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Cyberformance - Wikipedia

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<div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Features of cyberformance</span> </div> </a> <ul id="toc-Features_of_cyberformance-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Further reading</span> </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a 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<div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Theatrical performance</div> <p><b>Cyberformance</b> refers to live theatrical performances in which remote participants are enabled to work together in real time through the medium of the internet,<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> employing technologies such as chat applications or purpose-built, multiuser, real-time collaborative software (for example, <a href="/wiki/UpStage" title="UpStage">UpStage</a>, Visitors Studio, the Waterwheel Tap, <a href="/wiki/MOO" title="MOO">MOOs</a>, and other platforms). Cyberformance is also known as online performance, networked performance, telematic performance, and <a href="/wiki/Digital_theatre" title="Digital theatre">digital theatre</a>; there is as yet no consensus on which term should be preferred, but cyberformance has the advantage of compactness. For example, it is commonly employed by users of the <a href="/wiki/UpStage" title="UpStage">UpStage</a> platform to designate a special type of <a href="/wiki/Performance_art" title="Performance art">Performance art</a> activity taking place in a <a href="/wiki/Cyber-" class="mw-redirect" title="Cyber-">cyber-artistic</a> environment. </p><p>Cyberformance can be created and presented entirely online, for a distributed online audience who participate via internet-connected computers anywhere in the world, or it can be presented to a proximal audience (such as in a physical theatre or gallery venue) with some or all of the performers appearing via the internet; or it can be a hybrid of the two approaches, with both remote and proximal audiences and/or performers. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History_and_context">History and context</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cyberformance&amp;action=edit&amp;section=1" title="Edit section: History and context"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The term 'cyberformance' (a <a href="/wiki/Portmanteau_word" class="mw-redirect" title="Portmanteau word">portmanteau word</a> blending 'cyberspace' with 'performance') was coined by the net artist and curator <a href="/wiki/Helen_Varley_Jamieson" title="Helen Varley Jamieson">Helen Varley Jamieson</a>.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> She states that the invention of this term in 2000 "came out of the need to find a word that avoided the polarisation of virtual and real, and the need for a new term (rather than 'online performance' or 'virtual theatre') for a new genre".<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Jamieson traces the history of cyberformance back to the <i>Satellite Arts Project</i> of 1977,<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> when interactive art pioneers <a href="/wiki/Kit_Galloway_and_Sherrie_Rabinowitz" title="Kit Galloway and Sherrie Rabinowitz">Kit Galloway and Sherrie Rabinowitz</a> used live video mixing to create what they called "a performance space with no geographic boundaries".<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p><p>Online performances or virtual theatre has taken place in a number of the virtual environments that have emerged since the 1980s, including the multi-user virtual environments known as <a href="/wiki/Multi-user_dungeon" title="Multi-user dungeon">MUDs</a> and <a href="/wiki/MOO" title="MOO">MOOs</a> in the 1970s, internet chat spaces (e.g. <a href="/wiki/Internet_Relay_Chat" class="mw-redirect" title="Internet Relay Chat">Internet Relay Chat</a>, or IRC) in the 1980s, the <a href="/wiki/The_Palace_(computer_program)" title="The Palace (computer program)">Palace graphical chatroom</a> in the 1990s, and <a href="/wiki/UpStage" title="UpStage">UpStage</a>, Visitors Studio, <a href="/wiki/Second_Life" title="Second Life">Second Life</a>, Waterwheel Tap and other platforms in the 2000s. Notable cyberformance groups and projects thus far include: </p> <ul><li><a href="/wiki/The_Hamnet_Players" title="The Hamnet Players">The Hamnet Players</a>. Founded by <a href="/wiki/The_Hamnet_Players" title="The Hamnet Players">Stuart Harris</a>, this group performed in IRC; their earliest performance was "Hamnet" in 1993.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup></li> <li><a href="/wiki/The_Plaintext_Players" class="mw-redirect" title="The Plaintext Players">The Plaintext Players</a>. Founded by <a href="/wiki/Antoinette_LaFarge" title="Antoinette LaFarge">Antoinette LaFarge</a>, this group performs in MOOs and mixed reality spaces; their earliest performance was "Christmas" in 1994.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup></li> <li>"ParkBench." Created by Nina Sobell and Emily Hartzell in 1994, this was a collaborative performance and drawing space using live video and a web browser interface.