 2014 MusiCares Person of the Year honoree Carole King and Sara Bareilles went head-to-head on piano for a performance of Bareilles' \"Brave\" and King's \"Beautiful.\" More all-star collaborations ensued. Robin Thicke joined Chicago to perform the latter's \"Beginnings,\" \"Does Anybody Really Know What Time It Is?\" and \"Saturday In The Park\" and his \"Blurred Lines,\" which earned Thicke his first nominations as an artist. GRAMMY winner Keith Urban and first-time winner Gary Clark Jr. joined for a performance of Urban's \"Cop Car\" that showed off each individual's guitar prowess. Pink made sure no one forgot her high-flying acrobatic skills as she took to the air to perform \"Try\" before Fun.'s Nate Ruess joined to deliver their GRAMMY-nominated hit \"Just Give Me A Reason.\"\n\nThe spotlight was on John Legend as he took a seat behind the piano for a soulful performance of his romantic ballad \"All Of Me,\" which appeared to be dedicated to his new bride, Chrissy Teigen. Taylor Swift went for a no-frills performance, looking glamorous at the piano for her \"All Too Well.\" Meanwhile, fellow singer/songwriter Katy Perry proved she has a dark side, opening encased in a crystal ball for an enchanting performance of her hit single about playing with magic, \"Dark Horse,\" featuring Juicy J.\n\nThough the evening was highlighted by new artists taking home their first GRAMMY gold, as David Grohl remarked while accepting the award for Best Rock Song for \"Cut Me Some Slack\" with Paul McCartney and former Nirvana bandmates Krist Novoselic and Pat Smear, \"If it wasn't for the Beatles, we wouldn't be here.\" Celebrating the 50th anniversary of their U.S. debut on \"The Ed Sullivan Show\" this year, remaining Beatles McCartney and Ringo Starr took the stage, likely reminding some of the younger artists in the audience why they chose their individual paths. After a solo performance by Starr of his chestnut \"Photograph,\" the drummer joined McCartney for the latter's new \"Queenie Eye.\" (Two weeks later, the pair would team again for the successful tribute \"The Beatles: The Night That Changed America — A GRAMMY Salute,\" which celebrated their historic performance on \"The Ed Sullivan Show\" 50 years ago.)\n\nFrom one surprise teaming to another, Metallica took the stage with the GRAMMY Cultural Ambassador to China, pianist Lang Lang. Following an introduction from Oscar winner Jared Leto, who cited Metallica as a \"great rock band who have stayed true to themselves,\" the group delivered a unique performance of their past GRAMMY winner \"One\" that had frontman James Hetfield going guitar-to-piano with Lang Lang. The pianist returned shortly after to pay tribute to the late Van Cliburn during the In Memoriam segment, which also featured Miranda Lambert and Billie Joe Armstrong teaming for a tribute to the late Phil Everly with the Everly Brothers' \"When Will I Be Loved.\"\n\nThe 56th telecast took its final bow with one last memorable GRAMMY Moment that literally rocked. Fleetwood Mac guitar master Lindsey Buckingham and Grohl joined Nine Inch Nails and Queens Of The Stone Age for NIN's \"Copy Of A\" and QOTSA's \"My God Is The Sun.\""},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"56gr_poster_final","id":"065086cd-67f7-46cc-8f53-70859bfa2e86","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"56th Annual GRAMMY Awards","pdf":"https://www.grammy.com","date":"2014-01-26T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2012, through Sept. 30, 2013","showYear":2013},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"55th Annual GRAMMY Awards","deliveryId":"5d3445d9-1b49-47bc-97a5-138ae6cd8b90","deliveryKey":"awards/55th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"\u003cp\u003eWhile many past GRAMMY telecasts have turned into colorful coronations of artists who enjoyed larger-than-life years (\u003ca href=\"/artists/michael-jackson/13202\" target=\"_blank\"\u003eMichael Jackson\u003c/a\u003e's eight GRAMMYs in 1983, Santana's eight in 1999, \u003ca href=\"/artists/beyonce-knowles/12474\" target=\"_blank\"\u003eBeyoncé\u003c/a\u003e's six in 2009, and \u003ca href=\"/artists/adele/528\" target=\"_blank\"\u003eAdele\u003c/a\u003e's six in 2011), the 55th Annual GRAMMY Awards spread the wealth among a crop of younger artists who set the stage for the century's second decade in music.