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...visitUNESCO by Yaromir...: sierpnia 2021

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background-position: left; min-height: 371px; _height: 371px; background-repeat: no-repeat; '> <div class='titlewrapper' style='background: transparent'> <h1 class='title' style='background: transparent; border-width: 0px'> <a href='https://visitunescobyyaromir.blogspot.com/'> ...visitUNESCO by Yaromir... </a> </h1> </div> <div class='descriptionwrapper'> <p class='description'><span> </span></p> </div> </div> </div></div> </div> </div> <div class='header-cap-bottom cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> </header> <div class='tabs-outer'> <div class='tabs-cap-top cap-top'> <div class='cap-left'></div> <div class='cap-right'></div> </div> <div class='fauxborder-left tabs-fauxborder-left'> <div class='fauxborder-right tabs-fauxborder-right'></div> <div class='region-inner tabs-inner'> <div class='tabs section' id='crosscol' name='Wszystkie kolumny'><div class='widget Text' data-version='1' id='Text1'> <div class='widget-content'> <br />Jest rok 1972. UNESCO - organizacja wyspecjalizowana ONZ - ustanawia "List臋 艣wiatowego dziedzictwa". Maj膮 na ni膮 trafi膰 arcydzie艂a dziedzictwa kulturowego: zabytki, groty, zespo艂y budowli, dzie艂a cz艂owieka, stanowiska archeologiczne oraz cuda dziedzictwa naturalnego: pomniki przyrody, parki narodowe, formacje geologiczne, strefy naturalne.<br /><br />Jest rok 1978. Pierwszych 12 obiekt贸w zostaje wpisanych na t膮 presti偶ow膮 List臋. W艣r贸d nich 2 w Polsce: Stare Miasto w Krakowie i Kopalnia Soli w Wieliczce. W nast臋pnych latach kolejne miejsca o "wyj膮tkowej powszechnej warto艣ci" trafiaj膮 na List臋, coraz wi臋cej pa艅stw przyjmuje lub ratyfikuje Konwencj臋.<br /><br />Jest rok 2013. Lista liczy sobie ju偶 kilkaset miejsc. Po powrocie z Bliskiego Wschodu wpadam na pomys艂, by odwiedzi膰, pozna膰 i utrwali膰 na zdj臋ciach jak najwi臋cej z nich.<br /><br />Jest rok 2018. Zak艂adam bloga, by podzieli膰 si臋 z Wami tym, co widzia艂em...<br /><br /><span ="" style="color:#666666;">Na chwil臋 obecn膮 - po konferencji w New Delhi w lipcu 2024 - Lista obejmuje <b>1226</b> obiekt贸w (w tym 3 obiekty skre艣lone), w 168 Pa艅stwach-Stronach Konwencji.</span><br /> </div> <div class='clear'></div> </div></div> <div class='tabs no-items section' id='crosscol-overflow' name='Cross-Column 2'></div> </div> </div> <div class='tabs-cap-bottom cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> <div class='main-outer'> <div class='main-cap-top cap-top'> <div class='cap-left'></div> <div class='cap-right'></div> </div> <div class='fauxborder-left main-fauxborder-left'> <div class='fauxborder-right main-fauxborder-right'></div> <div class='region-inner main-inner'> <div class='columns fauxcolumns'> <div class='fauxcolumn-outer fauxcolumn-center-outer'> <div class='cap-top'> <div class='cap-left'></div> <div class='cap-right'></div> </div> <div class='fauxborder-left'> <div class='fauxborder-right'></div> <div class='fauxcolumn-inner'> </div> </div> <div class='cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> <div class='fauxcolumn-outer fauxcolumn-left-outer'> <div class='cap-top'> <div class='cap-left'></div> <div class='cap-right'></div> </div> <div class='fauxborder-left'> <div class='fauxborder-right'></div> <div class='fauxcolumn-inner'> </div> </div> <div class='cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> <div class='fauxcolumn-outer fauxcolumn-right-outer'> <div class='cap-top'> <div class='cap-left'></div> <div class='cap-right'></div> </div> <div class='fauxborder-left'> <div class='fauxborder-right'></div> <div class='fauxcolumn-inner'> </div> </div> <div class='cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> <!