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The Many Coloured House: Book Reviews

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</a> </h1> </div> <div class='descriptionwrapper'> <p class='description'><span>Readings, Reflections, and Reviews on Ancient and Medieval History</span></p> </div> </div> </div></div> </div> </div> <div class='header-cap-bottom cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> </header> <div class='tabs-outer'> <div class='tabs-cap-top cap-top'> <div class='cap-left'></div> <div class='cap-right'></div> </div> <div class='fauxborder-left tabs-fauxborder-left'> <div class='fauxborder-right tabs-fauxborder-right'></div> <div class='region-inner tabs-inner'> <div class='tabs no-items section' id='crosscol' name='Cross-Column'></div> <div class='tabs no-items section' id='crosscol-overflow' name='Cross-Column 2'></div> </div> </div> <div class='tabs-cap-bottom cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> <div class='main-outer'> <div class='main-cap-top cap-top'> <div class='cap-left'></div> <div 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class='cap-left'></div> <div class='cap-right'></div> </div> <div class='fauxborder-left'> <div class='fauxborder-right'></div> <div class='fauxcolumn-inner'> </div> </div> <div class='cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> <!-- corrects IE6 width calculation --> <div class='columns-inner'> <div class='column-center-outer'> <div class='column-center-inner'> <div class='main section' id='main' name='Main'><div class='widget Blog' data-version='1' id='Blog1'> <div class='blog-posts hfeed'> <div class='status-msg-wrap'> <div class='status-msg-body'> Showing posts with label <b>Book Reviews</b>. <a href="https://egunnu.blogspot.com/">Show all posts</a> </div> <div class='status-msg-border'> <div class='status-msg-bg'> <div class='status-msg-hidden'>Showing posts with label <b>Book Reviews</b>. <a href="https://egunnu.blogspot.com/">Show all posts</a></div> </div> </div> </div> <div style='clear: both;'></div> <div class="date-outer"> <h2 class='date-header'><span>Saturday, August 28, 2021</span></h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='http://thedesignmechanism.com/resources/Cover_Images/Mythic%20Babylon%20Small.png.opt270x352o0%2C0s270x352.png' itemprop='image_url'/> <meta content='2724078395031847481' itemprop='blogId'/> <meta content='1077844480464617562' itemprop='postId'/> <a name='1077844480464617562'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://egunnu.blogspot.com/2021/08/a-mythic-babylon-bibliography.html'>A Mythic Babylon Bibliography</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-1077844480464617562' itemprop='description articleBody'> <div><span style="font-family: georgia;">Many people have commented on the quality of research in Mythic Babylon, but lamented the fact that we didn't include a bibliography in the book. The reason we didn't was purely for space, and a bibliography is the kind of thing that can easily be published on a forum or a blog just like this one! So, for those who were asking - here's the Mythic Babylon Bibliography. I've broken this down by subject matter, and the books are listed title-first rather than author-first. The list is annotated with my commentary. If a book is listed without comment, it's because it didn't move me enough to remember what I like about it!</span></div><div><span style="font-family: georgia;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="http://thedesignmechanism.com/resources/Cover_Images/Mythic%20Babylon%20Small.png.opt270x352o0%2C0s270x352.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="352" data-original-width="270" height="352" src="https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_u5G_TB3M4HQ48QqoujHgVZ9LZZIyZ3NotTOJnLPQJ9obETp0-_8Gb2N6qPxgaAXb3v63Xn6cYCQm7ynKsrThSKYZnanVfMLgi4uHHIEUSg_mguJR0tLnZYfszty53kJGJMgmFPch1MYFGcs-mkBLLCPO5gSRNf4xxs5K-PoKkp8qhJkQkuz6iC9wx5skxLItkN=s0-d" width="270"></a></div><br /><span style="font-family: georgia;"><br /><br />ANCIENT NEAR EASTERN VOICES <br /><br />When writing Mythic Babylon, we distilled the historical and societal information into what we think is a neat package. We didn't have room to include very much in the way of the Babylonians own voices, though, and so the very first I think of when people say they like to further their reading - to the&nbsp; writings of the ancients themselves. The corpus of literature is rich. Really rich! Rabbit-hole Warning Rich! <br /><br /> But that's where I think you should go first. Here are some fine books that will take you back to the very distant past. <br /><br /><b>The Ancient Near East: Historical Sources in Translation </b><br />Edited by Mark W. Chavalas, 2006 Blackwell. 445pp. <br /><br />This very fine volume introduces you to the voices of many eras. There are letters, decrees, hymns, and much more. This is real slice of life type stuff, and each piece is richly annotated and introduced. <br /><b><br /></b></span><div><b><span style="font-family: georgia;"><br /></span></b></div><div><span style="font-family: georgia;"><b>The Literature of Ancient Sumer </b><br />Black, Cunningham, Robson, and Zolyomi, 2004 Oxford University Press. 372pp. <br /><br />This book includes translations of key texts &#8211; a scribal curriculum, really &#8211; written in Sumerian. It probably the gold standard for Sumerian texts in English. The book deals with 'literature', which is spends some efforts to define. Letters and other more worldly correspondence are not included here. <br /><br /><b><br /></b></span></div><div><span style="font-family: georgia;"><b>Before the Muses: An Anthology of Akkadian Literature</b><br /> Benjamin R. Foster, Third Edition 2005 CDL Press. 1044 pp. <br /><br />This cinder block of a volume does for the Akkadian language what the above does for Sumerian, but it's divided up by period so you can see changes over time. Again, a gold standard. <br /><br /><b><br /></b></span></div><div><span style="font-family: georgia;"><b>From an Antique Land: An introduction to Ancient Near Eastern Literature </b><br />Edited by Carl S. Ehrlich, 2009 Rowman &amp; Littlefield Publishers, 506 pp. <br /><br />An entertaining volume with some fun commentary from the author. This book covers a spectrum of writings by different people in different languages, with sections on Sumerian, Akkadian, Hittite, Ugaritic, Canaanite, Aramaean, Hebrew, and Egyptian. It's not quite complete (no Hurrian or Elamite, for example) but a rewarding read all the same. <br /><br /><br /><b>Mesopotamian Chronicles </b><br />Jean-Jacques Glassner, 2004, SBL, 365pp <br /><br /><b>Prophets and Prophecy in the Ancient Near East </b><br />Martti Nissinen, 2003 SBL, 296pp <br /><br />These two books from the Society of Biblical Literature explore particular writings in some depth. The first explores the chronicles of Mesopotamian kings and reveals something about how they viewed their own history. The second explores records of actual incidents of ecstatic prophecy in various time periods and tells us a little about prophets in general. Both recommended if you'd like a deep dive into something specific, but maybe not for the casual reader. Both are reviewed in more depth elsewhere on this blog.<br /><br /><br />MYTHS <br /><br />Also in the category of primary voices, we weren't able to include Mesopotamian myths in all their glory &#8211; there just wasn't room. And we figured that curious readers could easily look these up online or in books. Here's a collection of publications that feature translations of myths. Some are general, others specific to a particular cycle. <br /><br /><b>Myths from Mesopotamia </b><br />Stephanie Dalley, revised edition 2000, Oxford University Press. 342pp. <br /><br /><b>Sumerian Mythology </b><br />Samuel Noah Kramer, 1972, University of Pennsylvania Press, 130pp <br /><br /><b>Jealous Gods &amp; Chosen People: The Mythology of the Middle East </b><br />David Leeming, 2004, Oxford University Press, 150pp <br /><br />The above are general studies. The first is a good overall collection for the general reader. The second is an older work by a very important and influential author, now somewhat out of date. The third didn't make a huge impression on me. <br /><br /><br /><b>A Dictionary of Ancient Near Eastern Mythology </b><br />Gwendolyn Leick, 1991 Routledge. 226pp. <br /><br /><b>Gods, Demons, and Symbols of Ancient Mesopotamia </b><br />Jeremy Black and Anthony Green, 1992 The British Museum Press. 192Pp <br /><br />Both of the above are dictionary type books with various entries in alphabetical order. They don't always agree with one another. Each has entries that the other lacks, so I suppose you'll want them both. <br /><br /><br /><b>Epics of the Sumerian Kings: The Matter of Aratta </b><br />Herman Vanstiphout, 2003 Society of Biblical Literature. 176pp. <br /><br /><b>The City of Rainbows: A Tale from Ancient Sumer </b><br />Karen Foster, 1999, University Museum, University of Pennsylvania, 28pp <br /><br />The first of the above is a brilliant deep dive into the collection of myths that feature the distant, and perhaps imaginary, city of Aratta. The author provides translations and discussion. The second is a small picture book that tells one of these myths in story-time fashion. It's cute and a labour of love, but there isn't much there to excite the researcher. <br /><br /><br /><b>The Epic of Gilgamesh</b></span><div><span style="font-family: georgia;">Andrew George, 1999, Penguin Books, 228pp <br /><br /><b>Gilgamesh: A New English Version</b></span></div><div><span style="font-family: georgia;">Stephen Mitchell, 2004, Free Press, 290pp <br /><br />There are many translations of Gilgamesh on the market. The translation by Andrew George is very highly regarded. The retelling by Mitchell is well written and accessible, but not as scholarly. <br /><br /><br /><b>Inanna: Queen of Heaven and Earth </b><br />Diana Wolkstein and Samuel Noah Kramer, 1983, Harper &amp; Row Publishers, 227pp <br /><br />This collection by the esteemed Sumerologist Samuel Noah Kramer and foklorist Diana Wolkstein deals with the cycle of Inanna myths. It's somewhat dated, but still very enjoyable and worth a read. <br /><br /><br /><br /> RELIGION <br /><br /><b>Religions of the Ancient World: A Guide </b><br />Sarah Iles Johnson, general editor, 2004, The Bellknap Press, 697pp <br /><br />This is a huge tome of comparative religion, dealing with a wide variety of specific topics and comparing the Sumerians, Akkadians, Hittites, Canaanites, and many more. <br /><br /><br /><b>Religion in Ancient Mesopotamia </b><br />by Jean Bottero, 2001 The University of Chicago Press. 246pp. <br /><br />A very good overview of the subject. <br /><br /><br /><b>Ancient Goddesses </b><br />Lucy Goodison and Christine Morris eds., 1998, The University of Wisconsin Press, 224pp <br /><br />More specific to goddesses, with some nice juicy bits for the historical detective. <br /><br /><br /><b>The Treasures of Darkness: A History of Mesopotamian Religion</b></span></div><div><span style="font-family: georgia;">Thorkild Jacobsen, 1976, Yale University Press, 273pp <br /><br />A very interesting and influential work, though perhaps a bid dated now. This offers a more theoretical framework for the religion, rather than a look at the practice. The author has some interesting and compelling ideas. <br /><br /><br /><b>Gods in the Desert: Religion of the Ancient Near East </b><br />Glenn S. Holland, 2009, Rowman &amp; Littlefield Publishers Inc., 309pp <br /><br /><b>Religions of the Ancient Near East </b><br />Daniel C. Snell, 2011, University of Cambridge Press, 179pp <br /><br /><b>Penguin Handbook of Ancient Religions </b><br />Edited by John R. Hinnells, 2007, Penguin Books, 610pp <br /><br />Three more generalist books to round out the list, all of which have something to offer. <br /><br /> <br /> <br /><br /> DAILY LIFE <br /><br /><b>Daily Life in Ancient Mesopotamia </b><br />Karen Rhea Nemet-Nejat, 1998 Hendrickson Publishers. 346pp. <br /><br />This is my favourite 'daily life' book for the Old Babylonian period, and the one I usually recommend. <br /><br /><br /><b>Handbook to Life in Ancient Mesopotamia</b></span></div><div><span style="font-family: georgia;">Stephen Bertman, 2003 Oxford University Press. 396pp <br /><br /><br /><b>Everyday Life in Ancient Mesopotamia</b></span></div><div><span style="font-family: georgia;">Jean Bottero, 2001 Johns Hopkins University Press. 276Pp <br /><br />Both of the above are good. The first is broken out by topic, which makes browsing it easier. Unfortunately, it doesn't separate the time periods, so one gets the idea that life never changed over the 4000 year history of the culture. This makes it less useful for research. The second book is a more conventional read and is fine, but not as good as the Nemet-Nejat book. <br /><br /><br /><b>Ancient Egyptian, Mesopotamian &amp; Persian Costume </b><br />by Mary G. Houston, 2002 Dover Books, 190pp. <br />(essentially a reprint of the original second edition from 1954) <br /><br />Somewhat dated now, but still has some use for this very specific topic. <br /><br /><br /><b>Law Collections from Mesopotamia and Asia Minor </b><br />Martha T. Roth, 1997, SBL, 283pp <br /><br />Probably the gold standard book on Ancient Near Eastern laws in English. It covers the known Mesopotamian collections, as well as that of the Hittites. The excerpts of Hammurabi's code in Mythic Babylon do not come from this book, though. For those we turned to The Oldest Code of Laws in the World by C.H.W. Johns, 1903, available on Project Gutenberg. <br /><br /><br /><b>The Marsh Arabs</b></span></div><div><span style="font-family: georgia;">Wilfred Thesiger, 1967 Penguin. 233pp. <br /><br /> This is a wonderful travelogue about Thesiger's time living in the southern marshes of the Sealand. It's all to easy to imagine that not much changed between the times of Lugalzagesi and Thesiger. <br /><br /> <br /><br />HISTORIES<br /> <br /><b>King Hammurabi of Babylon </b><br />Marc van de Mieroop, 2005 Blackwell Publishing. 171pp. <br /><br />One of two biographies of Hammurabi that I'm aware of, and the only one I've so far been able to lay my hands on. The other is by Domenic Charpin, and affordable copies have finally come to the market &#8211; I anxiously await mine.