\u003c/p\u003e\n\n\u003cp\u003eRoots-influenced rockers the \u003ca href=\"/artists/black-keys/8120\" target=\"_blank\"\u003eBlack Keys\u003c/a\u003e won three awards in the Rock Field (and guitarist/singer Dan Auerbach added one more for \u003cstrong\u003eProducer Of The Year, Non-Classical\u003c/strong\u003e.\u003c/p\u003e\n\n\u003cp\u003eRap stalwarts \u003ca href=\"/artists/jay-z/9815\" target=\"_blank\"\u003eJay-Z\u003c/a\u003e and \u003ca href=\"/artists/kanye-west/6900\" target=\"_blank\"\u003eKanye West\u003c/a\u003e won three GRAMMYs each, all for their collaborations on \u003cstrong\u003eBest Rap Performance\u003c/strong\u003e and Best Rap Song\u003c/strong\u003ewinner \"N****s In Paris\" and \u003cstrong\u003eBest Rap/Sung Collaboration\u003c/strong\u003e winner \"No Church In The Wild\" (featuring Frank Ocean and The-Dream).\u003c/p\u003e\n\n\u003cp\u003eThen came more relative newcomers: Skrillex added three GRAMMYs to his three from last year; \u003ca href=\"/artists/gotye/2402\" target=\"_blank\"\u003eGotye\u003c/a\u003e rode \"Somebody That I Used To Know\" (featuring \u003ca href=\"/artists/kimbra/3581\" target=\"_blank\"\u003eKimbra\u003c/a\u003e), which became the most idiosyncratic radio hit of 2012, to three awards, including Record Of The Year; \u003ca href=\"/artists/fun/15812\" target=\"_blank\"\u003eFun.\u003c/a\u003e won their first two GRAMMYs for Song Of The Year for \"We Are Young\" (featuring \u003ca href=\"/artists/janelle-monae/4464\" target=\"_blank\"\u003eJanelle Monáe\u003c/a\u003e) and Best New Artist; and Mumford \u0026amp; Sons, one of the trailblazers for the new wave of acoustic roots artists, won Album Of The Year for Babel.\u003c/p\u003e\n\n\u003cp\u003eSome of the winning artists were so new, they took other winners by surprise.\u003c/p\u003e\n\n\u003cp\u003e\"Miguel, I don't know who the hell you are, but we need to sing together,\" shouted \u003ca href=\"/artists/kelly-clarkson/11249\" target=\"_blank\"\u003eKelly Clarkson\u003c/a\u003e while collecting her Best Pop Vocal Album GRAMMY for Stronger, referring to \u003ca href=\"/artists/miguel/4571\" target=\"_blank\"\u003eMiguel\u003c/a\u003e's brief slow jam of his Best R\u0026amp;B Song winner \"Adorn\" (on which he teamed with Wiz Khalifa). \"That was the sexiest damn thing I've ever seen.\"\u003c/p\u003e\n\n\u003cp\u003eIt was more than a fresh breeze that blew over the 55th GRAMMYs, it was arguably a wind of change.\u003c/p\u003e\n\n\u003cp\u003eStill, the telecast remained music's biggest melting pot, with performances that brought innumerous ingredients to the stew, starting with one that was a virtual stew all on its own. With nose-thumbing clowns, a wheelchair-bound Mephisto and scary puppeteers, \u003ca href=\"/artists/taylor-swift/15450\" target=\"_blank\"\u003eTaylor Swift\u003c/a\u003e turned in the most threatening \"We Are Never Ever Getting Back Together\" ever.\u003c/p\u003e\n\n\u003cp\u003eBritish singer/songwriter \u003ca href=\"/artists/ed-sheeran/6178\" target=\"_blank\"\u003eEd Sheeran\u003c/a\u003e teamed with the head of his management company, \u003ca href=\"/artists/elton-john/12074\" target=\"_blank\"\u003eElton John\u003c/a\u003e, for a strong reading of the former's Song Of The Year-nominated \"The A Team,\" the tale of a homeless addict.\u003c/p\u003e\n\n\u003cp\u003eFun. brought drama to \"Carry On,\" their song of perseverance, in the form of both their anthemic ambition and a rainstorm of real water that drenched their set.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/miranda-lambert/4851\" target=\"_blank\"\u003eMiranda Lambert\u003c/a\u003e and Dierks Bentley, met under a large blue tree for intimate duets of her \"Over You\" and his \"Home.