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id="toc-Technical_aspects" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Technical_aspects"> <div class="vector-toc-text"> 3.3 Technical aspects </div> </a> <ul id="toc-Technical_aspects-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Band_dynamics" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Band_dynamics"> <div class="vector-toc-text"> 3.4 Band dynamics </div> </a> <ul id="toc-Band_dynamics-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Songs" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Songs"> <div class="vector-toc-text"> 4 Songs </div> </a> <button aria-controls="toc-Songs-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Songs subsection </button> <ul id="toc-Songs-sublist" class="vector-toc-list"> <li id="toc-Overview" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Overview"> <div class="vector-toc-text"> 4.1 Overview </div> </a> <ul id="toc-Overview-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Side_one" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Side_one"> <div class="vector-toc-text"> 4.2 Side one </div> </a> <ul id="toc-Side_one-sublist" class="vector-toc-list"> <li id="toc-"Sgt._Pepper's_Lonely_Hearts_Club_Band"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Sgt._Pepper's_Lonely_Hearts_Club_Band""> <div class="vector-toc-text"> 4.2.1 "Sgt. Pepper's Lonely Hearts Club Band" </div> </a> <ul id="toc-"Sgt._Pepper's_Lonely_Hearts_Club_Band"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"With_a_Little_Help_from_My_Friends"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"With_a_Little_Help_from_My_Friends""> <div class="vector-toc-text"> 4.2.2 "With a Little Help from My Friends" </div> </a> <ul id="toc-"With_a_Little_Help_from_My_Friends"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"Lucy_in_the_Sky_with_Diamonds"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Lucy_in_the_Sky_with_Diamonds""> <div class="vector-toc-text"> 4.2.3 "Lucy in the Sky with Diamonds" </div> </a> <ul id="toc-"Lucy_in_the_Sky_with_Diamonds"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"Getting_Better"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Getting_Better""> <div class="vector-toc-text"> 4.2.4 "Getting Better" </div> </a> <ul id="toc-"Getting_Better"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"Fixing_a_Hole"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Fixing_a_Hole""> <div class="vector-toc-text"> 4.2.5 "Fixing a Hole" </div> </a> <ul id="toc-"Fixing_a_Hole"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"She's_Leaving_Home"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"She's_Leaving_Home""> <div class="vector-toc-text"> 4.2.6 "She's Leaving Home" </div> </a> <ul id="toc-"She's_Leaving_Home"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"Being_for_the_Benefit_of_Mr._Kite!"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Being_for_the_Benefit_of_Mr._Kite!""> <div class="vector-toc-text"> 4.2.7 "Being for the Benefit of Mr. Kite!" </div> </a> <ul id="toc-"Being_for_the_Benefit_of_Mr._Kite!"-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Side_two" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Side_two"> <div class="vector-toc-text"> 4.3 Side two </div> </a> <ul id="toc-Side_two-sublist" class="vector-toc-list"> <li id="toc-"Within_You_Without_You"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Within_You_Without_You""> <div class="vector-toc-text"> 4.3.1 "Within You Without You" </div> </a> <ul id="toc-"Within_You_Without_You"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"When_I'm_Sixty-Four"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"When_I'm_Sixty-Four""> <div class="vector-toc-text"> 4.3.2 "When I'm Sixty-Four" </div> </a> <ul id="toc-"When_I'm_Sixty-Four"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"Lovely_Rita"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Lovely_Rita""> <div class="vector-toc-text"> 4.3.3 "Lovely Rita" </div> </a> <ul id="toc-"Lovely_Rita"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"Good_Morning_Good_Morning"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Good_Morning_Good_Morning""> <div class="vector-toc-text"> 4.3.4 "Good Morning Good Morning" </div> </a> <ul id="toc-"Good_Morning_Good_Morning"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"Sgt._Pepper's_Lonely_Hearts_Club_Band_(Reprise)"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Sgt._Pepper's_Lonely_Hearts_Club_Band_(Reprise)""> <div class="vector-toc-text"> 4.3.5 "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" </div> </a> <ul id="toc-"Sgt._Pepper's_Lonely_Hearts_Club_Band_(Reprise)"-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-"A_Day_in_the_Life"" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"A_Day_in_the_Life""> <div class="vector-toc-text"> 4.3.6 "A Day in the Life" </div> </a> <ul id="toc-"A_Day_in_the_Life"-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Concept" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Concept"> <div class="vector-toc-text"> 4.4 Concept </div> </a> <ul id="toc-Concept-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Packaging" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Packaging"> <div class="vector-toc-text"> 5 Packaging </div> </a> <button aria-controls="toc-Packaging-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Packaging subsection </button> <ul id="toc-Packaging-sublist" class="vector-toc-list"> <li id="toc-Front_cover" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Front_cover"> <div class="vector-toc-text"> 5.1 Front cover </div> </a> <ul id="toc-Front_cover-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Back_cover,_gatefold_and_cut-outs" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Back_cover,_gatefold_and_cut-outs"> <div class="vector-toc-text"> 5.2 Back cover, gatefold and cut-outs </div> </a> <ul id="toc-Back_cover,_gatefold_and_cut-outs-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Release" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Release"> <div class="vector-toc-text"> 6 Release </div> </a> <button aria-controls="toc-Release-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Release subsection </button> <ul id="toc-Release-sublist" class="vector-toc-list"> <li id="toc-Radio_previews_and_launch_party" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Radio_previews_and_launch_party"> <div class="vector-toc-text"> 6.1 Radio previews and launch party </div> </a> <ul id="toc-Radio_previews_and_launch_party-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Public_reaction" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Public_reaction"> <div class="vector-toc-text"> 6.2 Public reaction </div> </a> <ul id="toc-Public_reaction-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Commercial_performance" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Commercial_performance"> <div class="vector-toc-text"> 6.3 Commercial performance </div> </a> <ul id="toc-Commercial_performance-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Contemporary_critical_reception" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Contemporary_critical_reception"> <div class="vector-toc-text"> 7 Contemporary critical reception </div> </a> <ul id="toc-Contemporary_critical_reception-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sociocultural_influence" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Sociocultural_influence"> <div class="vector-toc-text"> 8 Sociocultural influence </div> </a> <button aria-controls="toc-Sociocultural_influence-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Sociocultural influence subsection </button> <ul id="toc-Sociocultural_influence-sublist" class="vector-toc-list"> <li id="toc-Contemporary_youth_and_counterculture" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Contemporary_youth_and_counterculture"> <div class="vector-toc-text"> 8.1 Contemporary youth and counterculture </div> </a> <ul id="toc-Contemporary_youth_and_counterculture-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Cultural_legitimisation_of_popular_music" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Cultural_legitimisation_of_popular_music"> <div class="vector-toc-text"> 8.2 Cultural legitimisation of popular music </div> </a> <ul id="toc-Cultural_legitimisation_of_popular_music-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Development_of_popular_music" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Development_of_popular_music"> <div class="vector-toc-text"> 8.3 Development of popular music </div> </a> <ul id="toc-Development_of_popular_music-sublist" class="vector-toc-list"> <li id="toc-Industry_and_market_changes" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Industry_and_market_changes"> <div class="vector-toc-text"> 8.3.1 Industry and market changes </div> </a> <ul id="toc-Industry_and_market_changes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Albums_and_artistry" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Albums_and_artistry"> <div class="vector-toc-text"> 8.3.2 Albums and artistry </div> </a> <ul id="toc-Albums_and_artistry-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Stylistic_developments" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Stylistic_developments"> <div class="vector-toc-text"> 8.3.3 Stylistic developments </div> </a> <ul id="toc-Stylistic_developments-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Graphic_design" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Graphic_design"> <div class="vector-toc-text"> 8.3.4 Graphic design </div> </a> <ul id="toc-Graphic_design-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </li> <li id="toc-Retrospective_appraisal" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Retrospective_appraisal"> <div class="vector-toc-text"> 9 Retrospective appraisal </div> </a> <ul id="toc-Retrospective_appraisal-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Legacy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Legacy"> <div class="vector-toc-text"> 10 Legacy </div> </a> <button aria-controls="toc-Legacy-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Legacy subsection </button> <ul id="toc-Legacy-sublist" class="vector-toc-list"> <li id="toc-Further_public_and_critical_recognition" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Further_public_and_critical_recognition"> <div class="vector-toc-text"> 10.1 Further public and critical recognition </div> </a> <ul id="toc-Further_public_and_critical_recognition-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Adaptations,_tributes_and_anniversary_projects" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Adaptations,_tributes_and_anniversary_projects"> <div class="vector-toc-text"> 10.2 Adaptations, tributes and anniversary projects </div> </a> <ul id="toc-Adaptations,_tributes_and_anniversary_projects-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Track_listing" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Track_listing"> <div class="vector-toc-text"> 11 Track listing </div> </a> <ul id="toc-Track_listing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Personnel" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Personnel"> <div class="vector-toc-text"> 12 Personnel </div> </a> <ul id="toc-Personnel-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Charts" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Charts"> <div class="vector-toc-text"> 13 Charts </div> </a> <button aria-controls="toc-Charts-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Charts subsection </button> <ul id="toc-Charts-sublist" class="vector-toc-list"> <li id="toc-Weekly_charts" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Weekly_charts"> <div class="vector-toc-text"> 13.1 Weekly charts </div> </a> <ul id="toc-Weekly_charts-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Year-end_charts" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Year-end_charts"> <div class="vector-toc-text"> 13.2 Year-end charts </div> </a> <ul id="toc-Year-end_charts-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Decade-end_charts" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Decade-end_charts"> <div class="vector-toc-text"> 13.3 Decade-end charts </div> </a> <ul id="toc-Decade-end_charts-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Certifications_and_sales" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Certifications_and_sales"> <div class="vector-toc-text"> 14 Certifications and sales </div> </a> <ul id="toc-Certifications_and_sales-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> 15 See also </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> 16 Notes </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> 17 References </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> 18 Bibliography </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> 19 Further reading </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 20 External links </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> 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</nav> <h1 id="firstHeading" class="firstHeading mw-first-heading">Sgt. Pepper's Lonely Hearts Club Band</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 76 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-76" aria-hidden="true" > 76 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Afrikaans" lang="af" hreflang="af" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Afrikaans" data-language-local-name="Afrikaans" class="interlanguage-link-target">Afrikaans</a></li><li class="interlanguage-link interwiki-als mw-list-item"><a href="https://als.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Alemannic" lang="gsw" hreflang="gsw" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Alemannisch" data-language-local-name="Alemannic" class="interlanguage-link-target">Alemannisch</a></li><li class="interlanguage-link interwiki-ang mw-list-item"><a href="https://ang.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Old English" lang="ang" hreflang="ang" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Ænglisc" data-language-local-name="Old English" class="interlanguage-link-target">Ænglisc</a></li><li class="interlanguage-link interwiki-ar badge-Q70893996 mw-list-item" title=""><a href="https://ar.wikipedia.org/wiki/%D9%81%D8%B1%D9%82%D8%A9_%D9%86%D8%A7%D8%AF%D9%8A_%D8%A7%D9%84%D9%82%D9%84%D9%88%D8%A8_%D8%A7%D9%84%D9%88%D8%AD%D9%8A%D8%AF%D8%A9_%D9%84%D9%84%D8%B1%D9%82%D9%8A%D8%A8_%D8%A8%D9%8A%D8%A8%D8%B1" title="فرقة نادي القلوب الوحيدة للرقيب بيبر – Arabic" lang="ar" hreflang="ar" data-title="فرقة نادي القلوب الوحيدة للرقيب بيبر" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Asturian" lang="ast" hreflang="ast" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target">Asturianu</a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Azerbaijani" lang="az" hreflang="az" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target">Azərbaycanca</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Belarusian" lang="be" hreflang="be" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Беларуская (тарашкевіца)" data-language-local-name="Belarusian (Taraškievica orthography)" class="interlanguage-link-target">Беларуская (тарашкевіца)</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Bulgarian" lang="bg" hreflang="bg" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-bs mw-list-item"><a href="https://bs.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Bosnian" lang="bs" hreflang="bs" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Bosanski" data-language-local-name="Bosnian" class="interlanguage-link-target">Bosanski</a></li><li class="interlanguage-link interwiki-br mw-list-item"><a href="https://br.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(albom)" title="Sgt. Pepper's Lonely Hearts Club Band (albom) – Breton" lang="br" hreflang="br" data-title="Sgt. Pepper's Lonely Hearts Club Band (albom)" data-language-autonym="Brezhoneg" data-language-local-name="Breton" class="interlanguage-link-target">Brezhoneg</a></li><li class="interlanguage-link interwiki-ca badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://ca.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Catalan" lang="ca" hreflang="ca" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-ceb mw-list-item"><a href="https://ceb.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Cebuano" lang="ceb" hreflang="ceb" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Cebuano" data-language-local-name="Cebuano" class="interlanguage-link-target">Cebuano</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Czech" lang="cs" hreflang="cs" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Welsh" lang="cy" hreflang="cy" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target">Cymraeg</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Danish" lang="da" hreflang="da" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – German" lang="de" hreflang="de" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Estonian" lang="et" hreflang="et" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target">Eesti</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Greek" lang="el" hreflang="el" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Spanish" lang="es" hreflang="es" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Esperanto" lang="eo" hreflang="eo" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Basque" lang="eu" hreflang="eu" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%DA%AF%D8%B1%D9%88%D9%87_%DA%A9%D9%84%D9%88%D9%BE_%D8%A8%DB%8C%E2%80%8C%DA%A9%D8%B3%D8%A7%D9%86_%DA%AF%D8%B1%D9%88%D9%87%D8%A8%D8%A7%D9%86_%D9%81%D9%84%D9%81%D9%84" title="گروه کلوپ بی‌کسان گروهبان فلفل – Persian" lang="fa" hreflang="fa" data-title="گروه کلوپ بی‌کسان گروهبان فلفل" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fo mw-list-item"><a href="https://fo.wikipedia.org/wiki/Sgt_Pepper%27s_Lonely_Hearts_Club_Band_(LP)" title="Sgt Pepper's Lonely Hearts Club Band (LP) – Faroese" lang="fo" hreflang="fo" data-title="Sgt Pepper's Lonely Hearts Club Band (LP)" data-language-autonym="Føroyskt" data-language-local-name="Faroese" class="interlanguage-link-target">Føroyskt</a></li><li class="interlanguage-link interwiki-fr badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://fr.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(album)" title="Sgt. Pepper's Lonely Hearts Club Band (album) – French" lang="fr" hreflang="fr" data-title="Sgt. Pepper's Lonely Hearts Club Band (album)" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-ga mw-list-item"><a href="https://ga.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Irish" lang="ga" hreflang="ga" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Gaeilge" data-language-local-name="Irish" class="interlanguage-link-target">Gaeilge</a></li><li class="interlanguage-link interwiki-gd mw-list-item"><a href="https://gd.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Scottish Gaelic" lang="gd" hreflang="gd" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Gàidhlig" data-language-local-name="Scottish Gaelic" class="interlanguage-link-target">Gàidhlig</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Galician" lang="gl" hreflang="gl" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Korean" lang="ko" hreflang="ko" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Armenian" lang="hy" hreflang="hy" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target">Հայերեն</a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Croatian" lang="hr" hreflang="hr" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target">Hrvatski</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Indonesian" lang="id" hreflang="id" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-is mw-list-item"><a href="https://is.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Icelandic" lang="is" hreflang="is" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Íslenska" data-language-local-name="Icelandic" class="interlanguage-link-target">Íslenska</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Italian" lang="it" hreflang="it" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Hebrew" lang="he" hreflang="he" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Georgian" lang="ka" hreflang="ka" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target">ქართული</a></li><li class="interlanguage-link interwiki-ky mw-list-item"><a href="https://ky.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Kyrgyz" lang="ky" hreflang="ky" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Кыргызча" data-language-local-name="Kyrgyz" class="interlanguage-link-target">Кыргызча</a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Latin" lang="la" hreflang="la" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target">Latina</a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Latvian" lang="lv" hreflang="lv" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target">Latviešu</a></li><li class="interlanguage-link interwiki-lb mw-list-item"><a href="https://lb.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Luxembourgish" lang="lb" hreflang="lb" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Lëtzebuergesch" data-language-local-name="Luxembourgish" class="interlanguage-link-target">Lëtzebuergesch</a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Lithuanian" lang="lt" hreflang="lt" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target">Lietuvių</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Hungarian" lang="hu" hreflang="hu" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-mg mw-list-item"><a href="https://mg.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Malagasy" lang="mg" hreflang="mg" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Malagasy" data-language-local-name="Malagasy" class="interlanguage-link-target">Malagasy</a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Malay" lang="ms" hreflang="ms" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target">Bahasa Melayu</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Dutch" lang="nl" hreflang="nl" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%B5%E3%83%BC%E3%82%B8%E3%82%A7%E3%83%B3%E3%83%88%E3%83%BB%E3%83%9A%E3%83%91%E3%83%BC%E3%82%BA%E3%83%BB%E3%83%AD%E3%83%B3%E3%83%AA%E3%83%BC%E3%83%BB%E3%83%8F%E3%83%BC%E3%83%84%E3%83%BB%E3%82%AF%E3%83%A9%E3%83%96%E3%83%BB%E3%83%90%E3%83%B3%E3%83%89" title="サージェント・ペパーズ・ロンリー・ハーツ・クラブ・バンド – Japanese" lang="ja" hreflang="ja" data-title="サージェント・ペパーズ・ロンリー・ハーツ・クラブ・バンド" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target">Norsk nynorsk</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Polish" lang="pl" hreflang="pl" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://pt.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Portuguese" lang="pt" hreflang="pt" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Romanian" lang="ro" hreflang="ro" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target">Română</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Russian" lang="ru" hreflang="ru" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-sc mw-list-item"><a href="https://sc.wikipedia.org/wiki/Sgt.Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt.Pepper's Lonely Hearts Club Band – Sardinian" lang="sc" hreflang="sc" data-title="Sgt.Pepper's Lonely Hearts Club Band" data-language-autonym="Sardu" data-language-local-name="Sardinian" class="interlanguage-link-target">Sardu</a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Albanian" lang="sq" hreflang="sq" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Shqip" data-language-local-name="Albanian" class="interlanguage-link-target">Shqip</a></li><li class="interlanguage-link interwiki-scn mw-list-item"><a href="https://scn.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Sicilian" lang="scn" hreflang="scn" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Sicilianu" data-language-local-name="Sicilian" class="interlanguage-link-target">Sicilianu</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Simple English" lang="en-simple" hreflang="en-simple" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sk mw-list-item"><a href="https://sk.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Slovak" lang="sk" hreflang="sk" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target">Slovenčina</a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Slovenian" lang="sl" hreflang="sl" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target">Slovenščina</a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Serbian" lang="sr" hreflang="sr" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target">Српски / srpski</a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target">Srpskohrvatski / српскохрватски</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Finnish" lang="fi" hreflang="fi" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Swedish" lang="sv" hreflang="sv" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-tl mw-list-item"><a href="https://tl.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Tagalog" lang="tl" hreflang="tl" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Tagalog" data-language-local-name="Tagalog" class="interlanguage-link-target">Tagalog</a></li><li class="interlanguage-link interwiki-tt mw-list-item"><a href="https://tt.wikipedia.org/wiki/Sgt._Pepper%E2%80%99s_Lonely_Hearts_Club_Band" title="Sgt. Pepper’s Lonely Hearts Club Band – Tatar" lang="tt" hreflang="tt" data-title="Sgt. Pepper’s Lonely Hearts Club Band" data-language-autonym="Татарча / tatarça" data-language-local-name="Tatar" class="interlanguage-link-target">Татарча / tatarça</a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B8%8B%E0%B8%B2%E0%B8%A3%E0%B9%8C%E0%B9%80%E0%B8%88%E0%B8%B4%E0%B8%99%E0%B8%95%E0%B9%8C%E0%B9%80%E0%B8%9B%E0%B8%9B%E0%B9%80%E0%B8%9B%E0%B8%AD%E0%B8%AA%E0%B9%8C%E0%B9%82%E0%B8%A5%E0%B8%99%E0%B8%A5%E0%B8%B5%E0%B8%AE%E0%B8%B2%E0%B8%95%E0%B8%AA%E0%B9%8C%E0%B8%84%E0%B8%A5%E0%B8%B1%E0%B8%9A%E0%B9%81%E0%B8%9A%E0%B8%99%E0%B8%94%E0%B9%8C" title="ซาร์เจินต์เปปเปอส์โลนลีฮาตส์คลับแบนด์ – Thai" lang="th" hreflang="th" data-title="ซาร์เจินต์เปปเปอส์โลนลีฮาตส์คลับแบนด์" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target">ไทย</a></li><li class="interlanguage-link interwiki-tg mw-list-item"><a href="https://tg.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Tajik" lang="tg" hreflang="tg" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Тоҷикӣ" data-language-local-name="Tajik" class="interlanguage-link-target">Тоҷикӣ</a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Turkish" lang="tr" hreflang="tr" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target">Türkçe</a></li><li class="interlanguage-link interwiki-tk mw-list-item"><a href="https://tk.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Turkmen" lang="tk" hreflang="tk" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Türkmençe" data-language-local-name="Turkmen" class="interlanguage-link-target">Türkmençe</a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Ukrainian" lang="uk" hreflang="uk" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target">Українська</a></li><li class="interlanguage-link interwiki-vec mw-list-item"><a href="https://vec.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Venetian" lang="vec" hreflang="vec" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Vèneto" data-language-local-name="Venetian" class="interlanguage-link-target">Vèneto</a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Vietnamese" lang="vi" hreflang="vi" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target">Tiếng Việt</a></li><li class="interlanguage-link interwiki-vls mw-list-item"><a href="https://vls.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – West Flemish" lang="vls" hreflang="vls" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="West-Vlams" data-language-local-name="West Flemish" class="interlanguage-link-target">West-Vlams</a></li><li class="interlanguage-link interwiki-war mw-list-item"><a href="https://war.wikipedia.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band – Waray" lang="war" hreflang="war" data-title="Sgt. Pepper's Lonely Hearts Club Band" data-language-autonym="Winaray" data-language-local-name="Waray" class="interlanguage-link-target">Winaray</a></li><li class="interlanguage-link interwiki-wuu mw-list-item"><a href="https://wuu.wikipedia.org/wiki/%E4%BD%A9%E7%8F%80%E5%86%9B%E5%A3%AB%E4%B8%AA%E5%AD%A4%E7%8B%AC%E4%B9%8B%E5%BF%83%E4%BF%B1%E4%B9%90%E9%83%A8%E4%B9%90%E9%98%9F" title="佩珀军士个孤独之心俱乐部乐队 – Wu" lang="wuu" hreflang="wuu" data-title="佩珀军士个孤独之心俱乐部乐队" data-language-autonym="吴语" data-language-local-name="Wu" class="interlanguage-link-target">吴语</a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E8%83%A1%E6%A4%92%E4%B8%AD%E5%A3%AB%E5%AF%82%E5%AF%9E%E8%8A%B3%E5%BF%83%E4%BF%B1%E6%A8%82%E9%83%A8%E6%A8%82%E9%9A%8A" title="胡椒中士寂寞芳心俱樂部樂隊 – Cantonese" lang="yue" hreflang="yue" data-title="胡椒中士寂寞芳心俱樂部樂隊" data-language-autonym="粵語" data-language-local-name="Cantonese" class="interlanguage-link-target">粵語</a></li><li 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Click here for more information."><img alt="Featured article" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/20px-Cscr-featured.svg.png" decoding="async" width="20" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/30px-Cscr-featured.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/40px-Cscr-featured.svg.png 2x" data-file-width="466" data-file-height="443" /></a></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1967 studio album by the Beatles</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">This article is about the 1967 album. For other uses, see <a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(disambiguation)" class="mw-disambig" title="Sgt. Pepper's Lonely Hearts Club Band (disambiguation)">Sgt. Pepper's Lonely Hearts Club Band (disambiguation)</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent haudio"><tbody><tr><th colspan="2" class="infobox-above summary album" style="font-style: italic; color: inherit; background-color: lightsteelblue; font-size: 125%;">Sgt. Pepper's Lonely Hearts Club Band</th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Sgt._Pepper%27s_Lonely_Hearts_Club_Band.jpg" class="mw-file-description" title="The Beatles, holding marching band instruments and wearing colourful uniforms, stand near a grave covered with flowers that spell "Beatles". Standing behind the band are several dozen famous people."><img alt="The Beatles, holding marching band instruments and wearing colourful uniforms, stand near a grave covered with flowers that spell "Beatles". Standing behind the band are several dozen famous people." src="//upload.wikimedia.org/wikipedia/en/thumb/5/50/Sgt._Pepper%27s_Lonely_Hearts_Club_Band.jpg/220px-Sgt._Pepper%27s_Lonely_Hearts_Club_Band.jpg" decoding="async" width="220" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/5/50/Sgt._Pepper%27s_Lonely_Hearts_Club_Band.jpg 1.5x" data-file-width="300" data-file-height="300" /></a></td></tr><tr><th colspan="2" class="infobox-header description" style="color: #202122;background-color: lightsteelblue"><a href="/wiki/Album" title="Album">Studio album</a> by <div class="contributor" style="display:inline"><a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a></div></th></tr><tr><th scope="row" class="infobox-label">Released</th><td class="infobox-data published">26 May 1967 (1967-05-26)</td></tr><tr><th scope="row" class="infobox-label">Recorded</th><td class="infobox-data plainlist">6 December 1966 – 21 April 1967</td></tr><tr><th scope="row" class="infobox-label">Studio</th><td class="infobox-data plainlist"><a href="/wiki/Abbey_Road_Studios" title="Abbey Road Studios">EMI</a> and Regent Sound, London</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Music_genre" title="Music genre">Genre</a></th><td class="infobox-data category hlist"> <ul><li><a href="/wiki/Rock_music" title="Rock music">Rock</a></li> <li><a href="/wiki/Pop_music" title="Pop music">pop</a></li> <li><a href="/wiki/Psychedelic_music" title="Psychedelic music">psychedelia</a></li> <li><a href="/wiki/Art_rock" title="Art rock">art rock</a></li></ul> </td></tr><tr><th scope="row" class="infobox-label">Length</th><td class="infobox-data">39:36</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Record_label" title="Record label">Label</a></th><td class="infobox-data hlist"> <ul><li><a href="/wiki/Parlophone" title="Parlophone">Parlophone</a></li> <li><a href="/wiki/Capitol_Records" title="Capitol Records">Capitol</a></li></ul> </td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Record_producer" title="Record producer">Producer</a></th><td class="infobox-data hlist"><a href="/wiki/George_Martin" title="George Martin">George Martin</a></td></tr><tr><th colspan="2" class="infobox-header description" style="color: #202122;background-color: lightsteelblue"><a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a> chronology</th></tr><tr><td colspan="2" class="infobox-full-data"> <table style="color:inherit; background: transparent; width: 100%; min-width: 100%; border-collapse: collapse; display: inline-table;"> <tbody><tr style="line-height: 1.4em;"> <td style="width: 33%; text-align: center; vertical-align: top; padding: .2em .1em .2em 0"><a href="/wiki/A_Collection_of_Beatles_Oldies" title="A Collection of Beatles Oldies">A Collection of Beatles Oldies</a> (1966) </td> <td style="width: 33%; text-align: center; vertical-align: top; padding: .2em .1em">Sgt. Pepper's Lonely Hearts Club Band (1967) </td> <td style="width: 33%; text-align: center; vertical-align: top; padding: .2em 0 .2em .1em"><a href="/wiki/The_Beatles_(album)" title="The Beatles (album)">The Beatles</a> (1968) </td></tr></tbody></table></td></tr><tr><td colspan="2" class="infobox-below"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr><th colspan="2" class="infobox-header" style="background: lightsteelblue"><a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a> <a href="/wiki/The_Beatles%27_North_American_releases" title="The Beatles' North American releases">North American</a> chronology</th></tr><tr><td colspan="2" class="infobox-full-data"> <table style="color: inherit; background: transparent; width: 100%; min-width: 100%; border-collapse: collapse; display: inline-table;"> <tbody><tr style="line-height: 1.4em;"> <td style="width: 33%; text-align: center; vertical-align: top; padding: .2em .1em .2em 0"><a href="/wiki/Revolver_(Beatles_album)" title="Revolver (Beatles album)">Revolver</a> (1966) </td> <td style="width: 33%; text-align: center; vertical-align: top; padding: .2em .1em">Sgt. Pepper's Lonely Hearts Club Band (1967) </td> <td style="width: 33%; text-align: center; vertical-align: top; padding: .2em 0 .2em .1em"><a href="/wiki/Magical_Mystery_Tour" title="Magical Mystery Tour">Magical Mystery Tour</a> (1967) </td></tr> </tbody></table></td></tr><tr style="display:none"><td colspan="2"> </td></tr></tbody></table> Sgt. Pepper's Lonely Hearts Club Band is the eighth studio <a href="/wiki/Album" title="Album">album</a> by the English <a href="/wiki/Rock_music" title="Rock music">rock</a> band <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a>. Released on 26 May 1967,<a href="#cite_note-2">[nb 1]</a> Sgt. Pepper is regarded by musicologists as an early <a href="/wiki/Concept_album" title="Concept album">concept album</a> that advanced the roles of sound composition, <a href="/wiki/Cyclic_form" title="Cyclic form">extended form</a>, <a href="/wiki/Psychedelia" title="Psychedelia">psychedelic</a> imagery, <a href="/wiki/Record_sleeve" title="Record sleeve">record sleeves</a>, and the producer in <a href="/wiki/Popular_music" title="Popular music">popular music</a>. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, <a href="/wiki/Mysticism" title="Mysticism">mysticism</a>, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and <a href="/wiki/High_art" class="mw-redirect" title="High art">high art</a>, and for reflecting the interests of <a href="/wiki/Baby_boomers" title="Baby boomers">contemporary youth</a> and <a href="/wiki/Counterculture_of_the_1960s" title="Counterculture of the 1960s">the counterculture</a>. At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests for the next three months. During a return flight to London in November, <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> had an idea for a song involving an <a href="/wiki/Edwardian_era" title="Edwardian era">Edwardian</a> military band that formed the impetus of the Sgt. Pepper concept. For this project, they continued the technological experimentation marked by their previous album, <a href="/wiki/Revolver_(Beatles_album)" title="Revolver (Beatles album)">Revolver</a> (1966), this time without an absolute deadline for completion. Sessions began on 24 November at <a href="/wiki/Abbey_Road_Studios" title="Abbey Road Studios">EMI Studios</a> with compositions inspired by the Beatles' youth, but after pressure from <a href="/wiki/EMI" title="EMI">EMI</a>, the songs "<a href="/wiki/Strawberry_Fields_Forever" title="Strawberry Fields Forever">Strawberry Fields Forever</a>" and "<a href="/wiki/Penny_Lane" title="Penny Lane">Penny Lane</a>" were released as a <a href="/wiki/Double_A-side" class="mw-redirect" title="Double A-side">double A-side</a> single in February 1967 and left off the LP. The album was then loosely conceptualised as a performance by the fictional Sgt. Pepper band, an idea that was conceived after recording <a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(song)" title="Sgt. Pepper's Lonely Hearts Club Band (song)">the title track</a>. A key work of British <a href="/wiki/Psychedelic_music" title="Psychedelic music">psychedelia</a>, Sgt. Pepper is considered one of the first <a href="/wiki/Art_rock" title="Art rock">art rock</a> LPs and a progenitor to <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a>. It incorporates a range of stylistic influences, including <a href="/wiki/Vaudeville" title="Vaudeville">vaudeville</a>, <a href="/wiki/Circus_music" title="Circus music">circus</a>, <a href="/wiki/Music_hall" title="Music hall">music hall</a>, <a href="/wiki/Avant-garde_music" title="Avant-garde music">avant-garde</a>, and Western and <a href="/wiki/Indian_classical_music" title="Indian classical music">Indian</a> classical music. With assistance from producer <a href="/wiki/George_Martin" title="George Martin">George Martin</a> and engineer <a href="/wiki/Geoff_Emerick" title="Geoff Emerick">Geoff Emerick</a>, many of the recordings were coloured with sound effects and tape manipulation, as exemplified on "<a href="/wiki/Lucy_in_the_Sky_with_Diamonds" title="Lucy in the Sky with Diamonds">Lucy in the Sky with Diamonds</a>", "<a href="/wiki/Being_for_the_Benefit_of_Mr._Kite!" title="Being for the Benefit of Mr. Kite!">Being for the Benefit of Mr. Kite!</a>" and "<a href="/wiki/A_Day_in_the_Life" title="A Day in the Life">A Day in the Life</a>". Recording was completed on 21 April. The cover, which depicts the Beatles posing in front of <a href="/wiki/List_of_images_on_the_cover_of_Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band">a tableau of celebrities and historical figures</a>, was designed by the <a href="/wiki/Pop_art" title="Pop art">pop artists</a> <a href="/wiki/Peter_Blake_(artist)" title="Peter Blake (artist)">Peter Blake</a> and <a href="/wiki/Jann_Haworth" title="Jann Haworth">Jann Haworth</a>. Sgt. Pepper's release was a defining moment in <a href="/wiki/Pop_culture" class="mw-redirect" title="Pop culture">pop culture</a>, heralding the <a href="/wiki/Album_era" title="Album era">album era</a> and the 1967 <a href="/wiki/Summer_of_Love" title="Summer of Love">Summer of Love</a>, while its reception achieved full cultural legitimisation for popular music and recognition for the medium as a genuine art form. The first Beatles album to be released with the same track listing in both the UK and the US, it spent 27 weeks at number one on the <a href="/wiki/Record_Retailer" title="Record Retailer">Record Retailer</a> chart in the United Kingdom and 15 weeks at number one on the <a href="/wiki/Billboard_200" title="Billboard 200">Billboard Top LPs</a> chart in the United States. In 1968, it won four <a href="/wiki/Grammy_Awards" title="Grammy Awards">Grammy Awards</a>, including <a href="/wiki/Grammy_Award_for_Album_of_the_Year" title="Grammy Award for Album of the Year">Album of the Year</a>, the first rock <a href="/wiki/LP_record" title="LP record">LP</a> to receive this honour; in 2003, it was inducted into the <a href="/wiki/National_Recording_Registry" title="National Recording Registry">National Recording Registry</a> by the <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a> for being "culturally, historically, or aesthetically significant". It has topped several critics' and listeners' polls for the best album of all time, including those published by <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a> magazine and in the book <a href="/wiki/All_Time_Top_1000_Albums" title="All Time Top 1000 Albums">All Time Top 1000 Albums</a>, and the UK's "<a href="/wiki/Music_of_the_Millennium" title="Music of the Millennium">Music of the Millennium</a>" poll. More than 32 million copies had been sold worldwide as of 2011. It remains one of the <a href="/wiki/List_of_best-selling_albums" title="List of best-selling albums">best-selling albums</a> of all time and was, as of 2018, the <a href="/wiki/List_of_best-selling_albums_in_the_United_Kingdom" title="List of best-selling albums in the United Kingdom">UK's best-selling studio album</a>. A <a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band:_50th_Anniversary_Edition" title="Sgt. Pepper's Lonely Hearts Club Band: 50th Anniversary Edition">remixed and expanded edition</a> of the album was released in 2017. <style data-mw-deduplicate="TemplateStyles:r886046785">.mw-parser-output .toclimit-2 .toclevel-1 ul,.mw-parser-output .toclimit-3 .toclevel-2 ul,.mw-parser-output .toclimit-4 .toclevel-3 ul,.mw-parser-output .toclimit-5 .toclevel-4 ul,.mw-parser-output .toclimit-6 .toclevel-5 ul,.mw-parser-output .toclimit-7 .toclevel-6 ul{display:none}</style><div class="toclimit-3"><meta property="mw:PageProp/toc" /></div> <div class="mw-heading mw-heading2"><h2 id="Background">Background</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=1" title="Edit section: Background">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatleft" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> We were fed up with being the Beatles. We really hated that fucking four little <a href="/wiki/Mop-top" class="mw-redirect" title="Mop-top">mop-top</a> approach. We were not boys, we were men ... and thought of ourselves as artists rather than just performers.<a href="#cite_note-FOOTNOTEMiles1997303-3">[2]</a> </blockquote> <cite class="left-aligned" style="">– <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a></cite> </div> By late 1965, the Beatles had grown weary of live performance.<a href="#cite_note-FOOTNOTELewisohn2010210-4">[3]</a> In <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a>'s opinion, they could "send out four waxworks ... and that would satisfy the crowds. Beatles concerts are nothing to do with music anymore. They're just bloody tribal rites."<a href="#cite_note-FOOTNOTEThe_Beatles2000229-5">[4]</a> In June 1966, two days after finishing the album <a href="/wiki/Revolver_(Beatles_album)" title="Revolver (Beatles album)">Revolver</a>, the group set off for a <a href="/wiki/The_Beatles%27_1966_tour_of_Germany,_Japan_and_the_Philippines" title="The Beatles' 1966 tour of Germany, Japan and the Philippines">tour that started in West Germany</a>.<a href="#cite_note-FOOTNOTEMacDonald2005212-6">[5]</a> While in <a href="/wiki/Hamburg" title="Hamburg">Hamburg</a> they received an anonymous telegram stating: "Do not go to Tokyo. Your life is in danger."<a href="#cite_note-FOOTNOTEMartinPearson19947-7">[6]</a> The threat was taken seriously in light of the controversy surrounding the tour among Japan's religious and conservative groups, with particular opposition to the Beatles' planned performances at the sacred <a href="/wiki/Nippon_Budokan" title="Nippon Budokan">Nippon Budokan</a> arena.<a href="#cite_note-FOOTNOTEMartinPearson19947-7">[6]</a> As an added precaution, 35,000 police were mobilised and tasked with protecting the group, who were transported from hotels to concert venues in armoured vehicles.<a href="#cite_note-8">[7]</a> The Beatles then performed in the <a href="/wiki/Philippines" title="Philippines">Philippines</a>, where they were threatened and manhandled by its citizens for not visiting First Lady <a href="/wiki/Imelda_Marcos" title="Imelda Marcos">Imelda Marcos</a>. The group were angry with their manager, <a href="/wiki/Brian_Epstein" title="Brian Epstein">Brian Epstein</a>, for insisting on what they regarded as an exhausting and demoralising itinerary.<a href="#cite_note-FOOTNOTEMacDonald2005212–13-9">[8]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:WCFL_Sound_10_survey_October_1966_Beatles_Jim_Stagg_(cropped).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/16/WCFL_Sound_10_survey_October_1966_Beatles_Jim_Stagg_%28cropped%29.jpg/220px-WCFL_Sound_10_survey_October_1966_Beatles_Jim_Stagg_%28cropped%29.jpg" decoding="async" width="220" height="145" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/16/WCFL_Sound_10_survey_October_1966_Beatles_Jim_Stagg_%28cropped%29.jpg/330px-WCFL_Sound_10_survey_October_1966_Beatles_Jim_Stagg_%28cropped%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/16/WCFL_Sound_10_survey_October_1966_Beatles_Jim_Stagg_%28cropped%29.jpg/440px-WCFL_Sound_10_survey_October_1966_Beatles_Jim_Stagg_%28cropped%29.jpg 2x" data-file-width="980" data-file-height="645" /></a><figcaption>The group, with disc jockey <a href="/wiki/Jimmy_Staggs" title="Jimmy Staggs">Jim Stagg</a>, while on their final tour in August 1966</figcaption></figure> The publication in the US of Lennon's remarks about the Beatles being "<a href="/wiki/More_popular_than_Jesus" title="More popular than Jesus">more popular than Jesus</a>" then embroiled the band in controversy and protest in America's <a href="/wiki/Bible_Belt" title="Bible Belt">Bible Belt</a>.<a href="#cite_note-FOOTNOTEMacDonald2005213-10">[9]</a> A public apology eased tensions, but a <a href="/wiki/The_Beatles%27_1966_US_tour" title="The Beatles' 1966 US tour">US tour in August</a> that was marked by reduced ticket sales, relative to the group's record attendances in 1965, and subpar performances proved to be their last.<a href="#cite_note-11">[10]</a> The author <a href="/wiki/Nicholas_Schaffner" title="Nicholas Schaffner">Nicholas Schaffner</a> writes: <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote">To the Beatles, playing such concerts had become a charade so remote from the new directions they were pursuing that not a single tune was attempted from the just-released Revolver LP, whose arrangements were for the most part impossible to reproduce with the limitations imposed by their two-guitars-bass-and-drums stage lineup.<a href="#cite_note-FOOTNOTESchaffner197858–59-12">[11]</a></blockquote> On the Beatles' return to England, rumours began to circulate that they had decided to break up.<a href="#cite_note-FOOTNOTEJulien2008b1-13">[12]</a> <a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a> informed Epstein that he was leaving the band, but he was persuaded to stay on the assurance that there would be no more tours.<a href="#cite_note-FOOTNOTEMacDonald2005213-10">[9]</a> The group took a three-month break, during which they focused on individual interests.<a href="#cite_note-FOOTNOTEGould2007367-14">[13]</a> Harrison travelled to India for six weeks to study the <a href="/wiki/Sitar" title="Sitar">sitar</a> under the instruction of <a href="/wiki/Ravi_Shankar" title="Ravi Shankar">Ravi Shankar</a><a href="#cite_note-FOOTNOTEJulien2008b2-15">[14]</a> and develop his interest in <a href="/wiki/Hinduism" title="Hinduism">Hindu</a> philosophy.<a href="#cite_note-FOOTNOTEEverett199971-16">[15]</a> Having been the last of the Beatles to concede that their live performances had become futile,<a href="#cite_note-FOOTNOTERodriguez201218-17">[16]</a> <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> collaborated with Beatles producer <a href="/wiki/George_Martin" title="George Martin">George Martin</a> on <a href="/wiki/The_Family_Way_(soundtrack)" title="The Family Way (soundtrack)">the soundtrack</a> for the film <a href="/wiki/The_Family_Way" title="The Family Way">The Family Way</a><a href="#cite_note-FOOTNOTESounes2010158–59-18">[17]</a> and holidayed in <a href="/wiki/Kenya" title="Kenya">Kenya</a> with <a href="/wiki/Mal_Evans" title="Mal Evans">Mal Evans</a>, one of the Beatles' <a href="/wiki/Tour_manager" title="Tour manager">tour managers</a>.<a href="#cite_note-FOOTNOTETurner2016364–65-19">[18]</a> Lennon acted in the film <a href="/wiki/How_I_Won_the_War" title="How I Won the War">How I Won the War</a> and attended art showings, such as one at the <a href="/wiki/Indica_Gallery" title="Indica Gallery">Indica Gallery</a> where he met his future wife <a href="/wiki/Yoko_Ono" title="Yoko Ono">Yoko Ono</a>.<a href="#cite_note-FOOTNOTEWomack2007158,_160–61-20">[19]</a> <a href="/wiki/Ringo_Starr" title="Ringo Starr">Ringo Starr</a> used the break to spend time with his wife <a href="/wiki/Maureen_Starkey_Tigrett" title="Maureen Starkey Tigrett">Maureen</a> and son <a href="/wiki/Zak_Starkey" title="Zak Starkey">Zak</a>.<a href="#cite_note-21">[20]</a> <div class="mw-heading mw-heading2"><h2 id="Inspiration_and_conception">Inspiration and conception</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=2" title="Edit section: Inspiration and conception">edit</a>]</div> While in London without his bandmates, McCartney took the hallucinogenic drug <a href="/wiki/Lysergic_acid_diethylamide" class="mw-redirect" title="Lysergic acid diethylamide">LSD</a> (or "acid") for the first time, having long resisted Lennon and Harrison's insistence that he join them and Starr in experiencing its perception-heightening effects.<a href="#cite_note-FOOTNOTEGould2007388-22">[21]</a><a href="#cite_note-FOOTNOTERodriguez201254–56-23">[22]</a> According to author Jonathan Gould, this initiation into LSD afforded McCartney the "expansive new sense of possibility" that defined the group's next project, Sgt. Pepper's Lonely Hearts Club Band. Gould adds that McCartney's succumbing to peer pressure allowed Lennon "to play the role of psychedelic guide" to his songwriting partner, thereby facilitating a closer collaboration between the two than had been evident since early in the Beatles' career.<a href="#cite_note-FOOTNOTEGould2007388–89-24">[23]</a> For his part, Lennon had turned deeply introspective during the filming of How I Won the War in southern Spain in September 1966. His anxiety over his and the Beatles' future was reflected in "<a href="/wiki/Strawberry_Fields_Forever" title="Strawberry Fields Forever">Strawberry Fields Forever</a>",<a href="#cite_note-FOOTNOTETurner2016332–33-25">[24]</a> a song that provided the initial theme, regarding a Liverpool childhood, of the new album.<a href="#cite_note-FOOTNOTEEverett199999-26">[25]</a> On his return to London, Lennon embraced the city's arts culture, of which McCartney was a part,<a href="#cite_note-FOOTNOTERodriguez201288-27">[26]</a> and shared his bandmate's interest in <a href="/wiki/Avant-garde_music" title="Avant-garde music">avant-garde</a> and <a href="/wiki/Electronic_music" title="Electronic music">electronic-music</a> composers such as <a href="/wiki/Karlheinz_Stockhausen" title="Karlheinz Stockhausen">Karlheinz Stockhausen</a>, <a href="/wiki/John_Cage" title="John Cage">John Cage</a> and <a href="/wiki/Luciano_Berio" title="Luciano Berio">Luciano Berio</a>.<a href="#cite_note-FOOTNOTESounes2010165-28">[27]</a><a href="#cite_note-FOOTNOTEPrendergast2003193-29">[28]</a> In November, during his and Evans' return flight from Kenya, McCartney had an idea for a song that eventually formed the impetus of the Sgt. Pepper concept.<a href="#cite_note-FOOTNOTEJulien2008b2-15">[14]</a> His idea involved an <a href="/wiki/Edwardian_era" title="Edwardian era">Edwardian-era</a> military band, for which Evans invented a name in the style of contemporary San Francisco-based groups such as <a href="/wiki/Big_Brother_and_the_Holding_Company" title="Big Brother and the Holding Company">Big Brother and the Holding Company</a> and <a href="/wiki/Quicksilver_Messenger_Service" title="Quicksilver Messenger Service">Quicksilver Messenger Service</a>.<a href="#cite_note-FOOTNOTEWomack2007168-30">[29]</a><a href="#cite_note-32">[nb 2]</a> In February 1967, McCartney suggested that the new album should represent a performance by the fictional band.<a href="#cite_note-FOOTNOTEMoore199720–21-33">[31]</a> This alter ego group would give them the freedom to experiment musically by releasing them from their image as Beatles.<a href="#cite_note-FOOTNOTEMiles1997303–04-34">[32]</a> Martin recalled that the concept was not discussed at the start of the sessions,<a href="#cite_note-FOOTNOTETurner2016378-35">[33]</a> but it subsequently gave the album "a life of its own".<a href="#cite_note-FOOTNOTEMartin1994202-36">[34]</a><a href="#cite_note-39">[nb 3]</a> Portions of Sgt. Pepper reflect the Beatles' general immersion in the <a href="/wiki/Blues" title="Blues">blues</a>, <a href="/wiki/Motown" title="Motown">Motown</a> and other American popular musical traditions.<a href="#cite_note-FOOTNOTEHannan200862-40">[37]</a> The author <a href="/wiki/Ian_MacDonald" title="Ian MacDonald">Ian MacDonald</a> writes that when reviewing their rivals' recent work in late 1966, the Beatles identified the most significant LP as <a href="/wiki/The_Beach_Boys" title="The Beach Boys">the Beach Boys</a>' <a href="/wiki/Pet_Sounds" title="Pet Sounds">Pet Sounds</a>, which <a href="/wiki/Brian_Wilson" title="Brian Wilson">Brian Wilson</a>, the band's leader, had created in response to the Beatles' <a href="/wiki/Rubber_Soul" title="Rubber Soul">Rubber Soul</a>.<a href="#cite_note-FOOTNOTEMacDonald2005215-41">[38]</a> McCartney was highly impressed with the "harmonic structures" and choice of instruments used on Pet Sounds, and said that these elements encouraged him to think the Beatles could "get further out" than the Beach Boys had.<a href="#cite_note-FOOTNOTEBabiuk2002197-42">[39]</a> He identified Pet Sounds as his main musical inspiration for Sgt. Pepper, adding that "[we] nicked a few ideas",<a href="#cite_note-FOOTNOTEBabiuk2002204-43">[40]</a> although he felt it lacked the avant-garde quality he was seeking.<a href="#cite_note-FOOTNOTEThe_Beatles2000253-44">[41]</a> <a href="/wiki/Freak_Out!" title="Freak Out!">Freak Out!</a> by <a href="/wiki/The_Mothers_of_Invention" title="The Mothers of Invention">the Mothers of Invention</a> has also been cited as having influenced Sgt. Pepper.<a href="#cite_note-FOOTNOTEJulien2008c160-45">[42]</a> According to the biographer <a href="/wiki/Philip_Norman_(author)" title="Philip Norman (author)">Philip Norman</a>, during the recording sessions McCartney repeatedly stated: "This is our Freak Out!"<a href="#cite_note-FOOTNOTEJulien2008c158-46">[43]</a> The music journalist <a href="/wiki/Chet_Flippo" title="Chet Flippo">Chet Flippo</a> stated that McCartney was inspired to record a <a href="/wiki/Concept_album" title="Concept album">concept album</a> after hearing Freak Out!<a href="#cite_note-FOOTNOTEJulien2008c160-45">[42]</a> <a href="/wiki/Indian_music" class="mw-redirect" title="Indian music">Indian music</a> was another touchstone on Sgt. Pepper, principally for Lennon and Harrison.<a href="#cite_note-FOOTNOTEReck200869,_72–73-47">[44]</a> In a 1967 interview, Harrison said that the Beatles' ongoing success had encouraged them to continue developing musically and that, given their standing, "We can do things that please us without conforming to the standard pop idea. We are not only involved in pop music, but all music."<a href="#cite_note-FOOTNOTEPhilo2015119-48">[45]</a> McCartney envisioned the Beatles' alter egos being able to "do a bit of <a href="/wiki/B._B._King" title="B. B. King">B. B. King</a>, a bit of Stockhausen, a bit of <a href="/wiki/Albert_Ayler" title="Albert Ayler">Albert Ayler</a>, a bit of Ravi Shankar, a bit of Pet Sounds, a bit of <a href="/wiki/The_Doors" title="The Doors">the Doors</a>".<a href="#cite_note-FOOTNOTEGreene201619-49">[46]</a> He saw the group as "pushing frontiers" similar to other composers of the time, even though the Beatles did not "necessarily like what, say, <a href="/wiki/Luciano_Berio" title="Luciano Berio">Berio</a> was doing".<a href="#cite_note-FOOTNOTELewisohn2005-50">[47]</a> <div class="mw-heading mw-heading2"><h2 id="Recording_and_production">Recording and production</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=3" title="Edit section: Recording and production">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Recording_history">Recording history</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=4" title="Edit section: Recording history">edit</a>]</div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Abbeyroadtomswain.jpg" class="mw-file-description"><img alt="A colour image of a large room with a piano in the middle" src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Abbeyroadtomswain.jpg/220px-Abbeyroadtomswain.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Abbeyroadtomswain.jpg/330px-Abbeyroadtomswain.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Abbeyroadtomswain.jpg/440px-Abbeyroadtomswain.jpg 2x" data-file-width="899" data-file-height="599" /></a><figcaption><a href="/wiki/Abbey_Road_Studios" title="Abbey Road Studios">Abbey Road Studio Two</a>, where nearly every track on Sgt. Pepper was recorded<a href="#cite_note-FOOTNOTEEmerickMassey2006184,_190-51">[48]</a></figcaption></figure> Sessions began on 24 November 1966 in Studio Two at EMI Studios (subsequently <a href="/wiki/Abbey_Road_Studios" title="Abbey Road Studios">Abbey Road Studios</a>), marking the first time that the Beatles had come together since September.<a href="#cite_note-FOOTNOTELewisohn2010232-52">[49]</a> Afforded the luxury of a nearly limitless recording budget, and with no absolute deadline for completion,<a href="#cite_note-FOOTNOTEEmerickMassey2006142-53">[50]</a> the band booked open-ended sessions that started at 7 pm and allowed them to work as late as they wanted.<a href="#cite_note-FOOTNOTEMacDonald2005215-41">[38]</a> They began with "Strawberry Fields Forever", followed by two other songs that were thematically linked to their childhoods: "<a href="/wiki/When_I%27m_Sixty-Four" title="When I'm Sixty-Four">When I'm Sixty-Four</a>", the first session for which took place on 6 December,<a href="#cite_note-FOOTNOTELewisohn200589-54">[51]</a> and "<a href="/wiki/Penny_Lane" title="Penny Lane">Penny Lane</a>".<a href="#cite_note-55">[52]</a> "Strawberry Fields Forever" and "Penny Lane" were subsequently released as a <a href="/wiki/Double_A-side" class="mw-redirect" title="Double A-side">double A-side</a> in February 1967 after EMI and Epstein pressured Martin for a single.