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searchaux" style="display:none">British artist</div> <p class="mw-empty-elt"> </p> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Burchett_sandown_trimmed.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Burchett_sandown_trimmed.jpg/330px-Burchett_sandown_trimmed.jpg" decoding="async" width="330" height="192" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Burchett_sandown_trimmed.jpg/495px-Burchett_sandown_trimmed.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Burchett_sandown_trimmed.jpg/660px-Burchett_sandown_trimmed.jpg 2x" data-file-width="825" data-file-height="480" /></a><figcaption><i>View across <a href="/wiki/Sandown_Bay" title="Sandown Bay">Sandown Bay</a>, Isle of Wight</i> probably of 1855, <a href="/wiki/Victoria_and_Albert_Museum" title="Victoria and Albert Museum">Victoria and Albert Museum</a>.</figcaption></figure> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Richard_Burchett_-_Sanctuary_(1867)_contrasted.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Richard_Burchett_-_Sanctuary_%281867%29_contrasted.jpg/330px-Richard_Burchett_-_Sanctuary_%281867%29_contrasted.jpg" decoding="async" width="330" height="185" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Richard_Burchett_-_Sanctuary_%281867%29_contrasted.jpg/495px-Richard_Burchett_-_Sanctuary_%281867%29_contrasted.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/31/Richard_Burchett_-_Sanctuary_%281867%29_contrasted.jpg/660px-Richard_Burchett_-_Sanctuary_%281867%29_contrasted.jpg 2x" data-file-width="2390" data-file-height="1342" /></a><figcaption><i>Sanctuary</i>, or <i>Edward IV Withheld by Ecclesiastics from Pursuing Lancastrian Fugitives into a Church</i>, 1867, <a href="/wiki/Guildhall_Art_Gallery" title="Guildhall Art Gallery">Guildhall Art Gallery</a>. One of the large <a href="/wiki/History_painting" title="History painting">history paintings</a> with which Burchett hoped to make his reputation</figcaption></figure> <p><b>Richard Burchett</b> (1815–1875) was a British artist and educator on the fringes of the <a href="/wiki/Pre-Raphaelite" class="mw-redirect" title="Pre-Raphaelite">Pre-Raphaelite</a> movement, who was for over twenty years the Headmaster of what later became the <a href="/wiki/Royal_College_of_Art" title="Royal College of Art">Royal College of Art</a>. </p><p>He was later described as "a prominent figure in the art-schools, a well-instructed painter, and a teacher exceptionally equipped with all the learning of his craft" by his ex-pupil, the poet <a href="/wiki/Henry_Austin_Dobson" title="Henry Austin Dobson">Austin Dobson</a>. Burchett's pupils included the extremely varied talents of <a href="/wiki/Kate_Greenaway" title="Kate Greenaway">Kate Greenaway</a>, <a href="/wiki/Christopher_Dresser" title="Christopher Dresser">Christopher Dresser</a>, <a href="/wiki/Elizabeth_Thompson" title="Elizabeth Thompson">Elizabeth Thompson</a> (Lady Butler), Sir <a href="/wiki/George_Clausen" title="George Clausen">George Clausen</a>, Sir <a href="/wiki/Luke_Fildes" title="Luke Fildes">Luke Fildes</a>, <a href="/wiki/Gertrude_Jekyll" title="Gertrude Jekyll">Gertrude Jekyll</a>, <a href="/wiki/Hubert_von_Herkomer" title="Hubert von Herkomer">Hubert von Herkomer</a>, <a href="/wiki/Evelyn_De_Morgan" title="Evelyn De Morgan">Evelyn De Morgan</a>, <a href="/wiki/William_Harbutt" title="William Harbutt">William Harbutt</a> and <a href="/wiki/Helen_Allingham" title="Helen Allingham">Helen Allingham</a>. <a href="/wiki/Princess_Louise,_Duchess_of_Argyll" title="Princess Louise, Duchess of Argyll">Princess Louise, Duchess of Argyll</a>, <a href="/wiki/Queen_Victoria" title="Queen Victoria">Queen Victoria</a>'s daughter, and a talented artist, was also a student.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>As an artist he achieved some reputation for large history paintings, and decorated public buildings including parts of the <a href="/wiki/Palace_of_Westminster" title="Palace of Westminster">Palace of Westminster</a> and the <a href="/wiki/Victoria_and_Albert_Museum" title="Victoria and Albert Museum">Victoria and Albert Museum</a>, but his <i>View across <a href="/wiki/Sandown_Bay" title="Sandown Bay">Sandown Bay</a>, <a href="/wiki/Isle_of_Wight" title="Isle of Wight">Isle of Wight</a></i> is seen by modern art historians as his best work. Burchett published collections of his lectures as text-books for the South Kensington system of <a href="/wiki/Art_education" class="mw-redirect" title="Art education">art education</a>, which he helped to devise. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Life">Life</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Richard_Burchett&action=edit&section=1" title="Edit section: Life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Mw37630.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/Mw37630.jpg/220px-Mw37630.jpg" decoding="async" width="220" height="276" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/Mw37630.jpg/330px-Mw37630.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/3/35/Mw37630.jpg 2x" data-file-width="398" data-file-height="500" /></a><figcaption>Portrait published 1875, after an unknown artist (the age appears to be wrong).</figcaption></figure> <p>Burchett was born in Brighton on 30 January 1815. He attended the "London Mechanics Institute" in <a href="/wiki/Chancery_Lane" title="Chancery Lane">Chancery Lane</a> (founded 1823, the forerunner of <a href="/wiki/Birkbeck,_University_of_London" title="Birkbeck, University of London">Birkbeck College</a>, <a href="/wiki/University_of_London" title="University of London">University of London</a>), before in about 1841 entering the "Government School of Design", founded three years before in 1837, which he was later to head, and which eventually became the Royal College of Art.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> In 1845 he was a ringleader of students protesting to the <a href="/wiki/Board_of_Trade" title="Board of Trade">Board of Trade</a> about the teaching methods, in what was at the time a controversy that attracted a great deal of public attention, and finally a Parliamentary Committee of Enquiry.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> He gave evidence to this in 1846-7, by which time he had become a master at the school (the "Master of Form", from 1845), remaining on the staff until his death in 1875, from 1852 as Headmaster.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>Burchett spent most of his time throughout his adult life on his work at the school, and that his most highly regarded work today is an atypical landscape subject is an indication of how much his personal painting was neglected for teaching, and public commissions through the school. According to the <i>Memoirs</i> of <a href="/wiki/William_Bell_Scott" title="William Bell Scott">William Bell Scott</a>, who had worked under him, Burchett was: "an able, self-dependent actor in the affairs of life, yet one whose action was rarely to his own benefit, although largely to the benefit of those under him in his official position".<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>In the mid-1850s Burchett converted to <a href="/wiki/Roman_Catholicism" class="mw-redirect" title="Roman Catholicism">Roman Catholicism</a>; it is presumed that he was influenced by the already-converted Pre-Raphaelite <a href="/wiki/James_Collinson" title="James Collinson">James Collinson</a>, with whom he was living after Collinson's engagement to <a href="/wiki/Christina_Rossetti" title="Christina Rossetti">Christina Rossetti</a> had broken down for the second time.