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content="#e90606"/><title>Sabrina Carpenter Has Waited Her Whole Life for This | TIME</title><meta name="description" content="As polished as the Sabrina Carpenter brand is, it’s her willingness to be messy that really makes it all work—she's cocky, desperate, and petty."/><meta name="application-name" content="nextgen"/><link rel="author" href="https://time.com/author/lucy-feldman/"/><meta name="author" content="Lucy Feldman"/><link rel="manifest" href="/manifest.webmanifest" crossorigin="use-credentials"/><meta name="creator" content="Lucy Feldman"/><meta name="category" content="Entertainment"/><meta name="fb:app_id" content="991230477954201"/><meta name="fb:pages" content="10606591490"/><meta name="primary-tag" content="time-100-next"/><meta name="article:opinion" content="false"/><meta name="article:content_tier" content="free"/><meta name="article:published_time" content="2024-10-02T11:00:00"/><meta name="pinterest:url" 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uppercase leading-4 tracking-wider after:mx-1.5 after:inline-block after:h-1 after:w-1 after:-translate-y-1/2 after:rounded-full after:bg-time-red"><a href="https://time.com/section/entertainment" aria-label="Entertainment">Entertainment</a></li><li class="font-roboto-condensed text-xs font-bold uppercase leading-4 tracking-wider "><a href="https://time.com/tag/time-100-next" aria-label="TIME 100 Next">TIME 100 Next</a></li><li class="hidden">Sabrina Carpenter Has Waited Her Whole Life for This</li></ul><div class="mb-4 mt-2 lg:mb-[1.4625rem]"><h1 class="text-center text-[1.75rem] font-medium leading-[1.875rem] tracking-0.5px lg:text-[2.4375rem] lg:leading-[2.9375rem] font-zilla-slab self-baseline">Sabrina Carpenter Has Waited Her Whole Life for This</h1><div class="mt-2 text-center font-roboto-condensed text-sm font-bold uppercase tracking-[0.6px] text-time-gray-3 md:text-base ">17 minute read</div></div></header></div><div id="article-content" class="flex w-full justify-center lg:justify-between lg:gap-5"><div id="article-content-main" class="flex w-full max-w-article-featured-media flex-col items-center"><div class="featured-media w-full max-w-full" data-type="video"><div class="video-wrapper"><div class="w-full bg-time-black aspect-video"><div id="jwplayer-:R2pjt9btttsba:"></div></div></div></div><article id="article-body" class="flex w-full max-w-article-body-centered flex-col lg:max-w-article-body"><div class="my-6 w-full px-4 lg:pl-[6.5rem] lg:pr-14"><div class="font-zilla-slab text-xs uppercase leading-6 tracking-[0.01563em] text-time-gray-4 text-center lg:text-left"><div class="block lg:mr-3 lg:inline-block">By <a href="/author/lucy-feldman/" class="font-bold">Lucy Feldman</a><a href="https://twitter.com/lucy_feldman" class="relative top-[-0.0625rem] ml-1.5 inline-block [&>svg]:inline" aria-label="Author Twitter Link"><svg role="img" aria-hidden="true" width="15" height="15" viewBox="0 0 1200 1227" fill="none" xmlns="http://www.w3.org/2000/svg"><path d="M714.163 519.284L1160.89 0H1055.03L667.137 450.887L357.328 0H0L468.492 681.821L0 1226.37H105.866L515.491 750.218L842.672 1226.37H1200L714.137 519.284H714.163ZM569.165 687.828L521.697 619.934L144.011 79.6944H306.615L611.412 515.685L658.88 583.579L1055.08 1150.3H892.476L569.165 687.854V687.828Z" fill="black"></path></svg></a></div><div class="block lg:inline-block"><time dateTime="2024-10-02T11:00:00.000Z">October 2, 2024 7:00 AM EDT</time></div></div></div><div id="article-body-main" class="flex w-full flex-col gap-7 [&>*:not(.inline-image)]:px-4 [&>*:not(.inline-image)]:lg:pl-[6.5rem] [&>*:not(.inline-image)]:lg:pr-14 [&>.inline-image]:sm:px-4 [&>.inline-image]:lg:pl-[6.5rem] [&>.inline-image]:lg:pr-14"><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px"><em>This profile is published as part of our <a href="http://time.com/collection/time100-next-2024/">TIME100 Next list</a>, recognizing 100 emerging leaders from across the world who are shaping the future.</em></p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Sabrina Carpenter is settling into a tiny banquette, one leg in pinstripe capris folded onto the bench, when she orders a… cappuccino. The obvious joke hangs in the air. “I've intentionally stopped myself from getting them now,” the <a href="https://time.com/6972959/espresso-sabrina-carpenter/">“Espresso”</a> singer says. The last time she was at this particular French restaurant in downtown New York, they surprised her with a round of espresso martinis. </p><div id="inline-ad-1" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">It’s the kind of thing that surely happens all the time, now that the 25-year-old artist—unmissable with big, bright blonde curls and a 5-ft. frame—has rapidly become one of the most famous women in pop culture. To say that “Espresso” was one of the songs, if not <em>the</em> song, of the summer hardly captures the extent of her reach. The disco-inflected bop, released in April, became her first to exceed a billion streams on Spotify, where it hit No. 1 globally. But Carpenter’s buzz only got louder in June when she dropped the music video for “Please Please Please” (another Spotify global No. 1), co-starring her rumored boyfriend, the Oscar-nominated actor <a href="https://time.com/6151791/the-batman-joker-barry-keoghan/">Barry Keoghan</a>. And the singer sent the internet into a full-blown tizzy in August when she released her clever and cutting, genre-blending album <em>Short n’ Sweet</em> alongside another viral video: a campy, <em>Death Becomes Her-</em>influenced love-triangle romp, co-starring <a href="https://time.com/6236655/wednesday-netflix-addams-family-legacy/">Jenna Ortega</a>, for “Taste.” The album, now certified <a href="https://www.riaa.com/gold-platinum/?tab_active=default-award&se=sabrina+carpenter#search_section">platinum</a>, hit No. 1 on the Billboard 200 at release and became the <a href="https://variety.com/2024/music/news/sabrina-carpenter-short-n-sweet-number-one-album-charts-1236125747/">third biggest debut of the year</a>, trailing only <a href="https://time.com/6961993/beyonce-cowboy-carter-album-guide/">Beyoncé’s <em>Cowboy Carter</em></a> and <a href="https://time.com/6969280/taylor-swift-tortured-poet-trope-essay/">Taylor Swift’s <em>The Tortured Poets Department</em></a>. </p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Carpenter is everywhere. Swift, <a href="https://www.gq.com/story/beyonce-knowles-carter-october-2024-cover-interview">Beyoncé</a>, Adele, <a href="https://time.com/7023620/sabrina-carpenter/">Christina Aguilera</a>, and <a href="https://time.com/6979619/rare-beauty/">Selena Gomez</a> have all sung her praises. If you didn’t catch her on the season finale of <em>Saturday Night Live</em>, you probably saw her on <a href="https://www.youtube.com/watch?v=rOQcetiARFg"><em>The Tonight Show With Jimmy Fallon</em></a>. If you didn’t see her at Coachella, you definitely tuned in for her <a href="https://time.com/7020431/vmas-recap-2024/">performance at the VMAs</a>. And if you missed her opening for Swift on 25 stops of the Eras tour, you cannot be helped. The moment Carpenter herself says she knew she’d reached a new level: when there was<a href="https://www.youtube.com/watch?v=AKo-ytGXrSc"> a joke about her</a> in Dan and Eugene Levy’s opening monologue for the 2024 Emmys. “That was probably the first time I was like, Oh, I'm not even <em>there</em>.” </p><div id="inline-ad-2" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">When we meet for an afternoon pick-me-up, just over a month has passed since the album release, and Carpenter has been going nonstop. She’s back home in New York after the first three shows in her sold-out, 33-date <em>Short n’ Sweet</em> tour, fresh off an 11-hour bus ride from Detroit. Hence the need for caffeine. “TMI,” she adds, “But I’m in my luteal phase, and just feeling like a monster.” When the server comes by with coffee, she orders a chocolate mousse for us to share. </p><hr class="mx-auto my-1 h-1.5 w-12 border-none bg-time-red !px-0"/><figure class="block h-auto w-full inline-image self-center