Absent Theaters: A Virtual Reconstruction from Memories

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Lara Ramírez"> <meta name="citation_publication_date" content="2020/03/01"> <meta name="citation_journal_title" content="International Journal of Humanities and Social Sciences"> <meta name="citation_volume" content="14"> <meta name="citation_issue" content="4"> <meta name="citation_firstpage" content="262"> <meta name="citation_lastpage" content="269"> <meta name="citation_pdf_url" content="https://publications.waset.org/10011160/pdf"> <link href="https://cdn.waset.org/favicon.ico" type="image/x-icon" rel="shortcut icon"> <link href="https://cdn.waset.org/static/plugins/bootstrap-4.2.1/css/bootstrap.min.css" rel="stylesheet"> <link href="https://cdn.waset.org/static/plugins/fontawesome/css/all.min.css" rel="stylesheet"> <link href="https://cdn.waset.org/static/css/site.css?v=150220211555" rel="stylesheet"> </head> <body> <header> <div class="container"> <nav class="navbar navbar-expand-lg navbar-light"> <a class="navbar-brand" href="https://waset.org"> <img src="https://cdn.waset.org/static/images/wasetc.png" alt="Open Science Research Excellence" title="Open Science Research Excellence" /> </a> <button class="d-block d-lg-none navbar-toggler ml-auto" type="button" data-toggle="collapse" data-target="#navbarMenu" aria-controls="navbarMenu" aria-expanded="false" aria-label="Toggle navigation"> <span class="navbar-toggler-icon"></span> </button> <div class="w-100"> <div class="d-none d-lg-flex flex-row-reverse"> <form method="get" action="https://waset.org/search" class="form-inline my-2 my-lg-0"> <input class="form-control mr-sm-2" type="search" placeholder="Search Conferences" value="" name="q" aria-label="Search"> <button class="btn btn-light my-2 my-sm-0" type="submit"><i class="fas fa-search"></i></button> </form> </div> <div class="collapse navbar-collapse mt-1" id="navbarMenu"> <ul class="navbar-nav ml-auto align-items-center" id="mainNavMenu"> <li class="nav-item"> <a class="nav-link" href="https://waset.org/conferences" title="Conferences in 2024/2025/2026">Conferences</a> </li> <li class="nav-item"> <a class="nav-link" href="https://waset.org/disciplines" title="Disciplines">Disciplines</a> </li> <li class="nav-item"> <a class="nav-link" href="https://waset.org/committees" rel="nofollow">Committees</a> </li> <li class="nav-item dropdown"> <a class="nav-link dropdown-toggle" href="#" id="navbarDropdownPublications" role="button" data-toggle="dropdown" aria-haspopup="true" aria-expanded="false"> Publications </a> <div class="dropdown-menu" aria-labelledby="navbarDropdownPublications"> <a class="dropdown-item" href="https://publications.waset.org/abstracts">Abstracts</a> <a class="dropdown-item" href="https://publications.waset.org">Periodicals</a> <a class="dropdown-item" href="https://publications.waset.org/archive">Archive</a> </div> </li> <li class="nav-item"> <a class="nav-link" href="https://waset.org/page/support" title="Support">Support</a> </li> </ul> </div> </div> </nav> </div> </header> <main> <div class="container mt-4"> <div class="row"> <div class="col-md-9 mx-auto"> <form method="get" action="https://publications.waset.org/search"> <div id="custom-search-input"> <div class="input-group"> <i class="fas fa-search"></i> <input type="text" class="search-query" name="q" placeholder="Author, Title, Abstract, Keywords" value=""> <input type="submit" class="btn_search" value="Search"> </div> </div> </form> </div> </div> <div class="row mt-3"> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Commenced</strong> in January 2007</div> </div> </div> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Frequency:</strong> Monthly</div> </div> </div> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Edition:</strong> International</div> </div> </div> <div class="col-sm-3"> <div class="card"> <div class="card-body"><strong>Paper Count:</strong> 33093</div> </div> </div> </div> <div class="card publication-listing mt-3 mb-3"> <h5 class="card-header" style="font-size:.9rem">Absent Theaters: A Virtual Reconstruction from Memories</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/search?q=P.%20Castillo%20Mu%C3%B1oz">P. Castillo Muñoz</a>, <a href="https://publications.waset.org/search?q=A.%20Lara%20Ram%C3%ADrez"> A. Lara Ramírez</a> </p> <p class="card-text"><strong>Abstract:</strong></p> Absent Theaters is a project that virtually reconstructs three theaters that existed in the twentieth century, demolished in the city of Medellin, Colombia: Circo España, Bolívar, and Junín. Virtual reconstruction is used as an excuse to talk with those who lived in their childhood and youth cultural spaces that formed a whole generation. Around 100 people who witnessed these theaters were interviewed. The means used to perform the oral history work was the virtual reconstruction of the interior of the theaters that were presented to the interviewees through the Virtual Reality glasses. The voices of people between 60 and 103 years old were used to generate a transmission of knowledge to the new generations about the importance of theaters as essential places for the city, as spaces generating social relations and knowledge of other cultures. Oral stories about events, the historical and social context of the city, were mixed with archive images and animations of the architectural transformations of these places. Oral stories about events, the historical and social context of the city, were mixed with archive images and animations of the architectural transformations of these places, with the purpose of compiling a collective discourse around