<sup id="cite_ref-ReferenceA_6-0" class="reference"><a href="#cite_note-ReferenceA-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> He married twice, and had several children. What appear to be a son and grandson are recorded exhibiting paintings in London. Ebenezer Stanley Burchett (1837–1916) worked at South Kensington and then was Head Master of the <a href="/wiki/Bedford_Park,_London" title="Bedford Park, London">Bedford Park</a> School of Arts & Crafts.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> In 1870 Richard Burchett is described as "formerly of 43 <a href="/wiki/Brompton,_London" title="Brompton, London">Brompton</a> Square [very near the School], but now of 8 Bedford Road, <a href="/wiki/Clapham" title="Clapham">Clapham</a>."<sup id="cite_ref-Gazette23599_8-0" class="reference"><a href="#cite_note-Gazette23599-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Burchett was in very bad health for the last years of his life, and when he died in Dublin, on 27 May 1875, he was staying with his wife's uncle, Sir <a href="/wiki/Samuel_Ferguson" title="Samuel Ferguson">Samuel Ferguson</a>, for his health.<sup id="cite_ref-ReferenceA_6-1" class="reference"><a href="#cite_note-ReferenceA-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> He had only been in the School for 133 days in 1872, arriving punctually on only seven of these.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>In 1870, he began proceedings for bankruptcy,<sup id="cite_ref-Gazette23599_8-1" class="reference"><a href="#cite_note-Gazette23599-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> which were still not concluded by his death.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Scott says he "took to a sort of farming at considerable expense ... He began to get into deep water, and into the hands of 20 per cent money-lenders. Still he fought bravely with his difficulties, and even when his large salary was placed under trustees, he went on with his historic subjects".<sup id="cite_ref-Scott,_272-273_11-0" class="reference"><a href="#cite_note-Scott,_272-273-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> His venture was ill-timed, hitting a period of agricultural depression. A series of twelve dividends to his creditors, between 1871 and September 1876, paid off at least 7s 7<style data-mw-deduplicate="TemplateStyles:r1154941027">.mw-parser-output .frac{white-space:nowrap}.mw-parser-output .frac .num,.mw-parser-output .frac .den{font-size:80%;line-height:0;vertical-align:super}.mw-parser-output .frac .den{vertical-align:sub}.mw-parser-output .sr-only{border:0;clip:rect(0,0,0,0);clip-path:polygon(0px 0px,0px 0px,0px 0px);height:1px;margin:-1px;overflow:hidden;padding:0;position:absolute;width:1px}</style><span class="frac"><span class="num">3</span>⁄<span class="den">4</span></span>d in the pound - dividends number 1, 7 & 8 seem not to appear in the London Gazette search results.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> His will was <a href="/wiki/Probate" title="Probate">probated</a> at less than £200,<sup id="cite_ref-ReferenceA_6-2" class="reference"><a href="#cite_note-ReferenceA-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> and Frayling records that a letter from his widow asking for a pension was found unanswered in the school files thirteen years later.<sup id="cite_ref-Frayling_13-0" class="reference"><a href="#cite_note-Frayling-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> Obituaries were published in the <i><a href="/wiki/Athenaeum_(British_magazine)" class="mw-redirect" title="Athenaeum (British magazine)">Athenaeum</a></i>, the <i><a href="/wiki/The_Art_Journal" title="The Art Journal">Art Journal</a></i>, and <i><a href="/wiki/The_Graphic" title="The Graphic">The Graphic</a></i>.<sup id="cite_ref-ReferenceB_14-0" class="reference"><a href="#cite_note-ReferenceB-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Artist">Artist</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Richard_Burchett&action=edit&section=2" title="Edit section: Artist"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:William_Torrel_(1291%E2%80%931303)_(design_for_a_mosaic_in_the_Victoria_and_Albert_Museum).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/William_Torrel_%281291%E2%80%931303%29_%28design_for_a_mosaic_in_the_Victoria_and_Albert_Museum%29.jpg/180px-William_Torrel_%281291%E2%80%931303%29_%28design_for_a_mosaic_in_the_Victoria_and_Albert_Museum%29.jpg" decoding="async" width="180" height="489" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/William_Torrel_%281291%E2%80%931303%29_%28design_for_a_mosaic_in_the_Victoria_and_Albert_Museum%29.jpg/270px-William_Torrel_%281291%E2%80%931303%29_%28design_for_a_mosaic_in_the_Victoria_and_Albert_Museum%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d5/William_Torrel_%281291%E2%80%931303%29_%28design_for_a_mosaic_in_the_Victoria_and_Albert_Museum%29.jpg/360px-William_Torrel_%281291%E2%80%931303%29_%28design_for_a_mosaic_in_the_Victoria_and_Albert_Museum%29.jpg 2x" data-file-width="1200" data-file-height="3263" /></a><figcaption><a href="/wiki/William_Torrel" class="mw-redirect" title="William Torrel">William Torrel</a> (1291–1303), design for a mosaic in the Victoria and Albert Museum, now also on display there</figcaption></figure> <p>Burchett exhibited five works, apparently all large <a href="/wiki/History_painting" title="History painting">history paintings</a>, at the Royal Academy between 1847, including <i>The Death of Marmion</i>, "famous in its day" according to <a href="/wiki/Hugh_Thomas_(writer)" class="mw-redirect" title="Hugh Thomas (writer)">Hugh Thomas</a><sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup>) and 1873 (<i>The Making of the <a href="/wiki/New_Forest" title="New Forest">New Forest</a></i>). These are rather generously described as "in the <a href="/wiki/Pre-Raphaelite" class="mw-redirect" title="Pre-Raphaelite">Pre-Raphaelite</a> style" by the <a href="/wiki/Dictionary_of_National_Biography" title="Dictionary of National Biography">DNB</a>. He exhibited a work at the <a href="/wiki/British_Institution" title="British Institution">British Institution</a> in 1855.<sup id="cite_ref-ReferenceB_14-1" class="reference"><a href="#cite_note-ReferenceB-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> His best-known work in this genre is <i>Sanctuary</i> (RA, 1867), the snappy modern title for <i>Edward IV Withheld by Ecclesiastics from Pursuing Lancastrian Fugitives into a Church</i>, in the <a href="/wiki/Guildhall_Art_Gallery" title="Guildhall Art Gallery">Guildhall Art Gallery</a>, London, showing an incident after the <a href="/wiki/Battle_of_Tewkesbury" title="Battle of Tewkesbury">Battle of Tewkesbury</a> of 1471, during the <a href="/wiki/Wars_of_the_Roses" title="Wars of the Roses">Wars of the Roses</a>.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p><p>William Bell Scott has an anecdote of Burchett, who "had chosen the subject as a glorious example of the power of the Church and the faith of the prince at that blessed period in Merry England" failing to sell the painting to an "extreme Radical" shipping magnate: ""I admire the picture, Mr. Burchett, it is excellently painted, and I like it for its subject; these men in full armour won't go in, they won't end the day completely after risking all their lives, because of that old priest with the jack-in-the-box! Superstition, you see, turns them into caitiffs!" This knocked over poor Burchett so much, the transaction came to nothing"<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Scott comments that Burchett: "gave himself up to historical painting on a rather large scale, just the kind of art which English taste and the R. Academy as the mediocre exponent of the same would like to crush out of existence".