</span></div><div><span style="font-family: georgia;">&nbsp; <br /><br /><b>A History of the Ancient Near East ca. 3000-323 BC, Third Edition </b><br />Marc Van de Mieroop, 2015 Wiley Blackwell Publishing. 432 pp. <br /><br />An excellent survey of Mesopotamian History from 3000 to 323 BC, now in it's third edition.. <br /><br /> <br /><b>Mari and Karana: Two Old Babylonian Cities </b><br />Stephanie Dalley, 1984 Longman Group Ltd. 218pp. <br /><br />This book looks at the relationship between the kings of these two cities who were joined by marriage. It's a bit old and possibly hard to find, but I thought it was an excellent little book for revealing some of the politics and events of Subartu. <br /><br /> <br /><b>Letters From the King of Mari </b><br />Wolfgane Heimpel, 2003, Esenbrauns, 657pp <br /><br />This huge book provides a detailed look at the last 12 or so years of King Zimri-Lim's life. It tries to piece together a very complex sequence of events from (usually undated) letters from the Mari archive. It covers some of the same ground as Mari and Karana, but unlike that book, this one is not for casual readers. <br /><br /> <br /><b>The Age of Agade: Inventing Empire in Ancient Mesopotamia </b><br />Benjamin R. Foster, 2016 Routledge. 428pp. <br /><br />This book deals specifically with the Akkadian period of history and with the legacy of that city. If you'd like to use Mythic Babylon but shift the action to the Akkadian period, then I definitely recommend this book. <br /><br /><br /><br /> WEAPONS AND WARFARE <br /><br />Of the books below, the only two I really recommend are the ones by Hamblin and Howard. The Hamblin book is really comprehensive and covers our period, but stops at the end of the middle bronze age. The book by Howard looks a weapons in detail, from the eye of a re-enactor and re-creator. It's rather dry and has some odd bugaboos, but has information you won't find elsewhere. Both of the Osprey books tend to skirt our period, and the Wise book is now somewhat out of date. <br /><br /><b>Warfare in the Ancient Near East to 1600 BC </b><br />William J. Hamblin, 2006 Routledge 517pp. <br /><br /><b>Bronze Age Military Equipment </b><br />Dan Howard, 2011 Pen &amp; Sword Books. 169pp. <br /><br /><b>Bronze Age Warfare </b><br />Richard Osgood, Sarah Monks, and Judith Toms, 2000 Sutton Publishing Ltd., 165pp <br /><br /><b>Bronze Age War Chariots </b><br />Nic Fields, 2006 Osprey Publishing, 48pp <br /><br /><b>Ancient Armies of the Middle East </b><br />Terence Wise, 1981, Osprey Publishing, 40pp <br /><br /> <br /> <br />BOOKS ABOUT CITIES <br /><br /><b>Mesopotamia: The Invention of the City </b><br />Gwendolyn Leick, 2001, Penguin Books, 384pp <br /><br /><b>The Ancient Mesopotamian City </b><br />Marc Van de Mieroop, 2004, Oxford University Press, 269pp <br /><br />The two books above are generally about Mesopotamian cities and look at them very differently. The book by Leick is one of my favourite history books ever &#8211; it gives a detailed look at 7 cities that were prominent at different times in the history of the culture and explains what as unique about them. This gives the effect of one of those 'history of the world in 100 objects' books, where the whole is greater than the sum of the parts. Quite a remarkable piece of writing, really. I'd love to see a sequel with 7 more cities! <br /><br />The Van de Mieroop book is more a tradition survey of city life, organized by topic. <br /><br />All of the books below are about specific cities. They vary in scope and some are pretty cursory (Erbil) while others more detailed (Ebla), but they all have something to contribute. Three have been reviewed elsewhere on this blog<br /><br /><b>Ur: The City of the Moon God </b><br />Harriet Crawford, 2015, Bloomsbury, 146pp <br /><br /><b>A City from the Dawn of History: Erbil in the Cuneiform Sources </b><br />John MacGinnis, 2014, Oxbow Books, 128pp <br /><br /><b>Ebla: An Empire Rediscovered </b><br />Paolo Matthiae, 1981, Doubleday &amp; Company Inc., 237pp <br /><br /><b>Ugarit: Ras Shamra </b><br />Adrian Curtis, 1985, Lutterworth Press, 125pp <br /><br /> <br /> <br /><br /> SPECIAL TOPICS <br /><br /><b>Philosophy Before the Greeks: The Pursuit of Truth in Ancient Babylonia </b><br />Marc Van de Mieroop, 2016, Princeton University Press, 312pp <br /><br />A book about Babylonian systems of learning which I've reviewed elsewhere on this blog. <br /><br /><br /><b>The Heavenly Writing: Divination, Horoscopy, and Astronomy in Mesopotamian Culture </b><br />Francesca Rochberg, 2004 Cambridge University Press, 331pp <br /><br />This is mainly about astrology, and mainly about times after the OB period. I don't thin it's for the general reader. <br /><br /><br /><b> Women in the Ancient Near East </b><br />Edited by Mark W. Chavalas, 2014, Routledge, 319pp <br /><br />This one was a bit disappointing for a rather pedestrian treatment of a subject matter that deserved more. <br /><br /><br /><b> The Horse, The Wheel, and Language </b><br />David W. Anthony, 2007, Princeton University Press, 553pp <br /><br />A lengthy and detailed look at the cultures of the Pontic steppe and the origins of chariotry. <br /><br /> <br /><br /> ATLASES AND GAZETEERS <br /><br /><b>The Routledge Handbook of The Peoples and Places of Ancient Western Asia </b><br />Trevor Bryce, 2009, Routledge, 887pp <br /><br />This massive tome lists hundreds of Ancient Near Eastern cities with encyclopedic entries, telling where they were, when they were inhabited, and often offering some anecdotes and other information. The book is alphabetical, and there is no chronological index, so if you just want Kassite cities, you have to scan all the entries to find them. It was a hugely useful book for me, and yet despite it's scope, still missed a few rather obvious cities. <br /><br />Several atlases are listed below. The two best are Roaf and Hunt, probably in that order. Both are large, picture-book type affairs that will have broad appeal. The atlas by Bryce is meant to be a companion to the Handbook mentioned above, but it makes some errors and I found the treatment to be too cursory. The Haywood atlas is a broad survey and lighter than the Roaf and Hunt books. <br /><br /><b>Atlas of the Ancient Near East from Prehistorical Times to the Roman Imperial Period </b><br />Trevor Bryce and Jessie Birkett-Rees, 2016 Routledge. 318pp. <br /><br /><b>The Penguin Historical Atlas of Ancient Civilizations </b><br />John Haywood, 2005, Penguin Books, 144pp <br /><br /><b>Cultural Atlas of Mesopotamia and the Ancient Near East </b><br />Michael Roaf, 1990, Andromeda Books, 238pp <br /><br /><b>Historical Atlas of Ancient Mesopotamia </b><br />Norman Bancroft Hunt, 2004, Thalamus Publishing, 190pp <br /><br /> <br />SURVEYS AND COMPENDIA <br /><br /><b>The Babylonian World</b></span></div><div><span style="font-family: georgia;">Edited by Gwendolyn Leick, 2007, Routledge, 590pp <br /><br /><b>A Companion to the Ancient Near East</b></span></div><div><span style="font-family: georgia;">Edited by Daniel C. Snell, 2007 Blackwell Publishing Ltd., 538pp <br /><br /><b>The Sumerian World</b></span></div><div><span style="font-family: georgia;">Harriet Crawford, 2013, Routledge, 659pp <br /><br />This category is for broad spectrum histories where the author covers the whole shebang in a single book. The three listed above are compendia, collecting a variety of articles on specific subjects and by different authors, then organizing them in a cohesive fashion. These types of books are better for filling in the corners than as a starting point because the big picture often isn't complete, but each article can give a deep dive into something specific. The effect is rather like what you get when you try to use a pellet gun to cut out the shape of a red star at a carnival midway. <br /><br />The books below generally make better introductions. I think the first three are the best. The Kriwaczek book surprised me for its quality as it's written by a journalist instead of a historian. These books are listed more or less in order of their utility to a general reader. The ones closer to the bottom cover more specific topics. The Ascalone book is largely a picture book, which some people might find useful.</span></div><div><span style="font-family: georgia;">&nbsp;</span></div><div><span style="font-family: georgia;"><br /><b>Babylon: Mesopotamia and the Birth of Civilization </b><br />Paul Kriwaczek, 2010, Thomas Dunne Books. 310 pp. <br /><br /><b>The Rise and Fall of Babylon: Gateway of the Gods </b><br />Anton Gill, 2008 Metro Books. 192pp. <br /><br /><b>Early Mesopotamia: Society and Economy at the Dawn of History </b><br />J.N. Postgate 1992, Routledge, 367pp <br /><br /><b>Civilizations of Ancient Iraq </b><br />Benjamin R. And Karen Polinger Foster, 2009, Princeton University Press, 297pp <br /><br /><b>Babylon, John Oates, 1979 </b><br />Thames &amp; Hudson Ltd., 215pp <br /><br /><b>The Babylonians: an introduction <br /></b>Gwendolyn Leick, 2003, Routledge, 182pp <br /><br /><b>Mesopotamia: Assyrians, Sumerians, Babylonians </b><br />Enrico Ascalone, University of California Press, 2007, 368pp <br /><br /><b>Ancient Mesopotamia </b><br />Susan Pollock, 1999, Cambridge University Press, 259pp <br /><br /><b>Sumer and the Sumerians, Second Ed. </b><br />Harriet Crawford, 2004, Cambridge University Press, 252pp <br /><br /><b>Civliization Before Greece and Rome</b></span></div><div><span style="font-family: georgia;">H.W.F. Saggs, 1989, Yale University Press, 322pp</span></div><div><span style="font-family: georgia;">This was the first book I read on the subject - the one that started it all. A chance find pulled from my father's large shelf of much more modern history.&nbsp;&nbsp;</span></div><div><span style="font-family: georgia;"><br /><b>The Ancient Orient: An Introduction to the Study of the Ancient Near East</b></span></div><div><span style="font-family: georgia;">Wolfram von Soden, 1994, Wm. B. Eerdmans Publishing Co., 263pp <br /><br /><b>Early Urbanism on the Syrian Euphrates</b></span></div><div><span style="font-family: georgia;">Lisa Cooper, 2006, Routledge, 313 <br /><br /><b>Ancient Mesopotamia at the Dawn of Civilization: The Evolution of an Urban Landscape</b></span></div><div><span style="font-family: georgia;">Guillermo Algaze, 2008, The University of Chicago Press, 230pp <br /><br /><b>Dictionary of the Ancient Near East</b></span></div><div><span style="font-family: georgia;">Edited by Piotr Bienkowski and Allan Millard, 2000, British Museum Press, 342pp <br /><br /> <br /> <br />FURTHER AFIELD <br /><br />These books cover places outside of our core area and really just scratch the surface. <br /><br /><b>Dilmun and its Neighbours</b></span></div><div><span style="font-family: georgia;">Harriet Crawford, 1998, Cambridge University Press, 170pp <br /><br /><b>The Hittites and their contemporaries in Asia Minor</b></span></div><div><span style="font-family: georgia;">J.G. Macqueen, 1986, Thames and Hudson Ltd., 176pp <br /><br /><b>Arabia and the Arabs From the Bronze Age to the Coming of Islam</b></span></div><div><span style="font-family: georgia;">Robert G. Hoyland, 2001, Routledge, 324pp <br /><br /><b>Ancient Canaan &amp; Israel: An Introducton</b></span></div><div><span style="font-family: georgia;">Jonathan M. Golden, 2004, Oxford University Press, 413pp <br /><br /><b>The Hyksos Period in Ancient Egypt</b></span></div><div><span style="font-family: georgia;">Charlotte Booth, 2005, Shire Publications Ltd., 56pp <br /><br /><b>The Lost World of Elam: Re-creation of a Vanished Civilization </b><br />Walther Hinz, 1972, Sidgwick &amp; Jackson, 192pp <br /><br /><b>Ancient Cyprus</b></span></div><div><span style="font-family: georgia;">Veronica Tatton-Brown, 1997, British Museum Press, 96pp <br /><br /> <br />PAPERS <br /><br />Rounding out our research, we consulted a number of papers, most of which can be found at Academia.Net or JSTOR. Others were brought to my attention by the Ancient World On Line blog (AWOL) or Ancient Near East Today (ANET). These are presented in no particular order. <br /><br /><i>Old Babylonian Personal Names</i>, Marten Stol, 1991 <br /><br /><i>Hurrians and Hurrian Names in the Mari Texts</i>, Jack M. Sasson, 1974 <br /><br /><i>Thy name is slave?: The slave onomasticon of Old Babylonian Sippar</i>, Lieselot Vandorpe 2010 <br /><br /><i>Urbanisn and Society in the Third Millenium Upper Khabur Basin</i>, Jason Alik Ur, 2004 Dissertation <br /><br /><i>The Architectural Defense: Fortified Settlements of the Levant During the Middle Bronze Age</i>, Aaron Alexander Burke, 2004 Dissertation <br /><br /><i>The Other and the Enemy in the Mesopotamian Conception of the World</i>, Beate Pongratz-Leisten, 2001 <br /><br /><i>Growing in a Foreign World: For a History of the &#8220;Meluhha Villages&#8221; in Mesopotamia in the 3rd Millenium BC</i>, Massimo Vidale, 2004 <br /><br /><i>Back to the Cedar Forest: The Beginning and End of Tablet V of the Standard Babylonian Epic of Gilgamesh</i>, F.N.H. Al-Rawi and A. R. George, 2014 ASOR <br /><br /><i>Lists of Personal Names From The Temple School of Nippur</i>, Edward Chiera 1916 <br /><br /><i>Trade, Merchants, and the Lost Cities of the Bronze Age</i>, Barjamovic, Chaney, Cosar, &amp; Hotascsu 2017 <br /><br /><i>Rebuilding Eden in the Land of Eridu</i>, Marco Ramazzotti, 2017 ANEToday Vol 5 No9 <br /><br /><i>Masculinities and Third Gender: Gendered Otherness in the Ancient Near East</i>, Ilan Peled, 2017, ANEToday Vol 5 No2 <br /><br /><i>The Mesopotamian Pandemonium: A Provisional Census</i>, Frans A.M. Wiggerman, 2011 <br /><br /><i>Lists of Personal Names from the Temple School of Nippur</i>, Edward Chiera, 1916 <br /><br /><i>The Ilkum Institution in the Provincial Administration of Larsa During the Reign of Hammurapi (1792-1750 B.C.)