\"\u003c/p\u003e\n\n\u003cp\u003eMumford \u0026amp; Sons gave a jolt to the crowd with their endlessly energetic \"I Will Wait.\" The way they attacked their acoustic guitars would have made Pete Townshend proud.\u003c/p\u003e\n\n\u003cp\u003eBreaking a seven-year hiatus from live music performance, Justin Timberlake hit a sepia-toned stage for a suave medley of his new \"Suit \u0026amp; Tie\" (on which he was joined by Jay-Z) and \"Pusher Love Girl\" from his 2013 album, The 20/20 Experience.\u003c/p\u003e\n\n\u003cp\u003eIn another unique pairing, \u003ca href=\"/artists/maroon-5/13090\" target=\"_blank\"\u003eMaroon 5\u003c/a\u003e and \u003ca href=\"/artists/alicia-keys/12104\" target=\"_self\"\u003eAlicia Keys\u003c/a\u003e teamed for the former's \"Daylight\" and the latter's \"Girl On Fire,\" both songs that kindle with power and emotion.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/rihanna/5943\" target=\"_blank\"\u003eRihanna\u003c/a\u003e was joined by Mikky Ekko for \"Stay,\" a song he co-wrote and on which he is a featured vocalist. With Rihanna in a simple black dress on a no-frills stage, the song's message of passion over logic bore through.\u003c/p\u003e\n\n\u003cp\u003eThe Black Keys wasted no time revving up \"Lonely Boy.\" The rocker, which owes a debt to rockabilly, swamp rock and electric blues, was punctuated by the New Orleans piano of Best Blues Album GRAMMY winner Dr. John and a pinch of Dixieland from the Preservation Hall Jazz Band.\u003c/p\u003e\n\n\u003cp\u003eClarkson returned for a vocal salute to two giant female artists, both of whom received Recording Academy Lifetime Achievement Awards in 2013. First up was \"Tennessee Waltz\" in honor of Patti Page, followed by \"A Natural Woman (You Make Me Feel Like),\" co-written by Carole King.\u003c/p\u003e\n\n\u003cp\u003eThe tributes continued with a nod to Bob Marley, who was the subject of the Best Compilation Soundtrack For Visual Media-nominated Marley. Two of the performers, like Marley, hail from tropical islands: \u003ca href=\"/artists/bruno-mars/5082\" target=\"_blank\"\u003eBruno Mars\u003c/a\u003e from Hawaii and Rihanna from Barbados. Also joining was Sting, whose music with the Police owed a debt to reggae and ska. Mars began with his own \"Locked Out Of Heaven\" followed by the similar-sounding Police chestnut \"Walking On The Moon.\" Rihanna emerged with Ziggy and Damian Marley for their father's \"Could You Be Loved.\"\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/lumineers/14762\" target=\"_blank\"\u003eThe Lumineers \u003c/a\u003eplayed a shortened version of their inescapable hit \"Ho Hey\" before introducing \u003ca href=\"/artists/jack-white/15627\" target=\"_blank\"\u003eJack White\u003c/a\u003e. The latter played \"Love Interruption\" with his all-female band the Peacocks. He then segued into the harder \"Freedom At 21\" with male backers the Buzzards. By the time he finished the tumult, he had thrown and stepped on his guitar, leaving a sonic residue of decaying feedback.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/hunter-hayes/9010\" target=\"_blank\"\u003eHunter Hayes\u003c/a\u003e played a portion of his hit \"Wanted\" solo on piano before bringing out fellow country star \u003ca href=\"/artists/carrie-underwood/10381\" target=\"_blank\"\u003eCarrie Underwood\u003c/a\u003e for a stripped-down version of her Best Country Solo Performance winner \"Blown Away.\" Underwood's awe-inspiring vocals were matched by her billowy dress, which doubled as a projection screen to depict the heartbreak of the song.\u003c/p\u003e\n\n\u003cp\u003eThe 2013 In Memoriam segment was bookended by two memorable tributes. The first featured pianist Chick Corea, bassist Stanley Clarke and sax player Kenny Garrett honoring the late Dave Brubeck with the timeless, and time-challenging, \"Take Five\" along with \"Blue Rondo À La Turk.