max-w-full" arial-label="media" data-block="gutenberg-custom-blocks/inline-image" data-media-size="special_small_2x" data-original-width="2363" data-original-height="3150" data-original-src="https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=85" data-credit="Photograph by Charlotte Rutherford for TIME" data-sizes="(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px"><picture class="flex max-w-full flex-col items-center"><img alt="Sabrina Carpenter Time 100 Next cover" index="8" id="7024744" url="https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg" loading="lazy" width="2363" height="3150" decoding="async" data-nimg="1" class="h-auto w-full max-w-full" style="color:transparent" sizes="(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px" srcSet="https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=384 384w, https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=640 640w, https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=750 750w, https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=828 828w, https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=1080 1080w, https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=1200 1200w, https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=1440 1440w, https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=1690 1690w, https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=1920 1920w, https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=2400 2400w" src="https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=75&w=2400"/></picture><figcaption class="block max-w-full bg-white px-4 pt-2 font-roboto text-[.813rem] sm:px-0"><span aria-hidden="false" class="ml-2 inline text-xs text-time-gray-5">Photograph by Charlotte Rutherford for TIME</span></figcaption></figure><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Carpenter may appear to have materialized from nowhere as a fully formed pop star, but she has been grinding for 16 years. Growing up in <a href="https://www.phillyvoice.com/sabrina-carpenter-saturday-night-live-finale-episode-performance/">East Greenville, Pa</a>., she started posting videos of herself <a href="https://www.youtube.com/watch?v=bWYXB0MGRNo">singing on YouTube</a> when she was 9. Her big break came at 13, when she landed a role in <em><a href="https://time.com/2928603/girl-meets-world-an-interview-with-star-ben-savage/">Girl Meets World</a></em>, a reboot of the classic ’90s series <em>Boy Meets World</em>. Carpenter makes a point to note that she signed with her first label, Disney’s Hollywood Records, at 12—before she booked the TV show. “I knew that I wouldn't be able to thrive as a recording artist the same way I would have been able to working on a show as a child actor,” she says, “which I know sounds weird to have that perspective at 12, but I was really lucky to.”</p><div id="inline-ad-3" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Carpenter released four albums with the Disney-owned label between 2015 and 2019 and continued to act, in movies like <em>Adventures in Babysitting</em>, <em><a href="https://time.com/5417038/the-hate-u-give-movie-review/">The Hate U Give</a></em>, and <em>Tall Girl</em>. But she couldn’t quite break through to the mainstream as an artist. “For a long time, I was constantly guided and misguided,” she says. “I'm so grateful for all of those times where I was led astray, because now I'm a lot more equipped going into situations where I have to trust my own instincts.”</p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Her 2022 album <em>Emails I Can’t Send</em>—her first more adult project on a new label—was an opportunity to do just that. She put out a collection of songs about heartbreak, attraction, and scrutiny that were wiped clean of Disney’s perfectionistic sheen. “My last album was f-cking sad, straight up,” Carpenter says. She describes the first stretch of the pandemic, when she was 21, as a time when she realized she wanted to “make some mistakes,” or at least be less hard on herself. “I wanted to make sure to still be young while I’m young… To go through your life trying to be a little robot angel, you’re going to have a lot of regrets later,” she says. “That’s also why during that time of my life I was a little bit of an emotional wreck.”</p><div id="inline-ad-4" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">The album contained songs that fans connected with tantalizing gossip, having deduced that Carpenter might have been the “blonde girl” described as winning over the person (purportedly fellow Disney actor Joshua Bassett) who broke <a href="https://time.com/entertainer-of-the-year-2021-olivia-rodrigo/">Olivia Rodrigo’s </a>heart in “Driver’s License.” Carpenter’s song “Because I Liked a Boy” seemed to respond: “Now I'm a homewrecker, I'm a slut / I got death threats filling up semi-trucks.”</p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">“Because I Liked a Boy” made an impression during Carpenter’s Eras tour performances—but it was another song, “Nonsense,” about getting tongue-tied around a crush, that got new audiences hooked on the cheeky sensibility she's become known for. Carpenter says the <a href="https://time.com/7013336/taylor-swift-breaks-record-eras-tour-london-european-leg/">tour with Swift</a>, where she had no set, dancers, or props for her act, taught her how to stand in front of a crowd alone and put on a show. It stirred up hype for a tradition, which had begun on her <em>Emails</em> tour, where she delivered a punny <a href="https://www.rollingstone.com/music/music-lists/sabrina-carpenter-best-nonsense-outros-1235110965/">new outro for “Nonsense”</a> each night, creating viral clip after clip as the lines got more suggestive and ridiculous. <a href="https://www.billboard.com/lists/sabrina-carpenter-nonsense-outro-versions-eras-tour-taylor-swift/sydney-night-2/">One night</a> in Australia: “Broke up ’cause the size was underwhelming/ Tried to give him pointers, wasn’t helping/ Maybe I just need a boy from Melbourne.” She confirms that she’s done with the bit, at least for now. “The extreme ‘it's over forever’ is just not in my repertoire. Maybe I’ll feel random one day and bring it back,” she says, but, “that was for that album, for that era. You’ve got to keep a thing good.”</p><div id="inline-ad-5" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Carpenter may be only 25, but she is coming into her own with the earned confidence of a veteran, and she knows how to give the people what they want. Her brand—she’s short, she’s funny, and she’s horny—is specific enough to feel authentic but also general enough to capture an ever-broadening audience. And she’s not afraid to make a joke about herself. “If you want to call me a Polly Pocket, a Bratz doll, I don't care,” she says. “You'll meet me and then you'll be like, damn, she talks a lot more than the dolls do.” It takes a certain amount of time under pressure to build the sense of self that Carpenter embodies—we’ve seen it this year with artists like <a href="https://time.com/6988885/chappell-roan-what-to-know/">Chappell Roan</a> and <a href="https://time.com/6990717/charli-xcx-brat-album/">Charli XCX</a>, too. It’s hard to remember now, but even Swift was once a rising country-music star trying to break into the mainstream.</p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px"><a href="https://time.com/6964845/jack-antonoff/">Jack Antonoff</a>, who worked with Carpenter on multiple <em>Short n’ Sweet </em>tracks, was following her career long before they collaborated. “I look at all Sabrina's work, and she's just crystallized more and more,” he told TIME in a <a href="https://time.com/7027160/jack-antonoff-interview-bleachers-sabrina-carpenter-taylor-swift/">recent interview</a>. “I guess the lesson there is there was nothing wrong. It was just about staying the course. That's really what it is to be an artist.”