-- corrects IE6 width calculation --> <div class='columns-inner'> <div class='column-center-outer'> <div class='column-center-inner'> <div class='main section' id='main' name='G艂贸wny'><div class='widget Blog' data-version='1' id='Blog1'> <div class='blog-posts hfeed'> <div class="date-outer"> <h2 class='date-header'><span>niedziela, 1 sierpnia 2021</span></h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry uncustomized-post-template' itemprop='blogPost' itemscope='itemscope' itemtype='http://schema.org/BlogPosting'> <meta content='https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpEGgqJePhbAgjqcow2awgwuyttFBmbvk6xWVzeIEBLgjMJ1_KX2YhDFregrPeD45IPXC2Lqj4A08q7PBZZjx3NOeylugyMClDcU045cW1GVoOrc3Nr-ecib0I8vxbzWyNftrlmotN2EJi1dKtiIONdjbTKLL5R2P34ocjApc1s-SArQooxDnB-yxM/w640-h640/213.png' itemprop='image_url'/> <meta content='641998139715934164' itemprop='blogId'/> <meta content='2135639442452617386' itemprop='postId'/> <a name='2135639442452617386'></a> <h3 class='post-title entry-title' itemprop='name'> <a href='https://visitunescobyyaromir.blogspot.com/2021/08/mathildenhohe.html'>Mathildenh枚he</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-2135639442452617386' itemprop='description articleBody'> <h3><b><span style="font-size: large;">...visit &#8470; 213...</span></b></h3><div><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpEGgqJePhbAgjqcow2awgwuyttFBmbvk6xWVzeIEBLgjMJ1_KX2YhDFregrPeD45IPXC2Lqj4A08q7PBZZjx3NOeylugyMClDcU045cW1GVoOrc3Nr-ecib0I8vxbzWyNftrlmotN2EJi1dKtiIONdjbTKLL5R2P34ocjApc1s-SArQooxDnB-yxM/s768/213.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="768" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpEGgqJePhbAgjqcow2awgwuyttFBmbvk6xWVzeIEBLgjMJ1_KX2YhDFregrPeD45IPXC2Lqj4A08q7PBZZjx3NOeylugyMClDcU045cW1GVoOrc3Nr-ecib0I8vxbzWyNftrlmotN2EJi1dKtiIONdjbTKLL5R2P34ocjApc1s-SArQooxDnB-yxM/w640-h640/213.png" width="640" /></a></div><br /><span style="font-size: large;"><br /></span></b></div><div><b><span style="color: #ffd966; font-size: large;">...czyli: "moja heska ziemia kwitnie, a w niej sztuka"...</span></b></div><div><b><span style="font-size: large;"><br /></span></b></div><h3 style="text-align: left;"><span style="font-size: small;"><b><span>Ernest Ludwik by艂 ostatnim wielkim ksi臋ciem Hesji i Renu. Rz膮dzi艂 od 1892 roku a偶 do zako艅czenia I wojny 艣wiatowej w 1918 roku, kiedy ksi臋stwo przesta艂o istnie膰. Do historii przeszed艂, b臋d膮c mecenasem sztuki i autorem poezji, dramat贸w, esej贸w i utwor贸w na pianino, a tak偶e jako skandalista - jego ma艂偶e艅stwo rozpad艂o si臋 z hukiem, gdy 偶ona i dzieci dowiedzia艂y si臋 o licznych homoseksualnych romansach ksi臋cia. Jednak kocha艂 nad 偶ycie swoj膮 ojczyzn臋 Hesj臋 i stara艂 si臋 zrobi膰 dla niej wszystko, by mlekiem i miodem p艂yn臋艂a, a s艂awa jej si臋ga艂a hen, daleko w 艣wiecie. Postanowi艂 za艂o偶y膰 w Darmstadt Koloni臋 Artyst贸w - miejsce, gdzie pisarze, architekci, rze藕biarze, malarze, rzemie艣lnicy i wszelkiej innej ma艣ci arty艣ci, miast wa艂臋sa膰 si臋 po ca艂ej Europie, mogliby siedzie膰 w jednym miejscu i przy szklaneczce absyntu tudzie偶 J</span>盲germeistera rozwija膰 si臋 tw贸rczo i p艂odzi膰 dzie艂a ku chwale ksi臋stwa. Szybko wyznaczy艂 teren pod Koloni臋, wymy艣li艂 dla niej eleganckie motto "Moja heska ziemia kwitnie, a w niej sztuka" (<i>Mein Hessenland bl眉he und in ihm die Kunst</i>), si臋gn膮艂 g艂臋biej do skarbca i zacz膮艂 sprasza膰 artyst贸w...<br /></b><b>Wyb贸r lokalizacji pad艂 na 180-metrowe wzg贸rze, le偶膮ce niedaleko centrum Darmstadt. Niegdy艣 rozci膮ga艂y si臋 na nim ksi膮偶臋ce ogrody, przekszta艂cone p贸藕niej w angielski park krajobrazowy. Na szczycie wzg贸rza sta艂a ju偶 od niedawna cerkiew 艣w. Marii Magdaleny o z艂otych kopu艂ach, wzniesiona z prywatnej fundacji cara rosyjskiego Miko艂aja II z okazji 艣lubu z ksi臋偶niczk膮 hesk膮 Alicj膮, przysz艂膮 caryc膮 Aleksandr膮. Car po prostu zapragn膮艂 mie膰 godne miejsce do modlitwy, gdy b臋dzie w odwiedzinach u te艣ci贸w, a ci nie mieli przeciwwskaza艅 do zbudowania prawos艂awnego obiektu sakralnego na swych w艂o艣ciach. Ernest Ludwik uzna艂, 偶e cerkiew nie powinna artystom przeszkadza膰, tote偶 ju偶 wkr贸tce wok贸艂 艣wi膮tyni ruszy艂y prace budowlane. Wzg贸rze owo, na cze艣膰 ciotki Ernesta Ludwiga, ksi臋偶nej heskiej Matyldy von Wittelsbach, nosi艂o miano Mathildenh枚he. Tak te偶 zosta艂a nazwana przysz艂a Kolonia Artyst贸w - Darmst盲dter K眉nsterkolonie&nbsp;</b><b>Mathildenh枚he...