</i>, Miki Yokoyama Ishikida, 1999 <br /><br /><i>Nuzi Personal Names</i>, Ignace J. Gelb, Pierre M. Purves, and Allan A. MacRae, 1943, University of Chicago Press <br /><br /><i>Hurrians and Subarians</i>, Ignace J. Gelb, 1944 University of Chicago Press <br /><br /><i>Storm Gods of the Ancient Near East, Parts I and II</i>, Daniel Schwemer 2008 <br /><br /><i>Transtigridian Snake Gods</i>, F.A.M. Wiggerman, 1997 <br /><br /><br /><br /> WEBSITES <br /><br />In addition to the websites listed in the book, these also proved useful:<br /><br />Iconography of Deities and Demons in the Ancient Near East, various electronic pre-publication entries. </span><p align="LEFT" style="font-style: normal; font-weight: normal; margin-bottom: 0cm; orphans: 2; text-decoration: none; widows: 2;"> <span style="color: #222222;"><span style="font-family: georgia; font-size: small;"><span style="text-decoration: none;"><a href="http://www.religionswissenschaft.uzh.ch/idd/prepublication.php">http://www.religionswissenschaft.uzh.ch/idd/prepublication.php</a></span></span></span></p> <span style="font-family: georgia;"><br /><br /> The Ancient Near East Today offers a website and journal, quite good. </span><p align="LEFT" style="font-style: normal; font-weight: normal; margin-bottom: 0cm; orphans: 2; text-decoration: none; widows: 2;"> <span style="color: #222222;"><span style="font-family: georgia; font-size: small;"><span style="text-decoration: none;"><a href="https://www.asor.org/anetoday">https://www.asor.org/anetoday</a></span></span></span></p><p align="LEFT" style="font-style: normal; font-weight: normal; margin-bottom: 0cm; orphans: 2; text-decoration: none; widows: 2;"><span style="color: #222222;"><span style="font-family: georgia; font-size: small;"><br /></span></span></p><p align="LEFT" style="font-style: normal; font-weight: normal; margin-bottom: 0cm; orphans: 2; text-decoration: none; widows: 2;"><span style="color: #222222;"><span style="font-family: georgia; font-size: small;">If you don't already know about Mythic Babylon and would like to learn more, check out the Design Mechanism Forums. It can be found for purchase at these locations:</span></span></p><p align="LEFT" style="margin-bottom: 0cm; orphans: 2; widows: 2;"><a href="http://thedesignmechanism.com/store.php#!/Mythic-Babylon/p/367787033/category=24197109" target="_blank">Design Mechanism Store</a>&nbsp;/&nbsp;<a href="https://www.lulu.com/en/us/shop/paul-mitchener-and-chris-gilmore/mythic-babylon/paperback/product-7z92qz.html?page=1&amp;pageSize=4" rel="nofollow" style="font-family: georgia;" target="_blank">Lulu</a>&nbsp;/&nbsp;<a href="https://www.drivethrurpg.com/product/355333/Mythic-Babylon?src=hottest" rel="nofollow" target="_blank">DriveThru RPG</a>&nbsp;/&nbsp;<a href="https://www.aeongamespublishing.co.uk/product/mythic-babylon/95102/" rel="nofollow" target="_blank">Aeon Games (UK)</a></p></div></div></div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> </span> <span class='post-timestamp'> at <meta content='https://egunnu.blogspot.com/2021/08/a-mythic-babylon-bibliography.html' itemprop='url'/> <a class='timestamp-link' href='https://egunnu.blogspot.com/2021/08/a-mythic-babylon-bibliography.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2021-08-28T08:00:00-07:00'>August 28, 2021</abbr></a> </span> <span class='post-comment-link'> <a class='comment-link' href='https://egunnu.blogspot.com/2021/08/a-mythic-babylon-bibliography.html#comment-form' onclick=''> No comments: </a> </span> <span class='post-icons'> <span class='item-control blog-admin pid-1282338224'> <a href='https://www.blogger.com/post-edit.g?blogID=2724078395031847481&postID=1077844480464617562&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=1077844480464617562&target=email' target='_blank' title='Email This'><span class='share-button-link-text'>Email This</span></a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=1077844480464617562&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'><span class='share-button-link-text'>BlogThis!</span></a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=1077844480464617562&target=twitter' target='_blank' title='Share to X'><span class='share-button-link-text'>Share to X</span></a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=1077844480464617562&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'><span class='share-button-link-text'>Share to Facebook</span></a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=1077844480464617562&target=pinterest' target='_blank' title='Share to Pinterest'><span class='share-button-link-text'>Share to Pinterest</span></a> </div> </div> <div class='post-footer-line post-footer-line-2'> <span class='post-labels'> Labels: <a href='https://egunnu.blogspot.com/search/label/Babylon' rel='tag'>Babylon</a>, <a href='https://egunnu.blogspot.com/search/label/Book%20Reviews' rel='tag'>Book Reviews</a>, <a href='https://egunnu.blogspot.com/search/label/Bronze%20Age' rel='tag'>Bronze Age</a>, <a href='https://egunnu.blogspot.com/search/label/Cities' rel='tag'>Cities</a>, <a href='https://egunnu.blogspot.com/search/label/Literature' rel='tag'>Literature</a>, <a href='https://egunnu.blogspot.com/search/label/Mythic%20Babylon' rel='tag'>Mythic Babylon</a>, <a href='https://egunnu.blogspot.com/search/label/Mythras' rel='tag'>Mythras</a>, <a href='https://egunnu.blogspot.com/search/label/Near%20East' rel='tag'>Near East</a>, <a href='https://egunnu.blogspot.com/search/label/Roleplaying%20Games' rel='tag'>Roleplaying Games</a>, <a href='https://egunnu.blogspot.com/search/label/Sumer' rel='tag'>Sumer</a>, <a href='https://egunnu.blogspot.com/search/label/World%20Building' rel='tag'>World Building</a> </span> </div> <div class='post-footer-line post-footer-line-3'> <span class='post-location'> </span> </div> </div> </div> </div> <div class='inline-ad'> <!--Can't find substitution for tag [adCode]--> </div> </div></div> <div class="date-outer"> <h2 class='date-header'><span>Tuesday, July 20, 2021</span></h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://upload.wikimedia.org/wikipedia/en/e/ed/City_of_Djinns_bookcover.jpg' itemprop='image_url'/> <meta content='2724078395031847481' itemprop='blogId'/> <meta content='5631356341090639317' itemprop='postId'/> <a name='5631356341090639317'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://egunnu.blogspot.com/2021/07/reading-city-of-djinns-by-william.html'>Reading City of Djinns, by William Dalrymple</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-5631356341090639317' itemprop='description articleBody'> <div><span style="font-family: georgia;"><div class="separator" style="clear: both; text-align: center;"><a href="https://upload.wikimedia.org/wikipedia/en/e/ed/City_of_Djinns_bookcover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="391" data-original-width="255" src="https://upload.wikimedia.org/wikipedia/en/e/ed/City_of_Djinns_bookcover.jpg" /></a></div><br /></span></div><span style="font-family: georgia;"><b>City of Djinns</b> by William Dalrymple, 1993, 350pp</span><div><span style="font-family: georgia;"><br /></span></div><div><div><span style="font-family: georgia;">I first read this many years ago and decided to re-read it again after I finished Rudyard Kipling's Kim with my book club.&nbsp;</span></div><div><span style="font-family: georgia;"><br /></span></div><div><span style="font-family: georgia;">The subtitle, A Year in Delhi tells you pretty much exactly what you get - an account of Dalrymple and his wife's time in Delhi. Like most travelogues, this book features a few of the&nbsp; trials and tribulations associated with travel and living in a new place, but it offers much more than that. During his stay, Dalrymple delved into the history of the city, and the reader is treated to a book that weaves back and forth in time, telling us what the city as like way back when, an then revealing it again in 1993.&nbsp;</span></div><div><span style="font-family: georgia;"><br /></span></div><div><span style="font-family: georgia;">He covers a wide variety of topics, from historic people and places to the state of modern eunuchry, partridge fighting, and sufism. And the book has some great characters, like partridge aficionado Punjab Singh (whose name is surely an Indian version of Indiana Jones) and the archaeologist B.B. Lal. For a GM like me who likes to infuse their made up worlds with the verisimilitude of the real world, these characters are inspiration gold. It's these characters and some of the situations they find themselves in that I'd like to share with you here today.<br /><br />One of the more interesting characters in the book is Pir Syed Mohammed Sarmadi, a very successful fraudulent dervish. Dalrymple describes him as -</span></div><div><span style="font-family: georgia;"><blockquote>"A hugely fat sufi with a mountainous turban, and elephantine girth, and a great ruff of double chins, he operates one of the most profitable faith healing businesses in India. One of Sarmadi's forebears was beheaded by the Mughal Emperor Aurangzeb after he wandered into the imperial presence stark naked, shrieking out sufi poetry."</blockquote><blockquote>"Everyday, Sarmadi sits cross-legged in his surgery between ten and five, with a short break for a kebab at lunch. It is a small room, and Sarmadi fills a great deal of it. Its walls are lined with powders and sacred texts, framed monograms of Arabic calligraphy and pictures of the Ka'ba at Mecca. There is a continuous queue of folk waiting to see him, and Sarmadi keeps the queue moving. Each petitioner gets about two minutes of his time. Sarmadi will listen, breaking his concentration only to clean his fingernails or to gob into his golden spittoon. When finished, Sarmadi will wave his peacock fan and blow over the petitioner, recite a bit of the Quran, write out a charm or a sacred number, and place it in an amulet. He will then dismiss the supplicant, having first received his fee of fifty rupees, a week's wage for an Indian labourer."</blockquote>Sarmadi seems to come from a long line of such Sufis, so with a little research, one could round fill out a full faction of them:&nbsp;<a href="https://reflectionsofindia.com/2014/07/22/sufisarmad/" rel="nofollow" target="_blank">https://reflectionsofindia.com/2014/07/22/sufisarmad/</a><br /><br />Dalrymple also relates some of the stories of past visitors, like Dargah Quli Khan, who visited the city between 1737 and 1741 and reports on the local orgies:</span></div><div><span style="font-family: georgia;"><blockquote>"Hand in hand, the lovers roam the streets, while [outside] the drunken and debauched revel in all kinds of perversities. Groups of winsome lads violate the faith of the believers with acts which are sufficient to shake the very roots of piety. There are beautiful faces as far as the eye can see. All around prevails a world of impiety and immorality. Both nobles and plebeians&nbsp;quench the thirst of their lust here."</blockquote>Dalrymple later reflects on the modern city:&nbsp;</span></div><div><span style="font-family: georgia;"><blockquote>"Modern Delhi is thought of either as a city of grey bureaucracy, or as the metropolis of hard-working nouveau riche Punjabis. It is rarely spoken of as a lively city, and never as a promiscuous one. Yet, as I discovered that in December, the bawdiness of Safdar Jung's Delhi does survive, kept alive by one particular group of Delhi-wallahs. You can still find them in the dark gullies of the old city, if you know where to look."</blockquote><div><div class="separator" style="clear: both; text-align: center;"><a href="https://upload.wikimedia.org/wikipedia/commons/thumb/1/16/RetrachdeNiccol%C3%B2Manucci.jpg/220px-RetrachdeNiccol%C3%B2Manucci.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="304" data-original-width="220" src="https://upload.wikimedia.org/wikipedia/commons/thumb/1/16/RetrachdeNiccol%C3%B2Manucci.jpg/220px-RetrachdeNiccol%C3%B2Manucci.jpg" /></a></div><br /></div>Through Dalrymple, we are&nbsp; exposed to the 17th Century writings of Niccolau Manucci, son of a Venetian trader who ran away from home at 14 to become a con artist, trickster, and artilleryman in 1660's India. It is partly through his eyes that we learn of Shah Jahan and his in-fighting children Dara, Aurangzeb, Jaharana, and Roshanara.<br /><br /></span></div><div><span style="font-family: georgia;">Of Aurangzeb, he says:<br /><blockquote>" Although Aurangzeb was held to be bold and valiant, he was capable of great dissimulation and hypocrisy. Pretending to be an ascetic, he slept while in the field on a mat of straw that he had himself woven . . . He ate food that cost little and let it be known that he underwent severe penances and fasting. All the same, under cover of these pretenses he led a secret and jolly life of it. His intercourse was with certain holy men addicted to sorcery, who instructed him how to bring over to his side as many friends as he could with witchcraft and soft speeches. He was so subtle as to deceive even the quickest witted people."</blockquote><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://i.pinimg.com/originals/c9/10/38/c9103830d7a1a1ac8d0c577363ac2f0e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="478" data-original-width="350" src="https://i.pinimg.com/originals/c9/10/38/c9103830d7a1a1ac8d0c577363ac2f0e.jpg" /></a></div><br />&nbsp;And Dalrymple tells us of Ibn Battutah, who resided for 8 years in Delhi in the 1330's and 40's with Sultan Muhammad bin Tughluk as a patron. Now, the sultan was a complete bastard (in a pique of anger at the citizens of Delhi, he once gave the entire citizenry 3 days to completely remove themselves to another city 40-days walk away, and when a blind man and a cripple were found still in the city, he had one ejected by catapult, and the other dragged to the new city behind a horse (only his leg arrived). But the sultan liked Battutah (mostly) and at one point decided to send him on a diplomatic mission to China.<p></p>Battutah found himself at the head of an entourage of 1000 mounted bodyguards and a long train of camels carrying gifts, such as 100 concubines, 100 Hindu dancing girls, gold candelabras, brocades, swords, and gloves embroidered with pearls. Behind the camels came the most valuable gift of all - a thousand thoroughbred horses from Turkestan. <br /><br />But only 100 miles into his journey, his train was attacked by Hindu rebels (the country was full of rebels) and Battutah was separated from his group and captured. He managed to escape and re-join his party. At Calicut on the Malabar coast, he loaded everything onto four dhows to sail to China, but lingered on shore for Friday prayers. A sudden storm blew up, grounding and breaking up the boats. The slaves, troops, and horses all drowned. Not daring to return to Delhi, he hightailed it to China on his own.</span></div><div><span style="font-family: georgia;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://foxedquarterly.com/wp-content/uploads/2020/07/Tim-Mackintosh-Smith-Travels-with-a-Tangerine.