</p><div class="video-wrapper"><div class="w-full bg-time-black aspect-video"><div id="jwplayer-:R196pjt9btttsba:"></div></div></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Carpenter is reaping the benefits of her persistence. “There were so many things I dreamt of doing as a little girl I got to do this year that felt like such a cool, sweet, little bucket-list moment for my younger self,” she says. “I literally threw up when I found out about <em>SNL</em>. Not to be graphic.” The VMAs performance was another dream realized. “I grew up watching those performances and being like, I want to do that. But then it all just seemed so—not even out of reach, just like I had a different plan in my head of when it was all supposed to happen,” she says, meaning it wasn’t supposed to take this long. But now that everything has unfolded the way it has, Carpenter can see the advantage. “I feel so prepared for these moments,” she says. “If I was even 17 or 18, I think I would have been way, way more nervous and intimidated.” </p><div id="inline-ad-6" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">The next thing that could make her throw up with excitement, if the call came tomorrow: “If I could perform at the Grammys.” </p><hr class="mx-auto my-1 h-1.5 w-12 border-none bg-time-red !px-0"/><figure class="block h-auto w-full inline-image self-center max-w-full" arial-label="media" data-block="gutenberg-custom-blocks/inline-image" data-media-size="special_small_2x" data-original-width="2400" data-original-height="1601" data-original-src="https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=85" data-caption="Sabrina Carpenter" data-credit="Charlotte Rutherford for TIME" data-sizes="(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px"><picture class="flex max-w-full flex-col items-center"><img alt="Sabrina Carpenter" index="24" id="7027038" url="https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg" loading="lazy" width="2400" height="1601" decoding="async" data-nimg="1" class="h-auto w-full max-w-full" style="color:transparent" sizes="(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px" srcSet="https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=384 384w, https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=640 640w, https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=750 750w, https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=828 828w, https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=1080 1080w, https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=1200 1200w, https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=1440 1440w, https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=1690 1690w, https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=1920 1920w, https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=2400 2400w" src="https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=75&w=2400"/></picture><figcaption class="block max-w-full bg-white px-4 pt-2 font-roboto text-[.813rem] sm:px-0"><span aria-hidden="false" class="inline leading-tight text-time-black">Sabrina Carpenter</span><span aria-hidden="false" class="ml-2 inline text-xs text-time-gray-5">Charlotte Rutherford for TIME</span></figcaption></figure><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">As polished and well-packaged as the Sabrina Carpenter brand is, it’s her willingness to be messy that really makes it all work. In <em>Short n’ Sweet</em>, she’s in turns cocky, desperate, petty, brutal, deliriously horny, and not all that pressed. The effect is that, no matter the drama at hand, Carpenter refuses to take herself too seriously. “I like the fact that I just put out a song that starts with ‘I can't relate to desperation,’ and then I’m putting out the most desperate possible sounding chorus I could in my life,” she says, of “Espresso” and “Please Please Please.” “The idea is like: if everything is super calculated, then the second you make a statement, that's who you are for the rest of your life—as opposed to it being like: <em>or</em> you can be super confident one day and then the most emotional wreck the next day.” </p><div id="inline-ad-7" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Carpenter describes <em>Short n’ Sweet</em> as a “time capsule” of a certain period in her life, and a few songs on the album seem to, fairly overtly, reference a relationship she had with Shawn Mendes during off-again stretches of his past romance with Camila Cabello. (See: the lyrics of “Coincidence” analyzed against timelines of who was seen where with whom. See also: the roast ballad “Dumb & Poetic,” “Taste,” and a particularly savage line of <a href="https://www.tiktok.com/@ixamjt/video/7412381795557149984">“Slim Pickins.”</a>) Likewise, casting Keoghan in the video for “Please Please Please,” a song about begging her actor boyfriend not to embarrass her, pretty much eliminated the possibility that anyone would think it wasn’t about him. </p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Carpenter won’t say specifically who she was thinking of when writing any of her songs—no savvy pop star would—but she is willing to talk about the feelings within them. “It'll probably bite me in the ass at some point,” she says, knocking wood, “but it's been a really therapeutic album to be able to just say what I'm thinking.” One example: “Please Please Please” captures a love-hate dynamic that will be familiar to anyone who’s found themselves wondering if they’re <a href="https://time.com/5377841/off-on-relationships/">in the wrong relationship</a>. “I’m so blunt and forward. I feel like, what is the reason that we're all hiding from each other when these are just real things? Sometimes men embarrass you. That's super normal,” she says. </p><div id="inline-ad-8" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Now, starting to see crowds sing along with her on tour, she’s recognizing how relatable that song in particular is. “This just really hits for the girls that have every right to go back to someone who isn't good for them, and know that those mistakes are absolutely human to make, and repeatedly.” She takes a bite of chocolate mousse, a dollop of whipped cream and a few cookie crumbles on top. “The amount of times that we've all been with people we shouldn't be,” she continues. “We either learn it the hard way, or we are a miracle and we end up marrying that person.”</p><hr class="mx-auto my-1 h-1.5 w-12 border-none bg-time-red !px-0"/><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">When the lights dim before Carpenter takes the stage at Madison Square Garden two nights later, the collective scream is head-splitting. She dashes onstage in a towel that she opens, eyebrows raised, to reveal a glittering yellow Victoria’s Secret bodysuit. The show takes off from there, an hour and a half of glitzy group dance sequences, intimate ballads, and winking innuendos set in a two-story New York City penthouse. There’s a fireplace in the living room, a moody, after-dark balcony, a pink satin bedroom, and even a bathroom, where, in an offbeat highlight of the show, Carpenter sits on a toilet and ruminates as she sings about a hot dummy who jerked her around. “Some songs feel like bathroom thoughts to me, like when you're at a party and you go to the bathroom to cry or judge yourself in the mirror,” she says. “It's comical but also brings a little groundedness to the show.” </p><div id="inline-ad-9" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Despite Carpenter’s years of experience—including opening for Swift on the <a href="https://time.com/6307420/taylor-swift-eras-tour-money-economy/">massive Eras tour</a>—the intensity of playing her own arena shows is new. “The first two shows, there were enough technical difficulties to ruin my life,” she says. There’s a part when she gets lifted 18 feet into the air on a giant heart—on the first night, she got stuck at the top. “I was up there far longer than I was supposed to be,” she says, a reminder of why, after seeing Matty Healy perform on a rooftop set for a <a href="https://time.com/7006029/why-the-1975-is-being-sued-over-concert-in-malaysia/">1975</a> show, she thought playing with heights on tour would be too scary. Suspended over the crowd in Columbus, Ohio, she just kept singing and hoped that someone offstage was working to get her down. (They did.) “If one thing malfunctions, it can affect the whole show,” she says. “So I've just been learning, rewiring my brain, to be able