<a href="#cite_note-FOOTNOTEMoore199719–20-56">[53]</a> When it failed to reach number one in the UK, British press agencies speculated that the group's run of success might have ended, with headlines such as "Beatles Fail to Reach the Top", "First Time in Four Years" and "Has the Bubble Burst?"<a href="#cite_note-FOOTNOTEHarry2002714-57">[54]</a> In keeping with the band's approach to their previously issued singles, the songs were then excluded from Sgt. Pepper.<a href="#cite_note-FOOTNOTEGreene201634,_42-58">[55]</a> Martin later described the decision to drop these two songs as "the biggest mistake of my professional life".<a href="#cite_note-FOOTNOTEMacDonald2005218fn-59">[56]</a> In his judgment, "Strawberry Fields Forever", which he and the band spent an unprecedented 55 hours of studio time recording, "set the agenda for the whole album".<a href="#cite_note-60">[57]</a> He explained: "It was going to be a record ... [with songs that] couldn't be performed live: they were designed to be studio productions and that was the difference."<a href="#cite_note-FOOTNOTEJulien2008b6-61">[58]</a> McCartney declared: "Now our performance is that record."<a href="#cite_note-FOOTNOTEJulien2008b6-61">[58]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:30%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> Music papers started to slag us off ... because [Sgt. Pepper] took five months to record, and I remember the great glee seeing in one of the papers how the Beatles have dried up ... and I was sitting rubbing my hands, saying "You just wait."<a href="#cite_note-FOOTNOTEMartinPearson1994111-62">[59]</a> </blockquote> <cite class="left-aligned" style="">– <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a></cite> </div> According to the musicologist <a href="/wiki/Walter_Everett_(musicologist)" title="Walter Everett (musicologist)">Walter Everett</a>, Sgt. Pepper marks the beginning of McCartney's ascendancy as the Beatles' dominant creative force. He wrote more than half of the album's material while asserting increasing control over the recording of his compositions.<a href="#cite_note-FOOTNOTEEverett199999-26">[25]</a><a href="#cite_note-64">[nb 4]</a> In an effort to get the right sound, the Beatles attempted numerous re-takes of McCartney's song "<a href="/wiki/Getting_Better" title="Getting Better">Getting Better</a>". When the decision was made to re-record the basic track, Starr was summoned to the studio, but called off soon afterwards as the focus switched from rhythm to vocal tracking.<a href="#cite_note-FOOTNOTEDavies2009270-65">[61]</a> Much of the bass guitar on the album was mixed upfront.<a href="#cite_note-FOOTNOTEHannan200852-66">[62]</a> Preferring to overdub his bass part last, McCartney tended to play other instruments when recording a song's backing track. This approach afforded him the time to devise bass lines that were melodically adventurous – one of the qualities he especially admired in Wilson's work on Pet Sounds – and complemented the song's final arrangement.<a href="#cite_note-67">[63]</a><a href="#cite_note-70">[nb 5]</a> McCartney played keyboard instruments such as piano, <a href="/wiki/Grand_piano" class="mw-redirect" title="Grand piano">grand piano</a> and <a href="/wiki/Lowrey_organ" title="Lowrey organ">Lowrey organ</a>, in addition to electric guitar on some songs, while Martin variously contributed on <a href="/wiki/Hohner_Pianet" title="Hohner Pianet">Hohner Pianet</a>, <a href="/wiki/Harpsichord" title="Harpsichord">harpsichord</a> and <a href="/wiki/Pump_organ" title="Pump organ">harmonium</a>.<a href="#cite_note-71">[66]</a> Lennon's songs similarly showed a preference for keyboard instruments.<a href="#cite_note-FOOTNOTEEverett199999-26">[25]</a><a href="#cite_note-75">[nb 6]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Abbey_road_studios.jpg" class="mw-file-description"><img alt="A colour image of the façade of a brick building that is painted white" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Abbey_road_studios.jpg/220px-Abbey_road_studios.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Abbey_road_studios.jpg/330px-Abbey_road_studios.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Abbey_road_studios.jpg/440px-Abbey_road_studios.jpg 2x" data-file-width="1512" data-file-height="1134" /></a><figcaption><a href="/wiki/Abbey_Road_Studios" title="Abbey Road Studios">Abbey Road Studios</a> (formerly EMI Studios) in 2005</figcaption></figure> Although Harrison's role as lead guitarist was limited during the sessions, Everett considers that "his contribution to the album is strong in several ways."<a href="#cite_note-FOOTNOTEEverett1999100-76">[70]</a> He provided Indian instrumentation in the form of sitar, <a href="/wiki/Tanpura" title="Tanpura">tambura</a> and <a href="/wiki/Swarmandal" title="Swarmandal">swarmandal</a>,<a href="#cite_note-FOOTNOTEEverett1999104,_106,_111-77">[71]</a><a href="#cite_note-FOOTNOTEClayson2003212-78">[72]</a> and Martin credited him with being the most committed of the Beatles in striving for new sounds.<a href="#cite_note-FOOTNOTEHertsgaard1996172-79">[73]</a><a href="#cite_note-81">[nb 7]</a> Starr's adoption of loose calfskin heads for his <a href="/wiki/Tom-tom_drum" class="mw-redirect" title="Tom-tom drum">tom-toms</a> ensured his drum kit had a deeper timbre than he had previously achieved with plastic heads.<a href="#cite_note-FOOTNOTEEverett1999100-76">[70]</a> As on Revolver,<a href="#cite_note-FOOTNOTERodriguez2012112-82">[75]</a> the Beatles increasingly used session musicians, particularly for classical-inspired arrangements.<a href="#cite_note-FOOTNOTEBabiuk2002197-42">[39]</a> Norman comments that Lennon's prominent vocal on some of McCartney's songs "hugely enhanced their atmosphere", particularly "<a href="/wiki/Lovely_Rita" title="Lovely Rita">Lovely Rita</a>".<a href="#cite_note-FOOTNOTENorman2016263-83">[76]</a> Within an hour of completing the last overdubs on the album's songs, on 20 April 1967, the group returned to Harrison's "<a href="/wiki/Only_a_Northern_Song" title="Only a Northern Song">Only a Northern Song</a>", the basic track of which they had taped in February.<a href="#cite_note-FOOTNOTELewisohn2005109-84">[77]</a> The Beatles overdubbed random sounds and instrumentation before submitting it as the first of four new songs they were contracted to supply to <a href="/wiki/United_Artists" title="United Artists">United Artists</a> for inclusion in the animated film <a href="/wiki/Yellow_Submarine_(film)" title="Yellow Submarine (film)">Yellow Submarine</a>.<a href="#cite_note-FOOTNOTEWinn2009102-85">[78]</a> In author <a href="/wiki/Mark_Lewisohn" title="Mark Lewisohn">Mark Lewisohn</a>'s description, it was a "curious" session, but one that demonstrated the Beatles' "tremendous appetite for recording".<a href="#cite_note-FOOTNOTELewisohn2005109-84">[77]</a> During the Sgt. Pepper sessions, the band also recorded "<a href="/wiki/Carnival_of_Light" title="Carnival of Light">Carnival of Light</a>", a McCartney-led experimental piece created for the Million Volt Light and Sound Rave, held at the <a href="/wiki/The_Roundhouse" class="mw-redirect" title="The Roundhouse">Roundhouse Theatre</a> on 28 January and 4 February.<a href="#cite_note-FOOTNOTEMacDonald2005224–25-86">[79]</a> The album was completed on 21 April with the recording of random noises and voices that were included on the <a href="/wiki/Unusual_types_of_gramophone_records#Sound_recorded_in_locked_grooves" title="Unusual types of gramophone records">run-out groove</a>, preceded by a high-pitched tone that could be heard by dogs but was inaudible to most human ears.<a href="#cite_note-FOOTNOTELewisohn2010252–53-87">[80]</a> <div class="mw-heading mw-heading3"><h3 id="Studio_ambience_and_happenings">Studio ambience and happenings</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=5" title="Edit section: Studio ambience and happenings">edit</a>]</div> The Beatles sought to inject an atmosphere of celebration into the recording sessions.<a href="#cite_note-FOOTNOTEGould2007387-88">[81]</a> Weary of the bland look inside EMI, they introduced psychedelic lighting to the studio space,<a href="#cite_note-FOOTNOTEHoward200428–29-89">[82]</a> including a device on which five red fluorescent tubes were fixed to a microphone stand, a <a href="/wiki/Lava_lamp" title="Lava lamp">lava lamp</a>, a red <a href="/wiki/Darkroom" title="Darkroom">darkroom</a> lamp, and a <a href="/wiki/Stroboscope" title="Stroboscope">stroboscope</a>, the last of which they soon abandoned.<a href="#cite_note-FOOTNOTELewisohn2005114-90">[83]</a> Harrison later said the studio became the band's clubhouse for Sgt. Pepper;<a href="#cite_note-FOOTNOTEHertsgaard1996211,_392-91">[84]</a> <a href="/wiki/David_Crosby" title="David Crosby">David Crosby</a>, <a href="/wiki/Mick_Jagger" title="Mick Jagger">Mick Jagger</a> and <a href="/wiki/Donovan" title="Donovan">Donovan</a> were among the musician friends who visited them there.<a href="#cite_note-FOOTNOTEEverett1999100-76">[70]</a><a href="#cite_note-94">[nb 8]</a> The band members also dressed up in psychedelic fashions,<a href="#cite_note-FOOTNOTELewisohn2005114-90">[83]</a> leading one session trumpeter to wonder whether they were in costume for a new film.<a href="#cite_note-FOOTNOTECunningham1998148–49-95">[87]</a> Drug-taking was prevalent during the sessions,<a href="#cite_note-FOOTNOTELewisohn2005114-90">[83]</a> with Martin later recalling that the group would steal away to "have something".<a href="#cite_note-FOOTNOTECase201047-96">[88]</a><a href="#cite_note-101">[nb 9]</a> The 10 February session for orchestral overdubs on "<a href="/wiki/A_Day_in_the_Life" title="A Day in the Life">A Day in the Life</a>" was staged as a <a href="/wiki/Happening" title="Happening">happening</a> typical of the London avant-garde scene.<a href="#cite_note-FOOTNOTEHarris200776-102">[93]</a><a href="#cite_note-FOOTNOTESounes2010166-103">[94]</a> The Beatles invited numerous friends<a href="#cite_note-FOOTNOTELewisohn200596-104">[95]</a> and the session players wore formal dinner-wear augmented with fancy-dress props.<a href="#cite_note-FOOTNOTEHertsgaard19968-105">[96]</a><a href="#cite_note-FOOTNOTEGould2007387–88-106">[97]</a> Overseen by <a href="/wiki/NEMS_Enterprises" class="mw-redirect" title="NEMS Enterprises">NEMS</a> employee Tony Bramwell, the proceedings were filmed on seven handheld cameras,<a href="#cite_note-FOOTNOTEIngham2006166-107">[98]</a> with the band doing some of the filming.<a href="#cite_note-FOOTNOTECunningham1998151-108">[99]</a> Following this event, the group considered making a television special based on the album.<a href="#cite_note-FOOTNOTELewisohn200596-104">[95]</a> Each of the songs was to be represented with a clip directed by a different director,<a href="#cite_note-FOOTNOTEHarris200782-109">[100]</a> but the cost of recording Sgt. Pepper made the idea prohibitive to EMI.<a href="#cite_note-FOOTNOTEGreene201637–38-110">[101]</a><a href="#cite_note-112">[nb 10]</a> For the 15 March session for "<a href="/wiki/Within_You_Without_You" title="Within You Without You">Within You Without You</a>", Studio Two was transformed with Indian carpets placed on the walls, dimmed lighting and burning incense to evoke the requisite Indian mood.<a href="#cite_note-FOOTNOTELavezzoli2006179-113">[103]</a> Lennon described the session as a "great swinging evening" with "400 Indian fellas" among the guests.<a href="#cite_note-FOOTNOTEThe_Beatles2000243-114">[104]</a> The Beatles took an <a href="/wiki/Acetate_disc" title="Acetate disc">acetate disc</a> of the completed album to the flat of American singer <a href="/wiki/Cass_Elliot" title="Cass Elliot">Cass Elliot</a>, off <a href="/wiki/King%27s_Road" title="King's Road">King's Road</a> in <a href="/wiki/Chelsea,_London" title="Chelsea, London">Chelsea</a>.<a href="#cite_note-FOOTNOTEEllen2002102-115">[105]</a> There, at six in the morning, they played it at full volume with speakers set in open window frames. The group's friend and former press agent, <a href="/wiki/Derek_Taylor" title="Derek Taylor">Derek Taylor</a>, remembered that residents of the neighbourhood opened their windows and listened without complaint to what they understood to be unreleased Beatles music.<a href="#cite_note-FOOTNOTEMacDonald2005249-116">[106]</a> <div class="mw-heading mw-heading3"><h3 id="Technical_aspects">Technical aspects</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=6" title="Edit section: Technical aspects">edit</a>]</div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Studer_J37_4-track_tape_recorder_(1964-1972),_Abbey_Road_Studios.jpg" class="mw-file-description"><img alt="A colour image of a grey recording machine" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Studer_J37_4-track_tape_recorder_%281964-1972%29%2C_Abbey_Road_Studios.jpg/220px-Studer_J37_4-track_tape_recorder_%281964-1972%29%2C_Abbey_Road_Studios.jpg" decoding="async" width="220" height="170" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Studer_J37_4-track_tape_recorder_%281964-1972%29%2C_Abbey_Road_Studios.jpg/330px-Studer_J37_4-track_tape_recorder_%281964-1972%29%2C_Abbey_Road_Studios.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Studer_J37_4-track_tape_recorder_%281964-1972%29%2C_Abbey_Road_Studios.jpg/440px-Studer_J37_4-track_tape_recorder_%281964-1972%29%2C_Abbey_Road_Studios.jpg 2x" data-file-width="1763" data-file-height="1363" /></a><figcaption>One of EMI's Studer J37 four-track tape recorders, the machines used to record Sgt. Pepper</figcaption></figure> In his book on <a href="/wiki/Ambient_music" title="Ambient music">ambient music</a>, The Ambient Century: From Mahler to Moby, Mark Prendergast views Sgt. Pepper as the Beatles' "homage" to Stockhausen and Cage, adding that its "rich, tape-manipulated sound" shows the influence of electronic and experimental composer <a href="/wiki/Pierre_Schaeffer" title="Pierre Schaeffer">Pierre Schaeffer</a>.<a href="#cite_note-FOOTNOTEPrendergast2003190-117">[107]</a> Martin recalled that Sgt. Pepper "grew naturally out of Revolver", marking "an era of almost continuous technological experimentation".<a href="#cite_note-118">[108]</a> The album was recorded using <a href="/wiki/Multitrack_recording" title="Multitrack recording">four-track</a> equipment, since eight-track tape recorders were not operational in commercial studios in London until late 1967.<a href="#cite_note-FOOTNOTEEmerickMassey2006191-119">[109]</a> As with previous Beatles albums, the Sgt. Pepper recordings made extensive use of <a href="/wiki/Ping-pong_recording" title="Ping-pong recording">reduction mixing</a>, a technique in which one to four tracks from one recorder are mixed and <a href="/wiki/Dubbing_(music)" title="Dubbing (music)">dubbed</a> down onto a master four-track machine, enabling the engineers to give the group a virtual multitrack studio.<a href="#cite_note-120">[110]</a> EMI's <a href="/wiki/Studer" title="Studer">Studer</a> J37 four-track machines were well suited to reduction mixing, as the high quality of the recordings that they produced minimised the increased noise associated with the process.<a href="#cite_note-FOOTNOTEBabiuk2002199-121">[111]</a> When recording the orchestra for "A Day in the Life", Martin synchronised a four-track recorder playing the Beatles' backing track to another one taping the orchestral overdub. The engineer <a href="/wiki/Ken_Townsend" title="Ken Townsend">Ken Townsend</a> devised a method for accomplishing this by using a 50 Hz control signal between the two machines.<a href="#cite_note-FOOTNOTELewisohn2010244-122">[112]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:30%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> Listening to each stage of their recording, once they've done the first couple of tracks, it's often hard to see what they're still looking for, it sounds so complete. Often the final complicated, well-layered version seems to have drowned the initial simple melody. But they know it's not right, even if they can't put it into words. Their dedication is impressive, gnawing away at the same song for stretches of ten hours each.<a href="#cite_note-FOOTNOTEDavies2009273–74-123">[113]</a> </blockquote> <cite class="left-aligned" style="">– <a href="/wiki/Hunter_Davies" title="Hunter Davies">Hunter Davies</a>, 1968</cite> </div> The production on "Strawberry Fields Forever" was especially complex, involving the innovative splicing of two takes that were recorded in different <a href="/wiki/Tempo" title="Tempo">tempos</a> and <a href="/wiki/Pitch_(music)" title="Pitch (music)">pitches</a>.<a href="#cite_note-FOOTNOTEMacDonald2005217–20-124">[114]</a><a href="#cite_note-FOOTNOTEHoward200427–28-125">[115]</a> Emerick remembers that during the recording of Revolver, "we had got used to being asked to do the impossible, and we knew that the word 'no' didn't exist in the Beatles' vocabulary."<a href="#cite_note-FOOTNOTEEmerickMassey2006139-126">[116]</a> A key feature of Sgt. Pepper is Martin and Emerick's liberal use of <a href="/wiki/Signal_processing" title="Signal processing">signal processing</a> to shape the sound of the recording, which included the application of <a href="/wiki/Dynamic_range_compression" title="Dynamic range compression">dynamic range compression</a>, <a href="/wiki/Reverb_effect" title="Reverb effect">reverb</a> and <a href="/wiki/Limiter" title="Limiter">signal limiting</a>.<a href="#cite_note-FOOTNOTEKimsey2008133-127">[117]</a> Relatively new modular effects units were used, such as running voices and instruments through a <a href="/wiki/Leslie_speaker" title="Leslie speaker">Leslie speaker</a>.<a href="#cite_note-FOOTNOTEEmerickMassey2006190-128">[118]</a> Several innovative production techniques feature prominently on the recordings, including <a href="/wiki/DI_unit" title="DI unit">direct injection</a>, <a href="/wiki/Pitch_control" title="Pitch control">pitch control</a> and <a href="/wiki/Ambiophonics" title="Ambiophonics">ambiophonics</a>.<a href="#cite_note-FOOTNOTEHannan200862-40">[37]</a> The bass part on "<a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(song)" title="Sgt. Pepper's Lonely Hearts Club Band (song)">Sgt. Pepper's Lonely Hearts Club Band</a>" was the first example of the Beatles recording via direct injection (DI), which Townsend devised as a method for plugging electric guitars directly into the recording console.<a href="#cite_note-FOOTNOTEWomack2007170-129">[119]</a> In <a href="/wiki/Kenneth_Womack" title="Kenneth Womack">Kenneth Womack</a>'s opinion, the use of DI on the album's title track "afforded McCartney's bass with richer textures and tonal clarity".<a href="#cite_note-FOOTNOTEWomack2007170-129">[119]</a> Some of the mixing employed <a href="/wiki/Automatic_double_tracking" title="Automatic double tracking">automatic double tracking</a> (ADT), a system that uses tape recorders to create a simultaneous doubling of a sound. ADT was invented by Townsend during the Revolver sessions in 1966 especially for the Beatles, who regularly expressed a desire for a technical alternative to having to record doubled lead vocals.<a href="#cite_note-FOOTNOTELewisohn2010216-130">[120]</a> Another important effect was <a href="/wiki/Pitch_shift" class="mw-redirect" title="Pitch shift">varispeeding</a>, a technique that the Beatles used extensively on Revolver.<a href="#cite_note-FOOTNOTEEmerickMassey2006190-128">[118]</a> Martin cites "<a href="/wiki/Lucy_in_the_Sky_with_Diamonds" title="Lucy in the Sky with Diamonds">Lucy in the Sky with Diamonds</a>" as having the most variations of tape speed on Sgt. Pepper. During the recording of Lennon's vocals, the tape speed was reduced from 50 cycles per second to 45, which produced a higher and thinner-sounding track when played back at the normal speed.<a href="#cite_note-FOOTNOTEMartinPearson1994105-131">[121]</a> For the album's title track, the recording of Starr's drum kit was enhanced by the use of <a href="/wiki/Damping_(music)" title="Damping (music)">damping</a> and <a href="/wiki/Microphone_practice#Basic_techniques" title="Microphone practice">close-miking</a>. MacDonald credits the new recording technique with creating a "three-dimensional" sound that, along with other Beatles innovations, engineers in the US would soon adopt as standard practice.<a href="#cite_note-FOOTNOTEMacDonald2005233–34-132">[122]</a> Artistic experimentation, such as the placement of random gibberish in the run-out groove, became one of the album's defining features.<a href="#cite_note-FOOTNOTEJulien2008b7-133">[123]</a> Sgt. Pepper was the first pop album to be mastered without the momentary gaps that are typically placed between tracks as a point of demarcation.<a href="#cite_note-FOOTNOTEWomack2007170–171-134">[124]</a> It made use of two <a href="/wiki/Fade_(audio_engineering)#Crossfading" title="Fade (audio engineering)">crossfades</a> that blended songs together, giving the impression of a continuous live performance.<a href="#cite_note-135">[125]</a><a href="#cite_note-137">[nb 11]</a> Although both stereo and monaural mixes of the album were prepared, the Beatles were minimally involved in what they regarded as the less important stereo mix sessions, leaving the task to Martin and Emerick.<a href="#cite_note-FOOTNOTELewisohn2010252-138">[127]</a> Emerick recalls: "We spent three weeks on the mono mixes and maybe three days on the stereo."<a href="#cite_note-FOOTNOTEScapelliti2007100-139">[128]</a> Most listeners ultimately heard only the stereo version.<a href="#cite_note-FOOTNOTEHannan200840-140">[129]</a> He estimates that the group spent 700 hours on the LP, more than 30 times that of the first Beatles album, <a href="/wiki/Please_Please_Me" title="Please Please Me">Please Please Me</a>, which cost £400 to produce.<a href="#cite_note-141">[130]</a> The final cost of Sgt. Pepper was approximately £25,000 (equivalent to £573,000 in 2023).<a href="#cite_note-FOOTNOTEMartinPearson1994168-142">[131]</a> <div class="mw-heading mw-heading3"><h3 id="Band_dynamics">Band dynamics</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=7" title="Edit section: Band dynamics">edit</a>]</div> Author Robert Rodriguez writes that while Lennon, Harrison and Starr embraced the creative freedom afforded by McCartney's band-within-a-band idea, they "went along with the concept with varying degrees of enthusiasm".<a href="#cite_note-FOOTNOTERodriguez2012206–07-143">[132]</a> Studio personnel recalled that Lennon had "never seemed so happy" as during the Sgt. Pepper sessions.<a href="#cite_note-FOOTNOTEHertsgaard1996212,_396-144">[133]</a> In a 1969 interview with <a href="/wiki/Barry_Miles" title="Barry Miles">Barry Miles</a>, however, Lennon said he was depressed and that while McCartney was "full of confidence", he was "going through murder".<a href="#cite_note-145">[134]</a> Lennon explained his view of the album's concept: "Paul said, 'Come and see the show', I didn't. I said, 'I read the news today, oh boy.'"<a href="#cite_note-FOOTNOTENorthcutt2006137-146">[135]</a> Everett describes Starr as having been "largely bored" during the sessions, with the drummer later lamenting: "The biggest memory I have of Sgt. Pepper ... is I learned to play <a href="/wiki/Chess" title="Chess">chess</a>".<a href="#cite_note-FOOTNOTEEverett1999100-76">[70]</a> In <a href="/wiki/The_Beatles_Anthology_(book)" title="The Beatles Anthology (book)">The Beatles Anthology</a>, Harrison said he had little interest in McCartney's concept of a fictitious group and that, after his experiences in India, "my heart was still out there ... I was losing interest in being 'fab' at that point."<a href="#cite_note-FOOTNOTEThe_Beatles2000241,_242-147">[136]</a> Harrison added that, having enjoyed recording Rubber Soul and Revolver, he disliked how the group's approach on Sgt. Pepper became "an assembly process" whereby, "A lot of the time it ended up with just Paul playing the piano and Ringo keeping the tempo, and we weren't allowed to play as a band as much."<a href="#cite_note-FOOTNOTEThe_Beatles2000242-100">[92]</a> In Lewisohn's opinion, Sgt. Pepper represents the group's last unified effort, displaying a cohesion that deteriorated immediately following the album's completion and entirely disappeared by the release of <a href="/wiki/The_Beatles_(album)" title="The Beatles (album)">The Beatles</a> (also known as the "White Album") in 1968.<a href="#cite_note-FOOTNOTELewisohn2010237-148">[137]</a> Martin recalled in 1987 that throughout the making of Sgt. Pepper, "There was a very good spirit at that time between all the Beatles and ourselves. We were all conscious that we were doing something that was great." He said that while McCartney effectively led the project, and sometimes annoyed his bandmates, "Paul appreciated John's contribution on Pepper. In terms of quantity, it wasn't great, but in terms of quality, it was enormous."<a href="#cite_note-149">[138]</a> <div class="mw-heading mw-heading2"><h2 id="Songs">Songs</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=8" title="Edit section: Songs">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Overview">Overview</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=9" title="Edit section: Overview">edit</a>]</div> Among musicologists, Allan Moore says that Sgt. Pepper is composed mainly of rock and pop music, while <a href="/wiki/Michael_Hannan_(composer)" title="Michael Hannan (composer)">Michael Hannan</a> and Naphtali Wagner both see it as an album of various genres; Hannan says it features "a broad variety of musical and theatrical genres".<a href="#cite_note-150">[139]</a> According to Hannan and Wagner, the music incorporates the stylistic influences of <a href="/wiki/Rock_and_roll" title="Rock and roll">rock and roll</a>, <a href="/wiki/Vaudeville" title="Vaudeville">vaudeville</a>, <a href="/wiki/Big_band" title="Big band">big band</a>, <a href="/wiki/Jazz_piano" title="Jazz piano">piano jazz</a>, <a href="/wiki/Blues" title="Blues">blues</a>, <a href="/wiki/Chamber_music" title="Chamber music">chamber</a>, <a href="/wiki/Circus_music" title="Circus music">circus</a>, <a href="/wiki/Music_hall" title="Music hall">music hall</a>, avant-garde, and Western and <a href="/wiki/Indian_classical_music" title="Indian classical music">Indian</a> classical music.<a href="#cite_note-151">[140]</a> Wagner feels the album's music reconciles the "diametrically opposed aesthetic ideals" of classical and <a href="/wiki/Psychedelia" title="Psychedelia">psychedelia</a>, achieving a "psycheclassical synthesis" of the two forms.<a href="#cite_note-FOOTNOTEWagner200876,_89–90-152">[141]</a> Musicologist John Covach describes Sgt. Pepper as "<a href="/wiki/Proto-prog" title="Proto-prog">proto-progressive</a>".<a href="#cite_note-FOOTNOTECovach199731-153">[142]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> We didn't really shove the LP full of pot and drugs but, I mean, there was an effect. We were more consciously trying to keep it out. You wouldn't say, "I had some acid, baby, so groovy," but there was a feeling that something had happened between Revolver and Sgt. Pepper.<a href="#cite_note-FOOTNOTEThe_Beatles2000242-100">[92]</a> </blockquote> <cite class="left-aligned" style="">– <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a>, 1968</cite> </div> According to author George Case, all of the songs on Sgt. Pepper were perceived by contemporary listeners as being drug-inspired, with 1967 marking the pinnacle of LSD's influence on pop music.<a href="#cite_note-FOOTNOTECase201047–48-154">[143]</a> Shortly before the album's release, the <a href="/wiki/BBC" title="BBC">BBC</a> banned "A Day in the Life" from British radio<a href="#cite_note-FOOTNOTEMiles2001265-155">[144]</a> because of the phrase "I'd love to turn you on";<a href="#cite_note-156">[145]</a> the BBC stated that it could "encourage a permissive attitude towards drug-taking".<a href="#cite_note-157">[146]</a> Although Lennon and McCartney denied any drug-related interpretation of the song at the time, McCartney later suggested that the line referred to either drugs or sex.<a href="#cite_note-158">[147]</a> The meaning of "Lucy in the Sky with Diamonds" became the subject of speculation, as many believed that the title was code for LSD.<a href="#cite_note-FOOTNOTEMacDonald2005240-159">[148]</a> In "<a href="/wiki/Being_for_the_Benefit_of_Mr._Kite!" title="Being for the Benefit of Mr. Kite!">Being for the Benefit of Mr. Kite!</a>", the reference to "Henry the Horse" contains two common slang terms for heroin.<a href="#cite_note-FOOTNOTEWhiteley200818–19-160">[149]</a> Fans speculated that Henry the Horse was a drug dealer and "<a href="/wiki/Fixing_a_Hole" title="Fixing a Hole">Fixing a Hole</a>" was a reference to heroin use.<a href="#cite_note-FOOTNOTESpitz2005697-161">[150]</a> Others noted lyrics such as "I get high" from "<a href="/wiki/With_a_Little_Help_from_My_Friends" title="With a Little Help from My Friends">With a Little Help from My Friends</a>", "take some tea" – slang for <a href="/wiki/Cannabis_(drug)" title="Cannabis (drug)">cannabis</a> use – from "Lovely Rita", and "digging the weeds" from "When I'm Sixty-Four".<a href="#cite_note-FOOTNOTEMoore199760-162">[151]</a> The author Sheila Whiteley attributes Sgt. Pepper's underlying philosophy not only to the <a href="/wiki/Drug_culture" title="Drug culture">drug culture</a>, but also to <a href="/wiki/Metaphysics" title="Metaphysics">metaphysics</a> and the non-violent approach of the <a href="/wiki/Flower_power" title="Flower power">flower power</a> movement.<a href="#cite_note-FOOTNOTEWhiteley200815,_22-163">[152]</a> The musicologist Oliver Julien views the album as an embodiment of "the social, the musical, and more generally, the cultural changes of the 1960s".<a href="#cite_note-FOOTNOTEJulien2008c166-164">[153]</a> The album's primary value, according to Moore, is its ability to "capture, more vividly than almost anything contemporaneous, its own time and place".<a href="#cite_note-FOOTNOTEMoore2008140-165">[154]</a> Whiteley agrees, crediting the album with "provid[ing] a historical snapshot of England during the run-up to the <a href="/wiki/Summer_of_Love" title="Summer of Love">Summer of Love</a>".<a href="#cite_note-FOOTNOTEWhiteley200822-166">[155]</a> Several scholars have applied a <a href="/wiki/Hermeneutics" title="Hermeneutics">hermeneutic</a> strategy to their analysis of Sgt. Pepper's lyrics, identifying loss of innocence and the dangers of overindulgence in fantasies or illusions as the most prominent themes.<a href="#cite_note-FOOTNOTEMoore199761–62-167">[156]</a> <div class="mw-heading mw-heading3"><h3 id="Side_one">Side one</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=10" title="Edit section: Side one">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id=""Sgt._Pepper's_Lonely_Hearts_Club_Band"">"Sgt. Pepper's Lonely Hearts Club Band"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=11" title="Edit section: "Sgt. Pepper's Lonely Hearts Club Band"">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1096940132">.mw-parser-output .listen .side-box-text{line-height:1.1em}.mw-parser-output .listen-plain{border:none;background:transparent}.mw-parser-output .listen-embedded{width:100%;margin:0;border-width:1px 0 0 0;background:transparent}.mw-parser-output .listen-header{padding:2px}.mw-parser-output .listen-embedded .listen-header{padding:2px 0}.mw-parser-output .listen-file-header{padding:4px 0}.mw-parser-output .listen .description{padding-top:2px}.mw-parser-output .listen .mw-tmh-player{max-width:100%}@media(max-width:719px){.mw-parser-output .listen{clear:both}}@media(min-width:720px){.mw-parser-output .listen:not(.listen-noimage){width:320px}.mw-parser-output .listen-left{overflow:visible;float:left}.mw-parser-output .listen-center{float:none;margin-left:auto;margin-right:auto}}</style><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:%22Sgt._Pepper%27s_Lonely_Hearts_Club_Band%22_by_the_Beatles_1967.ogg" title="File:"Sgt. Pepper's Lonely Hearts Club Band" by the Beatles 1967.ogg">The beginning of the first verse of "Sgt. Pepper's Lonely Hearts Club Band"</a></div> <div><audio id="mwe_player_0" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="12" data-mwtitle=""Sgt._Pepper's_Lonely_Hearts_Club_Band"_by_the_Beatles_1967.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/e/e0/%22Sgt._Pepper%27s_Lonely_Hearts_Club_Band%22_by_the_Beatles_1967.ogg" type="audio/ogg; codecs="vorbis"" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/e/e0/%22Sgt._Pepper%27s_Lonely_Hearts_Club_Band%22_by_the_Beatles_1967.ogg/%22Sgt._Pepper%27s_Lonely_Hearts_Club_Band%22_by_the_Beatles_1967.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0" /><track src="/w/api.php?action=timedtext&title=File%3A%22Sgt._Pepper%27s_Lonely_Hearts_Club_Band%22_by_the_Beatles_1967.ogg&lang=en&trackformat=vtt" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr" /></audio></div> <div class="description">In its opening line, "It was twenty years ago today", the song introduces a historical perspective on pop music,<a href="#cite_note-FOOTNOTEGould2007397–98-168">[157]</a> delivered in what music journalist Chris Ingham terms McCartney's "best <a href="/wiki/Little_Richard" title="Little Richard">Little Richard</a> holler".<a href="#cite_note-FOOTNOTEIngham2006197-169">[158]</a></div></div></div></div> <div class="side-box-abovebelow"><hr />Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> Sgt. Pepper opens with the <a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(song)" title="Sgt. Pepper's Lonely Hearts Club Band (song)">title track</a>, starting with 10 seconds of the combined sounds of a <a href="/wiki/Pit_orchestra" title="Pit orchestra">pit orchestra</a> warming up and an audience waiting for a concert, creating the illusion of the album as a live performance.<a href="#cite_note-170">[159]</a><a href="#cite_note-173">[nb 12]</a> McCartney serves as the <a href="/wiki/Master_of_ceremonies" title="Master of ceremonies">master of ceremonies</a>, welcoming the audience to a twentieth-anniversary reunion concert by Sgt. Pepper's band, who, led by Lennon, then sing a message of appreciation for the crowd's warm response.<a href="#cite_note-FOOTNOTEGould2007397–98-168">[157]</a> Womack says the lyric bridges the <a href="/wiki/Fourth_wall" title="Fourth wall">fourth wall</a> between the artist and their audience.<a href="#cite_note-FOOTNOTEWomack2007169-174">[162]</a> He argues that, paradoxically, the lyrics "exemplify the mindless rhetoric of rock concert banter" while "mock[ing] the very notion of a pop album's capacity for engendering authentic interconnection between artist and audience".<a href="#cite_note-FOOTNOTEWomack2007169-174">[162]</a> In his view, the mixed message ironically serves to distance the group from their fans while simultaneously "gesturing toward" them as alter egos.<a href="#cite_note-FOOTNOTEWomack2007169-174">[162]</a> The song's five-<a href="/wiki/Bar_(music)" title="Bar (music)">bar</a> <a href="/wiki/Bridge_(music)" title="Bridge (music)">bridge</a> is filled by a French horn quartet.<a href="#cite_note-FOOTNOTEMacDonald2005233-175">[163]</a><a href="#cite_note-FOOTNOTEEverett1999101-176">[164]</a> Womack credits the recording's use of a <a href="/wiki/Brass_band" title="Brass band">brass ensemble</a> with <a href="/wiki/Distortion_(music)" title="Distortion (music)">distorted</a> electric guitars as an early example of rock fusion.<a href="#cite_note-FOOTNOTEWomack2007169-174">[162]</a> MacDonald agrees, describing the track as an <a href="/wiki/Overture" title="Overture">overture</a> rather than a song, and a "fusion of Edwardian variety orchestra" and contemporary <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a>.<a href="#cite_note-FOOTNOTEMacDonald2005233-175">[163]</a><a href="#cite_note-178">[nb 13]</a> Hannan describes the track's unorthodox stereo mix as "typical of the album", with the lead vocal in the right speaker during the verses, but in the left during the chorus and <a href="/wiki/Thirty-two-bar_form#Middle_eight" title="Thirty-two-bar form">middle eight</a>.<a href="#cite_note-FOOTNOTEHannan200848-179">[166]</a> McCartney returns as the master of ceremonies near the end of the song,<a href="#cite_note-FOOTNOTEGould2007398-180">[167]</a> announcing the entrance of an alter ego named Billy Shears.<a href="#cite_note-FOOTNOTEWomack2007170-129">[119]</a> <div class="mw-heading mw-heading4"><h4 id=""With_a_Little_Help_from_My_Friends"">"With a Little Help from My Friends"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=12" title="Edit section: "With a Little Help from My Friends"">edit</a>]</div> The title track segues into "<a href="/wiki/With_a_Little_Help_from_My_Friends" title="With a Little Help from My Friends">With a Little Help from My Friends</a>" amid the sound of screaming fans recorded during a Beatles concert at the <a href="/wiki/Hollywood_Bowl" title="Hollywood Bowl">Hollywood Bowl</a>.<a href="#cite_note-FOOTNOTEWomack2007171-181">[168]</a> In his role as Billy Shears, Starr contributes a <a href="/wiki/Baritone" title="Baritone">baritone</a> lead vocal that Womack credits with imparting an element of "earnestness in sharp contrast with the ironic distance of the title track".<a href="#cite_note-FOOTNOTEWomack2007171-181">[168]</a> Written by Lennon and McCartney, the song's lyrics centre on a theme of questions,<a href="#cite_note-FOOTNOTEHertsgaard1996117–18-182">[169]</a> beginning with Starr asking the audience whether they would leave if he sang out of tune.<a href="#cite_note-FOOTNOTERiley2002214-183">[170]</a> In the <a href="/wiki/Call_and_response_(music)" title="Call and response (music)">call-and-response</a> style, Lennon, McCartney and Harrison go on to ask their bandmate questions about the meaning of friendship and true love;<a href="#cite_note-FOOTNOTEWomack2007171-181">[168]</a> by the final verse, Starr provides unequivocal answers.<a href="#cite_note-FOOTNOTEEverett1999103-184">[171]</a> In MacDonald's opinion, the lyric is "at once communal and personal ... [and] meant as a gesture of inclusivity; everyone could join in."<a href="#cite_note-FOOTNOTEMacDonald2005247-185">[172]</a> Everett comments that the track's use of a <a href="/wiki/Major_and_minor" title="Major and minor">major</a> key <a href="/wiki/Cadence_(music)" class="mw-redirect" title="Cadence (music)">double-plagal cadence</a> became commonplace in pop music following the release of Sgt. Pepper.<a href="#cite_note-FOOTNOTEEverett1999103-184">[171]</a> <div class="mw-heading mw-heading4"><h4 id=""Lucy_in_the_Sky_with_Diamonds"">"Lucy in the Sky with Diamonds"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=13" title="Edit section: "Lucy in the Sky with Diamonds"">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:The_first_18_seconds_of_%22Lucy_in_the_Sky_with_Diamonds%22_by_the_Beatles_1967.ogg" title="File:The first 18 seconds of "Lucy in the Sky with Diamonds" by the Beatles 1967.ogg">The beginning of "Lucy in the Sky with Diamonds"</a></div> <div><audio id="mwe_player_1" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="19" data-mwtitle="The_first_18_seconds_of_"Lucy_in_the_Sky_with_Diamonds"_by_the_Beatles_1967.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/7/7e/The_first_18_seconds_of_%22Lucy_in_the_Sky_with_Diamonds%22_by_the_Beatles_1967.ogg" type="audio/ogg; codecs="vorbis"" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/7/7e/The_first_18_seconds_of_%22Lucy_in_the_Sky_with_Diamonds%22_by_the_Beatles_1967.ogg/The_first_18_seconds_of_%22Lucy_in_the_Sky_with_Diamonds%22_by_the_Beatles_1967.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0" /><track src="/w/api.php?action=timedtext&title=File%3AThe_first_18_seconds_of_%22Lucy_in_the_Sky_with_Diamonds%22_by_the_Beatles_1967.ogg&lang=en&trackformat=vtt" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr" /></audio></div> <div class="description">The recording's blend of <a href="/wiki/Tanpura" title="Tanpura">tambura</a> and <a href="/wiki/Lowrey_organ" title="Lowrey organ">Lowrey organ</a> creates what Hannan views as one of the album's "most unusual sound combination[s]".<a href="#cite_note-FOOTNOTEHannan200850-186">[173]</a> Womack describes the combination of these instruments and Lennon's vocals as the Beatles' "most vivid instance of musical timbre".<a href="#cite_note-FOOTNOTEWomack2007172-187">[174]</a></div></div></div></div> <div class="side-box-abovebelow"><hr />Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> Despite widespread suspicion that the title of "<a href="/wiki/Lucy_in_the_Sky_with_Diamonds" title="Lucy in the Sky with Diamonds">Lucy in the Sky with Diamonds</a>" contained a hidden reference to LSD, Lennon insisted that it was derived from a <a href="/wiki/Pastel" title="Pastel">pastel</a> drawing by his four-year-old son <a href="/wiki/Julian_Lennon" title="Julian Lennon">Julian</a>. A hallucinatory chapter from <a href="/wiki/Lewis_Carroll" title="Lewis Carroll">Lewis Carroll</a>'s 1871 novel <a href="/wiki/Through_the_Looking-Glass" title="Through the Looking-Glass">Through the Looking-Glass</a>, a favourite of Lennon's, inspired the song's atmosphere.<a href="#cite_note-188">[175]</a> According to MacDonald, "the lyric explicitly recreates the <a href="/wiki/Psychedelic_experience" title="Psychedelic experience">psychedelic experience</a>".<a href="#cite_note-FOOTNOTEMacDonald2005240-159">[148]</a> The first verse begins with what Womack characterises as "an invitation in the form of an imperative" through the line: "Picture yourself in a boat on a river", and continues with imaginative imagery, including "tangerine trees", "rocking horse people" and "newspaper taxis".<a href="#cite_note-FOOTNOTEWomack2007172-187">[174]</a> The musical backing includes a phrase played by McCartney on a Lowrey organ, treated with ADT to sound like a <a href="/wiki/Celesta" title="Celesta">celeste</a>,<a href="#cite_note-FOOTNOTEHertsgaard1996215-189">[176]</a> and tambura drone.<a href="#cite_note-FOOTNOTEWomack2007172-187">[174]</a> Harrison also contributed a lead guitar part that doubles Lennon's vocal over the verses in the style of a <a href="/wiki/Sarangi" title="Sarangi">sarangi</a> player accompanying an Indian <a href="/wiki/Khyal" title="Khyal">khyal</a> singer.<a href="#cite_note-FOOTNOTELavezzoli2006179–80-190">[177]</a><a href="#cite_note-FOOTNOTEThe_Beatles2000243-114">[104]</a> The music critic <a href="/wiki/Tim_Riley_(music_critic)" title="Tim Riley (music critic)">Tim Riley</a> identifies the track as a moment "in the album, [where] the material world is completely clouded in the mythical by both text and musical atmosphere".<a href="#cite_note-FOOTNOTERiley2002216-191">[178]</a> <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading4"><h4 id=""Getting_Better"">"Getting Better"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=14" title="Edit section: "Getting Better"">edit</a>]</div> MacDonald considers "<a href="/wiki/Getting_Better" title="Getting Better">Getting Better</a>" to contain "the most ebullient performance" on Sgt. Pepper.<a href="#cite_note-FOOTNOTEMacDonald2005241-192">[179]</a> Womack credits the track's "driving rock sound" with distinguishing it from the album's overtly psychedelic material; its lyrics inspire the listener "to usurp the past by living well and flourishing in the present".<a href="#cite_note-FOOTNOTEWomack2007172-187">[174]</a> He cites it as a strong example of Lennon and McCartney's collaborative songwriting, particularly Lennon's addition of the line "It can't get no worse",<a href="#cite_note-FOOTNOTEHertsgaard1996216-193">[180]</a> which serves as a "sarcastic rejoinder" to McCartney's chorus: "It's getting better all the time".<a href="#cite_note-FOOTNOTEWomack2007173-194">[181]</a> Lennon's contribution to the lyric also includes a confessional regarding his having been violent with female companions: "I used to be cruel to my woman".<a href="#cite_note-FOOTNOTEWomack2007173-194">[181]</a> In Womack's opinion, the song encourages the listener to follow the speaker's example and "alter their own angst-ridden ways": "Man I was mean, but I'm changing my scene and I'm doing the best that I can."<a href="#cite_note-FOOTNOTEWomack2007173-194">[181]</a> <div class="mw-heading mw-heading4"><h4 id=""Fixing_a_Hole"">"Fixing a Hole"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=15" title="Edit section: "Fixing a Hole"">edit</a>]</div> "<a href="/wiki/Fixing_a_Hole" title="Fixing a Hole">Fixing a Hole</a>" deals with McCartney's desire to let his mind wander freely and to express his creativity without the burden of self-conscious insecurities.<a href="#cite_note-FOOTNOTEMiles1997314–15-195">[182]</a><a href="#cite_note-197">[nb 14]</a> Womack interprets the lyric as "the speaker's search for identity among the crowd", in particular the "quests for consciousness and connection" that differentiate individuals from society as a whole.<a href="#cite_note-FOOTNOTEWomack2007173-194">[181]</a> MacDonald characterises it as a "distracted and introverted track", during which McCartney forgoes his "usual smooth design" in favour of "something more preoccupied".<a href="#cite_note-FOOTNOTEMacDonald2005236-198">[184]</a> He cites Harrison's electric guitar solo as serving the track well, capturing its mood by conveying detachment.<a href="#cite_note-FOOTNOTEMacDonald2005236-198">[184]</a> Womack notes McCartney's adaptation of the lyric "a hole in the roof where the rain leaks in" from <a href="/wiki/Elvis_Presley" title="Elvis Presley">Elvis Presley</a>'s "<a href="/wiki/We%27re_Gonna_Move" title="We're Gonna Move">We're Gonna Move</a>".<a href="#cite_note-FOOTNOTEWomack2007106–07-199">[185]</a> <div class="mw-heading mw-heading4"><h4 id=""She's_Leaving_Home"">"She's Leaving Home"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=16" title="Edit section: "She's Leaving Home"">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Affiche_MrKite.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/82/Affiche_MrKite.jpg/180px-Affiche_MrKite.jpg" decoding="async" width="180" height="380" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/82/Affiche_MrKite.jpg/270px-Affiche_MrKite.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/82/Affiche_MrKite.jpg/360px-Affiche_MrKite.jpg 2x" data-file-width="672" data-file-height="1417" /></a><figcaption>The <a href="/wiki/Pablo_Fanque" title="Pablo Fanque">Pablo Fanque</a> Circus Royal poster from 1843 that inspired Lennon's lyrics to "Being for the Benefit of Mr. Kite!"</figcaption></figure> In Everett's view, the lyrics to "<a href="/wiki/She%27s_Leaving_Home" title="She's Leaving Home">She's Leaving Home</a>" address the problem of alienation "between disagreeing peoples", particularly those distanced from each other by the <a href="/wiki/Generation_gap" title="Generation gap">generation gap</a>.<a href="#cite_note-FOOTNOTEEverett1999107-200">[186]</a> McCartney's narrative details the plight of a young woman escaping the control of her parents, and was inspired by a piece about teenage runaways published in the <a href="/wiki/Daily_Mail" title="Daily Mail">Daily Mail</a>.<a href="#cite_note-FOOTNOTEEverett1999108-201">[187]</a> Lennon supplies a supporting vocal that conveys the parents' anguish and confusion.<a href="#cite_note-FOOTNOTEHertsgaard1996217–18-202">[188]</a> It is the first track on Sgt. Pepper that eschews the use of guitars and drums, featuring only a string <a href="/wiki/Nonet_(music)" title="Nonet (music)">nonet</a> with a harp.<a href="#cite_note-FOOTNOTEMoore199737-203">[189]</a><a href="#cite_note-207">[nb 15]</a> Music historian Doyle Greene views it as the first of the album's songs to address "the crisis of middle-class life in the late 1960s" and comments on its surprisingly conservative sentiments, given McCartney's absorption in the London avant-garde scene.<a href="#cite_note-FOOTNOTEGreene201626-208">[193]</a> <div class="mw-heading mw-heading4"><h4 id=""Being_for_the_Benefit_of_Mr._Kite!"">"Being for the Benefit of Mr. Kite!"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=17" title="Edit section: "Being for the Benefit of Mr. Kite!"">edit</a>]</div> Lennon adapted the lyrics for "<a href="/wiki/Being_for_the_Benefit_of_Mr._Kite!" title="Being for the Benefit of Mr. Kite!">Being for the Benefit of Mr. Kite!</a>" from an 1843 poster for <a href="/wiki/Pablo_Fanque" title="Pablo Fanque">Pablo Fanque</a>'s circus that he purchased at an antique shop in <a href="/wiki/Kent" title="Kent">Kent</a> on the day of filming the <a href="/wiki/Music_video" title="Music video">promotional film</a> for "Strawberry Fields Forever".<a href="#cite_note-FOOTNOTEMacDonald2005237–38-209">[194]</a> Womack views the track as an effective blending of a print source and music,<a href="#cite_note-FOOTNOTEWomack2007175-210">[195]</a> while MacDonald describes it as "a spontaneous expression of its author's playful hedonism".<a href="#cite_note-FOOTNOTEMacDonald2005238-211">[196]</a> Tasked by Lennon to evoke a circus atmosphere so vivid that he could "smell the sawdust", Martin and Emerick created a <a href="/wiki/Sound_collage" title="Sound collage">sound collage</a> comprising randomly assembled recordings of harmoniums, harmonicas and <a href="/wiki/Calliope_(music)" title="Calliope (music)">calliopes</a>.<a href="#cite_note-212">[197]</a> Everett says that the track's use of Edwardian imagery thematically links it with the album's title song.<a href="#cite_note-FOOTNOTEEverett1999110-213">[198]</a> Gould also views "Mr. Kite!" as a return to the LP's opening motif, albeit that of show business and with the focus now on performers and a show in a radically different setting.<a href="#cite_note-FOOTNOTEGould2007404-214">[199]</a><a href="#cite_note-216">[nb 16]</a> <div class="mw-heading mw-heading3"><h3 id="Side_two">Side two</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=18" title="Edit section: Side two">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id=""Within_You_Without_You"">"Within You Without You"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=19" title="Edit section: "Within You Without You"">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> We're not trying to outwit the public. The whole idea is to try a little bit to lead people into different tastes.<a href="#cite_note-FOOTNOTERodriguez2012210-217">[201]</a> </blockquote> <cite class="left-aligned" style="">– <a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a>, 1967</cite> </div> Harrison's <a href="/wiki/Hindustani_classical_music" title="Hindustani classical music">Hindustani classical music</a>-inspired "<a href="/wiki/Within_You_Without_You" title="Within You Without You">Within You Without You</a>" reflects his immersion in the teachings of the Hindu <a href="/wiki/Vedas" title="Vedas">Vedas</a>, while its musical form and Indian instrumentation, such as sitar, <a href="/wiki/Tabla" title="Tabla">tabla</a>, <a href="/wiki/Dilruba" title="Dilruba">dilrubas</a> and tamburas, recalls the Hindu devotional tradition known as <a href="/wiki/Bhajan" title="Bhajan">bhajan</a>.<a href="#cite_note-FOOTNOTELavezzoli2006177–78-218">[202]</a> Harrison recorded the song with <a href="/wiki/British_Indian" class="mw-redirect" title="British Indian">London-based Indian</a> musicians from the <a href="/wiki/Asian_Music_Circle" title="Asian Music Circle">Asian Music Circle</a>; none of the other Beatles played on the recording.<a href="#cite_note-219">[203]</a> He and Martin then worked on a Western string arrangement that imitated the slides and bends typical of Indian music.<a href="#cite_note-FOOTNOTEIngham2006199-220">[204]</a><a href="#cite_note-FOOTNOTEEverett1999112-221">[205]</a> The song's pitch is derived from the eastern <a href="/wiki/Khamaj" title="Khamaj">Khamaj</a> scale, which is akin to the <a href="/wiki/Mixolydian_mode" title="Mixolydian mode">Mixolydian mode</a> in the West.<a href="#cite_note-FOOTNOTEEverett1999112-221">[205]</a> MacDonald regards "Within You Without You" as "the most distant departure from the staple Beatles sound in their discography", and a work that represents the "conscience" of the LP through the lyrics' rejection of Western materialism.<a href="#cite_note-FOOTNOTEMacDonald2005243–44-222">[206]</a> Womack calls it "quite arguably, the album's ethical soul" and views the line "With our love we could save the world" as a concise reflection of the Beatles' idealism that soon inspired the Summer of Love.<a href="#cite_note-FOOTNOTEWomack2007176-223">[207]</a> The track ends with a burst of laughter gleaned from a tape in the EMI archive;<a href="#cite_note-FOOTNOTELewisohn2010251-136">[126]</a> some listeners interpreted this as a mockery of the song, but Harrison explained: "It's a release after five minutes of sad music ... You were supposed to hear the audience anyway, as they listen to Sergeant Pepper's Show. That was the style of the album."<a href="#cite_note-FOOTNOTEDavies2009321-224">[208]</a> <div class="mw-heading mw-heading4"><h4 id=""When_I'm_Sixty-Four"">"When I'm Sixty-Four"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=20" title="Edit section: "When I'm Sixty-Four"">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:%22When_I%27m_Sixty-Four%22_by_the_Beatles_1967.ogg" title="File:"When I'm Sixty-Four" by the Beatles 1967.ogg">"When I'm Sixty-Four"</a></div> <div><audio id="mwe_player_2" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="15" data-mwtitle=""When_I'm_Sixty-Four"_by_the_Beatles_1967.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/9/94/%22When_I%27m_Sixty-Four%22_by_the_Beatles_1967.ogg" type="audio/ogg; codecs="vorbis"" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/9/94/%22When_I%27m_Sixty-Four%22_by_the_Beatles_1967.ogg/%22When_I%27m_Sixty-Four%22_by_the_Beatles_1967.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0" /></audio></div> <div class="description">Hannan writes: "The rich timbres of the clarinets give the mix a fuller, fatter sound than many of the other tracks on the album."<a href="#cite_note-FOOTNOTEHannan200856-225">[209]</a></div></div></div></div> <div class="side-box-abovebelow"><hr />Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> MacDonald characterises McCartney's "<a href="/wiki/When_I%27m_Sixty-Four" title="When I'm Sixty-Four">When I'm Sixty-Four</a>" as a song "aimed chiefly at parents", borrowing heavily from the English music hall style of <a href="/wiki/George_Formby,_Sr." class="mw-redirect" title="George Formby, Sr.">George Formby</a>, while invoking images of the illustrator <a href="/wiki/Donald_McGill" title="Donald McGill">Donald McGill</a>'s seaside postcards.<a href="#cite_note-FOOTNOTEMacDonald2005220–21-226">[210]</a> Its sparse arrangement includes clarinets, chimes and piano.<a href="#cite_note-FOOTNOTEMacDonald2005220-227">[211]</a> Moore views the song as a synthesis of <a href="/wiki/Ragtime" title="Ragtime">ragtime</a> and pop, adding that its position following "Within You Without You" – a blend of Indian classical music and pop – demonstrates the diversity of the album's material.<a href="#cite_note-FOOTNOTEMoore199747-228">[212]</a> He says the music hall atmosphere is reinforced by McCartney's vocal delivery and the recording's use of <a href="/wiki/Chromaticism" title="Chromaticism">chromaticism</a>, a harmonic pattern that can be traced to <a href="/wiki/Scott_Joplin" title="Scott Joplin">Scott Joplin</a>'s "<a href="/wiki/The_Ragtime_Dance" title="The Ragtime Dance">The Ragtime Dance</a>" and "<a href="/wiki/The_Blue_Danube" title="The Blue Danube">The Blue Danube</a>" by <a href="/wiki/Johann_Strauss_II" title="Johann Strauss II">Johann Strauss</a>.<a href="#cite_note-FOOTNOTEMoore199746-229">[213]</a> Varispeeding was used on the track, raising its pitch by a <a href="/wiki/Semitone" title="Semitone">semitone</a> in an attempt to make McCartney sound younger.<a href="#cite_note-FOOTNOTEEmerickMassey2006137-230">[214]</a> Everett comments that the lyric's protagonist is sometimes associated with the Lonely Hearts Club Band, but in his opinion the song is thematically unconnected to the others on the album.<a href="#cite_note-FOOTNOTEEverett1999113-231">[215]</a> <div class="mw-heading mw-heading4"><h4 id=""Lovely_Rita"">"Lovely Rita"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=21" title="Edit section: "Lovely Rita"">edit</a>]</div> Womack describes "<a href="/wiki/Lovely_Rita" title="Lovely Rita">Lovely Rita</a>" as a work of "full-tilt psychedelia" that contrasts sharply with the preceding track.<a href="#cite_note-FOOTNOTEWomack2007177-232">[216]</a> Citing McCartney's recollection that he drew inspiration from learning that the American term for a female <a href="/wiki/Traffic_warden" class="mw-redirect" title="Traffic warden">traffic warden</a> was a meter maid, Gould deems it a celebration of an encounter that evokes <a href="/wiki/Swinging_London" class="mw-redirect" title="Swinging London">Swinging London</a> and the contemporaneous chic for military-style uniforms.<a href="#cite_note-FOOTNOTEGould2007409-233">[217]</a> MacDonald regards the song as a "satire on authority" that is "imbued with an exuberant interest in life that lifts the spirits, dispersing self-absorption".<a href="#cite_note-FOOTNOTEMacDonald2005239-234">[218]</a> The arrangement includes a quartet of <a href="/wiki/Comb_and_paper" title="Comb and paper">comb-and-paper</a> <a href="/wiki/Kazoo" title="Kazoo">kazoos</a>,<a href="#cite_note-FOOTNOTEMacDonald2005239-234">[218]</a> a piano solo by Martin, and a coda in which the Beatles indulge in panting, groaning and other vocalised sounds.<a href="#cite_note-FOOTNOTELewisohn2005101,_104-235">[219]</a> In Gould's view, the track represents "the show-stopper in the Pepper Band's repertoire: a funny, sexy, extroverted song that comes closer to the spirit of rock 'n' roll than anything else on the album".<a href="#cite_note-FOOTNOTEGould2007408-236">[220]</a> <div class="mw-heading mw-heading4"><h4 id=""Good_Morning_Good_Morning"">"Good Morning Good Morning"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=22" title="Edit section: "Good Morning Good Morning"">edit</a>]</div> Lennon was inspired to write "<a href="/wiki/Good_Morning_Good_Morning" title="Good Morning Good Morning">Good Morning Good Morning</a>" after watching a television commercial for <a href="/wiki/Kellogg%27s" title="Kellogg's">Kellogg's</a> Corn Flakes, the <a href="/wiki/Jingle" title="Jingle">jingle</a> from which he adapted for the song's <a href="/wiki/Refrain" title="Refrain">refrain</a>. The track uses the bluesy Mixolydian mode in A, which Everett credits with "perfectly express[ing] Lennon's grievance against complacency".<a href="#cite_note-237">[221]</a> According to Greene, the song contrasts sharply with "She's Leaving Home" by providing "the more 'avant-garde' subversive study of suburban life".<a href="#cite_note-FOOTNOTEGreene201626–27-238">[222]</a> The <a href="/wiki/Time_signature" title="Time signature">time signature</a> varies across 5/4, 3/4 and 4/4,<a href="#cite_note-FOOTNOTEWomack2007177–78-239">[223]</a> while the arrangement includes a horn section comprising members of <a href="/wiki/Sounds_Incorporated" title="Sounds Incorporated">Sounds Inc.