<sup id="cite_ref-Scott,_272-273_11-1" class="reference"><a href="#cite_note-Scott,_272-273-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p><p>However the work which has attracted the most attention and praise from critics in recent decades is what appears to be his "only known landscape",<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> <i>View across Sandown Bay, Isle of Wight</i> probably of 1855, in the <a href="/wiki/Victoria_and_Albert_Museum" title="Victoria and Albert Museum">Victoria and Albert Museum</a>, who describe it as a "minor masterpiece".<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> This small painting, which more closely approaches a Pre-Raphaelite landscape style, shows a half-harvested cornfield, with tools and jugs of the farm-workers piled up beside a corn stook. But the only figures visible are two clearly middle-class women, no doubt part of the same party as the artist, one sitting against a stook reading a book, and the other walking with a <a href="/wiki/Parasol" class="mw-redirect" title="Parasol">parasol</a>. Any <a href="/wiki/Georgic" class="mw-redirect" title="Georgic">georgic</a> or realist focus on agriculture is absent "his cornfield is just part of a landscape where middle-class people take their leisure. The corn is no more or no less useful than the beaches which we imagine to be in the distance of this brilliantly coloured painting".<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> Here too a more subtle hint of religious feeling is found: "the church in the distance hints at the source of the bounty represented by the partially garnered harvest in the foreground fields".<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Treatments of the almost identical view by <a href="/wiki/William_Dyce" title="William Dyce">William Dyce</a> and James Collinson (<i>Mother and Child</i>, Mellon Centre, Yale<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup>), both Burchett's colleagues at the school, are taken by <a href="/wiki/Geoffrey_Grigson" title="Geoffrey Grigson">Geoffrey Grigson</a> to mean that the three artists were on a visit, or holiday, together.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Dyce, like Burchett, was an artist who saw himself as a history painter but is now most often remembered for a single Pre-Raphaelitish landscape, his <i><a href="/wiki/Pegwell_Bay,_Kent_%E2%80%93_a_Recollection_of_October_5th_1858" title="Pegwell Bay, Kent – a Recollection of October 5th 1858">Pegwell Bay, Kent – a Recollection of October 5th 1858</a></i>. </p><p>There are a number of public paintings by Burchett, with help of his students, commissioned through the school. He and his students painted, from Renaissance portraits, a number of full-length portraits of the <a href="/wiki/House_of_Tudor" title="House of Tudor">House of Tudor</a> for the royal antechamber to the <a href="/wiki/House_of_Lords" title="House of Lords">House of Lords</a> in the <a href="/wiki/Palace_of_Westminster" title="Palace of Westminster">Palace of Westminster</a> (1855-9).<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> He painted other works for the new Palace, including a large <a href="/wiki/Spanish_Armada" title="Spanish Armada">Spanish Armada</a> scene <i>The English Fleet Pursuing the Spanish Fleet Against Fowey</i>, copying from an 18th-century print a one of a set of tapestries made for <a href="/wiki/Charles_Howard,_1st_Earl_of_Nottingham" title="Charles Howard, 1st Earl of Nottingham">Lord Howard of Effingham</a>, the victorious admiral. The death of <a href="/wiki/Albert,_Prince_Consort" class="mw-redirect" title="Albert, Prince Consort">Prince Albert</a> brought the project to reproduce the full set to an end, but it was revived in the 21st century, and finally completed in 2010.<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Like the works in the Palace by better-known painters like Dyce, these have been generally disliked by critics from their first unveiling; the overall painting of the Palace after its rebuilding was probably the largest public painting commission in England during the 19th century, and, unlike the architecture of the Palace, has been regarded as very disappointing by most critics from the start. </p><p>From a number of designs for <a href="/wiki/Mosaics" class="mw-redirect" title="Mosaics">mosaics</a> for the exteriors to the south court of the Victoria and Albert Museum he produced <a href="/wiki/William_Torrell" class="mw-redirect" title="William Torrell">William Torrell</a> (two versions in fact) and <a href="/wiki/William_of_Wykeham" title="William of Wykeham">William of Wykeham</a>. The mosaics remain in place, and two of the cartoons are now themselves on display in the staircase on the Exhibition Road side of the building. He and his students decorated large medallions in the dome of the now-vanished <a href="/wiki/1862_International_Exhibition" title="1862 International Exhibition">Great Exhibition building</a> of 1862 at <a href="/wiki/South_Kensington" title="South Kensington">South Kensington</a>,<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> and he painted a window in the <a href="/wiki/Greenwich_Hospital_(London)" class="mw-redirect" title="Greenwich Hospital (London)">Greenwich Hospital</a>. </p> <div class="mw-heading mw-heading2"><h2 id="The_South_Kensington_system">The South Kensington system</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Richard_Burchett&action=edit&section=3" title="Edit section: The South Kensington system"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Queen_Margaret_Tudor_of_Scots.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/3/39/Queen_Margaret_Tudor_of_Scots.jpg" decoding="async" width="180" height="360" class="mw-file-element" data-file-width="180" data-file-height="360" /></a><figcaption><i><a href="/wiki/Margaret_Tudor,_Queen_of_Scots" class="mw-redirect" title="Margaret Tudor, Queen of Scots">Margaret Tudor, Queen of Scots</a></i>, <a href="/wiki/Houses_of_Parliament" class="mw-redirect" title="Houses of Parliament">Houses of Parliament</a></figcaption></figure> <p>The controversy at the school in 1845 was about the Headmaster and his teaching methods, but reflected wider issues about the aims of the school in terms of the balance between fine art and applied and commercial art and design; these questions were to remain a perennial bone of contention for at least another century, and are a recurring theme in <a href="/wiki/Christopher_Frayling" title="Christopher Frayling">Christopher Frayling</a>'s 1987 history of the College. The new teaching methods implemented by Burchett were themselves to become a matter of controversy. </p><p>The school had been founded in 1837, as the <i>Government School of Design</i>, occupying part of <a href="/wiki/Somerset_House" title="Somerset House">Somerset House</a> on <a href="/wiki/Strand,_London" title="Strand, London">the Strand</a>, until the space was needed for the <a href="/wiki/General_Register_Office" title="General Register Office">Register of Births, Deaths and Marriages</a>. It became the <i>National Art Training School</i> in 1853, moving to the equally palatial setting of <a href="/wiki/Marlborough_House" title="Marlborough House">Marlborough House</a>, thanks to <a href="/wiki/Albert,_Prince_Consort" class="mw-redirect" title="Albert, Prince Consort">Prince Albert</a>, leaving a section just for training art teachers on the Strand, and establishing a separate "Female School" in Gower St,<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> from 1861 <a href="/wiki/Queen_Square,_London" title="Queen Square, London">Queen Square, Bloomsbury</a>.