<br /></b><b>Za rok powstania Kolonii przyjmuje si臋 1899 - wtedy to na zaproszenie ksi臋cia Ernesta Ludwiga przyby艂o z Wiednia, Pary偶a i Monachium siedmiu secesyjnych artyst贸w-za艂o偶ycieli: Peter Behrens (1868-1940), Paul B眉rck (1878-1947), Rudolf Bosselt (1871-1938), Hans Christiansen (1866-1945), Ludwig Habich (1872-1949), Patriz Huber (1878-1902) oraz Joseph Maria Olbrich (1867-1908). Artystom zapewniono pe艂n膮 swobod臋 tw贸rcz膮, ma艂o tego - ksi膮偶臋 podarowa艂 im dzia艂ki budowlane na terenie Kolonii i przez trzy pierwsze lata wyp艂aca艂 hojn膮 pensj臋! W zamian zobowi膮zani byli do sta艂ej ekspozycji swych prac i przyci膮gni臋cia potencjalnych kupuj膮cych. Wznoszone przez nich domy mieszkalne w艂asnego projektu mia艂y by膰 w du偶ym stopniu dost臋pne dla odwiedzaj膮cych Koloni臋, sta膰 si臋 nowoczesnymi dzie艂ami sztuki, z wn臋trzami i wyposa偶eniem r贸wnie偶 autorstwa artyst贸w. No i raz na jaki艣 czas, by nie zgnu艣nie膰 b膮d藕 nie popa艣膰 w samouwielbienie, byli zobligowani do zorganizowania wielkiej wystawy swej tw贸rczo艣ci dla go艣ci z ca艂ej Europy...<br /></b><b>Jest lipcowe, gor膮ce popo艂udnie, gdy z Margit膮 wspinam si臋 niespiesznie brukowan膮 uliczk膮 na szczyt wzg贸rza&nbsp;</b><b>Mathildenh枚he w Darmstadt. Mimo 偶e do centrum miasta jest st膮d niedaleko, okolica wydaje si臋 by膰 cicha i spokojna, z nielicznymi przechodniami spaceruj膮cymi mi臋dzy domami. Pierwsze, co rzuca nam si臋 w oczy z daleka, to blask s艂o艅ca odbijaj膮cy si臋 w wypolerowanych z艂otych kopu艂ach cerkwi:</b></span></h3><div><b><br /></b></div><div><b><br /></b></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglhTYHjuW2jF7ryd_8TmZczfURzvmVC0i1luVtP8iNS8JamUwHFvOHbtd3aobl2ZvEV6wQ41UKxrXtQgJYSf1kGO4ou4i_UT9kwhB8C3TUlaG9YEL_bffAYa5mYc7mvMpZw2mllUgoxSPNIzcz_665g38WbA6x7tL6PnuYnvZ4xJ48DOIAK3WmAGXf/s800/1%20Kolonia%20Artyst%C3%B3w%20w%20Darmstadt%20z%20rosyjsk%C4%85%20kaplic%C4%85%20%C5%9Bw.%20Marii%20Magdaleny.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="491" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglhTYHjuW2jF7ryd_8TmZczfURzvmVC0i1luVtP8iNS8JamUwHFvOHbtd3aobl2ZvEV6wQ41UKxrXtQgJYSf1kGO4ou4i_UT9kwhB8C3TUlaG9YEL_bffAYa5mYc7mvMpZw2mllUgoxSPNIzcz_665g38WbA6x7tL6PnuYnvZ4xJ48DOIAK3WmAGXf/s16000/1%20Kolonia%20Artyst%C3%B3w%20w%20Darmstadt%20z%20rosyjsk%C4%85%20kaplic%C4%85%20%C5%9Bw.%20Marii%20Magdaleny.jpg" /></a></div>&nbsp; &nbsp; <b><span style="color: #ffd966;">1. Kolonia Artyst贸w w Darmstadt - na pierwszym planie cerkiew 艣w. Marii Magdaleny wzniesiona na polecenie cara Rosji Miko艂aja II</span></b></div><div><b><br /></b></div><h3 style="text-align: left;"><b><span style="font-size: small;">Rosyjska Kaplica, wzniesiona w latach 1897-1899, by艂a pierwszym z budynk贸w na wzg贸rzu. Postawiono j膮 na kr贸tko przed powo艂aniem Kolonii Artyst贸w, a fundator car Miko艂aj II uczestniczy艂 zar贸wno w uroczysto艣ci po艂o偶enia kamienia w臋gielnego jak i przy po艣wi臋ceniu gotowej cerkwi. Legenda g艂osi, 偶e 艣wi膮tynia stoi na miejscu pokrytym ziemi膮 przywiezion膮 wagonami z dalekiej Rosji, co dla pobo偶nego cara mia艂o znaczenie symboliczne. Tu偶 po konsekracji w s膮siedztwie kaplicy zacz臋艂y wyrasta膰 domy sprowadzonych przez Ernesta Ludwika artyst贸w. Nie min臋艂y dwa lata, a wi臋kszo艣膰 budynk贸w by艂a wyrychtowana, jak to m贸wi膮 Niemcy, "na zicher". Pierwsza wielka wystawa odby艂a si臋 w Kolonii Artyst贸w pomi臋dzy majem a pa藕dziernikiem 1901 roku pod szyldem <i>Dokument sztuki niemieckiej. </i>Zwiedzaj膮cy mogli podziwia膰 okaza艂y Dom Ernsta Ludwiga - budynek pracowni komunalnej z sal膮 konferencyjn膮 oraz wille artyst贸w zlokalizowane przy ulicy Alexandraweg: Dom Deitersa, Gl眉ckerthaus, Dom Behrensa, Dom Olbrich贸w, Dom Habicha czy Willa Christiansen.</span></b></h3><div><b><br /></b></div><div><b><br /></b></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV2F_0AjMjGj8PDJ5dd56fnaH7ZxhnWnScIAVn1BAh5FuvoG_CkkW5GQX4B7Bo4r1-63aU4rf9P0rAbkYd1VMUuY8wxOIHg5_mw7bx_qigG2H8TSSSvreIN9-C26c-TWF4oFev-VI5xEVr7rbNhYvycsaTXSP8kmFQQZRG1NPL4VnheHmYSk99WHq3/s800/5%20Dom%20Ernsta%20Ludwiga%20(Joseph%20Maria%20Olbrich).