</a><a href="#cite_note-FOOTNOTEEverett1999114–15-240">[224]</a> MacDonald highlights the "rollicking" brass score, Starr's drumming and McCartney's "coruscating pseudo-Indian guitar solo" among the elements that convey a sense of aggression on a track he deems a "disgusted canter through the muck, mayhem, and mundanity of the human farmyard".<a href="#cite_note-FOOTNOTEMacDonald2005235-241">[225]</a> A series of animal noises appear during the <a href="/wiki/Fade_(audio_engineering)" title="Fade (audio engineering)">fade-out</a> that are sequenced – at Lennon's request – so that each successive animal could conceivably scare or devour the preceding one.<a href="#cite_note-FOOTNOTEEverett1999115-242">[226]</a> The sound of a chicken clucking overlaps with a stray guitar note at the start of the next track,<a href="#cite_note-FOOTNOTEHertsgaard1996220-243">[227]</a> creating a seamless transition between the two songs.<a href="#cite_note-FOOTNOTESchaffner197880-244">[228]</a> <div class="mw-heading mw-heading4"><h4 id=""Sgt._Pepper's_Lonely_Hearts_Club_Band_(Reprise)"">"Sgt. Pepper's Lonely Hearts Club Band (Reprise)"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=23" title="Edit section: "Sgt. Pepper's Lonely Hearts Club Band (Reprise)"">edit</a>]</div> "<a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(song)#Reprise" title="Sgt. Pepper's Lonely Hearts Club Band (song)">Sgt. Pepper's Lonely Hearts Club Band (Reprise)</a>" follows as a segue to the album's finale. The hard-rocking song was written after <a href="/wiki/Neil_Aspinall" title="Neil Aspinall">Neil Aspinall</a>, the Beatles' road manager, suggested that since "Sgt. Pepper" opened the album, the fictional band should make an appearance near the end.<a href="#cite_note-FOOTNOTEMacDonald2005248-245">[229]</a> Sung by all four Beatles,<a href="#cite_note-FOOTNOTELewisohn2005107-246">[230]</a> the <a href="/wiki/Reprise" title="Reprise">reprise</a> omits the brass section from the title track and has a faster tempo.<a href="#cite_note-FOOTNOTEWomack2007178-247">[231]</a> With Harrison on lead guitar, it serves as a rare example from the Sgt. Pepper sessions where the group taped a basic track live with their usual stage instrumentation.<a href="#cite_note-FOOTNOTEWinn200999-248">[232]</a> MacDonald finds the Beatles' excitement tangibly translated on the recording,<a href="#cite_note-FOOTNOTEMacDonald2005248-245">[229]</a> which is again augmented with ambient crowd noise.<a href="#cite_note-FOOTNOTEWinn200999-248">[232]</a> <div class="mw-heading mw-heading4"><h4 id=""A_Day_in_the_Life"">"A Day in the Life"</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=24" title="Edit section: "A Day in the Life"">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:The_%22Dream_Sequence%22_from_%22A_Day_in_the_Life%22_by_the_Beatles_1967.ogg" title="File:The "Dream Sequence" from "A Day in the Life" by the Beatles 1967.ogg">The "dream sequence" from "A Day in the Life"</a></div> <div><audio id="mwe_player_3" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="30" data-mwtitle="The_"Dream_Sequence"_from_"A_Day_in_the_Life"_by_the_Beatles_1967.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/b/bf/The_%22Dream_Sequence%22_from_%22A_Day_in_the_Life%22_by_the_Beatles_1967.ogg" type="audio/ogg; codecs="vorbis"" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/b/bf/The_%22Dream_Sequence%22_from_%22A_Day_in_the_Life%22_by_the_Beatles_1967.ogg/The_%22Dream_Sequence%22_from_%22A_Day_in_the_Life%22_by_the_Beatles_1967.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0" /><track src="/w/api.php?action=timedtext&title=File%3AThe_%22Dream_Sequence%22_from_%22A_Day_in_the_Life%22_by_the_Beatles_1967.ogg&lang=en&trackformat=vtt" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr" /></audio></div> <div class="description">Womack describes the "sarcastic brass retort" that ends the sequence as the "most decisive moment" on Sgt. Pepper.<a href="#cite_note-FOOTNOTEWomack2007181-249">[233]</a></div></div></div></div> <div class="side-box-abovebelow"><hr />Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> The last chord of the "Sgt. Pepper" reprise segues amid audience applause to acoustic guitar strumming and the start of what Moore calls "one of the most harrowing songs ever written".<a href="#cite_note-FOOTNOTEMoore199752-250">[234]</a> "<a href="/wiki/A_Day_in_the_Life" title="A Day in the Life">A Day in the Life</a>" consists of four verses by Lennon, a bridge, two <a href="/wiki/Aleatoricism" title="Aleatoricism">aleatoric</a> orchestral <a href="/wiki/Crescendo" class="mw-redirect" title="Crescendo">crescendos</a>, and an interpolated middle part written and sung by McCartney. The first crescendo serves as a segue between the third verse and the middle part, leading to a bridge known as the "dream sequence".<a href="#cite_note-FOOTNOTEMoore199752-250">[234]</a> Lennon drew inspiration for the lyrics from a Daily Mail report on potholes in the Lancashire town of <a href="/wiki/Blackburn" title="Blackburn">Blackburn</a> and an article in the same newspaper relating to the death of Beatles friend and <a href="/wiki/Guinness" title="Guinness">Guinness</a> heir <a href="/wiki/Tara_Browne" title="Tara Browne">Tara Browne</a>.<a href="#cite_note-FOOTNOTEDavies2009276-251">[235]</a><a href="#cite_note-FOOTNOTEMacDonald2005229-252">[236]</a> According to Martin, Lennon and McCartney were equally responsible for the decision to use an orchestra.<a href="#cite_note-FOOTNOTEEverett1999118-253">[237]</a> Martin said that Lennon requested "a tremendous build-up, from nothing up to something absolutely like the end of the world",<a href="#cite_note-FOOTNOTEMartin1994209-254">[238]</a> while McCartney realised this idea by drawing inspiration from Cage and Stockhausen.<a href="#cite_note-FOOTNOTEMartinPearson199456-255">[239]</a> Womack describes Starr's performance as "one of his most inventive drum parts on record".<a href="#cite_note-FOOTNOTEWomack2007179-256">[240]</a> The thunderous piano chord that concludes the track and the album was produced by recording Lennon, Starr, McCartney and Evans simultaneously sounding an E major chord on three separate pianos; Martin then augmented the sound with a harmonium.<a href="#cite_note-FOOTNOTEWomack2007180-257">[241]</a> Riley characterises the song as a "postlude to the Pepper fantasy ... that sets all the other songs in perspective", while shattering the illusion of "Pepperland" by introducing the "parallel universe of everyday life".<a href="#cite_note-FOOTNOTERiley2002225-258">[242]</a> MacDonald describes the track as "a song not of disillusionment with life itself, but of disenchantment with the limits of mundane perception".<a href="#cite_note-FOOTNOTEMacDonald2005229-252">[236]</a> As "A Day in the Life" ends, a 15-<a href="/wiki/Kilohertz" class="mw-redirect" title="Kilohertz">kilohertz</a> high-frequency tone is heard; it was added at Lennon's suggestion with the intention that it would annoy dogs.<a href="#cite_note-FOOTNOTEWomack2007182-259">[243]</a><a href="#cite_note-261">[nb 17]</a> This is followed by the sounds of backwards laughter and random gibberish that were pressed into the record's concentric run-out groove, which loops back into itself endlessly on any record player not equipped with an automatic needle return. Lennon can be heard saying, "Been so high", followed by McCartney's response: "Never could be any other way."<a href="#cite_note-FOOTNOTEEverett1999122-262">[245]</a><a href="#cite_note-265">[nb 18]</a> <div class="mw-heading mw-heading3"><h3 id="Concept">Concept</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=25" title="Edit section: Concept">edit</a>]</div> According to Womack, with Sgt. Pepper's opening song "the Beatles manufacture an artificial textual space in which to stage their art."<a href="#cite_note-FOOTNOTEWomack2007170-129">[119]</a> The reprise of the title song appears on side two, just before the climactic "A Day in the Life", creating a <a href="/wiki/Framing_device" class="mw-redirect" title="Framing device">framing device</a>.<a href="#cite_note-FOOTNOTEMacDonald2005248-245">[229]</a> In Lennon and Starr's view, only the first two songs and the reprise are conceptually connected.<a href="#cite_note-FOOTNOTEEverett199999-26">[25]</a> In a 1980 interview, Lennon stated that his compositions had nothing to do with the Sgt. Pepper concept, adding: "Sgt. Pepper is called the first concept album, but it doesn't go anywhere ... it works because we said it worked."<a href="#cite_note-FOOTNOTESheff1981197-266">[248]</a> In MacFarlane's view, the Beatles "chose to employ an overarching thematic concept in an apparent effort to unify individual tracks".<a href="#cite_note-FOOTNOTEMacFarlane200833-267">[249]</a> Everett contends that the album's "musical unity results ... from motivic relationships between key areas, particularly involving C, E, and G".<a href="#cite_note-FOOTNOTEEverett1999122-262">[245]</a> Moore argues that the recording's "use of common harmonic patterns and falling melodies" contributes to its overall cohesiveness, which he describes as narrative unity, but not necessarily conceptual unity.<a href="#cite_note-FOOTNOTEMoore2008144-268">[250]</a> MacFarlane agrees, suggesting that with the exception of the reprise, the album lacks the melodic and harmonic continuity that is consistent with cyclic form.<a href="#cite_note-FOOTNOTEMacFarlane200833,_37-269">[251]</a> In a 1995 interview, McCartney recalled that the Liverpool childhood theme behind the first three songs recorded during the Sgt. Pepper sessions was never formalised as an album-wide concept, but he said that it served as a "device" or underlying theme throughout the project.<a href="#cite_note-FOOTNOTEMacDonald2005215-41">[38]</a> MacDonald identifies allusions to the Beatles' upbringing throughout Sgt. Pepper that are "too persuasive to ignore". These include evocations of the postwar Northern music-hall tradition, references to Northern industrial towns and Liverpool schooldays, Lewis Carroll-inspired imagery (acknowledging Lennon's favourite childhood reading), the use of brass instrumentation in the style of park bandstand performances (familiar to McCartney through his visits to <a href="/wiki/Sefton_Park" title="Sefton Park">Sefton Park</a>),<a href="#cite_note-Irvin/Mojo-270">[252]</a> and the album cover's flower arrangement akin to a <a href="/wiki/Floral_clock" title="Floral clock">floral clock</a>.<a href="#cite_note-FOOTNOTEMacDonald2005215fn-271">[253]</a> Norman partly agrees; he says that "In many ways, the album carried on the childhood and Liverpool theme with its circus and fairground effects, its pervading atmosphere of the traditional northern music hall that was in both its main creators' [McCartney and Lennon's] blood."<a href="#cite_note-FOOTNOTENorman2016261-272">[254]</a><a href="#cite_note-273">[nb 19]</a> <div class="mw-heading mw-heading2"><h2 id="Packaging">Packaging</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=26" title="Edit section: Packaging">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Front_cover">Front cover</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=27" title="Edit section: Front cover">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/List_of_images_on_the_cover_of_Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band">List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band</a></div> Pop artists <a href="/wiki/Peter_Blake_(artist)" title="Peter Blake (artist)">Peter Blake</a> and <a href="/wiki/Jann_Haworth" title="Jann Haworth">Jann Haworth</a> designed the album cover for Sgt. Pepper.<a href="#cite_note-FOOTNOTEInglis200892–95-274">[255]</a> Blake recalled of the concept: "I offered the idea that if they had just played a concert in the park, the cover could be a photograph of the group just after the concert with the crowd who had just watched the concert, watching them." He added, "If we did this by using cardboard cut-outs, it could be a magical crowd of whomever they wanted."<a href="#cite_note-Humphries/MojoSpecial-275">[256]</a> According to McCartney, he himself provided the ink drawing on which Blake and Haworth based the design.<a href="#cite_note-276">[257]</a><a href="#cite_note-278">[nb 20]</a> The cover was <a href="/wiki/Art_director" title="Art director">art-directed</a> by <a href="/wiki/Robert_Fraser_(art_dealer)" title="Robert Fraser (art dealer)">Robert Fraser</a> and photographed by <a href="/wiki/Michael_Cooper_(photographer)" title="Michael Cooper (photographer)">Michael Cooper</a>.<a href="#cite_note-FOOTNOTEInglis200892–95-274">[255]</a> The front of the LP includes a colourful collage featuring the Beatles in costume as Sgt. Pepper's Lonely Hearts Club Band, standing with a group of life-sized cardboard cut-outs of famous people.<a href="#cite_note-279">[259]</a> Each of the Beatles sports a heavy moustache, after Harrison had first grown one as a disguise during his visit to India.<a href="#cite_note-FOOTNOTEEverett199971-16">[15]</a> The moustaches reflected the growing influence of <a href="/wiki/Hippie" title="Hippie">hippie</a> style trends, while the group's clothing, in Gould's description, "spoofed the vogue in Britain for military fashions".<a href="#cite_note-280">[260]</a> The centre of the cover depicts the Beatles standing behind a <a href="/wiki/Bass_drum" title="Bass drum">bass drum</a> on which fairground artist Joe Ephgrave painted the words of the album's title. In front of the drum is an arrangement of flowers that spell out "Beatles".<a href="#cite_note-FOOTNOTEInglis200895-281">[261]</a> The group are dressed in satin <a href="/wiki/Day-glo" class="mw-redirect" title="Day-glo">day-glo</a>-coloured military-style uniforms that were manufactured by the London theatrical costumer M. Berman Ltd. Next to the Beatles are <a href="/wiki/Wax_sculpture" title="Wax sculpture">wax sculptures</a> of the band members in their suits and moptop haircuts from the <a href="/wiki/Beatlemania" title="Beatlemania">Beatlemania</a> era, borrowed from <a href="/wiki/Madame_Tussauds" title="Madame Tussauds">Madame Tussauds</a>.<a href="#cite_note-282">[262]</a> Amid the greenery are figurines of the Eastern deities <a href="/wiki/Buddha" class="mw-redirect" title="Buddha">Buddha</a> and <a href="/wiki/Lakshmi" title="Lakshmi">Lakshmi</a>.<a href="#cite_note-FOOTNOTEReck200868-283">[263]</a> The cover collage includes 57 photographs and nine <a href="/wiki/Wax_museum" title="Wax museum">waxworks</a>.<a href="#cite_note-FOOTNOTEInglis200893-284">[264]</a> Author Ian Inglis views the tableau "as a guidebook to the cultural topography of the decade" that conveyed the increasing democratisation of society whereby "traditional barriers between 'high' and 'low' culture were being eroded",<a href="#cite_note-FOOTNOTEInglis200893-284">[264]</a> while Case cites it as the most explicit demonstration of pop culture's "continuity with the avant-gardes of yesteryear".<a href="#cite_note-FOOTNOTECase201046-285">[265]</a><a href="#cite_note-286">[nb 21]</a> The final grouping included Stockhausen and Carroll, along with singers such as <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> and <a href="/wiki/Bobby_Breen" title="Bobby Breen">Bobby Breen</a>; film stars <a href="/wiki/Marlon_Brando" title="Marlon Brando">Marlon Brando</a>, <a href="/wiki/Tyrone_Power" title="Tyrone Power">Tyrone Power</a>, <a href="/wiki/Tony_Curtis" title="Tony Curtis">Tony Curtis</a>, <a href="/wiki/Marlene_Dietrich" title="Marlene Dietrich">Marlene Dietrich</a>, <a href="/wiki/Mae_West" title="Mae West">Mae West</a> and <a href="/wiki/Marilyn_Monroe" title="Marilyn Monroe">Marilyn Monroe</a>; artist <a href="/wiki/Aubrey_Beardsley" title="Aubrey Beardsley">Aubrey Beardsley</a>; boxer <a href="/wiki/Sonny_Liston" title="Sonny Liston">Sonny Liston</a> and footballer <a href="/wiki/Albert_Stubbins" title="Albert Stubbins">Albert Stubbins</a>. Also included were comedians <a href="/wiki/Stan_Laurel" title="Stan Laurel">Stan Laurel</a> and <a href="/wiki/Oliver_Hardy" title="Oliver Hardy">Oliver Hardy</a>; writers <a href="/wiki/H.G._Wells" class="mw-redirect" title="H.G. Wells">H.G. Wells</a>, <a href="/wiki/Oscar_Wilde" title="Oscar Wilde">Oscar Wilde</a> and <a href="/wiki/Dylan_Thomas" title="Dylan Thomas">Dylan Thomas</a>; and the philosophers and scientists <a href="/wiki/Karl_Marx" title="Karl Marx">Karl Marx</a>, <a href="/wiki/Albert_Einstein" title="Albert Einstein">Albert Einstein</a>, <a href="/wiki/Sigmund_Freud" title="Sigmund Freud">Sigmund Freud</a> and <a href="/wiki/Carl_Jung" title="Carl Jung">Carl Jung</a>.<a href="#cite_note-FOOTNOTEInglis200893-284">[264]</a> Harrison chose the <a href="/wiki/Self-Realization_Fellowship" title="Self-Realization Fellowship">Self-Realization Fellowship</a> gurus <a href="/wiki/Mahavatar_Babaji" title="Mahavatar Babaji">Mahavatar Babaji</a>, <a href="/wiki/Lahiri_Mahasaya" title="Lahiri Mahasaya">Lahiri Mahasaya</a>, <a href="/wiki/Sri_Yukteswar" class="mw-redirect" title="Sri Yukteswar">Sri Yukteswar</a> and <a href="/wiki/Paramahansa_Yogananda" title="Paramahansa Yogananda">Paramahansa Yogananda</a>.<a href="#cite_note-FOOTNOTETillery201181-287">[266]</a> <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">The Rolling Stones</a> are represented by a doll wearing a shirt emblazoned with a message of welcome to the band.<a href="#cite_note-FOOTNOTECase201046-285">[265]</a><a href="#cite_note-FOOTNOTESchaffner197885-288">[267]</a> Fearing controversy, EMI rejected Lennon's request for images of <a href="/wiki/Adolf_Hitler" title="Adolf Hitler">Adolf Hitler</a> and <a href="/wiki/Jesus_Christ" class="mw-redirect" title="Jesus Christ">Jesus Christ</a> and Harrison's for <a href="/wiki/Mahatma_Gandhi" title="Mahatma Gandhi">Mahatma Gandhi</a>.<a href="#cite_note-FOOTNOTEClayson2003212-78">[72]</a> When McCartney was asked why the Beatles did not include Elvis Presley among the musical artists, he replied: "Elvis was too important and too far above the rest even to mention."<a href="#cite_note-Fleming/RS-289">[268]</a><a href="#cite_note-FOOTNOTEHarry2002727-290">[269]</a> Starr was the only Beatle who offered no suggestions for the collage, telling Blake, "Whatever the others say is fine by me."<a href="#cite_note-FOOTNOTEInglis200894-291">[270]</a> The final cost for the cover art was nearly £3,000 (equivalent to £69,000 in 2023), an extravagant sum for a time when album covers would typically cost around £50 (equivalent to £1,100 in 2023).<a href="#cite_note-FOOTNOTEInglis200896-292">[271]</a> <div class="mw-heading mw-heading3"><h3 id="Back_cover,_gatefold_and_cut-outs">Back cover, gatefold and cut-outs</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=28" title="Edit section: Back cover, gatefold and cut-outs">edit</a>]</div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Sgtpeppergatefold.jpg" class="mw-file-description"><img alt="A colour image of four men in brightly coloured suits of cyan, magenta, yellow and orange" src="//upload.wikimedia.org/wikipedia/en/thumb/4/44/Sgtpeppergatefold.jpg/305px-Sgtpeppergatefold.jpg" decoding="async" width="305" height="150" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/4/44/Sgtpeppergatefold.jpg 1.5x" data-file-width="424" data-file-height="209" /></a><figcaption>Sgt. Pepper's inner gatefold. McCartney (in blue) wears a badge on his left sleeve that bears the initials O.P.P. McCartney acquired the badge when the Beatles were on tour in Canada;<a href="#cite_note-Fleming/RS-289">[268]</a> the initials stand for "<a href="/wiki/Ontario_Provincial_Police" title="Ontario Provincial Police">Ontario Provincial Police</a>".<a href="#cite_note-FOOTNOTENorman2016405-293">[272]</a><a href="#cite_note-296">[nb 22]</a></figcaption></figure> The 30 March 1967 photo session with Cooper also produced the back cover and the inside <a href="/wiki/Gatefold" title="Gatefold">gatefold</a>, which Inglis describes as conveying "an obvious and immediate warmth ... which distances it from the sterility and artifice typical of such images".<a href="#cite_note-FOOTNOTEInglis200895-281">[261]</a> McCartney recalled the inner-gatefold image as an example of the Beatles' interest in "eye messages", adding: "So with Michael Cooper's inside photo, we all said, 'Now look into this camera and really say I love you! Really try and feel love; really give love through this!' ... [And] if you look at it you'll see the big effort from the eyes."<a href="#cite_note-FOOTNOTEMiles1997344–45-297">[275]</a> In Lennon's description, Cooper's photos of the band showed "two people who are flying [on drugs], and two who aren't".<a href="#cite_note-Fleming/RS-289">[268]</a> The album's lyrics were printed in full on the back cover, the first time this had been done on a rock LP.<a href="#cite_note-298">[276]</a> The record's inner sleeve featured artwork by the Dutch design team <a href="/wiki/The_Fool_(design_collective)" title="The Fool (design collective)">the Fool</a> that eschewed for the first time the standard white paper in favour of an abstract pattern of waves of maroon, red, pink and white.<a href="#cite_note-FOOTNOTEInglis200895-281">[261]</a><a href="#cite_note-300">[nb 23]</a> Included as a bonus gift was a sheet of cardboard cut-outs designed by Blake and Haworth. These consisted of a postcard-sized portrait of Sgt. Pepper (probably based on a photograph of <a href="/wiki/British_Army" title="British Army">British Army</a> officer <a href="/wiki/James_Melville_Babington" title="James Melville Babington">James Melville Babington</a>,<a href="#cite_note-301">[278]</a> but also noted as being similar to a statue from Lennon's house that was used on the front cover), a <a href="/wiki/Fake_moustache" title="Fake moustache">fake moustache</a>, two sets of sergeant stripes, two lapel badges, and a stand-up cut-out of the band in their satin uniforms.<a href="#cite_note-FOOTNOTEInglis200896-292">[271]</a> Moore writes that the inclusion of these items helped fans "pretend to be in the band".<a href="#cite_note-FOOTNOTEMoore199757-302">[279]</a> <div class="mw-heading mw-heading2"><h2 id="Release">Release</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=29" title="Edit section: Release">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Radio_previews_and_launch_party">Radio previews and launch party</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=30" title="Edit section: Radio previews and launch party">edit</a>]</div> The album was previewed on the pirate radio station <a href="/wiki/Wonderful_Radio_London" title="Wonderful Radio London">Radio London</a> on 12 May and officially on the <a href="/wiki/BBC_Light_Programme" title="BBC Light Programme">BBC Light Programme</a>'s show Where It's At, by <a href="/wiki/Kenny_Everett" title="Kenny Everett">Kenny Everett</a>, on 20 May.<a href="#cite_note-FOOTNOTEMiles2001264,_265-303">[280]</a> Everett played the entire album apart from "A Day in the Life".<a href="#cite_note-FOOTNOTEMiles2001265-155">[144]</a> The day before Everett's broadcast, Epstein hosted a launch party for music journalists and disc jockeys at his house in <a href="/wiki/Belgravia" title="Belgravia">Belgravia</a> in central London.<a href="#cite_note-FOOTNOTENorman2008496-304">[281]</a><a href="#cite_note-305">[282]</a> The event was a new initiative in pop promotion and furthered the significance of the album's release.<a href="#cite_note-FOOTNOTEGould2007395-306">[283]</a> <a href="/wiki/Melody_Maker" title="Melody Maker">Melody Maker</a>'s reporter described it as the first "listen-in" and typical of the Beatles' penchant for innovation.<a href="#cite_note-307">[284]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Beatles_%22Sgt_Pepper%22_launch_party_1967.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/0/07/Beatles_%22Sgt_Pepper%22_launch_party_1967.jpg/250px-Beatles_%22Sgt_Pepper%22_launch_party_1967.jpg" decoding="async" width="250" height="191" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/0/07/Beatles_%22Sgt_Pepper%22_launch_party_1967.jpg 1.5x" data-file-width="361" data-file-height="276" /></a><figcaption>The Beatles at the Sgt. Pepper launch party, held at <a href="/wiki/Brian_Epstein" title="Brian Epstein">Brian Epstein</a>'s house on 19 May 1967</figcaption></figure> The party marked the band's first group interaction with the press in close to a year.<a href="#cite_note-Womack/LaunchParty-308">[285]</a><a href="#cite_note-Drummond/NME-309">[286]</a> Norrie Drummond of the <a href="/wiki/NME" title="NME">NME</a> wrote that they had been "virtually incommunicado" over that time, leading a national newspaper to complain that the band were "contemplative, secretive and exclusive".<a href="#cite_note-Drummond/NME-309">[286]</a> Some of the journalists present were shocked by the Beatles' appearance, particularly that of Lennon and Harrison,<a href="#cite_note-FOOTNOTESpitz2005691–92-310">[287]</a> as the band members' bohemian attire contrasted sharply with their former image.<a href="#cite_note-Womack/LaunchParty-308">[285]</a> Music journalist <a href="/wiki/Ray_Coleman" title="Ray Coleman">Ray Coleman</a> recalled that Lennon looked "haggard, old, ill" and clearly under the influence of drugs.<a href="#cite_note-FOOTNOTESpitz2005692-311">[288]</a> Biographer <a href="/wiki/Howard_Sounes" title="Howard Sounes">Howard Sounes</a> likens the Beatles' presence to a gathering of the <a href="/wiki/British_royal_family" title="British royal family">British royal family</a> and highlights a photo from the event that shows Lennon shaking McCartney's hand "in an exaggeratedly congratulatory way, throwing his head back in sarcastic laughter".<a href="#cite_note-FOOTNOTESounes2010176-312">[289]</a> On 26 May, Sgt. Pepper was given a rush-release in the UK, ahead of the scheduled date of 1 June.<a href="#cite_note-FOOTNOTEEverett1999123-313">[290]</a> The band's eighth LP,<a href="#cite_note-FOOTNOTEMoore199719-314">[291]</a> it was the first Beatles album where the track listings were exactly the same for the UK and US versions.<a href="#cite_note-FOOTNOTELewisohn2005114-90">[83]</a> The US release took place on 2 June.<a href="#cite_note-FOOTNOTEEverett1999123-313">[290]</a> <a href="/wiki/Capitol_Records" title="Capitol Records">Capitol Records</a>' advertising for the album emphasised that the Beatles and Sgt. Pepper's band were one and the same.<a href="#cite_note-FOOTNOTERodriguez2012197-315">[292]</a> <div class="mw-heading mw-heading3"><h3 id="Public_reaction">Public reaction</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=31" title="Edit section: Public reaction">edit</a>]</div> Sgt. Pepper was widely perceived by listeners as the soundtrack to the Summer of Love,<a href="#cite_note-FOOTNOTEScapelliti2007104-316">[293]</a><a href="#cite_note-FOOTNOTEIngham200642-317">[294]</a> during a year that author Peter Lavezzoli calls "a watershed moment in the West when the search for <a href="/wiki/Higher_consciousness" title="Higher consciousness">higher consciousness</a> and an alternative world view had reached critical mass".<a href="#cite_note-FOOTNOTELavezzoli20066–7-318">[295]</a> <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a> magazine's <a href="/wiki/Langdon_Winner" title="Langdon Winner">Langdon Winner</a> recalled: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">The closest Western Civilization has come to unity since the <a href="/wiki/Congress_of_Vienna" title="Congress of Vienna">Congress of Vienna</a> in 1815 was the week the Sgt. Pepper album was released. In every city in Europe and America the radio stations played [it] ... and everyone listened ... For a brief while the irreparable fragmented consciousness of the West was unified, at least in the minds of the young.<a href="#cite_note-FOOTNOTERiley2002205-319">[296]</a></blockquote> According to Riley, the album "drew people together through the common experience of pop on a larger scale than ever before".<a href="#cite_note-FOOTNOTERiley2002205–06-320">[297]</a> In MacDonald's description, an "almost religious awe surrounded the LP"; he says that its impact was cross-generational, as "Young and old alike were entranced", and era-defining, in that the "psychic shiver" it inspired across the world was "nothing less than a cinematic dissolve from one Zeitgeist to another". In his view, Sgt. Pepper conveyed the psychedelic experience so effectively to listeners unfamiliar with hallucinogenic drugs that "If such a thing as a cultural '<a href="/wiki/Contact_high" title="Contact high">contact high</a>' is possible, it happened here."<a href="#cite_note-FOOTNOTEMacDonald2005249–50-321">[298]</a><a href="#cite_note-322">[nb 24]</a> Music journalist <a href="/wiki/Mark_Ellen" title="Mark Ellen">Mark Ellen</a>, a teenager in 1967, recalls listening to part of the album at a friend's house and then hearing the rest playing at the next house he visited as if the record was emanating communally from "one giant <a href="/wiki/Dansette" title="Dansette">Dansette</a>". He says the most remarkable thing was its acceptance by adults who had turned against the Beatles when they became "gaunt and enigmatic", and how the group, recast as polished "masters of ceremony", were now "the very family favourites they'd sought to satirise".<a href="#cite_note-FOOTNOTEEllen2002104–05-323">[299]</a><a href="#cite_note-325">[nb 25]</a> Writing in his book Electric Shock, <a href="/wiki/Peter_Doggett" title="Peter Doggett">Peter Doggett</a> describes Sgt. Pepper as "the biggest pop happening" to take place between the Beatles' debut on American television in February 1964 and <a href="/wiki/Murder_of_John_Lennon" title="Murder of John Lennon">Lennon's murder</a> in December 1980,<a href="#cite_note-FOOTNOTEDoggett2015373-326">[301]</a> while Norman writes: "A whole generation, still used to happy landmarks through life, would always remember exactly when and where they first played it ..."<a href="#cite_note-FOOTNOTENorman2008497-327">[302]</a> The album's impact was felt at the <a href="/wiki/Monterey_International_Pop_Festival" title="Monterey International Pop Festival">Monterey International Pop Festival</a>, the second event in the Summer of Love, organised by Taylor and held over 16–18 June in <a href="/wiki/Monterey_County_Fairgrounds" title="Monterey County Fairgrounds">county fairgrounds</a> south of San Francisco.<a href="#cite_note-FOOTNOTEGould2007418–19-328">[303]</a><a href="#cite_note-FOOTNOTEPhilo2015116–17,_119-329">[304]</a> Sgt. Pepper was played in kiosks and stands there, and festival staff wore badges carrying Lennon's lyric "A splendid time is guaranteed for all".<a href="#cite_note-FOOTNOTEPhilo2015119-48">[45]</a> American radio stations interrupted their regular scheduling, playing the album virtually non-stop, often from start to finish.<a href="#cite_note-330">[305]</a> Emphasising its identity as a self-contained work, none of the songs were issued as singles at the time<a href="#cite_note-FOOTNOTESimonelli2013107-331">[306]</a><a href="#cite_note-FOOTNOTESmith200948-332">[307]</a> or available on spin-off <a href="/wiki/Extended_play" title="Extended play">EPs</a>.<a href="#cite_note-FOOTNOTEEllen2002103-333">[308]</a> Instead, the Beatles released "<a href="/wiki/All_You_Need_Is_Love" title="All You Need Is Love">All You Need Is Love</a>" as a single in July, after performing the song on the <a href="/wiki/Our_World_(1967_TV_program)" title="Our World (1967 TV program)">Our World</a> satellite broadcast on 25 June<a href="#cite_note-FOOTNOTEMiles2001270–71-334">[309]</a> before an audience estimated at 400 million.<a href="#cite_note-FOOTNOTEGreene201636-335">[310]</a> According to <a href="/wiki/Sociomusicology" title="Sociomusicology">sociomusicologist</a> <a href="/wiki/Simon_Frith" title="Simon Frith">Simon Frith</a>, the international broadcast served to confirm "the Beatles' evangelical role" amid the public's embrace of Sgt. Pepper.<a href="#cite_note-Frith/HoR-336">[311]</a> In the UK, Our World also quelled the furore that followed McCartney's repeated admission in mid-June that he had taken LSD.<a href="#cite_note-FOOTNOTENorman1996294–95-337">[312]</a> In Norman's description, this admission was indicative of how "invulnerable" McCartney felt after Sgt. Pepper;<a href="#cite_note-FOOTNOTENorman2016280-338">[313]</a> it made the band's drug-taking public knowledge<a href="#cite_note-FOOTNOTEHertsgaard1996196-339">[314]</a> and confirmed the link between the album and drugs.<a href="#cite_note-FOOTNOTEGendron2002215-340">[315]</a><a href="#cite_note-344">[nb 26]</a> <div class="mw-heading mw-heading3"><h3 id="Commercial_performance">Commercial performance</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=32" title="Edit section: Commercial performance">edit</a>]</div> Sgt. Pepper topped the <a href="/wiki/Record_Retailer" title="Record Retailer">Record Retailer</a> albums chart (now the <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a>) for 23 consecutive weeks from 10 June, with a further four weeks at number one in the period through to February 1968.<a href="#cite_note-345">[319]</a> The record sold 250,000 copies in the UK during its first seven days on sale there.<a href="#cite_note-FOOTNOTEEverett1999123-313">[290]</a><a href="#cite_note-349">[nb 27]</a> The album held the number one position on the <a href="/wiki/Billboard_200" title="Billboard 200">Billboard Top LPs</a> chart in the US for 15 weeks, from 1 July to 13 October 1967, and remained in the top 200 for 113 consecutive weeks.<a href="#cite_note-FOOTNOTEHoffmannBailey1990281,_282-350">[323]</a> It also topped charts in many other countries.<a href="#cite_note-FOOTNOTESmith200949-351">[324]</a> With 2.5 million copies sold within three months of its release,<a href="#cite_note-FOOTNOTEFrontani2007147-352">[325]</a> Sgt. Pepper's initial commercial success exceeded that of all previous Beatles albums.<a href="#cite_note-FOOTNOTESpitz2005697-161">[150]</a> In the UK, it was the best-selling album of 1967<a href="#cite_note-Mawer/1967-353">[326]</a> and of the decade.<a href="#cite_note-Mawer/1969-354">[327]</a> According to figures published in 2009 by former Capitol executive David Kronemyer, further to estimates he gave in MuseWire magazine,<a href="#cite_note-355">[328]</a> the album had sold 2,360,423 copies in the US by 31 December 1967 and 3,372,581 copies by the end of the decade.<a href="#cite_note-Kronemyer-356">[329]</a> <div class="mw-heading mw-heading2"><h2 id="Contemporary_critical_reception">Contemporary critical reception</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=33" title="Edit section: Contemporary critical reception">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> Sgt. Pepper's arrival in late spring 1967 came at a most opportune moment in Western cultural history: mainstream journalism had at last warmed to the idea that the "rock" world ... could produce a lasting masterpiece that transcended the genre's lowly origins, while a new and legitimate niche called "rock journalism" was working up its own head of steam ... [E]veryone wanted the Beatles to succeed – and to lead. The wind was at their back, and they knew it.<a href="#cite_note-FOOTNOTERodriguez2012223-357">[330]</a> </blockquote> <cite class="left-aligned" style="">– Beatles biographer Robert Rodriguez, 2012</cite> </div> The release of Sgt. Pepper coincided with a period when, with the advent of dedicated <a href="/wiki/Rock_criticism" class="mw-redirect" title="Rock criticism">rock criticism</a>, commentators sought to recognise artistry in pop music, particularly in the Beatles' work, and identify albums as refined artistic statements.<a href="#cite_note-Hamilton/Slate-358">[331]</a><a href="#cite_note-FOOTNOTERodriguez2012211,_223–24-359">[332]</a> In America, this approach had been heightened by the "Strawberry Fields Forever" / "Penny Lane" single,<a href="#cite_note-FOOTNOTEGendron2002193–94-360">[333]</a> and was also exemplified by <a href="/wiki/Leonard_Bernstein" title="Leonard Bernstein">Leonard Bernstein</a>'s television program <a href="/wiki/Inside_Pop:_The_Rock_Revolution" title="Inside Pop: The Rock Revolution">Inside Pop: The Rock Revolution</a>, broadcast by <a href="/wiki/CBS" title="CBS">CBS</a> in April 1967.<a href="#cite_note-Hamilton/Slate-358">[331]</a> Following the release of the Beatles' single, in author Bernard Gendron's description, a "discursive frenzy" ensued as <a href="/wiki/Time_(magazine)" title="Time (magazine)">Time</a>, <a href="/wiki/Newsweek" title="Newsweek">Newsweek</a> and other publications from the cultural mainstream increasingly voiced their "ecstatic approbation toward the Beatles".<a href="#cite_note-FOOTNOTEGendron2002193–94-360">[333]</a> The vast majority of contemporary reviews of Sgt. Pepper were positive, with the album receiving widespread critical acclaim.<a href="#cite_note-361">[334]</a> Schaffner said that the consensus was aptly summed up by Tom Phillips in <a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a>, when he called the LP "the most ambitious and most successful record album ever issued".<a href="#cite_note-FOOTNOTESchaffner197883-362">[335]</a> Among Britain's pop press, <a href="/wiki/Peter_Jones_(journalist)" title="Peter Jones (journalist)">Peter Jones</a> of <a href="/wiki/Record_Mirror" title="Record Mirror">Record Mirror</a> said the album was "clever and brilliant, from raucous to poignant and back again", while <a href="/wiki/Disc_and_Music_Echo" class="mw-redirect" title="Disc and Music Echo">Disc and Music Echo</a>'s reviewer called it "a beautiful and potent record, unique, clever, and stunning".<a href="#cite_note-FOOTNOTERodriguez2012208-363">[336]</a> In <a href="/wiki/The_Times" title="The Times">The Times</a>, <a href="/wiki/William_Mann_(critic)" title="William Mann (critic)">William Mann</a> described Sgt. Pepper as a "pop music master-class"<a href="#cite_note-FOOTNOTEJulien2008b9-364">[337]</a> and commented that, so considerable were its musical advances, "the only track that would have been conceivable in pop songs five years ago" was "With a Little Help from My Friends".<a href="#cite_note-FOOTNOTEMann200696-365">[338]</a> Having been among the first British critics to fully appreciate Revolver,<a href="#cite_note-FOOTNOTETurner2016262-366">[339]</a> <a href="/wiki/Peter_Clayton" title="Peter Clayton">Peter Clayton</a> of <a href="/wiki/Gramophone_(magazine)" title="Gramophone (magazine)">Gramophone</a> magazine said that the new album was "like nearly everything the Beatles do, bizarre, wonderful, perverse, beautiful, exciting, provocative, exasperating, compassionate and mocking". He found "plenty of electronic gimmickry on the record" before concluding: "but that isn't the heart of the thing. It's the combination of imagination, cheek and skill that make this such a rewarding LP."<a href="#cite_note-367">[340]</a> <a href="/wiki/Wilfrid_Mellers" title="Wilfrid Mellers">Wilfrid Mellers</a>, in his review for <a href="/wiki/New_Statesman" title="New Statesman">New Statesman</a>, praised the album's elevation of pop music to the level of fine art,<a href="#cite_note-FOOTNOTEJulien2008b9-364">[337]</a> while <a href="/wiki/Kenneth_Tynan" title="Kenneth Tynan">Kenneth Tynan</a>, The Times' theatre critic, said it represented "a decisive moment in the history of Western civilisation".<a href="#cite_note-FOOTNOTEMoore199759-368">[341]</a> Newsweek's <a href="/wiki/Jack_Kroll" title="Jack Kroll">Jack Kroll</a> called Sgt. Pepper a "masterpiece" and compared its lyrics with literary works by <a href="/wiki/Edith_Sitwell" title="Edith Sitwell">Edith Sitwell</a>, <a href="/wiki/Harold_Pinter" title="Harold Pinter">Harold Pinter</a> and <a href="/wiki/T._S._Eliot" title="T. S. Eliot">T. S. Eliot</a>, particularly "A Day in the Life", which he likened to Eliot's <a href="/wiki/The_Waste_Land" title="The Waste Land">The Waste Land</a>.<a href="#cite_note-369">[342]</a> <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a> paired the Beatles with <a href="/wiki/Duke_Ellington" title="Duke Ellington">Duke Ellington</a>, as artists who operated "in that special territory where entertainment slips into art".<a href="#cite_note-FOOTNOTEFrontani2007148-370">[343]</a><a href="#cite_note-FOOTNOTERomanowski2006219-371">[344]</a> One of the few well-known American rock critics at the time, and another early champion of Revolver, <a href="/wiki/Richard_Goldstein_(writer_born_1944)" class="mw-redirect" title="Richard Goldstein (writer born 1944)">Richard Goldstein</a> wrote a scathing review in <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>.<a href="#cite_note-372">[345]</a> He characterised Sgt. Pepper as a "spoiled" child and "an album of special effects, dazzling but ultimately fraudulent",<a href="#cite_note-FOOTNOTERodriguez2012214-373">[346]</a><a href="#cite_note-FOOTNOTEGoldstein200698,_99-374">[347]</a> and was critical of the Beatles for sacrificing their authenticity to become "cloistered composers".<a href="#cite_note-FOOTNOTECourrier2009176–77-375">[348]</a> Although he admired "A Day in the Life", comparing it to a work by <a href="/wiki/Richard_Wagner" title="Richard Wagner">Richard Wagner</a>,<a href="#cite_note-FOOTNOTEPhilo2015122–23-376">[349]</a> Goldstein said that the songs lacked lyrical substance such that "tone overtakes meaning", an aesthetic he blamed on "posturing and put-on" in the form of production effects such as <a href="/wiki/Echo" title="Echo">echo</a> and <a href="/wiki/Reverb_effect" title="Reverb effect">reverb</a>.<a href="#cite_note-FOOTNOTEKimsey2008130-377">[350]</a> As a near-lone voice of dissent, he was widely castigated for his views.<a href="#cite_note-FOOTNOTESchaffner197883–84-378">[351]</a><a href="#cite_note-380">[nb 28]</a> Four days later, The Village Voice, where Goldstein had become a celebrated columnist since 1966, reacted to the "hornet's nest" of complaints, by publishing Phillips' highly favourable review.<a href="#cite_note-FOOTNOTERodriguez2012215-381">[353]</a> According to Schaffner, Goldstein was "kept busy for months" justifying his opinions,<a href="#cite_note-FOOTNOTESchaffner197883–84-378">[351]</a> which included writing a defence of his review, for the Voice, in July.<a href="#cite_note-FOOTNOTERodriguez2012212,_215-382">[354]</a><a href="#cite_note-384">[nb 29]</a> Among the commentators who responded to Goldstein's critique,<a href="#cite_note-FOOTNOTEGendron2002198–99-385">[356]</a> composer <a href="/wiki/Ned_Rorem" title="Ned Rorem">Ned Rorem</a>, writing in <a href="/wiki/The_New_York_Review_of_Books" title="The New York Review of Books">The New York Review of Books</a>, credited the Beatles with possessing a "magic of genius" akin to <a href="/wiki/Mozart" class="mw-redirect" title="Mozart">Mozart</a> and characterised Sgt. Pepper as a harbinger of a "golden Renaissance of Song".<a href="#cite_note-FOOTNOTESchaffner197883-362">[335]</a> Time quoted musicologists and avant-garde composers who equated the standard of the Beatles' songwriting to <a href="/wiki/Schubert" class="mw-redirect" title="Schubert">Schubert</a> and <a href="/wiki/Schumann" class="mw-redirect" title="Schumann">Schumann</a>, and located the band's work to electronic music;<a href="#cite_note-FOOTNOTEGendron2002195,_345-386">[357]</a> the magazine concluded that the album was "a historic departure in the progress of music – any music".<a href="#cite_note-FOOTNOTESpitz2005697-161">[150]</a> Literary critic <a href="/wiki/Richard_Poirier" title="Richard Poirier">Richard Poirier</a> wrote a laudatory appreciation of the Beatles in the journal <a href="/wiki/Partisan_Review" title="Partisan Review">Partisan Review</a><a href="#cite_note-FOOTNOTEGendron20021-387">[358]</a> and said that "listening to the Sgt. Pepper album one thinks not simply of the history of popular music but the history of this century."<a href="#cite_note-FOOTNOTEMoore199759-368">[341]</a> In his December 1967 column for <a href="/wiki/Esquire_(magazine)" title="Esquire (magazine)">Esquire</a>, <a href="/wiki/Robert_Christgau" title="Robert Christgau">Robert Christgau</a> described Sgt. Pepper as "a consolidation, more intricate than Revolver but not more substantial". He suggested that Goldstein had fallen "victim to overanticipation", identifying his primary error as "allow[ing] all the filters and reverbs and orchestral effects and overdubs to deafen him to the stuff underneath, which was pretty nice".<a href="#cite_note-FOOTNOTEChristgau2006116-388">[359]</a> <div class="mw-heading mw-heading2"><h2 id="Sociocultural_influence">Sociocultural influence</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=34" title="Edit section: Sociocultural influence">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Contemporary_youth_and_counterculture">Contemporary youth and counterculture</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=35" title="Edit section: Contemporary youth and counterculture">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/It_Was_Twenty_Years_Ago_Today_(film)" title="It Was Twenty Years Ago Today (film)">It Was Twenty Years Ago Today (film)</a></div> In the wake of Sgt. Pepper, the underground and mainstream press widely publicised the Beatles as leaders of youth culture, as well as "lifestyle revolutionaries".<a href="#cite_note-FOOTNOTEFrontani2007157-389">[360]</a> In Moore's description, the album "seems to have spoken (in a way no other has) for its generation".<a href="#cite_note-FOOTNOTEMoore199768-390">[361]</a> An educator referenced in a July 1967 New York Times article was reported to have said on the topic of music studies and its relevance to the day's youth: "If you want to know what youths are thinking and feeling ... you cannot find anyone who speaks for them or to them more clearly than the Beatles."<a href="#cite_note-FOOTNOTEFrontani2007158-391">[362]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Flower-Power_Bus.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/85/Flower-Power_Bus.jpg/180px-Flower-Power_Bus.jpg" decoding="async" width="180" height="202" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/85/Flower-Power_Bus.jpg/270px-Flower-Power_Bus.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/85/Flower-Power_Bus.jpg/360px-Flower-Power_Bus.jpg 2x" data-file-width="428" data-file-height="480" /></a><figcaption>A hippie "<a href="/wiki/Flower_power" title="Flower power">flower power</a>" bus (pictured in 2004). Sgt. Pepper conveyed the flower power ideology of 1967.<a href="#cite_note-FOOTNOTECourrier2009180-392">[363]</a></figcaption></figure> Sgt. Pepper was the focus of much celebration by the counterculture.<a href="#cite_note-393">[364]</a> American <a href="/wiki/Beat_Generation" title="Beat Generation">Beat</a> poet <a href="/wiki/Allen_Ginsberg" title="Allen Ginsberg">Allen Ginsberg</a> said of the album: "After the apocalypse of Hitler and the apocalypse of the Bomb, there was here an exclamation of joy, the rediscovery of joy and what it is to be alive."<a href="#cite_note-FOOTNOTECase201048-394">[365]</a> The American psychologist and counterculture figure <a href="/wiki/Timothy_Leary" title="Timothy Leary">Timothy Leary</a> labelled the Beatles "avatars of the new world order"<a href="#cite_note-FOOTNOTEGreene201625-395">[366]</a> and said that the LP "gave a voice to the feeling that the old ways were over" by stressing the need for cultural change based on a peaceful agenda.<a href="#cite_note-FOOTNOTEWhiteley200822-166">[155]</a><a href="#cite_note-397">[nb 30]</a> According to author Michael Frontani, the Beatles "legitimiz[ed] the lifestyle of the counterculture", just as they did popular music, and formed the basis of <a href="/wiki/Jann_Wenner" title="Jann Wenner">Jann Wenner</a>'s scope on these issues when launching Rolling Stone magazine in late 1967.<a href="#cite_note-FOOTNOTEFrontani2007125,_178–80-398">[368]</a> Further to Lennon wearing an <a href="/wiki/Afghan_coat" title="Afghan coat">Afghan sheepskin coat</a> at the album launch party, "Afghans" became a popular garment among <a href="/wiki/Hippie" title="Hippie">hippies</a>, and Westerners increasingly sought out the coats on the <a href="/wiki/Hippie_trail" title="Hippie trail">hippie trail</a> in Afghanistan.<a href="#cite_note-399">[369]</a> McCartney's LSD admission formalised the link between rock music and drugs, and attracted scorn from American religious leaders and conservatives.<a href="#cite_note-FOOTNOTERoberts2014194–95-400">[370]</a> Vice-president <a href="/wiki/Spiro_Agnew" title="Spiro Agnew">Spiro Agnew</a> contended that the "friends" referred to in "With a Little Help from My Friends" were "assorted drugs". As part of an escalating national debate that triggered an investigation by the <a href="/wiki/United_States_Congress" title="United States Congress">US Congress</a>,<a href="#cite_note-FOOTNOTERoberts2014195–96-401">[371]</a> he launched a campaign in 1970<a href="#cite_note-FOOTNOTESchaffner197877-402">[372]</a> to address the issue of American youth being "brainwashed" into taking drugs through the music of the Beatles and other rock artists.<a href="#cite_note-FOOTNOTEDoggett2015440-403">[373]</a> In the UK, according to historian David Simonelli, the album's obvious drug allusions inspired a hierarchy within the youth movement for the first time, based on listeners' ability to "get" psychedelia and align with the elite notion of <a href="/wiki/Romanticism" title="Romanticism">Romantic</a> artistry.<a href="#cite_note-FOOTNOTESimonelli2013114-404">[374]</a><a href="#cite_note-405">[nb 31]</a> Harrison was eager to separate the message of "Within You Without You" from the LSD experience, telling an interviewer: "It's nothing to do with pills ... It's just in your own head, the realisation."<a href="#cite_note-FOOTNOTEIngham2006199-220">[204]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Vietnam_War_protestors_at_the_March_on_the_Pentagon.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Vietnam_War_protestors_at_the_March_on_the_Pentagon.jpg/170px-Vietnam_War_protestors_at_the_March_on_the_Pentagon.jpg" decoding="async" width="170" height="255" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Vietnam_War_protestors_at_the_March_on_the_Pentagon.jpg/255px-Vietnam_War_protestors_at_the_March_on_the_Pentagon.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Vietnam_War_protestors_at_the_March_on_the_Pentagon.jpg/340px-Vietnam_War_protestors_at_the_March_on_the_Pentagon.jpg 2x" data-file-width="3300" data-file-height="4942" /></a><figcaption>The album resonated with Vietnam War protestors at the 1967 "<a href="/wiki/March_on_the_Pentagon" class="mw-redirect" title="March on the Pentagon">March on the Pentagon</a>".</figcaption></figure> The Beatles' presentation as Sgt. Pepper's band resonated at a time when many young people in the UK and the US were seeking to redefine their own identity and were drawn to communities that espoused the transformational power of mind-altering drugs.<a href="#cite_note-FOOTNOTEGould2007387-88">[81]</a> In the <a href="/wiki/Haight-Ashbury" title="Haight-Ashbury">Haight-Ashbury</a> district of San Francisco, the recognised centre of the counterculture,<a href="#cite_note-FOOTNOTESchaffner197886-406">[375]</a> Sgt. Pepper was viewed as a "code for life", according to music journalist <a href="/wiki/Alan_Clayson" title="Alan Clayson">Alan Clayson</a>, with street people such as the <a href="/wiki/Merry_Pranksters" title="Merry Pranksters">Merry Band of Pranksters</a> offering "Beatle readings".<a href="#cite_note-FOOTNOTEClayson2003217,_220-407">[376]</a> American social activist <a href="/wiki/Abbie_Hoffman" title="Abbie Hoffman">Abbie Hoffman</a> credited the album as his inspiration for staging the attempted levitation of <a href="/wiki/The_Pentagon" title="The Pentagon">the Pentagon</a> during <a href="/wiki/National_Mobilization_Committee_to_End_the_War_in_Vietnam" title="National Mobilization Committee to End the War in Vietnam">the Mobe</a>'s anti-<a href="/wiki/Vietnam_War" title="Vietnam War">Vietnam War</a> rally in October 1967.<a href="#cite_note-FOOTNOTECourrier2009174-408">[377]</a> <a href="/wiki/The_Byrds" title="The Byrds">The Byrds</a>' David Crosby later expressed surprise that by 1970 the album's powerful sentiments had not been enough to stop the Vietnam War.<a href="#cite_note-FOOTNOTEDoggett2015401-409">[378]</a> Sgt. Pepper informed <a href="/wiki/Frank_Zappa" title="Frank Zappa">Frank Zappa</a>'s parody of the counterculture and flower power on the Mothers of Invention's 1968 album <a href="/wiki/We%27re_Only_in_It_for_the_Money" title="We're Only in It for the Money">We're Only in It for the Money</a>.<a href="#cite_note-FOOTNOTECourrier2009179–81-410">[379]</a><a href="#cite_note-FOOTNOTEGreene2016105-411">[380]</a> By 1968, according to music critic <a href="/wiki/Greil_Marcus" title="Greil Marcus">Greil Marcus</a>, Sgt. Pepper appeared shallow against the emotional backdrop of the political and social upheavals of American life.<a href="#cite_note-FOOTNOTEMoore199759–60-412">[381]</a> Simon Frith, in his overview of 1967 for <a href="/wiki/The_History_of_Rock_(magazine)" title="The History of Rock (magazine)">The History of Rock</a>, said that Sgt. Pepper "defined the year" by conveying the optimism and sense of empowerment at the centre of the youth movement. He added that <a href="/wiki/The_Velvet_Underground" title="The Velvet Underground">the Velvet Underground</a>'s <a href="/wiki/The_Velvet_Underground_%26_Nico" title="The Velvet Underground & Nico">The Velvet Underground & Nico</a> – an album that contrasted sharply with the Beatles' message by "offer[ing] no escape" – became more relevant in a cultural climate typified by "the <a href="/wiki/Sex_Pistols" title="Sex Pistols">Sex Pistols</a>, the new political aggression, the rioting in the streets" during the 1970s.<a href="#cite_note-Frith/HoR-336">[311]</a> In a 1987 review for <a href="/wiki/Q_(magazine)" title="Q (magazine)">Q</a> magazine, <a href="/wiki/Charles_Shaar_Murray" title="Charles Shaar Murray">Charles Shaar Murray</a> asserted that Sgt. Pepper "remains a central pillar of the mythology and iconography of the late '60s",<a href="#cite_note-CSM/Q-413">[382]</a> while <a href="/wiki/Colin_Larkin_(writer)" class="mw-redirect" title="Colin Larkin (writer)">Colin Larkin</a> states in his 1989 <a href="/wiki/Encyclopedia_of_Popular_Music" class="mw-redirect" title="Encyclopedia of Popular Music">Encyclopedia of Popular Music</a>: "[it] turned out to be no mere pop album but a cultural icon, embracing the constituent elements of the 60s' youth culture: pop art, garish fashion, drugs, instant mysticism and freedom from parental control."<a href="#cite_note-FOOTNOTELarkin2006487-414">[383]</a> <div class="mw-heading mw-heading3"><h3 id="Cultural_legitimisation_of_popular_music">Cultural legitimisation of popular music</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=36" title="Edit section: Cultural legitimisation of popular music">edit</a>]</div> In The Oxford Encyclopedia of British Literature, <a href="/wiki/Kevin_Dettmar" title="Kevin Dettmar">Kevin Dettmar</a> writes that Sgt. Pepper achieved "a combination of popular success and critical acclaim unequaled in twentieth-century art ... never before had an aesthetic and technical masterpiece enjoyed such popularity."<a href="#cite_note-FOOTNOTEDettmar2006139-415">[384]</a> Through the level of attention it received from the rock press and more culturally elite publications, the album achieved full cultural legitimisation for pop music and recognition for the medium as a genuine art form.<a href="#cite_note-FOOTNOTEJulien2008b9-364">[337]</a><a href="#cite_note-FOOTNOTEGendron2002162–63-416">[385]</a> Riley says that pop had been due this accreditation "at least as early as <a href="/wiki/A_Hard_Day%27s_Night_(album)" title="A Hard Day's Night (album)">A Hard Day's Night</a>" in 1964.<a href="#cite_note-FOOTNOTERiley2002229-417">[386]</a> He adds that the timing of the album's release and its reception ensured that "Sgt. Pepper has attained the kind of populist adoration that renowned works often assume regardless of their larger significance – it's the Beatles' '<a href="/wiki/Mona_Lisa" title="Mona Lisa">Mona Lisa</a>'."<a href="#cite_note-FOOTNOTERiley2002229–30-418">[387]</a> At the <a href="/wiki/10th_Annual_Grammy_Awards" title="10th Annual Grammy Awards">10th Annual Grammy Awards</a> in March 1968, Sgt. Pepper won awards in four categories:<a href="#cite_note-FOOTNOTEMiles2001294-419">[388]</a> <a href="/wiki/Grammy_Award_for_Album_of_the_Year" title="Grammy Award for Album of the Year">Album of the Year</a>; <a href="/wiki/Grammy_Award_for_Best_Pop_Vocal_Album" title="Grammy Award for Best Pop Vocal Album">Best Contemporary Album</a>; <a href="/wiki/Grammy_Award_for_Best_Engineered_Album,_Non-Classical" title="Grammy Award for Best Engineered Album, Non-Classical">Best Engineered Recording, Non-Classical</a>; and <a href="/wiki/Grammy_Award_for_Best_Album_Cover,_Graphic_Arts" class="mw-redirect" title="Grammy Award for Best Album Cover, Graphic Arts">Best Album Cover, Graphic Arts</a>.<a href="#cite_note-grammys-420">[389]</a> Its win in the Album of the Year category marked the first time that a rock LP had received this honour.<a href="#cite_note-FOOTNOTEGlausser2011143-421">[390]</a><a href="#cite_note-422">[391]</a> Among the recognised composers who helped legitimise the Beatles as serious musicians at the time were Luciano Berio, <a href="/wiki/Aaron_Copland" title="Aaron Copland">Aaron Copland</a>, John Cage, Ned Rorem and Leonard Bernstein.<a href="#cite_note-FOOTNOTEFrontani2007155–56-423">[392]</a> According to Rodriguez, an element of exaggeration accompanied some of the acclaim for Sgt. Pepper, with particularly effusive approbation coming from Rorem, Bernstein and Tynan, "as if every critic was seeking to outdo the other for the most lavish embrace of the Beatles' new direction".<a href="#cite_note-FOOTNOTERodriguez2012212-424">[393]</a><a href="#cite_note-426">[nb 32]</a> In Gendron's view, the cultural approbation represented American "highbrow" commentators (Rorem and Poirier) looking to establish themselves over their "low-middlebrow" equivalent, after Time and Newsweek had led the way in recognising the Beatles' artistry, and over the new discipline of rock criticism.<a href="#cite_note-FOOTNOTEGendron2002197–98-427">[395]</a> Gendron describes the discourse as one whereby, during a period that lasted for six months, "highbrow" composers and musicologists "jostl[ed] to pen the definitive effusive appraisal of the Beatles".<a href="#cite_note-FOOTNOTEGendron20021,_197-428">[396]</a><a href="#cite_note-432">[nb 33]</a> Aside from the attention afforded the album in literary and scholarly journals, the American jazz magazines <a href="/wiki/DownBeat" title="DownBeat">Down Beat</a> and Jazz both began to cover rock music for the first time, with the latter changing its name to <a href="/wiki/Jazz_%26_Pop" title="Jazz & Pop">Jazz & Pop</a> as a result.<a href="#cite_note-FOOTNOTEGould2007420–21-433">[400]</a> In addition, following Sgt. Pepper, established American publications such as <a href="/wiki/Vogue_(magazine)" title="Vogue (magazine)">Vogue</a>, <a href="/wiki/Playboy" title="Playboy">Playboy</a> and the <a href="/wiki/San_Francisco_Chronicle" title="San Francisco Chronicle">San Francisco Chronicle</a> started discussing rock as art, in terms usually reserved for jazz criticism.