<sup id="cite_ref-MacDonald:173_28-0" class="reference"><a href="#cite_note-MacDonald:173-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> In 1861 the main school moved again to buildings adjoining (and now absorbed by) the <a href="/wiki/Victoria_and_Albert_Museum" title="Victoria and Albert Museum">Victoria and Albert Museum</a> in <a href="/wiki/South_Kensington" title="South Kensington">South Kensington</a>, and long after Burchett's death it became in 1896 <i>The Royal College of Art</i>. It is often referred to as the "Government Art School", and later the "South Kensington Schools", in the 19th century (the school was at various points divided into different sections, such as the "Female School", also under Burchett, and there were also science schools run by the <a href="/wiki/Science_and_Art_Department" title="Science and Art Department">Science and Art Department</a>, hence the plural). </p><p>The main art school in London was the <a href="/wiki/Royal_Academy" class="mw-redirect" title="Royal Academy">Royal Academy</a> Schools, which made space for the new school by its decision to vacate Somerset House for the new <a href="/wiki/National_Gallery,_London" class="mw-redirect" title="National Gallery, London">National Gallery</a> building, where it stayed until 1867. They had been established decades before the Government School, to provide a full training in <a href="/wiki/Academic_art" title="Academic art">Academic art</a>; by the 1830s the majority of successful English artists had trained there. The Government School was funded by the Board of Trade, and intended, at least by them, for different purposes, though precisely what these were remained a political battleground for decades. The school was not founded to train academic painters; this at least was clear, although in fact many ex-students became just that. The Government had recognised that British industrial design was falling behind that of the Continent, and believed that the training of designers was worth public subsidy. Later, a national network of schools to train students in applied art and design was established, and the central London school was both to be the flagship of the network, and to train teachers for the rest of the schools.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Dresservanda.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Dresservanda.jpg/220px-Dresservanda.jpg" decoding="async" width="220" height="161" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Dresservanda.jpg/330px-Dresservanda.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Dresservanda.jpg/440px-Dresservanda.jpg 2x" data-file-width="672" data-file-height="492" /></a><figcaption>Botany Diagram, about 1855 by <a href="/wiki/Christopher_Dresser" title="Christopher Dresser">Christopher Dresser</a> to illustrate his teaching at the school, V&A Museum.</figcaption></figure><p> William Dyce was the first Director, and Burchett studied under him, and then worked with him as a colleague, until Dyce left in 1848. The Isle of Wight paintings from 1855 suggest the two remained friends. </p><p>After the internal disputes of the 1840s, the school acquired a firm sense of control and direction when in 1853 the Government placed it under the control of <a href="/wiki/Henry_Cole_(inventor)" title="Henry Cole (inventor)">Henry Cole</a>, for whom the Science and Art Department was set up, with a large tract of land, and much of the large profit from the 1852 <a href="/wiki/Great_Exhibition" title="Great Exhibition">Great Exhibition</a> to spend. Cole was an extremely dynamic figure, with some training as a painter, and experience as an entrepreneurial designer of china. He made the young painter <a href="/wiki/Richard_Redgrave" title="Richard Redgrave">Richard Redgrave</a>, master of botany at the school since 1847, responsible for the superintendence of the national system, and appointed Burchett as Headmaster of the London School. </p><p>Redgrave, drawing on Dyce's ideas, and propelled by Cole, set out the "<a href="/wiki/South_Kensington_system" class="mw-redirect" title="South Kensington system">South Kensington system</a>", a highly specific <a href="/wiki/Syllabus" title="Syllabus">syllabus</a> for the teaching of art, which was to be dominant in the UK, and other English-speaking countries, at least until the end of the century, and not to entirely vanish until the 1930s.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Burchett was the first to implement the course in London, and worked with Redgrave in drawing it up - Redgrave had much less teaching experience.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Burchett's published lectures reflected the system, and were widely used as text-books for it; how far he was involved in devising it cannot be said.<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> </p><p>The full course was divided into twenty-three stages, most with several sections. Different types of students were to take different combinations of stages: "machinists, engineers and foremen of works" should take stages 1–5, and then skip to the final 23rd stage, "Technical Studies", while designers and "ornamentalists" took most stages.<sup id="cite_ref-Frayling_13-1" class="reference"><a href="#cite_note-Frayling-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p><p>There were several types of students, pursuing different courses: the "general students", who paid no fees and were given a small living allowance, training to be teachers of art (though many ended up elsewhere), the "National Scholars" intended for industrial designers, and fee-paying students, pursuing a course more oriented to the fine arts. Latterly these were in fact the majority.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> Women pupils were taught at least partly separately, and their <a href="/wiki/Life_class" class="mw-redirect" title="Life class">life classes</a> consisted of drawing a man wearing a suit of armour. The Royal Academy Schools did not accept women students until 1861, although there were other alternatives for women. The female school, under Royal patronage, became a rather fashionable place for young ladies, able to support its expansion by society fundraising.<sup id="cite_ref-MacDonald:173_28-1" class="reference"><a href="#cite_note-MacDonald:173-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Author_and_collector">Author and collector</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Richard_Burchett&action=edit&section=4" title="Edit section: Author and collector"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Henry_VIII%27s_wives,_circle_of_R.Burchett_(1854%E2%80%931860,_Parliamentary_Art_Collection).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/21/Henry_VIII%27s_wives%2C_circle_of_R.Burchett_%281854%E2%80%931860%2C_Parliamentary_Art_Collection%29.jpg/220px-Henry_VIII%27s_wives%2C_circle_of_R.Burchett_%281854%E2%80%931860%2C_Parliamentary_Art_Collection%29.jpg" decoding="async" width="220" height="74" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/21/Henry_VIII%27s_wives%2C_circle_of_R.Burchett_%281854%E2%80%931860%2C_Parliamentary_Art_Collection%29.jpg/330px-Henry_VIII%27s_wives%2C_circle_of_R.Burchett_%281854%E2%80%931860%2C_Parliamentary_Art_Collection%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/21/Henry_VIII%27s_wives%2C_circle_of_R.Burchett_%281854%E2%80%931860%2C_Parliamentary_Art_Collection%29.jpg/440px-Henry_VIII%27s_wives%2C_circle_of_R.Burchett_%281854%E2%80%931860%2C_Parliamentary_Art_Collection%29.jpg 2x" data-file-width="1076" data-file-height="360" /></a><figcaption>The Six Wives of Henry VIII, by Burchett and his students, 1854–1860, <a href="/wiki/Houses_of_Parliament" class="mw-redirect" title="Houses of Parliament">Houses of Parliament</a>.