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="485" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV2F_0AjMjGj8PDJ5dd56fnaH7ZxhnWnScIAVn1BAh5FuvoG_CkkW5GQX4B7Bo4r1-63aU4rf9P0rAbkYd1VMUuY8wxOIHg5_mw7bx_qigG2H8TSSSvreIN9-C26c-TWF4oFev-VI5xEVr7rbNhYvycsaTXSP8kmFQQZRG1NPL4VnheHmYSk99WHq3/s16000/5%20Dom%20Ernsta%20Ludwiga%20(Joseph%20Maria%20Olbrich).jpg" /></a></div>&nbsp; &nbsp; <b><span style="color: #ffd966;">2. Dom Ernsta Ludwiga wg projektu J. M. Olbricha z ozdobnym wej艣ciem i sze艣ciometrowymi pos膮gami zwanymi "M臋偶czyzna i Kobieta" lub "Moc i&nbsp; Pi臋kno"</span></b></div><div><b><br /></b></div><div><b><br /></b></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPkNcBSrMK9LT6ouzGFLLPGvCl1r3AB1sriMQiyGF_ynp5xCeVfVah_bMgUMOq_loqMHApmjYx3LKJYzsXE-Y-Pgb9NGcp6BNUoxs7lgLnZe78jDH6zue03ePPTTgsBxIaUnJRYxe4rJaj-YMouiKb8Te_Qc97YqQ8xWOZRMBR3GrMkDLP-hsX-oOh/s800/8%20Villa%20Olbrich.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPkNcBSrMK9LT6ouzGFLLPGvCl1r3AB1sriMQiyGF_ynp5xCeVfVah_bMgUMOq_loqMHApmjYx3LKJYzsXE-Y-Pgb9NGcp6BNUoxs7lgLnZe78jDH6zue03ePPTTgsBxIaUnJRYxe4rJaj-YMouiKb8Te_Qc97YqQ8xWOZRMBR3GrMkDLP-hsX-oOh/s16000/8%20Villa%20Olbrich.jpg" /></a></div>&nbsp; &nbsp; <b><span style="color: #ffd966;">3. Dom zdobiony fryzem z bia艂o-niebieskich kafelek, kt贸ry zaprojektowa艂 dla siebie J. M. Olbrich</span></b></div><div><b><br /></b></div><div><b><br /></b></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkpqBrXShAtiK0sR1pRTQm73mpNXeC47wVIAccPTA98cg1kmYdXc1EGXPAunnjM0UJN3g9zaagFcwnOBsZh9QDRKaoWDN8M_XFasXpT7ON0nTfJHvX_jcJG1GrGh8MQ9g2m9qYObVvxu3WMzaPeHgCRx-EvpW5GhX6tYuMjiZD99OlQuTylGYN2TFh/s800/6%20Alexandraweg,%20Dom%20Gl%C3%BCckert.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="531" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkpqBrXShAtiK0sR1pRTQm73mpNXeC47wVIAccPTA98cg1kmYdXc1EGXPAunnjM0UJN3g9zaagFcwnOBsZh9QDRKaoWDN8M_XFasXpT7ON0nTfJHvX_jcJG1GrGh8MQ9g2m9qYObVvxu3WMzaPeHgCRx-EvpW5GhX6tYuMjiZD99OlQuTylGYN2TFh/s16000/6%20Alexandraweg,%20Dom%20Gl%C3%BCckert.jpg" /></a></div>&nbsp; &nbsp; <span style="color: #ffd966;"><b>4. Secesyjny&nbsp;</b><b>Gl眉ckerthaus, r贸wnie偶 wg projektu J. M. Olbricha, przeznaczony dla producenta mebli Juliusa&nbsp;</b><b>Gl眉ckerta, wa偶nego zwolennika Kolonii Artyst贸w</b></span></div><div><b><br /></b></div><div><b><br /></b></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi16aF70R0q-L6hzBMuj9mpgDsXO3nIqn3KvkMbMiR6W3B9OHZkD7aOwFWFKYMacAfysAX-mEUB_jOBkSqZ-xUnkthzcqfGk2OGZ5J0zkRnuELnBXKl5Aw5Wwr40k8Wqn7XEu4QO76LiIyjA7Losm5rxmu_hrtZmr-fZiUe_ph5jjFxaJp_6gSBltko/s800/7%20Drzwi%20wej%C5%9Bciowe%20%20do%20Domu%20Gl%C3%BCckert.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="531" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi16aF70R0q-L6hzBMuj9mpgDsXO3nIqn3KvkMbMiR6W3B9OHZkD7aOwFWFKYMacAfysAX-mEUB_jOBkSqZ-xUnkthzcqfGk2OGZ5J0zkRnuELnBXKl5Aw5Wwr40k8Wqn7XEu4QO76LiIyjA7Losm5rxmu_hrtZmr-fZiUe_ph5jjFxaJp_6gSBltko/s16000/7%20Drzwi%20wej%C5%9Bciowe%20%20do%20Domu%20Gl%C3%BCckert.jpg" /></a></div>&nbsp; &nbsp; <span style="color: #ffd966;"><b>5. Drzwi wej艣ciowe do&nbsp;</b><b>Gl眉ckerthaus czyli Jugendstil w najczystszej postaci</b></span></div><div><b><br /></b></div><h3 style="text-align: left;"><span style="font-size: small;"><b>O dziwo, pierwsza wielka wystawa zako艅czy艂a si臋 finansow膮 klap膮. Koloni臋 opu艣ci艂o pi臋ciu z artyst贸w-za艂o偶ycieli. Dlatego druga wystawa z 1904 roku prezentowa艂a prawie wy艂膮cznie budynki tymczasowe i koncentrowa艂a si臋 na pokazaniu mieszka艅 dla grup spo艂ecznych o 艣rednich dochodach. Nowymi cz艂onkami Kolonii zostali wtedy heski artysta Daniel Greiner, malarz i grafik Johann Vincenz Cissarz oraz z艂otnik Paul Haustein. Po wystawie zdecydowan膮 wi臋kszo艣膰 ekspozycji rozebrano, osta艂y si臋 tylko trzy domy wed艂ug projektu J. M. Olbricha na rogu Stiftstra脽e i Prinz-Christians-Weg.