<a href="#cite_note-FOOTNOTEPhilo2015122-434">[401]</a> Writing for Rolling Stone in 1969, Michael Lydon said that reviewers had had to invent "new criticism" to match pop's musical advances, since: "Writing had to be an appropriate response to the music; in writing about, say, Sgt. Pepper, you had to try to write something as good as Sgt. Pepper. Because, of course, what made that record beautiful was the beautiful response it created in you; if your written response was true to your listening response, the writing would stand on its own as a creation on par with the record."<a href="#cite_note-435">[402]</a> Through its acceptance by "serious" composers, according to Schaffner, Sgt. Pepper satisfied the ambitions of a staid, middle-age American audience keen to be seen as in tune with young people's tastes, and every major rock LP was subsequently given the same level of critical analysis.<a href="#cite_note-FOOTNOTESchaffner197883-362">[335]</a> In 1977, the LP won Best British Album at the <a href="/wiki/1977_Brit_Awards" class="mw-redirect" title="1977 Brit Awards">inaugural</a> <a href="/wiki/Brit_Awards" title="Brit Awards">Brit Awards</a>,<a href="#cite_note-436">[403]</a> held by the <a href="/wiki/British_Phonographic_Industry" title="British Phonographic Industry">BPI</a> to celebrate the best British music of the last 25 years as part of <a href="/wiki/Silver_Jubilee_of_Elizabeth_II" title="Silver Jubilee of Elizabeth II">Elizabeth II's Silver Jubilee</a>.<a href="#cite_note-FOOTNOTEBadman2001214-437">[404]</a> When EMI issued the Beatles' catalogue on CD in 1987, Sgt. Pepper was the only album afforded a dedicated release.<a href="#cite_note-FOOTNOTEBadman2001388–89-438">[405]</a> EMI marketed it as "the most important record ever released on compact disc".<a href="#cite_note-Petridis/Guardian-439">[406]</a> <div class="mw-heading mw-heading3"><h3 id="Development_of_popular_music">Development of popular music</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=37" title="Edit section: Development of popular music">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id="Industry_and_market_changes">Industry and market changes</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=38" title="Edit section: Industry and market changes">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> [Because of Sgt. Pepper] people then started thinking that you could spend a year making an album and they began to consider an album as a sound composition and not just a musical composition. The idea was gradually forming of a record being a performance in its own right and not just a reproduction of a live performance.<a href="#cite_note-FOOTNOTEJulien2008c167-440">[407]</a> </blockquote> <cite class="left-aligned" style="">– Producer and EMI engineer <a href="/wiki/Alan_Parsons" title="Alan Parsons">Alan Parsons</a></cite> </div> Julien describes Sgt. Pepper as a "masterpiece of British psychedelia" and says that it represents the "epitome of the transformation of the recording studio into a compositional tool", marking the moment when "popular music entered the era of phonographic composition".<a href="#cite_note-441">[408]</a> Many acts copied the album's psychedelic sounds<a href="#cite_note-FOOTNOTEHoffmannBailey1990281-442">[409]</a> and imitated its production techniques, resulting in a rapid expansion of the producer's role.<a href="#cite_note-FOOTNOTEHoward200431-443">[410]</a> In this regard, Lennon and McCartney complained that Martin had received too much attention for his part in the album's creation,<a href="#cite_note-FOOTNOTEHertsgaard1996172–73-444">[411]</a> so beginning a feeling of resentment by the Beatles towards their longtime producer.<a href="#cite_note-FOOTNOTEGould2007489-445">[412]</a><a href="#cite_note-446">[nb 34]</a> In 1987, <a href="/wiki/Anthony_DeCurtis" title="Anthony DeCurtis">Anthony DeCurtis</a> of Rolling Stone described Sgt. Pepper as the album that "revolutionized rock and roll",<a href="#cite_note-447">[413]</a> while music journalists Andy Greene and Scott Plagenhoef credit it with marking the beginning of the <a href="/wiki/Album_era" title="Album era">album era</a>.<a href="#cite_note-448">[414]</a><a href="#cite_note-Plagenhoef/Pitchfork-449">[415]</a> For several years following its release, straightforward rock and roll was supplanted by a growing interest in <a href="/wiki/Cyclic_form" title="Cyclic form">extended form</a>, and for the first time in the history of the music industry, sales of albums outpaced those of singles.<a href="#cite_note-FOOTNOTEMoore199772-450">[416]</a> In Gould's description, Sgt. Pepper was "the catalyst for an explosion of mass enthusiasm for album-formatted rock that would revolutionize both the aesthetics and the economics of the record business in ways that far out-stripped the earlier pop explosions triggered by the Elvis phenomenon of 1956 and the Beatlemania phenomenon of 1963".<a href="#cite_note-FOOTNOTEGould2007418-451">[417]</a> The music industry swiftly grew into a billion-dollar enterprise, although record company executives were blindsided by the appeal of new acts who defied established formulas.<a href="#cite_note-FOOTNOTESchaffner197884-452">[418]</a> Music critic <a href="/wiki/Greg_Kot" title="Greg Kot">Greg Kot</a> said that Sgt. Pepper introduced a template not only for creating album-oriented rock but also for consuming it, "with listeners no longer twisting the night away to an assortment of three-minute singles, but losing themselves in a succession of 20-minute album sides, taking a journey led by the artist".<a href="#cite_note-453">[419]</a> In Moore's view, the album was "pivotal" in heralding "the realignment of rock from its working-class roots to its subsequent place on the college circuit", as students increasingly embraced the genre and record companies launched labels targeted towards this new market.<a href="#cite_note-FOOTNOTEMoore201865-454">[420]</a> As another result of Sgt. Pepper, US record companies no longer altered the content of albums by major British acts such as the Rolling Stones, <a href="/wiki/The_Kinks" title="The Kinks">the Kinks</a> and Donovan, and their LPs were released in the artists' intended configuration.<a href="#cite_note-FOOTNOTESchaffner1978204–05-455">[421]</a> <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading4"><h4 id="Albums_and_artistry">Albums and artistry</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=39" title="Edit section: Albums and artistry">edit</a>]</div> According to Simonelli, Sgt. Pepper established the standard for rock musicians, particularly British acts, to strive towards in their self-identification as artists rather than pop stars, whereby, as in the Romantic tradition, creative vision dominated at the expense of all commercial concerns.<a href="#cite_note-FOOTNOTESimonelli2013108-456">[422]</a> In the US, the album paved the way for British groups such as <a href="/wiki/Pink_Floyd" title="Pink Floyd">Pink Floyd</a> and <a href="/wiki/The_Incredible_String_Band" title="The Incredible String Band">the Incredible String Band</a>, whose work echoed the eclectic, mystical and escapist qualities of Sgt. Pepper.<a href="#cite_note-FOOTNOTESchaffner197884-452">[418]</a> Following the Beatles' example, many acts spent months in the studio creating their albums, focused on an artistic aesthetic and in the hope of winning critical approval.<a href="#cite_note-FOOTNOTEHoffmannBailey1990281-442">[409]</a> Among the many LPs influenced by Sgt. Pepper were <a href="/wiki/Jefferson_Airplane" title="Jefferson Airplane">Jefferson Airplane</a>'s <a href="/wiki/After_Bathing_at_Baxter%27s" title="After Bathing at Baxter's">After Bathing at Baxter's</a>, the Rolling Stones' <a href="/wiki/Their_Satanic_Majesties_Request" title="Their Satanic Majesties Request">Their Satanic Majesties Request</a><a href="#cite_note-FOOTNOTESmith200949-351">[324]</a> and <a href="/wiki/The_Moody_Blues" title="The Moody Blues">the Moody Blues</a>' <a href="/wiki/Days_of_Future_Passed" title="Days of Future Passed">Days of Future Passed</a>, all released in 1967;<a href="#cite_note-FOOTNOTECourrier2009178-457">[423]</a> and <a href="/wiki/The_Zombies" title="The Zombies">the Zombies</a>' <a href="/wiki/Odessey_and_Oracle" title="Odessey and Oracle">Odessey and Oracle</a>, the <a href="/wiki/Small_Faces" title="Small Faces">Small Faces</a>' <a href="/wiki/Ogdens%27_Nut_Gone_Flake" title="Ogdens' Nut Gone Flake">Ogdens' Nut Gone Flake</a><a href="#cite_note-FOOTNOTEHarris200787,_88-458">[424]</a> and <a href="/wiki/The_Pretty_Things" class="mw-redirect" title="The Pretty Things">the Pretty Things</a>' <a href="/wiki/S.F._Sorrow" class="mw-redirect" title="S.F. Sorrow">S.F. Sorrow</a>, all issued the following year.<a href="#cite_note-Chilton/uDiscover-459">[425]</a> All rock albums were subsequently measured against Sgt. Pepper.<a href="#cite_note-FOOTNOTEHoffmannBailey1990281-442">[409]</a> Discussing Their Satanic Majesties Request, Wenner referred to "the post–Sgt. Pepper trap of trying to put out a 'progressive,' 'significant' and 'different' album, as revolutionary as the Beatles. But it couldn't be done, because only the Beatles can put out an album by the Beatles."<a href="#cite_note-FOOTNOTEFrontani2007188-460">[426]</a> <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a> viewed the album's effect on <a href="/wiki/Carla_Bley" title="Carla Bley">Carla Bley</a> as one of the "50 key events in the history of <a href="/wiki/Electronic_dance_music" title="Electronic dance music">dance music</a>".<a href="#cite_note-Lewis/Guardian-461">[427]</a> Bley spent four years crafting her musical response to Sgt. Pepper<a href="#cite_note-Chilton/uDiscover-459">[425]</a> – the 1971 <a href="/wiki/Avant-jazz" class="mw-redirect" title="Avant-jazz">avant-jazz</a> triple album <a href="/wiki/Escalator_Over_the_Hill" class="mw-redirect" title="Escalator Over the Hill">Escalator Over the Hill</a><a href="#cite_note-Hughes/Prog-462">[428]</a> – which combined rock, <a href="/wiki/Indo_jazz" title="Indo jazz">Indo-jazz fusion</a> and <a href="/wiki/Chamber_jazz" title="Chamber jazz">chamber jazz</a>.<a href="#cite_note-Lewis/Guardian-461">[427]</a> <a href="/wiki/Roger_Waters" title="Roger Waters">Roger Waters</a> cited Sgt. Pepper as his influence when Pink Floyd created their 1973 album <a href="/wiki/The_Dark_Side_of_the_Moon" title="The Dark Side of the Moon">The Dark Side of the Moon</a>, saying: "I learned from Lennon, McCartney and Harrison that it was OK for us to write about our lives and express what we felt ... More than any other record it gave me and my generation permission to branch out and do whatever we wanted."<a href="#cite_note-Chilton/uDiscover-459">[425]</a><a href="#cite_note-463">[nb 35]</a> Over subsequent decades, musical acts referred to their major artistic work as "our Sgt. Pepper".<a href="#cite_note-FOOTNOTEHarris200789-464">[429]</a> In this regard, <a href="/wiki/Mojo_(magazine)" title="Mojo (magazine)">Mojo</a> magazine recognises <a href="/wiki/Prince_(musician)" title="Prince (musician)">Prince</a>'s <a href="/wiki/Around_the_World_in_a_Day" title="Around the World in a Day">Around the World in a Day</a> (1985), <a href="/wiki/Tears_for_Fears" title="Tears for Fears">Tears for Fears</a>' <a href="/wiki/The_Seeds_of_Love" title="The Seeds of Love">The Seeds of Love</a> (1989), <a href="/wiki/The_Smashing_Pumpkins" title="The Smashing Pumpkins">The Smashing Pumpkins</a>' <a href="/wiki/Mellon_Collie_and_the_Infinite_Sadness" title="Mellon Collie and the Infinite Sadness">Mellon Collie and the Infinite Sadness</a> (1995), <a href="/wiki/Radiohead" title="Radiohead">Radiohead</a>'s <a href="/wiki/OK_Computer" title="OK Computer">OK Computer</a> (1997), <a href="/wiki/Oasis_(band)" title="Oasis (band)">Oasis</a>' <a href="/wiki/Be_Here_Now_(album)" title="Be Here Now (album)">Be Here Now</a> (1997) and <a href="/wiki/The_Flaming_Lips" title="The Flaming Lips">the Flaming Lips</a>' <a href="/wiki/The_Soft_Bulletin" title="The Soft Bulletin">The Soft Bulletin</a> (1999) as albums that "for better or for worse ... would not have existed" without Sgt. Pepper.<a href="#cite_note-465">[430]</a> Writing for Mojo in 2007, <a href="/wiki/John_Harris_(critic)" title="John Harris (critic)">John Harris</a> said that the album's influence resonates in the "identity games" of <a href="/wiki/Gnarls_Barkley" title="Gnarls Barkley">Gnarls Barkley</a>, in the ambitious song cycle of <a href="/wiki/Green_Day" title="Green Day">Green Day</a>'s 2004 album <a href="/wiki/American_Idiot" title="American Idiot">American Idiot</a>, in the respect afforded adventurous musicians such as <a href="/wiki/Damon_Albarn" title="Damon Albarn">Damon Albarn</a> and <a href="/wiki/Wayne_Coyne" title="Wayne Coyne">Wayne Coyne</a>, and particularly in the audience's expectation that foremost artists will "progress" and perhaps "ascend to a watershed point at which influence, experience and ambition cohere into something that just might blow our minds".<a href="#cite_note-FOOTNOTEHarris200789-464">[429]</a> <div class="mw-heading mw-heading4"><h4 id="Stylistic_developments">Stylistic developments</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=40" title="Edit section: Stylistic developments">edit</a>]</div> Sgt. Pepper was highly influential on bands in the US <a href="/wiki/Acid_rock" title="Acid rock">acid rock</a> (or psychedelic rock) scene.<a href="#cite_note-FOOTNOTENagelberg20018-466">[431]</a> Lavezzoli views it as a key factor in 1967's standing as the "annus mirabilis" for Indian classical music's acceptance in the West, with the genre having been fully absorbed into psychedelic music.<a href="#cite_note-FOOTNOTELavezzoli20066–7,_180-467">[432]</a><a href="#cite_note-469">[nb 36]</a> Sgt. Pepper is commonly recognised as having originated <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a>, due to the album's self-conscious lyrics, its studio experimentation, and its efforts to expand the barriers of conventional three-minute tracks.<a href="#cite_note-470">[434]</a> In addition to influencing Pink Floyd records such as <a href="/wiki/Atom_Heart_Mother" title="Atom Heart Mother">Atom Heart Mother</a>, it was a source of inspiration for <a href="/wiki/Robert_Fripp" title="Robert Fripp">Robert Fripp</a> when he formed <a href="/wiki/King_Crimson" title="King Crimson">King Crimson</a>.<a href="#cite_note-Hughes/Prog-462">[428]</a> The band's 1969 debut <a href="/wiki/In_the_Court_of_the_Crimson_King" title="In the Court of the Crimson King">In the Court of the Crimson King</a> was intended as a homage to Sgt. Pepper.<a href="#cite_note-Chilton/uDiscover-459">[425]</a> MacFarlane writes that, despite concerns regarding its thematic unity, Sgt. Pepper "is widely regarded as the first true concept album in popular music".<a href="#cite_note-FOOTNOTEMacFarlane200833-267">[249]</a> According to author Martina Elicker, despite earlier examples, it was Sgt. Pepper that familiarised critics and listeners with the notion of a "concept and unified structure underlying a pop album", thus originating the term "concept album".<a href="#cite_note-FOOTNOTEElicker2001231-471">[435]</a> Further to Sgt. Pepper, musicians increasingly explored literary and sociological themes in their concept albums and adopted its anti-establishment sentiments.<a href="#cite_note-FOOTNOTEHoffmannBailey1990281–82-472">[436]</a> It also inspired <a href="/wiki/Rock_opera" title="Rock opera">rock opera</a> works such as <a href="/wiki/The_Who" title="The Who">the Who</a>'s double album <a href="/wiki/Tommy_(The_Who_album)" title="Tommy (The Who album)">Tommy</a> and the musical <a href="/wiki/Jesus_Christ_Superstar" title="Jesus Christ Superstar">Jesus Christ Superstar</a>.<a href="#cite_note-Chilton/uDiscover-459">[425]</a> Author Carys Wyn Jones locates Pet Sounds and Sgt. Pepper as the beginning of <a href="/wiki/Art_rock" title="Art rock">art rock</a>.<a href="#cite_note-FOOTNOTEJones201649-473">[437]</a> Doyle Greene says that Sgt. Pepper provides a "crucial locus in the assemblage of popular music and avant-garde/experimental music", notwithstanding the Beatles' presentation of the latter within formal song structures.<a href="#cite_note-FOOTNOTEGreene201628–30-474">[438]</a> He also says that, although the band are usually viewed as <a href="/wiki/Modernism" title="Modernism">modernists</a>, the album "can be heard as a crucial <a href="/wiki/Postmodernism" title="Postmodernism">postmodernist</a> moment", through its incorporation of self-conscious artistry, irony and pastiche, and "arguably marked rock music's entry into postmodernism as opposed to high-modernism".<a href="#cite_note-FOOTNOTEGreene201630–31-475">[439]</a> During the 1970s, <a href="/wiki/Glam_rock" title="Glam rock">glam rock</a> acts co-opted the Beatles' use of alter ego personas,<a href="#cite_note-FOOTNOTEMacDonald2005232-476">[440]</a> including <a href="/wiki/David_Bowie" title="David Bowie">David Bowie</a> when he adopted the guise of <a href="/wiki/Ziggy_Stardust_(character)" title="Ziggy Stardust (character)">Ziggy Stardust</a>.<a href="#cite_note-477">[441]</a> <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading4"><h4 id="Graphic_design">Graphic design</h4>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=41" title="Edit section: Graphic design">edit</a>]</div> Inglis states that almost every account of the significance of Sgt. Pepper emphasises the cover's "unprecedented correspondence between music and art, time and space".<a href="#cite_note-FOOTNOTEInglis2008101-478">[442]</a> The cover helped to elevate album art as a respected topic for critical analysis whereby the "structures and cultures of popular music" could henceforth justify intellectual discourse in a way that – before Sgt. Pepper – would have seemed like "fanciful conceit".<a href="#cite_note-FOOTNOTEInglis2008102-479">[443]</a> He writes: "[The Sgt. Pepper] cover has been regarded as groundbreaking in its visual and aesthetic properties, congratulated for its innovative and imaginative design, credited with providing an early impetus for the expansion of the graphic design industry into popular music, and perceived as largely responsible for the connections between art and pop to be made explicit."<a href="#cite_note-FOOTNOTEInglis2008102-479">[443]</a> Sgt. Pepper contributed to the popular trend for military-style fashions as adopted by London's boutique shops.<a href="#cite_note-FOOTNOTEWhiteley200811-480">[444]</a> Following the LP's release, rock acts afforded cover art greater consideration and increasingly sought to create a thematic link between their album artwork and the record's musical statements.<a href="#cite_note-FOOTNOTEHoffmannBailey1990281-442">[409]</a><a href="#cite_note-484">[nb 37]</a> Riley describes the cover as "one of the best-known works that pop art ever produced",<a href="#cite_note-FOOTNOTERiley2002212-485">[448]</a> while Norman calls it "the most famous album cover of all time".<a href="#cite_note-FOOTNOTENorman2016264-486">[449]</a> The Beatles' 1968 self-titled double LP became known as the White Album for its plain white sleeve,<a href="#cite_note-FOOTNOTESchaffner1978113-487">[450]</a> which the band chose as a contrast with the wave of psychedelic imagery and album covers inspired by Sgt. Pepper.<a href="#cite_note-FOOTNOTEFrontani2007172-488">[451]</a> In the late 1990s, the BBC included the Sgt. Pepper cover in its list of British masterpieces of twentieth-century art and design, placing it ahead of the <a href="/wiki/Red_telephone_box" title="Red telephone box">red telephone box</a>, <a href="/wiki/Mary_Quant" title="Mary Quant">Mary Quant</a>'s <a href="/wiki/Miniskirt" title="Miniskirt">miniskirt</a>, and the <a href="/wiki/Mini" title="Mini">Mini</a> motorcar.<a href="#cite_note-FOOTNOTEInglis200896-292">[271]</a> <div class="mw-heading mw-heading2"><h2 id="Retrospective_appraisal">Retrospective appraisal</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=42" title="Edit section: Retrospective appraisal">edit</a>]</div> <table class="wikitable floatright" style="width:24.2em;font-size:88%;text-align:center;margin:0.5em 0 0.5em 1em;padding:0;border-spacing:0"><caption style="font-size:115%">Professional ratings</caption><tbody><tr><th scope="col" colspan="2" style="text-align:center;color:#202122;background:#d1dbdf;font-size:100%">Review scores</th></tr><tr><th scope="col">Source</th><th scope="col">Rating</th></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/wiki/AllMusic" title="AllMusic">AllMusic</a></td><td style="text-align:center;vertical-align:middle"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><a href="#cite_note-Erlewine/AM-489">[452]</a></td></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/wiki/The_Daily_Telegraph" title="The Daily Telegraph">The Daily Telegraph</a></td><td style="text-align:center;vertical-align:middle"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><a href="#cite_note-McCormick/Tele-490">[453]</a></td></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/wiki/The_Encyclopedia_of_Popular_Music" title="The Encyclopedia of Popular Music">The Encyclopedia of Popular Music</a></td><td style="text-align:center;vertical-align:middle"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><a href="#cite_note-FOOTNOTELarkin2006489-491">[454]</a></td></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/wiki/MusicHound" title="MusicHound">MusicHound Rock</a></td><td style="text-align:center;vertical-align:middle">5/5<a href="#cite_note-FOOTNOTEGraffDurchholz199987-492">[455]</a></td></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/wiki/Paste_(magazine)" title="Paste (magazine)">Paste</a></td><td style="text-align:center;vertical-align:middle">89/100<a href="#cite_note-Kemp-493">[456]</a></td></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/wiki/Pitchfork_(website)" title="Pitchfork (website)">Pitchfork</a></td><td style="text-align:center;vertical-align:middle">10/10<a href="#cite_note-Plagenhoef/Pitchfork-449">[415]</a></td></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/wiki/Q_(magazine)" title="Q (magazine)">Q</a></td><td style="text-align:center;vertical-align:middle"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/49/Star_empty.svg/11px-Star_empty.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/49/Star_empty.svg/17px-Star_empty.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/49/Star_empty.svg/22px-Star_empty.svg.png 2x" data-file-width="108" data-file-height="110" /><a href="#cite_note-CSM/Q-413">[382]</a></td></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/wiki/The_Rolling_Stone_Album_Guide" title="The Rolling Stone Album Guide">The Rolling Stone Album Guide</a></td><td style="text-align:center;vertical-align:middle"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/11px-Star_full.svg.png" decoding="async" width="11" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/17px-Star_full.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/51/Star_full.svg/22px-Star_full.svg.png 2x" data-file-width="108" data-file-height="110" /><a href="#cite_note-FOOTNOTESheffield200451-494">[457]</a></td></tr><tr><td style="text-align:center;vertical-align:middle">Sputnikmusic</td><td style="text-align:center;vertical-align:middle">5/5<a href="#cite_note-Ponton-495">[458]</a></td></tr><tr><td style="text-align:center;vertical-align:middle"><a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a></td><td style="text-align:center;vertical-align:middle">A<a href="#cite_note-Christgau77-496">[459]</a></td></tr></tbody></table> Although few critics initially agreed with Richard Goldstein's criticism of the album, many came to appreciate his sentiments by the early 1980s.<a href="#cite_note-FOOTNOTEMoore199759-368">[341]</a> In his 1979 book Stranded: Rock and Roll for a Desert Island, Greil Marcus described Sgt. Pepper as "playful but contrived" and "a Day-Glo tombstone for its time".<a href="#cite_note-497">[460]</a>[<a href="/wiki/Wikipedia:Accuracy_dispute#Disputed_statement" title="Wikipedia:Accuracy dispute">dubious</a> – <a href="/wiki/Talk:Sgt._Pepper%27s_Lonely_Hearts_Club_Band#Greil_Marcus_in_"Retrospective_appraisal"" title="Talk:Sgt. Pepper's Lonely Hearts Club Band">discuss</a>] Marcus believed that the album "strangled on its own conceits" while being "vindicated by world-wide acclaim".<a href="#cite_note-FOOTNOTEMarcus2007248-498">[461]</a><a href="#cite_note-501">[nb 38]</a> <a href="/wiki/Lester_Bangs" title="Lester Bangs">Lester Bangs</a> – the so-called "godfather" of <a href="/wiki/Punk_rock" title="Punk rock">punk rock</a> journalism – wrote in 1981 that "Goldstein was right in his much-vilified review ... predicting that this record had the power to almost singlehandedly destroy rock and roll."<a href="#cite_note-FOOTNOTEKimsey2008122-502">[464]</a> He added: "In the sixties rock and roll began to think of itself as an 'art form'. Rock and roll is not an 'art form'; rock and roll is a raw wail from the bottom of the guts."<a href="#cite_note-FOOTNOTEKimsey2008135-503">[465]</a> In a 1976 article for The Village Voice, Christgau revisited the "supposedly epochal Works of Art" from 1967 and found that Sgt. Pepper appeared "bound to a moment" amid the year's culturally important music that had "dated in the sense that it speaks with unusually specific eloquence of a single point in history". Christgau said of the album's "dozen good songs and true", "Perhaps they're too precisely performed, but I'm not going to complain."<a href="#cite_note-Christgau77-496">[459]</a> In his 1981 assessment, Simon Frith described Sgt. Pepper as "the last great pop album, the last LP ambitious to amuse everyone".<a href="#cite_note-FOOTNOTESimonelli2013106-504">[466]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:25%; ; padding:8px;"> <blockquote class="quotebox-quote left-aligned" style=""> It was inevitable that some of the critical assessment of subsequent generations would grumble. Some have griped about the archness of the band-within-a-band concept, the elaborate studio artifice, the dominance of McCartney's songs (routinely but unfairly considered as lightweight and bourgeois), the virtual freezing out of George Harrison ... and the only episodic interest of a perpetually tripping Lennon.<a href="#cite_note-FOOTNOTEIngham200647-505">[467]</a> </blockquote> <cite class="left-aligned" style="">– Chris Ingham, 2006</cite> </div> Once the Beatles' catalogue became available on CD in 1987, a critical consensus formed around Revolver's standing as the band's best work; the White Album also surpassed Sgt. Pepper in many critics' estimation.<a href="#cite_note-Quantick/ClassicRock-506">[468]</a> In his feature article on Sgt. Pepper's 40th anniversary, for Mojo, John Harris said that, such was its "seismic and universal" impact and subsequent identification with 1967, a "fashion for trashing" the album had become commonplace.<a href="#cite_note-FOOTNOTEHarris200774-507">[469]</a><a href="#cite_note-509">[nb 39]</a> He attributed this to <a href="/wiki/Iconoclasm" title="Iconoclasm">iconoclasm</a>, as successive generations identified the album with <a href="/wiki/Baby_boomers" title="Baby boomers">baby boomers</a>' retreat into "nostalgia-tinged smugness" during the 1970s, combined with a general distaste for McCartney following Lennon's death.<a href="#cite_note-FOOTNOTEHarris200774-507">[469]</a> Citing its absence from the NME's best-albums list in 1985 after it had topped the magazine's previous poll, in 1974, Harris wrote: <blockquote>Though by no means universally degraded ... Sgt. Pepper had taken a protracted beating from which it has perhaps yet to fully recover. Regularly challenged and overtaken in the Best Beatle Album stakes ... it suffered more than any Beatles record from the long fall-out after punk, and even the band's <a href="/wiki/Britpop" title="Britpop">Britpop</a>-era revival mysteriously failed to improve its standing.<a href="#cite_note-FOOTNOTEHarris200772,_74-510">[471]</a></blockquote> Writing in the 2004 edition of <a href="/wiki/The_Rolling_Stone_Album_Guide" title="The Rolling Stone Album Guide">The Rolling Stone Album Guide</a>, <a href="/wiki/Rob_Sheffield" title="Rob Sheffield">Rob Sheffield</a> described Sgt. Pepper as "a revelation of how far artists could go in a recording studio with only four tracks, plenty of imagination, and a drug or two", but also "a masterwork of sonics, not songwriting".<a href="#cite_note-FOOTNOTESheffield200453-511">[472]</a> In his review for <a href="/wiki/Rough_Guides" title="Rough Guides">Rough Guides</a>, Chris Ingham said that, while the album's detractors typically bemoan McCartney's dominant role, the reliance on studio innovation, and the unconvincing concept, "as long as there are pairs of ears willing to disappear under headphones for forty minutes ... Sgt. Pepper will continue to cast its considerable spell."<a href="#cite_note-FOOTNOTEIngham200647-505">[467]</a> Among reviews of the 2009 remastered album, <a href="/wiki/Neil_McCormick" title="Neil McCormick">Neil McCormick</a> of <a href="/wiki/The_Daily_Telegraph" title="The Daily Telegraph">The Daily Telegraph</a> wrote: "It is impossible to overstate its impact: from a contemporary Sixties perspective it was utterly mind-blowing and original. Looking back from a point when its sonic innovations have been integrated into the mainstream, it remains a wonky, colourful and wildly improbable pop classic, although a little slighter and less cohesive than it may have seemed at the time."<a href="#cite_note-McCormick/Tele-490">[453]</a> <a href="/wiki/Mark_Kemp" title="Mark Kemp">Mark Kemp</a>, writing for <a href="/wiki/Paste_(magazine)" title="Paste (magazine)">Paste</a>, said the album was a "blast of avant-rock genius" but also "one of rock's most overrated albums".<a href="#cite_note-Kemp-493">[456]</a> According to <a href="/wiki/BBC_Music" title="BBC Music">BBC Music</a> critic Chris Jones, while Sgt. Pepper has long been subsumed under "an avalanche of hyperbole", the album retains an enduring quality "because its sum is greater than its whole ... These guys weren't just recording songs; they were inventing the stuff with which to make this record as they went along."<a href="#cite_note-FOOTNOTEWomack2014818-512">[473]</a> Although the lyrics, particularly McCartney's, were "a far cry from the militancy of their American peers", he continues, "what was revolutionary was the sonic carpet that enveloped the ears and sent the listener spinning into other realms."<a href="#cite_note-513">[474]</a> <a href="/wiki/Stephen_Thomas_Erlewine" title="Stephen Thomas Erlewine">Stephen Thomas Erlewine</a> of <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a> considers the album to be a refinement of Revolver's "previously unheard-of level of sophistication and fearless experimentation" and a work that combines a wide range of musical styles yet "Not once does the diversity seem forced". He concludes: "After Sgt. Pepper, there were no rules to follow – rock and pop bands could try anything, for better or worse."<a href="#cite_note-Erlewine/AM-489">[452]</a> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=43" title="Edit section: Legacy">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Further_public_and_critical_recognition">Further public and critical recognition</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=44" title="Edit section: Further public and critical recognition">edit</a>]</div> Sgt. Pepper sustained its immense popularity into the 21st century while breaking numerous sales records.<a href="#cite_note-huffpost-514">[475]</a> With certified sales of 5.1 million copies in the UK, as of April 2019, Sgt. Pepper is the <a href="/wiki/List_of_best-selling_albums_in_the_United_Kingdom" title="List of best-selling albums in the United Kingdom">third-best-selling album</a> in UK chart history and the best-selling studio album there.<a href="#cite_note-515">[476]</a> It is one of the most commercially successful albums in the US, where the <a href="/wiki/RIAA" class="mw-redirect" title="RIAA">RIAA</a> certified sales of 11 million copies in 1997.<a href="#cite_note-516">[477]</a> By 2000, Sgt. Pepper was among the top 20 best-selling albums of all time worldwide.<a href="#cite_note-FOOTNOTESmith200947-517">[478]</a> As of 2011, it had sold more than 32 million copies worldwide, making it one of the <a href="/wiki/List_of_best-selling_albums" title="List of best-selling albums">highest-selling albums of all time</a>.<a href="#cite_note-euronews-518">[479]</a> Sgt. Pepper has topped many "best album" lists.<a href="#cite_note-FOOTNOTESmith200946-519">[480]</a> It was voted in first place in <a href="/wiki/Paul_Gambaccini" title="Paul Gambaccini">Paul Gambaccini</a>'s 1978 book <a href="/wiki/Critic%27s_Choice:_Top_200_Albums" title="Critic's Choice: Top 200 Albums">Critic's Choice: Top 200 Albums</a>,<a href="#cite_note-FOOTNOTEHoffmannBailey1990282-520">[481]</a> based on submissions from around 50 British and American critics and broadcasters including Christgau and Marcus,<a href="#cite_note-521">[482]</a> and again in the 1987 edition.<a href="#cite_note-FOOTNOTEJones2016144-522">[483]</a> In the latter year, it also topped Rolling Stone's list of "The 100 Best Albums of the Last Twenty Years".<a href="#cite_note-FOOTNOTEEverett1999124-523">[484]</a> In 1994, it was ranked first in Colin Larkin's <a href="/wiki/All_Time_Top_1000_Albums" title="All Time Top 1000 Albums">All Time Top 1000 Albums</a>.<a href="#cite_note-FOOTNOTEJones2016145-524">[485]</a><a href="#cite_note-528">[nb 40]</a> It was voted best album of all time in the 1998 "Music of the Millennium" poll conducted by <a href="/wiki/HMV" title="HMV">HMV</a> and <a href="/wiki/Channel_4" title="Channel 4">Channel 4</a>,<a href="#cite_note-529">[489]</a> and in the following year's <a href="/wiki/Music_of_the_Millennium" title="Music of the Millennium">expanded survey</a>, which polled 600,000 people across the UK.<a href="#cite_note-FOOTNOTEBadman2001586,_640-530">[490]</a><a href="#cite_note-531">[491]</a> Among its appearances in other critics' polls, the album was third in Q's 2004 list "The Music That Changed the World" and fifth in the same magazine's 2005 list "The 40 Greatest Psychedelic Albums of All Time".<a href="#cite_note-FOOTNOTEWomack2014819-532">[492]</a> In 1993, Sgt. Pepper was inducted into the <a href="/wiki/Grammy_Hall_of_Fame" title="Grammy Hall of Fame">Grammy Hall of Fame</a>,<a href="#cite_note-FOOTNOTEWomack2014819-532">[492]</a> and ten years later it was one of 50 recordings chosen by the <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a> to be added to the <a href="/wiki/National_Recording_Registry" title="National Recording Registry">National Recording Registry</a>, honouring the work as "culturally, historically, or aesthetically significant".<a href="#cite_note-LoC2003-533">[493]</a> In 2003, Rolling Stone placed it at number one in the magazine's list of the "<a href="/wiki/Rolling_Stone%27s_500_Greatest_Albums_of_All_Time" title="Rolling Stone's 500 Greatest Albums of All Time">500 Greatest Albums of All Time</a>",<a href="#cite_note-FOOTNOTEJones2016149-534">[494]</a> a ranking it retained in the revised list of 2012, and described the album as "the pinnacle of the Beatles' eight years as recording artists".<a href="#cite_note-RS_500GreatestAlbums-535">[495]</a><a href="#cite_note-538">[nb 41]</a> The editors also said that Sgt. Pepper was "the most important rock 'n' roll album ever made",<a href="#cite_note-RS_500GreatestAlbums-535">[495]</a> a point to which June Skinner Sawyers adds, in her 2006 collection of essays Read the Beatles: "It has been called the most famous album in the history of popular music. It is certainly among the most written about. It is still being written about."<a href="#cite_note-FOOTNOTEGoldstein200697-539">[498]</a> On Rolling Stone's third such list, published in September 2020, Sgt. Pepper appears at number 24.<a href="#cite_note-540">[499]</a> In 2006, Sgt. Pepper was chosen by Time as one of the 100 best albums of all time.<a href="#cite_note-541">[500]</a> Writing that year, Kevin Dettmar described it as "quite simply, the most important and influential rock-and-roll album ever recorded".<a href="#cite_note-FOOTNOTEDettmar2006139-415">[384]</a> It is featured in Chris Smith's 2009 book <a href="/wiki/101_Albums_That_Changed_Popular_Music" title="101 Albums That Changed Popular Music">101 Albums That Changed Popular Music</a>, where Smith highlights the album among the most "obvious" choices for inclusion due to its continued commercial success, the wealth of imitative works it inspired, and its ongoing recognition as "a defining moment in the history of music".<a href="#cite_note-FOOTNOTESmith2009xiii–xiv-542">[501]</a> In the NME's 2014 article "25 Albums With the Most Incredible Production", Emily Barker described Sgt. Pepper as "kaleidoscopic" and an "orchestral <a href="/wiki/Baroque_pop" title="Baroque pop">baroque pop</a> masterpiece the likes of which has rarely been matched since".<a href="#cite_note-543">[502]</a> <div class="mw-heading mw-heading3"><h3 id="Adaptations,_tributes_and_anniversary_projects">Adaptations, tributes and anniversary projects</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=45" title="Edit section: Adaptations, tributes and anniversary projects">edit</a>]</div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Sgt._Peppers_band.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0a/Sgt._Peppers_band.jpg/220px-Sgt._Peppers_band.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0a/Sgt._Peppers_band.jpg/330px-Sgt._Peppers_band.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0a/Sgt._Peppers_band.jpg/440px-Sgt._Peppers_band.jpg 2x" data-file-width="1280" data-file-height="960" /></a><figcaption>French horn players performing as "Sgt. Pepper's band" at <a href="/wiki/Live_8_concert,_London" title="Live 8 concert, London">Live 8 London</a> in 2005</figcaption></figure> The Sgt. Pepper mythology was reimagined for the plot of Yellow Submarine. In the animated film, the Beatles travel to Pepperland and rescue Sgt. Pepper's band from evildoers, the <a href="/wiki/Blue_Meanies_(Yellow_Submarine)" title="Blue Meanies (Yellow Submarine)">Blue Meanies</a>.<a href="#cite_note-FOOTNOTEFrontani2007174–75-544">[503]</a> The album inspired the 1974 <a href="/wiki/Off-Broadway" title="Off-Broadway">off-Broadway</a> musical <a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_on_the_Road" title="Sgt. Pepper's Lonely Hearts Club Band on the Road">Sgt. Pepper's Lonely Hearts Club Band on the Road</a>, directed by <a href="/wiki/Tom_O%27Horgan" title="Tom O'Horgan">Tom O'Horgan</a>,<a href="#cite_note-FOOTNOTESchaffner1978171-545">[504]</a> and the 1978 film <a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(film)" title="Sgt. Pepper's Lonely Hearts Club Band (film)">Sgt. Pepper's Lonely Hearts Club Band</a>, produced by <a href="/wiki/Robert_Stigwood" title="Robert Stigwood">Robert Stigwood</a>.<a href="#cite_note-FOOTNOTEHarris200774-507">[469]</a> In July 2012, athletes donned Sgt. Pepper uniforms to pay tribute to the Beatles' album during the opening ceremony of the <a href="/wiki/2012_Summer_Olympics" title="2012 Summer Olympics">London Olympics</a>.<a href="#cite_note-546">[505]</a> Sgt. Pepper has been the subject of many tribute albums,<a href="#cite_note-FOOTNOTEMoore199767-547">[506]</a> including a multi-artist CD available with the March 2007 issue of Mojo and a 2009 live album, <a href="/wiki/Sgt._Pepper_Live" title="Sgt. Pepper Live">Sgt. Pepper Live</a>, by <a href="/wiki/Cheap_Trick" title="Cheap Trick">Cheap Trick</a>.<a href="#cite_note-FOOTNOTEWomack2014819-532">[492]</a> Other tribute recordings include <a href="/wiki/Sgt._Pepper_Knew_My_Father" title="Sgt. Pepper Knew My Father">Sgt. Pepper Knew My Father</a>, a multi-artist charity compilation released by the NME in 1988; <a href="/wiki/Big_Daddy_(band)" title="Big Daddy (band)">Big Daddy</a>'s 1992 album <a href="/wiki/Sgt._Pepper%27s_(Big_Daddy_album)" title="Sgt. Pepper's (Big Daddy album)">Sgt. Pepper's</a>, which Moore recognises as "the most audacious" of all the interpretations of the Beatles' LP up to 1997;<a href="#cite_note-FOOTNOTEMoore199767–68-548">[507]</a> and the Flaming Lips' <a href="/wiki/With_a_Little_Help_from_My_Fwends" title="With a Little Help from My Fwends">With a Little Help from My Fwends</a>, released in 2014.<a href="#cite_note-549">[508]</a> <a href="/wiki/BBC_Radio_2" title="BBC Radio 2">BBC Radio 2</a> broadcast Sgt. Pepper's 40th Anniversary in June 2007.<a href="#cite_note-550">[509]</a> The programme contained new versions of the songs by artists such as Oasis, <a href="/wiki/The_Killers" title="The Killers">the Killers</a> and <a href="/wiki/Kaiser_Chiefs" title="Kaiser Chiefs">Kaiser Chiefs</a>, produced by Emerick using EMI's original four-track recording equipment.<a href="#cite_note-SMH-551">[510]</a><a href="#cite_note-552">[511]</a> The 1987 CD release attracted considerable media interest<a href="#cite_note-FOOTNOTEHoffmannBailey1990282-520">[481]</a><a href="#cite_note-Petridis/Guardian-439">[406]</a> and coincided with a <a href="/wiki/Granada_Television" class="mw-redirect" title="Granada Television">Granada</a> TV documentary, <a href="/wiki/It_Was_Twenty_Years_Ago_Today_(film)" title="It Was Twenty Years Ago Today (film)">It Was Twenty Years Ago Today</a>, that located the album at the centre of the Summer of Love.<a href="#cite_note-FOOTNOTEBadman2001388-553">[512]</a><a href="#cite_note-Jensen/UPI-554">[513]</a> The reissue peaked at number three on the UK Albums Chart<a href="#cite_note-FOOTNOTEBadman2001388-553">[512]</a> and topped Billboard's CDs chart.<a href="#cite_note-FOOTNOTEHoffmannBailey1990283-555">[514]</a> The album's 25th anniversary was observed with <a href="/wiki/The_South_Bank_Show" title="The South Bank Show">The South Bank Show</a>'s presentation<a href="#cite_note-FOOTNOTEClayson2003436–37-556">[515]</a> of Martin's TV documentary The Making of Sgt. Pepper, which included interviews with the three surviving Beatles.<a href="#cite_note-FOOTNOTEBadman2001479,_484-557">[516]</a><a href="#cite_note-560">[nb 42]</a> Although there was no official campaign for the 30th anniversary, BBC Radio 2 broadcast Pepper Forever in the UK and some 12,000 schools across the US listened to a radio special dedicated to the album on 2 June 1997.<a href="#cite_note-FOOTNOTEBadman2001569,_570-561">[519]</a> Aside from Radio 2's June 2007 project, the 40th anniversary was marked by the <a href="/wiki/University_of_Leeds" title="University of Leeds">University of Leeds</a> hosting a meeting of British and American commentators to debate the extent of the album's social and cultural impact.<a href="#cite_note-SMH-551">[510]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Sgt._Pepper%27s_50th_Anniversary_Billboard_in_London.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/73/Sgt._Pepper%27s_50th_Anniversary_Billboard_in_London.jpg/260px-Sgt._Pepper%27s_50th_Anniversary_Billboard_in_London.jpg" decoding="async" width="260" height="173" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/73/Sgt._Pepper%27s_50th_Anniversary_Billboard_in_London.jpg/390px-Sgt._Pepper%27s_50th_Anniversary_Billboard_in_London.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/73/Sgt._Pepper%27s_50th_Anniversary_Billboard_in_London.jpg/520px-Sgt._Pepper%27s_50th_Anniversary_Billboard_in_London.jpg 2x" data-file-width="4912" data-file-height="3275" /></a><figcaption><a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band:_50th_Anniversary_Edition" title="Sgt. Pepper's Lonely Hearts Club Band: 50th Anniversary Edition">Sgt. Pepper 50th anniversary</a> billboard in London</figcaption></figure> On 26 May 2017, Sgt. Pepper's Lonely Hearts Club Band was <a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band:_50th_Anniversary_Edition" title="Sgt. Pepper's Lonely Hearts Club Band: 50th Anniversary Edition">reissued for the album's 50th anniversary</a> as a six-disc box set.<a href="#cite_note-562">[520]</a> The first CD contains a new stereo remix of the album, created by <a href="/wiki/Giles_Martin" title="Giles Martin">Giles Martin</a> using first-generation tapes rather than their <a href="/wiki/Ping-pong_recording" title="Ping-pong recording">subsequent mixdowns</a>.<a href="#cite_note-563">[521]</a> <a href="/wiki/Apple_Corps" title="Apple Corps">Apple Corps</a> produced the TV documentary Sgt. Pepper's Musical Revolution to commemorate the anniversary,<a href="#cite_note-564">[522]</a> which was also celebrated with posters, billboards and other decorations in cities around the world.<a href="#cite_note-565">[523]</a> In Liverpool, the anniversary was the focus of a three-week cultural festival that included events dedicated to each of the album's thirteen songs.<a href="#cite_note-Kennedy/Guardian-566">[524]</a> As part of the festival, <a href="/wiki/Mark_Morris_(choreographer)" title="Mark Morris (choreographer)">Mark Morris</a> choreographed Pepperland to four of the songs from Sgt. Pepper and "Penny Lane", arranged by <a href="/wiki/Ethan_Iverson" title="Ethan Iverson">Ethan Iverson</a>, plus six original compositions by Iverson,<a href="#cite_note-Guardian-2017-05-28-567">[525]</a> and a dawn-to-dusk celebration of Indian music was held in recognition of Harrison's absorption in the genre.<a href="#cite_note-Kennedy/Guardian-566">[524]</a><a href="#cite_note-568">[526]</a> The 50th anniversary edition of Sgt. Pepper topped the UK Albums Chart.<a href="#cite_note-huffpost-514">[475]</a> <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading2"><h2 id="Track_listing">Track listing</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=46" title="Edit section: Track listing">edit</a>]</div> All songs written by <a href="/wiki/Lennon%E2%80%93McCartney" title="Lennon–McCartney">Lennon–McCartney</a>, except "Within You Without You" by <a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a>. Track lengths and lead vocals per <a href="/wiki/Mark_Lewisohn" title="Mark Lewisohn">Mark Lewisohn</a> and <a href="/wiki/Ian_MacDonald" title="Ian MacDonald">Ian MacDonald</a>.<a href="#cite_note-569">[527]</a> <style data-mw-deduplicate="TemplateStyles:r1236635009">.mw-parser-output .tracklist{border-spacing:0}.mw-parser-output .tracklist tr{background-color:var(--background-color-base,#fff)}.mw-parser-output .tracklist tr:nth-child(2n-1){background-color:var(--background-color-neutral-subtle,#f8f9fa)}.mw-parser-output .tracklist caption{text-align:left;font-weight:bold}.mw-parser-output .tracklist td,.mw-parser-output .tracklist th[scope="row"]{vertical-align:top}.mw-parser-output .tracklist th[scope="col"]{text-align:left;background-color:var(--background-color-neutral,#eaecf0)}.mw-parser-output .tracklist th.tracklist-length-header,.mw-parser-output .tracklist th.tracklist-number-header,.mw-parser-output .tracklist th[scope="row"],.mw-parser-output .tracklist-length,.mw-parser-output .tracklist-total-length td{padding-right:10px;text-align:right}.mw-parser-output .tracklist th[scope="row"]{font-weight:normal}.mw-parser-output .tracklist-number-header{width:2em;padding-left:10px}.mw-parser-output .tracklist-length-header{width:4em}.mw-parser-output .tracklist tr.tracklist-total-length{background-color:transparent}.mw-parser-output .tracklist .tracklist-total-length th{padding:0;font-weight:bold}.mw-parser-output .tracklist-total-length th>span{float:right;padding:0 10px;background-color:var(--background-color-neutral,#eaecf0)}.mw-parser-output .tracklist-total-length td{background-color:var(--background-color-neutral,#eaecf0);font-weight:bold;padding:0 10px 0 0}</style><div class="track-listing"><table class="tracklist"><caption>Side one</caption><tbody><tr><th class="tracklist-number-header" scope="col"><abbr title="Number">No.</abbr></th><th scope="col" style="width:60%">Title</th><th scope="col" style="width:40%">Lead vocals</th><th class="tracklist-length-header" scope="col">Length</th></tr><tr><th id="track1" scope="row">1.</th><td>"<a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(song)" title="Sgt. Pepper's Lonely Hearts Club Band (song)">Sgt. Pepper's Lonely Hearts Club Band</a>"</td><td>McCartney</td><td class="tracklist-length">2:00</td></tr><tr><th id="track2" scope="row">2.</th><td>"<a href="/wiki/With_a_Little_Help_from_My_Friends" title="With a Little Help from My Friends">With a Little Help from My Friends</a>"</td><td>Starr</td><td class="tracklist-length">2:42</td></tr><tr><th id="track3" scope="row">3.</th><td>"<a href="/wiki/Lucy_in_the_Sky_with_Diamonds" title="Lucy in the Sky with Diamonds">Lucy in the Sky with Diamonds</a>"</td><td>Lennon</td><td class="tracklist-length">3:28</td></tr><tr><th id="track4" scope="row">4.</th><td>"<a href="/wiki/Getting_Better" title="Getting Better">Getting Better</a>"</td><td>McCartney</td><td class="tracklist-length">2:48</td></tr><tr><th id="track5" scope="row">5.</th><td>"<a href="/wiki/Fixing_a_Hole" title="Fixing a Hole">Fixing a Hole</a>"</td><td>McCartney</td><td class="tracklist-length">2:36</td></tr><tr><th id="track6" scope="row">6.</th><td>"<a href="/wiki/She%27s_Leaving_Home" title="She's Leaving Home">She's Leaving Home</a>"</td><td>McCartney with Lennon</td><td class="tracklist-length">3:25</td></tr><tr><th id="track7" scope="row">7.</th><td>"<a href="/wiki/Being_for_the_Benefit_of_Mr._Kite!" title="Being for the Benefit of Mr. Kite!">Being for the Benefit of Mr. Kite!</a>"</td><td>Lennon</td><td class="tracklist-length">2:37</td></tr><tr class="tracklist-total-length"><th colspan="3" scope="row">Total length:</th><td>19:36</td></tr></tbody></table></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236635009"><div class="track-listing"><table class="tracklist"><caption>Side two</caption><tbody><tr><th class="tracklist-number-header" scope="col"><abbr title="Number">No.</abbr></th><th scope="col" style="width:60%">Title</th><th scope="col" style="width:40%">Lead vocals</th><th class="tracklist-length-header" scope="col">Length</th></tr><tr><th id="track1" scope="row">1.</th><td>"<a href="/wiki/Within_You_Without_You" title="Within You Without You">Within You Without You</a>"</td><td>Harrison</td><td class="tracklist-length">5:05</td></tr><tr><th id="track2" scope="row">2.</th><td>"<a href="/wiki/When_I%27m_Sixty-Four" title="When I'm Sixty-Four">When I'm Sixty-Four</a>"</td><td>McCartney</td><td class="tracklist-length">2:37</td></tr><tr><th id="track3" scope="row">3.</th><td>"<a href="/wiki/Lovely_Rita" title="Lovely Rita">Lovely Rita</a>"</td><td>McCartney</td><td class="tracklist-length">2:42</td></tr><tr><th id="track4" scope="row">4.</th><td>"<a href="/wiki/Good_Morning_Good_Morning" title="Good Morning Good Morning">Good Morning Good Morning</a>"</td><td>Lennon</td><td class="tracklist-length">2:42</td></tr><tr><th id="track5" scope="row">5.</th><td>"<a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(song)#Reprise" title="Sgt. Pepper's Lonely Hearts Club Band (song)">Sgt. Pepper's Lonely Hearts Club Band (Reprise)</a>"</td><td>Lennon, McCartney, Harrison and Starr</td><td class="tracklist-length">1:18</td></tr><tr><th id="track6" scope="row">6.</th><td>"<a href="/wiki/A_Day_in_the_Life" title="A Day in the Life">A Day in the Life</a>"</td><td>Lennon with McCartney</td><td class="tracklist-length">5:38</td></tr><tr class="tracklist-total-length"><th colspan="3" scope="row">Total length:</th><td>20:02</td></tr></tbody></table></div> <div class="mw-heading mw-heading2"><h2 id="Personnel">Personnel</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=47" title="Edit section: Personnel">edit</a>]</div> According to Mark Lewisohn and Ian MacDonald,<a href="#cite_note-570">[528]</a> except where noted: The Beatles <ul><li><a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a> – lead, harmony and background vocals; rhythm, acoustic and lead guitars; <a href="/wiki/Hammond_organ" title="Hammond organ">Hammond organ</a>, final piano E chord; harmonica, <a href="/wiki/Tape_loop" title="Tape loop">tape loops</a>, <a href="/wiki/Sound_effect" title="Sound effect">sound effects</a>, <a href="/wiki/Comb_and_tissue_paper" class="mw-redirect" title="Comb and tissue paper">comb and tissue paper</a>; handclaps, tambourine, maracas, bass guitar on "Fixing a Hole"<a href="#cite_note-:0-571">[529]</a></li> <li><a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> – lead, harmony and background vocals; bass and lead guitars; piano, grand piano, <a href="/wiki/Lowrey_organ" title="Lowrey organ">Lowrey</a> and Hammond organs; handclaps; vocalisations, sound effects, comb and tissue paper</li> <li><a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a> – harmony and background vocals; lead, rhythm and acoustic guitars; <a href="/wiki/Sitar" title="Sitar">sitar</a>, <a href="/wiki/Tanpura" title="Tanpura">tambura</a>, <a href="/wiki/Swarmandal" title="Swarmandal">swarmandal</a>;<a href="#cite_note-572">[530]</a> harmonica, comb and tissue paper; handclaps, tambourine, maracas; lead vocals on "Within You Without You"</li> <li><a href="/wiki/Ringo_Starr" title="Ringo Starr">Ringo Starr</a> – drums, <a href="/wiki/Conga" title="Conga">congas</a>, <a href="/wiki/Tambourine" title="Tambourine">tambourine</a>, <a href="/wiki/Maraca" title="Maraca">maracas</a>, handclaps, <a href="/wiki/Tubular_bells" title="Tubular bells">tubular bells</a>; lead vocals on "With a Little Help from My Friends" and "Sgt. Pepper's Lonely Hearts Club Band (Reprise)";<a href="#cite_note-573">[531]</a> harmonica, comb and tissue paper; final piano E chord</li></ul> Additional musicians and production <ul><li><a href="/wiki/Sounds_Incorporated" title="Sounds Incorporated">Sounds Inc.</a> – saxophones, trombones and French horn on "Good Morning Good Morning"</li> <li><a href="/wiki/Neil_Aspinall" title="Neil Aspinall">Neil Aspinall</a> – tambura, harmonica</li> <li><a href="/wiki/Geoff_Emerick" title="Geoff Emerick">Geoff Emerick</a> – <a href="/wiki/Audio_engineering" class="mw-redirect" title="Audio engineering">audio engineering</a>; tape loops, sound effects<a href="#cite_note-575">[nb 43]</a></li> <li><a href="/wiki/Mal_Evans" title="Mal Evans">Mal Evans</a> – counting, harmonica, alarm clock, final piano E chord</li> <li><a href="/wiki/George_Martin" title="George Martin">George Martin</a> – producer, <a href="/wiki/Audio_mixing_(recorded_music)" title="Audio mixing (recorded music)">mixer</a>; tape loops, sound effects; <a href="/wiki/Harpsichord" title="Harpsichord">harpsichord</a> on "Fixing a Hole", <a href="/wiki/Pump_organ" title="Pump organ">harmonium</a>, Lowrey organ, <a href="/wiki/Glockenspiel" title="Glockenspiel">glockenspiel</a> and <a href="/wiki/Mellotron" title="Mellotron">Mellotron</a><a href="#cite_note-576">[533]</a> on "Being for the Benefit of Mr. Kite!", Hammond organ on "With a Little Help from My Friends", piano on "Getting Better", piano solo on "Lovely Rita"; final harmonium chord.</li> <li>Session musicians – four French horns on "Sgt. Pepper's Lonely Hearts Club Band": <a href="/wiki/Neill_Sanders" title="Neill Sanders">Neill Sanders</a>, James W. Buck, John Burden, Tony Randall, arranged and conducted by Martin and McCartney; <a href="/wiki/Harp" title="Harp">harp</a>, performed by <a href="/wiki/Sheila_Bromberg" title="Sheila Bromberg">Sheila Bromberg</a>, and <a href="/wiki/String_instrument" title="String instrument">string</a> section on "She's Leaving Home", arranged by <a href="/wiki/Mike_Leander" title="Mike Leander">Mike Leander</a> and conducted by Martin; <a href="/wiki/Tabla" title="Tabla">tabla</a> by Natwar Soni, <a href="/wiki/Dilruba" title="Dilruba">dilrubas</a> by Anna Joshi and Amrit Gajjar, and tambura by Buddhadev Kansara on "Within You Without You",<a href="#cite_note-577">[534]</a> with eight violins and four cellos arranged and conducted by Harrison and Martin; clarinet trio on "When I'm Sixty-Four": Robert Burns, Henry MacKenzie, Frank Reidy, arranged and conducted by Martin and McCartney; saxophones on "Good Morning Good Morning", arranged and conducted by Martin and Lennon; and forty-piece orchestra, including strings, <a href="/wiki/Brass_instrument" title="Brass instrument">brass</a>, <a href="/wiki/Woodwind_instrument" title="Woodwind instrument">woodwinds</a> and percussion on "A Day in the Life", arranged by Martin, Lennon and McCartney, and conducted by Martin and McCartney.