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In following the publisher's policy of limiting this collection to essays written in English, I did not mean to suggest that these essays were in any way superior to the best essays of my colleagues writing in other languages.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Essays on Opera, 1750–1800","attachmentId":36386571,"attachmentType":"pdf","work_url":"https://www.academia.edu/7522326/Essays_on_Opera_1750_1800","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/7522326/Essays_on_Opera_1750_1800"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="91017563" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/91017563/Operatic_ambiguities_and_the_power_of_music">Operatic ambiguities and the power of music</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="92452355" href="https://independent.academia.edu/ERosand">Ellen Rosand</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Cambridge Opera Journal, 1992</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Operatic ambiguities and the power of music","attachmentId":94422059,"attachmentType":"pdf","work_url":"https://www.academia.edu/91017563/Operatic_ambiguities_and_the_power_of_music","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/91017563/Operatic_ambiguities_and_the_power_of_music"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="33389544" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/33389544/Speaking_for_Whom_Using_Opera_Reviews_from_Strasbourg_1887_1918_to_Clarify_the_Problematical_Source_Character_of_Music_Criticism">Speaking for Whom? 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Using Opera Reviews from Strasbourg (1887-1918) to Clarify the Problematical Source Character of Music Criticism","attachmentId":53445349,"attachmentType":"pdf","work_url":"https://www.academia.edu/33389544/Speaking_for_Whom_Using_Opera_Reviews_from_Strasbourg_1887_1918_to_Clarify_the_Problematical_Source_Character_of_Music_Criticism","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/33389544/Speaking_for_Whom_Using_Opera_Reviews_from_Strasbourg_1887_1918_to_Clarify_the_Problematical_Source_Character_of_Music_Criticism"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="105036551" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/105036551/Harriet_Boyd_Bennett_Opera_in_Postwar_Venice_Cultural_Politics_and_the_Avant_Garde">Harriet Boyd-Bennett, Opera in Postwar Venice: Cultural Politics and the Avant-Garde</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1795891" href="https://sussex.academia.edu/nicktill">nick till</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Transposition, 2019</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Harriet Boyd-Bennett, Opera in Postwar Venice: Cultural Politics and the Avant-Garde","attachmentId":104602283,"attachmentType":"pdf","work_url":"https://www.academia.edu/105036551/Harriet_Boyd_Bennett_Opera_in_Postwar_Venice_Cultural_Politics_and_the_Avant_Garde","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/105036551/Harriet_Boyd_Bennett_Opera_in_Postwar_Venice_Cultural_Politics_and_the_Avant_Garde"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="11866259" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/11866259/_Maria_Cavalli_In_The_Shadow_of_Francesco_in_Readying_Cavalli_s_Operas_for_the_Stage_Manuscript_Edition_Production_ed_E_Rosand_Farnham_Ashgate_2013_">“Maria Cavalli: In The Shadow of Francesco” in Readying Cavalli’s Operas for the Stage: Manuscript, Edition, Production, ed. 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Rosand (Farnham: Ashgate, 2013)","attachmentId":55134924,"attachmentType":"pdf","work_url":"https://www.academia.edu/11866259/_Maria_Cavalli_In_The_Shadow_of_Francesco_in_Readying_Cavalli_s_Operas_for_the_Stage_Manuscript_Edition_Production_ed_E_Rosand_Farnham_Ashgate_2013_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/11866259/_Maria_Cavalli_In_The_Shadow_of_Francesco_in_Readying_Cavalli_s_Operas_for_the_Stage_Manuscript_Edition_Production_ed_E_Rosand_Farnham_Ashgate_2013_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="1212966" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/1212966/_Review_of_Hebert_Lindenberger_Situating_Opera_Period_Genre_Reception_Cambridge_UP_2010_Modern_Drama_55_2_Summer_2012_274_276">[Review of Hebert Lindenberger, Situating Opera: Period, Genre, Reception (Cambridge UP, 2010)], Modern Drama 55.2 (Summer 2012): 274–276.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1110719" href="https://independent.academia.edu/SamuelDwinell">Samuel Dwinell</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"[Review of Hebert Lindenberger, Situating Opera: Period, Genre, Reception (Cambridge UP, 2010)], Modern Drama 55.2 (Summer 2012): 274–276.","attachmentId":45718684,"attachmentType":"pdf","work_url":"https://www.academia.edu/1212966/_Review_of_Hebert_Lindenberger_Situating_Opera_Period_Genre_Reception_Cambridge_UP_2010_Modern_Drama_55_2_Summer_2012_274_276","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/1212966/_Review_of_Hebert_Lindenberger_Situating_Opera_Period_Genre_Reception_Cambridge_UP_2010_Modern_Drama_55_2_Summer_2012_274_276"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":47743672,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":47743672,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_47743672" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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href="https://www.academia.edu/8161497/_Review_Article_A_Passion_for_Italy_Cambridge_Opera_Journal_23_3_2011_191_200">‘Review Article: A Passion for Italy’, Cambridge Opera Journal, 23/3 (2011), 191-200.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2938794" href="https://northumbria.academia.edu/FrancescaVella">Francesca Vella</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"‘Review Article: A Passion for Italy’, Cambridge Opera Journal, 23/3 (2011), 191-200.","attachmentId":48536322,"attachmentType":"pdf","work_url":"https://www.academia.edu/8161497/_Review_Article_A_Passion_for_Italy_Cambridge_Opera_Journal_23_3_2011_191_200","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" 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