&nbsp;<br /></b><b>Trzecia wystawa odby艂a si臋 w 1908 roku i by艂a zdecydowanym sukcesem. Wzi臋li w niej udzia艂 tylko hescy arty艣ci i rzemie艣lnicy, a tematem przewodnim by艂y kolonie ma艂ych mieszka艅 - by pokaza膰, 偶e nowoczesne formy architektoniczne s膮 mo偶liwe r贸wnie偶 przy niewielkich nak艂adach finansowych. W tym czasie opr贸cz Olbricha do Kolonii nale偶eli: architekt Albin M眉ller, ceramik Jakob Julius Scharvogel, rze藕biarze Ernst Riegel, Josef Emil Schneckendorf i Heinrich Jobst oraz malarz i grafik Friedrich Wilhelm Kleukens. Kulminacyjnym punktem wystawy by艂o ods艂oni臋cie budynku ekspozycyjnego oraz Wie偶y Weselnej:</b></span></h3><div><b><br /></b></div><div><b><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXzGPGmg11fYHvZHsD6YzV4bC2sCMgSl8i84AQ-yDc00yuIDjhp4eC0Op_ewPWncXpAdBnzQhQxFW1iKcfKKQMv1bohvqmIiFGf1hOYmFf669Y1OaYAWWuYo4EokOSxltxFt5KI4glFTfowclp0CF-5T_k1Hwf2WdPIvzj_TmqTaVQGux3y6Q_lNvC/s600/3%20Wie%C5%BCa%20%C5%9Alubna%20(Joseph%20Maria%20Olbrich).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXzGPGmg11fYHvZHsD6YzV4bC2sCMgSl8i84AQ-yDc00yuIDjhp4eC0Op_ewPWncXpAdBnzQhQxFW1iKcfKKQMv1bohvqmIiFGf1hOYmFf669Y1OaYAWWuYo4EokOSxltxFt5KI4glFTfowclp0CF-5T_k1Hwf2WdPIvzj_TmqTaVQGux3y6Q_lNvC/s16000/3%20Wie%C5%BCa%20%C5%9Alubna%20(Joseph%20Maria%20Olbrich).jpg" /></a></div>&nbsp; &nbsp; <span style="color: #ffd966;">6. Wie偶a Weselna wg projektu J. M. Olbricha, wybudowana z okazji trzeciej wystawy w 1908 roku</span></b></div><div><b><br /></b></div><h3 style="text-align: left;"><span style="font-size: small;"><b>Wie偶a Weselna (<i>Hochzeitsturm</i>) wznosi si臋 na wysoko艣膰 48,5 metra i jest niekwestionowan膮 wizyt贸wk膮&nbsp;</b><b>Mathildenh枚he i ca艂ego&nbsp;</b><b>Darmstadt. Upami臋tnia 艣lub ksi臋cia Ernesta Ludwiga z drug膮 偶on膮 Eleonor膮, kt贸ry odby艂 si臋 2 lutego 1905 roku. Cech膮 charakterystyczn膮 Wie偶y jest jej elewacja z ciemnoczerwonej ceg艂y klinkierowej oraz dach w kszta艂cie pi臋ciu 艂uk贸w, przypominaj膮cy wyci膮gni臋t膮 d艂o艅. Z tego powodu nazywana jest r贸wnie偶 "Wie偶膮 Pi臋ciu Palc贸w", a w jej murach po dzi艣 dzie艅 mieszka艅cy Hesji ch臋tnie zawieraj膮 zwi膮zki ma艂偶e艅skie.<br /></b><b>Jako 偶e wrota Wie偶y Weselnej zastajemy zamkni臋te na g艂ucho, nie dane nam b臋dzie zobaczy膰 wn臋trz zaprojektowanych w stylu niemieckiej secesji. Obok Wie偶y, w cieniu drzew kilku jegomo艣ci w wieku emerytalnym zawzi臋cie k艂贸ci si臋 ze sob膮 podczas gry w boule. Gdy przechodzimy, sp贸r zdaje si臋 艂agodnie膰. D偶entelmeni solidarnie poci膮gaj膮 po sporym 艂yku pilsnera z puszek stoj膮cych na pobliskiej 艂awce po czym wracaj膮 do rzucania metalowymi kulkami. Nim dochodzimy do kolejnych obiekt贸w Kolonii Artyst贸w, dobiega nas odg艂os nowej sprzeczki pomi臋dzy graczami...<br /></b><b>Czwarta i ostatnia wielka wystawa odby艂a si臋 w 1914 roku. Do Kolonii do艂膮czyli architekci Emanuel Josef Margold i Edmunt K枚rner oraz rze藕biarz i malarz&nbsp;Bernhard Hoetger. Z okazji wystawy F. W. Kleukens udekorowa艂 Wie偶臋 Weseln膮 mozaik膮 "Poca艂unek", rze藕b膮 na portalu oraz zegarem s艂onecznym, a Albin&nbsp;</b><b>M眉ller stworzy艂 ca艂kiem nowe obiekty: Basen Liliowy (<i>Lilienbecken</i>) i kamienne misy z kwiatami obok Rosyjskiej Kaplicy, portal wej艣ciowy na wystaw臋 oraz pawilon ogrodowy zwany "艢wi膮tyni膮 艁ab臋dzi". Pawilon, z o艣mioma podw贸jnymi kolumnami i sto偶kowatym dachem, tworzy bram臋 do schodk贸w prowadz膮cych od sektora Wie偶y Weselnej i Rosyjskiej Kaplicy do secesyjnych dom贸w artyst贸w przy Alexandraweg. We wn臋trzu "艢wi膮tyni 艁ab臋dzi" zastajemy miejscowego muzyka, kt贸ry wygrywa na gitarze akustycznej jak膮艣 sm臋tn膮 bossanov臋. Jeste艣my jedynymi s艂uchaczami, wi臋c gdy odchodzimy, artysta intonuje rzewn膮 pie艣艅 ju偶 tylko sobie a muzom...</b></span></h3><div><b><br /></b></div><div><b><br /></b></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJSykR6xW5D8WcqE4r3GhyrFVYXLdcsOIcO5PCoUyFKPXx77KOoitqPwqtDygbdyQc4Q1AU6XVn3VON9ClGrfRsHw4lnmIeSoqlui6CsfLR3qBnmZYQJXW_JAO3uCCJ12B2Osy3JhxgXb9C8C95fGkKZHhM1o7IxNHYlLGtE4rCVJUCK3B1VhQcvk3/s800/4%20Pawilon%20Ogrodowy%20''%C5%9Awi%C4%85tynia%20%C5%81ab%C4%99dzia''%20(Albin%20M%C3%BCller).