cultural activities, heritage, and memory of Medellin. <iframe src="https://publications.waset.org/10011160.pdf" style="width:100%; height:400px;" frameborder="0"></iframe> <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/search?q=Culture" title="Culture">Culture</a>, <a href="https://publications.waset.org/search?q=heritage" title=" heritage"> heritage</a>, <a href="https://publications.waset.org/search?q=oral%20history" title=" oral history"> oral history</a>, <a href="https://publications.waset.org/search?q=theaters" title=" theaters"> theaters</a>, <a href="https://publications.waset.org/search?q=virtual%20reality." title=" virtual reality. "> virtual reality. </a> </p> <p class="card-text"><strong>Digital Object Identifier (DOI):</strong> <a href="https://doi.org/1" target="_blank">doi.org/1</a> </p> <a href="https://publications.waset.org/10011160/absent-theaters-a-virtual-reconstruction-from-memories" class="btn btn-primary btn-sm">Procedia</a> <a href="https://publications.waset.org/10011160/apa" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">APA</a> <a href="https://publications.waset.org/10011160/bibtex" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">BibTeX</a> <a href="https://publications.waset.org/10011160/chicago" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">Chicago</a> <a href="https://publications.waset.org/10011160/endnote" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">EndNote</a> <a href="https://publications.waset.org/10011160/harvard" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">Harvard</a> <a href="https://publications.waset.org/10011160/json" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">JSON</a> <a href="https://publications.waset.org/10011160/mla" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">MLA</a> <a href="https://publications.waset.org/10011160/ris" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">RIS</a> <a href="https://publications.waset.org/10011160/xml" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">XML</a> <a href="https://publications.waset.org/10011160/iso690" target="_blank" rel="nofollow" class="btn btn-primary btn-sm">ISO 690</a> <a href="https://publications.waset.org/10011160.pdf" target="_blank" class="btn btn-primary btn-sm">PDF</a> <span class="bg-info text-light px-1 py-1 float-right rounded"> Downloads <span class="badge badge-light">1121</span> </span> <p class="card-text"><strong>References:</strong></p> <br>[1] F. Condorelli, and F. Rinaudo, “Cultural heritage reconstruction from historical photographs and videos”, The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2, pp. 259–265, 2018. Retreived from https://www.int-arch-photogramm-remote-sens-spatial-inf-sci.net/XLII-2/259/2018/ <br>[2] Retrieved from http://www.belsen-project.specs-lab.com/ <br>[3] Retrieved from https://www.youtube.com/watch?v=RfXULE7UtpA. <br>[4] Retrieved from http://www.pixelarq.com/conventillomediomundo/ <br>[5] Retrieved from https://hunterlivinghistories.com/2018/09/13/victoria-theatre-3d-vr/ <br>[6] A. M. Testón, “Hacia una museografía 4.0. Diseño de experiencias inmersivas con dispositivos de realidad aumentada”, Doctoral dissertation in Cultural Industries. Department of Audiovisual Communication, Documentation and Art History. Universidad Politécnica de Valencia, España, 2018, p. 2. Retrieved from https://riunet.upv.es/handle/10251/107375. <br>[7] Corporación Ruta N. “Observatorio CT+i: Informe No. 1 Área de oportunidad Realidad Virtual y Realidad Aumentada”, 2016. Retrieved from https://www.rutanmedellin.org/images/biblioteca/observatoriocti/04_TIC/VT_REALIDAD-VIRTUAL-Y-AUMENTADA_TECNNOVA.pdf. <br>[8] Retrieved from http://www.futurememoryfoundation.org/ <br>[9] Interview to José María Bravo, Medellín, Colombia, February 27, 2019. <br>[10] M. A. Sanz, “Rasgos característicos y limitaciones metodológicas de la oralidad como fuente de investigación social”, Proyecto social: Revista de relaciones laborales, No. 4-5, pp. 261-271, 1997. Retrieved from https://dialnet.unirioja.es/servlet/articulo?codigo=229728. <br>[11] Interview to Marta Elena Bravo, Medellín, Colombia, January 21 st, 2019. <br>[12] Interview to Carlos Echeverri, Medellín, Colombia, June 25, 2019. <br>[13] J. C. Mèlich, Filosofía de la finitud. Barcelona: Herder, 2011, p. 41 y 83. <br>[14] W. Benjamin, “El narrador”, in Para una crítica de la violencia y otros ensayos, Iluminaciones IV, Madrid: Taurus, 1998. <br>[15] L. F. González, Medellín, los orígenes y la transición a la modernidad: crecimiento y modelos urbanos 1775-1932. Medellín, Colombia: Escuela del Hábitat CEHAP, Universidad Nacional de Colombia Sede Medellín, 2007, p.178. Retrieved from http://bdigital.unal.edu.co/2226/1/Luis_Fernando_Gonzalez.pdf. <br>[16] F. Botero, Medellín 1890-1950: historia urbana y juego de intereses. Medellín, Colombia: Editorial Universidad de Antioquia, 1996, p. 201. <br>[17] J. Echavarría, “Resituando el arte público: ciudadanías, proyectos y tensiones”, in Patrimonio de arte público en Medellín. La ciudad de las (casi) 500 esculturas. Medellín, Colombia: Alcaldía de Medellín y Universidad Nacional de Colombia Sede Medellín, 2014, p. 267. Retrieved from https://patrimoniomedellin.gov.co/lecturas/patrimonio-de-arte-publico-en-medellin/. <br>[18] Interview to Laureano Forero, Medellín, Colombia, June 13, 2019. <br>[19] Y. He, Y. H. Ma, and X. R. Zhang, “«Digital Heritage» Theory and Innovative Practice”, The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Vol. XLII-2/W5, p. 341, 2017. 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Absent Theaters: A Virtual Reconstruction from Memories