to handle stuff like that.” Aside from tech issues, the hardest part is not tripping—Carpenter is constantly running up and down stairs. There was no intensive pre-tour training regimen, and her body is feeling it. “I've started doing ice baths like a little spiritual man,” she admits, a tad embarrassed. </p><div id="inline-ad-10" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Throughout the concert, Carpenter quite literally wears her sexuality on her sleeve. “Femininity is something that I've always embraced. And if right now that means corsets and garter belts and fuzzy robes or whatever the f-ck, then that's what that means,” she says. She adds a babydoll negligee over the bodysuit in the first act, changes into a black lace catsuit and slips into a slinky robe, both by French designer Patou, in the second, and, in the final set, steps out in an ultra-sparkly two-piece halter top and skirt from Ludovic de Saint Sernin, made with crystal mesh donated by Swarovski. Carpenter’s stylist Jared Ellner teases that there will be different lyrics printed onto Carpenter’s tights throughout the tour: they did “Taste me” for night one and “I’m working late” for Madison Square Garden. The singer notes that this is the first tour where she has doubles of her outfits. “In the past it would be like, if that outfit has stains on it, good luck,” she says. Some of the corset dresses she wore on the Eras tour were in pale colors: “I would sweat, and it would just be terrible.”</p><figure class="block h-auto w-full inline-image self-center max-w-full" arial-label="media" data-block="gutenberg-custom-blocks/inline-image" data-media-size="special_small_2x" data-original-width="1621" data-original-height="2400" data-original-src="https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=85" data-caption="Sabrina Carpenter performs on stage during the Short N' Sweet Tour at Madison Square Garden in New York City, on Sept. 29, 2024." data-credit="Christopher Polk—Rolling Stone/Getty Images" data-copyright="2024 Penske Media" data-sizes="(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px"><picture class="flex max-w-full flex-col items-center"><img alt="Sabrina Carpenter performs on stage during the Short N' Sweet Tour at Madison Square Garden in New York City, on Sept. 29, 2024." index="37" id="7027486" url="https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg" title="Sabrina Carpenter Short N' Sweet Tour at MSG" loading="lazy" width="1621" height="2400" decoding="async" data-nimg="1" class="h-auto w-full max-w-full" style="color:transparent" sizes="(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px" srcSet="https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=384 384w, https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=640 640w, https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=750 750w, https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=828 828w, https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=1080 1080w, https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=1200 1200w, https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=1440 1440w, https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=1690 1690w, https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=1920 1920w, https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=2400 2400w" src="https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=75&w=2400"/></picture><figcaption class="block max-w-full bg-white px-4 pt-2 font-roboto text-[.813rem] sm:px-0"><span aria-hidden="false" class="inline leading-tight text-time-black">Sabrina Carpenter performs on stage during the Short N' Sweet Tour at Madison Square Garden in New York City, on Sept. 29, 2024.</span><span aria-hidden="false" class="ml-2 inline text-xs text-time-gray-5">Christopher Polk—Rolling Stone/Getty Images</span></figcaption></figure><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">With all the lingerie and innuendos in mind, I ask Carpenter if, a generation later, she has been spared the vilification that artists like <a href="https://time.com/6325932/britney-spears-madonna-kiss-vmas-2003-book/">Britney Spears</a> and Christina Aguilera suffered for daring to incorporate their sexuality into their work. “No, I definitely get that as well,” she says. She’s trying to remember that social media is an echo chamber. “Someone told me this, whenever I would get upset or feel like I'm the only one getting criticized for something other people are able to do seemingly so freely: I'm the one that's seeing all the negative sh-t about myself. My friends don't see that.” </p><div id="inline-ad-11" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Artists like Madonna, Aguilera, Spears, Beyoncé, and <a href="https://time.com/5674562/rihanna-savage-fenty-2019/">Rihanna</a> all helped pave the way, Carpenter says. “But you'll still get the occasional mother that has a strong opinion on how you should be dressing. And to that I just say, don't come to the show and that’s OK. It's unfortunate that it's ever been something to criticize, because truthfully, the scariest thing in the world is getting up on a stage in front of that many people and having to perform as if it's nothing. If the one thing that helps you do that is the way you feel comfortable dressing, then that's what you’ve got to do.”</p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Her approach seems to be working. “Juno,” a seductive pop song that references the <a href="https://time.com/archive/6908618/juno-no-false-notes/">2007 teen-pregnancy movie</a>, brings a show-stopping moment when Carpenter drops into a suggestive position and delivers the line, “Have you ever tried this one?”—then rises into the air on the heart-shaped platform. At Madison Square Garden, she bends on her knees, whips her hair, and jumps up and down above the crowd, ebullient. </p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">Somewhere in the arena is Carpenter’s mom, seeing the show for the first time. Her dad and 94-year-old grandfather came to opening night in Columbus. “My fans online are like, I can’t believe she's bending over in front of her grandparents!” Carpenter says. “I'm like, girl, they are not paying attention to that. They’re just like, I can’t believe all these people are here.”</p><div id="inline-ad-12" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><hr class="mx-auto my-1 h-1.5 w-12 border-none bg-time-red !px-0"/><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">It feels a little absurd to ask Carpenter what’s next—she’ll be on the road through March, and isn’t that enough? But she’s already tinkering with new songs (a constant practice) and she hints that there are “a few projects” she’s working on for after the tour. In the nearer term, Halloween is coming up; she’ll go big, and she’ll take it as a massive compliment if you choose to dress up as her. And in December, she’ll release a holiday special on Netflix. “It's an hour of literal nonsense,” she says. “If people are expecting boring, me singing by a tree, it's not that. It's so fun, so chaotic. There are so many guests that I’m excited about.” </p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">To Carpenter, it’s all still a bit surreal. She says she’s been looking out at the crowds at night, checking to make sure they’re really all there to hear her songs. It makes her easy to root for: the girl who found her way into this world before she knew who she was, finally finding the success she’s worked so hard for only now that she can trust herself to do it all her way. </p><div id="inline-ad-13" class="ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex " role="complementary" aria-label="Advertisement" data-native="false"></div><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px">I make a comment about how much experience she has behind her, despite being so young. She says thank you, and it’s clear she means it. “People like to make you feel like, when you’re above 21 in this industry, you’re haggard,” Carpenter says, her laugh filling the air. “But I’m trying to remember that I’m still quite young.”