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="531" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJSykR6xW5D8WcqE4r3GhyrFVYXLdcsOIcO5PCoUyFKPXx77KOoitqPwqtDygbdyQc4Q1AU6XVn3VON9ClGrfRsHw4lnmIeSoqlui6CsfLR3qBnmZYQJXW_JAO3uCCJ12B2Osy3JhxgXb9C8C95fGkKZHhM1o7IxNHYlLGtE4rCVJUCK3B1VhQcvk3/s16000/4%20Pawilon%20Ogrodowy%20&#39;&#39;%C5%9Awi%C4%85tynia%20%C5%81ab%C4%99dzia&#39;&#39;%20(Albin%20M%C3%BCller).jpg" /></a></div>&nbsp; &nbsp; <b><span style="color: #ffd966;">7. Pawilon ogrodowy "艢wi膮tynia 艁ab臋dzi", na drugim planie secesyjny Dom Behrensa</span></b></div><div><b><br /></b></div><h3 style="text-align: left;"><b><span style="font-size: small;">Na potrzeby czwartej wystawy stworzono tak偶e Gaj Platanowy - prostok膮t terenu o d艂ugo艣ci 125 metr贸w i szeroko艣ci 40 metr贸w, na kt贸rym w r贸wnych odleg艂o艣ciach posadzono drzewa. Regularnie przycinane platany skrywaj膮 pomi臋dzy pniami grupy rze藕b w postaci p艂askich relief贸w, zaprojektowanych przez Bernharda Hoetgera:</span></b></h3><div><b><br /></b></div><div><b><br /></b></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6mJwcQ6w77oX_hSuywlrlwNnbbnGyMitDlerRHnDI5kVi2kfw4EjC0eV8L7tFWyvRAzhggD2t1KJ3B4N9pBU226Aj1jZNI4jzdoH28fasRGgbe0TSf8dHZlPUzqAv21CVDpz6YsCGCwRsBxKD16EW0cPcolgDeFzYhg1Njt-fGwbjrsMQxp-wfHHh/s800/9%20Brama%20do%20Platanowego%20Gaju.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="503" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6mJwcQ6w77oX_hSuywlrlwNnbbnGyMitDlerRHnDI5kVi2kfw4EjC0eV8L7tFWyvRAzhggD2t1KJ3B4N9pBU226Aj1jZNI4jzdoH28fasRGgbe0TSf8dHZlPUzqAv21CVDpz6YsCGCwRsBxKD16EW0cPcolgDeFzYhg1Njt-fGwbjrsMQxp-wfHHh/s16000/9%20Brama%20do%20Platanowego%20Gaju.jpg" /></a></div>&nbsp; &nbsp; <b><span style="color: #ffd966;">8. Lampart i lew z kamienia strzeg膮 wej艣cia do Gaju Platanowego</span></b></div><div><b><br /></b></div><div><b><br /></b></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOfHUhAjMLCClj_OAaTUS5g5X2TOv2kNLdcEcEJQfmHPCW4XG41iQGLLPPmUoeeXN6r8bcR2GHDVPCQpT5lyQVONDJxSIUzpcisIUaQ5u43-jSg3rjVAygqxnI0hB-79qn5xIrKOOx3rwLljaVNukrSF0Xezvwvi4ICJD9afOIr8CwF9dtD-M1fd7X/s800/2%20Platanowy%20Gaj%20-%20kamienny%20relief%20(Bernhard%20Hoetger).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="522" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOfHUhAjMLCClj_OAaTUS5g5X2TOv2kNLdcEcEJQfmHPCW4XG41iQGLLPPmUoeeXN6r8bcR2GHDVPCQpT5lyQVONDJxSIUzpcisIUaQ5u43-jSg3rjVAygqxnI0hB-79qn5xIrKOOx3rwLljaVNukrSF0Xezvwvi4ICJD9afOIr8CwF9dtD-M1fd7X/s16000/2%20Platanowy%20Gaj%20-%20kamienny%20relief%20(Bernhard%20Hoetger).jpg" /></a></div>&nbsp; &nbsp; <b><span style="color: #ffd966;">9. Relief "Zmartwychwstanie" w Gaju Platanowym, autorstwa Bernharda Hoetgera</span></b></div><div><b><br /></b></div><h3 style="text-align: left;"><span style="font-size: small;"><b>Gdy w sierpniu 1914 roku wybuch艂a I wojna 艣wiatowa, przerwano czwart膮 wielk膮 wystaw臋 na wzg贸rzu&nbsp;</b><b>Mathildenh枚he. Kolonia jako艣 tam egzystowa艂a przez nast臋pne lata, lecz nowi arty艣ci nie pojawiali si臋 w jej murach. Faktycznie przesta艂a istnie膰 w 1918 roku wraz z abdykacj膮 jej fundatora, ksi臋cia Ernesta Ludwika. D艂ugo pozostawa艂a w zapomnieniu a偶 do lat 50. XX stulecia, kiedy 艣wiat na nowo zacz膮艂 偶ywo interesowa膰 si臋 Jugendstilem. Pomimo kr贸tkiego okresu istnienia i p贸藕niejszych zniszcze艅 wywo艂anych II wojn膮 艣wiatow膮, Kolonia Artyst贸w&nbsp;</b><b>Mathildenh枚he&nbsp;</b><b>szcz臋艣liwie przetrwa艂a i jej dzie艂a sztuki i architektury nadal stanowi膮 niezatarty monument dziedzictwa kulturowego Darmstadt i dawnego ksi臋stwa Hesji...</b></span></h3><div><b><br /><br /><br /></b></div><div><b><br /></b></div><div><b><br /></b></div><div><br /><br /><br /><br /></div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> <span class='post-author vcard'> Autor: <span class='fn' itemprop='author' itemscope='itemscope' itemtype='http://schema.org/Person'> <meta content='https://www.blogger.com/profile/17108214890099144644' itemprop='url'/> <a class='g-profile' href='https://www.blogger.com/profile/17108214890099144644' rel='author' title='author profile'> <span itemprop='name'>visitUNESCObyYaromir</span> </a> </span> </span> <span class='post-timestamp'> o <meta content='http://visitunescobyyaromir.blogspot.com/2021/08/mathildenhohe.html' itemprop='url'/> <a class='timestamp-link' href='https://visitunescobyyaromir.blogspot.com/2021/08/mathildenhohe.