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="696" data-original-width="464" height="320" src="https://foxedquarterly.com/wp-content/uploads/2020/07/Tim-Mackintosh-Smith-Travels-with-a-Tangerine.jpg" width="213" /></a></div><br /><div><br /></div><div><span style="font-family: georgia;">I'll return to Ibn Battutah in a future post, and maybe we'll also look at another travel writer - Tim Mackintosh Smith - who not only wrote an annotated translation of The Travels of Ibn Battutah, but also Travels With a Tangerine: A Journey in the Footnotes of Ibn Battutah.</span></div><div> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: georgia;">As for Dalrymple,&nbsp; he's an evocative writer and I found this book a pleasure to read. It won two awards, has been adapted into a play, and (I'm quite sure, though it doesn't say so on Wikipedia) was turned into a television series in the UK. Here's the Wikipedia page:&nbsp;<a href="https://en.wikipedia.org/wiki/City_of_Djinns" rel="nofollow" target="_blank">https://en.wikipedia.org/wiki/City_of_Djinns</a></span></p></div></div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> </span> <span class='post-timestamp'> at <meta content='https://egunnu.blogspot.com/2021/07/reading-city-of-djinns-by-william.html' itemprop='url'/> <a class='timestamp-link' href='https://egunnu.blogspot.com/2021/07/reading-city-of-djinns-by-william.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2021-07-20T16:18:00-07:00'>July 20, 2021</abbr></a> </span> <span class='post-comment-link'> <a class='comment-link' href='https://egunnu.blogspot.com/2021/07/reading-city-of-djinns-by-william.html#comment-form' onclick=''> No comments: </a> </span> <span class='post-icons'> <span class='item-control blog-admin pid-1282338224'> <a href='https://www.blogger.com/post-edit.g?blogID=2724078395031847481&postID=5631356341090639317&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=5631356341090639317&target=email' target='_blank' title='Email This'><span class='share-button-link-text'>Email This</span></a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=5631356341090639317&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'><span class='share-button-link-text'>BlogThis!</span></a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=5631356341090639317&target=twitter' target='_blank' title='Share to X'><span class='share-button-link-text'>Share to X</span></a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=5631356341090639317&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'><span class='share-button-link-text'>Share to Facebook</span></a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=5631356341090639317&target=pinterest' target='_blank' title='Share to Pinterest'><span class='share-button-link-text'>Share to Pinterest</span></a> </div> </div> <div class='post-footer-line post-footer-line-2'> <span class='post-labels'> Labels: <a href='https://egunnu.blogspot.com/search/label/Book%20Reviews' rel='tag'>Book Reviews</a>, <a href='https://egunnu.blogspot.com/search/label/Cities' rel='tag'>Cities</a>, <a href='https://egunnu.blogspot.com/search/label/Contemporary' rel='tag'>Contemporary</a>, <a href='https://egunnu.blogspot.com/search/label/India' rel='tag'>India</a>, <a href='https://egunnu.blogspot.com/search/label/Literature' rel='tag'>Literature</a>, <a href='https://egunnu.blogspot.com/search/label/Middle%20Ages' rel='tag'>Middle Ages</a>, <a href='https://egunnu.blogspot.com/search/label/Travelogue' rel='tag'>Travelogue</a> </span> </div> <div class='post-footer-line post-footer-line-3'> <span class='post-location'> </span> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'><span>Tuesday, June 29, 2021</span></h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://images-na.ssl-images-amazon.com/images/I/517CS1lIiKL._SX354_BO1,204,203,200_.jpg' itemprop='image_url'/> <meta content='2724078395031847481' itemprop='blogId'/> <meta content='3319789662450144873' itemprop='postId'/> <a name='3319789662450144873'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://egunnu.blogspot.com/2021/06/the-oxus-civilization-this-is-tale-of.html'>The Oxus Civilization</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-3319789662450144873' itemprop='description articleBody'> <h2 style="text-align: left;"><span style="font-family: georgia;">The Oxus Civilization</span></h2><span style="font-family: georgia;"><div>This is a tale of two books. I'll get to the second book later - for now, let's consider this one:</div><br /><b>Origins on the Bronze Age Oasis Civilization in Central Asia</b>&nbsp;</span><div><span style="font-family: georgia;">by Fredrik Talmage Hiebert, 1994, 240pp</span></div><div><span style="font-family: georgia;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://images-na.ssl-images-amazon.com/images/I/517CS1lIiKL._SX354_BO1,204,203,200_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="356" src="https://images-na.ssl-images-amazon.com/images/I/517CS1lIiKL._SX354_BO1,204,203,200_.jpg" /></a></div><br /><span style="font-family: georgia;"><br />This book contains an archaeological survey of the oasis civilizations Margiana (and by extension, of Bactria, which is closely related). Together, these are known as the BMAC (Bactria-Margiana Archaeological Complex) cultures, of which little is written in English.<br /><br />The author spent a fair amount of time excavating at Gonur Depe, one of the more impressive archaeological sites in the Mugrab delta in Turkmenistan, and it's quite clear he's a expert on the subject. The constructed remains of this ancient civilization are impressive. The finds of artifacts are a little less so, but they reveal interesting ties to both the Indus civilization, and to Sumer/Akkad/Early Babylonia. The oasis civilizations were rich in agriculture, and consequently in food, human resources, and textiles - much like Sumer and Akkad. But also like Sumer and Akkad, they were poor in minerals and metals, necessitating trade with the nearby mountainous communities (which are not covered in this book, and which were likely the source of both lapis-lazuli and tin for both of these civilizations).<br /><br />To understand this importance of this culture a little more, check out this image of the site of Gonur Depe in Turkmenistan - the one at which Talmadge excavated:</span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="http://www.heritageinstitute.com/zoroastrianism/images/turkmenistan/gonurAerialGarrett.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="501" data-original-width="750" height="268" src="https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_u3Ido5O3QlaaKVRikrlHHbbLqjKmBFlrRF5TC9f87x7M2D-Pd1LIKYTLa9SRg3HawTRMSvs0qPCDQH_IyODyDwbKh43dH6IOKPBFPsrOYlEu9SmeF7Hf8pbihCwOoUNpTPP2OFVyeJiHGKz9NsClJZVHTI9koEb9elkKOt=s0-d" width="400"></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="font-family: georgia;">Gonur Depe is a large site of 55 Hectares occupied in different stages between c.2500 BC and c.1500 BC. The larger built-up portion in the centre of the image is known as Gonur North, and was occupied up to about 1900 BC. The southern section with the thick-walled fortress in the centre was occupied from 1900 onward. Fans of the Glorantha game setting might well wonder if Middle Bronze-Age Gonur South was the original Pavis, and Gonur North the Big Rubble.</span><div><span style="font-family: georgia;"><br /></span><div><span style="font-family: georgia;">Gonur is the largest ruin in the Murghab Delta region, but over 150 other settlements have also been found so far.&nbsp;</span></div><div><span style="font-family: georgia;"><br />The remains are as impressive as any to be found c.2000 BC. It's really too bad more isn't written about them in English. An updated survey, geared to the lay-person, is sorely needed.<br /><br />This particular book offers such a survey, but it's now more than 20 years out of date, and spends far too much time describing the ceramic complex of the sites to be of interest to the general reader. Apart from that, the book is well written offers a sufficient survey of the archaeological remains of these sites, but doesn't offer much synthesis - it doesn't spend much time trying to put all the pieces together to create a picture of the civilization. <br /><br />A more contemporary take - one that builds upon both early and late excavations, and takes into account our understanding of other cultures both near and far, would be a far more interesting read. Such a book hasn't been available in English, as far as I can tell.&nbsp;</span></div><div><span style="font-family: georgia;"><br /></span></div><div><span style="font-family: georgia;">At least not until now. Luckily for us ancient history junkies, Routledge has released a monster entry in their 'World Of' series, called The World of the Oxus Civilization. The hardback version available now sells for a mere $200 U.S. dollars and is nearly 1000 pages. But there's a more affordable Kindle version on the market, and a paperback is scheduled to be released next March.&nbsp;</span></div></div><div><span style="font-family: georgia;"><br /></span></div><div><span style="font-family: georgia;">These books contain collections of articles, each in its own chapter and each by a different author. Each chapter deals with a special topic, such as a specific period in history, writing, the law, social organization, kingship, queenship, and what have you. My copy of The Elamite World, for example, has 41 chapters and is split into 8 parts. These parts are:&nbsp;</span></div><div><span style="font-family: georgia;"><br /></span></div><div><span style="font-family: georgia;">1. Imagining Elam (Research &amp; Sources),&nbsp;</span></div><div><span style="font-family: georgia;">2. Land and Peoples,&nbsp;</span></div><div><span style="font-family: georgia;">3. Elam Through History,&nbsp;</span></div><div><span style="font-family: georgia;">4. Close Encounters on Eastern and Western Fronts,&nbsp;</span></div><div><span style="font-family: georgia;">5. Language and Writing,&nbsp;</span></div><div><span style="font-family: georgia;">6. The Material Culture of Elam</span></div><div><span style="font-family: georgia;">7. Elamite Society, and</span></div><div><span style="font-family: georgia;">8. The Legacy of Elam</span></div><div><span style="font-family: georgia;"><br /></span></div><div><span style="font-family: georgia;">So I'm expecting something similar from this book, and I'm very much looking forward to it.</span></div><div><span style="font-family: georgia;"><br /></span></div><div><span style="font-family: georgia;">https://www.routledge.com/The-World-of-the-Oxus-Civilization/Lyonnet-Dubova/p/book/9781138722873</span></div><div><span style="font-family: georgia;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://images.routledge.com/common/jackets/amazon/978113872/9781138722873.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="498" data-original-width="350" src="https://images.routledge.com/common/jackets/amazon/978113872/9781138722873.jpg" /></a></div><br /><span style="font-family: georgia;"><br /></span></div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> </span> <span class='post-timestamp'> at <meta content='https://egunnu.blogspot.com/2021/06/the-oxus-civilization-this-is-tale-of.html' itemprop='url'/> <a class='timestamp-link' href='https://egunnu.blogspot.com/2021/06/the-oxus-civilization-this-is-tale-of.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2021-06-29T20:11:00-07:00'>June 29, 2021</abbr></a> </span> <span class='post-comment-link'> <a class='comment-link' href='https://egunnu.blogspot.com/2021/06/the-oxus-civilization-this-is-tale-of.html#comment-form' onclick=''> No comments: </a> </span> <span class='post-icons'> <span class='item-control blog-admin pid-1282338224'> <a href='https://www.blogger.com/post-edit.g?blogID=2724078395031847481&postID=3319789662450144873&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=3319789662450144873&target=email' target='_blank' title='Email This'><span class='share-button-link-text'>Email This</span></a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=3319789662450144873&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); 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text-align: center;"><a href="https://pup-assets.imgix.net/onix/images/9780691176352.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="526" height="657" src="https://pup-assets.imgix.net/onix/images/9780691176352.jpg" width="432" /></a></div><br /><p></p><span style="font-family: georgia;"><br /></span><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><b>Philosophy Before the Greeks: The Pursuit of Truth in Ancient Babylonia</b></span><span style="font-family: Garamond, serif;"><br /></span><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">By Marc Van de Mieroop, 2016, 301pp</span></span></span><span style="font-family: Garamond, serif;"><br /><br /></span><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">In this essay expanded into book form, Marc van de Mieroop (author of several well regarded books on ancient Babylonia, including A History of the Ancient Near East and King Hammurabi of Babylon: A Biography) describes his hunt for evidence of philosophy (and more specifically epistemology) in Babylonian culture. He presents his case that ancient Babylonian scribes adhered to a system of knowledge that has so far eluded historians and contemporary observers, and in having such a system of knowledge, they therefore were early students of philosophy.</span></span></span><span style="font-family: Garamond, serif;"><br /><br /></span><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">After describing his intent (and discussing a little of Greek philosophy by comparison) He presents three examples to illustrate why he thinks the Babylonians had a theory of knowledge. These examples are:</span></span></span></span></p> <ol> <li><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">Lexical lists (lists of words that Babylonians compiled, organized in ways we can't understand but that make sense in a Babylonian context), </span></span></span> </span></p> </li><li><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">Omen lists (lists of omens that could be used in prophecy) </span></span></span> </span></p> </li><li><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">Law Codes (effectively, lists of judgments in legal cases, though these also fixed some prices). </span></span></span> </span></p> </li></ol> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><br /></span><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">After examining each of these types if lists (two chapters are devoted to each) the author concludes that the secret to understanding systematized Babylonian thought is couched in their writing, and in particular in the writing of lists.