</p><p class="self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px"><em>Set design by Liam Moore; styling by Jared Ellner; hair by Scott King; make-up by Sam Visser; nails by Zola Ganzorigt; photographed at Hubble Studio</em></p></div></article><div class="mt-11 flex w-full max-w-article-body-centered flex-col gap-8 px-4 lg:max-w-article-body lg:pl-[6.5rem] lg:pr-14"><div class="inline-article-recirc md:relative"><h2 class="left-0 top-[-0.813rem] bg-white pb-1 text-center font-roboto-condensed text-xl font-bold uppercase md:absolute md:pr-2.5">More Must-Reads from TIME</h2><ul class="list-outside list-disc border-t border-t-time-gray-7 pl-5 pt-2 font-pt-serif text-17px leading-relaxed tracking-0.5px md:pt-6"><li><span>Why </span><a 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the kind of thing that surely happens all the time, now that the 25-year-old artist—unmissable with big, bright blonde curls and a 5-ft. frame—has rapidly become one of the most famous women in pop culture. To say that “Espresso” was one of the songs, if not \u003cem\u003ethe\u003c/em\u003e song, of the summer hardly captures the extent of her reach. The disco-inflected bop, released in April, became her first to exceed a billion streams on Spotify, where it hit No. 1 "])</script><script>self.__next_f.push([1,"globally. But Carpenter’s buzz only got louder in June when she dropped the music video for “Please Please Please” (another Spotify global No. 1), co-starring her rumored boyfriend, the Oscar-nominated actor \u003ca href=\"https://time.com/6151791/the-batman-joker-barry-keoghan/\"\u003eBarry Keoghan\u003c/a\u003e. And the singer sent the internet into a full-blown tizzy in August when she released her clever and cutting, genre-blending album \u003cem\u003eShort n’ Sweet\u003c/em\u003e alongside another viral video: a campy, \u003cem\u003eDeath Becomes Her-\u003c/em\u003einfluenced love-triangle romp, co-starring \u003ca href=\"https://time.com/6236655/wednesday-netflix-addams-family-legacy/\"\u003eJenna Ortega\u003c/a\u003e, for “Taste.” The album, now certified \u003ca href=\"https://www.riaa.com/gold-platinum/?tab_active=default-award\u0026amp;se=sabrina+carpenter#search_section\"\u003eplatinum\u003c/a\u003e, hit No. 1 on the Billboard 200 at release and became the \u003ca href=\"https://variety.com/2024/music/news/sabrina-carpenter-short-n-sweet-number-one-album-charts-1236125747/\"\u003ethird biggest debut of the year\u003c/a\u003e, trailing only \u003ca href=\"https://time.com/6961993/beyonce-cowboy-carter-album-guide/\"\u003eBeyoncé’s \u003cem\u003eCowboy Carter\u003c/em\u003e\u003c/a\u003e and \u003ca href=\"https://time.com/6969280/taylor-swift-tortured-poet-trope-essay/\"\u003eTaylor Swift’s \u003cem\u003eThe Tortured Poets Department\u003c/em\u003e\u003c/a\u003e. 46:T433,Carpenter is everywhere. Swift, \u003ca href=\"https://www.gq.com/story/beyonce-knowles-carter-october-2024-cover-interview\"\u003eBeyoncé\u003c/a\u003e, Adele, \u003ca href=\"https://time.com/7023620/sabrina-carpenter/\"\u003eChristina Aguilera\u003c/a\u003e, and \u003ca href=\"https://time.com/6979619/rare-beauty/\"\u003eSelena Gomez\u003c/a\u003e have all sung her praises. If you didn’t catch her on the season finale of \u003cem\u003eSaturday Night Live\u003c/em\u003e, you probably saw her on \u003ca href=\"https://www.youtube.com/watch?v=rOQcetiARFg\"\u003e\u003cem\u003eThe Tonight Show With Jimmy Fallon\u003c/em\u003e\u003c/a\u003e. If you didn’t see her at Coachella, you definitely tuned in for her \u003ca href=\"https://time.com/7020431/vmas-recap-2024/\"\u003eperformance at the VMAs\u003c/a\u003e. And if you missed her opening for Swift on 25 stops of the Eras tour, "])</script><script>self.__next_f.push([1,"you cannot be helped. The moment Carpenter herself says she knew she’d reached a new level: when there was\u003ca href=\"https://www.youtube.com/watch?v=AKo-ytGXrSc\"\u003e a joke about her\u003c/a\u003e in Dan and Eugene Levy’s opening monologue for the 2024 Emmys. “That was probably the first time I was like, Oh, I'm not even \u003cem\u003ethere\u003c/em\u003e.” 49:T58f,“Because I Liked a Boy” made an impression during Carpenter’s Eras tour performances—but it was another song, “Nonsense,” about getting tongue-tied around a crush, that got new audiences hooked on the cheeky sensibility she's become known for. Carpenter says the \u003ca href=\"https://time.com/7013336/taylor-swift-breaks-record-eras-tour-london-european-leg/\"\u003etour with Swift\u003c/a\u003e, where she had no set, dancers, or props for her act, taught her how to stand in front of a crowd alone and put on a show. It stirred up hype for a tradition, which had begun on her \u003cem\u003eEmails\u003c/em\u003e tour, where she delivered a punny \u003ca href=\"https://www.rollingstone.com/music/music-lists/sabrina-carpenter-best-nonsense-outros-1235110965/\"\u003enew outro for “Nonsense”\u003c/a\u003e each night, creating viral clip after clip as the lines got more suggestive and ridiculous. \u003ca href=\"https://www.billboard.com/lists/sabrina-carpenter-nonsense-outro-versions-eras-tour-taylor-swift/sydney-night-2/\"\u003eOne night\u003c/a\u003e in Australia: “Broke up ’cause the size was underwhelming/ Tried to give him pointers, wasn’t helping/ Maybe I just need a boy from Melbourne.” She confirms that she’s done with the bit, at least for now. “The extreme ‘it's over forever’ is just not in my repertoire. Maybe I’ll feel random one day and bring it back,” she says, but, “that was for that album, for that era. You’ve got to keep a thing good.”4a:T53f,Despite Carpenter’s years of experience—including opening for Swift on the \u003ca href=\"https://time.com/6307420/taylor-swift-eras-tour-money-economy/\"\u003emassive Eras tour\u003c/a\u003e—the intensity of playing her own arena shows is new. “The first two shows, there were enough techn"])</script><script>self.__next_f.push([1,"ical difficulties to ruin my life,” she says. There’s a part when she gets lifted 18 feet into the air on a giant heart—on the first night, she got stuck at the top. “I was up there far longer than I was supposed to be,” she says, a reminder of why, after seeing Matty Healy perform on a rooftop set for a \u003ca href=\"https://time.com/7006029/why-the-1975-is-being-sued-over-concert-in-malaysia/\"\u003e1975\u003c/a\u003e show, she thought playing with heights on tour would be too scary. Suspended over the crowd in Columbus, Ohio, she just kept singing and hoped that someone offstage was working to get her down. (They did.) “If one thing malfunctions, it can affect the whole show,” she says. “So I've just been learning, rewiring my brain, to be able to handle stuff like that.” Aside from tech issues, the hardest part is not tripping—Carpenter is constantly running up and down stairs. There was no intensive pre-tour training regimen, and her body is feeling it. “I've started doing ice baths like a little spiritual man,” she admits, a tad embarrassed. 4b:T46b,Throughout the concert, Carpenter quite literally wears her sexuality on her sleeve. “Femininity is something that I've always embraced. And if right now that means corsets and garter belts and fuzzy robes or whatever the f-ck, then that's what that means,” she says. She adds a babydoll negligee over the bodysuit in the first act, changes into a black lace catsuit and slips into a slinky robe, both by French designer Patou, in the second, and, in the final set, steps out in an ultra-sparkly two-piece halter top and skirt from Ludovic de Saint Sernin, made with crystal mesh donated by Swarovski. Carpenter’s stylist Jared Ellner teases that there will be different lyrics printed onto Carpenter’s tights throughout the tour: they did “Taste me” for night one and “I’m working late” for Madison Square Garden. The singer notes that this is the first tour where she has doubles of her outfits. “In the past it would be like, if that outfit has stain"])</script><script>self.