</figcaption></figure> <p>Collections of Burchett's lectures from the school were published in book form, through <a href="/wiki/Chapman_and_Hall" class="mw-redirect" title="Chapman and Hall">Chapman and Hall</a>: <i>Practical Geometry</i> (1855), <i>Practical Perspective</i> (1857), which was translated into Chinese,<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> <i>Linear Perspective for the Use of Schools of Art</i> (1872). </p><p>He appears buying a number of lots for the school ("Marlborough House") and a few for himself in the huge (4294 lot) sale in 1855 of the distinguished collection of <a href="/wiki/Ralph_Bernal" title="Ralph Bernal">Ralph Bernal</a>.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> He was also at the studio sale of <a href="/wiki/Augustus_Egg" class="mw-redirect" title="Augustus Egg">Augustus Egg</a>, buying two paintings now in the Victoria and Albert Museum, probably on their behalf, although he also sold them works apparently from his collection, as well as his Sandown landscape (in 1861).<sup id="cite_ref-ReferenceB_14-2" class="reference"><a href="#cite_note-ReferenceB-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>Burchett looked after a number of paintings by his colleague, the Pre-Raphaelite <a href="/wiki/Walter_Howell_Deverell" class="mw-redirect" title="Walter Howell Deverell">Walter Howell Deverell</a> (1827–54) for a decade after Deverell's early death, before handing them on to <a href="/wiki/Dante_Gabriel_Rossetti" title="Dante Gabriel Rossetti">Dante Gabriel Rossetti</a>. These included <i>Twelfth Night</i>, Deverell's major work, which fetched £600,650 ($957,436) in an auction at <a href="/wiki/Christie%27s" title="Christie's">Christie's</a> in 2003.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> He must have known Deverell as a boy, as his father had been Secretary to the school, and the family lived on the premises until 1852. Deverell joined the staff of the school in 1848, and was there until his death.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> </p><p>Apart from his own students, Burchett encouraged other young artists, sending the <a href="/wiki/Royal_Academy" class="mw-redirect" title="Royal Academy">Royal Academy</a> schools a letter of recommendation for the young <a href="/wiki/Albert_Joseph_Moore" title="Albert Joseph Moore">Albert Moore</a>. </p> <div class="mw-heading mw-heading2"><h2 id="Portraits">Portraits</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Richard_Burchett&action=edit&section=5" title="Edit section: Portraits"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Portraits of the heavily-bearded Burchett include a marble bust by his pupil <a href="/wiki/Henrietta_Montalba" title="Henrietta Montalba">Henrietta Montalba</a> in an elaborate pink alabaster frame designed by <a href="/wiki/George_Clausen" title="George Clausen">George Clausen</a> that has followed the Royal College to its new Darwin Building on <a href="/wiki/Kensington_Gore" title="Kensington Gore">Kensington Gore</a>, where it is installed in a courtyard.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> He was painted by <a href="/wiki/Val_Prinsep" class="mw-redirect" title="Val Prinsep">Val Prinsep</a> standing next to <a href="/wiki/Lord_Leighton" class="mw-redirect" title="Lord Leighton">Lord Leighton</a> in his <i>Distribution of Art Prizes</i> (1869, Victoria and Albert Museum),<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> and there is a <a href="/wiki/Wood_engraving" title="Wood engraving">wood engraving</a> after an unknown artist, very likely a student (above) published with an obituary.<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> His necessarily imagined "portrait" of the medieval metalworker <a href="/wiki/William_Torrell" class="mw-redirect" title="William Torrell">William Torrell</a> for the Victoria & Albert Museum mosaics (above) shows considerable similarity to his other portraits, and may be a self-portrait. </p> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Richard_Burchett&action=edit&section=6" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width reflist-columns-2"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">MacDonald:173 describes <a href="/wiki/Rosa_Bonheur" title="Rosa Bonheur">Rosa Bonheur</a> as a "student", but this seems dubious. She may have visited for a time before taking over her father's position running an art school for girls, the "École Gratuite de Dessins des Jeunes Filles" in 1849.</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text">DNB, V&A</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text">Elizabeth Bonython and Anthony Burton, <i>The Great Exhibitor: the Life and Work of Henry Cole</i>, V&A Publications, London, p.150.</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text">V&A says from 1851 as Head of the "Department of Practical Art" section, for training teachers.</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text">Scott, 272</span> </li> <li id="cite_note-ReferenceA-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-ReferenceA_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ReferenceA_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ReferenceA_6-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">DNB</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text">In 1875, he was at 20 Brompton Sq., where he registered a patent "for improvements in boxes for containing matches and other articles" - <a href="/wiki/London_Gazette" class="mw-redirect" title="London Gazette">London Gazette</a>, March 29, 1878, <a rel="nofollow" class="external text" href="http://www.london-gazette.co.uk/issues/24567/pages/2259/page.pdf">p. 2259</a>. By 1878 he had moved to <a href="/wiki/Ravenscourt_Park" title="Ravenscourt Park">Ravenscourt Park</a>, where he played a crucial role in developing the present public park. Obituary of Mr E. S. Burchett by F.E. Hayes, A.R.C.A., F.R.G.S. West London Observer 24 March 1916</span> </li> <li id="cite_note-Gazette23599-8"><span class="mw-cite-backlink">^ <a href="#cite_ref-Gazette23599_8-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Gazette23599_8-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFGazette23599" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.thegazette.co.uk/London/issue/23599/page/1811">"No. 23599"</a>. <i><a href="/wiki/The_London_Gazette" title="The London Gazette">The London Gazette</a></i>. 18 March 1870. p. 1811.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+London+Gazette&rft.atitle=No.+23599&rft.pages=1811&rft.date=1870-03-18&rft_id=https%3A%2F%2Fwww.thegazette.co.uk%2FLondon%2Fissue%2F23599%2Fpage%2F1811&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARichard+Burchett" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Frayling:52</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGazette24353" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.thegazette.co.uk/London/issue/24353/page/4524">"No. 24353"</a>. <i><a href="/wiki/The_London_Gazette" title="The London Gazette">The London Gazette</a></i>. 11 August 1876. p. 4524.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+London+Gazette&rft.atitle=No.+24353&rft.pages=4524&rft.date=1876-08-11&rft_id=https%3A%2F%2Fwww.thegazette.co.uk%2FLondon%2Fissue%2F24353%2Fpage%2F4524&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARichard+Burchett" class="Z3988"></span></span> </li> <li id="cite_note-Scott,_272-273-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-Scott,_272-273_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Scott,_272-273_11-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Scott, 272-273</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text">Brompton Square was home to many artists, writers and actors etc <a rel="nofollow" class="external text" href="http://www.british-history.ac.uk/report.aspx?compid=50029">Survey of London Artists, musicians and writers resident in Brompton, 1790–1870</a>. <a href="/wiki/Charles_Dickens,_Jr." class="mw-redirect" title="Charles Dickens, Jr.">Charles Dickens, Jr.