&nbsp;</span></span></span></span></p><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">According to van de Mieroop, Babylonians believed that true knowledge was encoded in writing because writing was a gift from the gods and that the writing of the gods existed everywhere in the natural world (in the stars, the liver of a lamb, and so on). The natural conclusion was that, because writing was the purview of the gods - if you could write about it, it was true. If you could encode it in writing so it could be read multiple ways to have meanings that could support one another (for example, if the Sumerian translation and the Akkadian translation were complimentary), then the truth was that much stronger.&nbsp;</span></span></span></span></p><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: large;">Van de Mieroop ends the book by stating that "it is there, [in writing], that we have to look for the Babylonian conceptual autonomy and the key to their philosophy." In saying this, he seems to acknowledge that he's got no smoking gun, but the book presents an idea that points to something bigger..</span></p><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">I found his analysis of Babylonian thought to be quite interesting, even eye-opening. I have to say I wasn't always convinced by the examples, but it seems fairly clear to me that Babylonians had some kind of shared system of knowledge - even if there aren't any period texts that explicitly reveal it. Could that system be hiding in the writing? Possibly. Was there a pan-cultural study of the nature of knowledge? I'm not convinced, but scribal conventions lasted a long time and spread over a wide area, so perhaps there was. We've only scratched the surface of what the Babylonians can tell us &#8211; we've translated only a fraction of the total number of tablets so far excavated, and perhaps hundreds of thousands still lie under the mud, waiting to be found. So who knows what more they have to reveal to us?</span></span></span><span style="font-family: Garamond, serif;"><br /><br /></span><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;">The book treads heavily on the idea of determination language, but stops shy of the Sapir-Whorf hypothesis and instead steers us to looking at show script can influence culture, and culture script.</span></span></span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif;"><span style="font-size: medium;">As I read the book, I wondered if there was a lesson in here for game design &#8211; or at least for the design of fictional worlds? The thing that stuck with me the most was the idea that a scribe could write something into existence. Gamers and game-writers do this all the time! Do we do it with lists? Hell yes - we love lists! Below are a number of examples from various RPGs published over the years. Before we get to those, though, I'd like you to keep in mind the world-building potential of lists.</span></span></p><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif;"><span style="font-size: medium;"><b>Philosophy Before The Greeks</b> offers one particularly stirring example of how lists can reveal how different cultures look at the world;&nbsp; In the book, van de Mieroop drops a quote from Jorge Luis Borges, who is in turn quoting from a 'Chinese encyclopedia'. This is how that encyclopedia classifies animals:</span></span></p><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"></span></span></p><blockquote><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: x-small;">&#8220;<span style="font-style: normal;"><span style="font-weight: normal;">In its remote pages, animals are divided into:</span></span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: x-small;"><span style="font-style: normal;"><span style="font-weight: normal;">a. belonging to an emperor</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">b. embalmed</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">c. tame</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">d. sucking pigs</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">e. sirens</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">f. fabulous</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">g. stray dogs</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">h. included in the present classification</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">j. frenzied</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">k. drawn with a very fine camel hair brush</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">l. etcetera</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">m. having just broken the water pitcher, and</span></span><br /><span style="font-style: normal;"><span style="font-weight: normal;">n. that from a long way off look like flies.&#8221;</span></span></span></p></blockquote><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><span style="font-style: normal;"><span style="font-weight: normal;"></span></span></span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;">This reads very much like the table of contents of a fantastic bestiary, doesn't it. As a thought exercise, try to imagine the world that this list evokes - do you see the kernel&nbsp;of a setting?&nbsp;</span></span></p><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif;"><span style="font-size: medium;">Compare this to an example from an actual RPG setting - the Creatures Chapter from the <b>Mythic Babylon</b> setting for Mythras, from which I share an extract. We can immediately see we're not in Kansas anymore, and the the logic is askew from what we might expect:</span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: large;"></span></p><blockquote><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: x-small;">MYTHIC BABYLONIAN CREATURES</span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: x-small;"><span>BEASTS: Bear, Bovines, Canines (including lions), Elephants, Equids, Felines, Griffin, Insects, Lion-Fish, Primates, </span><span>Suhurma拧u</span><span>, etc.</span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: x-small;"><span style="font-style: normal;"><span style="font-weight: normal;">HYBRIDS: Scorpion Men, Hari People. Mer-People, Kurgarra, Bull Men, Hairy Hero Men, etc.</span></span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: x-small;"><span style="font-style: normal;"><span style="font-weight: normal;">DEMONS AND SPIRITS: Animal Demons, Bad News Demons, Demons of Desolation, Underworld Demons, Wind Spirits, Zaqiqu, etc.</span></span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: x-small;"><span style="font-style: normal;"><span style="font-weight: normal;">MONSTERS AND FALLEN GODS: Asag, Anzud, Forest Guardians, </span></span><span style="color: #222222;"><i><span style="font-weight: normal;">Lama拧tu</span></i></span><span style="color: #222222;"><span style="font-style: normal;"><span style="font-weight: normal;">, Pazuzu, Three Horned Serpents, etc.</span></span></span></span></p></blockquote><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;">Considering the various kinds of Babylonian lists, do we have similar lists in Role Playing Games? Do gamers also have a shared means of communication embedded in the making of lists? Turns out we do! Let's compare these to the types of lists van de Mieroop cites in his book.</span></span></p><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><br /></span></span></p> <h4 style="text-align: left;">LEXICAL LISTS (to help us understand the world)</h4><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: medium;">Simple lexical lists are valuable resources for understanding game worlds, too. Here, for example, are two lists that reveal the kind of person one can play in the game of <b>Outremer</b> by Flying Mice Games. These lists are not only tools for describing who you can be in the setting, but they hint very strongly at the nature of play. You may ask &#8211; Is it a mystical setting? How much combat is there? In what cognitive era does the game take place? With just these two lists, you'll have a pretty good idea of what the game world is like.</span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: small;">OUTREMER - TABLE OF PROFESSIONS</span></p><span style="font-size: x-small;"><span style="font-family: arial;">Actor &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; Apothecary &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Archivist &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Artisan<br />Artist &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; Barber-Surgeon &nbsp;&nbsp; &nbsp;&nbsp; Bounty Hunter &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Caravan Guard<br />Courtier &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp;Courier &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Courtesan &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Cutpurse<br />Dancer &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Doctor &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;Engineer &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp;Fencer<br />Footpad &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp;Friar/Preacher &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Gentleman Farmer &nbsp;&nbsp; Guardsman<br />Herbalist &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;Herdsman &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Highwayman &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Hunstman<br />Knight/Faris &nbsp; &nbsp;&nbsp;Lord &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Mercenary &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Merchant<br />Musketeer &nbsp; &nbsp; &nbsp; Musician &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;Naval Officer &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;Playwright<br />Pirate &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;Poet &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Priest/Rabbi/Mullah&nbsp; &nbsp; Professor<br />Sargeant &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; Smith &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;Smuggler &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;Soldier<br />Spy &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Street Performer &nbsp;&nbsp; &nbsp;&nbsp;Teamster &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Thief<br />Tinker &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; Turcopole &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Yeoman</span><br /><span style="font-family: arial;"><br />OUTREMER &#8211; TABLE OF PATHS<br />Esotericist &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; Magus &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Minstrel &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; Crusader/Ghazi<br />Kabbalist &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;Sorceror &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Mechanist &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;Oracle<br />Dervish &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;Snake Charmer &nbsp;&nbsp; &nbsp;Fortune Teller &nbsp;&nbsp; &nbsp;Healer</span></span><div><span style="font-size: x-small;"><span style="font-family: arial;">Mystic </span><span style="font-family: arial;">&nbsp;&nbsp; &nbsp;</span><span style="font-family: arial;">&nbsp;&nbsp; &nbsp;</span><span style="font-family: arial;">&nbsp;&nbsp; &nbsp;</span><span style="font-family: arial;">&nbsp; &nbsp;</span><span style="font-family: arial;">Faqih</span></span><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: medium;"></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.flyingmice.com/outremer-fing.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="260" data-original-width="200" height="399" src="https://www.flyingmice.com/outremer-fing.PNG" width="307" /></a></div><br /><span style="font-size: medium;"><br /> </span><p></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: medium;">Lexical lists in games can also tell us how we can interact with the world. Some games have lists of the things you can buy and sell, or of the kinds of things you'll find in treasure troves. Others tell you exactly how you can engage the world through the game mechanics. Here's a partial list of the talents, skills, and knowledges a character may have in <b>Ars Magica</b> Second Edition. Here you can see what a character can know, learn, and do in the world:</span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: small;">ARS MAGICA &#8211; TALENTS, SKILLS, KNOWLEDGES</span></p><span style="font-family: arial; font-size: x-small;"><b>Exceptional Talents: &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; Arcane Skills: &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; Arcane Knowledges:</b><br />Alchemy &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; Certamen &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;Hermes History<br />Animal Ken &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;Parma Magica &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; Hermes Lore<br />Contortions &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;Magic Theory<br />Direction Sense &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; <b>Forester Skills:</b><br />Empathy &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;Animal Handling &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp;<b>Casual Knowledges:</b><br />Enchanting Music &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;Survival &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; (Area) Lore<br />Entrancement &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Track &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; Church Lore<br />Healer &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; Faerie Lore<br />Hex &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;<b>Performance