\"\u003c/p\u003e\n\n\u003cp\u003eFollowing the segment, an all-star cast including Zac Brown, T Bone Burnett, \u003ca href=\"/artists/alabama-shakes/14656\" target=\"_blank\"\u003eAlabama Shakes\u003c/a\u003e' Brittany Howard, Elton John, Mumford \u0026amp; Sons, and Mavis Staples sang a gritty \"The Weight\" in honor of Levon Helm, who sang the original with the Band.\u003c/p\u003e\n\n\u003cp\u003eJuanes added a verse of español to the proceedings with a loving acoustic Spanglish rendition of Elton John's \"Your Song,\" before introducing \u003ca href=\"/artists/frank-ocean/15669\" target=\"_blank\"\u003eFrank Ocean\u003c/a\u003e. The first Best Urban Contemporary Album winner sang his elegiac \"Forrest Gump\" backed by running-sequence footage similar to the film of the same name.\u003c/p\u003e\n\n\u003cp\u003eAfter the show's most somber performance, the 55th GRAMMYs rode out on a burst of old-school rap energy, with GRAMMY host LL Cool J teaming with Chuck D, Travis Barker, Tom Morello, and DJ Z-Trip for his own \"Whaddup\" and a brief tribute to fallen Beastie Boy Adam Yauch with \"No Sleep Till Brooklyn.\"\u003c/p\u003e"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"55th_poster","id":"0dea14f3-90e3-4eeb-8e11-a4b9ef2979c3","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"tags":["55th Annual Grammy Awards"],"title":"55th Annual GRAMMY Awards","date":"2013-02-10T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Year: Oct. 1, 2011, through Sept. 30, 2012","showYear":2012}],"title":"GRAMMY Awards Time Capsule"},{"_meta":{"schema":"https://therecordingacademy.com/content/awards-row","name":"Awards Row","deliveryId":"571e74d9-4519-4ee8-bacf-aecd2b7997d6"},"simpleOne":{"_meta":{"schema":"https://therecordingacademy.com/content/simple-content-card","name":"Simple Content Card: Explore GRAMMY Awards","deliveryId":"10a5ef55-812d-44e2-8434-b5f5987c2161"},"configs":{"paragraphFontSize":"24px"},"title":"Explore the GRAMMY Awards","paragraph":"*As the only peer-recognized music award, the GRAMMY is the music industry’s highest honor. We’re counting on you in the music community to continue that legacy by participating in the process.*"},"simpleTwo":{"_meta":{"schema":"https://therecordingacademy.com/content/simple-content-card","name":"Simple Content Card","deliveryId":"727295e9-639b-4b06-ada8-8c7081e25922"},"configs":{"paragraphFontSize":"20px"},"cta":{"ctaText":"LEARN MORE","url":"https://www.recordingacademy.com/awards"},"title":"How it Works","paragraph":"\u003cspan class=\"s1\"\u003eWe’re not leaving it to you to figure it out alone. Here, you’ll find important information about everything from online entry to the voting process itself.\u003c/span\u003e"},"featuredArticleCard":{"_meta":{"schema":"https://therecordingacademy.com/content/featured-article-card","name":"Featured Article Card: Ant Clemons Sunshine","deliveryId":"b191b64a-ff80-4eae-8ebf-1bc97854fe94"},"cardInfo":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","deliveryId":"f28b6153-d42b-499c-9166-a4bc43c0e95f","deliveryKey":"news/2025-grammys-nominations-full-winners-nominees-list"},"articleCategory":["news"],"contributors":[{"id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"d3d25692-bf75-446d-83de-381f7b1d68a5"},"bodyText":{"richText":"*Watch highlights from the [2025 GRAMMYs](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list) on [live.GRAMMY.com](https://live.grammy.com/).*\n\n*The 2025 GRAMMYs telecast has been reimagined to raise funds for [MusiCares Fire Relief](https://grammy.com/firerelief), a dedicated campaign to support the people affected by the recent wildfires in the Greater Los Angeles Area. [Donate now](https://grammy.com/firerelief).*\n\n***\u003cspan\u003eEditor’s Note:\u003c/span\u003e** \u003cspan\u003eUpdated Sunday, Feb. 2, 2025, to reflect winners from the 2025 GRAMMYs, officially known as the\u003c/span\u003e [\u003cspan\u003e67th GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards/67th-annual-grammy-awards-2024)\u003cspan\u003e.