</a> (eldest child of <a href="/wiki/Charles_Dickens" title="Charles Dickens">Charles Dickens</a>) wrote in his 1879 book <i><a href="/wiki/Dickens%27s_Dictionary_of_London" class="mw-redirect" title="Dickens's Dictionary of London">Dickens's Dictionary of London</a></i> that "[Brompton] was at one time almost exclusively the artist quarter and is still largely frequented by the votaries of the brush and chisel, though of late years Belgravia has been encroaching upon its boundaries, and Belgravian rents are stealing westward." <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDickens,_Charles_Jr.1879" class="citation web cs1"><a href="/wiki/Charles_Dickens,_Jr." class="mw-redirect" title="Charles Dickens, Jr.">Dickens, Charles Jr.</a> (1879). <a rel="nofollow" class="external text" href="http://www.victorianlondon.org/dickens/dickens-bic.htm">"Brompton"</a>. <i><a href="/wiki/Dickens%27s_Dictionary_of_London" class="mw-redirect" title="Dickens's Dictionary of London">Dickens's Dictionary of London</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">22 August</span> 2007</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Dickens%27s+Dictionary+of+London&rft.atitle=Brompton&rft.date=1879&rft.au=Dickens%2C+Charles+Jr.&rft_id=http%3A%2F%2Fwww.victorianlondon.org%2Fdickens%2Fdickens-bic.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARichard+Burchett" class="Z3988"></span></span> </li> <li id="cite_note-Frayling-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-Frayling_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Frayling_13-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Frayling</span> </li> <li id="cite_note-ReferenceB-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-ReferenceB_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ReferenceB_14-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ReferenceB_14-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">V&A</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.elpais.com/articulo/opinion/FELIPE_II_/REY_ESPANOL/Felipe/II/Camara/Lores/elpepiopi/19980808elpepiopi_2/Tes">Articles</a> <span class="languageicon">(in Spanish)</span> in <i><a href="/wiki/El_Pa%C3%ADs" title="El País">El País</a></i>, probably quoting another source.</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.cityoflondon.gov.uk/NR/rdonlyres/369C7459-6B1C-40EB-B09B-44CA1AE18058/0/liftlid_burchett.jpg">Image</a> The two titles are mentioned separately by the DNB, who give the Guildhall <i>Sanctuary</i>, but there seems only to be the one painting (exhibited RA 1867)</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">Scott, 274-275</span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">So the DNB, but Howard D. Rodee: <i>The "Dreary Landscape" as a Background for Scenes of Rural Poverty in Victorian Paintings</i>, Art Journal, Vol. 36, No. 4 (Summer, 1977) refers to another, also a view of the Isle of Wight: "Scene in the Isles (sic) of Wight" of 1865. This has cheerful farmworkers' children, so must be a different work.</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text">For quote, search online collection on Burchett (accessed February 15, 2008). <a rel="nofollow" class="external text" href="https://collections.vam.ac.uk/search/?listing_type=imagetext&offset=0&limit=15&narrow=0&q=burchett&commit=Search&quality=0&objectnamesearch=&placesearch=&after=&after-adbc=AD&before=&before-adbc=AD&namesearch=&materialsearch=&mnsearch=&locationsearch=">V&A image</a></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Rosenthal:130</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><a href="/wiki/Christie%27s" title="Christie's">Christie's</a> Catalogue, King St, Sale 7279, Lot 219 <a rel="nofollow" class="external text" href="http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=4826939"><i>Showing a Preference</i></a>, <a href="/wiki/John_Calcott_Horsley" class="mw-redirect" title="John Calcott Horsley">John Calcott Horsley</a>, R.A. (1817–1903). - Horsley was also a colleague of Burchett's</span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.bridgeman.co.uk/search/view_image2.asp?image_id=174442">Collinson Image</a> The Mellon Centre now date this 1849-50 however. Burchett sold his painting to the V&A in 1861.</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text">Grigson, G, <i>Britain Observed</i>, 1975, pp 134–7, ref. in V&A,</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.bitterwisdom.com/ladyjanegrey/life/panel2.jpg">Lady Jane Grey image</a></span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://historytodaymagazine.blogspot.com/2010/06/painting-armada-at-house-of-lords.html">History Today</a>; <a rel="nofollow" class="external text" href="http://www.gunpowderplot.parliament.uk/popup_img_armada.htm">Image, Palace of Westminster</a></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.british-history.ac.uk/report.aspx?compid=47522">Survey of London</a></span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">Frayling:38</span> </li> <li id="cite_note-MacDonald:173-28"><span class="mw-cite-backlink">^ <a href="#cite_ref-MacDonald:173_28-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-MacDonald:173_28-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">MacDonald:173</span> </li> <li id="cite_note-29"><span class="mw-cite-backlink">'<i><a href="#cite_ref-29">^</a><b></b></i></span><i><b> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.british-history.ac.uk/report.aspx?compid=47518">Survey of London, vol 38;</a></span></b><a rel="nofollow" class="external text" href="http://www.british-history.ac.uk/report.aspx?compid=47518">South Kensington' and the Science and Art Department</a></i> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text">Frayling:41</span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text">MacDonald:226</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.vam.ac.uk/vastatic/microsites/1159_grand_design/essay-teaching-by-example_new.html">Teaching by Example</a>: Education and the Formation of South Kensington's Museums Rafael Cardoso Denis, V&A</span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text">MacDonald:172-3</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text">translation per DNB, although they say <i>Linear Perspective</i> of 1856 - the 1872 work may be a new edition <a rel="nofollow" class="external text" href="https://books.google.com/books?id=piwDAAAAQAAJ&q=richard+burchett">digitized, Google Books</a></span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text">Published "Names of Purchasers and Prices..." <a rel="nofollow" class="external text" href="https://books.google.com/books?id=y09JAAAAMAAJ&q=richard+burchett">digitised on Google Books</a></span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.christopherwoodgallery.com/pages/report.cfm?id=30">Christopher Wood Report</a></span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.artfact.com/catalog/viewLot.cfm?lotCode=yN6Js7jd">Artfact/Christie's</a> catalogue entry (2003) for Deverell's <i>Twelfth Night</i>.</span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.british-history.ac.uk/report.aspx?compid=47519#s13">Survey of London</a> pre-move</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text">DNB, Frayling - possibly destroyed in World War II?