Skills: </b>&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; Fantastic Beast Lore<br />Magic Sensitivity &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Acting &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;Legend Lore<br />Mimicry &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; Storytelling &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;Occult Lore<br />Perfect Balance &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;Jongleur &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp;Speak (Specific Language)<br />Premonitions &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; Sing<br />Read Lips &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; Play (specific instrument)&nbsp;&nbsp;<b>Formal Knowledges:</b><br />Second Sight &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;Church Knowledge<br />Sense Holiness &amp; Unholiness &nbsp;&nbsp; <b>Mental Skills: </b><b>&nbsp;</b>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Humanities<br />Visions &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;Concentration &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;Medicine</span></div><div><span style="font-family: arial; font-size: x-small;">Weather Sense &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;Meditation &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Scribe (Specific Alphabet)</span><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: medium;"></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif;"><span style="font-size: medium;">In games with life-path style generators, we can learn not just what we do and how we do it, but more about how we are by examining our past. For example, this list from the <b>Denizens of the North</b>, supplement for the <b>Fate of the Norns: Ragnarok</b> game reveals how two party members got to know one another and how they feel about each other now:</span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: x-small;">DENIZENS OF THE NORTH &#8211; DWELLER RELATIONSHIPS LIST</span></p> <ul style="text-align: left;"><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: x-small;"><b>Circumstance: <span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span> <span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span>&nbsp; &nbsp; <span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;<span>&nbsp;</span></span>State:</b></span></p><li><span style="font-family: arial; font-size: x-small;">Drinking Buddies&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Mistrust</span></li><li><span style="font-family: arial; font-size: x-small;">Were robbed by the same criminal&nbsp; &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; Bound in Purpose</span></li><li><span style="font-family: arial; font-size: x-small;">Met at a funeral&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;Rivalry</span></li><li><span style="font-family: arial; font-size: x-small;">Made a bet; will travel together until someone wins&nbsp; &nbsp; &nbsp; &nbsp;Greed&nbsp;</span></li></ul> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.drivethrurpg.com/images/3107/141196.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="614" height="519" src="https://www.drivethrurpg.com/images/3107/141196.jpg" width="399" /></a></div><br /><span style="font-size: medium;"><br /> </span><p></p> <h4 style="text-align: left;">OMEN LISTS (to predict the future of our world)</h4><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: medium;">Yes, we have lists in gaming for this, too. Another list from <b>Denizens of the North</b> reveals something of the character's past, and like a Babylonian oracle, points to something in their future, and this brings of to the Omen Lists of gaming:</span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: large;"></span></p><span style="font-family: arial; font-size: x-small;">DENIZENS OF THE NORTH &#8211; LIST OF BRUSHES WITH POWER<br /></span><blockquote style="text-align: left;"><ul style="text-align: left;"><li><span style="font-family: arial; font-size: x-small;">You met an important merchant that returned from Miklagard. You may purchase a rare item.</span></li><li><span style="font-family: arial; font-size: x-small;">While in Ath Cliath you gained audience with King Sitric. He had heard of your great exploits tasked you with hunting his enemy &#8211; the Hibernian clans.</span></li><li><span style="font-family: arial; font-size: x-small;">Odin the Wanderer has marked you as a promising hero. Since that day your encounters have become increasingly challenging and deadly.</span></li></ul> </blockquote> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif;"><span style="font-size: medium;">The <b>Artesia: Adventures in the Known World</b> RPG has copious lifepath tables for figuring out who your character was in their past, from birth to maturity. They'll not only tell you about your birth sign, your lineage, and some of the events from your childhood, but they specifically tie these events to your stats so you can see how the world can shape your character:</span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: small;">ARTESIA: ADVENTURES IN THE KNOWN WORLD &#8211; LIFEPATH TRICKY OMEN TABLE</span></p><blockquote style="text-align: left;"><ul style="text-align: left;"><li><p style="display: inline !important; margin-bottom: 0cm;"><span style="font-family: arial; font-size: x-small;">An owl watches your birth. You will be blessed with insights no one else will have</span></p></li></ul><span style="font-family: arial; font-size: small;">&nbsp; &nbsp;&nbsp;</span><span style="font-family: arial; font-size: small;">&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;</span><span style="font-family: arial; font-size: small;">+1 WIS, +1 PER, -1 MEM</span><br /><ul style="text-align: left;"><li><span style="font-family: arial; font-size: x-small;"><p style="display: inline !important; margin-bottom: 0cm;">The Evening Star is seen in the night sky. You will lead a life filled with beauty and sensual pleasure.</p></span></li></ul><span style="font-family: arial; font-size: small;">&nbsp; &nbsp;&nbsp;</span><span style="font-family: arial; font-size: small;">&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; </span><span style="font-family: arial; font-size: small;">+1 APP, +1 PRE, -1 WILL</span><span style="font-family: arial; font-size: x-small;"><br /></span><ul style="text-align: left;"><li><span style="font-family: arial; font-size: x-small;"><p style="display: inline !important; margin-bottom: 0cm;">A satyr is seen nearby. Your life will be filled with trickery </p></span></li></ul><span style="font-family: arial; font-size: small;">&nbsp; &nbsp;&nbsp;</span><span style="font-family: arial; font-size: small;">&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;+</span><span style="font-family: arial; font-size: small;">1 IMAG, +1 PRE, -1 WILL</span><br /><ul style="text-align: left;"><li><span style="font-family: arial; font-size: x-small;"><p style="display: inline !important; margin-bottom: 0cm;">The Conqueror Star is seen in the night sky. You will become a leader of men.</p></span></li></ul><span style="font-family: arial; font-size: x-small;">&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;+1 PRE, +1 WILL, -1 </span><span style="font-family: arial; font-size: x-small;">EMP</span> </blockquote> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif;"><span style="font-size: medium;">Just as Babylonian omen lists describe the future, so can the lists found in games. These take the form of random events lists, encounter lists, and adventure generators. Here's an excerpt from list of events from <b>Ars Magica</b>. The list is given numbers in the book so that a random event can be generated. Rolling the die puts the future in the hands of the gods:</span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: large;"></span></p><span style="font-size: x-small;"><span style="font-family: arial;">ARS MAGICA &#8211; EXTRAORDINARY RESULTS&nbsp;</span><span style="font-family: arial;">FROM ARCANE EXPERIMENTATION (DISASTERS)</span></span></div><div><span style="font-family: arial; font-size: x-small;"><br /></span></div><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><div><span style="font-family: arial; font-size: x-small;">1. Explosion</span></div><div><span style="font-family: arial; font-size: x-small;">2. Overwhelmed</span></div><div><span style="font-family: arial; font-size: x-small;">3. Deterioration</span></div><div><span style="font-family: arial; font-size: x-small;">4. Lab Ruined</span></div><div><span style="font-family: arial; font-size: x-small;">5. Something Valuable Destroyed</span></div><div><span style="font-family: arial; font-size: x-small;">6. Mentally Enfeebled</span></div><div><span style="font-family: arial; font-size: x-small;">7. Threat to the Covenant</span></div><div><span style="font-family: arial;"><span style="font-size: x-small;">8. Creation Turns on You</span></span></div></blockquote><div><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: large;"></span></p><ol start="8"> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"></p> </ol> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: large;">In the </span><b style="font-family: Garamond, serif; font-size: large;">Skyrealms of Jorune</b><span style="font-family: Garamond, serif; font-size: large;"> RPG 3</span><sup style="font-family: Garamond, serif;">rd</sup><span style="font-family: Garamond, serif; font-size: medium;"> Ed., published by Chessex in 1992, we find a series of randomizable lists which work together to generate encounters. Using these, the Gamemaster (or Oracle, if you will) can quickly determine the species, profession, demeanor, and intent of an encounter &#8211; and also the contextual backdrop against which it occurs. Here are a few of the possible results:</span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: large;"></span></p><span style="font-family: arial; font-size: x-small;">SKYREALMS OF JORUNE &#8211; ENCOUNTER GENERATOR<br /></span><blockquote style="text-align: left;"></blockquote><ul style="text-align: left;"><li><span style="font-family: arial; font-size: small;">A human Durlig puller is encountered in the city while a protest is going on. This well-groomed person wants someone to settle a dispute.</span></li><li><span style="font-family: arial; font-size: small;">A thivin klade mother is encountered in town during the annual Cletch (taxation), and seems to have an unexplained interest in the party.</span></li><li><span style="font-family: arial; font-size: small;">A woffen archer is met during the Drenn ceremonies. He chews his gerrig and reveals that he's chasing someone.</span></li></ul><blockquote style="text-align: left;"></blockquote> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><a href="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1385236802l/11065194.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="412" data-original-width="318" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1385236802l/11065194.jpg" /></a></span></div><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;"><span style="font-size: medium;"><br /></span></span></span></p><p style="margin-bottom: 0cm;"><span style="font-family: Garamond, serif; font-size: medium;">Returning again to Outremer for another example, we find similar lists that allow for the generation of missions including rumors to be investigated, adventure locations, the agents behind the rumor, and even some suggestions of 'sweeteners' to convince the player characters to partake. Here are just a few of the possible results:</span></p><p></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: large;"></span></p><span style="font-family: arial; font-size: x-small;">OUTREMER - PLOT SEEDS RESULTING FROM THE ADVENTURE GENERATOR<br /></span><blockquote style="text-align: left;"><ul style="text-align: left;"><li><span style="font-family: arial; font-size: x-small;">Peasants have been disappearing in the Duchy of Acre; Devils are said to be behind the rumor. One reward for the adventure will be a knighthood for a deserving member.</span></li></ul></blockquote><blockquote style="text-align: left;"><ul style="text-align: left;"><li><span style="font-family: arial; font-size: small;">Prodigies were sighted in the Principality of Galilee; The Pope is said to be behind the rumor. The services of a local spy ring will be provided.</span></li></ul></blockquote><blockquote style="text-align: left;"><ul style="text-align: left;"><li><span style="font-family: arial; font-size: x-small;">A Djinn ruler has asked for our aid in the city of Tripoli; A sorcerer is said to be behind the rumor. Transport will be provided to those who heed the call.</span></li></ul> </blockquote> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"></p><h4 style="text-align: left;">LAW LISTS (to help us understand how the world works</h4><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: medium;">We've seen how lists can describe the game world to us (lexical lists), and how they can even help determine the course of future events (omen lists), but what about the legal lists? Yes, of course, gaming lists also describe the rules of engagement with the world and what kind of judgments a player can expect. Here, from <b>Swashbucklers of the 7 Skies</b> by Chad Underkoffler, is a 'quick list of the steps of a Turn of the Duel':</span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><br /> </span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: medium;"></span></p><span style="font-family: arial; font-size: x-small;">SWASHBUCKLERS OF THE 7 SKIES - LIST OF STEPS OF A TURN OF THE DUEL<br /><br /><ol style="text-align: left;"><li><span style="font-family: arial; font-size: x-small;">Engage Foes (initiative)</span></li><li><span style="font-family: arial; font-size: x-small;">Divvy Duel Dice (plan attack vs defence)</span></li><li><span style="font-family: arial; font-size: x-small;">The Charge (declare dice)</span></li><li><span style="font-family: arial; font-size: x-small;">The Clash of Steel (attacker and defender roll dice)</span></li><li><span style="font-family: arial; font-size: x-small;">The Touch (apply damage if necessary)</span></li><li><span style="font-family: arial; font-size: x-small;">Volte-face (repeat steps 3-5, reversing attacker and defender rolls), and</span></li><li><span style="font-family: arial; font-size: x-small;">After all combatants have had their attack and defense, go to Next Turn. </span></li></ol> <span>&nbsp;&nbsp; &nbsp;</span><span>&nbsp;&nbsp; &nbsp;</span>(That is, unless someone calls for an impasse.)