__next_f.push([1,"s on it, good luck,” she says. Some of the corset dresses she wore on the Eras tour were in pale colors: “I would sweat, and it would just be terrible.”4c:T577,\n // A *global* property for queuing *all* Taboola commands on this page:\n window._taboola = window._taboola || [];\n\n // Fill in the page type, as provided by Taboola:\n window._taboola.push({ article: 'auto' });\n\n // Add the placement tags\n window._taboola.push(\n {\n mode: 'thumbnails-a',\n container: 'taboola-below-article-thumbnails',\n placement: 'Below Article Thumbnails',\n target_type: 'mix',\n },\n );\n\n // The flush flag instructs Taboola to fetch recommendations (and not wait for additional data)\n window._taboola.push({ flush: true });\n\n !function (e, f, u, i) {\n if (!document.getElementById(i)) {\n e.async = 1;\n e.src = u;\n e.id = i;\n f.parentNode.insertBefore(e, f);\n }\n // Fill in your Publisher ID (an alphabetic string, as provided by Taboola):\n }(document.createElement('script'), document.getElementsByTagName('script')[0], 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The last time she was at this particular French restaurant in downtown New York, they surprised her with a round of espresso martinis. \"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-1\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"$45\"}}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"$46\"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-2\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"When we meet for an afternoon pick-me-up, just over a month has passed since the album release, and Carpenter has been going nonstop. She’s back home in New York after the first three shows in her sold-out, 33-date \u003cem\u003eShort n’ Sweet\u003c/em\u003e tour, fresh off an 11-hour bus ride from Detroit. Hence the need for caffeine. “TMI,” she adds, “But I’m in my luteal phase, and just feeling like a monster.” When the server comes by with coffee, she orders a chocolate mousse for us to share.\u0026nbsp;\"}}],[\"$\",\"hr\",null,{\"className\":\"mx-auto my-1 h-1.5 w-12 border-none bg-time-red !px-0\"}],[\"$\",\"figure\",null,{\"className\":\"block h-auto w-full inline-image self-center max-w-full\",\"style\":{},\"arial-label\":\"media\",\"data-size-slug\":\"$undefined\",\"data-block\":\"gutenberg-custom-blocks/inline-image\",\"data-link-destination\":\"$undefined\",\"data-srcset\":\"$undefined\",\"data-media-size\":\"special_small_2x\",\"data-original-width\":\"2363\",\"data-original-height\":\"3150\",\"data-original-src\":\"https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=85\",\"data-caption\":\"$undefined\",\"data-credit\":\"Photograph by Charlotte Rutherford for TIME\",\"data-copyright\":\"$undefined\",\"data-sizes\":\"(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px\",\"children\":[[\"$\",\"picture\",null,{\"className\":\"flex max-w-full flex-col items-center\",\"children\":[[],[\"$\",\"$L47\",null,{\"src\":\"https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg?quality=85\",\"alt\":\"Sabrina Carpenter Time 100 Next cover\",\"width\":2363,\"height\":3150,\"loading\":\"lazy\",\"quality\":75,\"sizes\":\"(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px\",\"loader\":\"$48\",\"className\":\"h-auto w-full max-w-full\",\"index\":8,\"id\":\"7024744\",\"url\":\"https://api.time.com/wp-content/uploads/2024/09/TIM241014_Cover-Sabrina_01.jpg\"}]]}],[\"$\",\"figcaption\",null,{\"className\":\"block max-w-full bg-white px-4 pt-2 font-roboto text-[.813rem] sm:px-0\",\"children\":[\"$undefined\",[\"$\",\"span\",null,{\"aria-hidden\":\"false\",\"className\":\"ml-2 inline text-xs text-time-gray-5\",\"dangerouslySetInnerHTML\":{\"__html\":\"Photograph by Charlotte Rutherford for TIME\"}}]]}]]}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Carpenter may appear to have materialized from nowhere as a fully formed pop star, but she has been grinding for 16 years. Growing up in \u003ca href=\\\"https://www.phillyvoice.com/sabrina-carpenter-saturday-night-live-finale-episode-performance/\\\"\u003eEast Greenville, Pa\u003c/a\u003e., she started posting videos of herself \u003ca href=\\\"https://www.youtube.com/watch?v=bWYXB0MGRNo\\\"\u003esinging on YouTube\u003c/a\u003e when she was 9. Her big break came at 13, when she landed a role in \u003cem\u003e\u003ca href=\\\"https://time.com/2928603/girl-meets-world-an-interview-with-star-ben-savage/\\\"\u003eGirl Meets World\u003c/a\u003e\u003c/em\u003e, a reboot of the classic ’90s series \u003cem\u003eBoy Meets World\u003c/em\u003e. Carpenter makes a point to note that she signed with her first label, Disney’s Hollywood Records, at 12—before she booked the TV show. “I knew that I wouldn't be able to thrive as a recording artist the same way I would have been able to working on a show as a child actor,” she says, “which I know sounds weird to have that perspective at 12, but I was really lucky to.”\"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-3\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Carpenter released four albums with the Disney-owned label between 2015 and 2019 and continued to act, in movies like \u003cem\u003eAdventures in Babysitting\u003c/em\u003e, \u003cem\u003e\u003ca href=\\\"https://time.com/5417038/the-hate-u-give-movie-review/\\\"\u003eThe Hate U Give\u003c/a\u003e\u003c/em\u003e, and \u003cem\u003eTall Girl\u003c/em\u003e. But she couldn’t quite break through to the mainstream as an artist. “For a long time, I was constantly guided and misguided,” she says. “I'm so grateful for all of those times where I was led astray, because now I'm a lot more equipped going into situations where I have to trust my own instincts.”\"}}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Her 2022 album \u003cem\u003eEmails I Can’t Send\u003c/em\u003e—her first more adult project on a new label—was an opportunity to do just that. She put out a collection of songs about heartbreak, attraction, and scrutiny that were wiped clean of Disney’s perfectionistic sheen. “My last album was f-cking sad, straight up,” Carpenter says. She describes the first stretch of the pandemic, when she was 21, as a time when she realized she wanted to “make some mistakes,” or at least be less hard on herself. “I wanted to make sure to still be young while I’m young… To go through your life trying to be a little robot angel, you’re going to have a lot of regrets later,” she says. “That’s also why during that time of my life I was a little bit of an emotional wreck.”\"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-4\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"The album contained songs that fans connected with tantalizing gossip, having deduced that Carpenter might have been the “blonde girl” described as winning over the person (purportedly fellow Disney actor Joshua Bassett) who broke \u003ca href=\\\"https://time.com/entertainer-of-the-year-2021-olivia-rodrigo/\\\"\u003eOlivia Rodrigo’s \u003c/a\u003eheart in “Driver’s License.” Carpenter’s song “Because I Liked a Boy” seemed to respond: “Now I'm a homewrecker, I'm a slut / I got death threats filling up semi-trucks.”\"}}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"$49\"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-5\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Carpenter may be only 25, but she is coming into her own with the earned confidence of a veteran, and she knows how to give the people what they want. Her brand—she’s short, she’s funny, and she’s horny—is specific enough to feel authentic but also general enough to capture an ever-broadening audience. And she’s not afraid to make a joke about herself. “If you want to call me a Polly Pocket, a Bratz doll, I don't care,” she says. “You'll meet me and then you'll be like, damn, she talks a lot more than the dolls do.” It takes a certain amount of time under pressure to build the sense of self that Carpenter embodies—we’ve seen it this year with artists like \u003ca href=\\\"https://time.com/6988885/chappell-roan-what-to-know/\\\"\u003eChappell Roan\u003c/a\u003e and \u003ca href=\\\"https://time.com/6990717/charli-xcx-brat-album/\\\"\u003eCharli XCX\u003c/a\u003e, too. It’s hard to remember now, but even Swift was once a rising country-music star trying to break into the mainstream.