</span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.npg.org.uk/live/search/portrait.asp?LinkID=mp55654&rNo=0&role=sit">Copy in the National Portrait Gallery</a></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Main_references">Main references</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Richard_Burchett&action=edit&section=7" title="Edit section: Main references"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 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ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></span></span></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Richard_Burchett" class="extiw" title="commons:Category:Richard Burchett">Richard Burchett</a></span>.</div></div> </div> <ul><li><a href="/wiki/Dictionary_of_National_Biography" title="Dictionary of National Biography">Dictionary of National Biography</a>, online, "Richard Burchett", by Anne Pimlott Baker, accessed Feb 13, 2008.("DNB")</li> <li><a href="/wiki/Christopher_Frayling" title="Christopher Frayling">Frayling, Christopher</a>: <i>The Royal College of Art, One Hundred and Fifty Years of Art and Design</i>, 1987, Barrie & Jenkins, London, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7126-1820-1" title="Special:BookSources/0-7126-1820-1">0-7126-1820-1</a></li> <li>MacDonald, Stuart, <i>The History and Philosophy of Art Education</i>, 2004, James Clarke & Co.,<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7188-9153-8" title="Special:BookSources/0-7188-9153-8">0-7188-9153-8</a></li> <li>Parkinson, Ronald: <a href="/wiki/Victoria_and_Albert_Museum" title="Victoria and Albert Museum">Victoria and Albert Museum</a>, <i>Catalogue of British Oil Paintings, 1820–1860</i>, 1990, HMSO, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-11-290463-7" title="Special:BookSources/0-11-290463-7">0-11-290463-7</a>, ("V&A")</li> <li>Rosenthal, Michael: <i>British Landscape Painting</i>, 1982, Phaidon Press, London</li> <li><a href="/wiki/William_Bell_Scott" title="William Bell Scott">Scott, William Bell</a>, <i>Autobiographical notes of the life of William Bell Scott, and notices of his artistic and poetic circle of friends, 1830 to 1882</i>, Volume II, ed. W Minto, 1892, <a rel="nofollow" class="external text" href="https://archive.org/stream/autobiographical02scotuoft/autobiographical02scotuoft_djvu.txt">New York edition, online text</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Richard_Burchett&action=edit&section=8" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://artuk.org/discover/artworks/search/actor:burchett-richard-18151875">50 artworks by or after Richard Burchett</a> at the <a href="/wiki/Art_UK" title="Art UK">Art UK</a> site</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist 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colspan="2" style="font-weight:bold;"><div> <ul><li><a href="/wiki/William_Holman_Hunt" title="William Holman Hunt">William Holman Hunt</a></li> <li><a href="/wiki/John_Everett_Millais" title="John Everett Millais">John Everett Millais</a></li> <li><a href="/wiki/Dante_Gabriel_Rossetti" title="Dante Gabriel Rossetti">Dante Gabriel Rossetti</a></li> <li><a href="/wiki/James_Collinson" title="James Collinson">James Collinson</a></li> <li><a href="/wiki/William_Michael_Rossetti" title="William Michael Rossetti">William Michael Rossetti</a></li> <li><a href="/wiki/Frederic_George_Stephens" title="Frederic George Stephens">Frederic George Stephens</a></li> <li><a href="/wiki/Thomas_Woolner" title="Thomas Woolner">Thomas Woolner</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Associated <br />artists and <br />figures</div></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Lawrence_Alma-Tadema" title="Lawrence Alma-Tadema">Lawrence Alma-Tadema</a></li> <li><a href="/wiki/George_Price_Boyce" title="George Price Boyce">George Price Boyce</a></li> <li><a href="/wiki/John_Brett_(artist)" title="John Brett (artist)">John Brett</a></li> <li><a href="/wiki/Ford_Madox_Brown" title="Ford Madox Brown">Ford Madox Brown</a></li> <li><a href="/wiki/Lucy_Madox_Brown" title="Lucy Madox Brown">Lucy Madox Brown</a></li> <li><a class="mw-selflink selflink">Richard Burchett</a></li> <li><a href="/wiki/Edward_Burne-Jones" title="Edward Burne-Jones">Edward Burne-Jones</a></li> <li><a href="/wiki/Georgiana_Burne-Jones" title="Georgiana Burne-Jones">Georgiana Burne-Jones</a></li> <li><a href="/wiki/James_Campbell_(artist)" title="James Campbell (artist)">James Campbell</a></li> <li><a href="/wiki/John_Collier_(painter)" title="John Collier (painter)">John Collier</a></li> <li><a href="/wiki/Charles_Allston_Collins" title="Charles Allston Collins">Charles Allston Collins</a></li> <li><a href="/wiki/Frank_Cadogan_Cowper" title="Frank Cadogan Cowper">Frank Cadogan Cowper</a></li> <li><a href="/wiki/Evelyn_De_Morgan" title="Evelyn De Morgan">Evelyn De Morgan</a></li> <li><a href="/wiki/Walter_Deverell" title="Walter Deverell">Walter Deverell</a></li> <li><a href="/wiki/Henry_Treffry_Dunn" title="Henry Treffry Dunn">Henry Treffry Dunn</a></li> <li><a href="/wiki/William_Dyce" title="William Dyce">William Dyce</a></li> <li><a href="/wiki/Henry_Holiday" title="Henry Holiday">Henry Holiday</a></li> <li><a href="/wiki/Arthur_Hughes_(artist)" title="Arthur Hughes (artist)">Arthur Hughes</a></li> <li><a href="/wiki/Edward_Robert_Hughes" title="Edward Robert Hughes">Edward Robert Hughes</a></li> <li><a href="/wiki/Frederic_Leighton" title="Frederic Leighton">Frederic Leighton</a></li> <li><a href="/wiki/Robert_Braithwaite_Martineau" title="Robert Braithwaite Martineau">Robert Braithwaite Martineau</a></li> <li><a href="/wiki/Louisa_Beresford,_Marchioness_of_Waterford" title="Louisa Beresford, Marchioness of Waterford">Louisa Beresford, Marchioness of Waterford</a></li> <li><a href="/wiki/William_Morris" title="William Morris">William Morris</a></li> <li><a href="/wiki/Alexander_Munro_(sculptor)" title="Alexander Munro (sculptor)">Alexander Munro</a></li> <li><a href="/wiki/Joseph_Noel_Paton" title="Joseph Noel Paton">Joseph Noel Paton</a></li> <li><a href="/wiki/Valentine_Cameron_Prinsep" title="Valentine Cameron Prinsep">Valentine Cameron Prinsep</a></li> <li><a href="/wiki/Christina_Rossetti" title="Christina Rossetti">Christina Rossetti</a></li> <li><a href="/wiki/John_Ruskin" title="John Ruskin">John Ruskin</a></li> <li><a href="/wiki/Emma_Sandys" title="Emma Sandys">Emma Sandys</a></li> <li><a href="/wiki/Frederick_Sandys" title="Frederick Sandys">Frederick Sandys</a></li> <li><a href="/wiki/Thomas_Seddon" title="Thomas Seddon">Thomas Seddon</a></li> <li><a href="/wiki/Elizabeth_Siddal" title="Elizabeth Siddal">Elizabeth Siddal</a></li> <li><a href="/wiki/James_Smetham" title="James Smetham">James Smetham</a></li> <li><a href="/wiki/Rebecca_Solomon" title="Rebecca Solomon">Rebecca Solomon</a></li> <li><a href="/wiki/Simeon_Solomon" title="Simeon Solomon">Simeon Solomon</a></li> <li><a href="/wiki/John_Roddam_Spencer_Stanhope" title="John Roddam Spencer Stanhope">John Roddam Spencer Stanhope</a></li> <li><a href="/wiki/Marie_Spartali_Stillman" title="Marie Spartali Stillman">Marie Spartali Stillman</a></li> <li><a href="/wiki/John_Melhuish_Strudwick" title="John Melhuish Strudwick">John Melhuish Strudwick</a></li> <li><a href="/wiki/Algernon_Charles_Swinburne" title="Algernon Charles Swinburne">Algernon Charles Swinburne</a></li> <li><a href="/wiki/Henry_Wallis" title="Henry Wallis">Henry Wallis</a></li> <li><a href="/wiki/John_William_Waterhouse" title="John William Waterhouse">John William Waterhouse</a></li> <li><a href="/wiki/William_James_Webbe" title="William James Webbe">William James Webbe</a></li> <li><a href="/wiki/William_Lindsay_Windus" title="William Lindsay Windus">William Lindsay Windus</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Some <br />well-known <br />works<br /><span class="nobold">(period and <br />post-period)</span></div></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Ophelia_(painting)" title="Ophelia (painting)">Ophelia</a></i></li> <li><i><a href="/wiki/Christ_in_the_House_of_His_Parents" title="Christ in the House of His Parents">Christ in the House of His Parents</a></i></li> <li><i><a href="/wiki/A_Converted_British_Family_Sheltering_a_Christian_Missionary_from_the_Persecution_of_the_Druids" title="A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids">A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids</a></i></li> <li><i><a href="/wiki/Ecce_Ancilla_Domini" title="Ecce Ancilla Domini">Ecce Ancilla Domini</a></i></li> <li><i><a href="/wiki/Mariana_(Millais)" title="Mariana (Millais)">Mariana</a></i></li> <li><i><a href="/wiki/The_Light_of_the_World_(painting)" title="The Light of the World (painting)">The Light of the World</a></i></li> <li><i><a href="/wiki/Our_English_Coasts" title="Our English Coasts">Our English Coasts ('Strayed Sheep')</a></i></li> <li><i><a href="/wiki/The_Scapegoat_(painting)" title="The Scapegoat (painting)">The Scapegoat</a></i></li> <li><i><a href="/wiki/Paolo_and_Francesca_da_Rimini" title="Paolo and Francesca da Rimini">Paolo and Francesca da Rimini</a></i></li> <li><i><a href="/wiki/The_Last_of_England_(painting)" title="The Last of England (painting)">The Last of England</a></i></li> <li><i><a href="/wiki/Work_(painting)" title="Work (painting)">Work</a></i></li> <li><i><a href="/wiki/The_Awakening_Conscience" title="The Awakening Conscience">The Awakening Conscience</a></i></li> <li><i><a href="/wiki/The_Hireling_Shepherd" title="The Hireling Shepherd">The Hireling Shepherd</a></i></li> <li><i><a href="/wiki/April_Love_(painting)" title="April Love (painting)">April Love</a></i></li> <li><i><a href="/wiki/Found_(Rossetti)" title="Found (Rossetti)">Found</a></i></li> <li><i><a href="/wiki/Autumn_Leaves_(painting)" title="Autumn Leaves (painting)">Autumn Leaves</a></i></li> <li><i><a href="/wiki/Bocca_Baciata" title="Bocca Baciata">Bocca Baciata</a></i></li> <li><a href="/wiki/Oxford_Union_murals" title="Oxford Union murals">Oxford Union murals</a></li> <li><i><a href="/wiki/Lady_Lilith" title="Lady Lilith">Lady Lilith</a></i></li> <li><i><a href="/wiki/Roman_Widow_(Rossetti)" title="Roman Widow (Rossetti)">Roman Widow</a></i></li> <li><i><a href="/wiki/Mary_Magdalene_(Sandys)" title="Mary Magdalene (Sandys)">Mary Magdalene</a></i></li> <li><i><a href="/wiki/The_Finding_of_the_Saviour_in_the_Temple" title="The Finding of the Saviour in the Temple">The Finding of the Saviour in the Temple</a></i></li> <li><i><a href="/wiki/Morgan_le_Fay_(painting)" title="Morgan le Fay (painting)">Morgan le Fay</a></i></li> <li><i><a href="/wiki/Beata_Beatrix" title="Beata Beatrix">Beata Beatrix</a></i></li> <li><i><a href="/wiki/The_Shadow_of_Death" title="The Shadow of Death">The Shadow of Death</a></i></li> <li><i><a href="/wiki/Proserpine_(Rossetti)" title="Proserpine (Rossetti)">Proserpine</a></i></li> <li><i><a href="/wiki/A_Vision_of_Fiammetta" title="A Vision of Fiammetta">A Vision of Fiammetta</a></i></li> <li><a href="/wiki/Pygmalion_and_the_Image_series" title="Pygmalion and the Image series">Pygmalion and the Image series</a></li> <li><i><a href="/wiki/The_Beloved_(Rossetti)" title="The Beloved (Rossetti)">The Beloved</a></i></li> <li><i><a href="/wiki/Cymon_and_Iphigenia_(Leighton_painting)" title="Cymon and Iphigenia (Leighton painting)">Cymon and Iphigenia</a></i></li> <li><i><a href="/wiki/King_Cophetua_and_the_Beggar_Maid_(painting)" title="King Cophetua and the Beggar Maid (painting)">King Cophetua and the Beggar Maid</a></i></li> <li><i><a href="/wiki/The_Day_Dream_(Rossetti)" title="The Day Dream (Rossetti)">The Day Dream</a></i></li> <li><i><a href="/wiki/The_Golden_Stairs" title="The Golden Stairs">The Golden Stairs</a></i></li> <li><i><a href="/wiki/Dante_and_Beatrice_(painting)" title="Dante and Beatrice (painting)">Dante and Beatrice</a></i></li> <li><i><a href="/wiki/Love%27s_Messenger" title="Love's Messenger">Love's Messenger</a></i></li> <li><i><a href="/wiki/The_Magic_Circle_(Waterhouse_paintings)" title="The Magic Circle (Waterhouse paintings)">The Magic Circle</a></i></li> <li><i><a href="/wiki/The_Legend_of_Briar_Rose" title="The Legend of Briar Rose">The Legend of Briar Rose</a></i></li> <li><a href="/wiki/The_Lady_of_Shalott_(painting)" title="The Lady of Shalott (painting)"><i>The Lady of Shalott</i> (Waterhouse)</a></li> <li><i><a href="/wiki/The_Roses_of_Heliogabalus" title="The Roses of Heliogabalus">The Roses of Heliogabalus</a></i></li> <li><i><a href="/wiki/Lilith_(painting)" title="Lilith (painting)">Lilith</a></i></li> <li><i><a href="/wiki/Eos_(painting)" title="Eos (painting)">Eos</a></i></li> <li><i><a href="/wiki/Flaming_June" title="Flaming June">Flaming June</a></i></li> <li><i><a href="/wiki/Hope_(Burne-Jones)" title="Hope (Burne-Jones)">Hope</a></i></li> <li><i><a href="/wiki/Hylas_and_the_Nymphs_(painting)" title="Hylas and the Nymphs (painting)">Hylas and the Nymphs</a></i></li> <li><i><a href="/wiki/Lady_Godiva_(painting)" title="Lady Godiva (painting)">Lady Godiva</a></i></li> <li><i><a href="/wiki/The_Love_Potion" title="The Love Potion">The Love Potion</a></i></li> <li><a href="/wiki/The_Lady_of_Shalott_(William_Holman_Hunt)" title="The Lady of Shalott (William Holman Hunt)"><i>The Lady of Shalott</i> (Hunt)</a></li> <li><i><a href="/wiki/I_Am_Half-Sick_of_Shadows,_Said_the_Lady_of_Shalott" title="I Am Half-Sick of Shadows, Said the Lady of Shalott">I Am Half-Sick of Shadows, Said the Lady of Shalott</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Models</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Elizabeth_Siddal" title="Elizabeth Siddal">Elizabeth Siddal</a></li> <li><a href="/wiki/Fanny_Cornforth" title="Fanny Cornforth">Fanny Cornforth</a></li> <li><a href="/wiki/Effie_Gray" title="Effie Gray">Effie Gray</a></li> <li><a href="/wiki/Sophie_Gray" title="Sophie Gray">Sophie Gray</a></li> <li><a href="/wiki/Annie_Miller" title="Annie Miller">Annie Miller</a></li> <li><a href="/wiki/Jane_Morris" title="Jane Morris">Jane Morris</a></li> <li><a href="/wiki/Marie_Spartali_Stillman" title="Marie Spartali Stillman">Marie Spartali Stillman</a></li> <li><a href="/wiki/Alexa_Wilding" title="Alexa Wilding">Alexa Wilding</a></li> <li><a href="/wiki/Maria_Zambaco" title="Maria Zambaco">Maria Zambaco</a></li> <li><a href="/wiki/Dorothy_Dene" title="Dorothy Dene">Dorothy Dene</a></li> <li><a href="/wiki/Fanny_Eaton" title="Fanny Eaton">Fanny Eaton</a></li> <li><a href="/wiki/Ruth_Herbert" title="Ruth Herbert">Ruth Herbert</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Germ_(periodical)" title="The Germ (periodical)">The Germ</a></i></li> <li><a href="/wiki/Hogarth_Club" title="Hogarth Club">Hogarth Club</a></li> <li><a href="/wiki/Morris_%26_Co." title="Morris & Co.">Morris & Co.</a></li> <li><i><a href="/wiki/Rossetti_and_His_Circle" title="Rossetti and His Circle">Rossetti and His Circle</a></i> (1922 book)</li> <li><a href="/wiki/Dante%27s_Inferno_(1967_film)" title="Dante's Inferno (1967 film)"><i>Dante's Inferno</i> (1967 film)</a></li> <li><a href="/wiki/The_Love_School" title="The Love School"><i>The Love School</i> (1975 series)</a></li> <li><a href="/wiki/Desperate_Romantics" title="Desperate Romantics"><i>Desperate Romantics</i> (2009 series)</a></li> <li><a href="/wiki/Effie_Gray_(film)" title="Effie Gray (film)"><i>Effie Gray</i> (2014 film)</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q2781560#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q2781560#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q2781560#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" 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