</span><br /> <h4 style="margin-bottom: 0cm; orphans: 2; text-align: left; widows: 2;"><div class="separator" style="clear: both; text-align: center;"><a href="http://www.evilhat.com/home/wp-content/uploads/2011/07/s7s-220.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="220" height="447" src="https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_v_ALI12zOuFg2OR-9jyTc2tA85hrMqikopKsznL2YkTMLF8E36h9Efk2e_cMHTbbIUTBj9_-uckQDiEJmfLAUXe517XtqUkpdvho2qisTlWPe66H384cnJ-xiXVlc-jl4csu_n=s0-d" width="328"></a></div></h4><h4 style="margin-bottom: 0cm; orphans: 2; text-align: left; widows: 2;"><br /></h4><h4 style="text-align: left;">IF YOU CAN WRITE IT, IT'S TRUE (World-Building via Lists)</h4><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-size: medium;"><span style="font-family: Garamond, serif;">In his book, <b>Philosophy Before the Greeks: The Pursuit of Truth in Ancient Babylonia</b> , Marc van de Mieroop explains how the ancient scribes came to believe in the divine power of writing &#8211; in the creative potential encoded in the recording of lists. &#8220;<span style="font-style: normal;"><span style="font-weight: normal;">If you could write about it, it was true.&#8221; Scribes began to pad lexical lists with imaginary, but completely logical, entries. If they could invent it and the gods had given them the signs to encode these things in clay, then surely they could exist. Does this not describe the very act of creating imaginary worlds? </span></span></span> </span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif;"><span style="font-size: medium;">Here's an example of one list that does just that from the blog of my friend John Bell. It's a list of setting elements that can be tossed together to create scenarios. He describes this list as being made from 'regular fantasy stuff', and it'll probably seem like anything but that. But John has a fertile mind and makes both wonderful settings and creative scenarios and campaigns &#8211; for him, this is 'regular fantasy stuff'. See if this list doesn't remind you of the list of animals from the Chinese Encyclopedia shared above. If it does, we've come full circle. Lists are the bones of world-building.</span></span></p> <p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: arial; font-size: small;">LIST OF ADVENTURE ELEMENTS FROM THE RETIRED ADVENTURER:</span></p></div><div><span style="font-family: arial; font-size: x-small;"><br />Ooze-knights on motorbikes<br />A Cuban communist air-pirate + her air ship<br />Somebody's specific memory-juice in a reusable thermostat<br />A twelve-armed demon who is chief marketing officer of an "Uber for dental hygiene" start-up<br />Cyber-trolls that all started off as one troll<br />A dog with strong opinions<br />A cool magic tank that shoots lasers but not from its gun<br />The prophetic intestines of a guy named "Joseph Blankenwell"<br />A boiling cloud of acid with a New York accent and a heart of gold<br />A skeleton rights activist who is also a cleric of the Big Fire<br />A giant wolf-spider thing who works for an insurance company<br />A Jacobin golem with wheels<br />Thousands of obols<br />Cyberbullying<br />Schistosomiasis<br />A nuclear reactor on tank treads with a giant glowing crack<br />A 33-gallon fishtank with no top that's full of expired fireworks<br />Six ghost paladins on a holy quest that's kinda sketchy and low-key racist<br />An EDM dance party club</span></div><div><span style="font-family: arial;"><span style="font-size: x-small;">The colour "red"</span></span><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif; font-size: medium;"></span> </p><span style="font-family: georgia;"></span></div><div><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span></span></div><div><span style="font-family: arial; font-size: small;"><a href="https://retiredadventurer.blogspot.com/2020/01/planning-campaign-as-series-of-decisions.html" target="_blank">The Retired Adventurer: Planning Campaign as Series of Decisions</a><br /></span></div><div><span style="font-family: arial; font-size: small;"><br /></span></div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> </span> <span class='post-timestamp'> at <meta content='https://egunnu.blogspot.com/2021/05/what-ancient-babylon-can-teach-us-about.html' itemprop='url'/> <a class='timestamp-link' href='https://egunnu.blogspot.com/2021/05/what-ancient-babylon-can-teach-us-about.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2021-05-26T21:20:00-07:00'>May 26, 2021</abbr></a> </span> <span class='post-comment-link'> <a class='comment-link' href='https://egunnu.blogspot.com/2021/05/what-ancient-babylon-can-teach-us-about.html#comment-form' onclick=''> 1 comment: </a> </span> <span class='post-icons'> <span class='item-control blog-admin pid-1282338224'> <a href='https://www.blogger.com/post-edit.g?blogID=2724078395031847481&postID=6225025777495100653&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=6225025777495100653&target=email' target='_blank' title='Email This'><span class='share-button-link-text'>Email This</span></a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=6225025777495100653&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'><span class='share-button-link-text'>BlogThis!</span></a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=6225025777495100653&target=twitter' target='_blank' title='Share to X'><span class='share-button-link-text'>Share to X</span></a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=6225025777495100653&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'><span class='share-button-link-text'>Share to Facebook</span></a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=6225025777495100653&target=pinterest' target='_blank' title='Share to Pinterest'><span class='share-button-link-text'>Share to Pinterest</span></a> </div> </div> <div class='post-footer-line post-footer-line-2'> <span class='post-labels'> Labels: <a href='https://egunnu.blogspot.com/search/label/Babylon' rel='tag'>Babylon</a>, <a href='https://egunnu.blogspot.com/search/label/Book%20Reviews' rel='tag'>Book Reviews</a>, <a href='https://egunnu.blogspot.com/search/label/Mythic%20Babylon' rel='tag'>Mythic Babylon</a>, <a href='https://egunnu.blogspot.com/search/label/Near%20East' rel='tag'>Near East</a>, <a href='https://egunnu.blogspot.com/search/label/Roleplaying%20Games' rel='tag'>Roleplaying Games</a>, <a href='https://egunnu.blogspot.com/search/label/Theory' rel='tag'>Theory</a>, <a href='https://egunnu.blogspot.com/search/label/World%20Building' rel='tag'>World Building</a> </span> </div> <div class='post-footer-line post-footer-line-3'> <span class='post-location'> </span> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'><span>Friday, April 23, 2021</span></h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://m.media-amazon.com/images/I/61OUhir6bVL._SL500_.jpg' itemprop='image_url'/> <meta content='2724078395031847481' itemprop='blogId'/> <meta content='2197490929241590861' itemprop='postId'/> <a name='2197490929241590861'></a> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-2197490929241590861' itemprop='description articleBody'> <h2 style="text-align: left;"><b>Ancient History Book Review</b></h2><h3 style="text-align: left;"><span style="font-family: georgia;">The Ark Before Noah: Decoding The Story of the Flood by Irving Finkel, 2014, 352pp </span></h3><span style="font-family: georgia;">The Ark Before Noah is a rather charming history book looks at the pre-biblical Mesopotamian flood myth in all its glory. For those who don't know, the author Irving Finkel is the Assistant Keeper of Ancient Mesopotamian script, languages, and cultures in the Department of the Middle East in the British Museum, and is essentially the museum's curator of cuneiform tablets. It's a position he's held for a very long time, and has a wealth of experience, both as a researcher and as a public speaker in the museum. <br /><br />This experience contributes significantly to the book. Aside from the core subject matter of the flood story, Finkel give us stories of life in the museum and anecdotes from his own early career as a student and educator. Among these is the story of the first decipherment of the Mesopotamian flood text by George Smith (who was so moved by the discovery he screamed and removed his clothes &#8211; just like a Babylonian prophet!). There are also stories of later discoveries volunteer translators and Finkel himself, as well as anecdotes from his own earlier career. These personal touches are a welcome (and vanishingly rare in history books) addition to the story Finkel weaves about the evolution of the flood story.</span><div><span style="font-family: georgia;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://m.media-amazon.com/images/I/61OUhir6bVL._SL500_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: georgia;"><img border="0" data-original-height="500" data-original-width="500" src="https://m.media-amazon.com/images/I/61OUhir6bVL._SL500_.jpg" /></span></a></div><span style="font-family: georgia;"><br />&nbsp; <br /><br />In the audio version, all of this is delivered by Finkel himself in a friendly and conversational manner &#8211; he's clearly used to conveying history to a wide audience, and has written several children's books as well as a novel. For gamers &#8211; particularly a British gamers &#8211; there's an added bonus: Finkel sounds a lot like veteran GM Nigel Clarke, who is himself no stranger to ancient history! So if you ever wondered what it would be like to play in a session GMed by Finkel, play first with Nigel and then give this book a whirl. I haven't played with Nigel myself, but it he breaks role occasionally to tell you stories about his 'cinematically eccentric' colleagues or his flowering from youth to scholar, then the picture will be complete. <br /><br /></span><blockquote><span style="font-family: georgia;">&#8220;...It was this archaeological fluke that got me the cuneiform job. After signing the official secrets act, I was handed my heavy, pass-port-to-the-nations-treasure key, which is soberly inscribed 'if lost, 20 shillings reward'. The tablet collections in the British Museum defied, and still defy, belief.&#8221; </span></blockquote><span style="font-family: georgia;">As for the core content, Finkel covers all the basics, giving us the stories of the discovery of the various tablets that reference the flood, their provenance, and their contents, and their relative dates of origin. Of these, two come from the Old Babylonian period, two from the Middle Babylonian Kassite period, two from the Assyrian period, and finally the reference found in the Gilgamesh epic of the Neo Babylonian period. Two tablets are written in Sumerian, the rest are Akkadian. <br /><br />Finkel also gives us context, describing the relevant bits of Babylonian society, including the idiosyncrasies of writing cuneiform, the role and life of scribes in society, and how writing changed over time. Then he goes through the tablets, spending time on the various episodes to give context to the things described in them. He will ask, for example, what did the ark look like? What kind of boat was it? Then relate what the tablets tell us to what we actually know of ancient Mesopotamian boats. Similarly, he looks at who the flood hero (Atrahasis, Utnapishtim, or Ziusudra, depending on the tablet) might have been, how the god, Enki, conveyed his instructions, and where the boat might have landed afterward. <br /><br />I started to count off the aspects of Babylonian culture he listed and I compared them to what we included in the Mythic Babylon supplement for Mythras, and soon came to the conclusion that this book offers a nice primer to Babylonian culture. Much of what he talks about is covered in Mythic Babylon, including: <br /></span><ul style="text-align: left;"><li><span style="font-family: georgia;">The writing and delivery of personal correspondence, </span></li><li><span style="font-family: georgia;">Who the Great Gods were </span></li><li><span style="font-family: georgia;">The nature of literature and scribal culture, </span></li><li><span style="font-family: georgia;">The nature of omens (including the reading of birth defects), </span></li><li><span style="font-family: georgia;">Types of divination such as extispicy and leucanomancy, </span></li><li><span style="font-family: georgia;">The use of mumbo-jumbo language in spells, </span></li><li><span style="font-family: georgia;">The Asu and Ashipu as medical specialists, </span></li><li><span style="font-family: georgia;">Gudu priests and other clergy, </span></li><li><span style="font-family: georgia;">Dream incubation, </span></li><li><span style="font-family: georgia;">Reed houses in the southern marsh, </span></li><li><span style="font-family: georgia;">The shape and use of quppu boats, among others, and </span></li><li><span style="font-family: georgia;">The source of bitumen for waterproofing. </span></li></ul><span style="font-family: georgia;"><br /></span><div><span style="font-family: georgia;">All of this and more is found in Mythic Babylon.</span></div><div><span style="font-family: georgia;"><br /></span></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/2/11/1392141922145/Illustration-by-Clifford--009.jpg?width=445&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=2a17253d3df820367071d39a1f60896b" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: georgia;"><img border="0" data-original-height="276" data-original-width="460" src="https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/2/11/1392141922145/Illustration-by-Clifford--009.jpg?width=445&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=2a17253d3df820367071d39a1f60896b" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: georgia;">The Ark was a Quppu boat!