\u003c/span\u003e*\n\n\u003cspan\u003eFrom \u003c/span\u003e[\u003cspan\u003eBeyoncé\u003c/span\u003e's](https://www.grammy.com/artists/beyonce-knowles/12474) *\u003cspan\u003eCowboy Carter\u003c/span\u003e*\u003cspan\u003e making history, \u003c/span\u003e**[\u003cspan\u003ewinning her first Album Of The Year award\u003c/span\u003e](https://www.grammy.com/news/beyonce-cowboy-carter-wins-album-of-the-year-2025-grammys)**\u003cspan\u003e and becoming the \u003c/span\u003e**[\u003cspan\u003efirst Black woman\u003c/span\u003e](https://www.grammy.com/news/beyonce-first-black-woman-best-country-album-win-2025-grammys-cowboy-carter)**\u003cspan\u003e to ever take home a golden gramophone in the Best Country Album, to \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e's](https://www.grammy.com/artists/kendrick-lamar/17949) “Not Like Us” sweeping in all five categories he was nominated in, the 2025 GRAMMYs were a monumental show that showcases why GRAMMY Sunday is Music's Biggest Night. Aside from notable award wins, electrifying performances from artists like [Doechii](https://www.grammy.com/artists/doechii/57882) and [Chappell Roan](https://www.grammy.com/artists/chappell-roan/56864) rattled Crypto.com Arena and entirely transformed the energy in the room.\n\n\u003cspan\u003eThe Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on every GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which went into effect immediately at the 2025 GRAMMYs. All these changes were designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eCheck out the full list of winners and nominees at the 2025 GRAMMYs below.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"Curated Content: 2025 GRAMMYs: Highlights \u0026 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GRAMMYs: Performances, Acceptance Speeches \u0026 Highlights"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist \u003c/span\u003e\n\n“**Now and Then”** - The Beatles\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish \u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar - \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé \u003c/span\u003e\u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER - TIE\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii - **WINNER**\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone** \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\\\n\\\n*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale) \u003cspan\u003e- \u003c/span\u003e**\u003cspan\u003eWINNER\u003c/span\u003e**\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"id":"ec9eba9c-c548-4113-89c9-981abf385da7","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"2025 GRAMMYs Full Nomination List"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1738563281705,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","shortTitle":"2025 GRAMMYs: See The Full Winners \u0026 Nominees List","subHeadline":"The 2025 GRAMMYs marked a historic year for Music's Biggest Night, filled with monumental moments. 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Check out the complete list of winners and nominees from the 2025 GRAMMYs."}},"keyEvents":{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Key Events - Body text mode","deliveryId":"a319a722-7ea1-4e3c-b7ef-955a2ec4413e"},"bodyText":{"richText":"## 67th ANNUAL GRAMMY AWARDS: KEY DATES\n\n| September 16, 2023 – August 30, 2024 | Product Eligibility Period For Entries |\n|----------|----------|\n| July 8, 2024 – August 23, 2024 | Media Company Registration |\n| July 17, 2024 – August 30, 2024 | Online Entry Process (OEP) Access Period |\n| October 4, 2024 - October 15, 2024 | First Round Voting |\n| November 8, 2024 | Nominees Announced for the 67th Annual GRAMMY Awards |\n| December 12, 2024 - January 3, 2025 | Final Round Voting |\n| February 2, 2025 | 67th Annual GRAMMY Awards Show Date/Telecast |"}}},{"_meta":{"schema":"https://therecordingacademy.com/content/google-ad","name":"Homepage Google Ad 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