</li></ul> <div class="mw-heading mw-heading2"><h2 id="Charts">Charts</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=48" title="Edit section: Charts">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Weekly_charts">Weekly charts</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=49" title="Edit section: Weekly charts">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1216972533">.mw-parser-output .col-begin{border-collapse:collapse;padding:0;color:inherit;width:100%;border:0;margin:0}.mw-parser-output .col-begin-small{font-size:90%}.mw-parser-output .col-break{vertical-align:top;text-align:left}.mw-parser-output .col-break-2{width:50%}.mw-parser-output .col-break-3{width:33.3%}.mw-parser-output .col-break-4{width:25%}.mw-parser-output .col-break-5{width:20%}@media(max-width:720px){.mw-parser-output .col-begin,.mw-parser-output .col-begin>tbody,.mw-parser-output .col-begin>tbody>tr,.mw-parser-output .col-begin>tbody>tr>td{display:block!important;width:100%!important}.mw-parser-output .col-break{padding-left:0!important}}</style><div> <table class="col-begin" role="presentation"> <tbody><tr> <td class="col-break col-break-2"> <table class="wikitable sortable" style="text-align:center;"> <caption>Original release </caption> <tbody><tr> <th>Chart (1967–70) </th> <th>Position </th></tr> <tr> <td align="left">Australian <a href="/wiki/Kent_Music_Report" title="Kent Music Report">Kent Music Report</a><a href="#cite_note-auchart-578">[535]</a> </td> <td>1 </td></tr> <tr> <td align="left">Canadian <a href="/wiki/RPM_(magazine)" title="RPM (magazine)">RPM Top LPs</a><a href="#cite_note-579">[536]</a> </td> <td>1 </td></tr> <tr> <td align="left"><a href="/wiki/Suomen_virallinen_lista" class="mw-redirect" title="Suomen virallinen lista">Finnish Albums Chart</a><a href="#cite_note-580">[537]</a> </td> <td align="center">1 </td></tr> <tr> <td align="left">Norwegian <a href="/wiki/VG-lista" title="VG-lista">VG-lista</a> Albums<a href="#cite_note-581">[538]</a> </td> <td>1 </td></tr> <tr> <td align="left">Swedish <a href="/wiki/Sverigetopplistan" title="Sverigetopplistan">Kvällstoppen Chart</a><a href="#cite_note-582">[539]</a> </td> <td>1 </td></tr> <tr> <td align="left">UK <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">Record Retailer LPs Chart</a><a href="#cite_note-583">[540]</a> </td> <td>1 </td></tr> <tr> <td align="left">US <a href="/wiki/Billboard_200" title="Billboard 200">Billboard Top LPs</a><a href="#cite_note-billboard-584">[541]</a> </td> <td>1 </td></tr> <tr> <td align="left">West German <a href="/wiki/Musikmarkt" title="Musikmarkt">Musikmarkt LP Hit-Parade</a><a href="#cite_note-dechart-585">[542]</a> </td> <td>1 </td></tr></tbody></table> <table class="wikitable" style="text-align:center;"> <caption>1987 reissue </caption> <tbody><tr> <th>Chart </th> <th>Position </th></tr> <tr> <td align="left"><a href="/wiki/MegaCharts" class="mw-redirect" title="MegaCharts">Dutch Mega Albums Chart</a><a href="#cite_note-nlchart-586">[543]</a> </td> <td>2 </td></tr> <tr> <td align="left">Japanese Albums Chart<a href="#cite_note-Jachart1-587">[544]</a> </td> <td>3 </td></tr> <tr> <td align="left"><a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a><a href="#cite_note-ukchart-588">[545]</a> </td> <td>3 </td></tr> <tr> <td align="left">US <a href="/wiki/Billboard_charts" title="Billboard charts">Billboard Top Compact Disks</a><a href="#cite_note-589">[546]</a> </td> <td>1 </td></tr></tbody></table> <table class="wikitable sortable" style="text-align:center;"> <caption>2009 reissue </caption> <tbody><tr> <th>Chart </th> <th>Position </th></tr> <tr> <td align="left"><a href="/wiki/ARIA_Charts" title="ARIA Charts">Australian Albums Chart</a><a href="#cite_note-590">[547]</a> </td> <td>16 </td></tr> <tr> <td align="left"><a href="/wiki/Ultratop" title="Ultratop">Belgian Albums Chart (Wallonia)</a><a href="#cite_note-591">[548]</a> </td> <td>22 </td></tr> <tr> <td align="left"><a href="/wiki/Associa%C3%A7%C3%A3o_Brasileira_dos_Produtores_de_Discos" class="mw-redirect" title="Associação Brasileira dos Produtores de Discos">Brazilian Albums Chart</a><a href="#cite_note-592">[549]</a> </td> <td>20 </td></tr> <tr> <td align="left">Danish Albums Chart<a href="#cite_note-dkchart-593">[550]</a> </td> <td>20 </td></tr> <tr> <td align="left"><a href="/wiki/Finnish_Albums_Chart" class="mw-redirect" title="Finnish Albums Chart">Finnish Albums Chart</a><a href="#cite_note-594">[551]</a> </td> <td>9 </td></tr> <tr> <td align="left"><a href="/wiki/Italian_Albums_Chart" class="mw-redirect" title="Italian Albums Chart">Italian Albums Chart</a><a href="#cite_note-595">[552]</a> </td> <td>9 </td></tr> <tr> <td align="left">Japanese Albums Chart<a href="#cite_note-Jachart2-596">[553]</a> </td> <td>20 </td></tr> <tr> <td align="left"><a href="/wiki/Recording_Industry_Association_of_New_Zealand" class="mw-redirect" title="Recording Industry Association of New Zealand">New Zealand Albums Chart</a><a href="#cite_note-597">[554]</a> </td> <td>12 </td></tr> <tr> <td align="left"><a href="/wiki/IFPI" class="mw-redirect" title="IFPI">Norwegian Albums Chart</a><a href="#cite_note-598">[555]</a> </td> <td>31 </td></tr> <tr> <td align="left"><a href="/wiki/Portuguese_Albums_Chart" class="mw-redirect" title="Portuguese Albums Chart">Portuguese Albums Chart</a><a href="#cite_note-599">[556]</a> </td> <td>4 </td></tr> <tr> <td align="left"><a href="/wiki/PROMUSICAE" class="mw-redirect" title="PROMUSICAE">Spanish Albums Chart</a><a href="#cite_note-600">[557]</a> </td> <td>22 </td></tr> <tr> <td align="left"><a href="/wiki/Swedish_Albums_Chart" class="mw-redirect" title="Swedish Albums Chart">Swedish Albums Chart</a><a href="#cite_note-601">[558]</a> </td> <td>8 </td></tr> <tr> <td align="left">UK Albums Chart<a href="#cite_note-602">[559]</a> </td> <td>5 </td></tr></tbody></table> </td> <td class="col-break col-break-2"> <table class="wikitable sortable" style="text-align:center;"> <caption>2017 reissue </caption> <tbody><tr> <th>Chart </th> <th>Position </th></tr> <tr> <td align="left">Australian Albums (<a href="/wiki/ARIA_Charts" title="ARIA Charts">ARIA</a>)<a href="#cite_note-ac_Australia_The_Beatles-603">[560]</a> </td> <td align="center">5 </td></tr> <tr> <td align="left">Austrian Albums (<a href="/wiki/%C3%963_Austria_Top_40" title="Ö3 Austria Top 40">Ö3 Austria</a>)<a href="#cite_note-ac_Austria_The_Beatles-604">[561]</a> </td> <td align="center">3 </td></tr> <tr> <td align="left">Belgian Albums (<a href="/wiki/Ultratop" title="Ultratop">Ultratop</a> Flanders)<a href="#cite_note-ac_Flanders_The_Beatles-605">[562]</a> </td> <td align="center">2 </td></tr> <tr> <td align="left">Belgian Albums (<a href="/wiki/Ultratop" title="Ultratop">Ultratop</a> Wallonia)<a href="#cite_note-ac_Wallonia_The_Beatles-606">[563]</a> </td> <td align="center">1 </td></tr> <tr> <td align="left"><a href="/wiki/Canadian_Albums_Chart" title="Canadian Albums Chart">Canadian Albums</a> (<a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>)<a href="#cite_note-607">[564]</a> </td> <td align="center">7 </td></tr> <tr> <td align="left">Czech Albums (<a href="/wiki/International_Federation_of_the_Phonographic_Industry" title="International Federation of the Phonographic Industry">ČNS IFPI</a>)<a href="#cite_note-ac_Czech_-608">[565]</a> </td> <td align="center">6 </td></tr> <tr> <td align="left">Danish Albums (<a href="/wiki/Hitlisten" title="Hitlisten">Hitlisten</a>)<a href="#cite_note-ac_Denmark_The_Beatles-609">[566]</a> </td> <td align="center">3 </td></tr> <tr> <td align="left">Dutch Albums (<a href="/wiki/Dutch_Album_Top_100" title="Dutch Album Top 100">Album Top 100</a>)<a href="#cite_note-ac_Netherlands_The_Beatles-610">[567]</a> </td> <td align="center">2 </td></tr> <tr> <td align="left">Finnish Albums (<a href="/wiki/The_Official_Finnish_Charts" class="mw-redirect" title="The Official Finnish Charts">Suomen virallinen lista</a>)<a href="#cite_note-ac_Finland_The_Beatles-611">[568]</a> </td> <td align="center">23 </td></tr> <tr> <td align="left">German Albums (<a href="/wiki/GfK_Entertainment_charts" title="GfK Entertainment charts">Offizielle Top 100</a>)<a href="#cite_note-ac_Germany4_The_Beatles-612">[569]</a> </td> <td align="center">5 </td></tr> <tr> <td align="left">Irish Albums (<a href="/wiki/Irish_Recorded_Music_Association" title="Irish Recorded Music Association">IRMA</a>)<a href="#cite_note-613">[570]</a> </td> <td align="center">2 </td></tr> <tr> <td align="left">Italian Albums (<a href="/wiki/Federazione_Industria_Musicale_Italiana" title="Federazione Industria Musicale Italiana">FIMI</a>)<a href="#cite_note-614">[571]</a> </td> <td>6 </td></tr> <tr> <td align="left">Japanese Albums (<a href="/wiki/Oricon" title="Oricon">Oricon</a>)<a href="#cite_note-ac_Oricon_-615">[572]</a> </td> <td align="center">5 </td></tr> <tr> <td align="left">Mexican Albums (<a href="/wiki/Asociaci%C3%B3n_Mexicana_de_Productores_de_Fonogramas_y_Videogramas" title="Asociación Mexicana de Productores de Fonogramas y Videogramas">AMPROFON</a>)<a href="#cite_note-616">[573]</a> </td> <td>18 </td></tr> <tr> <td align="left">New Zealand Albums (<a href="/wiki/Recorded_Music_NZ" title="Recorded Music NZ">RMNZ</a>)<a href="#cite_note-617">[574]</a> </td> <td>4 </td></tr> <tr> <td align="left">Norwegian Albums (<a href="/wiki/VG-lista" title="VG-lista">VG-lista</a>)<a href="#cite_note-618">[575]</a> </td> <td align="center">9 </td></tr> <tr> <td align="left">Polish Albums (<a href="/wiki/Polish_Society_of_the_Phonographic_Industry" title="Polish Society of the Phonographic Industry">ZPAV</a>)<a href="#cite_note-ac_Poland_-619">[576]</a> </td> <td align="center">28 </td></tr> <tr> <td align="left"><a href="/wiki/Portuguese_Albums_Chart" class="mw-redirect" title="Portuguese Albums Chart">Portuguese Albums Chart</a><a href="#cite_note-620">[577]</a> </td> <td>3 </td></tr> <tr> <td align="left"><a href="/wiki/Scottish_Singles_and_Albums_Charts" title="Scottish Singles and Albums Charts">Scottish Albums</a> (<a href="/wiki/Official_Charts_Company" title="Official Charts Company">OCC</a>)<a href="#cite_note-ac_Scotland_-621">[578]</a> </td> <td align="center">1 </td></tr> <tr> <td align="left">Spanish Albums (<a href="/wiki/Productores_de_M%C3%BAsica_de_Espa%C3%B1a" title="Productores de Música de España">PROMUSICAE</a>)<a href="#cite_note-622">[579]</a> </td> <td>3 </td></tr> <tr> <td align="left">Swedish Albums (<a href="/wiki/Sverigetopplistan" title="Sverigetopplistan">Sverigetopplistan</a>)<a href="#cite_note-ac_Sweden_The_Beatles-623">[580]</a> </td> <td align="center">2 </td></tr> <tr> <td align="left">Swiss Albums (<a href="/wiki/Swiss_Hitparade" title="Swiss Hitparade">Schweizer Hitparade</a>)<a href="#cite_note-ac_Switzerland_The_Beatles-624">[581]</a> </td> <td align="center">2 </td></tr> <tr> <td align="left"><a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums</a> (<a href="/wiki/Official_Charts_Company" title="Official Charts Company">OCC</a>)<a href="#cite_note-ac_UK2_-625">[582]</a> </td> <td align="center">1 </td></tr> <tr> <td align="left">US <a href="/wiki/Billboard_200" title="Billboard 200">Billboard 200</a><a href="#cite_note-626">[583]</a> </td> <td>3 </td></tr></tbody></table> </td></tr></tbody></table></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1216972533"><div> <table class="col-begin" role="presentation"> <tbody><tr> <td class="col-break col-break-2"> <div class="mw-heading mw-heading3"><h3 id="Year-end_charts">Year-end charts</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=50" title="Edit section: Year-end charts">edit</a>]</div> <table class="wikitable" style="text-align:center;"> <tbody><tr> <th>Chart (1967) </th> <th>Position </th></tr> <tr> <td align="left"><a href="/wiki/List_of_Top_25_albums_for_1967_in_Australia" class="mw-redirect" title="List of Top 25 albums for 1967 in Australia">Australian Albums Chart</a><a href="#cite_note-auchart-578">[535]</a> </td> <td>1 </td></tr> <tr> <td align="left"><a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a><a href="#cite_note-Mawer/1967-353">[326]</a> </td> <td>1 </td></tr> <tr> <td align="left">US Billboard Year-End<a href="#cite_note-627">[584]</a> </td> <td>10 </td></tr> <tr> <th>Chart (1968) </th> <th>Position </th></tr> <tr> <td align="left"><a href="/wiki/List_of_Top_25_albums_for_1968_in_Australia" class="mw-redirect" title="List of Top 25 albums for 1968 in Australia">Australian Albums Chart</a><a href="#cite_note-auchart-578">[535]</a> </td> <td>3 </td></tr> <tr> <td align="left">US Billboard Year-End<a href="#cite_note-628">[585]</a> </td> <td>6 </td></tr> </tbody></table> </td> <td class="col-break col-break-2"> <div class="mw-heading mw-heading3"><h3 id="Decade-end_charts">Decade-end charts</h3>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=51" title="Edit section: Decade-end charts">edit</a>]</div> <table class="wikitable" style="text-align:center;"> <tbody><tr> <th>Chart (1960s) </th> <th>Position </th></tr> <tr> <td align="left"><a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a><a href="#cite_note-Mawer/1969-354">[327]</a> </td> <td>1 </td></tr></tbody></table> </td></tr></tbody></table></div> <div class="mw-heading mw-heading2"><h2 id="Certifications_and_sales">Certifications and sales</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=52" title="Edit section: Certifications and sales">edit</a>]</div> <table class="wikitable sortable plainrowheaders"> <caption>Certifications and sales for Sgt. Pepper's Lonely Hearts Club Band </caption> <tbody><tr> <th scope="col">Region </th> <th scope="col">Certification</th> <th scope="col" data-sort-type="number"><a href="/wiki/List_of_music_recording_certifications" title="List of music recording certifications">Certified units</a>/sales </th></tr> <tr> <th scope="row">Argentina (<a href="/wiki/Argentine_Chamber_of_Phonograms_and_Videograms_Producers" title="Argentine Chamber of Phonograms and Videograms Producers">CAPIF</a>)<a href="#cite_note-capif-629">[586]</a> </th> <td>2× Platinum </td> <td>120,000^ </td></tr> <tr> <th scope="row">Argentina (<a href="/wiki/Argentine_Chamber_of_Phonograms_and_Videograms_Producers" title="Argentine Chamber of Phonograms and Videograms Producers">CAPIF</a>)<a href="#cite_note-capif-629">[586]</a> 1987 CD issue </th> <td>3× Platinum </td> <td>180,000^ </td></tr> <tr> <th scope="row">Australia (<a href="/wiki/Australian_Recording_Industry_Association" title="Australian Recording Industry Association">ARIA</a>)<a href="#cite_note-AustraliaThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-630">[587]</a> </th> <td>4× Platinum </td> <td>280,000^ </td></tr> <tr> <th scope="row">Brazil (<a href="/wiki/Pro-M%C3%BAsica_Brasil" title="Pro-Música Brasil">Pro-Música Brasil</a>)<a href="#cite_note-BrazilThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-632">[589]</a> </th> <td>Gold </td> <td>290,000<a href="#cite_note-631">[588]</a> </td></tr> <tr> <th scope="row">Canada (<a href="/wiki/Music_Canada" title="Music Canada">Music Canada</a>)<a href="#cite_note-CanadaThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-633">[590]</a> </th> <td>8× Platinum </td> <td>800,000^ </td></tr> <tr> <th scope="row">Denmark (<a href="/wiki/IFPI_Danmark" title="IFPI Danmark">IFPI Danmark</a>)<a href="#cite_note-DenmarkThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-634">[591]</a> </th> <td>3× Platinum </td> <td>60,000‡ </td></tr> <tr> <th scope="row">France (<a href="/wiki/Syndicat_National_de_l%27%C3%89dition_Phonographique" class="mw-redirect" title="Syndicat National de l'Édition Phonographique">SNEP</a>)<a href="#cite_note-FranceThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-635">[592]</a> </th> <td>Gold </td> <td>100,000* </td></tr> <tr> <th scope="row">Germany (<a href="/wiki/Bundesverband_Musikindustrie" title="Bundesverband Musikindustrie">BVMI</a>)<a href="#cite_note-GermanyThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-636">[593]</a> </th> <td>Platinum </td> <td>500,000^ </td></tr> <tr> <th scope="row">Italy (<a href="/wiki/Federazione_Industria_Musicale_Italiana" title="Federazione Industria Musicale Italiana">FIMI</a>)<a href="#cite_note-ItalyThe_BeatlesSgt.Pepper's_Lonely_Hearts_Club_BandalbumCertRef-637">[594]</a> sales since 2009 </th> <td>Platinum </td> <td>50,000‡ </td></tr> <tr> <th scope="row">Japan </th> <td data-sort-value="" style="vertical-align:middle; text-align:center" class="table-na">— </td> <td>208,000<a href="#cite_note-Jachart1-587">[544]</a> </td></tr> <tr> <th scope="row">New Zealand (<a href="/wiki/Recorded_Music_NZ" title="Recorded Music NZ">RMNZ</a>)<a href="#cite_note-New_ZealandThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-638">[595]</a> </th> <td>6× Platinum </td> <td>90,000^ </td></tr> <tr> <th scope="row">United Kingdom (<a href="/wiki/British_Phonographic_Industry" title="British Phonographic Industry">BPI</a>)<a href="#cite_note-United_KingdomThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-639">[596]</a> </th> <td>18× Platinum </td> <td>5,400,000‡ </td></tr> <tr> <th scope="row">United States (<a href="/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">RIAA</a>)<a href="#cite_note-United_StatesThe_BeatlesLonely_Hearts_Club_BandalbumCertRef-640">[597]</a> </th> <td>11× Platinum </td> <td>11,000,000^ </td></tr> <tr class="sortbottom"> <th scope="col" colspan="3">Summaries </th></tr> <tr> <th scope="row">Worldwide </th> <td data-sort-value="" style="vertical-align:middle; text-align:center" class="table-na">— </td> <td>32,000,000<a href="#cite_note-euronews-518">[479]</a> </td></tr> <tr class="sortbottom" style="text-align: center;"> <td colspan="3"> * Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone. </td></tr></tbody></table> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=53" title="Edit section: See also">edit</a>]</div> <ul><li><a href="/wiki/Outline_of_the_Beatles" title="Outline of the Beatles">Outline of the Beatles</a></li> <li><a href="/wiki/The_Beatles_timeline" title="The Beatles timeline">The Beatles timeline</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=54" title="Edit section: Notes">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-2"><a href="#cite_ref-2">^</a> According to author Allen J. Wiener, the album's intended release date of 1 June has been "traditionally observed" over the ensuing decades, yet the true release date was 26 May.<a href="#cite_note-FOOTNOTEWiener199231-1">[1]</a> </li> <li id="cite_note-32"><a href="#cite_ref-32">^</a> McCartney has said that the idea for the title came from his mishearing Evans asking for "salt and pepper" over a meal.<a href="#cite_note-31">[30]</a> </li> <li id="cite_note-39"><a href="#cite_ref-39">^</a> The Beatles had often joked about Elvis Presley's decision to send his <a href="/wiki/Cadillac" title="Cadillac">Cadillac</a> car on a tour,<a href="#cite_note-FOOTNOTEWomack2018chap._10-37">[35]</a> and both Martin and McCartney remembered the band as envisioning the album as similarly touring in their place.<a href="#cite_note-FOOTNOTEWomack2018chap._10-37">[35]</a><a href="#cite_note-38">[36]</a> </li> <li id="cite_note-64"><a href="#cite_ref-64">^</a> In Emerick's opinion, the recording of Sgt. Pepper marks the emergence of McCartney as the Beatles' de facto producer, as Martin was increasingly absent near the end of late-night sessions that often lasted until dawn.<a href="#cite_note-FOOTNOTEEmerickMassey2006163-63">[60]</a> </li> <li id="cite_note-70"><a href="#cite_ref-70">^</a> Wilson was similarly impressed with the intricate bass playing on Rubber Soul.<a href="#cite_note-FOOTNOTETurner201644-68">[64]</a> McCartney later said that he, Wilson and Motown's <a href="/wiki/James_Jamerson" title="James Jamerson">James Jamerson</a> were the three players "doing melodic bass lines at that time ... all picking up on what each other did".<a href="#cite_note-FOOTNOTEMiles1997271-69">[65]</a> </li> <li id="cite_note-75"><a href="#cite_ref-75">^</a> "Strawberry Fields Forever" made prominent use of <a href="/wiki/Mellotron" title="Mellotron">Mellotron</a>,<a href="#cite_note-FOOTNOTECunningham1998127-72">[67]</a><a href="#cite_note-FOOTNOTEPrendergast200383-73">[68]</a> a keyboard instrument on which the keys triggered tape-recordings of a variety of instruments, enabling its user to play keyboard parts using those voices.<a href="#cite_note-FOOTNOTERodriguez2012109,_191–93-74">[69]</a> </li> <li id="cite_note-81"><a href="#cite_ref-81">^</a> In a 2017 interview, Starr said with regard to Harrison's guitar contributions: "Actually, Paul and I were talking about him when we were both listening to Sgt Pepper's for the [50th] anniversary and saying how important George's work on guitar was on that record."<a href="#cite_note-80">[74]</a> </li> <li id="cite_note-94"><a href="#cite_ref-94">^</a> During a 24 February overdubbing session for "Lovely Rita", the Beatles' guests included Crosby and <a href="/wiki/Shawn_Phillips" title="Shawn Phillips">Shawn Phillips</a>, Donovan's guitarist.<a href="#cite_note-FOOTNOTEWinn200995-92">[85]</a> Photos published in <a href="/wiki/Beatles_Monthly" class="mw-redirect" title="Beatles Monthly">Beatles Monthly</a> magazine showed Lennon, McCartney, Harrison and Crosby grouped around a microphone,<a href="#cite_note-Runtagh/RS-93">[86]</a> and a <a href="/wiki/Beat_Instrumental" title="Beat Instrumental">Beat Instrumental</a> report stated that the backing vocals were recorded that night with Crosby's participation.<a href="#cite_note-FOOTNOTEWinn200995-92">[85]</a> Phillips later supported this and said that he too sang backing vocals with the three Beatles.<a href="#cite_note-Runtagh/RS-93">[86]</a> However, Phillips' recollection is not supported by others,<a href="#cite_note-Runtagh/RS-93">[86]</a> and the group vocals were instead overdubbed on 7 March.<a href="#cite_note-FOOTNOTEWinn200995-92">[85]</a> </li> <li id="cite_note-101"><a href="#cite_ref-101">^</a> While recording the vocals for "Getting Better" on 21 March, Lennon started feeling ill,<a href="#cite_note-FOOTNOTESpitz2005670–71-97">[89]</a> having accidentally taken LSD when he meant to take an <a href="/wiki/Stimulant" title="Stimulant">upper</a>.<a href="#cite_note-FOOTNOTEMiles1997382-98">[90]</a> Unaware that he was under the influence, Martin escorted him to the roof of the building for some fresh air and returned to the studio. When they learned that Lennon was alone on the rail-less rooftop, Harrison and McCartney rushed up to retrieve him and prevent a possible accident.<a href="#cite_note-FOOTNOTELewisohn2005104-99">[91]</a><a href="#cite_note-FOOTNOTEThe_Beatles2000242-100">[92]</a> </li> <li id="cite_note-112"><a href="#cite_ref-112">^</a> Following the "Day in the Life" filming, the music press often reported on the idea of a Sgt. Pepper TV special.<a href="#cite_note-FOOTNOTELewisohn200596-104">[95]</a> Although a report in July stated that the plan had been scrapped, a filming schedule was drawn up for late in the year, by which point the Beatles were committed to making <a href="/wiki/Magical_Mystery_Tour_(film)" title="Magical Mystery Tour (film)">Magical Mystery Tour</a>.<a href="#cite_note-FOOTNOTEWinn200988-111">[102]</a> </li> <li id="cite_note-137"><a href="#cite_ref-137">^</a> "Sgt. Pepper" was crossfaded into "With a Little Help from My Friends" and the "Sgt. Pepper" reprise was crossfaded into "A Day in the Life".<a href="#cite_note-FOOTNOTELewisohn2010251-136">[126]</a> </li> <li id="cite_note-173"><a href="#cite_ref-173">^</a> The crowd noises were gleaned from EMI's tape archive, including audience sounds recorded at the <a href="/wiki/Royal_Albert_Hall" title="Royal Albert Hall">Royal Albert Hall</a> and the <a href="/wiki/Queen_Elizabeth_Hall" title="Queen Elizabeth Hall">Queen Elizabeth Hall</a> for the murmuring, and Martin's recording of a 1961 comedy show, <a href="/wiki/Beyond_the_Fringe" title="Beyond the Fringe">Beyond the Fringe</a>, for the laughter.<a href="#cite_note-FOOTNOTELewisohn2010248-171">[160]</a> The opening ambient sounds were captured during the 10 February orchestral session for "A Day in the Life".<a href="#cite_note-FOOTNOTELewisohn2005101-172">[161]</a> </li> <li id="cite_note-178"><a href="#cite_ref-178">^</a> The song's lead guitar part was played by McCartney, who replaced an earlier effort by Harrison.<a href="#cite_note-177">[165]</a> </li> <li id="cite_note-197"><a href="#cite_ref-197">^</a> The backing track for "Fixing a Hole" was recorded at Regent Sound Studio, in central London, after the Beatles were unable to arrange a last-minute session at EMI Studios.<a href="#cite_note-FOOTNOTEWinn200990-196">[183]</a> </li> <li id="cite_note-207"><a href="#cite_ref-207">^</a> McCartney hired <a href="/wiki/Mike_Leander" title="Mike Leander">Mike Leander</a> to arrange the string section on "She's Leaving Home" since Martin was producing a session by another artist and was unable to meet with him straightaway.<a href="#cite_note-FOOTNOTELewisohn2005103-204">[190]</a> Martin was highly upset at McCartney's impatience,<a href="#cite_note-FOOTNOTEHertsgaard1996394–95-205">[191]</a> but conducted the musicians using the score more or less as written.<a href="#cite_note-FOOTNOTEMacDonald2005245-206">[192]</a> </li> <li id="cite_note-216"><a href="#cite_ref-216">^</a> In the initial running order, dated 6 April, "Being for the Benefit of Mr. Kite!" was sequenced as the third track, following "With a Little Help from My Friends".<a href="#cite_note-FOOTNOTEHertsgaard1996394-215">[200]</a> </li> <li id="cite_note-261"><a href="#cite_ref-261">^</a> Lennon was unaware that most record players and speakers of the time were incapable of reproducing the tone, which many listeners would not hear until the release of the CD version in 1987.<a href="#cite_note-FOOTNOTEEmerickMassey2006188-260">[244]</a> </li> <li id="cite_note-265"><a href="#cite_ref-265">^</a> When the audio contained in the run-out groove is played in reverse and slowed-down, McCartney can be heard shouting, "I will fuck you like Superman", with Starr and Harrison giggling in the background.<a href="#cite_note-FOOTNOTEJulien2008c164:_see_end_note_number_11-263">[246]</a> The author Will Romano comments that, in this way, Sgt. Pepper closes with nonsensical vocals just as Freak Out! does.<a href="#cite_note-FOOTNOTERomano201020-264">[247]</a> </li> <li id="cite_note-273"><a href="#cite_ref-273">^</a> Norman also identifies Sgt. Pepper as being "in other places, grown-up to an unprecedented, indeed perilous, degree". He concludes of this combination: "Its superabundance reflected a conscious wish on the Beatles' part to make amends to their fans for their abandonment of touring. Clamped between headphones in a recording studio, they managed to put on a live show more exciting, more intimate, than any since they'd left <a href="/wiki/The_Cavern_Club" title="The Cavern Club">the Cavern</a>."<a href="#cite_note-FOOTNOTENorman2016261-272">[254]</a> </li> <li id="cite_note-278"><a href="#cite_ref-278">^</a> Blake said that Haworth conceived the idea to present the crowd as an imaginary audience. McCartney's original idea, according to Blake, was for the Beatles to pose in an Edwardian-era drawing room in front of a wall filled with portraits of their heroes.<a href="#cite_note-FOOTNOTEEllen2002105-277">[258]</a> </li> <li id="cite_note-286"><a href="#cite_ref-286">^</a> Inglis is paraphrasing <a href="/wiki/George_Melly" title="George Melly">George Melly</a>, who in 1970 described the Sgt. Pepper cover as "a microcosm of the Underground world".<a href="#cite_note-FOOTNOTEInglis200893-284">[264]</a> </li> <li id="cite_note-296"><a href="#cite_ref-296">^</a> The Sgt. Pepper cover piqued a frenzy of analysis.<a href="#cite_note-FOOTNOTEGould2007391–95-294">[273]</a> Inglis cites it as the only example in popular music where the album art attracted as much attention as the album. He notes several elements of the cover that were interpreted as evidence of McCartney's death, including: the Beatles are supposedly standing about a grave, the hand above McCartney's head is regarded as a "symbol of death", and on the back cover, he is turned away from the camera.<a href="#cite_note-FOOTNOTEInglis200898–99-295">[274]</a> </li> <li id="cite_note-300"><a href="#cite_ref-300">^</a> The Fool also submitted a design for the LP cover, but the Beatles rejected it.<a href="#cite_note-FOOTNOTEClayson2003211-299">[277]</a> </li> <li id="cite_note-322"><a href="#cite_ref-322">^</a> MacDonald cites EMI chairman <a href="/wiki/Joseph_Lockwood" title="Joseph Lockwood">Joseph Lockwood</a>'s recollection of attending a dinner party where "rich older women" sat on the floor and began singing the album's songs, and the description of <a href="/wiki/Jefferson_Airplane" title="Jefferson Airplane">Jefferson Airplane</a> guitarist <a href="/wiki/Paul_Kantner" title="Paul Kantner">Paul Kantner</a> of how he and Crosby played the LP all night in a Seattle hotel lobby to around a hundred entranced fans. Kantner later said: "Something enveloped the whole world at that time and it just exploded into a renaissance."<a href="#cite_note-FOOTNOTEMacDonald2005249–50-321">[298]</a> </li> <li id="cite_note-325"><a href="#cite_ref-325">^</a> Miles recalls hearing the album playing from "every shop" along King's Road and that it was similarly ubiquitous in the most fashionable areas of New York. He remembers the record as "the soundtrack to that summer, and that winter ... You just could not get away from it."<a href="#cite_note-FOOTNOTEHarris200787-324">[300]</a> </li> <li id="cite_note-344"><a href="#cite_ref-344">^</a> Although suspicious of McCartney's motives, Lennon and Harrison, together with Epstein, demonstrated their support by announcing that they too had taken LSD.<a href="#cite_note-FOOTNOTENorman2008499-341">[316]</a><a href="#cite_note-FOOTNOTEGould2007430-342">[317]</a> In July, all four Beatles added their signatures to a petition demanding the legalisation of marijuana and paid for its publication in a full-page ad in <a href="/wiki/The_Times" title="The Times">The Times</a>.<a href="#cite_note-FOOTNOTEHertsgaard1996197-343">[318]</a> </li> <li id="cite_note-349"><a href="#cite_ref-349">^</a> On 4 June, <a href="/wiki/The_Jimi_Hendrix_Experience" class="mw-redirect" title="The Jimi Hendrix Experience">the Jimi Hendrix Experience</a> opened a show at London's <a href="/wiki/Saville_Theatre" title="Saville Theatre">Saville Theatre</a> with their rendition of "Sgt. Pepper".<a href="#cite_note-FOOTNOTEWomack2014813-346">[320]</a> Epstein leased the Saville at the time,<a href="#cite_note-FOOTNOTESounes2010180-347">[321]</a> and Harrison and McCartney attended the performance.<a href="#cite_note-FOOTNOTEWomack2014813-346">[320]</a> McCartney described the moment: "The curtains flew back and [Hendrix] came walking forward playing 'Sgt. Pepper' ... I put that down as one of the great honours of my career."<a href="#cite_note-FOOTNOTEMiles1997347-348">[322]</a> </li> <li id="cite_note-380"><a href="#cite_ref-380">^</a> According to Moore, Goldstein's position was an exception among a group of primarily positive contemporary reviewers that he characterises as the most for any single album at the time. He adds that some negative letters were sent to Melody Maker that he speculates were written by jazz enthusiasts.<a href="#cite_note-FOOTNOTEMoore199757–58-379">[352]</a> </li> <li id="cite_note-384"><a href="#cite_ref-384">^</a> In this piece, Goldstein explained that, although the album was not on-par with the best of the Beatles' previous work, he considered it "better than 80 per cent of the music around". He also said that, underneath the production when "the compositions are stripped to their musical and lyrical essentials", the LP was shown to be "an elaboration without improvement" on the group's music.<a href="#cite_note-383">[355]</a> </li> <li id="cite_note-397"><a href="#cite_ref-397">^</a> In his 1968 autobiography, <a href="/wiki/High_Priest_(book)" title="High Priest (book)">High Priest</a>, Leary adapted lyrics from Sgt. Pepper to relate his psychedelic experiences and journey towards higher consciousness.<a href="#cite_note-FOOTNOTEReisingLeBlanc200991,_100-396">[367]</a> </li> <li id="cite_note-405"><a href="#cite_ref-405">^</a> In August 1967, <a href="/wiki/The_Beatles_Book" title="The Beatles Book">The Beatles Book</a> published an article discussing whether the album was "too advanced for the average pop fan". One reader complained that all the songs except "Sgt. Pepper" and "When I'm Sixty-Four" were "over our heads", adding, "The Beatles ought to stop being so clever and give us tunes we can enjoy."<a href="#cite_note-FOOTNOTEHarris200787-324">[300]</a> </li> <li id="cite_note-426"><a href="#cite_ref-426">^</a> In the November 1967 issue of <a href="/wiki/DownBeat" title="DownBeat">Down Beat</a> magazine, John Gabree complained that the Beatles were being afforded excessive praise by writers that were unfamiliar with rock music and unaware of the advances made by rival acts such as the Mothers of Invention and <a href="/wiki/The_Who" title="The Who">the Who</a>.<a href="#cite_note-FOOTNOTERodriguez2012216-425">[394]</a> </li> <li id="cite_note-432"><a href="#cite_ref-432">^</a> Lennon's lyrics to "<a href="/wiki/I_Am_the_Walrus" title="I Am the Walrus">I Am the Walrus</a>" were purposely nonsensical and intended to confound commentators' analysis of the Beatles' work, particularly interpretations of "Lucy in the Sky with Diamonds".<a href="#cite_note-FOOTNOTEGould2007444-429">[397]</a> Harrison later said that Sgt. Pepper became both "a milestone and a millstone in music history". In his view, it paled beside the band's previous two albums, since "There's about half the songs I like and the other half I can't stand."<a href="#cite_note-FOOTNOTEClayson2003214–15-430">[398]</a> Lennon publicly disparaged the album in the years following its release,<a href="#cite_note-FOOTNOTEMiles2001267-431">[399]</a> a turnaround that offended Martin and other studio personnel.<a href="#cite_note-FOOTNOTELewisohn2005114-90">[83]</a> </li> <li id="cite_note-446"><a href="#cite_ref-446">^</a> The group were particularly annoyed that Time had referred to Sgt. Pepper as "George Martin's new album".<a href="#cite_note-FOOTNOTEGould2007489-445">[412]</a> Years later McCartney said: "I mean, we don't mind him helping us ... but it's not his album, folks, you know. And there's got to be a little bitterness over that."<a href="#cite_note-FOOTNOTEHertsgaard1996172-79">[73]</a> </li> <li id="cite_note-463"><a href="#cite_ref-463">^</a> After listening to Sgt. Pepper, <a href="/wiki/Sandy_Denny" title="Sandy Denny">Sandy Denny</a> decided to abandon her solo career as a folk singer and joined the band <a href="/wiki/Fairport_Convention" title="Fairport Convention">Fairport Convention</a>. Crosby recalled that whereas previous Beatles releases might have brought out a competitive instinct in him, with Sgt. Pepper "they were so far ahead of everybody ... But it was inspiring; all I wanted to do was approach my music with the same freedom."<a href="#cite_note-FOOTNOTEHarris200787-324">[300]</a> </li> <li id="cite_note-469"><a href="#cite_ref-469">^</a> Lavezzoli cites Sgt. Pepper's Grammy for Album of the Year along with wins for Shankar's collaboration with violinist <a href="/wiki/Yehudi_Menuhin" title="Yehudi Menuhin">Yehudi Menuhin</a> (<a href="/wiki/West_Meets_East" title="West Meets East">West Meets East</a>) and for Duke Ellington (<a href="/wiki/Far_East_Suite" title="Far East Suite">Far East Suite</a>) as the only time that Indian-influenced albums have won in categories encompassing rock, classical music and jazz at the annual Grammy awards.<a href="#cite_note-FOOTNOTELavezzoli200663-468">[433]</a> </li> <li id="cite_note-484"><a href="#cite_ref-484">^</a> Due to the alleged clues in its artwork, Sgt. Pepper returned to the Billboard LPs chart in late 1969, at the height of the "Paul is dead" rumours.<a href="#cite_note-FOOTNOTESchaffner1978127-481">[445]</a><a href="#cite_note-FOOTNOTESpitz2005844-482">[446]</a> One contention in this conspiracy theory was that McCartney had been replaced in the Beatles by a man named William Shears Campbell, or Billy Shears.<a href="#cite_note-FOOTNOTETurner2016368-483">[447]</a> </li> <li id="cite_note-501"><a href="#cite_ref-501">^</a> According to Riley, Rubber Soul and Revolver are "miracles of intuition" that are "greater than the sum of their parts" while in comparison "Sgt. Pepper is tinged with conceit."<a href="#cite_note-FOOTNOTERiley2002204–05-499">[462]</a> He describes Sgt. Pepper as "a flawed masterpiece that can only echo the strength of Revolver".<a href="#cite_note-FOOTNOTERiley2002203-500">[463]</a> </li> <li id="cite_note-509"><a href="#cite_ref-509">^</a> In a 1998 Melody Maker poll of pop stars, DJs and journalists, the album was voted the worst ever made, with the magazine's editor, Mark Sutherland, commenting: "This poll shows people are sick and tired of having the Beatles rammed down their throats as the greatest rock band ever. It's time to make way for great new music." One of those polled, musician and journalist <a href="/wiki/John_Robb_(musician)" title="John Robb (musician)">John Robb</a>, declared the album "the low water point of rock 'n' roll", highlighting the Beatles' moustaches as indicative of this.<a href="#cite_note-bbcbeatles-508">[470]</a> </li> <li id="cite_note-528"><a href="#cite_ref-528">^</a> In the book's second edition, published four years later, Revolver was ranked first, with Sgt. Pepper second followed by the White Album.<a href="#cite_note-FOOTNOTEJones2016147-525">[486]</a> In the third edition, published in 2000, Sgt. Pepper was ranked third to Revolver and <a href="/wiki/Radiohead" title="Radiohead">Radiohead</a>'s <a href="/wiki/The_Bends_(album)" title="The Bends (album)">The Bends</a>.<a href="#cite_note-526">[487]</a><a href="#cite_note-FOOTNOTEJones2016148-527">[488]</a> </li> <li id="cite_note-538"><a href="#cite_ref-538">^</a> The editors ranked Pet Sounds second in the list in recognition of its influence on the album.<a href="#cite_note-FOOTNOTEJones201657-536">[496]</a> In the liner notes to the 1997 CD reissue of the Beach Boys' album, Martin said: "Without Pet Sounds, Sgt. Pepper never would have happened ... Pepper was an attempt to equal Pet Sounds."<a href="#cite_note-537">[497]</a> </li> <li id="cite_note-560"><a href="#cite_ref-560">^</a> The Making of Sgt. Pepper first aired in the US in September 1992 on the <a href="/wiki/Disney_Channel" title="Disney Channel">Disney Channel</a>.<a href="#cite_note-FOOTNOTEBadman2001479,_484-557">[516]</a> In keeping with the channel's family image,<a href="#cite_note-558">[517]</a> the band members' comments on the role that drugs played in the album's creation were cut from the broadcast and replaced with alternative footage.<a href="#cite_note-FOOTNOTEBadman2001479-559">[518]</a> </li> <li id="cite_note-575"><a href="#cite_ref-575">^</a> Despite Martin's efforts to secure an engineer's credit for Emerick on Sgt. Pepper, EMI refused the request.<a href="#cite_note-FOOTNOTEEverett1999123-313">[290]</a> Emerick was nevertheless the recipient of the 1968 Grammy Award for Best Engineered Album, Non-Classical.<a href="#cite_note-FOOTNOTEWomack2014256-574">[532]</a> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=55" title="Edit section: References">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-FOOTNOTEWiener199231-1"><a href="#cite_ref-FOOTNOTEWiener199231_1-0">^</a> <a href="#CITEREFWiener1992">Wiener 1992</a>, p. 31. </li> <li id="cite_note-FOOTNOTEMiles1997303-3"><a href="#cite_ref-FOOTNOTEMiles1997303_3-0">^</a> <a href="#CITEREFMiles1997">Miles 1997</a>, p. 303. </li> <li id="cite_note-FOOTNOTELewisohn2010210-4"><a href="#cite_ref-FOOTNOTELewisohn2010210_4-0">^</a> <a href="#CITEREFLewisohn2010">Lewisohn 2010</a>, p. 210. </li> <li id="cite_note-FOOTNOTEThe_Beatles2000229-5"><a href="#cite_ref-FOOTNOTEThe_Beatles2000229_5-0">^</a> <a href="#CITEREFThe_Beatles2000">The Beatles 2000</a>, p. 229. </li> <li id="cite_note-FOOTNOTEMacDonald2005212-6"><a href="#cite_ref-FOOTNOTEMacDonald2005212_6-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 212. </li> <li id="cite_note-FOOTNOTEMartinPearson19947-7">^ <a href="#cite_ref-FOOTNOTEMartinPearson19947_7-0">a</a> <a href="#cite_ref-FOOTNOTEMartinPearson19947_7-1">b</a> <a href="#CITEREFMartinPearson1994">Martin & Pearson 1994</a>, p. 7. </li> <li id="cite_note-8"><a href="#cite_ref-8">^</a> <a href="#CITEREFLewisohn2010">Lewisohn 2010</a>, p. 211; <a href="#CITEREFMartinPearson1994">Martin & Pearson 1994</a>, p. 7. </li> <li id="cite_note-FOOTNOTEMacDonald2005212–13-9"><a href="#cite_ref-FOOTNOTEMacDonald2005212–13_9-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, pp. 212–13. </li> <li id="cite_note-FOOTNOTEMacDonald2005213-10">^ <a href="#cite_ref-FOOTNOTEMacDonald2005213_10-0">a</a> <a href="#cite_ref-FOOTNOTEMacDonald2005213_10-1">b</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 213. </li> <li id="cite_note-11"><a href="#cite_ref-11">^</a> <a href="#CITEREFLewisohn2010">Lewisohn 2010</a>, p. 230: the Beatles' final commercial performance; <a href="#CITEREFTurner2016">Turner 2016</a>, pp. 295, 299: reduced ticket sales, record attendances in 1965; <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 213: subpar performances. </li> <li id="cite_note-FOOTNOTESchaffner197858–59-12"><a href="#cite_ref-FOOTNOTESchaffner197858–59_12-0">^</a> <a href="#CITEREFSchaffner1978">Schaffner 1978</a>, pp. 58–59. </li> <li id="cite_note-FOOTNOTEJulien2008b1-13"><a href="#cite_ref-FOOTNOTEJulien2008b1_13-0">^</a> <a href="#CITEREFJulien2008b">Julien 2008b</a>, p. 1. </li> <li id="cite_note-FOOTNOTEGould2007367-14"><a href="#cite_ref-FOOTNOTEGould2007367_14-0">^</a> <a href="#CITEREFGould2007">Gould 2007</a>, p. 367. </li> <li id="cite_note-FOOTNOTEJulien2008b2-15">^ <a href="#cite_ref-FOOTNOTEJulien2008b2_15-0">a</a> <a href="#cite_ref-FOOTNOTEJulien2008b2_15-1">b</a> <a href="#CITEREFJulien2008b">Julien 2008b</a>, p. 2. </li> <li id="cite_note-FOOTNOTEEverett199971-16">^ <a href="#cite_ref-FOOTNOTEEverett199971_16-0">a</a> <a href="#cite_ref-FOOTNOTEEverett199971_16-1">b</a> <a href="#CITEREFEverett1999">Everett 1999</a>, p. 71. </li> <li id="cite_note-FOOTNOTERodriguez201218-17"><a href="#cite_ref-FOOTNOTERodriguez201218_17-0">^</a> <a href="#CITEREFRodriguez2012">Rodriguez 2012</a>, p. 18. </li> <li id="cite_note-FOOTNOTESounes2010158–59-18"><a href="#cite_ref-FOOTNOTESounes2010158–59_18-0">^</a> <a href="#CITEREFSounes2010">Sounes 2010</a>, pp. 158–59. </li> <li id="cite_note-FOOTNOTETurner2016364–65-19"><a href="#cite_ref-FOOTNOTETurner2016364–65_19-0">^</a> <a href="#CITEREFTurner2016">Turner 2016</a>, pp. 364–65. </li> <li id="cite_note-FOOTNOTEWomack2007158,_160–61-20"><a href="#cite_ref-FOOTNOTEWomack2007158,_160–61_20-0">^</a> <a href="#CITEREFWomack2007">Womack 2007</a>, pp. 158, 160–61. </li> <li id="cite_note-21"><a href="#cite_ref-21">^</a> <a href="#CITEREFHarry2000">Harry 2000</a>, pp. 323, 333; <a href="#CITEREFJulien2008b">Julien 2008b</a>, p. 2. </li> <li id="cite_note-FOOTNOTEGould2007388-22"><a href="#cite_ref-FOOTNOTEGould2007388_22-0">^</a> <a href="#CITEREFGould2007">Gould 2007</a>, p. 388. </li> <li id="cite_note-FOOTNOTERodriguez201254–56-23"><a href="#cite_ref-FOOTNOTERodriguez201254–56_23-0">^</a> <a href="#CITEREFRodriguez2012">Rodriguez 2012</a>, pp. 54–56. </li> <li id="cite_note-FOOTNOTEGould2007388–89-24"><a href="#cite_ref-FOOTNOTEGould2007388–89_24-0">^</a> <a href="#CITEREFGould2007">Gould 2007</a>, pp. 388–89. </li> <li id="cite_note-FOOTNOTETurner2016332–33-25"><a href="#cite_ref-FOOTNOTETurner2016332–33_25-0">^</a> <a href="#CITEREFTurner2016">Turner 2016</a>, pp. 332–33. </li> <li id="cite_note-FOOTNOTEEverett199999-26">^ <a href="#cite_ref-FOOTNOTEEverett199999_26-0">a</a> <a href="#cite_ref-FOOTNOTEEverett199999_26-1">b</a> <a href="#cite_ref-FOOTNOTEEverett199999_26-2">c</a> <a href="#cite_ref-FOOTNOTEEverett199999_26-3">d</a> <a href="#CITEREFEverett1999">Everett 1999</a>, p. 99. </li> <li id="cite_note-FOOTNOTERodriguez201288-27"><a href="#cite_ref-FOOTNOTERodriguez201288_27-0">^</a> <a href="#CITEREFRodriguez2012">Rodriguez 2012</a>, p. 88. </li> <li id="cite_note-FOOTNOTESounes2010165-28"><a href="#cite_ref-FOOTNOTESounes2010165_28-0">^</a> <a href="#CITEREFSounes2010">Sounes 2010</a>, p. 165. </li> <li id="cite_note-FOOTNOTEPrendergast2003193-29"><a href="#cite_ref-FOOTNOTEPrendergast2003193_29-0">^</a> <a href="#CITEREFPrendergast2003">Prendergast 2003</a>, p. 193. </li> <li id="cite_note-FOOTNOTEWomack2007168-30"><a href="#cite_ref-FOOTNOTEWomack2007168_30-0">^</a> <a href="#CITEREFWomack2007">Womack 2007</a>, p. 168. </li> <li id="cite_note-31"><a href="#cite_ref-31">^</a> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.paulmccartney.com/news-blogs/news/you-gave-me-the-answer-sgt-pepper-special">"'You Gave Me The Answer' – Sgt. 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<a href="#CITEREFMacDonald2005">MacDonald 2005</a>, pp. 212–223. </li> <li id="cite_note-FOOTNOTEMoore199719–20-56"><a href="#cite_ref-FOOTNOTEMoore199719–20_56-0">^</a> <a href="#CITEREFMoore1997">Moore 1997</a>, pp. 19–20. </li> <li id="cite_note-FOOTNOTEHarry2002714-57"><a href="#cite_ref-FOOTNOTEHarry2002714_57-0">^</a> <a href="#CITEREFHarry2002">Harry 2002</a>, p. 714. </li> <li id="cite_note-FOOTNOTEGreene201634,_42-58"><a href="#cite_ref-FOOTNOTEGreene201634,_42_58-0">^</a> <a href="#CITEREFGreene2016">Greene 2016</a>, pp. 34, 42. </li> <li id="cite_note-FOOTNOTEMacDonald2005218fn-59"><a href="#cite_ref-FOOTNOTEMacDonald2005218fn_59-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 218fn. </li> <li id="cite_note-60"><a href="#cite_ref-60">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 219: 55 hours of studio time; <a href="#CITEREFMartinPearson1994">Martin & Pearson 1994</a>, p. 13: "set the agenda for the whole album". </li> <li id="cite_note-FOOTNOTEJulien2008b6-61">^ <a href="#cite_ref-FOOTNOTEJulien2008b6_61-0">a</a> <a href="#cite_ref-FOOTNOTEJulien2008b6_61-1">b</a> <a href="#CITEREFJulien2008b">Julien 2008b</a>, p. 6. </li> <li id="cite_note-FOOTNOTEMartinPearson1994111-62"><a href="#cite_ref-FOOTNOTEMartinPearson1994111_62-0">^</a> <a href="#CITEREFMartinPearson1994">Martin & Pearson 1994</a>, p. 111. </li> <li id="cite_note-FOOTNOTEEmerickMassey2006163-63"><a href="#cite_ref-FOOTNOTEEmerickMassey2006163_63-0">^</a> <a href="#CITEREFEmerickMassey2006">Emerick & Massey 2006</a>, p. 163. </li> <li id="cite_note-FOOTNOTEDavies2009270-65"><a href="#cite_ref-FOOTNOTEDavies2009270_65-0">^</a> <a href="#CITEREFDavies2009">Davies 2009</a>, p. 270. </li> <li id="cite_note-FOOTNOTEHannan200852-66"><a href="#cite_ref-FOOTNOTEHannan200852_66-0">^</a> <a href="#CITEREFHannan2008">Hannan 2008</a>, p. 52. </li> <li id="cite_note-67"><a href="#cite_ref-67">^</a> <a href="#CITEREFEmerickMassey2006">Emerick & Massey 2006</a>, pp. 169–70; <a href="#CITEREFMiles1997">Miles 1997</a>, p. 281: "one of the qualities he especially admired on Pet Sounds". </li> <li id="cite_note-FOOTNOTETurner201644-68"><a href="#cite_ref-FOOTNOTETurner201644_68-0">^</a> <a href="#CITEREFTurner2016">Turner 2016</a>, p. 44. </li> <li id="cite_note-FOOTNOTEMiles1997271-69"><a href="#cite_ref-FOOTNOTEMiles1997271_69-0">^</a> <a href="#CITEREFMiles1997">Miles 1997</a>, p. 271. </li> <li id="cite_note-71"><a href="#cite_ref-71">^</a> <a href="#CITEREFEverett1999">Everett 1999</a>, p. 104: Lowrey organ on "Lucy in the Sky with Diamonds"; <a href="#CITEREFEverett1999">Everett 1999</a>, p. 106: Hohner Pianet on "Getting Better", <a href="#CITEREFEverett1999">Everett 1999</a>, p. 107: harpsichord on "Fixing a Hole"; <a href="#CITEREFEverett1999">Everett 1999</a>, p. 110: harmonium on "Being for the Benefit of Mr. Kite!"; <a href="#CITEREFEverett1999">Everett 1999</a>, p. 120: grand piano on "A Day in the Life". </li> <li id="cite_note-FOOTNOTECunningham1998127-72"><a href="#cite_ref-FOOTNOTECunningham1998127_72-0">^</a> <a href="#CITEREFCunningham1998">Cunningham 1998</a>, p. 127. </li> <li id="cite_note-FOOTNOTEPrendergast200383-73"><a href="#cite_ref-FOOTNOTEPrendergast200383_73-0">^</a> <a href="#CITEREFPrendergast2003">Prendergast 2003</a>, p. 83. </li> <li id="cite_note-FOOTNOTERodriguez2012109,_191–93-74"><a href="#cite_ref-FOOTNOTERodriguez2012109,_191–93_74-0">^</a> <a href="#CITEREFRodriguez2012">Rodriguez 2012</a>, pp. 109, 191–93. </li> <li id="cite_note-FOOTNOTEEverett1999100-76">^ <a href="#cite_ref-FOOTNOTEEverett1999100_76-0">a</a> <a href="#cite_ref-FOOTNOTEEverett1999100_76-1">b</a> <a href="#cite_ref-FOOTNOTEEverett1999100_76-2">c</a> <a href="#cite_ref-FOOTNOTEEverett1999100_76-3">d</a> <a href="#CITEREFEverett1999">Everett 1999</a>, p. 100. </li> <li id="cite_note-FOOTNOTEEverett1999104,_106,_111-77"><a href="#cite_ref-FOOTNOTEEverett1999104,_106,_111_77-0">^</a> <a href="#CITEREFEverett1999">Everett 1999</a>, pp. 104, 106, 111. </li> <li id="cite_note-FOOTNOTEClayson2003212-78">^ <a href="#cite_ref-FOOTNOTEClayson2003212_78-0">a</a> <a href="#cite_ref-FOOTNOTEClayson2003212_78-1">b</a> <a href="#CITEREFClayson2003">Clayson 2003</a>, p. 212. </li> <li id="cite_note-FOOTNOTEHertsgaard1996172-79">^ <a href="#cite_ref-FOOTNOTEHertsgaard1996172_79-0">a</a> <a href="#cite_ref-FOOTNOTEHertsgaard1996172_79-1">b</a> <a href="#CITEREFHertsgaard1996">Hertsgaard 1996</a>, p. 172. </li> <li id="cite_note-80"><a href="#cite_ref-80">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCabe2017" class="citation news cs1">McCabe, Kathy (17 September 2017). <a rel="nofollow" class="external text" href="https://www.news.com.au/entertainment/music/ringo-starr-the-voice-behind-the-yellow-submarine-and-tank-engine-returns-on-give-more-love/news-story/c5eb865f1b73a574e82930ff04f4bb92">"Ringo Starr: The voice behind the yellow submarine and tank engine returns on Give More Love"</a>. <a href="/wiki/News.com.au" title="News.com.au">News.com.au</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190202095605/https://www.news.com.au/entertainment/music/ringo-starr-the-voice-behind-the-yellow-submarine-and-tank-engine-returns-on-give-more-love/news-story/c5eb865f1b73a574e82930ff04f4bb92">Archived</a> from the original on 2 February 2019. 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Pepper': It Was Twenty Years Ago Today ..."</a> <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>. Retrieved 14 November 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=The+Beatles%27+%27Sgt.+Pepper%27%3A+It+Was+Twenty+Years+Ago+Today%3Cspan+class%3D%22nowrap%22%3E+%3C%2Fspan%3E...&rft.date=1987-06-18&rft.aulast=Loder&rft.aufirst=Kurt&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Ffeatures%2Fit-was-twenty-years-ago-today-19870618&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-150"><a href="#cite_ref-150">^</a> <a href="#CITEREFHannan2008">Hannan 2008</a>, p. 61: "The album is made up of a broad variety of musical and theatrical genres"; <a href="#CITEREFMoore1997">Moore 1997</a>, pp. 18, 70–79: rock and pop; <a href="#CITEREFWagner2008">Wagner 2008</a>, p. 76: the "multigenre nature of Sgt. Pepper". </li> <li id="cite_note-151"><a href="#cite_ref-151">^</a> <a href="#CITEREFHannan2008">Hannan 2008</a>, pp. 61–62: music hall and blues; <a href="#CITEREFWagner2008">Wagner 2008</a>, p. 76; rock and roll, vaudeville, big band, piano jazz, chamber, circus, avant-garde, Western and Indian classical music. </li> <li id="cite_note-FOOTNOTEWagner200876,_89–90-152"><a href="#cite_ref-FOOTNOTEWagner200876,_89–90_152-0">^</a> <a href="#CITEREFWagner2008">Wagner 2008</a>, pp. 76, 89–90. </li> <li id="cite_note-FOOTNOTECovach199731-153"><a href="#cite_ref-FOOTNOTECovach199731_153-0">^</a> <a href="#CITEREFCovach1997">Covach 1997</a>, p. 31. </li> <li id="cite_note-FOOTNOTECase201047–48-154"><a href="#cite_ref-FOOTNOTECase201047–48_154-0">^</a> <a href="#CITEREFCase2010">Case 2010</a>, pp. 47–48. </li> <li id="cite_note-FOOTNOTEMiles2001265-155">^ <a href="#cite_ref-FOOTNOTEMiles2001265_155-0">a</a> <a href="#cite_ref-FOOTNOTEMiles2001265_155-1">b</a> <a href="#CITEREFMiles2001">Miles 2001</a>, p. 265. </li> <li id="cite_note-156"><a href="#cite_ref-156">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bbc.co.uk/radio2/soldonsong/songlibrary/adayinthelife.shtml">"Sold on Song Top 100: 38. 'A Day in the Life'"</a>. <a href="/wiki/BBC_Radio_2" title="BBC Radio 2">BBC Radio 2</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20061222061531/http://www.bbc.co.uk/radio2/soldonsong/songlibrary/adayinthelife.shtml">Archived</a> from the original on 22 December 2006. Retrieved 31 December 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Sold+on+Song+Top+100%3A+38.+%27A+Day+in+the+Life%27&rft.pub=BBC+Radio+2&rft_id=https%3A%2F%2Fwww.bbc.co.uk%2Fradio2%2Fsoldonsong%2Fsonglibrary%2Fadayinthelife.shtml&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-157"><a href="#cite_ref-157">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEzard1967" class="citation news cs1">Ezard, John (29 December 1967). 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written to ambiguously refer to either illicit drugs or sexual activity. </li> <li id="cite_note-FOOTNOTEMacDonald2005240-159">^ <a href="#cite_ref-FOOTNOTEMacDonald2005240_159-0">a</a> <a href="#cite_ref-FOOTNOTEMacDonald2005240_159-1">b</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 240. </li> <li id="cite_note-FOOTNOTEWhiteley200818–19-160"><a href="#cite_ref-FOOTNOTEWhiteley200818–19_160-0">^</a> <a href="#CITEREFWhiteley2008">Whiteley 2008</a>, pp. 18–19. </li> <li id="cite_note-FOOTNOTESpitz2005697-161">^ <a href="#cite_ref-FOOTNOTESpitz2005697_161-0">a</a> <a href="#cite_ref-FOOTNOTESpitz2005697_161-1">b</a> <a href="#cite_ref-FOOTNOTESpitz2005697_161-2">c</a> <a href="#CITEREFSpitz2005">Spitz 2005</a>, p. 697. </li> <li id="cite_note-FOOTNOTEMoore199760-162"><a href="#cite_ref-FOOTNOTEMoore199760_162-0">^</a> <a href="#CITEREFMoore1997">Moore 1997</a>, p. 60. </li> <li id="cite_note-FOOTNOTEWhiteley200815,_22-163"><a 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href="#CITEREFEverett1999">Everett 1999</a>, p. 108. </li> <li id="cite_note-FOOTNOTEHertsgaard1996217–18-202"><a href="#cite_ref-FOOTNOTEHertsgaard1996217–18_202-0">^</a> <a href="#CITEREFHertsgaard1996">Hertsgaard 1996</a>, pp. 217–18. </li> <li id="cite_note-FOOTNOTEMoore199737-203"><a href="#cite_ref-FOOTNOTEMoore199737_203-0">^</a> <a href="#CITEREFMoore1997">Moore 1997</a>, p. 37. </li> <li id="cite_note-FOOTNOTELewisohn2005103-204"><a href="#cite_ref-FOOTNOTELewisohn2005103_204-0">^</a> <a href="#CITEREFLewisohn2005">Lewisohn 2005</a>, p. 103. </li> <li id="cite_note-FOOTNOTEHertsgaard1996394–95-205"><a href="#cite_ref-FOOTNOTEHertsgaard1996394–95_205-0">^</a> <a href="#CITEREFHertsgaard1996">Hertsgaard 1996</a>, pp. 394–95. </li> <li id="cite_note-FOOTNOTEMacDonald2005245-206"><a href="#cite_ref-FOOTNOTEMacDonald2005245_206-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 245. </li> <li id="cite_note-FOOTNOTEGreene201626-208"><a href="#cite_ref-FOOTNOTEGreene201626_208-0">^</a> <a href="#CITEREFGreene2016">Greene 2016</a>, p. 26. </li> <li id="cite_note-FOOTNOTEMacDonald2005237–38-209"><a href="#cite_ref-FOOTNOTEMacDonald2005237–38_209-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, pp. 237–38. </li> <li id="cite_note-FOOTNOTEWomack2007175-210"><a href="#cite_ref-FOOTNOTEWomack2007175_210-0">^</a> <a href="#CITEREFWomack2007">Womack 2007</a>, p. 175. </li> <li id="cite_note-FOOTNOTEMacDonald2005238-211"><a href="#cite_ref-FOOTNOTEMacDonald2005238_211-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 238. </li> <li id="cite_note-212"><a href="#cite_ref-212">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, pp. 237–238; <a href="#CITEREFMoore1997">Moore 1997</a>, p. 40. </li> <li id="cite_note-FOOTNOTEEverett1999110-213"><a href="#cite_ref-FOOTNOTEEverett1999110_213-0">^</a> <a href="#CITEREFEverett1999">Everett 1999</a>, p. 110. </li> <li id="cite_note-FOOTNOTEGould2007404-214"><a href="#cite_ref-FOOTNOTEGould2007404_214-0">^</a> <a href="#CITEREFGould2007">Gould 2007</a>, p. 404. </li> <li id="cite_note-FOOTNOTEHertsgaard1996394-215"><a href="#cite_ref-FOOTNOTEHertsgaard1996394_215-0">^</a> <a href="#CITEREFHertsgaard1996">Hertsgaard 1996</a>, p. 394. </li> <li id="cite_note-FOOTNOTERodriguez2012210-217"><a href="#cite_ref-FOOTNOTERodriguez2012210_217-0">^</a> <a href="#CITEREFRodriguez2012">Rodriguez 2012</a>, p. 210. </li> <li id="cite_note-FOOTNOTELavezzoli2006177–78-218"><a href="#cite_ref-FOOTNOTELavezzoli2006177–78_218-0">^</a> <a href="#CITEREFLavezzoli2006">Lavezzoli 2006</a>, pp. 177–78. </li> <li id="cite_note-219"><a href="#cite_ref-219">^</a> <a href="#CITEREFLewisohn2010">Lewisohn 2010</a>, p. 248: London-based Indian musicians and non-participation of the other Beatles; <a href="#CITEREFLavezzoli2006">Lavezzoli 2006</a>, p. 178: Harrison singing and playing sitar and tambura on "Within You Without You", and contributors from the Asian Music Circle. </li> <li id="cite_note-FOOTNOTEIngham2006199-220">^ <a href="#cite_ref-FOOTNOTEIngham2006199_220-0">a</a> <a href="#cite_ref-FOOTNOTEIngham2006199_220-1">b</a> <a href="#CITEREFIngham2006">Ingham 2006</a>, p. 199. </li> <li id="cite_note-FOOTNOTEEverett1999112-221">^ <a href="#cite_ref-FOOTNOTEEverett1999112_221-0">a</a> <a href="#cite_ref-FOOTNOTEEverett1999112_221-1">b</a> <a href="#CITEREFEverett1999">Everett 1999</a>, p. 112. </li> <li id="cite_note-FOOTNOTEMacDonald2005243–44-222"><a href="#cite_ref-FOOTNOTEMacDonald2005243–44_222-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, pp. 243–44. </li> <li id="cite_note-FOOTNOTEWomack2007176-223"><a href="#cite_ref-FOOTNOTEWomack2007176_223-0">^</a> <a href="#CITEREFWomack2007">Womack 2007</a>, p. 176. </li> <li id="cite_note-FOOTNOTEDavies2009321-224"><a href="#cite_ref-FOOTNOTEDavies2009321_224-0">^</a> <a href="#CITEREFDavies2009">Davies 2009</a>, p. 321. </li> <li id="cite_note-FOOTNOTEHannan200856-225"><a href="#cite_ref-FOOTNOTEHannan200856_225-0">^</a> <a href="#CITEREFHannan2008">Hannan 2008</a>, p. 56. </li> <li id="cite_note-FOOTNOTEMacDonald2005220–21-226"><a href="#cite_ref-FOOTNOTEMacDonald2005220–21_226-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, pp. 220–21. </li> <li id="cite_note-FOOTNOTEMacDonald2005220-227"><a href="#cite_ref-FOOTNOTEMacDonald2005220_227-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 220. </li> <li id="cite_note-FOOTNOTEMoore199747-228"><a href="#cite_ref-FOOTNOTEMoore199747_228-0">^</a> <a href="#CITEREFMoore1997">Moore 1997</a>, p. 47. </li> <li id="cite_note-FOOTNOTEMoore199746-229"><a href="#cite_ref-FOOTNOTEMoore199746_229-0">^</a> <a href="#CITEREFMoore1997">Moore 1997</a>, p. 46. </li> <li id="cite_note-FOOTNOTEEmerickMassey2006137-230"><a href="#cite_ref-FOOTNOTEEmerickMassey2006137_230-0">^</a> <a href="#CITEREFEmerickMassey2006">Emerick & Massey 2006</a>, p. 137. </li> 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href="#CITEREFGould2007">Gould 2007</a>, p. 408. </li> <li id="cite_note-237"><a href="#cite_ref-237">^</a> <a href="#CITEREFEverett1999">Everett 1999</a>, p. 116: "grievance against complacency"; <a href="#CITEREFMoore1997">Moore 1997</a>, p. 50: the bluesy Mixolydian mode in A. </li> <li id="cite_note-FOOTNOTEGreene201626–27-238"><a href="#cite_ref-FOOTNOTEGreene201626–27_238-0">^</a> <a href="#CITEREFGreene2016">Greene 2016</a>, pp. 26–27. </li> <li id="cite_note-FOOTNOTEWomack2007177–78-239"><a href="#cite_ref-FOOTNOTEWomack2007177–78_239-0">^</a> <a href="#CITEREFWomack2007">Womack 2007</a>, pp. 177–78. </li> <li id="cite_note-FOOTNOTEEverett1999114–15-240"><a href="#cite_ref-FOOTNOTEEverett1999114–15_240-0">^</a> <a href="#CITEREFEverett1999">Everett 1999</a>, pp. 114–15. </li> <li id="cite_note-FOOTNOTEMacDonald2005235-241"><a href="#cite_ref-FOOTNOTEMacDonald2005235_241-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 235. </li> <li 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id="CITEREFIrvin2007" class="citation magazine cs1">Irvin, Jim (March 2007). 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Pepper cover (secondary source), <a href="#CITEREFMiles1997">Miles 1997</a>, p. 333 (primary source). </li> <li id="cite_note-FOOTNOTEEllen2002105-277"><a href="#cite_ref-FOOTNOTEEllen2002105_277-0">^</a> <a href="#CITEREFEllen2002">Ellen 2002</a>, p. 105. </li> <li id="cite_note-279"><a href="#cite_ref-279">^</a> <a href="#CITEREFGould2007">Gould 2007</a>, pp. 391–395: the Sgt. Pepper cover featured the Beatles as the imaginary band alluded to in the album's title track, standing with a host of celebrities (secondary source); <a href="#CITEREFThe_Beatles2000">The Beatles 2000</a>, p. 248: standing with a host of celebrities (primary source). </li> <li id="cite_note-280"><a href="#cite_ref-280">^</a> <a href="#CITEREFThe_Beatles2000">The Beatles 2000</a>, p. 236: the growing influence of hippie style on the Beatles; <a href="#CITEREFGould2007">Gould 2007</a>, p. 385: "spoofed the vogue in Britain for military fashions". </li> <li id="cite_note-FOOTNOTEInglis200895-281">^ <a href="#cite_ref-FOOTNOTEInglis200895_281-0">a</a> <a href="#cite_ref-FOOTNOTEInglis200895_281-1">b</a> <a href="#cite_ref-FOOTNOTEInglis200895_281-2">c</a> <a href="#CITEREFInglis2008">Inglis 2008</a>, p. 95. </li> <li id="cite_note-282"><a href="#cite_ref-282">^</a> <a href="#CITEREFInglis2008">Inglis 2008</a>, p. 95; <a href="#CITEREFSounes2010">Sounes 2010</a>, p. 169. </li> <li id="cite_note-FOOTNOTEReck200868-283"><a href="#cite_ref-FOOTNOTEReck200868_283-0">^</a> <a href="#CITEREFReck2008">Reck 2008</a>, p. 68. </li> <li id="cite_note-FOOTNOTEInglis200893-284">^ <a href="#cite_ref-FOOTNOTEInglis200893_284-0">a</a> <a href="#cite_ref-FOOTNOTEInglis200893_284-1">b</a> <a href="#cite_ref-FOOTNOTEInglis200893_284-2">c</a> <a href="#cite_ref-FOOTNOTEInglis200893_284-3">d</a> <a href="#CITEREFInglis2008">Inglis 2008</a>, p. 93. </li> <li id="cite_note-FOOTNOTECase201046-285">^ <a href="#cite_ref-FOOTNOTECase201046_285-0">a</a> <a href="#cite_ref-FOOTNOTECase201046_285-1">b</a> <a href="#CITEREFCase2010">Case 2010</a>, p. 46. </li> <li id="cite_note-FOOTNOTETillery201181-287"><a href="#cite_ref-FOOTNOTETillery201181_287-0">^</a> <a href="#CITEREFTillery2011">Tillery 2011</a>, p. 81. </li> <li id="cite_note-FOOTNOTESchaffner197885-288"><a href="#cite_ref-FOOTNOTESchaffner197885_288-0">^</a> <a href="#CITEREFSchaffner1978">Schaffner 1978</a>, p. 85. </li> <li id="cite_note-Fleming/RS-289">^ <a href="#cite_ref-Fleming/RS_289-0">a</a> <a href="#cite_ref-Fleming/RS_289-1">b</a> <a href="#cite_ref-Fleming/RS_289-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFleming2017" class="citation magazine cs1">Fleming, Colin (30 March 2017). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-features/beatles-sgt-pepper-artwork-10-things-you-didnt-know-107812/">"Beatles' 'Sgt. 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Pepper' Highs and Lows – All on a Single Day"</a>. <a href="/wiki/Ultimate_Classic_Rock" class="mw-redirect" title="Ultimate Classic Rock">Ultimate Classic Rock</a>. 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Retrieved 11 March 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=A+History+of+Jazz%3A+Carla+Bley+hears+Sgt+Pepper&rft.date=2011-06-17&rft.aulast=Lewis&rft.aufirst=John&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2011%2Fjun%2F17%2Fcarla-bley-sgt-pepper&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-Hughes/Prog-462">^ <a href="#cite_ref-Hughes/Prog_462-0">a</a> <a href="#cite_ref-Hughes/Prog_462-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHughes2014" class="citation magazine cs1">Hughes, Rob (22 July 2014). <a rel="nofollow" class="external text" href="https://www.loudersound.com/features/was-the-beatles-sgt-pepper-a-signpost-to-prog">"Was the Beatles' Sgt. Pepper a Signpost to Prog?"</a>. <a href="/wiki/Prog_(magazine)" title="Prog (magazine)">Prog</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191221065449/https://www.loudersound.com/features/was-the-beatles-sgt-pepper-a-signpost-to-prog">Archived</a> from the original on 21 December 2019. Retrieved 17 June 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Prog&rft.atitle=Was+the+Beatles%27+Sgt.+Pepper+a+Signpost+to+Prog%3F&rft.date=2014-07-22&rft.aulast=Hughes&rft.aufirst=Rob&rft_id=https%3A%2F%2Fwww.loudersound.com%2Ffeatures%2Fwas-the-beatles-sgt-pepper-a-signpost-to-prog&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-FOOTNOTEHarris200789-464">^ <a href="#cite_ref-FOOTNOTEHarris200789_464-0">a</a> <a href="#cite_ref-FOOTNOTEHarris200789_464-1">b</a> <a href="#CITEREFHarris2007">Harris 2007</a>, p. 89. </li> <li id="cite_note-465"><a href="#cite_ref-465">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlack,_JohnnyEccleston,_Danny2007" class="citation magazine cs1">Black, Johnny; Eccleston, Danny (March 2007). "'It's Our Sgt. 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Pepper's Lonely Hearts Club Band in 1967"; <a href="#CITEREFMoore2018">Moore 2018</a>, p. 69: "The beginnings of progressive rock are normally traced to the Beatles' Sgt. Pepper's Lonely Hearts Club Band". </li> <li id="cite_note-FOOTNOTEElicker2001231-471"><a href="#cite_ref-FOOTNOTEElicker2001231_471-0">^</a> <a href="#CITEREFElicker2001">Elicker 2001</a>, p. 231. </li> <li id="cite_note-FOOTNOTEHoffmannBailey1990281–82-472"><a href="#cite_ref-FOOTNOTEHoffmannBailey1990281–82_472-0">^</a> <a href="#CITEREFHoffmannBailey1990">Hoffmann & Bailey 1990</a>, pp. 281–82. </li> <li id="cite_note-FOOTNOTEJones201649-473"><a href="#cite_ref-FOOTNOTEJones201649_473-0">^</a> <a href="#CITEREFJones2016">Jones 2016</a>, p. 49. </li> <li id="cite_note-FOOTNOTEGreene201628–30-474"><a href="#cite_ref-FOOTNOTEGreene201628–30_474-0">^</a> <a href="#CITEREFGreene2016">Greene 2016</a>, pp. 28–30. </li> <li id="cite_note-FOOTNOTEGreene201630–31-475"><a href="#cite_ref-FOOTNOTEGreene201630–31_475-0">^</a> <a href="#CITEREFGreene2016">Greene 2016</a>, pp. 30–31. </li> <li id="cite_note-FOOTNOTEMacDonald2005232-476"><a href="#cite_ref-FOOTNOTEMacDonald2005232_476-0">^</a> <a href="#CITEREFMacDonald2005">MacDonald 2005</a>, p. 232. </li> <li id="cite_note-477"><a href="#cite_ref-477">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDe_Lisle2017" class="citation magazine cs1">De Lisle, Tim (14 May 2017). <a rel="nofollow" class="external text" href="https://www.newsweek.com/2017/05/26/beatles-sgt-peppers-lonely-hearts-club-band-paul-mccartney-john-lennon-george-608717.html">"The Beatles' 'Sgt. Pepper's Lonely Hearts Club Band' at 50: Why It's Still Worth Celebrating"</a>. <a href="/wiki/Newsweek" title="Newsweek">Newsweek</a>. 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Retrieved 23 October 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Daily+Telegraph&rft.atitle=The+Beatles+%E2%80%93+Sgt+Pepper%27s+Lonely+Hearts+Club+Band%2C+review&rft.date=2009-09-07&rft.aulast=McCormick&rft.aufirst=Neil&rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Fculture%2Fmusic%2Fthe-beatles%2F6150302%2FThe-Beatles-Sgt-Peppers-Lonely-Hearts-Club-Band-review.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-FOOTNOTELarkin2006489-491"><a href="#cite_ref-FOOTNOTELarkin2006489_491-0">^</a> <a href="#CITEREFLarkin2006">Larkin 2006</a>, p. 489. </li> <li id="cite_note-FOOTNOTEGraffDurchholz199987-492"><a href="#cite_ref-FOOTNOTEGraffDurchholz199987_492-0">^</a> <a href="#CITEREFGraffDurchholz1999">Graff & Durchholz 1999</a>, p. 87. </li> <li id="cite_note-Kemp-493">^ <a href="#cite_ref-Kemp_493-0">a</a> <a href="#cite_ref-Kemp_493-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKemp2009" class="citation magazine cs1"><a href="/wiki/Mark_Kemp" title="Mark Kemp">Kemp, Mark</a> (8 September 2009). <a rel="nofollow" class="external text" href="https://www.pastemagazine.com/articles/2009/09/the-beatles-the-long-and-winding-repertoire.html">"The Beatles: The Long and Winding Repertoire"</a>. <a href="/wiki/Paste_(magazine)" title="Paste (magazine)">Paste</a>. p. 59. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131023065059/http://www.pastemagazine.com/articles/2009/09/the-beatles-the-long-and-winding-repertoire.html">Archived</a> from the original on 23 October 2013. 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Press Trust of India. 10 June 2017. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180822014741/https://timesofindia.indiatimes.com/entertainment/english/music/news/uncredited-indian-musicians-on-beatles-sgt-pepper-found/articleshow/59081547.cms">Archived</a> from the original on 22 August 2018. Retrieved 13 June 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Times+of+India&rft.atitle=Uncredited+Indian+musicians+on+Beatles%27+album+%27Sgt.+Pepper%27s+Lonely+Hearts+Club+Band%27+found&rft.date=2017-06-10&rft_id=https%3A%2F%2Ftimesofindia.indiatimes.com%2Fentertainment%2Fenglish%2Fmusic%2Fnews%2Funcredited-indian-musicians-on-beatles-sgt-pepper-found%2Farticleshow%2F59081547.cms&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-auchart-578">^ <a href="#cite_ref-auchart_578-0">a</a> <a href="#cite_ref-auchart_578-1">b</a> <a href="#cite_ref-auchart_578-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKent1993" class="citation book cs1"><a href="/wiki/David_Kent_(historian)" title="David Kent (historian)">Kent, David</a> (1993). <a href="/wiki/Kent_Music_Report" title="Kent Music Report">Australian Chart Book 1970–1992</a>. St Ives, NSW: Australian Chart Book. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-646-11917-6" title="Special:BookSources/0-646-11917-6"><bdi>0-646-11917-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Australian+Chart+Book+1970%E2%80%931992&rft.place=St+Ives%2C+NSW&rft.pub=Australian+Chart+Book&rft.date=1993&rft.isbn=0-646-11917-6&rft.aulast=Kent&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-579"><a href="#cite_ref-579">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.10081a&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.10081a.gif&Ecopy=nlc008388.10081a">"RPM Top Albums/CDs – Volume 7, No. 21, Jul 22, 1967"</a>. <a href="/wiki/Library_and_Archives_Canada" title="Library and Archives Canada">Library and Archives Canada</a>. 17 July 2013. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150413012103/http://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.10081a&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.10081a.gif&Ecopy=nlc008388.10081a">Archived</a> from the original on 13 April 2015. Retrieved 8 April 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=RPM+Top+Albums%2FCDs+%E2%80%93+Volume+7%2C+No.+21%2C+Jul+22%2C+1967&rft.pub=Library+and+Archives+Canada&rft.date=2013-07-17&rft_id=https%3A%2F%2Fwww.bac-lac.gc.ca%2Feng%2Fdiscover%2Ffilms-videos-sound-recordings%2Frpm%2FPages%2Fimage.aspx%3FImage%3Dnlc008388.10081a%26URLjpg%3Dhttp%253a%252f%252fwww.collectionscanada.gc.ca%252fobj%252f028020%252ff4%252fnlc008388.10081a.gif%26Ecopy%3Dnlc008388.10081a&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-580"><a href="#cite_ref-580">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNyman2005" class="citation book cs1 cs1-prop-foreign-lang-source">Nyman, Jake (2005). Suomi soi 4: Suuri suomalainen listakirja (in Finnish). Helsinki: Tammi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/951-31-2503-3" title="Special:BookSources/951-31-2503-3"><bdi>951-31-2503-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Suomi+soi+4%3A+Suuri+suomalainen+listakirja&rft.place=Helsinki&rft.pub=Tammi&rft.date=2005&rft.isbn=951-31-2503-3&rft.aulast=Nyman&rft.aufirst=Jake&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-581"><a href="#cite_ref-581">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://norwegiancharts.com/weekchart.asp?year=1967&date=196724&cat=a">"VG Lista – Album Top 40"</a>. norwegiancharts.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111229150911/http://norwegiancharts.com/weekchart.asp?year=1967&date=196724&cat=a">Archived</a> from the original on 29 December 2011. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=VG+Lista+%E2%80%93+Album+Top+40&rft.pub=norwegiancharts.com&rft_id=https%3A%2F%2Fnorwegiancharts.com%2Fweekchart.asp%3Fyear%3D1967%26date%3D196724%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-582"><a href="#cite_ref-582">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.hitsallertijden.nl/charts/swedish%20charts/SwedishCharts%200366-0969.pdf">"Swedish Charts 1966–1969/Kvällstoppen – Listresultaten vecka för vecka > Juni 1967 > 20 Juni"</a> (PDF). hitsallertijden.nl (in Swedish). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180305110338/http://www.hitsallertijden.nl/charts/swedish%20charts/SwedishCharts%200366-0969.pdf">Archived</a> (PDF) from the original on 5 March 2018. Retrieved 31 January 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=hitsallertijden.nl&rft.atitle=Swedish+Charts+1966%E2%80%931969%2FKv%C3%A4llstoppen+%E2%80%93+Listresultaten+vecka+f%C3%B6r+vecka+%3E+Juni+1967+%3E+20+Juni&rft_id=http%3A%2F%2Fwww.hitsallertijden.nl%2Fcharts%2Fswedish%2520charts%2FSwedishCharts%25200366-0969.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> Note: <a href="/wiki/Sverigetopplistan" title="Sverigetopplistan">Kvällstoppen</a> combined sales for albums and singles in the one chart. Sgt. Pepper's Lonely Hearts Club Band peaked at number five for two weeks beginning on 20 June 1967, but was the highest-charting LP. </li> <li id="cite_note-583"><a href="#cite_ref-583">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.officialcharts.com/artist/10363/beatles/">"The Beatles – Full official Chart History"</a>. <a href="/wiki/Official_Charts_Company" title="Official Charts Company">Official Charts Company</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160512024604/http://www.officialcharts.com/artist/10363/beatles/">Archived</a> from the original on 12 May 2016. Retrieved 13 May 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Beatles+%E2%80%93+Full+official+Chart+History&rft.pub=Official+Charts+Company&rft_id=https%3A%2F%2Fwww.officialcharts.com%2Fartist%2F10363%2Fbeatles%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-billboard-584"><a href="#cite_ref-billboard_584-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.billboard.com/charts/billboard-200?tag=chscr1#/charts/billboard-200?chartDate=1967-07-01">"Billboard 200"</a>. Billboard. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20101115095520/http://www.billboard.com/charts/billboard-200?tag=chscr1#/charts/billboard-200?chartDate=1967-07-01">Archived</a> from the original on 15 November 2010. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Billboard+200&rft_id=https%3A%2F%2Fwww.billboard.com%2Fcharts%2Fbillboard-200%3Ftag%3Dchscr1%23%2Fcharts%2Fbillboard-200%3FchartDate%3D1967-07-01&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-dechart-585"><a href="#cite_ref-dechart_585-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://www.offiziellecharts.de/suche">"Search: The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a> (ASP) (in German). Media Control. Retrieved 1 May 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Search%3A+The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=Media+Control&rft_id=https%3A%2F%2Fwww.offiziellecharts.de%2Fsuche&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-nlchart-586"><a href="#cite_ref-nlchart_586-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://dutchcharts.nl/showitem.asp?interpret=The+Beatles&titel=Sgt.+Peppers+Lonely+Hearts+Club+Band&cat=a">"The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a> (ASP) (in Dutch). dutchcharts.nl. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131207213344/http://dutchcharts.nl/showitem.asp?interpret=The+Beatles&titel=Sgt%2E+Peppers+Lonely+Hearts+Club+Band&cat=a">Archived</a> from the original on 7 December 2013. Retrieved 1 May 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=dutchcharts.nl&rft_id=https%3A%2F%2Fdutchcharts.nl%2Fshowitem.asp%3Finterpret%3DThe%2BBeatles%26titel%3DSgt.%2BPeppers%2BLonely%2BHearts%2BClub%2BBand%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-Jachart1-587">^ <a href="#cite_ref-Jachart1_587-0">a</a> <a href="#cite_ref-Jachart1_587-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Oricon Album Chart Book: Complete Edition 1970–2005. <a href="/wiki/Roppongi" title="Roppongi">Roppongi</a>, Tokyo: Oricon Entertainment. 2006. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/4-87131-077-9" title="Special:BookSources/4-87131-077-9"><bdi>4-87131-077-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Oricon+Album+Chart+Book%3A+Complete+Edition+1970%E2%80%932005&rft.place=Roppongi%2C+Tokyo&rft.pub=Oricon+Entertainment&rft.date=2006&rft.isbn=4-87131-077-9&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-ukchart-588"><a href="#cite_ref-ukchart_588-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.officialcharts.com/artist/_/Beatles">"The Beatles > Artists > Official Charts"</a>. <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130313042939/http://www.officialcharts.com/artist/_/beatles/">Archived</a> from the original on 13 March 2013. Retrieved 1 May 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Beatles+%3E+Artists+%3E+Official+Charts&rft.pub=UK+Albums+Chart&rft_id=https%3A%2F%2Fwww.officialcharts.com%2Fartist%2F_%2FBeatles&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-589"><a href="#cite_ref-589">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://worldradiohistory.com/Archive-Billboard/80s/1987/Billboard-1987-06-27.pdf">"Top Compact Disks (for week ending June 27, 1987)"</a> (PDF). Billboard. 27 June 1987. p. 42. Retrieved 23 July 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Top+Compact+Disks+%28for+week+ending+June+27%2C+1987%29&rft.pages=42&rft.date=1987-06-27&rft_id=https%3A%2F%2Fworldradiohistory.com%2FArchive-Billboard%2F80s%2F1987%2FBillboard-1987-06-27.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-590"><a href="#cite_ref-590">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://australian-charts.com/weekchart.asp?year=2009&date=20090927&cat=a">"Album Top 50"</a>. australian-charts.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20101026185922/http://australian-charts.com/weekchart.asp?year=2009&date=20090927&cat=a">Archived</a> from the original on 26 October 2010. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Album+Top+50&rft.pub=australian-charts.com&rft_id=https%3A%2F%2Faustralian-charts.com%2Fweekchart.asp%3Fyear%3D2009%26date%3D20090927%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-591"><a href="#cite_ref-591">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://www.ultratop.be/fr/album/19de/The-Beatles-Sgt.-Pepper's-Lonely-Hearts-Club-Band">"The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a> (ASP) (in French). ultratop.be. Retrieved 15 January 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=ultratop.be&rft_id=https%3A%2F%2Fwww.ultratop.be%2Ffr%2Falbum%2F19de%2FThe-Beatles-Sgt.-Pepper%27s-Lonely-Hearts-Club-Band&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-592"><a href="#cite_ref-592">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110928081133/http://www.abpd.org.br/noticias_internas.asp?noticia=187">"De 14 a 20 de Setembro 2009"</a>. <a href="/wiki/Associa%C3%A7%C3%A3o_Brasileira_dos_Produtores_de_Discos" class="mw-redirect" title="Associação Brasileira dos Produtores de Discos">Associação Brasileira dos Produtores de Discos</a> (in Portuguese). Archived from <a rel="nofollow" class="external text" href="https://www.abpd.org.br/noticias_internas.asp?noticia=187">the original</a> on 28 September 2011. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=De+14+a+20+de+Setembro+2009&rft.pub=Associa%C3%A7%C3%A3o+Brasileira+dos+Produtores+de+Discos+%28in+Portuguese%29&rft_id=https%3A%2F%2Fwww.abpd.org.br%2Fnoticias_internas.asp%3Fnoticia%3D187&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-dkchart-593"><a href="#cite_ref-dkchart_593-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://danishcharts.dk/showitem.asp?interpret=The+Beatles&titel=Sgt.+Pepper's+Lonely+Hearts+Club+Band&cat=a">"The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a> (ASP). danishcharts.dk. Retrieved 12 October 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=danishcharts.dk&rft_id=https%3A%2F%2Fdanishcharts.dk%2Fshowitem.asp%3Finterpret%3DThe%2BBeatles%26titel%3DSgt.%2BPepper%27s%2BLonely%2BHearts%2BClub%2BBand%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-594"><a href="#cite_ref-594">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://finnishcharts.com/weekchart.asp?year=2009&date=200938&cat=a">"Album Top 50"</a>. finnishcharts.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100104052224/http://finnishcharts.com/weekchart.asp?year=2009&date=200938&cat=a">Archived</a> from the original on 4 January 2010. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Album+Top+50&rft.pub=finnishcharts.com&rft_id=https%3A%2F%2Ffinnishcharts.com%2Fweekchart.asp%3Fyear%3D2009%26date%3D200938%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-595"><a href="#cite_ref-595">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://italiancharts.com/weekchart.asp?year=2009&date=20090917&cat=a">"Album Top 20"</a>. italiancharts.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111214220016/http://italiancharts.com/weekchart.asp?year=2009&date=20090917&cat=a">Archived</a> from the original on 14 December 2011. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Album+Top+20&rft.pub=italiancharts.com&rft_id=https%3A%2F%2Fitaliancharts.com%2Fweekchart.asp%3Fyear%3D2009%26date%3D20090917%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-Jachart2-596"><a href="#cite_ref-Jachart2_596-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-script cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://www.oricon.co.jp/news/rankmusic/69149/full/"><bdi lang="ja">ザ・ビートルズ"リマスター"全16作トップ100入り「売上金額は23.1億円」</bdi></a> [All of the Beatles' "Remastered" Albums Enter the Top 100: Grossing 2,310 Million Yen in One Week] (in Japanese). oricon.co.jp. 15 September 2009. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130309122433/http://www.oricon.co.jp/news/rankmusic/69149/full/">Archived</a> from the original on 9 March 2013. Retrieved 3 March 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=%E3%82%B6%E3%83%BB%E3%83%93%E3%83%BC%E3%83%88%E3%83%AB%E3%82%BA%22%E3%83%AA%E3%83%9E%E3%82%B9%E3%82%BF%E3%83%BC%22%E5%85%A816%E4%BD%9C%E3%83%88%E3%83%83%E3%83%97100%E5%85%A5%E3%82%8A%E3%80%8C%E5%A3%B2%E4%B8%8A%E9%87%91%E9%A1%8D%E3%81%AF23.1%E5%84%84%E5%86%86%E3%80%8D&rft.pub=oricon.co.jp&rft.date=2009-09-15&rft_id=https%3A%2F%2Fwww.oricon.co.jp%2Fnews%2Frankmusic%2F69149%2Ffull%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-597"><a href="#cite_ref-597">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://charts.nz/weekchart.asp?year=2009&date=20090914&cat=a">"Album Top 40"</a>. charts.nz. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170521075032/http://charts.nz/weekchart.asp?year=2009&date=20090914&cat=a">Archived</a> from the original on 21 May 2017. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Album+Top+40&rft.pub=charts.nz&rft_id=https%3A%2F%2Fcharts.nz%2Fweekchart.asp%3Fyear%3D2009%26date%3D20090914%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-598"><a href="#cite_ref-598">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://norwegiancharts.com/weekchart.asp?year=2009&date=200938&cat=a">"VG Lista – Album Top 40"</a>. norwegiancharts.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111227024821/http://norwegiancharts.com/weekchart.asp?year=2009&date=200938&cat=a">Archived</a> from the original on 27 December 2011. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=VG+Lista+%E2%80%93+Album+Top+40&rft.pub=norwegiancharts.com&rft_id=https%3A%2F%2Fnorwegiancharts.com%2Fweekchart.asp%3Fyear%3D2009%26date%3D200938%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-599"><a href="#cite_ref-599">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://portuguesecharts.com/archive.asp?todo=show&woche=38&jahr=2009&sparte=a">"Portuguese Charts: Albums – 38/2009"</a>. portuguesecharts.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121012191617/http://portuguesecharts.com/archive.asp?todo=show&woche=38&jahr=2009&sparte=a">Archived</a> from the original on 12 October 2012. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Portuguese+Charts%3A+Albums+%E2%80%93+38%2F2009&rft.pub=portuguesecharts.com&rft_id=https%3A%2F%2Fportuguesecharts.com%2Farchive.asp%3Ftodo%3Dshow%26woche%3D38%26jahr%3D2009%26sparte%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-600"><a href="#cite_ref-600">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://spanishcharts.com/weekchart.asp?year=2009&date=20090913&cat=a">"Album Top 100"</a>. spanishcharts.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121008050856/http://spanishcharts.com/weekchart.asp?year=2009&date=20090913&cat=a">Archived</a> from the original on 8 October 2012. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Album+Top+100&rft.pub=spanishcharts.com&rft_id=https%3A%2F%2Fspanishcharts.com%2Fweekchart.asp%3Fyear%3D2009%26date%3D20090913%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-601"><a href="#cite_ref-601">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://swedishcharts.com/showitem.asp?interpret=The+Beatles&titel=Sgt.+Peppers+Lonely+Hearts+Club+Band&cat=a">"The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a> (ASP) (in Swedish). swedishcharts.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131225015947/http://swedishcharts.com/showitem.asp?interpret=The+Beatles&titel=Sgt%2E+Peppers+Lonely+Hearts+Club+Band&cat=a">Archived</a> from the original on 25 December 2013. Retrieved 1 May 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=swedishcharts.com&rft_id=https%3A%2F%2Fswedishcharts.com%2Fshowitem.asp%3Finterpret%3DThe%2BBeatles%26titel%3DSgt.%2BPeppers%2BLonely%2BHearts%2BClub%2BBand%26cat%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-602"><a href="#cite_ref-602">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.officialcharts.com/charts/albums-chart/20090913/7502/">"UK Albums Chart"</a>. <a href="/wiki/Official_Charts_Company" title="Official Charts Company">Official Charts Company</a>. Retrieved 16 November 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=UK+Albums+Chart&rft.pub=Official+Charts+Company&rft_id=https%3A%2F%2Fwww.officialcharts.com%2Fcharts%2Falbums-chart%2F20090913%2F7502%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-ac_Australia_The_Beatles-603"><a href="#cite_ref-ac_Australia_The_Beatles_603-0">^</a> <a rel="nofollow" class="external text" href="https://australian-charts.com/showitem.asp?interpret=The+Beatles&titel=Sgt.+Peppers+Lonely+Hearts+Club+Band&cat=a">"Australiancharts.com – The Beatles – Sgt. Peppers Lonely Hearts Club Band"</a>. Hung Medien. Retrieved 3 June 2017. </li> <li id="cite_note-ac_Austria_The_Beatles-604"><a href="#cite_ref-ac_Austria_The_Beatles_604-0">^</a> <a rel="nofollow" class="external text" href="https://austriancharts.at/showitem.asp?interpret=The+Beatles&titel=Sgt.+Peppers+Lonely+Hearts+Club+Band&cat=a">"Austriancharts.at – The Beatles – Sgt. Peppers Lonely Hearts Club Band"</a> (in German). Hung Medien. Retrieved 8 June 2017. </li> <li id="cite_note-ac_Flanders_The_Beatles-605"><a href="#cite_ref-ac_Flanders_The_Beatles_605-0">^</a> <a rel="nofollow" class="external text" href="https://www.ultratop.be/nl/showitem.asp?interpret=The+Beatles&titel=Sgt.+Peppers+Lonely+Hearts+Club+Band&cat=a">"Ultratop.be – The Beatles – Sgt. Peppers Lonely Hearts Club Band"</a> (in Dutch). Hung Medien. Retrieved 2 June 2017. </li> <li id="cite_note-ac_Wallonia_The_Beatles-606"><a href="#cite_ref-ac_Wallonia_The_Beatles_606-0">^</a> <a rel="nofollow" class="external text" href="https://www.ultratop.be/fr/showitem.asp?interpret=The+Beatles&titel=Sgt.+Peppers+Lonely+Hearts+Club+Band&cat=a">"Ultratop.be – The Beatles – Sgt. Peppers Lonely Hearts Club Band"</a> (in French). Hung Medien. Retrieved 2 June 2017. </li> <li id="cite_note-607"><a href="#cite_ref-607">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.fyimusicnews.ca/articles/2017/06/04/charts-june-05-2017">"On The Charts: June 5, 2017"</a>. FYIMusicNews. Retrieved 5 June 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=On+The+Charts%3A+June+5%2C+2017&rft_id=http%3A%2F%2Fwww.fyimusicnews.ca%2Farticles%2F2017%2F06%2F04%2Fcharts-june-05-2017&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-ac_Czech_-608"><a href="#cite_ref-ac_Czech_608-0">^</a> <a rel="nofollow" class="external text" href="https://ifpicr.cz/hitparada/14/?weekId=">"Czech Albums – Top 100"</a>. <a href="/wiki/International_Federation_of_the_Phonographic_Industry" title="International Federation of the Phonographic Industry">ČNS IFPI</a>. Note: On the chart page, select 22.Týden 2017 on the field besides the words "CZ – ALBUMS – TOP 100" to retrieve the correct chart. Retrieved 6 June 2017. </li> <li id="cite_note-ac_Denmark_The_Beatles-609"><a href="#cite_ref-ac_Denmark_The_Beatles_609-0">^</a> <a rel="nofollow" class="external text" href="https://danishcharts.dk/showitem.asp?interpret=The+Beatles&titel=Sgt.+Pepper's+Lonely+Hearts+Club+Band&cat=a">"Danishcharts.dk – The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a>. Hung Medien. Retrieved 7 June 2017. </li> <li id="cite_note-ac_Netherlands_The_Beatles-610"><a href="#cite_ref-ac_Netherlands_The_Beatles_610-0">^</a> <a rel="nofollow" class="external text" href="https://dutchcharts.nl/showitem.asp?interpret=The+Beatles&titel=Sgt.+Peppers+Lonely+Hearts+Club+Band&cat=a">"Dutchcharts.nl – The Beatles – Sgt. Peppers Lonely Hearts Club Band"</a> (in Dutch). Hung Medien. Retrieved 2 June 2017. </li> <li id="cite_note-ac_Finland_The_Beatles-611"><a href="#cite_ref-ac_Finland_The_Beatles_611-0">^</a> "<a rel="nofollow" class="external text" href="https://www.ifpi.fi/lista/artistit/The+Beatles/Sgt.+Peppers+Lonely+Hearts+Club+Band">The Beatles: Sgt. Peppers Lonely Hearts Club Band"</a> (in Finnish). <a href="/wiki/Musiikkituottajat_%E2%80%93_IFPI_Finland" class="mw-redirect" title="Musiikkituottajat – IFPI Finland">Musiikkituottajat – IFPI Finland</a>. Retrieved 4 June 2017. </li> <li id="cite_note-ac_Germany4_The_Beatles-612"><a href="#cite_ref-ac_Germany4_The_Beatles_612-0">^</a> <a rel="nofollow" class="external text" href="https://www.offiziellecharts.de/album-details-6622">"Offiziellecharts.de – The Beatles – Sgt. Peppers Lonely Hearts Club Band"</a> (in German). <a href="/wiki/GfK_Entertainment_Charts" class="mw-redirect" title="GfK Entertainment Charts">GfK Entertainment Charts</a>. Retrieved 2 June 2017. </li> <li id="cite_note-613"><a href="#cite_ref-613">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.irma.ie/index.cfm?page=irish-charts&chart=Albums">"Irish Albums Chart: 3 June 2017"</a>. Irish Recorded Music Association. Retrieved 3 June 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Irish+Albums+Chart%3A+3+June+2017&rft_id=https%3A%2F%2Fwww.irma.ie%2Findex.cfm%3Fpage%3Dirish-charts%26chart%3DAlbums&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-614"><a href="#cite_ref-614">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.fimi.it/classifiche#/category:album/id:2486">"Album – Classifica settimanale WK 22 (dal 2017-05-26 al 2017-06-01)"</a> (in Italian). <a href="/wiki/Federazione_Industria_Musicale_Italiana" title="Federazione Industria Musicale Italiana">Federazione Industria Musicale Italiana</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180125015143/http://www.fimi.it/classifiche#/category:album/id:2486">Archived</a> from the original on 25 January 2018. Retrieved 6 June 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Album+%E2%80%93+Classifica+settimanale+WK+22+%28dal+2017-05-26+al+2017-06-01%29&rft.pub=Federazione+Industria+Musicale+Italiana&rft_id=http%3A%2F%2Fwww.fimi.it%2Fclassifiche%23%2Fcategory%3Aalbum%2Fid%3A2486&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-ac_Oricon_-615"><a href="#cite_ref-ac_Oricon_615-0">^</a> <a rel="nofollow" class="external text" href="https://www.oricon.co.jp/rank/ja/w/12">June 2017/ "Oricon Top 50 Albums: 12 June 2017"</a> (in Japanese). <a href="/wiki/Oricon" title="Oricon">Oricon</a>. Retrieved 10 June 2017. </li> <li id="cite_note-616"><a href="#cite_ref-616">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20170711201001/http://www.amprofon.com.mx/top-album.php">"Top Album – Semanal (del 09 de Junio al 15 de Junio)"</a> (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas. Archived from <a rel="nofollow" class="external text" href="https://www.amprofon.com.mx/top-album.php">the original</a> on 11 July 2017. Retrieved 11 July 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Top+Album+%E2%80%93+Semanal+%28del+09+de+Junio+al+15+de+Junio%29&rft.pub=Asociaci%C3%B3n+Mexicana+de+Productores+de+Fonogramas+y+Videogramas&rft_id=https%3A%2F%2Fwww.amprofon.com.mx%2Ftop-album.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-617"><a href="#cite_ref-617">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://aotearoamusiccharts.co.nz/archive/albums/2017-06-02">"NZ Top 40 Albums Chart"</a>. <a href="/wiki/Recorded_Music_NZ" title="Recorded Music NZ">Recorded Music NZ</a>. 5 June 2017. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170614175238/http://nztop40.co.nz/chart/albums?chart=4368">Archived</a> from the original on 14 June 2017. Retrieved 2 June 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=NZ+Top+40+Albums+Chart&rft.pub=Recorded+Music+NZ&rft.date=2017-06-05&rft_id=https%3A%2F%2Faotearoamusiccharts.co.nz%2Farchive%2Falbums%2F2017-06-02&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-618"><a href="#cite_ref-618">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://lista.vg.no/liste/topp-40-album/2/dato/2017/uke/22">"VG-lista – Topp 40 Album uke 22, 2017"</a>. <a href="/wiki/VG-lista" title="VG-lista">VG-lista</a>. Retrieved 3 June 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=VG-lista+%E2%80%93+Topp+40+Album+uke+22%2C+2017&rft_id=https%3A%2F%2Flista.vg.no%2Fliste%2Ftopp-40-album%2F2%2Fdato%2F2017%2Fuke%2F22&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-ac_Poland_-619"><a href="#cite_ref-ac_Poland_619-0">^</a> <a rel="nofollow" class="external text" href="http://olis.onyx.pl/listy/index.asp?idlisty=1085&lang=en">"Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart"</a>. <a href="/wiki/Polish_Music_Charts" class="mw-redirect" title="Polish Music Charts">OLiS</a>. <a href="/wiki/Polish_Society_of_the_Phonographic_Industry" title="Polish Society of the Phonographic Industry">Polish Society of the Phonographic Industry</a>. Retrieved 8 June 2017. </li> <li id="cite_note-620"><a href="#cite_ref-620">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://portuguesecharts.com/archive.asp?todo=show&woche=22&jahr=2017&sparte=a">"Portuguese Charts: Albums – 22/2017"</a>. Hung Medien. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170801085936/http://portuguesecharts.com/archive.asp?todo=show&woche=22&jahr=2017&sparte=a">Archived</a> from the original on 1 August 2017. Retrieved 1 August 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Portuguese+Charts%3A+Albums+%E2%80%93+22%2F2017&rft.pub=Hung+Medien&rft_id=https%3A%2F%2Fportuguesecharts.com%2Farchive.asp%3Ftodo%3Dshow%26woche%3D22%26jahr%3D2017%26sparte%3Da&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-ac_Scotland_-621"><a href="#cite_ref-ac_Scotland_621-0">^</a> <a rel="nofollow" class="external text" href="https://www.officialcharts.com/charts/scottish-albums-chart/2">June 2017/40/ "Official Scottish Albums Chart Top 100"</a>. <a href="/wiki/Official_Charts_Company" title="Official Charts Company">Official Charts Company</a>. Retrieved 3 June 2017. </li> <li id="cite_note-622"><a href="#cite_ref-622">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://www.promusicae.es/listas/semana/3428-%C3%81lbumes-semana-22-2017">"Top 100 Albumes – Semana 22: del 26.05.2017 al 01.06.2017"</a> (in Spanish). <a href="/wiki/Productores_de_M%C3%BAsica_de_Espa%C3%B1a" title="Productores de Música de España">Productores de Música de España</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170824092957/http://www.promusicae.es/listas/semana/3428-%C3%81lbumes-semana-22-2017">Archived</a> from the original on 24 August 2017. Retrieved 7 June 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Top+100+Albumes+%E2%80%93+Semana+22%3A+del+26.05.2017+al+01.06.2017&rft.pub=Productores+de+M%C3%BAsica+de+Espa%C3%B1a&rft_id=https%3A%2F%2Fwww.promusicae.es%2Flistas%2Fsemana%2F3428-%25C3%2581lbumes-semana-22-2017&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-ac_Sweden_The_Beatles-623"><a href="#cite_ref-ac_Sweden_The_Beatles_623-0">^</a> <a rel="nofollow" class="external text" href="https://swedishcharts.com/showitem.asp?interpret=The+Beatles&titel=Sgt.+Peppers+Lonely+Hearts+Club+Band&cat=a">"Swedishcharts.com – The Beatles – Sgt. Peppers Lonely Hearts Club Band"</a>. Hung Medien. Retrieved 3 June 2017. </li> <li id="cite_note-ac_Switzerland_The_Beatles-624"><a href="#cite_ref-ac_Switzerland_The_Beatles_624-0">^</a> <a rel="nofollow" class="external text" href="http://swisscharts.com/showitem.asp?interpret=The+Beatles&titel=Sgt.+Peppers+Lonely+Hearts+Club+Band&cat=a">"Swisscharts.com – The Beatles – Sgt. Peppers Lonely Hearts Club Band"</a>. Hung Medien. Retrieved 7 June 2017. </li> <li id="cite_note-ac_UK2_-625"><a href="#cite_ref-ac_UK2_625-0">^</a> <a rel="nofollow" class="external text" href="https://www.officialcharts.com/charts/albums-chart/2">June 2017/7502/ "Official Albums Chart Top 100"</a>. <a href="/wiki/Official_Charts_Company" title="Official Charts Company">Official Charts Company</a>. Retrieved 3 June 2017. </li> <li id="cite_note-626"><a href="#cite_ref-626">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCaulfield2017" class="citation magazine cs1">Caulfield, Keith (4 June 2017). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/columns/chart-beat/7817591/bryson-tiller-true-to-self-no-1-billboard-200">"Bryson Tiller Notches His First No. 1 Album on Billboard 200 Chart With 'True to Self'"</a>. Billboard. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170604230659/http://www.billboard.com/articles/columns/chart-beat/7817591/bryson-tiller-true-to-self-no-1-billboard-200">Archived</a> from the original on 4 June 2017. Retrieved 5 June 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Bryson+Tiller+Notches+His+First+No.+1+Album+on+Billboard+200+Chart+With+%27True+to+Self%27&rft.date=2017-06-04&rft.aulast=Caulfield&rft.aufirst=Keith&rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fcolumns%2Fchart-beat%2F7817591%2Fbryson-tiller-true-to-self-no-1-billboard-200&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-627"><a href="#cite_ref-627">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=aSgEAAAAMBAJ&pg=PA12">Billboard – Top Pop Albums of 1967</a>. Retrieved 3 May 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Billboard+%E2%80%93+Top+Pop+Albums+of+1967&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DaSgEAAAAMBAJ%26pg%3DPA12&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-628"><a href="#cite_ref-628">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=736Mu91q_fcC&pg=PA230">Billboard – Top Pop Albums of 1968</a>. p. 230. Retrieved 3 May 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Billboard+%E2%80%93+Top+Pop+Albums+of+1968&rft.pages=230&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D736Mu91q_fcC%26pg%3DPA230&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-capif-629">^ <a href="#cite_ref-capif_629-0">a</a> <a href="#cite_ref-capif_629-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://archive.today/20110706084844/http://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=&album=&LanDesde_MM=1&LanDesde_AA=1980&LanHasta_MM=12&LanHasta_AA=2010&Galardon=O&Tipo=1&ACCION2=+Buscar+&ACCION=Buscar&CO=5&CODOP=ESOP">"Discos de oro y platino"</a> (in Spanish). <a href="/wiki/C%C3%A1mara_Argentina_de_Productores_de_Fonogramas_y_Videogramas" class="mw-redirect" title="Cámara Argentina de Productores de Fonogramas y Videogramas">Cámara Argentina de Productores de Fonogramas y Videogramas</a>. Archived from <a rel="nofollow" class="external text" href="https://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=&album=&LanDesde_MM=1&LanDesde_AA=1980&LanHasta_MM=12&LanHasta_AA=2010&Galardon=O&Tipo=1&ACCION2=+Buscar+&ACCION=Buscar&CO=5&CODOP=ESOP">the original</a> on 6 July 2011. Retrieved 16 September 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Discos+de+oro+y+platino&rft.pub=C%C3%A1mara+Argentina+de+Productores+de+Fonogramas+y+Videogramas&rft_id=https%3A%2F%2Fwww.capif.org.ar%2FDefault.asp%3FPerDesde_MM%3D0%26PerDesde_AA%3D0%26PerHasta_MM%3D0%26PerHasta_AA%3D0%26interprete%3D%26album%3D%26LanDesde_MM%3D1%26LanDesde_AA%3D1980%26LanHasta_MM%3D12%26LanHasta_AA%3D2010%26Galardon%3DO%26Tipo%3D1%26ACCION2%3D%2BBuscar%2B%26ACCION%3DBuscar%26CO%3D5%26CODOP%3DESOP&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-AustraliaThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-630"><a href="#cite_ref-AustraliaThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef_630-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.dropbox.com/sh/k9o2q7p7o4awhqx/AAAkIHUsZxjA2_mq5yRhmM7aa/2009%20Accreds.pdf">"ARIA Charts – Accreditations – 2009 Albums"</a> (PDF). <a href="/wiki/Australian_Recording_Industry_Association" title="Australian Recording Industry Association">Australian Recording Industry Association</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=ARIA+Charts+%E2%80%93+Accreditations+%E2%80%93+2009+Albums&rft.pub=Australian+Recording+Industry+Association&rft_id=https%3A%2F%2Fwww.dropbox.com%2Fsh%2Fk9o2q7p7o4awhqx%2FAAAkIHUsZxjA2_mq5yRhmM7aa%2F2009%2520Accreds.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-631"><a href="#cite_ref-631">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://memoria.bn.br/DocReader/DocReader.aspx?bib=030015_10&Pesq=beatles%20abbey%20road&pagfis=201532">"O sargento Pimenta faz 20 anos"</a>. <a href="/wiki/Jornal_do_Brasil" title="Jornal do Brasil">Jornal do Brasil</a> (in Portuguese). 1 June 1987. p. 37 – via <a href="/wiki/National_Library_of_Brazil" title="National Library of Brazil">National Library of Brazil</a>. <q>Sgt. pepper's que toca em cinco paginas desta edicao, e o terceiro mais vendido (290 mil). Perde Abbey Road (390 mil) e para Help (320 mil)</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Jornal+do+Brasil&rft.atitle=O+sargento+Pimenta+faz+20+anos&rft.pages=37&rft.date=1987-06-01&rft_id=http%3A%2F%2Fmemoria.bn.br%2FDocReader%2FDocReader.aspx%3Fbib%3D030015_10%26Pesq%3Dbeatles%2520abbey%2520road%26pagfis%3D201532&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-BrazilThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-632"><a href="#cite_ref-BrazilThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef_632-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://pro-musicabr.org.br/home/certificados/?busca_artista=The+Beatles&busca_tipo_produto=ÁLBUM">"Brazilian album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a> (in Portuguese). <a href="/wiki/Pro-M%C3%BAsica_Brasil" title="Pro-Música Brasil">Pro-Música Brasil</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Brazilian+album+certifications+%E2%80%93+The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=Pro-M%C3%BAsica+Brasil&rft_id=https%3A%2F%2Fpro-musicabr.org.br%2Fhome%2Fcertificados%2F%3Fbusca_artista%3DThe%2BBeatles%26busca_tipo_produto%3D%C3%81LBUM&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-CanadaThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-633"><a href="#cite_ref-CanadaThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef_633-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://musiccanada.com/gold-platinum/?_gp_search=Sgt.+Pepper%27s+Lonely+Hearts+Club+Band%20The+Beatles">"Canadian album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a>. <a href="/wiki/Music_Canada" title="Music Canada">Music Canada</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Canadian+album+certifications+%E2%80%93+The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=Music+Canada&rft_id=https%3A%2F%2Fmusiccanada.com%2Fgold-platinum%2F%3F_gp_search%3DSgt.%2BPepper%2527s%2BLonely%2BHearts%2BClub%2BBand%2520The%2BBeatles&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-DenmarkThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-634"><a href="#cite_ref-DenmarkThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef_634-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://ifpi.dk/node/12267">"Danish album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a>. <a href="/wiki/IFPI_Danmark" title="IFPI Danmark">IFPI Danmark</a>. Retrieved 29 March 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Danish+album+certifications+%E2%80%93+The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=IFPI+Danmark&rft_id=http%3A%2F%2Fifpi.dk%2Fnode%2F12267&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-FranceThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-635"><a href="#cite_ref-FranceThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef_635-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://snepmusique.com/les-certifications/?categorie=Albums&interprete=The+Beatles&titre=Sgt.+Pepper%27s+Lonely+Hearts+Club+Band">"French album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a> (in French). <a href="/wiki/Syndicat_National_de_l%27%C3%89dition_Phonographique" class="mw-redirect" title="Syndicat National de l'Édition Phonographique">Syndicat National de l'Édition Phonographique</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=French+album+certifications+%E2%80%93+The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=Syndicat+National+de+l%27%C3%89dition+Phonographique&rft_id=http%3A%2F%2Fsnepmusique.com%2Fles-certifications%2F%3Fcategorie%3DAlbums%26interprete%3DThe%2BBeatles%26titre%3DSgt.%2BPepper%2527s%2BLonely%2BHearts%2BClub%2BBand&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-GermanyThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-636"><a href="#cite_ref-GermanyThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef_636-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://www.musikindustrie.de/wie-musik-zur-karriere-werden-kann/markt-bestseller/gold-/platin-und-diamond-auszeichnung/datenbank/?action=suche&strTitel=Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&strInterpret=The+Beatles&strTtArt=2&strAwards=checked">"Gold-/Platin-Datenbank (The Beatles; 'Sgt. Pepper's Lonely Hearts Club Band')"</a> (in German). <a href="/wiki/Bundesverband_Musikindustrie" title="Bundesverband Musikindustrie">Bundesverband Musikindustrie</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Gold-%2FPlatin-Datenbank+%28The+Beatles%3B+%27Sgt.+Pepper%27s+Lonely+Hearts+Club+Band%27%29&rft.pub=Bundesverband+Musikindustrie&rft_id=https%3A%2F%2Fwww.musikindustrie.de%2Fwie-musik-zur-karriere-werden-kann%2Fmarkt-bestseller%2Fgold-%2Fplatin-und-diamond-auszeichnung%2Fdatenbank%2F%3Faction%3Dsuche%26strTitel%3DSgt.%2BPepper%2527s%2BLonely%2BHearts%2BClub%2BBand%26strInterpret%3DThe%2BBeatles%26strTtArt%3D2%26strAwards%3Dchecked&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-ItalyThe_BeatlesSgt.Pepper's_Lonely_Hearts_Club_BandalbumCertRef-637"><a href="#cite_ref-ItalyThe_BeatlesSgt.Pepper's_Lonely_Hearts_Club_BandalbumCertRef_637-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://www.fimi.it/top-of-the-music/certificazioni/certificazioni.kl#/certifications">"Italian album certifications – The Beatles – Sgt.Pepper's Lonely Hearts Club Band"</a> (in Italian). <a href="/wiki/Federazione_Industria_Musicale_Italiana" title="Federazione Industria Musicale Italiana">Federazione Industria Musicale Italiana</a>. Retrieved 4 March 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Italian+album+certifications+%E2%80%93+The+Beatles+%E2%80%93+Sgt.Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=Federazione+Industria+Musicale+Italiana&rft_id=https%3A%2F%2Fwww.fimi.it%2Ftop-of-the-music%2Fcertificazioni%2Fcertificazioni.kl%23%2Fcertifications&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> Select "2019" in the "Anno" drop-down menu. Type "Sgt.Pepper's Lonely Hearts Club Band" in the "Filtra" field. Select "Album e Compilation" under "Sezione". </li> <li id="cite_note-New_ZealandThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-638"><a href="#cite_ref-New_ZealandThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef_638-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110724195817/http://www.radioscope.net.nz/index.php?option=com_content&task=view&id=79&Itemid=62">"Latest Gold / Platinum Albums"</a>. Radioscope. 17 July 2011. Archived from <a rel="nofollow" class="external text" href="http://www.radioscope.net.nz/index.php?option=com_content&task=view&id=79&Itemid=62">the original</a> on 24 July 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Latest+Gold+%2F+Platinum+Albums&rft.pub=Radioscope&rft.date=2011-07-17&rft_id=http%3A%2F%2Fwww.radioscope.net.nz%2Findex.php%3Foption%3Dcom_content%26task%3Dview%26id%3D79%26Itemid%3D62&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-United_KingdomThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef-639"><a href="#cite_ref-United_KingdomThe_BeatlesSgt._Pepper's_Lonely_Hearts_Club_BandalbumCertRef_639-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bpi.co.uk/award/9388-1786-2">"British album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band"</a>. <a href="/wiki/British_Phonographic_Industry" title="British Phonographic Industry">British Phonographic Industry</a>. Retrieved 2 February 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=British+album+certifications+%E2%80%93+The+Beatles+%E2%80%93+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=British+Phonographic+Industry&rft_id=https%3A%2F%2Fwww.bpi.co.uk%2Faward%2F9388-1786-2&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> <li id="cite_note-United_StatesThe_BeatlesLonely_Hearts_Club_BandalbumCertRef-640"><a href="#cite_ref-United_StatesThe_BeatlesLonely_Hearts_Club_BandalbumCertRef_640-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=The+Beatles&ti=Lonely+Hearts+Club+Band&format=Album&type=#search_section">"American album certifications – The Beatles – Lonely Hearts Club Band"</a>. <a href="/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">Recording Industry Association of America</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=American+album+certifications+%E2%80%93+The+Beatles+%E2%80%93+Lonely+Hearts+Club+Band&rft.pub=Recording+Industry+Association+of+America&rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Ddefault-award%26ar%3DThe%2BBeatles%26ti%3DLonely%2BHearts%2BClub%2BBand%26format%3DAlbum%26type%3D%23search_section&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=56" title="Edit section: Bibliography">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBabiuk2002" class="citation book cs1"><a href="/wiki/Andy_Babiuk" title="Andy Babiuk">Babiuk, Andy</a> (2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Eo743Uh2UOEC">Beatles Gear: All the Fab Four's Instruments, from Stage to Studio</a>. San Francisco, CA: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-731-8" title="Special:BookSources/978-0-87930-731-8"><bdi>978-0-87930-731-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Beatles+Gear%3A+All+the+Fab+Four%27s+Instruments%2C+from+Stage+to+Studio&rft.place=San+Francisco%2C+CA&rft.pub=Backbeat+Books&rft.date=2002&rft.isbn=978-0-87930-731-8&rft.aulast=Babiuk&rft.aufirst=Andy&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DEo743Uh2UOEC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBadman2001" class="citation book cs1">Badman, Keith (2001). The Beatles Diary Volume 2: After the Break-Up 1970–2001. London: Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7119-8307-6" title="Special:BookSources/978-0-7119-8307-6"><bdi>978-0-7119-8307-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles+Diary+Volume+2%3A+After+the+Break-Up+1970%E2%80%932001&rft.place=London&rft.pub=Omnibus+Press&rft.date=2001&rft.isbn=978-0-7119-8307-6&rft.aulast=Badman&rft.aufirst=Keith&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThe_Beatles2000" class="citation book cs1"><a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a> (2000). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=HWuQu8EMDKcC">The Beatles Anthology</a>. San Francisco, CA: Chronicle Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8118-2684-8" title="Special:BookSources/0-8118-2684-8"><bdi>0-8118-2684-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles+Anthology&rft.place=San+Francisco%2C+CA&rft.pub=Chronicle+Books&rft.date=2000&rft.isbn=0-8118-2684-8&rft.au=The+Beatles&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DHWuQu8EMDKcC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCase2010" class="citation book cs1">Case, George (2010). Out of Our Heads: Rock 'n' Roll Before the Drugs Wore Off. Milwaukee, WI: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-967-1" title="Special:BookSources/978-0-87930-967-1"><bdi>978-0-87930-967-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Out+of+Our+Heads%3A+Rock+%27n%27+Roll+Before+the+Drugs+Wore+Off&rft.place=Milwaukee%2C+WI&rft.pub=Backbeat+Books&rft.date=2010&rft.isbn=978-0-87930-967-1&rft.aulast=Case&rft.aufirst=George&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChristgau2006" class="citation book cs1"><a href="/wiki/Robert_Christgau" title="Robert Christgau">Christgau, Robert</a> (2006) [December 1967]. "Robert Christgau: 'Secular Music', from Esquire magazine". In Sawyers, June Skinner (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=EIgR8wbhPDoC">Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter</a>. Penguin Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-303732-3" title="Special:BookSources/978-0-14-303732-3"><bdi>978-0-14-303732-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Robert+Christgau%3A+%27Secular+Music%27%2C+from+Esquire+magazine&rft.btitle=Read+the+Beatles%3A+Classic+and+New+Writings+on+the+Beatles%2C+Their+Legacy%2C+and+Why+They+Still+Matter&rft.pub=Penguin+Books&rft.date=2006&rft.isbn=978-0-14-303732-3&rft.aulast=Christgau&rft.aufirst=Robert&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DEIgR8wbhPDoC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClayson2003" class="citation book cs1"><a href="/wiki/Alan_Clayson" title="Alan Clayson">Clayson, Alan</a> (2003). George Harrison. London: Sanctuary. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-86074-489-3" title="Special:BookSources/1-86074-489-3"><bdi>1-86074-489-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=George+Harrison&rft.place=London&rft.pub=Sanctuary&rft.date=2003&rft.isbn=1-86074-489-3&rft.aulast=Clayson&rft.aufirst=Alan&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCourrier2009" class="citation book cs1"><a href="/wiki/Kevin_Courrier" title="Kevin Courrier">Courrier, Kevin</a> (2009). Artificial Paradise: The Dark Side of the Beatles' Utopian Dream. Westport, CT: Praeger. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-313-34586-9" title="Special:BookSources/978-0-313-34586-9"><bdi>978-0-313-34586-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Artificial+Paradise%3A+The+Dark+Side+of+the+Beatles%27+Utopian+Dream&rft.place=Westport%2C+CT&rft.pub=Praeger&rft.date=2009&rft.isbn=978-0-313-34586-9&rft.aulast=Courrier&rft.aufirst=Kevin&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCovach1997" class="citation book cs1">Covach, John (1997). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Pj3OqpZCQmUC&pg=PA31">"Progressive Rock, 'Close to the Edge,' and the Boundaries of Style"</a>. In Covach, John; Boone, Graeme M. (eds.). Understanding Rock: Essays in Musical Analysis. New York, NY: Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-535662-5" title="Special:BookSources/978-0-19-535662-5"><bdi>978-0-19-535662-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Progressive+Rock%2C+%27Close+to+the+Edge%2C%27+and+the+Boundaries+of+Style&rft.btitle=Understanding+Rock%3A+Essays+in+Musical+Analysis&rft.place=New+York%2C+NY&rft.pub=Oxford+University+Press&rft.date=1997&rft.isbn=978-0-19-535662-5&rft.aulast=Covach&rft.aufirst=John&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DPj3OqpZCQmUC%26pg%3DPA31&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCunningham1998" class="citation book cs1">Cunningham, Mark (1998). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=AeUIAQAAMAAJ">Good Vibrations: A History of Record Production</a>. 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Electric Shock: From the Gramophone to the iPhone – 125 Years of Pop Music. London: The Bodley Head. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84792-218-2" title="Special:BookSources/978-1-84792-218-2"><bdi>978-1-84792-218-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Electric+Shock%3A+From+the+Gramophone+to+the+iPhone+%E2%80%93+125+Years+of+Pop+Music&rft.place=London&rft.pub=The+Bodley+Head&rft.date=2015&rft.isbn=978-1-84792-218-2&rft.aulast=Doggett&rft.aufirst=Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFElicker2001" class="citation book cs1">Elicker, Martina (2001). "Concept Albums: Song Cycles in Popular Music". 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Amsterdam & Atlanta, GA: Rodopi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-90-420-1565-4" title="Special:BookSources/978-90-420-1565-4"><bdi>978-90-420-1565-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Concept+Albums%3A+Song+Cycles+in+Popular+Music&rft.btitle=Essays+on+the+Song+Cycle+and+on+Defining+the+Field&rft.place=Amsterdam+%26+Atlanta%2C+GA&rft.pub=Rodopi&rft.date=2001&rft.isbn=978-90-420-1565-4&rft.aulast=Elicker&rft.aufirst=Martina&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DtVPFUS7FIAQC%26pg%3DPA227&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEllen2002" class="citation book cs1"><a href="/wiki/Mark_Ellen" title="Mark Ellen">Ellen, Mark</a> (2002). 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Gotham. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59240-269-4" title="Special:BookSources/978-1-59240-269-4"><bdi>978-1-59240-269-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Here%2C+There+and+Everywhere%3A+My+Life+Recording+the+Music+of+the+Beatles&rft.pub=Gotham&rft.date=2006&rft.isbn=978-1-59240-269-4&rft.aulast=Emerick&rft.aufirst=Geoff&rft.au=Massey%2C+Howard&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DWOk8TP8o018C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEverett1999" class="citation book cs1"><a href="/wiki/Walter_Everett_(musicologist)" title="Walter Everett (musicologist)">Everett, Walter</a> (1999). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=eTkHAldi4bEC">The Beatles as Musicians: Revolver Through the Anthology</a>. New York, NY: Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-512941-0" title="Special:BookSources/978-0-19-512941-0"><bdi>978-0-19-512941-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles+as+Musicians%3A+Revolver+Through+the+Anthology&rft.place=New+York%2C+NY&rft.pub=Oxford+University+Press&rft.date=1999&rft.isbn=978-0-19-512941-0&rft.aulast=Everett&rft.aufirst=Walter&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DeTkHAldi4bEC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFrontani2007" class="citation book cs1">Frontani, Michael R. 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Jackson, MS: University Press of Mississippi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57806-966-8" title="Special:BookSources/978-1-57806-966-8"><bdi>978-1-57806-966-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles%3A+Image+and+the+Media&rft.place=Jackson%2C+MS&rft.pub=University+Press+of+Mississippi&rft.date=2007&rft.isbn=978-1-57806-966-8&rft.aulast=Frontani&rft.aufirst=Michael+R.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbeatlesimagemedi0000fron&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGendron2002" class="citation book cs1">Gendron, Bernard (2002). Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago, IL: University of Chicago Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-226-28737-9" title="Special:BookSources/978-0-226-28737-9"><bdi>978-0-226-28737-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Between+Montmartre+and+the+Mudd+Club%3A+Popular+Music+and+the+Avant-Garde&rft.place=Chicago%2C+IL&rft.pub=University+of+Chicago+Press&rft.date=2002&rft.isbn=978-0-226-28737-9&rft.aulast=Gendron&rft.aufirst=Bernard&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGlausser2011" class="citation book cs1">Glausser, Wayne (2011). Cultural Encyclopedia of LSD. MacFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-4785-5" title="Special:BookSources/978-0-7864-4785-5"><bdi>978-0-7864-4785-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cultural+Encyclopedia+of+LSD&rft.pub=MacFarland&rft.date=2011&rft.isbn=978-0-7864-4785-5&rft.aulast=Glausser&rft.aufirst=Wayne&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoldstein2006" class="citation book cs1">Goldstein, Richard (2006) [18 June 1967]. "We Still Need the Beatles, but ...". In Sawyers, June Skinner (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=EIgR8wbhPDoC">Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter</a>. Penguin Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-303732-3" title="Special:BookSources/978-0-14-303732-3"><bdi>978-0-14-303732-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=We+Still+Need+the+Beatles%2C+but+...