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2021-08-01T10:00:00-07:00'>10:00</abbr></a> </span> <span class='post-comment-link'> <a class='comment-link' href='https://visitunescobyyaromir.blogspot.com/2021/08/mathildenhohe.html#comment-form' onclick=''> Brak komentarzy: </a> </span> <span class='post-icons'> <span class='item-control blog-admin pid-1122602476'> <a href='https://www.blogger.com/post-edit.g?blogID=641998139715934164&postID=2135639442452617386&from=pencil' title='Edytuj post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> </span> </span> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=641998139715934164&postID=2135639442452617386&target=email' target='_blank' title='Wy艣lij poczt膮 e-mail'><span class='share-button-link-text'>Wy艣lij poczt膮 e-mail</span></a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=641998139715934164&postID=2135639442452617386&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); 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</span> </a> <a class='post-count-link' href='https://visitunescobyyaromir.blogspot.com/2010/07/'> lipca </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> &#9658;&#160; </span> </a> <a class='post-count-link' href='https://visitunescobyyaromir.blogspot.com/2010/05/'> maja </a> <span class='post-count' dir='ltr'>(2)</span> </li> </ul> <ul class='hierarchy'> <li class='archivedate collapsed'> <a class='toggle' href='javascript:void(0)'> <span class='zippy'> &#9658;&#160; </span> </a> <a class='post-count-link' href='https://visitunescobyyaromir.blogspot.com/2010/01/'> stycznia </a> <span class='post-count' dir='ltr'>(1)</span> </li> </ul> </li> </ul> </div> </div> <div class='clear'></div> </div> </div><div class='widget Profile' data-version='1' id='Profile1'> <h2>O mnie</h2> <div class='widget-content'> <a href='https://www.blogger.com/profile/17108214890099144644'><img alt='Moje zdj臋cie' class='profile-img' height='80' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDLa3_sL0Z2Z9GTiFiqlh_VWJ8tmyaf21DX4Jx8T2xGhnhMafc64myyf-veCMUHjndZZSQu6fUstH43V5_Sfeh1U1ZMZn8gIZWuKnNs4SMlcxST-W4vONbaKe2c-kn9g/s113/yaromir+1.jpg' width='80'/></a> <dl class='profile-datablock'> <dt class='profile-data'> <a class='profile-name-link g-profile' href='https://www.blogger.com/profile/17108214890099144644' rel='author' style='background-image: url(//www.blogger.com/img/logo-16.png);'> visitUNESCObyYaromir </a> </dt> <dd class='profile-textblock'>Z pasji podr贸偶owania i zami艂owania do geografii i historii powsta艂 pomys艂 odwiedzenia jak najwi臋kszej liczby miejsc wpisanych na "List臋 艣wiatowego dziedzictwa UNESCO". Fotografi膮 zarazi艂a mnie Margita - artysta fotografik, prywatnie 呕ona i Towarzyszka wszystkich moich podr贸偶y. Jak r贸wnie偶 w艂a艣cicielka Nikona D90 i D610 oraz niema艂ej kolekcji obiektyw贸w, bez kt贸rych nie wyobra偶amy sobie 偶adnego wyjazdu.</dd> </dl> <a class='profile-link' href='https://www.blogger.com/profile/17108214890099144644' rel='author'>Wy艣wietl m贸j pe艂ny profil</a> <div class='clear'></div> </div> </div><div class='widget LinkList' data-version='1' id='LinkList1'> <h2>Warto odwiedzi膰 :</h2> <div class='widget-content'> <ul> <li><a href='http://whc.unesco.org'>UNESCO</a></li> <li><a href='http://www.unesco.pl/'>Polski Komitet ds. UNESCO</a></li> <li><a href='http://www.myunesco.net/'>myunesco</a></li> <li><a href='https://www.nid.pl'>Narodowy Instytut Dziedzictwa</a></li> <li><a href='https://margitafoto.wixsite.com/kubiciusfotografia'>Kubicius Fotografia</a></li> <li><a href='http://enka98r.blogspot.com/'>Inside my head</a></li> </ul> <div class='clear'></div> </div> </div><div class='widget ContactForm' data-version='1' id='ContactForm1'> <h2 class='title'>Yaromir - kontakt</h2> <div class='contact-form-widget'> <div class='form'> <form name='contact-form'> <p></p> Nazwa <br/> <input