\"}}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"\u003ca href=\\\"https://time.com/6964845/jack-antonoff/\\\"\u003eJack Antonoff\u003c/a\u003e, who worked with Carpenter on multiple \u003cem\u003eShort n’ Sweet \u003c/em\u003etracks, was following her career long before they collaborated. “I look at all Sabrina's work, and she's just crystallized more and more,” he told TIME in a \u003ca href=\\\"https://time.com/7027160/jack-antonoff-interview-bleachers-sabrina-carpenter-taylor-swift/\\\"\u003erecent interview\u003c/a\u003e. “I guess the lesson there is there was nothing wrong. It was just about staying the course. That's really what it is to be an artist.”\"}}],[\"$\",\"$L43\",\"block-gutenberg-custom-blocks/video-jw-19\",{\"block\":{\"__typename\":\"ContentBlock\",\"innerBlocks\":[],\"attributes\":[{\"__typename\":\"ContentBlockAttribute\",\"name\":\"mediaId\",\"value\":\"ZaTkly42\"},{\"__typename\":\"ContentBlockAttribute\",\"name\":\"autostart\",\"value\":\"false\"},{\"__typename\":\"ContentBlockAttribute\",\"name\":\"noRec\",\"value\":\"true\"}],\"innerHTML\":\"[video id=ZaTkly42 no_rec]\",\"name\":\"gutenberg-custom-blocks/video-jw\",\"tagName\":\"div\"},\"index\":19,\"mediaId\":\"ZaTkly42\",\"autostart\":false,\"noRec\":true}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Carpenter is reaping the benefits of her persistence. “There were so many things I dreamt of doing as a little girl I got to do this year that felt like such a cool, sweet, little bucket-list moment for my younger self,” she says. “I literally threw up when I found out about \u003cem\u003eSNL\u003c/em\u003e. Not to be graphic.” The VMAs performance was another dream realized. “I grew up watching those performances and being like, I want to do that. But then it all just seemed so—not even out of reach, just like I had a different plan in my head of when it was all supposed to happen,” she says, meaning it wasn’t supposed to take this long. But now that everything has unfolded the way it has, Carpenter can see the advantage. “I feel so prepared for these moments,” she says. “If I was even 17 or 18, I think I would have been way, way more nervous and intimidated.”\u0026nbsp;\"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-6\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"The next thing that could make her throw up with excitement, if the call came tomorrow: “If I could perform at the Grammys.”\u0026nbsp;\"}}],[\"$\",\"hr\",null,{\"className\":\"mx-auto my-1 h-1.5 w-12 border-none bg-time-red !px-0\"}],[\"$\",\"figure\",null,{\"className\":\"block h-auto w-full inline-image self-center max-w-full\",\"style\":{},\"arial-label\":\"media\",\"data-size-slug\":\"$undefined\",\"data-block\":\"gutenberg-custom-blocks/inline-image\",\"data-link-destination\":\"$undefined\",\"data-srcset\":\"$undefined\",\"data-media-size\":\"special_small_2x\",\"data-original-width\":\"2400\",\"data-original-height\":\"1601\",\"data-original-src\":\"https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=85\",\"data-caption\":\"Sabrina Carpenter\",\"data-credit\":\"Charlotte Rutherford for TIME\",\"data-copyright\":\"$undefined\",\"data-sizes\":\"(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px\",\"children\":[[\"$\",\"picture\",null,{\"className\":\"flex max-w-full flex-col items-center\",\"children\":[[],[\"$\",\"$L47\",null,{\"src\":\"https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg?quality=85\",\"alt\":\"Sabrina Carpenter\",\"width\":2400,\"height\":1601,\"loading\":\"lazy\",\"quality\":75,\"sizes\":\"(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px\",\"loader\":\"$48\",\"className\":\"h-auto w-full max-w-full\",\"index\":24,\"id\":\"7027038\",\"url\":\"https://api.time.com/wp-content/uploads/2024/09/time100-next-sabrina-carpenter-profile.jpg\"}]]}],[\"$\",\"figcaption\",null,{\"className\":\"block max-w-full bg-white px-4 pt-2 font-roboto text-[.813rem] sm:px-0\",\"children\":[[\"$\",\"span\",null,{\"aria-hidden\":\"false\",\"className\":\"inline leading-tight text-time-black\",\"dangerouslySetInnerHTML\":{\"__html\":\"Sabrina Carpenter\"}}],[\"$\",\"span\",null,{\"aria-hidden\":\"false\",\"className\":\"ml-2 inline text-xs text-time-gray-5\",\"dangerouslySetInnerHTML\":{\"__html\":\"Charlotte Rutherford for TIME\"}}]]}]]}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"As polished and well-packaged as the Sabrina Carpenter brand is, it’s her willingness to be messy that really makes it all work. In \u003cem\u003eShort n’ Sweet\u003c/em\u003e, she’s in turns cocky, desperate, petty, brutal, deliriously horny, and not all that pressed. The effect is that, no matter the drama at hand, Carpenter refuses to take herself too seriously. “I like the fact that I just put out a song that starts with ‘I can't relate to desperation,’ and then I’m putting out the most desperate possible sounding chorus I could in my life,” she says, of “Espresso” and “Please Please Please.” “The idea is like: if everything is super calculated, then the second you make a statement, that's who you are for the rest of your life—as opposed to it being like: \u003cem\u003eor\u003c/em\u003e you can be super confident one day and then the most emotional wreck the next day.” \"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-7\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Carpenter describes \u003cem\u003eShort n’ Sweet\u003c/em\u003e as a “time capsule” of a certain period in her life, and a few songs on the album seem to, fairly overtly, reference a relationship she had with Shawn Mendes during off-again stretches of his past romance with Camila Cabello. (See: the lyrics of “Coincidence” analyzed against timelines of who was seen where with whom. See also: the roast ballad “Dumb \u0026amp; Poetic,” “Taste,” and a particularly savage line of \u003ca href=\\\"https://www.tiktok.com/@ixamjt/video/7412381795557149984\\\"\u003e“Slim Pickins.”\u003c/a\u003e) Likewise, casting Keoghan in the video for “Please Please Please,” a song about begging her actor boyfriend not to embarrass her, pretty much eliminated the possibility that anyone would think it wasn’t about him. \"}}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Carpenter won’t say specifically who she was thinking of when writing any of her songs—no savvy pop star would—but she is willing to talk about the feelings within them. “It'll probably bite me in the ass at some point,” she says, knocking wood, “but it's been a really therapeutic album to be able to just say what I'm thinking.” One example: “Please Please Please” captures a love-hate dynamic that will be familiar to anyone who’s found themselves wondering if they’re \u003ca href=\\\"https://time.com/5377841/off-on-relationships/\\\"\u003ein the wrong relationship\u003c/a\u003e. “I’m so blunt and forward. I feel like, what is the reason that we're all hiding from each other when these are just real things? Sometimes men embarrass you. That's super normal,” she says. \"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-8\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Now, starting to see crowds sing along with her on tour, she’s recognizing how relatable that song in particular is. “This just really hits for the girls that have every right to go back to someone who isn't good for them, and know that those mistakes are absolutely human to make, and repeatedly.” She takes a bite of chocolate mousse, a dollop of whipped cream and a few cookie crumbles on top. “The amount of times that we've all been with people we shouldn't be,” she continues. “We either learn it the hard way, or we are a miracle and we end up marrying that person.”