&rft.btitle=Read+the+Beatles%3A+Classic+and+New+Writings+on+the+Beatles%2C+Their+Legacy%2C+and+Why+They+Still+Matter&rft.pub=Penguin+Books&rft.date=2006&rft.isbn=978-0-14-303732-3&rft.aulast=Goldstein&rft.aufirst=Richard&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DEIgR8wbhPDoC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGould2007" class="citation book cs1">Gould, Jonathan (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=gTAjZ235qfsC">Can't Buy Me Love: The Beatles, Britain and America</a> (First Paperback ed.). Three Rivers Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-307-35338-2" title="Special:BookSources/978-0-307-35338-2"><bdi>978-0-307-35338-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Can%27t+Buy+Me+Love%3A+The+Beatles%2C+Britain+and+America&rft.edition=First+Paperback&rft.pub=Three+Rivers+Press&rft.date=2007&rft.isbn=978-0-307-35338-2&rft.aulast=Gould&rft.aufirst=Jonathan&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DgTAjZ235qfsC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGraffDurchholz1999" class="citation book cs1">Graff, Gary; Durchholz, Daniel (1999). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=osi0QgAACAAJ">MusicHound Rock: The Essential Album Guide</a>. Visible Ink Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57859-061-2" title="Special:BookSources/978-1-57859-061-2"><bdi>978-1-57859-061-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=MusicHound+Rock%3A+The+Essential+Album+Guide&rft.pub=Visible+Ink+Press&rft.date=1999&rft.isbn=978-1-57859-061-2&rft.aulast=Graff&rft.aufirst=Gary&rft.au=Durchholz%2C+Daniel&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dosi0QgAACAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene2016" class="citation book cs1">Greene, Doyle (2016). Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era. Jefferson, NC: McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4766-6214-5" title="Special:BookSources/978-1-4766-6214-5"><bdi>978-1-4766-6214-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rock%2C+Counterculture+and+the+Avant-Garde%2C+1966%E2%80%931970%3A+How+the+Beatles%2C+Frank+Zappa+and+the+Velvet+Underground+Defined+an+Era&rft.place=Jefferson%2C+NC&rft.pub=McFarland&rft.date=2016&rft.isbn=978-1-4766-6214-5&rft.aulast=Greene&rft.aufirst=Doyle&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHannan2008" class="citation book cs1"><a href="/wiki/Michael_Hannan_(composer)" title="Michael Hannan (composer)">Hannan, Michael</a> (2008). "The sound design of Sgt. 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Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+sound+design+of+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=Hannan&rft.aufirst=Michael&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarris2007" class="citation magazine cs1"><a href="/wiki/John_Harris_(critic)" title="John Harris (critic)">Harris, John</a> (March 2007). "Sgt. 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London: Pan Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-330-33891-9" title="Special:BookSources/0-330-33891-9"><bdi>0-330-33891-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Day+in+the+Life%3A+The+Music+and+Artistry+of+the+Beatles&rft.place=London&rft.pub=Pan+Books&rft.date=1996&rft.isbn=0-330-33891-9&rft.aulast=Hertsgaard&rft.aufirst=Mark&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoffmannBailey1990" class="citation book cs1">Hoffmann, Frank W.; Bailey, William G. (1990). Arts & Entertainment Fads. Binghamton, NY: The Haworth Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-86656-881-6" title="Special:BookSources/0-86656-881-6"><bdi>0-86656-881-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Arts+%26+Entertainment+Fads&rft.place=Binghamton%2C+NY&rft.pub=The+Haworth+Press&rft.date=1990&rft.isbn=0-86656-881-6&rft.aulast=Hoffmann&rft.aufirst=Frank+W.&rft.au=Bailey%2C+William+G.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoward2004" class="citation book cs1">Howard, David N. (2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=y4Sk0FNXkjcC&q=rubber+soul+album+without+filler&pg=PA64">Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings</a>. Milwaukee, WI: Hal Leonard. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-634-05560-7" title="Special:BookSources/978-0-634-05560-7"><bdi>978-0-634-05560-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sonic+Alchemy%3A+Visionary+Music+Producers+and+Their+Maverick+Recordings&rft.place=Milwaukee%2C+WI&rft.pub=Hal+Leonard&rft.date=2004&rft.isbn=978-0-634-05560-7&rft.aulast=Howard&rft.aufirst=David+N.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dy4Sk0FNXkjcC%26q%3Drubber%2Bsoul%2Balbum%2Bwithout%2Bfiller%26pg%3DPA64&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFIngham2006" class="citation book cs1">Ingham, Chris (2006). The Rough Guide to the Beatles (2nd ed.). London: Rough Guides/Penguin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84836-525-4" title="Special:BookSources/978-1-84836-525-4"><bdi>978-1-84836-525-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Rough+Guide+to+the+Beatles&rft.place=London&rft.edition=2nd&rft.pub=Rough+Guides%2FPenguin&rft.date=2006&rft.isbn=978-1-84836-525-4&rft.aulast=Ingham&rft.aufirst=Chris&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFInglis2008" class="citation book cs1">Inglis, Ian (2008). "Cover story: magic, myth, and music". In Julien, Olivier (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=vZ-SB57WBo8C">Sgt. 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Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Cover+story%3A+magic%2C+myth%2C+and+music&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=Inglis&rft.aufirst=Ian&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJones2016" class="citation book cs1">Jones, Carys Wyn (2016) [2008]. <a rel="nofollow" class="external text" href="https://books.google.com/books?id=AiQxDwAAQBAJ">The Rock Canon: Canonical Values in the Reception of Rock Albums</a>. Abingdon, UK: Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6244-0" title="Special:BookSources/978-0-7546-6244-0"><bdi>978-0-7546-6244-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Rock+Canon%3A+Canonical+Values+in+the+Reception+of+Rock+Albums&rft.place=Abingdon%2C+UK&rft.pub=Routledge&rft.date=2016&rft.isbn=978-0-7546-6244-0&rft.aulast=Jones&rft.aufirst=Carys+Wyn&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DAiQxDwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJulien2008a" class="citation book cs1">Julien, Olivier (2008a). "Preface". 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Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Preface&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=Julien&rft.aufirst=Olivier&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJulien2008b" class="citation book cs1">Julien, Olivier (2008b). "'Their production will be second to none': An introduction to Sgt. Pepper". 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Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%27Their+production+will+be+second+to+none%27%3A+An+introduction+to+Sgt.+Pepper&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=Julien&rft.aufirst=Olivier&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJulien2008c" class="citation book cs1">Julien, Olivier (2008c). "'A lucky man who made the grade': Sgt. 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Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%27A+lucky+man+who+made+the+grade%27%3A+Sgt.+Pepper+and+the+rise+of+a+phonographic+tradition+in+twentieth-century+popular+music&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=Julien&rft.aufirst=Olivier&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKimsey2008" class="citation book cs1">Kimsey, John (2008). "The Whatchamucallit in the garden: Sgt. Pepper and fables of interference". In Julien, Olivier (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=vZ-SB57WBo8C">Sgt. Pepper and the Beatles: It Was Forty Years Ago Today</a>. Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Whatchamucallit+in+the+garden%3A+Sgt.+Pepper+and+fables+of+interference&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=Kimsey&rft.aufirst=John&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLarkin2006" class="citation book cs1"><a href="/wiki/Colin_Larkin_(writer)" class="mw-redirect" title="Colin Larkin (writer)">Larkin, Colin</a>, ed. (2006). The Encyclopedia of Popular Music. London: Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-531373-4" title="Special:BookSources/978-0-19-531373-4"><bdi>978-0-19-531373-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Encyclopedia+of+Popular+Music&rft.place=London&rft.pub=Oxford+University+Press&rft.date=2006&rft.isbn=978-0-19-531373-4&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLavezzoli2006" class="citation book cs1">Lavezzoli, Peter (2006). The Dawn of Indian Music in the West. New York, NY: Continuum. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8264-2819-3" title="Special:BookSources/0-8264-2819-3"><bdi>0-8264-2819-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Dawn+of+Indian+Music+in+the+West&rft.place=New+York%2C+NY&rft.pub=Continuum&rft.date=2006&rft.isbn=0-8264-2819-3&rft.aulast=Lavezzoli&rft.aufirst=Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLewisohn2005" class="citation book cs1"><a href="/wiki/Mark_Lewisohn" title="Mark Lewisohn">Lewisohn, Mark</a> (2005) [1988]. The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970. London: Bounty Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7537-2545-0" title="Special:BookSources/978-0-7537-2545-0"><bdi>978-0-7537-2545-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Complete+Beatles+Recording+Sessions%3A+The+Official+Story+of+the+Abbey+Road+Years+1962%E2%80%931970&rft.place=London&rft.pub=Bounty+Books&rft.date=2005&rft.isbn=978-0-7537-2545-0&rft.aulast=Lewisohn&rft.aufirst=Mark&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLewisohn2010" class="citation book cs1">Lewisohn, Mark (2010) [1992]. The Complete Beatles Chronicle: The Definitive Day-by-Day Guide to the Beatles' Entire Career. Chicago, IL: Chicago Review Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-56976-534-0" title="Special:BookSources/978-1-56976-534-0"><bdi>978-1-56976-534-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Complete+Beatles+Chronicle%3A+The+Definitive+Day-by-Day+Guide+to+the+Beatles%27+Entire+Career&rft.place=Chicago%2C+IL&rft.pub=Chicago+Review+Press&rft.date=2010&rft.isbn=978-1-56976-534-0&rft.aulast=Lewisohn&rft.aufirst=Mark&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMacDonald2005" class="citation book cs1"><a href="/wiki/Ian_MacDonald" title="Ian MacDonald">MacDonald, Ian</a> (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=YJUWJhIbkccC">Revolution in the Head: The Beatles' Records and the Sixties</a> (3rd ed.). Chicago Review Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55652-733-3" title="Special:BookSources/978-1-55652-733-3"><bdi>978-1-55652-733-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revolution+in+the+Head%3A+The+Beatles%27+Records+and+the+Sixties&rft.edition=3rd&rft.pub=Chicago+Review+Press&rft.date=2005&rft.isbn=978-1-55652-733-3&rft.aulast=MacDonald&rft.aufirst=Ian&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DYJUWJhIbkccC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMacFarlane2008" class="citation book cs1">MacFarlane, Thomas (2008). "Sgt. Pepper's quest for extended form". 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Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Sgt.+Pepper%27s+quest+for+extended+form&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=MacFarlane&rft.aufirst=Thomas&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMann2006" class="citation book cs1"><a href="/wiki/William_Mann_(critic)" title="William Mann (critic)">Mann, William</a> (2006) [29 May 1967]. "The Beatles Revive Hopes of Progress in Pop Music". In Sawyers, June Skinner (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=EIgR8wbhPDoC">Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter</a>. 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Da Capo. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-306-81532-4" title="Special:BookSources/978-0-306-81532-4"><bdi>978-0-306-81532-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Stranded%3A+Rock+and+Roll+for+a+Desert+Island&rft.edition=2&rft.pub=Da+Capo&rft.date=2007&rft.isbn=978-0-306-81532-4&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DGVQUAQAAIAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMartin1994" class="citation book cs1"><a href="/wiki/George_Martin" title="George Martin">Martin, George</a> (1994) [1979]. All You Need is Ears. New York, NY: St. Martin's Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-11482-4" title="Special:BookSources/978-0-312-11482-4"><bdi>978-0-312-11482-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=All+You+Need+is+Ears&rft.place=New+York%2C+NY&rft.pub=St.+Martin%27s+Press&rft.date=1994&rft.isbn=978-0-312-11482-4&rft.aulast=Martin&rft.aufirst=George&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMartinPearson1994" class="citation book cs1">Martin, George; Pearson, William (1994). Summer of Love: The Making of Sgt. Pepper. Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-333-60398-7" title="Special:BookSources/978-0-333-60398-7"><bdi>978-0-333-60398-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Summer+of+Love%3A+The+Making+of+Sgt.+Pepper&rft.pub=Macmillan&rft.date=1994&rft.isbn=978-0-333-60398-7&rft.aulast=Martin&rft.aufirst=George&rft.au=Pearson%2C+William&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiles1997" class="citation book cs1"><a href="/wiki/Barry_Miles" title="Barry Miles">Miles, Barry</a> (1997). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=-eh8BedNtLgC">Paul McCartney: Many Years From Now</a> (1st Hardcover ed.). Henry Holt & Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8050-5248-0" title="Special:BookSources/978-0-8050-5248-0"><bdi>978-0-8050-5248-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Paul+McCartney%3A+Many+Years+From+Now&rft.edition=1st+Hardcover&rft.pub=Henry+Holt+%26+Company&rft.date=1997&rft.isbn=978-0-8050-5248-0&rft.aulast=Miles&rft.aufirst=Barry&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D-eh8BedNtLgC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiles2001" class="citation book cs1">Miles, Barry (2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=trRB-lo4qR8C">The Beatles Diary Volume 1: The Beatles Years</a>. London: Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7119-8308-9" title="Special:BookSources/0-7119-8308-9"><bdi>0-7119-8308-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles+Diary+Volume+1%3A+The+Beatles+Years&rft.place=London&rft.pub=Omnibus+Press&rft.date=2001&rft.isbn=0-7119-8308-9&rft.aulast=Miles&rft.aufirst=Barry&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DtrRB-lo4qR8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoore1997" class="citation book cs1">Moore, Allan F. (1997). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=4y-oDmH2YzYC">The Beatles: Sgt. Pepper's Lonely Hearts Club Band</a>. Cambridge University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-521-57484-6" title="Special:BookSources/978-0-521-57484-6"><bdi>978-0-521-57484-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles%3A+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.pub=Cambridge+University+Press&rft.date=1997&rft.isbn=978-0-521-57484-6&rft.aulast=Moore&rft.aufirst=Allan+F.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D4y-oDmH2YzYC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoore2008" class="citation book cs1">Moore, Allan F. (2008). "The act you've known for all these years: a re-encounter with Sgt. Pepper". 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Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+act+you%27ve+known+for+all+these+years%3A+a+re-encounter+with+Sgt.+Pepper&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=Moore&rft.aufirst=Allan+F.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoore2018" class="citation book cs1">Moore, Allan F. (2018) [2001]. Rock: The Primary Text – Developing a Musicology of Rock. Abingdon, UK; New York, NY: Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-138-70224-0" title="Special:BookSources/978-1-138-70224-0"><bdi>978-1-138-70224-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rock%3A+The+Primary+Text+%E2%80%93+Developing+a+Musicology+of+Rock&rft.place=Abingdon%2C+UK%3B+New+York%2C+NY&rft.pub=Routledge&rft.date=2018&rft.isbn=978-1-138-70224-0&rft.aulast=Moore&rft.aufirst=Allan+F.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNagelberg2001" class="citation book cs1">Nagelberg, Kenneth M. (2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=U3rJxPYT32MC&q=%22acid+rock%22+%22heavy+metal%22&pg=PA8">"Acid Rock"</a>. In Browne, Ray B.; Browne, Pat (eds.). The Guide to United States Popular Culture. Madison, WI: University of Wisconsin Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87972-821-2" title="Special:BookSources/978-0-87972-821-2"><bdi>978-0-87972-821-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Acid+Rock&rft.btitle=The+Guide+to+United+States+Popular+Culture&rft.place=Madison%2C+WI&rft.pub=University+of+Wisconsin+Press&rft.date=2001&rft.isbn=978-0-87972-821-2&rft.aulast=Nagelberg&rft.aufirst=Kenneth+M.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DU3rJxPYT32MC%26q%3D%2522acid%2Brock%2522%2B%2522heavy%2Bmetal%2522%26pg%3DPA8&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNorman1996" class="citation book cs1"><a href="/wiki/Philip_Norman_(author)" title="Philip Norman (author)">Norman, Philip</a> (1996) [1981]. Shout!: The Beatles in Their Generation. New York, NY: Fireside. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-684-83067-1" title="Special:BookSources/0-684-83067-1"><bdi>0-684-83067-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Shout%21%3A+The+Beatles+in+Their+Generation&rft.place=New+York%2C+NY&rft.pub=Fireside&rft.date=1996&rft.isbn=0-684-83067-1&rft.aulast=Norman&rft.aufirst=Philip&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNorman2008" class="citation book cs1">Norman, Philip (2008). <a rel="nofollow" class="external text" href="https://archive.org/details/johnlennonlife00norm">John Lennon: The Life</a>. New York, NY: Ecco. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-075402-0" title="Special:BookSources/978-0-06-075402-0"><bdi>978-0-06-075402-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=John+Lennon%3A+The+Life&rft.place=New+York%2C+NY&rft.pub=Ecco&rft.date=2008&rft.isbn=978-0-06-075402-0&rft.aulast=Norman&rft.aufirst=Philip&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fjohnlennonlife00norm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNorman2016" class="citation book cs1">Norman, Philip (2016). Paul McCartney: The Biography. London: Weidenfeld & Nicolson. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-297-87075-3" title="Special:BookSources/978-0-297-87075-3"><bdi>978-0-297-87075-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Paul+McCartney%3A+The+Biography&rft.place=London&rft.pub=Weidenfeld+%26+Nicolson&rft.date=2016&rft.isbn=978-0-297-87075-3&rft.aulast=Norman&rft.aufirst=Philip&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNorthcutt2006" class="citation book cs1">Northcutt, William N. (2006). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=_8Ob1bL_ongC&q=Paul+said+Come+and+see+the+show%2C+I+said+I+read+the+news+today+oh+boy&pg=PA137">"The Spectacle of Alienation: Death, Loss, and the Crowd in Sgt. Pepper's Lonely Hearts Club Band"</a>. In Womack, Kenneth; Davis, Todd F. (eds.). Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four. Albany, NY: SUNY Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7914-6716-3" title="Special:BookSources/0-7914-6716-3"><bdi>0-7914-6716-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Spectacle+of+Alienation%3A+Death%2C+Loss%2C+and+the+Crowd+in+Sgt.+Pepper%27s+Lonely+Hearts+Club+Band&rft.btitle=Reading+the+Beatles%3A+Cultural+Studies%2C+Literary+Criticism%2C+and+the+Fab+Four&rft.place=Albany%2C+NY&rft.pub=SUNY+Press&rft.date=2006&rft.isbn=0-7914-6716-3&rft.aulast=Northcutt&rft.aufirst=William+N.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D_8Ob1bL_ongC%26q%3DPaul%2Bsaid%2BCome%2Band%2Bsee%2Bthe%2Bshow%252C%2BI%2Bsaid%2BI%2Bread%2Bthe%2Bnews%2Btoday%2Boh%2Bboy%26pg%3DPA137&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPhilo2015" class="citation book cs1">Philo, Simon (2015). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=WqiDBQAAQBAJ">British Invasion: The Crosscurrents of Musical Influence</a>. Lanham, MD: Rowman & Littlefield. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8108-8626-1" title="Special:BookSources/978-0-8108-8626-1"><bdi>978-0-8108-8626-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=British+Invasion%3A+The+Crosscurrents+of+Musical+Influence&rft.place=Lanham%2C+MD&rft.pub=Rowman+%26+Littlefield&rft.date=2015&rft.isbn=978-0-8108-8626-1&rft.aulast=Philo&rft.aufirst=Simon&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DWqiDBQAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPrendergast2003" class="citation book cs1">Prendergast, Mark (2003). <a rel="nofollow" class="external text" href="https://archive.org/details/ambientcenturyfr00pren">The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age</a>. New York, NY: Bloomsbury. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-58234-323-3" title="Special:BookSources/1-58234-323-3"><bdi>1-58234-323-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Ambient+Century%3A+From+Mahler+to+Moby+%E2%80%93+The+Evolution+of+Sound+in+the+Electronic+Age&rft.place=New+York%2C+NY&rft.pub=Bloomsbury&rft.date=2003&rft.isbn=1-58234-323-3&rft.aulast=Prendergast&rft.aufirst=Mark&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fambientcenturyfr00pren&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReck2008" class="citation book cs1">Reck, David (2008). "The Beatles and Indian Music". 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"Magical Mystery Tours, and Other Trips: Yellow submarines, newspaper taxis, and the Beatles' psychedelic years". In Womack, Kenneth (ed.). The Cambridge Companion to the Beatles. Cambridge, UK: Cambridge University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-521-68976-2" title="Special:BookSources/978-0-521-68976-2"><bdi>978-0-521-68976-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Magical+Mystery+Tours%2C+and+Other+Trips%3A+Yellow+submarines%2C+newspaper+taxis%2C+and+the+Beatles%27+psychedelic+years&rft.btitle=The+Cambridge+Companion+to+the+Beatles&rft.place=Cambridge%2C+UK&rft.pub=Cambridge+University+Press&rft.date=2009&rft.isbn=978-0-521-68976-2&rft.aulast=Reising&rft.aufirst=Russell&rft.au=LeBlanc%2C+Jim&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRiley2002" class="citation book cs1"><a href="/wiki/Tim_Riley_(music_critic)" title="Tim Riley (music critic)">Riley, Tim</a> (2002) [1988]. <a rel="nofollow" class="external text" href="https://books.google.com/books?id=JXn8AgAAQBAJ">Tell Me Why – The Beatles: Album by Album, Song by Song, the Sixties and After</a>. Cambridge, MA: Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-306-81120-3" title="Special:BookSources/978-0-306-81120-3"><bdi>978-0-306-81120-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Tell+Me+Why+%E2%80%93+The+Beatles%3A+Album+by+Album%2C+Song+by+Song%2C+the+Sixties+and+After&rft.place=Cambridge%2C+MA&rft.pub=Da+Capo+Press&rft.date=2002&rft.isbn=978-0-306-81120-3&rft.aulast=Riley&rft.aufirst=Tim&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DJXn8AgAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoberts2014" class="citation book cs1">Roberts, Michael James (2014). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=pIBXAwAAQBAJ">Tell Tchaikovsky the News: Rock 'n' Roll, the Labor Question, and the Musicians' Union, 1942–1968</a>. Durham, NC: Duke University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8223-5475-8" title="Special:BookSources/978-0-8223-5475-8"><bdi>978-0-8223-5475-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Tell+Tchaikovsky+the+News%3A+Rock+%27n%27+Roll%2C+the+Labor+Question%2C+and+the+Musicians%27+Union%2C+1942%E2%80%931968&rft.place=Durham%2C+NC&rft.pub=Duke+University+Press&rft.date=2014&rft.isbn=978-0-8223-5475-8&rft.aulast=Roberts&rft.aufirst=Michael+James&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DpIBXAwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRodriguez2012" class="citation book cs1">Rodriguez, Robert (2012). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=farlJScWrTMC">Revolver: How the Beatles Reimagined Rock 'n' Roll</a>. Milwaukee, WI: Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61713-009-0" title="Special:BookSources/978-1-61713-009-0"><bdi>978-1-61713-009-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revolver%3A+How+the+Beatles+Reimagined+Rock+%27n%27+Roll&rft.place=Milwaukee%2C+WI&rft.pub=Backbeat+Books&rft.date=2012&rft.isbn=978-1-61713-009-0&rft.aulast=Rodriguez&rft.aufirst=Robert&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DfarlJScWrTMC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRomano2010" class="citation book cs1">Romano, Will (2010). Mountains Come Out of the Sky: The Illustrated History of Prog Rock. Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61713-375-6" title="Special:BookSources/978-1-61713-375-6"><bdi>978-1-61713-375-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mountains+Come+Out+of+the+Sky%3A+The+Illustrated+History+of+Prog+Rock&rft.pub=Backbeat+Books&rft.date=2010&rft.isbn=978-1-61713-375-6&rft.aulast=Romano&rft.aufirst=Will&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRomanowski2006" class="citation book cs1">Romanowski, William D. (2006). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=D41LAwAAQBAJ">Pop Culture Wars: Religion and the Role of Entertainment in American Life</a>. Eugene, OR: Wipf and Stock. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59752-577-0" title="Special:BookSources/978-1-59752-577-0"><bdi>978-1-59752-577-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pop+Culture+Wars%3A+Religion+and+the+Role+of+Entertainment+in+American+Life&rft.place=Eugene%2C+OR&rft.pub=Wipf+and+Stock&rft.date=2006&rft.isbn=978-1-59752-577-0&rft.aulast=Romanowski&rft.aufirst=William+D.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DD41LAwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFScapelliti2007" class="citation magazine cs1">Scapelliti, Christopher (June 2007). "The Making of Sgt. Pepper: Rock's Big Bang". <a href="/wiki/Guitar_World" title="Guitar World">Guitar World</a>. Vol. 28, no. 6.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Guitar+World&rft.atitle=The+Making+of+Sgt.+Pepper%3A+Rock%27s+Big+Bang&rft.volume=28&rft.issue=6&rft.date=2007-06&rft.aulast=Scapelliti&rft.aufirst=Christopher&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSchaffner1978" class="citation book cs1"><a href="/wiki/Nicholas_Schaffner" title="Nicholas Schaffner">Schaffner, Nicholas</a> (1978). <a rel="nofollow" class="external text" href="https://archive.org/details/beatlesforever00scha">The Beatles Forever</a>. McGraw-Hill. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-07-055087-5" title="Special:BookSources/0-07-055087-5"><bdi>0-07-055087-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles+Forever&rft.pub=McGraw-Hill&rft.date=1978&rft.isbn=0-07-055087-5&rft.aulast=Schaffner&rft.aufirst=Nicholas&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbeatlesforever00scha&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSheff1981" class="citation book cs1"><a href="/wiki/David_Sheff" title="David Sheff">Sheff, David</a> (1981). Golson, G. 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St Martin's Griffin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-25464-3" title="Special:BookSources/978-0-312-25464-3"><bdi>978-0-312-25464-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=All+We+Are+Saying%3A+The+Last+Major+Interview+with+John+Lennon+and+Yoko+Ono&rft.edition=2000&rft.pub=St+Martin%27s+Griffin&rft.date=1981&rft.isbn=978-0-312-25464-3&rft.aulast=Sheff&rft.aufirst=David&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DHL7X-YyrINUC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSheffield2004" class="citation book cs1"><a href="/wiki/Rob_Sheffield" title="Rob Sheffield">Sheffield, Rob</a> (2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=t9eocwUfoSoC&pg=PA51">"The Beatles"</a>. 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New York, NY: Simon & Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7432-0169-8" title="Special:BookSources/978-0-7432-0169-8"><bdi>978-0-7432-0169-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Beatles&rft.btitle=The+New+Rolling+Stone+Album+Guide&rft.place=New+York%2C+NY&rft.pub=Simon+%26+Schuster&rft.date=2004&rft.isbn=978-0-7432-0169-8&rft.aulast=Sheffield&rft.aufirst=Rob&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dt9eocwUfoSoC%26pg%3DPA51&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSimonelli2013" class="citation book cs1">Simonelli, David (2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=mnrwy7P3KvQC&q=%22jack+Kroll%22+%22A+Day+in+the+Life%22">Working Class Heroes: Rock Music and British Society in the 1960s and 1970s</a>. Lanham, MD: Lexington Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7391-7051-9" title="Special:BookSources/978-0-7391-7051-9"><bdi>978-0-7391-7051-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Working+Class+Heroes%3A+Rock+Music+and+British+Society+in+the+1960s+and+1970s&rft.place=Lanham%2C+MD&rft.pub=Lexington+Books&rft.date=2013&rft.isbn=978-0-7391-7051-9&rft.aulast=Simonelli&rft.aufirst=David&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dmnrwy7P3KvQC%26q%3D%2522jack%2BKroll%2522%2B%2522A%2BDay%2Bin%2Bthe%2BLife%2522&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSmith2009" class="citation book cs1">Smith, Chris (2009). 101 Albums That Changed Popular Music. New York, NY: Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-537371-4" title="Special:BookSources/978-0-19-537371-4"><bdi>978-0-19-537371-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=101+Albums+That+Changed+Popular+Music&rft.place=New+York%2C+NY&rft.pub=Oxford+University+Press&rft.date=2009&rft.isbn=978-0-19-537371-4&rft.aulast=Smith&rft.aufirst=Chris&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSounes2010" class="citation book cs1"><a href="/wiki/Howard_Sounes" title="Howard Sounes">Sounes, Howard</a> (2010). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=jQJk-qRy5IUC">Fab: An Intimate Life of Paul McCartney</a>. London: HarperCollins. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-00-723705-0" title="Special:BookSources/978-0-00-723705-0"><bdi>978-0-00-723705-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Fab%3A+An+Intimate+Life+of+Paul+McCartney&rft.place=London&rft.pub=HarperCollins&rft.date=2010&rft.isbn=978-0-00-723705-0&rft.aulast=Sounes&rft.aufirst=Howard&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DjQJk-qRy5IUC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSpitz2005" class="citation book cs1"><a href="/wiki/Bob_Spitz" title="Bob Spitz">Spitz, Bob</a> (2005). <a rel="nofollow" class="external text" href="https://archive.org/details/beatlesbiography00spit">The Beatles: The Biography</a>. Little, Brown and Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7394-6966-8" title="Special:BookSources/978-0-7394-6966-8"><bdi>978-0-7394-6966-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles%3A+The+Biography&rft.pub=Little%2C+Brown+and+Company&rft.date=2005&rft.isbn=978-0-7394-6966-8&rft.aulast=Spitz&rft.aufirst=Bob&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbeatlesbiography00spit&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTillery2011" class="citation book cs1"><a href="/wiki/Gary_Tillery" title="Gary Tillery">Tillery, Gary</a> (2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=ajhTvx3NQPYC">Working Class Mystic: A Spiritual Biography of George Harrison</a>. Quest. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8356-0900-5" title="Special:BookSources/978-0-8356-0900-5"><bdi>978-0-8356-0900-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Working+Class+Mystic%3A+A+Spiritual+Biography+of+George+Harrison&rft.pub=Quest&rft.date=2011&rft.isbn=978-0-8356-0900-5&rft.aulast=Tillery&rft.aufirst=Gary&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DajhTvx3NQPYC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTurner2016" class="citation book cs1"><a href="/wiki/Steve_Turner_(writer)" title="Steve Turner (writer)">Turner, Steve</a> (2016). Beatles '66: The Revolutionary Year. New York, NY: Ecco. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-247558-9" title="Special:BookSources/978-0-06-247558-9"><bdi>978-0-06-247558-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Beatles+%2766%3A+The+Revolutionary+Year&rft.place=New+York%2C+NY&rft.pub=Ecco&rft.date=2016&rft.isbn=978-0-06-247558-9&rft.aulast=Turner&rft.aufirst=Steve&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWagner2008" class="citation book cs1">Wagner, Naphtali (2008). "The Beatles' psycheclassical synthesis: psychedelic classicism and classical psychedelia in Sgt. Pepper". In Julien, Olivier (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=vZ-SB57WBo8C">Sgt. Pepper and the Beatles: It Was Forty Years Ago Today</a>. Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Beatles%27+psycheclassical+synthesis%3A+psychedelic+classicism+and+classical+psychedelia+in+Sgt.+Pepper&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=Wagner&rft.aufirst=Naphtali&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWiener1992" class="citation book cs1">Wiener, Allen J. (1992). The Beatles: The Ultimate Recording Guide. Checkmark Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8160-2511-4" title="Special:BookSources/978-0-8160-2511-4"><bdi>978-0-8160-2511-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles%3A+The+Ultimate+Recording+Guide&rft.pub=Checkmark+Books&rft.date=1992&rft.isbn=978-0-8160-2511-4&rft.aulast=Wiener&rft.aufirst=Allen+J.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhiteley2008" class="citation book cs1">Whiteley, Sheila (2008). "'Tangerine trees and marmalade skies': cultural agendas or optimistic escapism?". In Julien, Olivier (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=vZ-SB57WBo8C">Sgt. Pepper and the Beatles: It Was Forty Years Ago Today</a>. Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6708-7" title="Special:BookSources/978-0-7546-6708-7"><bdi>978-0-7546-6708-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%27Tangerine+trees+and+marmalade+skies%27%3A+cultural+agendas+or+optimistic+escapism%3F&rft.btitle=Sgt.+Pepper+and+the+Beatles%3A+It+Was+Forty+Years+Ago+Today&rft.pub=Ashgate&rft.date=2008&rft.isbn=978-0-7546-6708-7&rft.aulast=Whiteley&rft.aufirst=Sheila&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DvZ-SB57WBo8C&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWinn2009" class="citation book cs1">Winn, John C. (2009). That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970. New York, NY: Three Rivers Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-307-45239-9" title="Special:BookSources/978-0-307-45239-9"><bdi>978-0-307-45239-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=That+Magic+Feeling%3A+The+Beatles%27+Recorded+Legacy%2C+Volume+Two%2C+1966%E2%80%931970&rft.place=New+York%2C+NY&rft.pub=Three+Rivers+Press&rft.date=2009&rft.isbn=978-0-307-45239-9&rft.aulast=Winn&rft.aufirst=John+C.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWomack2007" class="citation book cs1"><a href="/wiki/Kenneth_Womack" title="Kenneth Womack">Womack, Kenneth</a> (2007). Long and Winding Roads: The Evolving Artistry of the Beatles. Continuum. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8264-1746-6" title="Special:BookSources/978-0-8264-1746-6"><bdi>978-0-8264-1746-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Long+and+Winding+Roads%3A+The+Evolving+Artistry+of+the+Beatles&rft.pub=Continuum&rft.date=2007&rft.isbn=978-0-8264-1746-6&rft.aulast=Womack&rft.aufirst=Kenneth&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWomack2014" class="citation book cs1">Womack, Kenneth (2014). The Beatles Encyclopedia: Everything Fab Four. Santa Barbara, CA: ABC-CLIO. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-313-39171-2" title="Special:BookSources/978-0-313-39171-2"><bdi>978-0-313-39171-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles+Encyclopedia%3A+Everything+Fab+Four&rft.place=Santa+Barbara%2C+CA&rft.pub=ABC-CLIO&rft.date=2014&rft.isbn=978-0-313-39171-2&rft.aulast=Womack&rft.aufirst=Kenneth&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWomack2018" class="citation book cs1">Womack, Kenneth (2018). Sound Pictures: The Life of Beatles Producer George Martin, The Later Years, 1966–2016. Chicago, IL: Chicago Review Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-912777-77-1" title="Special:BookSources/978-0-912777-77-1"><bdi>978-0-912777-77-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sound+Pictures%3A+The+Life+of+Beatles+Producer+George+Martin%2C+The+Later+Years%2C+1966%E2%80%932016&rft.place=Chicago%2C+IL&rft.pub=Chicago+Review+Press&rft.date=2018&rft.isbn=978-0-912777-77-1&rft.aulast=Womack&rft.aufirst=Kenneth&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></ref></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=57" title="Edit section: Further reading">edit</a>]</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1">Blackwell, Thomas (22 November 2009). <a rel="nofollow" class="external text" href="https://www.popmatters.com/feature/115779-sgt.-pepper-sets-the-stage-the-album-as-a-work-of-art/">"Sgt. Pepper Sets the Stage: The Album as a Work of Art"</a>. <a href="/wiki/PopMatters" title="PopMatters">PopMatters</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150129043659/http://www.popmatters.com/feature/115779-sgt.-pepper-sets-the-stage-the-album-as-a-work-of-art/">Archived</a> from the original on 29 January 2015. Retrieved 21 March 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=PopMatters&rft.atitle=Sgt.+Pepper+Sets+the+Stage%3A+The+Album+as+a+Work+of+Art&rft.date=2009-11-22&rft.aulast=Blackwell&rft.aufirst=Thomas&rft_id=https%3A%2F%2Fwww.popmatters.com%2Ffeature%2F115779-sgt.-pepper-sets-the-stage-the-album-as-a-work-of-art%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a href="/wiki/David_Browne_(journalist)" title="David Browne (journalist)">Browne, David</a> (14 September 2007). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20070918163423/http://www.tnr.com/doc.mhtml?i=w070910&s=browne091407">"I Have to Hide My Love Away? Help!"</a>. <a href="/wiki/The_New_Republic" title="The New Republic">The New Republic</a>. Archived from <a rel="nofollow" class="external text" href="https://www.tnr.com/doc.mhtml?i=w070910&s=browne091407">the original</a> on 18 September 2007. Retrieved 24 July 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Republic&rft.atitle=I+Have+to+Hide+My+Love+Away%3F+Help%21&rft.date=2007-09-14&rft.aulast=Browne&rft.aufirst=David&rft_id=https%3A%2F%2Fwww.tnr.com%2Fdoc.mhtml%3Fi%3Dw070910%26s%3Dbrowne091407&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDraper2008" class="citation book cs1">Draper, Jason (2008). A Brief History of Album Covers. London: Flame Tree Publishing. pp. 48–49. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781847862112" title="Special:BookSources/9781847862112"><bdi>9781847862112</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/227198538">227198538</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Brief+History+of+Album+Covers&rft.place=London&rft.pages=48-49&rft.pub=Flame+Tree+Publishing&rft.date=2008&rft_id=info%3Aoclcnum%2F227198538&rft.isbn=9781847862112&rft.aulast=Draper&rft.aufirst=Jason&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Echard, William (2017). "The Later 1960s". <a rel="nofollow" class="external text" href="https://books.google.com/books?id=XJoqDwAAQBAJ">Psychedelic Popular Music: A History Through Musical Topic Theory</a>. Bloomington, IN: Indiana University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-253026590" title="Special:BookSources/978-0-253026590"><bdi>978-0-253026590</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Later+1960s&rft.btitle=Psychedelic+Popular+Music%3A+A+History+Through+Musical+Topic+Theory&rft.place=Bloomington%2C+IN&rft.pub=Indiana+University+Press&rft.date=2017&rft.isbn=978-0-253026590&rft.aulast=Echard&rft.aufirst=William&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DXJoqDwAAQBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Gould, Jonathan (26 June 2017). <a rel="nofollow" class="external text" href="https://www.newyorker.com/culture/culture-desk/why-the-beatles-sgt-pepper-hasnt-shown-signs-of-aging">"Why the Beatles' 'Sgt. Pepper' Hasn't Shown Signs of Aging"</a>. <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a>. Retrieved 24 July 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Yorker&rft.atitle=Why+the+Beatles%27+%27Sgt.+Pepper%27+Hasn%27t+Shown+Signs+of+Aging&rft.date=2017-06-26&rft.aulast=Gould&rft.aufirst=Jonathan&rft_id=https%3A%2F%2Fwww.newyorker.com%2Fculture%2Fculture-desk%2Fwhy-the-beatles-sgt-pepper-hasnt-shown-signs-of-aging&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1"><a href="/wiki/Clinton_Heylin" title="Clinton Heylin">Heylin, Clinton</a> (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=EwTJGAAACAAJ">The Act You've Known for All These Years: The Life, and Afterlife, of Sgt. Pepper</a>. Edinburgh, UK: Canongate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84195-955-9" title="Special:BookSources/978-1-84195-955-9"><bdi>978-1-84195-955-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Act+You%27ve+Known+for+All+These+Years%3A+The+Life%2C+and+Afterlife%2C+of+Sgt.+Pepper&rft.place=Edinburgh%2C+UK&rft.pub=Canongate&rft.date=2007&rft.isbn=978-1-84195-955-9&rft.aulast=Heylin&rft.aufirst=Clinton&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DEwTJGAAACAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Irvin, Jim (Summer 2005). "The Beatles: After Pepper". <a href="/wiki/Mojo_(magazine)" title="Mojo (magazine)">Mojo</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Mojo&rft.atitle=The+Beatles%3A+After+Pepper&rft.ssn=summer&rft.date=2005&rft.aulast=Irvin&rft.aufirst=Jim&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"> Available at <a rel="nofollow" class="external text" href="https://www.rocksbackpages.com/Library/Article/the-beatles-after-pepper">Rock's Backpages</a> (subscription required).</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a href="/wiki/Jody_Rosen" title="Jody Rosen">Rosen, Jody</a> (June 2017) [8 June 2007]. <a rel="nofollow" class="external text" href="https://www.slate.com/articles/arts/music_box/2007/06/everything_you_know_about_sgt_peppers_is_wrong.html">"Everything You Know About Sgt. Pepper's Is Wrong"</a>. <a href="/wiki/Slate_(magazine)" title="Slate (magazine)">Slate</a>. Retrieved 2 July 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Slate&rft.atitle=Everything+You+Know+About+Sgt.+Pepper%27s+Is+Wrong&rft.date=2017-06&rft.aulast=Rosen&rft.aufirst=Jody&rft_id=https%3A%2F%2Fwww.slate.com%2Farticles%2Farts%2Fmusic_box%2F2007%2F06%2Feverything_you_know_about_sgt_peppers_is_wrong.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASgt.+Pepper%27s+Lonely+Hearts+Club+Band" class="Z3988"></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=Sgt._Pepper%27s_Lonely_Hearts_Club_Band&action=edit&section=58" title="Edit section: External links">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><style data-mw-deduplicate="TemplateStyles:r1250146164">.mw-parser-output .sister-box .side-box-abovebelow{padding:0.75em 0;text-align:center}.mw-parser-output .sister-box .side-box-abovebelow>b{display:block}.mw-parser-output .sister-box .side-box-text>ul{border-top:1px solid #aaa;padding:0.75em 0;width:217px;margin:0 auto}.mw-parser-output .sister-box .side-box-text>ul>li{min-height:31px}.mw-parser-output .sister-logo{display:inline-block;width:31px;line-height:31px;vertical-align:middle;text-align:center}.mw-parser-output .sister-link{display:inline-block;margin-left:4px;width:182px;vertical-align:middle}@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-v2.svg"]{background-color:white}}</style><div role="navigation" aria-labelledby="sister-projects" class="side-box metadata side-box-right sister-box sistersitebox plainlinks"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-abovebelow"> Sgt. Pepper's Lonely Hearts Club Band at Wikipedia's <a href="/wiki/Wikipedia:Wikimedia_sister_projects" title="Wikipedia:Wikimedia sister projects">sister projects</a></div> <div class="side-box-flex"> <div class="side-box-text plainlist"><ul><li><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/20px-Commons-logo.svg.png" decoding="async" width="20" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/40px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /><a href="https://commons.wikimedia.org/wiki/Category:Sgt._Pepper%27s_Lonely_Hearts_Club_Band" class="extiw" title="c:Category:Sgt. Pepper's Lonely Hearts Club Band">Media</a> from Commons</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/23px-Wikiquote-logo.svg.png" decoding="async" width="23" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/35px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/46px-Wikiquote-logo.svg.png 2x" data-file-width="300" data-file-height="355" /><a href="https://en.wikiquote.org/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" class="extiw" title="q:Sgt. Pepper's Lonely Hearts Club Band">Quotations</a> from Wikiquote</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/27px-Wikidata-logo.svg.png" decoding="async" width="27" height="15" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/41px-Wikidata-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/54px-Wikidata-logo.svg.png 2x" data-file-width="1050" data-file-height="590" /><a href="https://www.wikidata.org/wiki/Q169226" class="extiw" title="d:Q169226">Data</a> from Wikidata</li></ul></div></div> </div> <ul><li><a rel="nofollow" class="external text" href="https://www.thebeatles.com/sgt-peppers-lonely-hearts-club-band-0">Official website</a></li> <li><a rel="nofollow" class="external text" href="https://www.discogs.com/master/23934">Sgt. Pepper's Lonely Hearts Club Band</a> at <a href="/wiki/Discogs" title="Discogs">Discogs</a> (list of releases)</li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output .navbox,.mw-parser-output .navbox-subgroup{background-color:#fdfdfd}.mw-parser-output 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.navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:The_Beatles_albums" title="Template:The Beatles albums"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:The_Beatles_albums" title="Template talk:The Beatles albums"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:The_Beatles_albums" title="Special:EditPage/Template:The Beatles albums"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="The_Beatles_albums" class="fn org" style="font-size:114%;margin:0 4em"><a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a> <a href="/wiki/The_Beatles_albums_discography" title="The Beatles albums discography">albums</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div>Albums in the core catalogue are marked in bold.</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">UK</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Please_Please_Me" title="Please Please Me">Please Please Me</a></li> <li><a href="/wiki/With_the_Beatles" title="With the Beatles">With the Beatles</a></li> <li><a href="/wiki/A_Hard_Day%27s_Night_(album)" title="A Hard Day's Night (album)">A Hard Day's Night</a></li> <li><a href="/wiki/Beatles_for_Sale" title="Beatles for Sale">Beatles for Sale</a></li> <li><a href="/wiki/Help!" title="Help!">Help!</a></li> <li><a href="/wiki/Rubber_Soul" title="Rubber Soul">Rubber Soul</a></li> <li><a href="/wiki/Revolver_(Beatles_album)" title="Revolver (Beatles album)">Revolver</a></li> <li><a class="mw-selflink selflink">Sgt. Pepper's Lonely Hearts Club Band</a></li> <li><a href="/wiki/The_Beatles_(album)" title="The Beatles (album)">The Beatles ("White Album")</a></li> <li><a href="/wiki/Yellow_Submarine_(album)" title="Yellow Submarine (album)">Yellow Submarine</a></li> <li><a href="/wiki/Abbey_Road" title="Abbey Road">Abbey Road</a></li> <li><a href="/wiki/Let_It_Be_(album)" title="Let It Be (album)">Let It Be</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">US</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Vee-Jay</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Introducing..._The_Beatles" title="Introducing... The Beatles">Introducing... The Beatles</a></li> <li><a href="/wiki/Hear_the_Beatles_Tell_All" title="Hear the Beatles Tell All">Hear the Beatles Tell All</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Capitol</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Meet_the_Beatles!" title="Meet the Beatles!">Meet the Beatles!</a></li> <li><a href="/wiki/The_Beatles%27_Second_Album" title="The Beatles' Second Album">The Beatles' Second Album</a></li> <li><a href="/wiki/A_Hard_Day%27s_Night_(album)#North_American_release" title="A Hard Day's Night (album)">A Hard Day's Night</a></li> <li><a href="/wiki/Something_New_(Beatles_album)" title="Something New (Beatles album)">Something New</a></li> <li><a href="/wiki/The_Beatles%27_Story" title="The Beatles' Story">The Beatles' Story</a></li> <li><a href="/wiki/Beatles_%2765" title="Beatles '65">Beatles '65</a></li> <li><a href="/wiki/The_Early_Beatles" title="The Early Beatles">The Early Beatles</a></li> <li><a href="/wiki/Beatles_VI" title="Beatles VI">Beatles VI</a></li> <li><a href="/wiki/Help!#North_American_Capitol_release" title="Help!">Help!</a></li> <li><a href="/wiki/Rubber_Soul" title="Rubber Soul">Rubber Soul</a></li> <li><a href="/wiki/Yesterday_and_Today" title="Yesterday and Today">Yesterday and Today</a></li> <li><a href="/wiki/Revolver_(Beatles_album)#North_American_format" title="Revolver (Beatles album)">Revolver</a></li> <li><a href="/wiki/Magical_Mystery_Tour" title="Magical Mystery Tour">Magical Mystery Tour</a></li> <li><a href="/wiki/Hey_Jude_(Beatles_album)" title="Hey Jude (Beatles album)">Hey Jude</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Canada</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Twist_and_Shout_(album)" title="Twist and Shout (album)">Twist and Shout</a></li> <li><a href="/wiki/The_Beatles%27_Long_Tall_Sally" title="The Beatles' Long Tall Sally">The Beatles' Long Tall Sally</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Extended plays</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">UK</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Twist_and_Shout_(EP)" title="Twist and Shout (EP)">Twist and Shout</a></li> <li><a href="/wiki/The_Beatles%27_Hits" title="The Beatles' Hits">The Beatles' Hits</a></li> <li><a href="/wiki/The_Beatles_(No._1)" title="The Beatles (No. 1)">The Beatles (No. 1)</a></li> <li><a href="/wiki/All_My_Loving_(EP)" title="All My Loving (EP)">All My Loving</a></li> <li><a href="/wiki/Long_Tall_Sally_(EP)" title="Long Tall Sally (EP)">Long Tall Sally</a></li> <li><a href="/wiki/Extracts_from_the_Film_A_Hard_Day%27s_Night" title="Extracts from the Film A Hard Day's Night">Extracts from the Film A Hard Day's Night</a></li> <li><a href="/wiki/Extracts_from_the_Album_A_Hard_Day%27s_Night" title="Extracts from the Album A Hard Day's Night">Extracts from the Album A Hard Day's Night</a></li> <li><a href="/wiki/Beatles_for_Sale_(EP)" title="Beatles for Sale (EP)">Beatles for Sale</a></li> <li><a href="/wiki/Beatles_for_Sale_No._2" title="Beatles for Sale No. 2">Beatles for Sale No. 2</a></li> <li><a href="/wiki/The_Beatles%27_Million_Sellers" title="The Beatles' Million Sellers">The Beatles' Million Sellers</a></li> <li><a href="/wiki/Yesterday_(Beatles_EP)" title="Yesterday (Beatles EP)">Yesterday</a></li> <li><a href="/wiki/Nowhere_Man_(EP)" title="Nowhere Man (EP)">Nowhere Man</a></li> <li><a href="/wiki/Magical_Mystery_Tour" title="Magical Mystery Tour">Magical Mystery Tour</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">US</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Souvenir_of_Their_Visit_to_America" title="Souvenir of Their Visit to America">Souvenir of Their Visit to America</a></li> <li><a href="/wiki/Four_by_the_Beatles" title="Four by the Beatles">Four by the Beatles</a></li> <li><a href="/wiki/4_by_the_Beatles" title="4 by the Beatles">4 by the Beatles</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Live albums</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Live!_at_the_Star-Club_in_Hamburg,_Germany;_1962" title="Live! at the Star-Club in Hamburg, Germany; 1962">Live! at the Star-Club in Hamburg, Germany; 1962</a></li> <li><a href="/wiki/The_Beatles_at_the_Hollywood_Bowl" title="The Beatles at the Hollywood Bowl">The Beatles at the Hollywood Bowl / Live at the Hollywood Bowl</a></li> <li><a href="/wiki/First_Live_Recordings" class="mw-redirect" title="First Live Recordings">First Live Recordings</a></li> <li><a href="/wiki/Live_at_the_BBC_(Beatles_album)" title="Live at the BBC (Beatles album)">Live at the BBC</a></li> <li><a href="/wiki/On_Air_%E2%80%93_Live_at_the_BBC_Volume_2" title="On Air – Live at the BBC Volume 2">On Air – Live at the BBC Volume 2</a></li> <li><a href="/wiki/The_Beatles_Bootleg_Recordings_1963" title="The Beatles Bootleg Recordings 1963">The Beatles Bootleg Recordings 1963</a></li> <li><a href="/wiki/The_Beatles%27_rooftop_concert#Set_list" title="The Beatles' rooftop concert">Get Back – The Rooftop Performance</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Selected compilations</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Hits</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Beatles_in_Italy" title="The Beatles in Italy">The Beatles in Italy</a></li> <li><a href="/wiki/Los_Beatles_(album)" class="mw-redirect" title="Los Beatles (album)">Los Beatles</a></li> <li><a href="/wiki/Greatest_Hits_Volume_1_(Beatles_album)" title="Greatest Hits Volume 1 (Beatles album)">Greatest Hits Volume 1</a></li> <li><a href="/wiki/A_Collection_of_Beatles_Oldies" title="A Collection of Beatles Oldies">A Collection of Beatles Oldies</a></li> <li><a href="/wiki/Greatest_Hits_Volume_2_(Beatles_album)" title="Greatest Hits Volume 2 (Beatles album)">Greatest Hits Volume 2</a></li> <li><a href="/wiki/1962%E2%80%931966" title="1962–1966">1962–1966 ("Red Album")</a></li> <li><a href="/wiki/1967%E2%80%931970" title="1967–1970">1967–1970 ("Blue Album")</a></li> <li><a href="/wiki/1_(Beatles_album)" title="1 (Beatles album)">1</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Non-album tracks</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Por_Siempre_Beatles" title="Por Siempre Beatles">Por Siempre Beatles</a></li> <li><a href="/wiki/Past_Masters" title="Past Masters">Past Masters</a></li> <li><a href="/wiki/Mono_Masters" title="Mono Masters">Mono Masters</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Themed</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Beatles%27_Christmas_records" title="The Beatles' Christmas records">From Then to You / The Beatles' Christmas Album</a></li> <li><a href="/wiki/Tomorrow_Never_Knows_(Beatles_album)" title="Tomorrow Never Knows (Beatles album)">Tomorrow Never Knows</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Archival</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Beatles_Anthology" title="The Beatles Anthology">Anthology</a> <ul><li><a href="/wiki/Anthology_1" title="Anthology 1">1</a></li> <li><a href="/wiki/Anthology_2" title="Anthology 2">2</a></li> <li><a href="/wiki/Anthology_3" title="Anthology 3">3</a></li></ul></li> <li><a href="/wiki/The_Beatles_Bootleg_Recordings_1963" title="The Beatles Bootleg Recordings 1963">The Beatles Bootleg Recordings 1963</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Remixes</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Yellow_Submarine_Songtrack" title="Yellow Submarine Songtrack">Yellow Submarine Songtrack</a></li> <li><a href="/wiki/Let_It_Be..._Naked" title="Let It Be... Naked">Let It Be... Naked</a></li> <li><a href="/wiki/Love_(Beatles_album)" title="Love (Beatles album)">Love</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Box sets</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Beatles_Collection" title="The Beatles Collection">The Beatles Collection</a></li> <li><a href="/wiki/The_Beatles_Box" title="The Beatles Box">The Beatles Box</a></li> <li><a href="/wiki/The_Beatles:_The_Collection" title="The Beatles: The Collection">The Beatles: The Collection</a></li> <li><a href="/wiki/The_Beatles_Box_Set" title="The Beatles Box Set">The Beatles Box Set</a></li> <li>The Capitol Albums <ul><li>vol. <a href="/wiki/The_Capitol_Albums,_Volume_1" title="The Capitol Albums, Volume 1">1</a></li> <li><a href="/wiki/The_Capitol_Albums,_Volume_2" title="The Capitol Albums, Volume 2">2</a></li></ul></li> <li><a href="/wiki/The_Beatles_(The_Original_Studio_Recordings)" title="The Beatles (The Original Studio Recordings)">The Beatles (The Original Studio Recordings)</a></li> <li><a href="/wiki/The_Beatles_in_Mono" title="The Beatles in Mono">The Beatles in Mono</a></li> <li><a href="/wiki/The_U.S._Albums" title="The U.S. Albums">The U.S. Albums</a></li> <li><a href="/wiki/The_Japan_Box" title="The Japan Box">The Japan Box</a></li> <li><a href="/wiki/The_Beatles%27_Christmas_records" title="The Beatles' Christmas records">The Christmas Records</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"></div><div role="navigation" class="navbox" aria-labelledby="Sgt._Pepper&#039;s_Lonely_Hearts_Club_Band" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Template:Sgt. Pepper's Lonely Hearts Club Band"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Template talk:Sgt. Pepper's Lonely Hearts Club Band"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Special:EditPage/Template:Sgt. Pepper's Lonely Hearts Club Band"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Sgt._Pepper&#039;s_Lonely_Hearts_Club_Band" style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">Sgt. Pepper's Lonely Hearts Club Band</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band:_50th_Anniversary_Edition" title="Sgt. Pepper's Lonely Hearts Club Band: 50th Anniversary Edition">50th Anniversary Edition</a></li> <li><a href="/wiki/List_of_images_on_the_cover_of_Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band">Cover photo</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Songs</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Side one</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(song)" title="Sgt. Pepper's Lonely Hearts Club Band (song)">Sgt. Pepper's Lonely Hearts Club Band</a>"</li> <li>"<a href="/wiki/With_a_Little_Help_from_My_Friends" title="With a Little Help from My Friends">With a Little Help from My Friends</a>"</li> <li>"<a href="/wiki/Lucy_in_the_Sky_with_Diamonds" title="Lucy in the Sky with Diamonds">Lucy in the Sky with Diamonds</a>"</li> <li>"<a href="/wiki/Getting_Better" title="Getting Better">Getting Better</a>"</li> <li>"<a href="/wiki/Fixing_a_Hole" title="Fixing a Hole">Fixing a Hole</a>"</li> <li>"<a href="/wiki/She%27s_Leaving_Home" title="She's Leaving Home">She's Leaving Home</a>"</li> <li>"<a href="/wiki/Being_for_the_Benefit_of_Mr._Kite!" title="Being for the Benefit of Mr. Kite!">Being for the Benefit of Mr. Kite!