class='contact-form-name' id='ContactForm1_contact-form-name' name='name' size='30' type='text' value=''/> <p></p> E-mail <span style='font-weight: bolder;'>*</span> <br/> <input class='contact-form-email' id='ContactForm1_contact-form-email' name='email' size='30' type='text' value=''/> <p></p> Wiadomo艣膰 <span style='font-weight: bolder;'>*</span> <br/> <textarea class='contact-form-email-message' cols='25' id='ContactForm1_contact-form-email-message' name='email-message' rows='5'></textarea> <p></p> <input class='contact-form-button contact-form-button-submit' id='ContactForm1_contact-form-submit' type='button' value='Wy艣lij'/> <p></p> <div style='text-align: center; max-width: 222px; width: 100%'> <p class='contact-form-error-message' id='ContactForm1_contact-form-error-message'></p> <p class='contact-form-success-message' id='ContactForm1_contact-form-success-message'></p> </div> </form> </div> </div> <div class='clear'></div> </div><div class='widget Text' data-version='1' id='Text3'> <div class='widget-content'> <i>L膮dy i morza przemierzam,</i><div><i>kul臋 ziemsk膮 z otwartym czo艂em.</i></div><div><i>Polski mam paszport na sercu.</i></div><div><i>Sk膮d, pytam, sk膮d go wzi膮艂em?</i></div><div><i><br /></i></div><div><i>A wzi膮艂em go z dumy i trudu,</i></div><div><i>ze znoju codziennej pracy,</i></div><div><i>ze stali, z 偶elaza, z w臋gla.</i></div><div><i>A w臋giel to koks, to antracyt...</i></div><div style="font-style: normal;"><br /></div><div style="font-style: normal;">Stanis艂aw Tym,</div><div style="font-style: normal;">z filmu "Mi艣" Stanis艂awa Barei</div><div style="font-style: normal;"><br /></div><div style="font-style: normal;"><br /></div> </div> <div class='clear'></div> </div></div> </aside> </div> </div> </div> <div style='clear: both'></div> <!-- columns --> </div> <!-- main --> </div> </div> <div class='main-cap-bottom cap-bottom'> <div class='cap-left'></div> <div class='cap-right'></div> </div> </div> <footer> <div class='footer-outer'> <div class='footer-cap-top cap-top'> <div class='cap-left'></div> <div class='cap-right'></div> </div> <div class='fauxborder-left footer-fauxborder-left'> <div class='fauxborder-right footer-fauxborder-right'></div> <div class='region-inner footer-inner'> <div class='foot section' id='footer-1'><div class='widget HTML' data-version='1' id='HTML1'> <div class='widget-content'> <a href="https://info.flagcounter.com/CoMG"><img src="https://s01.flagcounter.com/countxl/CoMG/bg_F0F0F0/txt_000000/border_CCCCCC/columns_9/maxflags_255/viewers_0/labels_1/pageviews_1/flags_1/percent_0/" alt="Free counters!" border="0" /></a> </div> <div class='clear'></div> </div><div class='widget Text' data-version='1' id='Text2'> <div class='widget-content'> <b><span style="color:#cccccc;">W opisach miejsc zamieszczam nie tylko wiadomo艣ci z mej pami臋ci, pe艂nymi gar艣ciami czerpi臋 informacje ze stron: <a href="http://www.unesco.pl/">http://www.unesco.pl/</a>, <a href="http://whc.unesco.org">http://whc.unesco.org</a>, Wikipedii oraz nieprzebranych zasob贸w internetu.<a href="http://www.unesco.pl/"><span style="color:#cccccc;"><br /></span><blockquote><br /></blockquote></a></span></b><b><span style="color:#cccccc;"><a href="http://www.unesco.pl/"><span style="color:#cccccc;"><blockquote><br /></blockquote> <blockquote></blockquote></span></a><br /></span></b> </div> <div class='clear'></div> </div></div> <table border='0' cellpadding='0' cellspacing='0' class='section-columns columns-2'> <tbody> <tr> <td class='first columns-cell'> <div class='foot no-items section' id='footer-2-1'></div> </td> <td class='columns-cell'> <div class='foot no-items section' id='footer-2-2'></div> </td> </tr> </tbody> </table> <!-- outside of the include in order to lock Attribution widget --> <div class='foot section' id='footer-3' name='Stopka'><div class='widget Attribution' data-version='1' id='Attribution1'> <div class='widget-content' style='text-align: center;'> Wszystkie zdj臋cia na tej stronie s膮 chronione prawem autorskim. 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