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup></li> <li><a href="/wiki/Desktop_Theater" title="Desktop Theater">Desktop Theater</a>. Founded by Adriene Jenik and Lisa Brenneis, this group performed in the Palace; an example of their work is "waitingforgodot.com", 1997.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup></li> <li>Avatar Body <i>Collision</i>.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> Founded by <a href="/wiki/Helen_Varley_Jamieson" title="Helen Varley Jamieson">Helen Varley Jamieson</a>, Karla Ptacek, Vicki Smith, and Leena Saarinen in 2002, this online performance collective uses <a href="/wiki/UpStage" title="UpStage">UpStage</a>, a web-based software purpose-built for cyberformance.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup></li> <li>aether9. A collaborative art project exploring the field of realtime video transmission, initiated in 2007 by artists from Europe, North and South America.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup></li> <li><a href="/wiki/Avatar_Orchestra_Metaverse" title="Avatar Orchestra Metaverse">Avatar Orchestra Metaverse</a> (AOM). A formation in the virtual online environment Second Life (SL), exploring interactive possibilities with avatars.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup></li> <li>Second Front. A pioneering performance art group in the online, avatar-based Virtual Reality world of Second Life.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup></li> <li>Low Lives. An international festival of live performance-based works transmitted via the internet and projected in real time at multiple venues around the world.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Features_of_cyberformance">Features of cyberformance</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cyberformance&amp;action=edit&amp;section=2" title="Edit section: Features of cyberformance"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Cyberformance differs from <a href="/wiki/Digital_Performance" class="mw-redirect" title="Digital Performance">digital performance</a>, which refers to any kind of digitally mediated performance, including those with no significant networked element.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> In some cases cyberformance may be considered a subset of <a href="/wiki/Net_art" class="mw-redirect" title="Net art">net art</a>; however, many cyberformance artists use what is termed 'mixed reality' or 'mixed space' for their work, linking physical, virtual, and cyber spaces in manifold ingenious ways. The internet is often a subject and inspiration of the work as well as being the central enabling technology. </p><p>Cyberformers often work with the dual identities afforded by avatars, exploiting the gap between online persona and offline self. They can also take advantage of the ease of switching between avatars in a way unavailable to 'proximal' actors.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> However cyberformance has its own unique problems, including unstable technology and "real life" interruptions.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cyberformance&amp;action=edit&amp;section=3" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFPapagiannouli2016" class="citation book cs1">Papagiannouli, Christina (2016). <i>Political Cyberformance: The Etheatre Project</i>. Basingstoke: Palgrave Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-137-57703-0" title="Special:BookSources/978-1-137-57703-0"><bdi>978-1-137-57703-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Political+Cyberformance%3A+The+Etheatre+Project&amp;rft.place=Basingstoke&amp;rft.pub=Palgrave+Macmillan&amp;rft.date=2016&amp;rft.isbn=978-1-137-57703-0&amp;rft.aulast=Papagiannouli&amp;rft.aufirst=Christina&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJung2005" class="citation journal cs1">Jung, Patricia (April 2005). <a rel="nofollow" class="external text" href="http://portal.acm.org/citation.cfm?id=1053522.1053526">"Performers go web"</a>. <i>Linux Journal</i>. <b>2005</b> (132): 4<span class="reference-accessdate">. Retrieved <span class="nowrap">2008-09-23</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Linux+Journal&amp;rft.atitle=Performers+go+web&amp;rft.volume=2005&amp;rft.issue=132&amp;rft.pages=4&amp;rft.date=2005-04&amp;rft.aulast=Jung&amp;rft.aufirst=Patricia&amp;rft_id=http%3A%2F%2Fportal.acm.org%2Fcitation.cfm%3Fid%3D1053522.1053526&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJamieson" class="citation web cs1">Jamieson, Helen Varley. <a rel="nofollow" class="external text" href="http://www.cyberformance.org">"cyberformance"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">2008-09-23</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=cyberformance&amp;rft.aulast=Jamieson&amp;rft.aufirst=Helen+Varley&amp;rft_id=http%3A%2F%2Fwww.cyberformance.org&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJamieson" class="citation web cs1">Jamieson, Helen Varley. <a rel="nofollow" class="external text" href="http://www.creative-catalyst.com/cyberformance/timeline.html">"Timeline"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">2008-09-23</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Timeline&amp;rft.aulast=Jamieson&amp;rft.aufirst=Helen+Varley&amp;rft_id=http%3A%2F%2Fwww.creative-catalyst.com%2Fcyberformance%2Ftimeline.