</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Side two</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Within_You_Without_You" title="Within You Without You">Within You Without You</a>"</li> <li>"<a href="/wiki/When_I%27m_Sixty-Four" title="When I'm Sixty-Four">When I'm Sixty-Four</a>"</li> <li>"<a href="/wiki/Lovely_Rita" title="Lovely Rita">Lovely Rita</a>"</li> <li>"<a href="/wiki/Good_Morning_Good_Morning" title="Good Morning Good Morning">Good Morning Good Morning</a>"</li> <li>"<a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(song)#Reprise" title="Sgt. Pepper's Lonely Hearts Club Band (song)">Sgt. Pepper's Lonely Hearts Club Band (Reprise)</a>"</li> <li>"<a href="/wiki/A_Day_in_the_Life" title="A Day in the Life">A Day in the Life</a>"</li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Non-album single</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Strawberry_Fields_Forever" title="Strawberry Fields Forever">Strawberry Fields Forever</a>"</li> <li>"<a href="/wiki/Penny_Lane" title="Penny Lane">Penny Lane</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Outtakes</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Only_a_Northern_Song" title="Only a Northern Song">Only a Northern Song</a>"</li> <li>"<a href="/wiki/Carnival_of_Light" title="Carnival of Light">Carnival of Light</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Tribute albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Easy_Star%27s_Lonely_Hearts_Dub_Band" title="Easy Star's Lonely Hearts Dub Band">Easy Star's Lonely Hearts Dub Band</a></li> <li><a href="/wiki/Saluting_Sgt._Pepper" title="Saluting Sgt. Pepper">Saluting Sgt. Pepper</a></li> <li><a href="/wiki/Sgt._Pepper_Knew_My_Father" title="Sgt. Pepper Knew My Father">Sgt. Pepper Knew My Father</a></li> <li><a href="/wiki/Sgt._Pepper_Live" title="Sgt. Pepper Live">Sgt. Pepper Live</a></li> <li><a href="/wiki/Sgt._Pepper%27s_(Big_Daddy_album)" title="Sgt. Pepper's (Big Daddy album)">Sgt. Pepper's</a></li> <li><a href="/wiki/Sgt._Petsound%27s_Lonely_Hearts_Club_Band" title="Sgt. Petsound's Lonely Hearts Club Band">Sgt. Petsound's Lonely Hearts Club Band</a></li> <li><a href="/wiki/With_a_Little_Help_from_My_Fwends" title="With a Little Help from My Fwends">With a Little Help from My Fwends</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related articles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Peter_Blake_(artist)" title="Peter Blake (artist)">Peter Blake</a></li> <li><a href="/wiki/Pablo_Fanque" title="Pablo Fanque">Pablo Fanque</a></li> <li><a href="/wiki/Jann_Haworth" title="Jann Haworth">Jann Haworth</a></li> <li><a href="/wiki/William_Kite" title="William Kite">William Kite</a></li> <li><a href="/wiki/The_Beatles_albums_discography" title="The Beatles albums discography">The Beatles albums discography</a></li> <li><a href="/wiki/Return_to_Pepperland" title="Return to Pepperland">Return to Pepperland</a></li> <li><a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(film)" title="Sgt. Pepper's Lonely Hearts Club Band (film)">Sgt. Pepper's Lonely Hearts Club Band (film)</a></li> <li><a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_(soundtrack)" title="Sgt. Pepper's Lonely Hearts Club Band (soundtrack)">Sgt. Pepper's Lonely Hearts Club Band (soundtrack)</a></li> <li><a href="/wiki/It_Was_Twenty_Years_Ago_Today_(film)" title="It Was Twenty Years Ago Today (film)">It Was Twenty Years Ago Today</a></li> <li><a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band_on_the_Road" title="Sgt. Pepper's Lonely Hearts Club Band on the Road">Sgt. Pepper's Lonely Hearts Club Band on the Road</a></li> <li><a href="/wiki/Yellow_Submarine_(film)" title="Yellow Submarine (film)">Yellow Submarine (film)</a></li> <li>"<a href="/wiki/Tina_in_the_Sky_with_Diamonds" title="Tina in the Sky with Diamonds">Tina in the Sky with Diamonds</a>"</li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div><div class="hlist" style="text-align:center;"> <ul><li>The Beatles albums:</li> <li><a href="/wiki/Please_Please_Me" title="Please Please Me">Please Please Me</a></li> <li><a href="/wiki/With_the_Beatles" title="With the Beatles">With the Beatles</a></li> <li><a href="/wiki/A_Hard_Day%27s_Night_(album)" title="A Hard Day's Night (album)">A Hard Day's Night</a></li> <li><a href="/wiki/Beatles_for_Sale" title="Beatles for Sale">Beatles for Sale</a></li> <li><a href="/wiki/Help!" title="Help!">Help!</a></li> <li><a href="/wiki/Rubber_Soul" title="Rubber Soul">Rubber Soul</a></li> <li><a href="/wiki/Revolver_(Beatles_album)" title="Revolver (Beatles album)">Revolver</a></li> <li><a class="mw-selflink selflink">Sgt. Pepper's Lonely Hearts Club Band</a></li> <li><a href="/wiki/Magical_Mystery_Tour" title="Magical Mystery Tour">Magical Mystery Tour</a></li> <li><a href="/wiki/The_Beatles_(album)" title="The Beatles (album)">The Beatles</a></li> <li><a href="/wiki/Yellow_Submarine_(album)" title="Yellow Submarine (album)">Yellow Submarine</a></li> <li><a href="/wiki/Abbey_Road" title="Abbey Road">Abbey Road</a></li> <li><a href="/wiki/Let_It_Be_(album)" title="Let It Be (album)">Let It Be</a></li></ul> </div></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Awards_for_Sgt._Pepper&#039;s_Lonely_Hearts_Club_Band" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#e8e8ff;background: lightblue"><div id="Awards_for_Sgt._Pepper&#039;s_Lonely_Hearts_Club_Band" style="font-size:114%;margin:0 4em">Awards for Sgt. Pepper's Lonely Hearts Club Band</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0;font-size:114%"><div style="padding:0px"> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Brit_Award_for_British_Album_of_the_Year" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Brit_British_Album" title="Template:Brit British Album"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Brit_British_Album" title="Template talk:Brit British Album"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Brit_British_Album" title="Special:EditPage/Template:Brit British Album"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Brit_Award_for_British_Album_of_the_Year" style="font-size:114%;margin:0 4em"><a href="/wiki/Brit_Award_for_British_Album_of_the_Year" title="Brit Award for British Album of the Year">Brit Award for British Album of the Year</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">1977–2000</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Sgt. Pepper's Lonely Hearts Club Band</a> – <a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a> (1977)</li> <li><a href="/wiki/Kings_of_the_Wild_Frontier" title="Kings of the Wild Frontier">Kings of the Wild Frontier</a> – <a href="/wiki/Adam_and_the_Ants" title="Adam and the Ants">Adam and the Ants</a> (1982)</li> <li><a href="/wiki/Memories_(Barbra_Streisand_album)" title="Memories (Barbra Streisand album)">Memories</a> – <a href="/wiki/Barbra_Streisand" title="Barbra Streisand">Barbra Streisand</a> (1983)</li> <li><a href="/wiki/Thriller_(album)" title="Thriller (album)">Thriller</a> – <a href="/wiki/Michael_Jackson" title="Michael Jackson">Michael Jackson</a> (1984)</li> <li><a href="/wiki/Diamond_Life" title="Diamond Life">Diamond Life</a> – <a href="/wiki/Sade_(band)" title="Sade (band)">Sade</a> (1985)</li> <li><a href="/wiki/No_Jacket_Required" title="No Jacket Required">No Jacket Required</a> – <a href="/wiki/Phil_Collins" title="Phil Collins">Phil Collins</a> (1986)</li> <li><a href="/wiki/Brothers_in_Arms_(album)" title="Brothers in Arms (album)">Brothers in Arms</a> – <a href="/wiki/Dire_Straits" title="Dire Straits">Dire Straits</a> (1987)</li> <li><a href="/wiki/...Nothing_Like_the_Sun" class="mw-redirect" title="...Nothing Like the Sun">...Nothing Like the Sun</a> – <a href="/wiki/Sting_(musician)" title="Sting (musician)">Sting</a> (1988)</li> <li><a href="/wiki/The_First_of_a_Million_Kisses" title="The First of a Million Kisses">The First of a Million Kisses</a> – <a href="/wiki/Fairground_Attraction" title="Fairground Attraction">Fairground Attraction</a> (1989)</li> <li><a href="/wiki/The_Raw_%26_the_Cooked_(album)" title="The Raw & the Cooked (album)">The Raw and the Cooked</a> – <a href="/wiki/Fine_Young_Cannibals" title="Fine Young Cannibals">Fine Young Cannibals</a> (1990)</li> <li><a href="/wiki/Listen_Without_Prejudice_Vol._1" title="Listen Without Prejudice Vol. 1">Listen Without Prejudice Vol. 1</a> – <a href="/wiki/George_Michael" title="George Michael">George Michael</a> (1991)</li> <li><a href="/wiki/Seal_(1991_album)" title="Seal (1991 album)">Seal</a> – <a href="/wiki/Seal_(musician)" title="Seal (musician)">Seal</a> (1992)</li> <li><a href="/wiki/Diva_(Annie_Lennox_album)" title="Diva (Annie Lennox album)">Diva</a> – <a href="/wiki/Annie_Lennox" title="Annie Lennox">Annie Lennox</a> (1993)</li> <li><a href="/wiki/Connected_(Stereo_MC%27s_album)" title="Connected (Stereo MC's album)">Connected</a> – <a href="/wiki/Stereo_MC%27s" title="Stereo MC's">Stereo MC's</a> (1994)</li> <li><a href="/wiki/Parklife" title="Parklife">Parklife</a> – <a href="/wiki/Blur_(band)" title="Blur (band)">Blur</a> (1995)</li> <li><a href="/wiki/(What%27s_the_Story)_Morning_Glory%3F" title="(What's the Story) Morning Glory?">(What's the Story) Morning Glory?</a> – <a href="/wiki/Oasis_(band)" title="Oasis (band)">Oasis</a> (1996)</li> <li><a href="/wiki/Everything_Must_Go_(Manic_Street_Preachers_album)" title="Everything Must Go (Manic Street Preachers album)">Everything Must Go</a> – <a href="/wiki/Manic_Street_Preachers" title="Manic Street Preachers">Manic Street Preachers</a> (1997)</li> <li><a href="/wiki/Urban_Hymns" title="Urban Hymns">Urban Hymns</a> – <a href="/wiki/The_Verve" title="The Verve">The Verve</a> (1998)</li> <li><a href="/wiki/This_Is_My_Truth_Tell_Me_Yours" title="This Is My Truth Tell Me Yours">This Is My Truth Tell Me Yours</a> – <a href="/wiki/Manic_Street_Preachers" title="Manic Street Preachers">Manic Street Preachers</a> (1999)</li> <li><a href="/wiki/The_Man_Who" title="The Man Who">The Man Who</a> – <a href="/wiki/Travis_(band)" title="Travis (band)">Travis</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Parachutes_(Coldplay_album)" title="Parachutes (Coldplay album)">Parachutes</a> – <a href="/wiki/Coldplay" title="Coldplay">Coldplay</a> (2001)</li> <li><a href="/wiki/No_Angel_(album)" class="mw-redirect" title="No Angel (album)">No Angel</a> – <a href="/wiki/Dido_(singer)" title="Dido (singer)">Dido</a> (2002)</li> <li><a href="/wiki/A_Rush_of_Blood_to_the_Head" title="A Rush of Blood to the Head">A Rush of Blood to the Head</a> – <a href="/wiki/Coldplay" title="Coldplay">Coldplay</a> (2003)</li> <li><a href="/wiki/Permission_to_Land" title="Permission to Land">Permission to Land</a> – <a href="/wiki/The_Darkness_(band)" title="The Darkness (band)">The Darkness</a> (2004)</li> <li><a href="/wiki/Hopes_and_Fears" title="Hopes and Fears">Hopes and Fears</a> – <a href="/wiki/Keane_(band)" title="Keane (band)">Keane</a> (2005)</li> <li><a href="/wiki/X%26Y" title="X&Y">X&Y</a> – <a href="/wiki/Coldplay" title="Coldplay">Coldplay</a> (2006)</li> <li><a href="/wiki/Whatever_People_Say_I_Am,_That%27s_What_I%27m_Not" title="Whatever People Say I Am, That's What I'm Not">Whatever People Say I Am, That's What I'm Not</a> – <a href="/wiki/Arctic_Monkeys" title="Arctic Monkeys">Arctic Monkeys</a> (2007)</li> <li><a href="/wiki/Favourite_Worst_Nightmare" title="Favourite Worst Nightmare">Favourite Worst Nightmare</a> – <a href="/wiki/Arctic_Monkeys" title="Arctic Monkeys">Arctic Monkeys</a> (2008)</li> <li><a href="/wiki/Rockferry" title="Rockferry">Rockferry</a> – <a href="/wiki/Duffy_(singer)" title="Duffy (singer)">Duffy</a> (2009)</li> <li><a href="/wiki/Lungs_(album)" title="Lungs (album)">Lungs</a> – <a href="/wiki/Florence_and_the_Machine" title="Florence and the Machine">Florence and the Machine</a> (2010)</li> <li><a href="/wiki/Sigh_No_More_(Mumford_%26_Sons_album)" title="Sigh No More (Mumford & Sons album)">Sigh No More</a> – <a href="/wiki/Mumford_%26_Sons" title="Mumford & Sons">Mumford & Sons</a> (2011)</li> <li><a href="/wiki/21_(Adele_album)" title="21 (Adele album)">21</a> – <a href="/wiki/Adele" title="Adele">Adele</a> (2012)</li> <li><a href="/wiki/Our_Version_of_Events" title="Our Version of Events">Our Version of Events</a> – <a href="/wiki/Emeli_Sand%C3%A9" title="Emeli Sandé">Emeli Sandé</a> (2013)</li> <li><a href="/wiki/AM_(Arctic_Monkeys_album)" title="AM (Arctic Monkeys album)">AM</a> – <a href="/wiki/Arctic_Monkeys" title="Arctic Monkeys">Arctic Monkeys</a> (2014)</li> <li><a href="/wiki/X_(Ed_Sheeran_album)" title="X (Ed Sheeran album)">x</a> – <a href="/wiki/Ed_Sheeran" title="Ed Sheeran">Ed Sheeran</a> (2015)</li> <li><a href="/wiki/25_(Adele_album)" title="25 (Adele album)">25</a> – <a href="/wiki/Adele" title="Adele">Adele</a> (2016)</li> <li><a href="/wiki/Blackstar_(album)" title="Blackstar (album)">Blackstar</a> – <a href="/wiki/David_Bowie" title="David Bowie">David Bowie</a> (2017)</li> <li><a href="/wiki/Gang_Signs_%26_Prayer" title="Gang Signs & Prayer">Gang Signs & Prayer</a> – <a href="/wiki/Stormzy" title="Stormzy">Stormzy</a> (2018)</li> <li><a href="/wiki/A_Brief_Inquiry_into_Online_Relationships" title="A Brief Inquiry into Online Relationships">A Brief Inquiry into Online Relationships</a> – <a href="/wiki/The_1975" title="The 1975">The 1975</a> (2019)</li> <li><a href="/wiki/Psychodrama_(album)" title="Psychodrama (album)">Psychodrama</a> – <a href="/wiki/Dave_(rapper)" title="Dave (rapper)">Dave</a> (2020)</li> <li><a href="/wiki/Future_Nostalgia" title="Future Nostalgia">Future Nostalgia</a> – <a href="/wiki/Dua_Lipa" title="Dua Lipa">Dua Lipa</a> (2021)</li> <li><a href="/wiki/30_(album)" title="30 (album)">30</a> – <a href="/wiki/Adele" title="Adele">Adele</a> (2022)</li> <li><a href="/wiki/Harry%27s_House" title="Harry's House">Harry's House</a> – <a href="/wiki/Harry_Styles" title="Harry Styles">Harry Styles</a> (2023)</li> <li><a href="/wiki/My_21st_Century_Blues" title="My 21st Century Blues">My 21st Century Blues</a> – <a href="/wiki/Raye" title="Raye">Raye</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Grammy_Award_for_Album_of_the_Year" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#cedff2;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Grammy_Award_for_Album_of_the_Year" title="Template:Grammy Award for Album of the Year"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Grammy_Award_for_Album_of_the_Year" title="Template talk:Grammy Award for Album of the Year"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Grammy_Award_for_Album_of_the_Year" title="Special:EditPage/Template:Grammy Award for Album of the Year"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Grammy_Award_for_Album_of_the_Year" style="font-size:114%;margin:0 4em"><a href="/wiki/Grammy_Award_for_Album_of_the_Year" title="Grammy Award for Album of the Year">Grammy Award for Album of the Year</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">1950s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Music_from_Peter_Gunn" title="The Music from Peter Gunn">The Music from Peter Gunn</a> – <a href="/wiki/Henry_Mancini" title="Henry Mancini">Henry Mancini</a> (1958)</li> <li><a href="/wiki/Come_Dance_with_Me!_(album)" title="Come Dance with Me! (album)">Come Dance with Me!</a> – <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a> (1959)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">1960s</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Button-Down_Mind_of_Bob_Newhart" title="The Button-Down Mind of Bob Newhart">The Button-Down Mind of Bob Newhart</a> – <a href="/wiki/Bob_Newhart" title="Bob Newhart">Bob Newhart</a> (1960)</li> <li><a href="/wiki/Judy_at_Carnegie_Hall" title="Judy at Carnegie Hall">Judy at Carnegie Hall</a> – <a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a> (1961)</li> <li><a href="/wiki/The_First_Family_(album)" title="The First Family (album)">The First Family</a> – <a href="/wiki/Vaughn_Meader" title="Vaughn Meader">Vaughn Meader</a> (1962)</li> <li><a href="/wiki/The_Barbra_Streisand_Album" title="The Barbra Streisand Album">The Barbra Streisand Album</a> – <a href="/wiki/Barbra_Streisand" title="Barbra Streisand">Barbra Streisand</a> (1963)</li> <li><a href="/wiki/Getz/Gilberto" title="Getz/Gilberto">Getz/Gilberto</a> – <a href="/wiki/Stan_Getz" title="Stan Getz">Stan Getz</a> & <a href="/wiki/Jo%C3%A3o_Gilberto" title="João Gilberto">João Gilberto</a> (1964)</li> <li><a href="/wiki/September_of_My_Years" title="September of My Years">September of My Years</a> – <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a> (1965)</li> <li><a href="/wiki/A_Man_and_His_Music" title="A Man and His Music">A Man and His Music</a> – <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a> (1966)</li> <li><a class="mw-selflink selflink">Sgt. Pepper's Lonely Hearts Club Band</a> – <a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a> (1967)</li> <li><a href="/wiki/By_the_Time_I_Get_to_Phoenix_(Glen_Campbell_album)" title="By the Time I Get to Phoenix (Glen Campbell album)">By the Time I Get to Phoenix</a> – <a href="/wiki/Glen_Campbell" title="Glen Campbell">Glen Campbell</a> (1968)</li> <li><a href="/wiki/Blood,_Sweat_%26_Tears_(Blood,_Sweat_%26_Tears_album)" title="Blood, Sweat & Tears (Blood, Sweat & Tears album)">Blood, Sweat & Tears</a> – <a href="/wiki/Blood,_Sweat_%26_Tears" title="Blood, Sweat & Tears">Blood, Sweat & Tears</a> (1969)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">1970s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Bridge_over_Troubled_Water" title="Bridge over Troubled Water">Bridge over Troubled Water</a> – <a href="/wiki/Simon_%26_Garfunkel" title="Simon & Garfunkel">Simon & Garfunkel</a> (1970)</li> <li><a href="/wiki/Tapestry_(Carole_King_album)" title="Tapestry (Carole King album)">Tapestry</a> – <a href="/wiki/Carole_King" title="Carole King">Carole King</a> (1971)</li> <li><a href="/wiki/The_Concert_for_Bangladesh_(album)" title="The Concert for Bangladesh (album)">The Concert for Bangladesh</a> – <a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a> & Friends (1972)</li> <li><a href="/wiki/Innervisions" title="Innervisions">Innervisions</a> – <a href="/wiki/Stevie_Wonder" title="Stevie Wonder">Stevie Wonder</a> (1973)</li> <li><a href="/wiki/Fulfillingness%27_First_Finale" title="Fulfillingness' First Finale">Fulfillingness' First Finale</a> – <a href="/wiki/Stevie_Wonder" title="Stevie Wonder">Stevie Wonder</a> (1974)</li> <li><a href="/wiki/Still_Crazy_After_All_These_Years" title="Still Crazy After All These Years">Still Crazy After All These Years</a> – <a href="/wiki/Paul_Simon" title="Paul Simon">Paul Simon</a> (1975)</li> <li><a href="/wiki/Songs_in_the_Key_of_Life" title="Songs in the Key of Life">Songs in the Key of Life</a> – <a href="/wiki/Stevie_Wonder" title="Stevie Wonder">Stevie Wonder</a> (1976)</li> <li><a href="/wiki/Rumours_(album)" title="Rumours (album)">Rumours</a> – <a href="/wiki/Fleetwood_Mac" title="Fleetwood Mac">Fleetwood Mac</a> (1977)</li> <li><a href="/wiki/Saturday_Night_Fever_(soundtrack)" title="Saturday Night Fever (soundtrack)">Saturday Night Fever</a> – Various Artists (1978)</li> <li><a href="/wiki/52nd_Street_(album)" title="52nd Street (album)">52nd Street</a> – <a href="/wiki/Billy_Joel" title="Billy Joel">Billy Joel</a> (1979)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">1980s</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Christopher_Cross_(album)" title="Christopher Cross (album)">Christopher Cross</a> – <a href="/wiki/Christopher_Cross" title="Christopher Cross">Christopher Cross</a> (1980)</li> <li><a href="/wiki/Double_Fantasy" title="Double Fantasy">Double Fantasy</a> – <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a> & <a href="/wiki/Yoko_Ono" title="Yoko Ono">Yoko Ono</a> (1981)</li> <li><a href="/wiki/Toto_IV" title="Toto IV">Toto IV</a> – <a href="/wiki/Toto_(band)" title="Toto (band)">Toto</a> (1982)</li> <li><a href="/wiki/Thriller_(album)" title="Thriller (album)">Thriller</a> – <a href="/wiki/Michael_Jackson" title="Michael Jackson">Michael Jackson</a> (1983)</li> <li><a href="/wiki/Can%27t_Slow_Down_(Lionel_Richie_album)" title="Can't Slow Down (Lionel Richie album)">Can't Slow Down</a> – <a href="/wiki/Lionel_Richie" title="Lionel Richie">Lionel Richie</a> (1984)</li> <li><a href="/wiki/No_Jacket_Required" title="No Jacket Required">No Jacket Required</a> – <a href="/wiki/Phil_Collins" title="Phil Collins">Phil Collins</a> (1985)</li> <li><a href="/wiki/Graceland_(album)" title="Graceland (album)">Graceland</a> – <a href="/wiki/Paul_Simon" title="Paul Simon">Paul Simon</a> (1986)</li> <li><a href="/wiki/The_Joshua_Tree" title="The Joshua Tree">The Joshua Tree</a> – <a href="/wiki/U2" title="U2">U2</a> (1987)</li> <li><a href="/wiki/Faith_(George_Michael_album)" title="Faith (George Michael album)">Faith</a> – <a href="/wiki/George_Michael" title="George Michael">George Michael</a> (1988)</li> <li><a href="/wiki/Nick_of_Time_(album)" title="Nick of Time (album)">Nick of Time</a> – <a href="/wiki/Bonnie_Raitt" title="Bonnie Raitt">Bonnie Raitt</a> (1989)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">1990s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Back_on_the_Block" title="Back on the Block">Back on the Block</a> – <a href="/wiki/Quincy_Jones" title="Quincy Jones">Quincy Jones</a> and Various Artists (1990)</li> <li><a href="/wiki/Unforgettable..._with_Love" title="Unforgettable... with Love">Unforgettable... with Love</a> – <a href="/wiki/Natalie_Cole" title="Natalie Cole">Natalie Cole</a> (1991)</li> <li><a href="/wiki/Unplugged_(Eric_Clapton_album)" title="Unplugged (Eric Clapton album)">Unplugged</a> – <a href="/wiki/Eric_Clapton" title="Eric Clapton">Eric Clapton</a> (1992)</li> <li><a href="/wiki/The_Bodyguard_(soundtrack)" title="The Bodyguard (soundtrack)">The Bodyguard</a> – <a href="/wiki/Whitney_Houston" title="Whitney Houston">Whitney Houston</a> (1993)</li> <li><a href="/wiki/MTV_Unplugged_(Tony_Bennett_album)" title="MTV Unplugged (Tony Bennett album)">MTV Unplugged</a> – <a href="/wiki/Tony_Bennett" title="Tony Bennett">Tony Bennett</a> (1994)</li> <li><a href="/wiki/Jagged_Little_Pill" title="Jagged Little Pill">Jagged Little Pill</a> – <a href="/wiki/Alanis_Morissette" title="Alanis Morissette">Alanis Morissette</a> (1995)</li> <li><a href="/wiki/Falling_into_You" title="Falling into You">Falling into You</a> – <a href="/wiki/Celine_Dion" title="Celine Dion">Celine Dion</a> (1996)</li> <li><a href="/wiki/Time_Out_of_Mind_(Bob_Dylan_album)" title="Time Out of Mind (Bob Dylan album)">Time Out of Mind</a> – <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> (1997)</li> <li><a href="/wiki/The_Miseducation_of_Lauryn_Hill" title="The Miseducation of Lauryn Hill">The Miseducation of Lauryn Hill</a> – <a href="/wiki/Lauryn_Hill" title="Lauryn Hill">Lauryn Hill</a> (1998)</li> <li><a href="/wiki/Supernatural_(Santana_album)" title="Supernatural (Santana album)">Supernatural</a> – <a href="/wiki/Santana_(band)" title="Santana (band)">Santana</a> (1999)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">2000s</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Two_Against_Nature" title="Two Against Nature">Two Against Nature</a> – <a href="/wiki/Steely_Dan" title="Steely Dan">Steely Dan</a> (2000)</li> <li><a href="/wiki/O_Brother,_Where_Art_Thou%3F_(soundtrack)" title="O Brother, Where Art Thou? (soundtrack)">O Brother, Where Art Thou?</a> – Various Artists (2001)</li> <li><a href="/wiki/Come_Away_with_Me" title="Come Away with Me">Come Away with Me</a> – <a href="/wiki/Norah_Jones" title="Norah Jones">Norah Jones</a> (2002)</li> <li><a href="/wiki/Speakerboxxx/The_Love_Below" title="Speakerboxxx/The Love Below">Speakerboxxx/The Love Below</a> – <a href="/wiki/Outkast" title="Outkast">Outkast</a> (2003)</li> <li><a href="/wiki/Genius_Loves_Company" title="Genius Loves Company">Genius Loves Company</a> – <a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a> & Various Artists (2004)</li> <li><a href="/wiki/How_to_Dismantle_an_Atomic_Bomb" title="How to Dismantle an Atomic Bomb">How to Dismantle an Atomic Bomb</a> – <a href="/wiki/U2" title="U2">U2</a> (2005)</li> <li><a href="/wiki/Taking_the_Long_Way" title="Taking the Long Way">Taking the Long Way</a> – <a href="/wiki/The_Chicks" title="The Chicks">Dixie Chicks</a> (2006)</li> <li><a href="/wiki/River:_The_Joni_Letters" title="River: The Joni Letters">River: The Joni Letters</a> – <a href="/wiki/Herbie_Hancock" title="Herbie Hancock">Herbie Hancock</a> (2007)</li> <li><a href="/wiki/Raising_Sand" title="Raising Sand">Raising Sand</a> – <a href="/wiki/Robert_Plant" title="Robert Plant">Robert Plant</a> & <a href="/wiki/Alison_Krauss" title="Alison Krauss">Alison Krauss</a> (2008)</li> <li><a href="/wiki/Fearless_(Taylor_Swift_album)" title="Fearless (Taylor Swift album)">Fearless</a> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a> (2009)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">2010s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Suburbs" title="The Suburbs">The Suburbs</a> – <a href="/wiki/Arcade_Fire" title="Arcade Fire">Arcade Fire</a> (2010)</li> <li><a href="/wiki/21_(Adele_album)" title="21 (Adele album)">21</a> – <a href="/wiki/Adele" title="Adele">Adele</a> (2011)</li> <li><a href="/wiki/Babel_(Mumford_%26_Sons_album)" title="Babel (Mumford & Sons album)">Babel</a> – <a href="/wiki/Mumford_%26_Sons" title="Mumford & Sons">Mumford & Sons</a> (2012)</li> <li><a href="/wiki/Random_Access_Memories" title="Random Access Memories">Random Access Memories</a> – <a href="/wiki/Daft_Punk" title="Daft Punk">Daft Punk</a> (2013)</li> <li><a href="/wiki/Morning_Phase" title="Morning Phase">Morning Phase</a> – <a href="/wiki/Beck" title="Beck">Beck</a> (2014)</li> <li><a href="/wiki/1989_(album)" title="1989 (album)">1989</a> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a> (2015)</li> <li><a href="/wiki/25_(Adele_album)" title="25 (Adele album)">25</a> – <a href="/wiki/Adele" title="Adele">Adele</a> (2016)</li> <li><a href="/wiki/24K_Magic_(album)" title="24K Magic (album)">24K Magic</a> – <a href="/wiki/Bruno_Mars" title="Bruno Mars">Bruno Mars</a> (2017)</li> <li><a href="/wiki/Golden_Hour_(Kacey_Musgraves_album)" title="Golden Hour (Kacey Musgraves album)">Golden Hour</a> – <a href="/wiki/Kacey_Musgraves" title="Kacey Musgraves">Kacey Musgraves</a> (2018)</li> <li><a href="/wiki/When_We_All_Fall_Asleep,_Where_Do_We_Go%3F" title="When We All Fall Asleep, Where Do We Go?">When We All Fall Asleep, Where Do We Go?</a> – <a href="/wiki/Billie_Eilish" title="Billie Eilish">Billie Eilish</a> (2019)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">2020s</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Folklore_(Taylor_Swift_album)" title="Folklore (Taylor Swift album)">Folklore</a> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a> (2020)</li> <li><a href="/wiki/We_Are_(Jon_Batiste_album)" title="We Are (Jon Batiste album)">We Are</a> – <a href="/wiki/Jon_Batiste" title="Jon Batiste">Jon Batiste</a> (2021) </li> <li><a href="/wiki/Harry%27s_House" title="Harry's House">Harry's House</a> – <a href="/wiki/Harry_Styles" title="Harry Styles">Harry Styles</a> (2022)</li> <li><a href="/wiki/Midnights" title="Midnights">Midnights</a> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a> (2023)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Grammy_Award_for_Best_Pop_Vocal_Album" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#cedff2;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Grammy_Award_for_Best_Pop_Vocal_Album" title="Template:Grammy Award for Best Pop Vocal Album"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Grammy_Award_for_Best_Pop_Vocal_Album" title="Template talk:Grammy Award for Best Pop Vocal Album"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Grammy_Award_for_Best_Pop_Vocal_Album" title="Special:EditPage/Template:Grammy Award for Best Pop Vocal Album"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Grammy_Award_for_Best_Pop_Vocal_Album" style="font-size:114%;margin:0 4em"><a href="/wiki/Grammy_Award_for_Best_Pop_Vocal_Album" title="Grammy Award for Best Pop Vocal Album">Grammy Award for Best Pop Vocal Album</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">1960s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Sgt. Pepper's Lonely Hearts Club Band</a> – <a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a> (1967)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">1990s</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Longing_in_Their_Hearts" title="Longing in Their Hearts">Longing in Their Hearts</a> – <a href="/wiki/Bonnie_Raitt" title="Bonnie Raitt">Bonnie Raitt</a> (1994)</li> <li><a href="/wiki/Turbulent_Indigo" title="Turbulent Indigo">Turbulent Indigo</a> – <a href="/wiki/Joni_Mitchell" title="Joni Mitchell">Joni Mitchell</a> (1995)</li> <li><a href="/wiki/Falling_into_You" title="Falling into You">Falling into You</a> – <a href="/wiki/Celine_Dion" title="Celine Dion">Celine Dion</a> (1996)</li> <li><a href="/wiki/Hourglass_(James_Taylor_album)" title="Hourglass (James Taylor album)">Hourglass</a> – <a href="/wiki/James_Taylor" title="James Taylor">James Taylor</a> (1997)</li> <li><a href="/wiki/Ray_of_Light" title="Ray of Light">Ray of Light</a> – <a href="/wiki/Madonna" title="Madonna">Madonna</a> (1998)</li> <li><a href="/wiki/Brand_New_Day_(Sting_album)" title="Brand New Day (Sting album)">Brand New Day</a> – <a href="/wiki/Sting_(musician)" title="Sting (musician)">Sting</a> (1999)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">2000s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Two_Against_Nature" title="Two Against Nature">Two Against Nature</a> – <a href="/wiki/Steely_Dan" title="Steely Dan">Steely Dan</a> (2000)</li> <li><a href="/wiki/Lovers_Rock_(Sade_album)" title="Lovers Rock (Sade album)">Lovers Rock</a> – <a href="/wiki/Sade_(band)" title="Sade (band)">Sade</a> (2001)</li> <li><a href="/wiki/Come_Away_with_Me" title="Come Away with Me">Come Away with Me</a> – <a href="/wiki/Norah_Jones" title="Norah Jones">Norah Jones</a> (2002)</li> <li><a href="/wiki/Justified_(album)" title="Justified (album)">Justified</a> – <a href="/wiki/Justin_Timberlake" title="Justin Timberlake">Justin Timberlake</a> (2003)</li> <li><a href="/wiki/Genius_Loves_Company" title="Genius Loves Company">Genius Loves Company</a> – <a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a> and various artists (2004)</li> <li><a href="/wiki/Breakaway_(Kelly_Clarkson_album)" title="Breakaway (Kelly Clarkson album)">Breakaway</a> – <a href="/wiki/Kelly_Clarkson" title="Kelly Clarkson">Kelly Clarkson</a> (2005)</li> <li><a href="/wiki/Continuum_(John_Mayer_album)" title="Continuum (John Mayer album)">Continuum</a> – <a href="/wiki/John_Mayer" title="John Mayer">John Mayer</a> (2006)</li> <li><a href="/wiki/Back_to_Black" title="Back to Black">Back to Black</a> – <a href="/wiki/Amy_Winehouse" title="Amy Winehouse">Amy Winehouse</a> (2007)</li> <li><a href="/wiki/Rockferry" title="Rockferry">Rockferry</a> – <a href="/wiki/Duffy_(singer)" title="Duffy (singer)">Duffy</a> (2008)</li> <li><a href="/wiki/The_E.N.D." title="The E.N.D.">The E.N.D.</a> – <a href="/wiki/Black_Eyed_Peas" title="Black Eyed Peas">Black Eyed Peas</a> (2009)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">2010s</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Fame_Monster" title="The Fame Monster">The Fame Monster</a> – <a href="/wiki/Lady_Gaga" title="Lady Gaga">Lady Gaga</a> (2010)</li> <li><a href="/wiki/21_(Adele_album)" title="21 (Adele album)">21</a> – <a href="/wiki/Adele" title="Adele">Adele</a> (2011)</li> <li><a href="/wiki/Stronger_(Kelly_Clarkson_album)" title="Stronger (Kelly Clarkson album)">Stronger</a> – <a href="/wiki/Kelly_Clarkson" title="Kelly Clarkson">Kelly Clarkson</a> (2012)</li> <li><a href="/wiki/Unorthodox_Jukebox" title="Unorthodox Jukebox">Unorthodox Jukebox</a> – <a href="/wiki/Bruno_Mars" title="Bruno Mars">Bruno Mars</a> (2013)</li> <li><a href="/wiki/In_the_Lonely_Hour" title="In the Lonely Hour">In the Lonely Hour</a> – <a href="/wiki/Sam_Smith" title="Sam Smith">Sam Smith</a> (2014)</li> <li><a href="/wiki/1989_(album)" title="1989 (album)">1989</a> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a> (2015)</li> <li><a href="/wiki/25_(Adele_album)" title="25 (Adele album)">25</a> – <a href="/wiki/Adele" title="Adele">Adele</a> (2016)</li> <li><a href="/wiki/%C3%B7_(album)" title="÷ (album)">÷</a> – <a href="/wiki/Ed_Sheeran" title="Ed Sheeran">Ed Sheeran</a> (2017)</li> <li><a href="/wiki/Sweetener_(album)" title="Sweetener (album)">Sweetener</a> – <a href="/wiki/Ariana_Grande" title="Ariana Grande">Ariana Grande</a> (2018)</li> <li><a href="/wiki/When_We_All_Fall_Asleep,_Where_Do_We_Go%3F" title="When We All Fall Asleep, Where Do We Go?">When We All Fall Asleep, Where Do We Go?</a> – <a href="/wiki/Billie_Eilish" title="Billie Eilish">Billie Eilish</a> (2019)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">2020s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Future_Nostalgia" title="Future Nostalgia">Future Nostalgia</a> – <a href="/wiki/Dua_Lipa" title="Dua Lipa">Dua Lipa</a> (2020)</li> <li><a href="/wiki/Sour_(album)" title="Sour (album)">Sour</a> – <a href="/wiki/Olivia_Rodrigo" title="Olivia Rodrigo">Olivia Rodrigo</a> (2021)</li> <li><a href="/wiki/Harry%27s_House" title="Harry's House">Harry's House</a> – <a href="/wiki/Harry_Styles" title="Harry Styles">Harry Styles</a> (2022)</li> <li><a href="/wiki/Midnights" title="Midnights">Midnights</a> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a> (2023)</li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2" style="background:#cedff2;"><div>From 1968–1993, the category was discontinued.</div></td></tr></tbody></table></div></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="UK_best-selling_albums_(by_year)_(1956–1969)" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:UK_best-selling_albums_(by_year)_1956%E2%80%931969" title="Template:UK best-selling albums (by year) 1956–1969"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:UK_best-selling_albums_(by_year)_1956%E2%80%931969" title="Template talk:UK best-selling albums (by year) 1956–1969"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:UK_best-selling_albums_(by_year)_1956%E2%80%931969" title="Special:EditPage/Template:UK best-selling albums (by year) 1956–1969"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="UK_best-selling_albums_(by_year)_(1956–1969)" style="font-size:114%;margin:0 4em"><a href="/wiki/List_of_best-selling_albums_by_year_in_the_United_Kingdom" title="List of best-selling albums by year in the United Kingdom">UK best-selling albums (by year)</a> (1956–1969)</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>1956: <a href="/wiki/Carousel_(film)#Soundtrack_album" title="Carousel (film)">Carousel</a> (<a href="/wiki/Soundtrack" title="Soundtrack">original soundtrack</a>)</li> <li>1957: <a href="/wiki/The_King_and_I_(soundtrack)" class="mw-redirect" title="The King and I (soundtrack)">The King and I</a> (original soundtrack)</li> <li>1958: <a href="/wiki/My_Fair_Lady" title="My Fair Lady">My Fair Lady</a> (Broadway <a href="/wiki/Cast_recording" title="Cast recording">cast recording</a>)</li> <li>1959-60: <a href="/wiki/South_Pacific_(soundtrack)" title="South Pacific (soundtrack)">South Pacific</a> (original soundtrack)</li> <li>1961: <a href="/wiki/G.I._Blues_(soundtrack)" title="G.I. Blues (soundtrack)">G.I. Blues</a> (<a href="/wiki/Elvis_Presley" title="Elvis Presley">Elvis Presley</a>)</li> <li>1962: <a href="/wiki/West_Side_Story_(1961_soundtrack)" title="West Side Story (1961 soundtrack)">West Side Story</a> (original soundtrack)</li> <li>1963: <a href="/wiki/With_the_Beatles" title="With the Beatles">With the Beatles</a> (<a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a>)</li> <li>1964: <a href="/wiki/Beatles_for_Sale" title="Beatles for Sale">Beatles for Sale</a> (<a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a>)</li> <li>1965-66: <a href="/wiki/The_Sound_of_Music_(soundtrack)" title="The Sound of Music (soundtrack)">The Sound of Music</a> (original soundtrack)</li> <li>1967: <a class="mw-selflink selflink">Sgt. Pepper's Lonely Hearts Club Band</a> (<a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a>)</li> <li>1968: <a href="/wiki/The_Sound_of_Music_(soundtrack)" title="The Sound of Music (soundtrack)">The Sound of Music</a> (original soundtrack)</li> <li>1969: <a href="/wiki/Abbey_Road" title="Abbey Road">Abbey Road</a> (<a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a>)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="UK_Christmas_number-one_albums" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:UK_Christmas_No._1_albums" title="Template:UK Christmas No. 1 albums"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:UK_Christmas_No._1_albums" title="Template talk:UK Christmas No. 1 albums"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:UK_Christmas_No._1_albums" title="Special:EditPage/Template:UK Christmas No. 1 albums"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="UK_Christmas_number-one_albums" style="font-size:114%;margin:0 4em"><a href="/wiki/List_of_UK_Albums_Chart_Christmas_number_ones" title="List of UK Albums Chart Christmas number ones">UK Christmas number-one albums</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">1956–1960</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_King_and_I_(1956_film)#Soundtrack_album" title="The King and I (1956 film)">The King and I</a> – Various artists (1956)</li> <li><a href="/wiki/The_King_and_I_(1956_film)#Soundtrack_album" title="The King and I (1956 film)">The King and I</a> – Various artists (1957)</li> <li><a href="/wiki/South_Pacific_(soundtrack)" title="South Pacific (soundtrack)">South Pacific</a> – Various artists (1958)</li> <li><a href="/wiki/South_Pacific_(soundtrack)" title="South Pacific (soundtrack)">South Pacific</a> – Various artists (1959)</li> <li><a href="/wiki/South_Pacific_(soundtrack)" title="South Pacific (soundtrack)">South Pacific</a> – Various artists (1960)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1961–1970</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Black_and_White_Minstrel_Show#Another_Black_and_White_Minstrel_Show" title="The Black and White Minstrel Show">Another Black and White Minstrel Show</a> – <a href="/wiki/George_Mitchell_Minstrels" class="mw-redirect" title="George Mitchell Minstrels">George Mitchell Minstrels</a> (1961)</li> <li><a href="/wiki/The_Black_and_White_Minstrel_Show#The_Black_and_White_Minstrel_Show" title="The Black and White Minstrel Show">The Black and White Minstrel Show</a>  – <a href="/wiki/George_Mitchell_Minstrels" class="mw-redirect" title="George Mitchell Minstrels">George Mitchell Minstrels</a> (1962)</li> <li><a href="/wiki/With_the_Beatles" title="With the Beatles">With the Beatles</a> – <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> (1963)</li> <li><a href="/wiki/Beatles_for_Sale" title="Beatles for Sale">Beatles for Sale</a> – <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> (1964)</li> <li><a href="/wiki/Rubber_Soul" title="Rubber Soul">Rubber Soul</a> – <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> (1965)</li> <li><a href="/wiki/The_Sound_of_Music_(soundtrack)" title="The Sound of Music (soundtrack)">The Sound of Music</a> – Various artists (1966)</li> <li><a class="mw-selflink selflink">Sgt. Pepper's Lonely Hearts Club Band</a> – <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> (1967)</li> <li><a href="/wiki/The_Beatles_(album)" title="The Beatles (album)">The Beatles</a> – <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> (1968)</li> <li><a href="/wiki/Abbey_Road" title="Abbey Road">Abbey Road</a> – <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> (1969)</li> <li><a href="/wiki/Andy_Williams%27_Greatest_Hits" title="Andy Williams' Greatest Hits">Andy Williams' Greatest Hits</a> – <a href="/wiki/Andy_Williams" title="Andy Williams">Andy Williams</a> (1970)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1971–1980</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Electric_Warrior" title="Electric Warrior">Electric Warrior</a> – <a href="/wiki/T._Rex_(band)" title="T. Rex (band)">T. Rex</a> (1971)</li> <li><a href="/w/index.php?title=20_All_Time_Hits_of_the_50s&action=edit&redlink=1" class="new" title="20 All Time Hits of the 50s (page does not exist)">20 All Time Hits of the 50s</a> – Various artists (1972)</li> <li><a href="/wiki/Goodbye_Yellow_Brick_Road" title="Goodbye Yellow Brick Road">Goodbye Yellow Brick Road</a> – <a href="/wiki/Elton_John" title="Elton John">Elton John</a> (1973)</li> <li><a href="/wiki/Elton_John%27s_Greatest_Hits" class="mw-redirect" title="Elton John's Greatest Hits">Elton John's Greatest Hits</a> – <a href="/wiki/Elton_John" title="Elton John">Elton John</a> (1974)</li> <li><a href="/wiki/A_Night_at_the_Opera_(Queen_album)" title="A Night at the Opera (Queen album)">A Night at the Opera</a> – <a href="/wiki/Queen_(band)" title="Queen (band)">Queen</a> (1975)</li> <li><a href="/wiki/Glen_Campbell%27s_Twenty_Golden_Greats" title="Glen Campbell's Twenty Golden Greats">Glen Campbell's Twenty Golden Greats</a> – <a href="/wiki/Glen_Campbell" title="Glen Campbell">Glen Campbell</a> (1976)</li> <li><a href="/w/index.php?title=Disco_Fever_(compilation_album)&action=edit&redlink=1" class="new" title="Disco Fever (compilation album) (page does not exist)">Disco Fever</a> – Various artists (1977)</li> <li><a href="/wiki/Grease:_The_Original_Soundtrack_from_the_Motion_Picture" class="mw-redirect" title="Grease: The Original Soundtrack from the Motion Picture">Grease</a> – Various artists (1978)</li> <li><a href="/wiki/Greatest_Hits,_Vol._1_(Rod_Stewart_album)" title="Greatest Hits, Vol. 1 (Rod Stewart album)">Greatest Hits, Vol. 1</a> – <a href="/wiki/Rod_Stewart" title="Rod Stewart">Rod Stewart</a> (1979)</li> <li><a href="/wiki/Super_Trouper_(album)" title="Super Trouper (album)">Super Trouper</a> – <a href="/wiki/ABBA" title="ABBA">ABBA</a> (1980)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1981–1990</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Visitors_(ABBA_album)" title="The Visitors (ABBA album)">The Visitors</a> – <a href="/wiki/ABBA" title="ABBA">ABBA</a> (1981)</li> <li><a href="/wiki/The_John_Lennon_Collection" title="The John Lennon Collection">The John Lennon Collection</a> – <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a> (1982)</li> <li><a href="/wiki/Now_That%27s_What_I_Call_Music_(original_UK_album)" title="Now That's What I Call Music (original UK album)">Now That's What I Call Music</a> – Various artists (1983)</li> <li><a href="/wiki/Hits_1" title="Hits 1">Hits 1</a> – Various artists (1984)</li> <li><a href="/wiki/Now_%E2%80%93_The_Christmas_Album" title="Now – The Christmas Album">Now – The Christmas Album</a> – Various artists (1985)</li> <li><a href="/wiki/Now_That%27s_What_I_Call_Music_8_(UK_series)" class="mw-redirect" title="Now That's What I Call Music 8 (UK series)">Now That's What I Call Music 8</a> – Various artists (1986)</li> <li><a href="/wiki/Now_That%27s_What_I_Call_Music_10_(UK_series)" class="mw-redirect" title="Now That's What I Call Music 10 (UK series)">Now That's What I Call Music 10</a> – Various artists (1987)</li> <li><a href="/wiki/Private_Collection:_1979%E2%80%931988" title="Private Collection: 1979–1988">Private Collection: 1979–1988</a> – <a href="/wiki/Cliff_Richard" title="Cliff Richard">Cliff Richard</a> (1988)</li> <li><a href="/wiki/...But_Seriously" title="...But Seriously">...But Seriously</a> – <a href="/wiki/Phil_Collins" title="Phil Collins">Phil Collins</a> (1989)</li> <li><a href="/wiki/The_Immaculate_Collection" title="The Immaculate Collection">The Immaculate Collection</a> – <a href="/wiki/Madonna" title="Madonna">Madonna</a> (1990)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1991–2000</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Greatest_Hits_II_(Queen_album)" title="Greatest Hits II (Queen album)">Greatest Hits II</a> – <a href="/wiki/Queen_(band)" title="Queen (band)">Queen</a> (1991)</li> <li><a href="/wiki/Greatest_Hits:_1965%E2%80%931992" title="Greatest Hits: 1965–1992">Greatest Hits: 1965–1992</a> – <a href="/wiki/Cher" title="Cher">Cher</a> (1992)</li> <li><a href="/wiki/Bat_Out_of_Hell_II:_Back_into_Hell" title="Bat Out of Hell II: Back into Hell">Bat Out of Hell II: Back into Hell</a> – <a href="/wiki/Meat_Loaf" title="Meat Loaf">Meat Loaf</a> (1993)</li> <li><a href="/wiki/Carry_On_up_the_Charts" class="mw-redirect" title="Carry On up the Charts">Carry On up the Charts</a> – <a href="/wiki/The_Beautiful_South" title="The Beautiful South">the Beautiful South</a> (1994)</li> <li><a href="/wiki/Robson_%26_Jerome_(album)" title="Robson & Jerome (album)">Robson & Jerome</a> – <a href="/wiki/Robson_%26_Jerome" title="Robson & Jerome">Robson & Jerome</a> (1995)</li> <li><a href="/wiki/Spice_(album)" title="Spice (album)">Spice</a> – <a href="/wiki/Spice_Girls" title="Spice Girls">Spice Girls</a> (1996)</li> <li><a href="/wiki/Let%27s_Talk_About_Love" title="Let's Talk About Love">Let's Talk About Love</a> – <a href="/wiki/Celine_Dion" title="Celine Dion">Celine Dion</a> (1997)</li> <li><a href="/wiki/Ladies_%26_Gentlemen:_The_Best_of_George_Michael" title="Ladies & Gentlemen: The Best of George Michael">Ladies & Gentlemen: The Best of George Michael</a> – <a href="/wiki/George_Michael" title="George Michael">George Michael</a> (1998)</li> <li><a href="/wiki/Come_On_Over" title="Come On Over">Come On Over</a> – <a href="/wiki/Shania_Twain" title="Shania Twain">Shania Twain</a> (1999)</li> <li><a href="/wiki/1_(Beatles_album)" title="1 (Beatles album)">1</a> – <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2001–2010</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Swing_When_You%27re_Winning" title="Swing When You're Winning">Swing When You're Winning</a> – <a href="/wiki/Robbie_Williams" title="Robbie Williams">Robbie Williams</a> (2001)</li> <li><a href="/wiki/Escapology_(album)" title="Escapology (album)">Escapology</a> – <a href="/wiki/Robbie_Williams" title="Robbie Williams">Robbie Williams</a> (2002)</li> <li><a href="/wiki/Life_for_Rent" title="Life for Rent">Life for Rent</a> – <a href="/wiki/Dido_(singer)" title="Dido (singer)">Dido</a> (2003)</li> <li><a href="/wiki/Greatest_Hits_(Robbie_Williams_album)" title="Greatest Hits (Robbie Williams album)">Greatest Hits</a> – <a href="/wiki/Robbie_Williams" title="Robbie Williams">Robbie Williams</a> (2004)</li> <li><a href="/wiki/Curtain_Call:_The_Hits" title="Curtain Call: The Hits">Curtain Call: The Hits</a> – <a href="/wiki/Eminem" title="Eminem">Eminem</a> (2005)</li> <li><a href="/wiki/Beautiful_World_(Take_That_album)" title="Beautiful World (Take That album)">Beautiful World</a> – <a href="/wiki/Take_That" title="Take That">Take That</a> (2006)</li> <li><a href="/wiki/Spirit_(Leona_Lewis_album)" title="Spirit (Leona Lewis album)">Spirit</a> – <a href="/wiki/Leona_Lewis" title="Leona Lewis">Leona Lewis</a> (2007)</li> <li><a href="/wiki/The_Circus_(Take_That_album)" title="The Circus (Take That album)">The Circus</a> – <a href="/wiki/Take_That" title="Take That">Take That</a> (2008)</li> <li><a href="/wiki/I_Dreamed_a_Dream_(album)" title="I Dreamed a Dream (album)">I Dreamed a Dream</a> – <a href="/wiki/Susan_Boyle" title="Susan Boyle">Susan Boyle</a> (2009)</li> <li><a href="/wiki/Progress_(Take_That_album)" title="Progress (Take That album)">Progress</a> – <a href="/wiki/Take_That" title="Take That">Take That</a> (2010)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2011–2020</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Christmas_(Michael_Bubl%C3%A9_album)" title="Christmas (Michael Bublé album)">Christmas</a> – <a href="/wiki/Michael_Bubl%C3%A9" title="Michael Bublé">Michael Bublé</a> (2011)</li> <li><a href="/wiki/Our_Version_of_Events" title="Our Version of Events">Our Version of Events</a> – <a href="/wiki/Emeli_Sand%C3%A9" title="Emeli Sandé">Emeli Sandé</a> (2012)</li> <li><a href="/wiki/Swings_Both_Ways" title="Swings Both Ways">Swings Both Ways</a> – <a href="/wiki/Robbie_Williams" title="Robbie Williams">Robbie Williams</a> (2013)</li> <li><a href="/wiki/X_(Ed_Sheeran_album)" title="X (Ed Sheeran album)">X</a> – <a href="/wiki/Ed_Sheeran" title="Ed Sheeran">Ed Sheeran</a> (2014)</li> <li><a href="/wiki/25_(Adele_album)" title="25 (Adele album)">25</a> – <a href="/wiki/Adele" title="Adele">Adele</a> (2015)</li> <li><a href="/wiki/Together_(Michael_Ball_and_Alfie_Boe_album)" title="Together (Michael Ball and Alfie Boe album)">Together</a> – <a href="/wiki/Michael_Ball_(singer)" class="mw-redirect" title="Michael Ball (singer)">Michael Ball</a> and <a href="/wiki/Alfie_Boe" title="Alfie Boe">Alfie Boe</a> (2016)</li> <li><a href="/wiki/Revival_(Eminem_album)" title="Revival (Eminem album)">Revival</a> – <a href="/wiki/Eminem" title="Eminem">Eminem</a> (2017)</li> <li><a href="/wiki/The_Greatest_Showman_(soundtrack)" title="The Greatest Showman (soundtrack)">The Greatest Showman</a> – Various artists (2018)</li> <li><a href="/wiki/You%27re_in_My_Heart:_Rod_Stewart_with_the_Royal_Philharmonic_Orchestra" title="You're in My Heart: Rod Stewart with the Royal Philharmonic Orchestra">You're in My Heart</a> – <a href="/wiki/Rod_Stewart" title="Rod Stewart">Rod Stewart</a> (2019)</li> <li><a href="/wiki/McCartney_III" title="McCartney III">McCartney III</a> – <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> (2020)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2021–</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/30_(album)" title="30 (album)">30</a> – <a href="/wiki/Adele" title="Adele">Adele</a> (2021)</li> <li><a href="/wiki/Midnights" title="Midnights">Midnights</a> – <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a> (2022)</li> <li><a href="/wiki/Hackney_Diamonds" title="Hackney Diamonds">Hackney Diamonds</a> – <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">The Rolling Stones</a> (2023)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style 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title="Help:Authority control">Authority control databases</a> <a href="https://www.wikidata.org/wiki/Q169226#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://viaf.org/viaf/175130172">VIAF</a><ul><li><a rel="nofollow" class="external text" href="https://viaf.org/viaf/176205798">2</a></li></ul></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/4444293-2">Germany</a><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/1135156166">2</a></li></ul></li><li><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n2003072111">United States</a></li><li><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=kon2006374080&CON_LNG=ENG">Czech Republic</a></li><li><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&local_base=NLX10&find_code=UID&request=987007604237205171">Israel</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.idref.fr/127418520">IdRef</a></li><li><a rel="nofollow" class="external text" href="https://musicbrainz.org/release-group/9f7a4c28-8fa2-3113-929c-c47a9f7982c3">MusicBrainz release group</a></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" 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[\"CITEREFCunningham1998\"] = 1,\n [\"CITEREFDavies2009\"] = 1,\n [\"CITEREFDeCurtis1987\"] = 1,\n [\"CITEREFDe_Lisle2017\"] = 1,\n [\"CITEREFDeriso2017\"] = 1,\n [\"CITEREFDettmar2006\"] = 1,\n [\"CITEREFDoggett2015\"] = 1,\n [\"CITEREFDraper2008\"] = 1,\n [\"CITEREFDrummond1967\"] = 1,\n [\"CITEREFElicker2001\"] = 1,\n [\"CITEREFEllen2002\"] = 1,\n [\"CITEREFElwood1967\"] = 1,\n [\"CITEREFEmerickMassey2006\"] = 1,\n [\"CITEREFErlwine\"] = 1,\n [\"CITEREFEverett1999\"] = 1,\n [\"CITEREFEzard1967\"] = 1,\n [\"CITEREFFleming2017\"] = 1,\n [\"CITEREFFrith1981\"] = 1,\n [\"CITEREFFrontani2007\"] = 1,\n [\"CITEREFGendron2002\"] = 1,\n [\"CITEREFGhoshal2017\"] = 1,\n [\"CITEREFGlausser2011\"] = 1,\n [\"CITEREFGoldstein1967\"] = 1,\n [\"CITEREFGoldstein2006\"] = 1,\n [\"CITEREFGould2007\"] = 1,\n [\"CITEREFGraffDurchholz1999\"] = 1,\n [\"CITEREFGreene2016\"] = 1,\n [\"CITEREFHamilton2017\"] = 1,\n [\"CITEREFHannan2008\"] = 1,\n [\"CITEREFHarrington1993\"] = 1,\n [\"CITEREFHarris2007\"] = 1,\n [\"CITEREFHarry2000\"] = 1,\n [\"CITEREFHarry2002\"] = 1,\n [\"CITEREFHertsgaard1996\"] = 1,\n [\"CITEREFHoffmannBailey1990\"] = 1,\n [\"CITEREFHoward2004\"] = 1,\n [\"CITEREFHowlett2017\"] = 3,\n [\"CITEREFHughes2014\"] = 1,\n [\"CITEREFHumphries2002\"] = 1,\n [\"CITEREFHutton1967\"] = 1,\n [\"CITEREFIngham2006\"] = 1,\n [\"CITEREFInglis2008\"] = 1,\n [\"CITEREFIrvin2007\"] = 1,\n [\"CITEREFJennings2017\"] = 1,\n [\"CITEREFJensen1987\"] = 1,\n [\"CITEREFJones2007\"] = 1,\n [\"CITEREFJones2016\"] = 1,\n [\"CITEREFJulien2008a\"] = 1,\n [\"CITEREFJulien2008b\"] = 1,\n [\"CITEREFJulien2008c\"] = 1,\n [\"CITEREFKemp2009\"] = 1,\n [\"CITEREFKennedy2017\"] = 1,\n [\"CITEREFKent1993\"] = 1,\n [\"CITEREFKimsey2008\"] = 1,\n [\"CITEREFKokenes2010\"] = 1,\n [\"CITEREFKot1999\"] = 1,\n [\"CITEREFKronemyer2009\"] = 2,\n [\"CITEREFLarkin2006\"] = 1,\n [\"CITEREFLavezzoli2006\"] = 1,\n [\"CITEREFLeopold2007\"] = 1,\n [\"CITEREFLewis2011\"] = 1,\n [\"CITEREFLewisohn2005\"] = 1,\n [\"CITEREFLewisohn2009\"] = 1,\n [\"CITEREFLewisohn2010\"] = 1,\n [\"CITEREFLoder1987\"] = 1,\n [\"CITEREFLydon1969\"] = 1,\n [\"CITEREFLynch2014\"] = 1,\n [\"CITEREFMacDonald2005\"] = 1,\n [\"CITEREFMacFarlane2008\"] = 1,\n [\"CITEREFMann2006\"] = 1,\n [\"CITEREFMarcus2007\"] = 1,\n [\"CITEREFMarinucci2017\"] = 1,\n [\"CITEREFMartin1994\"] = 1,\n [\"CITEREFMartinPearson1994\"] = 1,\n [\"CITEREFMawer2007\"] = 2,\n [\"CITEREFMcCabe2017\"] = 1,\n [\"CITEREFMcCormick2009\"] = 1,\n [\"CITEREFMiles1997\"] = 1,\n [\"CITEREFMiles2001\"] = 1,\n [\"CITEREFMiles2019\"] = 1,\n [\"CITEREFMoore1997\"] = 1,\n [\"CITEREFMoore2008\"] = 1,\n [\"CITEREFMoore2018\"] = 1,\n [\"CITEREFMurray1987\"] = 1,\n [\"CITEREFNagelberg2001\"] = 1,\n [\"CITEREFNorman1996\"] = 1,\n [\"CITEREFNorman2008\"] = 1,\n [\"CITEREFNorman2016\"] = 1,\n [\"CITEREFNorthcutt2006\"] = 1,\n [\"CITEREFNyman2005\"] = 1,\n [\"CITEREFPetridis2017\"] = 1,\n [\"CITEREFPhilo2015\"] = 1,\n [\"CITEREFPlagenhoef2009\"] = 1,\n [\"CITEREFPonton2010\"] = 1,\n [\"CITEREFPrendergast2003\"] = 1,\n [\"CITEREFQuantick2017\"] = 1,\n [\"CITEREFReck2008\"] = 1,\n [\"CITEREFReisingLeBlanc2009\"] = 1,\n [\"CITEREFRiley2002\"] = 1,\n [\"CITEREFRoberts2014\"] = 1,\n [\"CITEREFRodriguez2012\"] = 1,\n [\"CITEREFRomano2010\"] = 1,\n [\"CITEREFRomanowski2006\"] = 1,\n [\"CITEREFRuntagh2017\"] = 1,\n [\"CITEREFScapelliti2007\"] = 1,\n [\"CITEREFSchaffner1978\"] = 1,\n [\"CITEREFSesto2017\"] = 1,\n [\"CITEREFSheff1981\"] = 1,\n [\"CITEREFSheffield2004\"] = 1,\n [\"CITEREFSimonelli2013\"] = 1,\n [\"CITEREFSmith2009\"] = 1,\n [\"CITEREFSounes2010\"] = 1,\n [\"CITEREFSpitz2005\"] = 1,\n [\"CITEREFStaff2007\"] = 1,\n [\"CITEREFThe_Beatles2000\"] = 1,\n [\"CITEREFTillery2011\"] = 1,\n [\"CITEREFTitlow2017\"] = 1,\n [\"CITEREFTurner2016\"] = 1,\n [\"CITEREFVozick-Levinson2007\"] = 1,\n [\"CITEREFWagner2008\"] = 1,\n [\"CITEREFWawzenek2017\"] = 1,\n [\"CITEREFWells1999\"] = 1,\n [\"CITEREFWhiteley2008\"] = 1,\n [\"CITEREFWiener1992\"] = 1,\n [\"CITEREFWillman1992\"] = 1,\n [\"CITEREFWinn2009\"] = 1,\n [\"CITEREFWomack2007\"] = 1,\n [\"CITEREFWomack2014\"] = 1,\n [\"CITEREFWomack2017\"] = 1,\n [\"CITEREFWomack2018\"] = 1,\n [\"Inner_groove\"] = 1,\n}\ntemplate_list = table#1 {\n [\"!\"] = 2,\n [\"'\"] = 2,\n [\"' \\\"\"] = 1,\n [\"'s\"] = 23,\n [\"About\"] = 1,\n [\"Album chart\"] = 18,\n [\"Album ratings\"] = 1,\n [\"Anchor\"] = 1,\n [\"Authority control\"] = 1,\n [\"Brit British Album\"] = 1,\n [\"Certification Table Bottom\"] = 1,\n [\"Certification Table Entry\"] = 14,\n [\"Certification Table Summary\"] = 1,\n [\"Certification Table Top\"] = 1,\n [\"Cite AV media notes\"] = 2,\n [\"Cite book\"] = 92,\n [\"Cite magazine\"] = 28,\n [\"Cite news\"] = 29,\n [\"Cite web\"] = 59,\n [\"Clear\"] = 4,\n [\"Col-2\"] = 4,\n [\"Col-begin\"] = 2,\n [\"Col-end\"] = 2,\n [\"Discogs master\"] = 1,\n [\"Dubious\"] = 1,\n [\"Duration\"] = 1,\n [\"Em\"] = 7,\n [\"EngvarB\"] = 1,\n [\"Extra chronology\"] = 1,\n [\"Featured article\"] = 1,\n [\"Further\"] = 1,\n [\"Google books\"] = 35,\n [\"Grammy Award for Album of the Year\"] = 1,\n [\"Grammy Award for Best Pop Vocal Album\"] = 1,\n [\"Harvnb\"] = 76,\n [\"Inflation\"] = 4,\n [\"Infobox album\"] = 1,\n [\"Listen\"] = 4,\n [\"Navboxes\"] = 1,\n [\"Nbsp\"] = 27,\n [\"Nowrap\"] = 1,\n [\"Official website\"] = 1,\n [\"Quote\"] = 2,\n [\"Quote box\"] = 8,\n [\"Rating\"] = 5,\n [\"Rating-Christgau\"] = 1,\n [\"Refbegin\"] = 1,\n [\"Refend\"] = 1,\n [\"Reflist\"] = 2,\n [\"Refn\"] = 43,\n [\"See also\"] = 1,\n [\"Sfn\"] = 527,\n [\"Sgt. Peppers Lonely Hearts Club Band\"] = 1,\n [\"Short description\"] = 1,\n [\"Sister project links\"] = 1,\n [\"Start date\"] = 1,\n [\"TOC limit\"] = 1,\n [\"The Beatles albums\"] = 1,\n [\"Track listing\"] = 2,\n [\"UK Christmas No. 1 albums in the 1960s\"] = 1,\n [\"UK best-selling albums (by year) 1956–1969\"] = 1,\n [\"Use dmy dates\"] = 1,\n [\"Webarchive\"] = 1,\n}\narticle_whitelist = table#1 {\n}\n","limitreport-profile":[["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::callParserFunction","880","27.7"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::getAllExpandedArguments","400","12.6"],["recursiveClone \u003CmwInit.lua:45\u003E","280","8.8"],["?","260","8.2"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::getExpandedArgument","200","6.3"],["dataWrapper \u003Cmw.lua:672\u003E","140","4.4"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::gsub","120","3.8"],["type","80","2.5"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::find","60","1.9"],["concat","40","1.3"],["[others]","720","22.6"]]},"cachereport":{"origin":"mw-web.codfw.main-f69cdc8f6-gfg4b","timestamp":"20241124053125","ttl":2592000,"transientcontent":false}}});});</script> <script type="application/ld+json">{"@context":"https:\/\/schema.org","@type":"Article","name":"Sgt. Pepper's Lonely Hearts Club Band","url":"https:\/\/en.wikipedia.org\/wiki\/Sgt._Pepper%27s_Lonely_Hearts_Club_Band","sameAs":"http:\/\/www.wikidata.org\/entity\/Q169226","mainEntity":"http:\/\/www.wikidata.org\/entity\/Q169226","author":{"@type":"Organization","name":"Contributors to Wikimedia projects"},"publisher":{"@type":"Organization","name":"Wikimedia Foundation, Inc.","logo":{"@type":"ImageObject","url":"https:\/\/www.wikimedia.org\/static\/images\/wmf-hor-googpub.png"}},"datePublished":"2002-07-28T11:52:21Z","dateModified":"2024-11-20T06:49:29Z","image":"https:\/\/upload.wikimedia.org\/wikipedia\/en\/5\/50\/Sgt._Pepper%27s_Lonely_Hearts_Club_Band.jpg","headline":"1967 studio album by The Beatles"}</script> </body> </html>