</span></td></tr></tbody></table><span style="font-family: georgia;"><br />&nbsp;<br />Finkel also covers a number of things we didn't include in our text, such as the various places people thought the ark had come to rest (A mountain in Urartu, or Mount Nizir, or even Mt Gudi). He discusses the evolution of the flood myth, and the possibility for a trade in 'ark artifacts' not unlike what happened with the bones of saints and pieces of the 'true cross' in the Middle Ages. He spends quite a bit of time developing his theory that the roots of monotheism are to be found in 7th &amp; 6th Century Babylon. He even included a few little gems to surprise me &#8211; such as how people can only write cuneiform right-handed, or that truly good scribes were said to 'follow the mouth', or that Hammurabi's Code was written in a deliberately old fashioned style so it could lean on the weight of tradition. And did you know that the word 'disaster' has its roots in the words 'dire' and 'star'? The Dire Star will be the name of my next Fiasco spaceship! <br /><br />Obviously, I quite enjoyed the book &#8211; both as a history buff and as a gamer. Anytime I read a book and learn something that excites me AND I get something I can use in gaming, I consider that a book well read. If the story is also accessible, well-told, and convincing, then that's a five out of five stars book from my perspective, and one I can recommend to my friends.</span></div></div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> </span> <span class='post-timestamp'> at <meta content='https://egunnu.blogspot.com/2021/04/ancient-history-book-review-ark-before.html' itemprop='url'/> <a class='timestamp-link' href='https://egunnu.blogspot.com/2021/04/ancient-history-book-review-ark-before.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2021-04-23T12:45:00-07:00'>April 23, 2021</abbr></a> </span> <span class='post-comment-link'> <a class='comment-link' href='https://egunnu.blogspot.com/2021/04/ancient-history-book-review-ark-before.html#comment-form' onclick=''> No comments: </a> </span> <span class='post-icons'> <span class='item-control blog-admin pid-1282338224'> <a href='https://www.blogger.com/post-edit.g?blogID=2724078395031847481&postID=2197490929241590861&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=2197490929241590861&target=email' target='_blank' title='Email This'><span class='share-button-link-text'>Email This</span></a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=2197490929241590861&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'><span class='share-button-link-text'>BlogThis!</span></a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=2197490929241590861&target=twitter' target='_blank' title='Share to X'><span class='share-button-link-text'>Share to X</span></a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=2197490929241590861&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'><span class='share-button-link-text'>Share to Facebook</span></a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=2197490929241590861&target=pinterest' target='_blank' title='Share to Pinterest'><span class='share-button-link-text'>Share to Pinterest</span></a> </div> </div> <div class='post-footer-line post-footer-line-2'> <span class='post-labels'> Labels: <a href='https://egunnu.blogspot.com/search/label/Babylon' rel='tag'>Babylon</a>, <a href='https://egunnu.blogspot.com/search/label/Biblical' rel='tag'>Biblical</a>, <a href='https://egunnu.blogspot.com/search/label/Book%20Reviews' rel='tag'>Book Reviews</a>, <a href='https://egunnu.blogspot.com/search/label/Bronze%20Age' rel='tag'>Bronze Age</a>, <a href='https://egunnu.blogspot.com/search/label/Iron%20Age' rel='tag'>Iron Age</a>, <a href='https://egunnu.blogspot.com/search/label/Literature' rel='tag'>Literature</a>, <a href='https://egunnu.blogspot.com/search/label/Mythic%20Babylon' rel='tag'>Mythic Babylon</a>, <a href='https://egunnu.blogspot.com/search/label/Near%20East' rel='tag'>Near East</a>, <a href='https://egunnu.blogspot.com/search/label/Roleplaying%20Games' rel='tag'>Roleplaying Games</a> </span> </div> <div class='post-footer-line post-footer-line-3'> <span class='post-location'> </span> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'><span>Wednesday, March 10, 2021</span></h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://pictures.abebooks.com/inventory/21733165929.jpg' itemprop='image_url'/> <meta content='2724078395031847481' itemprop='blogId'/> <meta content='2649653457463439667' itemprop='postId'/> <a name='2649653457463439667'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://egunnu.blogspot.com/2021/03/reflections-on-ben-hur-tale-of-christ.html'>Reflections on Ben-Hur: A Tale of the Christ by Lew Wallace</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-2649653457463439667' itemprop='description articleBody'> <span style="font-family: georgia;"><b>Ben-Hur: A Tale of the Christ</b> by Lew Wallace, 1880, 620 pages<br />Audio version read by Todd McLaren, 23.25 hrs.</span><div><br /><span style="font-family: georgia;">I'm not entirely sure what possessed me to purchase this book, except perhaps that I love the 1959 movie starring Charlton Heston, and I like reading books set in the Middle East, especially during the ancient era.</span><br /><br /><span style="font-family: georgia;">You've no doubt all seen that film (if not, please do - it has aged very well). It adheres fairly closely to the novel, but cuts out a couple of large swaths of the more sedentary portions - as it would have to do, given the length of the book.</span><br /><br /><br /><div style="text-align: center;"><a href="https://pictures.abebooks.com/inventory/21733165929.jpg" style="font-family: georgia;"><img border="0" height="572" src="https://pictures.abebooks.com/inventory/21733165929.jpg" width="398" /></a></div><br /><span style="font-family: inherit; font-size: large;"><b>Synopsis</b></span><br /><br /><span style="font-family: georgia;">(Light spoilers below)</span><br /><br /><span style="font-family: georgia;">The story follows the fortunes of Judah Ben Hur, son of a wealthy Hebrew merchant. Ben Hur has plans to join the Roman Army, but everything changes when a freak accident nearly kills the Roman governor of the district, and Judah is accused of being an assassin. He is sent to the galleys, while his mother and sister are imprisoned and their property forfeit - all without trial.</span><br /><br /><span style="font-family: georgia;">After some years as a Roman galley slave in the Mediterranean, Ben Hur's fortunes change when he is adopted by a Roman officer, and he inherits considerable wealth. When in Antioch, he meets with his father's old slave, Simonides, who is himself is now a wealthy man having secured Ben Hur's father's trading company from the Romans who had confiscated it. He also meets his old friend Messala, who was responsible for grassing him up to the Romans right after the accident. </span><br /><br /><span style="font-family: georgia;">After meeting Messala, Ben Hur's thoughts turn to vengeance, and this is one of the main themes of the book. Ben Hur (with the help of Simonides, who has remained loyal to the family through all this) concocts a scheme wherein Hur challenges Messala to a chariot race. They goad Messala into betting more than he owns on the outcome of the race, and during the race Hur drives his chariot into Massena's, causing it to crash and cripple him. Messala loses both the use of is legs, and his fortune. Hur's revenge is complete. This is one of those places where the book differs from the movie, for in the film, Messala is the one who is ruthless on the race track, not Hur. In the book, I found myself questioning Hur's charity.</span><br /><br /><span style="font-family: georgia;">Hur eventually goes back to Jerusalem where he ends up leading and training a resistance movement, and becomes a follower of The Christ. The book ends differently from the film - not with redemption and healing upon the Resurrection, but perhaps more bittersweetly. I won't spoil it.</span></div><div><span style="font-family: georgia;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://retrographik.com/wp-content/uploads/2014/11/Ben-Hur-Theatrical-Poster-1901.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="499" height="742" src="https://retrographik.com/wp-content/uploads/2014/11/Ben-Hur-Theatrical-Poster-1901.jpg" width="464" /></a></div><br /><span style="font-family: georgia;"><br /></span><br /><span style="font-family: inherit; font-size: large;"><b>Reflections</b></span><br /><br /><span style="font-family: georgia;">One difference between the book and the film is that the film is more subtle in evoking the Christian themes, relying on soulful looks and music as much as anything. The book is rather more open about it, especially in the first scene when the three wise men meet in the desert before we ever meet Ben Hur. This felt heavy handed to me when I was first getting into the book, but now that I've finished it I don't think it is. There's some speculation that Wallace himself was not particularly religious before starting the book, but in imagining the place and time grew in admiration for early Christians and tried to bring that out in his writing.</span><br /><br /><span style="font-family: georgia;">I really loved the historical detail in this book. Wallace pauses fairly often in his tale to address the reader so that he can set the scene. "Imagine, dear reader, if you will..." and then he launches into a description of the cave where Jesus is born, or of a caravanserai, or the gates of Jerusalem and who might be hanging about, or tells us about the nature of chariot horses. I found it to be a great resource for my own setting of these kinds of scenes in gaming, and the next time I run a game inspired by the middle east, this will be one of the tools I'll use. Here's a sample:</span><br /><br /><span style="font-family: georgia;"><i></i></span><blockquote><span style="font-family: georgia;"><i>"To understand thoroughly what happened to the Nazarene at the khan, the reader must be reminded that Eastern inns were different from the inns of the Western world. They were called khans, from the Persian, and, in simplest form, were fenced enclosures, without house or shed, often without a gate or entrance. Their sites were chosen with reference to shade, defence, or water. Such were the inns that sheltered Jacob when he went to seek a wife in Padan-Aram. Their like may been seen at this day in the stopping-places of the desert. On the other hand, some of them, especially those on the roads between great cities, like Jerusalem and Alexandria, were princely establishments, monuments to the piety of the kings who built them. In ordinary, however, they were no more than the house or possession of a sheik, in which, as in headquarters, he swayed his tribe. Lodging the traveller was the least of their uses; they were markets, factories, forts; places of assemblage and residence for merchants and artisans quite as much as places of shelter for belated and wandering wayfarers. Within their walls, all the year round, occurred the multiplied daily transactions of a town."</i></span><br /><br /><span style="font-family: georgia;"><i>"The singular management of these hostelries was the feature likely to strike a Western mind with most force. There was no host or hostess; no clerk, cook, or kitchen; a steward at the gate was all the assertion of government or proprietorship anywhere visible. Strangers arriving stayed at will without rendering account. A consequence of the system was that whoever came had to bring his food and culinary outfit with him, or buy them of dealers in the khan. The same rule held good as to his bed and bedding, and forage for his beasts. Water, rest, shelter, and protection were all he looked for from the proprietor, and they were gratuities. The peace of synagogues was sometimes broken by brawling disputants, but that of the khans never. The houses and all their appurtenances were sacred: a well was not more so."</i></span></blockquote><span style="font-family: georgia;"><i></i></span><br /><br /><span style="font-family: georgia;">There, in just two paragraphs, we have the entire scenario setting described for us, with sights, sounds, possible encounters, major NPCs and their motives all suggested. I really lean on descriptions like this when running a game. They help me set the scene and, even more important, tell me which characters are hanging about, and give me an idea of what they'll think and say.</span><br /><br /><span style="font-family: georgia;">I recommend Ben Hur if you like a good historical tale, and especially if you liked the film. Although the events are similar to the film, there are enough differences that you'll get fresh perspectives, and Wallace can really set a scene, if scenery is what you're after.</span><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><span style="font-family: Garamond, serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;"><br /></span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://upload.wikimedia.org/wikipedia/commons/4/44/Strobridge_%26_Co._Lith.-_Ben-Hur_-_Klaw_%26_Erlanger's_Stupendous_Production.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="545" data-original-width="800" height="415" src="https://upload.wikimedia.org/wikipedia/commons/4/44/Strobridge_%26_Co._Lith.-_Ben-Hur_-_Klaw_%26_Erlanger&#39;s_Stupendous_Production.jpg" width="609" /></a></div><br /><p style="margin-bottom: 0cm; orphans: 2; widows: 2;"><br /></p></div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> </span> <span class='post-timestamp'> at <meta content='https://egunnu.blogspot.com/2021/03/reflections-on-ben-hur-tale-of-christ.html' itemprop='url'/> <a class='timestamp-link' href='https://egunnu.blogspot.com/2021/03/reflections-on-ben-hur-tale-of-christ.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2021-03-10T10:24:00-08:00'>March 10, 2021</abbr></a> </span> <span class='post-comment-link'> <a class='comment-link' href='https://egunnu.blogspot.com/2021/03/reflections-on-ben-hur-tale-of-christ.html#comment-form' onclick=''> No comments: </a> </span> <span class='post-icons'> <span class='item-control blog-admin pid-1282338224'> <a href='https://www.blogger.com/post-edit.g?blogID=2724078395031847481&postID=2649653457463439667&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=2649653457463439667&target=email' target='_blank' title='Email This'><span class='share-button-link-text'>Email This</span></a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=2724078395031847481&postID=2649653457463439667&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); 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