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.ecafe.com/getty/SA/index.html">"Satellite Arts Project 1977"</a>. Electronic Cafe<span class="reference-accessdate">. Retrieved <span class="nowrap">2008-09-23</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Satellite+Arts+Project+1977&amp;rft.pub=Electronic+Cafe&amp;rft_id=http%3A%2F%2Fwww.ecafe.com%2Fgetty%2FSA%2Findex.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.marmot.org.uk/hamnet/">The Hamnet Players</a></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20190924045818/http://yin.arts.uci.edu/~players/">"The Plaintext Players"</a>. Archived from <a rel="nofollow" class="external text" href="http://yin.arts.uci.edu/~players/">the original</a> on 2019-09-24<span class="reference-accessdate">. Retrieved <span class="nowrap">2008-05-01</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=The+Plaintext+Players&amp;rft_id=http%3A%2F%2Fyin.arts.uci.edu%2F~players%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20190905124005/http://www.cat.nyu.edu/parkbench/">"ParkBench"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.cat.nyu.edu/parkbench/">the original</a> on 2019-09-05<span class="reference-accessdate">. Retrieved <span class="nowrap">2008-05-01</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=ParkBench&amp;rft_id=http%3A%2F%2Fwww.cat.nyu.edu%2Fparkbench%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.desktoptheater.org/">Desktop Theater</a></span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.avatarbodycollision.org/">Avatar Body Collision</a></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNeumarkHelen_Varley_Jamieson2007" class="citation journal cs1">Neumark, N.; Helen Varley Jamieson (July–September 2007). "UpStage: A Platform for Creating and Performing Online". <i>IEEE MultiMedia</i>. <b>14</b> (3): 8–10. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1109%2FMMUL.2007.69">10.1109/MMUL.2007.69</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=IEEE+MultiMedia&amp;rft.atitle=UpStage%3A+A+Platform+for+Creating+and+Performing+Online&amp;rft.volume=14&amp;rft.issue=3&amp;rft.pages=8-10&amp;rft.date=2007-07%2F2007-09&amp;rft_id=info%3Adoi%2F10.1109%2FMMUL.2007.69&amp;rft.aulast=Neumark&amp;rft.aufirst=N.&amp;rft.au=Helen+Varley+Jamieson&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://aether9.org/">aether9</a></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.avatarorchestra.org/">Avatar Orchestra Metaverse</a></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.secondfront.org//">Second Front</a></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20190923170618/http://www.lowlives.net/">"Low Lives"</a>. Archived from <a rel="nofollow" class="external text" href="http://lowlives.net/">the original</a> on 2019-09-23<span class="reference-accessdate">. Retrieved <span class="nowrap">2012-04-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Low+Lives&amp;rft_id=http%3A%2F%2Flowlives.net%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJamieson2008" class="citation book cs1">Jamieson, Helen Varley (2008). <i>Real Time, Virtual Space, Live Theatre</i>. Clouds. pp.&#160;48–56. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-9582789-9-7" title="Special:BookSources/978-0-9582789-9-7"><bdi>978-0-9582789-9-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Real+Time%2C+Virtual+Space%2C+Live+Theatre&amp;rft.pages=48-56&amp;rft.pub=Clouds&amp;rft.date=2008&amp;rft.isbn=978-0-9582789-9-7&amp;rft.aulast=Jamieson&amp;rft.aufirst=Helen+Varley&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span> <span class="cs1-visible-error citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_book" title="Template:Cite book">cite book</a>}}</code>: </span><span class="cs1-visible-error citation-comment"><code class="cs1-code">&#124;work=</code> ignored (<a href="/wiki/Help:CS1_errors#periodical_ignored" title="Help:CS1 errors">help</a>)</span></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPtacek2003" class="citation journal cs1">Ptacek, Karla (2003-09-01). "Avatar Body Collision: enactments in distributed performance practices". <i>Digital Creativity</i>. <b>14</b> (3): 180–192. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1076%2Fdigc.14.3.180.27873">10.1076/digc.14.3.180.27873</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a>&#160;<a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:38342687">38342687</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Digital+Creativity&amp;rft.atitle=Avatar+Body+Collision%3A+enactments+in+distributed+performance+practices&amp;rft.volume=14&amp;rft.issue=3&amp;rft.pages=180-192&amp;rft.date=2003-09-01&amp;rft_id=info%3Adoi%2F10.1076%2Fdigc.14.3.180.27873&amp;rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A38342687%23id-name%3DS2CID&amp;rft.aulast=Ptacek&amp;rft.aufirst=Karla&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPtacekHelen_Varley_Jamieson2004" class="citation web cs1">Ptacek, Karla; Helen Varley Jamieson (2004-11-30). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20081205153856/http://tracearchive.ntu.ac.uk/Process/index.cfm?article=127">"Writing 4 Cyberformance"</a>. trAce Online Writing Centre. Archived from <a rel="nofollow" class="external text" href="http://tracearchive.ntu.ac.uk/process/index.cfm?article=127">the original</a> on 2008-12-05<span class="reference-accessdate">. Retrieved <span class="nowrap">2008-09-23</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Writing+4+Cyberformance&amp;rft.pub=trAce+Online+Writing+Centre&amp;rft.date=2004-11-30&amp;rft.aulast=Ptacek&amp;rft.aufirst=Karla&amp;rft.au=Helen+Varley+Jamieson&amp;rft_id=http%3A%2F%2Ftracearchive.ntu.ac.uk%2Fprocess%2Findex.cfm%3Farticle%3D127&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACyberformance" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cyberformance&amp;action=edit&amp;section=4" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Corcoran, Marlena (2003). "An Internet Performance for the Third Millennium", <i>Performance Art Journal</i> 25(1).</li> <li>Danet, Brenda (2001). <i>Cyberpl@y: Communicating Online</i>, Berg Publishers.</li> <li>Flintoff, Kim and Sant, Toni (2007). <a rel="nofollow" class="external text" href="http://www.interactiveimprov.com/onlinedr.html">The Internet as a Dramatic Medium</a> – supplementary article to "Interactive and Improvisational Drama", ed Adam Blatner, 2007</li> <li>Jamieson, Helen Varley (2008). <a rel="nofollow" class="external text" href="http://eprints.qut.edu.au/28544/">"Adventures in Cyberformance"</a> - thesis, Queensland University of Technology, Australia.</li> <li>Jamieson, Helen Varley (2008). "Real Time, Virtual Space, Live Theatre" - chapter in <a rel="nofollow" class="external text" href="http://www.clouds.co.nz/the-aotearoa-digital-arts-reader/">The ADA Digital Arts Reader</a>, published 2008, Clouds Publishing, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-9582789-9-7" title="Special:BookSources/978-0-9582789-9-7">978-0-9582789-9-7</a>.</li> <li>LaFarge, Antoinette (1995). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20081201093046/http://www.forger.com/leo95.html">A World Exhilarating and Wrong: Theatrical Improvisation on the Internet</a>, <i>Leonardo</i> 28(5).</li> <li>Baranski Sandrine, La musique en réseau, une musique de la complexité&#160;?, Éditions universitaires européennes, mai 2010</li> <li>Papagiannouli, Christina (2011). "Cyberformance and the Cyberstage", International Journal of the Arts in Society, vol 6 issue 4, 2011.</li> <li>Schrum, Stephen A. <i>Theatre in Cyberspace: Issues of Teaching, Acting and Directing</i>. New York: Peter Lang Publishing, 1999.</li> <li><a rel="nofollow" class="external text" href="http://ahds.ac.uk/ahdscollections/docroot/dpa/authorssearch.jsp">Digital Performance Archive</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110927133732/http://www.horizonzero.ca/textsite/perform.php?is=13&amp;art=0&amp;file=0&amp;tlang=0">Horizon Zero issue 13&#160;: Perform</a> Jan/Feb 2004</li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Cyberformance&amp;action=edit&amp;section=5" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.cyberformance.org">cyberformance.org</a></li> <li><a rel="nofollow" class="external text" href="http://yin.arts.uci.edu/~players/">Plaintext Players website</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190924045818/http://yin.arts.uci.edu/~players/">Archived</a> 2019-09-24 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20190518082912/http://transition.turbulence.org/blog/">networked_performance blog</a></li> <li><a rel="nofollow" class="external text" href="http://upstage.org.nz/blog/">Upstage website</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110722045015/http://www.ponline.it/">Performance Online</a> - resesarcher Francesco Buonaiuto's site, includes timeline</li> <li><a rel="nofollow" class="external text" href="http://www.cyposium.net">The CyPosium</a> - an online symposium on cyberformance, held on 12 October 2012</li></ul> <!-- NewPP limit report Parsed by mw‐api‐ext.codfw.main‐7556f8b5dd‐r7hqt Cached time: 20241122180134 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.199 seconds Real time usage: 0.232 seconds Preprocessor visited node count: 966/1000000 Post‐expand include size: 19345/2097152 bytes Template argument size: 464/2097152 bytes Highest expansion depth: 14/100 Expensive parser function count: 0/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 44290/5000000 bytes Lua time usage: 0.124/10.000 seconds Lua memory usage: 4643650/52428800 bytes Number of Wikibase entities loaded: 0/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 212.857 1 -total 36.91% 78.564 2 Template:Cite_book 21.43% 45.622 1 Template:Short_description 14.08% 29.979 2 Template:Pagetype 14.00% 29.795 7 Template:Cite_web 8.81% 18.762 3 Template:Cite_journal 6.80% 14.474 1 Template:ISBN 3.83% 8.154 1 Template:Catalog_lookup_link 3.53% 7.511 1 Template:Webarchive 2.62% 5.573 3 Template:Main_other --> <!-- Saved in parser cache with key enwiki:pcache:idhash:17216986-0!canonical and timestamp 20241122180134 and revision id 1226590418. 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