\"}}],[\"$\",\"hr\",null,{\"className\":\"mx-auto my-1 h-1.5 w-12 border-none bg-time-red !px-0\"}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"When the lights dim before Carpenter takes the stage at Madison Square Garden two nights later, the collective scream is head-splitting. She dashes onstage in a towel that she opens, eyebrows raised, to reveal a glittering yellow Victoria’s Secret bodysuit. The show takes off from there, an hour and a half of glitzy group dance sequences, intimate ballads, and winking innuendos set in a two-story New York City penthouse. There’s a fireplace in the living room, a moody, after-dark balcony, a pink satin bedroom, and even a bathroom, where, in an offbeat highlight of the show, Carpenter sits on a toilet and ruminates as she sings about a hot dummy who jerked her around. “Some songs feel like bathroom thoughts to me, like when you're at a party and you go to the bathroom to cry or judge yourself in the mirror,” she says. “It's comical but also brings a little groundedness to the show.” \"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-9\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"$4a\"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-10\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"$4b\"}}],[\"$\",\"figure\",null,{\"className\":\"block h-auto w-full inline-image self-center max-w-full\",\"style\":{},\"arial-label\":\"media\",\"data-size-slug\":\"$undefined\",\"data-block\":\"gutenberg-custom-blocks/inline-image\",\"data-link-destination\":\"$undefined\",\"data-srcset\":\"$undefined\",\"data-media-size\":\"special_small_2x\",\"data-original-width\":\"1621\",\"data-original-height\":\"2400\",\"data-original-src\":\"https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=85\",\"data-caption\":\"Sabrina Carpenter performs on stage during the Short N' Sweet Tour at Madison Square Garden in New York City, on Sept. 29, 2024.\",\"data-credit\":\"Christopher Polk—Rolling Stone/Getty Images\",\"data-copyright\":\"2024 Penske Media\",\"data-sizes\":\"(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px\",\"children\":[[\"$\",\"picture\",null,{\"className\":\"flex max-w-full flex-col items-center\",\"children\":[[],[\"$\",\"$L47\",null,{\"src\":\"https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg?quality=85\",\"alt\":\"Sabrina Carpenter performs on stage during the Short N' Sweet Tour at Madison Square Garden in New York City, on Sept. 29, 2024.\",\"width\":1621,\"height\":2400,\"loading\":\"lazy\",\"quality\":75,\"sizes\":\"(max-width: 768px) 90vw, (max-width: 1024px) 75vw, (max-width: 1280px) 55vw, 800px\",\"loader\":\"$48\",\"className\":\"h-auto w-full max-w-full\",\"index\":37,\"id\":\"7027486\",\"url\":\"https://api.time.com/wp-content/uploads/2024/10/time100-next-2024-sabrina-carpenter-performance-msg.jpg\",\"title\":\"Sabrina Carpenter Short N' Sweet Tour at MSG\"}]]}],[\"$\",\"figcaption\",null,{\"className\":\"block max-w-full bg-white px-4 pt-2 font-roboto text-[.813rem] sm:px-0\",\"children\":[[\"$\",\"span\",null,{\"aria-hidden\":\"false\",\"className\":\"inline leading-tight text-time-black\",\"dangerouslySetInnerHTML\":{\"__html\":\"Sabrina Carpenter performs on stage during the Short N' Sweet Tour at Madison Square Garden in New York City, on Sept. 29, 2024.\"}}],[\"$\",\"span\",null,{\"aria-hidden\":\"false\",\"className\":\"ml-2 inline text-xs text-time-gray-5\",\"dangerouslySetInnerHTML\":{\"__html\":\"Christopher Polk—Rolling Stone/Getty Images\"}}]]}]]}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"With all the lingerie and innuendos in mind, I ask Carpenter if, a generation later, she has been spared the vilification that artists like \u003ca href=\\\"https://time.com/6325932/britney-spears-madonna-kiss-vmas-2003-book/\\\"\u003eBritney Spears\u003c/a\u003e and Christina Aguilera suffered for daring to incorporate their sexuality into their work. “No, I definitely get that as well,” she says. She’s trying to remember that social media is an echo chamber. “Someone told me this, whenever I would get upset or feel like I'm the only one getting criticized for something other people are able to do seemingly so freely: I'm the one that's seeing all the negative sh-t about myself. My friends don't see that.” \"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-11\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Artists like Madonna, Aguilera, Spears, Beyoncé, and \u003ca href=\\\"https://time.com/5674562/rihanna-savage-fenty-2019/\\\"\u003eRihanna\u003c/a\u003e all helped pave the way, Carpenter says. “But you'll still get the occasional mother that has a strong opinion on how you should be dressing. And to that I just say, don't come to the show and that’s OK. It's unfortunate that it's ever been something to criticize, because truthfully, the scariest thing in the world is getting up on a stage in front of that many people and having to perform as if it's nothing. If the one thing that helps you do that is the way you feel comfortable dressing, then that's what you’ve got to do.”\"}}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Her approach seems to be working. “Juno,” a seductive pop song that references the \u003ca href=\\\"https://time.com/archive/6908618/juno-no-false-notes/\\\"\u003e2007 teen-pregnancy movie\u003c/a\u003e, brings a show-stopping moment when Carpenter drops into a suggestive position and delivers the line, “Have you ever tried this one?”—then rises into the air on the heart-shaped platform. At Madison Square Garden, she bends on her knees, whips her hair, and jumps up and down above the crowd, ebullient. \"}}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"Somewhere in the arena is Carpenter’s mom, seeing the show for the first time. Her dad and 94-year-old grandfather came to opening night in Columbus. “My fans online are like, I can’t believe she's bending over in front of her grandparents!” Carpenter says. “I'm like, girl, they are not paying attention to that. They’re just like, I can’t believe all these people are here.”\"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-12\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"hr\",null,{\"className\":\"mx-auto my-1 h-1.5 w-12 border-none bg-time-red !px-0\"}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"It feels a little absurd to ask Carpenter what’s next—she’ll be on the road through March, and isn’t that enough? But she’s already tinkering with new songs (a constant practice) and she hints that there are “a few projects” she’s working on for after the tour. In the nearer term, Halloween is coming up; she’ll go big, and she’ll take it as a massive compliment if you choose to dress up as her. And in December, she’ll release a holiday special on Netflix. “It's an hour of literal nonsense,” she says. “If people are expecting boring, me singing by a tree, it's not that. It's so fun, so chaotic. There are so many guests that I’m excited about.”\u0026nbsp;\"}}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"To Carpenter, it’s all still a bit surreal. She says she’s been looking out at the crowds at night, checking to make sure they’re really all there to hear her songs. It makes her easy to root for: the girl who found her way into this world before she knew who she was, finally finding the success she’s worked so hard for only now that she can trust herself to do it all her way.\u0026nbsp;\"}}],[\"$\",\"div\",null,{\"id\":\"inline-ad-13\",\"className\":\"ad flex min-h-[1px] w-full min-w-[1px] max-w-[100vw] items-center justify-center bg-transparent text-center group-[.disable-ads]:hidden print:hidden flex \",\"role\":\"complementary\",\"aria-label\":\"Advertisement\",\"data-native\":false}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"I make a comment about how much experience she has behind her, despite being so young. She says thank you, and it’s clear she means it. “People like to make you feel like, when you’re above 21 in this industry, you’re haggard,” Carpenter says, her laugh filling the air. “But I’m trying to remember that I’m still quite young.”\"}}],[\"$\",\"p\",null,{\"className\":\"self-baseline px-0 font-pt-serif text-17px leading-7 tracking-0.5px\",\"dangerouslySetInnerHTML\":{\"__html\":\"\u003cem\u003eSet design by Liam Moore; styling by Jared Ellner; hair by Scott King; make-up by Sam Visser; nails by Zola Ganzorigt; photographed at Hubble Studio\u003c/em\u003e\"}}]]}]]}],[\"$\",\"div\",null,{\"className\":\"mt-11 flex w-full max-w-article-body-centered flex-col gap-8 px-4 lg:max-w-article-body lg:pl-[6.5rem] lg:pr-14\",\"children\":[[\"$\",\"div\",null,{\"className\":\"inline-article-recirc md:relative\",\"children\":[[\"$\",\"h2\",null,{\"className\":\"left-0 top-[-0.813rem] bg-white pb-1 text-center font-roboto-condensed text-xl font-bold uppercase md:absolute 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